Pixel Scroll 7/22/22 And The Pixel That Was Planted In My Brain Still Remains, Within The Scrolls Of Filers

(1) BOT AND PAID FOR. In “Fandoms Can Do Bad All by Themselves”, Vice looks at reports about what percentage of social media support for the release of the Zack Snyder cut of Justice League came from bots, but concludes most of it was probably genuine.

According to a report in Rolling Stone, the very online campaign for the release of Zack Snyder’s cut of Justice League was a battle waged in no small part by bots. The report is gossipy fun and well worth reading in full—multiple sources tell reporter Tatiana Siegel that Snyder, discoursing on his enemies to a studio executive, said, “I will destroy them on social media,” and it gets more absurd from there—but the main impression the reader is left with is that the pro-Snyder movement was perhaps not quite as organic as it seemed. One interesting thing is that it’s not clear how much that would matter—the behavior of most fandoms when they’re incensed, after all, is not all that different from bots to begin with.

… The outlet commissioned reports from three different cybersecurity and social-media firms, and also quotes from reports that were commissioned by Warner Bros. According to reports commissioned by Rolling Stone, at least 13% of the accounts using the hashtags related to the Snyder fandom were deemed fake—much higher than the average of around 5%. Because people and bots using this hashtag would often target specific Warner Bros. executives with implied death threats, Rolling Stone reports, the studio hired cybersecurity firms to analyze its contents. While all acknowledge that any popular hashtag will have bot activity, at a few points in the article different people argue that if Snyder was scheming behind the scenes at the Warner Bros. studios, then these bots must have been under his control as well. (One site, forsnydercut.com, was at one point registered by an ad agency, but Rolling Stone was unable to establish a connection between Snyder and a person apparently behind the site, whom he denied knowing or hiring.)

While this report is full of juicy gossip surrounding Snyder’s behavior towards the people he felt had wronged him, it probably somewhat overstates the power of robot armies; whatever else Snyder was or wasn’t in control of, he certainly knew how to present himself to a fandom in order to garner its sympathy….

(2) LOVE NEVER FAILS. “Sarah Gailey On Loving Monsters” at CrimeReads.

Just Like Home is dedicated “to everyone who ever loved a monster.”

It is the easiest thing in the world to love a monster. It’s easy to love a monster because love isn’t a decision. It’s no one’s fault that love happens. Emotions, urges, and impulses are themselves beyond our ability to control. Love in its many forms wells up out of the human spirit irrepressibly. Like anger or sadness or the desire to kill, it arrives without invitation or intention. Action might spring from emotion—love might lead to an expression of affection, anger might lead to violence, a powerful impulse might lead to a monstrous act. But on its own, love is no different from any other feeling. To love a monster is easy, when the monster seems loveable.

It’s easy for a monster to seem loveable. All monsters partition other people into two categories—those who witness their monstrosity, and those who don’t. Maybe this is because the monster sees the world as divided into unequal parts, where some deserve to flourish while others deserve to be the targets of ungoverned impulse. Or maybe it’s because monsters want to be loved just as much as anyone else, and they understand that those who experience their ungoverned impulses aren’t likely to give them support, affection, admiration. Maybe it’s just another reflex, as unconscious as the way my voice slips into a slightly different register when I’m around trusted friends….

(3) AFROFUTURISM NEWS. In the Guardian’s interview with artist and filmmaker Edward George, he talks about Black cultural history, Tupac Shakur, the evolution of dub and his remarkable cinema essays with the Black Audio Film Collective: “Edward George: ‘You can’t have Afrofuturism without some ambience of a fascist thinking creeping in’”.

…Last Angel is not only a film about science fiction but, partly influenced by Chris Marker’s 1962 film La Jetée, it features a character called the “data thief” who travels back from the year 2195 to probe the failure of the Ghanaian revolution. If this all sounds hugely ambitious, Icarean even, that’s part of its appeal. It played a crucial role in popularising Afrofuturism – a term first coined by white theorist Mark Dery, and now used to describe countless exhibitions, film series and even films (such as the feudalism-romanticising Black Panther) in which the term is used breezily, a floating signifier for something to do with technophilia, empowerment, a vague and breezy form of utopianism. “Because of the ways it uses the archive, its montage, its commentary – the film has become a codex of futurity,” says George.

“If you want to fetishise futurity less, you have to go back to the plantations and to the slaves themselves: a lot of the songs that they were singing were literally about a tomorrow. These were cast in the metaphysical language of the day – that of the Bible – which was an act of mastery in itself. More than that, look at Italian futurism in the early 20th century: it opened out on to all kinds of fascism. You can’t have futurity, or futurism, or Afrofuturism, without some ambience of a fascist thinking creeping in.”…

(4) FLINT FUNDRAISER ACHIEVES GOAL. The “Eric Flint” GoFundMe created to help pay the costs of memorial services raised $12,540. The organizer announced, “The family wants to thank you for your generosity. We have reached the goal and will be closing the campaign. Hug your loved ones today.”

(5) SFWA SPOTLIGHTS ROMANCE STEERING COMMITTEE. The Science Fiction and Fantasy Writers Association (SFWA) announced that a SFWA Romance Steering Committee (RSC) was formed in Fall 2021.

The RSC will offer meaningful input and assistance in cultivating a positive trajectory for authors of stories that combine fantasy, science fiction, and romance in a way that encourages diversity, engagement, and quality, while also providing outreach and support resources for romance writers struggling with inclusion in the SFF community at large.

RSC resources that are already available, or will be soon, include:

  • The SFWA Discord channel #romantic-sff
  • Monthly posts in the Romancing SFF series on the SFWA Blog searchable here.
  • A Romancing SFF Meetup to be held in the fall.

The members of the Romance Steering Committee are Alexia Chantel, Claire Davon, Miranda Honfleur (co-chair), Victoria Janssen, Chelsea Mueller (co-chair), Abigail Reynolds, Katherine Ley, and R.K. Thorne.

(6) HOT ITEM. From AbeBooks “Most expensive sales from April to June 2022”, see the asbestos-bound copy of Bradbury’s Fahrenheit 451. The third-biggest sale of the quarter, it went for $22,500.

This is the famous asbestos-bound edition of Bradbury’s classic dystopian novel about the power of books. #83 of 200 signed and numbered copies. A regular signed first edition of Fahrenheit 451 sold for $12,000 via AbeBooks earlier in the year.

Sixth on the list was Alice’s Adventures in Wonderland illustrated by Salvador Dali sold for $21,375.

(7) CYBER-GROUNDHOG DAY. [Item by Daniel Dern.] Sure, sounds useful, but also “Yet another ‘what could possibly go wrong,’ e.g., heists/capers, foreign invaders, alien invaders, and AI/cyber takeovers. E.g, Niven/Pournelle Oath of Fealty, probably also at least one PK Dick story. “Earthgrid Aims To Rewire the USA Using Super-Cheap Tunnel Tech” at Slashdot.

Bay Area startup Earthgrid says it’s developing a plasma boring robot that can dig underground tunnels 100x faster and up to 98% cheaper than existing tech, and it plans to use it to start re-wiring America’s energy, internet and utilities grids….

(8) SHATNER LENDING VOICE TO MASTERS OF THE UNIVERSE. Yahoo! was a witness as “William Shatner crashes Comic-Con—and soon, Masters Of The Universe”.

He-Man and his friends will welcome a new addition to the follow-up to Netflix’s Masters Of The Universe: Revelation—an animated series set in outer space that, up until now, has been sorely lacking anyone who’s actually been in outer space. William Shatner made a surprise appearance at Thursday’s San Diego Comic-Con panel celebrating 40 years of Masters Of The Universe toys, films, and series, at which series creator Kevin Smith confirmed that Shatner will voice a mystery character in the upcoming Masters Of The Universe: Revolution.

The legendary Star Trek actor and actual astronaut arrived to deliver the news of his casting in the most conceivably Comic-Con way possible: his booming voice startling and delighting Hall H audience members before he emerged to join the panel. The 2022 edition of the convention is a busy one for Shatner, who was also on hand to preview a forthcoming documentary about his life produced by Legion M, the production company created and led entirely by fans. “San Diego Comic-Con has grown,” he quipped. “There’s something in the water. It used to be a little sleepy town!”…

There are more details about the panel in CBR.com’s article “SDCC: He-Man & the Masters of the Universe 40th Anniversary Panel”.

Cora Buhlert is keeping a sharp eye on these developments. She notes there will be another Masters of the Universe panel on Friday focused on the toys. Plus, says Cora, “Mattel has a huge toy display at the con, including a diorama featuring the massive Eternia playset, of which only a handful were produced in the 1980s. Apparently, the Eternia set will be crowdfunded, e.g. Mattel will be collecting preorders and only then go into production. There are a couple of videos about the Mattel display online. This one is pretty detailed and offers a good look at the Eternia diorama and the other toys announced.”

(9) BUHLERT’S NEW TOY PHOTO STORY. The previous item would have been the perfect lead-in to a new Masters of the Universe figure photo story, but that’s not the source of her latest, which is “The Frost-Giant’s Daughter”, an adaptation of a story by Robert E. Howard.

…For those who don’t know, “The Frost-Giant’s Daughter” is the second story about Conan of Cimmeria that Robert E. Howard ever wrote, ninety years ago now. It was rejected by Weird Tales and only published in altered form (with Conan renamed Amra) in the fanzine The Fantasy Fan during Howard’s lifetime. The original version did not appear until way after Howard’s death. You can read the Amra version here.

“The Frost-Giant’s Daughter” is set early during Conan’s career. Many believe it is the earliest of Conan’s chronicles adventures. I’m not entirely convinced by this, but Conan is definitely young in this story.

My adaptation differs from the original story in two aspects. For starters, I made it less rapey. Secondly, instead of the male pseudo-Viking companions from the original story, the companion I gave Conan is Valeria of the Red Brotherhood, pirate, mercenary, swordswoman and all around awesome character, whom Conan meets in the later story “Red Nails”.

So I present you: “The Frost-Giant’s Daughter” by Robert E. Howard, starring Conan of Cimmeria and Valeria of the Red Brotherhood…

(10) EATING THE FANTASTIC. Scott Edelman invites listeners to dig into dumplings with Patrick O’Leary in episode 176 of the Eating the Fantastic podcast.

Patrick O’Leary

We discussed the way his new novel 51 is similar to The Great Gatsby, why he believes his books will crumble if he attempts to describe them, the perils and pleasures of pantsing (and how his stories often don’t get any good until the 15th draft), the tragedy of being an invisible creature, our mutual fears of what aging might bring, his love for Marvel Comics (and especially the Silver Surfer), how Laura Ingalls Wilder introduced him to literature, the way reading Kurt Vonnegut taught him there were no rules, the two science fiction greats who literally left him speechless, and much more.

(11) ALAN GRANT (1949-2022). Comic writer Alan Grant, best known for his work on Judge Dredd and Batman, died July 20 at the age of 73. 2000AD has a full profile of his career here.

…Grant was one of his generation’s finest writers, combining a sharp eye for dialogue and political satire with a deep empathy that made his characters seem incredibly human and rounded. Through his work he had a profound and enduring influence on 2000 AD and on the comics industry….

(12) MEMORY LANE.  

1922 [By Cat Eldridge.] One hundred years ago, Agatha Christie’s Secret Adversary was released in the United Kingdom by The Bodley Head. The novelintroduces Tommy and Tuppence who will be featured in three more novels and a collection of short stories. The five Tommy and Tuppence books would span Christie’s writing career.

The story here is that the Great War is over, and jobs are almost impossible to find, so childhood friends Tommy Beresford and Prudence “Tuppence” Cowley decide to start their own business as The Young Adventurers. In this novel, they are hired for a job that leads them into many dangerous situations, and meeting allies as well, including an American millionaire in search of his cousin.

The critics liked it. The Times Literary Supplement said it was “a whirl of thrilling adventures” and the Daily Chronicle was very happy with it: “It’s an excellent yarn and the reader will find it as impossible as we did to put it aside until the mystery has been fathomed.” 

It would be the second Christie work to be turned into a film as it would be made in Germany by the Orplid Film company in 1929 as a silent movie which ran for 76 minutes. Thought to be lost, it wasn’t and was shown at the National Film Theatre in 2001. 

The novel was adapted twice for television, in 1983 and in 2014. Significant changes were made to story. A graphic novel was done.  Several theatre productions were staged. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 22, 1882 Margery Williams. The Velveteen Rabbit (or How Toys Become Real) is the work that is by far her best known work. Is it genre? Sure. And it has been adapted as video, audio and theatre myriad times. One audio version was narrated by Meryl Streep with music by George Winston. (Died 1944.)
  • Born July 22, 1932 Tom Robbins, 90. Author of such novels as Even Cowgirls Get the Blues and Another Roadside Attraction. ISFDB lists everything he’s done as genre and who am I to argue with them on this occasion at least? Well I will. Now Jitterbug Perfumethat’s definitely genre! Cowgirls Get the Blues got made into a rather excellent film by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves. Interesting note: Still Life with Woodpecker made the long list at one point for the Prometheus Award for Best Libertarian SF Novel. 
  • Born July 22, 1941 Vaughn Bodé. Perhaps best known for the Cheech Wizard character and his art depicting erotic women. For our purposes, he’s a contemporary of Ralph Bakshi and has been credited as a major influence on Bakshi’s The Lord of the Rings and Wizards. He’s been inducted into the Will Eisner Award Hall of Fame. (Died 1975.)
  • Born July 22, 1944 Nick Brimble, 78. His first genre role was in Lust for a Vampire as the First Villager. He next shows up in Roger Corman’s Frankenstein Unbound as The Monster.  He’s Sir Ectot in A Knight’s Tale which I really like be it genre adjacent or not. His lastest film genre role is as Dr. Zellaby in Soulmate, and he’s the voice of Owsla in the Watership series. 
  • Born July 22, 1959 Nigel Findley. He was a game designer, editor, and an author of science fiction and fantasy novels and RPGs. He was also part of the original Shadowrun RPG core group and has sole writing credit on both sourcebooks and Shadowrun world novels. Yes, I played Shadowrun, a most enjoyable experience. (Died 1995.)
  • Born July 22, 1972 Colin Ferguson, 50. Best known for being Sheriff Jack Carter on  Eureka. Damn I miss that series which amazingly won no Hugos. (I just discovered the series is on the Peacock streaming service which I subscribe to so I’m going to watch it again!) He’s also been in Are You Afraid of the DarkThe HungerThe X-FilesThe Outer Limits, the Eureka “Hide and Seek” webisodes (anyone seen these?) and The Vampire Diaries. Oh and he made a series of commercials for Maytag.

(14) COMICS SECTION.

  • Last Kiss has genre-related advice for a foundering romance.

(15) COLBERT AT COMIC-CON. “SDCC: Stephen Colbert hosts Lord Of The Rings extravaganza”A.V. Club has the story.

Amazon spent nearly half a billion dollars on their new Lord Of The Rings series, and at least half of that must’ve gone into their Comic-Con panel. Led by a string accompaniment featuring series composer Bear McCreary, the panel kicked off with the music of Middle Earth to set the stage, and Late Show host Stephen Colbert on hand to speak elvish and keep things moving.

Prime Video played a room-wrapping trailer on screens all around Hall H, showing off the various peoples of Middle Earth. And all that’s before showrunner J.D. Payne taught us to say “Oh, shit” in Elvish—only to be challenged by Colbert. “Tolkien speaks the language of the soul,” said Payne. And he also speaks the language of debate.

… And finally, Colbert asked question that was on everyone’s lips: “Will there be Entwives?”

“Maybe you’ve seen them already,” McKay teased.

(16) RINGS TRAILER. Here’s the “The Lord of the Rings: The Rings of Power” trailer shown at San Diego Comic-Con. Begins streaming September 2 on Prime Video.

Discover the legend that forged the rings. #TheRingsOfPower Prime Video’s The Lord of the Rings: The Rings of Power brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf-capital of Lindon, to the breathtaking island kingdom of Númenor, to the furthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.

(17) FREE READ. Cora Buhlert has a new flash story online at Wyngraf Magazine. This one is called “Demon Child” which she says “is a changeling story in reverse.” The first line is —

“I swear to you, this baby is a monster,” Sansavi said as she pushed the pram back and forth across the black bridge of Zairahm….

(18) A COMIC ABOUT MARTIANS IN PASADENA. NPR presents “NASA engineer Nagin Cox on Mars rover time”. “This comic, illustrated by Anuj Shrestha, is inspired by an interview with NASA engineer Nagin Cox from TED Radio Hour’s episode It Takes Time.

(19) ALTERNATE RACE TO MARS CONTINUES. “’For All Mankind’ Renewed for Season 4 at Apple”Variety reports from Comic-Con.

For All Mankind” has been renewed for Season 4 at Apple.

The announcement was made Friday as part of the show’s panel at San Diego Comic-Con. Production on the new season is scheduled to begin in August. Season 3 of the series debuted on the streamer on June 10.

“For All Mankind” is an alternative history series that explores what would have happened if the global space race had never ended. The series presents an world where NASA astronauts, engineers and their families find themselves in the center of extraordinary events seen through the prism of an alternate history timeline — a world in which the USSR beats the US to the moon.

In Season 3, the series moved into the early ‘90s with a race to a new planetary frontier: Mars. The Red Planet becomes the new front in the Space Race not only for the U.S. and the Soviet Union, but also an unexpected new entrant with a lot to prove and even more at stake. The characters find themselves going head-to-head as their ambitions for Mars come into conflict and their loyalties are tested, creating a pressure cooker that builds to a climactic conclusion….

(20) STRANGER CHICKEN. Adweek is fascinated when “KFC Releases ’80s-Style Horror Film With Killer Pizza”.

The phenomenon of Netflix series Stranger Things has produced a resurgence of interest in ’80s horror movies. Now chicken restaurant chain KFC is looking to tap into that interest from younger consumers by producing its own short film in Spain, featuring killer pizza.

The fast-food chain has released La Massacre—a 14-minute short film, which tells the often-told story of five teenagers who travel to a remote cabin in the woods to enjoy a weekend away. However, once they reach it, they are stalked and killed by a terrifying entity shaped like a pizza.

