By Olav Rokne: Over the past several weeks, a group of fans has been working on a proposal to abolish WSFS constitution clause 3.12.2, which could result in a Hugo category getting no award even when that is not the express wishes of voters. The group proposing this change to the WSFS constitution includes people who are presently or have recently been finalists in the categories most likely to be affected by 3.12.2 of the constitution.
It would be exceptionally embarrassing for a Worldcon to have to explain why a finalist would have won the Hugo except for — oops! — this bit of outdated fine print. The best course of action is to eliminate that fine print before such a circumstance arises.
The list of people who have been working on this proposal includes Olav Rokne, Amanda Wakaruk, Paul Weimer, Jason Sanford, Cora Buhlert, Camestros Felapton, Christopher J Garcia, Marshall Ryan Maresca, Joe Sherry, Adri Joy, Gideon Marcus, Lori Anderson, Kevin Anderson, Oghenechovwe Donald Ekpeki, Haley Zapal, Amy Salley, Chris M. Barkley, Mike Glyer, and Alasdair Stuart.
Here is the current draft of the proposal that we intend to present to the business meeting:
Hugo Voting Threshold Reform Proposal for the 2022 Business Meeting
Over the past several years, several Hugo Award categories have come close to not being awarded due the current wording of, but not the original intent of, 3.12.2 of the constitution.
The current text of 3.12.2
“No Award” shall be given whenever the total number of valid ballots cast for a specific category (excluding those cast for “No Award” in first place) is less than twenty-five per cent (25%) of the total number of final Award ballots received.
While this clause was designed to guard against categories in which there was a lack of interest, there has not been a significant decline in the categories most at risk of being affected by 3.12.2. Rather there has been a significant uptick in interest in other categories.
Since 2,362 final Award ballots were cast in 2021, if any category received fewer than 591 votes in the final count, then a result of “No Award” would have been declared. Fancast received 632 votes, barely scraping past that 25 per cent threshold. Fanzine (643 votes), Editor – Long Form (667 votes), and Fan Writer (680 votes) were all poised near the abyss.
Worldcon has grown since the 1960s to the point at which this threshold is no longer relevant, and could even be harmful.
The fact that this threshold is based on the overall number of ballots cast in more high-profile categories (like Best Novel or Best Dramatic Presentation), it risks punishing these important and community-oriented categories (like Fancast and Fanzine) – despite the existence of substantial and sustained interest in these categories.
In an era of superhero franchises and a true renaissance of SF/F television worldwide, it is unwieldy to expect community-oriented categories to pull the same interest as multi-million dollar franchises. We do a disservice to the diversity of our community when we establish the latter as the threshold of popularity for the former.
To address this unanticipated problem, we would propose decoupling the viability threshold from the total number of final award ballots with the following proposal:
PROPOSAL – Eliminate 3.12.2
Strike the following words from the WSFS constitution:
3.12.2: “No Award” shall be given whenever the total number of valid ballots cast for a specific category (excluding those cast for “No Award” in first place) is less than twenty-five percent (25%) of the total number of final Award ballots received.
Several other options for reform of this section have been discussed, such as changing the percentage, moving the threshold to an absolute value, or creating other metrics. However, eliminating this viability test altogether is the simplest action that would solve the immediate problems faced in an era of disproportionate increases of interest in some Hugo categories.
Science fiction author Charlie Jane Anders (Victories Greater Than Death) brought abundant charisma to the stage for her Ci10 keynote. Her hot-pink bob, matching Doc Martens, and neon-confetti-dotted black dress reinforced her energy. She delivered her talk, “Magical Portals Are Real, and I Can Prove It!,” in a conversational and confiding tone, to booksellers who know and recommend her LGBTQ+ fiction.
Alluding to Frank Herbert’s Dune dictum that “the universe is full of doors,” Anders said that we encounter portals in our lives. “I’ve jumped universes three or four times,” she said, acknowledging how she came to recognize her authorial persona and trans identity. “This is definitely not the universe I was born in.”…
After more than six decades of making bicycles soar, sending panicked swimmers to the shore and other spellbinding close encounters, John Williams is putting the final notes on what may be his last film score.
“At the moment I’m working on ‘Indiana Jones 5,’ which Harrison Ford — who’s quite a bit younger than I am — I think has announced will be his last film,” Williams says. “So, I thought: If Harrison can do it, then perhaps I can, also.”
Ford, for the record, hasn’t said that publicly. And Williams, who turned 90 in February, isn’t absolutely certain he’s ready to, either.
“I don’t want to be seen as categorically eliminating any activity,” Williams says with a chuckle, speaking by phone from his home in Los Angeles. “I can’t play tennis, but I like to be able to believe that maybe one day I will.”
Right now, though, there are other ways Williams wants to be spending his time. A “Star Wars” film demands six months of work, which he notes, “at this point in life is a long commitment to me.” Instead, Williams is devoting himself to composing concert music, including a piano concerto he’s writing for Emanuel Ax….
…But why, in reality, are bounty hunters so distinctly American? Like many things, once you dig beyond the fiction you run straight into the depressing inevitabilities of US history. There is a complex history behind bounty hunters in the US but looming large in that history are slave catchers. People employed to catch fugitive slaves were not a US invention but the size of the US slave economy (until the Civil War and emancipation) meant that “slave catcher” was both casual work and a profession for some. The powers of slave catchers was further enhanced prior to the Civil War with the Fugitive Slave Act of 1850 (https://en.wikipedia.org/wiki/Fugitive_Slave_Act_of_1850) which codified the ability of slave catchers to act beyond the borders of slave states. Slavery is not the only defining element in the US bounty hunting history but it is such a substantial example in the formative years of the nation that it is hard to imagine that it isn’t key to the lasting influence of the idea in the US.
The attraction of the bounty hunter concept to quasi-libertarian SFF is apparent. The bounty hunter as a character can be simultaneously running a private business and be an arm of law enforcement. As a legitimised vigilante, the bounty hunter as a character can sit in a kind of Lagrange point between the pull of the heroic individualist and the pull of authoritarian imposition of order….
(4) SPACEHOUNDS OF THE WSFS, And when Camestros Felapton is finished with the topic above, he chronicles the work of another set of adventurers who are hard at work to disarm “The Hugo Kill Switch”.
The people at The Hugo Book Club Blog (Olav Rokne & Amanda Wakaruk) are on a high-stakes mission to defuse a time bomb. Deep within the WSFS constitution is a hidden switch that is creeping ever closer to hitting some beloved Hugo Award categories. Can a rag-tag team save the Fan categories before the timer reaches zero?!
(5) TO THE EGRESS, AND BEYOND. Arturo Serrano analyzes the special challenges inherent in the audience’s complicated history with the Toy Story franchise and the Buzz Lightyear character and tells why “Lightyear doesn’t fly, but it falls with style” at Nerds of a Feather.
…The quest for continued relevance is a preoccupation that the movie assigns to both Buzz and itself. It tries to evoke the feel of the Flash Gordon serials and, of course, both of the big Star franchises. But instead of the now-common practice of attempting to recapture an old moment of wonder via repetition and allusion, this movie gave itself the harder task of pretending to be that first experience. Although the villain’s big plan involves the return to an idealized past, Lightyear is not a case of nostalgia (because anything it could try to revisit is supposed to be provided by this story for the first time), but of pastiche. It may be unfair to cast Pixar as a victim of its own spectacular successes, but Lightyear is certainly not the best that the studio is capable of, and at times it’s a stretch to imagine small Andy being blown away by it….
(6) YES, THE END IS NEAR! The inaugural winner of the first Self-Published Science Fiction Competition will be announced in three weeks.
…However, Subotsky revealed that a second deal was negotiated following production of 1965’s Dr. Who and the Daleks which would indeed have allowed for a third film. “There was a further agreement that was entered into, to give the rights to make a third movie, which of course was never done,” he explained. “It was on the same terms as the original films, so my feeling is… the option lapsed.”
Though a third movie never materialised, Subotsky further revealed that his father did in fact produce a screenplay for the proposed sequel that remains in his family’s possession and was also displayed at the BFI event – this script, however, was not an adaptation of any existing Doctor Who television serial.
“Many years later, maybe 15 years later, it was clearly still on his mind, because he had prepared a script called ‘Doctor Who’s Greatest Adventure’ which actually was a repurposed script of a horror film entitled ‘King Crab’… the original title was even worse, it was ‘Night of the Crabs’!
“It was with two Doctors – a young Doctor and an old Doctor – which is an idea that has been returned to.”…
… Across its brief six-episode run, Obi-Wan stopped the spectacle to focus on people — and it mostly resonates as a contrast to how much I’ve missed them in other Star Wars stories.
At the heart of this are Obi-Wan’s two central performances. As Obi-Wan, Ewan McGregor plays a broken man in exile, a soldier who knows he lost the war but is still being asked to fight it, keeping constant vigil from afar over the young Luke Skywalker. As befits the character that shares the series’ name, every note of Obi-Wan’s journey rings true, largely thanks to McGregor’s performance….
Space is pretty deadly. But is it so deadly that we’re effectively imprisoned in our solar system forever? Many have said so, but a few have actually figured it out.
(10) MEMORY LANE.
1983 – [By Cat Eldridge.] Thirty-nine years ago, the follow-up film to the Twilight Zone series premiered this week. Produced by Steven Spielberg and John Landis, Twilight Zone: The Movie certainly carried high expectations. This film features four stories directed by Landis, Spielberg, Joe Dante, and George Miller.
Landis’ segment is the only original story created for the film, while the segments by Spielberg, Dante, and Miller are remakes or more precisely reworkings of episodes from the original series.
The screenplay is not surprisingly jointly done by a committee of John Landis, George Clayton, Johnson Richard Matheson and Melissa Mathison as is the story which is by Landis, Matheson, Johnson and Jerome Bixby.
The principal cast was surprisingly small given that there were four stories, just Dan Aykroyd, Albert Brooks, Scatman Crothers, John Lithgow, Vic Morrow and Kathleen Quinlan.
It did quite well at the box office, making over forty million against a budget of under ten million. Some critics like Roger Ebert at the Chicago Sun-Tribune like some of it though he noted that, “the surprising thing is, the two superstar directors are thoroughly routed by two less-known directors” while others such as Vincent Canby at the New York Times hated all of it calling the movie a “flabby, mini-minded behemoth”.
It was enough of a financial success that the suits at CBS gave the approval to the Twilight Zone series.
Audience reviewers at Rotten Tomatoes give it a not great fifty-five percent rating.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 23, 1908 — Sloan Nibley. Writer who worked on a number of genre series including Science Fiction Theater, Addams Family, The Famous Adventures of Mr. Magoo, Shazan, and the New Addams Family. (Died 1990.)
Born June 23, 1945 — Eileen Gunn, 77. Her story “Coming to Terms” based on her friendship with Avram Davidson won the Nebula Award for Best Short Story. Her stories are in Stable Strategies and Others, Steampunk Quartet and Questionable Practices. With L. Timmel Duchamp, she penned The WisCon Chronicles, Vol. 2: Provocative Essays on Feminism, Race, Revolution, and the Future. Her ”Stable Strategies for Middle Management” story picked up a nomination at Noreascon 3 (1989), and “Computer Friendly” garnered a nomination the next year in the same category at ConFiction (1990). She’s well stocked at the usual digital suspects.
Born June 23, 1957 — Frances McDormand, 65. She’s God. Well at least The Voice of God in Good Omens. Which is on Amazon Prime y’all. Her first genre role was in the “Need to Know” episode of Twilight Zone followed shortly thereafter by being Julie Hastings in Sam Raimi’s excellent Dark Man. She’s The Handler in Æon Flux and that’s pretty much everything worth noting.
Born June 23, 1963 – Liu Cixin, 59. He won the Best Novel Hugo at Saquan (2015) for his Three Body Problem novel, translated into English by Ken Liu. It was nominated for the Campbell Memorial, Nebula, Canopus and Prometheus Awards as well. He picked up a Hugo novel nomination at Worldcon 75 (2017) for Death’s End also translated by Liu.
Born June 23, 1972 — Selma Blair, 50. Liz Sherman in Hellboy and Hellboy II: The Golden Army. She also voiced the character in the animated Hellboy: Sword of Storms and Hellboy: Blood and Iron as well which are quite excellent. She’s Stevie Wayne in The Fog, a slasher film a few years later and was Cyane on the “Lifeblood” episode of Xena: Warrior Princess. Later on, she’d be Jessica Harris in the “Infestation” episode of Lost in Space.
Born June 23, 1980 — Melissa Rauch, 42. Bernadette Rostenkowski-Wolowitz on The Big Bang Theory which is at least genre adjacent if not genre. She gets to be really genre in voicing Harley Quinn in Batman and Harley Quinn which Bruce Timm considers “a spiritual successor to Batman: The Animated Series”. Having watched a few episodes on HBO when I was subscribed to that streaming service, I vehemently disagree.
Born June 23, 2000 — Caitlin Blackwood, 22. She was the young Amelia Pond in these Doctor Who episodes; “The Eleventh Hour”, “The Big Bang”, “Let’s Kill Hitler” and “The God Complex”. She had a cameo in “The Angels Take Manhattan”. She’s the cousin of Karen Gillan who plays the adult Pond. I can’t find anything online that talks about how she was cast in the role but it was brilliantly inspired casting!
…While the first volume had Orban explicitly say that he was not telling the whole truth in the end, here from the beginning we have a professional telling us right from the get go about the power of stories, lies, shading the truth and more in order to tell his story. The first novel was Parker geeking out about engineering and siegecraft and how a determined engineer could frustrate the greatest army the world has assembled. By contrast, this second novel does have concerns regarding the siege and defending it, because Parker does really like to go down his rabbit holes and show it off. (In some ways, I think of him very much like Herman Melville, just enjoying sharing what he has learned and shown off about all sorts of abstruse subjects, interwoven masterfully into the story)….
John Coxon is going to brunch, Alison Scott watched a film, and Liz Batty is critical. We discuss what we’d do if we were king of The Hugo Awards for the day, and then we talk about ABBA and other science fiction. And Monster Munch – you love to hear it.
