Pixel Scroll 1/10/23 Scrolls Are Here, Scrolls Are Here, Life Is Pixels And Life Is Bheer

(1) SPEAK MEMORY. The Guardian wonders, “Death of the narrator? Apple unveils suite of AI-voiced audiobooks”.

Apple has quietly launched a catalogue of books narrated by artificial intelligence in a move that may mark the beginning of the end for human narrators. The strategy marks an attempt to upend the lucrative and fast-growing audiobook market – but it also promises to intensify scrutiny over allegations of Apple’s anti-competitive behaviour.

The popularity of the audiobook market has exploded in recent years, with technology companies scrambling to gain a foothold. Sales last year jumped 25%, bringing in more than $1.5bn. Industry insiders believe the global market could be worth more than $35bn by 2030.

… Before the launch, one Canadian literary agent told the Guardian she did not see the value from both a literary or customer perspective.

“Companies see the audiobooks market and that there’s money to be made. They want to make content. But that’s all it is. It’s not what customers want to listen to. There’s so much value in the narration and the storytelling,” said Carly Watters….

(2) KELLY LINK Q&A. At Publishers Weekly: “Flights of Fancy: PW Talks with Kelly Link”.

What can contemporary fiction inject into the fairy tale?

Maybe psychological depth. Fairy tales depend on what the reader brings to them. The difference between fairy tales and myth is that Disney hardened our idea of certain stories so that a particular version of them becomes so codified that it replaces other possibilities of how that story could exist. I don’t think it’s great to let those stories exist in one form. People are constantly retelling them, and I think you need the rigid, popular version everyone knows for the weirder versions to have any power….

(3) DEADLINE EXTENDED. L.A. County high school students now have until January 23, 2023 to submit their sff short stories to The Tomorrow Prize & The Green Feather Award.

The Omega Sci-Fi Awards invites Los Angeles County high school students to submit their short science fiction stories to The Tomorrow Prize. The Tomorrow Prize encourages young writers to use sci-fi to explore the diverse issues humanity wrestles with, spark creative solutions, and unite the worlds of art and science.

The Green Feather Award co-presented by the Nature Nexus Institute, highlights an environmentally focused sci-fi story. We are seeking stories that integrate creative solutions to the climate and biodiversity crises.

For more details please see submission guidelines.

Selected finalists will be chosen to have their stories read in their honor by celebrity guests during the May 2023 Culminating Event.

First, Second, and Third place Tomorrow Prize winners will receive $250, $150, and $100 USD cash prizes.

The First place Tomorrow Prize winner will be published in L.A. Parent Magazine.

The Green Feather Award is a special prize for an environmentally focused sci-fi story. The winner will receive $250 USD & online publication by the Nature Nexus Institute.

(4) IN THE BEGINNING? Whatever presents “The Big Idea: Nancy Kress” about the premise to Observer, the novel she’s co-written with Robert Lanza.

…On the one hand, could science support the idea that consciousness creates the universe?  On the other hand, wasn’t this just recycled philosophy 101 according to Irish philosopher George Berkeley, among others?…

(5) TRIVIAL TRIVIA. English-language prozine Interzone is being published in Poland by MYY Press.

(6) A GREEN MAN, BUT NOT A LITTLE ONE. MeTV remembers the time “Ted Cassidy helped Gene Roddenberry play a prank behind the scenes on Star Trek”. Here’s the first part of the story:

The first-season Star Trek episode “What Are Little Girls Made Of?” has a few memorable things that stand out. It gives us our second evil duplicate Kirk of the series, we get some backstory for Majel Barrett’s nurse Chapel… but arguably what sticks in the minds of fans the most is Ted Cassidy as ominous android Ruk.

At this time, Ted Cassidy was fresh off the ending of The Addams Family where he enjoyed a regular role as Lurch, the family butler. In his book Star Trek Memories, William Shatner talks about how Cassidy was cast as the seven-foot-tall, menacing android. Prior to filming, Star Trek‘s makeup artist, Freddie Phillips asked Cassidy to come in for a makeup test.

“Cassidy sat down in Phillips’ undersized makeup chair and allowed the artist to transform him from a smiling young actor to an evil, hulking monster,” Shatner writes. “First Freddie covered Ted’s head with a latex skinhead wig; then he applied a sort of greyish-green base coat over Cassidy’s entire face. Once all that was done, Phillips darkened the area around each of the actor’s eyes and employed a black grease pencil to sharpen the angles of Ted’s cheekbones, forehead and chin. The end result was quite frightening and really served to drain all the humanity from Cassidy’s face.”…

(7) BOOK KEEPING. “Floods, Fires and Humidity: How Climate Change Affects Book Preservation” in the New York Times.

…Both immediate and long-term strategies are needed to keep books secure in changing environments, experts say, but some threats are more insidious than wildfires or hurricanes.

Shifts in temperature and humidity from climate change can have large consequences. Archivists and conservators in Cincinnati, for example, are worried about big temperature swings in a single day. Humidity is on the rise in Southern California, where the climate is historically dry; most preservation systems in the area aren’t designed to manage precipitation.

“The higher the humidity, the higher the temperature, the quicker they will break down their organic materials,” said Holly Prochaska, the interim head of the Archives and Rare Books Library at the University of Cincinnati. “Leather will wet rot. Collagen fibers in vellum will tighten and shrink.”…

Institutions like U.C.L.A. are developing ways to combat humidity to work in tandem with their climate-controlled stacks and collections rooms. Now, because of climate change, Metzger thinks twice before loaning out materials, which can keep history and knowledge under lock and key.

“Books gain meaning by use — use is exhibit, use is research — and there’s a beauty in use,” Metzger said. “If we just isolate things and keep them in these little, perfectly controlled environments with guards around them, what is their meaning anymore?”

One solution is digitization — scanning pages and storing them online. The process is not only an answer to climate change; it also allows for documents to be easily accessible and shared, broadening a collection’s reach. Adding documents to a server or the cloud, though, presents its own set of obstacles, both practical and environmental.

(8) SYLVIA RUCKER (1943-2023). Sylvia Bogsch Rucker, Rudy Rucker’s wife, died January 6. He pays tribute to her in “Sylvia’s Life”.

…Her curiosity never ended, even in her final days she wanted to know the details of everyone’s lives. This special attention made everyone feel loved. Her loving, warm, beautiful spirit will be deeply missed by all….

(9) MEMORY LANE.

1926 [Compiled by Cat Eldridge.] Pooh and food

We shall talk about Pooh and food. Well actually I believe that A.E. Milne only had one food that his round little bear found interesting to the point of obsession and that was honey. Honey, often spelled Hunny by Pooh, is as you know the ever so sweet food made by bees. 

It’s easily the most important food in the Winnie-the-Pooh works, being loved by pooh bears, heffalumps and woozles and also enjoyed by rabbits and piglets. 

Pooh even called it smackerel , which is to say a snack of a small amount of honey. Indeed In the very first chapter, Pooh tells us, “the only reason for making honey is so as I can eat it”.

And yes, actual bears do love honey. They’ll break open a tree to get at a wild hive inside a dead trunk eating the honey and bees alike. They particularly like the bee larvae. 

““When you wake up in the morning, Pooh” said piglet at last, “what’s the first thing you say to yourself?”

“What’s for breakfast?” said Pooh. “What do you say, Piglet?”

“I say, I wonder what’s going to happen exciting today?” said Piglet.

Pooh nodded thoughtfully.

“It’s the same thing,” he said.”

The illustration is from the 1926 first edition with the art by E.A. Shepherd.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 10, 1904 Ray Bolger. The Scarecrow in The Wizard of Oz, the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, andVector In “Greetings from Earth” on the Seventies version of Battlestar Galactica. He made a Dr. Pepper ad which you can see here. (Died 1987.)
  • Born January 10, 1937 Elizabeth Anne Hull. She served as the President of the Science Fiction Research Association and editor of its newsletter. She was a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. With her husband Frederik Pohl, Hull edited the Tales from the Planet Earth anthology. She was also the editor of the Gateways: Original New Stories Inspired by Frederik Pohl anthology. She has co-authored three short stories with him, “Author Plus”, “The Middle Kingdom” and “Second Best Friend”. (Died 2021.)
  • Born January 10, 1944 William Sanderson, 79. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner, but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood
  • Born January 10, 1944 Jeffrey Catherine JonesShe was an artist providing more than a hundred and fifty covers for many different types of genre books through mid seventies including the Ace paperback editions of the Fafhrd and Gray Mouser series including Swords Against Death. Among her work was also Flash Gordon for Charlton Comics in the Sixties and the Conan Saga for Marvel Comics in the late Eighties.  (Died 2011.)
  • Born January 10, 1947 George Alec Effinger. I’ve read his Marîd Audran series at least twice as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review.  I don’t think I’ve ever encountered any of his other works. (Died 2002.)
  • Born January 10, 1959 Jeff Kaake, 64. He’s on the Birthday Honors list as he was Captain John Boon on the Space Rangers which lasted only six episodes. Damn. That was a fun show! He was also Thomas Cole on Viper which lasted four seasons. And he showed up in the Stormageddon film (which sounds like the name a Filer would give to a beloved  SJW Cred) as well. 
  • Born January 10, 1959 Fran Walsh, 64. Partner of Peter Jackson, she has contributed to all of his films since the late Eighties when she started out as co-writer of Meet the Feebles, and as producer since The Fellowship of the Ring which won a Hugo. Need I note the next two films won Hugos as well? The Hobbit films did not win Hugos.  The first one was nominated at LoneStarCon 3 but lost out to The Avengers; the other two were not nominated.

(11) COMICS SECTION.

(12) TOTOPOTUS. [Item by Ben Bird Person.] Miranda Parkin (@mparkinb) did this piece based on Season 2 of the HBO sci-fi comedy television series Avenue 5 (2020-):

(13) LOOK CLOSER. [Item by Jo Van.] Something tonight reminded me of the Deep Space Nine Documentary What We Left Behind, which I helped to crowd-fund back in 2017, and I was thinking, wait a minute, wasn’t there something about a posted acknowledgement of the contributors?

It took a foray into the Wayback Machine, but I found it… and there’s my name, down about where Sisko’s communicator would be.

(14) GAINING CREDENTIALS. Annalisa Barbieri tells the Guardian “What the love of cats taught me about myself”.

I never thought I’d kiss a cat. Or like them, or be in a room with them. Cats, to me, were evil and unpredictable. A classic projection, if ever I saw one, of fear manifesting as dislike. Intense fear. Intense dislike.

But then I became a mother and, as we all know, maternal love makes you do strange, selfless things occasionally. My children started asking for a cat. I said no, of course. My home was my safe place. No cats allowed. For some years they asked for a cat, on and off. Eventually, the “why we should get a cat” lists started getting toilet-roll long and I started thinking, maybe we can get a kitten. Kittens are cute. I started watching videos. Kittens were cute….

(15) BIG SIXTIES FINISH. Victoria Silverwolf wraps up a review of a famous anthology: “[January 10, 1968] Saving the Best For Last (Dangerous Visions, Part Three)” at Galactic Journey.

Welcome to the last of our three discussions about an anthology of original fantasy and science fiction that’s drawing a lot of attention. Love it or hate it, or maybe a little of both, it’s impossible to ignore….

(16) ALAS, POOR UNIVAC. Arturo Serrano brings us “Microreview [book]: Hamlet, Prince of Robots by M. Darusha Wehm” at Nerds of a Feather.

No longer the seat of Danish monarchy, Elsinore is now a corporation, a leading manufacturer of human-like robots. The murdered Hamlet senior was the Humanoid Artificial Mind (Learned Emotive Type), a model that represented a huge leap ahead in robotic innovation. Instead of a queen, Gertrude is a CEO, whose hopes for Elsinore’s bottom line now depend on the success of her latest creation, the Hamlet v.2. If the company doesn’t maintain dominance of the robot market, its (figurative) throne will be snatched by its main competitor, which is aggressively promoting a rival model, the Fortinbras. But one night, a portion of old code from Hamlet v.1 copies itself into the hard drive of Hamlet v.2, and a quest for revenge begins to take shape.

Everything’s better with robots, and a retelling of one of the biggest classics in the Western canon is a sure attention grabber….

(17) ON THE SHELF. Nerds of a Feather’s Paul Weimeralso asked the Hamlet author for recommendations in “Six Books with M. Darusha Wehm”.

1. What book are you currently reading?

I’ve had it on my shelf since it came out, but only just started The Book of Flora by Meg Elison. It’s the third and final book in the “Road to Nowhere” series, which starts with The Book of the Unnamed Midwife. The whole series is an incredible, post-apocalyptic saga of the struggles of communities in dark times. I’ve loved the two previous books in the series, but while the books offer stories of human resilience, they are also harrowing to read, so I’ve had to space them out in my reading time…. 

(18) VIDEO OF THE DAY. In case you missed the Sixties we offer “The Complete 14 Batman Window Cameos”.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Jo Van, Daniel Dern, Andrew Porter, Michael Toman, JJ, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/22/22 File Thing, You Make My Scroll Sing, You Make Everything … Pixelly

(1) NPR’S PICKS OF 2022. NPR has put up its massive list of “Best Books 2022: Books We Love”. It’s sortable by category – this is the button to pull out the 67 “Sci-Fi, Fantasy & Speculative Fiction” titles. The tool will also take you back to any of their annual selections since 2013.

Books We Love! – NPR’s biannual, interactive reading guide – is back for its 10th year with 400+ books published in 2022! Mix and match tags including “Book Club Ideas,” “Eye-Opening Reads,” and “Kids’ Books” to browse titles hand-picked by NPR staff and trusted critics. Click back through a decade of recommendations to find more than 3,200 books – we’ve got your next favorite read and something for every person on your holiday shopping list. Discover the books that comforted, challenged, and captivated us this year.

(2) WHAT DO YOU WANT SANTA TO BRING? Connie Willis, on Facebook, recommends adding Miracle on 34th Street to your Thanksgiving viewing. She does a deep dive into how a real Macy’s parade was filmed for the movie, and has other insights into the actors and actresses.

Thanksgiving is fast upon us, and I have a great movie to recommend (besides the standards we watch every year: PLANES, TRAINS, AND AUTOMOBILES and DEAR GOD.) The movie is MIRACLE ON 34TH STREET (the original black and white with Edmund Gwenn, Natalie Wood, Maureen O’Hara, and John Payne).

“But that’s a Christmas movie!” I can hear you saying. True, but it actually begins at Thanksgiving, with the Macy’s Thanksgiving parade, and, even better, the parade in the movie is the real deal. Yes, the actual Macy’s Thanksgiving Day Parade from the year the movie was made, 1946. They filmed the opening sequences with the majorette and the clown and the drunken Santa–“It’s cold! A man’s gotta do SOMETHING to keep warm!”–at the beginning of the parade….

(3) LOCUS FUNDRAISER MAKING PROGRESS. With 23 days left, the Indiegogo for “Locus Magazine: Science Fiction, Fantasy, Horror” has raised $45,169 of the $75,000 goal with the help of 473 backers. There’s a variety of perks available, such as this one for $30 donors.

(4) WILL IT MAKE A BIG SPLASH? A new trailer for Avatar: The Way of Water – in theaters December 16.

Set more than a decade after the events of the first film, “Avatar: The Way of Water” begins to tell the story of the Sully family (Jake, Neytiri, and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.

(5) IT’S REALLY AND SINCERELY DEAD. The Department of Justice put out a press release about Penguin Random House and Simon & Schuster’s decision to not appeal the district court’s verdict barring their merger deal.

The district court’s decision is a victory for authors, the marketplace of ideas, consumers, and competitive markets. It reinforces the important principle that antitrust laws apply to transactions that harm content creators and workers. The Department is pleased that Penguin Random House and Simon & Schuster have opted not to appeal.

(6) RECOMMENDED READING FOR ELON MUSK. Norman Spinrad, for reasons unexplained, wants to place a copy of his forthcoming novella Up and Out in the hands of Elon Musk. He calls on everyone to use their connections and get back to him at [email protected]

ELON MUSK WHERE ARE YOU?
       
It has often been said that no one on the planet is more than 6 steps from anyone else, and I have been trying contact Elon Musk fruitlessly, not surprising, given that he is the richest and maybe one of the most famous people on Earth.  I did not want to ask him for money or anything else.  I simply wanted to give him something that I know he would enjoy, a novella called UP AND OUT, but of course, impossible to get the rtf to him personally.
     
And this is a very personal gift and now it will be published December 13th in the formally January/February issue of  Asimov’s SF Magazine.  So he will be able to buy the issue if he knows about it, and I think he can probably afford it.  

So what I am asking y’all is only to help me tell him.  Given that there are about 200 people getting this, the math would seem to say that the odds are good.  I’m not asking for an email address, or anything else, so this would seem to be possible.

(7) A CLASSIC RESUMES. “’Willow’ Resurrected: The Hard-Fought Story of an Epic Comeback”Vanity Fair tells that story, how it came to pass that Willow will roll again on Disney+ beginning November 30.

Jonathan Kasdan was in the middle of making a Star Wars movie, but his mind kept venturing to an entirely different universe. 

This happened in 2017, when the screenwriter of Solo stood on the Canary Islands set of the movie, watching as one of his idols dropped in for a cameo. Warwick Davis, who was there to play a member of a galactic biker gang, had a long history of playing Star Wars characters, but he was also the star of one of Kasdan’s favorite movies from childhood, the 1988 sword-and-sorcery adventure Willow.

“I asked to be introduced to him,” Kasdan recalls. “I had one of the ADs walk me over, and he was sitting in his foldout chair. I said, ‘I’m Jon Kasdan. I’m one of the writers.’ And he was very nice.” But Kasdan had a not-so-secret agenda. “I said, ‘Listen, I love Willow, and I really think there’s something to be done here. I’m beating the drum loudly with Kathy [Kennedy, Lucasfilm’s president] and with the company.’” Davis lit up. “He immediately was like, ‘Have a seat! Let’s talk more!’” Kasdan says. “We started talking that very minute about what it could be and have never stopped.” 

Five years later, Willow—the new Disney+ series —will debut on November 30. But the journey between that first conversation and the completion of the show was a fraught adventure of its own, sometimes harrowing, sometimes comical, sometimes just awkward. Still, it was driven by a sincere love of this fantasy realm and the unlikely hero at its center.

Today, Kasdan is part of the Lucasfilm brain trust, consulting on multiple projects with his own office at their Disney headquarters, (complete with a sweeping view of Kennedy’s parking space, he jokes). But back in 2017, when he first broached the subject of reviving Willow with Davis on the set of Solo, his credits included writing stints on Dawson’s Creek and Freaks and Geeks, and directing the indie films The First Time and In the Land of Women. Kasdan had leveled up to epics for the first time with Solo, which he had cowritten with his father (Star Wars veteran and Oscar-nominated screenwriter Lawrence Kasdan). He had the experience and the enthusiasm to take on a return to Willow, if not the actual pull at Lucasfilm to make it a reality….

