Want to move from promising rejections to actual acceptances? The Rambo Academy for Wayward Writers offers live and on-demand classes as well as a virtual campus featuring daily co-working sessions, weekly story discussion, and other Zoom-based social events and a Discord server for chatting with other writers and exchanging story critiques.
After 13 years and numerous delays, 20th Century Studios has finally released a glimpse into James Cameron’s “Avatar 2,” due Dec. 16. This marks the long-awaited sequel to the highest-grossing film of all time. The sequel’s official title is “Avatar: The Way of Water.”…
(3) CORA BUHLERT NEWS. Best Fan Writer nominee Cora Buhlert’s Hugo Voter Packet submission is now online as a free download for those who want to check it out or get a headstart on their Hugo reading: 2022 Hugo Voter Packet.
(4) A RIVERDALE UPDATE. [By Martin Morse Wooster.] BEWARE SPOILERS. Riverdale is currently under the control of Percival Pickens, an evil British person who became mayor with the aid of Betty’s mother, Alice Cooper. Pickens has decided he wants Archie and the gang to return overdue library books, and if the characters don’t return an exact copy of the book they checked out decades ago they will have to pay thousands of dollars in fines and possibly serve prison time. He asks all of the characters to give him something personal as collateral–Archie’s guitar, Betty’s diary. Jughead offers to give up his signed copy of Don DeLillo’s Underworld, but instead gives a copy of a book written by his grandfather.
Pickens is a sorcerer who uses these personal treasures as tools to control Archie and his friends. Luckily Jughead uses his internet skills, and fans of Manhattan’s Strand Bookstore will find the Strand is namechecked here. Jughead finds copies of the overdue books, and Pickens returns the items. Cheryl Blossom says the only way to break the spell is for everyone to throw the possessed items in a fire and burn them.
Jughead doesn’t want to burn his grandfather’s book. “It’s a book and I won’t burn it,” he says. “What would Ray Bradbury say?”
(5) MERRIL COLLECTION PODCAST. [Item by Cora Buhlert.] The new season of the Unknown Worlds of the Merril Collection podcast kicks off with host Oliver Brackenbury discussing sword and sorcery with Brian Murphy: “Sword & Sorcery”.
Upcoming subjects on the Unknown Worlds of the Merril Collection podcast are:
Folklore and the Four Winds Storytellers Library
New episodes drop every two weeks.
(6) LAUNCHING A MAGAZINE. [Item by Cora Buhlert.] On his personal podcast So I’m Writing a Novel, Oliver Brackenbury interviews Nat Webb, who just started a new fantasy magazine: “Founding a Literary Magazine, with Nat Webb”.
Returning champion Nat Webb joins us to discuss his recent founding of a literary magazine, Wyngraf!
Their discussion covers alternate titles for the magazine, defining cozy fantasy & backpack fantasy, conflict in stories and other things that can drive story, writing delicious food scenes, the cozy fantasy scene on Reddit and elsewhere, getting into short stories, his first submission and rejection and what he learned from it all, self-publishing a novel, discovering a love for the technical side of publishing, taking submissions in for the first time, putting one of your own stories in your own magazine, being transparent about the numbers behind your business, paying forward all the writing advice you’ve been given, working with an artist on a cover commission, choosing to pay authors and how much, deciding how often to release new issues, the importance of actually finishing a project, knowing when to stop with a project, Legends and Lattes and other reading recs, refreshing sincerity vs ironic distance, “coffee shop AU” explained, “numbies” explained, how sometimes the thing you bang out quickly resonates with people far more than the thing you slaved over forever, ins and outs of the Kindle Select program, the merits of publishing flash fiction, and more!
(7) JEWISH HERITAGE IN HORROR. The Horror Writers Association blog has posted two more Q&As in one of its thematic interview series:
What has writing taught you about how to express your Jewishness or the experiences you’ve had as someone who is Jewish?
I have been writing about stories for as long as I can remember. As a student, I took many courses analyzing literature, and one thing that always came up was applying a “Jesus” lens to stories. As a kid who grew up in the Jewish tradition, spending 2 days a week at Hebrew school, and having most of my family’s social life revolve around the synagogue, I had to teach myself about Jesus in order to keep up in these classes and add to the discussion. Interestingly, I never thought of this as problematic; it was just the way things had to be, I thought. This is a common issue for those with marginalized identities; systemic oppression means we must conform, and yet we don’t question that we have to.
Do you make a conscious effort to include Jewish characters and themes in your writing and if so, what do you want to portray?
The book I wrote immediately after Bird Box is called Bring Me the Map, and with that one I was thinking in terms of “Jewish horror story.” I was thinking lofty then, that I might write the essential Jewish horror novel, as The Exorcist seems to be that for Catholics. But the book changed organically as it went, and became less about Judaism and more about this family affair, but still, Jewish characters, all. And one of my more recent books, Forever Since Breakfast, is absolutely Jewish-centric. I’m hoping both these books come out soon. And, yes, it was a conscious effort to highlight Jewish characters in both. No doubt. And it felt good to do so. I should probably examine what that means and do it more often.
(8) DELANY IN NYT. [Item by Steven Johnson.] “Samuel R. Delany’s Life in Books” is a feature/interview on Samuel Delany in the New York Times T Magazine, April 24. The quote I liked best: “My library makes me comfortable.” And I do not recall the anecdote about reading Bob Kane Batman comics at a critical age.
…Mr. Pérez was also at the helm of the 1986 reboot of Wonder Woman, which presented the character, who had originally appeared in 1941, as a new superheroine. His version was younger, and he leaned into the Greek mythology rooted in her origin story.
“Wonder Woman had to rise or fall based on me,” Mr. Pérez said in a telephone interview in December. “It was a great success that gave me an incredible sense of fulfillment.”
His editor on the series, Karen Berger, said in an email, “What set George apart on Wonder Woman was that he really approached the character from a woman’s perspective — I found her relatable and authentic.” Patty Jenkins, the director of the “Wonder Woman” films, cited this version of the character as an influence…
(10) MEMORY LANE.
1973 – [By Cat Eldridge.] Forty-nine years ago, Soylent Green was in general distribution in the States. (It had premieres earlier in LA and NYC, respectively, on April 18th and April 19th.)
The film was directed by Richard Fleischer who had previously directed Fantastic Voyage and Doctor Doolittle, and, yes, the latter is genre. Rather loosely based off of Harry Harrison’s Make Room! Make Room! Novel, it starred Joseph Cotten, Chuck Connors, Charlton Heston, Brock Peters, Edward G. Robinson in his final film role, and Leigh Taylor-Young.
The term soylent green is not in the novel though the term soylent steaks is. The title of the novel wasn’t used according to the studio on the grounds that it might have confused audiences into thinking it a big-screen version of Make Room for Daddy. Huh? It’s worth noting that Harrison was not involved at all in the film and indeed was was contractually denied control over the screenplay.
So how was reception at the time? Definitely mixed though Roger Ebert of the Chicago Sun-Tribune liked it: “Richard Fleischer’s ‘Soylent Green’ is a good, solid science-fiction movie, and a little more. It tells the story of New York in the year 2022, when the population has swollen to an unbelievable 80 million, and people live in the streets and line up for their rations of water and Soylent Green.”
Other were less kind. A.H. Weiler of the New York Times summed it up this way: “We won’t reveal that ingredient but it must be noted that Richard Fleischer’s direction stresses action, not nuances of meaning or characterization. Mr. Robinson is pitiably natural as the realistic, sensitive oldster facing the futility of living in dying surroundings. But Mr. Heston is simply a rough cop chasing standard bad guys. Their 21st-century New York occasionally is frightening but it is rarely convincingly real.“
Audience reviewers at Rotten Tomatoes currently give it a sixty percent rating. It was nominated for a Hugo at DisCon II, the year Sleeper won.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 9, 1920 — William Tenn. Clute says in ESF that “From the first, Tenn was one of the genre’s very few genuinely comic, genuinely incisive writers of short fiction, sharper and more mature than Fredric Brown and less self-indulgent in his Satirical take on the modern world than Robert Sheckley.” That pretty sums him up I think. All of his fiction is collected in two volumes from NESFA Press, Immodest Proposals: The Complete Science Fiction of William Tenn: Volume I and Here Comes Civilization: The Complete Science Fiction of William Tenn: Volume II. He’s very, very well stocked at the usual suspects. (Died 2010.)
Born May 9, 1920 — Richard Adams. I really loved Watership Down when I read it long ago so will not read it again so the Suck Fairy may not visit it. Are any of the various Watership animated affairs worth seeing? Reasonably sure I’ve read Shardik once but it made no impression one way or the the other. I have heard good things about Tales from Watership Down and should add it my TBR pile. (Died 2016.)
Born May 9, 1925 — Kris Ottman Neville. His most famous work, the novella Bettyann, is considered a classic of science fiction by no less than Barry Malzberg who wrote a detailed remembrance in Locus. He wrote four novels according to ISFDB over a rather short period of a decade and a number of short story stories over a longer period. Clute at EoSF says that “He was one of the potentially major writers of Genre SF who never came to speak in his full voice.” (Died 1980.)
Born May 9, 1926 — Richard Cowper. The Whit Bird of Kinship series is what he’s best remembered for and I’d certainly recommend it as being worth reading. It appears that all of here are available from the usual digital suspects. (Died 2002.)
Born May 9, 1936 — Albert Finney. His first genre performance is as Ebenezer Scrooge in Scrooge. That’s followed by being Dewey Wilson in Wolfen, a really deeply disturbing film. He plays Edward Bloom, Sr. In the wonderful Big Fish and voices Finis Everglot in Corpse Bride. He was Kincade in Skyfall. He was Maurice Allington in The Green Man based on Kingsley Amis’ novel of the same name. A deeply strange affair. Oh, and he played Prince Hamlet in Hamlet at the Royal National Theatre way back in the Seventies! (Died 2019.)
Born May 9, 1951 — Geoff Ryman, 71. His first novel, The Unconquered Country, was winner of the World Fantasy Award and British Science Fiction Association Award. I’m really intrigued that The King’s Last Song is set during the Angkor Wat era and the time after Pol Pot and the Khmer Rouge, grim times indeed for an SF novel. And let’s not overlook that The Child Garden which bears the variant title of The Child Garden or A Low Comedy would win the Arthur C. Clarke Award for Best SF Novel.
Born May 9, 1979 — Rosario Dawson, 43. First shows as Laura Vasquez in MiB II. Appearances thereafter are myriad with my faves including being the voice of Wonder Woman in the DC animated films, Persephone in Percy Jackson & the Olympians: The Lightning Thief and her take as Claire Temple across the entire Netflix Marvel universe. She played Ahsoka Tano on The Book of Boba Fett on Disney + in “From the Desert Comes a Stranger” which has led to her being the lead in upcoming Ahsoka Tano series on the same streaming service. (Editorial comment: I wish I liked the Star Wars universe well enough to subscribe to Disney + to see all of this stuff but I really don’t.)
… The initial response to The Fifth Element, which celebrates its 25th anniversary on May 7th, was divisive. It was recognized just as much at Cannes and the Oscars as it was the Razzies. Even those who appeared in its gleefully insane world have contrasting opinions, with Milla Jovovich hailing it as “one of the last hurrahs of epic filmmaking” and Gary Oldman admitting he “can’t bear it” and only signed up for the paycheck….
(14) VIDEO OF THE DAY. [Item by Mike Kennedy.] In which SNL host Benedict Cumberbatch discovers the multiverse is real. At least in TV Land. “The Understudy”.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Steve Johnson, Cat Rambo, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]
Epic Games, the video game developer behind the mega popular online game Fortnite, just posted a video criticizing Apple for removing the game from its App Store. Using imagery directly referencing Apple’s own iconic “1984” ad, Epic Games’s video (titled “Nineteen Eighty-Fortnite”) positions Apple as a soulless corporate entity, shouting from a screen and demanding obedience from a black and white crowd. That is, until a woman in color shows up, and throws a Fortnite axe at the screen and shatters it. The following copy reads, “Epic Games has defied the App Store Monopoly. In retaliation, Apple is blocking Fortnite from a billion devices. Join the fight to stop 2020 from becoming ‘1984.’”
Epic Games (also being a corporate entity themselves) is making this charge over money. The company introduced a direct payment option within Fortnite to bypass Apple’s 30% fee on in-app purchases. In retaliation, Apple pulled the popular game from its app store. Epic Games responded with both this video, as well as an antitrust lawsuit, alleging that Apple takes anti-competitive actions in order to “unlawfully maintain its monopoly.”
In a statement to The Verge, Apple said that Epic had benefited from the App Store’s ecosystem for years.
“The fact that their business interests now lead them to push for a special arrangement does not change the fact that these guidelines create a level playing field for all developers and make the store safe for all users.”
It’s unclear, really, what George Orwell has to do with any of this.
Your task is to create an original limerick that has something to do with speculative fiction. It could be about a character, a series, an author, or whatever fits the theme. Here are the rules for creating a good limerick (quoting from this source).
…The author of the limerick we like best wins a book from our stacks or a FanLit T-shirt (sizes avail are S – XL). If you live outside the US, we’ll send a $7 Amazon gift card.
I have known Fox since he was a baby. His parents, Charles Wingate and Melissa Williamson, are long-time members of the Potomac River Science Fiction Society and hosted meetings three times a year until the pandemic.
“At the beginning they valorized what was deemed a dead-end job, but four months later they don’t even treat us like humans anymore,” said Fox Wingate, 24, who works at a Safeway in Maryland.
…“Everyone was very gung-ho,” adds the film’s production designer Grant Major of his first day back on set. “We all loved the film, actors and director, so were pumped to get going and do the best job we could.”
