The Analog Science Fiction and Fact’s AnLab Awards and Asimov’s Science Fiction’s Readers’ Awards were presented today in a virtual award ceremony featuring editors and authors. The video is available on YouTube.
Analog Science Fiction and Fact Analytical Laboratory Winners
The Gorilla in a Tutu Principle or, Pecan Pie at Minnie and Earl’s—Adam-Troy Castro (September/October 2019)
Bonehunters—Harry Turtledove (May/June 2019)
Best Short Story
All Tomorrow’s Parties—Phoebe North (July/August 2019)
Best Fact Article
The Venus Sweet Spot: Floating Home—John J. Vester (May/June 2019)
Sequoias and Other Myths—Stanley Schmidt (September/October 2019)
Asimov’s Science Fiction Readers’ Award Winners
Waterlines—Suzanne Palmer (July/August 2019)
In the Stillness Between the Stars—Mercurio D. Rivera (September/October 2019)
(1) TOPICAL TV IDEAS. The Vulture asked TV’s idle talent to take up the challenge: “If I Wrote a Coronavirus Episode”. Tagline: “Tina Fey, Mike Schur, and 35 more TV writers on what their characters would do in a pandemic.” If you scroll way down there’s one for Picard, although most of the others are funnier. By comparison, this bit for Sheldon Cooper is spot on —
“I’m not one to brag, but I was practicing social distancing back when it was called ‘Who’s the weird kid alone in the corner?’ And at the risk of sounding like a hipster, I was washing my hands 30 times a day before it was cool. I do, however, miss being with my friends. Sitting around eating Chinese takeout, sharing my scientific ideas and correcting theirs … that’s my happy place.” —Sheldon Cooper, Ph.D., The Big Bang Theory (Chuck Lorre and Steve Molaro)
(2) SUPPORT AVAILABLE FOR WRITERS. Publishers Lunch has a standing free reference page listing organizations that offer emergency grants to authors and other creators. Two examples:
Poets & Writers has created a COVID-19 Relief Fund to “provide emergency assistance to writers having difficulty meeting their basic needs.” They will provide grants of up to $1,000 to approximately 80 writers in April. The board allocated $50,000, which has been supplemented by gifts from supporters including Michael Piestch and Zibby Owens.
We Need Diverse Books will provide emergency grants to diverse authors, illustrators, and publishing professionals “who are experiencing dire financial need.” They will give grants of $500 each, and are limiting the first round of applications to 70.
Internet Archive founder Brewster Kahle is defending the legality of the organization’s National Emergency Library initiative to a U.S. Senator who last week raised concerns that the effort may be infringing the rights of authors and publishers.
…In his three-page response to [Senator] Tillis, Kahle rejected those criticisms, and explained the creation of National Emergency Library using the Senator’s constituents to illustrate its utility.
“Your constituents have paid for millions of books they currently cannot access,” Kahle explained, adding that North Carolina’s public libraries house more than 15 million print book volumes in 323 library branches across the state. “The massive public investment paid for by taxpaying citizens is unavailable to the very people who funded it,” he writes. “The National Emergency Library was envisioned to meet this challenge of providing digital access to print materials, helping teachers, students and communities gain access to books while their schools and libraries are closed.”
Kahle further maintained that “the vast majority” of the books in the National Emergency Library, mostly 20th Century books, are not commercially available in e-book form, and said the collection contains no books published in the last five years.
“[For] access to those books, readers and students can continue to turn to services like OverDrive and hoopla,” Kahle explained, making what defenders say is a critical distinction: commercial providers offer patrons access to e-books; the National Emergency Library is providing stopgap digital access to scans of paper books that are locked away in shuttered libraries and schools. “That is where the National Emergency Library fills the gap,” Kahle insists.
(4) LEGACY. [Item by Steve Davidson.] From Faaneds on Facebook: A friend is going through the personal effects of a passed fan and came across a number of LOCs by Michael W. Waite. Does anyone here know if there are any family members/friends who would appreciate having these?
I was talking to my friend, Cory, over the weekend, and we decided that we would each read and release something the other had written, because why not?
I’m a huge fan and admirer of Cory both as a human and as a creative person. He’s been my primary mentor since I started writing professionally, and I owe him more than I’ll ever be able to properly repay. It’s not unreasonable to say that, without Cory’s guidance and kindness, I wouldn’t be a published author.
So it’s with excitement (and a little trepidation, because I don’t want to disappoint my friend) that I chose one of Cory’s fantastic short stories from way back in 1999, which he describes this way:
This is the story of the ogres who run the concession stands on Pleasure Island, where Pinocchio’s friend Lampwick turned into a donkey. Like much of my stuff, this has a tie-in with Walt Disney World; the idea came to me on the Pinocchio ride in the Magic Kingdom, in 1993.
