Tag Archives: Meta

Pixel Scroll 6/22/24 A Multitverse Of Mikes Putting Out An Infinity Of Scrolls. Shall We Go Read Them? All We Need To Do Is Follow Pixel Through The Nearest Wall

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(1) YOU PAYS YOUR MONEY AND YOU TAKES YOUR CHANCE. The Sports Geek proves to be rather clueless in its attempt to set the “2024 Hugo Awards Odds, Predictions, Best Bets”. But it made me click, which is a win for them, right? Here’s one of their lines.

The following Hugo Awards 2024 odds are courtesy of BetUS:

Why wouldn’t the front-runner among bettors be Vajra Chandrasekera’s The Saint of Bright Doors, which just won the Nebula? But for my own prediction I’m going with Emily Tesh’s Some Desperate Glory, partly based on the buzz, and partly my having read the finalists. (Actually reading the contenders – that’s cheating, isn’t it?)

(2) META ONLY RESPONDS TO A CREDIBLE THREAT. Engadget reports litigation that ironically explains “How small claims court became Meta’s customer service hotline”.

Last month, Ray Palena boarded a plane from New Jersey to California to appear in court. He found himself engaged in a legal dispute against one of the largest corporations in the world, and improbably, the venue for their David-versus-Goliath showdown would be San Mateo’s small claims court.

Over the course of eight months and an estimated $700 (mostly in travel expenses), he was able to claw back what all other methods had failed to render: his personal Facebook account.

Those may be extraordinary lengths to regain a digital profile with no relation to its owner’s livelihood, but Palena is one of a growing number of frustrated users of Meta’s services who, unable to get help from an actual human through normal channels of recourse, are using the court system instead. And in many cases, it’s working.

Engadget spoke with five individuals who have sued Meta in small claims court over the last two years in four different states. In three cases, the plaintiffs were able to restore access to at least one lost account. One person was also able to win financial damages and another reached a cash settlement. Two cases were dismissed. In every case, the plaintiffs were at least able to get the attention of Meta’s legal team, which appears to have something of a playbook for handling these claims.

Why small claims?

At the heart of these cases is the fact that Meta lacks the necessary volume of human customer service workers to assist those who lose their accounts. The company’s official help pages steer users who have been hacked toward confusing automated tools that often lead users to dead-end links or emails that don’t work if your account information has been changed. (The company recently launched a $14.99-per-month program, Meta Verified, which grants access to human customer support. Its track record as a means of recovering hacked accounts after the fact has been spotty at best, according to anecdotal descriptions.)

Hundreds of thousands of people also turn to their state Attorney General’s office as some state AGs have made requests on users’ behalf — on Reddit, this is known as the “AG method.” But attorneys general across the country have been so inundated with these requests they formally asked Meta to fix their customer service, too. “We refuse to operate as the customer service representatives of your company,” a coalition of 41 state AGs wrote in a letter to the company earlier this year….

(3) TESTING FOR EMPATHY. [Item by Steven French.] “The Stormtrooper Scandal review – inside the Star Wars art sale that wrecked lives” in the Guardian is a review of a tv show that aired on BBC2 (available via iPlayer) about selling images of customized Star Wars Stormtrooper helmets as Non-Fungible Tokens and my eye was caught by the opening paragraph:

Here’s a tricky ethical conundrum – how much can you command yourself to care about the suffering of a monumental dickhead? Do you say a breezy “Not at all!” and move on with your day? Do you say “I have limited resources and prefer to expend them on non-dickhead entities, ta?” Do you say “No dickhead is all dickhead, just as none of us is entirely free of dickheadery ourselves – thus our common humanity demands of us always a degree of empathy and compassion?” Have a think, then test yourself again at the end of 90 minutes of The Stormtrooper Scandal. Send the results on a postcard to the usual address…

(4) DIGITAL LIBRARY PULLS DOWN BOOKS AS LITIGATION CONTINUES. “Internet Archive forced to remove 500,000 books after publishers’ court win” – Ars Technica is counting.

As a result of book publishers successfully suing the Internet Archive (IA) last year, the free online library that strives to keep growing online access to books recently shrank by about 500,000 titles.

IA reported in a blog post this month that publishers abruptly forcing these takedowns triggered a “devastating loss” for readers who depend on IA to access books that are otherwise impossible or difficult to access.

To restore access, IA is now appealing, hoping to reverse the prior court’s decision by convincing the US Court of Appeals in the Second Circuit that IA’s controlled digital lending of its physical books should be considered fair use under copyright law. An April court filing shows that IA intends to argue that the publishers have no evidence that the e-book market has been harmed by the open library’s lending, and copyright law is better served by allowing IA’s lending than by preventing it.…

… In an open letter to publishers signed by nearly 19,000 supporters, IA fans begged publishers to reconsider forcing takedowns and quickly restore access to the lost books.

Among the “far-reaching implications” of the takedowns, IA fans counted the negative educational impact of academics, students, and educators—”particularly in underserved communities where access is limited—who were suddenly cut off from “research materials and literature that support their learning and academic growth.”

They also argued that the takedowns dealt “a serious blow to lower-income families, people with disabilities, rural communities, and LGBTQ+ people, among many others,” who may not have access to a local library or feel “safe accessing the information they need in public.”

“Your removal of these books impedes academic progress and innovation, as well as imperiling the preservation of our cultural and historical knowledge,” the letter said.

“This isn’t happening in the abstract,” Freeland told Ars. “This is real. People no longer have access to a half a million books.”…

… Asked for comment, an AAP spokesperson provided Ars with a statement defending the takedown requests. The spokesperson declined to comment on readers’ concerns or the alleged social impacts of takedowns.

“As Internet Archive is certainly aware, removals of literary works from Internet Archive’s transmission platform were ordered by a federal court with the mutual agreement of Internet Archive, following the court’s unequivocal finding of copyright infringement,” AAP’s statement said. “In short, Internet Archive transmitted literary works to the entire world while refusing to license the requisite rights from the authors and publishers who make such works possible.”…

(5) GRIFTING FOR DOLLARS. Lucidity threatens “I Will Fucking Piledrive You If You Mention AI Again”. God this is witty – and very informative!

The recent innovations in the AI space, most notably those such as GPT-4, obviously have far-reaching implications for society, ranging from the utopian eliminating of drudgery, to the dystopian damage to the livelihood of artists in a capitalist society, to existential threats to humanity itself.

I myself have formal training as a data scientist, going so far as to dominate a competitive machine learning event at one of Australia’s top universities and writing a Master’s thesis where I wrote all my own libraries from scratch in MATLAB. I’m not God’s gift to the field, but I am clearly better than most of my competition – that is, practitioners like myself who haven’t put in the reps to build their own C libraries in a cave with scraps, but can read textbooks, implement known solutions in high-level languages, and use libraries written by elite institutions.

So it is with great regret that I announce that the next person to talk about rolling out AI is going to receive a complimentary chiropractic adjustment in the style of Dr. Bourne, i.e, I am going to fucking break your neck. I am truly, deeply, sorry.

I. But We Will Realize Untold Efficiencies With Machine L-

What the fuck did I just say?

I started working as a data scientist in 2019, and by 2021 I had realized that while the field was large, it was also largely fraudulent. Most of the leaders that I was working with clearly had not gotten as far as reading about it for thirty minutes despite insisting that things like, I dunno, the next five years of a ten thousand person non-tech organization should be entirely AI focused. The number of companies launching AI initiatives far outstripped the number of actual use cases. Most of the market was simply grifters and incompetents (sometimes both!) leveraging the hype to inflate their headcount so they could get promoted, or be seen as thought leaders1.

The money was phenomenal, but I nonetheless fled for the safer waters of data and software engineering. You see, while hype is nice, it’s only nice in small bursts for practitioners. We have a few key things that a grifter does not have, such as job stability, genuine friendships, and souls. What we do not have is the ability to trivially switch fields the moment the gold rush is over, due to the sad fact that we actually need to study things and build experience. Grifters, on the other hand, wield the omnitool that they self-aggrandizingly call ‘politics’2. That is to say, it turns out that the core competency of smiling and promising people things that you can’t actually deliver is highly transferable….

(6) TODAY’S BIRTHDAY.

[Compiled by Paul Weimer.]

June 22, 1947 — Octavia Butler. (Died 2006.)

By Paul Weimer: The first Octavia Butler story I encountered caused me not to read more of her work for over a decade afterwards.

The year was 1984. I was a young SF reader. Isaac Asimov’s SF magazine was one of the things I read as part of my SF education. June 1984 had a striking cover image for Octavia Butler’s story Bloodchild that drew my eye right away. I had to Know More!

But then I read the story itself. A hard-hitting Butler with an emphasis on biology, and the idea of human men becoming part of a life cycle of aliens’ breeding, I was, to say the least, a little traumatized at the idea of someone being a host for parasitic alien eggs! I got right away the parallels Butler was making and as a reader I was poleaxed.

I decided that Butler was Not for Me (or, Too Much For Me) and did not read her again for years. 