That can-do attitude is what will likely tide the industry over despite Tuesday’s late-night announcement that the country will enter a three-day lockdown, which went into effect at midday Wednesday local time. The measures came after Prime Minster Jacinda Ardern confirmed four members of an Auckland family tested positive for COVID-19, acquiring the virus from an unknown source. The cases ended the nation’s 102-day streak of having no new community infections (cases have been limited to the strictly-quarantined border).
While New Zealand dropped to level one — the lowest of a four-level alert system — on June 8, the Auckland region is now on level three restrictions until Friday, meaning residents are asked to work from home, only interact with people in their household “bubble,” and practice social distancing and mask-wearing in public. Filming can continue if strict health and safety protocols are followed.
Several international productions were in pre-production in Auckland at the time of the announcement, including “LOTR,” Robert Downey Jr.’s “Sweet Tooth,” anime adaptation “Cowboy Bebop” and “The Greatest Beer Run Ever,” directed by Peter Farrelly. The New Zealand Film Commission (NZFC) tells Variety that the Auckland projects are now continuing with pre-production, but working from home.
The remainder of the country — including Wellington, where the “Avatar” sequels are filming — has been placed in level two, which encourages mask-wearing and social distancing and allows social gatherings of up to 100 people. Large-scale productions such as “Avatar” can continue under level two screen production rules, such as physical distancing among crew and following recommendations for scenes involving intimacy or fighting….
(5) CHANGES ON THE WAY. “Avatar 2 Will Change Movies Forever” on YouTube is a video from ScreenRant that explains one reason why Avatar 2 is taking so long is that James Cameron is working on a way of shooting motion-capture scenes underwater and may also be coming up with a way to see 3D effects without special glasses.
(6) DEFINING SF. Adam Roberts, in “How I Define Science Fiction” on Neotext says that he defines science fiction by showing the bone and a spaceship from 2001 and that much of the sense of wonder from sf can’t be rationally explained in a definition. However, he also supplies the thousand words that a picture is reputed to be worth. Because, as someone said, “This f***ing job is not that f***ing easy!”
In those occasions when people ask me to define science fiction, I reference the above. Probably the most famous jump-cut in cinema. You already know the context, so I don’t need to spell it out for you: millions of years BC, an apeman throws a bone into the sky. It flies upward. The camera pans with it, following it a little shakily into the blue sky. The bone reaches its apogee and, just as it starts to fall back down, Kubrick cuts to a shot of a spaceship in orbit in AD 2001.
Now, this seems to me an extremely beautiful and affecting thing, a moment both powerful and eloquent even though I’m not sure I could lay out, in consecutive and rational prose, precisely why I find it so powerful or precisely what it loquates. It is, I suppose, something ‘about’ technology, about the way humans use tools, our habit of intrusively (indeed, violently) interacting with our environments, about the splendor but also the limitation of such tools, the way even a spaceship is, at its core, a primitive sort of human prosthesis. But when you start explaining the cut in those terms you become conscious that you are losing something, missing some key aspect to what makes it work so well.
It works, in other words, not by a process of rational extrapolation, but rather metaphorically. I mean something particular when I say that, and I explain what I mean in detail below; but for now, and to be clear—I’m suggesting this moment actualizes the vertical ‘leap’ from the known to the unexpected that is the structure of metaphor, rather than the horizontal connection from element to logically extrapolated element that is the structure of metonymy. Kubrick’s cut is more like a poetic image than a scientific proposition;——and there you have it, in a nutshell, my definition of science fiction. This genre I love is more like a poetic image than it is a scientific proposition.
Now, if my interlocutor needs more, and if the picture doesn’t make my point, I might add something Samuel Delany-ish: about how science fiction is a fundamentally metaphorical literature because it sets out to represent the world without reproducing it….
This Saturday August 15 at 8 PM, multi-instrumentalist phenomenon Scott Robinson will be improvising music to the work of one of his heroes, Richard Powers, whose work graces the covers of all of Scott’s ScienSonic Laboratories releases (which can be seen at www.sciensonic.net). Scott will be sharing from his personal collection of Powers’ work, along with other pieces — some unpublished. These paintings are shown with the kind permission of the artist’s estate. In a nod to the series’ name, for this performance Scott has chosen only works containing an eye!
AMC Theatres, the nation’s largest movie theater chain, will reopen in the U.S. on Aug. 20 with retro ticket prices of 15 cents per movie.
AMC Entertainment, which owns the chain, said Thursday that it expects to open the doors to more than 100 cinemas — or about a sixth of its nationwide locations — on Aug. 20 with throwback pricing for a day.
AMC theaters have reopened in numerous international countries but have remained shuttered in the U.S. since March. The chain touted the reopening as “Movies in 2020 at 1920 Prices.”
After several false starts due to a summer rise in coronavirus cases throughout much of the U.S., widespread moviegoing is currently set to resume in late August. Regal Cinemas, the second largest chain, is to reopen some U.S. locations on Aug. 21.
During its opening-day promotion, AMC will show catalog films, including “Ghostbusters,” “Black Panther,” “Back to the Future” and “Grease.” Those older films will continue to play afterward for $5.
AMC confirmed that Disney’s much-delayed “New Mutants” will debut in theaters Aug. 28, with Christopher Nolan’s “Tenet” to follow Sept. 3. Warner Bros. is planning to release “Tenet” a week earlier internationally, including in Canada. A handful of smaller new releases are also planned for late August, including “Unhinged,” a thriller from Solstice Studios with Russell Crowe; and Armando Iannucci’s “Personal History of David Copperfield,” from Disney’s Fox Searchlight.
AMC said Thursday is expects about two thirds of its theaters will be open in time for “Tenet.” Several states, including California and New York, are yet to allow movie theaters to reopen.
(9) A SHORT HISTORY WITHOUT TIME. Elisa Gabbert, author of The Unreality of Memory and Other Essays, interrogates “The Unreality of Time” in The Paris Review.
…[John] McTaggart does not use “unreality” in the same way I do, to describe a quality of seeming unrealness in something I assume to be real. Instead, his paper sets out to prove that time literally does not exist. “I believe that time is unreal,” he writes. The paper is interesting (“Time only belongs to the existent” … “The only way in which time can be real is by existing”) but not convincing.
McTaggart’s argument hinges in part on his claim that perception is “qualitatively different” from either memory or anticipation—this is the difference between past, present, and future, the way we apprehend events in time. Direct perceptions are those that fall within the “specious present,” a term coined by E.?R. Clay and further developed by William James (a fan of Bergson’s). “Everything is observed in a specious present,” McTaggart writes, “but nothing, not even the observations themselves, can ever be in a specious present.” It’s illusory—the events are fixed, and there is nothing magically different about “the present” as a point on a timeline. This leads to an irresolvable contradiction, to his mind.
Bergson, for his part, believed that memory and perception were the same, that they occur simultaneously: “The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.” He thought this explained the phenomenon of déjà vu—when you feel something is happening that you’ve experienced before, it’s because a glitch has allowed you to notice the memory forming in real time. The memory—le souvenir du présent—is attached not to a particular moment in the past but to the past in general. It has a past-like feeling; with that comes an impression one knows the future.
(10) LET THE RECORD REFLECT. This typo is from the Loncon 3 (2014 Worldcon) Souvenir Book.
Nobody’s copyediting (outside of File 770’s own) has ever challenged the record left by the ConDiego NASFiC of 1990. Neither a fine speech by pro GoH Samuel Delany, an excellent Masquerade, a well-stocked Dealer’s Room, a top-quality Press Relations department, nor a successful Regency Dance, could divert the avalanche of sentiment which quickly made ConDiego a byword for haphazard convention-running. Not after fans were handed a typo-riddled Program Book which misspelled the hotel’s name, the guests of honors’ names and even the con’s own name – that in headline type: ConDigeo.
(11) BOOK ANNIVERSARY.
August 1998 — Delia Sherman and Terri Windling released The Essential Bordertown anthology. (The first one, Elsewhere, would garner a World Fantasy Award.) A follow-up on the three earlier Borderlands anthologies, it featured such writers as Teresa Nielsen Hayden and Terri Windling doing a Rough Guide of sorts to Bordertown along stories from the likes of Patrica McKillip, Micole Sudbeg, Ellen Steiber , Felicity Savage and Charles de Lint. It would be successful enough that Welcome to Bordertown would come a decade later though the publisher would shift from Tor to Random House.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.) (CE)
Born August 14, 1940 — Alexei Panshin, 80. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis. (CE)
Born August 14, 1932 – Lee Hoffman. Among our finest fanwriters, and a fanartist who showed with her “lil peepul” that in fandom too – although I never asked her about Buckminster Fuller – one can do more with less. Had she only done her fanzine Quandry (note spelling; she was also responsible for the famous typo poctsarcd) it would, as the saying goes, have been enough for us. She also brought forth Science Fiction Five-Yearly, published on time for sixty years, in whose last issue I was proud to be, and on the back cover, even. Also four novels for us, a dozen shorter stories; among much else a superb Western The Valdez Horses, winning a Spur Award. At first she appeared only by mail; after we eventually learned she was not male, she was sometimes known as Lee Hoffwoman. Fan Guest of Honor at Chicon IV the 40th Worldcon. (Died 2007) [JH]
Born August 14, 1940 – Meade Frierson III. President, Southern Fandom Confederation 1970-1983. SF on Radio. Active in Myriad and SFPA (Southern Fandom Press Alliance). Fan Guest of Honor at Windycon IV, Balticon 11, Coastcon 1978 (with wife Penny). Rebel Award. (Died 2001) [JH]
Born August 13, 1949 – Pat York. A dozen short stories. “Moonfuture Incorporated” in the teachers’ guide Explorer (J. Czerneda ed. 2005); “You Wandered Off Like a Foolish Child to Break Your Heart and Mine” in the Nebula Awards Showcase 2002. Poem “A Faerie’s Tale” in the 1998 Rhysling Anthology. Cory Doctorow’s appreciation here. (Died 2005) [JH]
Born August 14, 1962 – Tim Earls, 58. Set and concept designer, visual effects art director, for Babylon 5 and Crusade; then Voyager, Mission Impossible III, Serenity. An Earth Alliance Olympus Class Corvette (B5) here. Design for the Borg Central Plexus in “Unimatrix Zero” (Voyager) here. Some Serenity sketches here. IMDb (Internet Movie Database) bio here. [JH]
Born August 14, 1965 — Brannon Braga, 55. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes than anyone else with one hundred and nine to date. He was responsible for the Next Gen series finale “All Good Things…” which won him a Hugo Award at Intersection for excellence in SF writing, along with Ronald D. Moore. (CE)
Born August 14, 1966 — Halle Berry, 54. Her first genre role was not as I thought Miss Stone in The Flintstones but a minor role in a forgotten SF series called They Came from Outer Space. This was followed by being Storm in the X- Men franchiseand Giacinta “Jinx” Johnson in Die Another Day, the twentieth Bond film. She then shows up as the lead in Catwoman. She has myriad roles in Cloud Atlas. (CE)
Born August 14, 1973 — Jamie Sives, 47. First, he played Captain Reynolds in a Tenth Doctor story, “Tooth and Claw” where the Doctor encounters Queen Victoria and saves her from a werewolf. Great tale! Second, he had a recurring role as Jory Cassel on A Games of Thrones. His fate like so many there is tragic. And third, he was was Valhalla Rising which is a decidedly oddDanish financed Viking magic realism film. (CE)
Born August 14, 1974 – Raphael Lacoste, 46. A score of covers, half a dozen interiors; games, films. Prince of Persia and Assassin’s Creed for Ubisoft. Here is The Windup Girl. Here is Shadow Run. Here is “Nanthis City”. Here is “Wind Towers”. Artbooks Worlds, Lignes. Two VES (Visual Effects Society) Awards. Website here. [JH]
Born August 14, 1981 – Karen Healey, 39. Five novels, as many shorter stories; ten essays in Strange Horizons. “I wanted to be an astronaut, or possibly a dinosaur-hunting cowgirl…. I was a bit vague on the concept of extinction…. we moved to Oamaru, where my mother’s family has lived for five generations … good for white people in New Zealand … ridiculous in comparison to one’s family being there for a thousand years…. I had this vague idea of becoming a lawyer…. it turned out being a lawyer is not a lot of fun arguing with people and shouting OBJECTION but a lot of boring and distressing paperwork…. applied to the JET [Japan Exchange & Teaching] Programme (even though I had failed second-year Japanese) and went to Japan to teach English for two years…. currently training to be a high school teacher… and, of course, being a novelist.” [JH]
(14) MAYBE THE MAP IS THE TERRITORY AFTER ALL. In The Paris Review, Ivan Brunetti considers “Comics as Place”.
Most comics focus on the actions of a figure, and the narrative develops by following that figure as it moves through its environment, or as it is commonly referred to by cartoonists, who have the often tedious, time-consuming task of actually drawing it, the background. One widely used cartoonist’s trick is to draw/establish the setting clearly and then assiduously avoid having to redraw it in subsequent panels, or at least diminish the number of background details as the sequence progresses. After all, once this setting/background has seeped into the reader’s brain, the reader can and will fill in the gaps. Moreover, sometimes drawing the background would only clutter the composition and distract the reader from the emotional core of the narrative, and so the background might judiciously disappear altogether, having outlived its graphic usefulness, until the next shift in scene.
Robert Crumb’s 1979 “A Short History of America” upends all of the above. It is a small miracle of concision and grace, consisting of a mere twelve panels that span across four pages (of three horizontal panels each) and roughly a hundred and fifty years of history….
(15) FIGHTING FOR WHO YOU LOVE. In the Washington Post, Helena Andrews-Dyer interviews Lovecraft Country star Jonathan Majors, who explains how he interpreted the series’ heroic lead and discusses his other work in The Last Black Man In San Francisco and Da 5 Bloods. “Jonathan Majors is your new American hero”.