(8) PARADOX LAUNCH EVENT. [Item by SF Concatenation’s Jonathan Cowie.]  I previously sent an image of the cover of Romania’s H. G. Wells SF Society of Timisoara 50 year anniversary edition of Paradox (Pixel Scroll 11/17/22 item #12).

The zine’s launch  took place at the Theresien Bastion (the main section of the former Austrian fortifications that defended Timisoara in 1700s) and it attracted a number of old sci-fi fans and members of the H.G. Wells association. 

I have pictures of the launch courtesy of Silviu Genescu (himself an award-winning author – the Romanian equivalent of the Booker for D is for ‘End’)

(9) MEMORY LANE.

1986 [By Cat Eldridge.] Nutcracker: The Motion Picture 

Christmas long ago was the memory of a dream that seemed never to end. But somewhere in the middle of that dream, I always did wake up, just in time to attend the Christmas party. — Opening lines as said by the adult Clara.

So let’s talk about a most unusual Nutcracker that had the blessing to get filmed. Nutcracker: The Motion Picture, also known as Pacific Northwest Ballet’s Nutcracker or simply Nutcracker, is was produced thirty-six years ago by the Pacific Northwest Ballet.

So what makes this one worth knowing about? Two words that form a name: Maurice Sendak. 

Choreographer Kent Stowell who the artistic director of the Pacific Northwest Ballet had invited the author-illustrator Maurice Sendak to collaborate on a Nutcracker production in 1979 after his wife and another colleague had seen a Sendak design for a performance of Mozart’s The Magic Flute.  

Sendak initially rejected Stowell’s invitation, later explaining why he did so:  

The Nutcrackers I’ve seen have all been dull. You have a simpering little girl, a Christmas party, a tree that gets big. Then you have a variety of people who do dances that seem to go on and on ad nauseam. Technically it’s a mess, too; Acts I and II have practically nothing to do with each other. … What you don’t have is plot. No logic. You have lots of very pretty music, but I don’t enjoy it because I’m a very pedantic, logical person. I want to know why things happen.

He later accepted provided that he could write it so it was in tune with the themes in Hoffmann’s original story. It was extremely popular and it was the annual Christmas show for thirty-one years. 

For reasons too complicated to explain here, I got invited on a personal tour of the backstage area of the Pacific Northwest Ballet building where the scenery and other materials that Sendak had designed for this were stored. To say these were magical is an understatement. And just a tad scary up close. 

Two Disney executives attended the premiere and suggested it’d make a splendid film. Sendak and the Director of the Ballet resisted at first preferring to just film the ballet. But both finally decided to adapt it to a film. That meant Clara’s dream had to be clarified; large portions of the choreography were changed; some of some the original designs underwent revision, and Sendak created additional ones from scratch.

It was shot in ten days on the cheap and critics weren’t particularly kind about the result as they could see the necessary shortcuts taken. Ballard, the Director here as well, responded to criticism about the editing in a later The New York Times interview, noting that the editing was not what he had initially planned, but was because of the tight filming schedule.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 22, 1932 Robert Vaughn. His best-known genre work was as Napoleon Solo in The Man from U.N.C.L.E. with other genre work being in Teenage CavemanStarship InvasionsThe Lucifer ComplexVirusHangar 18Battle Beyond the StarsSuperman III C.H.U.D. II: Bud the C.H.U.D. (seriously who penned that awful title?), Transylvania Twist and Witch Academy. Oh, and he wrote the introduction to The Man from U.N.C.L.E. series companion that came out a generation after the series aired. (Died 2016.)
  • Born November 22, 1940 Terry Gilliam, 82. He’s directed many films of which the vast majority are firmly genre. I think I’ve seen most of them though I though I’ve not seen The Man Who Killed Don QuixoteTidelandThe Zero Theorem or The Imaginarium of Doctor Parnassus. I’ve seen everything else. Yes, I skipped past his start as the animator for Monty Python’s Flying Circus which grew out of his work for the children’s series Do Not Adjust Your Set which had the staff of Eric Idle, Terry Jones, and Michael Palin. Though he largely was the animator in the series and the films, he did occasionally take acting roles according to his autobiography, particularly roles no one else wanted such those requiring extensive makeup.  He also co-directed a number of scenes. Awards? Of course. Twelve Monkeys is the most decorated with six followed by Brazil with two and Time Bandits and The Fisher King which each have but one.  He’s not won any Hugos though he has been nominated for four — Monty Python and the Holy GrailTime Bandits, Brazil and Twelve Monkeys. My favorite films by him? Oh, the one I’ve watched the most is The Adventures of Baron Munchausen followed by Time Bandits. He’s co-directing and writing the forthcoming Time Bandits series Apple is financing and showing. I’ll subscribe when it’s out.
  • Born November 22, 1943 William Kotzwinkle, 79. Fata Morgana might be in my opinion his best novel though Doctor Rat which he won the World Fantasy Award for is in the running for that honor as well. And his short stories of which there are many are quite excellent too.  Did you know Kotzwinkle wrote the novelization of the screenplay for E.T. the Extra-Terrestrial? The usual digital suspects are well stocked with his books.
  • Born November 22, 1949 John Grant. He’d make the Birthday list solely for being involved in the stellar Encyclopedia of Fantasy which won a Hugo at BucConeer.  And he did win another well-deserved Hugo at Noreascon 4 for Best Related Work for The Chesley Awards for Science Fiction and Fantasy Art: A Retrospective.  Most of His short fiction has been set in the Lone Wolf universe though I see that he did a Judge Dredd novel too. (Died 2020.)
  • Born November 22, 1957 Kim Yale. Married to John Ostrander until 1993 when she died of breast cancer, she was a writer whose first work was in the New America series, a spin-off of Truman’s Scout series. With Truman, she developed the Barbara Gordon Oracle character, created the Manhunter series, worked on Suicide Squad, and was an editor at D.C. where she oversaw such licenses as Star Trek: The Next Generation. For First Comics, she co-wrote much of the amazing Grimjack with her husband.
  • Born November 22, 1958 Jamie Lee Curtis, 64. Can we agree that she was the best Scream Queen for her film debut in the 1978 Halloween film in which she played the role of Laurie Strode? No? Well, that’s my claim. Spoilers follow. She followed up with yet more horror films, The Fog and Prom Night. In all, she’s the only character that survives.  She would reprise the role of Laurie in six sequels, including Halloween H20Halloween: ResurrectionHalloween II and Halloween III: Season of the WitchHalloween (a direct sequel to the first Halloween) and Halloween Kills.  She shows up in one of my fave SF films, The Adventures of Buckaroo Banzai Across the 8th Dimension as Sandra Banzai but you’ll need to see the director’s extended version as she’s only there in that version. Is True Lies genre? Probably not, but for her performance, Curtis won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the Saturn Award for Best Actress. Damn impressive I’d say.  No, I’m not listing all her films here as OGH would likely start growling. Suffice to say she’s had a very impressive career. 
  • Born November 22, 1984 Scarlett Johansson, 38. Best known perhaps for her role as the Black Widow in the MCU films including the present Black Widow film but she has other genre appearances including playing Motoko Kusanagi in Ghost in the Shell which was controversial for whitewashing the cast, particularly her character who was supposed to be Japanese. 

(11) JMS WILL WORK WITH AWA. “AWA Studios Enlists Top Creatives to Shepherd Content Derived From Graphic Novels” reports Variety. J. Michael Straczynski is one of the six.

AWA Studios has enlisted Reginald HudlinGregg Hurwitz, Laeta Kalogridis, Joseph Kosinski, Al Madrigal and J. Michael Straczynski to serve on the company’s Creative Council. The council’s charter is for those established players to use their experience and their connections to help AWA writer and graphic artists “unleash the full potential of their characters and stories, providing a diversity of contemporary storytelling perspectives and putting projects in the best position to be scaled across the entertainment ecosystem,” per AWA.

(12) YA THRILLER. At Nerds of a Feather, Elizabeth Fitzgerald reviews a book that won the Norma K. Hemming Award for Long Work: “Microreview [book]: Ghost Bird by Lisa Fuller”.

Ghost Bird belongs most comfortably in the genre of the YA thriller. A certain subsection of this genre likes to play coy about the presence of supernatural elements. Examples include Black by Fleur Ferris, Small Spaces by Sarah Epstein and Flight of the Fantail by Steph Matuku. By the end, each of these books definitively answers whether the speculative elements played with are considered real within the story’s world. Ghost Bird also has definitive answers, making it very at home in this subgenre. However, its identity as an Indigenous Australian Own Voices narrative makes it difficult to call the story a speculative one. After all, referring to what may be a part of a living Indigenous tradition as fantasy or speculative seems neither respectful nor accurate.

Cleverly, this tension between Western and Indigenous thought is one of the central themes of Ghost Bird. The story is written in first person present tense from the perspective of Stacey. She is intelligent, rational and takes her education very seriously — too seriously, according to some of her family, who feel she should be paying more heed to traditional ways…

(13) THE RAVELED SLEEVE OF CARE IS NOT KNITTED UP. Arturo Serrano reviews a disappointing film based on Winsor McCay’s visual innovations: “’Slumberland’ won’t spark your dreams, but it will put you to sleep” at Nerds of a Feather.

A girl loses her father and processes her grief by oversleeping. An emotionally stunted uncle tries to learn childrearing from Google. The complicated interplay of growth and decay makes the future uncertain and scary. If she wants to grow up and stop retreating into fantasies, she’ll have to accept the fact of death, but also help her uncle reconnect with his inner child and dream again.

This setup sounds like it should deliver a full emotional experience, bolstered by the metaphoric possibilities of dream language. Unfortunately, Netflix film Slumberland shows us a muted dreamscape that doesn’t dare embrace the protean qualities of the unconscious mind. When protagonist Nemo ventures into the land of dreams to look for her father, the place looks too rigid, too rational, built on an oppressively linear logic that makes it less Paprika and more Inception. This does not feel like the dream of a child; it feels like an adult’s self-serving memory of what goes on in a child’s mind….

(14) POPULATION CRISIS. Paul Weimer reviews a novel about a world ruled by women where girl children are no longer being born: “Microreview [book]: Scorpica by G.R. McAllister” at Nerds of a Feather.

…Humans are a species that can think in terms of years, decades and generations ahead and to come. Humans are a species that is very concerned with their posterity, as a way of preserving not only their legacy, but establishing the future for their children and their children’s children. And when that posterity is threatened, people, and the societies they inhabit, can come under stress, fracture, and break.

P D James’ novel The Children of Men (and its movie adaptation) explores the death of posterity for the human race by having had no children born in the last 17 years. Mankind is slowly and inexorably aging out to death, and the stresses on people, on society are like an inexorably tightening vise, a ticking clock for humanity. It’s not pretty, even (and perhaps especially) when there is a glimmer of hope that the doom can be averted.

We come to GR McAllister’s Scorpica, which takes a widescreen epic fantasy approach to this scenario. The Five Queendoms (which is also the name of the series that Scorpica starts) are a quintet of fantasy kingdoms which are not just matriarchies, kingdoms ruled by women, but out and out gynarchies. This is a woman’s world, from the fierce fighters of Scorpica to the potent magicians of Arca, the power, authority and social structures are all controlled by women.

So, when the Drought of Girls begins, and girls are no longer being born among any of the five kingdoms, there is indeed a slow moving, inexorably building crisis that strikes the inhabitants of the kingdoms, and the lives of those whom we meet in the book….

(15) GENRE JUSTICE. “Judge John Hodgman on Klingon Cat Names” in the New York Times.

Tyler writes: My partner, who is also named Tyler, wants a second cat. I’m not a fan of cats, so he takes full responsibility for ours. I told him if he adopts another cat, I would get to name it. He agreed. But he doesn’t like the name I’ve chosen — Gowron, after the Chancellor of the Klingon High Council — and insists I choose another.

This one hurts. First, because you presumed I didn’t know who Gowron is. He’s the son of M’Rel, for Kahless’s sake! Second, I suspect you’re just trying to annoy Tyler as punishment for this second cat. Third, it’s obvious this cat should be named Tyler. But a deal is a deal: Gowron it is. At least you did not get clever and suggest “Meowron,” which I’m sure has been done one million times. Readers, let me know how many of you have cats named Chancellor Meowron. Also email me if your dog is named Lieutenant Woof.

(16) VIDEO OF THE DAY. From The Late Show with Stephen Colbert on October 26: “Will Our New Writer George R.R. Martin Finish The Monologue On Time?”

[Thanks to Mike Kennedy, JJ, John King Tarpinian, Cat Rambo, ja, SF Concatenation’s Jonathan Cowie, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 10/10/22 I Demand Satisfaction. Pixels At Dawn

Illo by Joe Pearson

(1) ASKING ABOUT BRAIN-COMPUTER INTERFACES IN SF. Prof. Brendan Allison has a question, and File 770 has volunteered to try and crowdsource the answer:

I am an academic researcher in the field of brain-computer interfaces (BCIs). I’m writing a book chapter about BCIs in science fiction, called BCI-fi. Among other academic pursuits, I’m looking for the first reference to an artificial brain interface. It must involve a device. I’m just writing you as a way to research this question.   

The earliest reference so far was the first X-Men comic in 1963. Professor X can “interface” with psychic power – which doesn’t count – but also uses a brain interface to bolster that ability. Frankenstein does use a device to stimulate the brain, but that’s arguably not an interface.

Prof. Allison also sent links to recordings of two recent workshops about BCI-fi where one of the participants was Andy Weir. (“BCI Thursdays Next Generations: BCI-fi Part 1” and “BCI Thursdays Next Generations: BCI-fi Part 2”.)

In this two-part event, we will have prominent speakers within the BCI-fi community to discuss their contributions to BCI-fi, their favorite examples of BCI-fi including movies, books, and podcasts, and next steps to develop, foster, or publicize “good” BCI-fi. We will be joined by Dr. Brendan Allison (UCSD), Andy Weir (author of The Martian), Dr. Eric Leuthardt (Washington University in St. Louis), Stephen Hou (host of Neurratives podcast), Dr. Richard Ramchurn (University of Nottingham), Dr. Jane Huggins (University of Michigan) and Dr. Robert Hampson (Wake Forest University).

(2) IS THERE AN IDEAL LENGTH? “Novels versus novellas in Speculative Fiction” are debated at A Deep Look by Dave Hook.

Many argue that the perfect length for speculative fiction is the novella, or short novel. Some believe that this is long enough to tell a successful story while not longer than needed. It is said that this length allows for character development and change, and perhaps multiple plot lines, while short enough to be taut and not meander or bog down.

I don’t know if it’s true that the novella is the perfect length for speculative fiction, but it is certainly true that many great works of speculative fiction are novella length, whether works such as “The Times Machine” by H. G. Wells right up to modern fiction such as “A Spindle Splintered” by Alix E. Harrow….

(3) SFWA SF STORYBUNDLE SUBMISSION CALL. The Independent Authors Committee of the Science Fiction and Fantasy Writers Association (SFWA) is open for submissions for their science fiction StoryBundle to be released next spring. Submissions will be accepted through October 31, 2022, at 11:59pm Eastern Time. The theme for the call is Space is Big. Really Big. They are looking for space opera and “other books that span large swaths of space.” Full guidelines for this submission call can be found here.

StoryBundles are curated collections of books offered at a discounted price. Proceeds go to the participating authors and StoryBundle, and a small cut is donated to SFWA. 

This is a great chance for independent and small press authors to gain more exposure and sell more books! Submissions of indie and traditionally published novels will be accepted, though publishers must give permission in writing. You do not need to be a SFWA member to apply! 

We welcome full-length science fiction novels of over 40,000 words. We ask that authors submit only one novel, and do not submit a novel that has appeared in any previous StoryBundle (SFWA or otherwise.) Please only submit novels that will be for sale by March 1, 2023. You must have full rights to enter your novel in the StoryBundle, and the novel must not be in Amazon’s KDP Select at the time that the StoryBundle is offered.  Participants will be notified by December 1, 2022, so that any books enrolled in KDP will have time to be brought out of exclusivity before the bundle is released on or about March 1, 2023.

Questions may be directed to [email protected]

(4) FUNDRAISING FOR THE THOMASES. The Gofundme for “Lynne and Michael Thomas”, who are facing the loss of their 19-year-old daughter Caitlin to medical complications from Aicardi Syndrome, had raised $58,486 when checked earlier today.  Jim C. Hines, who set up the appeal, explained what it’s for:

…I’ve spoken a bit with Michael. It sounds like the medical costs of Caitlin’s treatment are covered. End-of-life costs are another matter.

The goal of this fundraiser is to cover those end-of-life expenses, and to hopefully provide a financial cushion to allow the Thomases to spend their remaining time with Caitlin – and when the time comes, to grieve – without also having to worry about money. All donations will go directly to Michael and Lynne (with the exception of GoFundMe’s processing fee)….

(5) EKPEKI CROWDFUNDING. The Gofundme to “Send Oghenechovwe Ekpeki World Fantasy Con” has brought in $2,000 of its $4,000 goal as of this afternoon.  Jason Sanford outlined why it’s needed:

…A successful previous fundraiser brought Ekpeki to this year’s Worldcon, where he was a finalist for two Hugo Awards. However, his gruesome battle with the US embassy in Nigeria for a visa and exorbitant fees and repeated payments resulting from that (including last-minute changes to his international flights) resulted in costs far exceeding what that fundraiser brought in. So this new fundraiser would also mop up those expenses as well….

(6) NEVERTHELESS, A BRADBURY AND ASIMOV FAN. “Temple Grandin Is a Visual Thinker Who Hates Graphic Novels” according to a headline in the New York Times. Here’s an excerpt from their interview with Grandin.  

What kind of a reader were you as a child? Which childhood books and authors stick with you?

I was not able to read until I was age 8. Mother tutored me with phonics, and I quickly went from no reading to reading above my age level. My favorite books when I was in fourth grade were “Black Beauty,” “The Wonderful Wizard of Oz” and a children’s book about famous inventors. I really related to Black Beauty’s pain when he was forced to pull a heavy carriage with his head held up by a bearing rein. The inventor book appealed to me because I loved to tinker with my kites to make them fly better.

What genres do you especially enjoy reading and which do you avoid?

