Tag Archives: Christopher Tolkien

Pixel Scroll 11/29/22 Hush, Little Pixel, Don’t You Cry; Papa’s Going To Sing You A Scroll

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(1) FUTURE TENSE. The November 2022 entry in the Future Tense Fiction series is “Universal Waste” by Palmer Holton, a story about a small-town cop, a murder, and a massive futuristic recycling operation.

It was published along with a response essay, “The Laws of Thermodynamics Will Not Bend for Landfills” by Josh Lepawsky, a researcher on pollution and waste at Memorial University in Canada.

(2) WISCON 2023. Kit Stubbs, Treasurer of SF3, WisCon’s parent not-for-profit organization, rallies everyone with the hashtag Let’s #RebuildWisCon!

WisCon 46 in 2023 is happening!
We are thrilled to announce that Gillian Sochor (she/her, G is soft like “giraffe”, Sochor like “super soaker”) is joining Lindsey and Sherry as our third co-chair. This means we are going ahead with an in-person con for 2023!…

Finances
Thanks to everyone who donated and offered matching gifts last year, we were able to cover the cost of our 2022 hotel contract. We are now looking to raise $30,000 in this year’s annual fundraiser which will allow us to do all kinds of awesome things for WisCon 46 in May 2023, including:

Offset the cost of hotel rooms for members who need to isolate due to COVID-19 and who otherwise might not be able to due to the financial burden

Purchase more high-quality air filters for con spaces and masks for members

Expand the meal voucher program, introduced last year, which enables members in need to eat for free at local restaurants

Continue to offer CART services for transcription, now that the state of Wisconsin is no longer providing funds to offset that cost

And part of that $30,000 will go towards rebuilding WisCon’s savings after last year.

If you weren’t aware, WisCon can’t pay for itself with registrations alone. We try to keep the cost of registration down to make our con as affordable as possible. But what that means is that we’re counting on the members of our community who can chip in extra to do so! Please donate today to help #RebuildWisCon!…

WisCon Member Assistance Fund
This year we’re also looking to raise $3,000 for our WisCon Member Assistance Fund! The WMAF is a specially designated fund that can only be used to provide travel grants to help members attend WisCon. Please consider making a donation via PayPal.

(3) THIS COULD BE YOUR BIG BREAK! Daniel Dern says he won’t be covering Arisia 2023, and suggests I ask another Filer would be interested in getting a press credential to attend and reporting on the convention The upcoming Arisia will be held from January 13-16, 2023, at the Westin Boston Seaport hotel. Vaccination Verification required. If you’re game, email me at mikeglyer (at) cs (dot) com and I will put you in touch with the con. 

(4) GOTHAM AWARDS. Everything Everywhere All at Once, the multiverse-spanning adventure, won Best Feature at the Gotham Awards 2022 reports Variety. And cast member Ke Huy Quan won Best Supporting Performance.   I don’t know why I’ve never heard of the Gotham Awards before, but if they keep going to sff movies I’ll be talking about them in the Scroll again.

(5) NEXT YEAR’S LOSCON. Loscon 49 will be held over Thanksgiving Weekend in 2023. The theme: “Enchanted Loscon”. Guests of Honor — Writer: Peter S. Beagle; Artist: Echo Chernik; Fan: Elayne Pelz. At the LAX Marriott Hotel from November 24-26, 2023. More information at: www.loscon.org.

(6) ZOOMIN’ ABOUT PITTSBURGH. The last FANAC Fan History Zoom of 2022 will be on December 10, about the major fannish breakout in Pittsburgh in the late Sixties and Seventies. Write to [email protected] if you want to get on the list to see it live.

(7) THE BARD IS OPEN. CrimeReads hears from Mary Robinette Kowal “On Writing a New Take on The Thin Man, Set in Space”, about the experience of creating her latest novel.

…Science fiction and fantasy, on the other hand, are driven by the aesthetic. They are about the look and feel. The sense of wonder. They don’t have an inherent plot structure. 

This means that you can map Science Fiction onto a Mystery structure easily. 

When I decided I wanted to do “The Thin Man in space,” I needed to understand the structure of the Nick and Nora movies specifically. So I began by watching all six of the films. This was a great hardship, as I’m sure you can imagine.  Here are some of the beats that are in all of the films: A happily married couple and their small dog solve crime while engaging in banter and drinking too much. Interestingly, they also contain the element that Nick does not want to investigate and Nora really wants him to.  Nick almost always gets along well with law enforcement. He has an uneasy relationship with the wealth of Nora’s family. There’s always a scene in which he goes off sleuthing on his own and carefully looks over a crime scene. More than one murder. 

From there, I started building the world of the novel. THAT is the hallmark of science-fiction and fantasy. We engage in worldbuilding in which we think about how changing an element or introducing a technology has ripple effects. For this, I knew I wanted to be on a cruise ship in space. There’s a writing workshop that my podcast, Writing Excuses, runs every year on a cruise ship. I based my ship, the ISS Lindgren on the types of things that happen on those and extrapolated for the future…. 

(8) UNDER THE HAMMER: GRRM SIGNED MSS. Heritage Auctions is taking bids the rest of the day on “George R. R. Martin. Two Signed Early Partial Manuscripts of Game of Thrones”. Bidding was up to $10,500 when last checked.

George R. R. Martin. Two Signed Early Partial Manuscripts of Game of Thrones. Includes: 1 box, 384 leaves. Typed, dated November 1994. Boldly signed on the cover page in blue sharpie. [Together with]: 3 boxes, 888 leaves. Typed, dated July 1995. Boldly signed on the cover page in blue sharpie.

Two early drafts of the first book from A Song of Ice and Fire, the hit HBO series and international phenomenon.

The impact that A Game of Thrones has had on the fantasy genre, both as a novel and a television series, is almost impossible to exaggerate. Named to the BBC list of “100 ‘most inspiring’ novels” in 2019 alongside C.S. Lewis’s The Chronicles of Narnia, Frank Herbert’s Dune, and Ursula K. Le Guin’s Earthsea trilogy, it almost single-handedly cemented “grimdark” as a fantasy subgenre and helped inspire the likes of Joe Abercrombie and Marlon James, both masters of fantasy in their own right. The overwhelming success of the HBO show redefined fantasy for the general public and has been lauded by both authors and publishers as responsible for boosted sales in fantasy and science fiction….

…As is his typical process, Martin created five copies of each draft of Game of Thrones. Two were kept for his personal files; one was sent to his editor; a fourth was given to Texas A&M University where the archive of Martin’s oeuvre resides; and this, the fifth and final copy, was initially donated to a ConQuesT charity auction, held annually in Kansas City. Parris McBride, Martin’s wife, hoped the charity would get “a few bucks for them;” alas, no one bid on the items. They were then picked up by one of the original book researchers for A Song of Ice and Fire, and from there found their way to Heritage….

(9) AMAZING STORIES KICKSTARTER FINAL WEEK ANNOUNCEMENT. Amazing Stories is in the FINAL week of raising funds through its Kickstarter for “Amazing Stories Annual Special: SOL SYSTEM by Steve Davidson”.

Our annual special issue – Amazing Stories: SOL SYSTEM – a double-sized issue, both in digital and print, of Amazing Stories. It will be chock full of stories set in exciting futures within our solar system. The publication is set for April 2023.

We’re also planning an online convention for April 2023 to celebrate this issue as well. Most of the contributing authors will be there!

We’re really excited about this and we know you’ll love it. Backers of our Kickstarter can choose digital copies of the magazine, print copies, convention memberships, and many more bonus add-ons as well.

(10) THE WATTYS. The winners of Wattpad’s 2022 Watty Awards have posted. The Grand Prize Winner, worth $5,000, is Nichole Cava’s The Vampire Always Bites Twice.

There are also Category Award winners for Fantasy, Science Fiction, Horror, Paranormal, and Fanfiction, to name a few. The website’s format makes it hard to distinguish the shortlist and the winner – more work than I was willing to invest. If you want to try, they’re all at the link.

– Wattpad, the global entertainment company and leading webnovel platform, announced the 2022 Watty Award winners! With over 500 winners across nine languages, the 2022 Watty Awards were the biggest edition yet. This year’s USD $5,000 English-language grand prize went to Nichole Cava for The Vampire Always Bites Twice (55.1K reads), which follows a criminal necromancer and vampire private eye that unexpectedly team up to solve the case of a missing barista. 

In addition to cash prizes, 2022 Watty Award prizes included multiple publishing and entertainment adaptation opportunities from Wattpad WEBTOON Studios and the Wattpad WEBTOON Book Group. Among the more than 30,000 entries for the 2022 Watty Awards, these winning stories were selected…

(11) PYUN OBITUARY. Albert Pyun, director of Cyborg, Interstellar Civil War, Tales of an Ancient Empire,  the Saturn-winning The Sword and the Sorceror and the 1990 version of Captain America, has died November 26 at 69, after several years of dementia and multiple sclerosis.

(12) MEMORY LANE.

2007 — [By Cat Eldridge.] Dorothy and Toto in Oz Park (2007)

Fifteen years ago, a very special statue went up in Oz. No, not that Oz, but the park in Chicago, so first let’s talk about that park. It had been developed as part of the Lincoln Park Urban Renewal Area during the Seventies, and this park was formally named the Oz Park in 1976 to honor Baum who settled in Chicago in 1891 in an area west of the park. 

During the Nineties, the Oz Park Advisory Council and Lincoln Park Chamber of Commerce hired Chicago artist John Kearney to do all the figures for the Park. 

He first created a sculpture of the Tin Man which he fashioned out of chrome bumpers. It was his last such sculpture done that way as the bumpers of chrome were increasingly scarce and thus way too expensive.

Next came the Cowardly Lion which was cast in bronze. Take a look at the detail in the fur — quite amazing, isn’t it? 

Next is the rather colorful Scarecrow that is a seven-foot-tall sculpture, cast in an amazing twenty-two separate pieces in Kearney’s own foundry on Cape Cod.  

Now we come to the last statue, Dorothy and Toto. This final statue to be completed was Dorothy and Toto, using the so-called lost wax technique which you can see an example of here being done. Kearney added paint for the blue dress and the iconic ruby red shoes. The final statue was installed fifteen years ago. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 29, 1910 — Kendell Foster Crossen. He was the creator and writer of the Green Lama stories.  The character was a Buddhist crime fighter whose powers were activated upon the recitation of the Tibetan chant om mani padme hum. He also wrote Manning Draco series, an intergalactic insurance investigator, four of which are can be found in Once Upon a Star: A Novel of the Future. The usual suspects has a really deep catalog of his genre work, and the Green Lama stories have been made into audio works as well. (Died 1981.)
  • Born November 29, 1918 — Madeleine L’Engle. Writer whose genre work included the splendid YA sequence starting off with A Wrinkle in Time, which won the Newbery Medal and a host of other awards, and has been made into a 2003 television film and a theatrical film directed by Ava DuVernay. She produced numerous loosely-linked sequels, including A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. In addition to her fiction, she wrote poetry and nonfiction, much of which related to her universalist form of Christian faith. She was honored with a World Fantasy Award for Life Achievement in 1997. In 2013, Crater L’Engle on Mercury was named for her. (Died 2007.) (JJ)
  • Born November 29, 1925 — Leigh Couch. Science Teacher and Member of First Fandom. Active in fandom, along with her husband and children, during the 1960s and 70s, she was a member of the Ozark Science Fiction Association and one of the editors of its fanzine Sirruish. She was on the committee for the bid to host Worldcon in Hawaii in 1981. She was honored for her contributions as Fan Guest of Honor at the first Archon, the long-running regional convention which grew out of that early St. Louis-area fandom. (Died 1998.) (JJ)
  • Born November 29, 1942 — Maggie Thompson, 80. Librarian, Editor, and Fan who, with her husband Don, edited from the 1960s to the 90s the fanzines Harbinger, Comic Art, Rainy Days, and Newfangles, and wrote a column for The Buyer’s Guide for Comic Fandom. When this became the professional publication Comic Buyer’s Guide in 1983, because of their extensive knowledge of comics, she and her husband were hired as editors; after he died in 1994, she continued as editor until it ceased publication in 2013. Under their editorial auspices, it won two Eisner Awards and the Jack Kirby Award. Together they were honored with the Inkpot Award, and twice with the Comic Fan Art Award for Favorite Fan Writers.
  • Born November 29, 1950 — Kevin O’Donnell Jr. Writer who produced a number of genre novels and more than 70 short fiction works. He was chair of the Nebula Award Committee for nearly a decade, and business manager for the SFWA Bulletin for several years; he also chaired for 7 years SFWA’s Grievance Committee, which advocates for authors who experience difficulties in dealing with editors, publishers, agents, and other entities. He received the Service to SFWA Award in 2005, and after his death, the award was renamed in his honor. (Died 2012.)
  • Born November 29, 1969 — Greg Rucka, 53. Comic book writer and novelist, known for his work on Action Comics, Batwoman and Detective Comics. If you’ve not read it, I recommend reading Gotham Central which he co-created with Ed Brubaker, and over at Marvel, the four-issue Ultimate Daredevil and Elektra which he wrote is quite excellent as well. I’ve read none of his novels, so will leave y’all to comment on those. He’s a character in the CSI comic book Dying in the Gutters miniseries as someone who accidentally killed a comics gossip columnist while attempting to kill Joe Quesada over his perceived role in the cancellation of Gotham Central.
  • Born November 29, 1976 — Chadwick Boseman. Another death that damn near broke my heart. The Black Panther / T’Challa in the Marvel metaverse. The same year that he was first this being, he was Thoth in Gods of Egypt. (If you’ve not heard of this, no one else did either as it bombed quite nicely at the box office.) He was Sergeant McNair on Persons Unknown which is at least genre adjacent I would say.  And he even appeared on Fringe in the “Subject 9” episode as Mark Little / Cameron James.  I understand they did a stellar tribute to him in the new Black Panther film.  His Black Panther was nominated at Dublin 2019 for a Hugo but lost to another exemplary film, Spider-Man: Into the Spider-Verse. (Died 2020.)

(14) COMICS SECTION.

(15) CHRISTOPHER TOLKIEN PANEL. The 2023 Oxford Literary Festival will host “The Great Tales Never End: in Memory of Christopher Tolkien” on March 28. Tickets available at the link.

The Bodleian’s Tolkien archivist Catherine McIlwaine, writer John Garth and academic Stuart Lee discuss the role of JRR Tolkien’s son, Christopher, in promoting the works of his father and furthering understanding about them.

McIlwaine is co-editor with Bodley’s Librarian Richard Ovenden of The Great Tales Never End: Essays in Memory of Christopher Tolkien, while Garth and Lee have both contributed essays. Christopher was his father’s literary executor and published 24 volumes of his father’s work over four decades, more than Tolkien published during his lifetime. The collection of essays includes reflections on Christopher’s work by world-renowned scholars and reminiscences by family members.

McIlwaine is the Tolkien archivist at the Bodleian Libraries. Garth is an author and freelance writer and editor. He is author of The Worlds of J.R.R. Tolkien: The Places that Inspired Middle-earth and Tolkien and the Great War: The Threshold of Middle-earth. Lee is an English lecturer at the University of Oxford who lectures on fantasy literature with a focus on Tolkien. Discussions are chaired by Grace Khuri, a DPhil candidate at Oxford and the first Oxford postgraduate to write a PhD solely on Tolkien.

(16) HOW TO CONTACT THE CHENGDU WORLDCON. The Chengdu Worldcon posted this list of its “working emails”:

(17) DOING RESEARCH AND ASKING EXPERTS. Gideon P. Smith steers writers toward resources for “Writing the Science Right” at the SFWA Blog.

Getting the science right in SF can make the difference between writing cute stories and great science fiction. If you are a non-scientist writing SF and want to know how to do that, then this blog post is for you….

(18) LA ARTIST & WRITER. Some of you already know him, and All About Jazz invites the rest of you to “Meet Tony Gleeson”.

Tell Us A Bit About Yourself.

I’m an artist by vocation and a musician by avocation (I’ve played guitar all my life and picked up keyboards a couple of decades back). Music of all kinds has always been a major part of my life, but early on I made the choice to pursue the visual arts as my career. I spent my so-called formative years on the east coast, in upstate New York, Washington DC, and New York City. When I attended art school in Los Angeles, I fell in love with southern California and after a few years back in Manhattan, I persuaded my wife Annie to move there— quite an adventurous step for her as she’d never been on the West Coast. We’ve been Angelenos since 1977. We have three grown kids pursuing their own lives and adventures, but the house is hardly empty or still with our two cats, Django and Mingus, and our bird Charlie.

Annie’s been an NICU RN and I’ve run an illustration and design studio ever since we got here. I figure I’ve had around a thousand illustrations published: magazines, newspapers, book covers, catalogues and product illustrations. I’ve also done concept art for film, TV, advertising, and toy and product design.

I was a bookseller for several years early in the new millennium. I’m also a writer, with ten crime novels published in Britain and the United States. The most recent, A Different Kind of Dead, was released in the U.S. by Wildside in 2021. The new one, Find the Money, also by Wildside, is due for release before this year’s end. I’m kind of a polymath with a lot of interests (including film, baseball, classic mysteries, science fiction, and comic art) that tend to veer into obsessions….

(19) TAKEN BY SURPRISE, IN A GOOD WAY. “Slip Through Your Fingers: Thoughts on Andor” by Abigail Nussbaum at Asking the Wrong Questions.

Look, I was not expecting this. Two years and more than a dozen shows into the Disney+ experiment, I think we’ve all developed a decent enough sense of what to expect from the television incarnations of the two biggest entertainment franchises on the planet. And for the most part, these shows have been fine. Some fun moments. Some actors who are better than their material. Maybe a hint of a political idea. There was no reason for Andor—a prequel to a prequel whose original premise was already quite dodgy—to be any better.

And then it turned out to be good. Not just good for Star Wars, but just plain good. Best TV of the year good. I have to admit that I went a bit Kübler-Ross about this. First there was Anger—this show is too good to be Star Wars. No way does a story this smart, this thoughtful about the compromises of life under fascism, and the costs of rising up to resist it, exist only as a lead-in to a floppy-haired teenager doing an amusement park ride….

(20) FONT FOLLY. [Item by Mike Kennedy.] A memorable Saturday Night Live skit from 2017 poked a lot of fun at the “lazy choice“ of the font Papyrus for the mega-blockbuster movie Avatar. (You may not be familiar with the controversy, but it’s a real thing.)

The font designer — who was shortly out of school decades ago when he created the font — responded in good humor. Now director James Cameron finally has, too, and Slashfilm is there taking notes: “Avatar Director And Font Connoisseur James Cameron Finally Responds To SNL’s Papyrus Sketch”.

“Saturday Night Live” can be very hit or miss when it comes to their sketches, but it should come as no surprise that “Papyrus” will go down as one of their best. The bit features Ryan Gosling as a man who has disassociated from the world around him because he remembered that James Cameron’s mega-blockbuster “Avatar” used a variation of the Papyrus font for its logo. It’s the kind of thing you may think about for a second or two before moving on with your life, but the sketch from former “SNL” writer Julio Torres dedicates itself to making Gosling’s breakdown look as dramatic as possible.

Like the “Potato Chip” segment, it’s the kind of “SNL” bit that makes you laugh at how seriously everyone is playing their part with something so silly and bizarre. It’s just a logo, and yet Gosling plays it as if the material is worthy of a conspiracy thriller. Since the 2017 sketch, Cameron has given the “Avatar” logo a typeface facelift that gives the series more of an identity, although it’s not that different. It honestly looks as if the graphic designer took the modified Papyrus logo as is, and filled it with air.

The “Terminator 2” filmmaker can change the logo all he wants, but if the internet has taught me anything, it’s that it never forgets. For five years, Cameron has remained silent on the whole Papyrus conversation … until now. With the long-awaited “Avatar: The Way of Water” only weeks away, the blockbuster mastermind is finally breaking his silence.