The hero’s journey is a circuitous one. After setting out into the great unknown, battling monsters and men, our protagonist inevitably winds up at Point A again, ready to slay whatever Big Bad sent them packing in the first place.
That’s a familiar road for Jonathan Majors, the 30-year-old actor who’s quickly becoming that guy — the one you can’t stop seeing in .?.?. well, everything.He started acting because of a fight in middle school; he had a bunch of big emotions and a blocked vent. Now, a decade and a half later, in his first leading role, Majors is playing the kind of hero his younger self (and the boys he used to “cut up with”) could’ve used. Someone who’s learned how to harness his hard-earned rage for good.
…The Tudor period looms large in English national mythology of greatness and Henry VIII and his daughter Elizabeth I are two of the most fictionalised and dramatised British monarchs (Queen Victoria being the third but Elizabeth II is getting higher in the charts I’d imagine). Although I often read Booker prize winners, when Wolf Hall won I was originally uninterested. Another book about Henry and Anne Boleyn? Is there seriously anything new to say about all that? Turns out there was a lot of new things to say about it, and by employing a story people know at least in sketch form, Mantel could focus on an aspect that makes the Tudor period fascinating.
(18) SUPERVERSIVE WAKES. The Superversive SF blog will become active again, led by columnists L. Jagi Lamplighter-Wright and John C. Wright.
It has been some time since we have had regular posts on this site, but, God willing, that is all about to change!
In the coming months, we hope to have more posts about Superversive Matters, but we also hope to unveil two new regular columns. I will announce the second column separately, but, before we can begin, the first column needs a name!
The column is to be stories, observations, and insights about the meeting of life and our genres—writing with children; writing with cats (a whole subject in itself!); sharing your favorite books, shows, and movies with offspring, parents, friends; and other stories of the intersection of reality and fantasy (or science fiction.)
The purpose is to share light and fun stories, as well as poignant or bittersweet ones, about our life and experience as readers and writers of science fiction and fantasy—stories that remind us of our shared experience as human beings as well as our joy in the wonder of our wonderful genre.
Sharks are often maligned as Hollywood monsters, the lone wolves lurking in the deep, hunting for prey. (Cue Jaws theme song).
But that caricature of sharks is increasingly out of step with what scientists are learning about the animals. Instead, they say, some species of sharks are social creatures who return day after day to a group of the same fellow sharks.
“They form these spatially structured social groups where they hang out with the same individuals over multiple years,” says Yannis Papastamatiou, who runs the Predator Ecology and Conservation Lab at Florida International University.
Papastamatiou’s team studied gray reef sharks populating the waters off Palmyra Atoll, a sunken island ringed by coral reefs, in the central Pacific Ocean between the Hawaiian Islands and Fiji. They attached small location transmitters to 41 sharks, which allowed them to track the animals’ movements around the reef. They also outfitted two sharks with small video cameras on their fins, to get what Papastamatiou calls a shark’s-eye view of their daily lives.
After tracking the sharks for four years, the researchers found that the same groupings of sharks — ranging from a couple up to as many as 20 — frequently returned to the same parts of the reef over and over again. They also found that some of the groups stuck together for the duration of the study — longer than previous studies have observed.
Mars’ nightside atmosphere glows and pulsates in this data animation from MAVEN spacecraft observations. Green-to-white false color shows the enhanced brightenings on Mars’ ultraviolet “nightglow” measured by MAVEN’s Imaging UltraViolet Spectrograph at about 70 kilometers (approximately 40 miles) altitude. A simulated view of the Mars globe is added digitally for context, with ice caps visible at the poles. Three nightglow brightenings occur over one Mars rotation, the first much brighter than the other two. All three brightenings occur shortly after sunset, appearing on the left of this view of the night side of the planet. The pulsations are caused by downwards winds which enhance the chemical reaction creating nitric oxide which causes the glow. Months of data were averaged to identify these patterns, indicating they repeat nightly.
In 1973, Graham Greene wrote an introduction to a bookselling friend’s memoir. As Greene was one of the most respected writers of his day, this was no small gesture, but the author was also a committed bibliophile. The book dealer and biographer John Baxter’s memoir A Pound of Paper contains treasurable glimpses of Greene deliberately signing obscure copies of his works in far-off locations, in the certain knowledge that these items would become hugely sought-after rarities, and he remains one of the few serious literary figures who also understood the glamour and romance of the bookselling trade. In his introduction, he openly acknowledged this, writing ‘Secondhand booksellers are the most friendly and most eccentric of all the characters I have known. If I had not been a writer, theirs would have been the profession I would most happily have chosen.’
If Greene was alive today, he would look at his beloved second-hand and antiquarian bookshops with an air of sorrow, leavened with a touch of bewilderment. The recent news that one of Charing Cross’s most famous booksellers, Francis Edwards, was to close after 150 years, maintaining only a presence in Hay-on-Wye, was greeted without the anguish that it might have been otherwise….
The first museum dedicated to Godzilla is open in Japan for a limited time. TOHO launched its official English Godzilla website back in May 2019, complete with a “Monsterpedia” for the kaiju’s friends and foes. One can never overstate the pop culture impact of the Godzilla series. Although the King of the Monsters wasn’t the first giant monster on the big screen, he would headline a long-running franchise, the longest of any movie series to date.
Perhaps the most interesting aspect is how the character changed over time. He went from being a grim allegory for the nuclear bomb to a Japan-saving hero, not unlike Ultraman. As a franchise, Godzilla has ventured into multimedia. He has battled the Avengers in a Marvel comic and even received his own version of Jenga. For a limited time, fans can enjoy the franchise in a museum format.
(23) MEET THE PARENTS OF THE YEAR.
(24) VIDEO OF THE DAY. Points for sneaking Newton’s third law in there.
[Thanks to John King Tarpinian, Lise Andreasen, Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, Mike Kennedy, Michael Toman, Cliff, John Hertz, Dann, and Andrew Porter for some of these stories. Title credt goes to File 770 contributing editor of the day Anna Nimmhaus.]
(1) CAN VIRTUAL CONS BE MADE BETTER? In “What Lessons Can Future Conventions Learn From Virtual San Diego Comic-Con?”, Io9 staffers Beth Elderkin, Jill Pantozzi, Cheryl Eddy, James Whitbrook, Charles Pulliam-Moore, and Germain Lussier assess what didn’t work about SDCC 2020, “from a lack of support for the artists and vendors who would usually be on the show floor, to the lack of fan involvement, to how to create a sense of energy that the convention’s swath of ‘family Zoom call’ style pre-recorded panels were lacking.”
(2) LOVECRAFT COUNTRY. HBO showed its Lovecraft Country trailer to San Diego Comic-Con’s @Home audience.
People might not be able to flock to San Diego Comic Con this year in person, but the virtual convention, Comic-Con@Home, has been running all weekend, with countless panels, sneak peeks, and teasers and trailers for upcoming TV shows—but not many films, because let’s be honest: it’s not looking so good for major theatrical film releases in the fall. On Thursday alone, we got the full trailer for Bill and Ted Face the Music, a teaser for the Simon Pegg/Nick Frost horror comedy Truth Seekers, and the first trailer for S2 of HBO’s His Dark Materials. Rather than continue to cover each individually, we decided to compile the remaining trailers of interest into a single roundup post.
(4) A CAUTIONARY TALE. Linda D. Addison offers her experience with Covid-19 as a warning in this public Facebook post.
I’m sharing what my life has been like since June 8 because I’ve seen too many people not taking Covid-19 serious. This virus is real. If sharing this wakes even one person up, it’s worth it.
I’ve been as safe as possible, going to the supermarket every two weeks for supplies, wearing a mask, sanitizing everything, however, 7 weeks ago I got very sick for 9 days with symptoms of mild coronavirus, talked to my doctor and stayed in self isolation for more than 2 weeks. I was fortunate that my temp never went high enough or my breathing bad enough that I had to go to the hospital. Since then, I’ve lived with continued cough, fatigue, shortness of breath (using inhaler from doctor helps).
This is happening to many people in recovery (look up Covid Long Haulers). So I’m sleeping a lot, healing will come, but this is so new there’s not much the medical field can do at this point. I’m ok. My friend, Jill, lives around the corner and has been helping by dropping off stuff.
PLEASE, wear a mask (if not for yourself, for anyone who crosses your path)!
…The wait for more Avatar has become something of a running joke, so much so that a Twitter thread I started when it was already a running jokeis now well into its sixth year. The first sequel was originally announced almost a decade ago, in October 2010, with a projected release date of December 2014. Since then, its opening date has, at regular intervals, been moved back one year at a time — except once, in 2017, when it moved back two years. But the film has also morphed from a two-sequel series into a four-sequel series, with a lingering sense that the mountain was being made bigger as a way of justifying the length of the climb.
(6) MEDIA BIRTHDAY.
July 27, 1997 — Stargate SG-1 premiered on Showtime where it would run for its first five seasons. The show which was created by Brad Wright and Jonathan Glassner. It’s based rather loosely off the Stargate film. The initial core cast was Richard Dean Anderson, Michael Shanks, Amanda Tapping and Christopher Judge. It would run for a decade with the last five years being on Sci Fi. Two spinoff series, Stargate Atlantis which would run five seasons, and Stargate Universe which would last two seasons. Audience reviewers at Rotten Tomatoes currently give it a stellar 91% rating. (CE)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 27, 1870 – Hilaire Belloc. Orator, poet,correspondent,sailor, satirist, soldier, activist. Cautionary Tales for Children includes “Jim, who ran away from his nurse, and was eaten by a lion” and “Rebecca, who slammed doors for fun and perished miserably”; 1907 readers would quickly recognize the parody. A hundred fifty books; we can claim half a dozen novels (illustrated by G.K.Chesterton!), as many shorter stories. (Died 1953) [JH]
Born July 27, 1874 — Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940. The serials themselves were Flash Gordon, Flash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. (Died 1959.) (CE)
Born July 27, 1891 – Ruth Plumly Thompson. Following Frank Baum’s death, she wrote two dozen Oz books. Three other novels, six dozen shorter stories, ten dozen poems. Also wrote for The Smart Set, The Saturday Evening Post, Ladies Home Journal, Jack and Jill. Many regard her as a worthy successor. (Died 1976) [JH]
Born July 27, 1908 – W.I. Van der Poel, Jr. Art director for Galaxy 1950-1960. A score of covers – but not, it seems, appearing there. He is however on this famous 1952 Emshwiller cover – see the key here. Look at The Unpleasant Profession of Jonathan Hoag. (Died 1987) [JH]
Born July 27, 1927 – Mel Hunter. A hundred book and magazine covers, eight dozen interiors. Here is the May 53 Galaxy. Here is The End of Eternity. Here is Double Star – the Great Lorenzo at right. Here is the Jun 58 If. Here is the Mar 61 F & SF. (Died 2004) [JH]
Born July 27, 1938 — Gary Gygax. Game designer and author best-known for co-creating Dungeons & Dragons with Dave Arneson. In addition to the almost-beyond-counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels. (Died 2008.) (CE)
Born July 27, 1939 — Sydney J. van Scyoc, 81. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Over the next twenty years, she published a dozen novels and likewise number of short stories. For all practice purposes, she’s not available in digital format. (CE)
Born July 27, 1948 — Juliet Marillier, 72. She’s a New Zealand born and Western Australian resident fantasy writer focusing entirely on historical fantasy. She has a number of series including Blackthorn & Grim which at two volumes is a good introduction to her, and Sevenwaters which at seven volumes is a serious reading commitment. She’s a regular contributor to the fiction writing blog, Writer Unboxed.
Born July 27, 1949 – Cora Lee Healy, 71. Fanartist, has done some pro work. Here is a cover for Algol. Here is “Starward”. Here is another astronomical. She has been in Energumen and Granfalloon; she did the Ace of Cups in the Fantasy Showcase Tarot Deck (see this review by a Tarot collector; although the reviewer says the Deck is out of print; copies can still be obtained; if all else fails, ask me, John Hertz, 236 S. Coronado St., No. 409, Los Angeles, CA 90057). [JH]
Born July 27, 1950 — Simon Jones, 70. He’s well known for his portrayals of Arthur Dent, protagonist of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. He first portrayed the character on radio for the BBC and again on television for BBC Two. Jones also featured in The Hitchhiker’s Guide to the Galaxy film in a cameo role. He’s in Monty Python’s The Meaning of Life, Brazil and 12 Monkeys as well. (CE)
Born July 27, 1952 – Bud Webster. Our Gracious Host has done better than I could. (Died 2016) [JH]
Born July 27, 1958 – Kate Elliott, 62. Two dozen novels (some under another name), a dozen shorter stories; interviewed in Apex, Lightspeed, Locus, Mindsparks. “The Sword of Heaven [in two parts, An Earthly Crown and His Conquering Sword] I call my Mozart novel because of the speed it flowed out of me…. my Beethoven novel The Law of Becoming was like hacking through the jungle into unknown country…. Being a parent has made me a better writer.” Unconquerable Sun just released this month. Mills College woman. [JH]
Born July 27, 1968 — Farah Mendlesohn, 52. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein which I’m reading now, The Pleasant Profession of Robert A. Heinlein which is up for a Hugo next week. Her work Diana Wynne Jones: Children’s Literature and the Fantastic Tradition is a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. (CE)
Born July 27, 1979 – Alvaro Zinos-Amaro, 41. Three dozen short stories; poems; essays, reviews, interviews, in Analog, Clarkesworld, Foundation, NY Review of SF, Strange Horizons. Anthology (with Robert Silverberg), When the Blue Shift Comes. Traveler of Worlds, conversations with Silverberg. Good moderator of the Asimov centenary panel at Loscon 46.