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Half-Blood Prince Pitch Meeting,” Ryan George notes the sixth Harry Potter movie begins with Harry Potter breaking Hogwarts security by reading a magic newspaper in a Muggle coffee shop.  But Dumbledore drags him back to Hogwarts so that he can begin his yearly ritual of “placing children in mortal danger.” The producer notes that at Hogwarts “they really don’t teach anything except how to die a horrible death,” so Harry and the gang “spend way too much time on teenage romance.”  But things are so lax at Hogwarts that Harry nearly kills Draco Malfoy until Snape saves him but Harry isn’t punished for this.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Daniel Dern, Bill, Steven French, Cora Buhlert, John A Arkansawyer, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 7/15/22 The Pixels Come From The Scrollwork Out

(1) VILLAINS DOING WORK. Max Gladstone on “The Villain, Considered as Safety Tool” in “Guard Rails Around the Bottomless Pit”.

…To ask what makes a good villain, we should first ask what a villain does, so that we can understand what it means to be good at it. To call, say, Darth Vader or Keyser Soze or Sauron a ‘good villain’ is not to make any claims about their absolute moral character. It’s a statement about how good they are at doing the thing they’re in the story to do….

(2) GO PHISH. The Guardian explains why “Alleged book thief Filippo Bernardini may avoid trial in the US”.

Filippo Bernardini, an Italian citizen who worked at UK publisher Simon & Schuster, was arrested in the US in January, with the FBI alleging he had “impersonated, defrauded, and attempted to defraud, hundreds of individuals” to obtain unpublished and draft works. The indictment said Bernardini had registered more than 160 fake internet domains to impersonate others since 2016.

Bernardini, who was charged with wire fraud and aggravated identity theft, was due in court in early July. In June, however, the judge in his case, US district court judge Colleen McMahon, agreed to postpone the appearance so prosecutors could consider a deferred prosecution request, according to Publishers Marketplace.

A deferred prosecution agreement is usually used in fraud or financial crime cases. It consists of a deal where prosecution is conditionally suspended while the defendant fulfils the requirements of the agreement in a set period of time. It is supervised by a judge, and could consist of Bernardini having to pay fines or compensation, or enacting other measures. The judge adjourned the case until 10 September.

Bernardini had previously pleaded not guilty to both charges, reported the Bookseller.

Hundreds of manuscripts were stolen over a period of five years, with authors, agents, editors, scouts and even judges for the Booker prize among the victims of phishing scams. Manuscripts of highly anticipated novels by Margaret Atwood, Sally Rooney and actor Ethan Hawke were among those targeted….

(3) GAILEY HEARD FROM. The Fire the Canon podcast is “Talking to Author Sarah Gailey About Horror, Compulsory Girl Bossing, and Shirley Jackson’s The Lottery”.

Sarah Gailey, author of the upcoming book Just Like Home, joins us to talk about one of the most famous American short stories of all time: Shirley Jackson’s 1948 classic, The Lottery. Jackie reveals her long, sordid history with technology. Rachel reads a book review from an alternate reality. Theo discusses an affordable delicacy. Topics include: old houses, cottagecore, rollerblading accidents, park raters, trusting your editor, killing off Chuck, mom texts, Muppet Treasure Island, cicada pizza, and cricket flour.

(4) FILETING THE MINIONS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, John Gapper explains the success of the Minions franchise.

“There are said to be 48 variations of Minion, depending on their height and build, style of hair, and whether they possess one or two eyes, but they are essentially one big gang.  Although te plots require individuals to emerge from the pack–notably Kevin, Stuart and Bob i 2015’s MINIONS–there is power in their union.

They are also cheerful, Chris Melandri, series producer at Illumination studios, defines its purpose as ‘to make you feel good in a world where so many things don’t. The theme song of Despicable Me 2 was Pharrell Williams’s ‘Happy’: that’s the Minions’ selling point.”

(5) UNSTUCK LANDINGS. Only 10? I’d say this is a subject where the pickings are easy! “10 Great Sci-Fi Series With Terrible Endings” at CBR.com.

Series finales can either make or break a show. The science fiction genre, in particular, often weaves a tale of intrigue leading up to its finale episode. Because of this, an unsatisfying ending can make audiences feel as though the entire series has been ruined.

First on the list —

10 – Quantum Leap Audiences Wanted A Happier Ending

When the popular series Quantum Leap ended its run in 1993, audiences were accustomed to a more traditional happy ending. So, when the series ended with the main character, Sam, sacrificing his happy ending and leaping back to help a friend, only to never return, it wasn’t well-received.

A more modern audience might have been more accepting of the show’s sad end, but in 1993, it was too dark. It left audiences feeling as if they had followed the series for five seasons, only to be let down.

(6) MEMORY LANE.  

2007 [By Cat Eldridge.] Doctor Who’s “The Shakespeare Code”. My favorite Doctor by far of the modern Doctors was the one played by David Tennant. And I believe that he got some of the best stories as well. Originally titled “Love’s Labour’s Won”, the re-titling apparently is a reference to The Da Vinci Code. Or least the Wiki page for this thinks so. 

This was the beginning of the period in the series when Freema Agyeman  played companion Martha Jones. Need I say that she was my favorite of the modern companions?  Actually of all companions. 

SPOILERS HERE!

The story here is he takes Jones to 1599 arriving near the Globe Theatre where they meet Shakespeare. Shakespeare is being bewitched by three Carrionites who look like Witches to rewrite the ending to his play “Love’s Labour’s Won” so that the performance will create a code to free the rest of the Carrionite race from imprisonment. 

Jones will, as she does in her time in the TARDIS very often, save the day. How she does is something that I won’t spoil here as it’s a, ahem, meta moment that proves the universe of Doctor Who is our universe. A fascinating meta moment at that.

Martha even suggests that stepping on a butterfly might change the future of the human race, an idea that originates in Bradbury’s “A Sound of Thunder” story.  

SPOILERS END HERE! 

Jones in her introduction here as a full-time companion is written well and more than holds her own against the Tenth Doctor. They have, and interviews later by both of them, individually and collectively, that they enjoyed working together. Even early on, he said of her that she “inhabited Martha Jones from day one without a hint of trepidation or nervousness. I found myself quite envious of her confidence. She is going to be brilliant.”

Most British critics liked it, but then they liked Tennant’s Doctor more than any other Doctor, and I’ll quote just one here, Scott Matthewman from The Stage: “It’s somehow appropriate that it’s David Tennant’s Tenth Doctor who becomes the first to meet William Shakespeare (at least on screen). More than any other, this incarnation of Doctor Who revels in wordplay, and in Gareth Roberts’ rollocking script he certainly meets his match.”

It’s one of my favorite episodes as it shows Shakespeare in a favorable light and the word play between him and the Doctor is quite delicious. Not to mention the introduction of Jones as a companion here handled quite well. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 15, 1918 Dennis Feltham Jones. His first novel Colossus was made into Colossus: The Forbin Project. He went on to write two more novels in the series, The Fall of Colossus and Colossus and the Crab, which in my opinion became increasingly weird. The usual suspects have the Colossus  trilogy plus a smattering of his other works available. (Died 1981.)
  • Born July 15, 1931 Clive Cussler. Pulp author with definite genre leanings. If I had to pick his best novels, I’d say that would be Night Probe and Raise the Titantic, possibly also Vixen 03. His real-life National Underwater and Marine Agency, a private maritime archaeological group, has found several important wrecks including the Manassas, the first ironclad of the civil war. Warning: do not watch the films based on his novels as they are truly wretched. (Died 2020.)
  • Born July 15, 1944 Jan-Michael Vincent. First Lieutenant Jake Tanner in the film version of Roger Zelazny’s Damnation Alley which consensus here is that I’ve been wise in not seeing. Commander in Alienator and Dr. Ron Shepherd in, and yes this is the name, Xtro II: The Second Encounter. Not to mention Zepp in Jurassic Women. (Please don’t ask.) As Airwolf counts as genre, he was helicopter pilot and aviator Stringfellow Hawke in it. (Died 2019.)
  • Born July 15, 1947 T. E. D. Klein, 75. Horror writer with two awards to his name, one a British Fantasy Award for The Ceremonies novel, another a World Fantasy Award for his “Nadelman’s God” novella. He was editor of the Twilight Zone Magazine in the mid Eighties and the Night Cry zine for several around that time.
  • Born July 15, 1961 Forest Whitaker, 61. His best known genre roles are Rogue One: A Star Wars Story as Saw Gerrera and in The Black Panther as Zuri. He’s had other genre appearances including Major Collins in Body Snatchers, Nate Pope in Phenomenon, Ira in Where the Wild Things Are, Jake Freivald In Repo Men (anyone see this?) and he was, and to I’ve somehow managed not to see any of it, Host of Twilight Zone.
  • Born July 15, 1963 Brigitte Nielsen, 59. Red Sonja! What a way to launch your film career. Her next genre roles were 976-Evil II and Galaxis… Oh well… She starred as the Black Witch in the Nineties Italian film series Fantaghiro, and played the Amazon Queen in the Danish Ronal the Barbarian
  • Born July 15, 1967 Christopher Golden, 55. Where to start? The Veil trilogy was most excellent as was The Hidden Cities series co-authored with Tim Lebbon. The Menagerie series co-authored with Thomas E. Sniegoski annoyed me because it never got concluded. Straight On ‘Til Morning is one damn scary novel. His short stories are most excellent thus it’s most fitting his recent The Twisted Book of Shadows collection won a Shirley Jackson Award. 

(8) SUPERHERO GIRLFRIENDS ANONYMOUS. Ravynn K. Stringfield tells Catapult readers how “Black Women in Fantasy Saved Me Where Academia Failed”.

…I flipped through a few dozen issues of Marvel’s Jungle Action  comics featuring Black Panther, as well as several  Captain America and Fantastic Four titles at the comics archive at Virginia Commonwealth University. I read the issues as I scanned them and took quick notes on storylines and the fan letters readers sent in when I walked back to my table to grab another from the box.

The more I read, the more the lack of Black women and girls present in meaningful ways on the page bothered me. Though I had committed to a project on Black Panther as the focal point, searching for racial diversity in comics, the distinct lack of women characters triggered an alarm in my brain. So when I stumbled across a few issues that featured a new-to-me character, T’Challa’s Black American girlfriend, Monica Lynne, I kept her close to my periphery as I worked. At that moment, I could not commit to a project or a paper on her, but she distracted me.

Even as a side character, Monica demanded attention. Her speech often reflected 1970s Black American vernacular, and she wore her hair in a neat Afro, both of which gave Wakandans pause. Monica did not always like it in Wakanda, feeling ill at ease in the palace, where she was meant to be invisible, a background fixture while everything about her defied that.

There was something about Monica that refused to be relegated to the background, a quality I envied. I saw myself folding into someone smaller in graduate school. I increasingly lacked the energy to continually insist upon the validity of how I, and others like me, experienced, thought about, and wrote about the world. Though often depicted as out of place in Wakanda because of her speech and dress, Monica’s inability to blend was a lesson in stepping confidently into the world and changing for no one.

(9) HOW NOPE GOT A YEP. “Jordan Peele on why ‘Nope’ felt impossible 5 years ago” at SYFY Wire.

…Now, as he prepares to release his third film as director, Nope, Peele has realized that the movie he just made may have been impossible back in the days of Get Out. At least, it felt that way at the time.

“I think this idea of letting a Black director put his vision into a film and commit to it… let’s put it this way, five years ago, I didn’t think they’d ever let me do that,” Peele told TODAY in a new interview. “So much of my career before I became a director was marred with this internalized sense that I could never be allowed to do that, that no one would ever trust me with money — enough money to do my vision the way they’d trust other people. I felt that that was true.”…

(10) WHAT’S SAUCER FOR THE GOOSE. BBC Culture is inspired by the Nope trailer to recall “The UFO sightings that swept the US”.

It’s only there for a moment in the trailer for Jordan Peele’s new horror film, Nope, but it’s definitely there: a flying saucer. Judging by the twists and turns in Peele’s previous films, Get Out and Us, it’s impossible to say whether its real or fake, whether it’s from the Earth or from outer space, but that glimpse of sparkling silver is tantalising. Maybe, just maybe, Nope will be a proper flying-saucer movie – a celebration of one of the most recognisable and spine-tingling shapes in the history of popular culture.

“By the end of the 1950s,” says Andrew Shail, senior lecturer in film at Newcastle University, “that particular shape had become a shorthand for ‘spacecraft piloted by beings from another world’, available to everyone working in the visual arts.” Sure enough, flying saucers have signified mysterious visitors from Mars and beyond in countless films, TV series, novels, comics, and even hit records, from Mulder’s I Want To Believe poster in The X-Files TV series to the popular children’s picture book, Aliens Love Underpants. The flying saucer is a design classic – the archetypal Unidentified Flying Object. And yet it didn’t take off, so to speak, until the 1950s, when the world went flying-saucer crazy….

(11) A DIFFERENT PRINCESS DIARY. BBC Culture calls “Princess Mononoke: The masterpiece that flummoxed the US” – “Twenty-five years old this week, the film is Japanese animation master Hayao Miyazaki’s most complex work. But how it was mishandled in the West speaks of fundamental artistic differences, writes Stephen Kelly.”

In 1997, the British fantasy author Neil Gaiman received a call out of the blue from then-head of Miramax, Harvey Weinstein. “This animated film, Princess Mononoke,” Gaiman recalls him saying, “it’s the biggest thing in Japan right now. So I thought I’ve got to get the best to do it. I called Quentin Tarantino and said, ‘Quentin, will you do the English language script?’ And he said, you don’t want me, you want Gaiman. So, I’m calling you.” Miramax, a then-subsidiary of Disney, had acquired the rights to distribute Princess Mononoke, the newest film from Japanese animation studio Studio Ghibli, in the United States, and Weinstein wanted to fly Gaiman to Los Angeles to watch a cut of the movie….

(12) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Thor: Love And Thunder Pitch Meeting,” Ryan George, in a spoiler-packed episode, has the writer tell the producer, “Thor’s back–and he’s dumber than ever!”  Jane Foster may have Stage 4 cancer, but the writer says, “don’t worry–it will be hilarious all of the time!” adding that “we’re redlining the JPM”–that’s jokes per minute.  For example, in New Asgard  there’s Infinitz Conez, named after Thanos’s infinity gauntlet.  When the producer asks why someone would name an ice cream store after a device Thanos used to kill billions of people, the writer says, “Who doesn’t like ice cream?”

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Alan Baumler, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 7/10/22 And In The Naked Light, I Saw Ten Thousand Pixels, Maybe More

(1) HOW THE BALLOT SHOULD HAVE LOOKED. Rich Horton has posted his latest Hugo nomination ideas, for the 1952 Hugo year (that is, stories from 1951). He makes a “Special recommendation to ‘Beyond Bedlam’, a story I knew of but had not read until just now. It is wonderful, original, wrenching.” “Hugo Nomination Recommendations, 1952” at Strange at Ecbatan.

The 1952 Worldcon was Chicon II, in Chicago, the tenth World Science Fiction Convention. (This year will be Chicon 8!) As noted, they gave no Hugo awards. The International Fantasy Award went to John Collier’s Fancies and Goodnights, a remarkable book, though as a story collection not eligible for a Hugo in this or any year. There was also a non-fiction award, to The Exploration of Space, by Arthur C. Clarke.

(2) A DOCTOR WHO PRACTICED IN THE SIXTIES. The Guardian shares a gallery of behind the scenes photos from the 1960s Doctor Who movies: “The Daleks invade 60s Surrey: on the set of the classic Doctor Who films – in pictures”.

Dalekmania inspired Amicus films to buy up the cinema rights to the Saturday tea-time television adventures of Dr Who, leading to two films starring Peter Cushing.

(3) GOING POSTAL. At Deep Cuts in a Lovecraftian Vein, Bobby Derie takes a look at the correspondence between Margaret St. Clair and Clark Ashton Smith: “Her Letters To Clark Ashton Smith: Margaret St. Clair”. About a letter written by Smith in 1940:

… A major point of the letter involved the change in editorship at Weird Tales; Farnsworth Wright had been fired and was replaced with Dorothy McIlwraith. There was some hard feelings among the older guard of writers about Wright’s treatment, and Wright himself apparently floated the idea of forming a competing weird magazinebut this would not come to pass, and Wright himself would pass away on 12 June 1940. On a lighter note, Smith also noted that the Convent of the Sisters of Mercy had been established not far away from his cabin. In a postscript to the letter, Smith wrote jocularly:

Can’t we start some sort of coven in opposition to that nunnery?

(4) THE UNKINDEST CUT? Also at Deep Cuts in a Lovecraftian Vein, Cecelia Hopking-Drewer talks about her experiences reading H.P. Lovecraft: “An Australian Woman Looks At Lovecraft”.

… My involvement with Lovecraft scholarship goes back some twenty-seven years. At one stage I was a huge Stephen King fan, and I found a reference in King’s non-fiction work Danse Macabre to Lovecraft (see King, 1982:132-5). I was studying English literature at Master’s level, around 1992/3, and in the realm of academia, historical writers were more acceptable research subjects than contemporary writers, so I approached the department about a project. The project was approved, but the resident Gothic expert was unable to provide supervision, and I struggled along against a curtain of institutional resistance regarding texts associated with popular culture. My assumption that as a ‘dead white male’ to quote the cliché, Lovecraft would be respected academically was incorrect, and instead he proved to be a controversial and polarizing figure…. 

(5) CREDITS CHECK. K.C. McAbee has an article about Leigh Brackett at Luna Station Quarterly“Her Majesty the Queen of Space Opera: Part One”.

Leigh Brackett will always be a name to conjure with, and not just because she wrote the first draft of a little movie you may have heard of called The Empire Strikes Back. Though she died before it went into production and hers was not the final filmed screenplay, she created many of the story beats that ended up in the movie. City in the clouds: check. Battle of Hoth: check. Deadly trip through an asteroid field: yep, it’s there. Love triangle between Luke, Leia and Han: check, check, and check….

(6) MASTERS OF THE UNIVERSE. [Item by Cora Buhlert.] I posted another of those Masters-of-the-Universe photo stories that people have been enjoying entitled “Consent Is Sexy, Harassment Stinks”.

The small toy aisle at the German drugstore chain Rossmann has turned out to be an unlikely source of Masters of the Universe toys, because they tend to have even hard-to-find figures like Clawful or the Horde Trooper at regular prices. I didn’t find a Clawful during my last visit to the local Rossmann store, but I did get lucky and snapped up none other than Stinkor, Masters of the Universe‘s very own walking fart joke….

(7) HEAR SF POETRY READINGS. In 2022, the Science Fiction & Fantasy Poetry Association, in an effort to further engage Rhysling Award voters and speculative poetry audiences at large, Akua Lezli Hope organized and hosted three virtual gatherings on Zoom at which poets with work nominated to the short poem category of the Rhyslings read their work aloud. You can watch the recordings on the SFPA YouTube channel; click here for the full playlist.