Happy National Poetry Month! We have a dozen poems here pulled from past and current issues to celebrate our poets this year. Each of these poems is striking in its own way, and I hope you enjoy the many voices and styles to come. First up is “All Saints Day” by Lisa Bellamy, read by Diana Marie Delgado, followed by “All the Weight” by Holly Day, read by Emily Hockaday, “The Celestial Body” read and written by Leslie J. Anderson, “The Destroyer is in Doubt about Net Neutrality” read and written by Martin Ott, “Unlooping” read and written by Marie Vibbert, “Attack of the 50 foot Woman” read and written by Ron Koertge, “The Language of Water,” by Jane Yolen, read by Monica Wendel, “Archaeologists Uncover Bones, Bifocals, a Tricycle” read and written by Steven Withrow, “Objects in Space” by Josh Pearce, read by R.J. Carey, “Small Certainties” by Sara Polsky, read by Emily Hockaday, “Palate of the Babel Fish” read and written by Todd Dillard, and finally “After a Year of Solitude” by Lora Gray, read by Jackie Sherbow.
(7) SOUNDS PRETTY NUTTY. In the Washington Post, as part of his annual celebration of Squirrel Week, John Kelly has a piece about the Norse god Ratatoskr, a squirrel with a giant horn in the center of his head who ferried messages up and down the great World Tree. “Meet Ratatoskr, mischievous messenger squirrel to the Viking gods”. Incidentally, long before there was File 770, Bruce Pelz’ Ratatosk was the fannish newzine of record.
…Most of what we know about the stories Vikings told each other comes from Snorri Sturluson, who was an Icelandic poet and lawyer, a combination not quite so rare then as now. Snorri (1179-1241) was ambitious. He journeyed from Iceland to Norway to ingratiate himself with leaders there and pick up skills….
In May of 1944, George Walton Lucas Jr. was born, twenty-three years later, he graduated from USC, and a decade after that he changed the world forever by releasing Star Wars. The Star Wars franchise is a phenomenon like no other, and nobody, not even the maker himself, could have predicted its impact.
The headline quote is #9. Here is ScreenRant’s commentary:
…Before The Last Jedi came to be, the prequels were the kings of controversy. After seeing a rough cut of his film in 1999, Lucas said the famous quote to a small screening room “I may have gone too far in a few places.”
Ironically, in behind the scenes videos of The Phantom Menace, Lucas talks about how the key to these types of films is not to go too far. This quote shows Lucas’ self-awareness and references the disjointedness of the movie.
(9) SULLIVAN OBIT. Ann Sullivan, the Disney animator behind The Little Mermaid and The Lion King, has died at the age of 91. She is the third member of the Motion Picture and Television Fund retirement home to die as a result of the coronavirus. The Hollywood Reporter paid tribute.
… Sullivan re-entered the business in 1973, when she started at Filmnation Hanna Barbera. She later returned to Disney, landing credits on studio titles from the late-1980s to the mid-2000s. Sullivan worked in the paint lab on…1989’s The Little Mermaid…and 1992’s Cool World. She painted for the 1990 short The Prince and the Pauper; 1994’s The Lion King; 1995’s Pocahontas; 1997’s Hercules; 1999’s Tarzan and Fantasia 2000; 2000’s The Emperor’s New Groove; and 2002’s Lilo & Stitch and Treasure Planet. Sullivan also is credited as having worked as a cel painter on 1994’s The Pagemaster and for performing additional caps and painting on 2004’s Home on the Range.
(10) TODAY IN HISTORY.
April 14, 2010 — In the United States, The Extraordinary Adventures of Adèle Blanc-Sec (in French,Aventures extraordinaires d’Adèle Blanc-Sec) premiered. It was directed by Luc Besson from his own screenplay. It was produced by Virginie Besson-Silla, his wife. It starred Louise Bourgoin, Mathieu Amalric, Philippe Nahon, Gilles Lellouche and Jean-Paul Rouve. It was narrated by Bernard Lanneau. It is rather loosely based upon “Adèle and the Beast” and “Mummies on Parade” by Jacques Tardi. Critics world-wide loved it, and the box office was very good, but the audience reviewers at Rotten Tomatoes give it a oddly muted 54% rating. Be advised the Shout Factory! DVD is a censored PG rating version but the Blu-Ray is uncensored.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 14, 1929 — Gerry Anderson. English television and film producer, director, writer and if need be voice artist. Thunderbirds which ran for thirty-two episodes was I think the best of his puppet based shows though Captain Scarlet and the Mysterons, Fireball XL5 and Stingray are definitely also worth seeing. Later on, he would move into live productions with Space: 1999 being the last production under the partnership of Gerry and Sylvia Anderson. (Died 2012.)