Finally, I was persuaded to give Butler another go, and I picked up Wild Seed. This experience was completely and rather different.  I was absolutely struck by the power and grace of her imagination, her consummate writing skill, and (yes) her ability to make me feel. I didn’t mind that I had started the series out of order, I was sucked in right away and was absorbed by the book, its pair of main characters, and the world Butler has made.

I then went on to other books in the Patterrnist sequence, the Parable novels, and in general, steadily consumed her oeuvre ever since. One of the best SF writers of all time? I don’t think that’s a stretch. Taken from us too soon? Absolutely yes, no question. (Recall that she won a MacArthur Award Genius grant, in addition to her SFF awards and nominations)

And yes, I have given Bloodchild another read…and yes, it STILL freaks me out. Some things never do change. 

While I think her Parable books are the most timely books for today (and the ones I would push into the hands of interested readers), my favorite Octavia Butler piece might not be a novel at all, but rather the short story “Speech Sounds”. It focuses on her biological SF concerns, describing the aftermath of a plague which renders nearly everyone unable to speak. For those who still can talk…life is not precisely pleasant in the post-plague Los Angeles. But the bonds and the character development and worldbuilding packed into the short space of the story show just what Butler could do as a writer.

For those interested, I recount in even more detail my experience with Octavia Butler and her work in an essay in the anthology Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press, 2017). One of the weirdest things I’ve ever had as a SFF person is someone wanting me to sign my essay in their copy of the book. I attribute that to the power Octavia Butler has, not mine own modest talents.

(7) COMICS SECTION.

(8) JOURNEY PLANET. Journey Planet’s Issue 82 – “Be The Change” is out. Fortunately, Chris Barkley thought File 770 would be interested in knowing.

Paul Weimer, Allison Hartman Adams, James Bacon, and Chris Garcia bring you a look at WorldCons and what things might be done to bring positive change! There’s discussion of the Recent Hugo Controversies, about changed needed in governance, proposals that will be sent on to the WorldCon Business Meeting, and much more! 

(9) UNDESERVED DOOM, THAT’S WHO. CBR.com names “10 Doctor Who Characters Who Deserved Better Fates”.

…Doctor Who has a habit of giving viewers very sympathetic and likeable characters and then killing them off just as audiences have fully embraced them. This raises the stakes for Doctor Who fans, but it sometimes results in characters (particularly female characters) being killed in order to further the Doctor’s storyline and make them sad. Many of these characters got meaningful deaths, but there’s no denying that too often their deaths were more about the Doctor, or his companions or enemies, than truly about them….

Here’s one of the heartbreakers:

8. Chantho Never Got a Chance to Develop Past ‘Utopia’

Chantho (Chipo Chung) was an absolutely adorable alien woman. She had a fascinating quirk to her language where she had to say the first and last syllables of her name at the beginning and end of every sentence, and not doing so was like swearing to her. She and Martha (Freema Agyeman) bonded over this, and they could have had a great friendship if not for what happened next.

When kindly old Professor Yana turned out to be the evil Master, he killed the frightened Chantho with an electrical wire. She did, however, manage to get a shot off at him in her last moments, causing the Master to regenerate. It’s still a shame, however, that Chantho died, as Doctor Who has never had an alien companion like her before, and she could have been something intriguingly different.

(10) CHAPLIN, ALPERT, HENSON – WHO’S NEXT? Gizmodo alerts fans that “The Jim Henson Company’s Iconic Studio Is Now Up for Sale”. It’s a Hollywood property with quite a history. We hope it isn’t fated to be developed into another 600-unit apartment building.

According to a new report from the Wrap, the Jim Henson Company is selling its Los Angeles studio lot at 1416 La Brea Avenue as “part of a much longer-term strategy” to merge an undisclosed future location with its Jim Henson Creature Shop in Burbank, California. The building has headquartered the company since 2000, shortly after the release of the Sci-Fi Channel’s Farscape and Muppets From Space.

Before becoming ground zero for all things felt and googly-eyed, the historic lot served as Charlie Chaplin Studios from 1917-1953; it was then taken over by Red Skelton, whereupon it became the shooting location for multiple classic TV series, including The Adventures of Superman and Perry Mason. Grander still, the building went on to house A&M Studios from 1966-1999, where Nine Inch Nails recorded The Downward Spiral and U.S.A for Africa recorded charity single “We Are the World.”

(11) PLAYING TO SURVIVE. NPR witnesses “How a board game can help vulnerable communities prepare for catastrophic wildfires”.

As climate change increases the intensity of wildfires, experts are struggling to prepare vulnerable communities for potential catastrophes. One new approach is a community-wide board game that tests resilience….

KATHERINE MONAHAN, BYLINE: About 40 people are gathered in the Tomales Town Hall. They’re sitting around folding tables covered with giant maps of the region, and each map is a game board. The point of the game – to safely evacuate this remote area as wildfires threaten. First, residents calculate whether they start with a bonus or a penalty.

UNIDENTIFIED PERSON #3: Do you have an evacuation plan?

MONAHAN: They add points for how prepared they are in real life, like by having a go bag of essentials or being signed up to receive emergency alerts on their phones. They subtract points for factors that could slow them down, like having extended family or multiple pets. Next, they choose their game pieces….

… MONAHAN: Maiorana says residents must think about these things ahead of time. It can mean life or death. Deadly fires have raged through California in recent years, including the Camp Fire, which killed 85 people in Paradise, another isolated town. Tiny, coastal Tomales has only two main roads in and out.

MAIORANA: My secret agenda with this game is actually to get people talk to one another….

(12) SPEAKER TO ANIMALS. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Science journal there is an article by Carlo G. Quintanilla on how SF helped him become a better science communicator. He is a health science policy analyst at the National Institute of Child Health and Human Development. “Science and fiction”.

As I stepped out of the punishing Arizona heat and into the cool air-conditioned halls of the convention centre, I saw a sea of costumed attendees. Some wore elaborate steampunk attire; others portrayed their favourite Marvel or Star Wars characters. “Why did I agree to this?” I thought as I made my way to the room where I’d be giving a talk about the science behind the classic Dune books by Frank Herbert. I had been struggling for years to find new ways to communicate science to a broad audience. My hope was to inspire admiration and awe of what science can teach us about the world through the imaginative lens of science fiction. At first I felt like an imposter at this pop culture convention. Then I saw the audience’s excitement…

(13) LEST DARKNESS FALL. Henri Barde refutes the wonderful vision in “Space-Based Solar Power: A Skeptic’s Take” at IEEE Spectrum.

… Space-based solar power is an idea so beautiful, so tantalizing that some argue it is a wish worth fulfilling. A constellation of gigantic satellites in geosynchronous orbit (GEO) nearly 36,000 kilometers above the equator could collect sunlight unfiltered by atmosphere and uninterrupted by night (except for up to 70 minutes a day around the spring and fall equinoxes). Each megasat could then convert gigawatts of power into a microwave beam aimed precisely at a big field of receiving antennas on Earth. These rectennas would then convert the signal to usable DC electricity.

The thousands of rocket launches needed to loft and maintain these space power stations would dump lots of soot, carbon dioxide, and other pollutants into the stratosphere, with uncertain climate impacts. But that might be mitigated, in theory, if space solar displaced fossil fuels and helped the world transition to clean electricity…

…Despite mounting buzz around the concept, I and many of my former colleagues at ESA are deeply skeptical that these large and complex power systems could be deployed quickly enough and widely enough to make a meaningful contribution to the global energy transition. Among the many challenges on the long and formidable list of technical and societal obstacles: antennas so big that we cannot even simulate their behavior.

Here I offer a road map of the potential chasms and dead ends that could doom a premature space solar project to failure. Such a misadventure would undermine the credibility of the responsible space agency and waste capital that could be better spent improving less risky ways to shore up renewable energy, such as batteries, hydrogen, and grid improvements. Champions of space solar power could look at this road map as a wish list that must be fulfilled before orbital solar power can become truly appealing to electrical utilities….

(14) WHERE THEY’RE TUNING IN TO THE BOYS. JustWatch analyzed the reception of the latest season of The Boys to see how this release compared to the previous three seasons. They found that this season is the second most popular among global viewers, with season 2 ranking first in 89 countries on their Streaming Charts.

JustWatch created this report by pulling data from the week following the release of “The Boys”, and compared it to the previous three seasons. JustWatch Streaming Charts are calculated by user activity,  including: clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >40 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

(15) OOPS-EL. “Billy Zane teases ‘Superman’ Easter egg in Marlon Brando biopic” – Entertainment Weekly has the story. (Watch the Marlon Brando as Jor-El Superman outtake at the link.)

Billy Zane is set to play Marlon Brando in a new biopic — and the actor tells Entertainment Weekly that the project will briefly touch on the legendary film star’s time playing Kal-El’s Kryptonian dad in Superman.

In a conversation primarily focusing on his Lifetime movie Devil on Campus: The Larry Ray Story, the Titanic star reveals that he recently shot a last-minute addition to Waltzing with Brando. “We added this one little Easter egg for the credit sequence that we just shot a week and a half ago. That’s being color-timed and slotted in as we speak,” he tells EW. “Literally, we just added a little outtake as Jor-El — of him doing outtakes during the filming of [Superman]. We found that [footage] online and thought it was the funniest thing.”