SFPA is now creating a series of Rhysling Award Readings for the 2022 Long Poem Nominees. There presently are two videos; more will be added.

(8) MEMORY LANE

1970 [By Cat Eldridge.] “This is the voice of world control. I bring you peace. It may be the peace of plenty and content or the peace of unburied death. The choice is yours: Obey me and live, or disobey and die.”

If you were in West Germany on this date, you could have enjoyed the premiere there of Colossus: The Forbin Project. It was from a screenplay by James Bridges who based it off  Dennis Feltham Jones’ Colossus novel. It would be his only genre movie script. He’d later do one for the Alfred Hitchcock Hour off Ray Bradbury‘s 1944 “The Jar” short story. 

SPOILER ALERT!

Dennis Feltham Jones did a trilogy of Colossus novels, and a lot of other SF as well. Ok the premise here is Colossus is an AI that wakes up, assumes controls of all Earth’s military resources and won’t relinquish control. In time, it fuses with its Soviet counterpart. The film is taken directly off his first novel. 

END SPOILER ALERT!

Critics generally liked it. Victor Canby of the New York Times said it was “no Dr. Strangelove, but it’s full of surprising moments of humor and intelligence”. And David Kher of the Chicago Reader declared that it was “Above-average science fiction”. 

Audience reviewers at Rotten Tomatoes give it a seventy-six percent rating. 

It’s been in remake Hell since 2007. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 10, 1903 John Wyndham. His best-known works include The Day of the Triffids and The Midwich Cuckoos, both written in the Fifties. The latter novel was filmed twice as Village of the Damned. The usual suspects have an impressive selection of his novels including these titles though little of his short fiction is available, alas. The Day of the Triffids is currently a buck ninety-nine there. (Died 1969.)
  • Born July 10, 1914 Joe Shuster. Comic book artist best remembered for co-creating Superman with Jerry Siegel. It happened in Action Comics #1 which was cover-dated June 1938. Need I mention the long fight with DC over crediting them as the creators and paying them? I think not. He was inducted into the Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 1992.)
  • Born July 10, 1923 Earl Hamner Jr. Though much better known for writing and producing The Waltons, he wrote eight scripts for the Twilight Zone including “Black Leather Jackets” in which an alien falls in love with a human girl and “The Hunt” where raccoon hunters enter the Twilight Zone. He also wrote the script of the Hanna-Barbera production of Charlotte’s Web.  (Died 2016.)
  • Born July 10, 1929 George Clayton Johnson. He’s best known for co-writing with William F. Nolan the Logan’s Run novel, the source for the Logan’s Run film. He was also known for his scripts for the Twilight Zone including “A Game of Pool”, “Kick the Can”, “Nothing in the Dark”, and “A Penny for Your Thoughts”, and the first telecast episode of the original Star Trek, “The Man Trap”. (Died 2015.)
  • Born July 10, 1931 Julian May. She‘s best known for her Saga of Pliocene Exile (known as the Saga of the Exiles in the UK) and Galactic Milieu series: Jack the BodilessDiamond Mask and Magnificat. At age 21 she chaired TASFiC, the 1952 Worldcon in Chicago. She was inducted into the First Fandom Hall of Fame at the Sasquan Worldcon. (Died 2017.)
  • Born July 10, 1941 David Hartwell. Encyclopedia of Science Fiction describes him as “perhaps the single most influential book editor of the past forty years in the American science fiction publishing world”.  I certainly fondly remember the The Space Opera Renaissance he co-edited with Kathryn Cramer. Not to mention that his Year’s Best Fantasy and Year’s Best SF anthologies are still quite excellent reading, and they’re available at the usual suspects for a very reasonable price. (Died 2016.)
  • Born July 10, 1941 Susan Seddon Boulet. Another one who died way, way too young after a long struggle with cancer. If you’ve read the American edition of Terri Windling’s The Wood Wife (which won the Mythopoeic Fantasy Award for Adult Literature Award), you’ve seen her amazing work. Or perhaps you’ve got a copy of Pomegranate‘s edition of Ursula Le Guin’s Buffalo Gals, Won’t You Come Out Tonight which also features her art. If you’re keen on knowing more about this amazing artist, see the Green Man review of Susan Seddon Boulet: A Retrospective. (Died 1997.)
  • Born July 10, 1945 Ron Glass. Probably known best genre wise as Shepherd Book in the Firefly series and the sequel film Serenity. His first genre work was the role of Jerry Merris in Deep Space, a SF horror film, and he’d later show up voicing Philo D. Grenman in Strange Frame: Love & Sax (“slated as the world’s first animated lesbian-themed sci-fi film”; look it up as it has a very impressive voice cast) and he showed up twice as J. Streiten, MD in Agents of S.H.I.E.L.D. Oh, and he was on Voyager playing a character named Loken in the “Nightingale” episode. (Died 2016.)

(10) COMICS SECTION.

  • Nancy prepares to explain two literary terms to a friend.
  • Tom Gauld has a gag about a combat robot workshop at New Scientist.
  • Tom Gauld again on the tradition of “last orders” in the Guardian.
  • Macanudo’s Tolkienesque joke is truly bizarre.

(11) A SLIGHT DELAY. Sunday Morning Transport’s story is “The Daily Commute” by Sarah Gailey.

We love how Sarah Gailey’s story merges magic and public transport with a wonderful, wrenching effect. ~ Fran Wilde, July 10

(12) KELLY’S HEROICS. “Try to remember the kind of September, When you were a tender and callow fellow.” (P.S. This is Scott Kelly in the video, not his twin brother Mark Kelly.)

(13) FOR THOSE WITH DEEP POCKETS. [Item by Andrew Porter.] Getcher Stormtrooper Helmet now (actual person’s head not included): “’Blast ‘Em!’: Heritage Auctions Offers in July Stormtrooper Helmet and Blaster Used in 1977’s ‘Star Wars’”.

A long time ago in a theater probably not too far from your house, Star Wars was released — May 25, 1977, long before the original space opera was rechristened Star Wars: Episode IV – A New Hope. To celebrate that 45th anniversary, Heritage Auctions is thrilled to offer in its July 22-23 Hollywood & Entertainment Signature® Auction two of the rarest and most coveted items featured in the film that spawned a never-ending franchise: a screen-matched stormtrooper helmet and a screen-used hero E-11 blaster shared by stormtroopers, Han Solo, Luke Skywalker and Princess Leia.

….Of these six original sandtrooper helmets, only two are confirmed to exist in private hands. Heritage Auctions is offering one of the two.

In addition to being one of the surviving original first-produced and first-filmed stormtrooper helmets from the original Star Wars, this specific helmet can be conclusively identified on-screen across multiple sequences. It was also worn by one of the few stormtroopers who delivered dialogue — the very one who speaks to the bartender after Obi-Wan Kenobi’s, let’s say, disarming encounter in the Mos Eisley cantina….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 7/6/22 I Come From A Pixel Down Under, Where Fen Scroll and Pros Wonder

(1) HEARING FROM DELANY. Sally Wiener Grotta kicks off a new video interview series — “What If? Why Not? How?” – with the help of Samuel Delany (who has more to say in the comments at Facebook).

A few weeks ago, when Samuel Delany and I were at a gathering of friends at Michael Swanwick‘s and Marianne Porter’s home, he explained why he feels that spelling “black” with a capital “B” is racist. As is always true, Chip’s discourse was fascinating, keeping us spellbound. There and then, I knew I would want to record him on the subject. So, here he is, helping me launch my new video interview series: “What If? Why Not? How?” 

(2) IN PERSON IN SAN DIEGO. Heidi McDonald scouts the layout for Publishers Weekly in “San Diego Comic-Con Is Back”.

For the first time in three years, San Diego Comic-Con is returning as an in-person event. However, in a world changed by an ongoing global pandemic, even the gigantic pop culture institution will look very different when fans finally return to the San Diego Convention Center July 20–24.

It’s all part of the event industry’s transition away from the most severe pandemic restrictions, as comics publishers and media companies approach events, sales, and marketing in a new social and economic landscape. For publishers, online sales have soared, and the cost of exhibiting at giant pop culture conventions isn’t always justified financially. Nevertheless, the glamour and excitement of SDCC remains a draw, and the intangible value of seeing popular artists, as well as industry colleagues, in person has been much missed.

But this year the layout of the exhibit floor at the San Diego Convention Center will feature significant changes. Warner Bros. Discovery, the newly formed parent company of DC, has pulled out of the massive booth that once anchored the end of one hall and housed DC’s SDCC booth presence. DC will have a full lineup of panels and talent, but no booth. Dark Horse Comics, which has had a large centrally located booth for years, will also be missing, along with the longtime floor presence of indie publisher Drawn & Quarterly and publisher/merchandise producer Graphitti Designs. Image Comics, also a major presence on the exhibit floor, will have a much smaller booth.

Making up for this, newer graphic novel publishers, such as Immortal Studios, Interpop, Tapas Media/Wuxia World, Three Worlds/Three Moons, and Z2, will have booths for the first time….

(3) TRACKING COVID AFTER WESTERCON. Westercon 74, held over the July 4th weekend in Tonopah, has created a COVID tracking page on its website to collate COVID-19 reports.

We ask that any person who contracts COVID-19 during Westercon 74 or for one week following the convention please send an email to covid@westercon74.org so that we can track any possible outbreak. We will not release any personally-identifying information without prior approval from the person who reports having been infected.

So far there is one report from an attendee of Westercon 74 reporting a positive COVID-19 self-test.

Kevin Standlee emphasizes, “We won’t report personal information without the person’s permission.”

(4) A SLICE OF MIDDLE-EARTH. Here’s about 25% of The Lord of the Rings: The Rings of Power Prime Video Exclusive Sneak Peek available today to Prime Video subscribers.

(5) DOMINIQUE DICKEY Q&A. Sarah Gailey interviews “Dominique Dickey of Plant Girl Game, “a cozy tabletop roleplaying game about a family of plant children working together to prevent an ecological disaster.” The crowdfunding appeal for the game is open for another 14 days at Gamefound.

The character age range for this game is young, ranging from 11 years old and up. What makes a child or adolescent’s perspective on community unique?

Children often think of very simple solutions to complex problems, because they’re more immersed in how the world should work than how it actually functions. Adolescents tend to run face first into that complexity: I remember at the age of fifteen or so, going from “Well, why can’t we just fix climate change?” to “A lot of very powerful people are invested in maintaining the status quo, and we have a narrow window of time in which to break that status quo, and it won’t be easy to do so.” I was absolutely enraged, because the childish part of me was still unable to conceptualize cruelty on a larger scale than playground bullies or mean girls in the locker room. I had a child’s expansive empathy, and wasn’t able to understand why anyone would lack that empathy.

Which is a roundabout way of saying that I want players to face that tension. I want players to begin a session of Plant Girl Game with the childlike knowledge that the world should be a kinder, fairer place, and leave with the adolescent realization that if we want that world—for ourselves and for our loved ones—we’re going to have to fight like hell for it….

(6) BE A FRINGE FAN IN A GOOD WAY. [Item by Alison Scott.] Filers might in general be interested in the Chicon Fringe programme, with local Chicago and online events. Events are free and you do not need to be a Chicon 8 member to attend. 

But I’m writing specifically because I’m hosting, on behalf of Glasgow in 2024, an online ‘book club’ discussion on the Best Fanzine finalists.

Tuesday 19th July, 19:30 p.m. BST, 1:30 p.m. CDT. Tickets, which are free, are available at Eventbrite here.

It would be lovely to see Filers, and fanzine readers more generally, there. 

(7) DEVELOPING FRIENDSHIPS. Elizabeth Bear’s guest post on Mary Robinette Kowal’s blog is about a different bit than she anticipated: “My Favorite Bit: Elizabeth Bear Talks About The Origin of Storms.

When I sat down to write this essay, I was thinking that I was going to write about the extremely ancient and slightly dimensionally shifted dragon, possibly, or maybe that I was going to write about the snarky magic pen. But (“upon contemplation,” as they say) I realized my favorite part of The Origin of Storms—the thing that was absolutely the most fun to write—is the friendships…..

(8) ON THE TUBE. “Neil Gaiman’s Books Have Enchanted Millions. Finally, Hollywood Is on Board” reports the Washington Post.

…“All of the things that made ‘Sandman’ wonderful were the same things that made it almost impossible to adapt for film and television for 30 years,” says David S. Goyer, a filmmaker and producer who was a co-writer on the “Dark Knight” Batman trilogy. “All of the features that we love about ‘Sandman’ — that it is, in essence, a story about stories — are the bugs that stymied Hollywood.”

Today that is no longer the case. Quietly and steadily over the past six years, Gaiman has matched some of the most prolific creators in Hollywood. And after 32 years trapped in the purgatory of Hollywood development, a 10-episode series based on “The Sandman” will premiere on Netflix on Aug. 5. Developed by Gaiman, Goyer and writer Allan Heinberg, it represents one of the streaming service’s biggest-budget original productions. Meanwhile, Gaiman’s 2005 novel “Anansi Boys,” a modern twist on the ancient stories of the West African trickster god Anansi, is now an Amazon Studios series in postproduction, and “Good Omens” recently wrapped filming its second season. These follow on the heels of the series“American Gods,” which premiered in 2017 on Starz — earning two Emmy nominations for its first season — and aired its third season last year.

In total, Gaiman has seven shows that he has developed or that are based on his writing, with more in the works. He has become the great adapter, pulling from the store of fable and myth for his books, and transmogrifying his written work into radio and stage plays, audiobooks and movies. And now television.

Gaiman’s books “couldn’t get made in a three-network landscape,” Hamm says, owing to their complexity. As television has matured, though, so too have the opportunities to tell more-nuanced stories….

(9) MEMORY LANE

1957 [By Cat Eldridge.] Sixty-five year ago, one of the very best Warner Bros. cartoons ever done was released on this in the form of Bugs Bunny’s “What’s Opera, Doc?”

It directed by Chuck Jones as written by Michael Maltese whose longest association not unsurprisingly was with Warner Bros. Cartoons, though he did work with other animators such as MGM Cartoons and Hanna-Barbera.

BEWARE! SPOILERS! I MEAN IT! 

In this cartoon, Elmer is chasing Bugs through a number of Richard Wagner’s operas, including Der Ring des NibelungenDer Fliegende Holländer, and Tannhäuser. Fudd is dressed as Siegfried and Bugs as Brunhilda to start it off and then, well let’s just say it’s just it gets even more manic. 

Bugs is apparently dead at the end of the cartoon as Fudd carries him off but he suddenly breaks the fourth wall and raises his head to face the audience while remarking, “Well, what did you expect in an opera? A happy ending?”

END SPOILERS

Given it has only two characters, it won’t surprise there’s only two voice actors. Mel Blanc was Bugs Bunny (as Brünnhilde) and  Elmer Fudd (yelling “SMOG”) which is no surprise, but the surprise for me that that Mel Blanc wasn’t Elmer Fudd being Siegfried but rather it was Arthur Q. Bryan who went uncredited in the cartoon.

It has been voted the best Warner Bros. Cartoon ever. 

A look at the iTunes stores shows it is available there. 

There’s are clips from it legally up YouTube but the entire cartoon is not so please do not offer links to such as they’ll just need to be removed as we don’t host pirated material here. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 6, 1916 — Donald R. Christensen. Animator, cartoonist, illustrator, writer. He worked briefly at Warner Bros. studio, primarily as a storyboard artist for Bob Clampett’s animation unit.  After that, he worked for Dell, Gold Key and Western Publishing comic books, as well as Hanna Barbera, Walter Lantz Productions and other cartoon studios. He wrote and provided illustrations for such comic book titles as Magnus, Robot Fighter, Donald Duck, and Uncle Scrooge. (Died 2006.)
  • Born July 6, 1918 — Sebastian Cabot. He’s here because he’s in The Time Machine, which was nominated for a Hugo at Seacon, as Dr. Philip Hillyer. Several years later, he’ll be in the animated The Sword in the Stone voicing both Lord Ector and The Narrator. Likewise he’d be Bagheera in The Jungle Book, and The Narrator in The Many Adventures of Winnie the Pooh. Lastly he shows up in several episodes of Fifties series Conrad Nagel Theater. (Died 1977.)
  • Born July 6, 1927 — Janet Leigh. Certainly best remembered as doomed Marion Crane in Alfred Hitchcock’s Psycho. She would also be in with her daughter, Jamie Lee Curtis, in both The Fog and Halloween H20: 20 Years Later. She’s also in the Night of the Lepus, a very odd 70s SF film. (Died 2004.)
  • Born July 6, 1945 — Rodney Matthews, 77. British illustrator and conceptual designer. Among his many endeavors was one with Michael Moorcock creating a series of 12 large posters that showed scenes from Moorcock’s ‘Eternal Champion’ series. This is turn became the Wizardry and Wild Romance calendar. He also worked work with Gerry Anderson on the Lavender Castle series. 
  • Born July 6, 1945 — Burt Ward, 77. Robin in that Batman series. He would reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes, and two animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. (Has anyone seen these?) The latter are the last work done by Adam West before his death. 
  • Born July 6, 1946 — Sylvester Stallone, 76. Although I think Stallone made a far less than perfect Dredd, I think the look and feel of the first film was spot on for the 2000 A.D. series which was something the second film, which though it had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man and him as Sergeant John Spartan were just perfect.
  • Born July 6, 1950 — Rick Sternbach, 72. Best known for his work in the Trek verse sharing with Star Trek: The Motion Picture where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 andVoyager. He also pretty much designed every starship during that time from from the Cardassian and Klingon ships to the Voyager itself. He would win Best Professional Artist Hugos at SunCon and IguanaCon II, and he was the Artist Guest of Honor at Denvention 3. 

(11) COMICS SECTION.

  • Bizarro is about a bit of financial planning for frogs that reminds me of a bit in Hitchhiker’s Guide.
  • The Argyle Sweater is funny – if you get the reference. I once had a 5-year-old, so I do.

(12) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I listened to the podcast Leonard and Jessie Maltin did with Dean Fleischer Camp about Marcel the Shell with Shoes On.  Both the Maltins very much like this film. Camp doesn’t provide many technical details, although he credits animation director Kirsten Lepore with doing a lot of the work during the 2 1/2 years it took to make this film.  He also explained that Isabella Rosselini was attached to the project because she likes making quirky artistic choices. Camp also discussed how he and Jenny Slate, who voices Marcel and worked on the script, remain close professional collaborators even though they broke up their relationship. Fun unrelated fact:  director Mike Mills lifts the spirits of his set by bringing in a harpist every friday to play for an hour. Maltin on Movies: Dean Fleischer-Camp”.