Born April 14, 1935 — Jack McDevitt, 85. If you read nothing else by him, read Time Travelers Never Die as it’s a great riff on the paradoxes of time travel. If you’ve got quite a bit of time, his Alex Benedict space opera series is a fresh approach to conflict between two alien races.
Born April 14, 1936 — Arlene Martel. No doubt you’ll best remember her as T’Pring in Star Trek’s “Amok Time” as it was a rather memorable episode. She also had roles in one-offs in a lot of genre series including Twilight Zone, The Outer Limits, The Man from U.N.C.L.E., The Wild Wild West, Mission:Impossible, The Delphi Bureau, I Dream of Jeannie, Man from Atlantis, My Favorite Martian, The Six Million Dollar Man and Battlestar Galactica. (Died 2014.)
Born April 14, 1949 — Dave Gibbons, 71. He is best known for his work with writer Alan Moore, which includes Watchmen and the Superman story ”For the Man Who Has Everything” (adapted to television twice, first into the same-named episode of Justice League Unlimited and then more loosely into “For the Girl Who Has Everything”.) He also did work for 2000 AD where he created Rogue Trooper, and was the lead artist on Doctor Who Weekly and Doctor Who Monthly
Born April 14, 1954 — Bruce Sterling, 66. Islands in the Net is I think is his finest work as it’s where his characters are best developed and the near future setting is quietly impressive. Admittedly I’m also fond of The Difference Engine which he co-wrote with Gibson which is neither of these things. He edited Mirrorshades: A Cyberpunk Anthology which is still the finest volume of cyberpunk stories that’s been published to date. He’s won two Best Novelette Hugos, one for “Bicycle Repairman” at LoneStarCon 2, and one at AussieCon Three for “Taklamakan”.
Born April 14, 1958 — Peter Capaldi, 62. Twelfth Doctor. Not going to rank as high as the Thirteenth, Tenth Doctor or the Seventh Doctor on my list of favorite Doctors, let alone the Fourth Doctor who remains My Doctor, but I thought he did a decent enough take on the role. His first genre appearance was as Angus Flint in the decidedly weird Lair of the White Worm, very loosely based on the Bram Stoker novel of the same name. He pops up in World War Z as a W.H.O. Doctor before voicing Mr. Curry in Paddington, the story of Paddington Bear. He also voices Rabbit in Christopher Robin. On the boob tube, he’s been The Angel Islington in Neverwhere. (Almost remade by Jim Henson but not quite.) He was in Iain Banks’ The Crow Road as Rory McHoan (Not genre but worth noting). He played Gordon Fleming in two episodes of Sea of Souls series. Before being the Twelfth Doctor, he was on Torchwood as John Frobisher. He is a magnificent Cardinal Richelieu in The Musketeers series running on BBC. And he’s involved in the current animated Watership Down series as the voice of Kehaar.
Born April 14, 1977 — Sarah Michelle Gellar, 43. Buffy Summers on Buffy the Vampire Slayer. Yes, I watched every episode. Great show. Even watched every bit of Angel as well. Her first genre role was as Casey “Cici” Cooper in Scream 2 followed by voicing Gwendy Doll in Small Soldiers. Her performance as Kathryn Merteuil in Cruel Intentions is simply bone chillingly scary. I’ve not seen, nor plan to see, either of the Scooby-Do films so I’ve no idea how she is Daphne Blake. Finally, she voiced April O’Neil in the one of latest animated Teenage Mutant Ninja Turtles films.
Born April 14, 1982 — Rachel Swirsky, 38. Her “The Lady Who Plucked Red Flowers Beneath the Queen’s Window” novella (lovely title that) won a Nebula Award, and her short story, “If You Were a Dinosaur, My Love” would do a short while later. Very impressive. I’ve read her “Eros, Philia, Agape” which is wonderful and “Portrait of Lisane da Patagnia” which is strange and well, go read it.
In Meta-Messages, I explore the context behind (using reader danjack’s term) “meta-messages.” A meta-message is where a comic book creator comments on/references the work of another comic book/comic book creator (or sometimes even themselves) in their comic. Each time around, I’ll give you the context behind one such “meta-message.”
Today, we look at Jerry Siegel plunder the Funny Pages as he, himself, becomes the villain of a Superman story involving other newspaper comic strips!
The whole thing went down in the opening story in 1942’s Superman #19 (by Siegel, Ed Dobrotka and John Sikela)…
With the coronavirus pandemic grinding the comic book industry to all halt, there has been much talk about what is to be done with the “direct market”. But just what exactly is the direct market, and how did it come to be? And perhaps more pressing, what will happen to the direct market in a post-COVID-19 world?