The footage in question is a flubbed line reading from the 1978 superhero film, wherein Brando says, “Develop such conviction in yourself Alal, Kal-El, Ralph, whatever your name is,” forgetting the name of his on-screen super-son as he performs a dramatic monologue.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Andrew (not Werdna), SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 12/14/23 Because My Pixels Are Delicious To Scroll

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(1) ALL SYSTEMS GREEN. Martha Wells’ series is coming to TV: “Alexander Skarsgård Stars In ‘Murderbot’ Sci-Fi Series Ordered By Apple” – Deadline carried the announcement.

Apple TV+ has officially picked up Murderbot, a 10-episode sci-fi drama series starring and executive produced by Emmy winner Alexander Skarsgård (Succession). Based on Martha Wells’ bestselling Hugo- and Nebula Award-winning book series The Murderbot Diaries, the project hails from Chris and Paul Weitz (About a Boy) and Paramount Television Studios.

The action-packed Murderbot received a blinking green light a year ago, with the casting of the title character interrupted by the strikes. The series centers on a self-hacking security android (Skarsgård) who is horrified by human emotion yet drawn to its vulnerable “clients.” Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe….

(2) THE END IS NEAR. Good Omens is getting another curtain call: “Good Omens Renewed for Season 3 at Amazon” says The Hollywood Reporter.

The streamer has renewed Good Omens, the fantasy-comedy that started as a limited series, for a third and final season. Production on the show from BBC Studios, and based on the novel by Neil Gaiman and Terry Pratchett, is expected to begin soon in Scotland.

“I’m so happy finally to be able to finish the story Terry and I plotted in 1989 and in 2006,” Gaiman said in a release announcing the news Thursday. “Terry was determined that if we made Good Omens for television, we could take the story all the way to the end. Season one was all about averting Armageddon, dangerous prophecies and the End of the World. Season two was sweet and gentle, although it may have ended less joyfully than a certain Angel and Demon might have hoped. Now in season three, we will deal once more with the end of the world. The plans for Armageddon are going wrong. Only Crowley [David Tennant] and Aziraphale [Martin Sheen] working together can hope to put it right. And they aren’t talking.”…

(3) WHO COUP. Sir Derek Jacobi will be a headline guest at Gallifrey One, the annual LA Doctor Who convention, happening February 16-18.

Star of stage and screen, and one of Britain’s national treasures, Sir Derek Jacobi portrayed the Master (and his alter ego, Professor Yana) opposite David Tennant in 2007’s “Utopia,” fulfilling a life-long ambition of the actor to star in Doctor Who. He also voices the character in audio adventures for Big Finish Productions, credited as the War Master; also voiced the Master in the 2003 Doctor Who audio play “Scream of the Shalka”; and starred as Martin Bannister in the Doctor Who Unbound audio release “Deadline.”

…We are honored to be able to welcome Sir Derek to Gallifrey One this year, his first-ever Doctor Who appearance in North America, courtesy our friends at Showmasters Events.  Sir Derek will participate in two main stage interviews during his visit, one on Friday afternoon, and one Saturday, included with general admission.  He will also be autographing and doing photo ops on Saturday and Sunday, will do a VIP script reading on Sunday morning, will participate in our guest receptions on Friday & Saturday evenings, and has a separate Diamond Pass; all of these require purchase (see below.)  Additionally, he is included in the TARDIS Tag package….

The con will also have Billie Piper, Alex Kingston, and a flock of other Doctor Who actors, writers, and production people.

(4) WHO HOLIDAY SPECIAL. Inverse tells how “2023’s Wildest Sci-Fi Show is Bringing Back Its Most Underrated Secret Weapon”.

… With this episode being the first one to contain Gatwa as the sole Doctor, this could mean a shift in the Doctor Who we know and love. Original reboot showrunner Russell T. Davies may be back, but there’s a new Doctor and a new companion at the start of a new season, why not try a new (old) genre as well?

Even if this is just a temporary jaunt into the world of fantasy, it’s proof of exactly what the third special “The Giggle” established: The Doctor took a break to rest and deal with the literal centuries of trauma that he has undergone, and now he can find himself in silly high jinks that are more suited to a classic children’s novel instead of a hardboiled sci-fi paperback….

(5) ECCLESTON’S PRICE. CBR.com listens in as “Christopher Eccleston Reveals His Conditions for Doctor Who Return”.

Eccleston, who played the ninth Doctor in the first season of the show’s revival in 2005, had a relatively brief spell at the helm before being replaced by David Tennant. Eccleston has since been vocal about his mixed feelings about his time on the show. While speaking at the For The Love of Sci-Fi fan convention over the weekend, Eccleston was asked about if he would come back to Doctor Who, and what the BBC would need to do in order to make that happen. Eccleston was brutally honest with his answer, telling audiences, “Sack Russell T Davies. Sack Jane Tranter. Sack Phil Collinson. Sack Julie Gardner. And I’ll come back. So can you arrange that?”…

(6) MOVE TOWARDS STREAMER TRANSPARENCY. Netflix today debuted its first semi-annual report of hours of content viewed on the streaming site. Or as The Verge puts it: “Netflix reveals how many hours we spent watching The Night Agent and Queen Charlotte”.

Netflix is going to start publishing a new report twice a year that details the most popular shows and movies on the platform. The first report, released today, details the most-watched content from January to June 2023, and it’s perhaps the best look yet at how much people are actually watching Netflix’s gargantuan library of titles.

“What We Watched: A Netflix Engagement Report” will track three metrics: hours watched, whether a show is available globally, and a show’s release date. In this first report, the first season of The Night Agent tops the list with more than 812 million hours viewed, followed by Ginny & Georgia’s second season (665.1 million hours viewed), The Glory’s first season (622.8 million hours viewed), Wednesday’s first season (507.7 million hours viewed), and Queen Charlotte: A Bridgerton Story (503 million hours viewed). Those are only the top five; the full list contains more than 18,000 titles. (Content is included if it has been watched for more than 50,000 hours.)

(7) SUBSTACK’S NAZI PROBLEM. Max Gladstone, in “Substackers Against Nazis”, told readers:

I’m taking part in a collective action on Substack today. I did not help draft the letter below, but I agree with it. I’ve been planning to shift this newsletter off Substack for a while now, and this is one of the reasons why.

Gladstone signal-boosted a mass letter which begins:

Dear Chris, Hamish & Jairaj:

We’re asking a very simple question that has somehow been made complicated: Why are you platforming and monetizing Nazis? 

According to a piece written by Substack publisher Jonathan M. Katz and published by The Atlantic on November 28, this platform has a Nazi problem: 

“Some Substack newsletters by Nazis and white nationalists have thousands or tens of thousands of subscribers, making the platform a new and valuable tool for creating mailing lists for the far right. And many accept paid subscriptions through Substack, seemingly flouting terms of service that ban attempts to ‘publish content or fund initiatives that incite violence based on protected classes’…Substack, which takes a 10 percent cut of subscription revenue, makes money when readers pay for Nazi newsletters.”

As Patrick Casey, a leader of a now-defunct neo-Nazi group who is banned on nearly every other social platform except Substack, wrote on here in 2021: “I’m able to live comfortably doing something I find enjoyable and fulfilling. The cause isn’t going anywhere.” Several Nazis and white supremacists including Richard Spencer not only have paid subscriptions turned on but have received Substack “Bestseller” badges, indicating that they are making at a minimum thousands of dollars a year….

Filer Robin Anne Reid also circulated the letter to her Substack readers.

(8) CHENGDU CATCHUP. [Item by Ersatz Culture.]

Two new articles published by Southern Weekly

On Wednesday 13th, Southern Weekly published two long articles following up from the Worldcon.

The first is titled ‘“They gave me comfort, and I risked my life to do something for them”: The birth of a Hugo-award winning science fiction fanzine’, and is an interview with Best Fanzine winner and Best Fan Writer finalist RiverFlow.  Extracts via Google Translate, with manual edits:

“In those two years, I was in so much pain that I couldn’t communicate with people normally, and I couldn’t take care of myself to a certain extent.  My daily spiritual support was to communicate with a group of science fiction fans on the Internet,” he said.  “They could give me some comfort. Even if I risk my life, I can do something for them.”  For a young man who is used to being self-isolated, these kindnesses and comforts from strangers are almost unbelievable…

He decided that he was not a “science fiction fan” in the strict sense, but a “fan of science fiction fans.”

So, he found another way to do something for his friends.  The idea of starting a fan magazine was mentioned by someone in the group, and it stirred something in his heart. He searched for public information about Chinese science fiction fans and found that there was almost no specialized research in the country.  “Why do the groups of science fiction fans who cared about me seem to have no part in the narrative of the entire history of Chinese science fiction and seem to have disappeared?”

In July 2020, the first issue of “Zero Gravity News” was released.  RiverFlow only took one day to typeset it in Word.  The issue was not detailed, just excerpting some science fiction news, group discussions, etc.  But the sci-fi fanzine had taken one small step.

RiverFlow also posted some comments on Weibo about the piece.

