Vote for Analog’s 2023 Analytical Laboratory Readers’ Award

Analog has opened voting for the 2023 Analytical Laboratory Readers’ Award and is taking online ballots until February 1.  

The AnLab ballot comes pre-loaded with all the eligible works from 2022.

From short stories and novellas to novelettes and poems – and even best covers! – let us know your Analog Science Fiction and Fact favorites this year.  Winners join the pantheon of Analog authors who represent the Who’s Who of science fiction writers over the past thirty years.

Those who submit a ballot will be automatically entered in a drawing for a free one-year subscription.

2022 Analog Award For Emerging Black Voices

Chana Kohl’s story is the winner of the 2022 Analog Award for Emerging Black Voices. The award was announced yesterday during the 7th Annual City Tech Science Fiction Symposium.

The other finalists were Christopher McLucas, Tonya Moore, and Kingsley Okpii.

The winning story will be purchased and published in Analog, and the author receives one year of monthly mentorship sessions. The finalists receive one mentorship session with Analog editors including a critique of their submission and a chance to ask questions about the field. 

[Thanks to Emily Hockaday for the story.]

2021 Analog Analytical Laboratory Awards Results

July/August 2021 cover by Tomislav Tikulin for “The Unlikely Heroines of Callisto Station”

Analog Magazine has announced The 2021 Analytical Laboratory Awards. The editor’s commentary on the stories, poems, and covers is at the link.

Here’s how the AnLab works: In each category, the readers listed three favorite items in descending order of preference. As the editor explains: “Each first place vote was counted as three points, second place two, and third place one. The total number of points for each item was divided by the maximum it could have received (if everyone had ranked it 1) and multiplied by 10. The result is the score listed, on a scale of 0 (nobody voted for it) to 10 (everybody ranked it first). The number in parentheses at the head of each category is the average for that category.”

NOVELLAS (3.95)

1. “Invasive Species,” Catherine Wells (4.36)

2. “The Unlikely Heroines of Callisto Station,” Marie Vibbert (4.26)

3. “The Silence Before I Sleep,” Adam-Troy Castro (4.10)

4. “Uploading Angela,” Lettie Prell (3.08)

NOVELETTES (0.82)

1. “A Shot in the Dark,” Deborah L. Davitt (1.44)

2. “Sample Return,” C. Stuart Hardwick (1.33)

3. “No Stranger to Native Shores,” Matt McHugh (1.28)

4 (tie). “The Hunger,” Marco Frassetto (1.13)

4 (tie). “The Next Frontier,” Rosemary Claire Smith (1.13)

SHORT STORIES (0.23)

1. “Heart of Stone,” Tom Jolly (0.92)

2. “The Trashpusher of Planet 4,” Brenda Kalt (0.82)

3. “The Last Science Fiction Story,” Adam-Troy Castro (0.77)

4. “My Hypothetical Friend,” Harry Turtledove (0.72)

5. “Room to Live,” Marie Vibbert (0.67)

FACT ARTICLES (2.65)

1. “Constructing a Habitable Planet,” Julie Novakova (4.21)

2. “Possible Signs of Life on Venus,” David L. Clements (2.97)

3. “Return to the Golden Age,” Richard A. Lovett (2.87)

POETRY (1.02)

1. “If,” Bruce McAllister (1.49)

2. “A Daguerreotype of the Moon,” Jennifer Crow (1.38)

3 (tie). “Quantum Entanglement,” Ken Poyner (1.23)

3 (tie). “Hidden Things,” Jennifer Crow (1.23)

4 (tie). “What We Forget,” Bruce McAllister (1.18)

 4 (tie). “When I Think of My Father,” Bruce McAllister (1.18)

COVER (2.29)

1. July/August, by Tomislav Tikulin for “The Unlikely Heroines of Callisto Station” (3.59)

2. March/April, by Maurizio Manzieri for “Flashmob” (3.33)

3. September/October, by Kurt Huggins for Kepler’s Laws (2.67)

2021 Analog AnLab Readers’ Award Finalists

Analog Magazine has posted the 2021 AnLab Readers’ Award Finalists, the works from last year that finished in the top slots in each category of the Analog Analytical Laboratory. The winners will be revealed in Analog’s July/August issue.