I avoid romance novels. The books I really enjoy are either about animals or science fiction. I loved “Merle’s Door,” by Ted Kerasote. Many dogs today live really restricted lives and they have no normal dog social life. Another favorite is “The Soul of the Octopus,” by Sy Montgomery. It really made me think about consciousness. When I received a review copy of “A Dog’s Purpose,” by W. Bruce Cameron, I could not put it down. In the science fiction genre, I am a fan of Ray Bradbury and Isaac Asimov.

(7) PICK SIX. How long has this variation been around? A spinoff from Nerds of a Feather’s “Six Books” interview series is “6 Games With Aidan Moher”.

1. What game are you currently playing?

Appropriately, I’m splitting my time between a couple of JRPGs—one current, one retro.

On the big screen downstairs I’m about 60 hours into Xenoblade Chronicles 3 and still mildly obsessed. I really love a lot of creator Tetsuya Takahashi’s older games—especially Xenogears, which I just finished replaying—but bounced hard off Xenoblade Chronicles 2, so I was a little hesitant when they announced the third game. It’s exceeded all of my expectations, though, and is probably my favourite game in the series now—an improvement on the second game in pretty much every way. Vast world, memorable characters, and Takahashi’s typical zany JRPG plot is a drool-worth combination.

Upstairs in my CRT corner, I’m playing Paper Mario for the Nintendo 64 for the first time. I’ve enjoyed many other games in the series—including Sticker Star, which has a bad reputation—but the original slipped past me for a variety of reasons. It’s wild to go back to the very beginning and see all of the series’s trademarks right there, fully formed, polished, and perfectly enjoyable 20 years later. It’s genuinely funny, the combat is simple but engaging thanks to its timing-based mechanics, and it’s got some of the best graphics on the system.

(8) WAS THE ZODIAC KILLER A FAN? [Item by Susan de Guardiola.] There’s a new theory that the Zodiac killer was a fan, Paul Doerr.

The news reports on this are the first time I’ve ever seen fanzines, filk, D&D, SCA, Renfaires, etc. paired with a Zodiac killer theory.

The evidence is circumstantial, but there’s an awful lot of it.

Los Angeles Magazine devoted an article to the question “Has The Zodiac Killer Mystery Been Solved (Again)”, discussing author Jarrett Kobek’s books Motor Spiritabout the misbegotten hunt for Zodiac, and How to Find Zodiacabout Paul Doerr. 

… As he studied Zodiac’s cryptic letters, Kobek brought a writerly attention to bear. He zeroed in on the killer’s habit of quoting forgotten bits of cultural ephemera (the well-known call-outs to The Mikado and to the 1924 short story “The Most Dangerous Game,” as well as a telling reference to an obscure 1950s comic book, identified by an anonymous online researcher, Tahoe27, several years back). Running other apparent quotations through Google Books and the Internet Archive, Kobek formed a picture of the killer as a fan of pulp novels, comics, and other nerdy touchstones. Kobek knew a bit about the early years of the sci-fi and fantasy fandoms, how these nascent communities had begun taking shape around an array of obscure self-published zines. On a hunch, he did a quick web search of “fanzines” and “Vallejo.”…

Paul Haynes has published a long Twitter thread about Kobek’s evidence, now collected in three parts at Threadreader: Part I; Part II; Part III.

I don’t know if anyone who knew Paul Doerr is still around.

(9) THE CORFLU AUCTION IS NOW LIVE! The catalog for the Corflu Pangloss auction is now online at Corflu.org and eFanzines.com. Anyone can bid on those 80 lots, including non-members – the catalog has instruction on how to bid. See the Pangloss Fanzine Auction Catalog and Bid Sheet at the links.

Corflu has a long tradition of raising funds to support the convention by selling and auctioning off vintage science fiction fanzines before, during and sometimes after the convention. As Corflu is a convention devoted to fanzines and the fans who create them, it has always been a natural place to buy, sell or trade zines, and the live auction has often raised very impressive sums.

For the 39th issue of the convention, taking place October 21st to 23rd, 2022 in Vancouver, British Columbia, we have taken a new approach…  By creating this catalog of auction items and publishing it some weeks in advance of the convention, we hope to allow fans not attending Corflu Pangloss to participate. Anyone interested in buying is invited to send their bids by email to [email protected] by midnight, Pacific daylight time on October 22nd, 2022.

(10) MEMORY LANE.  

1992 [By Cat Eldridge.] “Relics” was the one hundred and thirtieth episode of Star Trek: The Next Generation. I found it to be one of the more fascinating episodes that series did and I’ll tell why in a minute, but first let’s talk about the usual details. 

Ronald Dowl Moore was the writer of this episode and he was best known fleshing out the Klingons. He also wrote the series finale here, “All Good Things…” which won the Hugo Award at Intersection.  And yes, he’s done a lot more Great Things than that but I have an understanding with OGH that I’ll try to keep things reasonably brief.

So why do I like it? Look there’s a Dyson Sphere being depicted as far as I know for the very first time on a video series! Y’all know what that is so you know why I’m so excited by this.

And then there’s the matter of the idea of the Enterprise in responding to a distress signal having the singular honor of rescuing Capt. Montgomery Scott! 

So how do the two connect? 

Well, the Enterprise, responding to a distress call discovers a Dyson sphere where they the distress call to the USS Jenolan, a Federation transport ship that has been missing for seventy-five years, which they find crashed on the sphere’s outer shell. And in the transporter buffer field, jury rigged to keep working, are two signals, two patterns, one degraded to be saved, the other that of Doohan. 

He bonds with Geordie which is fortunate as together they need to figure out how to get the Enterprise out of that damn Sphere. Afterwards he’s feeling like a relic but Picard cheers him up. As the Enterprise returns to its mission, the crew of the ship give Scott a shuttlecraft “on extended loan” to do whatever he wanted. 

I thought the writers did a nice job of making him a believable character, much more to be honest than the original series often did. And critics agreed as they’ve consistently voted this to be one of the best episodes of the series.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born October 10, 1927 Dana Elcar. Most of you will remember him as Peter Thornton on MacGyver, but he has a long genre history including Russ in Condorman which was inspired by Robert Sheckley’s The Game of X. He also played Sheriff George Paterson in Dark Shadows, and showed up in 2010 as Dimitri Moisevitch. (Died 2005.)

Born October 10, 1924 Edward Wood Jr. Though known for Plan 9 from Outer Space, he did a lot of other bad genre films including Night of the Monster and Bride of The Ghouls. (Died 1978.)

Born October 10, 1929 Robin HardyWicker Man is the film he’s known for though he followed that up with The Wicker Tree, an adaptation of his Cowboys for Christ novel. Anyone seen it? (Died 2016.)

Born October 10, 1931 Victor Pemberton. Writer of the script for the “Fury from the Deep”, a Second Doctor story in which he created the Doctor’s sonic screwdriver. He had appeared as an actor in the series, in a non-speaking role as a scientist in “The Moonbase” story. In 1976, he wrote the BBC audio drama Doctor Who and the Pescatons which I remember hearing. Quite good it was. (Died 2017.)

Born October 10, 1931 Jack Jardine. A long-time L.A. fan who was present at many West Coast cons and who shared the dais on panels with some of the major names in SF. Under the pen name Larry Maddock he wrote science fiction and mystery stories in the Fifties and Sixties. File 770 has more here. (Died 2009.)

Born October 10, 1941 Peter Coyote, 81. He actually did two genre films in 1982 with the first being Timerider: The Adventure of Lyle Swann in which he appeared as Porter Reese and the second being E.T. the Extra-Terrestrial which he’s Keys, the Agent hunting E.T. down. Sphere in which he’s Captain Harold C. Barnes is his next SF outing followed by The 4400 and FlashForward series being his next major genre involvements.

Born October 10, 1947 Laura Brodian Freas Beraha, 75. While married to Kelly Freas, she wrote Frank Kelly Freas: As He Sees It with him along with quite a few essays such as “On the Painting of Beautiful Women or Ayesha, She Who Must Be Obeyed” and “Some of My Best Critics are Friends – or Vice Versa“. She’s credited solely for the cover art for the 1993 Easton Press interior art for The Left Hand of Darkness according to ISFDB. 

Born October 10, 1966 Bai Ling, 56. She’s Miss West in Wild West West and the Mysterious Woman in Sky Captain and the World of Tomorrow, she has a major role as Guanyin in The Monkey King which aired on Syfy.

(12) COMICS SECTION.

  • Annie has turned the “little orphan” into a time traveler!
  • Off the Mark shows “parts is parts” isn’t true if you’re Frankenstein.

(13) DRESSED FOR EXCESS. SYFY Wire shares a load of photos in the NYCC 2022 – Final Day Cosplay Gallery.

New York Comic Con saved some of its coolest news for the weekend this year, as studios dropped loads of fun facts and features surrounding The Winchesters, Marvel’s Moon KnightThe Walking Dead, and Back to the Future — just to name a few.

But the stage wasn’t the only place catching fans’ attention as the four-day event rolled on at the Javitz Convention Center: Down on the ground, the guests themselves kept the cosplay fit tight, lining the halls with creatively killer takes on Mysterio, Red Skull, Buzz Lightyear, Predator, and tons more….

(14) CRILLY Q&A. Stone Soup questions the writer about a new novel: “Exclusive Interview with Brandon Crilly: Catalyst”.

Catalyst features an incredible cast of characters with complicated, overlapping histories. One of these characters is a stage magician who performs illusory tricks in a world where “real” magic is very present. What made you decide to bring these two contrasting approaches to magic central to this character’s identity?

Thank you for that compliment! Catalyst actually went through several serious revision drafts, and originally Mavrin (my street magician) was much more skeptical and almost willfully dismissive of “real” magic. When I added magic-bestowing squid gods (the Aspects) literally in orbit around Aelda, that level of skepticism didn’t make as much sense – so instead, it became obstinance. Mavrin has a lot of issues with the Aspects and their worshippers, so becoming an illusionist is part of how he distances himself from both. “I can make my own magic, I don’t need you!” is probably percolating in his subconscious somewhere (even though he’s fifty and not, like fifteen). But thankfully, he can only stay obstinate and grumpy for so long….

(15) A MISSION ACCOMPLISHED. Nerds of a Feather’s Arturo Serrano, in “Review: Wolf at the Door by Joel McKay”, says the book does one thing well.

There’s danger in hosting a big social gathering. People you haven’t seen in years can still make your throat tighten. Various combinations of acquaintances can be in good terms with you but be mortal enemies to each other. You dread the thought of who may knock at the door next. Your pulse quickens and your survival instinct rings alarms urging you to flee. Once the tension reaches critical mass, too much honesty will rip someone’s heart. The exchange of bitter words becomes a series of rounds of mutual eviscerations. Arguments get heated until someone loses their head. A friend’s careless remark under too much alcohol may lead to you never seeing them again. At any moment, the air can get so heavy that some of those present will suddenly depart from your life.

In Wolf at the Door, by Canadian author Joel McKay, these emotions that tear people to pieces are materialized into tooth and claw….

(16) SOLAR POWER. “‘Eye of Sauron’: The Dazzling Solar Tower in the Israeli Desert” – the New York Times sees both sides.

…This is the great solar tower of Ashalim, one of the tallest structures in Israel and, until recently, the tallest solar power plant in the world.

“It’s like a sun,” said Eli Baliti, a shopkeeper in the nearest village. “A second sun.”

To backers, the tower is an impressive feat of engineering, testament to Israeli solar innovation. To critics, it is an expensive folly, dependent on technology that had become outmoded by the time it was operational.

…The tower is more than 800 feet high, one of the tallest structures in Israel. It’s visible even from space.

To some, it’s reminiscent of something out of J.R.R. Tolkien’s “The Lord of the Rings.”

“It’s the eye of Sauron,” said Uriya Suued, an engineer who lived in Ashalim until September.

Other times, the tower seems more like a gawky, gentle giant, awkwardly standing on the edge of a group photo. You can even forget it’s there — until you spot it hovering, almost comically, behind a garden wall or incongruously, even apologetically, over the swimmers in the village’s outdoor pool.

“A lighthouse without the sea,” said Ben Malka, who runs the pool….

(17) DEMONIC IMPRESSION. Netflix dropped a trailer for Wendell & Wild, the new film written by Henry Selick and Jordan Peele and directed by Henry Selick.

(18) GIBSON ADAPTATION. This trailer for The Peripheral Season 1 on Prime Video was unveiled at New York Comic Con. “On October 21, the future holds the key to saving the past.”

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Pitch Meeting: Don’t Worry Darling,” Ryan George, in a spoiler-packed episode, explains that Don’t Worry Darling “feels like a “go to the theatre film” and not something you stay home and stream. But it’s “a string of random occurrences for about 90 minutes with little or no information revealed.”  And then in the third act we learn the film is “like The Matrix with 10,000 times less kung fu.”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, SFWA, Jerry Kaufman, Susan de Guardiola, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 9/26/22 They Sentenced Me To Twenty Years Of Scrolldom, For Trying To File The Pixel From Within

(1) IT’S A HIT! NASA’s DART mission crashed into the targeted asteroid today.

And CNN reports “After DART’s successful collision with an asteroid, the science is just getting started”.

For the first time in history, NASA is trying to change the motion of a natural celestial body in space. Now that a spacecraft successfully hit the asteroid Dimorphos — the science is just getting started.

To survey the aftermath of the impact, the European Space Agency’s Hera mission will launch in 2024. The spacecraft, along with two CubeSats, will arrive at the asteroid system two years later.

Hera will study both asteroids, measure physical properties of Dimorphos, and examine the DART impact crater and the moon’s orbit, with the aim of establishing an effective planetary defense strategy.

The Italian Space Agency’s Light Italian CubeSat for Imaging of Asteroids, or LICIACube, will fly by Dimorphos to capture images and video of the impact plume as it sprays up off the asteroid and maybe even spy the crater it could leave behind. The mini-satellite will also glimpse Dimorphos’ opposite hemisphere, which DART won’t get to see before it’s obliterated.

The CubeSat will turn to keep its cameras pointed at Dimorphos as it flies by. Days, weeks and months after, we’ll see images and video captured by the Italian satellite that observed the collision event. The first images expected back from LICIACube could show the moment of impact and the plume it creates.

The LICIACube won’t be the only observer watching. The James Webb Space Telescope, the Hubble Space Telescope and NASA’s Lucy mission will observe the impact. The Didymos system may brighten as its dust and debris is ejected into space, said Statler, the NASA program scientist.

But ground-based telescopes will be key in determining if DART successfully changed the motion of Dimorphos.

(2) WSFA AT 75. The 75th anniversary of the Washington Science Fiction Association will be celebrated this weekend at the club’s annual Capclave.

(3) OCTAVIA BUTLER GOES INTO HALL OF FAME. The 2022 induction ceremony for the National Women’s Hall of Fame was held last weekend, honoring Octavia Butler, Hidden Figures’ Katherine Johnson, and other 2021 inductees. See a video of the ceremony here.

(4) WILD BLUE AND OTHER YONDERS. “Sharp-Eyed Viewers Notice Stunning Addition To Key U.S. Intelligence Logo” at MSN.com. Oh, yeah. Check for yourself on the U.S miliary’s NIM-Aviation Homepage.

A federal intelligence office charged with matters related to aviation has a new logo ― and it suggests the organization is tracking more than just known aircraft.  

The logo of the National Intelligence Manager-Aviation shows a series of aircraft as well as a UFO…. 

(5) WHERE CAPS BELONG. In a way it’s more of a thought experiment, interestingly constructed by Max Florschutz: “Being a Better Writer: The Problem With Proper Nouns in Sci-Fi and Fantasy” at Unusual Things.

See, the genesis of this post comes from my editing on Starforge. This titan of a book is now in the Beta phase, which means looking for typos, misspelled words, misplaced quotation marks, and all that jazz. However, it also means going through and ensuring proper capitalization of proper nouns. At which point, I ran into a bit of a conundrum. Said conundrum led me to Google, which in turn pointed me to this post from 2009 concerning a similar issue in Fantasy writing—though note that it does as well address Science Fiction as well.

Anyway, what is this conundrum? Well, before we dive into it directly, I have a sort of pop quiz for you. You can do it in your head, but if you’re really determined you can bring out a pen and pencil and do the classic grade-school exercise. It’ll only take a moment either way, but here we go. Correctly capitalize the following sentence:

“The terran vehicle rolled up the hill, backed by dozens of terran marines.”

That’s it. Got it? Placed those capital letters where they belong? Okay, check out the answers after the break….

(6) FIGURES OF FUN. Cora Buhlert brings us another “Masters-of-the-Universe-Piece Theatre: ‘Peeping Mantenna’”.

… Here we have He-Man and Skeletor in the style of the 2002 He-Man and the Masters of the Universe cartoon (currently streaming here), for which the designs of the characters were updated. I don’t normally buy all of the He-Man and Skeletor variants (and there are a lot of them), but I like these two, since they are quite different from the standard versions, including redesigned accessories. Though I’ll give 2002 Skeletor’s sword to my Keldor figure, since it actually is Keldor’s sword.

The third new arrival is Mantenna, a member of the Evil Horde and the closest thing Masters of the Universe has to a bug-eyed monster….

(7) TODAY’S RUNNER-UP. Steve Davidson suggested a Scroll title based on a children’s toy. He even provided art!

The Cow Says “Moo!” The Cat Says “Meow!” The Pixel Says “Scroll!”

(A “modified” image of a See-N-Say is below.)

(8) SUCCESSFUL CASTING. Gretchen Rue discusses her favorite TV witches. “The Most Underrated Witches in Media” at CrimeReads.

Supernatural is a hard show to discuss without needing to put an asterisk on all the things it did wrong. It was frequently toxic, misogynistic, and struggled mightily with its female characters who were all either victims or the embodiment of pure evil. Not exactly the most fertile grounds for growing relatable characters who fit the bill for underrated witches. And yet Supernatural has not one, but two of the most underrated witches in all of modern television. There is ongoing antagonist Rowena, who pesters and plagues the Winchesters over the course of multiple seasons, but Rowena, played by Ruth Connell, defies the regular run of the mill baddie legacy most other female villains on the show get saddled with. She Is funny, she has sexual agency, she is emotionally complex and has her own deep backstory that drives her to do the things she does beyond the standard demon-possession fare of most other women on the show. Rowena is a match for the Winchesters, and often an unwitting ally, and she gets to be smart, beautiful, and charismatic season after season. She is only underrated in that she has been somewhat overshadowed in popularity by similarly love-to-hate/hate-to-love demon Crowley….

(9) MEDIA BIRTHDAY.  

1987 [By Cat Eldridge.] ALF: The Animated Series (also known as ALF on Melmac) premiered on NBC thirty five years ago on a Saturday morning. Though it lasted two years which you would think would give it over fifty episodes, it had two seasons of just thirteen episodes instead. 