The second article is ‘A conversation with science fiction scholar San Feng: Why is science fiction fan culture important?’  Much of the article covers the history of the Worldcon, western SF fandom etc and seems to be aimed at a general audience, and so will be already familiar ground to File 770 readers.  Later on it moves onto SF in China, which will probably be of more interest.  (Again, this is via Google Translate with manual edits.)

Southern Weekly: Does the Chinese science fiction circle also have a similar structure [to SF in the West]?

San Feng: Our science fiction fan culture is relatively recent. According to our research, it was not until the late 1970s and early 1980s that science fiction fans in the strict sense began to appear.

Liu Cixin said that he is the first generation of science fiction fans, including Han Song, Yao Haijun, etc. It can be understood that people born in the 1960s fell in love with science fiction in the early 1980s. At that time, Chinese science fiction did not have a distinct cultural identity of science fiction. Science fiction clubs or science fiction research societies were established in many places, but most of them were in a top-down manner. Many places wanted to organize people to write science fiction, so they set up science fiction research associations.

To truly build a science fiction fan community from the bottom up, I think the landmark event was Yao Haijun’s founding of the science fiction fan magazine “Nebula” in 1988 (note: some say it was 1986).  At that time, he was still working as a lumberjack in Yichun [in northeast China].  Because he liked science fiction, he used a mimeograph in his spare time to publish a science fiction fan magazine “Nebula”, which was shared with science fiction fans all over the country.  If you got in touch with him and sent a little money to him, maybe a few cents, he would send you a mimeographed magazine.

(Note: both of the above links are to mobile versions of the articles, and have subheadings stating that they will only be freely available for some unstated time period, before going behind a paywall.  There are desktop versions of those pages, but those have truncated content, requiring a login to see the full article.)

Three Worldcon reports

The following Chinese-language con reports all strike quite different tones from each other.  (All extracts via Google Translate, with manual cleanup edits.)

The first one is by Shen Yusi, and was posted on the Zero Gravity Weixin/WeChat account on November 15th.  This one is very positive about the event.

If Liu Cixin won the Hugo Award and let the world hear the strongest voice in Chinese science fiction, then in 2023 the World Science Fiction Convention held in Chengdu allows the world to truly see what the Chinese science fiction community looks like…

I had seen the aerial view of the Chengdu Science Fiction Museum on the official website, which is quite shocking. It looks like a huge piece of silver metal foil flying down by the lake. I once joked that I would never be able to witness this form of the venue with my naked eyes – after all, I can’t fly. From the ground, the venue looks like a huge alien aircraft, with a silver-white outer shell and mostly icy blue light inside. From an aesthetic point of view, this sci-fi feel is relatively avant-garde, rather than being something from the present day…

There were many young people and children at the event, which I had never thought about before.  Groups of primary school students visited this event under the guidance of their teachers.  There was also an award ceremony for the essay competition in an exhibition hall on the second floor.  I can’t do anything other than praise Chengdu’s education sector!  Maybe the next Liu Cixin will emerge from these children?

There were many college students on site, including booth staff and student media interviewing guests.  As a person who was very capable of making waves when they were in college, I can’t help but sigh and think that it’s great to be young! Many of these college students have not yet shed their youthfulness, and they are full of bookishness and strong idealism. After all, science is “fantastical”. If you don’t have a little bit of the second spirit, how can you have the ambition to conquer the stars and the sea?

The second report was posted to Zhihu – which I think usually gets compared to Western Q&A websites like Stack Overflow or Quora – by Chen Mengyu on November 6th.  This one is slightly more mixed; it seems like they enjoyed the more literary, fannish or creative activities, but were bored stiff by some of the more “corporate” events that they stumbled into.

At lunch, the sun was just right and the lake was like a mirror. I lay on a soft chair and had a bite of fried chicken and a Coke, feeling comfortable.

[A woman I’d met previously] invited her friends over, and there were more people.  Everyone had finished eating and wandered around chatting. While chatting, I felt that most of the people who like science fiction are middle-class people. There was also a man who flew over from Guangzhou to attend the conference.

I went to the Trisolaris [Three-Body Problem] fan meeting and found that there was a queue of two to three hundred meters. Haha, the last time I saw such a queue was at the National Museum. We gave up on queuing.

Soon we found an area where people were playing a creative game. We were divided into several groups, and given a common starting prompt, each group would start writing one sentence at a time, and at the end there was a vote for the group with the best writing…. My group won first place, and as a reward each person chose a book. I chose

[2021 novel] Tales from a Small Town, and I was very happy….

Then I went to the Shenzhen Science and Fantasy Growth Fund panel. My friends became bored, so instead they queued up for the The Three-Body Problem panel. I was the only one who stayed, and I have to admit that it was really boring… The top ten sci-fi cities in the country, as calculated by complex formulas, were announced in the panel: Shanghai, Beijing, Shenzhen, Chongqing, Guangzhou, Xi’an, Chengdu, Hangzhou, Wuhan and Nanjing.  This looked familiar to me – the top ten cities ranked by GDP.  The list was exactly the same except that Xi’an is not in the top ten by GDP… Then I wrote down a piece of data and was shocked! Beijing and Chengdu have the highest density of science fiction writers, reaching a level of 27 science fiction writers per million people…

Because I drew a lottery ticket for the closing ceremony, I attended it on the next day, but there was nothing interesting in the closing ceremony… there were only two things worth  mentioning; one was the simultaneous interpretation, either English to Chinese or Chinese to English.  After choosing, if someone speaks English, the interpreter would translate it on the spot and read it out into the earphones, which I found very interesting.

[The other was that] next year’s science fiction convention was represented by Vincent in a kilt.  It is foreseeable that there will be many Scottish hunks in kilts at next year’s Worldcon.

(Attached images: chenmengyu[123].jpg)

The final report is a Weibo post from October 23rd, which to be honest is a bit of a snarky rant.  This isn’t completely unjustified, as the poster was unable to attend due to the rescheduling, despite living relatively close to Chengdu in a neighbouring province, nor did they have much success with the online component of the con, with both the livestreams and the Hugo voting failing for them.

Your science fiction conference this year is really terrible. I really can’t help but want to curse, but after thinking about it, I might as well forget it…

Since I couldn’t attend in person, I bought an online ticket.  However the website locked up, and I couldn’t get in to watch the live broadcast. They didn’t give me a refund. When I asked, they said it wasn’t allowed.

It’s 2023, and a “science fiction conference” that can’t even be broadcast online is awesome.

The Hugo Awards have always been voted for by members who spend money, and I have been a member for a long time.  I have been voting for the Hugo Awards in the past few years, but this year I was inexplicably unable to vote.  I really admire this organizer.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 14, 1916 — Shirley Jackson. (Died 1965.) I was surprised to learn how prolific she was — she composed six novels, two memoirs, and more than two hundred short stories! 

Shirley Jackson in 1940.

Her first novel, The Bird’s Nest, she considered a mainstream work of fiction but the publisher didn’t and marketed it as the publishing house marketed it as a psychological horror story. She was right as it’s a woman with multiple personalities, not horror at all.

Her following novel, The Sundial, concerned a family of wealthy eccentrics who believe they have been chosen to survive the end of the world, and was definitely genre as there’s a ghostly presence. 

Jackson’s fifth novel, The Haunting of Hill House, Is one that we all know about it. It has been made into two feature films and a play, and is the basis of a Netflix series. It was done as The Haunting in 1963, and then as, errr, The Haunting thirty-six years later. The latter is not faithful to the novel as it is (SPOILER ALERT) an explicit fantasy horror film in which all the main characters are terrorized and two are killed as explicitly supernatural deaths (END SPOILER). 

Elizabeth Hand’s A Haunting on the Hill is the first authorized novel set in the world of Hill House. The novel takes place decades after the events of The Haunting of Hill House, as a group of theater professionals rent Hill House to workshop a new play. Lis is reviewing it for us. 

The same year she wrote The Bad Children, a one-act children’s musical based on the “Hansel and Gretel” tale. She wrote the book and lyrics with the music being by Allan Jay Friedman.

I’d talk about “The Lottery” short story but I’ve honestly never figured out the appeal of that frankly abhorrent story, so I won’t. If you won’t to, go ahead. Now “The Missing Girl” short story first published in The Magazine of Fantasy and Science Fiction in their December 1957 issue is a chilling work of horror well worth you reading.

It’s available in a collection comprising fifty four stories of the hundred and four that she did called Just an Ordinary Day. Remarkably it’s a Meredith Moment I’d say at just $7.99! 

Though in extremely poor health, she produced two final works of note. The first being We Have Always Lived in the Castle, a Gothic mystery novel. Time magazine noted it as one of the Ten Best Novels of 1962.

The following year, she published Nine Magic Wishes, an illustrated children’s novel about a child who encounters a magician who grants him numerous enchanting wishes.

At just one forty-eight years of age, her heart failed, according to both of her biographers, due to a combination of heavy smoking, alcoholism and extreme dependence on pain killers prescribed by physicians who didn’t know better at the time. 

(10) COMICS SECTION.