Waititi shared, “When I did What We Do in the Shadows, when Jemaine [Clement, the film’s co-writer and star] and I were shooting that, we didn’t have much money to do that film, and The Hobbit had just wrapped. And, so, our production designer — man, I don’t know if I should tell this. OK, but I will. Our production designer, in the dead of night, took his crew to The Hobbitstudios and stole all of the dismantled, broken-down green screens and took all of the timber, and we built a house.”…
Marvel’s latest movie is bringing with it an Asgard Tours boat-load of weird and wonderful merchandise.
(18) REVISITING FILMATION. [Item by Bill.] The 1973-1974 Star Trek: The Animated Series was produced by Filmation. Recently, Gazelle Animations has done some clips from Star Trek: The Next Generation and Star Trek: Voyager in the Filmation style:
The animator gives background. And note the Most Important Device in the Universe!
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Lightyear Pitch Meeting,” Ryan George, in a spoiler-packed episode, the producer learns that the premise of Lightyear–that it’s an action movie Andy saw in 1995 that made him want to buy a Buzz Lightyear toy–he gets excited because that means a producer in the Toy Story universe made money on the film. But even though it’s supposed to be “a 1990s movie,” fans of 1990s movies that featured “a lot of over the top action and cheese” will be cruelly disappointed. Toy Story fans who remember that the villain Zurg is Buzz Lightyear’s father will also be very disappointed.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, N., Bill, SF Concatenation’s Jonathan Cowie, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]
While publisher Bandai Namco initially predicted that FromSoftware‘s Elden Ring would sell around 4 million units, the game has more than surpassed expectations. In the 18 days following its release, over 12 million copies of Elden Ring have been sold worldwide, the two companies announced on Monday.
According to the press release, the game was released throughout North America, Europe, Asia, Africa and the Middle East. 1 million units were sold in Japan alone.
Created in collaboration with novelist George R. R. Martin, who is best known for writing the series behind Game of Thrones,Elden Ring is an open-world action RPG that entered development in 2017. Players begin with a linear opening but are gradually enabled to explore the mythical Lands Between….
…Oh, and as long as I am setting stuff straight, there’s a weird story all over the internet about how I “hid” my initials in ELDEN RING because… ah.. some of the characters have names beginning with R, or G, or M. To which I say, “Eh? What? Really?” This was news to me. I have been writing and publishing stories since 1971, and I suspect that I have been giving characters names beginning with R and G and M since the start. Along with the other twenty-three letters of the alphabet as well…
…And while it may not be able to stop lightsabers, the wearable piece of art also includes a birch bark helmet, with quilled Woodland florals and different shades of orange to honour residential school survivors from her community.
The piece is called Shemaginish, which means warrior….
Personally, I find it really interesting to note that several artists of Indigenous Canadian descent are reinterpreting Star Wars iconography through traditional Indigenous styles. In addition to Ratt, there are several examples I can think of this, including well-known Canadian artists Andy Everson (a member of the Comox First Nation), and Aaron Paquette (a member of the Métis community in Edmonton) have found inspiration in mixing Star Wars with styles drawn from their respective Indigenous communities.
The safe harbors for internet platforms in the Copyright Act are conditioned on the platforms’ cooperation to remove pirated content. The law has not worked as intended by Congress to encourage that cooperation, however, because the courts resisted enforcing the loss of safe harbors. In doing so, they took the teeth out of the law. As a result, piracy is out of control today, and the only mechanism that creators have to combat piracy is to send continuous takedown notices to the platforms, which is not only costly and time-consuming—for both the creators and platforms—but it is also ineffective because pirates often repost the infringing material. Online piracy harms the entire publishing and other creative ecosystems, leaving creators, who are usually at the bottom of the food chain, with only crumbs. Writers and other creators have no recourse except to watch the income from legitimate sales of their works dwindle while e-book pirates line their coffers.
The best way to curb piracy is for service providers to adopt STMs that automatically limit the amount of piracy on their services. These technologies already exist, and many platforms already use them effectively for certain types of works. The Authors Guild and other organizations representing creators have asked Congress to require all the major user-generated content sites to use such technologies to prevent or curb piracy. While the current law contemplates voluntary multi-industry convenings to create and adopt STMs, there has been no incentive for online providers to do so. As a result, no STMs have been formally recognized in the 23 years since the law was passed.
Bill co-sponsor Sen. Thom Tillis (R-NC) says on his site:
…Online service providers struck a deal with Congress twenty years ago—they wouldn’t have to pay for copyright theft facilitated by their systems if they worked with copyright owners to create effective standardized technical measures (STMs) to identify and protect against distribution of stolen content. In enacting this grand bargain, Congress clearly envisioned this safe harbor immunity would act as an incentive for platforms and rights holders to collaborate on developing effective measures to combat copyright theft, lower transaction costs, accelerate information sharing, and create a healthy internet for everyone.
Yet rather than incentivizing collaboration, the law actually inhibits it because service providers cannot risk losing their valuable safe harbors if an STM is created. In addition, the current statute provides only one path to establish that a technological measure is a consensus-based STM that must be available to all. As a result, no STMs have been identified since the law took effect. The issue isn’t whether technical measures to combat rampant copyright infringement exist—plenty do—but rather how to encourage service providers to adopt technical measures to combat stealing and facilitate sharing of critical copyright data.
The Strengthening Measures to Advance Rights Technologies (SMART) Copyright Act of 2022 takes a measured approach to addressing these barriers in two ways. It creates flexibility so that more existing measures could be eligible for consensus created STMs and it addresses the incentive issue by authorizing the Librarian of Congress to designate through an open, public rulemaking process technical measures identified by stakeholders that certain service providers must accommodate and not interfere with. Instead of “bet the company” loss of safe harbors, violations involving designated technical measures (DTMs) risk only actual or statutory damages, from which innocent violators can be exempt.
Read a one-pager of the bill HERE and myth vs. fact HERE.
(6) LISTEN IN. Cora Buhlert is interviewed by Oliver Brackenbury in episode 36 of the So I’m Writing a Novel podcast: “Interview with Cora Buhlert”.
Cora Buhlert is a Hugo-nominated author and genre scholar who Oliver was lucky enough to meet through his research for the novel, and he’d love for you to meet her too!
Oliver and Cora discuss her falling in love with the very American body of work known as pulp fiction while she grew up travelling the world, the survival of dime novels in modern Germany, the irresistible pull of forbidden fiction, Thundarr and He-Man, “the best thing that happened in Germany in 1989”…
(7) SLICE OF LIFE. Did you ever want to know what H.P. Lovecraft thought of Gustav Meyrink’s The Golem and its silent film adaptations? If yes, Bobby Derie has you covered: “The Golem (1928) by Gustav Meyrink”at Deep Cuts in a Lovecraftian Vein.
… Der Golem (“The Golem”) was a silent film directed by and starring Paul Wegener with German intertitles released in 1915. The film is now believed to be lost, aside from some fragments. This film was followed by two more: Der Golem und die Tänzerin (“The Golem and the Dancing Girl”) in 1917, and Der Golem, wie er in die Welt kam (“The Golem: How He Came Into The World”) in 1920, both of which were also directed by and starring Paul Wegener as the golem. So it isn’t clear which film Lovecraft actually saw. The 1920 film survives and is in the public domain.
Lovecraft claimed in most of his letters to have caught a showing of it in 1921, and like many an English student of the VHS era who needed to write a book report, he assumed somewhat erroneously that it was faithful to the plot of the book….
(8) ONCE UPON A NEWSSTAND. [Item by Cora Buhlert.] At Dark Worlds Quarterly, G.W. Thomas takes a look at Weird Tales’ shortlived sister magazine Oriental Stories a.k.a. Magic Carpet Tales: “Magic Carpet Tales: The Other Weird Tales” I’ve read some of Robert E. Howard’s contributions to Oriental Stories/Magic Carpet Tales and they were very good.
… Exotic locales, sexy seductresses and plotting agents aside, much of what appeared was a type of Horror fiction. Not always supernatural, torture tales, conte cruels but not your run-of-the-mill werewolf and vampire stories. For those who love Robert E. Howard and other WT authors, this is a bonanza of secondary tales….
(9) MEDIA BIRTHDAY.
1968 – [Item by Cat Eldridge.] On this day in the United Kingdom fifty-four years ago, Planet of The Apes premiered. It was directed by Franklin J. Schaffner. The screenplay was by Michael Wilson and Rod Serling, and was based loosely upon Pierre Boulle‘s La Planète des Singes.
It starred Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. Roddy McDowall had a long-running relationship with this series, appearing in four of the original five films (absent only from the second film of the series, Beneath the Planet of the Apes, in which he was replaced by David Watson in the role of Cornelius), and also in the television series.
It was met with critical acclaim and is widely regarded as a classic film and one of the best films of that year. Roger Ebert of the Chicago Sun-Times said that it was “much better than I expected it to be. It is quickly paced, completely entertaining, and its philosophical pretensions don’t get in the way.” And Kevin Thomas of the Los Angeles Times exclaimed that it was, “A triumph of artistry and imagination, it is at once a timely parable and a grand adventure on an epic scale.”
It did exceedingly well at the box office costing less than six million to make and making more than thirty million in its first year of screening.
Audience reviewers at Rotten Tomatoes give it an eighty-seven percent rating with over a hundred thousand reviewers having expressed an opinion!
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 21, 1931 — Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award. (Died 2010.)
Born March 21, 1944 — Lorene Yarnell Jansson. Yarnell played Dot Matrix (body acting, with Joan Rivers performing the voice) in Spaceballs. She was Sonia in The Wild Wild West Revisted, Formicida / Dr. Irene Janis in Wonder Woman’s “Formicida” episode and on the Muppet Show in season four episode, “Shields And Yarnell”. (Died 2010.)
Born March 21, 1946 — Terry Dowling, 76. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Midnight which I’ve not read but really should. He’s not at all deeply stocked at the usual digital suspects but they do have this plus several story collections. He’s won ten Ditmars, very impressive indeed, and quite a few other Awards as well.
Born March 21, 1946 — Timothy Dalton, 76. He is best known for portraying James Bond in The Living Daylights and Licence to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now! He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
Born March 21, 1956 — Teresa Nielsen Hayden, 66. She is a consulting editor for Tor Books and is well known for her and husband, Patrick Nielsen Hayden’s superb weblog Making Light, and back in the Eighties, they published the Izzard fanzine. And she has three fascinating framing pieces in The Essential Bordertown, edited by Delia Sherman and Terri Windling.
Born March 21, 1958 — Gary Oldman, 64. First genre film role was as Rosencrantz in Rosencrantz & Guildenstern Are Dead. Next up is the lead role in Bram Stoker’s Dracula. And of course he was Jean-Baptiste Emanuel Zorg in Fifth Element, followed by being Lost in Space‘s Dr. Zachary Smith, which in turn led to Harry Potter’s Sirius Black, and that begat James Gordon in the Batman films. Although some reviewers give him accolades for us as role as Dr. Dennett Norton in the insipid Robocop remake, I will not. Having not seen Dawn of the Planet of the Apes, I can’t say how he is as Dreyfus in it.
Born March 21, 1965 — Cynthia Geary, 57. Best remembered as Shelly Tambo on Northern Exposure. It’s genre, isn’t it? If that’s not enough, she’s got a prime genre role in The Outer Limits episode “Mary 25” in which she plays Teryl who is not what she seems. And she shows up on Fantady Island in the “Dying to Dance” as Pamela Lewis.
Born March 21, 1970 — Chris Chibnall, 52. Current showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”. He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo three times for work on Doctor Who, “Rosa” at Dublin 2019, “Resolution” CoNZealand and for “Fugitive of the Judoon” at DisCon III.
Born March 21, 1985 — Sonequa Martin-Green, 37. She currently plays Michael Burnham on Discovery which is now In its fourth series. She had a brief recurring role as Tamara in Once Upon a Time, and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold absolutely no interest to me. Well Solomon Grundy does… And she was in the Shockwave, Darkside film.
(11) COMICS SECTION.
The Duplex shows the history you learn from watching movies.
Lise Andreasen says these are “Exactly the same things I would do!”
…Disney/Pixar’s new animated movie Turning Red takes this metaphor of puberty as transformation and situates it in the no less stressful context of the immigrant experience during the rise of digital mass media. If being a teenager is hard, it’s almost unbearably so when inherited traditions and expectations conflict with multicultural openness and pop culture sex symbols. When protagonist Meilin Lee learns that the women of her family have the power to transform into enormous red pandas, it feels like it couldn’t have come at a worse time: she’s busy enough pleasing her parents and excelling at school and daydreaming about boy bands without going all Katie Ka-Boom every time she gets emotional. So she panics, and tries to hide what’s happening to her, and pretends to be in full command of her feelings—but her inner animal won’t be tamed. There’s no denying the call of nature….
… In the Drama category, Succession was up against The Handmaid’s Tale, The Morning Show, Yellowjackets, and Marvel’s Loki. And it’s that last one we’re going to concentrate on. Showrunner and head writer Michael Waldron revealed on Twitter that, had Loki won, this is the acceptance speech the writers submitted to air.
(15) REGENCY TEA TIME. [Item by Cora Buhlert.] Aja Romano shares her appreciation for the works of Georgette Heyer and wonders why Heyer is not a household name and has never had a film or TV adaptation: “When will Hollywood discover Georgette Heyer?” at Vox. I’d say that Georgette Heyer is at least genre-adjacent, since a lot of SFF fans seem to like her and Regency romance in general. Plus, Regency dancing is a thing at many cons.
…[Jane] Austen’s relative lack of sentiment also helped her gain popularity and respect as a writer in a male-dominated century of literature. While other women writers of her time like Fanny Burney were reviled as trashy, Austen’s lack of interest in high drama and romance made her work acceptable to male readers as well as to women. One 19th-century critic wrote approvingly that “she sets her face zealously against romantic attachments.”
That patriarchal lack of respect for the art of writing about love may also explain why few outside of romance fans have ever heard of Austen’s primary successor: Georgette Heyer. Despite singlehandedly creating the modern romance, Heyer is still a niche author. And though she has nearly 10 times as many books available for cinematic adaptation as Austen, Hollywood has yet to discover her….