WARNING: PREACHING MODE ENGAGED

Interestingly it has a long runtime of thirty minute in an era where most cartoon series had twenty to twenty six minutes of time so that as much junky product as possible could be pushed unto the young viewing audience. Buy! Buy! Buy! Who cares about your teeth! 

PREACHING MODE OFF

It was created by Paul Fusco (the only acting talent who returned here.) He is the puppeteer and voice of ALF on ALF and was the creator, writer, producer, and director of the series, and Tom Pratchett, the co-creator of ALF who shows his most excellent taste by being involved in the writing of The Great Muppet Caper. If you’ve not seen the latter, it’s on Disney + right now.

(No, I’m not plugging Disney +. Just noting the Angry Mouse has a lot of interesting product in his vast pockets. I personally am avoiding Him like the bubonic plague for the time being.) 

Why the human characters didn’t appear is rather simple — the shows premise is that ALF is traveling to various places on his home-world of Melmac.  It was a prequel to the ALF, depicting ALF’s life back on his home planet of Melmac before it exploded. How well they did this ive no idea as I’ve not seen it.

Now want weird? Really frelling weird? It was paired with ALF Tales, a spin-off of this series, that had the astonishingly weird premise of characters from that series were playing various characters from fairy tales. Now this series only lasted twenty-one episodes. 

It apparently never got reviewed by the critics, not altogether surprisingly.  Amazon and Tubi, should you care, are streaming it. Personally I’d go watch ALF instead if I were you as it’s actually really great. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 26, 1866 Winsor McCay. Cartoonist and animator who’s best remembered for the Little Nemo strip which ran between The Wars and the animated Gertie the Dinosaur film which is the key frame animation cartoon which you can see here. He used the pen name Silas on his Dream of the Rarebit Fiend strip. That strip had no recurring characters or theme, just that a character has a nightmare or other bizarre dream after eating Welsh rarebit. What an odd concept. (Died 1934.)
  • Born September 26, 1872 Max Erhmann. Best remembered for his 1927 prose poem “Desiderata” which I have a framed copy hanging here in my work area. Yeah big fan. Genre connection? Well calling it “Spock Thoughts”, Nimoy recited the poem on Two Sides of Leonard Nimoy, his 1968 album. (Died 1945.)
  • Born September 26, 1941 Martine Beswick, 81. Though she auditioned for Dr. No, she was instead cast in From Russia with Love as Zora. She also appeared as Paula Caplan in Thunderball. She would appear in One Million Years B.C. opposite Raquel Welch.  She made several Hammer Studio films including Prehistoric Women and Dr. Jekyll and Sister Hyde.
  • Born September 26, 1944 Victoria Vetri, 78. I do have a very expansive definition of SF and she definitely gets here by being in the Sixties pulp film When Dinosaurs Ruled the Earth as Sanna, and a lost world film called Chuka playing Helena Chavez. She’d also in be a bit of forgotten horror in the role of Rosemary’s Baby as Terry Gionoffrio. But actually she enters SF lore by way of a role she didn’t do. Vetri has been incorrectly identified in myriad sources as playing the role of the human form of a shape-shifting cat in the Trek’s “Assignment: Earth” episode, a role actually played by April Tatro. As she notes, she has brown eyes and that actress has blue eyes. She had a handful  of genre appearances — The Man from U.N.C.L.E., Batman as Florence of Arabia, Mission: Impossible and Land of Giants.
  • Born September 26, 1956 Linda Hamilton, 66. Best known for being Sarah Connor in The Terminator film franchise and Catherine Chandler in the Beauty and the Beast series. She also played Vicky Baxter in Children of the Corn, and Doctor Amy Franklin in King Kong Lives. She would be Acacia, a Valkyrie in “Delinquents” of the Lost Girl series, a role she would reprise in two more episodes, “End of a Line” and “Sweet Valkyrie High”.
  • Born September 26, 1957 Tanya Huff, 65. Her Confederation of Valor Universe series is highly recommended by me.  And I also give a strong recommendation to her Gale Family series. Let’s not forget the cat friendly Keeper’s Chronicles series. I’ve not read her other series, so I’ll ask y’all what you’d recommend.
  • Born September 26, 1968 Jim Caviezel, 54. John Reese on Person of Interest which CBS describes as a “crime drama”. Huh. He was also Detective John Sullivan in Frequency, and Kainan in Outlander. And yes he played Number Six in the unfortunate reboot of The Prisoner
  • Born September 26, 1985 Talulah Riley, 37. Miss Evangelista in “Silence in the Library” and “Forest of the Dead”, two Tenth Doctor stories. She also portrays Angela in Westworld, and she shows up in Thor: The Dark World as an Asgardian nurse. 

(11) COMICS SECTION.

(12) ROCKY HORROR. Today’s also the anniversary of this movie’s release:

(13) HIGHER GEAR. Inverse reminds us that “40 years ago, one sci-fi show had the most bizarre beginning in TV history”. Video clips at the link.

…Michael Long, we’re told, has a metal plate in his head — “probably from military surgery” — and this metal plate deflected the bullet away from his brain and into his face. He later emerges from reconstructive surgery all Hasslehoffed-up at the 11:57-minute mark. This means there’s been at least one commercial break before we even see Hasselhoff in Knight Rider.

Frankly, the fact that the show needed a talking car after that setup is fascinating. Today, if the premise of Knight Rider were floated as a prestige drama all about the nature of identity and the existence of false identities, you can’t imagine a studio executive saying, “Yeah, but what if he had a talking car, too?”

The soap opera-esque origin story of Michael Knight’s face was actually a brilliant starting point for the series. By Season 2 episode “Goliath,” we learn that there’s an evil version of Michael Knight — Garthe Knight — also played by Hasselhoff, with a small, sleazy mustache and a soul patch. (The fact he looks like Michael Knight is because Michael Knight’s new face was based on Garthe’s, not the other way around.)…

(14) IT’S ELEMENTRY. [Item by Martin Morse Wooster.] Entertainment Weekly discusses what happened when a scientist visited The Big Bang Theory set and found uranium!

…. During the tour, the physicist noticed one of the props in Leonard and Sheldon’s apartment. Prady says, “People always ask what that thing on the wall post was, it was this wooden box that was actually an antique Geiger counter. The physicist looks at it and goes, ‘That’s an old Geiger counter.'” (A Geiger counter is a device used to detect radiation).

It turns out the Geiger counter was more than just a unique prop….

(15) SCARY FOOD. Fortunately, these horrifying “Hallowieners” are baloney says Snopes.

(16) A WORLD UNBUILT. Arturo Serrano finds one that’s not so good: “Nanoreview: The Paper Museum by Kate S. Simpson” at Nerds of a Feather.

…The Paper Museum is a frustrating read. The microcosm inside the museum is described in abundant, at times excessive detail, while the world outside of it is a nebulous blank that may as well be made of air. Since we only follow Lydia, who basically never leaves the museum, the significance of a world without paper is lost because we never get to see that world…. 

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This clip of Alasdair Beckett-King satirizing a “popular space show: appeared last year. “Every Episode of Popular Space Show™”.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Hampus Eckerman, Jeffrey Smith, Daniel Dern, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]

Pixel Scroll 9/17/22 The Last Scroll Title On Earth Sat Alone In A Room

(1) JAYMEE GOH ANTHOLOGY HAS EKPEKI STORY. Don’t Touch That, an anthology about parenting edited by Jaymee Goh, was released this week. It includes Oghenechovwe Donald Ekpeki’s latest short story “Mother’s Love, Father’s Place”. He says, “It’s a historical fantasy story set in southern Nigeria and touches on the killing of Twins in Calabar & how it ended. (spoiler, not by Mary Slessor).”

(2) NO TURNING BACK! The New Yorker remembers “The Enduring Allure of Choose Your Own Adventure Books”.

You were a girl who wanted to choose your own adventures. Which is to say, you were a girl who never had adventures. You always followed the rules. But, when you ate an entire sleeve of graham crackers and sank into the couch with a Choose Your Own Adventure book, you got to imagine that you were getting into trouble in outer space, or in the future, or under the sea. You got to make choices every few pages: Do you ask the ghost about her intentions, or run away? Do you rebel against the alien overlords, or blindly obey them?

This was the late eighties in Los Angeles. You binged on these books, pulling tattered sun-bleached copies from your bookshelf: four, five, six in the course of a single afternoon. All over the country, all over the world, other kids were pulling these books from their bookshelves, too. The series has sold more than two hundred and seventy million copies since its launch, in 1979. It’s the fourth-best-selling children’s-book series of all time. Its popularity peaked in the eighties, but the franchise still sells about a million books a year….

The story of Choose Your Own Adventure is largely the tale of two men: Edward Packard, a lawyer who came up with the concept while telling bedtime stories to his two daughters (who sometimes wanted the protagonist to do different things), and R. A. (Ray) Montgomery, an independent publisher who put out Packard’s first book, in 1976, after all the big houses had rejected it….

Both men went through divorces shortly before the series started gaining momentum, and ended up writing many of their books as single fathers. Their children remember helping their fathers invent and flesh out new scenarios: Packard’s daughter Andrea suggested the idea of a time-travelling cave; Montgomery’s sons, Anson and Ramsey, suggested cars (the Saab 900 Turbo, the Lancia Stratos) for “The Race Forever.” Packard paid his children thirty-five cents an hour to read his manuscripts and offer feedback: Which parts were boring? Which choices would kids enjoy? (Andrea, Anson, and Ramsey ended up writing for the franchise, publishing their first Choose books during college.)…

(3) INTERIOR LIFE OF THE ARTIST. Melissa Capriglione is “just journaling some thoughts” – that we probably can all relate to in our own way.

(4) RECIDIVIST. Bob Roehm posted a clever photo on Facebook taken after he was apprehended with a banned book – Fahrenheit 451 – at Carmichael’s Bookstore in Louisville, KY.  

(5) THE DNA OF THE DEATH STAR. [Item by Martin Morse Wooster.] The San Francisco Chronicle looks at how John Dysktra built the Death Star in Star Wars based on his work in 1972 building a realistic model of Berkeley. “This obscure Bay Area study shaped the ending of ‘Star Wars’”.

The newly released six-part Disney Plus streaming docuseries “Light & Magic” goes deep into the history of George Lucas’ San Francisco-based special effects studio Industrial Light & Magic, which was founded in 1975. The ending of the second episode explores the process behind the Death Star scene, in which the fate of the Rebel Alliance hangs on Luke Skywalker’s ability to speed his X-wing through a narrow trench and blast a thermal exhaust port that is only 2 meters wide.

In reality, the entire surface of the Death Star was a hand-built model that measured approximately 15 by 40 feet. Meticulous craftsmanship contributed to the verisimilitude, but the documentary reveals that the filmmaking techniques that made the scene feel so real are actually rooted outside the realm of special effects. It turns out that the entire sequence hinged on a model developed during an urban planning study at UC Berkeley in the early 1970s, which also happened to shape the future of San Francisco’s skyline.

“The Berkeley Experiment,” as it is referred to in the documentary, was funded by the National Science Foundation and led by urban planning professor Donald Appleyard at the school’s Environmental Simulation Lab. Completed in 1972, the project entailed building a small-scale model of Marin County and a computer-controlled stop-motion 16 mm camera system. The goal was to achieve a sense of realism as a model car traversed the miniature cityscape, in hopes that the technique could guide civic decision-making regarding construction choices. …

An archival photo of the UC Berkeley Environmental Simulation Laboratory.

(6) ATTACK OF THE 50-YEAR-OLD CONVENTION. Rob Hansen draws on contemporary reports by Fred Pohl, Rob Holdstock, Sam Long, Bob Shaw and many others to reconstruct the events of “Chessmancon (1972)”. Many photos, too, including GoH Larry Niven giving a physics lecture?

CHESSMANCON, the twenty-third post-war UK National Science Fiction Convention, took place over the weekend of Friday, 31st March to Monday, 3rd April 1972. Named for both its location (Chester) and the city (Manchester) from whose Delta Group most of those organising it were drawn, CHESSMANCON was the fourth MANCON, the others being MANCON, SUPERMANCON, and THIRDMANCON.

…Presumably because of its name, the organisers of CHESSMANCON decided to include a chess tournament. Sadly, I don’t think SUPERMANCON made any reference to Clark Kent, or THIRDMANCON any reference to Harry Lime. So far as I’m aware, CHESSMANCON is the only con to be named after *two* cities.

And here’s another excerpt —

BOB SHAW:

I suppose that in what purports to be a con report one should make some mention of the official programme. Regrettably, I have a tendency to go to conventions and not see any of the programme items, but this doesn’t mean that the programme isn’t important to me. I like to be near the programme and let it induce currents in me, a coil of nerves in the vicinity of the con hall’s electromagnetic field. Some other fans feel the same way (I won’t name any names) and it is pleasant to sit with them in the bar, speculating on what is actually happening in the hall and listening to fragmentary reports from runners – “George Hay has got up to ask a question”, “The projector has broken down”, “There’s been an outbreak of sporran rash among the Scottish fans”, “George Hay is still asking his question”….

(7) RAMMING SPEED. Science is watching as “NASA’s asteroid deflection mission takes aim”.

On 26 September, an act of targeted violence will unfold 11 million kilometers from  Earth,  as  a  spacecraft  about  the size  of  a  vending  machine  smashes into a small asteroid at 6 kilometers per   second.   Unlike   some   asteroids that stray worrisomely close to Earth’s orbit, Dimorphos—the 160-meter moon of a larger body—is  an  innocent  bystander,  posing  no threat to our world. But the looming assault represents humanity’s first-ever field test of a planetary defense mission: NASA’s Double Asteroid Redirection Test, or DART. The  hope  is  that  the  collision  will  nudge Dimorphos  toward  its  780-meter  partner, Didymos,  shortening  a  nearly  12-hour  orbital period by minutes. A successful strike would support the idea that, in the future, similar efforts could deflect threatening asteroids onto safer courses. But simulations and lab experiments show the fate of the mission  depends  on  a  crucial  question: Are  such  small  asteroids  solid  boulders or—as astronomers increasingly believe—loose heaps of rubble?…

(8) MEDIA BIRTHDAY.  

1964 [By Cat Eldridge.] Bewitched premiered on ABC fifty-eight years ago this evening.

Creator Sol Saks’ said his basis for this series were I Married a Witch,  the 1942 film that came from Thorne Smith’s unfinished novel The Passionate Witch, and the John Van Druten Broadway play Bell, Book and Candle, which was adapted into the 1958 film. Yes, both films were properties of Columbia Pictures, which also owned Screen Gems, which also produced Bewitched.

The show was popular, finishing as the second-rated show in America during its debut season, staying in the top ten for its first three seasons, and ranking in eleventh place for both seasons four and five.

It starred, as you well know, Elizabeth Montgomery as Samantha Stephens, Dick York for the first, and Dick Sargent for the rest of the series, as Darrin Stephens. Agnes Moorehead as Endora was really the only other ongoing character. 

Look I need no SPOILER ALERTS here as y’all know the characters, the setting and the story. I bet everyone here has seen some or all of it. 

Historical note here.

Series director William Asher started rehearsals for the pilot on November 22, 1963 which of course coincided with President Kennedy’s assassination.  He felt deeply affected by the event as he personally knew Kennedy — he had produced the 1962 televised birthday party where Marilyn Monroe sang “Happy Birthday, Mr. President”.

End historical note. Back to the series.

The Stephens house, inside and out, was inspired by a location used in two Gidget movies. Gidget was filmed in 1959 at a real house at 267 18th Street in Santa Monica. The blueprints of this house were later reversed and replicated as a house facade attached to an existing garage on the backlot of Columbia’s Ranch. This was the house seen on Bewitched

Then, the patio and living room sets seen in Columbia’s Gidget Goes to Rome (1963) were adapted as the permanent Bewitched set for 1964. (At least some episodes of I Dream of Jeannie also were filmed using this interior set which makes sense as it’s the same production company. Using material from one series or film on another is very, very economical.) 

Bewitched lasted eight seasons and two hundred fifty episodes. Both the opening and closing animated credits were produced by Hanna-Barbera. Naturally they are on YouTube.

No, I’m not mentioning or discussing the reboot. I’m really not.

As near as I can tell, Bewitched is only streaming for free, errr, on Freevee. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 17, 1885 George Cleveland. He was Professor Hensley aboard the Thirties Flash Gordon film serial. IMDb says that he was supposed be in 1938’s Flash Gordon’s Trip To Mars, but his bits ended up not being in the film. (Died 1957.)
  • Born September 17, 1908 John Creasey. English crime and SF writer who wrote well over than six hundred novels using twenty-eight different names. His SF writings were mostly in the Dr. Palfrey series, a British secret service agent named Dr. Stanislaus Alexander Palfrey, who forms Z5. There’s a lot of his novels available from the usual suspects. And I do many really a lot, so I’m going to ask all of you where to start reading his SF novels as I am curious as to how they are. (Died 1973.)
  • Born September 17, 1917 Art Widner. He was a founding member of The Stranger Club which created Boston fandom. He chaired Boskone I and Boskone II which were held in 1941 and 1942, they being the very first two Boston cons. Fancyclopedia 3 has a very detailed  look at him here. (Died 2015.)
  • Born September 17, 1920 Dinah Sheridan. She was Chancellor Flavia in “The Five Doctors”, a Doctor Who story that brought together the First, Second, Third, Fourth and Fifth Doctors. Richard Hurndall portrayed the First Doctor, as the character’s original actor, William Hartnell, had died. (Died 2012.)
  • Born September 17, 1920 Roddy McDowall. He is best known for portraying Cornelius and Caesar in the original Planet of the Apes film franchise, as well as Galen in the television series. He’s Sam Conrad in The Twilight Zone episode “People Are Alike All Over” and he voices Jervis Tetch / The Mad Hatter in Batman: The Animated Series. And where’s a treat for you. Here he is on The Carol Burnett Show wearing his Planet of the Apes makeup. (Died 1998.)
  • Born September 17, 1939 Sandra Gimpel, 83. Performer and stunt woman. Though you’ll literally not recognize her, she was the salt monster aka the M-113 creature (as it was called in the credits) in “The Man Trap” episode of the original Trek. In “The Cage” episode, she played a Talosian. As a stunt woman, she’s been on genre shows ranging from Lost in Space to Lucifer and even appeared on films like Escape from New York
  • Born September 17, 1950 Roger Stern, 72. Comics writer who’s most noted work who was on AvengersCaptain AmericaDoctor Strange, and Starman. I’m very, very impressed of his work on the first twenty-eight issues of Starman, which were published from 1988 to 1990. 
  • Born September 17, 1979 Neill Blomkamp, 43. South African born Canadian filmmaker of District 9 which was nominated for Best Dramatic Presentation, Long Form at Aussiecon 4. EofSF says also, “Of particular note were Tetra Vaal (2004), a RoboCop-inspired advertisement for a fictional range of third-world law-enforcement drones; Alive in Joburg (2005), about an influx of Alien immigrants from a Spaceship stalled over Johannesburg; and Tempbot (2006), about a Robot office worker attempting to parse cubicle culture.” Other genre films include Elysium and Chappie.