In the January 2023 issue of Empire, James Cameron finally faces the logo demons that have been haunting him for minutes, as he jokes about how the graphic design choice got in the way of getting even more money. “Just think of how much we could have grossed if it wasn’t for that damn font,” says Cameron…

[Thanks to Mike Kennedy, JJ, John King Tarpinian, Jeffrey Smith, Danny Sichel, Daniel Dern, Scott Edelman, Joey Eschrich, Cora Buhlert, Rich Lynch, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/16/22 Scroll Down, You Click Too Fast, You’ve Got To Make The Pixels Last

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(1) AI IS NOT AN EXCUSE FOR CONTENT THEFT. Malcolm F. Cross wryly begins his email with this link, “I’m sooooort of pleased to announce that discovering another theft of my work inspired me to do a little art project. The theft in question was having some of my work added to the training data for a commercially used AI, and the result was this twitter thread.” The 26-tweet thread starts here. Excerpts follow:

(2) “PEOPLE’S JOKER” NEWS. Variety updated to its report about “’People’s Joker,’ Queer Movie Set in Batman Universe, Pulled From TIFF” with a statement by the filmmaker Vera Drew.

…In a statement shared with Variety on Wednesday evening, Drew promised that “everyone is going to get the chance to see this film.”

“I don’t respond well to bullying or pressure from faceless institutions,” said Drew. “It only emboldens me and what I was saying with this film. We’re looking for buyers and distribution partners who will protect us and make this film accessible to trans people and their families everywhere.”

Drew hinted at potential discord around the movie on Tuesday, ahead of her world premiere, posting a cryptic tweet: “I have no clue how today goes and my team wants me to say nothing of course so I’ll stay vague…but whatever happens in the next few hours, I want you to know…if you’ve been waiting and aching to watch our movie, ur going to get to soon. Stay tuned and stay with me. Need ur help.”…

Just before the movie rolled, The Globe and Mail reported that a title card was displayed stating that the film was protected under “fair use” laws.

“This film is a parody and is at present time completely unauthorized by DC Comics, Warner Brothers or anyone claiming ownership of the trademarks therein (eg. ‘Joker,’ ‘Batman, etc.),” read the title card. “Aside from licensed stock, all video and graphics featured in the film are original materials, often recreations of iconic comic book movie set pieces created by Vera Drew and a team of over 100 independent artists and filmmakers on three separate continents during the COVID-19 pandemic.”

“Any copyright or trademark infringement was not done intentionally. After consulting with counsel, the director believes in good faith that use of these names and characters in a autobiographical context of her personal coming-out story is protected by Section 107 of the U.S. Copyright Act of 1976, which allows ‘fair use’ for purposes such as a relevant criticism, social commentary or education.”

(3) NBA LONGLISTS. The 2022 National Book Awards Longlist for Fiction announced today by the National Book Foundation includes two works of genre interest, a novel and a story collection.

Also announced were the Longlist for Nonfiction and the Longlist for Poetry.

(4) GROAN ABOUT. Dave Hook takes us inside another panel he participated in at the Worldcon in “Titus Groan and Chicon 8”.

…I found out that Chicon 8 (the 80th World Science Fiction Convention) would have a “Titus Groan” panel for their 1946 Project. The 1946 Project was their plan to celebrate 1946 and all things speculative fiction with panel discussions instead of doing a 1947 Retro Hugo.

I applied to be on the panel, telling the Programming Team with substantial fannish enthusiasm how great “Titus Groan” was, how I was prepared to answer the question of whether it was genre or not, and what I was prepared to do to get ready for a panel.

For unknown reasons, they selected me for the panel and made me the moderator. I did not have a problem with this; I thought I could do a great job. I had never been on any SF convention panels before. I thought I could do all of that, but I redoubled my preparations….

(5) RECALLING CHRISTOPHER TOLKIEN. “The Worlds of Middle-Earth: The Millions Interviews Richard Ovenden and Catherine McIlwaine”. Their book includes essays by Maxime H. Pascal; Priscilla Tolkien; Vincent Ferré; Verlyn Flieger; John Garth; Wayne G. Hammond and Christina Scull; Carl F. Hostetter; Stuart D. Lee; Tom Shippey; and Brian Sibley.

In The Great Tales Never End: Essays in Memory of Christopher Tolkien, Richard Ovenden, who serves as Bodley’s Librarian, the senior Executive position of the Bodleian Libraries at the University of Oxford, and Catherine McIlwaine, the Tolkien Archivist at the Bodleian Libraries, have assembled a remarkable anthology about Christopher, who died in 2020…. 

Lenny Picker: What personal memories of Christopher Tolkien are your most vivid?

Richard Ovenden: I had the good fortune of visiting him at least once a year for about 10 years. Staying in the house, having long conversations. He looked quite like his father. I never knew J.R.R. Tolkien, but Christopher’s memory of Oxford really was quite profound. He was born there, grew up there, and lived there for many decades. But his memory of it is really kind of frozen in about the middle of the 1970s, when the family moved to France. And so having a conversation with Christopher about Oxford was like having one about the Oxford of when J.R.R. Tolkien was still alive. So it seemed to me almost like you were talking to J.R.R. Tolkien. And because he had this immense knowledge of his father’s work and his mentality, there was that sort of connection. Christopher also had a very great sense of humor—a very, very dry sense of humor. And he was a very funny human being. He also was a great reader; he loved reading fiction, Victorian fiction, in particular, Dickens, Trollope, were a great source of pleasure for him. So he was a very literary person, not just in his own field of scholarship.

(6) WHO SHOULD WIN FAN HUGOS? In the Hugo Book Club Blog’s post “The Gordian Knot of Fan Vs. Pro” they’re inclined to think the knot is just fine the way it is and that the current WSFS rules get the balance right. 

…Just three years [sic] after the Scithers constitution was introduced [in 1963], Jack Gaughan showed just how unclear the existing language could be, winning both the fan artist and professional artist Hugo Awards in a single [1967] evening. There was an outcry over this — why have two separate categories if the same body of work could win both? A clause was quickly added to the constitution to prevent this from happening again, but the language did not seek to clarify what was Fan and what was Pro, rather stating that “Anyone whose name appears on the final ballot for a given year under the professional artist category will not be eligible for the fan artist award for that year.”

Over the years, this question has resurfaced fairly regularly. Questions were raised over John Scalzi winning best fan writer in the same year that his novel The Last Colony was on the ballot. Two years later there was some slight grumbling about Fred Pohl — at that time one of only 25 authors to have won three professional prose Hugos — winning for best fan writer.

So in this context, a well-intentioned but problematic proposal (“An Aristotelian Solution to Fan vs Pro”) brought forward to this year’s business meeting provided an attempt to parse out this question….

(7) BROOKLYN SFFF. The Brooklyn SciFi Film Festival returns for its third season October 3-9 presenting 200 independent SciFi films from around the world. 

This year’s festival will feature online and in-person events including an evening of Japanese SciFi hosted at Stuart Cinema Cafe on Tuesday October 4th from 7:00 to 9:00 and selected screenings and recognition on Saturday October 8th from 6:00 to 9:00 at the Alamo Drafthouse Cinema in Downtown Brooklyn.  All films streaming online at BrooklynSciFiFilmFest.com starting October 3rd.  Official Selections.

(8) SMOKE ‘EM IF YOU GOT ‘EM. Literary Hub introduces viewers to a 1982 BBC video about a writer at work: “Roald Dahl’s writing routine involved a shed, a sleeping bag, and cigarettes.”

In 1982, Frank Delaney of the BBC visited Roald Dahl at home for a long conversation that meandered from children’s literature to 18th-century furniture and making orange marmalade. During that visit, Dahl gave Delaney a glimpse at his writing routine, which consisted, at the time, of four hours a day spent in a writing shed on his property.

(9) MEDIA BIRTHDAY.  

1963 – [By Cat Eldridge.]

There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur, or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: There is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to… The Outer Limits. — opening narration. 

Fifty-nine years ago this evening on ABC, The Outer Limits series premiered, created and executive produced by Leslie Stevens who had done nothing of a genre nature before. It was directed by far too many to note here. Steven’s would later do Buck Rogers in the 25th Century. 

In the unaired pilot, it was called Please Stand By, but ABC rejected that title, so the producers renamed it.

Two episodes, “Demon with a Glass Hand” and “Soldier”, were written by Harlan Ellison. Clifford Simak wrote “The Duplicate Man” episode. David Duncan penned “The Human Factor”. Eando Binder gets credit for the “I, Robot” episode.  

“Demon with a Glass Hand” won a Writers’ Guild Award. Later, Ellison’s “Soldier” script would allow him to sue Cameron over his Terminator script and win rather nicely. 

Season One combined science fiction and horror, while Season two was shifted focus to being more about what they called hard science fiction stories, dropping the “scary monster” theme of Season One. The network thought the monster were the villains of the week.

The original series lasted a mere forty-nine episodes. The second iteration, which started in 1995, would last much longer, going an amazing one hundred and fifty-two episodes.

It was very popular in the ratings the first season but was competing against Jackie Gleason in the second season and that got it cancelled halfway through. As I noted, it had a second life thirty years on which was quite successful. Variety reported last year that an Outer Limits reboot was in development at a premium cable network though they declined to say which network.

Neat piece of trivia: The “ion storm” from “The Mutant” episode here which was a projector beam shining through a container containing glitter in liquid suspension became the transporter effect in the Trek series. Also, the process used to make pointed ears for David McCallum in “The Sixth Finger” episode here was used to make Spock’s ears, and The black mask from “The Duplicate Man” episode here was used by Dr. Leighton in “The Conscience of the King”. 

It’s streaming on Pluto. Pluto? Huh? 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 16, 1914 — William Bernard Ready. Can I include an individual for just one work? Well given it’s my Birthday list, of course. It’s the 1968 work, The Tolkien Relation: A Personal Inquiry, Ready foresaw the cultural value of Tolkien’s writings and, while at Marquette University, he managed to purchase a large selection of original literary manuscripts by Tolkien in 1956-57, including manuscripts of The Hobbit and The Lord of the Rings. (Died 1981.)
  • Born September 16, 1927 — Peter Falk. His best remembered genre role is in The Princess Bride as the Grandfather who narrates the story. (The person who replaced the late Falk in the full cast reading of The Princess Bride for the Wisconsin Democratic fundraiser, Director Rob Reiner, wasn’t nearly as good as he was in that role.) He also plays Ramos Clemente in “The Mirror,” an episode of The Twilight Zone. And he’s Reverend Theo Kerr in the 2001 version of The Lost World. (Died 2011.)
  • Born September 16, 1930 — Anne Francis. You’ll remember her best as Altaira “Alta” Morbius on Forbidden Planet. She also appeared twice in The Twilight Zone (“The After Hours” and “Jess-Belle”). She also appeared in multiple episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She’d even appear twice in The Man from U.N.C.L.E., and played several roles on Fantasy Island as well. (Died 2011.)
  • Born September 16, 1932 — Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 16, 1952 — Lisa Tuttle, 70. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute,” which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include Catwitch, The Silver Bough and her Ghosts and Other Lovers collection.Her latest novel is The Curious Affair of the Witch at Wayside Cross. Her collection, The Dead Hours of the Night was nominated for a Stoker last year — impressive! 
  • Born September 16, 1954 — Howard Weinstein, 68. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.”
  • Born September 16, 1955 — Amanda Hemingway, 67. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are.
  • Born September 16, 1960 — Mike Mignola, 62. The Hellboy stories, of course, are definitely worth reading, particularly the early on ones. His Batman: Gotham by Gaslight is an amazing “What If” story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) HEAR ABOUT “HUMAN EXCEPTIONALISM”. “Dean Koontz on His Vocation as an Author, Art and Meaning in Life, and Human Exceptionalism” in a downloadable interview at Humanize. (Note: I haven’t listened to it.)

In episode one of the second season of Humanize, Wesley J. Smith’s guest is the internationally famous novelist Dean Koontz. Dean and Wesley discuss how he came to be an author, how life is filled with meaning, his art, the importance of human exceptionalism, the problem with transhumanism, and how Dean uses humor to further his plots and character development. Dean recalls his upbringing in an impoverished household that did not have running water until he was 11, how a high school English teacher changed his life, and his love for the use of the English language. He and Wesley also discuss the beauty of the human/dog relationship and his philanthropic support for Canine Companions for Independence, a school that trains service dogs to help people with disabilities lead independent lives. Any reader of Dean Koontz and supporter of human exceptionalism will want to listen to this fascinating interview with one of America’s most successful and prolific authors…

(12) READY FOR MY CLOSE-UP. The Atlantic wants to know “Why Do So Many Kids Need Glasses Now?”

…In the U.S., 42 percent of 12-to-54-year-olds were nearsighted in the early 2000s—the last time a national survey of myopia was conducted—up from a quarter in the 1970s. Though more recent large-scale surveys are not available, when I asked eye doctors around the U.S. if they were seeing more nearsighted kids, the answers were: “Absolutely.” “Yes.” “No question about it.”

In Europe as well, young adults are more likely to need glasses for distance vision than their parents or grandparents are now. Some of the lowest rates of myopia are in developing countries in Africa and South America. But where Asia was once seen as an outlier, it’s now considered a harbinger. If current trends continue, one study estimates, half of the world’s population will be myopic by 2050.

The consequences of this trend are more dire than a surge in bespectacled kids. Nearsighted eyes become prone to serious problems like glaucoma and retinal detachment in middle age, conditions that can in turn cause permanent blindness. The risks start small but rise exponentially with higher prescriptions. The younger myopia starts, the worse the outlook. In 2019, the American Academy of Ophthalmology convened a task force to recognize myopia as an urgent global-health problem. As Michael Repka, an ophthalmology professor at Johns Hopkins University and the AAO’s medical director for government affairs, told me, “You’re trying to head off an epidemic of blindness that’s decades down the road.”

The cause of this remarkable deterioration in our vision may seem obvious: You need only look around to see countless kids absorbed in phones and tablets and laptops. And you wouldn’t be the first to conclude that staring at something inches from your face is bad for distance vision. Four centuries ago, the German astronomer Johannes Kepler blamed his own poor eyesight, in part, on all the hours he spent studying. Historically, British doctors have found myopia to be much more common among Oxford students than among military recruits, and in “more rigorous” town schools than in rural ones. A late-19th-century ophthalmology handbook even suggested treating myopia with a change of air and avoidance of all work with the eyes—“a sea voyage if possible.”

(13) “IT FLOATS.” Ivory Soap floats on its own. Limestone blocks need a little help. “A Long-Lost Branch of the Nile Helped in Building Egypt’s Pyramids” according to the New York Times.

For 4,500 years, the pyramids of Giza have loomed over the western bank of the Nile River as a geometric mountain chain. The Great Pyramid, built to commemorate the reign of Pharaoh Khufu, the second king of Egypt’s fourth dynasty, covers 13 acres and stood more than 480 feet upon its completion around 2560 B.C. Remarkably, ancient architects somehow transported 2.3 million limestone and granite blocks, each weighing an average of more than two tons, across miles of desert from the banks of the Nile to the pyramid site on the Giza Plateau.

Hauling these stones over land would have been grueling. Scientists have long believed that utilizing a river or channel made the process possible, but today the Nile is miles away from the pyramids. On Monday, however, a team of researchers reported evidence that a lost arm of the Nile once cut through this stretch of desert, and would have greatly simplified transporting the giant slabs to the pyramid complex….

(14) EVOLVING ANIMATION. [Item by Martin Morse Wooster.] Edward Vega of VOX looks at how the success of Spider Man: Into The Spider-Verse has shown animators an alternative to the photo-realistic animation of Pixar: “How ‘Spider-Verse’ forced animation to evolve”.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Malcolm F. Cross, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/22/22 Heigh-ho, The Battling Throg, The Frog Down In Valhalla, Oh

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(1) HOW WRITERS GET UNPAID. Quenby Olson shows how a returned book costs her money on Amazon. Thread starts here.

Olson backed up the account with Vice’s article “TikTok Users Are Showing Readers How To Game Amazon’s Ebook Return Policy”.

A TikTok trend where users encourage others to purchase, read, and return Amazon ebooks within the company’s return policy window has irked independent authors, who claim to have seen dramatic spikes in their ebook return rates since the trend went viral.

The #ReadAndReturn challenge drew attention to Amazon’s Kindle return policy, which states that readers can “cancel an accidental book order within seven days.” But what’s been presented as a literary community “life hack” is hurting romance-fantasy authors like Lisa Kessler’s bottom line. 

“When you buy a digital book, if you read and return it, Amazon just turns around and gets the money back from the author, plus Amazon builds in a digital delivery fee and so Amazon is still getting that delivery fee but we get all the royalties taken back,” Kessler told Motherboard. 

Kessler, who self-publishes several book series, says that before the challenge, she would see on average one or two returns per month. But when she checked her Kindle Direct Publishing (KDP) sales dashboard on June 1st, she says she was shocked to find a negative account balance….

(2) JUST A SECOND. The Fall of Númenor, a collection of Tolkien’s works about the Second Age of Middle-Earth, will be published by HarperCollins in November 2022. The book will appear after Amazon Prime releases the streaming series The Rings of Power, set during the Second Age of Middle-earth, in September 2022. “New Tolkien book: The Fall of Númenor to be published” at The Tolkien Society.

A HarperCollins press release included in the post explains that the volume is edited by writer and Tolkien expert, Brian Sibley, and illustrated by acclaimed artist, Alan Lee.

…Presenting for the first time in one volume the events of the Second Age as written by J.R.R. Tolkien and originally and masterfully edited for publication by Christopher Tolkien, this new volume will include pencil drawings and colour paintings by Alan Lee, who also illustrated The Lord of the Rings and The Hobbit and went on to win an Academy Award for his work on The Lord of the Rings film trilogy.

J.R.R. Tolkien famously described the Second Age of Middle-earth as a ‘dark age, and not very much of its history is (or need be) told’. And for many years readers would need to be content with the tantalizing glimpses of it found within the pages of The Lord of the Rings and its appendices.

It was not until Christopher Tolkien presented The Silmarillion for publication in 1977 that a fuller story could be told for, though much of its content concerned the First Age of Middle-earth, there were at its close two key works that revealed the tumultuous events concerning the rise and fall of the island-kingdom of Númenor, the Forging of the Rings of Power, the building of the Barad-dûr and the rise of Sauron, and the Last Alliance of Elves and Men.

Christopher Tolkien provided even greater insight into the Second Age in Unfinished Tales of Númenor and Middle-earth in 1980, and expanded upon this in his magisterial 12-volume History of Middle-earth, in which he presented and discussed a wealth of further tales written by his father, many in draft form.

Now, using ‘The Tale of Years’ in The Lord of the Rings as a starting point, Brian Sibley has assembled from the various published texts in a way that tells for the very first time in one volume the tale of the Second Age of Middle-earth, whose events would ultimately lead to the Third Age, and the War of the Ring, as told in The Lord of the Rings.

(3) BALTICON UPDATE. Balticon’s post-convention email dated June 17 included the following update about the Code of Conduct investigation that is addressing events reported by File 770 here, here, and here.

(4) LIBRARY E-BOOK RELIEF UNCONSTITUTIONAL. “In Final Order, Court Declares Maryland’s Library E-book Law Unconstitutional” reports Publishers Weekly.

In a June 13 opinion and order, Judge Deborah L. Boardman declared Maryland’s library e-book law “unconstitutional and unenforceable” all but ending a successful months-long legal effort by the Association of American Publishers to block the law.