Believe it or not, there was a time comic books were purchased outside of comic book shop, carried by newsstands, grocery stores, and even gas stations. However, the comic book shop model, primarily engineered by Phil Seuling in 1972, offered several advantages. The system was known as the “direct market” because it bypassed traditional newspaper and magazine distributors. It offered a much more diverse line of content than the newsstands, including comic books aimed at an adult audience. One of the primary advantages for the distributor was that the comic books were unreturnable unlike newsstands, which would traditionally return all unsold merchandise….
Much history ensues. Then —
…Because of all of these factors and more, the future of the direct market is looking increasingly uncertain. In addition to the growing concern that many retailers will have to close their doors due to the coronavirus, the comic book industry itself seems destined for an overhaul. Some comic book shop owners are considering the possibility of re-negotiating with Diamond, while others are considering trying to bypass the current distribution system altogether. The direct market has served the comic book industry well for nearly fifty years, but it might be time to ask – what will best serve the comic book industry for the next fifty?
Adri: There have been a few feelings knocking around! And about an hour of my life in which it has been unclear whether I should cry, shout, laugh, breathe, throw up, and indeed if I could do any one of those things without the others happening too.
Also, while I’ve definitely experienced the post-announcement Twitter love before, CoNZealand’s decision to schedule a streamed announcement at a timezone that worked for as many Hugo-voter-heavy countries as possible, and the general enthusiasm for people to get online at the moment and hang out, meant that the announcement feed and stream just felt so full of frenzied excitement and love for everyone. Definitely a very heightened moment and, yeah, I’ll absolutely take that finalist status, even if I was already swanning around Dublin wearing the “Finalist” badge ribbon last year.
Joe: I absolutely enjoyed that youtube sidebar chat during the announcement, even if it ultimately did amount to a bunch of people just mashing their keyboards at the same time in excitement.
With Streaming Spotlight, existing customers can integrate Kafka monitoring metrics into the Pepperdata dashboard, adding detailed visibility into Kafka cluster metrics, broker health, topics and partitions.
Kafka is a distributed event streaming platform and acts as the central hub for an integrated set of messaging systems. Kafka’s architecture of brokers, topics and data replication supports high availability, high-throughput and publish-subscribe environments. For some users, Kafka handles trillions of messages per day.
Managing these data pipelines and systems is complex and requires deep insight to ensure these systems run at optimal efficiency….
Since I was not present when Eileen Kernaghan, Tanya Huff and myself were inducted into the CSFFA Science Fiction Hall of Fame during the Aurora Awards ceremony at Can-Con last year, CSFFA planned to present the plaque to me (and I assume to Eileen) at the Creative Ink Festival in May this year. But, as we all know, Covid-19 forced the CIF to cancel.
Consequently, CSFFA elected to mail me the plaque….
The Janus-like trophy features on one side the visage of an aging knight representing venerable fantasy, blended with vegetation and rather resembling a forest-spirit Don Quixote, an ancient book to the right of his beard, and on the other side the fresh face of a proud, young aviatrix representing the cutting edge of science fiction as perceived back in the 1930s, a rocket ship in flight just to the right of her neck. A most splendid and evocative trophy. Each inductee gets a plaque like this one. The trophy is on display throughout the year in various libraries.
(18) HIGH-SPEED HYPERLOOP PROJECTS WILL BEGIN OPERATION NO EARLIER THAN 2040. [Item by Daniel Dern.] Let’s make notes in our calendars so we can check whether they’re right…
Lux has found that, while the Hyperloop concept is technically feasible, it will require significant development to become cost-effective. The Hyperloop differs from conventional rail because it operates in a vacuum system that reduces aerodynamic drag, thus enabling higher speeds and greater energy efficiency. There are four main design elements creating technical challenges with the Hyperloop: pillar and tube design, pod design, propulsion and levitation of the pods, and station design.
Lux Research found that pod design is the fastest-growing area for Hyperloop patent activity, with a focus on improving comfort and performance. Customer comfort is important due to the compact, enclosed spaces with no windows, which can increase the likelihood of customers getting sick. Optimizing pod performance is key to minimizing drag and reducing costs because pod design choices have a significant impact on tube design and aerodynamics. Propulsion and levitation systems have the least patent activity, in part due to the fact that Hyperloop will likely adapt magnetic levitation, or maglev, technology.
One of the biggest technical challenges will be identifying the optimal system pressure and minimizing leakage of the vacuum system, which, if higher than expected, can increase operating costs and reduce top speeds. “Selecting the Hyperloop’s tube pressure is the most important factor impacting cost, for both operational expenses and the initial capital needed for tube design and construction,” says Lux Research Associate Chad Goldberg….