Born July 27, 1984 – Hao Jingfang, Ph.D., 36. Vagabonds just appeared in English and Spanish this year. A score of shorter stories; Best-Novelette Hugo for “Folding Beijing”, first won by a Chinese woman. Translated into English, French, German, Italian, Japanese, Korean, Polish, Russian, Spanish. Interviewed in Lightspeed, Monde chinois (in French). [JH]
“We wanted to tap into the zany energy of the 1940s stuff,” added supervising producer Alex Kirwan. “That was our favorite era of the shorts and we just wanted more of that. We didn’t want to set out to reinvent it and we didn’t want to set out to put new sensibilities on it … What we love about the shorts is that they’re wonderful slapstick humor and we just wanted to get back to [that] and be really true to the way they paired the characters and the way they built comedy dynamics.”
(10) WATCH ALEX ROSS AT WORK. Over the last two months, Marvel has revealed 28 “Timeless” variant covers created by Alex Ross, which will begin to hit local comic shops in September. See Ross craft his iconic painted covers, and see how his timeless imagery was made into a magnificent mural in Marvel’s NYC offices in this video.
Daredevil actor Peter Shinkoda says his storyline was cut after a Marvel executive said “nobody cares about” Asian characters.
Shinkoda played Nobu in the Marvel Netflix series, which was cancelled at the end of 2018.
But he says his character’s “back story was dropped” on orders from former Marvel Television head Jeph Loeb.
“I’m kind of reluctant to say this, but… I’m going to take this moment,” Shinkoda said during a virtual talk.
“Jeph Loeb told the writers’ room not to write for Nobu and Gao – and this was reiterated many times by many of the writers and show runners – that nobody cares about Chinese people and Asian people,” he alleged.
The Canadian actor, who was taking part in a #SaveDaredevil roundtable discussion with actors from the show, said a storyline about Nobu’s journey to America ended up being dropped.
A small chunk of Mars will be heading home when the US space agency launches its latest rover mission on Thursday.
Nasa’s Perseverance robot will carry with it a meteorite that originated on the Red Planet and which, until now, has been lodged in the collection of London’s Natural History Museum (NHM).
The rock’s known properties will act as a calibration target to benchmark the workings of a rover instrument.
It will give added confidence to any discoveries the robot might make.
This will be particularly important if Perseverance stumbles across something that hints at the presence of past life on the planet – one of the mission’s great quests.
“This little rock’s got quite a life story,” explained Prof Caroline Smith, head of Earth sciences collections at the NHM and a member of the Perseverance science team.
“It formed about 450 million years ago, got blasted off Mars by an asteroid or comet roughly 600,000-700,000 years ago, and then landed on Earth; we don’t know precisely when but perhaps 1,000 years ago. And now it’s going back to Mars,” she told BBC News.
It’s not uncommon for lottery winners to want to avoid the spotlight, right? But showing up dressed as Darth Vader to collect your check is a new one. It happened in a galaxy not so far away, in May Pen, Jamaica, when a man claimed his $95 million prize in a dark lord of the Sith costume.
(15) VIDEO OF THE DAY. In “The Lord of the Rings: The Fellowship of the Ring Pitch Meeting” on ScreenRant, Ryan George explains that Saruman is spinning Gandalf around, he “forces Gandalf to learn breakdancing against his will.”
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, John Hertz, Michael Toman, Mike Kennedy, Martin Morse Wooster, Mlex, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
Stewart elaborated on why he’s ready to boldly go back to Star Trek in our interview. “I agreed to a meeting with the people who were going to produce this new version of Star Trek only because I wanted to seriously and respectfully explain to them why I was turning the project down. I heard just enough to realize this was something very unusual, and I was intrigued. What I was afraid of was … this was going to be jokey, and I didn’t want to do that.’ I asked a lot of questions and the answers were all very satisfying.”
Naturally, Stewart declined to share any of those answers with us. But he did reveal a few tantalizing details. For starters, this new series will tell one long tale instead of Next Generation‘s episodic structure. “They are writing a 10-hour movie,” the actor says…
In a grand event that can only occur in the creative dimensions of the comic book realm, the brave Star Trek crews and gallant captains of The Next Generation, The Original Series, Voyager, and Deep Space 9 will converge in a new IDW mini-series to pool their resources and hold the galaxy together against insurmountable odds.
Written by the scribes of Star Trek: TNG: Mirror Broken, Scott Tipton & David Tipton, this bold six-part adventure premiering today is matched with soaring art by David Messina (The Bounce, Wonder Woman) and corrals this historic collection of charismatic Starfleet commanders for the first time.
…Where is the line for appropriate guest and attendee behavior and what should be done when it’s crossed?
These questions came to the forefront of social media these last weeks as rumors about convention guests and staff interactions with minors stopped being whispered and instead were shouted. A Twitter thread posted on January 16 accused dubvoice actorVic Mignogna of homophobia, rude behavior, and most concerning, making unwanted physical advances on female con-goers. The thread quickly spread with over 4,000 retweets at the time of this writing and over 400 comments, many relaying their own negative experiences, including unwanted and unsolicited physical affection from the Fullmetal Alchemist voice actor. As with any claims involving a person with a moderate fan following, Mignogna’s supporters were quick to attempt to discredit individuals’ claims or at the very least dispute the voice actor’s intentions behind kissing or hugging attendees unannounced.
…Mignogna also assured his fans that the statements being made wouldn’t be seriously considered by others in the business. His claim of course, wasn’t entirely baseless. Rumors about Mignogna’s alleged behavior toward con-goers and supposed outbursts at fellow voice actors and con staff have been shared within insider circles for over a decade. While researching this article, I kept learning of more conventions that supposedly “blacklisted” Mignogna from ever returning. Yet, any attempts to reach out to long-time staff for each event were met with silence. If the rumors were true, no one with any kind of power in the industry was willing to talk about it.
In 2014, we launched a Kickstarter campaign with the hope of expanding our content to include translated Chinese science fiction in every issue. The response was overwhelmingly positive, and not only did we successfully raise the funds to do so, but (over the next year) we also increased our subscriber base to continue the project indefinitely. With help from Storycom, we now have over forty translated stories under our belt. Recently, we began to wonder if there was more we could do to expand on this important work and create additional opportunities for authors seeking to have their work translated and published in English.
…The focus of this campaign is to help us secure the funding to produce our debut book: A Hundred Ghosts Parade Tonight and Other Stories, the first English language collection by Xia Jia, an extremely talented author that I’ve had the pleasure of publishing seven times in Clarkesworld and various anthologies, including one of my earlier Kickstarter projects, Upgraded. I couldn’t be more pleased to have her collection serve as the introduction to our new imprint.
(6) YA CONTROVERSY. Was
Amélie Wen Zhao harassed into pulling her YA
fantasy Blood Heir before
publication, or did she make a wise decision?
Criticism of how race was treated, levied by readers of the book’s
ARC, set off another YA tweetstorm. Caro Herrera’s review on Goodreads
…Speaking of this, let’s get to a really problematic scene in the story. I’m talking about the whole Katniss/Rue scene at the slave auction. Oh, sorry, I meant to say Ana/May. Yeah, that entire scene was lifted from Hunger Games, let’s be real. Small black child dies in the arms of the white MC, while the MC sings a song that she taught the child? Come on. We’ve seen this before, both in a book and on the big screen. I cringed the entire time I read this. And did I mention the SLAVE AUCTION? Where a BLACK CHILD is killed?
Let’s talk about diversity for a minute. I know the book is written by a WOC. As a WOC myself, I was excited to read this, and I love to support POC authors, especially women. But that doesn’t mean all POC get a pass when their books are problematic. And this book was problematic. As another reviewer has mentioned, all diverse characters were used as props or were evil, so…? How is this truly introducing diversity and accurate and/or positive representation into the story, as the author claimed in her foreword to want to do?
The tweetstorm phenomenon was counterattacked by Jesse Singal in a
thread that starts here.
Donald Trump didn’t destroy Amelie Wen Zhao’s dreams. People wearing #MAGA hats didn’t shame her into withdrawing her debut novel. Progressives on social media did. These people are the enemy. They colonized her mind, and caused her — a Chinese immigrant! — to hate herself. I hope that they haven’t broken her spirit. Orwell, in these final lines from 1984, understands what they’ve done to her…
(7) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 30, 1924 – Lloyd Alexander. His most well-crafted work is The Chronicles of Prydain. Though drawn off Welsh mythology, they deviate from it in significant ways stripping it of much of its negativity. To my belief, it is his only genre writing as I don’t hold the Westmark trilogy to actually be fantasy, just an an alternative telling of European history. Splitting cats hairs? Maybe. He was also one of the founders of Cricket, an illustrated literary journal for children. The late illustrator Trina Schart Hyman whose art I lust after, errrr, adore was another founder. (Died 2007.)
Born January 30, 1926 – Peter Brachacki. Set designer for the very first episode of Doctor Who. Everything I’ve been able to read on him and that work says that he was not at all interested in working on the series and did so reluctantly under orders. Doctor Who producer Verity Lambert would later recount that she was impressed with Brachacki’s work on the TARDIS interior even though she personally did not like him at all. His design elements persist throughout the fifty years the series has been produced. His only other genre work that I’ve been able to find was Blake’s 7 and a short series called the The Witch’s Daughter done in the late Seventies. The BBC wasn’t always great at documenting who worked on what series. (Died 1980.)
Born January 30, 1930 – Gene Hackman, 89. Let’s see… Lex Luthor in Superman, Superman II and Superman IV: The Quest for Peace, Young Frankenstein‘s Harold, The Blind Man and voiced General Mandible in the animated Antz film.
Born January 30, 1937 – Vanessa Redgrave, 82. I think her role of Guinevere in Camelot is her first genre role. Yes that’s a fantasy. From there I see she’s Lola Deveraux in The Seven-Per-Cent Solution, Max in Mission: Impossible, Robin Lerner in Deep Impact, Countess Wilhelmina whose The Narrator of Jack and the Beanstalk: The Real Story in which Jim Henson reworked the story to give it “a more ethical, humanist view”. Really. Truly. She next shows in the adaptation of Cornelia Funke’s The Thief Lord as Sister Antonia. I’ve only got two series appearance for her, one on Faerie Tale Theatre as The Evil Queen in, surprise not, the “Snow White and the Seven Dwarfs” episode; the other on the Young Indiana Jones Chronicles as Mrs. Prentiss in the “London, May 1916” episode.
Born January 30, 1941 – Gregory Benford, 78. His longest running series is Galactic Center Saga, a series I find a little akin to Saberhagen’s Beserker series. I’ve not read enough of it to form a firm opinion. Other novels I’ve read by him include Timescape (superb) and A Darker Geometry: A Man-Kzin Novel (Yes I do read Baen Books).
Born January 30, 1955 – Judith Tarr, 64. I’m fond of her Richard the Lionheart novels which hew closely to the historical record while introducing just enough magic to make them fantasy. The novels also make good use of her keen knowledge of horsemanship as well. Her Queen of the Amazons pairs the historical Alexander the Great, with a meeting with the beautiful Hippolyta, who is queen of the Amazons. Highly recommended.
Born January 30, 1963 – Daphne Ashbrook, 56. She played Grace Holloway in the Doctor Who film– a portrayal that upset some Whovians because she was the first companion to romantically kiss the Doctor, the Eighth Doctor in this case. She played the title character in “Melora”, an episode of Deep Space Nine.
Born January 30, 1974 – Christian Bale, 45. First enters our corner of the mediaverse in a Swedish film called Mio in the Land of Faraway where he plays a character named Yum Yum. Note though that he doesn’t speak in this role as his Swedish voice in done by Max Winerdah. So his playing Demetrius in A Midsummer Night’s Dream is his speaking role. Next up is American Psycho in which he was Patrick Bateman, that was followed by a role in Reign of Fire asQuinn Abercromby (shitty film, great cgi dragons). He was John Preston in Equilibrium, and hevoiced Howl in Howl’s Moving Castle, a film well worth seeing. Need I say who he plays in Batman Begins? I thought not. He’d repeat that in The Dark Knight and The Dark Knight Rises. Amidst being Batman, he was also John Connor in Terminator Salvation. His last genre role to date was voicing Bagheera in Mowgli: Legend of the Jungle asked off Kipling’s All the Mowgli Stories. He’s got a television genre credit, to wit Jim Hawkins in Treasure Island off the Robert Louis Stevenson of that name.
The Beatles’ farewell documentary “Let It Be” is getting an encore, and a reinvention.
“Lord of the Rings” director Peter Jackson announced Wednesday that he is making a new film out of some 55 hours of footage — shot in January 1969 — that have never been seen by the public. The original movie, directed by Michael Lindsay-Hogg, came out in 1970, soon after the Beatles broke up and has long been viewed as a chronicle of the band members growing apart. In a Rolling Stone interview given months after the film’s release, John Lennon recalled the making of “Let It Be” as a miserable experience.
But Jackson says the additional footage tells a very different story. “It’s simply an amazing historical treasure-trove,” he said. “Sure, there’s moments of drama — but none of the discord this project has long been associated with.”
(9) BATTLE BREW.Passport
to Iron City
transports visitors directly into the retro-futuristic world of Alita:
Battle Angel, the upcoming 20th Century Fox film by Robert
Rodriguez, James Cameron and Jon Landau, in advance of its February 14 opening.
Guests can explore the movie’s Iron City, which has been recreated down to the
last detail by the film’s production designers.
Live like a local in Iron City: join your team for exclusive drinks at the Kansas, the famous hunter-warrior watering hole, and explore the vibrant streets of Iron City, where you’ll interact with the City’s gritty residents and visit familiar landmarks, from the infamous cyborg scrapyards to the high-energy Motorball Stadium. Earn credits by completing puzzles and challenges, experiment with innovative technology, and uncover hidden clues to determine your fate.