  • Frazz is for those of us who like big words.
  • Shoe goes well with Frazz.

(11) I SEE NONEXISTENT PEOPLE. “Imaginary Friends ARE Real in ‘IF’ Teaser Trailer” – Animation News Network explains how it works.

…Ask yourself the question, “What if all your imaginary friends were real?” And what if your superpower was you could see them all? Then your life would look a lot like the story of IF, John Krasinski’s upcoming comedy adventure about a girl who discovers that she can see everyone’s imaginary friends and the magical adventure she embarks upon to reconnect forgotten ‘IFs’ with their kids….

(12) MR. ROBOT NOW HAS A UNIVERSE. GQ tells readers, “Confirmed: ‘Leave the World Behind’ Takes Place in the ‘Mr. Robot’ Extended Universe”.

Leave the World Behind, Sam Esmail’s first feature film since the success of his tech-thriller series Mr. Robot, deals with themes similar to those of his acclaimed USA Network show. But the connections may not stop there. As one keen-eyed Reddit user noted, the film references a hacking in the tri-state area that nearly led to a catastrophic meltdown at a nuclear power plant. This seems to clearly be a nod to the 11th episode of Season 4, “eXit,” in which Rami Malek’s Elliot nearly hacks a nuclear plant, with catastrophic potential damage….

(13) FIRST, LET’S IGNORE ALL THE LAWYERS. As usual, people aren’t interested in legal advice that would keep them from doing what they’ve already decided to do: “Meta used copyrighted books for AI training despite its own lawyers’ warnings, authors allege” – Reuters has the story.

…Meta Platforms’ (META.O) lawyers had warned it about the legal perils of using thousands of pirated books to train its AI models, but the company did it anyway, according to a new filing in a copyright infringement lawsuit initially brought this summer.

The new filing late on Monday night consolidates two lawsuits brought against the Facebook and Instagram owner by comedian Sarah Silverman, Pulitzer Prize winner Michael Chabon and other prominent authors, who allege that Meta has used their works without permission to train its artificial-intelligence language model, Llama.

… In the chat logs quoted in the complaint, researcher Tim Dettmers describes his back-and-forth with Meta’s legal department over whether use of the book files as training data would be “legally ok.”

“At Facebook, there are a lot of people interested in working with (T)he (P)ile, including myself, but in its current form, we are unable to use it for legal reasons,” Dettmers wrote in 2021, referring to a dataset Meta has acknowledged using to train its first version of Llama, according to the complaint.

The month prior, Dettmers wrote that Meta’s lawyers had told him “the data cannot be used or models cannot be published if they are trained on that data,” the complaint said….

(14) SOUNDS LIKE THE NEEDLE IS STUCK. “NASA working to solve Voyager 1 computer glitch from billions of miles away” reports CNN.

NASA’s Voyager 1 spacecraft has experienced a computer glitch that’s causing a bit of a communication breakdown between the 46-year-old probe and its mission team on Earth.

Engineers are currently trying to solve the issue as the aging spacecraft explores uncharted cosmic territory along the outer reaches of the solar system.

Voyager 1 is currently the farthest spacecraft from Earth at about 15 billion miles (24 billion kilometers) away, while its twin Voyager 2 has traveled more than 12 billion miles (20 billion kilometers) from our planet. Both are in interstellar space and are the only spacecraft ever to operate beyond the heliosphere, the sun’s bubble of magnetic fields and particles that extends well beyond the orbit of Pluto.

Voyager 1 has three onboard computers, including a flight data system that collects information from the spacecraft’s science instruments and bundles it with engineering data that reflects the current health status of Voyager 1. Mission control on Earth receives that data in binary code, or a series of ones and zeroes.

But Voyager 1’s flight data system now appears to be stuck on auto-repeat, in a scenario reminiscent of the film “Groundhog Day.”

A long-distance glitch

The mission team first noticed the issue November 14, when the flight data system’s telecommunications unit began sending back a repeating pattern of ones and zeroes, like it was trapped in a loop.

While the spacecraft can still receive and carry out commands transmitted from the mission team, a problem with that telecommunications unit means no science or engineering data from Voyager 1 is being returned to Earth.

The Voyager team sent commands over the weekend for the spacecraft to restart the flight data system, but no usable data has come back yet, according to NASA….

(15) IN A HOLE IN THE GROUND THERE LIVED…OUR ANCESTORS. IndieWire sets the frame for “’Out of Darkness’ Trailer: A Stone Age Survival Horror Story”.

Set during the Stone Age, the horror film “Out of Darkness” brings a modern twist to the survival story.

The film, which marks both director Andrew Cumming and screenwriter Ruth Greenberg’s respective feature debuts, centers on a teenager (Safia Oakley-Green) who must survive immigrating across the sea and into a foreign land that may or may not house monsters.

The official synopsis for the indie horror film reads: “A group of six have struggled across the narrow sea to find a new home. They are starving, desperate, and living 45,000 years ago. First they must find shelter, and they strike out across the tundra wastes towards the distant mountains that promise the abundant caves they need to survive. But when night falls, anticipation turns to fear and doubt as they realize they are not alone. Terrifying sounds suggest something monstrous at large in this landscape, something that could kill or steal them away. As relationships in the group fracture, the determination of one young woman reveals the terrible actions taken to survive.”…

(16) VIDEO OF THE DAY. [Item by Joel Zakem.] Loontown is a nearly 18-minute animated noir set in a city reminiscent of Los Angeles, whose denizens are talking balloons, gasbags and others of their ilk. It was written by World Fantasy Award winning author Lavie Tidhar and directed, animated and scored by Nir Yaniv, who had previously collaborated with Tidhar on the 2009 novel The Tel Aviv Dossier. Loontown can currently be viewed on YouTube.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Ersatz Culture, Joel Zakem, Kathy Sullivan, Soon Lee, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day JJ.]

Pixel Scroll 10/30/22 I’ve Looked At Scrolls From Both Sides Now

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(1) GETTING HITCHED. Congratulations to Brian Keene on his successful marriage proposal to Mary SanGiovanni. Read about it in Keene’s “Letters From the Labyrinth 305”. (And see the proposal video on TikTok.)

… What I neglected to mention was that I intended to propose to Mary during that trip. Centralia is an abandoned mining town that has been on fire underground for nearly 100 years, and was the basis for many things in the horror genre, including Mary’s favorite — the Silent Hill franchise. The ghost town has special significance for us, as we took a trip there together very early in our relationship, and have continued to go back at least once a year for the last eleven years.

While Centralia’s original graffiti highway was destroyed during the pandemic, there are still plenty of roads there with graffiti on them (as well as abandoned buildings deep on the woods and hidden entrances into the mines, if you know where to look). So, John Urbancik and I drove up there the week before, and I spray-painted a proposal on what used to be a residential side street. This was known as Plan E.

Plans A through D were considered, however…

Click through to find out those imaginative but ultimately discarded options.

… People have already begun inviting themselves to the wedding, and Christopher Golden and Rio Youers have started planning hijinks, so everything is going about as you’d expect so far. I have been assured that I can DJ our reception, so that’s okay.

Oh, and the honeymoon is going to be a cross-country book signing tour so stay tuned for that. It was Mary’s idea. I wanted to go to Alaska or Easter Island but she needs to sell copies of Alien: Enemy of My Enemy, so a honeymoon tour it is….

(2) KEEPING COUNT. “Liaden Universe® InfoDump Number 130” has a roundup of Sharon Lee and Steve Miller’s forthcoming publications, how to get signed copies, and what ebooks will be available. It also tells where you can see them early next year, and clocks some remarkable career milestones.

CONVENTION APPEARANCES

Lee and Miller have applied to be in-person panelists at Boskone 60 (February 17-19, 2023). There is a new process in place this year, and we’ve not yet heard back concerning our applications. More news when we have some.

Lee and Miller will be Writer Guests of Honor at Heliosphere, April 28-30, 2023 in Piscataway NJ. Artist Guest of Honor will be David Mattingly.

CAREER MILESTONES
*As above, Salvage Right is the 25th Liaden Universe® novel.
*It is also Lee and Miller’s 29th collaborative novel, and 100th collaborative work.
*It is Sharon Lee’s 34th novel.
*And! It brings Lee-and-Miller’s total lifetime collaborative words written to Three million, seven hundred fifty-eight thousand, four hundred and eight.

(3) MEDICAL UPDATE. Ryk E. Spoor needs the help coming from his “A Series of Unfortunate Events” Gofundme even more than before. He wrote today:

As many of you know, my hope that things would settle down has not QUITE worked out as I planned…. as I’m writing this from the ICU of our local hospital, having had a heart attack.

I appreciate very much everything all of you have done for us, and ask that you share the fundraiser around again, as obviously this is going to add a quite significant expense to our household.

(4) SCARE IN THE AIR. Shat chats with Ethan Alter of Yahoo! Entertainment about his great Twilight Zone episode “Nightmare At 20,000 Feet”. “William Shatner explains why his classic ‘Twilight Zone’ episode still frightens flyers” at Yahoo!