French space scientists are using the COVID-19 lockdown as a dry run for what it will be like to be cooped up inside a space craft on a mission to Mars.
The guinea pigs in the experiment are 60 students who are confined to their dormitory rooms in the southern city of Toulouse – not far removed from the kind of conditions they might experience on a long space mission.
When the French government imposed movement restrictions to curb the spread of the virus, space researcher Stephanie Lizy-Destrez decided to make the most of a bad situation, and signed up the student volunteers.
It’s not an exact simulation of space flight: tasks such as picking up samples from a planet’s surface using a lunar rover do not feature, and the students can break off from their virtual space journey for a daily trip outside.
Instead, they conduct computer-based tasks such as memory tests and mental agility tests. They keep a daily journal, and every five days have to complete a questionnaire.
(20) SOCIAL DISTANCING EARTH. [Item by Mike Kennedy.] Spacecraft BepiColombo’s handlers have published a GIF of Earth as seen from the craft during a recent flyby. BepiColombo was slingshotting past Earth on its way to a Mercury survey mission. BC presumably wished us well in handling COVID-19, and made sure to stay far enough away not to pick up the virus. “BepiColombo takes last snaps of Earth en route to Mercury”.
The ESA/JAXA BepiColombo mission completed its first flyby on 10 April, as the spacecraft came less than 12 700 km from Earth’s surface at 06:25 CEST, steering its trajectory towards the final destination, Mercury. Images gathered just before closest approach portray our planet shining through darkness, during one of humankind’s most challenging times in recent history.
[Thanks to Daniel Dern, Chip Hitchcock, John King Tarpinian, JJ, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Michael Toman, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “Cole Porter” Dern.]
Ashley Boone Jr., the first black president of a major Hollywood studio, helped make George Lucas’ quirky space opera a hit in the 1970’s — yet chances are you’ve never heard of him: “He was way ahead of his time.”
When thousands gathered Dec. 16 in Hollywood for the world premiere of Star Wars:The Rise of Skywalker — supposedly the last Skywalker film — they heard Bob Iger, Kathleen Kennedy and J.J. Abrams thank everyone from creator George Lucas to the actor who played R2-D2. But one name was not so much as whispered, despite this person’s critical 1970s role in launching what would become the most successful movie franchise of all time: the all-but-forgotten Ashley Boone Jr….
(2) WHERE TO LOOK FOR MIDDLE-EARTH. The Worlds of J. R.
R. Tolkien: The Places That Inspired
Middle-earth by John Garth, “an illustrated look at the
locales familiar to J. R. R. Tolkien, the creator of Middle-earth,” will be
released by Princeton University Press on June 2.
Garth identifies the locales that served as the basis for Hobbiton, the elven valley of Rivendell, the Glittering Caves of Helm’s Deep, and many other settings in Middle-earth, from mountains and forests to rivers, lakes, and shorelands. He reveals the rich interplay between Tolkien’s personal travels, his wide reading, and his deep scholarship as an Oxford don. Garth draws on his profound knowledge of Tolkien’s life and work to shed light on the extraordinary processes of invention behind Tolkien’s works of fantasy. He also debunks popular misconceptions about the inspirations for Middle-earth and puts forward strong new claims of his own.
(3) BRADBURY ON STAGE. On the occasion of the 100th anniversary of Ray Bradbury’s
birth, Caltech Theater celebrates the prolific science fiction writer by
producing a series of his one-acts and adapted stories: Bradbury 100. (Ticket
prices at the link.)
The creative team of Bradbury 100 is drawn from Caltech undergraduates, graduate students, postdocs, Caltech community and Jet Propulsion Laboratory (JPL), to celebrate the legacy of Bradbury and his connection with Caltech that began over fifty years ago.
FIRST WEEKEND Friday & Saturday, February 21 & 22 at 7:30 p.m. Sunday, February 23 at 2:30 p.m.
All Summer in a Day. directed by Aditi Seetharaman Marionettes, Inc., directed by Barbie Insua The Martian Chronicles, directed by Brian White
SECOND WEEKEND Friday & Saturday, February 28 & 29 at 7:30 p.m. Sunday, March 1 at 2:30 p.m.
The Flying Machine (in Mandarin w/English subtitles), directed by Miranda Stewart A Sound of Thunder, directed by Doug Smith The Martian Chronicles, directed by Brian White
On Friday night of the second weekend (2/28/20) H/SS Professor Chip Sebens will discuss Bradbury’s science fiction and the paradoxes of time travel and on Saturday night (2/29/20) one of Ray’s daughters Ramona Bradbury and her two daughters Claire and Julia Handleman will make appearances on stage to share personal stories of their father and grandfather.