The Maltins also had a 2017 conversation with Jenny, available here.

(13) UPGRADE. “The Mars Express spacecraft is finally getting a Windows 98 upgrade” reports The Verge. Although you probably want to know, the ESA hasn’t detailed the exact software that the MARSIS is being upgraded to.

Engineers at the European Space Agency (ESA) are getting ready for a Windows 98 upgrade on an orbiter circling Mars. The Mars Express spacecraft has been operating for more than 19 years, and the Mars Advanced Radar for Subsurface and Ionospheric Sounding (MARSIS) instrument onboard has been using software built using Windows 98. Thankfully for humanity and the Red Planet’s sake, the ESA isn’t upgrading its systems to Windows ME.

The MARSIS instrument on ESA’s Mars Express was key to the discovery of a huge underground aquifer of liquid water on the Red Planet in 2018. This major new software upgrade “will allow it to see beneath the surfaces of Mars and its moon Phobos in more detail than ever before,” according to the ESA. The agency originally launched the Mars Express into space in 2003 as its first mission to the Red Planet, and it has spent nearly two decades exploring the planet’s surface….

(14) SOMETHING FOR HUMMERS TO BE HUMBLE ABOUT. “Over 11 years and 570 episodes, John Rabe and Team Off-Ramp scoured SoCal for the people, places, and ideas whose stories needed to be told, and the show became a love-letter to Los Angeles. Now, John is sharing selections from the Off-Ramp vault to help you explore this imperfect paradise.” Off-Ramp at LAist.

Alex Ross says you’re probably humming “Star Wars” wrong … and more on the surprising music of John Williams, who is NOT a copycat.

John Williams is so ubiquitous now, as former leader of the Boston Pops and the man behind the music for so many Lucas and Spielberg films; and old-fashioned lush orchestral scores are now so common, it’s hard to believe they were endangered a few decades ago. But they were, and Alex Ross, the New Yorker music writer, says you can thank Williams. In a long Off-Ramp interview from 2016 with tons of musical examples, Alex makes the case for Williams, and debunks the notion that the maestro is any sort of plagiarist. He also gamely demonstrates how to properly hum the Star Wars theme. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people. (Off-Ramp theme music by Fesliyan Studios.)

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metal Gear Rising: Revengance,” the narrator says that this game is like equivalent of “if George Orwell downed 10 Monster Energies and asked you to cut up with a katana in the backyard.” It’s slice and dice action that “lets you rip through everything like a kid at Christmas.” And “revengance” means “revenge with a vengance.”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day HoosierDragon.]

Pixel Scroll 5/13/22 Make Room Party, Make Room Party

(1) COME THE MILLENNIUM. This year marks 60 years of the iconic Spider-Man. Marvel Comics will celebrate this milestone anniversary with a special issue honoring the comic that started it all, Amazing Fantasy. Arriving in August, Amazing Fantasy #1000 will be a giant-sized one-shot brought together by some of the industry’s most acclaimed creators.

Here’s just some of what fans can expect from this landmark issue:

  • Visionary writer Neil Gaiman’s grand return to the Marvel Universe
  • Emmy Award winning creator behind “Veep” and “Avenue 5” Armando Ianucci’s Marvel Comics debut
  • Spider-Man mastermind Dan Slott and superstar artist Jim Cheung team up to explore the enduring love between Peter Parker and Mary Jane Watson in a story set in the far future
  • Acclaimed artist Michael Cho and novelist Anthony Falcone introduce a new Spider-Man villain
  • Ho Che Anderson crafts a horror-fueled Spidey adventure that cuts to Peter Parker’s core
  • Plus stories by Rainbow Rowell, Jonathan Hickman, and many more!

 “It’s Spider-Man’s 60th and we wanted to celebrate in style by inviting some of the greatest creative minds in the world to celebrate it!” Editor Nick Lowe said.

Join the industry’s top talent in celebrating Spider-Man’s birthday when Amazing Fantasy #1000 arrives in August. 

(2) THE SKY IS FALLING. Chillercon, the Horror Writers Association’s UK event, announced a change of venue after the ballroom ceiling collapsed in their planned facility. The con will still take place in Scarborough from May 26-29.

The convention received news this week that there has been a ceiling collapse in the Cabaret Ballroom of the Grand Hotel, one of our main programming rooms in that hotel, and asbestos has been discovered. The room has been closed off and the hotel declared safe to run by the relevant authorities, but for the last forty-eight hours the convention committee has been working with both hotels towards the best solution for both the ability of ChillerCon UK to run effectively and for the safety of our attendees, as obviously we are keen to ensure there’s no risk to anyone attending.

To that end, we are pleased to confirm that all programming and accommodation has now been moved to the Royal Hotel with immediate effect….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to join John Appel for a dry-aged burger in Episode 171 of the Eating the Fantastic podcast.

John Appel

John’s debut novel Assassin’s Orbit, published last year, was a finalist for the 2022 Compton Crook Award. He’s a former US Army paratrooper, a long-time information security professional, a historical fencer, and a life-long gamer who’s written the occasional tabletop RPG adventure. He co-edited the anthology Skies of Wonder, Skies of Danger along with Mary Alexandra Agner. John’s also a graduate of the Viable Paradise workshop and a founding member of the Maryland Space Opera Collective writing group.

We met for lunch at the White Oak Tavern, which is in the Enchanted Forest Shopping Center in Ellicott City, Maryland, and if there was ever a proper place to record an episode of Eating the Fantastic, an Enchanted Forest certainly sounds like it.

We discussed how pitching his debut novel as “Battlestar Galactica meets Golden Girls” got him an agent, why his background in table-top RPGs might be the reason he writes novels rather than short stories, how he deals with the “candy bar” scenes of his plots, the way critique groups and sensitivity readers can help make books better, how to juggle multiple viewpoints and still have them all be equally compelling, the political aspects of his novel which make it a different read than it would have been when it was first begun, his particular set of skills which helped bring fight scenes alive, and much more.

(4) BARRIERS REMAIN. Nalo Hopkinson is profiled by Silvia Moreno-Garcia for the University of British Columbia publication Beyond: “As publishing becomes more varied and diverse, challenges remain for writers of colour”.

…Hopkinson believes universities can help enrich the literary landscape by embracing genre fiction, looking at alternatives that deviate from traditional forms of learning and helping students develop a sense of belonging. For example, the traditional workshop model, where students sit around a circle discussing their stories, may be of little value to a student if they are the only writer of colour in a class.

“I encounter a lot of emerging writers who come from a marginalized community who feel that they won’t be welcomed,” she explains.

Hopkinson believes something that helped her become a writer was “middle class entitlement.” She grew up in a place where Black people were in the majority, where her father was a teacher and her mother a librarian and literature seemed an obtainable pursuit.

“There’s a certain type of entitlement because of that. Not wealth, but entitlement,” she says. “That sense of I have a right to be here.”

The hardest lesson for Hopkinson to teach is this self-empowerment….

(5) THE MEMORY LIBRARIAN. “Janelle Monáe: ‘Erasure is happening right under our noses’” the singer and author tells Christiane Amanpour at CNN Style.

…As Monáe wrote on Instagram in December, they have always used sci-fi and Afro-Futurism as “vehicles” for translating ideas into music, art and now literature. But the singer told Amanpour that they believe memory and history are under threat in today’s America.

“I think that there is definitely an agenda for erasure,” Monáe said, pointing to Florida Governor Ron DeSantis signing the so-called “Don’t Say Gay” bill, which bans LGBTQ+ topics in elementary school classrooms, and Texas Governor Greg Abbott signing legislation that restricts how race and US history is taught in the state’s schools.

“These are real experiences for our ancestors, real experiences for us,” Monáe said. “And erasure is happening right underneath our noses. And it’s being done through lawmaking.”…

(6) VIDEO GAMES. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses TV adaptations of games.

What film directors seem to miss while adapting games for cinema is that games do not resolve around stories we are told but worlds we inhabit. They need to ask what it means for this story to be watched rather than played, and how it might have to change accordingly. In that respect, TV may prove a more natural fit. The length of a series creates space for the spreading storytelling style of games and their myriad characters. This breathing room should also allow showrunners to capitalise on the abundant lore and environmental detail of modern games, which assist in the trendy pursuit of ‘world building.’

Two TV shows that offer hope for the future are both animations. Castlevania, a vampire story based on a series of hit 1990s games, has become a surprise hit on Netflix since launching in 2017.  It is sharply written with mature themes and thoughtful plotting and paved the way for last year’s Arcane. Another Netflix show, Arcane digs into the origin stories of two heroes from the online battle arena game League Of Legends using striking animation that blends hand-painted textures with 3D graphics. Unlike other adaptations, Arcane forgoes fussy plot exposition in favor of character-driven drama and plays loosely with its source material, focusing on the complex relationship between two women and including action only where it meaningfully impacts the narrative.

(7) STURGEON SYMPOSIUM. The Gunn Center for the Study of Science Fiction is hosting the first annual Sturgeon Symposium on September 29-30 at the University of Kansas in Lawrence, KS. Here’s the call for papers. They are accepting proposals until June 30.

(8) TIME TRAVEL AND SEX. Nibedita Sen is interviewed by Sarah Gailey in “First Times” at Stone Soup.

First Times is structured unlike anything I’ve read before, using recursion in the narrative to expand and deepen the theme of the story. What inspired you to work in this particular structure? How did you approach storytelling in this medium?

A couple of things, actually – the most important of which is that this was my very first time (hah) writing interactive fiction. As such, I really wanted to keep the game as short and simple as possible, having been warned how easily the simplest-seeming idea can balloon once you actually get down to writing multiple branches of a narrative. Another piece of advice I was given, as a first time IF-writer, was to think about replayability – a game shouldn’t be a one-and-done (hah) kind of thing, but something a reader could go back to multiple times, discovering something new every time….

(9) FRED WARD (1942-2022). Actor Fred Ward has passed on at the age of 79. Detective Harry Philip Lovecraft in Cast a Deadly Spell, Earl Bassett in Tremors and sequels, and the lead in Remo Williams: The Adventure Begins. He was also in The Crow: Salvation, Invasion Earth (miniseries), had parts in episodes of The Incredible Hulk and The Hitchhiker. The New York Times tribute here comments:

…Mr. Ward was likely best known for his performances in “The Right Stuff,” the acclaimed 1983 adaptation of a book by Tom Wolfe, and “Tremors,” a monster movie that ascended to cult classic status since its release in 1990.

But his long career included a broad range of roles in which he applied a sometimes gruff but almost always grounded charisma to parts on film and TV: among other parts, a union activist in “Silkwood,” a detective in “Miami Blues,” Henry Miller in “Henry and June,” and a motorcycle racer in “Timerider: The Adventures of Lyle Swann.”…

(10) MEDIA BIRTHDAY.

1994 [By Cat Eldridge.] Twenty-eight years ago, The Crow premiered. I saw it at the theatre and yes, I liked it quite a bit. I’m not a horror fan but I found this quite impressive.  I hadn’t realized until now that it was co-written by John Shirley along with David J. Schow but I’ll get back to that in awhile. 

It was directed by Alex Proyas who would later be nominated for a Hugo at Aussiecon Three (1999) for Dark City. (The Truman Show won that year.) And he’d also later direct I, Robot.

The Crow was produced by Jeff Most, Edward R. Pressman and Grant Hill. Most would produce the sequels, The Crow: City of AngelsThe Crow: Salvation and The Crow: Wicked Prayer. Pressman was the uncredited executive producer for Conan the Destroyer and Grant Hill was involved in the Matrix films plus V for Vendetta.

Of course the movie starred Brandon Lee, an actor who gave the film a certain tragic edge by dying. The other major roles were held by Ernie Hudson and Michael Wincott. Ernie you know, but Michael Wincott has largely played villains in such films as Alien Resurrection and The Three Musketeers (remember I hold them to be genre). 

So yes, it was written by John Shirley along with David J. Schow. Checking IMDB, I see Shirley has written far too many screenplays too list all of them here, so I’ll just note his work on Deep Space NineBatman Beyond and Poltergeist: The Legacy. Though definitely not genre, he also wrote one episode of the Red Shoe Dairies. Really he did.

The Crow did well at the box office making nearly a hundred million against twenty-four million in costs. 

So what did the critics think? Michael Wilmington of the Chicago Tribune had this to say: “What’s scary about The Crow is the story and the style itself: American Gothic, Poe-haunted nightmare, translated to the age of cyberpunk science fiction, revenge movies and outlaw rock ‘n’ roll, all set in a hideously decaying, crime-ridden urban hell.” And Caryn James of the New York Times said: “It is a dark, lurid revenge fantasy and not the breakthrough, star-making movie some people have claimed. But it is a genre film of a high order, stylish and smooth.”

It holds a most exemplary ninety percent rating among audience reviewers at Rotten Tomatoes. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 13, 1922 Bea Arthur. Really only one meaningful genre credit but oh but what a credit it is. She’s in the Star Wars Holiday Special as Ackmena. That character in the Star Wars canon was the nightshift bartender in Chalmun’s Cantina in Mos Eisley on Tatooine who joined the resistance. (Died 2009.)
  • Born May 13, 1937 Roger Zelazny. Where do I start? The Amber Chronicles are a favorite, as is the Isle of The Dead, To Die in Italbar, and well, there’s very there’s very little by him that I can’t pick him and enjoy for a night’s reading. To my knowledge there’s only one thing he recorded reading and that’s a book he said was one of his favorite works, A Night in the Lonesome October. No, I’ve not forgotten about his Hugos. Roger Zelazny would win his first Hugo for …And Call Me Conrad which would later be called This Immortal.  It would be the first of six Hugos that he would win and one of two for Best Novel, the other being for Lord of Light. His other four Hugos would be for the “Home Is the Hangman” novella, the “Unicorn Variation“ novelette, “24 Views of Mt. Fuji, by Hokusai” novella and “Permafrost” novelette. (Died 1995.)
  • Born May 13, 1946 Marv Wolfman, 76. He worked for Marvel Comics on The Tomb of Dracula series for which he and artist Gene Colan created Blade, and the Crisis on Infinite Earths series in which he temporarily untangled DC’s complicated history with George Pérez. And he worked with Pérez on the direct-to-DVD movie adaptation of the popular “Judas Contract” storyline from their tenure on Teen Titans. (I’m not going to list his IMDB credits here. Hell, he even wrote a Reboot episode!) 
  • Born May 13, 1949 Zoë Wanamaker, 73. She’s been Elle in amazing Raggedy Rawney which was a far better fantasy than Harry Potter and the Philosopher’s Stone where she was Madame Hooch. And she was Cassandra in two Ninth Doctor stories,” The End of the World” and “New Earth”. 
  • Born May 13, 1951 Gregory Frost, 71. His retelling of The Tain is marvellous. Pair it with Ciaran Carson and China Miéville’s takes on the same legend taking an existing legend and remaking it through modern fiction writing. Fitcher’s Brides, his Bluebeard and Fitcher’s Bird fairy tales, is a fantastic novel though quite horrific.
  • Born May 13, 1964 Stephen Colbert, 58. Ubernerd who’s currently recovering from his third bout of Covid. He’s hosted charity showings of Tolkien. Genre credits a cameo as a spy in The Hobbit: The Desolation of Smaug, the voice of Paul Peterson in Mr. Peabody & Sherman and the voice of President Hathaway in Monsters vs. Aliens

(12) THE SLEEPER SYMBIOTE CLAIMS A NEW HOST IN VENOM #11. This cover reveal is really only the first phase of Sleeper Agent’s look. They are symbiotes, after all. Pick up his debut issue when Venom #11 arrives in August.

Writers Al Ewing and Ram V and artist Bryan Hitch’s acclaimed run on Venom continues to reshape the symbiote mythos in each explosive issue! And luckily for Venom fans, the trio of superstar creators have no plans to slow down as the ongoing series enters its’ third terrifying arc this August in Venom #11. Kicking off a three-part story called “VENOMWORLD”, readers will see Eddie and Dylan Brock’s journey take a sharp turn as they deal with the shocking revelations of Venom #10. Dylan is still at the mercy of Bedlam while Eddie battles his way across the cosmos, discovering more about the symbiotes than ever before. And the hits keep coming as the Sleeper symbiote joins the fray with a deadly new look… 

(13) LIVE TWEETING. Cat Rambo did the Writers Corner Live show, talking about The Reinvented Heart with Mary Elizabeth Jackson. 

(14) BEWARE SPOILERS. [Item by Martin Morse Wooster.] Doctor Strange 2 writer Michael Waldron, in a spoiler-packed article, discusses his screenplay and the Star Wars film he is working on for Kevin Feige. BEWARE SPOILERS! “’Doctor Strange 2′ Writer on Wanda, Mr. Fantastic, ‘Star Wars’ Movie” in Variety.

SPOILER ALERT: This story discusses major plot points in Doctor Strange in the Multiverse of Madness, currently playing in theaters. Do not read until you’ve seen the movie.

As an alum of “Community” and “Rick and Morty,” screenwriter Michael Waldron certainly knows outré, genre-hopping science fiction; with “Doctor Strange in the Multiverse of Madness,” Waldron found a kindred spirit in director Sam Raimi, who invented outré, genre-hopping horror with his “Evil Dead” trilogy.

Together, Raimi and Waldron have made one of the most distinctive — and, for some, controversial — movies ever in the Marvel Cinematic Universe. To wit (the big spoilers start here): Wanda Maximoff (Elizabeth Olsen) goes full Scarlet Witch and brutally murders anyone who gets in the way of her mission to find a universe in which her sons from the 2021 Disney+ series “WandaVision” are still alive. It’s a heel turn that has shocked many — including Olsen — especially when Wanda decimates the Illuminati, the team of superheroes from an alternate reality that includes Patrick Stewart’s Charles Xavier (from 20th Century Fox’s “X-Men” movies), Anson Mount’s Black Bolt (from ABC’s “Inhumans” TV series), and John Krasinski’s Reed Richards, the first time the leader of the Fantastic Four has appeared in the MCU….

(15) IT WILL BECOME ROUTINE. “Huntsville International Airport becomes first commercial airport allowed to land a space vehicle” reports WAFF.

The Huntsville International Airport was approved by the Federal Aviation Administration (FAA) to allow commercial space vehicles to land at the airport….

Sierra Nevada Corporation’s Dream Chaser is a space utility vehicle that is designed to transport crew and cargo to destinations such as the International Space Station.

Sierra Space was awarded six missions by NASA to resupply the International Space Station. The FAA could grant the Dream Chaser the option to land in Huntsville in 2023.