There are links to PDF files (where provided) that will allow you to read the finalists.

BEST NOVELLAS

BEST NOVELETTES

BEST SHORT STORIES

BEST FACT ARTICLE

BEST POEMS

BEST COVERS

March/April 2021
Maurizio Manzieri

July/August 2021
Tomislav Tikulin 

September/October 2021
Kurt Huggins

Vote for Analog’s 2022 Analytical Laboratory Readers’ Award

Analog has opened voting for the 2022 Analytical Laboratory Readers’ Award and is taking online ballots until February 1.  

The AnLab ballot comes pre-loaded with all the eligible works from 2021.

From short stories and novellas to novelettes and poems – and even best covers! – let us know your Analog Science Fiction and Fact favorites this year.  Winners join the pantheon of Analog authors who represent the Who’s Who of science fiction writers over the past thirty years.

Those who submit a ballot will be automatically entered in a drawing for a free one-year subscription.

Pixel Scroll 11/25/21 I Just Took The Pixel Scroll Test Turns Out I’m 100% That File

(1) BABY YODA ON PARADE. A helium-filled Grogu designed by the toy company Funko was in the Macy’s Thanksgiving Day Parade – the New York Times tells how that happened.

(2) CITY TECH SYMPOSIUM. The Sixth Annual City Tech Science Fiction Symposium at City Tech in New York will be held December 9. Read the full program and register to see the event on Zoom at this link. (For those who would like to watch the event without registering, watch the YouTube Livestream here.)

The Sixth Annual City Tech Science Fiction Symposium on Access and Science Fiction will be held on Thursday, December 9, 2021 from 9:00am-5:00pm online via Zoom Webinar.

To participate in this free event, attendees will need to (1) Signup for a free Zoom account here (if you don’t already have one), and (2) Register here to receive access instructions to the Zoom Webinar. Participants may register any time before or during the event!

Here are a couple of the program items:

2:30pm-3:55pm
Analog Writers Panel and the Analog Emerging Black Voices Award
Emily Hockaday – Moderator; Panelists: Alec Nevala-Lee, Marie Vibbert, Chelsea Obodoechina, Trevor Quachri

4:00pm-5:00pm
Keynote
“Writing Ourselves In: Teaching Writing and Science Fiction with Wikipedia”
Ximena Gallardo C. and Ann Matsuuchi
Wanett Clyde – Introduction and Moderator

(3) THE GALACTIC IMAGINARIUM FILM FESTIVAL TAKING SUBMISSIONS. The Galactic Imaginarium Film Festival from Dumbravita-Timis, Romania, is one of the few Sci-fi and Fantasy Film Festivals in Eastern Europe. The festival has film screening, conferences, debates and happenings in a hybrid format. The 2022 edition will have Jury Awards and Popular Awards, for five categories (Sci-Fi, Fantasy, Animation, Comedy/Parody and Documentary) for short and feature films.

The submission period is open now, for the above categories. Filmmakers and distributors are invited to submit their films using FilmFreeway platform at the address:  https://filmfreeway.com/TGIFF

(4) THE MILLENNIUM. F&SF columnist Joachim Boaz published his thousandth blog post for Science Fiction and Other Suspect Ruminations. In it, he reviews three stories by Melisa Michaels:

On May 31st, while perusing the indispensable list on The Internet Speculative Fiction Database, I came across an author unknown to me–Melisa Michaels (1946-2019) (bibliography). She’s best known for the five-volume Skyrider sequence (1985-1988) of space operas “depicting the growth into maturity of its eponymous female Starship-pilot protagonist” (SF Encyclopedia).