“In its February 16, 2022 memorandum opinion, the Court determined that the Maryland Act likely conflicts with the Copyright Act in violation of the Supremacy Clause,” Boardman’s opinion reads. “Although neither AAP nor the State has moved for summary judgment on any claim, they agree a declaratory judgment may be entered… Therefore, for the reasons stated in the February 16, 2022 memorandum opinion, the Court finds that the Maryland Act conflicts with and is preempted by the Copyright Act. The Act ‘stands as an obstacle to the accomplishment and execution of the full purposes and objectives of Congress.’”

… First introduced in January 2021, the Maryland library e-book law required any publisher offering to license “an electronic literary product” to consumers in the state to also offer to license the content to public libraries “on reasonable terms.” The bill passed the Maryland General Assembly unanimously on March 10, and went into effect on January 1, 2022.

In response, the AAP filed suit on December 9, 2021 arguing that the Maryland law was pre-empted by the federal Copyright Act. Just days after a February 7 hearing, Boardman agreed with the AAP and temporarily enjoined the law. Boardman’s order this week now permanently renders the law enforceable….

(5) CENSORSHIP CASE IN VIRGINIA. Publishers Weekly also reports, “Lawyers Say ‘Defective’ Virginia Obscenity Claims Should Be Tossed”.

First filed in May by lawyer and Republican Virginia assembly delegate Tim Anderson on behalf of plaintiff and Republican congressional candidate Tommy Altman, the suits allege that the graphic memoir Gender Queer by Maia Kobabe and A Court of Mist and Fury by bestselling author Sarah J. Maas—are “obscene for unrestricted viewing by minors.” On May 18, a retired local judge found there was “probable cause” for the obscenity claims and ordered the authors and publishers to answer the charges, raising the possibility that the court could bar the books from public display and restrict booksellers and librarians from providing the books to minors without parental consent.

But in filings late last week, lawyers for Kobabe and her publisher, Oni Press, and Maas and her publisher Bloomsbury, along with lawyers for Barnes & Noble, told the court the suits as filed are defective and the remedy sought unconstitutional.

“The petition and show cause order are facially defective because [the Virginia law] does not authorize a court to declare that the book is ‘obscene for unrestricted viewing by minors,’” reads a joint filing by Maas and Bloomsbury, explaining that the Virginia law “cannot constitutionally be the basis for the relief sought by petitioner as a matter of law.”

In separate filings, Kobabe and Oni Press also argue the law in question is misapplied and the complaint defective. “The statute permits the challenge of a book on the grounds that it is ‘obscene’ to the entirety of the community of the Commonwealth,” reads the brief from Oni Press lawyers. “Petitioner here attempts to redefine [the Virginia law] to have book declared obscene as it relates to one subset of the Community: minors in the Hampton Roads and Virginia Beach areas.”

Furthermore, lawyers for the authors and publishers argue that the books in question do not come close to meeting the standard for obscenity as established by the Supreme Court, which requires that materials, even if they contain explicit material, be found to lack serious literary, artistic, political or scientific value. Thus, the relief requested by the plaintiffs would be “an unconstitutional restraint on free speech,” lawyers argue.

(6) THE MIGHTY NATALIE. “’Thor: Love and Thunder’: How Natalie Portman Grew Nine Inches Taller” — Variety divulges the answer at the link.

…“I definitely got as big as I’ve ever been,” Portman explained for Variety‘s cover story. “You realize, ‘Oh, this must be so different, to walk through the world like this.’”

Portman means that quite literally. Along with getting her arms and shoulders as swole as humanly possible, Portman’s Mighty Thor also stands 6 feet tall — nearly 10 inches larger than Portman’s actual height.

… To date, no one has figured out how an actor can safely elongate their body, so director Taika Waititi and his crew needed to figure out how to get Portman to the proper height for scenes in which she walked with her co-stars. Their solution proved to be about as low-tech as a Marvel movie can get….

(7) KGB. The Fantastic Fiction at KGB reading series will be changing its schedule to the second Wednesday of the month. The date change begins on September 14, 2022. Both the July and August readings will be on the third Wednesday as originally scheduled.

After more than twenty years of being held on the third Wednesday of every month, the Fantastic Fiction reading series, currently hosted by Ellen Datlow and Matthew Kressel at the KGB Bar in Manhattan, will be switching to the second Wednesday of the month, beginning in September, for the foreseeable future. Previously, the series was held on the third Wednesday of the month.

During the Pandemic, when Covid cases in New York City were dangerously high, hosts Ellen and Matt decided to go virtual (via YouTube) for the safety of all. This virtual period lasted for more than eighteen months, during which time Ellen and Matt were able to bring in guests, many of whom were unable to visit New York in person, from all over the world, including Pakistan, Barbados, the U.K., Australia, South Africa and elsewhere.

During this same period a younger crowd less fearful of Covid began to congregate in person at the KGB Bar during the series’ usual third Wednesday. When the Fantastic Fiction series finally returned to the KGB Bar in person in late 2021 and early 2022, the KGB Bar saw a significant drop in income. Because of this, the KGB Bar owner has asked Ellen and Matt to switch weeks for this “big earner/younger generation” that they wish to accommodate on the third Wednesday of each month.

(8) EAR TO THE GROUND. CSI Skill Tree is a series from the Center for Science and the Imagination at Arizona State University.The latest event in the CSI Skill Tree series on how video games envision possible futures and create thought-provoking experiences will streamed on Thursday, July 7, from 2:00-3:15 p.m. Eastern. The event is free and open to everyone—here is the registration link.

In this event, speculative fiction author Tochi Onyebuchi and composer/sound designer Amos Roddy will discuss how sound and music in games contributes to worldbuilding, storytelling, and immersion. They’ll look closely at Inside (2016), a moody adventure game with environmental puzzles and grim, industrial aesthetics.

Roddy’s other sound work in games is frequently for science fiction titles (most recently, Citizen Sleeper), and Onyebuchi is an incredibly talented SF storyteller. 

(9) AN IDEA THAT WHIFFED. Galactic Journey knows exactly what the public in 2022 wants to hear about the Worldcon – which is nothing good, of course – and presents: “[June 22, 1967] The Stench Arising from the World Convention” by Alison Scott.

…Here we are in 1967, and Ted White, from his lofty position of power as chairman of NyCon 3, this year’s World SF Convention, has decided that the time has come to expand the existing Best Fanzine Hugo. I think that many of we actifans would welcome additional awards for Best Fan Writer and Best Fan Artist. However, the NyCon 3 committee – and I think we must assume this is mostly Ted – decided to unilaterally create a new class of awards, the Fan Achievement Awards, by analogy to the Science Fiction Achievement Awards, and to nickname them the “Pongs”, by analogy to the “Hugos”….

P.S. Even at the time almost everyone said they hated the idea. That’s why in the end the NyCon 3 committee actually did call these added fan awards Hugos.

(10) MEDIA BIRTHDAY. 

1925 – [By Cat Eldridge.] Let’s keep in mind that ninety-seven years ago when this first version of The Lost World premiered, A. Conan Doyle was very much alive. This is very important as he was involved in the film including writing the script from his novel and being involved in the production quite personally. Doyle said repeatedly that Challenger, not Holmes, was his favorite creation.

Directed by Harry O. Hoyt, The Lost World featured the amazing stop motion special effects by Willis O’Brien, the dinosaurs here being a great look at what he would do on King Kong in eight yers. Nine different types of dinosaurs were created including of course Tyrannosaurus. A very crowded plateau it was. Some of the dinosaur models made for this film were collected later by Ackerman.

It cost seven hundred thousand to make and grossed one point three million. Studios being relatively honest in those days, we can say it actually made money. 

Full early prints include an introduction by Doyle. Later prints removed this.  

The New York Times after seeing early reels of the dinosaurs said if these be “monsters of the ancient world, or of the new world which he has discovered in the ether, were extraordinarily lifelike. If fakes, they were masterpieces.” Contemporaneous reviews such as the LIFE one say the same thing: “In The Lost World, as it appears on the screen, the animals have been constructed with amazing skill and fidelity and their movements, though occasionally jerky, are generally convincing.” 

Audience reviewers at Rotten Tomatoes currently have a sixty-nine percent rating for it.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 22, 1856 — H. Rider Haggard. Writer of pulp fiction, often in the the Lost World subgenre. King Solomon’s Mines was the first of his novels with Allan Quatermain as the lead and it, like its sequels, was successful. These novels are in print to this day. Haggard by the way decided to take ten percent royalties instead of a flat fee for writing, a wise choice indeed.  And let’s not forget his other success, She: A History of Adventure, which has never print out of print either. (Died 1925.)
  • Born June 22, 1894 — George Fielding Eliot. ISFDB has scant listings from him and Wiki is not much better but shows “The Copper Bowl”  in Weird Tales in the December 1928 issue and notes that thirty years later he has “The Peacemakers”  in the Fantastic Universe in January 1960 edition. Stitching this together using the EofSF, I’ll note he wrote Purple Legion: A G-Man Thriller, a really pulpish affair. As Robert Wallace, he wrote “The Death Skull Murders”, one of the Phantom Detective stories, a series that came out after The Shadow and ran for a generation. (Died 1971.)
  • Born June 22, 1936 — Kris Kristofferson, 86. He first shows up in a genre film, The Last Horror Film, as himself. As an actor, his first role is as Bill Smith in Millennium which is followed by Gabriel in Knights, a sequel to Cyborg. (A lack of name creativity there.) Now comes his role as Abraham Whistler in Blade and Blade II, a meaty undertaking indeed! Lastly I’ll note he voiced Karubi in Planet of the Apes.
  • Born June 22, 1947 — Octavia Butler. I think her Xenogenesis series is her most brilliant work though I’m also very, very impressed by the much shorter Parable series. I’m ambivalent on the Patternist series for reasons I’m not sure about. Her first Hugo was L.A. Con II (1984) for her “Speech Sounds” short story and she also got a Hugo for her “Bloodchild” novelette at Aussiecon Two (1985). DisCon III (2021) saw Parable of the Sower: A Graphic Novel Adaptation with text by her obviously as adapted by Damian Duffy and illustrated by John Jennings pick up the Best Graphic Story or Comic Hugo. (Died 2006.)
  • Born June 22, 1949 — Edward M Lerner, 73. I’m here today to praise the Ringworld prequels that he co-wrote with Niven, collectively known as Fleet of Worlds which ran to five volumes. Unlike the Ringworld sequels which were terribly uneven, these were well written and great to read. I’ve not read anything else by him.
  • Born June 22, 1949 — Meryl Streep, 73. She’d make the Birthday list just for being Madeline Ashton in Death Becomes Her and her epic battle there with Goldie Hawn. She’s the voice of Blue Ameche in A.I. Artificial Intelligence, and a very real Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events. She’s the voice of Felicity Fox in Fantastic Mr. Fox, based off the on Dahl’s 1970 children’s novel. She voices Jennie in a short that bring Maurice Sendak’s dog to life, Higglety Pigglety Pop! or There Must Be More to Life. She’s The Witch in Into The Woods. I think that’s it.
  • Born June 22, 1958 — Bruce Campbell, 64. Where to start? Well let’s note that Kage loved the old rascal as she described him, so I’ve linked to her review of Jack of All Trades. I personally liked him just as much in The Adventures of Brisco County, Jr. and think it’s well worth checking out. I think his work as Ash Williams in the Evil Dead franchise can be both brilliant and god awful, often in the same film. Or the same scene. The series spawned off of it is rather good. Oh, and for popcorn reading, check out If Chins Could Kill: Confessions of a B Movie Actor, his autobiography. 
  • Born June 22, 1973 — Ian Tregillis, 49. He is the author of the Milkweed Triptych trilogy which is frelling brilliant. He’s contributed three stories to Max Gladstone’s The Witch Who Came in From the Cold, a  rather good serial fiction narrative (if that’s the proper term), and he’s got another series, The Alchemy Wars, I haven’t  checked out. He’s also a contributor to George R. R. Martin’s Wild Cards series which I’m beginning to suspect everyone has been involved in.

(12) COMICS SECTION.

Joel Merriner mashes up Gotham with Middle-Earth.

(13) THE READING LIFE. The Critic’s Paul Dean mourns the decline of the second-hand book trade in “Bookshops remaindered”.

At the Oxford Book Fair in April, the presence of a hundred exhibitors from all over Britain suggested that Covid had not killed off the antiquarian book trade. But those who buy antiquarian books are not necessarily interested in reading, any more than those who buy hundreds of cases of rare wines are interested in drinking.

The second-hand market — for immediate consumption rather than laying down — is a different matter, as Oxford itself sadly demonstrates. In the 1970s, Blackwell’s second-hand department occupied the whole of the top floor. By 2000, it occupied most of the third floor. Now it shivers forlornly in a few feet of the first floor.

Will Waterstones, Blackwell’s new owners, bother to keep it? One second-hand bookshop after another has closed in Oxford, leaving two admittedly excellent Oxfams, St Philip’s Books opposite the cathedral, a new small outlet in the Covered Market, and the ominously named The Last Bookshop in Jericho. Thornton’s and Robin Waterfield are much missed. The former still sells online, but, although I plead guilty to online buying, that is not the same. It is like eating the menu instead of the food….

(14) GETTING READY TO INTERACT WITH AI. “Soon, Humanity Won’t Be Alone in the Universe” says David Brin in his opinion piece for Newsweek.

…In 2017 I gave a keynote at IBM’s World of Watson event, predicting that “within five years” we would face the first Robotic Empathy Crisis, when some kind of emulation program would claim individuality and sapience. At the time, I expected — and still expect — these empathy bots to augment their sophisticated conversational skills with visual portrayals that reflexively tug at our hearts, e.g. wearing the face of a child. or a young woman, while pleading for rights… or for cash contributions. Moreover, an empathy-bot would garner support, whether or not there was actually anything conscious “under the hood.”

One trend worries ethicist Giada Pistilli, a growing willingness to make claims based on subjective impression instead of scientific rigor and proof. When it comes to artificial intelligence, expert testimony will be countered by many calling those experts “enslavers of sentient beings.” In fact, what matters most will not be some purported “AI Awakening.” It will be our own reactions, arising out of both culture and human nature.

Human nature, because empathy is one of our most-valued traits, embedded in the same parts of the brain that help us to plan or think ahead. Empathy can be stymied by other emotions, like fear and hate — we’ve seen it happen across history and in our present-day. Still, we are, deep-down, sympathetic apes.

But also culture. As in Hollywood’s century-long campaign to promote—in almost every film — concepts like suspicion-of-authority, appreciation of diversity, rooting for the underdog, and otherness. Expanding the circle of inclusion. Rights for previously marginalized humans. Animal rights. Rights for rivers and ecosystems, or for the planet. I deem these enhancements of empathy to be good, even essential for our own survival! But then, I was raised by all the same Hollywood memes….

(15) SPIDER-REX. “Spider-Rex Makes His Roaring Debut on Leinil Francis Yu’s New ‘Edge of Spider-Verse’ #1 Variant Cover” Marvel announced today.

The future of the Spider-Verse is here! Launching in August, Edge of Spider-Verse will be five-issue limited series that introduces brand-new Spider-heroes and redefines fan-favorites such as Araña, Spider-Man Noir, Spider-Gwen, and Spider-Man: India! Each thrilling issue will contain three stories crafted by Marvel’s biggest Spider talents including an overarching narrative by Dan Slott who will lay the groundwork for the epic conclusion of the Spider-Verse later this year. Edge of Spider-Verse #1 will see the debut of Spider-Rex in a story by hit Spider-Woman creative team, Karla Pacheco and Pere Perez. Fans can see this awesome and one-of-a-kind Spider-Hero in a brand-new variant cover by Leinil Francis Yu.

(16) WEIRD AL’S SONG FOR STAR WARS. There might actually be a few notes from it in this trailer, I’m not sure. “LEGO Star Wars Summer Vacation”, set shortly after the events of Star Wars: The Rise of Skywalker, features the voices of “Weird Al” Yankovic, Yvette Nicole Brown, Kelly Marie Tran, Anthony Daniels, Billy Dee Williams, and returning cast members from previous LEGO Star Wars specials, and includes “Weird Al’s” new original song, “Scarif Beach Party”.

(17) CAT NOT SLEEPING ON SFF. Enjoy this entertaining trailer for “Puss In Boots: The Last Wish”.

This Christmas, everyone’s favorite leche-loving, swashbuckling, fear-defying feline returns. For the first time in more than a decade, DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll. Puss has burned through eight of his nine lives, though he lost count along the way. Getting those lives back will send Puss in Boots on his grandest quest yet. Academy Award® nominee Antonio Banderas returns as the voice of the notorious PiB as he embarks on an epic journey into the Black Forest to find the mythical Wishing Star and restore his lost lives. But with only one life left, Puss will have to humble himself and ask for help from his former partner and nemesis: the captivating Kitty Soft Paws (Oscar® nominee Salma Hayek).

(18) SHOULD BE WORTH MORE THAN TWO POINTS. [Item by Martin Morse Wooster.] This Rube Goldberg machine by Creezy has been viewed nearly 10 million times, but not on File 770! “The Swish Machine: 70 Step Basketball Trickshot”.

(19) REFERENCE DIRECTOR! [Item by Daniel Dern.] To help you decipher today’s Scroll title “Heigh-ho, The Battling Throg, The Frog Down In Valhalla, Oh” —

Throg is Frog Thor, The Frog Of Thunder, first introduced by Walt Simonson in 1986 (see “Thor Left Asgard’s Future to Marvel’s Strangest Thunder God”), although, Marvel being Marvel (sigh), there are now several variants and versions…

“Heigh-Ho etc” riffs on the Irish folk song “Heigh-Ho, The Rattlin’ Bog” popularized by The Irish Rovers and done by many others including Seamus Kennedy,

(20) AMATEURS DRIVING THE CHARIOT OF APOLLO. [Item by Martin Morse Wooster.] James Burke and John Parry tour an Apollo training facility, crash a “scooter” on the Moon and mispronounce “Houston” in this clip from the BBC show Tomorrow’s World in 1968.

(21) VIDEO OF THE DAY. This is buzzzzzare! “Best-Case Scenario, Worst-Case Scenario and One with Bees” from Late Night with Seth Meyers.

[Thanks to Chris Barkley, Andrew Porter, Daniel Dern, Joey Eschrich, John A Arkansawyer, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/16/21 All Scrollnanas Make A Pixel, And So Do Many More

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(1) NEW PANEL FOR CORDWAINER SMITH REDISCOVERY AWARD. [Item by Steven H Silver.] Robert J. Sawyer and Barry Malzberg have retired as judges for the Cordwainer Smith Rediscovery Award. A new panel has been created to select the honorees.  The new panel includes Rich Horton, Steven H Silver, and Grant Thiessen.  The new panel’s first selection will be announced at Readercon the weekend of August 13-15.

(2) EATING THE FANTASTIC. Scott Edelman declares “It’s pure pandemonium — peanut butter pandemonium! — with John Wiswell” in Episode 149 of his Eating the Fantastic podcast.

John Wiswell

Over the past year, you joined me as I’ve baked and shared homemade scones and pizza, or ordered takeout weiner schnitzel and sushi, my guests and I doing our best to seize those moments of community COVID-19 tried to steal from us. In this case, John Wiswell and I pretended we were sitting across the table from each other during the Nebula Awards weekend.

John Wiswell won a Nebula Award earlier this month for the short story “Open House on Haunted Hill,” which had been published last year by Diabolical Plots. He’s also appeared in Nature, Uncanny, Weird Tales, Fireside, Daily Science Fiction, Flash Fiction Online, Cast of Wonders, Podcastle, and Pseudopod. In an astonishing show of prolificacy, he managed to posted fiction on his blog every day for six straight years, which I find astonishing. I found his Nebula acceptance speech astonishing as well; it was one of the best I’ve ever heard.

John and I were supposed to enjoy specialty hamburgers together this time around, only … something went wrong, as you shall hear. Why did I end up eating a chuck roast, brisket, and short rib burger while John only got to nibble on ice cream and carrots? For the answer to that question, well … you’ll have to listen.