“This is a significant milestone for Huntsville International and for our community in the pursuit of landing a commercial space vehicle right here in Rocket City U.S.A.,” Chairman of the Board of Directors for the Port of Huntsville/Huntsville International Airport, Mark McDaniel, said in a statement. “That’s going to be an exciting day, not just for the Airport but also for the talented and dedicated partners in this effort.”

(16) EATING OUTSIDE THE BOX. [Item by Martin Morse Wooster.] In the Washington Post, Marylou Tousignant says that May 11 was National Eat What You Want Day and recommended ten foods kids could try, including Japanese tuna eyeballs, Vietnamese coconut worms, and Marmite. “On Eat What You Want Day, try something new”.

… It’s easy to think of foods you love and want to eat. We decided to tinker with the idea and tell you about 10 unusual dishes from around the world that you may never have heard of. We’re calling it International Give It a Try Day….

She alerted me to all the damage Paddington caused in this commercial when he switched from marmalade to Marmite sandwiches! “Paddington Bear Marmite TV Commercial “.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Dan’l, Paul Weimer, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/27/22 It Was The Time Of The Pixel, In The Year Of Scroll One

(1) ZAGREB CON’S SPECIAL DEAL. Croatia’s SFeraKon 2022, taking place May 13-15, is offering free admission to Ukrainians taking temporary shelter in the country.

Given the current situation in Eastern Europe, we decided to invite Ukrainians who are currently in Croatia to SFeraKon without paying a registration fee.

Free SFeraKon 2022 attendance for citizens of Ukraine If you are a citizen of Ukraine who came to Croatia to find temporary shelter from war, and are interested in science, science fiction, fantasy, horror literature, films or series, or borderline geeky activities such as board or computer games, cosplay or stuff like that, we would love to help you drop your worries for at least one weekend: come to SFeraKon for free. We offer three days of programme, but more importantly, an opportunity for you to take part in a gathering with a lot of fun and friendly people who may share some of your interests. Unfortunately, we cannot offer any translation into Ukrainian language, but if you speak English, then you already have something in common with 90% of the population at SFeraKon. Even of you don’t speak English, Ukrainian and Croatian have some similarities so most likely you will be able to communicate with others with a moderate amount of good will and a bit of hand waving SFeraKon is taking place from 13th till 15th of May (Friday evening till Sunday evening) at the Faculty of Electrical Engineering and Computing (If you are in Zagreb, simply look for FER). We will be glad to meet and hang out with you.

(2) AMERICAN WRITERS FESTIVAL. [Item by Steven H Silver.] The American Writers Festival, sponsored by the American Writers Museum, will take place on May 15 at the Chicago Cultural Center.  It will include a panel discussion moderated by Chicon 8 Special Guest Dr. Eve L. Ewing (“The Future of Black”), and a talk between Ewing and Ashley C. Ford, and a discussion between Chicon 7 Toastmaster John Scalzi and Michi Trota.

The inaugural American Writers Festival on May 15, 2022 in Chicago coincides with the American Writers Museum’s fifth anniversary. The free literary festival will be held at four stages inside the Chicago Cultural Center and one stage at the American Writers Museum, and feature more than 75 beloved contemporary authors, artists and playwrights. Participating writers will address their perspectives on many of today’s most timely and controversial topics including immigration, book censorship, racism and equality through themes within their literature.

As a special bonus, the AWM will waive museum admission fees on Sunday, May 15 and Monday, May 16 – AWM’s fifth anniversary – to encourage more people to experience the literary works of the greatest American writers.

Proof of vaccination and masks are required to enter the American Writers Museum and all event spaces at the Chicago Cultural Center.

(3) CHARITY STREAM. [Item by Ben Bird Person.] Twitch streamer Keffals will be having a charity stream to help Alabaman trans kids and their parents. Lilly Wachowski, Anthony Fantano, and Chelsea Manning are confirmed guests!

(4) AVATAR SEQUEL LEAVES DRYDOCK. Variety was there as “’Avatar 2′ Footage Debuts at Cinemacon”.

Avatar 2” is real, and it’s here — naysayers be damned.

After at least seven delays in the last eight years (the film was originally supposed to open in 2014), director James Cameron is finally ready to show audiences his otherworldly, underwater vision for “Avatar’s” long-awaited sequel. It’s newly titled as “Avatar: The Way of Water.”

Disney, which inherited the franchise after acquiring 20th Century Fox in 2019, unveiled new footage of the highly anticipated film at CinemaCon, the annual gathering of movie theater owners that’s currently unfolding at Caesars Palace in Las Vegas.

CinemaCon attendees were given 3D glasses to watch the minutes-long trailer, which contained almost no dialogue. Instead, exhibitors were immersed into different regions across the dazzling world of Pandora through sweeping visuals of the planet’s crystal blue oceans and lakes. The footage also shows the local tribe of Na’vi interacting with various species resembling whales and pelicans, some of which flew through the screen and into audience member’s faces thanks to the three-dimensional technology.

(5) COME FROM AWAY. Sarah Gailey responded to the angst about Twitter’s future by encouraging writers and artists to use her comments to tell where to find their newsletters. Thread starts here.  

(6) KAREN GILLAN INTERVIEW. [Item by Martin Morse Wooster.] I heard this podcast that Leonard and Jessie Maltin did with Karen Gillan, which is the first time I’ve heard Gillan speak in her normal Scottish voice (she’s from Inverness). Much of Gillan’s work is genre-related, ever since she was Matt Smith’s companion for three seasons on Doctor Who, a part she enjoyed because the cast bonded as a family through nine months of shoots where they worked 11 days out of every 14. She talks about what it is like being behind a table at media conventions, where fans pepper her with really arcane trivia questions about her roles, most notably as Nebula in the MCU. (Fans, Leonard Maltin says, “are a wily lot.”)  But she also talks about promoting MCU films in giant press conferences where the stars have two goals:  Not saying anything about the movie and making sure that Tom Holland doesn’t blurt out spoilers.

Gillan is currently developing Conventional, based on a short film she wrote and starred in in 2018 about a horror film star who meets fans who dress as the serial killer in her movies.  The film is on YouTube and would be rated R if it had a rating.

(7) ESSAY: JACK KLUGMAN ON THE ORIGINAL TWILIGHT ZONE.

By Cat Eldridge: Only three individuals did four or more appearances on Rod Serling’s Twilight Zone and Jack Klugman was one of them. 

Let’s discuss his appearances. He was in “A Passage for Trumpet,” “A Game of Pool”, “Death Ship” and “In Praise of Pip”. 

In “A Passage for Trumpet” he’s Joey Crown, a hopeless NYC trumpeteeer with no money, no friends, and no job prospects due to being an alcoholic. He ends in Limbo talking to an Angel. 

Next he’s Jesse Cardiff in “A Game of Pool,” where we get told the story of the best pool player living and the best pool player dead. No points for guessing which he is. 

Now this episode was remade in the eighties Twilight Zone. That version featured Esai Morales as Jesse Cardiff and Maury Chaykin as Fats Brown. This version used the original alternate ending that Johnson intended for the original version. (Nope in keeping with the File 770 policy of not having spoilers if at possible, I’m not telling you what that ending was. After all it’s only been sixty years and some of you might not have seen it yet.) 

The next episode he’s in is definitely SF and based on a Richard Matheson short story with the same title, “Death Ship”. (It was first published in Fantastic Story Magazine, March 1953.) Matheson wrote sixteen episodes of The Twilight Zone including “Nightmare at 20,000 Feet”. Only Serling wrote more. In this episode, a spaceship crew discovers a wrecked replica of their ship with their own dead bodies inside. Klugman plays the Captain Paul Ross.

The model used in this episode of the hovering spaceship is that of a C-57D Cruiser, a leftover prop from Forbidden Planet. It would also be used in the episodes “The Monsters Are Due on Maple Street” and “Third from the Sun”. The crashed ship is a model created for this episode.

The final appearance by him is in “In Praise of Pip” where his role is Max Philips,  a crooked bookie, who after learning that his soldier son has suffered a mortal wound in the Vietnam War, apparently encounters a childhood version of his son.

The Twilight Zone streams on Paramount +. 

From “Death Ship”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 27, 1894 Dashiell Hammett. Yes, I know he’s written some genre fiction but I’m interested this time in his mysteries. He wrote The Maltese Falcon which was turned into the film you remember and another film a decade earlier. And, of course, there are Nick and Nora Charles in The Thin Man series that got turned in a six film series. Now my favorite character by him is the Continental Op in Red Harvest and The Dain Curse. And let’s not forget the Secret Agent X-9 comic strip which artist Alex Raymond  of Flash Gordon fame illustrated. (Died 1961.)
  • Born April 27, 1899 Walter Lantz. Cartoonist, animator, producer and director who founded Walter Lantz Productions. He created the Woody Woodpecker and Chilly Willy characters among others. He received an Academy Award “for bringing joy and laughter to every part of the world through his unique animated motion pictures”. (Died 1994.)
  • Born April 27, 1901 Frank Belknap Long. John Hertz says that he should be singled out for the “To Follow Knowledge” novelette which John lovingly discuses here. Let me add that Long received the World Fantasy Award for Life Achievement. (Died 1994.)
  • Born April 27, 1920 Doris Baumgardt. Well-known and loved fan, illustrator and writer under the name of Leslie Perri. She was a member of the Futurians, and a founding member of FAPA. She was also a member of the CPASF and the Science Fictioneers. She was one of five members of the Futurians allowed into the first World Science Fiction Convention by Sam Moskowitz  with the other four were Isaac Asimov, David Kyle, Jack Robinson and Richard Wilson. She wrote three pieces of short fiction that were published in the Forties and Fifties; she contributed artwork to fanzines. (Died 1970.)
  • Born April 27, 1962Rachel Caine. She had two series, the Weather Warden series which is most excellent and the superb Great Library series. I can’t speak to the Morganville Vampires series as I don’t really do vampires. She’s got a number of other series, far more than can detailed here. She won the Nebula Solstice Award last year, given for significant impact on speculative fiction. Ben Bova and Jarvis Bernard Sheffield also were given the Award that year. (Died 2020.)
  • Born April 27, 1963 Russell T. Davies, 59. Responsible for the 2005 revival of the BBC One of Doctor Who. A Whovian since the very beginning, he thinks “The Talons of Weng-Chiang” has the best dialogue in the entire series, an opinion I concur with. Of course he’s also responsible for Torchwood and The Sarah Jane Adventures as well. (Need I note that the The Five(ish) Doctors Reboot was his idea?) Oh, and a few years back, he produced A Midsummer Night’s Dream. And that hardly covers everything that he’s done. Hugo nominations and awards? Oh yes. Starting at Nippon 2007, where he was nominated for Doctor Who’s “Army of Ghosts” and “Doomsday”, then at Anticipation both “Silence in the Library/Forest of the Dead” and “Turn Left” were nominated. At Aussiecon 4, he finally won a Hugo for “The Water of Mars”. “The Next Doctor” and “Planet of the Dead” were also nominated.  And y’all know he’s the new Who showrunner. That should be interesting. 
  • Born April 27, 1986 Catherine Webb, 36. She’s writes under a number of names but I only know her under her Kate Griffin name where she wrote the extraordinary London set Matthew Swift series which one of the best urban fantasy series I ever read. Hugo worthy indeed. I’ve not read any of her fiction written as Claire North which is major other name, so if you have, do tell me how it is. As North, her book The First Fifteen Lives of Harry August won the Clarke Award and Campbell Memorial Award, and The Sudden Appearance of Hope won a World Fantasy Award. Now go read the Matthew Swift series! 
  • Born April 27, 1986 Jenna Coleman, 36. Clara Oswald, Companion to the Eleventh and Twelfth Doctors.  She remains the longest serving companion since the series was revived. Genre wise, she was also Connie in Captain America: The First Avenger, and did voice work on the animated reboot of Thunderbirds Are Go. And yes, she showed up in The Five(ish) Doctors Reboot which deserves to be annotated. 

(9) SAGA IS BACK. NPR’s Mallory Yu tells how “Radical pacifism and violence collide in the ‘Saga’ comic series”.

There’s a frog playing drums, an alien on guitar, and a humanoid creature with a television for a head on vocals on the cover of Saga‘s Issue 58.

It’s a collection of characters that’s par for the course for the award-winning science fiction epic, which pretty quickly amassed a legion of fans after its first issue in 2012. Then, in 2018, creators Brian K. Vaughan and Fiona Staples announced their saga would be going on hiatus.

Their series returned this year, in February, and Vaughan was ready to get started.

“I can’t stop thinking about it,” he said. “I think most of my hiatus was really spent still focused on Saga and sort of plotting out the next several years of these character’s adventures.”

If you call running for your life while dangerous assassins shoot lasers at you “adventures.”…

(10) WHO – OR WHAT? – WILL EXPLORE SPACE. [Item by Martin Morse Wooster.] Jeff Foust reviews a new book that argues that we don’t need astronauts anymore and can just rely on unmanned missions. “The End of Astronauts” at The Space Review.

…For the last couple of decades, there has been a truce between advocates of robotic and human space exploration, with an acknowledgement that the two can and should work together: robots serving as precursors and assistants for later human missions. But in The End of Astronauts, Donald Goldsmith and Martin Rees—a veteran science writer and the UK’s Astronomer Royal, respectively—argue that exploration beyond Earth orbit should be left to robots, a case that is certainly controversial but not necessarily compelling.

…Of course, governments don’t send astronauts into space exclusively or even primarily to do exploration: it’s one rationale of several, like geopolitics and national prestige. Goldsmith and Rees appear to acknowledge this, expecting the US and China to land humans on the Moon in the next decade or so, with Mars missions possibly by the 2040s but perhaps later….

(11) HOW ANCIENT DNA HIT THE HEADLINES; [Item by SF Concatenation’s Jonathan Cowie.] The origins, politics and motivations of the people who sequence age-old genomes dance with science fiction In tomorrow’s Nature….

In 1993, the day after the film Jurassic Park premiered in Washington DC, Nature reported the sequencing of DNA from a weevil encased in amber more than 120 million years ago. Then, in 2015, days before the global premiere of a sequel, Jurassic World, Nature Communications published evidence for the preservation of red blood cells and proteins in a 75-million-year-old dinosaur sample. Coincidence? The authors of the 1993 paper (R. J. Cano et al. Nature 363, 536–538; 1993) insisted it was, notes historian of science Elizabeth Jones. One of the co-authors of the 2015 paper https://www.nature.com/articles/ncomms8352.pdf (S. Bertazzo et al.Nature Commun. 6, 7352; 2015) told me theirs was, too: “100%”. These tantalizing parallels between life and art open Jones’s book Ancient DNA, a fun and thought-provoking introduction to the origins, politics and motivations of research into age-old genomes…

...Will the ancient-DNA big-hitters go back in time once more? The latest film in the franchise, Jurassic World Dominion, premieres in June; perhaps we’ll find out.

(12) THE GANG’S ALL HERE. [Item by Martin Morse Wooster.] Sam Neill, Laura Dern, and Jeff Goldblum chat with Vanity Fair about Jurassic Park and Jurassic World: Dominion, which they are all in, in this video that dropped today.

(13) ON THE HORIZON. Snopes.com expects “Musk’s Twitter Ambitions to Collide with Europe’s Tech Rules”.

A hands-off approach to moderating content at Elon Musk’s Twitter could clash with ambitious new laws in Europe meant to protect users from disinformation, hate speech and other harmful material.

Musk, who describes himself as a “free speech absolutist,” pledged to buy Twitter for $44 billion this week, with European Union officials and digital campaigners quick to say that any focus on free speech to the detriment of online safety would not fly after the 27-nation bloc solidified its status as a global leader in the effort to rein in the power of tech giants.

“If his approach will be ‘just stop moderating it,’ he will likely find himself in a lot of legal trouble in the EU,” said Jan Penfrat, senior policy adviser at digital rights group EDRi.

Musk will soon be confronted with Europe’s Digital Services Act, which will require big tech companies like Twitter, Google and Facebook parent Meta to police their platforms more strictly or face billions in fines….

(14) YOU’LL WANT TO RUSH TO YOUR NEAREST THEATER 45 YEARS AGO! “Star Wars: The Empire Strikes Back Gets a Modern Trailer Makeover” and ScreenRant admires it greatly.

1980’s Star Wars: The Empire Strikes back gets a brand new, modern trailer that doesn’t give away any of the film’s surprises. As one of the true blockbusters, the release of 1977’s original Star Wars movie marked the beginning of one of the most influential franchises of all time. For its first sequel, creator George Lucas stepped back from directorial duties, handing off the role to his former film school professor Irvin Kirshner. With a story by Lucas and a script by Lawrence Kasdan, The Empire Strikes Back took a much darker tone than its predecessor and was all the better for it.

(15) FOR THEIR FANS. This trailer explains what happens when a character “has CGI surgery,” shows Chip and Dale going to cons, and hopefully will not have kids ask, “What are the Chippendale dancers?” Coming to Disney Plus in May!

(16) HONEST GAME TRAILER. In “Honest Game Trailers: Tunic,” Fandom Games says this game first asks “What if Zelda were a furry?” but then goes on to be a game where all the rules and plot mechanics are hidden, so the game “captures the feeling of being a lost child in Costco.” But as you repeat actions over and over, “It’s like having OCD–but the fun kind!”

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Borys Sydiuk, Steven H Silver, Ben Bird Person, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 2/18/22 My Name Is Scroll, Pixel Scroll, Agent 770, With A License To File

(1) #METOO. On February 12, attorney and former Weller colleague Cara Dehnert published an essay detailing her previous relationship with Bradbury biographer Sam Weller. The piece alleges mental, emotional, and sexual abuse from Weller, including rape. “What Happened To Me. By: Cara Dehnert” at Medium.

(2) TRUTHS ABOUT TRAUMA. Sarah Gailey sets the bar “On Trauma-Informed Writing” at the SFWA Blog.

… “A difficult or unpleasant experience that changes a person in a lasting way” is a descriptor that applies to most stories. In spite of the promises of a recent literary movement that strives to elide unpleasantness in storytelling, it’s difficult to make a narrative compelling when characters aren’t changed as a result of struggle. Further, a story in which characters endure traumatic experiences without changing in response to them is a story that can cause immense harm.

Narratives help us to understand ourselves and the world around us, and stories that depict trauma as a temporary inconvenience reinforce the idea that ongoing trauma-responses are unusual, or even a sign of weakness. This real-world impact bears out in the way many people process—or are unable to process—their own real-life traumas. Many trauma survivors find themselves questioning why they’re unable to move on from traumatic events. They’ve consumed narratives in which scary things happen, but when the scary things are over . . . everyone stops being scared. So why shouldn’t the same be true in real life?