This 12,000 square foot futuristic interactive playground will transport you to another world, unlike anything you’ve ever experienced!
Thematic beers have been created to accompany the event.
Three Weavers crafted a big, double dry-hopped wheat IPA called Berserker for the New York City event. For Austin, Three Weavers collaborated with Oskar Blues Brewery to create an eclectic pomegranate lime gosé named Badlands. And for their home city of Los Angeles, brewmaster Alexandra Nowell developed a fashionable lemon basil brut ale dubbed Panzer Kunst. Additional beers are available, including Three Weavers’ Expatriate IPA and Seafarer kölsch-style ale in Los Angeles and New York; and Three Weavers’ Seafarer kölsch-style ale and Oskar Blues’ Can-O-Bliss IPA in Austin.
(10) TWILIGHT ZONING OUT. Did John nap through the part where the alien creature tried to break off the edge of this wing?
The Justice Department unsealed two separate indictments of Chinese telecom device maker Huawei on Monday. But only one of them reads like the script of a slapstick caper movie.
That would be the one that describes the U.S. government’s case alleging that Huawei stole trade secrets from T-Mobile, the wireless service company.
In the indictment, the government says that between June 2012 and September 2014, Huawei repeatedly made efforts to steal information about the design of a T-Mobile robot. The robot’s name, adorably, is “Tappy.”
We would like to include a photo here of Tappy, but photographing the robot is expressly prohibited by T-Mobile, and Tappy is kept under very tight security in a lab at T-Mobile headquarters in Bellevue, Wash.
Tappy’s job is to test devices before they go to market. With a rubber-tipped robotic arm, it touches the device screen, imitating a human using the phone — while at the same time tracking problems, measuring how long tasks take to complete, and monitoring how much battery is drained by each task.
(12) THE NEW NUMBER TWO. Penguin
Middle School will soon be publishing the second book in the Klawde: Evil
Alien Warlord Cat series:
Klawde is not your average cat. He’s an emperor from another planet, exiled to Earth. He’s cruel. He’s cunning. He’s brilliant… and he’s about to become Raj Banerjee’s best friend. Whether he likes it or not.
Cities may be a long way from hovercrafts and Hyperloops, but they’re slowly catching up to the visions of science fiction.
Technologies that once seemed impossible, like driverless cars and drone taxis, are now popping up mega-developments around the world.
By designing cities from scratch, nations like India, Saudi Arabia, and the US can accommodate new innovations in infrastructure and deliver services more efficiently to residents.
(14) S.H.I.E.L.D. TEASER. How will the Agents of S.H.I.E.L.D. move on without
Coulson? Here’s your first look at Season 6. The
premiere episode, ‘Missing Pieces‘, is directed by Clark Gregg
and written by Whedon and Tancharoen, and will air in July 2019 on ABC.
Linda Deneroff, Martin Morse Wooster, Carl Slaughter, Galen Charlton, Andrew
Porter, John King Tarpinian, JJ. Cat Eldridge, Chip Hitchcock, and Mike Kennedy
for some of these stories. Title credit goes to File 770 contributing editor of
the day Daniel Dern.]
The Pulitzer prize-winning author was accused of sexual misconduct by author Zinzi Clemmons after revealing last month he had been raped as a child.
…The acclaimed Dominican American novelist Junot Díaz has been feted for his powerful literary expression of the pain of sexual violence. In 2008 he was awarded the Pulitzer prize for his book The Brief Wondrous Life of Oscar Wao, the story of a young boy growing up amid abuse in New Jersey, and last month he was widely applauded for writing a confessional essay about being raped when he was eight years old.
But this weekend Díaz has cancelled his scheduled appearances at the Sydney Writers’ festival following a public accusation of sexually inappropriate behaviour….
(3) DINO TAKEOFF. Robot Dinosuar Fiction! has launched —
ROBOT DINOSAURS! Over the summer, we will be publishing a flash fiction about robot dinosaurs each Friday (May 4th through August 31st 2018)….
Your parents first activate your bionosaur when they bring you home from the hospital. The bionosaur was a baby shower gift from your mom’s favorite aunt. They were nervous about its size, the stainless steel maw, the retractable razorclaws inside its stubby little arms, but the aunt had insisted. She’d programmed it herself, covered its titanium-alloy skeleton in top-grade synthskin featherscales, and pre-loaded it with educational apps.
When your bionosaur’s eyes first flare to life, it scans tiny, squalling you and reaches out a stubby claw to rock you. When it starts humming a jazzy rendition of the Batman theme, you quiet down and sleep….
I’ve been having huge fun reading about JD fiction and looking at the outrageously titillating covers in Girl Gangs, Biker Boys, and Real Cool Cats, an anthology edited by two Australians, Iain McIntyre and Andrew Nette. What was once reviled as rubbishy reading is now collected, curated and revered as retro chic.
…Many of these books would make even Quentin Tarantino cringe, I suspect: they sound truly awful. But here and there I came across someone churning out quick books for cash who went on to make a more respectable name for himself. One was the science-fiction writer Harlan Ellison, who went undercover and joined a street gang as research for more than 100 stories and his 1958 debut novel.
He describes how he was later working as a reviewer and picked up a book from a box a publisher sent him. “It’s got this horrible, garish juvenile delinquent coming at you with a switchblade knife and it says Rumble. I thought ‘What is this piece of shit?’ and then I looked at the author and it was me.”
If you’re experiencing symptoms like tightness and pain in your chest and possible heartburn, that may be because you absolutely need the Chestburster plush to explode into your life. 48 inches of alien protoplasm is going to love you so much that it will literally not be able to contain itself once it’s fully developed from feeding off your innards.
I guess they’re pretty used to this sort of thing around the ThinkGeek’sheadquarters —
(7) VOLZ OBIT. German actor Wolfgang Völz died yesterday. He was in a lot of genre films and TV shows over the years. Cora Buhlert pays tribute to him in “Remembering Wolfgang Völz (1930 – 2018)”. This is just part of his resume —
Wolfgang Völz was a German TV legend. If you watched TV in Germany at some point in the past sixty years, you have seen Wolfgang Völz and you have definitely heard his voice, because Völz was also a prolific voice actor, lending his distinctive voice to Walter Matthau, Peter Ustinov, Peter Falk, Mel Brooks, Majestix, the Gallic chieftain from the Asterix and Obelix films, as well as dozens of puppet and cartoon characters. It’s certainly fitting that Wolfgang Völz’s last credited role was the voice of God in the 2012 movie Der Gründer (The Founder).
(8) TODAY’S BIRTHDAY
Born May 5 – Catherynne M. Valente
One of my birthday gifts was the Infinity Stone eyeshadow palette…I think if I use all of them at once I can wink and have a REALLY big night pic.twitter.com/eh5ckBkXTF
A study of more than 2m books has revealed that titles by female authors are on average sold at just over half the price of those written by men.
The research, by sociologist Dana Beth Weinberg and mathematician Adam Kapelner of Queens College-CUNY, looked titles published in North America between 2002 and 2012. The authors analysed the gender of each author by matching names to lists of male and female names, and cross-referenced with information about price, genre and publication.
Books by women released by mainstream publishers, they found, were priced on average 45% lower than books by men….
(11) DON’T BE COCKY WITHOUT A LAWYER. Chuck Tingle sorted this crisis in no time and moved on to bigger challenges –
I have made emergency return to BILLINGS as man name of chuck after learning that ted cobbler has copywritten the word “butt” and will now sue anyone who uses it in book titles (or daily speak). weighing my options. he has also copywritten words cocky and cummingintoownbutthole
heckin dang nevermind it was just a mean lady sayin she owned words that everyone uses (what the heck ever). now going back fishing as BORSON REEMS please let me solve this case of the mysterious alaskan fishing village (ps i think they are all fishmen we will see)
(13) REDWOMBAT SALES REPORT. And Ursula Vernon says her book sales are keeping the house warm —
THANK YOU. Our A/C and heat went out a couple weeks ago and the people are coming in today to tell us how much that's gonna cost and I'm just…really, really grateful you all liked the books so much. 'Cos god knows, it wasn't MY word of mouth that got us here.
Virtually unknown in the U.S. outside a small coterie of dedicated fans, the British writer Robert Aickman (he died in 1981) is a virtuoso of the sophisticated “strange story,” as he dubbed his tales. The scares in an Aickman story come not from gore or violence but from the way he perversely bends reality right before your startled eyes. Not just once but again and again—and still again, all in the same story. In this little masterpiece of Gothic indirection, two young women stranded on a walking trip in the north of England seek shelter in a remote Victorian mansion adjacent to a train track. There is a handsome host, a menacing servant, a mad aunt who died mysteriously, even a murder, but all this is beside the point. The real scares come from the trains that scream loudly past every few minutes on this “main, important line” in the middle of nowhere and their unseen engineers, who always wave at girls. Curiously, the trains pass by less often on the third floor than on the ground level. As a child, it should be noted, Aickman liked to invent imaginary kingdoms complete with meticulously constructed railroad schedules.
For most people born before the 90’s, a “3 1/2 inch floppy” was once a crucial part of their technological lives; securing and transporting important files and data. Of course nowadays, the 1.44 MB storage space is far from adequate and no new computers come equipped with an appropriate drive for the disks. Little surprise then that the majority of children today have no idea what one is (despite the fact that ubiquitous software such as Word and Excel still use a floppy disk symbol for their ‘save’ buttons).
As a recent survey by YouGov has shown, 67 percent of the 6 to 18 year olds in the UK don’t know what a floppy disk is. Other essentially obsolete tech such as overhead projectors (once present in almost every classroom), and pagers were recognised even less….
(17) DID WE MENTION? Patton Oswalt’s Parks and Recreation appearance in 2015 is a Star Wars-fueled filibuster.
(18) VIDEO OF THE DAY. Martin Morse Wooster recommends “Seder-Masochism Trailer April 2018,” where animator Nina Paley previews her latest project, a look at the Book of Exodus.
[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Andrew Porter, Carl Slaughter, Dann, Cat Eldridge, Brian Z., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kyra.]
Cameron has made some truly great sci-fi movies (Avatar notwithstanding), and if anyone else were heading up a discussion of the genre, they’d undoubtedly devote a segment or several to the creator of the Terminator franchise. As he notes during a chat with Arnold Schwarzenegger, “Skynet” is synonymous with “robot revolution.” There’s no denying what Cameron’s contributed to the genre, and there’s a certain joy in seeing him geek out with Lucas, who had to be cajoled into participating, and Spielberg.
NASA’s next Mars mission will be the first Red Planet spacecraft to lift off from the West Coast. The InSight Mars lander is scheduled to launch on Saturday (May 5) at no earlier than 4:05 a.m. PDT (7:05 a.m. EDT/1105 GMT). Here’s how you can watch it in person, or online at Space.com or other locations.
InSight will provide an interior snapshot of Mars to learn more about how rocky planets are formed. A heat probe will dig under the surface to look at the temperature of the interior. A seismometer will measure marsquakes and meteorite hits. In addition, a radio science instrument will transmit InSight’s position to Earth as the planet wobbles in its orbit around the sun. The wobble provides information about the composition and size of the Martian core.
Behind every architect and builder is an artist who takes designs and ideas, morphing them into beautiful images for everyone to understand. Chesley Bonestell was this artist, yet very few know his name. He worked on the Golden Gate Bridge and the Chrysler Building, as a matte artist on famous movies like Citizen Kane, and his mesmerizing paintings of planets and star systems helped jumpstart America’s space program. His iconic “Saturn As Seen From Titan”, became known as “the painting that launched a thousand careers.” Discover the power of the forgotten man whose art inspired Americans to conquer “The Final Frontier”.
Watch the trailer – Ray Bradbury shows up at 2:08.
(4) ONE IS THE ONLIEST NUMBER. Ars Technica’s Chris Lee says that in her new book, Lost in Math: How Beauty Leads Physics Astray, theoretical physicist Sabine Hossenfelder argues that the search for Beauty and Naturalness may be leading theoretical physics in a wrong direction. Well established physics whose math looks beautiful now were often regarded at ugly kludges when they were proposed: “Lost in Math: Beauty != truth”
…Hossenfelder is sounding that alarm by suggesting that perhaps theoretical physicists need to spend a little more time on introspection and examining some of their working assumptions. Theoretical physics has been starved of new data for more than an entire generation. How can a theoretician choose a good model in the absence of data? And how do you choose which experimental options to pursue based on competing theoretical models?
…In Lost in Math, Hossenfelder delves briefly into the history of particle physics in order to explain the success of the Standard Model of particles and forces. She touches on why we’ve not had any unexplainable data from experimental particle physics for the last 50 years. She then takes us on a tour of the data that make us think we should be looking for physics that is not explained by the Standard Model—dark matter, dark energy, and cosmic inflation.
…But what makes a “good” theory in the absence of data? You and I might think that this would be predictions for new data and, yes, that plays a role. But Hossenfelder takes us into a realm where theories are decades from being tested. Unfortunately, we need to evaluate their quality now so we can determine how much effort we put into preparing for those tests. What is the criteria for that?
The answer is… ugly. Theoreticians make the following sorts of arguments: the Standard Model is described by math that physicists find beautiful; therefore, we insist that new physics be described by mathematical beauty. That’s paired with another argument, termed naturalness. What is naturalness? It turns out that everything should be about equal to one. If a theory produces a very large number, that is OK, as long as it also produces another very large number so that the difference or ratio of the two is, you guessed it, roughly unity. One is the most natural and only acceptable answer. Any other answer is unnatural because it is unlikely to occur by chance.