(10) COMICS SECTION.

  • Close to Home’s joke probably really isn’t about the first thing that came to my mind.
  • Lio today is a real sinus friction story.

(11) NEW SUPERHERO CASTING CONTROVERSY. “With an Israeli Superhero, Marvel Wades Into an Intractable Conflict” reports the New York Times.

It was the latest addition to a fantasy world populated by an ever-growing cast of superheroes and villains: Marvel Studios announced this past week that it had cast the Israeli actress Shira Haas to play Sabra, a mutant Israeli police officer-turned-Mossad agent, in the next installment of the “Captain America” franchise.

While Jewish Israelis rejoiced at the casting of an actress from Israel as a superhero in a major Hollywood production (“Israeli Pride,” declared the Hebrew news site Maariv), the backlash among Palestinians and their supporters was swift, and #CaptainApartheid soon appeared on social media.

Many critics expressed outrage about Sabra’s character and her identity as an Israeli intelligence agent, accusing Marvel of buying into Zionist propaganda; of ignoring, or supporting, Israel’s occupation of territory captured in 1967; and of dehumanizing Palestinians….

(12) HE CAN DO IT! Paul Weimer takes up the challenge of reviewing the latest entry in a long-running series: “Microreview [book]: The Untold Story by Genevieve Cogman” at Nerds of a Feather.

How does one really review the 8th(!) book in a series and make that review intelligible to readers who have never read any of the books, and yet helpful to readers both old and new alike. This is the situation where I find myself talking about Genevieve Cogman’s The Untold Story, eighth in her Invisible Library novels. 

I’ll start by saying that the Invisible Library novels, which the first was published in 2016, were multiverse before the multiverse was the new hotness. Imagine a multiverse of worlds , aligned on an order-chaos spectrum a la Moorcock. Imagine these worlds taking cues from Earth cultures and societies.  Imagine two sets of superhuman beings–Dragons, representing order, and Fae, representing chaos, struggling for control and domination of these worlds.  Now imagine a third power, a third party, the Library, seeking to stabilize the worlds, and collect books from all of them at the same time.   

Irene Winters is one of these interdimensional Librarians. Her previous adventures have had her tangle with a traitor to the library (Alberich, more on him anon) deal with both Fae and Dragon politics (her first assistant is a Dragon, and her newest apprentice is a Fae) and visit a variety of worlds in places inspired by Venice, Vienna, New York, and more….

(13) SHE DREAMS OF GENIE. Nerds of a Feather film reviewer Arturo Serrano says it is no easy task to convey the feelings roused by this movie: “Love is a freely chosen yoke in ‘Three Thousand Years of Longing’”. But he does!

When one encounters an impeccably beautiful work of art, the attempt to explain it feels like a desecration. Three Thousand Years of Longing is that kind of art that you’re meant to experience more than understand. It does follow a plot, and the plot does make arguments, but to dissect those arguments risks losing sight of the experience. I can’t properly communicate to you the emotional content of this story. What I can try to do is describe what happens in it, but I will fall short of conveying all it says. This is one of those films that leave you permanently changed, and the only way for that secret alchemy to happen is to go yourself to the theater and let it wash over you….

(14) FIFTY YEARS LATER. Totally not sff, but a fascinating interview with insights about screenwriting: “Alan Alda on ‘M*A*S*H’: ‘Everybody Had Something Taken From Them’” in the New York Times.

Were there story lines that you thought “M*A*S*H” hadn’t quite tackled yet that you wanted to bring into the world of the show as a writer and director?

When I wrote, I tried to find out a little bit more about each of the characters. Who is Klinger [Jamie Farr] really? What was underneath — I almost said, what was underneath the dresses. [Laughs.] What was underneath the wearing of the dresses? Who was Margaret [Loretta Swit]?

I see on the internet that people assumed that because I was politically active, trying to get the Equal Rights Amendment passed, that in my writing I was trying to make political points, too. And I wasn’t. I really don’t like writing that passes as entertainment when it’s really propaganda. I want to hear a human story.

(15) EARLY CLUES. Jess Nevins writes about the history of Chinese detective fiction at CrimeReads: “Pre-Revolution Chinese Detective Fiction”.

Mysteries and detective fiction are usually thought of as the inventions of Edgar Allan Poe, but the truth is that they have both been popular in China for over a thousand years. The Chinese have no clear place or person of origin for mysteries and detective fiction, the way the West has Poe, but what the Chinese do have are centuries’ more mysteries and detective stories than the West does.

The first Chinese proto-mysteries—that is, mysteries who some but not all of the elements of modern mystery fiction—were the “gong’an” (“court case”) stories. Told in the form of oral performances and puppetry shows, the gong’an began appearing during the Northern Song Dynasty (960-1127). Gong’an traditionally featured incorruptible government officials solving criminal cases and bringing about justice to the guilty and restoration to those who were wronged…. 

(16) CAME TO THE WORLD IN THE USUAL WAY. CNN invites everyone to “Meet the mystery diamond from outer space”.

Scientists have debated its existence. Tiny traces provided clues. Now, researchers have confirmed the existence of a celestial diamond after finding it on Earth’s surface.

The stone, called lonsdaleite, has a hardness and strength that exceeds that of a regular diamond. The rare mineral arrived here by way of a meteorite, new research has suggested….

The revelation started to unfold when geologist Andy Tomkins, a professor at Monash University in Australia, was out in the field categorizing meteorites. He came across a strange “bended” kind of diamond in a space rock in Northwest Africa, said study coauthor Alan Salek, a doctoral student and researcher at RMIT University in Australia.

Tomkins theorized the meteorite that held the lonsdaleite came from the mantle of a dwarf planet that existed about 4.5 billion years, Salek said.

“The dwarf planet was then catastrophically struck by an asteroid, releasing pressure and leading to the formation of these really strange diamonds,” he added.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King explains why you should be nice to the annoying little guy with a squeaky voice who offers to show you a fantasy world!

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, SF Concantenation’s Jonathan Cowie, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 8/9/22 Files Are A Glorious Pixel Of Scrolls, A Medley Of Fannish-Euphoria

(1) THE SAGA OF SF ON TV. “David Gerrold Talks Television: A Conversation with Peter Wood” at “From the Earth to the Stars”, the Asimov’s author and editor blog. Wood expects one story; Gerrold generously gives him a vast number of them, about Logan’s Run, Star Trek, Land of the Lost, and more.

Peter Wood:  So, you said you have a story for me (about “Man Out of Time,” the episode you wrote for the 1977 television serial Logan’s Run)?

David Gerrold:  It’s a couple stories.  The producer on the show was Len Katzman, and the executive producers, who I never met, were Goff and Roberts.  Now, I enjoyed working with Len Katzman.  He later went on to do Dallas, and he was a very, very nice man, and a very good producer.  And what I suggested was not just a time travel story but that we actually find sanctuary, and that this would give the show the opportunity to—once we had found that sanctuary was not real—stop searching for sanctuary and start being about rebuilding the connection between all the human settlements all over…. 

(2) Q&A ABOUT S&S. [Item by Cora Buhlert.] Two interviews with Sword and Soul authors:

What are the most prominent influences on your writing? How do you incorporate those influences without being derivative?

I would say the two authors that influenced my writing style are James Baldwin and Frank Herbert. From James Baldwin I learned to be a precise and descriptive writer; from Frank Herbert I learned to be a meticulous world builder. I think I keep from being derivative by having my own concept of what I want my writing to be, and applying the lessons from these authors are just a part of that.

Milton J. Davis is a great guy. We were on a panel together at DisCon.

Oliver has a great time talking with Kirk A. Johnson about his new sword & soul story collection, The Obanaax and Other Tales of Heroes and Horrors.

We cover the afternoon movies which helped form Kirk’s idea of what heroes should be, his own first collision with Conan and Frazetta, why martial arts films were such a big thing in the black community back in the day, is Robin Hood S&S?, Fafhrd & Grey Mouser in The Wire…. [etc.]

(3) AIMS. Max Florschutz has a very interesting and nuanced article about an aid in devising characters:  “Being a Better Writer: Crafting Good Goals For Protagonists and Antagonists Alike” at Unusual Things.

…Indy’s goal in the film is twofold: Acquire the ark, and/or make sure the Nazi’s don’t get their hands on it. However, this goal isn’t his. Not originally. He only comes upon this goal because someone else brings it to him.

This is a goal that evolves around a character. Indy himself isn’t the one who places himself on the path. He chooses to accept it, yes. But he only is exposed to it because other characters have the goal and bring him onboard.

Some goals are like this. Goals that grow and shape not because our character made a choice, but because other characters have impacted them, and our character reacts accordingly, adjusting aims to try and meet the original goal under new circumstances.

But what about goals that evolve through a character? Well, let’s look at another aspect of Indiana established in Raiders. The viewer is shown that one of Indy‘s goals (not the people who hire him) is to preserve and save historical artifacts. Thus, there comes a point in the film where the goal he has been given from an external source—do not let the Nazi’s acquire the ark—comes into conflict with his own personal goal of preserving relics so they can be kept safe. Indy has to choose which goal to act on, to blow up the Ark of the Covenant with a rocket launcher to keep it out of Nazi hands … or to let them have it and preserve the relic, even if in the hands of evil. One of the antagonists, and Indy’s mirror darkly, even calls him out on this exact conundrum, and Indy chooses to “evolve” the goal he was given of “get the ark/don’t let the nazis have the ark” by cutting the latter half of the goal.

That might have read a little clunky, but I hope you get the idea. Some goals are external, pushed on the character by outside forces, while other goals are internal. Goals can evolve and change around a character as caused by the actions of others, or they can change and evolve through our character making choices or coming to realizations….

(4) LATINO REPRESENTATION DECLINES. “’Batgirl’ Cancellation, James Franco Show Hollywood’s Latino Erasure” reports Variety’s Clayton Davis.

It wasn’t a great week for Latinos in Hollywood, but I’m sure many of you knew that already.

Between Warner Bros. axing the release of “Batgirl” starring Leslie Grace, HBO Max canceling the coming-of-age comedy TV series “The Gordita Chronicles” and James Franco being cast as Cuban dictator Fidel Castro in an upcoming feature, Latinos are being mercilessly discarded and overlooked in the entertainment business. Worse yet, not many seem to care.

… The Annenberg Inclusion Initiative released its findings on the absence of Hispanic and Latino representation in the film industry in September 2021. Its findings were even worse than many suspected. An examination of the 1,300 top-grossing films released in the U.S. in the last 13 years found only six Afro-Latino lead or co-leads in the time period. Even more so, less than 5% of more than 52,000 characters examined had speaking parts.

Wouldn’t that have been a wake-up call? Obviously not….

(5) THERE’S NO BUSINESS LIKE SHOW BUSINESS. Also from Variety, the other cancelled Warner Bros. movie Scoob: Holiday Haunt had basically already rented the studio and the orchestra to record the score, when the cancellation news hit: “’Scoob!: Holiday Haunt’ Producer Records Score, Despite Cancellation”.

…Although recording a score for a film that will not be released isn’t exactly an ordinary practice, axing a film after the bulk of its production has already been completed — which was the case around “Scoob!: Holiday Haunt,” according to reports — isn’t ordinary either….

And this happened too: “Kevin Smith Bizarro Nicolas Cage Superman Canceled At HBO Max” according to Cosmic Book News.

Wow. This is a tough one, as Kevin Smith reveals his Strange Adventures episode featuring Bizarro Superman has been canceled at HBO Max, which of course follows Warner Bros. Discovery and CEO David Zaslav canceling Batgirl and Wonder Twins, among others.

What also really hurts is that Smith reveals he wanted Nicolas Cage to play the Bizarro Superman (Cage nearly played Superman in Smith’s defunct Superman Lives years ago), and Smith further reveals the budget of the episodes would have been really high – around $20million an episode – and to put that into perspective, The CW DC shows are only around $3-5 million, so Strange Adventures would have been something special….

(6) WHEN GRAVITY BAILS. “Megastructures ring the Earth in trailer for sci-fi film ‘Orbital’”. Space.com introduces the trailer:

…Hashem Al-Ghaili is a Yemeni molecular biotechnologist, science communicator, director and producer whose YouTube videos on scientific breakthroughs have been watched by millions. 

Now he’s written, directed, and created the special effects for “Orbital,” an upcoming indie sci-fi film about megastructures and orbital rings with incredible visual imagery that rival many mid-budget Hollywood productions. The film’s impressive trailer has already been viewed by 1.2 million fans on YouTube and the ambitious movie is expected to be released sometime in late 2022….

(7) “AND THEY’VE GONE WRONG!” The only remaining UK bookstore chain Waterstones has massive restocking issues after a warehouse computer system upgrade went wrong. The Guardian has details: “Waterstones hit by ‘nightmare’ stock issues after warehouse system upgrade”.

…The retailer, which has more than 300 stores across the UK, upgraded to a new system called Blue Yonder several weeks ago, but it has been struggling to get stock out to shops and fulfil customer orders.

A spokesperson from the chain said: “Waterstones last month upgraded the system that manages stock distribution from our warehouse to Blue Yonder technology. This is now operational, with stock flowing to our bookshops and customers. Over the implementation period, however, a backlog of orders was created which we are now processing as quickly as we can.”

… Sam Missingham, publishing commentator and founder of The Empowered Author book marketing service raised the issue on Twitter and was inundated with replies from frustrated staff, authors and customers.

One Waterstones bookseller wrote, “We haven’t had deliveries for over a month because there’s an overhaul of our system, but something has gone wrong and we are having to order emergency stock directly from the publishers. Glasgow ran out of books.”…

(8) VICTORIA AND ALBERT AND FRANKENSTEIN. “It’s a monster mash! How the V&A is facing a transatlantic battle over a 7ft Frankenstein figure” – in the Guardian.

…Is it natural history, though? Was the monster real? Not the point.

What is the point? That the NHM was given the monster, and the costume, by Universal Studios in 1935. It in turn lent it to the Academy Museum of Motion Pictures, where it was reported as being destroyed in 1967. So the NHM was a bit surprised when it showed up in the V&A in London.

It wants it back? Too right. It is demanding repatriation to California, “where it belongs”.

Basically the Elgin marbles, then, only more gothic. See also the Benin bronzes…. 

(9) MEDIA BIRTHDAY.  

1953 [By Cat Eldridge.] Ok I’m not saying it was a very serious genre film, but Abbott and Costello Meet Dr. Jekyll and Mr. Hyde did premiere sixty-nine years but as you’ll see in a bit it actually was liked quite a bit by the critics at the time. 

It was directed by Charles Lamont who had done several Abbott and Costello comedies already including Abbott and Costello Meet the Invisible Man. The screenplay was by Lee Leob who would later write Abbott and Costello Meet the Mummy (yes, there’s a theme here) andJohn Grant who also wrote Abbott and Costello Meet the Invisible Man, along with Abbott and Costello Meet Frankenstein and, I kid you not, Abbott and Costello Meet the Killer, Boris Karloff. They were all very popular.

Though it had a “PG” rating here, the censors in Britain weren’t happy with it. It received an “X” rating it there because of the scenes with Mr. Hyde. And that was not Karloff as Hyde though he credited as such in the film. Once the transformation was complete, Hyde was played by stuntman Eddie Parker, who was uncredited in the film. 

An opening night review by the Los Angeles Times was most complimentary: “Robert Louis Stevenson is turning over in his grave, it’s probably only so he can get in a more comfortable position for a belly laugh.” And likewise Film Daily liked it when they saw it at a preview: “If the audience reaction at a sneak preview can be taken as a criterion, then Universal-International has another big treat for the Abbott and Costello fans.” Interestingly reviewers linked to Rotten Tomatoes really don’t like it at all.

Audience reviewers at Rotten Tomatoes give it a rather decent sixty-two percent rating. 

Please do not offer up links to YouTube copies of it as it still under copyright and we will delete your comment. The Movie Channel, a unit of Paramount, owns the copyright. It actually runs there from time as do all of the Abbott and Costello comedies. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 9, 1914 Tove Jansson. Swedish speaking Finnish artist wrote the Moomin books for children, starting in 1945 with Småtrollen och den stora översvämninge (The Moomins and the Great Flood). Over the next decades, there would be a total of nineteen books. Currently Moominvalley, the animated series, is playing on Netflix. And Terry Pratchett in “My family and other Moomins: Rhianna Pratchett on her father’s love for Tove Jansson” credited her for him becoming a fiction writer. (Died 2001.)
  • Born August 9, 1927 Daniel Keyes. Flowers for Algernon was a novel that I read in my teens. Two of the teachers decided that SF was to be the assigned texts for that school year and that was one of them. I don’t now remember if I liked it or not (A Clockwork Orange was another text they assigned along with something by Heinlein that I don’t remember) nor have I ever seen Charly. I see he has three other genre novels, none that I’ve heard of. (Died 2014.)
  • Born August 9, 1930 D.G. Compton, 92. SWFA Author Emeritus whose The Steel Crocodile was nominated for the Nebula Award. The Unsleeping EyeThe Continuous Katherine Mortenhoe in the U.K., was filmed as Death Watch which the Audience Reviewers at Rotten Tomatoes actually like giving it a 60% rating. His two Alec Jordan near future police stories are superb. 
  • Born August 9, 1944 Sam Elliott, 78. Weirdly the source for this Birthday thought he’d only been in one genre role, General Thaddeus E. “Thunderbolt” Ross in the 2003 Hulk film, but he’s got many other roles as well. His first was Lock in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’s the Phantom Rider in Ghost Rider and Lee Scoresby in The Golden Compass. His latest genre is as the lead in The Man Who Killed Hitler and Then the Bigfoot as Calvin Barr. Not even vaguely genre adjacent, but he’s in the exemplary Tombstone as Virgil Earp.
  • Born August 9, 1947 John Varley, 75. One of those authors that I’ve been meaning to read more of. I read both The Ophiuchi Hotline and Titan, the first novels respectively in his Eight Worlds and the Gaea Trilogy series, but didn’t go further. (See books, too many to read.) If you’ve read beyond the first novels, how are they as series? Worth pursuing now? He was nominated for quite a few Hugos with wins coming at Heicon ‘70 for “The Persistence of Vision” novella, Chicon IV for “The Pusher” short story and at Aussiecon Two for “Press Enter []” short story. 
  • Born August 9, 1949 Jonathan Kellerman, 73. Author of two novels so far in the Jacob Lev series (co-authored with Jesse Kellerman), The Golem of Hollywood and The Golem of Paris. I’ve read the first — it was quite excellent with superb characters and an original premise. Not for the squeamish mind you.
  • Born August 9, 1956 Adam Nimoy, 66. Son of Leonard Nimoy and the actress Sandra Zober who pre-deceased Nimoy. His wife is Terry Farrell.  He’s directed episodes of Babylon 5Next GenerationThe Outer Limits (he directed his father in the “I, Robot” episode), and Sliders. He’s responsible for For the Love of Spock, a documentary about his father. 
  • Born August 9, 1968 Gillian Anderson, 54. The ever skeptical, well most of the time, Special Agent Dana Scully on X-Files. Played Media on American Gods. And she played Kate Flynn in Robot Overlords. Did you know she’s co-authored a X-File-ish trilogy, The EarthEnd Saga, with Jeff Rovin? 