We discussed his motivation for giving one of the greatest acceptance speeches ever, how he learned to build meaning out of strangeness, the way writing novels taught him to make his short stories better, his dual story generation modes of confrontation vs. escape, why what we think we know about the Marshmallow Test is wrong, the reason we’re both open online about our rejections, how the love of wallpaper led to him becoming a writer, why we’ve each destroyed our early writing from time to time, what he learned writing a story a day for six years, and much more.

(3) GARCIA APPEARANCES. Chris Garcia will be doing presentations at two Mystical Minds convention gatherings in the coming year.

Mystical Minds is a new Pagan, Paranormal, and Metaphysical convention created to expand our minds as well as our networks! 

Witches, Pagans, Paranormal investigators, psychics, mediums, metaphysical practitioners, UFO experts, cryptozoologists, mystics, and other free-thinking spiritual seekers will come together in person this fall and spring for two conventions in the beautiful Bay area of Northern California! 

For the Fall Gathering / Mystical Minds convention this October in Dublin, CA he’ll present:

History of Paranormal Research in the Bay Area

Before Ghost Hunters, Most Haunted, or even Ghostbusters, San Francisco and the Bay has been home to research into the unknown. From occultists and de-bunkers in the early 20th century, to TV personalities in the 70s and 80s, to hard core particle physicists, research into the paranormal has happened here! Join Chris Garcia as he tells their stories! 

At the Spring Gathering / Mystical Minds convention next February in San Jose, CA he’ll speak about —

The Winchester House

An architectural marvel, containing a story of American eccentricity, and a debate over the potential paranormal aspects. We will look at the history of the House, the stories surrounding its building, the recounting of what people have experienced, and how development in the area may have something to do with all the fuss… both before and after Sarah Winchester showed up!  

(4) HARD DRIVES OF IF. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the July 16 Financial Times, Tom Faber discusses “interactive fiction” or IF, a genre between a video game and a novel.

After a few wilderness years (around 2000), IF re-emerged among a niche community of writers and intellectuals who organised around the annual Interactive Fiction Competition, founded in1995.  This renaissance as partially triggered by  progress in technology.  Writers developed methods for inactivity such as multiple choice as an alternative to the intimidating grammar rules of the text parser. New tools such as Twine, ChoiceScript and Inklewriter empowered those without coding skills to create their own games.  This contributed to a diversification of the creator pool, particularly encouraging queer writers who have broached provocative topics not tackled in the gaming mainstream, ranging from gender dysphoria to clinical depression to unconventional kinks…

…One of the most remarkable IF writers is Porpentine, author of the vivid story With Those We Love Alive.  On this tale of an artist enslaved by an insectoid empress, you roam an alien world of ‘glass flowers on iron stalks. Canopy of leafbone.  Statues sunk into the earth.’  Porpentine asks you to swap words out, wipe them away, and — most intimately — to draw symbols on your arm which represent emotional responses to the narrative.

(5) FREE DOWNLOAD FROM TAFF. Willis Discovers America and other fan fiction by Walt Willis is the latest addition to the selection of free ebook downloads at David Langford’s unofficial Trans-Atlantic Fan Fund site, where they hope you’ll make a little donation to the fund if you please. Here’s the download page.

An attempt to collect all Walt Willis’s short fan fiction, in the old sense of invented stories about real-life fans and fandom. This omits the long and much-reprinted The Enchanted Duplicator (1954 with Bob Shaw) and its sequel Beyond the Enchanted Duplicator… To the Enchanted Convention, both already in the TAFF ebook library.

The title piece is a wildly silly imagining of Walt’s first trip to the USA in 1952, written and serialized in multiple fanzines before he actually began the journey; the text used here is from the collected edition of 1955, which included a new preface and annotations explaining some of the more arcane in-jokes. Further items range from scripts for two recorded “taperas” or tape operas that had fans rolling in the aisles at 1950s conventions, to a 1987 recasting of The Enchanted Duplicator as a computer text-Adventure game. Most of this material has never before been collected.

Edited by David Langford, who has added a few more explanatory notes; research work by Rob Hansen and others; proofreading by Pat Charnock. Cover artwork by Bob Shaw, drawn on to stencil for the collected Willis Discovers America (1955). 45,000 words.

(6) YOU COULD LOOK IT UP. John Scalzi tweeted this response to an item screencapped here the other day:

(7) ELVISH. The On fairy-stories website interviews Elvish linguistic scholar Carl F. Hostetter, editor of The Nature of Middle-Earth, a new J.R.R. Tolkien book: “From Linguistics to Metaphysics”. The book proposal with many of the edited texts was seen and approved by Christopher Tolkien, who passed away last year.

In your opinion, why did Tolkien not develop completely the Elvish languages?

For much the same reason that he never completed The Silmarillion: at first, because things grew and changed in his imagination and their expression on paper, and then, after the intervention and completion of The Lord of the Rings, because he had to revise everything to make it consistent with the published book and the thousands of years of “new history” that the introduction of the Second and Third Ages required, a task he was never able to achieve. With the languages, this was because whenever he attempted to make “definitive” decision on some point of phonology or grammar, he would almost inevitably start revising the whole system, which makes sense since any language is a complexly intertwined system, such that a change in one feature or detail can and almost always does affect other aspects. Nor, I think, was it ever Tolkien’s intention to make the Elvish languages “complete” or “finished”: they were primarily an expression of his linguistic aesthetic, and its changes over time. Unlike, say, with Zamenhof and Esperanto, Tolkien had no utilitarian purpose in mind for his languages.

(8) THINKING ABOUT THE FUTURE. ASU’s Center for Science and the Imagination has published the latest issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination. Issue 7 features a piece on The Expanse by science, technology, and society scholar Damien P. Williams, and a piece on “Sultana’s Dream,” a 1905 Bengali feminist utopian speculative fiction story, by musicologist and media scholar Nilanjana Bhattacharjya.

One of the most engrossing things about the small-screen adaptation of The Expanse is how viscerally it examines the human costs of life in space. After being exposed to a massive dose of radiation, starship captain James Holden gets a permanent anticancer implant, like a far-future successor of a Port-A-Cath. And from the first episode, we’re made to understand that the Belters—descendants of humans who have worked, lived, and started societies on asteroids or the moons of other planets in our solar system—have different physiologies than the humans who still call Earth home. Gravity weighs heavier on Belters: it constricts their blood vessels, strains their hearts, and cracks their bones….

(9) HENDRIX INTERVIEW. See Kevin Kennel’s video interview of author Grady Hendrix on Facebook.

Author Grady Hendrix (‘Horrorstör’, ‘We Sold Our Souls’ and more!) graciously took time out of his busy schedule for an interview with our very own library staff member Kevin Kennel, to discuss his new book, ‘The Final Girl Support Group’ and his experiences as a writer and author. …Please note: this video contains adult content and is an interview about an adult horror novel.

(10) VISITING UTOPIA. Kim Stanley Robinson explains the usefulness of “The Novel Solutions of Utopian Fiction” in The Nation.

… But in this world, we are never going to get the chance to start over. This was one of the reasons Karl Marx and Friedrich Engels objected to 19th-century utopias like that of Charles Fourier, the French designer of small communes living in perfect harmony: They were fantasy solutions that served only to distract people from the real work of politics and revolution. They were also in competition with Marx and Engels’s own ideas, so there was the usual left infighting. But it was a legitimate complaint: If utopia isn’t a political program, then what is it for?

The answer should be obvious. Utopias exist to remind us that there could be a better social order than the one we are in. Our present system is the result of a centuries-old power struggle, and it is devastating people and the biosphere. We must change it—and fast. But to what?

Utopias are thought experiments. Imagine if things ran like this: Wouldn’t that be good? Well, maybe…let’s live in it fictionally for a while. What problems crop up in this system? Can we solve them? What if we tweak things this way, or that? Let’s tell this story and then that story, and see how plausible they feel after we spend some imaginative time in them….

(11) STEPHEN HICKMAN (1949-2021). Famed sff artist Stephen Hickman died July 16 reported his friend and colleague Ron Miller on Facebook: “Lost one of my best friends, Steve Hickman, this morning and the world lost one of its best artists and finest human beings.” Hickman had over 350 book and magazine covers to his credit. He won the 1994 Best Original Artwork Hugo for his Space Fantasy Commemorative Stamp Booklet. He was a six-time Chesley Award winner.

(12) JUDI B CASTRO OBIT. Judi Beth Castro died July 15 of a sudden illness. She was 58. Her husband, author Adam-Troy Castro, announced her passing on Facebook.

The love of my life, Judi Beth Castro, lost her fight for life at 10:50 PM Thursday night. The illness was sudden, and she was always in critical danger, but between Tuesday night and Wednesday evening her numbers were improving at such a steady rate that we thought there was hope. Alas, the decline began on Thursday morning and by afternoon there was no doubt….

Her genre credits include Atlanta Nights (2005; a parody which she contributed to with many other co-authors), and the short fiction “Unfamiliar Gods” co-authored with Adam-Troy Castro.

(13) MEMORY LANE.

  • 1953 – Sixty-eight years ago, Commando Cody: Sky Marshal of the Universe premiered as a black-and-white movie serial from Republic Pictures. It was originally going to be a syndicated television series. It was directed by Harry Keller, Franklin Adreon and Fred C. Brannon as written by Ronald Davidson and Barry Shipman. Its cast was Judd Holdren, Aline Towne, Gregory Gaye and Craig Kelly.  It would last but one season of twelve twenty-five minute episodes. And yes, it was syndicated to television on NBC in 1955. Some sources say Dave Steven based his Rocketeer character off of Commando Cody. And there’s a clone trooper named Commander Cody who serves under Jedi general Obi-Wan Kenobi, an homage that Lucas has openly acknowledged as he watched the series as a child. 

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 16, 1928 — Robert Sheckley. I knew that his  short story “Seventh Victim” was the basis of The 10th Victim film but I hadn’t known ‘til now that Freejack was sort of based of his Immortality, Inc. novel.  I’ve read a lot by him with Bring Me the Head of Prince Charming (written with Zelazny) being my favorite work by him. Sheckley is very well stocked on the usual suspects. (Died 2005.)
  • Born July 16, 1929 — Sheri S. Tepper. Nominated for an Austounding Award way back when, she had a long career, so I’m going to single out Beauty, The Gate to Women’s Country, Six Moon Dance and The Companions as my favorites knowing very well that yours won’t be the same. (Died 2016.)
  • Born July 16, 1951 — Esther Friesner, 70. She’s won the Nebula Award for Best Short Story twice with “Death and the Librarian” and “A Birthday”.  I’m particularly fond of The Sherwood Game and E.Godz which she did with Robert Asprin. She won the 1994 Edward E. Smith Memorial Award for Imaginative Fiction, for lifetime contributions to science fiction, “both through work in the field and by exemplifying the personal qualities which made the late ‘Doc’ Smith well-loved by those who knew him,” presented by the New England Science Fiction Association. She’s well stocked at the usual suspects. 
  • Born July 16, 1956 — Jerry Doyle. Now this one is depressing. Dead of acute alcoholism at sixty, his character Michael Garibaldi was portrayed as an alcoholic, sometimes recovering and sometimes not on Babylon 5. Damn. (Died 2016.)
  • Born July 16, 1963 — Phoebe Cates, 58. Ok, so her entire genre appearance credit is as Kate Beringer in Gremlins and  Gremlins 2: The New Batch. Yes, I’ll admit that they’re two films that I have an inordinate fondness for that the Suck Fairy cannot have any effect upon them what-so-ever. Update: I’ve discovered since I last noted her Birthday that she was in Drop Dead Fred, a dark fantasy. She also stopped acting six years ago. 
  • Born July 16, 1965 — Daryl “Chill” Mitchell, 56. Best remembered genre wise as Tommy Webber in the much beloved Galaxy Quest though his longest acting role was Patton Plame on the cancelled NCIS: New Orleans. 
  • Born July 16, 1966 — Scott Derrickson, 55. Director and Writer of Doctor Strange who also had a hand in The Day the Earth Stood Still (as Director), The Exorcism of Emily Rose (Director and Writer), Urban Legends: Final Cut (Director and Producer) and the forthcoming Labyrinth sequel (Director and Writer). 
  • Born July 16, 1967 — Will Ferrell, 54. His last genre film was Holmes & Watson in which he played Holmes. It won Worst Picture, Worst Director, Worst Screen Combo and, my absolute favourite Award,  Worst Prequel, Remake, Rip-off or Sequel. Wow. He was also in Land of the Lost which, errrr, also got negative reviews. Elf however got a great response from viewers and critics alike. He also was in two of the Austin Powers films as well. Oh, and he voices Ted / The Man with the Yellow Hat, a tour guide at the Bloomsberry Museum in Curious George.

(15) BANNED FROM ARGO. Larry Correia told Monster Hunter Nation readers that he’s gotten his “7th or 8th” 30-day ban from Facebook. He posted screenshots from his appeal to FB’s Oversight Board in “Fun With The Oversight Board -Or- Better Sign Up For The Newsletter Before I Get Perma-Banned” [Internet Archive link].

…Facebook is a time suck garbage site that exists as the propaganda arm of the DNC/Corpo-Uni-Party, to spy on you to sell to advertisers, and to steal everyone’s personal information. After bamboozling all the content creators to go over there to build “community” they now hold them hostage because the content creators are scared to leave because they’ll take a financial hit (The Oatmeal’s got a great cartoon about it)….

(16) WE INTERRUPT THIS PROGRAM. FOREVER. Hackaday memorializes the “End Of An Era: NTSC Finally Goes Dark In America”.

A significant event in the history of technology happened yesterday, and it passed so quietly that we almost missed it. The last few remaining NTSC transmitters in the USA finally came off air, marking the end of over seven decades of continuous 525-line American analogue TV broadcasts. We’ve previously reported on the output of these channels, largely the so-called “FrankenFM” stations left over after the 2009 digital switchover whose sound carrier lay at the bottom of the FM dial as radio stations, and noted their impending demise. We’ve even reported on some of the intricacies of the NTSC system, but we’ve never taken a look at what will replace these last few FrankenFM stations….

(17) SUSTAINABLE USE OF SPACE. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Science:

Last month, at the G7 Leaders’ Summit in Cornwall, United Kingdom, the leading industrial nations addressed the sustainable and safe use of space, making space debris a priority and calling on other nations to follow suit. This is good news because space is becoming increasingly congested, and strong political will is needed for the international space community to start using space sustainably and preserve the orbital environment for the space activities of future generations.

There are more than 28,000 routinely tracked objects orbiting Earth. The vast majority (85%) are space debris that no longer serve a purpose. These debris objects are dominated by fragments from the approximately 560 known breakups, explosions, and collisions of satellites or rocket bodies. These have left behind an estimated 900,000 objects larger than 1 cm and a staggering 130 million objects larger than 1 mm in commercially and scientifically valuable Earth orbits.

(18) SUPERPRANKSTERS? Isaac Arthur’s video “Annoying Aliens” contends, “Fictional portrayals of alien invasion or reports of alien sightings and abductions often imply motives which on inspection make little sense… unless perhaps the true purpose was mischief.”

(19) DISCWORLD COMMENTARY. YouTuber Dominic Noble says he has finally overcome his “sense of loss and deep sadness at the tragically too early passing of the author [Terry Pratchett] due to Alzheimer’s disease” and  is planning to do videos on the Discworld books. He begins with this overview of Discworld and his appreciation for it and for Pratchett.

(20) POTTER IN PERSPECTIVE. YouTuber Eyebrow Cinema considers“Harry Potter – 10 Years Later”.

It’s been a decade since Harry Potter and the Deathly Hallows Part Two arrived in theaters and brought an end to JK Rowling’s saga of witches and wizards. Like most 90s kids, I too read all the books and saw all the movies as a kid and teenager but have completely left the series behind since. Ten years later, how does Harry Potter hold up? In this video essay, I try to get to the heart of Harry Potter as while as examine my own relationship to the series.

No official works cited for this video, though I imagine my criticisms of Rowling’s transphobia will draw some ire. I have no intention of arguing the ethics or legitimacy of Rowling’s claims….

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Joey Eschrich, Chris M. Barkley, Jennifer Hawthorne, Steven H Silver, StephenfromOttawa, SF Concatenation’s Jonathan Cowie, N., Daniel Dern, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Camestros Felapton.]

Pixel Scroll 3/10/21 If I Could Save Time In A Jay Kay Klein Bottle

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(1) A SECOND MEOW. Geoff Carter, in “Inside Meow Wolf’s immersive Omega Mart art installation in Las Vegas” at the Las Vegas Weekly, reports on the second Meow Wolf installation, “Omega Mart,” which opened last month in Las Vegas.  It apparently starts as a pretend supermarket and gets much weirder! Their first permanent space, in Santa Fe, is in an old bowling alley purchased for their use by George R.R. Martin.

Omega Mart is Meow Wolf’s second permanent installation—arriving after Santa Fe’s House of Eternal Return—and their second entry into Las Vegas; the group took over the Life Is Beautiful festival’s Art Motel space in 2017. If you were there, you have some idea what Meow Wolf has to offer: laser harps, portals to the unknown, room-size bowls of “ramen.” The collective has a unique talent for producing and soliciting works of maximalist art, collecting them in warehouse-size spaces with innocuous facades and tying all those artworks together through inventive visual segues and mystery-box narrative.

“Our work is for people that don’t necessarily go to art galleries and art museums, who feel like they want to see artwork and have it [as] an important part of their lives, but might feel a little alienated by the art world,” says Corvas Brinkerhoff, Meow Wolf’s executive creative director. “We’re trying to build a bridge to those people and say, look, art is valuable. And all this brilliant work that all these artists are making deserves to have a place where it can be seen, and where the artists can be supported in the process of making it….”

…Brinkerhoff notes that there are several giant stories unfolding within the space, including those of a shadowy corporation (Omega Mart’s parent company “Dramcorp”). Brinkerhoff says it’s “trying to save humanity from itself” by experimenting with what looks like alien technology. A zealous resistance group—shades of Meow Wolf’s beginnings here—is standing against these corporate overlords wielding what little it has.

There are RFID-accessed computer terminals and old-fashioned phones scattered throughout that yield clues to the mystery (Brinkerhoff says the phones mostly deliver recorded messages, though “you also might get a live human”), and videos that advance the story—about three hours’ worth of original footage….

(2) LEARNING FROM PRATCHETT. Ziv Wities’ project “Story Structure Lessons From The Discworld.” is a series of videos aimed at readers and writers, where he talks about “what structure is, how you spot it in what you read and watch, how you choose it and build it up in your own work.” Why Discworld? “The Discworld subseries aren’t just about different characters and different events. They’ve got different structures; they’re each built differently. So Discworld is a single series, but it tells many shapes of stories — which makes it a perfect example to learn structure from.”

Structure is fundamental to fiction. So often, though, we lack basic terms and ideas to talk about story structure. We have trouble getting past basic intuition. What *is* structure? What makes structure “good”? When one story is better-structured than another — what is the actual difference? To answer these questions, we’re using Terry Pratchett’s wonderful Discworld novels. Because one interesting thing about the Discworld is how it’s divided into sub-series — different books following different characters and different story arcs. Throughout these videos, we’ll see that the Discworld sub-series not only follow different characters — they follow different structures. By comparing and contrasting, we’ll understand what those structural differences are — and how to think about story structure in what we read, and in what we write.

(3) GET READY TO HAVE A BLAST. [Item by David K.M. Klaus.] Everybody who registered with TWA and PanAm for moon tickets back in 1969 has another chance. Another eight names will be drawn from a dimensionally transcendental (*) hat for a trip on SpaceX’s mis-named “Starship” (since technically it’s not a starship, but merely a spaceship) and there’s no initial mention of an age/health requirement so maybe even D. D. Harriman could go. Inverse has the story: “SpaceX Moonshot: How to win a seat on Yusaku Maezawa’s trip to the Moon”.