(5) PAROLINI OBIT. Gianfranco Parolini (1930-2018): Italian director / screenwriter, often billed as “Frank Kramer”, reportedly died April 26 at the age of 88. Genre entries include The Fury of Hercules (1962), The Three Fantastic Supermen (1967), Giant of the 20th Century (1977). He also introduced one of the iconic spaghetti western anti-heroes in Sabata (1969).
Daniel Dern sent along his explication of today’s Sally Forth, because a lot of us will need one —
Hilary is their teen-age daughter. Here’s the speech being referenced:
The guy (Michael Keaton) driving Peter Parker (Spider-Man) and his date to the school dance isn’t just the date’s dad, he’s also the Big Bad for this movie (The Vulture). Peter didn’t know that until he showed up at their house, dad didn’t know Peter was S-M until this conversation.
“The brief: A few years ago, François Bachelart showed an Alien-themed game off to a publisher (Wonder Dice). It’s not uncommon for designers to create prototypes and the like for dream licenses – re-theming a game is often part of the development process. They negotiated with the designer for a while, but the two sides couldn’t come to an agreement.
“Wonder Dice recently announced that pre-orders are opening soon for a game called Nostromo, which bears striking similarities to the design that Bachelart showed them – only it doesn’t have his name on the product and the publisher is claiming it’s an in-house design. It looks like they actually managed to land a license to use Alien, too, which is impressive.”
Franklin adds: “Copyright on board games is … interesting. Because you can’t copyright game rules. Sorta. You can copyright specific expressions – that is, you can copyright specific wordings and the rules as a whole, but if someone else clones your game using different art and phrases their rules differently, it’s (oddly) completely legal. If you start to dig into this, it’s a real rabbit hole that will eat hours of your time.
“But that also means that game designers have no legal protections when something like this happens, and it needs to be fought out in the court of public opinion.”
(9) MYTHCON NEWS. The Mythcon 49 Progress Report is now available to read online or download and print. Our own Dr. Robin Anne Reid is a Guest of Honor. The con is in Atlanta, July 20-23. The theme is “On the Shoulders of Giants.”
The sky above the port was the color of television, tuned to a dead channel.
The album, which is great to have in the background while you’re focused on your computer screen, whether you’re writing, coding, or hacking into cyberspace while avoiding some nasty black-ice countermeasures, is officially “Music Inspired by William Gibson’s Neuromancer”, and even features an excerpt from the book at a key moment. The whole album, as well as the rest of Antony’s music stuff, is available at Bandcamp.
Chinese police have arrested 15 people suspected of creating cheat programs for the popular Player Unknown Battleground (PUBG) game.
The cheats helped people survive longer, aim more accurately and spot foes in the competitive shooting game.
The 15 suspects have also been fined about 30m yuan (£3.45m) for profiting from the cheats.
Chinese police are expected to make more arrests as they break up the gang that made and sold the programs.
…PUBG is hugely popular in China and almost half of its players live there.
(13) SPEAKEASY. Jason Fagone, in “The Quest To Save Stephen Hawking’s Voice” in the San Francisco Chronicle, discusses engineer Eric Dorsey’s efforts to preserve Stephen Hawking’s synthesized voice after in 2016 Hawking and his staff found that the CallText 5010 speech synthesizer which has served Hawking faithfully since 1986 was collapsing, and the company no longer existed and its source code might be permanently lost.
Wood explained something so improbable that Dorsey had trouble understanding at first: Hawking was still using the CallText 5010 speech synthesizer, a version last upgraded in 1986. In nearly 30 years, he had never switched to newer technology. Hawking liked the voice just the way it was, and had stubbornly refused other options. But now the hardware was showing wear and tear. If it failed entirely, his distinctive voice would be lost to the ages.
The solution, Wood believed, was to replicate the decaying hardware in new software, to somehow transplant a 30-year-old voice synthesizer into a modern laptop — without changing the sound of the voice. For years, he and several colleagues in Cambridge had been exploring different approaches. What did Dorsey think?
(14) CELEBRITY BUS. James Corden takes the Avengers: Infinity War cast on a tour of Los Angeles. It’s really entertaining.
(15) LATE TO THE PARTY. Marvel itself is asking, after Infinity War, “Where Were Ant-Man and the Wasp?”
[Thanks to Gregory Benford, Daniel Dern, John King Tarpinian, Steve Green, Cat Eldridge, JJ, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Lynn Maudlin, Gerry Williams, and Andrew Porter for some of these stories Title credit goes to File 770 contributing editor of the day Matt Y.]
(1) WOTF NEWS. Writers of the Future Contest quarterly finalist Benjamin C. Kinney has withdrawn his story and posted this statement on his blog:
Earlier this week, I received a phone call informing me that my final submission to the Writers of the Future contest (first quarter 2018) had been selected as a finalist. However, after contemplating the information1 that past winners have shared about the contest in recent weeks, I have withdrawn my finalist story from consideration.
I would not judge anyone for their past (or future) decisions to be involved in the contest, whether or not they act(ed) out of ignorance. After all, many writers – myself included – have long treated this contest as a normal fixture of our community. I hope my choice will help encourage others to reexamine that assumption.
For myself, no award is worth supporting an organization that has hurt and misused so many friends, fellow authors, illustrators, and human beings.
The blog post has links to some examples. In addition, I have heard private accounts of other (ongoing) forms of unprofessional and manipulative behavior by contest staff.
(3) FANFIC AND HISTORY. The Organization for Transformative Works (the closest thing to a central hub for transformative works fandom) is currently running a membership drive, and has highlighted their Open Doors project for the preservation of fannish history: “Your Donations Preserve Fannish History!”
Have you ever gone back to look for a fic you read years ago and found out it’s disappeared from the internet? We’ve all been there. As fandom grows and years go by, countless thousands of fanworks disappear every day—entire archives go offline every month, and with them treasures are forever lost to fandom and future generations of fans.
That’s where Open Doors comes in! Open Doors is a project of the Organization for Transformative Works (OTW), dedicated to preserving and archiving fannish voices. It works with the Archive of Our Own (AO3) to protect your old favorites from other places around the web. Your donations give us the resources we need to continue this work. In 2017 alone, Open Doors was able to preserve almost 43,000 fanworks thanks to your support!
Like so many other readers, I am frustrated by interminable series that never end. I complain. Loudly. Publicly. In print (well, HTML). I do this because it’s the right thing to do. I may have a twinkling of a hope that some authors will wake up and conclude their series. But that hope is as long-lived as a firefly. Alas.
I do make an exception for works in which the destination is never the point, in which the goal is simply to enjoy the journey.
Hang out with Emilia Clarke (the Mother of Dragons herself!) over lunch
Get a sneak peek of what it’s like on the top-secret Game of Thrones set in Belfast
Be flown out to Northern Ireland and put up in a 4-star hotel
Every donation supports the Royal College of Nursing Foundation.
The Royal College of Nursing Foundation provides vital support for the nurses, midwives and health care assistants who care for us and our families day in and day out. The Foundation encourages young people to join the nursing profession, funds education and training opportunities, lends a hand to those struggling to meet the rising cost of living and provides advice and support to get their lives back on track.
A funny video of Emilia Clarke trying to spill the beans:
…Watch Daenerys Targaryen’s behind-the-scenes tour of Game of Thrones! Spoiler: Kit Harington (Jon Snow) and Jason Momoa (Khal Drogo) may or may not make eyebrow-raising cameos.
(7) COMICS SECTION.
John King Tarpinian forwarded Brevity’s Hollywood-inspired dinosaur pun.
Elias, the new language teacher in a school in southern Finland, has endless patience for repetition, never makes a pupil feel embarrassed for asking a question and can even do the “Gangnam Style,” dance. Elias is also a robot.
Elias is a language learning solution comprising a humanoid robot and mobile application, currently being trialed in a year-long pilot program at alongside a maths-teaching robot at a primary school in Finland’s third-largest city.
The robot can speak 23 languages and is equipped with software that allows it to understand students’ requirements.
(9) EPISODE RECAP. Daniel Dern says:
Episode 3 of Netflix’s Lost in Space comes remarkably close to where one of the characters could say (with alarm), “Our hovercraft is full of eels!”
(Close, as in, not a hovercraft. Or even a Lovecraft.)
(10) HERE’S TO YOU, MISSING ROBINSONS.Geek Interviews delivers an “Interview With The Robinsons.”
The cast of Netflix’s Lost in Space might be lost in the show, but in reality, they are pretty well-versed in pop culture and could navigate around the many questions we tossed at them. Geek Culture caught up with the stars of the Robinsons family in Tokyo, consisting of Toby Stephens, Molly Parker, Taylor Russell, Mina Sundwall, and Maxwell Jenkins.
(11) ANON. Trailer for Anon coming to Netflix.
Sal Frieland is a detective in a world with no privacy or anonymity; where everyone’s lives are transparent, traceable, and recorded by the authorities; where crime almost ceases to exist. But in trying to solve a series of murders, Frieland stumbles on a young woman known only as the Girl. She has no identity, no history and is invisible to the cops. Sal realizes this may not be the end of crime, but the beginning.
Trolls told Leahviathan to “get cancer and die” and made rape threats because she promoted a game they didn’t like. She is pragmatic: “They bother me, but I know by and large, they’re not real. I try to just separate them from the reality of what I do.”
It’s imperative to learn how to cope with the scale and intensity of the vitriol that can sometimes be experienced. Ignoring trolls and refusing them the attention they crave is a key strategy. Alternatively, calling their bluff and trolling them back in a positive way often helps defuse the situation. Leahviathan also has a moderation crew who help manage abusive comments.
Leahviathan doesn’t reveal her surname or where she lives, which is quite common for live streamers. It’s important to preserve a little bit of privacy.
… Originally a World War Two training base for bomber crews, RAF Westcott became the Guided Projectile Establishment in 1946, and was renamed the Rocket Propulsion Establishment (RPE) a year later.
One of RPE’s initial roles was to study seized Nazi rocket planes and rockets – like the Messerschmitt Me-163 Komet, the V1 Doodlebug and the V2 ballistic missile – and also learn what they could from captured German rocket scientists, some of whom stayed on as employees and worked at the site until the 1960s. “As an apprentice at Westcott I well remember seeing a V2 rocket in its trailer, a Messerschmitt Komet and a Saunders-Roe rocket plane,” says Ed Andrews, a Westcott veteran who now helps look after the historic site.
…In addition to such safety concerns, Westcott’s new rocketeers will have new environmental concerns to worry about, not least because the site is a bit of a wildlife haven – with kestrels, rabbits, deer, red kites and bats amongst its occasional inhabitants. “We have had to relocate some bats from some old buildings to make sure they are kept happy,” says Mark Thomas, chief executive of Reaction Engines.
“We’ve also done a huge amount of work on noise reduction. The five-metre-high wall around our Sabre test stand is for noise suppression and we expect a remarkably low level of noise as a result. But tests will only run for short periods in any case,” says Thomas. That’ll please the neighbours: former Prime Minister Tony Blair’s country pile is next door.
Whether British-based rocketeers can create a resurgence at Westcott remains to be seen. But at least they now have a chance. Just last week Reaction Engines secured a massive £26m ($35.9m) investment from aircraft and rocket maker Boeing and jet engine maker Rolls-Royce….
(14) VIDEO OF THE DAY. In “Where Did Time Travel Come From?” on YouTube, the Nerdwriter traces the origin of time travel stories to Charles Darwin and the nineteenth-century utopian romance.
[Thanks to Cat Eldridge, Meredith, JJ, Mike Kennedy, Danny Sichel, Carl Slaughter, John King Tarpinian, Andrew Porter, Chip Hitchcock, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Some of the arguments I’ve seen mentioned excusing the exclusion of diverse writers:
Editing is hard. Many anthos are put together as an “afterthought,” editors are forced to simply search out writers they “like.”
Putting together anthos as an afterthought is the first redflag. It’s shocking that anyone would think this is a good idea or will yield good results. An editor who does not have a strong grounding of current writers in the genre is a second. White editors who only choose writers they “like” is the final straw. You’re literally editing white boy escapism at that point. Let’s call it what it is.
Just mentioning race is racist.
Since when is simply mentioning race racist? That’s absurd. Some people are white, some black and many others. There is nothing racist about pointing this out. In fact, it’s just the opposite. Ignoring someone’s racial identity is racist, because the default is white. There’s all kinds of research on this, it’s called colorblind racism.
Editors just want the best stories, expecting them to publish writers who don’t deserve it is reverse-racist and sexist. Having black only or women only anthos is “cringy.”
There are LOTS of anthos with only white men writers filling the ToC, especially in the horror genre. It is irrelevant that they didn’t put out a call for only white men, because the outcome is the same. White men have, as we’ve seen, been the default. This is why claiming “I don’t read black or white writers, I just want good stories” upolds the status quo. But never once in the history of ever have you heard a white man writer say that he felt “cringed” because he was published because he was a white man, at the expense of writers of color and women. Because this is what happens, don’t fool yourself.
Burke launched a good discussion, both from people who unintentionally provided examples of the problems, and others talking about the work it takes to overcome them. Among the latter, The Dark Magazine’s Silvia Moreno-Garcia:
Silvia Moreno-Garcia Here’s some free advice for those who may be like but there’s nothing I can do to build diversity and I’m an editor. I funded Innsmouth Free Press paying a penny a word and managed to get POC and women to write in a very male dominated sub genre, Lovecraftiana and Weird fiction. I did this by actively recruiting writers and convincing them my efforts were worth. Writers who had their first credits with me include Daniel Jose Older, Nadia Bulking and Molly Tanzer. I worked out hard, talking about how women and POC were welcome, and then *showing* it. Over time people have come to understand I’m an editor who values work from women and POC, and they sub to me. Because I want to encourage more authors to submit, I just ran a successful Kickstarter for THE DARK, where I’m an editor. I’ve done this and more starting with a penny a word and my friend Paula to support me. Because I truly wanted to be a better editor and give a place to women and POC. And I’ll continue that with the help of The Dark, Sean Wallace and hopefully future authors reading this.
