Regarding Steve Stiles

Steve Stiles at Corflu in 2019. Photo by Jeff Schalles

By Jeff Schalles: I had the pleasure of being friends with Steve for 44 years. When he, sadly, left us, much too soon, I at least had the pleasure of helping pull together the print version of Steve’s epic anthology of his life’s work, The Return of Hyper Comics, 164 pages of his fabulous art and uniquely droll brand of writing. Steve had been working on this book, the second Hyper Comics volume, for many years.

Elaine & Steve Stiles and Jeff Schalles in 1982.

Michael Dobson took on the business side of the project, as well as art direction and proofreading. We both have been designing books for many years. I did all of the layout and typesetting, and I did a lot of research among Steve’s various web nooks and crannies, hunting for images of his art and tracking down his blog essays. The huge assortment of art I gathered came in handy when Michael was proofreading, because he found two duplicated comic pages that I’d missed, buried deep in the book. So much to look at!

Steve’s studio, 1980. Photo by Jeff Schalles.

I found 6 or 7 essays and chose two to add to the one Steve had already placed in his working draft: My First Orgy. Elaine Stiles provided us with Steve’s Hyper Comics files, mainly one huge folder with 134 pages of art. He’d thoughtfully named each file by its intended page number, and I simply followed his numbering. What you see is truly Steve’s vision, we merely picked-up where he left off.

Steve and I were good friends, and I generally carry a camera, which is why I had so many photos of him over a wide span of years to put in the book. I particularly love the wedding shot, near the back. I shot all of the photos, except for the two provided by John O’Halloran from the night Steve finally won his Hugo in 2016. Chris Couch and I were sitting together in the audience when Steve was announced the winner. I bruised my hands applauding and hurt my throat shouting with excitement!

Steve Stiles with his Best Fan Artist Hugo in 2016. Photo by John O’Halloran.

When Steve and I shared an apartment in Arlington, Virginia, in 1981, he was drawing the Thintwhistle strip for Ted White, editor of Heavy Metal Magazine at the time. Steve also painted a large color Thintwhistle painting, intended for a future cover or splash page. One sunny day we took the painting outside and I shot color slides of it. 39 years later, while pondering the Hyper cover design, I realized I had those slides, and even knew where they were. I scanned the archival Kodachrome 25 slide, still sharp, still saturated with color, and placed it on the back cover.

The Return of Hyper Comics

Created by Steve Stiles Foreword by Denis Kitchen

Afterword by Ted White

Thintwhistle Books

Randallstown, Maryland

Print: ISBN 9-798-6457-2936-3
150 pages b&w, color wraparound cover, 7”x10” SRP: $18.95
Digital edition available 

Steve Stiles in 1979. Photo by Jeff Schalles.

Fund Nate Bucklin’s New Album

Nate Bucklin

Nate Bucklin

Nate Bucklin is a widely known musician, and not only in fandom. His composition “I Was Born About Ten Million Songs Ago,” performed by Steven Brust, received airplay on Dr. Demento’s show for years and was part of a Dr. Demento CD.

Bucklin is also credited with inadvertently triggering the founding of the Minnesota Science Fiction Society in 1966:

A gathering to welcome Nate to the Twin Cities was so successful that the attendees decided to repeat it in two weeks. After several such meetings, the meeting was called to order and the club was named, with regular Saturday meetings that have continued ever since.

But jumping back to the present – Nate and his band members are raising money via Kickstarter for Bucklin’s new album, “My Favorite Whirlwind”.

The band — Nate Bucklin, guitar and vocals, David Emerson, keyboards and vocals, Jason Becker, bass, Jeff Schalles, drums, and Felicia Herman, vocals – also will present this project in a live performance at Minicon 50, to be held April 2-5, 2015.

At this writing, people have already pledged $2,787 of the original $1,760 goal. But the additional money will be very helpful, as Jeff Schalles explains:

Our stretch goal is modest, if the total keeps going up, we’ll be able to book extra studio time at the end of the recording session for mixing and overdubbing, and up the number of CDs we have made. Beyond that, Nate’s been hankering after a new typewriter. A nice, solid, refurbished office electric, from that typewriter guy with the shop down on Penn Ave. in Richfield. Nate does his best writing on a typewriter! (At the moment, we’re working on building him a computer, too, so he can get back online. But he’d still rather write on a typewriter.)