(4) CALIFORNIA HERE YOU GO. Isaac Butler interviews Kim Stanley Robinson about science fiction, utopia, and the reissue of his Three Californias trilogy in “Three Californias, Infinite Futures” at Slate.
So it’s a few years later, you’re writing The Wild Shore, the first in the trilogy—do you remember how you worked out the post–nuclear apocalypse world of it?
I went back into the history of science fiction and read other after-the-fall novels: Earth Abides by George Stewart, A Canticle for Leibowitz by Walter Miller, a couple of Philip K. Dick—especially Dr. Bloodmoney. I also got to study with the California poet Gary Snyder at UC–Davis. In terms of these Three California novels, Snyder is as important as anybody in terms of my teachers, because he was the one that established what a California writer ought to be doing: facing Eastern Asia, getting interested in Buddhism, kind of getting rid of the European influences. I began thinking of myself as a poet in the Snyder tradition before I discovered the science fiction. That was always underlying every sentence.
(5) BCS STAYS ABOVE EVENT HORIZON. Beneath Ceaseless
Skies met its goal of attracting enough Patreon support to keep their pay rate for short stories at 8c/word,
which is the new higher SFWA “pro” pay rate. BCS was able to
institute the new rate when it went into effect last September, but there had since
been some contraction in their Patreon support. BCS is now back on
The merge lets us analyze the Locus list to see which stories that were broadly recognized as outstanding were left out, which publications stood out, which authors did particularly well (or not), how many were eligible for the Astounding Award, and how RSR‘s own recommendations stack up with Locus reviewers in general.
Eric Wong adds, “As with all RSR lists, you can flag
and rate stories on the page, see the recommendations earned by each story
(reviewer, award, year’s best anthology), get links to the story, author, and
other reviews (if online), and group stories by length (default), publication
(7) FOR YOUR CONSIDERATION.Asimov’s and Analog have
made the short fiction on the Locus Recommended Reading List for 2019
available as free reads – in PDF files linked from the Locus list. That’s
seven stories altogether. [Via Rocket Stack Rank.]
[The] rift between Russ and Le Guin was a different sort of disagreement. Even before the symposium, the two writers had begun to distinguish themselves from each other, though Russ seems to have been more invested in these differences than Le Guin was. In public, Russ had written a harsh review of Le Guin’s “The Dispossessed,” characterizing some of the book’s central conceits as “a fancy way of disguising what we already know” and its anarchist society as poorly realized. Privately, to mutual friends, Russ accused Le Guin of being accommodating to men, of refusing to write as a woman. In some ways, Le Guin conceded the argument—she claimed to write under the influence of her male “animus”—but in other ways she resisted. After all, wasn’t her freedom not to write “as a woman” precisely the point?
At stake in this disagreement was not simply the sorts of struggles that feminists have always had with one another. There was also a question of what science fiction was for and what it should ultimately do. For Russ and Le Guin both, science fiction represented the possibility of telling a genuinely new story. Science fiction, Russ once wrote, was poised to “provide myths for dealing with kinds of experiences we are actually having now, instead of the literary myths we have inherited, which only tell us about the kinds of experiences we think we ought to be having.” The form aspired not to fantasy but to reality.
The search for that reality led Russ and Le Guin in different directions, and, though the latter has become, in the years since, the face of women in speculative fiction, it would be a mistake to regard Russ as overshadowed.
(10) TODAY IN HISTORY.
February 6, 1974 — Zardoz premiered. Starring Sean Connery, Charlotte Rampling and Sara Kestelman. It was written, produced, and directed by John Boorman. It was made on a shoestring budget of one point six million and made one point eight million at the Box Office. Critics praised its special effects but thought both the acting and story fell rather flat. It holds a 50% rating among reviewers at Rotten Tomatoes.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 6, 1922 — Patrick Macnee. He was best known as the secret agent John Steed in The Avengers, a tole he reprised in the New Avengers. He made his genre debut as Young Jacob Marley in Scrooge. He then starred as Derek Longbow in Incense for the Damned (also released as Bloodsuckers, Freedom Seeker Incense for the Damned and Bloodsuckers, Freedom Seeker and Doctors Wear Scarlet). Next up is an uncredited role voicing Imperious Leader on the original Battlestar Galactica. He played Captain John Good R.N. in King Solomon’s Treasure based rather loosely on the H. Rider Haggard source material. What else? Let’s see… he shows up in The Howling as Dr. George Waggner, as Dr. stark in a film as alternative title is, I kid you not, Naked Space and Spaceship. It’s a parody apparently of Alien. Next up for him is another toff named Sir Wilfred in Waxwork and its sequel. Yes, he wears a suit rather nicely. At least being Professor Plocostomos in Lobster Man from Mars is an open farce. His last film work was genre as well, The Low Budget Time Machine, in which he started as Dr. Bernard. (Died 2015.)