As I’m always willing to explore the work of authors new to me, I decided to review the first three of her six published SF short stories. Two of the three stories deal with my favorite SF topics–trauma and memory.”

Source: Short Story Reviews: Melisa Michaels’ “In the Country of the Blind, No One Can See” (1979), “I Have a Winter Reason” (1981), and “I Am Large, I Contain Multitudes” (1982)

(5) TWAIN’S THANKSGIVING. The Mark Twain House & Museum shared:

When asked what Twain was thankful for, he said…

“You ask me for a sentiment which shall state how much I have to be thankful for this time. For years it has been a rule with me not to expose my gratitude in print on Thanksgiving Day, but I wish to break the rule now and pour out my thankfulness; for there is more of it than I can contain without straining myself. I am thankful — thankful beyond words — that I had only $51,000 on deposit in the Knickerbocker Trust, instead of a million; for if I had had a million in that bucket shop, I should be nineteen times as sorry as I am now. Trusting this paean of joy will satisfy your requirement,

I am Yours truly,

Mark Twain.”

– letter to editor of New York World, 27 October 1907

They make up for it with a video about the Clemens family pets. (Warning: Mostly dogs, no matter what this intro says.)

The Cat in the Ruff is one of many cats who’ve graced the Mark Twain House over the years. Do you know how many cats Sam Clemens remembered having in his childhood home? Find out in the latest episode of Catching Up With The Clemenses.

(6) MIDDLE-EARTH AFTER ACTION REPORTS. [Item by Alan Baumler.] At A Collection of Unmitigated Pedantry, Bret Deveraux has a long series of blog posts analyzing the Siege of Gondor (“The Siege of Gondor, Part I: Professionals Talk Logistics”) and Helm’s Deep (“The Battle of Helm’s Deep, Part I: Bargaining for Goods at Helm’s Gate”) in both the films and the books from the point of view of a historian.

It is a really good set of posts for both fantasy geeks and history geeks, in part because he knows his history and does a good job of explaining both the battlefield details and the broader historical background behind “medieval” warfare. (Tolkien understood that despair could destroy an army. He fought at the Somme). He also does a good job with some of the films’ reasons for changes, beyond the film-makers are dummies. (Doing a proper cavalry battle between Wargs and the Men of Rohan would cost too much, ruin the pacing of the film, and get some stuntmen hurt.) Those are my brief summaries, he does it much better.

 …But Saruman does not have a lot of experience. Théoden does. As Saruman himself notes, the house of Eorl has “fought many wars and assailed many who defied them” (TT, 218). Théoden himself had been a king even longer than Denethor had been steward (Théoden becomes king in 2980; Denethor becomes steward in 2984) and given what we know about the political situation, it is safe to assume he had some fighting to do even before he became king and much more afterwards. The film has Théoden say this, and at moments shows it on-screen in interesting ways, but the desire to insert some conflict between Théoden and Aragorn means that this characterization gets a bit muddled, as we’ll see. Nevertheless, it is clear that Théoden, in book and film, is an experienced and capable commander – he may lack the subtly and sophistication of Denethor (who, as an aside, I’d probably rate as the better pure tactician of the two, but the worse overall leader), but reliable workman-like generaling is often the best sort, and proves to be so here….

(7) NOT THROWIN’ AWAY MY SHOT. Continuing a theme, Fandom Entertainment obliges with this video comparing archers from three SFF franchises:  Legolas vs. Hawkeye vs. Katniss: “By The Numbers | Best Movie Archer”.

(8) IN THE BEGINNING. In “Michael Moorcock Interview – Elric of Melnibone”, Screen Rant takes the occasion of the 60th anniversary of a Moorcock character’s debut to let him reminisce.

Screen Rant: So you, and some of the formative figures, were just writing your own works. You weren’t trying to adhere to genre conventions, because there wasn’t really a genre to adhere to yet.