… “Nightmare” was a more ambitious episode than the small-scale “Nick of Time,” which also meant that The Twilight Zone‘s budgetary restraints were more evident, at least to Shatner. Specifically, he found himself skeptical of the episode’s gremlin, who was played by stuntman Nick Cravat in a costume that didn’t exactly strike fear into the star’s heart. “What was amusing was the acrobat who was in a little furry suit on the wing of the [plane],” Shatner says now. “There were times when I looked at him, and I thought: ‘This is maybe the worst thing I’ve ever done!'”…

(5) MEMORY LANE.

1985 — [By Cat Eldridge.] Bradbury’s Crumley Mysteries

Although Bradbury was far better known for his genre writings, he did from time to time write rather good mysteries, mostly as short stories and scripts. So is the case with the Crumley Mysteries, penned over an eighteen-year period starting in 1985.

They were by no stretch of the imagination his first as he’d been writing mysteries in a shorter form since the Forties, but these are his first full-length mysteries. There are three here — Death Is a Lonely Business, A Graveyard for Lunatics and Let’s All Kill Constance.

They are all set in the Golden Age of Hollywood, which is definitely a setting that Bradbury really likes. They have the same two primary characters, detective Elmo Crumley and the narrator who is never named. He set the entire premise up with a short story, included in the Subterranean 2009 collection of these novels, Where Everything Ends. It is a rather weak take on the premise compared to the three novels. 

I’ve read them and I think the first two are quite excellent. The third one, Let’s All Kill Constance, I think is just weak with a mystery that just doesn’t hold up.

Our Green Man reviewer noted that Bradbury created great characters in these novels: “Crumley, the cop who just happens to also be a writer; Fannie, the 380-pound sedentary soprano; A.L. Shrank, the psychiatrist with the downbeat library; Cal, the incompetent barber with the ragtime past; and John Wilkes Hopworth, the ex-silent film star who still pines for former love Constance Rattigan.”

This is Bradbury so don’t expect hard-boiled anything here. These novels are what you get when a writer is kinder gentler so everything is indeed soft-boiled and no, there’s nothing wrong with that at all. Bradbury gives us a somewhat idealistic version of the era and the people inhabiting it.

It is available used on AbeBooks and the like. I won’t say it’s particularly affordable as it’s not. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 30, 1896 — Ruth Gordon. You’ll likely best remember her as Minnie Castevet in Rosemary’s Baby. (Trust me, you don’t need to see Look What’s Happened to Rosemary’s Baby.) She’s quite excellent as Cecilia Weiss in The Great Houdini, and that pretty much sums up her genre work save Voyage of the Rock Aliens which keeps giving me the giggles. Serious giggles. (Died 1985.)
  • Born October 30, 1923 — William Campbell. In “The Squire of Gothos” on Trek — a proper Halloween episode even if it wasn’t broadcast then — he was Trelane, and in “The Trouble With Tribbles” he played the Klingon Koloth, a role revisited on Deep Space Nine in “Blood Oath”. He appeared in several horror films including Blood Bath, Night of Evil, and Dementia 13. He started a fan convention which ran for several years, Fantasticon, which celebrated the achievements of production staffers in genre films and TV shows and raised funds for the Motion Picture & Television Fund, a charitable organization which provides assistance and care to those in the motion picture industry with limited or no resources, when struck with infirmity and/or in retirement age. (Died 2011.)
  • Born October 30, 1951 — P. Craig Russell, 71. Comic illustrator whose work has won multiple Harvey and Eisner Awards. His work on Killraven, a future version of H. G. Wells’ The War of the Worlds, collaborating with writer Don McGregor, was lauded by readers and critics alike. Next up was mainstream work at DC with his work on Batman, particularly with Jim Starlin. He also inked Mike Mignola’s pencils on the Phantom Stranger series. He would segue into working on several Moorcock’s Elric of Melniboné projects. Worth noting is his work on a number of Gaiman projects including a Coraline graphic novel.  Wayne Alan Harold Productions published the P. Craig Russell Sketchbook Archives, a 250+-page hardcover art book featuring the best of his personal sketchbooks.
  • Born October 30, 1951 — Harry Hamlin, 71. His first role of genre interest was Perseus on Clash of The Titans. He plays himself in Maxie, and briefly shows up in Harper’s Island. He was Astronaut John Pope in the genre adjacent Space miniseries. On the stage, he’s been Faust in Dr. Faustus. 
  • Born October 30, 1958 — Max McCoy, 64. Here for a quartet of novels (Indiana Jones and the Secret of the Sphinx, Indiana Jones and the Hollow Earth, Indiana Jones and the Dinosaur Eggs and Indiana Jones and the Philosopher’s Stone) which flesh out the back story and immerse him in a pulp reality. He’s also writing Wylde’s West, a paranormal mystery series.
  • Born October 30, 1972 — Jessica Hynes, 50. Playing Joan Redfern, she shows up on two of the most excellent Tenth Doctor stories, “Human Nature” and “The Family of Blood”. She’d play another character, Verity Newman in a meeting of the Tenth and Eleventh Doctors, “The End of Time, Part Two”. Her other genre role was as Felia Siderova on Randall & Hopkirk (Deceased) in the “Mental Apparition Disorder” and  “Drop Dead” episodes.

(7) GHOSTPLUSTERS. The New York Times needs its clicks, too: “The Dos and Don’ts of Living in a Haunted House”.

…Many Americans believe that their home is inhabited by someone or something that isn’t a living being. An October study from the Utah-based home security company Vivint found that nearly half of the thousand surveyed homeowners believed that their house was haunted. Another survey of 1,000 people by Real Estate Witch, an education platform for home buyers and sellers, found similar results, with 44 percent of respondents saying that they’ve lived in a haunted house.

Researchers attribute increasing belief in the supernatural to the rise of paranormal-related media, a decline in religious affiliation and the pandemic. With so many people believing that they live with ghosts, a new question arises: How does one live with ghosts? Are there ways to become comfortable with it, or certain actions to keep away from so as not to disturb it?…

(8) ZERO SUM GAMERS. [Item by Michael Kennedy.] Business Insider writer Samantha, Delouya argues that Meta is trying to follow Google’s lead in stealing back market share from Apple. So, does that make Meta’s vision of the metaverse the next Android? Well, maybe not. “Mark Zuckerberg is trying to do what Google did with Android — but he learned all the wrong lessons”.

… However, there’s one main difference between Google’s attempt to escape Apple’s supremacy and Meta’s gambit: there was already proof of consumer demand for the product Google was allegedly duping. Apple had sold 1 million of its first-generation iPhones just 74 days after its introduction.

Google’s pivot paid off. Will Meta’s? 

Google saw where Apple was going and continued to develop its Android platform to match Apple’s iOS. The company has also continued to invest in making its smartphones, a device it knows people want.

Google’s bet paid off. Android is now the dominant mobile operating system worldwide. 

But Google was a fast follower; Meta’s pivot could be more dangerous because it’s investing in a largely untested product: the metaverse. 

“It’s a massively huge risk, and I think the primary risk is there are no tangibles right now,” Zgutowicz said. 

Some analysts on Wall Street are skeptical Meta will pull this off. 

“Even if the Metaverse does turn out to be the immersive hardware-based vision that Meta articulates, will Meta really be the winning hardware provider to consumers?” Martin asked in a recent note. ….

[Thanks to JJ, John King Tarpinian, Chris Barkley, Ahrvid Engholm, “Orange Mike” Lowrey, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 10/30/21 I Never Meta Pixel I Couldn’t Scroll

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(1) SEEMS I’VE HEARD THAT SONG BEFORE. “’Metaverse’ creator Neal Stephenson reacts to Facebook name change” — Axios asked what he thought about the Zuckerberg announcement.

How do you feel about a storyline that you wrote in “Snow Crash” now turning into our potential global future?

It’s flattering when readers take the work seriously enough to put their own time and money into bringing similar ideas to fruition. After all the buildup in the last few weeks, the Meta announcement has a ripping-off-the-bandaid feeling.

Almost since the beginning of the genre, science fiction writers have occasionally been given credit for inspiring real-life inventions, so this is not new and it’s not unique. I was aware of that fact thirty years ago when I wrote “Snow Crash,” but I didn’t necessarily expect it to happen.

Good science fiction tries to depict futures that are plausible enough to seem convincing to the readers — many of whom are technically savvy, and tough critics.

So when depicting a future technology in a work of science fiction, you have to make it plausible. And if it’s plausible enough, it can be implemented in the real world.

(2) FUTURE TENSE. The series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination continues with “Furgen,” a new short story by Andrew Silverman, about a retriever, his owner, and his A.I.-enabled minder.

Caro had only once before felt such elation from a text alert, and that was when she first got Tucker in the mail. She ordered him from an exclusive breeder in Tokyo, of all places. She remembered she was watching videos of puppies learning to swim when her phone buzzed, followed by a message stating that Tucker, her beautiful new retriever, had just arrived on her doorstep. She shrieked with glee, ran outside to the porch, and opened up the hole-punched box containing the love of her life.

Today, six months into puppy parenting, Caro’s phone buzzed again, interrupting her usual stream of puppy content, to notify her that Furgen A.I. 2.0© had finally arrived….