Born February 6, 1927 — Zsa Zsa Gabor. Her first venture into SF was the Fifties very camp Queen of Outer Space which she followed up by being in Frankenstein’s Great Aunt Tillie. She had a cameo in A Nightmare on Elm Street 3: Dream Warriors. She’s Erika Tiffany Smith on Gilligan’s Island, and Minerva on Batman. One of her last appearances was as herself on The Munsters Today as she retired from acting in late Nineties. (Died 2016.)
Born February 6, 1931 — Mamie Van Doren, 89. She made but two SF films, the first being The Navy vs. the Night Monsters (a.k.a. Monsters of the Night and The Night Crawlers), and the second being Voyage to the Planet of Prehistoric Women.
Born February 6, 1932 — Rip Torn. First genre work that comes to mind is of course RoboCop 3 and his Men in Black films. His first dip into our world comes as Dr. Nathan Bryce in The Man Who Fell to Earth. Yeah that film. Actually, if you count Alfred Hitchcock Presents, he’s been a member of our community since his twenties. He also shows up on The Man from U.N.C.L.E. (Died 2019.)
Born February 6, 1943 — Gayle Hunnicutt, 77. I’m giving her Birthday Honors as she was Irene Adler, opposite Jeremy Brett, in the first episode of The Adventures of Sherlock Holmes, “A Scandal in Bohemia”. She also shows up in The Martian Chronicles, The Return of the Man from U.N.C.L.E., The Legend of Hell House, Fantômas (a French series) and Tales of The Unexpected.
Born February 6, 1943 — Fabian, 77. Bill Dexter in Dr. Goldfoot and the Girl Bombs (which the Italians got boring by naming it Le spie vengono dal semifreddo, literally “The spies who came in from the cool”.) He doesn’t have much of a genre resume appearing only once on Fantasy Island, plus being in Kiss Daddy Goodbye. The latter would be shown on Movie Macabre, Elvira’s early Eighties movie show.
Born February 6, 1947 — Eric Flint, 73. Definitely a Good Guy for both being on Baen Books and fighting against the Sad Puppies who thought he’d be on their side because he was, well, on Baen Books. They really should’ve looked at his work history. Now fiction-wise, I really like his Assiti Shards series, and the Heirs of Alexandria as well.
Born February 6, 1958 — Cecily Adams. She played Ishka (aka Moogie), mother of the Ferengi brothers Rom and Quark, in four of her five appearances on Deep Space Nine. (Andrea Martin played her the first time.) Most of her genre experience was in such concerns as Who Framed Roger Rabbit, Flash Forward, Lost on Earth, Bone Chillers and 3rd Rock from The Sun. (Died 2004.)
(12) COMICS SECTION.
Speed Bump tells us why we don’t know about Pinocchio’s brother.
After ending 2019 with a magical Harry Potter Christmas pop-up, Chicago’s Replay Lincoln Park bar is back with another franchise theme targeting a devout fanbase. Last weekend, the space transformed into a Lord of The Rings wonderland, …and it has everything from meals named after Frodo to photo opps with a Ring Wraith and the Balrog…
To fuel your quest, Replay has once again partnered with Zizi’s Cafe, a local restaurant, to create a LOTR-inspired menu. Think Gandalf’s Corn Staff (aka, two corndogs), Pippin’s Popcorn, Beef Lembas, Frodo’s Dolma, Fried Po-Tay-Toes, and Lord of the Wings—plus, the Onion Ring to Rule Them All, if you’re not prone to the ring’s temptations.
“The Monster Maker” by Ray Bradbury is a science fiction short story, which appeared in the spring 1944 issue of Planet Stories and is therefore eligible for the 1945 Retro Hugos. The story may be found here….
Warning: There will be spoilers in the following!
(16) RIVERDALE EPISODE RECAP: BEWARE SPOILERS. [Item by
Martin Morse Wooster.] I saw Riverdale last night and thought Filers would
like to get up to speed on what’s happening with Archie and the gang.
We learned that Archie’s uncle, Frank, was a mercenary who had other mercenaries chasing him. One of the mercenaries fights Archie in a high school men’s room and throws Archie into a sink which is smashed. The rogue mercenary is captured shortly thereafter.
Jughead is in a chess death match with the president of the Quill and Skulls fraternity. In the middle of the match action is stopped because an alarm goes off at the fraternity. The fraternity president finds that Betty and a friend have discovered a secret trove of VHS sex tapes which the fraternity compiled for use against the frat’s many enemies. The chess match resumes, but soon ends when Jughead deliberately causes a checkmate and I’m not sure why.