Michael Moorcock: Yeah, when I first started writing it, nobody knew what to call it at all. I mean, the publishers didn’t know what to call it. They thought that Tolkien was (writing about) a post-apocalyptic nuclear world. That’s the only way they could perceive an alternate world, in other words. And it was the same with Mervyn Peake… they’re all interpreted that way. The idea of putting ‘fantasy’ on a book meant usually meant that it was a children’s book. And if you put fantasy as the genre, they usually put ‘SF’ larger than ‘fantasy’ to show that it was what it was. So really, there really was nothing like an adult fantasy genre… Today’s experience is just totally different.

(9) BLAME THE DOCTOR! [Item by Olav Rokne.] Conservative UK politician Nick Fletcher provides the most baffling quote of the week, linking Jodie Whittaker’s work on Doctor Who to recent increases in crime. His logic is so tenuous and contrived it has to be heard to be believed. 

(10) TODAY IN ALTERNATE HISTORY. This happens to come from a movie, but Filers tell me they often get these kinds of wild dates in the drafts of their comments, too.

(11) MEMORY LANE.

1887 — One hundred thirty-four years ago, the very first Sherlock Holmes story was published this month in the December issue of Beeton’s Christmas Annual which came out a month ahead of the pub date. It was published sometime in November at a price of one shilling and sold out before Christmas. The other contents were Two Original Drawing Room Plays: “Food for Powder” by R. André, and “The Four-Leaved Shamrock” by C. J. Hamilton. 

A Study in Scarlet is one of only four full-length novels in the original canon. The story was originally titled A Tangled Skein and Doyle wanted royalties from Beeton’s Christmas Annual but settled for a twenty-five pound payment instead in return for the full rights to the novel. 

Bibliographic experts say this copy of Beeton’s Christmas Annual is “the most expensive magazine in the world,” with a copy selling for $156,000 at Sotheby’s in 2007 as only twelve copies are thought to currently exist. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 25, 1920 Ricardo Montalbán. Khan Noonien Singh and the first Mr. Rourke. Armando and Grandpa Valentin Avellan as well. I’m picking those as four most memorable roles he’s played and they just happen to all be genre in nature. Oh, and is Khan Noonien Singh the only occurrence of a non-crew character carrying over from the original series into the films? I suspect not but I can’t think of anyone who did. If there is, I’m sure one of you will tell me. (Died 2009.)
  • Born November 25, 1926 Jeffrey Hunter. Best known for his role as the first Captain Christopher Pike in the original pilot episode of Star Trek and the later use of that material in “The Menagerie” episode which won a Hugo at NyCon 3.  Other genre work included Dimension 5A Witch Without A BroomStrange Portrait (never released, no print is known to exists), Alfred Hitchcock HourJourney into Fear and The Green Hornet. Hunter suffered an intracranial hemorrhage while walking down a three-stair set of steps at his home in Van Nuys, California. He died in-hospital despite brain surgery. (Died 1969.)
  • Born November 25, 1926 Poul Anderson. My favorite ones by him? Orion Shall Rise for the mix of personal scale story with his usual grand political stories, and all of the Flandry and van Rijn stories. I also enjoy his Time Patrol stories as well, and the two Operation Luna tales are quite fun. Not to forget the ever so entertaining The Unicorn Trade that he wrote with his wife Karen. He was quite honored with seven Hugo Awards and three Nebula Awards. (Died 2001.)
  • Born November 25, 1947 John Larroquette, 74. I think his best genre role is as Jenkins in The Librarians. He’s also had one-offs in Almost HumanThe Twilight ZoneChuck, Batman: The Animated Series and Fantasy Island. He’s uncredited but present in Tales from the Crypt presents Demon Knight, does voice acting in Green Lantern: First Flight, is the Klingon Maltz in The Search for Spock and the oddly named K.K.K. in Twilight Zone: The Movie. Did you know he was the narrator of two Texas Chainsaw Massacre films? 
  • Born November 25, 1950 Alexis Wright, 71. A Waanyi (Aboriginal Australian) writer known for winning the Miles Franklin Award for her novel Carpentaria which might well be genre. She has one definitely genre novel, The Swan Game.
  • Born November 25, 1953 Mark Frost, 68. He’s best known as a writer for Hill Street Blues (I know it’s not genre but superb nonetheless) and as the co-creator with David Lynch of Twin Peaks in which he’s been involved with in other roles as well. He had a hand in writing both of the not well regarded Fantastic Four films. He was also one of the Executive Producers of the very short lived All Souls series. 
  • Born November 25, 1953 – Michael “Orange Mike” Lowrey, 68. A fan, free citizen of the ImagiNation, husband, daddy, union leader, Esperantist, wearer of orange garments, Quaker, feminist, Irishman, Mac user, Wobbly, Hordesman, Wikipedian. He’s been active in fanzines (Vojo de Vivo) and apas, the N3F, mailing lists, Usenet, social media. Voted the 2020 TAFF delegate – trip postponed due to the pandemic. Frequent Filer! (OGH)
  • Born November 25, 1974 Sarah Monette, 47. Under the pen name of Katherine Addison, she published The Goblin Emperor which garnered the Locus Award for Best Fantasy Novel and was nominated for the NebulaHugo and World Fantasy Awards. She won the Spectrum Award in 2003 for her short story “Three Letters from the Queen of Elfland”.  Her first two novels Mélusine and The Virtu are quite wonderful and I highly recommend her Iskryne series that she co-wrote with Elizabeth Bear. 
  • Born November 25, 1986 Katie Cassidy, 35. Best remembered as Laurel Lance / Black Canary in the Arrowverse, primarily on Arrow but also Flash and Legends of Tomorrow. She was also Ruby on Supernatural, Patricia “Trish” Washington on Harper’s Island and Kris Fowles on A Nightmare on Elm Street.