There’s also a response essay by Clive D.L. Wynne, author of Dog Is Love: Why and How Your Dog Loves You.

It doesn’t take any special technology to see that dogs love people. Hildegard von Bingen, in the 11th century, noted that “a certain natural community of behavior binds [the dog] to humans. Therefore, he responds to man, understand him, loves him and likes to stay with him.” It could fairly be said that, like Othello, dogs love not wisely, but too well. Their loyalty to our capricious species has seen dogs led into wars, ill-fated Arctic expeditions, and many other tragic misadventures.

But are there limits on dogs’ capacity for love?…

(3) WFC 2021 ANNOUNCES DAY MEMBERSHIPS. World Fantasy Convention 2021 in Montréal will be selling day memberships. See more information at their website. The prices in Canadian dollars are:

  • Thursday  $75
  • Friday      $100
  • Saturday $100
  • Sunday      $50

World Fantasy Convention 2021 will be held at the Hotel Bonaventure Montréal from November 4-7.

(4) KEEP PUTTING ONE FOOT IN FRONT OF ANOTHER. At Eight Miles Higher, Andrew Darlington delves into the history of the UK’s most long-lived prozine: “SF Magazine History: ‘INTERZONE’”.

In terms of simple longevity, ‘Interzone’ must be credited as Britain’s most successful SF magazine ever. In January 1991 it comfortably coasted past the forty-one issue limit achieved by ‘Nebula’. Then by August 1994, it surpassed the eighty-five editions of ‘Authentic Science Fiction’. Leaving ‘Science Fantasy’ in its wake, until eventually, by the July-August 2009 issue, through stealth and persistence, it finally outdistanced the 222 incarnations of ‘New Worlds’. Nothing can now compete with that total. And throughout that regularly-spaced life-span, unlike the bizarre array of relaunches, rebirths and reconfigurations that characterized its predecessors, ‘Interzone’ has retained its recognizable appearance on the newsagent’s shelf as a reassuringly attractive glossy A4 magazine. 

(5) TWELVE-BODY SOLUTION. “The Three-Body Problem Casts 12 Stars, Including Two ‘Game of Thrones’ Alums” reports Tell-Tale TV. Twelve cast members are named at the link.

Game of Thrones showrunners David Benioff and D.B. Weiss didn’t wind up making their Star Wars movie, but the duo is working on a new science-fiction series for Netflix: The Three-Body Problem. 

…According to Deadline, the show has begun casting, announcing 12 stars for the upcoming series. Among them are two Game of Thrones alums: John Bradley and Liam Cunningham…. 

With actors hailing from the Marvel Cinematic Universe and a number of popular films, it seems The Three-Body Problem will have a fairly recognizable cast. The creators haven’t revealed who’s playing who, but further updates should be on the horizon.

(6) NIGHT LIFE IN SANTA FE. There will be “A Night of Wild Cards!” at G.R.R. Martin’s Jean Cocteau Cinema in Santa Fe, NM on November 13 at 4:00 p.m. – ticket info at the link.

Have you been touched by the Wild Card?

Spend an evening with authors George R.R. Martin, Melinda Snodgrass, and John Jos Miller as they speak about the Wild Cards Series, up coming projects, and remember fellow author and friend, Victor Milan.

Help us celebrate the life of Victor Milan, the release of “Turn of the Cards” in Trade Paperback, and “Death Draws Five” in Hardcover!

The Jean Cocteau is also a place where you can see Dune, the “Once-in-a-generation film,” as it was meant to be seen — on the big screen with a specially handcrafted cocktail in your hand.

(7) SIT DOWN, JOHN. In Debarkle Chapter 70, Camestros Felapton tells how the sf field finally said out loud they were ready for “Life After Campbell”.

…Torgersen’s Sad Puppies 3 slate and been something of a last hurrah for Analog at the Hugo Awards, with four Analog stories becoming finalists on the strength of the Puppy campaigns. Torgersen also included Kary English on the slate due to their common connection with Writers of the Future. No Writers of the Future from a year after 2015 would be a finalist again in the following years nor would any story from Analog make it onto the ballot…

(8) TURN AND RETURN. Boston University humanities professor Susan Mizrouchi on what caused Henry James to be interested in the supernatural and write The Turn Of The Screw. “On Spiritualism and the Afterlife in Henry James’ Turn of the Screw” at CrimeReads.

…Like many contemporary intellectuals, William and Henry took ghosts seriously. They were friendly with Frederic W. H. Myers, who headed the Society for Psychical Research, and Henry was recorded in the minutes of a society meeting in London reading a report on behalf of his absent brother about a female medium who was occasionally overtaken by the spirit of a dead man. Society researchers sought positivistic evidence of ghosts and provided a steady stream of testimonies for public consumption. These accounts of specter sightings, which numbered in the thousands, were in turn avidly consumed by readers, who couldn’t get enough of them.

The James brothers’ views on ghosts were rooted in contemporary science, and also in their personal convictions about the fate of consciousness after death. Having enjoyed such fertile minds, and interacted with so many others, neither could accept that these vital organs would simply expire with the body…. 

(9) DETERMINED COLLECTOR. “Holy bikini-clad Batwoman! Archive saves Mexico’s scorned popular films” – the Guardian tells how they did it.

… Had they not been rescued from a dusty storehouse seven years ago, the original negatives of hundreds of Mexican movies featuring the likes of the silver-masked crime-fighting wrestler El Santo, a bikini-clad Batwoman and the Satan-worshipping Panther Women would have been lost forever.

Salvation came in the form of Viviana García Besné, a film-maker, archivist, self-described “popular film activist” and descendant of Mexico’s cinematic Calderón clan…. 

“I thought the best, and most obvious, thing would be to send them all to the big film institutions in Mexico,” she says. “I told them about this marvellous collection of films, photos and paperwork, and thought they’d all jump for joy. But they were like, ‘We’ll have that, and maybe that, but not that.’”

Unwilling to split up the collection – “It’s the work of a company that began in 1910 and made films until 1990; that’s 80 years of cinema history,” she says – García Besné decided to hang on to it all and to embark on a quest to rescue and reappraise Mexico’s cine popular.

Her Permanencia Voluntaria (Double Feature) archive, which has extended beyond the Calderón collection and now holds some 400 films, is being showcased in Madrid this month in a season at Spain’s national film archive, the Filmoteca Española.

Despite the archive’s growing international reputation – it has restored 10 films over the past four years, and the collection is housed between the Mexican town of Tepoztlán and the UCLA film archive and the Academy film archive in Los Angeles – its genesis and survival have been far from easy….

(10) MEDIA BIRTHDAY.

1987 – Thirty-four years ago, The Hidden premiered. Directed by Jack Sholder and produced by committee as it had three producers (Michael L. Meltzer, Gerald T. Olson and Robert Shaye). It was written by Jim Kouf (under the pseudonym Bob Hunt. Kouf being an Edgar Award winning screenplay writer apparently decided not to be associated with this film. It had a cast of Kyle MacLachlan, Michael Nouri,  Clu Gulager, Chris Mulkey, Ed O’Ross, Clarence Felder, Claudia Christian and Larry Cedar. 

Critics liked it with Roger Ebert calling it “a surprisingly effective film“. Not surprisingly it has gained cult status.   Audience reviewers at Rotten Tomatoes currently give it an excellent seventy-three rating. It likely more or less lost at least something  even after making ten million as it cost five million to make and figuring in publicity costs that suggests a loss. 