(2) BEEB. Jonathan Cowie of Concatenation did these links in dialect: “First (and forgive me if you’ve already covered) today in Brit Cit we have the start of a mini-series of Mielville’s The City and The City on B Beeb Ceeb 2.”
(3) PETER WATTS IN CONCATENATION. And Cowie also informs they have, “advance-posted (that is it is up but not yet on our index and what’s new pages) an article on SF author and biologist Peter Watts scientists that have inspired him. This is part of an on-going series with previous contributors including SF authors
and scientists (different disciplines) Paul Mc Auley, Ian Stewart, Andrew Bannister, and Tony Ballantine. Most people use .rss or the regularity of our seasonal postings to keep tabs on us. But a very few follow us on Twitter for advance alerts only (no chat). For this dedicated few we have just tweeted an advance alert:”
Advance alert: SF author and biologist Peter Watts reveals his top inspiring scientists
It’s taken me nigh on two years to compile this list. Perhaps half that time was spent fuming over the demand that it be ten scientists long? I mean, what if I don’t find that many twentieth-century scientists inspirational? What if my pop-culture recognition of Fermi and Feynman doesn’t really rise to the level of inspiration, what if the scientists who did inspire me did so on a purely personal level, without achieving rock-star status? What if the people who inspired me aren’t even real scientists, huh?
Concatenation’s full summer issue is expected online April 15.
How exhaustive is Cameron’s trip into the genre’s storied past?
“Throughout each episode of the six-part television series, [Cameron]… explores science fiction’s roots, futuristic vision, and our fascination with its ideas through interviews with A-list storytellers, stars, and others whose careers have defined the field,” says AMC, “including Steven Spielberg, George Lucas, Guillermo del Toro, Ridley Scott, Christopher Nolan, Arnold Schwarzenegger, Will Smith, and Sigourney Weaver, among some 100 other series participants.”
Whoa — now that’s a lineup that definitely has our attention. To check out more video previews of the one-on-one talks Cameron will be sharing with some of the genre’s biggest luminaries, head on over AMC’s landing page.
(5) SNAPSHOT. Another cat snoozing in the vicinity of SFF:
Arnie Fenner notes, “I think it’s something around $2800 to participate so it’s a pretty sweet give-away.”
The IMC is a 7 day workshop focused on making you a better artist with the help of some of the best illustrators and fine artists in the world. All disciplines (traditional or digital) and skill levels are welcome. Old or young. Novice or pro. Anyone may apply for this scholarship.
Hallmark is continuing its celebration of the 50th anniversary of 2001: A Space Odyssey right to the end of 2018 with a new keepsake ornament that lets you hang a miniature version of the film’s HAL 9000 computer on your Christmas tree, complete with its menacing, glowing, red eye.
The ornament doesn’t exactly scream “happy holidays,” of course; HAL did kill most of Discovery One’s crew. But as bad guys go, the computer, with its perpetually calm voice, remains one of the most disturbing antagonists in film history, and that certainly earns him a branch on my Christmas tree.
(10) TODAY’S BIRTHDAY LANDO
Born April 6, 1937 – Billy Dee Williams
(11) COMICS SECTION.
John King Tarpinian discovered the Wizard of Id having a kind of entmeet….
JJ admits Incidental Comics’ “Stages of Work” isn’t genre. In case you have a strict rule about that sort of thing.
(12) LOST IN SPACE. It’s time to “Meet Dr. Smith.”
(13) GUARDING THE GUARDIANS. Karl Urban is back says The Hollywood Reporter:
Karl Urban is returning to the small screen.
The Star Trek and Lord of the Rings actor has landed the starring role in Amazon Studios’ straight-to-series superhero drama The Boys.
The Boys takes places in a world where superheroes embrace the darker side of their massive celebrity and fame, and centers on a group of vigilantes known informally as “the boys” who set out to take down corrupt superheroes with no more than blue-collar grit and a willingness to fight dirty.
(14) PORTION CONTROL.Walking With Giants demos its “Mini Bacon and Eggs.” You might need to order seconds.
(15) HOW THE JURASSIC ERA WOULD REALLY END. Brandon Carbaugh’s thread breaks down how today’s social media would dispose of Jurassic Park.
if Jurassic Park existed in the real world, a kid would get eaten by a dinosaur that wasn't even a T-Rex, the park would shoot the dinosaur, and everyone on the internet would be mad for like a week.
If Jurassic Park was real, Dennis Nedry would not only be alive, but would now sit on the board of six pharmaceutical companies, have a net worth of 3 million dollars, and would be Trump's pick to lead the Department of Dinosaur Affairs. pic.twitter.com/WY227cJlpN
Robot bees, were tired of flying into trees,
Now they live were there ain’t no seas,
Oh Mars is fine for robot bees
Suddenly, the bees aren’t where they are supposed to be,
There at the poles digging furiously
Oh robot bees teraformingly
Why they had to fly
To the poles
And nearly freeze?
They found, something bad
Now I’m sad
For robot bees
Robot bees, fighting ancient martian zombie fleas
Trapped for eons in a polar freeze
Oh robot bees are hard to please
Monster fleas wiould conquer Earth quite easily
But they can’t defeat a robot bee
Our last defence is an apiary
Why they fight so tough
Is it enough,
To kill the fleas?
They sting twice as hard
They’re battle scared
Those robot bee-ee-ee-ee-ees
Robot bees, fought on Mars apocalyptically
They went and saved humanity
Oh robot bees beat zombie fleas
robot bees beat zom-bie fleas….
[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mark Hepworth, Stuart Gale, Chip Hitchcock, Martin Morse Wooster, ULTRAGOTHA, Carl Slaughter, Arnie Fenner, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip W.]
(1) CHECK-IN. The 1954 Worldcon chair Les Cole and Esther Cole, who live in the vicinity of the Ventura, CA fires answered Rich Lynch’s query about how they are doing —
Thanks for asking. Les and I and doggies are OK. Fire went passed us. The air is heavy, so we stay indoors. Much of southern California is rough.
(2) HERBERT MAY BE HONORED BY HOMETOWN. Metro Parks Tacoma Public Information Manager Michael Thompson says a recommendation to name a local peninsula “Dune Peninsula at Point Defiance Park” and its loop trail “Frank Herbert Trail” probably will go to the Park Board for a vote in January. The proposal has been working its way through the system for some time. The News Tribune has an update: “‘Dune’ author Frank Herbert finally set to get his due in his hometown of Tacoma”:
While the Metro Parks Board will have the final say on the matter — and it’s the elected body’s prerogative to deviate or tweak — it’s clear that the public has spoken, and Metro Parks’ staff has attempted to listen. During a public outreach effort earlier this year, more than 500 possible names were submitted via an online survey. The majority of responses referenced Herbert or “Dune.”
“This name provides a simple, evocative identifier that highlights the uniqueness of the peninsula remediation and new park features,” according to the staff recommendation. “On a literary level, it honors the name of the book series by Frank Herbert, a famous Tacoma author, which was inspired by the environmental history of Tacoma’s Asarco copper smelter site, directly adjacent to the peninsula.”
Greg Hullender responded by writing an apology-cum-rebuttal in collaboration with Eric Wong and altering the offensive reviews. Despite this, he has paid a high price for his faux pas. Locus decided that he was unfit to recommend stories to readers and removed him from its reading list jury, making the following announcement on Twitter.
Thank you to those who brought their concerns about RSR to our attention. Greg Hullender will not be involved in the Locus Recommended Reading List. We support our wonderfully complex and diverse SF community, and hope for continued positive dialogue on these issues.
The reference to positive dialogue seems out-of-place. The Rocket Stack Rumpus marks a breakdown in communications all around, from a reviewer missing the point of the stories he was covering, to authors misreading his reviews in turn. Meanwhile, the issue of Rocket Stack Rank’s provincial approach to stories set against non-Western cultural backdrops–as flagged up by Rose Lemberg in this Twitter thread–ended up being lost alongside Hullender’s misunderstanding of non-binary SF, which is perhaps a secondary issue.
There may well be positive dialogue to come out of the controversy, but at the present moment, there is little of it to be seen.
Canada is one step closer to the accidental legalization of cannibalism after the House of Commons passed a typo-ridden Bill C-45, formerly known as The Cannabis Act.
“I think no one wanted to be the one to point out the error,” MP Sara Anderson said. “We all thought someone else would do it, and then they called the vote, and here we are, all voting to legalize cannibalism.”
(5) RADICAL CHANGE. If this catches on, Twitter will get awfully quiet.
Anyway….I've come out with a new policy of not tweeting about something until I actually know wtf I'm talking about so I don't accidentally spread misinformation. I'm sorry I did that earlier today.
Anders’s unique humor provides a uniting theme. Only some of the stories are explicitly comic, but all benefit from her linguistic wit and her quirky but generous characterization. Her stories seem to say with affection, “People. We’re weird. What can you do?” She’s particularly good at tailoring prose to her characters, revealing their lives through their diction. Characters go to “one of those mom-and-pop Portuguese places” and “the kinda-sorta gay bar.”
(7) MCDUFFIE AWARD OPEN. The 4th Annual Dwayne McDuffie Award for Diversity in Comics is taking entries until December 31.
Please attach a link or a 15mb .PDF file of the work to be considered. When submitting work, we strongly suggest sending the first issue of a series. If submitting anything other than the first issue, a one-page synopsis of what came before must accompany the submission. Also, we suggest sending the first 25-30 pages or first chapter of a graphic novel. We cannot guarantee anything more will be considered. If one is available, please also attach a .JPG photo of the entrant to the email. Please do not include any further attachments.
The award’s three new selection committee members are Jennifer de Guzman, Jamal Igle and Mikki Kendall, who join Mark D. Bright, Joan Hilty, Heidi MacDonald, Kevin Rubio, Gail Simone, and Will J. Watkins.
Next classes are Saturday, December 9 – 9:30-11:30 AM or Wednesday, February 7, 2018, 4-6 PM. (Each class is a separate session.)
Poetry requires intense linguistic control. Every word matters. Whether you’re a poet who wants to create fantastical verses, or a prose writer who wants to learn the finely tuned narrative power that poetry can teach, you’ll find something in this class.
Who do you write your blog for? Do you ever read the comments, and if so, what do you learn from them, if anything?
I write them for anybody who wants to read them. (Writers live in hope.)
Yes, sure, I read all the comments. They’re mostly good-natured, and some are thoughtful and enlightening.
You say that dystopian literature is yang-driven, and its opposite–utopian literature–is also yang-driven. Is there a literature that presents a realistically complex vision of a world in balance? Or is that just fantasy?
Of course it’s just fantasy. That’s why I write fantasy…
So why did this book hit me so hard in an unhappy place? Because it was so smart and funny and beautifully written and involved connected stories about a favorite city and magic, which are three of my favorite things. And because it had a chapter that was one of the best short stories about addiction that I’ve read, and that left me thinking about it in a way that will probably shape at least one future story.
And yet. And yet. And yet. Women were either powerful and unfuckable for one reason or another or else fell into the category marked “women the protagonist sleeps with”, who usually didn’t even get a name. Moments of homophobic rape humor, marked by a repeated insistence on the sanctity of the hero’s anus, and a scene in which he embraces being thought gay in order to save himself from a terrible fate, ha ha, isn’t that amusing. And I’m like…jesus, there is so much to love about this book but it’s like the author reaches out and slaps me away once a chapter or so.
(12) TODAY IN HISTORY
December 8, 1991 – Hook premieres in Hollywood.
(13) TODAY’S BIRTHDAY BOY
Born December 8, 1950 – Rick Baker, the Monster Maker
(14) COMICS SECTION.
John King Tarpinian saw that First Contact isn’t going too well in Close To Home.
(15) END OF THE MAZE. Maze Runner: The Death Cure comes to theaters January 26.
In the epic finale to the Maze Runner saga, Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary Last City, a WCKD-controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get answers to the questions the Gladers have been asking since they first arrived in the maze.
“We were very surprised at how precisely concordant the imaged damage was with the crescent shape of the eclipse itself,” noted Dr. Avnish Deobhakta, a retina surgeon at New York Eye and Ear Infirmary of Mount Sinai in New York, in an email to NPR.
He says this was the most severely injured patient they saw after the eclipse. All in all, 22 people came to their urgent care clinic with concerns about possible eclipse-related damage, and most of them complained of blurred vision. Of those, only three showed some degree of abnormality in the retina. Two of them had only mild changes, however, and their symptoms have gone away.
The young woman described in this case report, at last check, still has not recovered normal vision.
Once thought of as solitary creatures, scientists discover ‘underwater city’ full of octopuses living side by side
A couple of assumptions are often made about octopuses. First, that they are smart. There is truth in that: octopus behaviour such as tool use, predation techniques and puzzle-solving suggest a higher level of intelligence than other invertebrates. Everyone has watched an octopus unscrewing a jar.
Second, they have a reputation for being solitary. So solitary in fact that an official collective noun for octopuses doesn’t even exist (though ‘tangle’ has been suggested).
This may have to change, however. Over the last decade, scientists have discovered that octopuses aren’t always lone beasts. In fact, octopuses engage in rich, fascinating and unusual behaviours when they interact with each other.
(20) PATREON SURVIVOR, IF POSSIBLE. Cat Rambo is weathering the storm by asking readers how to add more value to her Patreon campaign (and also whether or not to bail from it): https://www.patreon.com/catrambo
Cat She says, “I’ve lost about 15% of my income from there so far, but I’m a very minor player. however if there is something the F&SF is not seeing from me but desperately yearns for, now’s the time to weigh in: “Patreon Changes”.