(13) KURT VONNEGUT DOCUMENTARY. [Item by Olav Rokne.] The three of us (from the group I blog with) who saw the Kurt Vonnegut documentary Unstuck in Time were torn about it. That being said, I’d recommend it to every File770 person; there’s an awful lot of good in the documentary, lots of great moments, even if it sometimes doesn’t quite hold together. “Slipping on the stickiness of time” at the The Hugo Book Club Blog.

… Weide is too close to his subject to provide an unflinching look. But it also seems that he’s too much of a documentarian to lean into the personal. Both perspectives suffer for this, but one can also see why the movie took 40 years to make: it’s filled with incredible moments, and archival footage, and surprising snippets. With the amount of footage that Weide gathered in four decades, one can only imagine the riches that had to be left on the cutting room floor….

(14) PAIR OF CHAIRS. In Two Chairs Talking Episode 66, “Where great whales come sailing by”, Perry Middlemiss and David Grigg discuss recent news; David talks about “Bewilderment”, the best book he’s read all year; Perry reviews “Fathoms”, a magnificent book about whales; and he interviews prominent SF fan Justin Ackroyd.

Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and eye.

— Matthew Arnold, The Forsaken Merman

(15) THAT WAS FAST. This is sort of a How It Should Have Ended for Disney animated films: “Disney Movies With Quicker Endings Are Pretty Funny” at Pupperish. These cartoon cels are a hoot.

Disney characters are sometimes not that bright, they love to overcomplicate things and they just have to dramatize everything, which can be very infuriating, even if it is sometimes exciting. But of course, that’s what makes Disney’s storylines so magical and full of plot twists.

Every Disney movie features an evil protagonist that could have got the job over and done with quickly, rather than dragging it on. Or a Disney character who could have made even a single decision to speed up the plot.

In a world where Disney characters are a lot more logical and use common sense more often, the movies would end in less than two minutes. If you’ve ever wondered what that may look like, one Disney fan decided to depict it all artistically.

(16) A JWST OOPS. Ars Technica fills us in: “An ‘incident’ with the James Webb Space Telescope has occurred”.