You can’t win if you don’t enter, and even if you wind up like the crews of Shuttle Orbiters Challenger and Columbia, you’ll still be part of Earth history not to be forgotten.  You will be remembered.

(*) Doctor Who reference, Tom Baker years

HOW TO APPLY TO GO TO THE MOON

According to the new video, the way to enter into the competition is not as straight-forward as putting your name in the hat, as it were. But it does start that way.

  1. Go to the dearMoon website, the site set up to release new information regarding the project.
  2. There, people are invited to preregister with the mission by giving their name, country of origin, and email.
  3. Entrants are also asked to upload an image of themselves.
  4. Entrants are also asked to select which of Maezawa’s many social profiles they follow, too.

“Everyone who pre-registers will receive an email about the selection process,” the dearMoon site reads. They will also receive a “crew candidate” certificate with their name and picture on it, according to the site.

(4) DOCTOR WHO MARKS THE DAY. “Doctor Who female stars discuss International Women’s Day 2021” – a Radio Times from March 8.

Mandip Gill – actor, Yaz Khan in Doctor Who

International Women’s Day to me is a day to celebrate women’s progression politically, socially and economically. It’s also a day for us as a whole to recognise the further improvements needed. Ultimately it’s about the celebration of women.

Doctor Who saw what most people could see, in that it wasn’t an equal playing field.  They absolutely took a stand in changing the space to one much more equal by having Jodie as the Doctor. This challenged things that were just a given and showed the audience why we should continually challenge these structures and roles.

From the first meeting I knew the significance of this change to Doctor Who history and knew I wanted to be a part of that change. You could feel the significance and positive energy of what was to come from my first audition with Jodie.

Personally, I love the weight of being a south Asian female companion and do hope young people take inspiration from my role in Doctor Who as I did watching the cast of Goodness Gracious Me.

(5) WORK V. ARTIST. Essence of Wonder with Gadi Evron discusses “Can We Read Their Books While Not Forgiving Them?” on Saturday March 13 at 3 p.m. Eastern. Register here.

P. Djèlí Clark, Stephen Llano, and Alan Bond will join Gadi and Karen to discuss the challenges faced by the community when considering problematic authors and how to treat their works.

(6) BEING PROFESSIONAL. [Item by N.] Show creator Owen Dennis offers insights about marketing and how creators have to keep mum about a lot of details regarding the future of their shows/projects in this Twitter thread.

https://twitter.com/OweeeeenDennis/status/1362526915555332098
https://twitter.com/OweeeeenDennis/status/1362526917249822721
https://twitter.com/OweeeeenDennis/status/1362526918843662338

The previous day he’d announced this –

https://twitter.com/OweeeeenDennis/status/1362112679045783553

(7) THROUGH ALIEN EYES (OR WHATEVER THEY USE). James Davis Nicoll isn’t surprised that most sff is told from a human viewpoint, however, it certainly isn’t limited to doing so: “Five Classic SF Novels. Written From an Alien Perspective”

Pride of Chanur by C. J. Cherryh (1982)

The Compact comprises seven technologically sophisticated species, each shaped by its own evolutionary history. In spite of sometimes profound communication problems, the seven coexist peacefully enough that violence is retail, not wholesale.

At Meetpoint Station, Tully, a hairless primate of a new, unfamiliar species , takes refuge in the hani trading ship Pride of Chanur. For reasons that made sense at the time, Pyanfar Chanur grants the furless, blunt-fingered alien sanctuary. In so doing, she offends the kif Akkhtimakt. In Akkhimakt’s eyes, Pyanfar has stolen Akkhimakt’s property. The kif do not forgive affronts. Pyanfar’s act of mercy makes her ship the target of a kif vendetta.

(8) MEMORY LANE.

  • 1981 — Forty years ago, Unfinished Tales of Númenor and Middle-Earth by J.R.R. Tolkien won the Mythopoetic Fantasy Award. (From 1971 until 1991, they gave but one award for all fantasy literature. Starting in 1992, they expanded to this award into two: one for adult literature and one for children’s literature.)  It was published by  George Allen & Unwin Publication in 1980. This is yet another collection of tales edited by Christopher Tolkien. It would also win a Balrog Award from the Intentional Fantasy Gamers Society.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 10, 1891 — Sam Jaffe. His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.) (CE) 
  • Born March 10, 1918 — Theodore Cogswell. He wrote almost forty  science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed their own and each other’s works.  A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller”.  Having not read these, I’ve no idea what this entails. (Died 1987.) (CE) 
  • Born March 10, 1938 — Marvin Kaye, 83. Formerly the editor of Weird Tales, he has also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He writes the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (CE) 
  • Born March 10, 1958 — Sharon Stone, 63. Damn she’s the same age I am. She’s been in three genre films, her first being the original Total Recall where she played the deservedly ill-fated Lori Quaid. Her next was Sphere where she was cast as Dr. Elizabeth “Beth” Halperin, and last was in, errr, Catwoman where she was Laurel Hedare, an assassin. (CE) 
  • Born March 10, 1977 — Bree Turner, 44. She’s best remembered for her role as Rosalee on Grimm. She also starred in the pilot episode (“Incident On and Off a Mountain Road”) of Masters of Horror. She was in Jekyll + Hyde as Martha Utterson. Confession time: I got through maybe three seasons of Grimm before giving up as it became increasingly silly. (CE) 
  • Born March 10, 1979 — Fonda Lee, 42. Her Jade City novel was a finalist for a Nebula Award for Best Novel and won the World Fantasy Award. It’s sequel, Jade War, was published last year. And her Cross Fire novel was named Best YA Novel at the 2019 Aurora Awards for best Canadian speculative fiction. (CE) 
  • Born March 10, 1913 – Carlos Ochagavia.  Three dozen covers, a few interiors.  Here is A Scanner Darkly.  Here is Universe 8.  Here is The Best of Keith Laumer.  Here is Dream Park.  (Died 2006) [JH]
  • Born March 10, 1920 – Boris Vian.  Author of prose, poetry, plays, music, criticism; actor; translator; inventor, engineer.  Active in French jazz, among other things liaison for Miles Davis and Duke Ellington, commenter for Le Jazz Hot, trumpeter at Le Tabou (yes, that’s “The Taboo”); also, it seems, wrote the first French rock ’n’ roll songs.  Strange books, e.g. L’ecume des jours variously tr. as Froth on the Daydream, Mood Indigo (twice), Froth on the Daze; half a dozen ours, anyway; fifty shorter stories, still few available in English but «Le bons élèves» appeared 2010 as “Honor Students”.  Some fiction attributed to a fictitious Vernon Sullivan whom BV supposedly translated.  (Died 1959) [JH]
  • Born March 10, 1955 – Walter Riess, age 66.  Five dozen covers, mostly for Anticipatia (which is SF in Romanian, just as Anticipation was the 67th Worldcon in Montreal).  Here is The Einstein Intersection.  Here is A Time for Changes.  Here is The Demolished Man.  Here is the 1999-2000 Anticipatia Almanac.  [JH]
  • Born March 10, 1962 – Amy Casil, age 59.  One novel, two dozen shorter stories.  Studied at Chapman under James Blaylock.  Poem “Joshua Swims in the Ocean of Dreams” in Mythic Delirium.  Three terms as SFWA (Science Fiction & Fantasy Writers of America) Treasurer, including while John Scalzi was President and Mary Robinette Kowal was VP, hello, you two – or three: Amy, do you read this?  Outside our field, biographies of Buzz Aldrin and John Dewey.  Recent collection, The Instrumentality of Women. [JH]
  • Born March 10, 1972 – Lynette Mejía, age 49.  A score of short stories, three dozen poems, recently in Liminality.  Interviewed in Redstone.  “When I’m not working, I mostly read, think, and talk to trees.  Every once in a while, they talk back.”  Website – which, possibly because of her Louisiana connections, has a section “lagniappe”.  [JH]
  • Born March 10, 1975 – Claire Merle, age 46. Four novels.  Shadow Weaver won a B.R.A.G. (Book Readers Appreciation Group Medallion.  Be independent!  [JH]

(10) PLEASE, SIR, I WANT SOME MOA. Polygon finds a way to make your hunger pangs extinct: “Pringles releases Halo potato chips that taste like Moa Burgers from Halo Reach”.

Microsoft has teamed up with chip-maker Pringles for a new flavor of potato chip: Moa Burger. As in the Moa, the flightless bird indigenous to the planet Reach (and also the name of an extinct species of bird here on Earth), from Halo: Reach.

In the Halo fiction, Moa were a source of food on Reach, and were served in wing, nugget, and burger form. Pringles’ new Moa Burger aims to approximate what a quadruple hamburger made of ground space bird, plus cheese, pickles, lettuce, onions, and an unidentified sauce, would taste like. They are artificially flavored, naturally.

(11) GALAXY OF THE MONTH CLUB. Galactic Journey’s Gideon Marcus comes up with an eye-opening hook to begin his review of the latest – in 1966 – issue of Galaxy: “[March 10, 1966] Top Heavy (April 1966 Galaxy)”.

Stacked

For as long as I can remember, American culture has really liked people who have extra on top.  Whether it’s Charles Atlas showing off his wedge-shaped physique or Jayne Mansfield letting herself precede herself, we dig an up front kind of person.

So I suppose it’s only natural that this month’s issue of Galaxy put all of the truly great material in the first half (really two thirds) and the rest tapers away to unremarkable mediocrity (though, of course, I’m obligated to remark upon it).

(12) WANDAVISION DEBRIEFINGS. Two semi-dissatisfied customers tell what they think WandaVision’s shortcomings were. NATURALLY THERE ARE SPOILERS.

Abigail Nussbaum discusses “America’s Sweetheart: Thoughts on WandaVision” at Asking the Wrong Questions.

…It’s impressively weird, in other words, and as if that weirdness weren’t enough, every now and then, strange occurrences interrupt the domestic idyll and gentle comedy. Some of the Westview residents experience alarming fugue states. A voice on the radio urgently calls out to Wanda. Out of place items and people—a colorized helicopter toy; a man in a beekeeper outfit—appear with no explanation. The “show” is interrupted by sinister commercials with obvious relevance to the events of Wanda’s life—a Stark toaster that beeps ominously, like the bomb that took her parents’ lives; Lagos-brand kitchen towels with which to mop up blood-red liquid, a reference to her failure to prevent a Hydra bombing in Captain America: Civil War.

This glut of strange, disparate details is incredibly enticing, inviting audiences to parse references and spot easter eggs….

Film Crit Hulk’s “Watercoolering With WANDAVISION – Season One Finale” is a free Patreon post.

So. The finale, as a finale, does the things that finales are supposed to do. We wrap up our general story, we send some bad people to their respective fates, and we send some good people on their respective ways, all with a series of lessons seemingly learned. Because of this, I imagine that there are many who are satisfied with the overall experience. Especially as it did not make any egregious surface-level errors that have often plagued other finales (especially those that tend to treat their audience with more hostility). But Wandavision aimed for safety and it delivered on the base promises of the narrative itself. It even delivered on some genuinely nice beats in the process. And so, all seems well.

My personal feelings are little bit different.

Because my experience with the finale was one where I felt like I was constantly rocked back and forth between the positive and negative aspects of certain choices. Because of this, I want to take a different approach and single out the things where I was like “oooh, neat!” along with all the things where I really got tripped up. Because when you really, really look at some of those moments, something more problematic emerges….

(13) DIDN’T SEE THIS COMING. Vox Day’s own Castalia House blog reviewer likewise criticized WandaVision, calling it “acceptably mediocre,” prompting Day to write a dissenting post in which he said that what the other reviewer called shortcomings hadn’t affected his own enjoyment of the series — “In which I disagree” [Internet Archive link].

…While I always hesitate to share an opinion that is massively less-informed than a genuine expert’s perspective, what I think we have here is a distinction between an informed Marvel fan’s perspective and an uninformed non-Marvel non-fan’s perspective on the series. Unlike Dark Herald, I didn’t watch Wanda Vision from the perspective of someone who knew considerably more about the subject than having seen less than half of the MCU movies, most of which had only been viewed in order to learn how to write superhero movie scripts.

And at least from the ignorant, non-Marvel non-fan’s perspective, Wanda Vision was a surprisingly good, surprisingly powerful story about a woman wrestling with horrific grief. The alternative interpretations and possibilities that were not pursued are meaningless to me, because I didn’t know anything about the various historical storylines from the original comics, and therefore the production pyrotechnics with the evolving TV sitcom styles were presented were sufficiently intriguing to hold my interest in that regard.

There was, of course, an amount of the usual Marvel SJW nonsense, but it was minimal by today’s standards and did not conflict with the storytelling….

(14) A LOT OF LOTR. “Colbert and Andy Samberg Get Real Geeky About LORD OF THE RINGS” — Yahoo! previews the video clip.

…In keeping with his usual vibe, Samberg maintained a sense of humor about Colbert showing him up in Tolkien knowledge; likewise, Colbert copped bashfully to his proclivity for long-winded rants when it comes to these stories. All in all, the two comics enjoyed a fun nerd sesh about one of the nerd world’s favorite topics.

(15) JEOPARDY! Genre stumped two contestants again on tonight’s Jeopardy. Andrew Porter shares his notes.

Category: Characters in Children’s Lit.

Answer: When Wendy first meets Peter Pan, he’s flown into her room searching for his lost this.

Wrong questions: What is a thimble?; what is childhood?

Correct question: What is his shadow?

(16) SPACE COMMAND. Showrunner Marc Scott Zicree has made available Space Command Episode One – “Mira Furlan’s Last Great Role” – to YouTube viewers.

(17) SUPER RESULTS. The Late Show with Stephen Colbert featured a very positive report from the North Carolina bookstore owner featured in the show’s small-business counterpart to the kind of celebrity-laden commercials aired during the Super Bowl: “Sales Triple At Foggy Pine Books After Receiving The Colbert Small Biz Bump” – video at the link.

The “Colbert Bump” is real! Just ask the owner of Foggy Pine Books in Boone, North Carolina, who enjoyed a huge surge in sales after being featured on our Super Bowl special.

(18) OF COURSE HE GETS WET.  The original cast of the 1984 movie Gremlins is reunited to plug Mountain Dew. “Gremlins Mountain Dew Commercial: Gizmo & Zach Galligan Return”.

Gizmo’s all grown up and still getting into some mischief in Mountain Dew’s new Gremlins commercial featuring the return of our favorite furry friend and star Zach Galligan in the fun new ad.

[Thanks to N., John King Tarpinian, Michael Toman, Andrew Porter, JJ, Cat Eldridge, John Hertz, Mike Kennedy, Ziv Wities, and Martin Morse Wooster for some of these stories. This mashup title credit goes to File 770 contributing editor of the day Daniel Dern.]

Christopher Tolkien (1924-2020)

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Christopher Tolkien, son of J.R.R. Tolkien and the last of the Inklings, died January 15 at the age of 95 the New York Times reports.

For nearly 50 years after his father passed away in 1973, Christopher continued to edit and publish his father’s unfinished manuscripts, giving J.R.R. Tolkien’s literary output the benefit of two lifetimes’ work. Christopher assembled from pieces the epic Middle-Earth predecessor to Lord of the Rings, melding them into The Silmarillion (1977). In all, he edited or oversaw the publication of two dozen editions of his father’s works, many of which became international best sellers.

Along the way he produced 12 volumes of The History of Middle-earth, a compilation of drafts, fragments, rewrites, marginal notes and other writings that showed the evolution of J.R.R. Tolkien’s legendarium.

Christopher is also credited with creating the acclaimed 1954 map of Middle-earth.

During World War II, when Christopher was serving with the Royal Air Force in South Africa, his father mailed him parts of The Lord of the Rings for comment and editing.

After the war he studied English at Trinity College, Oxford, taking his BA in 1949 and his B.Litt a few years later. He became a lecturer in Old and Middle English as well as Old Icelandic at the University of Oxford. 

In 1945, he became the youngest member of the Inklings, a circle of Oxford writers and scholars started in the Thirties by C.S. Lewis, J.R.R. Tolkien, and others, who met weekly in Lewis’s college rooms. Christopher was told in a letter from his father that the Inklings proposed to consider him “a permanent member, with right of entry and what not quite independent of my presence or otherwise.”

Dr. Diana Glyer, author of two books about the Inklings, including The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community, mourned his passing:

I must refer now to all the Inklings in past tense; the last of them has died. I met Christopher Tolkien, talked with him, corresponded from time to time. I have devoted my life to studying the Inklings. Today, they have slipped from solid, real, and tangible into the past, beyond reach. I no longer have the privilege of studying what is, only what was. Everything has changed.

J.R.R. Tolkien biographer John Garth ended his Facebook announcement of Christopher’s death with this fitting quote from the end of Lord of the Rings:

“Well, here at last, dear friends, on the shores of the Sea comes the end of our fellowship in Middle-earth. Go in peace! I will not say: do not weep; for not all tears are an evil.”

Christopher is survived by his second wife, Baillie, his sister Priscilla, and three children, Simon, Adam and Rachel.

Pixel Scroll 11/24/18 Haikuna Pixelata! Or Cest La Scroll, As The French Would Say

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(1) DOCTOR WHO AT DUBLIN 2019 BLOG. Nicholas Whyte explains why it’s a challenge to write about “Doctor Who in Ireland”, then fannishly does so anyway —

23 November 2018 marks the 55th anniversary of the first episode of Doctor Who. It is a sad fact that not a single second of TV screen time on the show, or any of its spinoffs, has been set in Ireland. Indeed, the Doctor has spent more televised time in Hungary than on the Emerald Isle (special prize if you know what story I am referring to). A couple of confused characters do wonder if Gallifrey, the home planet of the Time Lords, may be in Ireland, but that’s as close as we get.

(2) A SHURI THING. Issue 2 of Nnedi Okorafor’s Shuri comics for Marvel was released November 21. This is one of the variant covers, by Afua Richardson.

(3) BUBBLES POPPIN’. Julie Andrews has reportedly performed a voice role in Aquaman (Entertainment Weekly: “Julie Andrews has a secret role in Aquaman”). Aquaman opens theatrically 21 December. Amazon Prime members will get a chance to buy tickets to advance screenings 15 December.

A member of Hollywood royalty has a secret role in Warner Bros.’ upcoming Aquaman.

None other than Oscar-winner Julie Andrews has a previously unannounced part to play in the superhero adventure, EW has learned exclusively.

The Sound of Music actress voices the mythic Karathen, an undersea creature that holds the key to Arthur Curry’s (Jason Momoa) quest to unite the Atlantean and surface worlds.

The casting is particularly interesting as Aquaman is going head-to-head at the box office next month against Disney’s Mary Poppins Returns[…]

Andrews hasn’t appeared in a film in nearly a decade, but has lent her unmistakable voice to other big screen projects over the last decade (such as Despicable Me 3 and Shrek Forever After) and appeared in the Netflix series Julie’s Greenroom.

(4) COUNTLESS BRICKS. Arrives in theaters February 8 — The LEGO Movie 2: The Second Part. Here’s Official Trailer 2.

The much-anticipated sequel to the critically acclaimed, global box office phenomenon that started it all, “The LEGO® Movie 2: The Second Part,” reunites the heroes of Bricksburg in an all new action-packed adventure to save their beloved city. It’s been five years since everything was awesome and the citizens are facing a huge new threat: LEGO DUPLO® invaders from outer space, wrecking everything faster than they can rebuild. The battle to defeat them and restore harmony to the LEGO universe will take Emmet, Lucy, Batman and their friends to faraway, unexplored worlds, including a strange galaxy where everything is a musical. It will test their courage, creativity and Master Building skills, and reveal just how special they really are.