(16) PARALLAX VIEWS OF WESTEROS. George R.R. Martin introduces “The Rise Of The Dragon” at Not A Blog and explains how it complements Fire & Blood. Sample art at the link.
We’re so excited to announce The Rise of The Dragon, a lavish visual history of House Targaryen – the iconic family at the heart of HBO’s Game of Thrones prequel series, House of the Dragon – featuring over 180 all-new illustrations!
For those of you who are wondering: What’s the difference between The Rise of the Dragon and Fire & Blood? Think of The Rise of the Dragon as a deluxe reference book, in which Westeros’ most infamous family – and their dragons – come to life in partnership with some truly incredible artists.
Fire & Blood was scribed as a grandmaesters’ account of events from Aegon Targaryen’s conquest of Westeros through to the infamous Dance of the Dragons, the civil war that nearly undid the Targaryen rule. The Rise of the Dragon will cover the same time period, but is written in a more encyclopedic style similar to The World of Ice and Fire. In fact, The World of Ice and Fire authors Elio M. García, Jr. and Linda Antonsson have returned to help with this tome. …
(17) AIRING ON THE SIDE OF CAUTION.[Item by Daniel Dern.] From the “By The Book” weekly interview in the NY Times (Sunday) Book Review section, 3/20/22, with Jeremy Denk, a question that IIRC is part of every interview:
Q: What books are on your night stand.
A: In Manhattan, my night stand has become commandeered by a CPAP machine. I chose breathing over reading.
He then goes on to list books elsewhere in his domicile(s).
(18) IT’S FOR YOU. [Item by Martin Morse Wooster.] The BBC shows it’s possible to walk outside with a mobile phone “as big as a walkie talkie” and make a phone call in this clip from a 1974 episode of Blue Peter.
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Lise Andreasen, Olav Rokne, Daniel Dern, Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who calls it his Tolkien cowboy title.]
(1) SCALING MOUNT TSUNDOKU. [Item by Olav Rokne.] Book blogger Runalong Womble has shared his TBR Reduction Challenge for 2022 in a fun little blog post that may help those of us whose bedside tables are creaking under the weight of unread tomes. “Your TBR Reduction Book Challenge – Let Me Help You!”
So I usually like to increase your pile of books to be read and yes I admit a warm glow of satisfaction when I hear that you’ve been tempted. But spoilers I am just as liable to a good temptation. Pass a bookshop; sale or good review and magically books soon enter my house or e-reader (the latter a place where many books go to die unread as no one really knows what lives within them). So let your kind womble share their own TBR challenge and I hope this helps you too!
Here’s an example from Womble’s calendar:
March – New Beginnings
5 – For the beginning of Spring I want you to open a book in the TBR pile by an author you’ve never read before
Stretch Goal – March is named after Mars, so genre fans find a book that very likely has a big battle in it be it in space, our world or a secondary world. Non-genre fans look for a book about a conflict be that a dilemma, family feud etc
…Everybody’s favourite gay couple, Paul Stamets and Dr. Hugh Culber from Star Trek Discovery became parents last year, when they formed a beautiful little rainbow family with Adira, teenaged genius with a Trill symbiont, and their boyfriend Gray, who’s a disembodied ghost for much of season 3 before finally getting a body in season 4. Through it all, Stamets and Culber have done an excellent job parenting their untraditional family and would certainly be deserving winners. But as I said above, the competition was stiff this year….
It’s for you, the science fiction fan. And by fan, I mean, at any level, any age, any level of fandom, knowledge, and experience. Whether you’ve read a single novel about space travel or thousands, whether you’re a Star Trek fan, a Star Wars Fan, both, or none, it doesn’t matter. Worldcon is a place of acceptance for all fans. There is no gatekeeping, no “true Scotsman”, no required reading or watching. You could walk into your first con with absolutely zero knowledge of anything Sci-Fi and still be welcomed with open arms. Because if you’re there, it means you belong there.
(4) LOOKING AT RERUNS. Olav Rokne notes at the Hugo Book Club Blog, “A small group of us are slowly working our way through all the Hugo-shortlisted Dramatic Presentations year-by-year. Some years have been more of a slog than others, but 1967 had an excellent shortlist, and the contemporaneous fanzines are filled with debate about the movies and shows. Seems like the year that the Best Dramatic Presentation category really came into its own at the Hugos.” “Best Dramatic Presentation Boldly Goes Forward (1967)”.
With the benefit of hindsight, it seems only natural that Star Trek should win a Hugo Award in its first season.
At the time, however, this decision was not without controversy.
The Worldcon chair for 1967, Ted White, published a screed against the show calling its writers patronizing and ill-informed. Hugo-winning fan writer Alexei Panshin opined that Star Trek was filled with cliches and facile plots.
But for every voice criticizing the new show, there were several voicing their support. Big-name authors like Harlan Ellison and A.E. Van Vogt campaigned for the television series to win a Hugo, hoping that the recognition might buy it a second season….
(5) A SLIPPERY SLOPE TO A ROCKY ROAD. In “Pluto should be reclassified as a planet, scientists argue”NBC is picking up a bit of science news that I saw a couple weeks ago but originally left alone because it’s not as much fun saying Pluto should be a planet if it means adding a whole bunch of other rocks I never heard of to the category, too!
A team of scientists wants Pluto classified as a planet again — along with dozens of similar bodies in the solar system and any found around distant stars.
The call goes against a controversial resolution from 2006 by the International Astronomical Union that decided Pluto is only a “dwarf planet” — but the researchers say a rethink will put science back on the right path.
Pluto had been considered the ninth planet since its discovery in 1930, but the IAU — which names astronomical objects — decided in 2006 that a planet must be spherical, orbit the sun and have gravitationally “cleared” its orbit of other objects.
Pluto meets two of those requirements — it’s round and it orbits the sun. But because it shares its orbit with objects called “plutinos” it didn’t qualify under the new definition.
As a result, the IAU resolved the solar system only had eight major planets — Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus and Neptune — and Pluto was relegated from the list.
But a study announced in December from a team of researchers in the journal Icarus now claims the IAU’s definition was based on astrology — a type of folklore, not science — and that it’s harming both scientific research and the popular understanding of the solar system….
Colorado Governor Jared Polis has commuted the sentence of truck driver Rogel Aguilera-Mederos to 10 years with eligibility for parole in five. The 26-year-old was originally given a 110 year sentence for a 2019 crash that killed four people, but had his sentence reduced after public outcry over Colorado’s mandatory sentencing laws….
(7) SIDE BY SIDE. Karlo Yeager Rodríguez and Kurt compare their predictions (Episode 145 – Hugo Predictions Beer Run) against what won. . . as well as one pesky sponsor stealing the show in Podside Picnic Episode #149 “Beauty Of Our Weapons @ WorldCon”.
2003 — [Item by Cat Eldridge.] Eighteen years ago, Patricia McKillip won the Mythopoeic Fantasy Award for Adult Literature and the World Fantasy Award for Ombria in Shadow. It was also on the long list for the Nebula Award. It had been published the previous year by Ace Books. The jacket illustration is by Kinuko Y. Craft who did almost all of the Ace covers for the author. I reviewed Kinuko Craft‘s Kinuko Craft: Drawings & Paintings over at Green Man which is a most excellent look at her art.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 30, 1865 — Rudyard Kipling. Yes, Kipling. He’s written enough of a genre nature such as the Just So Stories for Little Children stories like “How the Camel Got Hump“ and “The Cat that Walked By Himself“, wonderful stories with a soupçon of the fantastic. Of course there’s always The Jungle Books which run to far more stories than I thought they did. Yes, he was an unapologetic Empire-loving writer who expressed that more than once in way that was sometimes xenophobic but he was a great writer. (Died 1936.)
Born December 30, 1950 — Lewis Shiner, 71. Damn his Deserted Cities of the Heart novel was frelling brilliant! And if you’ve not read his Wild Cards fiction, do so now. He also co-wrote with Bob Wayne the eight-issue Time Masters series starring Rip Hunter which I saw was on the DC Universe app, so I read it and it was fantastic. Nice! Anyone here that’s read the Private Eye Action As You Like It collection of PI stories I see listed on usual suspects with Joe Lansdale? It looks interesting.
Born December 30, 1951 — Avedon Carol, 70. She was the 1983 winner of the Trans-Atlantic Fan Fund who went to Albacon II in Glasgow. And she was GOH at Wiscon II along with Connie Willis and Samuel R. Delany. She has been nominated for three Hugos as Best Fan Writer. She’s been involved in thirty apas and fanzines according to Fancyclopedia 3. She writes an active blog at Avedon’s Sideshow.
Born December 30, 1957 — Richard E. Grant, 64. He first shows up in our world as Giles Redferne in Warlock, begore going on to be Jack Seward in Bram Stoker’s Dracula. On a lighter note, he’s Frederick Sackville-Bagg in The Little Vampire, and the voice of Lord Barkis Bittern in Corpse Bride. He breaks into the MCU as Xander Rice in Logan, and the Star Wars universe by being Allegiant General Enric Pryde in Star Wars: The Rise of Skywalker.
Born December 30, 1958 — Eugie Foster. She was nominated for a Hugo at Aussiecon 4 for one of the most wonderfully titled novelettes I’ve ever heard of, “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast”. It won a Nebula and was nominated for a BSFA as well. I’ve not read it, who here has read it? She was managing editor for Tangent Online and The Fix. She was also a director for Dragon Con and edited their onsite newsletter, the Daily Dragon. (Died 2014.)
Born December 30, 1959 — Douglas A. Anderson, 62. The Annotated Hobbit, for which he won the Mythopoeic Award, is one of my favorite popcorn readings. I’m also fond of his Tales Before Narnia: The Roots of Modern Fantasy and Science Fiction which has a lot of great short fiction it, and I recommend his blog Tolkien and Fantasy as it’s one of the better ones on fantasy literature out there.
Born December 30, 1976 — Rhianna Pratchett, 45. Daughter of Terry who now runs the intellectual property concerns of her late father. She was with Simon Green the writer of The Watch, the Beeb’s Ankh-Morpork City Watch series. She’s a co-director of Narrativia Limited, a production company which holds exclusive multimedia and merchandising rights to her father’s works following his death. They of course helped develop the Good Omens series on Amazon. She herself is a video game writer including the recent Tomb Raider reboot.
Born December 30, 1980 — Eliza Dushku, 41. First genre role was Faith in the Buffyverse. Not surprisingly, she’d star in Whedon’s Dollhouse. I think her Tru Calling series was actually conceptualized better and a more interesting role for her. She voices Selina Kyle, Catwoman, in the animated Batman: Year One which is quite well done and definitely worth watching. She done a fair of other voicework, two of which I’ll single out as of note. One is the character of Holly Mokri in Torchwood: Web of Lies. The other role is fascinating — The Lady In Glen Cook’s The Black Company series. Here’s the link to that story: “IM Global Television Developing ‘The Black Company’; Eliza Dushku To Star”.
(10) COMICS SECTION.
Lio’s big idea might be shocking at first, but it may grow on you.
…The Zoom party was beamed into the main party via a tablet or laptop, so we could see our fellow finalists in Washington DC and could talk to them. Plenty of people came over to say hello and good luck. Outfits were admired – and honestly, the Hugos have the best range of outfits. It’s like the Oscars, only crazier. After all, we had two of Santa’s elves there, otherwise known as John and Krissy Scalzi. And best of all, you have a lot of people with realistic bodies at the Hugos. The masks made it a bit difficult to recognise people, even if I knew them, though thankfully Sarah was really good at recognising people under their masks. The noise level in the ballroom also made it difficult to talk, so we made signs to hold up saying things like “Good luck!”, “Great dress/suit/outfit” and – this was John Wiswell’s – “I’m rooting for you and only you, I promise.” I enjoyed the whole set-up a lot and hope that future Worldcons adopt this idea, so even finalists who cannot be present in person get a taste of the ceremony….
There are many outlets that cover new releases in science fiction and fantasy. But to my knowledge, only one attempts to review every English language publication in the world (not to mention stuff published beyond the U.S. and U.K.!) We are proud of the coverage we provide.
And this is the time of year when the bounty is tallied. From all the books, magazines, comic strips, movies, tv shows, we separate the wheat from the chaff, and then sift again until only the very best is left.
Sometimes, a good old-fashioned finger wag is enough to put someone in their place — at least it was in a particularly knee-slap worthy match of Dead By Daylight.
Over on Reddit, user Borotroth shared a cute clip of them fending off a killer in the most bizarre way possible: by scolding them via finger-pointing emotes. After a few good pokes, the killer decides to turn tail and run, like a child that’s received a stern talking-to from a parent. Typically, something like this would result in the survivor player getting clotheslined, yet that wasn’t the case. What a power move….
NASA’s massive new space observatory has entered its most perilous phase yet as it begins the careful process of unfurling its delicate sunshield.
The James Webb Space Telescope launched on Saturday (Dec. 25) and will be a revolutionary new observatory focused on studying the universe in infrared light. But first, it has to survive a monthlong trek out to its final post and a carefully choreographed deployment process. On Tuesday (Dec. 28), the spacecraft notched another key step in that deployment as it unfolded the Forward Unitized Pallet Structure (UPS) of its vast sunshield, according to a NASA statement…
…Japanese news organizations NHK and the Mainichi Shimbun were on hand to film the new statue’s head being attached. The statue is being constructed in the center of a shopping center located in Fukuoka, Japan. The Gundam’s head piece was pre-built and had to be lifted in place using a construction crane. As shown in the NHK’s video, just the head alone dwarfs the height of the workers who are putting the massive mecha together.
On our search for alien lifeforms we scan for primitive biosignatures, and wait and hope for their errant signals to happen by the Earth. But that may not be the best way. Any energy-hungry civilization more advanced than our own may leave an indisputable technological mark on the galaxy. And yes, we’re very actively searching for those also. Time to update you on the hunt for galactic empires.