A short update on the projected launch date of the $10 billion James Webb Space Telescope came out of NASA on Monday, and it wasn’t exactly a heart-warming missive.

The large, space-based telescope’s “no earlier than” launch date will slip from December 18 to at least December 22 after an “incident” occurred during processing operations at the launch site in Kourou, French Guiana. That is where the telescope will launch on an Ariane 5 rocket provided by the European Space Agency.

“Technicians were preparing to attach Webb to the launch vehicle adapter, which is used to integrate the observatory with the upper stage of the Ariane 5 rocket,” NASA said in a blog post. “A sudden, unplanned release of a clamp band—which secures Webb to the launch vehicle adapter—caused a vibration throughout the observatory.”

Let’s be honest, words like “incident,” “sudden,” and “vibration” are not the kinds of expressions one wants to hear about the handling of a delicate and virtually irreplaceable instrument like the Webb telescope. However, NASA, the European Space Agency, and the rocket’s operator, Arianespace, have a plan for moving forward….

(17) G AND ENKIDU. Tracen Wassily, a junior at Dillingham High School in Alaska, has turned the Epic of Gilgamesh into a rap reports Literary Hub.

According to KDLG, Public Radio for Alaska’s Bristol Bay, Wassily chose to produce a rap for his literature class, where the assignment was to write an essay, skit, or song on the topic of Gilgamesh. Though at first he didn’t like the Epic of Gilgamesh, Wassily got more excited when he started making beats. “Not even a day after—like, right after school, I got to work producing a beat, a good rhythm, like a fast-paced rhythm for what I’m going to be doing,” Wassily told KDLG. “Cause that’s what I’m most comfortable on.”

Here’s a slice:

g and enkidu on a quest for glory

slayin humbaba is the start of his story
our heroes make it to the gate
but before they serve h his fate
their knees begin to shake

[Thanks Martin Morse Wooster, JJ, John King Tarpinian, Will R., Alan Baumler, Ben Bird Person, Olav Rokne, Darius Hupov, Jennifer Hawthorne, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy, for some of these stories. Title credit belongs to File 770 contributing editor of the day Nancy Sauer.]

2020 Analytical Laboratory Results

Analog July-August 2020 edited by Trevor Quachri, art by Dominic Harman
Analog July-August 2020 edited by Trevor Quachri, art by Dominic Harman

Analog Magazine has announced The 2020 Analytical Laboratory Awards.

In each category, the readers listed three favorite items in descending order of preference. As explained by the staff: Each first place vote was counted as three points, second place two, and third place one. The total number of points for each item was divided by the maximum it could have received (if everyone had ranked it 1) and multiplied by 10. The result is the score listed, on a scale of 0 (nobody voted for it) to 10 (everybody ranked it first). The number in parentheses at the head of each category is the average for that category.

NOVELLAS (4.94)

1. “Draiken Dies,” Adam-Troy Castro (5.59)
2. “Flyboys,” Stanley Schmidt (4.82)
3. “Moral Biology,” Neal Asher (4.41)

NOVELETTES (0.62)

1. “Minerva Girls,” James Van Pelt (3.90)
2. “The Quest for the Great Grey Mossy,” Harry Turtledove (2.05)
3. “The Offending Eye,” Robert R. Chase (1.54)
4. “Sticks and Stones,” Tom Jolly (1.49)
5. “I, Bigfoot,” Sarina Dorie (1.28)

SHORT STORIES (0.29)

1. “Wheel of Echoes,” Sean McMullen (0.97)
2. “The Writhing Tentacles of History,” Jay Werkheiser (0.87)
3. “Rover,” A.T. Sayre (0.77)
4. (tie) “The Greatest Day,” Eric Choi (0.72)
    (tie) “Hive,” Jay Werkheiser (0.72)
    (tie) “The Chrysalis Pool,” Sean McMullen (0.72)

FACT ARTICLES (1.88)