A sequel, The Hidden II, direct to DDV, came out six years later. It did not have the cast of the original film. Let’s just say that it’s wasn’t well received and leave it there. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 30, 1923 — William Campbell. In “The Squire of Gothos” on Trek, which was a proper Halloween episode even if it wasn’t broadcast then, he was Trelane, and in “The Trouble With Tribbles” he played the Klingon Koloth, a role revisited on Deep Space Nine in “Blood Oath”. He appeared in several horror films including Blood Bath, Night of Evil, and Dementia 13. He started a fan convention which ran for several years, Fantasticon, which celebrated the achievements of production staffers in genre films and TV shows and raised funds for the Motion Picture & Television Fund, a charitable organization which provides assistance and care to those in the motion picture industry with limited or no resources, when struck with infirmity and/or in retirement age. (Died 2011.)
  • Born October 30, 1939 — Grace Slick, 82. Lead singer first with Jefferson Airplane and then with Jefferson Starship, bands with definite genre connections.  “Hyperdrive” off their Dragonfly album was used at the MidAmeriCon opening ceremonies. And Blows Against the Empire was nominated for Best Dramatic Presentation at Noreascon 1, a year that had no winner.
  • Born October 30, 1947 — Tim Kirk, 74. His senior thesis would be mostly published by Ballantine Books as the 1975 Tolkien Calendar. Impressive. Even more impressive, he won Hugo Awards for Best Fan Artist at Heicon ’70, L.A. Con I, Torcon II, Discon II and again at MidAmeriCon. With Ken Keller, he co-designed the first cold-cast resin base used at MidAmeriCon. He also won a Balrog and was nominated for a World Fantasy Award as well.
  • Born October 30, 1951 — Harry Hamlin, 70. His first role of genre interest was Perseus on Clash of The Titans. He plays himself in Maxie, and briefly shows up in Harper’s Island. He also has two choice voice roles in Batman: the Animated Series,  Cameron Kaiser in “Joker’s Wild” and even more impressive as the voice of werewolf Anthony “Tony” Romulus in “Moon of the Wolf”.  Since I know a lot of you like the series, I’ll note he plays Aaron Echolls in Veronica Mars. 
  • Born October 30, 1951 — P. Craig Russell, 70. Comic illustrator whose work has won multiple Harvey and Eisner Awards. His work on Killraven, a future version of H. G. Wells’ The War of the Worlds, collaborating with writer Don McGregor, was lauded by readers and critics alike. Next up was mainstream work at DC with I think his work on Batman, particularly with Jim Starlin, being amazing. He also inked Mike Mignola’s pencils on the Phantom Stranger series. He would segue into working on several Moorcock’s Elric of Melniboné projects. Worth noting is his work on a number of Gaiman projects including a Coraline graphic novel.  Wayne Alan Harold Productions published the P. Craig Russell Sketchbook Archives, a 250-page hardcover art book featuring the best of his personal sketchbooks.
  • Born October 30, 1958 — Max McCoy, 63. Here for a quartet of novels (Indiana Jones and the Secret of the Sphinx, Indiana Jones and the Hollow Earth, Indiana Jones and the Dinosaur Eggs and Indiana Jones and the Philosopher’s Stone) which flesh out the backstory and immerse Indy in a pulp reality. He’s also writing Wylde’s West, a paranormal mystery series.
  • Born October 30, 1972 — Jessica Hynes, 49. Playing Joan Redfern, she shows up on two of the best Tenth Doctor stories, “Human Nuture” and “The Family of Blood”. She’d play another character, Verity Newman in a meeting of the Tenth and Eleventh Doctors, “The End of Time, Part Two”. Her other genre role was as Felia Siderova on Randall & Hopkirk (Deceased) in the “Mental Apparition Disorder” and  “Drop Dead” episodes. Her last genre adjacent role is Sofie Dahl in Roald & Beatrix: The Tail of the Curious Mouse.

(12) COMICS SECTION.

(13) HOMETOWN HAUNT. “Meet Karl Edward Wagner, Knoxville’s influential cult horror author that almost no one knows” — the Knoxville News Sentinel fans the flames of his memory.

…As the editor of The Year’s Best Horror anthology from 1980 until his death in 1994, Wagner showcased writers like Steven King, Harlan Ellison, Robert Bloch and Ramsey Campbell. Imagery from Wagner’s Lovecraftian short story “Sticks” influenced works like “The Blair Witch Project” and the “devil’s nests” branch constructs in the first season of “True Detective.”

“Wagner was ripped off,” said the late horror writer Dennis Etchison in a documentary interview. “That is only my opinion so the makers of ‘Blair Witch’ should not sue me. … I can only say that is my personal opinion, as an expert witness.”

But as large as a presence as he was in 1980s horror scene, his personal fame never matched the far-reaching influence of his ideas and taste. Wagner’s books and short stories are out of print and hard to obtain…. 

(14) NO SPARE CHANGE. [Item by Mike Kennedy.] Now this is meta. (Even though it has nothing to do with the newly renamed Meta.) New Yorker magazine has published a book review for a book about how Amazon is changing the way books are written—Everything and Less: The Novel in the Age of Amazon (Verso), by literary scholar Mark McGurl. “Is Amazon Changing the Novel?”

…McGurl’s real interest is in charting how Amazon’s tentacles have inched their way into the relationship between reader and writer. This is clearest in the case of [Kindle Direct Publishing]. The platform pays the author by the number of pages read, which creates a strong incentive for cliffhangers early on, and for generating as many pages as possible as quickly as possible. The writer is exhorted to produce not just one book or a series but something closer to a feed—what McGurl calls a “series of series.” In order to fully harness K.D.P.’s promotional algorithms, McGurl says, an author must publish a new novel every three months. To assist with this task, a separate shelf of self-published books has sprung up, including Rachel Aaron’s “2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love,” which will help you disgorge a novel in a week or two. Although more overtly concerned with quantity over quality, K.D.P. retains certain idiosyncratic standards. Amazon’s “Guide to Kindle Content Quality” warns the writer against typos, “formatting issues,” “missing content,” and “disappointing content”—not least, “content that does not provide an enjoyable reading experience.” Literary disappointment has always violated the supposed “contract” with a reader, no doubt, but in Bezos’s world the terms of the deal have been made literal. The author is dead; long live the service provider….

(15) TO SWERVE PLAN. Master satirist Alexandra Petri parodies Facebook’s name change via Twilight Zone episodes. “Goodbye, Facebook. Welcome to the Meta Zone.”

There is a sixth dimension beyond that which is known to man, as vast as space and as timeless as infinity, lying somewhere just past the Twilight Zone, between the pit of Mark Zuckerberg’s fears and the summit of Mark Zuckerberg’s knowledge. It is an area we call … Meta, the new rebranded name of the Facebook parent company. Here are a few tales from this place….

(16) GRAND THEFT DINO. The case has been cracked. Unfortunately, so have the dinos. “3 dinosaur statues stolen from museum found damaged at Texas fraternity, officials say” – Yahoo! has the story.

Three beloved dinosaur statues that were snatched from a Central Texas museum are back home thanks to the help of an eagle-eyed tipster. Unfortunately, two were heavily damaged.

Attention was widespread after the statues – named Minmi, Dilong and Dimetrodon, each 6 to 10 feet long – were stolen from their exhibit areas at The Dinosaur Park in Cedar Creek on Oct. 20, the park announced on its Facebook page. The dinosaurs were later recovered at a UT Austin fraternity, a representative for the museum confirmed to McClatchy News.

UT Austin is about 21 miles from The Dinosaur Park….

(17) FRIGHT AT NIGHT. Keith Roysdon talks about how he geeked out on horror in the 1960s building Aurora monster kits and reading Famous Monsters Of Filmland in “Growing Up Spooky” at CrimeReads.

.. A couple of years before I was born, the classic 1930s and 1940s Universal horror films were sold to TV stations around the country in the so-called “Shock” syndicated package. “Dracula,” “Frankenstein,” “Murders in the Rue Morgue,” “The Invisible Man.” They were all there, or in the “Son of Shock” package to follow.

Suddenly, movies that had only been seen in theaters – in rare re-releases – for two or three decades were there for audiences old and new through television. Most stations packaged them as “Shock Theater” or “Nightmare Theater,” the latter a late-night double feature hosted by Sammy Terry, a genial ghoul played for Indiana viewers by Bob Carter, a mild-mannered musical instrument salesman by day who terrified us late at night each weekend….

(18) CLICK THAT CRITIC. Dom Noble tackles the new Dune movie. How good an adaptation of the book is it?

(19) LEGACY. It’s less fun if you don’t play them, but it can pay off for your heirs. “Sealed copy of ‘Super Mario Bros. 2’ sells for $88,550 in estate sale” reports UPI.

An auction house handling an estate sale for a recently deceased Indiana woman said a sealed copy of 1988 video game Super Mario Bros. 2 sold for a whopping $88,550.

(20) GOOD CLEAN FEAR. The New Yorker’s Richard Brody call these “The Best Horror Movies for Halloween—Without the Gore”.

…That said, there’s a formidable tradition of films that express horror according not to a set of established guidelines but to freely expressive impulse, evoking, through far-reaching imagination rather than blood and guts, the emotions of fear, dread, foreboding, and a sense the uncanny. Here are ten of my favorites….

The list includes –

“Shadow of the Vampire”

(2000, E. Elias Merhige)

This extravagant horror drama, played earnestly, is nonetheless also a giddy comedy of counterfactual cinematic history. It’s centered on the shoot of “Nosferatu,” the founding vampire film, in which the titular bloodsucker—bald-headed, pointy-eared, pop-eyed, long-clawed, and fanged—runs rampage through the bedrooms of Transylvania. The wild premise of Merhige’s film (written by Steven Katz) is that the real-life actor playing that role, a little-known one named Max Schreck (the last name actually means “fright” in German), was cast in the role because he was a real-life vampire. John Malkovich plays Murnau, who, in order to cast Schreck, both deceives his cast and crew and puts them at grave risk; Schreck is played by Willem Dafoe, who is conspicuously having the time of his life playing a monster straight. Merhige, too, overtly delights in the misunderstandings that divide humans from monsters—and also offers a monstrous metaphor of cinematic history itself, the real-life depredations on which the classic cinema was founded.

(21) WHAT MUSIC THEY MAKE. Overly Sarcastic Productions takes on Werewolves for Halloween!

You know ’em, you love ’em, but you might not know ’em quite as well as you think you do! Today let’s dive into one of the big-name creatures of the night!

(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Floor 9.5” at Vimeo, Tony Meakins says if the elevator stops between the ninth and tenth floor, don’t get off!

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Bonnie McDaniel, Darrah Chavey, Jennifer Hawthorne, StephenfromOttwa, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]