(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: How The Grinch Stole Christmas,” the Screen Junkies say you’ll probably get entertainment coal in your stocking if you watch this 2000 film with Jim Carrey as the third of his “menacing green characters who will probably kill you,” after the Riddler and the Mask. “The film’s quite exhausting, like a cake made out of frosting,” the Junkies say, and is so dark that director Ron Howard is trying to be a “ginger Tim Burton.”
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Olav Rokne, Chris Barkley, Cora Buhlert, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
To Be Fair, I Was Left Unsupervised: A Disjointed Chronicle of 79th World Science Fiction Convention, Discon III – December 16-17, 2021
By Chris M. Barkley: There are some days, you just feel LUCKY.
On this fine day, Juli, our friend Anna and I decided to try the Omni’s restaurant for breakfast. After ordering coffee and tea, I suddenly remembered that I had not taken my diabetic meds.
I excused myself and walked back to the elevators. There was a bit of a crowd there so I decided to take the steps up one flight to our room. There are two sets of steps and the convention had posted signs indicating which ones to use going up and which to go down. I went to the right and up the steps.
As I opened the door, I looked down and became very surprised; there on the floor right at the entrance was my convention notebook! Apparently, it dropped out of my pocket as we left our room. I scooped it up and immediately wrote my name and phone number on the inside of the front cover. If I had the cash for a lottery ticket, I would have gotten one today. I was smiling for the rest of the morning…
We were joined at Breakfast by Chicago area super-fan Sandra Levy, who was having a splendid time at Discon III.
After breakfast, Juli and I decided to go Vote at the Site Selection area in the Dealer’s Room. Along the way, we encountered Laurie Mann at the Boskone Fan Table, who exhorted us to VOTE!
At the Site Selection Desk, Sharon Sbarsky reported that had been a steady stream of fans coming to vote, both yesterday and today.
As we wandered through the Dealer’s Room (which I found out later in the day was actually the Omni’s Parking Garage and looks very reminiscent of the sets they used on The Matrix films…) we came across the table of former Worldcon Chair (ConStellation, 1983) and bookseller Mike Walsh.
My eye was immediately drawn to a BIG collection of Krazy Kat comic strip Sunday pages. And when I mean big, I ACTUALLY MEANT GIGANTIC!
Being an ardent fan of George Herrimann, the late creator of the classic comic strip, I was immediately smitten with it. As I frantically wrote out a check to make the purchase, the Best Girlfriend in the World had already whipped out her credit card and gave me a very early Christmas gift. I LOVE you Juli and I thank you for loving my stupid face every day. At 3:00, we checked out the Con Suite, which was located on the 8th floor of the East Wing of the hotel. The food and drink were quite varied and plentiful but due to the pandemic, no one was allowed to eat in the suite. The suite’s balcony was open and a few people at a time did go out to take in the captivating view of Washington D.C.
At 4:00 p.m., we caught up with Hugo Award-winning author Jo Walton (whom we last encountered at the Dublin Airport on the way home) and the Hugo Award winning editor-in chief of Clarkesworld, Neil Clarke. Since I could not bring the many books I’d like to have signed, both happily consented to signing several book plates instead.
Also in the Dealers Room, Dave McCarty introduced me to writer/director Eric Brammer, who is shooting here with a crew for a documentary on Worldcons. He hopes to have either a rough cut or finished version done to show at Chicon 8 next year.
Later in the day, Juli and I sat for a while with fan writers and editors Nicki and Richard Lynch, who live about an hour away from D.C. They are longtime attendees of our local Ohio relaxacon Midwestcon and asked about its status for 2022. (It is currently unknown to me.) We were lucky to catch them because they are lovely people (i.e.: baseball fans) and were only attending for the day…
Nearby, The Hugo Nominee’s reception was in full swing…with The Little Big Band, an ACTUAL swing band!
In the reception area, constant Filer (and Hugo Nominees) Olav Rokne and his partner Amanda Wakaruk were holding court with Skiffy and Fanty podcast host Shaun Duke.
We had dinner at the Open City restaurant, a delightful eatery located a half a block away from the hotel. Dinner was so delicious that Juli and I agreed that we would make that our destination for breakfast the next day.
As I began writing up the day’s events (and keeping an eye on the Eagles-Chief game on Fox) we tried to find a first run copy of Day One’s Dis ‘N Dat, which featured the first mention of the Site Selection controversy. We examined all the copies we had on hand but they were all the redacted versions.
We eventually surmised that by the time we arrived on Wednesday, ALL of the offending copies had already been rounded up and destroyed.
But anyone who does have an original, is in possession of one of the rarest of all ephemeral artifacts, ground zero of this year’s biggest fannish scandal. I can only imagine seeing it on Antiques Roadshow twenty or thirty years from now…
An Editorial About the WSFS Business Meeting. On the second day of DisCon III, a Preliminary Business Meeting of the World Science Fiction Society was held to confirm the agenda for the Main Business Meeting, which will be held on Friday.
I did not attend the Preliminary Meeting nor do I intend to go to the Main Business Meeting.
The Business Meeting and I became first acquainted in 1999 at Aussiecon 3 and parted bitterly at the Dublin Worldcon in 2019 and I, dear reader, was the plaintiff.
Back on November 22nd, File 770 published a link to Nicholas Whyte’s analysis of the 2021 WSFS Business Meeting’s Hugo Award Study Committee, which, over the past several years, has been charged with recommending rule and category changes to the WSFS Constitution.
What they have done is left a trail of obfuscation, hand-wringing and utter disdain for the proposals that came before them. I should know, I was one of the people doing the proposing.
It was only through the persistence of myself and a dedicated group of supporters and collaborators that any changes have been made at all. They have my undying gratitude for all the time and effort they have put into getting those changes through the arduous process of being ratified.
As many of you regular readers may know, I was one of the main proponents of the Young Adult Book Award, now known as the Lodestar Award.
And, as one of the more recent additions to the WSFS Constitution, the Lodestar Award is up for re-ratification this year. I support its continuation, even though I, and many other people, would prefer it be recognized as a full-fledged Hugo Award category, as it was originally intended.
Reading Nicholas Wyhte’s comments on this year’s Business Meeting agenda stirred up some strong feelings within me.
Specifically, I have found that many times, the proposals that had been made and debated online in advance of the Business Meeting, most egregiously in the case of the Young Adult Book Award, there were motions to delay debate on or outright reject proposals with BM sanctioned committees, like the Hugo Award Study Committee mentioned by Mr. Whyte, for the sole purpose of obstructing and eventually killing any possibilities for new award categories.
There have been arguments that any new award proposals should be accompanied by evidence or statistics that would support a new award. The people making these objections claim they are doing so to protect the integrity of the Hugo Awards but know that such evidence is either hard to collect or nearly impossible to produce.
As any mathematician worth their salt will tell you that a negative cannot be proven. The only appropriate way to see if a proposal is viable is to persuade a Worldcon committee to use its special award privilege as specified in the WSFS Constitution:
3.3.19: Additional Category. Not more than one special category may be created by the current Worldcon Committee with nomination and voting to be the same as for the permanent categories. The Worldcon Committee is not required to create any such category; such action by a Worldcon Committee should be under exceptional circumstances only; and the special category created by one Worldcon Committee shall not be binding on following Committees. Awards created under this paragraph shall be considered to be Hugo Awards.
In the past decade, the members of the Business Meeting have taken very swift action on some issues when there has been a consensus that something needed to be done.
Per wit; the Fancast Award and Best Series Award were fast tracked through the process without too much resistance and legislation was quickly passed and ratified during the Angry/Sad/Rabid Puppy Crisis to deter a rash of slated voting.
In the meantime, the Young Adult Book Hugo Award proposal languished in committees and discussion groups as they argued over the worthiness of honoring a branch of literature that the Locus and Nebula Awards have no problem honoring previously for many years.
The Lodestar Award, sans it’s Hugo Award status, finally debuted in 2018.
As I have argued over the past twenty one years, the Hugo Awards NEED to evolve and change with the times lest they become irrelevant and obsolete in our cultural landscape. And when I say change, which includes the categories I had a hand in creating, the Long and Short Form Best Dramatic Presentation, Short and Long Form Editing and Best Graphic Story or Comic (which, upon further reflection, NEEDS the term Manga added to the title to expand and clarify the category’s reach).
In examining its record over the past few years, I too have concluded that the Hugo Award Study Committee has been a dismal failure, having accomplished nothing except squelching debate on new categories and delaying vitally needed reforms for a whole host of issues, including categories I mentioned above and the Best Fan and Professional Artist categories as well.
As Mr. Whyte mentioned in his blog post, the Lodestar Award is up for a final ratification for a permanent spot on the Hugo Awards ballot. I have every expectation that it will be ratified, seeing that it has more than proved its worthiness having averaged well over 500 nominating ballots over the past four years.
I am also of the opinion that if the Lodestar Award were struck down by the Business Meeting, it would not only be a black eye for the fannish community and it would also invite a backlash from the wider Young Adult readers around the world.
The other measure up for re-ratification is the Best Series Award; I expect that it too, will be a permanent fixture on the ballot, at least until the literary quality of the series being nominated falls off.
The move to limit a television or a streaming series to a single nomination (instead of the current limit of two) is probably a mistake because it will restrict the voting for two connected, serialized episodes, which I think would be profoundly unfair. The only upside I can see is that more people will start nominating an entire mini-series or a season of a series in the BDP Long Form category, something that I have been advocating people to do, even at the expense of some of the longer eligible films.
The solution to this particular conundrum would be to redefine the Best Dramatic Presentation into Best Series and Best Film categories, with a third category for very short items of under one hour’s running time. (This solution was actually submitted to the Business Meeting by myself and Vincent Docherty way back in 2015 when we were both members of another “Hugo Award Committee”. It was summarily dismissed and subsequently ignored.)
While I enthusiastically support the idea of a Best Audio Book award, I am afraid that it will either be voted down not to be considered or, if they’re lucky, relegated to a study committee where it will either be hashed around for several years or ignored and discarded.
I have a word of advice to Michele Cobb and Nicole Morano, the fans who proposed the Best Audio Book Award. The only way to advance your idea is to show up with enough supporters to advance your amendment past the Preliminary Meeting to get to the Main Meeting and hope for some spirited debate between yourself and them.
If you fail, my advice to you is to be PERSISTENT. Show up and keep showing up.
If not this year, then next year and the year after that. Wear them down until they actually listen to you. Persuade people. Build coalitions. Spread the word. Build a groundswell of support among fans of audio books.
And, if you love your idea and believe in it, do not retreat and never, ever, surrender to the naysayers.
(1) MERRILL’S TRICK. The Paris Review reaches deep in its bag for this 1982 interview with James Merrill: “The Art of Poetry No. 31”.
The Ouija board, now. I gather you use a homemade one, but that doesn’t exactly help me to imagine it or its workings. An overturned teacup is your pointer?
Yes. The commercial boards come with a funny see-through planchette on legs. I find them too cramped. Besides, it’s so easy to make your own—just write out the alphabet, and the numbers, and your yes and no (punctuation marks too, if you’re going all out) on a big sheet of cardboard. Or use brown paper—it travels better. On our Grand Tour, whenever we felt lonely in the hotel room, David and I could just unfold our instant company. He puts his right hand lightly on the cup, I put my left, leaving the right free to transcribe, and away we go. We get, oh, five hundred to six hundred words an hour. Better than gasoline.
He had a lesson plan for the semester, but I had given him a novel featuring owls that I thought particularly fine and that, as his superior, I had made a strong case for to the exclusion of all else….
(3) VERSE FOR TODAY. A Halloween Poetry link courtesy of the Paris Review:“History”.
(4) KEEP UP WITH YOUR HUGO READING. The Hugos There podcast discusses the 2021 Best Novelette finalists with Cora Buhlert, Sarah Elkins, Olav Rokne of the Hugo Book Club Blog, Juan Sanmiguel and Ivor Watkins. The audio is here. The video is here –
(5) JUST BECAUSE IT’S JUNE. Tawana Watson considers “The Poetic Power of Nostalgia” at SPECPO, the official blog of the Science Fiction and Fantasy Poetry Association.
…A poet I have found that inspired nostalgia and the subsequent emotional reaction within myself is David C. Kopaska-Merkel with his poem “June Lockhart’s Recurring Nightmare” appearing in Asimov’s Science Fiction Magazine. The first thing that grabbed my attention was the name within the poem, June Lockhart. June Lockhart is an actress that appeared in many television shows that I watched while growing up. Seeing just the name, June Lockhart, brought me back to Saturday morning, sitting on the floor in front of the television with my brother, eating Count Chocula cereal watching Lost in Space, one of June Lockhart’s popular television shows. On the title alone, I wanted to dive into the poem to see what the poet, Kopaska-Merkel, was writing about. The second thing that grabbed my attention was the vivid visuals of the scenery within the poem….
LRF: Can you tell me a little about the poem that won the Rhysling for the Long Form Category, “Eleven Exhibits in a Better Natural History Museum, London.”
JB: It came about because of my husband. My other muse, Felix [Jenny’s cat], is not sufficient as a muse, though he is my “mews”. A couple of years back, my husband Russell and I were in London on our way to the World Science Fiction Convention in Dublin, and our activity for the day was visiting the Natural History Museum, London, which is a wonder of the world. Because it was a public holiday, we were standing in the sun in a line that just snaked around and around going nowhere for hours and we started talking about what we were going to see when we finally got inside. My husband said something like, well there might be an emerald the size of a whale, and it went from there. Since he threw up some possibilities and I elaborated, he gets 10% of my sales for this. You’ve got to reward your muse.
(7) MEDIA BIRTHDAY.
2000 – Twenty-one years ago, Gen¹³ premiered. If you’re scratching your head for not remembering this film, relax as it wasn’t one of the major films that year. It was based on the Gen¹³ series that was published by WildStorm Productions, a subsidiary of DC Comics. WildStorm Productions was founded by Jim Lee, currently the Publisher and Chief Creative Officer of DC Comics.