1. “Space Dust: How an Asteroid Altered Life on Earth,” Richard A. Lovett (2.62)
2. “Veiling the Earth,” Gregory Benford (2.46)
3. “Big Smart Objects,” Gregory Benford & Larry Niven (2.31)

POETRY (0.81)

1. “How to Go Twelfth,” Mary Soon Lee (1.85)
2. “Miles to Go Before We Rest,” G.O. Clark (1.23)
3. (tie) “Ghost Transmission,” Robert Frazier (0.92)
    (tie) “Planck,” Josh Pearce (0.92)
    (tie) “In Theory,” Rebecca Siegel (0.92)

COVER (2.58)

1. July/August, by Dominic Harman for “Sticks and Stones” (3.69)
2. March/April, by Eldar Zakirov for House of Styx (3.64)
3. (tie) January/February, by Tomislav Tikulin for “The Great Grey Mossy” (3.03)
    (tie) May/June, by Donato Giancola for “Moral Biology” (3.03)

The Analog Award for Emerging Black Voices

Analog Science Fiction and Fact today announced the Analog Award for Emerging Black Voices, a short story competition that will be judged by a diverse committee of sf professionals with the winner appearing in the magazine.  Finalists and the winning author will be announced at and in partnership with the Annual City Tech Symposium on Science Fiction.

Here are the guidelines from the press release:

Eligibility. Any writer over 18 years of age who customarily identifies as Black, has not published nor is under contract for a book, and has three or less paid fiction publications is eligible.

Submissions. Entries will be taken from May 14– July 23. The stories must be works of hard science fiction of greater than 1,000 words but not over 5,000.

Judging. A diverse committee of science fiction professionals will judge. The panel for 2021 is: Steven Barnes (Lion’s Blood), Nisi Shawl (Writing the Other), Kim-Mei Kirtland (Howard Morhaim Literary Agency, Inc.), Trevor Quachri (Analog Science Fiction and Fact), and Emily Hockaday (Analog Science Fiction and Fact, Asimov’s Science Fiction). Finalists will be chosen and awarded one mentorship session with Analog editors including a critique of their submission and a chance to ask questions about the field.

Award Winner. With editorial guidance, Analog editors commit to purchasing and publishing the winning story in Analog Science Fiction and Fact, with the intent of creating a lasting relationship, including one year of monthly mentorship sessions. These sessions will be opportunities to discuss new writing, story ideas, the industry, and to receive general support from the Analog editors and award judges.

Submit. Submissions will be read blind. Please remove all identifying information from the document before sending it. The file name should be the title of the story. Submissions should be .doc files and follow standard manuscript format. In the body of your email, please include a short cover letter with your contact information, address, the name of your entry, and a statement of interest describing eligibility. Stories can be submitted here: [email protected]

2020 Analog AnLab Readers’ Award Finalists

Analog magazine has posted the works from 2020 that finished in the top slots in each category of the Analog Analytical Laboratory. The winners will be revealed in Analog’s July/August issue.

There are links to PDF files (where provided) that will allow you to read the finalists.

BEST NOVELLA

BEST NOVELETTE

BEST SHORT STORY

BEST FACT ARTICLE

BEST POEM

BEST COVER

  • January/February 2020 – Tomislav Tikulin
  • March/April 2020 – Eldar Zakirov
  • May/June 2020 – Donato Giancola
  • July/August 2020 – Dominic Harman

[Via Analog Science Fiction and Fact.]

Ben Bova (1932-2020)

Author and Hugo-winning editor Ben Bova died November 29 at the age of 88. Family member Kathryn Brusco announced the cause of death was COVID-19 related pneumonia and a stroke. Tor.com’s Andrew Liptak also confirmed the death with a second source (“Legendary Science Fiction Author Ben Bova Has Passed at the Age of 88“.)

Bova’s first professional sf sale was a Winston juvenile, The Star Conquerors (1959), and his first published short fiction was bought by Cele Goldsmith at Amazing – “A Long Way Back” (1961). During the Sixties he had nearly two dozen more novels and stories published.