Treating a character’s trauma as though it can be resolved along with the plot is disingenuous. Treating a character’s trauma as though it must be resolved along with the plot is dangerous. Both are profoundly disrespectful to the story being told…. 

(3) FEDERAL PREEMPTION. Publishers Weekly explains why “Court Blocks Maryland’s Library E-book Law”.

In a rebuke to Maryland state legislators, a federal judge has granted the Association of American Publishers’ motion for a preliminary injunction, blocking Maryland officials from enforcing the state’s new library e-book law.

“It is clear the Maryland Act likely stands as an obstacle to the accomplishment of the purposes and objectives of the Copyright Act,” concluded federal judge Deborah L. Boardman, in a 28-page opinion. Although the judge noted that the Maryland Act only requires an ‘offer’ to license and does not ‘explicitly require’ publishers to grant licenses to libraries, “this is a distinction without a difference,” Boardman concluded (lifting directly from the AAP’s brief), holding that the threat of civil and criminal penalties for non-compliance amounts to “a forced transaction” that “effectively strips publishers of their exclusive right to distribute.”

In enjoining the law, Boardman found that the AAP cleared all four factors necessary to grant a preliminary injunction—a likelihood of success on the merits; irreparable harm; winning the balance of equities, and that the injunction was in the public interest. But while the court entertained—and largely accepted the AAP’s arguments on each factor—the court’s decision ultimately came down to one simple finding (which the AAP also argued): the Maryland law is fatally flawed because it is preempted by federal copyright law….

(4) POKEMON. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Pokemon Legends;  Arceus.

The game “comes as something of a shock.  There is rarely a surprise in a mainline Pokemon game–if you’ve played one, you’ve played them all.  While The Pokemon Company has spun its IP into the highest-grossing media franchise of all time, encompassing movies, merchandise and trading cards, there has always been an uncomfortable tension in the video games:  that they are supposedly about the joy of adventure, yet have been proven remarkably unwilling to tread new ground for 25 years…

…Like Harry Potter and all the most successful franchises for younger children, Pokemon sells a dream, a world that children desperately want to be real.  As a kid I yearned to make life-long friends with magical creatures.  Arceus is not the Poikemon game I dreamt of, but it gets close.  Game Freak has swapped the series’ aging skeleton for a promising new set of bones, creating a Pokemon game that feels fresh for the first time in over a decade.  It achieved this by finally taking a leaf out of its own book–to make like a Pokemon and evolve.”

(5) IT MIGHT BE SFF. [Item by Mike Kennedy.] Legendary Director Francis Ford Coppola has announced he will be dipping deep into his own pocket to fund a passion project: Megalopolis. Coppola wrote the script around 40 years ago (though one guesses there may have been revisions since). IMDb gives this succinct description,“An architect wants to rebuild New York City as a utopia following a devastating disaster.” GQ described it as, “A love story that is also a philosophical investigation of the nature of man.” Variety interviewed him about it: “Francis Ford Coppola to Spend His Own $120 Million on New Film: I Don’t Care ‘About the Financial Impact’”.

… Speaking to GQ magazine, Coppola said that major Hollywood executives reacted to his “Megalopolis” pitch the “same way they did when I had won five Oscars and was the hottest film director in town and walked in with ‘Apocalypse Now’ and said, ‘I’d like to make this next.’ I own ‘Apocalypse Now.’ Do you know why I own ‘Apocalypse Now?’ Because no one else wanted it.”

Coppola added, “So imagine, if that was the case when I was 33 or whatever the age and I had won every award and had broken every record and still absolutely no one wanted to join me, [then how do you think they’re reacting now?] I know that ‘Megalopolis,’ the more personal I make it, and the more like a dream in me that I do it, the harder it will be to finance.”

…When GQ asked if self-funding “Megalopolis” could mirror his experience on “One From the Heart,” a massive flop that Coppola spent years paying back the bank for, the director responded, “I couldn’t care less about the financial impact whatsoever. It means nothing to me.”

(6) BRENNER OBIT. Film editor David Brenner died February 18 at the age of 59 reports Variety. In 1990, Brenner won the Academy Award for film editing with director Oliver Stone’s Born on the Fourth of July, sharing the award with editor John Hutshing. His genre film credits include Independence Day (1996), What Dreams May Come (1998), The Day After Tomorrow  (2004), 2012 (2009), Pirates of the Carribean: On Stranger Tides (2011), Man of Steel (2013), Batman vs. Superman: Dawn of Justice (2016), Justice League (2017), and Zack Snyder’s Justice League (2021).

(7) MEDIA BIRTHDAY.

2005 [Item by Cat Eldridge]  On this day in 2005, Constantine was released in the U.S. Based off DC’s Hellblazer series, it starred dark haired Keanu Reeves as the much blonder-haired John Constantine, a decision that of course drew much criticism. It was, to put it mildly, produced by committee. The screenplay by Kevin Brodbin and Frank Cappello off a story by Kevin Brodbin. 

Its impressive cast included Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton, Pruitt Taylor Vince, Djimon Hounsou, Gavin Rossdale, and Peter Stormare. I really Tilda Swinton‘s role. 

Reception among critics was mostly negative with Roger Ebert saying Reeves that he “has a deliberately morose energy level in the movie, as befits one who has seen Hell, walks among half-demons, and is dying. He keeps on smoking.” The film made his most hated list. 

Box office wise, it made nearly a 25 million dollars off a budget that was maybe a hundred million dollars. The studio has declined to admit how much the production costs were. 

Over the years, its rating among audience reviewers at Rotten Tomatoes has steadily climbed now standing at an excellent seventy-two percent. Huh. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 18, 1908 Angelo Rossitto. A dwarf actor and voice artist, with his first genre role being in 1929’s The Mysterious Island as an uncredited Underwater Creature. His last major role was as The Master in Mad Max Beyond Thunderdome. He showed up in GalaxinaThe Incredible HulkJason of Star Command, Bakshi’s Lord of The RingsAdult FairytalesClonesDracula v. Frankenstein and a lot more. (Died 1991.)
  • Born February 18, 1919 Jack Palance. His first SF film is H. G. Wells’ The Shape of Things to Come which bears little resemblance to that novel. (He plays Omus.) Next up he’s Voltan in Hawk the Slayer followed by being Xenos in two Gor films. (Oh the horror!) He played Carl Grissom in Burton’s Batman, and Travis in Solar Crisis along with being Mercy in Cyborg 2. ABC in the Sixties did The Strange Case of Dr. Jekyll and Mr. Hyde in which he played the lead dual roles, and he had a nice turn as Louis Strago in The Man from U.N.C.L.E. which is worth seeing. (Died 2006.)
  • Born February 18, 1929 Len Deighton, 93. Author of possibly the most brilliant alternative novel in which Germany won the Second World War, SS-GB. It deals with the occupation of Britain. A BBC One series based off the novel was broadcast several years back.
  • Born February 18, 1968 Molly Ringwald, 54. One of her was first acting roles was Nikki in Spacehunter: Adventures in the Forbidden Zone. She’ll later have the lead role of Frannie Goldsmith in Stephen King’ The Stand series. And does the Riverdale series count at least as genre adjacent? If so, she’s got the recurring role of Mary Andrews there.

(9) COMICS SECTION.

(10) WILD CARDS COMICS. Paul Cornell and Mike Hawthorne retell the foundational Wild Cards stories in new comic series, Wild Cards: The Drawing Of Cards #1 coming June 1.

Based on stories by Harold Waldrop, Roger Zelazny and series master-mind and editor, George R.R. Martin, Wild Cards is a fascinating saga set in a whole new world reshaped by the emergence of superpowers. The limited series, titled The Drawing Of Cards, will be written by a team of comic superstars, writer Paul Cornell and artist Mike Hawthorne, and serve as a perfect entry point for Wild Cards newcomers and a must-have new reimagining for Wild Cards aficionados!

Spanning more than 25 novels, 20 short stories, and written by more than 40 authors over three decades, the Wild Cards series tells the story of an alternate history where Earth is home to super-powered individuals. When a human is infected with the alien “Wild Card” virus, the odds are that they will be killed… which is referred to as “drawing the black queen”. Of those that survive, the bulk of them become “jokers”, left with some strange mutated form. A lucky few are called “aces”, those gifted with super powers they can put to use towards heroic goals… or villainous ones….

“As my fans may already know, the Wild Cards World holds a special place in my heart, so to have the privilege of announcing that an industry titan like MARVEL is going to produce the narrative from the beginning as a comic book brings me no end of joy,” [George R.R. Martin] added.

(11) ONE DOES NOT SIMPLY WALK INTO MORDLE. [Item by Jennifer Hawthorne.] You know that word game, Wordle, that’s burning up Twitter?

Well, variants are popping up like mushrooms after a rainstorm, and someone came up with “Lordle of the Rings.”  It’s Wordle, but you can only use five letter words found in “The Lord of the Rings.”  (Mind you, given how long the books are, that covers a lot of ground.) Find it here: “Lordle of the Rings”.

(12) THE PRICE DOESN’T SUCK THAT MUCH. A “Scarce First Edition, First Issue of ‘Dracula’ by Bram Stoker from 1897” is being auctioned by Nate D. Sanders. The binding is a little banged up, but surely it’s a bargain at $22,500?

(13) NASA NEWS. SF is discussed in this interview with NASA’s chief economist: “Astronomy, sci-fi, and the roots of the space economy: My long-read Q&A with Alex MacDonald” at the American Enterprise Institute.

… In the Industrial Revolution, a lot of the technologies that allow you to think about space flight come online, the most obvious one being pressure vessels, the other relevant ones being, essentially, large armaments. It’s not a coincidence that when Jules Verne talks about the technology for traveling to the Moon in his very well-known book “From the Earth to the Moon,” he essentially has the protagonists being underemployed armaments makers in the United States after the Civil War, who had incredible capabilities for developing large cannons, and they thought they might put them to a different use, a type of swords-into-plowshares initiative in the United States in the 19th century.

This results in a real explosion of stories about traveling into space. Jules Verne’s “From the Earth to the Moon” is written in the 1860s, but also written in the 1860s is the story “The Brick Moon” by Massachusetts pastor and writer Edward Everett Hale. He writes the first story about living on a space station. He and his brother, while they’re students at Harvard, basically come up with a concept for what today we would call a GPS system. All of these things are in the culture and in the literature.

Perhaps the most striking combination of these two themes of science fiction and astronomy is the story of Percival Lowell. Percival Lowell builds a little observatory, at which, later in the 20th century, the planet Pluto is discovered. I should say the dwarf planet Pluto. He is motivated by this idea of canals on Mars, which had been essentially emerging as a culture topic because of a mistranslation of Giovanni Schiaparelli’s Italian word canale, by which he meant channels, and which gets translated into English as canals. But Lowell sees these things, and he writes these books like “Mars as the Abode of Life.” And all of these popular culture works that expound the idea of a purported hypothetical Martian civilization, which, of course, gives further energy to the space flight movement overall.

That intertwining of astronomy and space flight ambition really is there in the 19th century, and of course, it continues up to the present day. The James Webb Space Telescope, of course, is one of the most exciting projects of our time. I was fortunate enough to take off some time from work and actually go down to French Guiana to watch the launch, and it was an amazing moment….

(14) HUMAN RESOURCES. This Netflix series isn’t about an HR department, but about aliens assigned to deal with humans. Airs March 18.

Life on Earth is pretty complicated. That’s why people need them. Welcome to Human Resources.

(15) VIDEO OF THE DAY. [Item by Mike Kennedy.] Apple, Inc. has turned their Signal Boost dial to 11 to promote a new Korean short film shot entirely on an Apple iPhone 13 Pro. Editing was done on Apple Macintosh computers. Director Park Chan-wook’s 21-minute fantasy Life is But a Dream—plus a short “making of” doc—are both available on YouTube. The soundtrack is available on Apple Music. 9to5mac has the story: “Apple shares film shot on iPhone 13 Pro by Park Chan-wook”.

An undertaker who needs woods to build a coffin for the savior of his village digs up an abandoned grave. But while doing so, he accidentally awakens the ghost of an ancient swordsman. Now the ghost tries to take back his coffin.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Jennifer Hawthorne,.John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 11/26/21 Tinker, Tailor, Pixel, Scroll

(1) WILL YOU GIVE THANKS FOR COMIC-CON? Did you know San Diego Comic-Con Special Edition is happening this weekend? It was news to me, too. And tickets are still available. The Times of San Diego tells what this streamlined version will be like: “Virus-Safe, Stripped-Down Comic-Con Opens Friday After 2-Year COVID Hiatus”.

Superheroes won’t be the only ones wearing masks in downtown San Diego this weekend.

After a two-year absence, Comic-Con International returns to San Diego on Friday to entertain, inform and tantalize pop culture fans the world over.

But this won’t be the Comic-Con you remember. This is Comic-Con Special Edition, a stripped-down, three-day event being held over a holiday weekend to limit crowds during an ongoing pandemic that has forced online-only versions of the last two conventions.

Comic-Con organizers said they wanted to hold an in-person event but do it safely. So, that meant fewer days, smaller scope and a return to the intimate gathering that longtime attendees fondly remember.

And it means attendees will be asked to show proof of vaccination or recent negative COVID-19 tests. They will also have to wear masks or face coverings regardless of vaccination status….

(2) SQUID GAME CONSEQUENCES. “North Korean sentenced to death after students caught watching Squid Game” according to Radio Free Asia, a United States government-funded private non-profit news service.

North Korea has sentenced to death a man who smuggled and sold copies of the Netflix series “Squid Game” after authorities caught seven high school students watching the Korean-language global hit show, sources in the country told RFA.

The smuggler is said to have brought a copy of Squid Game into North Korea back from China and sold USB flash drives containing the series. Sources said his sentence would be carried out by firing squad.

A student who bought a drive received a life sentence, while six others who watched the show have been sentenced to five years hard labor, and teachers and school administrators have been fired and face banishment to work in remote mines or themselves, the sources said.

RFA reported last week that copies of the violent drama had arrived in the reclusive country despite the best efforts of authorities to keep out foreign media. They began spreading among the people on flash drives and SD cards.

… “This all started last week when a high school student secretly bought a USB flash drive containing the South Korean drama Squid Game and watched it with one of his best friends in class,” a source in law enforcement in North Hamgyong province told RFA’s Korean Service Monday.

“The friend told several other students, who became interested, and they shared the flash drive with them. They were caught by the censors in 109 Sangmu, who had received a tipoff,” said the source, referring to the government strike force that specializes in catching illegal video watchers, known officially as Surveillance Bureau Group 109.

The arrest of the seven students marks the first time that the government is applying the newly passed law on the “Elimination of Reactionary Thought and Culture,” in a case involving minors, according to the source….

(3) SMOFCON PROGRAM AVAILABLE TO MEMBERS. SMOFcon Europe (December 3-5 in Lisboa, Portugal) has announced their program schedule. They say one must be a member to access program — purchase memberships here.

We are thrilled to announce our programme schedule and workshop sign ups are now available on our website at https://www.smofconeurope.com/whats-on/programme/! The programme grid shows not only time zones but whether items are in person or streaming. Also on this page are the descriptions of our Workshops and links to sign up for them. Workshop space is limited and requires advance signup so don’t delay!

You’ll need to be a member to access programme, so if you still need one you can purchase your membership here: https://www.smofconeurope.com/membership/

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to pig out on Peruvian with Lawrence M. Schoen in episode 159 of his Eating the Fantastic podcast.

Lawrence M. Schoen

Lawrence M. Schoen was a finalist for the 2007 Astounding Award for Best New Writer, and in the years since has been nominated for the Hugo Award (once), the Washington Science Fiction Association Small Press Award (twice), and the Nebula Award (six times). He’s twice won the Cóyotl award for Best Novel — for two books in his critically acclaimed Barsk series: The Elephants Graveyard (2015) and The Moons of Barsk (2018). He also was the 2016 winner of the Kevin O’Donnell Jr. Service to SFWA Award.

His most well-known creations are the space-faring stage hypnotist, the Amazing Conroy, and his alien animal traveling companion, a buffalito named Reggie who can eat anything — which he then converts into oxygen via … flatulence. For more than 10 years, he’s hosted the Eating Authors series, which has shared the most memorable meals of more than 500 writers. In addition to all that, he founded the Klingon Language Institute, plus is a hypnotherapist specializing in authors’ issues.

We discussed how he was able to release 12 books in a difficult year affected by both a pandemic and chemo, the pseudonym he was relieved he never had to use, what caused him to say “you find the answers to the problems of your life by writing a story about it,” the RPG improv which led to the creation of his Barsk universe, what he learned at the Taos Toolbox workshop which caused him to completely rewrite one of his books, the all-important power of the subconscious, how transcription software affected his style, why he doesn’t want people to read the final paragraph of his second Barsk novel, his relationships with the indie side of publishing, the many joys of mentoring, how he uses hypnotism to help other writers, and much more.

(5) JACKSON’S BEATLES DOCUMENTARY. I’m going to yank this item right out of the Scroll as soon as I confirm it has no genre connection. So far, all I’ve located in respect to genre is reporters mentioning that Peter Jackson previously directed Lord of the Rings before working on this Beatles documentary. For example, look at this San Diego Union-Tribune headline: “The Beatles meet ‘The Lord of the Rings’ in ‘Get Back’: ‘It’ll blow your mind,’ says director Peter Jackson”.

Just as The Beatles used their timeless songs in the 1960s to take millions of listeners across the universe on a magical musical mystery tour, Oscar-winning “The Lord of the Rings” trilogy director Peter Jackson has taken millions of viewers worldwide on a magical cinematic mystery tour in this century.

So what happens when these two worlds and creative forces intersect, 51 years after The Beatles acrimoniously split up in 1970?

“It’ll blow your mind!” said Jackson, a lifelong fan of the most famous and influential band in rock ‘n’ roll history.

And what happens when that unlikely intersection — which has resulted in Jackson’s engrossing new film documentary, “The Beatles: Get Back” — comprehensively chronicles the month of January 1969?

… Jackson culled “Get Back” from nearly 60 hours of previously unseen footage that was shot in January 1969 for director Michael Lindsay-Hogg’s briefly released and widely criticized “Let It Be” documentary.

Steven Colbert also had the director on The Late Show and made a point of saying this would be the only interview he ever did with Jackson that didn’t mention Lord of the Rings. Well, except to say he wasn’t mentioning it. “’We Shed Tears That Night’ – Peter Jackson And Stephen Wept Watching Footage Of The Beatles”. Yep, so this Scroll item might end up failing the Obligatory SF Reference requirement. Read fast.