It was directed by Kevin Altieri, and produced by Jim Lee, Karen Kolus and John Nee. The screenplay by Kevin Altieri and Karen Kolus from a story by Jim Lee, Brandon Choi and J. Scott Campbell, the latter better known for his own Danger Girl series. The Gen¹³ series was by the trio who wrote the story.
Voice cast was Alicia Witt, John de Lancie, E.G. Daily, Flea, Cloris Leachman, Lauren Lane and Mark Hamill.
It apparently is not available in the United States because The Mouse considers it an advertisement for DC Comics and won’t release it here. It is available in Europe. That being said, audience reviewers at Rotten Tomatoes currently give it a rather excellent eighty four percent rating.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 31, 1923 — Arthur W. Saha. A member of the Futurians and First Fandom who was an editor at Wollheim’s DAW Books, including editing the annual World’s Best SF from 1972 to 1990 and Year’s Best Fantasy Stories from 1975 to 1988. And he’s credited with coming up with the term “Trekkie” in 1967. (Died 1999.)
Born October 31, 1936 — Michael Landon. Tony Rivers inI Was a Teenage Werewolf. (That film made two million on an eighty thousand dollar budget. Nice.) That and lead as Jonathan Smith in Highway to Heaven are, I think, his only genre roles. (Died 1991.)
Born October 31, 1946 — Stephen Rea, 75. Actor who’s had a long genre history starting with the horror films of Cry of the Banshee, The Company of Wolves (from the Angela Carter short story)and The Doctor and the Devils. He’d later show up Interview with the Vampire, The Musketeer, FeardotCom, V for Vendetta, Underworld: Awakening, Werewolf: The Beast Among Us and Ruby Strangelove Young Witch. He has the role of Alexander Pope in the most excellent Counterpart series.
Born October 31, 1958 — Ian Briggs, 63. He wrote two Seventh Doctor stories, “Dragonfire” and “The Curse of Fenric”, the former of which of which introduced Ace as the Doctor’s Companion. (The latter is one on my frequent rewatch list.) He novelized both for Target Books. He would write a Seventh Doctor story, “The Celestial Harmony Engine” for the Short Trips: Defining Patterns anthology.
Born October 31, 1959 — Neal Stephenson, 62. Some years back, Longfellow Books had a genre book group. One of the staff who was a member of that group (as was I) took extreme dislike to The Diamond Age: Or, A Young Lady’s Illustrated Primer. I don’t remember now why but it made me re-read that and Snow Crash. My favorite novel by him by far is The Rise and Fall of D.O.D.O. which he did with Nicole Galland and I’ve got the sequel, The Master of Revels, done with her as well, on the to-be-listened-to list.
Born October 31, 1961 — Peter Jackson, 60. I’m going to confess that I watched and liked the first of the Lord of The Rings film but got no further than that. I was never fond of The Two Towers as a novel so it wasn’t something I wanted to see as a film, and I like The Hobbit just fine as a novel thank you much. Now the Adventures of Tintin is quite excellent indeed. The Fellowship of The Ring won the Hugo for Best Dramatic Presentation at ConJosé, The Two Towers likewise at Torcon 3 and, no surprise, The Return of The King did so at Noreascon 4.
Born October 31, 1979 — Erica Cerra, 42. Best known as Deputy Jo Lupo on Eureka, certainly one of the best SF series ever done. She had a brief recurring role as Maya in Battlestar Galactica, plus the artificial intelligence A.L.I.E. and her creator Becca in The 100. Her most recent genre role was a recurring one as Duma on Supernatural. She also showed up in Blade: Trinity as the goth Vixen Wannabe, and in Percy Jackson & the Olympians: The Lightning Thief in the plum role of Hera.
Born October 31, 1993 — Letitia Wright, 28. She co-starred in Black Panther playing Shuri, King T’Challa’s sister and princess of Wakanda. (Yes, she is in both Avengers films.) Before that, she was Anahson in “Face the Raven”, a Twelfth Doctor story, and was in the Black Mirror’s “Black Museum” episode. She has a recurring role as Renie in Humans, a Channel 4 SF series. It is based off Äkta människor (Real Humans), a Swedish series.
…[Margaret] Brundage is just one of a number of women creators who helped develop the horror genre. June Tarpé Mills was another pioneer, but she had to drop her first name when signing her work in order to create a masculine sounding pen name. Best known for creating the early female action hero Miss Fury (who some argue is the first female superhero), she also created “The Purple Zombie,” one of the earliest ongoing horror characters in comics. Mills’s horror resume also includes “The Vampire” and “The Ivy Menace,” two horror tales that appeared during the late 1930s, well before horror comics gained widespread popularity. “The Vampire” even included a twist ending—an uncommon device for comics at the time, but which became a staple of EC horror comics by the 1950s and in cinema decades later….
(11) THE MEANING OF IT ALL. [Item by Joel Zakem.] The Scroll has run a few pieces on Zukerberg’s Meta, so you might be interested that in Hebrew, Meta can apparently be translated as “she is dead.” The Forward elaborates in “Meta means ‘is dead’ in Hebrew. Discuss.”
…On Thursday, Mark Zuckerberg unveiled the new name for Facebook to mark its transition to what he calls “the metaverse.” The name, which is, perhaps unsurprisingly, Meta, doesn’t translate well. Unless that’s the point.
While the word, now applied to such narratively self-aware works as “Adaptation” and “Deadpool,” derives from the Greek prefix meaning “after” or beyond,” and indicates something that transcends the word it latches onto (think metaphysics), in Hebrew the word “Meta” is the feminine form of “is dead.” Don’t just take my word for it!…
(12) THE FIRST THING WE SHOULD SAY. [Item by JeffWarner.] When Scotty shouted “There Be Whales” this became genre: “Are We on the Verge of Chatting with Whales?” in Hakai Magazine. (“Dolphins as practice for First Contact” is my go-to panel topic.) We should probably apologize…
“I don’t know much about whales. I have never seen a whale in my life,” says Michael Bronstein. The Israeli computer scientist, teaching at Imperial College London, England, might not seem the ideal candidate for a project involving the communication of sperm whales. But his skills as an expert in machine learning could be key to an ambitious endeavor that officially started in March 2020: an interdisciplinary group of scientists wants to use artificial intelligence (AI) to decode the language of these marine mammals. If Project CETI (for Cetacean Translation Initiative) succeeds, it would be the first time that we actually understand what animals are chatting about—and maybe we could even have a conversation with them….
50. “The Wobblin’ Goblin,” by Rosemary Clooney: I am only sorry that by virtue of mentioning this song for this list, I may have made people aware of this song who previously weren’t. Your life may be going well; it may be going poorly; one thing I will guarantee is that hearing “The Wobblin’ Goblin” will make it worse. I hesitate to throw around phrases like “a crime against all reason and civilization,” but this song has no redeeming characteristics whatsoever yet still immediately gets stuck in your head. The universe it sets up makes no sense, one in which goblins are riding around on broomsticks but also responsive to air-traffic control, and buying an airplane is a logical solution to having a broken broom. Why wouldn’t the goblin just buy another broom that wasn’t broken? Was this sponsored by Big Air Travel?
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Joel Zakem, JeffWarner, Cora Buhlert, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]
Seanan McGuire: “Any Way the Wind Blows,” Tor.com, 6/19
Christopher G. Nuttall, “Drang Nach Osten,” Trouble in the Wind, edited by Chris Kennedy and James Young, Theogony Books, 2019
Christopher G. Nuttall, “The Kaiserin of the Seas,” To Slip the Surly Bonds, edited by Chris Kennedy and James Young, Theogony Books, 2019
William Stroock, “The Blue and the Red: Palmerston’s Ironclads,” Those in Peril, edited by Chris Kennedy and James Young, Theogony Books, 2019
Harry Turtledove, Christmas Truce, Asimov’s, 11/19
2019 LONG FORM
K. Chess, Famous Men Who Never Lived, Tin House, 2019
Jared Kavanagh, Walking through Dreams, Sea Lion Press, 2019
John Laband, The Fall of Rorke’s Drift, Greenhill, 2019
Annalee Newitz, Future of Another Timeline, Tor, 2019
2020 SHORT FORM
Andrew J. Harvey: “1827: Napoleon in Australia,” Alternate Australias, edited by Jared Kavanagh, Sea Lion Press, 2020
Matthew Kresal: “Moonshot,” Alternate Australias, edited by Jared Kavanagh, Sea Lion Press, 2020
Sean McMullen, “Wheel of Echoes,” Analog, 1/20
2020 LONG FORM
Dennis Bock, The Good German, Patrick Crean Editions, 2020
Junior Burke, The Cold Last Swim, Gibson House Press, 2020
Mary Robinette Kowal, The Relentless Moon, Tor, 2020
Charles Rosenberg, The Day Lincoln Lost, Hanover Square, 2020
Adrian Tchaikovsky, The Doors of Eden, Pan McMillan, 2020
In addition, several of the judges wanted to call attention to Elektra Hammond’s 2019 short story “O-Rings,” which appeared in the anthology Alternate Peace, which is ineligible for nomination since Sidewise Administrator Steven H Silver was the anthology’s editor.
The winners will be announced during this year’s Worldcon, DisCon III. The Sidewise Awards have been presented annually since 1995 to recognize excellence in alternate historical fiction.
This year’s panel of judges was made up of Karen Hellekson, Matt Mitrovich, Olav Rokne, Kurt Sidaway, and Steven H Silver. Silver also noted, “We regret that earlier this year long-time Sidewise Award judge Jim Rittenhouse passed away.”
The Sidewise Awards for Alternate History were conceived in late 1995 to honor the best allohistorical genre publications of the year. The first awards were announced in summer 1996 and honored works from 1995. The award takes its name from Murray Leinster’s 1934 short story “Sidewise in Time,” in which a strange storm causes portions of Earth to swap places with their analogs from other timelines.
(1) FUTURE UNIONS. “Workers of All Worlds Unite,” a public talk about labor unions in science fiction with Olav Rokne, is a free Zoom event happening Thursday, April 29 at 7:30 p.m. Mountain time. Join the Zoom free here. Or you could also support the event by getting tickets here.
Workers Of All Worlds Unite!
Science fiction is filled with depictions of standard capitalist employment relationships, but little thought seems to have been given to how workers in the future will assert their rights. Join Olav Rokne as he explores the troubled history of labour unions in science fiction, and makes an argument as to why this history matters.
(2) ELLISON TRUST VICTORY. Two weeks ago J. Michael Straczynski, Executor of the Harlan and Susan Ellison Trust, updated fans about a successful action to fight off opportunistic banks.
(3) EXTREMELY HONEST. Ian Moore takes the first step in his Hugo finalist Mt. Tsundoku 12-step program by admitting powerlessness:
Ken MacLeod’s Road Trip takes us from Scotland through the north of England and London to the far side of the Earth. Three talkative passengers – Charles Stross, Justina Robson and Tasha Suri – read from their work, and over the car radio Hannah and Sam Bennett play drive-time music live from the wonderful world of tomorrow. Hosted by Shoreline of Infinity – science fiction magazine and publisher based in Scotland for the world to enjoy.
… Not that Hubbard was some kind of White Knight or anything, far from it. Even a brief perusal of our work here at the blog would tell you very quickly that we don’t go easy on Mr. Hubbard. But, I don’t think that we need to discredit his actual bad acts by throwing out wrong characterizations and outright lies about him either.
Hubbard has two big holes in his Navy history that none of the so-called ‘experts’ ever noticed that I documented in my post. Either one of which could easily have been this Aleutians business, and I’m guessing it was the second “hole” from November 3 to November 25, 1944.
It actually fits well with then being tasked with Heinlein to deal with anti-Kamikaze tactics. Heinlein details that two assignments came to him from Naval Intelligence, practically back to back. The problem is, people have put wrong times for when these were. Times that don’t fit with KNOWN dates and events.
Heinlein and other science fiction writers were utilized several times for Naval Intelligence projects…
Right on the back of that is when Heinlein formed his Think Tank on Kamikazes with Hubbard etc. which was also called a “crash” project.
In 1944, Heinlein recruited Hubbard, Sturgeon and others for a project: “Op-Nav-23, a brainstorming job on antikamikaze measures.”  The Bradbury Chronicles by Sam Weller, p. 12
I had been ordered to round up science fiction writers for this crash project-the wildest brains I could find, so Ted was a welcome recruit. Some of the others were George O. Smith, John W. Campbell Jr., Murray Leinster, L. Ron Hubbard, Sprague de Camp, and Fletcher Pratt…
Ok, first question would be when were these kamikaze attacks?
Although there had been spotty “kamikaze” actions by Japanese fighter pilots with engine troubles etc. earlier in WWII, the first inklings of an actual program appears to have been decided upon by August 1944 but not acted upon until Vice-Admiral Takijiro Onishi, took command of the 1st Air Fleet in the Philippines on October 17, 1944. Onishi had initially opposed the idea, but changed his mind when he took command.
Three days later kamikaze attacks – kamikaze means “Divine Wind” – were introduced October 20 of 1944 and on October 25 the first formal (and mass) kamikaze attacks launched in the Phillippines….
(6) MEMORY LANE.