(11) COMICS SECTION.

  • Poorly Drawn Lines brings us a dire warning!

(12) PULP VISIONS. William Lampkin shares photos from “PulpFest 50: Thursday” at Yellowed Perils. One of them includes Rick Lai, who later won this year’s Munsey Award. “Rick Lai, Win Scott Eckert, and Frank Schildiner discuss Philip José Farmer’s Lord Grandrith, Doc Caliban, and Lovecraft…”

 (13) THE MOST TOYS. Geek. Dad. Life. reports about Power-Con, a toy collector convention in Columbus, Ohio: 

(14) GENCON BOUND. [Item by Cora Buhlert.] The Rogues in the House podcast shares some interviews from GenCon: “The Rogues on Hallowed Ground”. Includes a Baen editor pimping Larry Correia’s books — Baen is apparently moving into sword and sorcery.

Rogues, old and new, meet at the mecca known as GenCon. In this very special episode, Deane and Matt are joined by Howard Andrew Jones, Seth Lindberg, Steve Diamond, Sean CW Korsgaard, Jason Ray Carney, and (shudders) The Magician’s Skull himself. Topics include sword and sorcery (of course) as well as our “top picks” from GenCon.

(15) CIRCLE UP! Space Cowboy Books invites fans to their online Flash SF Night reading with Avra Margariti, Mary Soon Lee, Charlie Jane Anders on Tuesday, August 23 at 6:00 p.m. Pacific. Register for free at the link.

Join us online for an evening of short science fiction readings with authors Avra Margariti, Mary Soon Lee, and Charlie Jane Anders. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(16) BE CAREFUL OUT THERE. Camestros Felapton reviews the new Predator prequel. “Review: Prey (Hulu/Disney+)”.

…However, it is the strange weather phenomenon and her hunter’s intuition that leads her to conclude that there is something out there worse than a mountain lion or a bear. Of course, we know what it is, a strange and remorseless killing machine known in popular culture as “European colonialism”, also a weird alien dude with laser sights, heat vision and invisibility.

Naru, her fellow hunters and her dog (who keeps stealing the show) have to contend with the twin existential threats in what becomes a protracted conflict of attrition….

(17) ALLS WELL THAT ENDS WELLS. Arturo Serrano admires the author’s take on a story originated by H. G. Wells: “Review: The Daughter of Doctor Moreau by Silvia Moreno-Garcia” at Nerds of a Feather.

Is this novel a retelling, a remake, a reimagining, a reboot, a requel? I’d call it a reclaiming.

The original book that inspired it, The Island of Doctor Moreau by H. G. Wells, bears several hallmarks typical of Victorian adventure fiction: a properly educated Englishman ventures into the scary jungle and is quickly forced to dodge the infighting of the locals before he makes an eager return to modern civilization. In a new version of the story, The Daughter of Doctor Moreau, author Silvia Moreno-Garcia takes that premise and turns it on its head: no, when the white man sets foot in the tropic, the dangerous thing about that interaction is not the tropic; no, the locals are not aggressive by nature, but they won’t take kindly to attempts at enslavement; and no, home sweet home is not only to be found in the drawing rooms of Europe….

(18) A SUPERIOR MIXTURE. Paul Weimer weighs in about a first-contact novel with “Microreview: A Half-Built Garden by Ruthanna Emrys” for Nerds of a Feather.

A Half-Built Garden distinguishes itself as a first contact novel unlike any either by virtue of its temporal and political setting. First contact stories that take place in the modern day are a dime a dozen and a cliche even in movies. First contact stories set in the past are a minor note in the genre of SF, but much more common  is future first contact, but with humans as an interplanetary if not an interstellar species. 

What Emrys does here is have first contact on Earth, in a late 21st Century Earth that is trying to recover from the mess of earlier decades and find a sustainably way forward. While there is a boomlet of novels that are set in this low-to-medium term future and exploring the many ways our world might go forward, good, bad, mixed, or bad, mixing in a first contact story is adding peanut butter to that chocolate and enhances both….

(19) CLASSIC PROPS.  In this clip from 2016, Adam Savage visits Peter Jackson’s collection of movie props, including the eye from the HAL 9000 computer from 2001.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Multiversus,” Fandom Games says this celebrity death match game is only interesting for people who would wonder what powers Shaggy from Scooby-Doo could have if he chowed down on dog steroids.  But the narrator says he hopes Universal would do its own version so he could see Vin Diesel fight Shrek.  “I could watch this all day!” the narrator says.

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Lise Andreasen, Cora Buhlert, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 7/26/22 Pixel 54, Where Are You?

(1) CALL FOR ATTITUDE CHANGE. Robert Zubrin and two associates discuss the search for life on Mars in the New Atlantis. “How to Search for Life on Mars” – “First, stop refusing to look.”

… The search for life ought to be the great passion animating Mars exploration. But it has not been a goal for NASA. In fact, NASA’s public relations department frequently claims that the agency’s Mars exploration program is meant to “seek signs of life.” They say this because they know that it is what the public is — rightly — interested in. Unfortunately, the claim just isn’t true. NASA’s Mars robotic exploration program is actually focused on geological research, while its planned human Mars exploration program — inasmuch as it exists at all — is not being designed to properly support scientific exploration of any kind.

The last time our space agency conducted experiments to identify signs of living microbes on the planet was in 1976. The 2012 Curiosity rover was meant only to find out “if Mars was ever able to support microbial life,” and the 2021 Perseverance mission was to collect geological samples for later retrieval and perhaps find signs of ancient life — neither aimed at finding living things on the planet today….

(2) DREAMHAVEN MURAL. A bit of criminal activity almost stalled today’s plans to keep painting the DreamHaven Books mural. First they announced.

Things were going so well with the mural but now someone came in the middle of the night and stole the scaffolding.

However, later they had good news:

UN-FUCK! We found the scaffolding. Some asshole wheeled it off behind a nearby building. A neighbor saw it happen and knew vaguely where it had been taken. We already had new scaffolding being delivered and I was planning to spend the night to ensure it stayed in place. I’m still staying tonight. Mark is doing Cheech Wizard right now and Little Nemo and backgrounds tomorrow.

(3) BARS TO PUBLISHING. Pamela Paul says “There’s More Than One Way to Ban a Book” in an opinion piece for the New York Times.

…Though the publishing industry would never condone book banning, a subtler form of repression is taking place in the literary world, restricting intellectual and artistic expression from behind closed doors, and often defending these restrictions with thoughtful-sounding rationales. As many top editors and publishing executives admit off the record, a real strain of self-censorship has emerged that many otherwise liberal-minded editors, agents and authors feel compelled to take part in.

Over the course of his long career, John Sargent, who was chief executive of Macmillan until last year and is widely respected in the industry for his staunch defense of freedom of expression, witnessed the growing forces of censorship — outside the industry, with overt book-banning efforts on the political right, but also within the industry, through self-censorship and fear of public outcry from those on the far left.

“It’s happening on both sides,” Sargent told me recently. “It’s just a different mechanism. On the right, it’s going through institutions and school boards, and on the left, it’s using social media as a tool of activism. It’s aggressively protesting to increase the pain threshold, until there’s censorship going the other way.”

In the face of those pressures, publishers have adopted a defensive crouch, taking pre-emptive measures to avoid controversy and criticism. Now, many books the left might object to never make it to bookshelves because a softer form of banishment happens earlier in the publishing process: scuttling a project for ideological reasons before a deal is signed, or defusing or eliminating “sensitive” material in the course of editing….

(4) A WINK IS AS GOOD AS A NOD. Hunter Liguore tells SFWA Blog readers about “Writing Eyebrows: How to Orchestrate Emotion in Your Story”.

…What is often missed in the early drafting of characters is the up-close observation necessary to fully render their emotional expression, which in turn accentuates their uniqueness. One way we can develop our characters is to consider the individuality and expression of a character’s eyebrows. 

Eyebrows can be an important window into a character’s interior world. When we scrutinize with words the detail of movement and expression individual to each person, we create an orchestration, a living symphony of movement and energy, indicative of a living world. To do this takes attention, rumination, and concentrated focus on the people we’re writing….

(5) IN THE PIPELINE. Andrew Porter shared this list of titles from the late Eric Flint that have already been delivered and are on the schedule for Baen, which he received from Toni Weisskopf.

July 2022
1812: The Rivers of War-first Baen publication, trade pb

August 2022
The Crossing by Kevin Ikenberry-hardcover (not by Eric, but an Assiti Shards novel)

September 2022
To End in Fire by David Weber & Eric Flint-mass market reprint
1637: Dr. Gribbleflotz and the Soul of Stoner by Kerryn Offord & Rick Boatwright-mass market reprint

November 2022
1637: The Transylvanian Decision by Eric Flint & Robert Waters-hardcover

January 2023
Grantville Gazette IX-mass market reprint

April 2023
1637: The Coast of Chaos by Eric Flint et al.-mass market reprint

September 2023
1638: The Siberian Enterprise by Eric Flint, Paula Goodlett & Gorg Huff-hardcover

(6) FLORIDA MAN. “Man breaks into Space Force base to warn of alien-dragon war” reports Task & Purpose.

Since the Space Force was established in 2019, there has been the lingering question of what, exactly, it does. 

One would certainly hope that the branch would be heavily involved in a theoretical battle between aliens and dragons in space. The occurrence of which, apparently, one helpful citizen was trying to warn the Space Force about last week. 

At Patrick Space Force Base, Corey Johnson, 29, was arrested for trying to enter the installation. The reason? According to what he told arresting officers, he was there on behalf of the President to alert the Space Force that there were “US aliens fighting with Chinese dragons.”…

(7) THE ULTIMATE SPACE RACE. [Item by Martin Morse Wooster.] The space battle between the U.S. and the USSR is explained by Ambient Press in less than three minutes!

(8) MEDIA BIRTHDAY.  

2022 [By Cat Eldridge.] Green Lantern: Beware My Power (2022). I forgot that had preordered this animated DC film some months ago until I got an email a few hours ago that it was available for download. I’m a big fan of Green Lantern and very much enjoyed the animated series and abhorred the live film (I made maybe twenty minutes into it before giving up), so I figured that I’d like it based on the trailer that I watched on iTunes.

So I downloaded it to my iPad and started watching it. It’s the forty eighth film in the DC Animated Movie Universe influenced predominantly by The New 52 which rebooted the DC Universe. No, I’ve seen all of them by any means! 

The animation style is a clean, adult style affair and the language is too with an occasional “shit” allowed. It’s a strong PG-13 and you can see the trailer trail here.

John Stewart is a black marine sniper, voiced here by Aldis Hodge (playing Hawkman in Black Adam) who is given a Lantern Ring by a dying member of the Lantern Corps. He’s not at all happy about that as he’s forsworn violence, and doesn’t have a clue what the Lanterns are. Furthermore the mission here isn’t really explained at all, and I’ve avoiding spoilers, so he and Green Arrow plus Hawkgirl figure out things as they go along.

It was directed by Wamester from a stellar screenplay by E. J. Altbacker and John Semper. The former was involved with the Green Lantern: The Animated Series; the latter wrote for a Cyborg series.

I highly recommend it. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 26, 1894 Aldous Huxley. Brave New World is fascinating. I knew I had it assigned and sort of discussed in a High School class and at least one Uni class a very long time ago. So what else is genre by him and worth reading? I see his Time Must Have a Stop novel was on the longlist at CoNZealand. (Died 1963.)
  • Born July 26, 1928 Stanley Kubrick. I’m reasonably sure 2001: A Space Odyssey was the first film I saw by him but Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the one that impressed me the most. A Clockwork Orange was just too damn depressing. And I’m not a horror fan as such so I never saw The ShiningBarry Lyndon is great but it’s not genre by any means. (Died 1999.)
  • Born July 26, 1945 Helen Mirren, 77. She first graces our presences as Hermia in A Midsummer Night’s Dream. She next shows up in a genre role as Alice Rage in The Fiendish Plot of Dr. Fu Manchu, Peter Sellars’s last film. She’s an ever so delicious Morgana in Excalibur and then leaps into the future as Tanya Kirbuk in 2010: The Year We Make Contact. She voices the evil lead role in The Snow Queen, and likewise is Deep Thought in The Hitchhiker’s Guide to the Galaxy
  • Born July 26, 1945 M. John Harrison, 77. Winner of the Otherwise Award. TheViriconium sequence, I hesitate to call it a series, starting with The Pastel City, is some of the most elegant fantasy I’ve read. And I see he’s a SJW as he’s written the Tag, the Cat series which I need to take a look at again. He’s also been a major critic for the past thirty years reviewing fiction and nonfiction for The GuardianThe Daily Telegraph, the Times Literary Supplement and The New York Times. He’s lightly stocked at the usual suspects though TheViriconium sequence is there at a very reasonable price.  And his short stories are excellent, so may I recommend Settling the World: Selected Stories 1970-2020?
  • Born July 26, 1954 Lawrence Watt-Evans, 68. Ok I’ll admit as I’ve said before that I’ve not read “Why I Left Harry’s All-Night Hamburgers” which won him a short fiction Hugo at Conspiracy ’87. It also was nominated for a Nebula and won an Asimov’s Reader’s Poll that year. It’d be his only Hugo. So I’m curious what Hugo voters saw in it. Yes, I’ve read him — his War Surplus series is quite excellent.
  • Born July 26, 1978 Eve Myles, 44. She’s a a Welsh actress from Ystradgynlais, convenient as she played Gwen Cooper on Torchwood which was set in and shot in Cardiff. She previously played the servant girl Gwyneth in the Doctor Who episode “The Unquiet Dead” during the Ninth Doctor’s time. 

(10) BOOK TRAILER. Giant Island by World Fantasy Award Lifetime Achievement winner Jane Yolen and award-winning fantasy illustrator Doug Keith will be released in August.

Two children explore the caves and coves of the tiny and oddly-named Giant Island. Under Grandpa’s watchful eye, Ava, Mason, and dog Cooper finally fathom that the island is much more than it seems: the craggy rocks, windswept trees, and unusual grotto are all parts of a submerged giant. Yolen’s text charms with hints of age-old magic and pays tribute to mystery, curiosity, and friendship. Keith’s wondrous watercolor paintings invite young readers to pore over the pages to discover the clues to this “huge” secret. Giant Island is a delightful, intergenerational and interspecies adventure for all ages.

(11) YOU CAN’T HANDLE THE TRUTH. Arturo Serrano’s “Microreview: Drunk on All Your Strange New Words by Eddie Robson” discusses a “thriller set mostly inside the mind” at Nerds of a Feather.

In the near future, Earth has established diplomatic relations with aliens known as Logi, sort-of-but-not-quite humanoids who cannot speak in sound and use telepathy instead. To facilitate the daily business of politics, some humans are trained in specialized schools to understand Logi telepathy and translate into human speech. Each Logi visitor is thus paired with a human interpreter who accompanies them at their official appearances and handles their routine communication with Earth governments.

The catch? The Logi language does funny things to the human brain. After a few minutes of hosting alien thoughts in your head, you start feeling drunk. Too much talking in one day, and you might pass out.

So when our protagonist Lydia, the interpreter assigned to the Logi cultural attaché, wakes up from a massive blackout to find her boss murdered on his sofa, she has to quickly decide whom to trust and whom to suspect, because this is a future where impressions are everything, and the wording of a message can have rippling effects on public opinion.

(12) GAMING FOR THE HIGHEST STAKES. SPARK stands for Solar Prime Augmented Reality Park, a destination for gamers in Pat Daily’s debut novel.

In his mother’s last letter, she wrote, “Find me. Save me.” And Will Kwan had heard those words before. He’d heard them in a video game. Solar Prime Augmented Reality Park, or SPARK, is a theme park for gamers: a sprawling virtual reality complex with quests and games that appeal to all ages. But beneath the surface, SPARK harbors many a secret. When sixteen-year-old Will has to escape the foster system, SPARK is his destination. “Find me. Save me.” What had his mother meant? At SPARK, he runs headlong into the force of nature known as Feral Daughter, another runaway who has chosen to make SPARK her home and her life. As their friendship grows, Will begins to walk a path that will unveil not only the secrets of SPARK, but also a whole new perception of his world. So when terrorists threaten his new home and new friend, Will cannot stand idly by. Can Will finally get his closure? Or will SPARK be destroyed, along with the new life he has built?

Pat Daily is an engineer and former Air Force test pilot who worked at NASA’s Johnson Space Center on both the Space Shuttle and International Space Station programs. When not writing or trying to bring new airplane designs to life, Pat can be found gaming online. He is a fan of role-playing games – particularly open worlds with engaging storylines where actions have consequences.

Available on Amazon.com and Amazon.ca.

(13) DIVIDE WITHOUT CONQUERING. The New York Times explains why “Splitting T. Rex Into 3 Species Becomes a Dinosaur Royal Rumble”.

The world’s most iconic dinosaur is undergoing an identity crisis.

In February, a team of scientists posited that Tyrannosaurus rex was actually three distinct species. Instead of there being only one sovereign “tyrant lizard king,” their paper made the case for a royal family of supersized predators. Joining the king in the genus Tyrannosaurus would be the bulkier and older emperor, T. imperator, and the slimmer queen, T. regina.

The proposed T. rex reclassification struck the paleontology community like an asteroid, igniting passionate debates. On Monday, another team of paleontologists published the first peer-reviewed counterattack.

“The evidence was not convincing and had to be responded to because T. rex research goes well beyond science and into the public sphere,” said Thomas Carr, a paleontologist at Carthage College in Wisconsin and an author of the new rebuttal. “It would have been unreasonable to leave the public thinking that the multiple species hypothesis was fact.”