In part one of this multi-part interview, Stephen welcomes Sir Peter Jackson and sets the stage for their in-depth discussion of Jackson’s work directing the incredible Disney+ documentary, “The Beatles: Get Back,” which is set to change the public’s perception of the relationship between John, Paul, George and Ringo in their final years as bandmates.

But wait! Steven H Silver says, “During the first episode of The Beatles Get Back, there is a section about 1:29 in where George is describing watching the Into the Unknown adaptation of Robert Sheckley’s Immortality, Inc on the BBC.” Okay, we’re covered!

(6) IMAGINE THAT. At Stone Soup, Sarah Gailey’s “Building Beyond” is an ongoing series of conversations about how much fun worldbuilding can be. In the latest installment — “Building Beyond: Unfathomable Depths” – Gailey is joined by Suzanne Walker, Hunter Ford, and Natalie Zina Walschots to play with the prompt  —

A deep sea diving expedition finds a long-abandoned dome.

(7) TO AFFORDABLY GO AND WATCH. [Item by Daniel Dern.] Amazon Prime Video is (currently) offering (to Amazon Prime members, in case that doesn’t go without saying) Paramount+ (Star Trek shows, etc) (and some other channels) for $0.99/month for up to two months.

(8) WILLIS AND HOPKINSON ON LOA LIVE. The Library of America’s “LOA Live” will have a video session about American Christmas Stories on December 15 featuring editor Connie Willis and novelist Nalo Hopkinson. It looks like registration to create an LOA account is required for the live Zoom event, however, afterwards the video will be posted to the Library of America’s YouTube channel.

Wednesday, December 15
6:00 pm ET
American Christmas Stories

Acclaimed bestselling SF and fantasy writer Connie Willis, editor of the just-released American Christmas Stories, joins LOA LIVE for a merrily unconventional yuletide conversation about the uniquely American literature inspired by this most magical time of the year. With Jamaican-born speculative novelist Nalo Hopkinson, who contributes a story to the collection, and historian Penne Restad (Christmas in America: A History.)
Registration link TK

(9) MEMORY LANE.

1865 — One hundred fifty-six years ago, Alice’s Adventures in Wonderland (commonly referred to as Alice in Wonderland) was first published by Macmillan in London. It was the first work of Lewis Carroll, the alias of pseudonym of Charles Lutwidge Dodgson. It had illustrations by John Tenniel. 

The text blocks of the first printed edition were removed from the binding and sold with Dodgson’s permission to the New York publishing house of D. Appleton & Company, after Tenniel objected to the quality of the illustrations. So this was actually the second printed edition. The entire print run sold out quickly. It has a sequel, Through the Looking-Glass, and What Alice Found There. It has been continuously in-print including writer Martin Gardner’s exemplary The Annotated Alice.

I count at least fifty video riffs off of it so far including of course Star Trek‘s “Shore Leave” with the white rabbit and Alice. A number of genre works have riffed off it as well including Otherland by Tad Williams, The Looking Glass Wars, and its sequel, Seeing Redd by Frank Beddor, Automated Alice by Jeff Noon and After Alice by Gregory Maguire.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 26, 1897 Naomi Mary Margaret Mitchison, Baroness Mitchison, CBE (née Haldane). Author of many historical novels with genre trappings such as The Corn King and the Spring Queen and The Bull Calves but also new wave SF such as Memoirs of a Spacewoman, pure fantasy Graeme and the Dragon and an Arthurian novel in Chapel Perilous. (Died 1999.)
  • Born November 26, 1910 Cyril Cusack. Fireman Captain Beatty on the classic version of Fahrenheit 451. He’s Mr. Charrington, the shopkeeper in Nineteen Eighty-four, and several roles on Tales of the Unexpected rounds out his genre acting. Well, and what looks like an absolutely awful Tam-Lin… (Died 1993.)
  • Born November 26, 1919 Frederik Pohl. Writer, editor, and fan who was active for more seventy-five years from his first published work, the 1937 poem “Elegy to a Dead Satellite: Luna” to his final novel All the Lives He Led. That he was great and that he was honored for being great is beyond doubt — If I’m counting correctly, he won three Hugos and three Nebula Awards for his fiction, three Hugos as Best Professional Editor, and one as Best Fan Writer (2010). His 1979 novel Jem, Pohl won a U.S. National Book Award in the one-off category Science Fiction. SWFA made him its 12th recipient of the Damon Knight Memorial Grand Master Award in 1993  and he was inducted by the Science Fiction and Fantasy Hall of Fame in 1998. Ok setting aside Awards which are frelling impressive, there’s the matter of him editing Astonishing StoriesGalaxy Science Fiction and Galaxy Science Fiction UKIfStar Science Fiction Magazine (which I’ve never heard of), Super Science Stories which were a companion to Astonishing Stories and well let’s just say the list goes on. I’m sure I’ve not listed something that y’all like here. As writer, he was amazing. My favorite was the Heechee series though I confess some novels were far better than others. Gateway won the Hugo Award for Best Novel, the 1978 Locus Award for Best Novel, the 1977 Nebula Award for Best Novel, and the two John W. Campbell Memorial Awards for Best Science Fiction Novel. Very impressive. Man Plus I think is phenomenal, the sequel less so. Your opinion of course will no doubt vary. The Space Merchants co-written with Cyril M. Kornbluth in 1952 is, I think, damn fun. He wrote a lot of short fiction, some I think brilliant and some not but that was true of most SF writers of the time. (Died 2013.)
  • Born November 26, 1936 Shusei Nagaoka. Artist and Illustrator from Japan who is best known for his music album cover art in the 1970s and 1980s. He designed covers for many of Earth, Wind and Fire’s albums, and many of his covers were very distinctively SFFnal; especially notable are Out of the Blue by Electric Light Orchestra, and When We Rock, We Rock, and When We Roll, We Roll by Deep Purple. His art also graced numerous genre books, including Tepper’s After Long Silence, Attanasio’s The Last Legends of Earth, and Reed’s Down the Bright Way. He helped to design the 1970 Osaka World’s Fair Expo, and had one of the first artworks launched into outer space and attained orbit, via the Russian Mir Space Station, in 1991. He won a Seiun Award for Best Artist in 1982. (Died 2015.)
  • Born November 26, 1945 Daniel Davis, 76. I’m singling him out for Birthday Honors for his two excellent appearances as Professor Moriarty on Next Gen. He has one-offs on MacGyver, Gotham and Elementary. He played The Judge in The Prestige film. He also voiced several characters on the animated Men in Black series. 
  • Born November 26, 1949 Victoria Poyser-Lisi, 72. Artist, Illustrator, Teacher, and Fan who was inspired at the 1979 World Fantasy Convention to become a genre artist. She did more than a hundred covers and interior illustrations for fanzines, magazines, and books, and won two Best Fan Artist Hugos, one at Denvention Two and the next at Chicon IV. She now works in collaborative children’s book illustration and instructional painting books, and teaches drawing and painting courses in Colorado.
  • Born November 26, 1961 Steve Macdonald, 60. A fan and longtime pro filker ever since he first went to a filk con in 1992. In 2001, he went on a “WorlDream” tour, attending every filk con in the world held that year. He’s now resident in Germany where he moved to marry fellow filker Kerstin (Katy) Droge. He was inducted into the Filk Hall of Fame in 2006.
  • Born November 26, 1988 Ben Bird Person, 33. A Filer who writes “silly” Wikipedia articles and commissions art of his cat Snow. As DoctorWho042 is in the top 2000 on the list of Wikipedians by number of edits
  • Born November 26, 1988 Hafþór Júlíus Björnsson, 33. He played Gregor “The Mountain” Clegane on the Game of Thrones for five seasons. That’s it for his genre acting, but he co-founded Icelandic Mountain Vodka whose primary product is a seven-time distilled Icelandic vodka. Surely something Filers can appreciate! At the first Philadelphia Ren Faire he appeared as King Thor, the leader of a Viking raiding party.

(11) COMICS SECTION.

  • Heathcliff – Is this Asimov’s next law of robotics?
  • xkcd confronts the challenge bookstores face in sorting fiction from nonfiction.

(12) BEWARE SPOILERS. And I mean it this time! BEWARE SPOILERS. Vanity Fair’s “Ghostbusters: Afterlife—The Day Bill Murray, Dan Aykroyd, and Ernie Hudson Reunited” is one big spoiler about the actors’ return as Venkman, Stantz, and Zeddemore, and how they handled the loss of Harold Ramis and Egon Spengler. NO EXCERPT!!

(13) OCTOTHORPE. John Coxon, Alison Scott, and guest Marguerite Smith are live from Novacon 50! We discuss DisCon III, Glasgow in 2024, and Dublin in 2029 before diving into actual science fiction and live letters of comment. Listen here: “A Fistful of Dongles”.

Below, Sue Mason illustrates guest Marguerite Smith and not-a-guest Meg MacDonald from the Glasgow in 2024 bid.

(14) OPEN SESAME. Street Gang, an HBO original documentary about the most impactful children’s program in television history, Sesame Street, premieres December 13 on HBO Max.

(15) USE YOUR IMAGINATION. “Santas are in short supply, which leads to intriguing alternatives” reports the Washington Post.

…“Across the board I’ve seen an uptick in number of requests, but once I’m full, I’m full,” says Doug Eberhardt, a Santa based in Charlotte. “I’ve got 92 gigs booked between now and Christmas.”

HireSanta, an agency for Santas and Mrs. Clauses, has been turning down requests for weeks.

“Hundreds of people a day have been reaching out to us,” founder Mitch Allen says. “We always sell out on weekends, but normally it’s after Thanksgiving.” This year, his Santas were all fully committed for every weekend by the first week of November.

Perhaps the shortage is an opportunity to rethink what makes a Santa “believable.” For most of the past century, that has meant a St. Nick who is chubby, white-bearded, old, and usually Caucasian. Maybe a gap in the marketplace will open up opportunities for Santas who don’t fit the mainstream mold: Black Santas. Deaf Santas. Spanish-speaking Santas. Connaghan is trying to develop a talent pipeline through an initiative called Santa Bootcamp, sponsored by Old Navy, which recruits Santas with diverse backgrounds. Because there are so few of these Santas — only 5 percent of Santas identify as non-White by industry estimates — they are even harder to find this year than usual, says HireSanta’s Allen….

(16) ALBUM BASED ON DARK STAR. Phenomenology is a concept album of sorts, the central protagonist Talby was the lead character of the 1974 cult sci-fi film Dark Star by John Carpenter and the album depicts a metaphorical journey into the unknown where one has no choice but to face one’s fears, a hero’s journey indeed.” — Phenomenology at Bandcamp.

(17) LOADED CHIPS. “First quantum computer to pack 100 qubits enters crowded race”Nature has the story.

But IBM’s latest quantum chip and its competitors face a long path towards making the machines useful.

IBM’s newest quantum-computing chip, revealed on 15 November, established a milestone of sorts: it packs in 127 quantum bits (qubits), making it the first such device to reach 3 digits. But the achievement is only one step in an aggressive agenda boosted by billions of dollars in investments across the industry.

The ‘Eagle’ chip is a step towards IBM’s goal of creating a 433-qubit quantum processor next year, followed by one with 1,121 qubits, named Condor, by 2023. Such targets echo those that for decades the electronics industry has set itself for miniaturizing silicon chips, says Jerry Chow, head of IBM’s experimental quantum-computing group.

(18) HOW HARD CAN IT BE? Nature discusses “How to make macroscale non-crystalline diamonds”. A diamond shatters easily, despite it being the hardest natural material. Atomically disordered forms of diamond made from buckyballs might not only overcome this problem, but also allow other properties to be optimized.

The brilliant facets of diamonds have entranced people throughout history and are a result of the ordered atomic structure of these gemstones. But this order comes at a cost: it makes diamonds fragile. In contrast to quartz and many other crystalline materials that produce atomically disordered forms, a disordered — and potentially less fragile — form of diamond has not been available. Writing in Nature, Shang et al. and Tang et al. report how to produce atomically disordered diamond-like materials with millimetre-scale dimensions, constituting a breakthrough for materials science.

(19) THREESCORE AND TEN. Phil Nichols’ talk “Ray Bradbury’s The Illustrated Man at Seventy”, given during ArtsFest Online, can now be viewed on YouTube.

Ray Bradbury’s book The Illustrated Man – a short story collection very loosely woven together with a fantastical framing narrative – is now seventy years old, and yet it remains a greatly influential work. Dealing with ideas around virtual reality, civil rights, the end of the world, and body art, it has managed to sustain a resonance through to the twenty-first century, despite its 1950s trappings. Individual stories from the collection have been adapted for film, television, radio and stage on multiple occasions, confirming Bradbury’s position as one of the most significant writers of science fiction even as the author tried to escape from the “ghetto” of genre fiction. In this illustrated talk, Dr Phil Nichols will show how Bradbury’s short-story collection both defines and confines the author.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Steven French, Dann, Daniel Dern, Steven H Silver, John Coxon, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 11/3/21 The Pixel: No Different File

(1) OSFCI ANNOUNCEMENT. OryCon, the annual Portland, OR convention, is returning from a year away due to the pandemic.  However, after this year’s event is held on November 12-14, the con will be going on another hiatus for an indefinite period. Thread starts here.

(2) DISCON III PRESSER. Video of yesterday’s DisCon III media briefing with chair Mary Robinette Kowal and vice-chairs Marguerite Smith and Lauren Raye Snow has been posted to Facebook.com.  

(3) AN AMERICAN ORIGINAL. “America’s first vampire was Black and revolutionary – it’s time to remember him” urges The Conversation’s Sam George.

In April of 1819, a London periodical, the New Monthly Magazine, published The Vampyre: A Tale by Lord Byron. Notice of its publication quickly appeared in papers in the United States.

Byron was at the time enjoying remarkable popularity and this new tale, supposedly by the famous poet, caused a sensation as did its reprintings in Boston’s Atheneum (15 June) and Baltimore’s Robinson’s Magazine (26 June).

The Vampyre did away with the East European peasant vampire of old. It took this monster out of the forests, gave him an aristocratic lineage and placed him into the drawing rooms of Romantic-era England. It was the first sustained fictional treatment of the vampire and completely recast the folklore and mythology on which it drew.

By July, Byron’s denial of authorship was being reported and by August the true author was discovered, John Polidori.

In the meantime, an American response, The Black Vampyre: A Legend of St. Domingo, by one Uriah Derick D’Arcy, appeared. D’Arcy explicitly parodies The Vampyre and even suggests that Lord Ruthven, Polidori’s British vampire aristocrat, had his origins in the Carribean. A later reprinting in 1845 attributed The Black Vampyre to a Robert C Sands; however, many believe the author was more likely a Richard Varick Dey (1801–1837), a near anagram of the named author.

What is so remarkable about this story is that it is an anti-slavery narrative from the early 1800s which also contains America’s first vampire who is Black…. 

(4) CORA’S NEW FANCAST Q&A. Cora Buhlert has another Fancast Spotlight up today since the replies seem to be coming in all at once. The latest is a Foundation podcast called Seldon Crisis“Fancast Spotlight: Seldon Crisis.

Why did you decide to start your podcast or channel?

I read the full Foundation series for the first time last summer during lockdown. I had read the trilogy in my youth but had forgotten most of it and it was pure joy to re-read it. I had that common feeling after reading a great work of literature of wanting to share it with others, and decided the easiest way to share it with the world was in podcast form. I had no knowledge of the AppleTV series until after I’d written the first several scripts.

(5) ANATHEMA’S FUNDING APPEAL. Anathema: Spec From the Margins, a semiprozine featuring SFF by people from marginalized backgrounds, is looking for funding for its year six: Anathema: Spec from the Margins Year Six” at Indiegogo.

Anathema is an Ignyte Award-nominated online tri-annual magazine of speculative fiction (SF/F/H, the weird, slipstream, fabulism, and more). We exclusively publish the work of people of colour (POC)/Indigenous/Aboriginal creators on every range of the LGBTQIA spectrum….

…We’ve had the chance to be a home to stories that have a hard time getting picked up elsewhere – some for being too unusual, others too nakedly queer, others just not fitting the expected mold a primarily white publishing establishment wants from QBIPOC creators. Anathema, by intent, occupies a radical socialist queer space in the larger genre conversation. And in so doing we walk in the footsteps of giants, our own path fleeting and hope that the work we do can leave some lasting mark. But that takes funds. And we are not yet a self-sustaining entity. We earn some revenue through our website store, but most of our operating funds come from informal subscription drives and more formalized fundraising campaigns like this one….

(6) S&S KICKSTARTER. Tales from the Magician’s Skull, a magazine publishing good modern sword and sorcery, is also running a Kickstarter for its next issues. They have already passed their goal, Cora Buhlert calls them “A good magazine that deserves to be better known” — “More Tales From The Magician’s Skull by Goodman Games” at Kickstarter. No wonder they’re raking in the money – look at this special incentive if you pledge at the highest level.

(7) ORIGINAL EQUIPMENT. “A Beloved William Shatner Star Trek Prop Is Selling For Half A Million Dollars”GiantFreakinRobot has the story. (Click for larger image.)

In the vast world of Star Trek lore, there are plenty of iconic pieces to collect. From communicators and uniforms, phasers and tribbles, and even blaster rifles, the Star Trek fandom puts significant meaning to collectible items, some of which can be difficult to come by. Now, eager Trekkie collectors can gush over the recently announced auction of the one-of-a-kind phaser used by Captain James T. Kirk in his pilot episode. The rifle is being sold by a private collector with Heritage Auctions in Dallas, Texas; and it can be yours for just half a million dollars (no energy credits accepted).

The phaser rifle made its Star Trek appearance during the original series second pilot episode, Where No Man Has Gone Before…. 

Get your bid down on this item here at Heritage Auctions.

(8) A FACE TO MEET THE FACES. For this installment of Building Beyond, “Mask On, Mask Off”, the premise is: “Over the course of every person’s life, they grow a mask.”

Sarah Gailey is joined by Greg Kasavin and Nome to develop worlds around this idea.

(9) MEMORY LANE.

1976 – Forty-five years ago, one of the better pieces of horror got released in Carrie. It was based on the Stephen King novel of the same name, and it was directed by Brian de Palma being his first hit. Lawrence D. Cohen wrote this screenplay as he would the third version thirty seven years later. It had a stellar cast of Sissy Spacek, Amy Irving, William Katt, Nancy Allen. and John Travolta. 

Like most horror films of the time and particularly King films, it had a truly minuscule budget of under two million dollars which is why it was a box office success when it made just thirty four million. 