1976 – Forty-five years ago at MidAmeriCon, the Hugo for Best Novella went to Roger Zelazny for “Home Is the Hangman” which was published in Analog, November 1975. It would also win the Nebula the same year. The other nominated novellas were “The Storms of Windhaven” by George R. R. Martin and Lisa Tuttle [Analog, May 1975] “ARM” by Larry Niven [Epoch, 1975] “The Silent Eyes of Time” by Algis Budrys [F&SF, Nov 1975] and “The Custodians” by Richard Cowper [F&SF, Oct 1975]. It is collected with the other two novellas in this series, “The Eve of RUMOKO“ and “Kjwalll’kje’k’koothaïlll’kje’k“ in My Name in Legion which is available from the usual suspects.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 25, 1897 — Fletcher Pratt. He’s best remembered for his fiction written with L. Sprague de Camp, to wit Land of Unreason,The Carnelian Cube and The Complete Compleat Enchanter. I’m rather fond of The Well of the Unicorn and Double Jeopardy. I see that he and Jack Coggins were nominated for International Fantasy Award for their Rockets, Jets, Guided Missiles and Space Ships, a non-fiction work published in 1951. Anyone known about this? (Died 1956.) (CE)
Born April 25, 1915 — Mort Weisinger. Comic book editor best known for editing Superman during in the Silver Age of comic books. He also served as story editor for the Adventures of Superman series, Before that he was one of the earliest active sf fans, working on fanzines like The Planet (1931) and The Time Traveller (1932) and attending the New York area fan club known as The Scienceers. (Died 1978.) (CE)
Born April 25, 1915 – Leslie Croutch. Television & radio repairman. Half a dozen stories. Contributor to The Acolyte, Futurian War Digest, Spaceways, Tin Tacks, Voice of the Imagi-Nation, Le Zombie. Various fanzines of his own, notably Light. See here and Harry Warner’s appreciation here (PDF). (Died 1969) [JH]
Born April 25, 1920 — John Mantley. He wrote but one SF novel, The 27th Day, but it rated a detailed write-up by Bud Webster in The Magazine of F&SF which you can read here. (He wrote the screenplay for the film version of his novel which gets an abysmal score of twenty-five percent among audience reviewers at Rotten Tomatoes.) He also produced a number of episodes of The Wild Wild West, Buck Rogers in the 25th Century and MacGyver. (Died 2003.) (CE)
Born April 25, 1925 – Margery Gill. A dozen covers, as many interiors for us; much else. Here is Four-and-Twenty Blackbirds. Here is The Saracen Lamp. Here is Over Sea, Under Stone.Here is English Fairy Tales. Here is an interior from A Little Princess. See this appreciation in the Illustrators Wiki. (Died 2008) [JH]
Born April 25, 1929 — Robert A. Collins. Edited a number of quite interesting publications including the Fantasy Newsletter in the early Eighties, the IAFA Newsletter in the late Eighties and the early Nineties along with the Science Fiction & Fantasy Book Review Annual with Rob Latham at the latter time. He also wrote Thomas Burnett Swann: A Brief Critical Biography & Annotated Bibliography. (Died 2009.) (CE)
Born April 25, 1941 – Stella Nemeth, age 80. Book reviews and occasional drawings in The Diversifier, Lan’s Lantern, SF Booklog, Zeor Forum; seen in Algol. More recently in Art With a Needle. [JH]
Born April 25, 1957 – Deborah Chester, age 64. Three dozen novels for us (some under different names); several others. Has a recipe in Anne McCaffrey’s Serve It Forth. Professor at Univ. Oklahoma. [JH]
Born April 25, 1961 — Gillian Polack, 60. Australian writer and editor. She created the Ceres Universe, a fascinating story setting. And she’s a great short story writer as Datlow demonstrated when she selected “Happy Faces for Happy Families” for her recommended reading section in the ‘04 Year’s Best Fantasy and Horror. She’s reasonably stocked at the usual suspects. (CE)
Born April 25, 1975 – Courtney Schafer, age 46. Three novels, one shorter story. Electrical engineer, worked in aerospace. While at Cal Tech (California Inst. of Technology) she also learned rock climbing, skiing, SCUBA diving; later, figure skating. Favorite series, the Lymond Chronicles; has also read Hidden Figures, The Little Prince, Watership Down. [JH]
Born April 25, 1979 – Christopher Hopper, age 42. Half a dozen novels, a score more with co-authors; one shorter story. Encouraged by his wife he has two million words published; also plays in her band. He’s breakfasted with Winnie Mandela, kite-surfed in Hawai’i, photographed white rhinos in South Africa, climbed the Great Wall of China. [JH]
Born April 25, 1981 — Silvia Moreno-Garcia, 40. Canadian of Mexican descent. She’s the publisher of Innmouths Free Press, an imprint devoted to weird fiction. Not surprisingly, she co-edited with Paula R. Stiles for the press, the Historical Lovecraft and Future Lovecraft anthologies. She won a World Fantasy Award for the She Walks in Shadows anthology, also on Innsmouth Free Press. She was a finalist for the Nebula Award 2019 in the Best Novel category for her Gods of Jade and Shadow novel. And finally with Lavie Tidhar, she edits the Jewish Mexican Literary Review. Not genre, but sort of genre adjacent. (CE)
(8) COMICS SECTION.
Bizarro finds something at the window gently tapping.
(9) X-MEN NEWS. Christian Holub, in the Entertainment Weekly story “Marvel reveals the results of X-Men fan election” says Marvel sent out a bunch of mini-comics before deciding whether Banshee, Strong Guy, Boom-Boom, or other rookies got to join the X-Men team. Those Twitter comics are linked at the end of the article.
…Election season is finally over for the X-Men. Back in January, Marvel conducted a public vote for fans to choose a member of the newest X-Men team that is set to debut at the much-anticipated Hellfire Gala in June’s Planet-Sized X-Men #1. As with any election, there can only be one winner, and unfortunately lots of losers. But at least fans get to see how each of the candidates — Banshee, Polaris, Forge, Boom-Boom, Tempo, Cannonball, Sunspot, Strong Guy, Marrow, and Armor — responded to the results in a new series of mini-comics published to Marvel’s social media accounts over the past week.
Written by Zeb Wells (Hellions) and illustrated by a variety of artists (including Rachelle Rosenberg who colored them all), each installment of these Twitter comics featured two candidates each reckoning with their loss. First up was Strong Guy and Forge, illustrated by Mike Henderson. Despite the fact that Forge has used his mutant affinity with technology to develop all kinds of bio-organic resources for the new mutant nation-state on the living island of Krakoa, Strong Guy points out that they’re equal in defeat….
In 1967 the cult classic TV series, THE PRISONER, came bursting onto the screen. The series, about an unnamed British intelligence agent who awakes to find himself trapped in an idyllic seaside village, was not only an instant hit with viewers at the time, it went on to be watched and re-watched obsessively by fans, quickly gaining cult status.
While there have been several collectables released over the decades, THE PRISONER has never received a line of OFFICIALLY LICENSED ACTION FIGURES… and Wandering Planet Toys is working with our licensing partners at ITV Studios to bring to life 4-inch RETRO STYLE ACTION FIGURES that celebrate Patrick McGoohan’s brilliant series.
… Want to get information about these figures? Good, because by hook or by crook you will!
No discussion of THE PRISONER is complete without mention of the Village’s spherical guardian and menace, ROVER. In order to evoke the iconic moment of NUMBER 6 pushed up against the gelatinous side of the guardian, we’ve created a Limited Edition plastic packaging unit depicting our hero in the belly of the beast. This package is a resealable clamshell so the figure can be removed for display, then reinserted.
(11) SENATOR, YOU’RE NO JACK KENNEDY. But he makes a pretty good John Scalzi.
Mars is often referred to as the “Red Planet” because of the rusty, reddish-orange sandscape blanketing the planet. That comes into sharp focus in our first color photo snapped by the Mars Ingenuity helicopter.
That was taken about 17 feet above the ground. You can clearly see the sandy red-orange Martian surface. And if you look at the bottom of the image, you’ll clearly see Ingenuity’s shadow, with two of its spindly legs visibly jutting out from it’s rectangular body.
Those patterns in the ground that look like tracks are in fact… tracks left by the Perseverance rover, the remote-operated research vehicle that carried Ingenuity safely to Mars. Once it deposited its flying robot friend the Perseverance headed off to a new location, first to monitor the helicopter for a month and then to proceed with its other duties.
Here’s a closer look at those tracks….
(13) JOSH FIGHT. There can be only one… Josh! Wikipedia explains yesterday’s “Josh fight”. Which is sounds a little like a Pennsic Wars where all the combatants have the same first name.
Three ‘fights’ were held – one game of rock paper scissors for those named Josh Swain, a second with pool noodles for all attendees named Josh, and a third and final all-in battle for anyone in possession of a pool noodle willing to participate. Only two Josh Swains were in attendance – Josh Swain, the event’s creator, beat a rival Josh Swain from Omaha in the rock paper scissors event. A local four-year-old boy named Josh Vinson Jr., dubbed ‘Little Josh’, who had been treated at Children’s Hospital & Medical Center in Omaha for seizures when he was two years old, was declared the winner and crowned with a paper crown from Burger King as well as a replica AEW World Championship belt
But companies are trying to develop robots to take humans out of the equation – driverless robot cars, package delivery by drone. Doesn’t an animal analogy conceal what, in fact, is a significant threat?
There is a threat to people’s jobs. But that threat is not the robots – it is company decisions that are driven by a broader economic and political system of corporate capitalism. The animal analogy helps illustrate that we have some options. The different ways that we’ve harnessed animals’ skills in the past shows we could choose to design and use this technology as a supplement to human labour, instead of just trying to automate people away.
The first thing that Rita Leggett saw when she regained consciousness was a pair of piercing blue eyes peering curiously into hers. “I know you, don’t I?” she said. The man with the blue eyes replied, “Yes, you do.” But he didn’t say anything else, and for a while Leggett just wondered and stared. Then it came to her: “You’re my surgeon!”
It was November, 2010, and Leggett had just undergone neurosurgery at the Royal Melbourne Hospital. She recalled a surge of loneliness as she waited alone in a hotel room the night before the operation and the fear she felt when she entered the operating room. She’d worried about the surgeon cutting off her waist-length hair. What am I doing in here? she’d thought. But just before the anesthetic took hold, she recalled, she had said to herself, “I deserve this.”
Leggett was forty-nine years old and had suffered from epilepsy since she was born. During the operation, her surgeon, Andrew Morokoff, had placed an experimental device inside her skull, part of a brain-computer interface that, it was hoped, would be able to predict when she was about to have a seizure. The device, developed by a Seattle company called NeuroVista, had entered a trial stage known in medical research as “first in human.” A research team drawn from three prominent epilepsy centers based in Melbourne had selected fifteen patients to test the device. Leggett was Patient 14….
Even in his 70’s, Mel never lost those little voices. It amazes me how he could go from one to another so quickly and effortlessly.
[Thanks to Hampus Eckerman, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Andrew Porter, Cat Eldridge, John Hertz, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]
…When aggregate storytelling is done unofficially, we call it “transformative work,” of which fan fiction is a major part.
An especially intriguing example of modern-day aggregate storytelling — from both an official and unofficial standpoint — is the TV show Supernatural, about two monster-hunting brothers and the found-family they make along the way. The show has enjoyed a voracious fanbase, which kept the series alive for fifteen seasons and spawned thousands and thousands of fan works (as of this writing, there are 243,690 entries related to Supernatural on Archive of Our Own alone. This is to say nothing of Tumblr, Twitter, etc.).
Starting with the season four episode “The Monster at the End of this Book,” the show began engaging with fan reactions through self-referential stories. Sam and Dean literally read fan fiction about themselves on screen, and the characters used vernacular created by the Supernatural fanbase throughout.
The fans didn’t simply consume the story. They changed the way the story was told. It would be difficult to argue that the author(s) should be considered as good as dead in terms of critical consideration when the author(s) were still actively creating in tandem with the audience’s reception…
Escape Pod is pleased to announce a new special project for 2021: Black Future Month, a month-long celebration of Black voices in science fiction, guest edited by Brent Lambert of FIYAH Magazine. Episodes will air in the month of October and feature two original works of short fiction as well as two reprints.
NOTE: For this special event, we are only accepting submission from authors of the African diaspora and the African continent. This is an intersectional definition of Blackness, and we strongly encourage submissions from women, members of the LGBTQIA community, and members from other underrepresented communities within the African diaspora.
Pay rate, format, and content will follow Escape Pod’s regular guidelines, with two exceptions:
Manuscripts do not need to be anonymized for this submissions portal.
Stories must be between 1,500 – 5,000 words.
(3) SFF POSTAGE STAMPS COMING. The UK’s Royal Mail has announced that on March 16 the Legend of King Arthur stamps will be released. This set will be followed by an April 15 issue celebrating classic science fiction. As of today, no images from either set have been posted. Norvic Philatelics speculates what might be commemorated in the Classic Science Fiction set:
This issue consists of pairs of 1st class, £1.70 and £2.55 stamps – with the usual additions of a presentation pack first day cover, and postcards.
Some research reveals that this is the 75th anniversary of the death of the author H G Wells, and the 70th anniversary of the publication of John Wyndham’s The Day of the Triffids”, so it seems likely that one of Wells’ books will feature on one stamp and Wyndham’s will appear on another.
(4) GOODBYE, MR. CHIP. The trailer dropped for HBO Max’s Made for Love. It’s sf, right? At least for another few minutes.
The classic story of boy meets girl, boy implants high-tech surveillance chip in girl’s brain… Featuring Cristin Milioti, Ray Romano, Noma Dumezweni, and Billy Magnussen, Made for Love is coming to HBO Max this April.
…. Before I dive deep into Willis’s construction of parallel characters, I want to speak more generally about the potential for parallels — echoes — inside a book, when that book takes place in multiple timelines. Many books do take place in more than one timeline, of course, whether or not they involve time travel! And there’s so much you can do with that kind of structure. As you can imagine, life in Oxfordshire in 1348 is dramatically different from life in Oxford in 2054. But Willis weaves so many parallels into these two stories, big and small things, connecting them deftly, and showing us that some things never really change. I suppose the most obvious parallel in this particular book is the rise of disease. The less obvious is some of the fallout that follows the rise of disease, no matter the era: denial; fanaticism; racism and other prejudices; isolationism; depression and despair; depletion of supplies (yes, they are running out of toilet paper in 2054). She also sets these timelines in the same physical location, the Oxfords and Oxfordshires of 1348 and 2054 — the same towns, the same churches. Some of the physical objects from 1348 still exist in 2054. She sets both stories at Christmas, and we see that some of the traditions are the same. She also weaves the most beautiful web between timelines using bells, bellringers, and the significance of the sound of bells tolling.
Simply by creating two timelines, then establishing that some objects, structures, and activities are the same and that some human behaviors are the same across the timelines, she can go on and tell two divergent plots, yet create echoes between them. These echoes give the book an internal resonance….