The earlier team of researchers have anticipated the rebuttal, which was published in the journal Evolutionary Biology. Gregory Paul, one of the authors of the original study, is working on another paper and says many of the rebuttal’s claims are outlandish…..

(14) THE NOIVE. “Polish Institute Classifies Cats as Alien Invasive Species” says Slashdot.

A respected Polish scientific institute has classified domestic cats as an “invasive alien species,” citing the damage they cause to birds and other wildlife…

(15) ONCE AGAIN, WHERE DOES IT RAIN? [Item by Danny Sichel.] Last month, psycholinguist Anne Cutler died, and renewed attention was given to her 1994 paper The perception of rhythm in language, which at two and a half pages long is the greatest scientific paper ever written.

Read it, and see how long it takes you to understand why it’s so great: “The perception of rhythm in language”.

(16) STONE AGE INTERNET. Open Culture invites you to “Watch the First Movie Ever Streamed on the Net: Wax or the Discovery of Television Among the Bees (1991)”.

When the World Wide Web made its public debut in the early nineteen-nineties, it fascinated many and struck some as revolutionary, but the idea of watching a film online would still have sounded like sheer fantasy. Yet on May 23rd, 1993, reported the New York Times‘ John Markoff, “a small audience scattered among a few dozen computer laboratories gathered” to “watch the first movie to be transmitted on the Internet — the global computer network that connects millions of scientists and academic researchers and hitherto has been a medium for swapping research notes and an occasional still image.”

That explanation speaks volumes about how life online was perceived by the average New York Times reader three decades ago. But it was hardly the average New York Times reader who tuned into the internet’s very first film screening, whose feature presentation was Wax or the Discovery of Television Among the Bees. Completed in 1991 by artist David Blair, this hybrid fiction and essay-film offered to its viewers what Times critic Stephen Holden called “a multi-generational family saga as it might be imagined by a cyberpunk novelist…

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Ms. Marvel,” the Screen Junkies say that Ms. Marvel is not only the first Pakistani superhero in the MCU, but also the first MCU superhero from New Jersey.  But while she faces “yet another poorly developed Marvel villain and two hunky guys competing for her attention, she is also the first mutant in the MCU since they re-acquired the X-Men,  “Come for the origin of the X-Men–stay for the origin of Pakistan!”

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Danny Sichel, Francis Hamit, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 6/23/22 Last And First Scrolls

(1) CHARLIE JANE ANDERS KEYNOTE OPENS EVERY DOOR. In “Children’s Institute 10: Charlie Jane Anders Says ‘Magical Portals Exist, and Adults Aren’t Real’”, Publishers Weekly has extensive details of the author’s talk.

Science fiction author Charlie Jane Anders (Victories Greater Than Death) brought abundant charisma to the stage for her Ci10 keynote. Her hot-pink bob, matching Doc Martens, and neon-confetti-dotted black dress reinforced her energy. She delivered her talk, “Magical Portals Are Real, and I Can Prove It!,” in a conversational and confiding tone, to booksellers who know and recommend her LGBTQ+ fiction.

Alluding to Frank Herbert’s Dune dictum that “the universe is full of doors,” Anders said that we encounter portals in our lives. “I’ve jumped universes three or four times,” she said, acknowledging how she came to recognize her authorial persona and trans identity. “This is definitely not the universe I was born in.”…

(2) FINAL SCORE? Indiana Jones 5 might be it: “John Williams, 90, steps away from film, but not music” – reports the Associated Press.

After more than six decades of making bicycles soar, sending panicked swimmers to the shore and other spellbinding close encounters, John Williams is putting the final notes on what may be his last film score.

“At the moment I’m working on ‘Indiana Jones 5,’ which Harrison Ford — who’s quite a bit younger than I am — I think has announced will be his last film,” Williams says. “So, I thought: If Harrison can do it, then perhaps I can, also.”

Ford, for the record, hasn’t said that publicly. And Williams, who turned 90 in February, isn’t absolutely certain he’s ready to, either.

“I don’t want to be seen as categorically eliminating any activity,” Williams says with a chuckle, speaking by phone from his home in Los Angeles. “I can’t play tennis, but I like to be able to believe that maybe one day I will.”

Right now, though, there are other ways Williams wants to be spending his time. A “Star Wars” film demands six months of work, which he notes, “at this point in life is a long commitment to me.” Instead, Williams is devoting himself to composing concert music, including a piano concerto he’s writing for Emanuel Ax….

(3) THE DNA OF SFF. Camestros Felapton works out the difference between bounty hunters and Our Heroes in “Friday’s Rag Tag Crew versus bounty hunters”.

…But why, in reality, are bounty hunters so distinctly American? Like many things, once you dig beyond the fiction you run straight into the depressing inevitabilities of US history. There is a complex history behind bounty hunters in the US but looming large in that history are slave catchers. People employed to catch fugitive slaves were not a US invention but the size of the US slave economy (until the Civil War and emancipation) meant that “slave catcher” was both casual work and a profession for some. The powers of slave catchers was further enhanced prior to the Civil War with the Fugitive Slave Act of 1850 (https://en.wikipedia.org/wiki/Fugitive_Slave_Act_of_1850) which codified the ability of slave catchers to act beyond the borders of slave states. Slavery is not the only defining element in the US bounty hunting history but it is such a substantial example in the formative years of the nation that it is hard to imagine that it isn’t key to the lasting influence of the idea in the US.

The attraction of the bounty hunter concept to quasi-libertarian SFF is apparent. The bounty hunter as a character can be simultaneously running a private business and be an arm of law enforcement. As a legitimised vigilante, the bounty hunter as a character can sit in a kind of Lagrange point between the pull of the heroic individualist and the pull of authoritarian imposition of order…. 

(4) SPACEHOUNDS OF THE WSFS, And when Camestros Felapton is finished with the topic above, he chronicles the work of another set of adventurers who are hard at work to disarm “The Hugo Kill Switch”.

The people at The Hugo Book Club Blog (Olav Rokne & Amanda Wakaruk) are on a high-stakes mission to defuse a time bomb. Deep within the WSFS constitution is a hidden switch that is creeping ever closer to hitting some beloved Hugo Award categories. Can a rag-tag team save the Fan categories before the timer reaches zero?!

(5) TO THE EGRESS, AND BEYOND. Arturo Serrano analyzes the special challenges inherent in the audience’s complicated history with the Toy Story franchise and the Buzz Lightyear character and tells why Lightyear doesn’t fly, but it falls with style” at Nerds of a Feather.

…The quest for continued relevance is a preoccupation that the movie assigns to both Buzz and itself. It tries to evoke the feel of the Flash Gordon serials and, of course, both of the big Star franchises. But instead of the now-common practice of attempting to recapture an old moment of wonder via repetition and allusion, this movie gave itself the harder task of pretending to be that first experience. Although the villain’s big plan involves the return to an idealized past, Lightyear is not a case of nostalgia (because anything it could try to revisit is supposed to be provided by this story for the first time), but of pastiche. It may be unfair to cast Pixar as a victim of its own spectacular successes, but Lightyear is certainly not the best that the studio is capable of, and at times it’s a stretch to imagine small Andy being blown away by it….

(6) YES, THE END IS NEAR! The inaugural winner of the first Self-Published Science Fiction Competition will be announced in three weeks.

(7) WHO IN THE MOVIES. Radio Times covers the revelation that a “Doctor Who unmade film script featured two Doctors”.

…However, Subotsky revealed that a second deal was negotiated following production of 1965’s Dr. Who and the Daleks which would indeed have allowed for a third film. “There was a further agreement that was entered into, to give the rights to make a third movie, which of course was never done,” he explained. “It was on the same terms as the original films, so my feeling is… the option lapsed.”

Though a third movie never materialised, Subotsky further revealed that his father did in fact produce a screenplay for the proposed sequel that remains in his family’s possession and was also displayed at the BFI event – this script, however, was not an adaptation of any existing Doctor Who television serial.

“Many years later, maybe 15 years later, it was clearly still on his mind, because he had prepared a script called ‘Doctor Who’s Greatest Adventure’ which actually was a repurposed script of a horror film entitled ‘King Crab’… the original title was even worse, it was ‘Night of the Crabs’!

“It was with two Doctors – a young Doctor and an old Doctor – which is an idea that has been returned to.”…

(8) PEOPLE WHO NEED PEOPLE. Polygon’s Joshua Rivera drops a few SPOILERS along the way: “Obi-Wan Kenobi finale review: a Star Wars show as broken as its hero”.

… Across its brief six-episode run, Obi-Wan stopped the spectacle to focus on people — and it mostly resonates as a contrast to how much I’ve missed them in other Star Wars stories.

At the heart of this are Obi-Wan’s two central performances. As Obi-Wan, Ewan McGregor plays a broken man in exile, a soldier who knows he lost the war but is still being asked to fight it, keeping constant vigil from afar over the young Luke Skywalker. As befits the character that shares the series’ name, every note of Obi-Wan’s journey rings true, largely thanks to McGregor’s performance….

(9) PHYSICS AIN’T MISBEHAVING. Matt O’Dowd of PBS Space Time whittles away at the question, “Is Interstellar Travel Impossible?”.

Space is pretty deadly. But is it so deadly that we’re effectively imprisoned in our solar system forever? Many have said so, but a few have actually figured it out.

(10) MEMORY LANE

1983 [By Cat Eldridge.] Thirty-nine years ago, the follow-up film to the Twilight Zone series premiered this week. Produced by Steven Spielberg and John Landis, Twilight Zone: The Movie certainly carried high expectations. This film features four stories directed by Landis, Spielberg, Joe Dante, and George Miller. 

Landis’ segment is the only original story created for the film, while the segments by Spielberg, Dante, and Miller are remakes or more precisely reworkings of episodes from the original series.

The screenplay is not surprisingly jointly done by a committee of John Landis, George Clayton, Johnson Richard Matheson and Melissa Mathison as is the story which is by Landis, Matheson, Johnson and Jerome Bixby. 

The principal cast was surprisingly small given that there were four stories, just Dan Aykroyd, Albert Brooks, Scatman Crothers, John Lithgow, Vic Morrow and Kathleen Quinlan. 

It did quite well at the box office, making over forty million against a budget of under ten million. Some critics like Roger Ebert at the Chicago Sun-Tribune like some of it though he noted that, “the surprising thing is, the two superstar directors are thoroughly routed by two less-known directors” while others such as Vincent Canby at the New York Times hated all of it calling the movie a “flabby, mini-minded behemoth”. 

It was enough of a financial success that the suits at CBS gave the approval to the Twilight Zone series.

Audience reviewers at Rotten Tomatoes give it a not great fifty-five percent rating. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 23, 1908 — Sloan Nibley. Writer who worked on a number of genre series including Science Fiction TheaterAddams FamilyThe Famous Adventures of Mr. MagooShazan, and the New Addams Family. (Died 1990.)
  • Born June 23, 1945 — Eileen Gunn, 77. Her story “Coming to Terms” based on her friendship with Avram Davidson won the Nebula Award for Best Short Story. Her stories are in Stable Strategies and OthersSteampunk Quartet and Questionable Practices. With L. Timmel Duchamp, she penned The WisCon Chronicles, Vol. 2: Provocative Essays on Feminism, Race, Revolution, and the Future. Her ”Stable Strategies for Middle Management” story picked up a nomination at Noreascon 3 (1989), and “Computer Friendly” garnered a nomination the next year in the same category at ConFiction (1990). She’s well stocked at the usual digital suspects. 
  • Born June 23, 1957 — Frances McDormand, 65. She’s God. Well at least The Voice of God in Good Omens. Which is on Amazon Prime y’all. Her first genre role was in the “Need to Know” episode of Twilight Zone followed shortly thereafter by being Julie Hastings in Sam Raimi’s excellent Dark Man. She’s The Handler in Æon Flux and that’s pretty much everything worth noting. 
  • Born June 23, 1963 – Liu Cixin, 59. He won the Best Novel Hugo at Saquan (2015) for his Three Body Problem novel, translated into English by Ken Liu. It was nominated for the Campbell Memorial, Nebula, Canopus and Prometheus Awards as well. He picked up a Hugo novel nomination at Worldcon 75 (2017) for Death’s End also translated by Liu. 
  • Born June 23, 1972 — Selma Blair, 50. Liz Sherman in Hellboy and  Hellboy II: The Golden Army. She also  voiced the character in the animated Hellboy: Sword of Storms and Hellboy: Blood and Iron as well which are quite excellent. She’s Stevie Wayne in The Fog, a slasher film a few years later and was Cyane on the “Lifeblood” episode of Xena: Warrior Princess. Later on, she’d be Jessica Harris in the “Infestation” episode of Lost in Space. 
  • Born June 23, 1980 — Melissa Rauch, 42. Bernadette Rostenkowski-Wolowitz on The Big Bang Theory which is at least genre adjacent if not genre. She gets to be really genre in voicing Harley Quinn in Batman and Harley Quinn which Bruce Timm considers “a spiritual successor to Batman: The Animated Series”. Having watched a few episodes on HBO when I was subscribed to that streaming service, I vehemently disagree. 
  • Born June 23, 2000 — Caitlin Blackwood, 22. She was the young Amelia Pond in these Doctor Who episodes; “The Eleventh Hour”, “The Big Bang”, “Let’s Kill Hitler” and “The God Complex”. She had a cameo in “The Angels Take Manhattan”.  She’s the cousin of Karen Gillan who plays the adult Pond.  I can’t find anything online that talks about how she was cast in the role but it was brilliantly inspired casting!

(12) COMICS SECTION.

(13) DEADLY DESIGNS. Paul Weimer will make you want to read the second City Siege novel of KJ Parker: “Book Review: How to Rule an Empire and Get Away with it” at Nerds of a Feather.

…While the first volume had Orban explicitly say that he was not telling the whole truth in the end, here from the beginning we have a professional telling us right from the get go about the power of stories, lies, shading the truth and more in order to tell his story. The first novel was Parker geeking out about engineering and siegecraft and how a determined engineer could frustrate the greatest army the world has assembled. By contrast, this second novel does have concerns regarding the siege and defending it, because Parker does really like to go down his rabbit holes and show it off. (In some ways, I think of him very much like Herman Melville, just enjoying sharing what he has learned and shown off about all sorts of abstruse subjects, interwoven masterfully into the story)….

(14) OCTOTHORPE. With a cover courtesy of DALL-E, Octothorpe 60 is now up! Listen here: “Different Types of Tedium”.

John Coxon is going to brunch, Alison Scott watched a film, and Liz Batty is critical. We discuss what we’d do if we were king of The Hugo Awards for the day, and then we talk about ABBA and other science fiction. And Monster Munch – you love to hear it.

Cover by DALL-E

(15) LIGHT FINGERS. Yahoo! listens as “Taika Waititi admits to stealing equipment from ‘The Hobbit’ set”.

New Zealand filmmaker and actor Taika Waititi appeared Wednesday on The Late Show With Stephen Colbert, where he shared a Hobbit-sized secret regarding the second film in the popular franchise directed by fellow Kiwi Oscar winner Peter Jackson.

Waititi shared, “When I did What We Do in the Shadows, when Jemaine [Clement, the film’s co-writer and star] and I were shooting that, we didn’t have much money to do that film, and The Hobbit had just wrapped. And, so, our production designer — man, I don’t know if I should tell this. OK, but I will. Our production designer, in the dead of night, took his crew to The Hobbit studios and stole all of the dismantled, broken-down green screens and took all of the timber, and we built a house.”…

(16) THEY CROSSED THE STREAMS. “The Mandalorian gets mashed up with The Stay Puft Marshmallow Man in Star Wars/Ghostbusters crossover cosplay” at Ghostbusters News. They draw our attention not only to the clever cosplay, but “the adorable replacement for Grogu, consisting of a miniature version of Stay Puft being seen nestled inside his pram pod.”

(17) IT IS HIS FETA. Gizmodo takes a pretty funny look at “The Weirdest, Goat-iest Thor: Love and Thunder Merchandise”.

Marvel’s latest movie is bringing with it an Asgard Tours boat-load of weird and wonderful merchandise.

(18) REVISITING FILMATION. [Item by Bill.] The 1973-1974 Star Trek: The Animated Series was produced by Filmation.  Recently, Gazelle Animations has done some clips from Star Trek: The Next Generation and Star Trek: Voyager in the Filmation style:

The animator gives background. And note the Most Important Device in the Universe!

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Lightyear Pitch Meeting,” Ryan George, in a spoiler-packed episode, the producer learns that the premise of Lightyear–that it’s an action movie Andy saw in 1995 that made him want to buy a Buzz Lightyear toy–he gets excited because that means a producer in the Toy Story universe made money on the film.  But even though it’s supposed to be “a 1990s movie,” fans of 1990s movies that featured “a lot of over the top action and cheese” will be cruelly disappointed.  Toy Story fans who remember that the villain Zurg is Buzz Lightyear’s father will also be very disappointed.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, N., Bill, SF Concatenation’s Jonathan Cowie, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 5/22/22 With A Capital ‘T’ And That Rhymes With ‘P’ And That Stands For Pixel

(1) EMPEROR STARDUST RETURNS. For last night’s Nebula Awards ceremony Henry Lien returned in his Emperor Stardust persona and supplied a rocking musical introduction to The Andre Norton Nebula Award For Middle Grade And Young Adult Fiction category. Not an easy title to versify, and the Emperor also did a wonderful job of making the nominees into lyrics as well. He begins —

It’s the Andre Norton Nebula Award

And if you read these books you’ll totally be floored…

(For a captioned version see the official Nebula Awards Ceremony video starting around the 46:00 mark.)

(2) EVERY BOOK A WINNER. Popular fan artist Alan White will be holding a garage sale next weekend in Las Vegas. No wonder the poster is so gorgeous.

MADNESS ENSUES as 4000 paperbacks and several hundred hardbacks magically disappear for prices unknown in modern times! YOU, yes YOU can have a commanding library of dang near every possible genre author in a matter of minutes! Here’s your chance to beg out of social events by saying, “Sorry, I have books to read”. Here’s your chance to wonder “What the hell am I going to do with all these damn books?” while your mundane friends complain “Looks like a fire hazard to me”. Oh, the pity of it! This event runs all day Saturday beginning at 10AM sharp. (I plan on sleeping till 9:50am). And on Sunday until 2pm or the shelves are bare! Will this sale be an astounding success or a calamitous disaster? If you don’t show, you won’t know!

(3) STEVE VERTLIEB MEDICAL UPDATE. Steve Vertlieb was rehospitalized after developing a blood clot in one leg, and underwent surgery on May 19 to deal with it. The initial reports are favorable.