Veronica and her friend Katy Keene decide to go out, and Veronica asks her friend, ‘Do you like drag?’
Seismologist Wenyuan Fan explains the accidental discovery — buried deep in seismic and meteorological data — that certain storms over ocean water can cause measurable seismic activity, or ‘stormquakes.’ He says this phenomenon could help scientists better understand the earth below the sea.
The original paper Wenyuan co-authored on stormquakes
…As Wenyuan and his colleagues outlined in their paper in the journal Geophysical Research Letters, stormquakes all come down to waves.
FAN: Because when you have large storms, it will couple with the ocean and make high waves.
FAN: And by doing the cross-examination of the ocean waves and the seismicity, we start to see a clear correlation between the occurrence of stormquakes and also the high-wave conditions.
(18) VIDEO OF THE DAY. “Dinosaurs In Love” on Vimeo is a song by Fenn Rosenthal about
what happens to dinosaurs when they fall in love.
[Thanks to JJ, John King Tarpinian, Chris Castro, Eric Wong, Mike Kennedy, Nina, Martin Morse Wooster, Rob Thornton, Cat Eldridge, Chip Hitchcock, N., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
From short stories and novellas to novelettes and poems –
and even best covers! – let us know your Asimov’s favorites this
year. Winners join the pantheon of Asimov authors who represent
the Who’s Who of science fiction writers over the past thirty years.
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
The post where these comments appear concludes by saying —
Gordon Dickson wrote that every culture has a blindspot at its center that it doesn’t see until it is too late precisely because it is central.
Is it merely a single engage[d] science fiction writer who is being blackballed? Or in the end is a culture that is blackballing confrontation of what its existential center will surely be blackballing itself?
Asimov’s has put Norman Spinrad’s “On Books” column
It’s now preceded by this statement from editor Sheila Williams:
We took the Norman Spinrad column down from our website because we heard many concerns from readers. I’m putting it back up now with some thoughts from me. Norman Spinrad has been a provocative voice in Asimov’s for thirty years, but his opinions do not represent the magazine anymore than James Patrick Kelly’s opinions in his On the Net column represent us. However, Norman does appear to speak for us when he writes:
“Compare this with what has been awarded Nebulas by the Science Fiction and Fantasy Writers of America, and what Nebula Awards Showcase 2018 reveals all too clearly as the current state of its membership and the state of their art. The literary inheritors of John W. Campbell, Robert Heinlein, Isaac Asimov, what this very magazine is trying to maintain in his name, and novels like Red Moon.
Which side are you on?”
This is in no way the editorial position at Asimov’s. I am much more in agreement with the writer, Karen Osborne, who says: “Modern genre writers write everything— SF *and* fantasy. We play with literary forms. We push boundaries, because where we’re going, we don’t need old, restrictive rules of who can & who can’t. I’m going to quote James Joyce when I say that modern SF is HERE COMES EVERYBODY.”
Asimov’s is a magazine that welcomes literary speculative diversity. We are delighted to publish new authors and the innovative and imaginative work that they are producing. We whole-heartedly support SFWA and the provocative new writers who are celebrated by recent Nebula Awards.
Karen Osborn’s Twitter thread was linked by File 770 yesterday. In the meantime, more writers have reacted to the column or the initial decision to remove it.
Adam-Troy Castro launched a discussion on Facebook that has almost 200 comments. John Scalzi, Roby James, Nick Mamatas, Erika Satifka, Alma Alexander, Michael Burstein, Rev. Bob, Jason Sanford, and Beth Meacham are in the mix.
Asimov’s took down Norman Spinrad’s “On Books” column
(linked in the October 29 Scroll) and will make an explanation later: (The
text is still available at Pastebin.)
Reportedly, one of Spinrad’s posts SFWA’s private forums was also deleted not long ago.
Some who commented on the Spinrad “On Books”column said what they especially objected to are these last lines, coming after extended praise of Campbellian science fiction and a severe critique of the latest SFWA Nebula Anthology:
[Kim Stanley Robinson’s Red Moon] is a science fiction novel for sophisticated adults, a gamble by Kim Stanley Robinson that there are enough of them within the genre to keep such fiction economically viable and writers such as Robinson unashamed to admit membership in SFWA.
Compare this with what has been awarded Nebulas by the Science Fiction and Fantasy Writers of America, and what Nebula Awards Showcase 2018 reveals all too clearly as the current state of its membership and the state of their art. The literary inheritors of John W. Campbell, Robert Heinlein, Isaac Asimov, what this very magazine is trying to maintain in his name, and novels like Red Moon.
Which side are you on?
Others focused on his comments about China, or what he said about David Levine’s fiction.
An example of the Twitter conversation is Karen Osborne’s thread, which starts here.