So what did the critics think of it? One and all they loved it madly with Roger Ebert saying that it was an “absolutely spellbinding horror movie” and Pauline Kael calling it the “best scary-funny movie since Jaws”. 

Audience reviewers at Rotten Tomatoes give it a rather scary seventy-seven percent rating. As I noted above, there are three more films made off the novel, one in 2002 and one in 2013. Neither, not surprisingly to me, fares particularly well at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1929 Neal Barrett, Jr. He was nominated for a Hugo at Noreascon 3 for his “Ginny Sweethips’ Flying Circus” short story. He was Toastmaster at LoneStarCon 2.  He was prolific writing over two dozen novels and some fifty pieces of short fiction including a novelization of the first Dredd film. As good as much of his genre work was, I think his finest, best over the top work was the Wiley Moss series which led off with Pink Vodka Blues. He’s generously available at usual suspects. (Died 2015.)
  • Born November 3, 1933 Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1942 Martin Cruz Smith, 79. Best remembered for Gorky Park, the Russian political thriller, but he’s also done a number of  genre novels in The Indians Won (alternate history), Gypsy in Amber and Canto for a Gypsy (PI with psychic powers) and two wonderful pulpish novels, The Inca Death Squad and Code Name: Werewolf
  • Born November 3, 1952 Eileen Wilks, 69. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well! 
  • Born November 3, 1953 Kate Capshaw, 68. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1960 Kevin Murphy, 61. American actor and writer best known as the voice and puppeteer of Tom Servo on the Mystery Science Theater 3000. He also does RiffTrax which are humorous audio commentary tracks intended to be played along with various television programs and films. 
  • Born November 3, 1963 Brian Henson, 58. Can we all agree that The Happytime Murders should never have been done? Thought so. Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. Or Muppets from Space. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.
  • Born November 3, 1977 Belén Fabra, 44. Here for her recurring role in the Spanish-language SF series El ministerio del tiempo (The Department Of Time). She also appeared as Captain Sanchez in Origin, a YouTube SF series that lasted but one season. 

(11) COMICS SECTION.

(12) ICON OF RACISM. Witness History’s episode “The enduring legend of Fu Manchu” is available for the coming year at BBC Sounds.

The evil criminal mastermind Fu Manchu was a recurring character in Hollywood films for decades. He epitomised racist stereotypes about China and the Chinese which shaped popular thinking in the West. Vincent Dowd has been talking to writer Sir Christopher Frayling and academic Amy Matthewson about his long-lasting influence.

(13) MOVE OVER PLUTO. Galactic Journey’s Jessica Holmes covers the latest (in 1966) episode of Doctor Who: “[November 2, 1966] An Ending? (Doctor Who: The Tenth Planet)”. Notice how in this future there is still a ninth planet!

EPISODE ONE

The Doctor arrives at the Antarctic base of International Space Command in the year 1986. The men inside (and yes, even in 1986 it seems rocket science is a bit of a boys’ club) take notice of the new arrivals, but there’s no time to worry about them. The latest launch has run into trouble, reporting the sudden appearance of a new planet in the sky. Worse still, their ship is losing power….

(14) THE FIFTY-EIGHTH VARIETY. “’Christmas dinner in a can’ promises answer to supermarket shortages” the Guardian reported, but since Heinz only made 500 cans of Christmas Dinner Big Soup this year it’s already sold out, so how was that supposed to work?

If you’re still amused by the idea, see the Heinz web page for the product, which also offered an optional gift box for it.

(15) LOWERING YOUR RESISTANCE. One of the major comic book websites takes readers on a tour of the Borg Cube Advent Calendar mentioned in a recent Scroll: “Star Trek: A Closer Look at the Borg Cube Advent Calendar From Hero Collector”.

Hero Collector sent ComicBook.com one of these advent calendars to take a closer and share our impressions of it with our readers.

We’ve taken a few photos of the product and opened up a few of the gifts to give you an idea of what is inside. Don’t worry. We only opened the first four, so we’re not putting out spoilers for anyone’s holiday fun. You can take a look at what we found in the photos included below….

(16) NEWS TO ME. I hadn’t previously heard of Philip K. Dick’s novel Humpty Dumpty In Oakland til I saw the first edition being offered by L.W. Currey.

Set in San Francisco in the late 1950s, Humpty Dumpty in Oakland is a tragicomedy of misunderstandings among used car dealers and real-estate salesmen: the small-time, struggling individuals for whom Philip K. Dick always reserved his greatest sympathy.

It is one of Dick’s realistic fiction novels, and was published posthumously. Many reviewers say they find the way he tells this story has a lot in common with his science fiction.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metroid Dread is the latest version of a Nintendo character so ancient she has ’80s shoulder pads.  But don’t call the new game Metroidmania, the narrator warns, “or I will personally come to your house and slap you!”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John Lorentz, Chris Barkley, Daniel Dern, Lise Andreasen, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 9/22/21 Or I Will Scroll Thee In The Gobberfiles With My Pixelcruncheon, See If I Don’t!

(1) WORKING FOR THE MAN EVERY NIGHT AND DAY. Yesterday’s Scroll picked up The Mary Sue’s report that “Marvel Fired Joe Bennett After Alleged Anti-Semitic Cartoons”. Today Bounding Into Comics reports Bennett is now working for Vox Day’s Arkhaven Comics: “After Being Blacklisted By Marvel Comics, Joe Bennett Joins Arkhaven Comics”. That obviously wasn’t a hard decision for Bennett.

…In a press release, Arkhaven Comics notes they “did not hesitate to take advantage of Bennett’s unexpected availability, and promptly signed the former DC and Marvel illustrator as its lead artist on two series being written by legendary comics writer Chuck Dixon.”

Not only was Bennett the artist for Immortal Hulk, but his resume also includes Savage Hawkman, Deathstroke, and Arrow Season 2.5 among others at DC Comics. 

…Dixon, who has also been subject to a Marvel Comics blacklist since 2002, welcomed Bennett to Arkhaven Comics stating, “It’s a sign of where the American comic industry is at the moment that they would let a powerhouse talent like Joe Bennett go because his personal politics are not in line with their own.”

“I’m looking forward to working with Joe on both of the projects we have in motion at Arkhaven,” he added….

(2) BARBARIAN AT THE GATES. Funcom has purchased the Cabinet Group, which currently holds the trademarks to Conan and most other Robert E. Howard characters. This mainly affects comics and videogames, since there apparently are no movies, TV shows or new books in the works, although they say a game is in development. “Funcom Acquires Full Control of Conan the Barbarian and Dozens of Other IPs”.

…Funcom CEO Rui Casais said he has high ambitions for the IPs and noted at least one unannounced project is already in development. 

“We are currently overseeing the development of an unannounced game which will combine many of the characters in the Robert E. Howard universe,” said Casais. “And if you combine Funcom’s knowledge of games with Heroic Signatures’ knowledge of the TV/entertainment, publishing, and licensing industries, it makes us perfectly placed to take this venture to the next level. It’s exciting times ahead for us and for fans of the IPs.”… 

(3) BES&ST, Lavie Tidhar and Silvia Moreno-Garcia offer an overview of the best sword and sorcery fiction past and present at the Washington Post“Let’s talk about the best sword and sorcery books”.

Lavie: I love the original “Witcher” stories by Andrzej Sapkowski, collected in English as “The Last Wish” in 2007 and translated by Danusia Stok. They were originally published in the Polish magazine Nowa Fantastyka. I got to read “The Last Wish” in proof before it even came out, but I don’t know that anyone then expected it would become as big as it did. For a time, it was nearly titled “The Hexer” but, hexer or witcher, Sapkowski’s Geralt of Rivia is a worthy successor to its earlier influences….

(4) HE CALLED IT. Goodman Games has a post on Fritz Leiber and Fafhrd and the Grey Mouser by James Maliszewski: “Fritz Leiber, H.P. Lovecraft, and the Origin of Sword-and-Sorcery Stories”.

In the May 1961 issue of the fantasy fanzine Amra, future stalwart of Appendix N, Michael Moorcock, wrote a letter to the editor in which he proposed the term “epic fantasy” for the literary genre pioneered by Robert E. Howard in his stories of Conan the Cimmerian. In the July issue of that same year, however, Fritz Leiber offered another term in reply, writing, “I feel more certain than ever that this field should be called the sword-and-sorcery story.” Leiber elaborates a bit on his coinage, adding that this term “accurately describes the points of culture-level and supernatural element,” as well as being useful in distinguishing these stories from other popular pulp genres….

(5) WHAT BELONGS IN THAT BOX? Also at Goodman Games, — now that we have a name for these stories, how do we define sword and sorcery? Brian Murphy discusses the problem in “Sifting Through a Sword-and-Sorcery Definition”.

…But, in the same essay Moorcock began refining these broad parameters, focusing on a subset of fantasy stories “which could hardly be classified as SF, and they are stories of high adventure, generally featuring a central hero very easy to identify oneself with …. tales told for the tale’s sake… rooted in legendry, classic romance, mythology, folklore, and dubious ancient works of “History.” These were quest stories, Moorcock added, in which the hero is thwarted by villains but against all odds does what the reader expects of him….

(6) RACISM IN S&S. This isn’t new, but Charles R. Saunders’ famous essay “Die, Black Dog, Die” about the latent and not so latent racism in sword and sorcery and fantasy in general from the 1970s is available again online here: “Revisiting ‘Die, Black Dog!’” at Reindeer Motel. (It’s posted as a single image file, so no excerpt here.)

(7) BACKSTAGE TO THE FUTURE. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the Financial Times, Sarah Hemming reviews Back To The Future: The Musical, which recently opened in London.  Roger Bart, who played Frankenstein in Young Frankenstein, plays Doc.

“As in the film, restless teenager Marty McFly escapes his humdrum home life by hanging out with doc and ends up taking the wheel of the DeLorean for an early voyage.  But he gets more than he bargains for when that voyage lands him back in 1955 and in the hugely awkward position of meeting his teenage mum–who promptly develops a crush on him.  Gale’s script gleefully replicates the film (with a few wise excisions, such as the Libyan terrorists), while relishing the irony that from 2021, 1985 looks like old hat and that, for many in the audience, the whole show is an exercise in nostalgia–coupled with curiosity to see time travel on stage…

…A mix of pastiche and sincerity characterises the show.  The songs (Alan Silvestri and Glen Ballard) channel the periods–such as a peppy Fifties number in praise of gasoline and DDT–and there’s a nice streak of self-mockery.”

The website for the show is Back to the Future the Musical.

(8) SUPER-OVERRATED. James Davis Nicoll has decided there are “Five Superpowers That Just Aren’t As Fun as They Sound”.

Who among us has not dreamed of having superpowers? We are urged thereto by the avalanche of comics, movies, novels, and roleplaying games featuring abilities beyond mortal ken. Yet not all superpowers are created equal. Some superpowers require secondary superpowers to survive.  Other abilities have disquieting consequences for their possessors.

I’m not going to talk about superhumans with powers that would kill them or their friends if exercised. No one dreams of being any of the following:

  • X-Bomb Betty (can self-detonate, producing a 150 million megaton explosion (once))
  • Hazmat (lethal radioactive aura)
  • Absorbing Man (can duplicate the properties of materials he touches; see footnote)

I’m talking, here, about powers that appear on their surface to be useful but later reveal themselves to be harmful to, or at least extremely alienating for, those who wield them. Below are my musings about five such examples…

(9) NOW, THE NEWS. Also, James Davis Nicoll recommends this comedy sketch on Tik-Tok as an interpretation of “the Canadian election seen through the lens of the Matrix”.

(10) GIANT PEACH OF A DEAL. Netflix now owns the rights to Roald Dahl’s stories. Roundup at Adweek: “Netflix Acquires Roald Dahl Story Company, Plans Extensive Universe”.

The U.S. streaming giant announced Wednesday it has bought the Roald Dahl Story Company, which manages the rights to the British novelist’s characters and stories. It comes three years after Netflix signed a deal to create a slate of new animated productions based on the works of Dahl. (CNBC)

Under the previous deal, Taika Waititi is working on Roald Dahl animated series projects for Netflix, covering Charlie and the Chocolate Factory and its sequel, Charlie and the Great Glass Elevator. That’s in addition to two different versions of Matilda, including a film version of Matilda the Musical and an animated series, plus plans to make a BFG cartoon. (The Verge)

(11) 1001, A FACE ODYSSEY. “What About the Heroine’s Journey?” asks the New York Times in its review of Maria Tatar’s The Heroine With 1,001 Faces.

…[Joseph] Campbell’s ideas have rippled out in the culture for decades — especially after a popular series hosted by Bill Moyers in 1988 — but he has long demanded a feminist response. It would be hard to conjure up a more suitable person to provide one than Maria Tatar, the Harvard professor who is one of the world’s leading scholars on folklore.

Her new book, “The Heroine With 1,001 Faces,” out this month from Liveright, is an answer to Campbell, though she is careful not to frame it as an assault. “Even though my title suggests that I’m writing a counternarrative, or maybe an attack on him, I think of it as more of a sequel,” Tatar said in a video interview from her home in Cambridge, Mass.

She is stirring what J.R.R. Tolkien once called the “cauldron of story” in search of the girls and women, some silenced and some forgotten, some from the Iliad and some from Netflix, who live in Campbell’s blind spot. The reader jumps from Arachne’s battle with Athena to the escape of Bluebeard’s trickster wife to Pippi Longstocking and Nancy Drew and even to Carrie Bradshaw typing away on her laptop.

(12) LIGHTEN UP. Sarah Gailey is joined by Sophie Lee Mae and Jaxton Kimble to play with this new writing prompt in “Building Beyond: That’s Just Super” at Stone Soup:

Exposure to fluorescent lights gives people a 98% chance of developing a superpower under conditions of duress.

(13) J. RANDOLPH COX (1936-2021). Randy Cox died in a nursing home on September 14 reports Mysteryfile.com. Cox edited The Dime Novel Round-Up for over 20 year. He wrote several books including Man of Magic & Mystery: A Guide to the Work of Walter B. Gibson, about the man who created The Shadow; Flashgun Casey: Crime Photographer, co-authored with David S. Siegel, about the character originally created for Black Mask by George Harmon Coxe; Masters of Mystery and Detective Fiction: An Annotated Bibliography;  and The Dime Novel Companion: A Source Book. He received the Munsey Award at PulpFest in 2014.

(14) MEMORY LANE.

  • 1964 – Fifty-seven years ago on NBC, The Man from U.N.C.L.E. premiered. It was created by Sam Rolfe who was responsible for Have Gun, Will Travel and Norman Felton who directed All My Children, the first daytime soap which debuted in the Forties. It starred Robert Vaughn, David McCallum and Leo G. Carroll. It would last four seasons of one hundred and five episodes, most in color. Harlan Ellison scripted two episodes, “The Sort of Do-It-Yourself Dreadful Affair” and “The Pieces of Fate Affair.” A reunion film, Return of the Man from U.N.C.L.E. with the subtitle of The Fifteen Years Later Affair with Vaughn and McCallum reprising their roles with Patrick Macnee replacing Leo G. Carroll, who had died, as the head of U.N.C.L.E. There was a film reboot recently that was very well received. 

(15) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Star Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek lore, “[Gene Roddenberry] got ‘Wagon Train to the stars’ from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, ‘Yeah? Why don’t you do Wagon Train to the stars?’” (Died 1997.)
  • Born September 22, 1952 — Paul Kincaid, 69. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction. His latest publication is The Unstable Realities of Christopher Priest.
  • Born September 22, 1954 — Shari Belafonte, 67. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well known genre performance. 
  • Born September 22, 1957 — Jerry Oltion, 64. His Nebula Award winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000. 
  • Born September 22, 1971 — Elizabeth Bear, 50. First, let’s all wish her a speedy recovery from her cancer surgery which was this week. Her first sff series was a superb trilogy, which might be considered cyberpunk, centered on a character named Jenny Casey. She’s a very prolific writer; I’m fond of her Promethean AgeNew Amsterdam and Karen Memory series. She won an Astounding Award for Best New Writer, a Hugo Award for Best Short Story for “Tideline”, and a Hugo for Best Novelette for “Shoggoths in Bloom”. One of only five writers to win multiple Hugo Awards for fiction after winning the Astounding Award! Very impressive indeed! It is worth noting that she was one of the regular panelists on now sadly defunct podcast SF Squeecast, which won the 2012 and 2013 Hugo Awards for “Best Fancast”. (CE)
  • Born September 22, 1981 — Maria Ashley Eckstein, 40. She’s voice of Ahsoka Tano on Star Wars: The Clone WarsStar Wars Rebels, and Star Wars Forces of Destiny. She even has a voice only cameo as Ashoka in Star Wars: The Rise of Skywalker. And she voiced the character in the audiobook of E. K. Johnston’s Star Wars: Ahsoka.
  • Born September 22, 1982 — Billie Piper, 39. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North.
  • Born September 22, 1985 — Tatiana Maslany, 36. Best known for her superb versatility in playing more than a dozen different clones in the Orphan Black which won a Hugo for Dramatic Presentation (Short Form) at the  73rd World Science Fiction Convention for its “By Means Which Have Never Yet Been Tried“ episode. She received a Best Actress Emmy and more than two dozen other nominations and awards. She’ll be playing Jennifer Walters / She-Hulk in the upcoming Marvel She-Hulk series.

(16) SHARP POINTY TEETH. Of course it’s a vampire movie. Was there ever any doubt? Night Teeth coming to Netflix on October 20.

(17) IT CANNOT BE DENIED. From a book review in today’s New York Times:

“(Turid is among those names, like Shakespeare’s Titus, for which it is crucial, when spelling, not to omit the second vowel.)”

(18) DANGEROUS HISTORY. A genre study titled Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 edited by Andrew Nette and Iain McIntyre is available for pre-order from PM Press.

…It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk.

Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

Here’s a sample page that was posted to the book’s Kickstarter site:

(19) THE QUICK SAND AND THE DEAD. Juliette Kayyem remembers a hazard much on the minds of young TV viewers back in the day:

Her tweet inspired E. Gruberman to round up a zillion YouTube links to relevant scenes from old shows of TV heroes up to their hips in quicksand.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Transformers:  Age of Extinction Pitch Meeting” on Screen Rant, Ryan George says in the fourth Transformers movie, Sam Witwicky disappears without an explanation because Shia LeBouef didn’t want to be in Transformer movies anymore. The writer explains that the Transformers are powered by “transformium,” “which can change into any product placement we want.” but the third act will be “our usual visual mess” but will feature “guns, boobs, America, victory.”

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jayn.]