 

(5) CHINA STRENGTHENS PENALTIES ON BANNED CONTENT. Reuters news service reports “Ten years’ jail term for Chinese author of homoerotic novel sparks outcry”.

A Chinese court’s 10-year jail term for an author of a homoerotic book found guilty of profiting from selling “obscene” literature has been met with disbelief among some internet users who question how the crime could warrant so severe a punishment.

The author, surnamed Liu, was found guilty on Oct. 31 by Wuhu county court in eastern Anhui province after she self-published a book that “obscenely and in detail described gay male-male acts”, according to state media.

The court ruled that the strict sentence was enforced due to her having made 150,000 yuan ($21,600) by selling over 7,000 copies, the article said.

…Pornography has long been illegal in China, but in recent years, the Communist Party has intensified efforts to clear away what it sees as inappropriate content, introducing new legislation, rewards and punishments to help its aims.

Authorities on Saturday launched a campaign to “eradicate pornography and illegal publications” by offering heightened rewards of up to 600,000 yuan for reporting banned content to the police, starting from December.

The Congressional-Executive Commission on China (CECC) is an independent agency of the U.S. government which monitors human rights and rule of law developments in the People’s Republic of China. It was created in October 2001. Their post on the topic asserts “Freedom of Expression in China: A Privilege, Not a Right”:

Chinese officials have stated that anyone wanting to publish their opinions may submit their article or book to a government-licensed publisher, but if they are unable to find a licensed publisher, then the only way they can legally exercise their constitutional right to freedom of publication is to “enjoy their works themselves, or give copies to friends and family.”

While homosexuality hasn’t been classified as a crime since 1997, same-sex relationships are still banned from the small screen and online streaming platforms. And the government seems to have a bone to pick with pornography, as authorities recently upped the monetary reward given to those who report such “illegal” content to a maximum of more than $86,000 (U.S).

The Hong Kong Free Press, in its story “China ups cash rewards to US$86,000 for citizens who report porn”, provides additional background about the government’s enforcement of internet rules:

… Starting December 1, people can rake in up to 600,000 yuan (US$86,000) for reporting illegal content, online or otherwise, double the 300,000 yuan under previous guidelines.

What counts as “illegal” content in China is broadly defined, but includes work that “endangers national unity”, “leaks state secrets”, and “disturbs social order” — umbrella terms that are also sometimes used when authorities punish or silence Chinese dissidents and rights campaigners.

… Earlier this week the Cyberspace Administration of China (CAC) said it had “cleaned up” 9,800 accounts on Chinese social media platforms which it accused of spreading “politically harmful” information and rumours.

(6) NEGATIVE FEEDBACK. The Independent details the impact of China’s newly-implemented “social credit” system: “China blacklists millions of people from booking flights as ‘social credit’ system introduced”.

Millions of Chinese nationals have been blocked from booking flights or trains as Beijing seeks to implement its controversial “social credit” system, which allows the government to closely monitor and judge each of its 1.3 billion citizens based on their behaviour and activity.

The system, to be rolled out by 2020, aims to make it “difficult to move” for those deemed “untrustworthy”, according to a detailed plan published by the government this week.

It will be used to reward or punish people and organisations for “trustworthiness” across a range of measures.

A key part of the plan not only involves blacklisting people with low social credibility scores, but also “publicly disclosing the records of enterprises and individuals’ untrustworthiness on a regular basis”.

The plan stated: “We will improve the credit blacklist system, publicly disclose the records of enterprises and individuals’ untrustworthiness on a regular basis, and form a pattern of distrust and punishment.”

For those deemed untrustworthy, “everywhere is limited, and it is difficult to move, so that those who violate the law and lose the trust will pay a heavy price”.

The credit system is already being rolled out in some areas and in recent months the Chinese state has blocked millions of people from booking flights and high-speed trains.

According to the state-run news outlet Global Times, as of May this year, the government had blocked 11.14 million people from flights and 4.25 million from taking high-speed train trips.

The state has also begun to clamp down on luxury options: 3 million people are barred from getting business class train tickets, according to Channel News Asia.

(The Global Times is a daily Chinese tabloid newspaper under the auspices of the People’s Daily newspaper, focusing on international issues from the Chinese government’s perspective. Channel News Asia is a pay TV news channel based in Singapore.)

(7) ROEG OBIT. Nicholas Roeg (1928-2018), director of The Man Who Fell to Earth and the Roald Dahl based The Witches; photographer on Corman’s The Masque of the Red Death and Truffaut’s Fahrenheit 451 — “Nicolas Roeg obituary: From tea-maker to director’s chair”.

‘His breakthrough came in 1964 when he worked as a cinematographer on Roger Corman’s film The Masque of the Red Death, an adaptation of the Edgar Allan Poe short story, starring Vincent Price.

Corman was gaining a reputation for spotting and developing new talent and boosted the careers of other future directors including James Cameron and Martin Scorsese.

Interestingly the red-clad figure in the Corman film foreshadowed a similarly dressed character in Roeg’s masterpiece, Don’t Look Now.

He also worked on Francois Truffaut’s Farenheit 451, which was notable for the bright hues in which it was shot, and on John Schlesinger’s 1967 adaptation of the Thomas Hardy novel, Far From the Madding Crowd.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 24, 1882 – E.R. Eddison. Writer whose most well-known work by far is The Worm Ouroboros. It’s slightly connected to his lesser-known later Zimiamvian Trilogy. And quite frankly, having never read a word of his works, that’s all I can say. (Died 1945.)
  • Born November 24, 1907 – Evangeline Walton. Her best-known work, the Mabinogion tetralogy which retells the Welsh Mabinogi, was written during the late 1930s and early 1940s. The first volume came out in 1936 under the publisher’s title of The Virgin and the Swine, which is inarguably a terrible title. Although it receiving glowing praise from John Cowper Powys, the book sold quite awfully, and therefore none of the other novels in the series were published at that time. Granted a second chance by Ballantine’s Adult Fantasy series in 1970, it was reissued, with a much better title of The Island of the Mighty, and sold accordingly. The other three volumes followed quickly. Her Theseus trilogy was produced during the late 1940s. Witch House is an occult horror story set in New England, and She Walks in Darkness – which just came out from Tachyon Publications – is genre as well. I think that is the extent of her genre work, but I’d be delighted to corrected. She has won a number of awards including the Mythopoeic Award for Adult Literature, Best Novel, The Fritz Leiber Fantasy Award, World Fantasy Award, Convention Award and the World Fantasy Award for Life Achievement. (Died 1996.)
  • Born November 24, 1916 – Forrest J Ackerman. It’s no wonder that he got a Hugo Award for #1 Fan Personality in 1953, and equally telling that after he was handed the trophy (at Philcon II by Asimov), he physically declined, saying it should go to Ken Slater, to whom the trophy was later given by the con committee. That’s a nice summation of him. As a literary agent, he represented some two hundred writers, and he served as agent of record for many long-lost authors, thereby allowing their work to be reprinted. Hell, he represented Ed Wood! He was a prolific writer, more than fifty stories to his credit, and he named Vampirella and wrote the origin story for her. Speaking of things pulp, which she assuredly is, he appeared in several hundred films which I’ll not list here, and even wrote lesbian erotica. Eclectic doesn’t begin to describe him. His nonfiction writings are wonderful as well. I’ll just single out Forrest J Ackerman’s Worlds of Science Fiction, A Reference Guide to American Science Fiction Films, and a work he did with Brad Linaweaver, Worlds of Tomorrow: The Amazing Universe of Science Fiction Art. Did I mention he collected everything? Well, he did. Just one location alone contained some three hundred thousand books, film, SF material objects and writings. The other was eighteen rooms in extent. Damn, if anyone needed their own TARDIS, it was him. In his later years, he was a board member of the Seattle Science Fiction Museum and Hall of Fame, which now has possession of many items of his collection. If there was ever anyone who truly was the best in fandom, I believe it was him. So let’s toast him his memory. (Died 2008.)
  • Born November 24, 1948 – Spider Robinson. His first story “The Guy with the Eyes” was published in Analog February 1973. It was set in a bar called Callahan’s Place, a setting for much of his later fiction. In 1976, his first published novel, Telempath, was an expansion of his Hugo award-winning novella “By Any Other Name”. The Stardance trilogy was co-written with his wife Jeanne Robinson. In 2004, he began working to expand into a novel a seven-page 1955 outline left by the late Heinlein. The resulting novel would be called Variable Star. Who’s read it? Oh, he’s certainly won awards. John W. Campbell Award for Best New Writer (1974; Hugo Awards for: Best Novella (1977); “By Any Other Name”; Best Novella (1978); “Stardance”‘ (with Jeanne Robinson); Best short story (1983); “Melancholy Elephants”; Nebula Award for: Best Novella (1977); “Stardance” (with Jeanne Robinson) 2008;  Robert A. Heinlein Award (for Lifetime Achievement) 2015; LASFS Forrest J Ackerman Award for Lifetime Achievement; Named a Guest of Honor at the 2018 World Science Fiction Convention.
  • Born November 24, 1957 – Jeff Noon, 61. Novel and playwright. Prior to his relocation in 2000 to Brighton, his stories reflected in some way his native though not birth city of Manchester. The Vurt sequence is a very odd riff off Alice in Wonderland that Noon describes as a prequel to those works. Look I’m not sure I’m the right person to explain these books so y’all should do so. Really go ahead, educate me. Same goes for all the other books he’s done such as Needle in the Groove.

(9) COMICS SECTION.

(10) WHOVIAN COMPLAINT FORM. The popular meme has been given an update to include the latest gripes:

(11) LAST OF THE INKLINGS. Weekly Standard profiles “The Steward of Middle-earth”, Christopher Tolkien.

…Now, after more than 40 years, at the age of 94, Christopher Tolkien has laid down his editor’s pen, having completed a great labor of quiet, scholastic commitment to his father’s vision. It is the concluding public act of a gentleman and scholar, the last member of a club that became a pivotal part of 20th-century literature: the Inklings. It is the end of an era.

All of this would have come as a great surprise to 24-year-old J.R.R. Tolkien as he scrambled down the lice-ridden trenches of the Somme. Catching trench fever removed Tolkien from the front lines and probably saved his life. While on sick leave, he began a draft of The Fall of Gondolin. Now, 102 years later, it sits on the shelves of every Barnes & Noble in the country.

The first draft of The Fall of Gondolin was begun during the Great War; the final incomplete version is dated 1951. Both versions are included in the newly published book, along with fragments and working drafts. While the story itself is good, its true weight is as the final piece of the Tolkien legendarium, a project an entire century in the making.

It is work that has spanned Christopher Tolkien’s life….

(12) HISTORY OF DUDS. This BBC video highlights “The museum that embraces failure” – of mostly-tech ideas that didn’t catch on. My fellow vintage Filers will remember some of them.

(13) EGGSACTLY. Yahoo! Entertainment gets all the free-range references: “From ‘Frozen 2’ to ‘Star Wars’: Here’s your guide to all the Disney Easter eggs in ‘Ralph Breaks the Internet'”. BEWARE SPOILERS.

As the title suggests, the animated sequel Ralph Breaks the Internet finds everyone’s favorite fictional ’80s video game character, Wreck-It Ralph (voiced by John C. Reilly), careening through the online world like — what else? — a wrecking ball. But even as the new film lightly satirizes internet giants like eBay and Google, many of its best gags are aimed directly at its parent corporation, the Walt Disney Company.

(14) THE UNITED STATES SPACE PROGRAM CINEMATIC UNIVERSE. If the Marvel and DC Cinematic Universes are by design, there are others you might claim have been created by coincidence. Patrick Willems takes us on an idea-trip through some of “The Original Cinematic Universes.”

(15) FIRST FLIGHT OF ION-DRIVE AIRCRAFT. [Item by SF Concatenation’s Jonathan Cowie.] A remarkable machine propelled by ionic wind could signal a future with cleaner aeroplanes. Nature reports on “Flight test for ion drive”:

In February 1904, a short news item in Nature marked a monumental event. It recorded the achievements of the American brothers Orville and Wilbur Wright and the contraption that they had launched from a hill in North Carolina a couple of months earlier. “They now appear to have succeeded in raising themselves from the ground by a motor-driven machine,” Nature stated. It was, “the first successful achievement of artificial flight”. That first trip lasted barely 12 seconds.

Nearly 115 years later, Nature reports on another historic brief flight, which this time lasted 8–9 seconds. Researchers at the Massachusetts Institute of Technology (MIT) in Cambridge describe an aviation breakthrough that will draw inevitable comparisons to that wobbly and fragile first journey by air. The aeroplane is powered by a battery connected to a type of engine called an ion drive that has no moving parts.

You can watch the flight here:

Summary of the science at Nature here [PDF file].

Apparently, the inventor was inspired by the Star Trek shuttles.

Full primary research article here (you can access if you are either at an academic/research institution with a Nature subscription or if you are a subscriber yourself, otherwise it costs) — https://www.nature.com/articles/s41586-018-0707-9.pdf

(16) TIME’S UP. This item is more fun if you watch the video before reading Slate’s intro:

A project description said that Baas was inspired by “the many faceless men who sweep, clean and work at an airport in their blue overalls.” (Are there no female janitors at the Amsterdam airport?) Baas described the “Schiphol Clock” as “basically a big box hanging from the ceiling in Lounge 2,” adding that he decided to use “the most archetypical form of a clock.”

But he added a ladder and a door to create an imaginary path that his video janitor might have used to access the clock, just to heighten the surrealism. “He has a red bucket and a yellow cleaning cloth and he is cleaning up after the hands of time, after which he creates a new minute, every time again,” Baas said…

 

[Thanks to Chip Hitchcock, JJ, Cat Eldridge, Andrew, John King Tarpinian, Brian Z., Andrew Porter, Martin Morse Wooster, Mike Kennedy, SF Concatenation’s Jonathan Cowie, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 8/31/18 The Credential, The Cryptomancer, And The Credenza

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(1) #BACKTOHOGWARTS. Warner Bros. kicked off the weekend with a behind-the-scenes featurette for Fantastic Beasts: The Crimes of Grindelwald.

Excited about #BackToHogwarts tomorrow? Watch J.K. Rowling and the cast of #FantasticBeasts: The Crimes of Grindelwald reminisce over their favourite Hogwarts memories.

 

(2) FIRST DAY OF FALL. Bill Capossere’ gives the new release a favorable review, “The Fall of Gondolin: A welcome addition to Christopher Tolkien’s close looks at his father’s work”. He also explains to Fantasy Literature readers:

As with Beren and Lúthien, with regard to the stories themselves (as opposed to the analysis), there is little “new” here; the various versions can be found in others of Christopher’s HISTORY OF MIDDLE-EARTH books. What the stand-alone offers that those books do not is a single-minded focus on one story, allowing us to trace the tale’s evolution more fully and in more detail. I’ve personally found that singular focus to be well worth the purchase price despite owning the versions in other books. Also, I should note that both the publisher and Christopher are (and have been) quite upfront and transparent about this. There’s been no attempt to present these as “new” texts.

And about one part, The Last Version, he says –

Unfortunately, cruelly even, Tolkien abandoned this version, what Christopher calls “this essential and (one may say) definitive form and treatment of the legend,” just after Tuor passes the last gate. I’m with Christopher when he confesses that for him it “is perhaps the most grievous of his many abandonments.”

(3) TANSY RAYNER ROBERTS REVIEWED. At Fantasy-Faction, Richard Marpole praises the novella “Cabaret of Monsters by Tansy Rayner Roberts”.

Rayner Roberts’ writing style is lively and conversational, she doesn’t shy away from grown-up words or a bit of satire here and there either. Evie’s attempts to get away with wearing trousers in a city still mired in traditional gender roles adds a pleasant dash of feminist commentary to proceedings. (Though, among the Creature Court and the bohemian set at least, alternative sexualities and genders seem to be well represented and completely accepted in Aufleur, which is always nice to see.) There are plenty of pretty descriptions and well-turned phrases here, but they don’t slow down the pace.

(4) HERE’S MY NUMBER AND A DIME. NASA is waiting for a call. Engadget has the story: “Mars Opportunity rover will have 45 days to phone home”.

As a planet-wide dust storm enveloped Mars, many were concerned about the fate of the Opportunity rover. After all, Opportunity is dependent on solar panels; the opacity of the dust storm meant that she wasn’t getting enough light to stay powered. The team at NASA’s Jet Propulsion Laboratory last heard from Opportunity on June 10th. Now, the storm is lifting, and once its opacity reaches a tau level of 1.5, the little rover will have 45 days to respond to the team’s signals. Otherwise, NASA will stop actively listening for the rover.

The tau measures the amount of dust and particulate in the Martian atmosphere. The team hopes that, once the skies have cleared enough and the rover has recharged its batteries, Opportunity will be able to hear and respond to the signals that Earth is sending its way. If 45 days have passed without a response, the team will cease its active efforts to recover the rover. “If we do not hear back after 45 days, the team will be forced to conclude that the Sun-blocking dust and the Martian cold have conspired to cause some type of fault from which the rover will more than likely not recover,” said John Callas, Opportunity’s project manager, in a statement.

However, that does not mean they will abandon all hope, as the article goes on to explain.

(5) MORE WORLDCON 76. Stephanie Alford’s report includes some good panel notes.

While WorldCon76 was my second worldcon, it was my best con ever!  Big backpack stuffed with con survival gear (food, books, journals, pens, etc.), bowler hat squarely on my head, I wandered the convention center with a big smile on my face.

Panel:
1001 Years Later – What Happened to Arabian Fiction – Shayma Alshareef and Yasser Bahjatt

Panel:
SETI:  What Do We Do When We Find Them? – Andrew Fraknoi,  Guy Consolmagno, SB Divya, Douglas Vakoch, Lonny Brooks

(6) PIXLEY AT WORLDCON. Joy Pixley explains the con’s distinctive features in “Back from Worldcon!”

Worldcon is much more oriented toward books than other large fan cons like Comic Con, that have huge movie trailer premieres and feature famous celebrities.  I mean, Worldcon does have celebrities, it’s just that we readers and writers think of authors as being big celebrities, not actors.  So it doesn’t have quite the glitz or the production value of commercial cons, but then, the guests of honor actually walk around the convention center and go to talks and sit down for drinks, just like everyone else.  To me, that makes it feel so much more inclusive and approachable.

(7) SEVERIN OBIT. Marie Severin, who was a pioneering woman in comics, mostly for Marvel, died August 29. The Washington Post’s Matt Schudel marked her passing: “Marie Severin, versatile Hall of Fame comic-book illustrator, dies at 89”.

Ms. Severin spent more than 50 years as an illustrator, handling all three of the major visual tasks in comic-book production: penciling, inking and coloring. She worked closely with Marvel’s editor in chief Stan Lee for decades and in 2001 was named to the Will Eisner Comics Hall of Fame.

In the 1970s, Ms. Severin was a co-creator of Jessica Drew — better known as the superhero Spider-Woman — and designed the character’s skintight red-and-yellow costume.

“Marie Severin did it all — penciler, inker, colorist, character creator,” historian and publisher Craig Yoe, the former creative director of Jim Henson’s Muppets, wrote in an email. He called her “one of the last of comics’ greatest generation.”

(8) ZADAN OBIT. He brought musicals to live TV, some of them genre: “Craig Zadan, 69, Dies; Produced Musicals for Stage, Screen and TV”.

Craig Zadan, an ebullient showman who helped engineer a revival of Broadway musicals on television with live NBC broadcasts of “The Sound of Music,” “Peter Pan,” “Hairspray” and “The Wiz,” died on [August 21st] at his home Los Angeles. He was 69….

The success of “Gypsy,” broadcast in 1993, led to ABC, where [he] produced “Annie” (1997), with Kathy Bates and Alan Cumming, and “Cinderella” (1999), with Brandy Norwood in the title role and Whitney Houston as the fairy godmother….