(21) FRONT PAGE NEWS. I have added to the File 770 sidebar a link to John Hertz’ review of The Glass Bead Game (Hesse), which has found a permanent online home.
(22) KRYPTON. SyFy has put out a teaser trailer for its series about Superman’s homeworld. ScienceFiction.comsums it up:
The series is set two generations before the destruction of the Man of Steel’s home planet. ‘Krypton’ follows Superman’s grandfather (Cameron Cuffe), whose House of El was ostracized and shamed, as he fights to redeem his family’s honor and save his world from chaos. The Seg-El name is both a nod to Superman co-creator Jerry Siegel and a reference to John Byrne’s 1980s miniseries, ‘The World of Krypton.’ Cameron Cuffe is set to play Seg-El alongside with Georgina Campbell as Lyta Zod.
December brings a pair of stories to The Dark Magazine that focus sharply on observation and theater. In both, women drawn into roles where they are closely watched by men, and in both these experiences are further framed in terms of a sort of voyeurism. In one, a woman is filed, in the other, a woman is part of a play. Both feature stages and bring the reader in as spectators and in some ways as participants. We are the eyes that act as camera and as audience.
Comic book cover art is awesome. They use a variety of styles, but have you ever seen comic book covers that are made from balloons? These awesome balloon sculptures as comic book covers were created by Phileas Flash. They take days to make and the pieces themselves fit into a 10 foot by 10-foot space. Then photoshop is used to add the letters which are also balloons. I love all of the detail that he gets with this unusual medium.
After Cooper’s initial meeting with Bowie in the late Sixties, they later forged a friendship. Once, they even had dinner together with Fahrenheit 451 author Ray Bradbury. “It was really interesting, because these guys were in outer space somewhere,” he says. “They were talking about quantum physics, and I’m going, ‘So … what kind of car are you driving?'” Cooper laughs.
(26) CAMERON PROJECT.Alita: Battle Angel Official Trailer.
From filmmakers James Cameron and Robert Rodriguez. Alita Battle Angel is in theaters July 20, 2018. Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson.
[Thanks to JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Cat Rambo, Greg Hullender, David K.M. Klaus, Carl Slaughter, Martin Morse Wooster, Rich Lynch, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Darren Garrison.]
Two films based on Lara Croft’s adventures preceded the upcoming Tomb Raider reboot film: 2001’s Lara Croft: Tomb Raider and 2003’s Lara Croft Tomb Raider: The Cradle of Life. Both films cast Angelina Jolie as Lara Croft and collectively earned $432 million at the worldwide box office, making the series one of the highest-grossing film franchises based on a video game property.
Tomb Raider hits theaters March 16, 2018.
(3) THE SPIRIT OF SFF. Although I’ve become inured to this phrase being code for “more nutty nuggets, please,” author Joseph Brassey has only the original meaning in mind when he talks about “Keeping the Fun in Science Fiction” at Fantasy-Faction.
I firmly believe, however, that a story should be able to confront real problems without losing its soul, its sense of fun, and this is found in the conviction that things can always be better. It is in an explicit rejection of a tone of cynicism, because work that grapples with darkness doesn’t need to assume it is in the nature of our most misanthropic, derisive qualities to prevail. Hope is not a method, but it is the precursor of methods. The spark that ignites action and turns talk of change into moving feet and hands grasping for actions of worth. Hope is not the fire. It is the lighter of fires.
The human element is everything. Where the fantastical meets the machine. Where the magic meets the skycraft. Where the sword turns aside the crackling bolt of gunfire and the pilot spins the wheel to take her ship from the roaring path of the dragon’s breath. Where conflict assails the human spirit and we find our noblest qualities in the face of ravening hate, violent authoritarianism, and bone-chilling fear.
It is in the wonder that reaches for stars, responds to fury with mercy, hatred with love, having the courage to peer beyond a terrible present to embrace a future awash with a thousand hues of color.
My third try with Twin Peaks was just a few months ago, when, in preparation for the upcoming revival series, I mainlined the entire 30 episodes of the show, plus Fire Walk With Me, over a long weekend. It was strange experiencing the show this way, simultaneously a newcomer and someone who knew quite a bit about it, including the major turns of plot. What was even stranger was how much the existence of The Return changed the meaning and significance of the original Twin Peaks, even before a single frame of it had aired. From a failed experiment, it became merely a chapter in a story, whose later installments might yet redeem it. Watching Twin Peaks was suddenly no longer an exercise in nostalgia and self-flagellation, but that venerable Peak TV practice of binge-watching the previous seasons before the new episodes start. I ended up enjoying this rewatch much more than I was expecting (Fire Walk With Me, in particular, turns out to be a great deal more rewarding than I’d been led to believe), but I wonder if I would have felt the same if I didn’t know that another chapter in the saga was just around the corner.
As I mentioned before, this series was launched with Dumb Martian shown as part of the Armchair Theatre series. The new series has a very spooky theme tune called The Concerto to the Stars, composed by Eric Siday, which plays against a background of moving microscopic tentacles that sets the tone for the show. For those who are interested, Tony Hatch has expanded the theme tune into very catchy 45 record, available from all good record stores.
The format of the show has each episode introduced by Boris Karloff, who is disarmingly charming with his bon mots about the story to come. There are two breaks for adverts, which is annoying, but this is commercial TV, so it is to be expected. Then Mr. Karloff signs off the story with an announcement of the cast.
Evidence for this comes from Chicago, where an unauthorized Stranger Things bar recently opened and has since become quite popular. Naturally, Netflix wasn’t OK with this. But instead of firing off a nasty, sharply worded missive, it sent a quite adorable letter to the owners in the style of the Stranger Things universe.
“Danny and Doug,” the letter started out…
My walkie talkie is busted so I had to write this note instead. I heard you launched a Stranger Things pop-up bar at your Logan Square location. Look, I don’t want you to think I’m a total wastoid, and I love how much you guys love the show. (Just wait until you see Season 2!) But unless I’m living in the Upside Down, I don’t think we did a deal with you for this pop-up. You’re obviously creative types, so I’m sure you can appreciate that it’s important to us to have a say in how our fans encounter the worlds we build.
We’re not going to go full Dr. Brenner on you, but we ask that you please (1) not extend the pop-up beyond its 6 week run ending in September, and (2) reach out to us for permission if you plan to do something like this again. Let me know as soon as possible that you agree to these requests.
We love our fans more than anything, but you should know the Demogorgon is not always as forgiving. So please don’t make us call your mom.
(7) THE TRUTH IS OUT THERE. Early in Honest Trailers’ take on Wonder Woman comes this line:
Now, Patty Jenkins bravely asks the question, “What if a female-led superhero movie wasn’t absolute garbage from beginning to end, and had a powerful message for girls: Save the world, look flawless doing it, be a literal god, then men might begrudgingly half-tolerate your presence?”
“I pretty much howled,” says Rick Moen, who sent the link, “Fair cop.”
Billed as “Hokey Smokes! A June Foray Celebration,” the grand gala was produced by animation veterans Mark Evanier, Jerry Beck, Bob Bergen, Howard Green and Tom Sito and ably hosted by Evanier, who was June’s longtime friend and sometime employer.
Among the many eager to pay personal and professional tribute were Nancy Cartwright (the voice of Bart Simpson), Bill Mumy (who spoke of June’s guest appearance on an episode of Lost in Space), animation historian Charles Solomon, Teresa Ganzel (The Duck Factory) and a surprise guest — Lily Tomlin — who won a voiceover Emmy in 2013 the same night June received the Governors Award. Tomlin said of Foray, “The characters she played were so much more than cartoons; they were our friends.” …
Foray was also saluted for her tireless efforts to engender more respect for the world of animation as a founding member of the American branch of ASIFA (Association International du Film d’Animation), which produces the annual Annie Awards, and she is credited with helping to establish the Academy Award category for best animated feature film.
As a grand finale, Evanier invited a number of animation actresses who had been inspired by Foray’s pioneering work to come up onstage and pose for a sort of “class photo” (below) flanking a large portrait of Foray in her natural habitat — seated at a microphone….
Evanier remarked that Foray’s career began in the Golden Age of Radio in the 1930s and continued up to and including video games.
(9) TODAY IN HISTORY
September 20, 1979 – The theatrical release was edited down as the pilot episode for TV’s Buck Rogers in the 25th Century
September 20, 1985 — Morons From Outer Space premiered theatrically on this day.
September 20, 1987 — Captain Power and the Soldiers of the Future premiered its first and only season.
Harlan Ellison is one of the most fascinating people I’ve ever met. An author, activist, and professional provocateur, he is incapable of being dull, which makes this book a page-turner almost by definition. His fame in the field of science-fiction obscures other facets of his career, including writing for television and movies. It’s all chronicled in this highly readable profile by a longtime friend and follower. No single book could cover the entirety of Ellison’s life, or reproduce every one of his memorable rants, but Segaloff makes a healthy start in that direction.
(12) QUARTER CENTURY MARK. SyFy Wire continues to celebrate the channel’s 25th anniversary with lists – today “25 people we really miss”.
In the last 25 years, we’ve had some amazing new creators of science fiction, fantasy, and horror emerge – but we’ve lost many true legends in the field along the way, as well. These writers, artists, actors, and visionaries helped to make our world a richer place with the power of their imaginations and continue to inspire us long after they’re gone.
How often are you going to see David Bowie on a list sandwiched between Isaac Asimov and Ray Bradbury?
I rarely dog-ear the books I read for review, trusting myself to remember their most notable aspects. I dog-eared enough of Autonomous‘ pages to almost double its thickness, such was the granularity of things I wanted to highlight, praise, and discuss. From startling insights to delicately turned prose to whole passages of unbearably tender musings on the intimate desires of artificial intelligence, there’s much more than I can feasibly talk about here. But here’s some highlights.
Autonomous‘ main interest is the danger our late capitalist modernity poses to personhood, and the intricacies of what it means to be free – from ownership, from programming, from the circumstances of one’s birth. But the parts that enthralled and moved me most – to laughter, to tears – were the musings on sexuality, and the contrast between Jack and Paladin’s respective experiences. Throughout most of the novel, Jack’s relationship to sexuality is written in clinical, chemical terms, a physical means to a physical end; Paladin’s, meanwhile, is explored in intimate, puzzled probings, often starkly contrasted with the extreme violence for which Paladin was built. I loved the contrast between seeing a woman treat sex as casually as an itch to scratch, and a genderless robot building romance and sexuality from first principles, through internet searches, conversations with other AIs, and awkward, fumbling experiments.
“We were hoping that we could find an entomologist or two, perhaps, that would be willing to talk to Sophie and share a little bit about their backstory,” he said. “We were blown away with the number of people who came charging to help Sophia.” The organization received more than a thousand replies and more than 130 direct messages.
This same toxicity has recently riddled science fiction and fantasy literature as well. In 2015 and 2016, alt-right trolls took aim at the prestigious Hugo Awards and what they perceived as a leftist bias. Women, of course, have long had a forceful presence in this literary domain, particularly those driven by strong ideological motivations: Ursula Le Guin, Margaret Atwood and Octavia Butler to name but a few. And in film, directors including Kristina Buozyte, Kate Chaplin, Kathryn Bigelow, Jennifer Phang and Lizzie Borden have each used science fiction codes and conventions in profound and often diverse ways.
But it is in front of the camera that the genre’s history of strong, active women is the most visible and diverse. Heroine Maria and her evil gynoid doppelga?nger in Fritz Lang’s Metropolis, aggressive sex bomb Jane Fonda as the title character in Roger Vadim’s Barbarella, turbo-mum Sarah Connor from the Terminator franchise, resourceful Katniss Everdeen in The Hunger Games, and – of course – the iconic image of the no-shit-taking woman, Sigourney Weaver’s Ripley from the Alien movies. For starters.
But if we’re going to lift the lid off of this particular Pandora’s Box, it’s worth doing it properly. Representations of strong women in cinema bleed outwards across eras, production contexts and the often blurry lines of film genre itself. Any prehistory of women characters in the recent Star Wars movies – Rey (Daisy Ridley) from The Force Awakens and Jyn Erso (Felicity Jones) from Rogue One – must necessarily look far beyond the terrain of sci-fi itself.
After waving hasta la vista, baby, more than 25 years ago, Linda Hamilton is returning to the world of Terminator, reuniting with James Cameron, the creator of the sci-fi franchise, for the new installment being made by Skydance and Paramount.
Cameron made the announcement at a private event celebrating the storied franchise, saying, “As meaningful as she was to gender and action stars everywhere back then, it’s going to make a huge statement to have that seasoned warrior that she’s become return.”
With Hamilton’s return, Cameron hopes to once again make a statement on gender roles in action movies.
“There are 50-year-old, 60-year-old guys out there killing bad guys,” he said, referring to aging male actors still anchoring movies, “but there isn’t an example of that for women.”
(17) G AS IN GEEZER. Meanwhile, an octagenarian male hero gets the glory in William Shatner’s Zero-G: Green Space, released September `9.
In the second installment of William Shatner’s Zero-G series, Director Samuel Lord must identify a mole sabotaging the top-secret NASA project aboard the US space station Empyrean, while also fighting a fast-replicating virus that threatens humanity. In the year 2050, the United States sends the FBI to govern its space station, The Empyrean. Under the command of suave, eighty-year-old director Samuel Lord, the “Zero-G” men are in charge of investigating terrorism, crime, corruption, and espionage, keeping an eye on the rival Chinese and Russian stations as well….
(18) PUNISHER. Nextflix has a new trailer up for the Punisher.
[Thanks to JJ, Meredith, Cat Eldridge, John King Tarpinian, Carl Slaughter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]