Lisa and I have been getting increasingly antsy and wanting to get out of the house and go see things, but with no sign of a vaccine being available for us mere under-65s, we wanted something that would be away from other people and was close enough to be able to get back home the same day. So we decided to go see the site of the atomic test in our backyard….
I know it’s unlikely that anyone else will come visit this spot, but if somehow your travels take you across “The Loneliest Road,” you might consider a relatively short side trip to one of the few atomic bomb test sites you can visit on your own.
(7) FREE HWA ONLINE PANEL. The Horror Writers Association will present a free Zoom webinar, “Skeleton Hour 7: Writing Horror in a Post-Covid World” on Thursday, April 8, 2021 at 6 p.m. Pacific. Panelists will include: Richard Thomas (moderator), Sarah Langan, Usman T. Malik, Josh Malerman, A.C. Wise, and Lucy A. Snyder. Register here.
The Krakau found an Earth that has been overrun by the bestial survivors of a planetary plague. Still, better half a glass than an empty glass. The benevolent aliens retrieved suitable candidates from the raving hordes and applied suitable cognitive corrective measures. Lo and behold, humans were transformed from wandering monsters to trustworthy subordinates. Although perhaps not all that trustworthy. Humans are relegated to menial tasks.
Marion “Mops” Adamopoulos is in charge of Earth Mercenary Corps Ship Pufferfish’s Shipboard Hygiene and Sanitation team. Chief janitor, in other words. Not command crew. Except that an unexpected attack eliminates her Krakau commanders while most of Pufferfish’s humans revert into beasts. Mops has no choice but to take command of a ship neither she nor the remaining non-bestial humans know how to operate.
Tell, don’t show. Dump your information. Write in second person. Write in passive voice. Use adverbs. To heck with suspense. Rules mark what’s difficult, not what’s impossible. There’s a whole range of exciting storytelling possibilities beyond them. Not every story needs to be in second person, but when it’s the right voice for the right story, it can be magic. The right information dump, written perfectly, can become a dazzling gymnastic feat of beauty, fascination, or humor. “Break the Rules” will teach you inspirations and techniques for rowing upstream of common knowledge. You can break any rule–if you do it right.
Join award-winning speculative fiction writer Rachel Swirsky for a workshop in which she teaches you how and why to break the rules. Next class date: Sunday, April 4, 2021, 1:00-3:00 PM Pacific Time.
(10) MEDIA BIRTHDAY.
March 8, 1978 — The Hitch-Hiker’s Guide to the Galaxy was first broadcast forty-three years ago today on BBC Radio 4. It was written by Douglas Adams with some material in the first series provided by John Lloyd. It starred Simon Jones, Geoffrey McGivern, Mark Wing-Davey. Susan Sheridan and Stephen Moore. It was the only radio show ever to be nominated for a Hugo in the ‘Best Dramatic Presentation’ category finishing second that year to Superman at Seacon ‘79. It would spawn theater shows, novels, comic books, a TV series, a video game, and a feature film.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 8, 1859 — Kenneth Grahame. Author of The Wind in the Willows which it turns out has had seven film adaptations, not all under the name The Wind in the Willows. (Did you know A.A. Milne dramatized it for the stage as Toad of Toad Hall?) Oh, and he did write one other fantasy, The Reluctant Dragon which I’ve never heard of. Have any of y’all read it? (Died 1932.) (CE)
Born March 8, 1899 – Eric Linklater. The Wind on the Moon reached the Retro-Hugo ballot; it won the Carnegie Medal. Three more novels, nine shorter stories for us; two dozen novels all told, ten plays, three volumes of stories, two of poetry, three of memoirs, two dozen of essays & history. Served in both World Wars. Commander of the Most Excellent Order of the British Empire, Fellow of the Royal Society of Edinburgh. (Died 1974) [JH]
Born March 8, 1922 – John Burke. Co-edited The Satellite and Moonshine (not Len Moffatt’s fanzine, another one). A score of books including novelizations of Chitty Chitty Bang Bang and Those Magnificent Men in Their Flying Machines (okay, call it adjacent), fourscore shorter stories, for us; a hundred fifty novels all told. Correspondent of The Fantast, Zenith, and at the end Relapse, which I wish Sir Peter Weston hadn’t retitled from Prolapse, but what do I know? (Died 2011) [JH]
Born March 8, 1928 — Kate Wilhelm. Author of the Hugo–winning Where Late the Sweet Birds Sang. She also won a Hugo for Best Related Book and a Locus Award for Best Nonfiction for Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. SFWA renamed their Solstice Award the Kate Wilhelm Solstice Award. She established the Clarion Workshop with her husband Damon Knight and writer Robin Scott Wilson. (Died 2018,) (CE)
Born March 8, 1932 – Jim Webbert, age 89. Among our better auctioneers – we raise money that way, few would pay what con memberships really cost. Collector of books, other art, model rockets. HO model railroader. Chemist. Three decades in the Army Reserve, often teaching. Often seen at LepreCon. Fan Guest of Honor at TusCon 1, CopperCon 9, Con/Fusion, Kubla Khan 20 (all with wife Doreen). [JH]
Born March 8, 1934 — Kurt Mahr. One of the first writers of the Perry Rhodan series, considered the largest SF series of the world. He also edited a Perry Rhodan magazine, wrote Perry Rhodan chapbooks and yes, wrote many, many short stories about Perry Rhodan. He did write several other SF series. Ok, what’s the appeal of Perry Rhodan? He runs through SF as a genre but I’ve not read anything concerning him. (Died 1993.) (CE)
Born March 8, 1939 — Peter Nicholls. Writer and editor. Creator and co-editor of The Encyclopedia of Science Fiction with John Clute which won a Hugo twice. He won another Hugo for the Science Fiction Encyclopedia. His other publications were Science Fiction at Large, The Science in Science Fiction edited by Nicholls and written by him and David Langford, and Fantastic Cinema. He became the first Administrator of the United Kingdom based Science Fiction Foundation. He was editor of its journal, Foundation: The Review of Science Fiction, from 1974 to 1978. (Died 2018.) (CE)
Born March 8, 1973 – Daniel Griffo, age 48. Lives in La Plata (a Silver Age artist?), Argentina, with wife, son, and two pets named Indiana and Jones. I am not making this up. Comics, lettering, 3-dimensional activity books, My Visit to the Acupuncturist (I’m not; why shouldn’t there be a children’s book about that?), two about Dragon Masters – here’s one of them, Future of the Time Dragon. Website. [JH]
Born March 8, 1976 — Freddie Prinze Jr., 45. I’m fairly sure his first genre role was in Wing Commander as Lt. Christopher Blair followed by the animated Mass Effect: Paragon Lost in which he voiced Lieutenant James Vega. Speaking of animated endeavors, I’ve got him in Kim Possible: A Sitch In Time voicing Future Jim / Future Tim followed by being in all in all four seasons of the animated Star Wars Rebels as Kanan Jarrus. And that’s a series which I highly recommend as it may well be the best Star Wars fiction ever done. (CE)
Born March 8, 1978 – Samanta Schweblin, age 43. Another Argentine, this one living in Berlin, writing in Spanish. Two novels, two shorter stories for us; three collections. Casa de las Americas Award. Juan Rulfo Prize. Tigre Juan Award, Shirley Jackson Award for Distancia de rescate, in English Fever Dream. [JH]
(12) COMICS SECTION.
The Far Side reveals the tragic conclusion of a nursery rhyme.
(14) ON BOARD. [Item by Martin Morse Wooster.] In the March 3 Financial Times, gaming columnist Tom Faber looks at the appeal of board games during the pandemic.
For those who fancy themselves not Victorian engineers or colonial settlers but fantasy warriors and space explorers, games such as Twilight Imperium and Terraforming Mars hold more appeal. You can learn the rules of most within an hour or two, but there are some more elaborate offerings such as dungeon crawler Gloomhaven, which weighs 10kg and currently sits at the top of the ratings on the authoritative site BoardGameGeek. Games have grown in beauty as well as sophistication–see Wingspan, with its 180 gorgeous bird illustrations and pleasing tokens in the shape of pastel-shaded eggs.
As the games themselves have become more desirable, board game cafes such as Draughts in London and Snakes and Lattes in Toronto have sprung up and help legitimise board gaming, At the same time, the internet has facilitated the discovery of new games and willing opponents, as well as enabling the rising trend of board game crowdfunding–Frosthaven, the followup to Gloomhaven, raised almost $13m on Kickstarter.”
After having endured the horrors of Oklahoma and Kentucky, I’ve decided that I should announce my mask policy. I’m not a head of state or a governor, I’m just a guy, so there is no way to enforce my preferences on the world— except, of course, by way of sarcasm and mockery.
Just remember that I’m the guy that came up with several rules for living, including Williams’ First Law: Assholes Always Advertise.
So here goes:
While there is very little scientific data about how effective mask use is in preventing COVID, the wearing of masks in public is (at the very least) a courtesy to others, particularly those most vulnerable to the disease.
So if you’re in public and not wearing a mask, I’m not going to assume that you’re a brave iconoclastic thinker challenging accepted dogma, I’m going to assume that you are a complete asshole. And not only are you an asshole, you’re advertising yourself as such.
…On the positive side, I love the concept of the alien spaceship disintegrating as it enters the solar system. I’m frankly fascinated by the backstory of that, which sadly, in episode one at least, the series shows no signs of exploring, versus the “what does each piece of debris do this week” storytelling. I liked the way the program began, with the tiny shard of debris transporting an unfortunate maid from high up in a hotel to her death in the dining room, without marring any of the ceilings or floors she falls through. Grabbed my attention!
But there was very little about the alien technology or curiosity on anyone’s part about the aliens themselves or what destroyed the ship. No discussion about whether the debris is actually some kind of invasion or what might happen next. No one here seems to care if there was an FTL drive to be had. I frankly wished this was a series about going to explore what’s left of the hulk in space, rather than these cut and dried, solved in an hour individual cases….
(17) A LITTLE LIST. At the Hugo Book Club Blog, Olav Rokne has compiled a list of “Screen adaptations of Hugo-shortlisted works”. There are 47 so far. (The list excludes Retro Hugo awards as well as all Graphic Novels and comic book adaptations.)
The scrutiny also prompted some public libraries to review their Dr. Seuss collections.
A group of librarians across Toronto Public Library’s system will evaluate the titles in question and issue recommendations, according to a spokeswoman.
“Occasionally, children’s books written some time ago are brought to our attention for review,” Ana-Maria Critchley said in an email.
“If the review determines there are racial and cultural representation concerns the committee will recommend to either withdraw the book from our library collections or move the book from children’s collections to another location, such as a reference collection for use by researchers.”
The Vancouver Public Library is also launching reviews of each of the six Dr. Seuss titles.
Scott Fraser, manager of marketing and communications, said this process is usually initiated by a request from a patron, but the library made an exception given the “extremely unusual” decision by a rights holder to suspend publication.
Copies of the books will remain on the shelves while the review is underway, Fraser said, and officials will then decide whether to keep a title in the collection, change its classification or remove it from the stacks.
Vancouver Public Library previously reviewed “If I Ran the Zoo” in 2014 in response to a complaint about stereotypical depictions of Asians. A caption in the book describes three characters as “helpers who all wear their eyes at a slant.”
The library decided to keep the book on the shelves, but stop reading it at storytime, and only promote it as an example of how cultural depictions have changed….
…Prior to this discovery, Zhang and his research group had been pondering the possible existence of space hurricanes for years. The team’s research focus lies in the interactions between the ionosphere, an atmospheric layer that extends some 50 to 600 miles above Earth’s surface, and the magnetosphere, the region shaped by our planet’s protective magnetic field. At the poles, these interactions generate the magical and dazzling auroras that are popularly known as the Northern and Southern Lights.
Tropical hurricanes are driven in part by the movements of heavy air masses that generate strong winds; Zhang and his colleagues suspected a similar mechanism might be at work in the outer space environment close to Earth. In the case of space hurricanes, the solar wind, a stream of charged particles that flows from the Sun, slams into Earth’s upper atmosphere and transfers its energy into the ionosphere, driving the cyclone formation.
(20) VIDEO OF THE DAY. In “WandaVision Pitch Meeting” on ScreenRant, Ryan George explains that Marvel fans will be frustrated by the slow drip of revelations about how WandaVision connects to the MCU that they’ll become really frustrated by the phrase “Please Stand By.”
[Thanks to Andrew Porter, John Hertz, Martin Morse Wooster, Michael Toman, John King Tarpinian, Cat Eldridge, JJ, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
Being a Tolkien fan for so long, and someone who has been studying his works, one of my desires was to participate in one of the most important Tolkien fandom (and scholars) events created and organized by the Tolkien Society based in the UK. As I live far away, in Chile, and travelling is not cheap, I always thought that I would have to wait until being a granny (almost) to attend the event. But this year, despite covid bring us tragedy around the world, it also brought some great things. The Oxomoot had to be online, and allowed many more Tolkien fans and scholars from around the world, like me, to attend. This was the first Oxonmoot online ever, and it is estimated that it will be the only one for the others are expected to combine physical activities with online ones. The Oxonmoot has existed since 1974, a year later J. R. R. Tolkien left this world to reunite with Edith.
…I truly hope that next year I will be able to join again. It was such a great time and a beautiful opportunity to share the love for J.R.R. Tolkien, whose works join so many people and have given us hope and strength in the most difficult times, reminding us that not all is lost as we might think it is. Tolkien’s works have created a fellowship who unites readers from all over the world.
We’ve got panels from all over the world, a bunch of ceremonies, newly added workshops, even a GAME SHOW planned for your interactive viewing pleasure.
(3) INFINITE DIVERSITY EVOLVES. [Item by Olav Rokne.] At StarTrek.com, Carlos Miranda writes about the importance of diversity that reflects not only skin tone, but cultural signifiers. In a heartfelt article, “The Importance of Cristóbal Rios”, he praises Star Trek: Picard’s inclusion of not only a Latinx character, but one who speaks Spanish, and who is more nuanced than previous depictions.