(9) HEATH OBIT. Russ Heath (1926-2018), a long-running comic artist, although less known in genre, who drew for Hero Initiative (fund that helps comic book artists in need), died August 23. The New York Times obit is here: “Russ Heath, Whose Comics Caught Lichtenstein’s Eye, Dies at 91”.

Heath seemed to feel his comics had done more than just catch the renowned pop artist’s eye.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born August 31, 1890. E.E. “Doc” Smith. Writer, the Lensman and Skylark Universe series, each of which has a lot less novels in them then I thought they did, but which have influenced a number of later genre works including the Babylon 5 series. I admit I’ve not read them, so are they worth reading?
  • Born August 31 – Steve Perry, 71. Apparently there’s quite a living to be made in writing genre fiction that’s based in universes created by someone else as he’s written novels in the Predator, Aliens, Aliens versus Predators, Conan, Indiana Jones, Men in Black and Star Wars franchises. Not to mention both books based on both work by Leonard Nimoy snd Tom Clancy. And Isaac Asimov. not sending a lot of originality here.
  • Born August 31 – G. Willow Wilson, 36. Writer of such work as Air, Cairo, Ms.Marvel and Alif the Unseen. She won the World Fantasy Award for the latter and a Hugo Award went also to Ms. Marvel Volume 1: No Normal.

(11) COMICS SECTION.

(12) RETURNING THIS FALL A Superheroes Fight Back Trailer from the CW to let everyone know their new season starts October 9.

(13) EPISODE IX CASTING. ScienceFiction.com learned “‘Star Wars Episode IX’ May Be Looking For Another Female Lead!”

A character breakdown for the upcoming ‘Star Wars: Episode IX’ has been released, and it teases a new female character who could be joining the cast soon! It was previously reported that the film was on the hunt for two new female leads, one being a 40-50 year old female to play a character being called “Mara”, and the other being an African-American actress, age 18-26, to portray a character by the name of Caro.

That Hashtag Show reported that the film is now looking for another actress age 27-35, for a character being called “KARINA.” The character breakdown describes the supporting role as:

“A younger Charlize Theron with street smarts and a sharp wit… a good sense of humor, solid comedic timing and a strong voice.”

 

(14) THE CONTINENTAL. If people still put destination stickers on their luggage, John Scalzi’s bags would be accumulating a new batch next year.

(15) QUICK SIPS. Charles Payseur gives Tor.com’s short fiction a whirl in “Quick Sips – Tor dot com August 2018”.

Two short stories and a novelette round out the SFF originals from Tor this month, with a definite focus on science fiction, on futures of humanity interacting with the universe and, perhaps more importantly, with the Earth. Whether that means dealing with the touch of climate disaster and change, or working to move beyond the bounds of our terrestrial home through uploading and flight, or gaining a new and non-human presence to co-inhabit the planet with, the pieces look at how humans see the Earth, and how that perspective shifts as the gaze becomes less incorporated in a human body. It’s a month full of strangeness and longing, risks and looming dangers, and it makes for a fascinating bunch of stories. To the reviews!

(16) MARVEL SHOWS HEART. Several stars of Marvel films have sent short videos — as themselves — to a teenager who has terminal brain cancer. Josh is a particular fan of Deadpool, causing actor Ryan Reynolds to lead the charge. He’s also recruited Tom Holland (Spider-Man), Chris Evans (Captain America), Chris Pratt (Star-Lord), and Hugh Jackman (Wolverine) to make videos of their own. You can see all five at “Marvel stars line up crossover to send powerful vibes to teen with terminal cancer” on SYFY Wire.

(17) VIDEO OF THE DAY. Tink by Mr. Kaplan on Vimeo is a short film about an animated Rube Goldberg machine.

[Thanks to Cat Eldridge, Martin Morse Wooster, Mike Kennedy, JJ, John King Tarpinian, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/29/18 Scrollvolt Of The Pixeldestrians

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(1) CASE DISMISSED. In May 2018, Fur Affinity, winner of the 2012 and 2013 Ursa Major Awards for Best Anthropomorphic Website, banned several dozen accounts for Code of Conduct violations — Section 2.7 “Do not identify with or promote real hate or terrorist organizations and their ideologies.”

Furry artist Scott Malcolmson (whose fursona is Roy Calbeck), filed suit in Arizona against IMVU, Fur Affinity’s parent company, on grounds of breach of contract and defamation of character.

The suit was dismissed on August 27. Boozy Badger analyzed the result in a Twitter thread which starts here.

https://twitter.com/BoozyBadger/status/1034904635398610944

IMVU is a Delaware corporation. The court did not find its connections to Arizona legally sufficient for IMVU to be sued there. The court further said:

Plaintiff objects that he is a per se litigant filing in forma pauperis. That may be so. However, in our legal system, there is but one law and it applies to rich and poor alike. That Mr. Malcomson is too impecunious to litigate in IMVU’s home state of Delaware cannot detract from IMVU’s constitutional right not to be sued in an improper forum.

Boozy Badger noted:

Jurisdiction, Forum, and Venue are literally most of a semester of Civil Procedure in law school. There are options OTHER than Delaware, but you can’t sue just anywhere.

Wikifur’s article on “History of Fur Affinity” has more background:

COC 2.7 bans (May 2018)[edit]

On May 15, 2018, several dozens FA accounts were banned from the site for presumed violations of the site’s updated Code of Conduct, Section 2.7 (“Do not identify with or promote real hate or terrorist organizations and their ideologies”).[68] This included personal and group accounts related to AltFurry (FurRight), Furry Raiders and other perceived Alt-Right connected accounts.

Complaints came in swift, from people claiming to be false positives[69][70] to banned and not banned users that argued that biased staff had failed to also struck down left-leaning “hate/terrorist” individuals and groups (e.g. Deo Tas Devil, Antifa, “Far-Left”/”Alt-left” accounts and Communist Furs).[71][72] Instructions were passed among the affected and sympathizers to vacate to other sites, specifically, InkBunny,[73][74][75] and discussions were started to pin down who was to blame for the bans (from Antifa-cowered FA staff to outright ban demands/orders from the online news site Dogpatch Press).[76][77]

It would be three days later (May 18), when legal proceedings initiated by Roy Calbeck were to take the form of a lawsuit against FA’s parent company, IMVU, for:

Defamation/Breach of Contract against IMVU for actions taken by their wholly-owned subsidiary, @FurAffinity…

(2) GONDOLIN FALLS TOMORROW. Smithsonian says after two lifetimes of work this probably is it: “J.R.R. Tolkien’s Final Posthumous Book Is Published”.

Though J.R.R. Tolkien passed away in 1973, he has never really stopped publishing. For decades his son and literary executor Christopher Tolkien has painstakingly catalogued and edited his father’s papers, creating new books out of unfinished and unpublished manuscripts. Most of those tales delve deep into the history of Middle-earth, the fantasy realm where Tolkien’s best known works, The Hobbit and The Lord of the Rings series take place. Now, it’s likely that work will come to an end with one last Tolkien book. Critic Andrew Ervin at The Washington Post reports that The Fall of Gondolin, which will be released tomorrow, is likely J.R.R. and Christopher Tolkien’s swan song.

(3) SFF MARKETING. Cat Rambo appeared on the Science Fiction & Fantasy Marketing podcast: “Writing Tips, Selling Short Fiction, and What SFWA Can Do for You with Cat Rambo”. Here are a few of the many topics touched on during the conversation:

  • How Cat ended up publishing her first two Tabat novels through Kevin J. Anderson’s Wordfire Press (which he talked about when he was on Episode 194 and Episode 138) and how marketing goes when working with a small press.
  • Some tips from her recent non-fiction publication Moving from Idea to Finished Draft.
  • What’s been going on at SFWA since we had MCA Hogarth on the show back on Episode 20 (more than three years ago!) and why both trad and self-published may find a membership useful.
  • What it takes to qualify for SFWA membership.
  • Benefits that come with SFWA membership and how the Nebula convention has changed over the years to have helpful panels for all.

(4) FUTURE TENSE. This month’s entry in the Future Tense Fiction series: “When We Were Patched” by Deji Bryce Olukotun.

The last time we ever spoke, my partner Malik asked me whether I believed speed or power made for the best athlete. I was puzzled, of course, feeling that neither could explain why some athletes excelled more than others, even in straightforward competitions like sprinting or the javelin. “There are enough variables to make it unclear,” I observed, “whether speed or power offers a better advantage in competition, or whether some other factor confers the greatest advantage.” It seemed to me an unanswerable question….

It was published along with a response essay by algorithmic bias expert Jeanna Matthews, “Algorithms Could Create an Even Playing Field—if We Insist on It”.

Big decisions about our lives are increasingly made jointly by humans and computer systems. Do we get a loan? Are we invited for an interview? Who should we date? Which news stories should we read? Who won the tennis match? This is our reality today. In “When We were Patched,” Deji Olukotun explores what the boundaries of these human and machine partnerships will be. Could we get the best of both, or will we end up with the worst of both? …

Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and ASU’s Center for Science and the Imagination about how technology and science will change our lives—is publishing a story on a theme.

(5) FOLLOWING ARMSTRONG’S FOOTSTEPS. Slate compiles the early reviews: “Here’s What Critics Are Saying About First Man“.

Space! Now that I’ve got your attention, the reviews of Damien Chazelle’s First Man, which had its world premiere at the Venice Film Festival, today are in—and fortunately, like the film itself, there’s really no way for them to spoil the ending. The space drama follows Neil Armstrong (Ryan Gosling) in his literal and metaphorical journey to become the first man on the moon.

It’s a story and a genre we know all too well, but this doesn’t hold the film back—it even improves upon its galactic forbearers. Critics agree that the story is masterfully handled by Chazelle, who mixes realism with reverence, without overblowing the drama.

And of course, it’s simply an irresistible opportunity to employ space metaphors, whether that’s about “soaring,” “sky-high expectations,” “slip[ping] the surly bonds of earth or “shoot[ing] the moon.” (Michael Nordine at IndieWire wins this space race: “Chazelle is an adept flight commander, guiding the action with the elegance of a space dance in one scene and the intensity of a rocket launch in the next … It may not be a giant leap for filmmaking, but it’s another small step for this filmmaker.”)

(6) A WRITER’S DAY. John Scalzi’s to-do list for Wednesday.

(7) NEW HORIZONS SPOTS TARGET. NASA’s New Horizons spacecraft — which performed a Pluto flyby about three years ago — has officially spotted its next target (“Ultima in View: NASA’s New Horizons Makes First Detection of Kuiper Belt Flyby Target”). The craft took a series of long-duration images from which the star field was subtracted to pick out the Kuiper Belt object (nicknamed Ultima Thule) New Horizons is headed toward. The closest encounter with Ultima Thule is expected to be early (EST) New Year’s Day 2019.

Mission team members were thrilled – if not a little surprised – that New Horizons’ telescopic Long Range Reconnaissance Imager (LORRI) was able to see the small, dim object while still more than 100 million miles away, and against a dense background of stars. Taken Aug. 16 and transmitted home through NASA’s Deep Space Network over the following days, the set of 48 images marked the team’s first attempt to find Ultima with the spacecraft’s own cameras.

“The image field is extremely rich with background stars, which makes it difficult to detect faint objects,” said Hal Weaver, New Horizons project scientist and LORRI principal investigator from the Johns Hopkins Applied Physics Laboratory in Laurel, Maryland. “It really is like finding a needle in a haystack. In these first images, Ultima appears only as a bump on the side of a background star that’s roughly 17 times brighter, but Ultima will be getting brighter – and easier to see – as the spacecraft gets closer.”

This first detection is important because the observations New Horizons makes of Ultima over the next four months will help the mission team refine the spacecraft’s course toward a closest approach to Ultima, at 12:33 a.m. EST on Jan. 1, 2019. That Ultima was where mission scientists expected it to be – in precisely the spot they predicted, using data gathered by the Hubble Space Telescope – indicates the team already has a good idea of Ultima’s orbit.

(8) REMEMBERING WILLY LEY. Steven Levy’s WIRED article “385 Feet of Crazy: The Most Audacious Flying Machine Ever” is about Paul Allen’s effort to build a giant airplane called a Stratolaunch which he wants to use to carry rockets to the edge of space and then launch from the stratosphere. It includes this sentimental memory about a writer who was important to a lot of fans back in the day.

As a teenager, Paul Allen was a sci-fi and rocketry nerd. He dreamed of becoming an astronaut, but that ambition was scuttled by nearsighted­ness. His childhood bedroom was filled with science fiction and space books. Bill Gates remembers Allen’s obsession. “Even when I first met him—he was in tenth grade and I was in eighth—he had read way more science fiction than anyone else,” says Gates, who later founded Microsoft with Allen. “Way more.” One of Allen’s favorites was a popular science classic called Rockets, Missiles, and Space Travel, by Willy Ley, first published in 1944. As Allen tells it in his memoir, he was crushed when he visited his parents as an adult and went to his old room to reference a book. He discovered that his mother had sold his collection. (The sale price: $75.) Using a blowup of an old photo of the room, Allen dispatched scouts to painstakingly re-create his boyhood library.

(9) OPTIMUS SOLUTION. Daniel Cohen’s Financial Times article “Tales from the storage unit: inside a booming industry”, in a survey of storage spaces, recommends Inner Space Stations in York:

A large model of the Optimus Prime character from TRANSFORMERS stands beide the entrance of its main store, on a busy road.  A Dalek is visible through a window; a model of a STAR WARS stormtrooper guards the reception.  The sizes of the units correspond to planet s in the solar system; the smallest lockers have an image of Mercury on the door, while the biggest show Jupiter.  ‘It’s just making fun,’ says Graham Kennedy, the owner.  ‘Quite often there’s a stressful reason for going into storage.  So I’ve decided to lighten it.’

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge]

  • Born August 29, 1898 – C.S. Lewis. Author of the Narnia books and The Space Trilogy, also The Screwtape Letters which I got assigned in University a very long time ago. Ardent Christian, he wrote three dense book on that religion, Mere Christianity, Miracles, and The Problem of Pain. There’s a Doctor Who episode with Matt Smith that riffs off the Narnia book entry way if memory serves me right.
  • Born August 29 — Nancy Holder, 65. Perhaps best known for her myriad work, fiction and non-fiction, based off the Buffy the Vampire Slayer series. However I’ll single her out as a four-time winner of the Bram Stoker Award including Best Novel for Dead in the Water.
  • Born August 29 – Michael P. Kube-McDowell, 64. Extensive writing in the Star Wars genre but also has written such novels as The Quiet Pools which was a Hugo Award nominee and Emprise which was a Philip K. Dick nominee. Several of his short stories were adapted into episodes of theTales from the Darkside series.
  • Born August 29 — Lenny Henry, 60. Co-creator with Neil Gaiman and producer of the 1996 BBC drama serial Neverwhere. Narrator of Anansi Boys. Appeared, well appeared isn’t quite proper, in Harry Potter and the Prisoner of Azkaban as the voice of the Shrunken Head.

(11) COMICS SECTION.

(12) HISTORY REVEALED. Michael Cassutt will be signing The Astronaut Maker at Vroman’s Bookstore in Pasadena, CA on September 6. (More details at “Michael Cassutt discusses and signs The Astronaut Maker”).

One of the most elusive and controversial figures in NASA’s history, George W. S. Abbey was called “the Dark Lord,” “the Godfather,” and “UNO”–short for unidentified NASA official. He was said to be secretive, despotic, a Space Age Machiavelli. Yet Abbey had more influence on human spaceflight than almost anyone in history. His story has never been told–until now.   The Astronaut Maker takes readers inside NASA to learn the real story of how Abbey rose to power, from young pilot and wannabe astronaut to engineer, bureaucrat, and finally director of the Johnson Space Center. During a thirty-seven-year career, mostly out of the spotlight, he oversaw the selection of every astronaut class from 1978 to 1987, deciding who got to fly and when. He was with the Apollo 1 astronauts the night before the fatal fire in January 1967. He was in mission control the night of the Apollo 13 accident and organized the recovery effort. Abbey also led NASA’s recruitment of women and minorities as space shuttle astronauts and was responsible for hiring Sally Ride.   Written by Michael Cassutt, the coauthor of the acclaimed astronaut memoirs DEKE! and We Have Capture, and informed by countless hours of interviews with Abbey and his family, friends, adversaries, and former colleagues, The Astronaut Maker is the ultimate insider’s account of ambition and power politics at NASA. (Chicago Review Press)

(13) JUST DRAWN THAT WAY. Need a goat? Remember to smile: “Goats ‘drawn to happy human faces'”.

Scientists have found that goats are drawn to humans with happy facial expressions.

The result suggests a wider range of animals can read people’s moods than was previously thought.

The researchers showed goats pairs of photos of the same person, one of them featuring an angry expression, and the other a happy demeanour.

The goats made a beeline for the happy faces, the team reports in the journal Royal Society Open Science.

(14) THE ACME OF SOMETHING OR OTHER. Maybe this will be your cup of tea but I confess: I plan to be somewhere (anywhere) else when this picture is in theaters: “The ‘Wile E. Coyote’ Movie Has Ordered A Pair Of Writers Who Aren’t From ACME!”

The Roadrunner had better watch out as there is a new ‘Wile E. Coyote’ movie in the works and Warner Bros. has just tapped The Silberman Brothers (‘Living Biblically,’ ‘It’s Always Sunny In Philadelphia’) to write it! Jon and Josh are going to have a lot of work ahead of them to bring this iconic character to the big screen for an audience base that had significantly changed from when the toon was originally popular.

While this “Super Genius” will always be known for creative inventions that pave the way for perfect slapstick humor, the lack of dialogue for a feature film might mean that we’re getting some massive changes to the Wiley cartoon. While there is no mention of his arch nemesis and his uncatchable meal of The Roadrunner being part of the film, it would be hard to imagine a story that doesn’t include him.

(15) DIAL EIGHT. Another thing I didn’t get done at Worldcon 76 – meeting Galactic Journey’s Gideon Marcus. By now he’s back in 1963 keeping track of the myriad developments in outer space: “[August 29, 1963] Why we fly (August Space Round-up)”.

Bridging the Continents

Communication satellites continue to make our world a smaller place.  Syncom, built by Hughes and launched by NASA late last month, is the first comsat to have a 24-hour orbit.  From our perspective on the Earth’s surface, it appears to do figure eights around one spot in the sky rather than circling the Earth.  This means Syncom can be a permanent relay station between the hemispheres.

It’s already being used.  On August 4 the satellite allowed Nigerian journalists and folks from two U.S. services to exchange news stories as well as pictures of President Kennedy and Nigerian Governor General Dr. Nnamdi Zikiwe.  Five days later, voice and teletype was exchanged between Paso Robles, California and Lagos, Nigeria.  This 7,7700 mile conversation represents the longest range real-time communication ever made.

I think he means 7,700 miles – but of course I would!

(16) GAMING, IT’S NOT JUST FOR BREAKFAST ANYMORE. The BBC reports on the finding of an ancient gaming board and how it may be the clue to the location of an important lost monastery (“Medieval gaming board clue to lost monastery”).

The discovery of a medieval gaming board may have helped bring archaeologists closer to confirming the site of a lost early monastery.

Archaeologists have been actively seeking the Monastery of Deer in Aberdeenshire since about 2008.

Monks at the monastery wrote the important 10th Century illuminated manuscript, the Book of Deer.

Layers beneath the disc-shaped stone gaming board have been carbon dated to the 7th and 8th centuries.

Charcoal also found at the remains of a building uncovered by archaeologists during the latest dig at the site, near Mintlaw, has been dated to the same time, between 669 and 777AD.

Smithsonian follows up with more about the game board itself and its monastic connections (“Archaeologists Unearth Medieval Game Board During Search for Lost Monastery”).