(4) IMMEDIATE ANALYSIS. Cora Buhlert is already on record with “Some Thoughts on the 2021 Nebula Award Winners – and Two SFWA Uproars”.

…The 2021 Nebula Award for Best Novelette goes to “O2 Arena” by Oghenechovwe Donald Ekpeki. This is a win which makes me very happy, because not only is it a good story, but it’s also (to my knowledge, at least) the first Nebula win for an author who lives and was born in Africa. Coincidentally, it is also the first Nebula win for Galaxy’s Edge magazine, which normally doesn’t get a whole lot of awards love….

(5) CHRIS BARKLEY’S HUGO PACKET SELECTIONS. Best Fan Writer nominee Chris Barkley has posted a collection of links on Facebook which he calls “A Sampling of The Best of So Glad You (Didn’t) Ask 2021: The 2022 Hugo Awards Packet Edition.”

I have assembled, for your reading pleasure, what I (and my editor Mike Glyer) consider the best of the columns I wrote this past year. Mind you, in re-reading them, I was tempted to rewrite some of them or insert a few more snarky comebacks to spruce them up a bit.

But …no.

My nomination as a Hugo Awards Finalist is based on these works and I offer them to you again, dear reader, unaltered and unabridged.

A link to each column that was submitted for the 2022 Hugo Awards Voter Packet will be linked below in the comments.

(6) HOW A MENTOR DISCOVERED ARISIA – AND OTHER SFF REALMS. The Horror Writers Association Mentor of the Year award recipient Michael Knost posted on Facebook the acceptance speech he really wanted to give.

I changed my Mentor of the Year Award speech during the Bram Stoker Awards ceremony at the last second as I recognized I was too emotional to deliver it. As I wanted to recognize my first mentor. I know I ugly-cry so I wanted to spare everyone. But I’d like to say what I wanted to say then, here. I apologize for the long post.

I hated school growing up. I hated education, reading, writing, and everything that went with it. I had great teachers, wonderful people, but I didn’t like school one bit. Then I met my fifth grade teacher, Mr Bill Marino.

He caught me in the hallway one day after lunch and handed me a classic science fiction novel—a yellowing mass market paperback. He must have seen the disappointment on my face and said, “I just want you to read this. There’s no tests, no book reports, etc. I just want to know what you think of the book. AND, while you are reading it, you will be exempt from all homework that the other students have to do.”…

(7) FRIENDLY DJINN PERSUASION. “George Miller reveals first trailer for ‘Three Thousand Years of Longing’” and SYFY Wire has the essence.

… Based on a story by A.S. Byatt, Three Thousand Years of Longing marks Miller’s return to fantasy filmmaking after first delving into the genre with The Witches of Eastwick 35 years ago. The film tells the story of a solitary scholar named Alithea (Tilda Swinton), who arrives in Istanbul for a conference and finds herself in the presence of a millennia-old Djinn (Idris Elba). The Djinn offers her three wishes, after which he will be granted his freedom, but of course, Alithea is an academic, and she doesn’t necessarily believe the Djinn’s gifts — leaving him to regale her with stories of his long life in an effort to convince her….

(8) MEDIA BIRTHDAY.

2008 [By Cat Eldridge.] Fair warning: usually we avoid essaying anything that I don’t like. I got special permission to do this film. You are warned! 

Just fourteen years ago, the last installment in the Indiana Jones franchise so far, Indiana Jones and The Kingdom of the Crystal Skull, premiered on this date. (The untitled fifth Indiana Jones film is a sequel to this film and our Indy will be, if he’s the same age as Harrison Ford who plays him, eighty one years of age. A fine vintage for a globe trotting whip bearing archaeologist.) 

Directed by Steven Spielberg who had directed all of these, from a screenplay by David Koepp but, and this is a huge but, Jeb Stuart, Jeffrey Boam, Frank Darabont, George Lucas and Jeff Nathanson had previously attempted to write suitable screenplays and failed. Yes, consider that for a moment — the screenplay you see is one of legions done. And the one considered most filmable. God help us. We can blame!  At least we know that we can curse George Lucas and Jeff Nathanson for the story we see here.

According to the publicists, it was intended to pay tribute to the SF B-movies of the Fifties. Well in my opinion it failed at that. Aliens. Crystal skulls. Nuclear explosions. Gateways to other, well, somewheres. WTF? I really think that Indy Jones is at his best old-fashioned pulp adventure, not SF. Bah humbug. 

Well it cost nearly two hundred million dollars and the appeal of Harrison Ford proved irresistible as it made four times that at the box office.

And critics mostly loved it though there were some who decidedly loathed it with all their beings. 

Jeff Beyer of the Chicago Daily Herald did notice how bad the story was: “Normally it’s a terrible thing if a film only gives us one good character … except when it’s Indiana Jones, with a whip at his side. A terrible story can’t totally ruin Jones. Thank God.”

Lori Hoffman of the Atlantic City Weekly in her review took note of the long break between this film and the last one: “While we can never go home again completely, ‘Indiana Jones and the Kingdom of the Crystal Skull’ reminds us of why we fell in love with Indiana Jones in the first place.” 

David Denby of the New Yorker gets the last word as he sums up my feelings towards this film: “Crystal Skull isn’t bad — there are a few dazzling sequences, and a couple of good performances — but the unprecedented blend of comedy and action that made the movies so much more fun than any other adventure series is mostly gone.”

Audience reviewers at Rotten Tomatoes are as ambivalent as I am giving it just a fifty-three percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 21, 1859 Arthur Conan Doyle. I’ve read all of the Holmes stories a long time ago and that was a delightful undertaking indeed. My favorite isThe Hound of the Baskervilles as it allows him to develop a story at length. Favorite video Holmes? Jeremy Brett.  Least favorite? The one who went on to play Khan. Just really didn’t work for me at all.  Looking at ISFDB, I’m see there were more Professor Challenger novels than I realized. And the Brigadier Gerard stories sound suspiciously comical…  (Died 1930.)
  • Born May 21, 1900 Wallace West. His first two short stories were “Loup-Garou” in Weird Tales, October 1927 and “The Last Man” in Amazing, February 1929. He published continuously through the Sixties though only averaged a story a year. Interestingly his first two novels were about Betty Boop in the Big Little Books format: Betty Boop in Snow-White: Assisted by Bimbo and Ko-Ko and Betty Boop in “Miss Gulliver’s Travels”.  He wrote four genre novels, only a few of which are available from the usual suspects. (Died 1980.)
  • Born May 21, 1934 Shirley Boone, 88. Ok, she’s here for but one role. She played the construct of Ruth, Kirk’s old Academy flame, on the “Shore Leave” episode of Trek. I really, really love that episode. Other than that episode, she appeared in a horror film, It’s Alive, and her last roles were three in I Dream of Jeannie before retiring from acting at age thirty-six.
  • Born May 21, 1938 Richard Benjamin, 84. He’s here because he was Adam Quark on the all too short-lived Quark series. He also was Joseph Lightman in Witches’ Brew which was based off Fritz Leiber’s Conjure Wife novel (winner of the 1944 Retro-Hugo Award at Dublin 2019) though that’s not credited in the film. And he was in Westworld as Peter Martin. Finally he did a stint on the Ray Bradbury Theatre which I just essayed as Mr. Howard in “Let’s Play Poison” episode. 
  • Born May 21, 1939 Paul Winfield. Another one taken far too soon. He’s best remembered as Capt. Terrell in The Wrath of Khan, but he was also in the Next Gen episode “Darmok” as the signature character.  He showed up in Damnation Alley as a character named Keegan and in The Terminator as Lt. Ed Traxler. Oh, and let’s not forget that he was Lucien Celine In The Serpent and the Rainbow which surely is genre. (Died 2004.)
  • Born May 21, 1960 Andrea Thompson, 62. I’ll not mention her memorable scene on Arli$$ as it’s not genre though it is definitely worth seeing.  Her best genre work was as the telepath Talia Winters on Babylon 5. Her first genre role was in Nightmare Weekend which I’ll say was definitely a schlock film. Next up was playing a monster in the short lived Monsters anthology series. She had a one-off on Quantum Leap before landing the Talia Winters gig. Then came Captain Simian & The Space Monkeys. Really. Truly. Her last genre role to date appears to be in the Heroes: Destiny web series. 
  • Born May 21, 1964 Kat Richardson, 58. Her Greywalker series is one of those affairs that I’m pleased to say that I’ve read every novel that was been published. I’ve not read Blood Orbit, the first in her new series, yet. Has anyone here done so? Her Blood Orbit novel won an Endeavour Award which is given for a science fiction or fantasy book written by a Pacific Northwest author and is given by a panel of judges chartered by Oregon Science Fiction Conventions, Inc. 
  • Born May 21, 1968 Karen Lord, 54. A Barbadian writer whose first novel, Redemption in Indigo, won the Carl Brandon Parallax Award, Mythopoeic Fantasy Award for Adult Literature and a Kitschie for its inventive use of Senegalese folklore. I’d also recommend The Best of All Possible Worlds novel as it’s as well-done as her earlier novel, and different and fascinating in its own right. Unraveling is her latest novel.

(10) NEWS FROM NEW MEXICO. Margaret Atwood and Emily St. John Mandel are two sff writers who spoke on day one of the Santa Fe Literary Festival reports Yahoo!

The Handmaid’s Tale author Margaret Atwood, …spoke about the leaked Supreme Court memo that suggested the US could imminently overturn Roe v Wade. She was unimpressed with justices who defend such judgments by self-identifying as Constitutional orginalists.“If you take the original Constitution [as it is and apply it], a lot of people are going to lose their rights, including all women,” she said, as well as “people who don’t own property”….

On day two, local author George RR Martin made a revelation which was reported by The Independent (registration required).  

George RR Martin has revealed that when Game of Thronesthe hit HBO show based on his epic fantasy novel series A Song of Ice and Fire, was first being pitched to television networks it was sold as: “The Sopranos in Middle Earth”….

(11) BE FREE. To celebrate the movie’s 40th anniversary, Parade has come up with “21 Things You Might Not Know About the E.T. Movie”.

3. The scene in science class when Elliott frees all the frogs, saving them from dissection, is based on Spielberg’s own past. He was apparently so aghast when asked to cut open a frog in school that he released several of the amphibians.

(12) GROWING UP EVIL. In a Nerds of a Feather film review Arturo Serrano says “’The Innocents’ is a disturbing look at how evil is born and nurtured” and his concern about these characters is contagious.

…Ben’s case merits attention for its own reasons. He’s on a trajectory parallel to Ida’s, one where raw id is unhindered by morality, but what fuels his cruelty is his mother’s abuse. He has actively been taught to cause harm. We can more readily understand why he’s the way he is, but when paired with Ida, we are made to wonder how children of such drastically different parents can become equally monstrous. The spark of the whole conflict is precisely Aisha, whose superpower is what the other kids lack: empathy.

The movie achieves all this with incredibly few lines of dialogue. Most of the weight of the storytelling is carried by the camera, handled with confidence to make a shiny forest creepy, a boring building ominous, and a clear pond loaded with tension. With such versatile skill for shot composition, lighting, framing, camera angles, and the sheer brutal power of great acting, the need for visual effects is minimal….

(13) FRESH MAGIC. Nerds of a Feather also gives us Paul Weimer’s “Microreview [book]: Rise of the Mages by Scott Drakeford”.

…I have to give Drakeford good marks for imagining a fantasy world that is not a stasis frozen in amber and where the only discoveries are re-discoveries. There are people seeking not only the lore of the past or lore from outside, but making new discoveries of their own (particularly Ban, Emrael’s brother). Societies are never static, there may be forces slowing progress and change, but the “everything has been the same way for a thousand years” is a trap that Drakeford avoids, on cultural, social and technological axes….

(14) KEEP WATCHING THE SKIES. “Blood moon eclipse to occur Sunday night” reports MSN.com. Never mind — like the first comment says, “This was last week, dopes.”

…What this means is that the moon will turn a blood-red-orange color late Sunday night until early Monday morning.

The reason for the red color is the exact same reason sunsets appear red….

This has inspired Michael Toman to send me these lyrics:

A Crimson Shade of Doo-Wop Lunar Activity

Blood, Blood, Blood, Blood Moon /

You heard me crying on my fresh-fried phone /

A lone stranger, with his sad tune, on the Night Tide Dune/

With no love of my own…

Wop Bop a Mary Lou Bop Apocalypse Rag Wham! /

“Blooooooood  – – – Moooooon!

Toman adds:

“Unsolicited Shout-Outs to GRRM in Santa Fe, NM and Howard Waldrop, Who Knows Where or When?”

PS. “Appearing next, ‘Live!’ on our All-Star Cavalcade Show, Howard W. and The Mar-Velles!”

PPS. “And the Wind Cries ‘Waldrop?’ Or was that “Westeros?”

(15) A VALHALLA FOR CARTOON CHARACTERS. [Item by Martin Morse Wooster.] The latest trailer from the game where all the Warner Bros and DC characters fight each other in one epic battle. “MultiVersus – You’re with Me!’”.

In MultiVersus, the Multiverse is at your fingertips as you battle it out in intense 2v2 matches. Up against Batman & Shaggy? Try using Bugs Bunny & Arya Stark! This platform fighter lets you play out your fantasy matchups in a fun co-op or head-to-head fight for supremacy. MultiVersus is an all-new free-to-play, platform fighter videogame. With an ever-expanding cast of iconic characters and legendary universes, MultiVersus will feature multiple online modes, including a team-based 2 vs. 2 format, 1 vs. 1 matches and 4-player free-for-all, along with upcoming content-filled seasons.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day P J Evans.]

Pixel Scroll 5/11/22 Pixelled In The Scroll By A Chuck Tingle Pixel Scroll Title

(1) STAR TREK SPOILER WARNING. Let that be said right up front. Anybody that doesn’t want Picard Season 2 spoiled, please skip to the next item.

Okay. Now for the rest of you: “Star Trek Producers Fought Over Which New Shows Get To Bring Back Wesley Crusher” reports TrekMovie.com.

Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…

Actor Wil Wheaton commented on Facebook:

I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.

This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.

And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.

I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.

And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.

Here’s the clip:

(2) LMB MAKES HISTORY. “Bujold interview by Asena Ideus, 23 March 2022” was posted by Lois McMaster Bujold at Goodreads.

Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…

When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?

LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.

One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….

(3) COMICMIX BACK IN THE SEUSS BUSINESS. Publishers Weekly has the details. “ComicMix Launches Campaign to Publish Public Domain Seuss Stories”. The Kickstarter is here. (People have pledged $4,813 of its $5,000 goal at this writing.)

Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.

Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain. 

ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:

“We found Dr. Seuss stories, once thought to be lost,
that we’re bringing to you at a reasonable cost.
Some tales are familiar, though not quite this way,
but all fine examples of Seuss’s wordplay!
We spruced them all up, and now are good times
to rediscover his artwork and rhymes.
We filled up a book to put on your shelf
So that you can at last read them for yourself!” OY

Dr. Seuss Enterprises declined to comment on the story.

(4) WOKE SF TROLLS. [Item by Mlex.] A thoughtful discussion of the flap of people complaining about “woke” sf by Christopher Reeves, commentator for DailyKos. “Right-wing trolls accusing science fiction of being ‘woke’ are messing with my childhood”.

Sometimes, I fall into a rabbit hole I didn’t even know was going to happen. I was following along with a YouTube thread regarding Stargate SG-1 when it was pointed out a reboot was possible. I, having followed the series, thought, “Cool, cool, I might really enjoy this so tell me more.” I sat down to watch and learned a few things, but within the first three minutes, something interesting came about. According to a video on the subject: “Fans have become concerned following the recent release of The Wheel of Time series, and the upcoming Lord of the Rings: The Rings of Power series. Both of those series have taken significant creative license to change the characters and story to fit what many science fiction and fantasy fans believe is a ‘woke’ or progressive agenda at a cost to the canon of the original stories.

Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….

(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.

(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)

(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.

(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.

Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.

McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”

(9) MEMORY LANE.

1999 [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons. 

It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)

The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed  companion back. Yes, both the cat and the princess are either immortal or of the undead. 

The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF. 

Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD. 

However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.

I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.” 

I think I’ll leave it there. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 11, 1930 Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of SupermanCommando Cody: Sky Marshal of the UniverseMen Into  SpaceTwilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
  • Born May 11, 1935 Doug McClure. He had the doubtful honor of appearing some of the worst Seventies  SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time ForgotThe People That Time ForgotWarlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight ZoneOut of This WorldAirWolfAlfred Hitchcock PresentsFantasy Island and Manimal. Some of which were far better. (Died 1995.)
  • Born May 11, 1936 Gordon  Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
  • Born May 11, 1952 Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward
  • Born May 11, 1976 Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange HorizonsF&SF, and elsewhere. 

(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.

Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.

You would be wrong.

For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.

…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.

The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”

The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”

The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…

(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.

BECCON was a series of biennial conventions in the 1980s: 198119831985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).

Those present at the reunion were from far left and clockwise: John Stewart,Roger Robinson (Beccon Publications), Jenny Steele (sadly obscured), Brian Ameringen (Porcupine Books), Peter TyersArthur Cruttenden, Caroline Mullan (2023 Eastercon committee), Anthony Heathcote and Jonathan Cowie (SF² Concatenation),

The BECCON ’87 programme book front cover. This was back in the days (prior to the 2010s) when Eastercons had a souvenir programme book in addition to the schedule timetable booklet.  It is particularly notable as being the first British Eastercon programme book to have a full colour cover. The cover art was by one of the convention’s GoHs, Keith Roberts.

(13) DOCTORAL THESIS. At Nerds of a Feather, Arturo Serrano concludes “’Doctor Strange 2′ is visually delightful and narratively bland”.

Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….

(14) LOST IN SPACE. Serrano also finds another franchise lacking: “‘Star Trek: Picard’ season 2 is aimless and inconsistent”

Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….

(15) SAGE AGAINST THE MACHINE. Inverse presents “The 8 best movie time machines of all time, ranked by scientists”. You’d be surprised what kind things scientists have to say about the TARDIS.

These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….

6. DOCTOR WHO’S TARDIS

WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).

Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.

“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”

Its properties are bizarre, but its time-travel abilities are appealing to real scientists.

“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”

Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.

“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.

(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!

Category: Sci-Fi Trilogies

Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.

No one could ask, What is T-2?

Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.

No one could ask, What is ‘The 3-Body Problem”?

(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.

(18) CEREAL KILLER. Today’s Heather Martin says, “I tried Tropicana Crunch, the new cereal designed to be eaten with orange juice”.

Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….

It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.”  Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”

[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]