He made several sales to Analog before meeting editor John W. Campbell, Jr. face-to-face at a Worldcon in Washington, D.C. After shaking his hand, Campbell provocatively said: “This is 1963. No democracy has ever lasted longer than 50 years, so this is obviously the last year of America’s democracy.”

Another story sold to Campbell, “Brillo” (1970), co-authored with Harlan Ellison, was his first story to be up for an award, a Hugo nominee. (And ten years later they won a judgment against ABC and Paramount, makers of Future Cop, for plagiarizing their idea.)

Bova also served as the science advisor for the Canadian television series Ellison created, The Starlost. Appalled by the production, Ellison assigned his credit to “Cordwainer Bird,” and Bova resigned but didn’t have the “contractual right to remove his name from the credits.” His novel The Starcrossed, is loosely based on those experiences.

Ben Bova studied journalism at Temple University in the Fifties, paying his way through by working as a copyboy at the Philadelphia Inquirer on a shift that started at 6 p.m. and went until 3 a.m. He learned “the basics of writing news copy are simple enough: be clear and deliver on time.”

He acquired his interest in science from visiting the Fels Planetarium, part of Philadelphia’s science museum, the Franklin Institute. “I never took a formal college course in science; I learned from the director of the Planetarium, I.M. Levitt, who became a lifelong friend and mentor.”

In 1956 he was hired by Glenn L. Martin Co. and worked on Project Vanguard, having marketed himself to recruiters as “someone who could understand what the engineers were doing and translate it into copy that the general public could understand.” In the 1960s he worked for the Avco Everett Research Laboratory.

When John W. Campbell, Jr. suddenly died in 1971, Bova was offered the job of editing Analog Science Fiction magazine. “It was like being drafted to run for president. You’re terribly afraid you’re not up to the task, but you can’t refuse to step up to it.” He eventually asked the publisher’s executive who had hired him why he was picked for the job, when much better-known science-fiction writers had been considered. The executive answered that he had made it a point to read the work of each person up for the job. “Ben,” he said, “you were the only one I could understand!”

Bova made Analog, already the prozine with the largest circulation, even more successful. His accomplishments included publishing Spider Robinson’s first sale, a Callahan’s Bar story, and during his tenure acquiring many Hugo-winning stories, among them Larry Niven’s “The Hole Man” and ”Borderland of Sol”, Vonda McIntyre’s Dreamsnake, George R.R. Martin’s “A Song for Lya,” The Forever War and “Tricentennial” by Joe Haldeman, “Home Is the Hangman” by Roger Zelazny, “Eyes of Amber” by Joan D. Vinge, and more. He was the winner of the first Best Professional Editor Hugo (1973), and collected five more while at the helm of the magazine.

He left Analog in 1978 to edit Omni, holding that post until 1982.

During Bova’s career he wrote over 120 fiction and nonfiction books. His novel, Titan, part of The Grand Tour series, won the prestigious John W. Campbell Memorial Award in 2007. Another in the series was Jupiter —

Bova served as President of Science Fiction and Fantasy Writers of America (SFWA) from 1990 to 1992. SFWA President Mary Robinette Kowal paid tribute: “I am devastated that our community has lost Ben Bova. He was so welcoming to new writers and embodied the philosophy of paying it forward.”

He also held the position of President Emeritus of the National Space Society

Bova taught science fiction at Harvard University and at the Hayden Planetarium in New York City, where he has also directed film courses. He received his doctorate in education in 1996 from California Coast University.

He was Worldcon Author Guest of Honor at Chicon 2000. He was awarded the Robert A. Heinlein Award in 2008 for his work in science fiction.

Bova was married three times. He had a son and a daughter with his first wife, Rose. They divorced in 1974. That same year he married Barbara, and their marriage lasted 35 years, until her death in 2009. In 2013, he married Rashida Loya.