According to The Scotsman’s Alison Campsie, monks likely used the board to play Hnefatafl, a Norse strategy game that pits a king and his defenders against two dozen taflmen, or attackers. As the king’s men attempt to herd him to safety in one of the four burgs, or refuges, located in the corners of the game board, taflmen work to thwart the escape. To end the game, the king must reach sanctuary or yield to captivity.

The board “is a very rare object,” archaeologist Ali Cameron of The Book of Deer Project, who is in charge of excavations, tells Campsie. “Only a few have been found in Scotland, mainly on monastic or at least religious sites. These gaming boards are not something everyone would have had access to.”

…The game board’s discovery and dating to the 7th and 8th centuries offer tantalizing indication that the dig site was, in fact, home to the medieval monastery, but as Mark Hall, a medieval games specialist at the Perth Museum and Art Gallery, cautions, “This temptation remains just that until further evidence presents itself to make a valid link between the disc and the date.”

(17) MORE COMICS CROSSOVERS. Daniel Dern is keeping an eye open for these: “Sometime within the last year we got a great bunch, notably the Batman/Elmer Fudd (including the narrated-by-Denny-ONeil video). A bunch just came out today, including Lex Luthor/Porky Pig, Joker/Daffy Duck, and Catwoman/Sylvester.”

And io9’s James Whitbrook looks ahead to when “All the Incredible New Comic Series to Cozy Up With This Fall”.

DC/Hanna-Barbera Crossovers—DC’s bizarro mashups between its comics universe and the animated antics of Hanna-Barbera’s most beloved creations continues with another wave of weird and wonderful adventures.

Deathstroke/Yogi Bear #1—Frank Tieri, Mark Texeira

Green Lantern/Huckleberry Hound #1—Mark Russell, Rick Leonardi

Nightwing/Magilla Gorilla #1—Heath Corson, Tom Grummett

Superman/Top Cat #1—Dan DiDio, Shane Davis

(18) GAME OVER. Camestros Felapton discovered spammers have taken over the abandoned Sad Puppies IV website  but kept most of the content to make it look like Kate Paulk is selling slot machines in Italian –

[Thanks to ULTRAGOTHA, John King Tarpinian, Cat Rambo, Mike Kennedy, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Joey Eschrich, mlex, Daniel Dern, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 4/10/18 The Third Little Pixel Had Scrolled Beef

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(1) TOLKIEN’S GONDOLIN. Tor.com carries the official word: “J.R.R. Tolkien’s The Fall of Gondolin to Be Published as a Standalone for the First Time”. It will be published August 30.

HarperCollins UK announced today that it would publish The Fall of Gondolin, J.R.R. Tolkien’s tale documenting the rise of a great but hidden Elven kingdom and its terrible fall, for the first time as a standalone edition. Edited by Christopher Tolkien using the same “history in sequence” mode that he did for 2017’s standalone edition of Beren and Lúthien, and illustrated by Alan Lee, this edition will collect multiple versions of the story together for the first time.

Tolkien has called this story, which he first began writing in 1917, “the first real story of this imaginary world”; i.e., it was one of the first tales to be put to paper. The only complete version of The Fall of Gondolin was published posthumously in The Book of Lost Tales; however, different compressed versions appeared in both The Silmarillion and the collection Unfinished Tales of Númenor and Middle-earth.

(2) POTTER ANNIVERSARY COVERS. Gwynne Watkins, in the Yahoo! Entertainment story “Accio ‘Harry Potter’ covers: See the dazzling new 20th anniversary artwork”, says the Harry Potter books are coming out with new covers by Brian Selznick, author of The Invention of Hugo Cabret (which was the basis for the movie Hugo). See all the covers at the link.

Do your well-worn Harry Potter books need a new look for spring? In honor of the 20th anniversary of  the U.S. publication of Harry Potter and the Sorcerer’s Stone, Scholastic is releasing new paperback editions of J.K. Rowling‘s entire series, featuring gorgeous cover art by Brian Selznick. When the seven books are placed side by side, the intricate black-and-white illustrations form a single piece of art chronicling Harry’s adventures. Scroll down to see the covers, which are full of tiny details for readers to discover. (Can you spot the Hogwarts Express? How about Harry’s Patronus?)

(3) ABOUT THE SIMPSONS’ APU. The Simpsons creators can’t figure out how something people laughed at in the past became “politically incorrect.” (And isn’t that term always a signal flare preceding a complete lack of empathy…) Entertainment Weekly’s Dana Schwartz discusses “Why The Simpsons’ response to the Apu controversy was so heartbreaking: Essay”.

…In 2017, comedian Hari Kondabolu wrote and starred in a documentary called The Problem with Apu in which he examined the cultural significance of The Simpsons character Apu Nahasapeemapetilon, the Kwik-E-Mart owner, who speaks with a heavy, stereotypical Indian accent and is voiced by Hank Azaria, a white man.

Last night, The Simpsons offered its tepid reply.

The scene began with Marge reading a bedtime story to Lisa that had been neutered with social justice buzzwords. “What am I supposed to do?” Marge asks when Lisa complains.

“It’s hard to say,” says Lisa, breaking the fourth wall and looking directly at the camera. A photo of Apu on the nightstand helped make it very clear they were no longer talking about the fictional bedtime story. “Something that started decades ago and was applauded and inoffensive is now politically incorrect. What can you do?”

“Some things will be dealt with at a later date,” says Marge, also to the camera.

“—If it all,” Lisa concludes.

There’s something about the response that came across as not only tasteless but viscerally unsatisfying. In his documentary, Kondabolu initiated the complex conversation about what it meant to have a white actor voicing an Indian character (with a heavy, caricatured accent) during a time when there was little or no Indian representation in the media.

The Simpsons on-air response reveals that the minds behind the long-running animated series either entirely failed to grasp Kondabolu’s point or (perhaps, unfortunately, more likely) they were completely indifferent to it.

(4) VAST GALLERY OF SFF ART. Enjoy TheVaultofRetroSciFi — Lots and lots of SF images, from all sorts of media.

(5) PARANORMAL ROMANCE. Mad Genius Club’s Amanda S. Green explains why it’s hard to “Know Your Genre – Paranormal Romance”. She disagrees with the definitions posted on some of the leading sites.

…So why the confusion about what a PNR is when checking the RITA nominees?

Simply put, that confusion rests solely with RWA. A quick check of their website shows this definition for paranormal romance: “Romance novels in which fantasy worlds or paranormal or science fiction elements are an integral part of the plot.” See, there it is. Science fiction elements.

This definition might have worked several years ago, before there was an increase in the number of science fiction romance titles. Now, it only confuses the issue and muddies the waters when it comes to readers and booksellers. “Paranormal” doesn’t send most readers into the realm of sf, no way and no how. Yet, for RWA’s purposes, science fiction romance mixes and melds with PNR.

Is this the only definition? Far from it. One site defines PNR this way, “For a novel to be a Paranormal Romance, a simple thing must occur: love must begin between a human and a supernatural being (whether wholly supernatural or partially, just as long as there are supernatural elements present)”

Another site has this to say: “Most people hear the words ‘Paranormal Romance’ and visions of sparkly vamps and bare-chested wares seeking virginal human mates spring like crack-addicted leprechauns from the recesses of their minds. While these have certainly been the topic of many a novel **cough** Twilight **cough**, there are so many more topics joining the ranks of Paranormal Romance today.  Among them: Shapeshifters—half-human, half-animal beings with the ability to transmute between forms on cue, Angels, Demons, Nephilim, Egyptian Gods and Goddesses, Ancient Greek mythology, and even the occasional Ghost or Alien thrown in for good measure. And I would be amiss in not mentioning the perennial time-traveling, kilt-wearing highlander with the rippling biceps and the heart of gold. His broadsword isn’t the only steely thing about him, if you know what I mean.” Where I have a dispute with the site and its definitions is when it say UF is a sub-genre of PNR. Nope, totally different.

(6) THE WASTELAND. The trailer for Future World has dropped:

In a post-apocalyptic world, where water and gasoline have long since dried-up, a prince from the oasis (one of the last known safe-havens) must venture out to find medicine for the ailing queen (Lucy Liu), but along the way he gets mixed up with the warlord (James Franco) and his robot Ash (Suki Waterhouse), which leads to a daring journey through the desolate wastelands.

 

(7) FOUNDATIONAL TELEVISION. From Deadline: “Apple Lands Isaac Asimov ‘Foundation’ TV Series From David Goyer & Josh Friedman”.

In a competitive situation, Apple has nabbed a TV series adaptation of Foundation, the seminal Isaac Asimov science fiction novel trilogy. The project, from Skydance Television, has been put in development for straight-to-series consideration. Deadline revealed last June that Skydance had made a deal with the Asimov estate and that David S. Goyer and Josh Friedman were cracking the code on a sprawling series based on the books that informed Star Wars and many other sci-fi films and TV series. Goyer and Friedman will be executive producers and showrunners. Skydance’s David Ellison, Dana Goldberg and Marcy Ross also will executive produce….

The project shows a different level of ambition for Apple’s worldwide video programming team led by Jamie Erlicht and Zack Van Amburg. In November, they set their first scripted series, a morning show drama executive produced by and starring Jennifer Aniston and Reese Witherspoon, with a two-season, straight-to-series order. Apple also has given straight-to-series orders to Amazing Stories, a re-imagining of the anthology from Steven Spielberg, a Ronald D. Moore space drama, a Damien Chazelle series, a comedy starring Kristin Wiig, world-building drama See from Steven Knight and Francis Lawrence, as well as an M. Night Shyamalan psychological thriller.

(8) TWO BUTLER FANS SEEK FUNDS TO ATTEND WORLDCON. Alex Jennings asks “Help Me and Amanda Emily Smith Get to Worldcon 76” via a YouCaring fundraiser. To date people have chipped in $285 of their $2,500 goal.

Last year, Amanda and I both submitted letters to be published in Luminescent Threads: Connections to Octavia Butler. Octavia was a huge influence on both of us, and Amanda and I had met her separately before her death.

Both our letters were accepted for publication, and we were so pleased to be a part of such a wonderful project. This event was even more of a milestone for Amanda as this was her first professional sale in the science fiction field.

On April 2, the official announcement came down that Letters to Octavia has been chosen as a finalist for the Hugo Award in the category of Related Work! We literally jumped for joy. Honoring one of our greatest influences had lifted us up, as well!

The Hugo Awards are basically the Oscars of Science Fiction. Both Amanda and I have dreamed of attending Worldcon and the Hugo Awards all our lives, but we’ve never been able to before. Now that a book we are both in is a finalist, we feel we must get to Worldcon 76 in San Jose by any means necessary.

(9) TODAY IN HISTORY

  • April 10, 1953 — Feature length, full color, 3-D movie premiered: House of Wax starring Vincent Price.

(10) TODAY’S BIRTHDAY BOY

  • Born April 10, 1953 – David Langford

(11) CANDLE TIME. Steven H Silver lights up Langford’s birthday cake at Black Gate with “Birthday Reviews: David Langford’s ‘Waiting for the Iron Age’”.

Langford may be best known as the holder of twenty-one Hugo Awards for Best Fan Writer, including an unprecedented nineteen year winning streak. During that time he also won six Hugo Awards for Best Fanzine for Ansible and a Best Short Story Hugo for “Different Kinds of Darkness.” In 2012, he won his 29th and most recent Hugo for Best Related Work for The Encyclopedia of Science Fiction, Third Edition, edited with John Clute, Peter Nicholls, and Graham Sleight. Langford has tied with Charles N. Brown for the most Hugo Awards won.

(12) SOCIETY PAGES. Liz Bourke, Sleeping With Monsters columnist and 2018 Hugo nominee, announced the good news earlier this month:

https://twitter.com/hawkwing_lb/status/980579863974367232

(13) READY FOR HIS CLOSEUP. Neil Gaiman will appear on The Big Bang Theory this month. He’s guested on various TV series over the years, sometimes as an animated character, but this will be live action.

It’s kind of pathetic there are people tweeting responses that they never heard of him. Who cares?

(14) THIS DOCTOR IS NOW IN. ScienceFiction.com reveals that “Peter Cushing’s ‘Doctor Who’ Is Now Canon (Sort Of)”.

One of the biggest tasks an anniversary special has is to balance fan service with a story that can stand on its own merits. Among the many ways ‘The Day of the Doctor’ accomplished this rare feat was to feature appearances by multiple incarnations of the Doctor. Though only three were really sharing the spotlight, every version of the beloved Time Lord made at least a brief appearance, mostly through the use of archival footage. On top of this, Steven Moffat even took the opportunity to introduce a new incarnation in the form of the War Doctor, unforgettably brought to life by John Hurt.

And now he’s done it again.

In the newly released novelization of the fiftieth anniversary special, Steven Moffat has slyly worked Peter Cushing’s version of the Doctor into the series’ continuity

(15) OUTWARD BOUND. A new find pushes the date back: “Finger bone points to early human exodus”.

New research suggests that modern humans were living in Saudi Arabia about 85,000 years ago.

A recently discovered finger bone believed to be Homo sapiens was dated using radio isotope techniques.

This adds to mounting evidence from Israel, China and Australia, of a widespread dispersal beyond Africa as early as 180,000 years ago.

Previously, it was theorised that Homo sapiens did not live continuously outside Africa until 60,000 years ago.

(16) MODEST TRIBUTE. The BBC says “Belgrade’s ‘tiny head’ Gagarin statue causes dismay”.

The bust of Yuri Gagarin was ordered by the city council last year, and was put up on a street that bears his name, the Blic news website reports.

But its appearance – a tiny bust on top of a tall plinth – has been met by a hugely negative reaction, the paper says.

“The only way you can see it clearly is to launch yourself into the sky,” the Noizz website says. “While this is somewhat symbolic,” adds writer Ivana Stojanov, “there’s certainly no common sense on show”.

(17) IT’S NOT DEAD, JIM. Nerd & Tie’s Trae Dorn tries to figure out what happened: “Cherry City Comic Con Confusingly Cancelled and then Uncancelled?”.

…Of course, as a Facebook video, it’s highly unlikely that anyone will really end up watching this. Which really does beg the question: if you uncancel a show no one knows was cancelled, did anything really happen at all? Because right now, most people have no idea.

Update 4/10, 12:00pm: In a strange series of events, Cherry City Comic Con has now been uncancelled. The announcement was made, again, with a Facebook video…

Of course, as a Facebook video, it’s highly unlikely that anyone will really end up watching this. Which really does beg the question: if you uncancel a show no one knows was cancelled, did anything really happen at all?

(18) QUICK FLASH. Charles Payseur turns his eye to “Quick Sips – Flash Fiction Online April 2018”.

Continuing the newer tradition of coming out with fairly thematically linked issues, Flash Fiction Online presents an April full of fools. Or maybe fooling. Also aliens. Yup, all three stories feature alien beings, and in most of them there’s also a vein of something…well, of someone pulling one over on someone else. Maybe it’s an actress tricking an alien monster to spare Earth, or a group of alien agents trying to set up first contact on the sly, or even the own paranoid post-drunken-weekend-in-Vegas thoughts of a man who might have just married an extraterrestrial. In any case, the stories are largely bright and fun, even when they brush against planet eating and possible invasion. So without further delay, to the reviews!

(19) ALL KNOWN BRITISH SFF. At THEN, Rob Hansen’s British fanhistory site, you can find scans of a 1937 British SF Bibliography. Once upon a time, the literary universe was a smaller place.

Edited by Douglas W. F. Mayer for the Science Fiction Association and dated August 1937, this was one of the earliest bibliographies to be produced by fandom and contains many titles that would be unfamiliar to a modern reader. A mimeographed publication, it was printed in purple-blue ink, had a soft card wraparound cover, and was stitch-bound. The particular copy scanned for this site includes its unknown previous owner’s checkmarks against many entries.

This is a list of books, only. However, it’s still an interesting coincidence that Mayer himself edited Amateur Science Stories #2, where Arthur C. Clarke’s first published story appeared in December 1937.

(20) JAWS. Or at least part of a jaw: “Ancient sea reptile was one of the largest animals ever”.

Sea reptiles the size of whales swam off the English coast while dinosaurs walked the land, according to a new fossil discovery.

The jaw bone, found on a Somerset beach, is giving clues to the ”last of the giants” that roamed the oceans 205 million years ago.

The one-metre-long bone came from the mouth of a huge predatory ichthyosaur.

The creature would have been one of the largest ever known, behind only blue whales and dinosaurs, say scientists.

(21) SUMMER MUNCH. The Meg is slated for release on August 10, 2018.

In the film, a deep-sea submersible—part of an international undersea observation program—has been attacked by a massive creature, previously thought to be extinct, and now lies disabled at the bottom of the deepest trench in the Pacific…with its crew trapped inside. With time running out, expert deep sea rescue diver Jonas Taylor (Jason Statham) is recruited by a visionary Chinese oceanographer (Winston Chao), against the wishes of his daughter Suyin (Li Bingbing), to save the crew—and the ocean itself—from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that, years before, Taylor had encountered this same terrifying creature. Now, teamed with Suyin, he must confront his fears and risk his own life to save everyone trapped below…bringing him face to face once more with the greatest and largest predator of all time.

 

(22) AND DON’T FORGET THESE SHARKES. The Shadow Clarke jury’s Nick Hubble picked six books on the submissions list to review, and tells why in this post.

My criteria for the selection of these six titles this year – none of which I have read – was not what I think might be in contention or even necessarily what I think I will personally rate. Instead, I have chosen a range of books that I hope will enable some sort of literary critical discussion of the field as a whole in 2018 (although clearly this remains an entirely subjective choice on my behalf). Therefore, I have tried to mix first-time authors with established novelists, sequels with standalone works, and genre and mainstream literary texts; but I have married this with a practical policy of also choosing books that took my fancy for whatever reason.

I was also trying to pick a set of choices similar to the that offered by this year’s shortlist for the BSFA Award for best novel: Nina Allan’s The Rift, Anne Charnock’s Dreams Before the Start of Time,? Mohsin Hamid’s Exit West, and Ann Leckie’s Provenance?. I thought this was a good list because there were different types of novels, all of which I enjoyed (and because I have read them, I have excluded them from my Clarke selection below even though all have been submitted). Despite large differences in approach, these novels share a focus on family relationships that perhaps tells us something about the preoccupations of our age. It would be trite to argue that they simply demonstrate a retreat from political and ideological uncertainty to take refuge in the personal sphere but perhaps they suggest different ways in which politics and relationships are both being reconfigured in an age of digital communication. It will be interesting to see what patterns emerge from the wider Clarke submissions list.

(23) ABOUT KRESS. Joe Sherry is not fully satisfied with the book, but it’s close: “Microreview [book]: Tomorrow’s Kin, by Nancy Kress”, at Nerds of a Feather.

Once we move past the conclusion of Yesterday’s Kin, the focus remains on Dr. Marianne Jenner as well as pushing in tighter on that of her grandchildren. This is character driven science fiction. Kress explores the impact of Earth’s interaction with a spore cloud that was initially described as a world killer, but she does so through the lens of characters who have become as familiar as family. To a reader not steeped in the nuance and minutiae of science, the unpinning science of Tomorrow’s Kin comes across as fully rigorous as anything in a more traditional “hard” science fiction novel. Kress does not engage in interminable info dumping. I read Tomorrow’s Kin not long after finishing the latest Charles Stross novel, Dark State (my review). There is no real point of comparison between the two novels, except that I generally love the ideas that Stross plays with and wish he did a better job at actually telling the story. That generally isn’t the case with Nancy Kress. She is a far more accomplished writer and is far smoother with her storytelling. Kress’s ideas are just as big and just as bold, but they are strongly integrated into the story.

(24) CATS STAR ON SFF. Moshe Feder has discovered the true identify of Number One!

[Thanks to John King Tarpinian, JJ, Mark Hepworth, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Carl Slaughter, Hampus Eckerman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]