I can’t quite describe the smile I had when we first heard Rios speak Spanish on camera — 9-year-old and 38-year-old me beamed enthusiastically. Rios curses (appropriately one might add) in Spanish, his ship is named La Sirena (Spanish for mermaid), one of his emergency holograms, Emmet, (the Emergency Tactical Hologram) also speaks and curses in Spanish, and he uses a classic Spanish nursery rhyme (one that most Spanish speakers would recognize, Arroz con Leche) to override La Sirena’s controls. This is a character whose cultural heritage and background is not simply window dressing, but in fact central to who they are as a person.
Polish SFT is a wonderful mix of science fiction and surrealism, fantasy and horror, cyberpunk and fairy tale. Since the 1960s, when Stanis?aw Lem, Witold Gombrowicz, and Stefan Grabi?ski were first translated and introduced to Anglophone audiences; to the present day, when Andrzej Sapkowski’s Witcher universe is available in English across various media; Polish SFT has shown us the richly imaginative worlds explored by the language’s most creative writers. Here you’ll find nanobot swarms on alien planets, occult practices, timeless villages, professional space travelers, clones, elves, ghost trains, and much more. So enjoy this month of Polish SFT and tell us your favorite stories/novels/collections/anthologies in the comments!
The Graphic Novels & Comics Round Table (GNCRT) of ALA and the Will and Ann Eisner Family Foundation are pleased to announce the opening of the 2021 Will Eisner Graphic Novel Grants for Libraries grant cycle. These grants recognizes libraries for their role in the growth of graphic literature and awards funds and resources for graphic novel collection development and programming.
Through these grants the GNCRT and the Will and Ann Eisner Family Foundation seek to continue to extend graphic novels into new realms by encouraging public awareness about the rise and importance of graphic literature and honoring the legacy and creative excellence of Will Eisner. For a career that spanned nearly eight decades — from the dawn of the comic book to the advent of digital comics — Will Eisner is recognized as the “Champion of the Graphic Novel.”
Three grants will be awarded: two recipients will receive the Will Eisner Graphic Novel Growth Grants which provides support to libraries that would like to expand their existing graphic novel collection, services and programs; and one recipient will receive the Will Eisner Graphic Novel Innovation Grant which provides support to a library for the initiation of a new graphic novel service or program. Recipients each receive a $4,000 programming and collection development grant plus a collection of Will Eisner’s works and biographies as well as a selection of the winners of the 2021 Will Eisner Comic Industry Awards at Comic-Con International. The grant also includes a travel stipend for a library representative to travel to the 2021 ALA Annual Conference in Chicago, IL to receive recognition from the Will and Ann Eisner Family Foundation. An applying librarian or their institution must be an ALA Member to be eligible and the grants are now open to libraries across North America, including Canada and Mexico….
…Recently I put out a request on social media for readers to suggest authors and works now obscure that deserve mention. To my surprise, someone suggested Arthur C. Clarke’s Tales from the White Hart.
…How on Earth could Tales from the White Hart be considered obscure? Well…for one thing, the author has been dead for over a decade. The collection is an astounding ten twenty thirty forty fiftysixty-three years old, which is to say it’s as ancient to a new SF reader in 2020 as H. G. Wells’ The Time Machine was for the new SF reader in 1957, when Tales first came out.
Tales from the White Hart is also an example of a genre once popular that seems to have fallen into comparative obscurity: the barroom tale….
…As some readers may recall, in my first report on reducing my biblio-clutter I mentioned having stored some books in a disused greenhouse. By “some books” you should be picturing two or three thousand. Now keeping any part of a library in a glass building designed to be tropically warm and moist is unquestionably a terrible idea. But I was tired of paying for an expensive storage unit in Kensington and this particular greenhouse allowed air to circulate freely and, really, it would all be okay, wouldn’t it?
Sigh. What would we poor deluded humans do without magical thinking?
(8) MEDIA ANNIVERSARY.
Forty years ago, Arthur C. Clarke’s The Fountains of Paradise won the Hugo Award for Best Novel at Noreascon Two. (It would also win the Nebula.) It was simultaneously published the previous year by Gollancz and Harcourt Brace Jovanovich. It would beat out John Varley‘s Titan, Frederik Pohl‘s Jem, Patricia A. McKillip‘s Harpist in the Wind and Thomas M. Disch‘s On Wings of Song. A space elevator is also constructed in the course of Clarke’s final novel, The Last Theorem, which was co-written with Frederik Pohl.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 1, 1914 – Donald A. Wollheim.One man deserves the credit, one man deserves the blame, and Donald Allen Wollheim, yes, Don Wollheim is his name! Hey! As Tom Lehrer said explaining the song I allude to, this is not intended as a slur on DAW’s character, but only given for prosodic reasons. DAW, earning praise and otherwise, even in the incident for which he was most blamed also did good. As a fan he among much else was a founder of FAPA and the Futurians, editor of The Phantagraph. As a pro he edited The Pocket Book of SF, first mass-marketed SF anthology; he was editor at Avon and Ace, eventually his own DAW Books, with a creditable yearly World’s Best SF 1971-1990. In publishing an unauthorized U.S. ed’n of The Lord of the Rings, which brought on an authorized one among much else, he has been called responsible for the fantasy boom. First Fandom Hall of Fame. Forry, Gallun, Solstice Awards. Pro Guest of Honor at Nolacon II the 46th Worldcon. I’ve always liked The Secret of the Martian Moons. (Died 1990) [JH]
Born October 1, 1922 – Terry Jeeves. Four short stories, including one in Tomorrow; famed mainly as a fan. Founding member of British SF Ass’n, two years editor of Vector. Three-part Checklist of “Astounding” for 1930-1959. Essays, letters, reviews, in Analog, Asimov’s, Banana Wings, Hyphen, Matrix, SF Commentary, Zenith. His own fanzine Erg. First Fandom Hall of Fame. Fine fanartist; Rotsler Award; see here. (Died 2011) [JH]
Born October 1, 1929 – Martha Beck. Hospitable mainstay and often hostess of All-Night Fandom. Active in the N3F (Nat’l Fantasy Fan Fed’n). Fan Guest of Honor at ChambanaCon 4, Genuine ConFusion, Archon 12, Windycon XVII. First Fandom Hall of Fame, as Associate Member. (Died 2002) [JH]
Born October 1, 1935 — Dame Julie Andrews, DBE, 85. The original Mary Poppins! I could stop there but I won’t. (Hee.) She had a scene cut in which she was a maid in The Return of the Pink Panther, and she’s uncredited as the singing voice of Ainsley Jarvis in The Pink Panther Strikes Again. Yet again she’s uncredited as in a Panther film, this time as chairwoman in Trail of the Pink Panther. (Andrews was married to Pink Panther producer Blake Edwards [d. 2010] which may explain the pattern.) She voices Queen Lillian in Shrek 2, Shrek the Third and Shrek Forever After. And she’s the voice of Karathen in Aquaman. (CE)
Born October 1, 1944 – Rick Katze, F.N., 76. (I’d tell you his name rhymes with Harry Bates, but have you read “Farewell to the Master”?) Diligent fan made a Fellow of NESFA (New England SF Ass’n; service award) decades ago. Discharged various thankless duties. Chaired three Boskones – oh, you say that’s no contradiction? Edited NESFA Press books including TheBest of Poul Anderson. A remark to me at Torcon 3 the 61st Worldcon was a model of discretion. [JH]
Born October 1, 1948 – Mike Ashley, 72. Co-editor of Fusion and Xeron, emerging as anthologist. History of the SF Magazine, originally with reprints, revised without them in four volumes 2000-2016 (through 1990). Thirty volumes so far in The Mammoth Book of — ; a dozen are SF. Half a dozen books on the Matter of Arthur. Several dozen others, some ours, recently Lost Mars (2018; “from the Golden Age of the Red Planet”; Univ. Chicago Press). Pilgrim Award. [JH]
Born October 1, 1953 — John Ridley, 67. Author of Those Who Walk in Darkness and What Fire Cannot Burn novels. Both excellent though high on the violence cringe scale. Writer on the Static Shock and Justice League series. Writer, The Authority : human on the inside graphic novel. And apparently there was the writer for Team Knight Rider, a female version of Knight Rider that lasted but one season in the Nineties. (CE)
Born October 1, 1960 — Elizabeth Dennehy, 60. She played Lt. Commander Shelby in “The Best of Both Worlds,” a two-part story on Star Trek: The Next Generation. It was her second genre role as she was Renata in Recall the previous year. She also showed up on Quantum Leap, Gattaca, Wishmaster 2: Evil Never Dies, Generation X, a spin-off of the X-Men franchise, Supernova and The Last Man on Planet Earth. (CE)
Born October 1, 1967 — Celine Kiernan, 53. She’s best known for her Moorehawke trilogy set in an alternate renaissance Europe, and she has written two books so far in her Wild Magic trilogy. She reads the first three chapters of her latest novel, Resonance, over at her blog. Being a gothic fiction, I’d say it’s appropriate for this time of year. (CE)
Born October 1, 1973 — Rachel Manija Brown, 47. Co-writer of the Change series with Sherwood Smith; Laura’s Wolf, first volume of the Werewolf Marines series. She wrote an essay entitled “The Golden Age of Fantasy Is Twelve: SF and the Young Adult Novel” which was published in Strange Horizons. The first two Change novels are available at the usual digital suspects. (CE)
Born October 1, 1976 – Angela Woolfe, 44. Seven novels. Also writes for The Guardian and Vogue. Knowing that in SF we can assume little about what we are to expect, she calls a title-role woman scientist Avril Crump whom we are thus not startled to see bald, pink, round, bumbling, lovable. Uses two other names, one for legendary movie stars appearing on a magical sofa with advice to the lovelorn. [JH]
Born October 1, 1979 — Holly Elissa, 41. A Canadian artist, actress, filmmaker and activist who, given that a lot of genre video is produced in Canada, not surprisingly shows up in one-offs on Outer Limits, Stargate SG-1 and Stargate Atlantis, Voyage of the Unicorn, Battlestar Galactica, Kyle X/Y, Eureka, Supernatural, Fringe, Flash Gordon, Colony, Van Helsing and Arrow. (CE)
Born October 1, 1989 — Brie Larson, 31. Captain Marvel in the Marvel film universe including of course the most excellent Captain Marvel film. She’s also been in Kong: Skull Island as Mason Weaver, and plays Kit in the Unicorn Store which she also directed and produced. Her first genre role was Rachael in the “Into the Fire” of the Touched by an Angel series; she also appeared as Krista Eisenburg in the “Slam” episode of Ghost Whisperer. I just wrote up a review of her Funko Rock Candy figure at Green Man Review. CE)
(11) SAY IT THIS WAY. [Item by rcade.] Podcast producer Jay Hamm writes on Twitter, “COMICS FANS, you’ve been pronouncing creators’ names wrong for far too long. I can’t take it anymore. Here’s a thread to put you right.”
Read the link to learn that Jeff Lemire rhymes with “fear” not “fire”, Mark Millar rhymes with “brr” not “bar”, Chip Zdarsky is “anything goes” and mysterious things are afoot in the name of Frank Quietly.
…Four astronauts — NASA’s Mike Hopkins, Victor Glover, and Shannon Walker, and Japan Aerospace Exploration Agency astronaut Soichi Noguchi — are set to climb aboard SpaceX’s Crew Dragon capsule on October 31, roar into space aboard a Falcon 9 rocket, then spend a six months aboard the International Space Station.
Their mission, called Crew-1, will be the first of six round-trip flights that NASA has contracted from SpaceX.
The company tested its human spaceflight capabilities this summer, when it launched NASA astronauts Bob Behnken and Doug Hurley on a test flight called Demo-2. That marked the first time humans had flown aboard a commercial spacecraft, and the first time the US had launched its own astronauts since the Space Shuttle program ended in 2011.
Behnken and Hurley named that capsule “Endeavour” after they launched. Now, following that longstanding tradition of naming spacecraft, the astronauts on the upcoming mission gave their new spaceship the name “Resilience” on Tuesday.
(13) SOMETHING BORROWED. [Item by Bill.] The Scroll recently linked to “Loose Ends”, a story made up from the last lines of SFF books. I just today ran across Final Cut: Ladies and Gentlemen, a feature length film made of clips from 400+ romantic films — but it includes a number of genre films. The very first scene, for example, is from Avatar.
If there’s any bright spot, it’s that October is an excellent month for new book releases — there are a lot of heavy hitters from the likes of Kim Stanley Robinson, Alix E. Harrow, V.E. Schwab, Rebecca Roanhorse, and many others. I’ve rounded up 24 of them that you should check out.
NASA’s first new space potty in decades — a $23 million titanium toilet better suited for women — is getting a not-so-dry run at the International Space Station before eventually flying to the moon.
It’s packed inside a cargo ship set to blast off late Thursday from Wallops Island, Virginia.
Barely 100 pounds (45 kilograms) and just 28 inches (71 centimeters) tall, it’s roughly half as big as the two Russian-built toilets at the space station. It’s more camper-size to fit into the NASA Orion capsules that will carry astronauts to the moon in a few years.
Station residents will test it out for a few months. If the shakedown goes well, the toilet will be open for regular business.
(16) SPAGHETTI ICE CREAM. Not really genre, just sounds weird.
You don’t need a fork to eat this plate of spaghetti. Just a spoon will do. And that’s because it’s not actually spaghetti. It’s Spaghettieis—vanilla ice cream noodles topped with strawberry sauce and white chocolate shavings. Dario Fontanella, the inventor of spaghetti ice cream, invites us into his dessert shop in Mannheim, Germany to sample this ice cold treat. Did we mention it’s served on a bed of whipped cream?
(17) VIDEO OF THE DAY. Think of ST:TNG reimagined as Data, “A wholesome 90s sitcom revolving around the beloved android crewmember of the starship Enterprise-D.”
[Thanks to Sultana Raza, Chris M. Barkley, John King Tarpinian, Lise Andreasen, Mike Kennedy, rcade, Bill, Jeffrey Smith, Martin Morse Wooster, JJ, Michael Toman, John Hertz, Cat Eldridge, Olav Rokne, and Andrew Porter for some of these stories. Title credt goes to File 770 contributing editor of the day Daniel Dern.]