Pixel Scroll 4/12/24 One Pixel, One Scroll, One File

(1) ONCE ON HIS SHELVES. San Diego State University is home to the Edward Gorey Personal Library, which they acquired in 2009.

The Edward Gorey Personal Library is a special collection at San Diego State University library that comprises 26,000 books collected by Edward St. John Gorey (1924-2000). Over 9,000 catalogued volumes, or 35% of the collection are searchable. If you find a book you would like to examine from this collection, please contact Special Collections and University Archives at [email protected], or at 619-594-6791 or visit their service desk in Love Library 150. Books may only be viewed in the Special Collections area.

An American artist, Edward St. John Gorey’s publications include over one hundred books. His most well-known works include The Gashlycrumb TiniesThe Doubtful Guest and The Wuggly Ump. Many of his illustrations appear in publications like The New Yorker and The New York Times. Gorey illustrations and book designs enhance editions of works by Charles Dickens, Edward Lear, Samuel Beckett, John Updike, Virginia Woolf, H.G. Wells, Florence Heide and Peter Neumeyer.

And if you’d like to know “What Books Did Edward Gorey Collect?” then click the link. Lots of familiar names there. One jumped out at me – isn’t Franklin W. Dixon the author of the Hardy Boys series?

I also learned his biography has this clever title: Edward Gorey: Born to Be Posthumous.

(2) IT WASN’T UNDER HIS KILT. “Reported armed man at Scottish train station was ‘Star Wars’ Stormtrooper” with a plastic blaster. UPI has the story.

Police in Scotland said a reported armed man who led to a train returning to a station turned out to be a Star Wars cosplayer on his way to a comic book convention.

The man, known as the Grampian Stormtrooper on social media, was dressed in his Imperial Stormtrooper costume “with a Scottish twist” — a kilt — when he boarded a ScotRail train to Dundee at the Aberdeen train station.

The train returned to the station shortly after departing and the man was approached by a guard who escorted him to waiting police officers.

The cosplayer wrote on Facebook that he was “met by two firearms officers, three Police Scotland, two British Transport police, and had to chat to them all in an office.”

The man learned that he had been reported for carrying a “firearm” on the train, and he explained to police that his “blaster” was a plastic prop….

(3) WORLDSHAPERS KICKSTARTER. Edward Willett’s Shadowpaw Press is for the fifth year in a row running a Kickstarter campaign to fund an anthology featuring sff writers who have been guests on his Aurora Award-winning podcast, The Worldshapers. The Kickstarter is here: Shapers of Worlds Volume V by Edward Willett.

Shapers of Worlds Volume V will feature stories by Brad C. Anderson, Edo van Belkom, J.G. Gardner, Olesya Salnikova Gilmore, Chadwick Ginther, Evan Graham, M.C.A. Hogarth, M.J.  Kuhn, L. Jagi Lamplighter, Kevin Moore, Robin Stevens Payes, James S. Peet, Omari Richards, Lawrence M. Schoen, Alex Shvartsman, Alan Smale, Richard Sparks, P.L. Stuart, Brad R. Torgersen, Hayden Trenholm, Brian Trent, Eli K.P. William, Edward Willett, and Natalie Wright.

The cover art is by Tithi Luadthong.

Backers’ rewards offered by the authors include numerous e-books, signed paperback and hardcover books, Tuckerizations (a backer’s name used as a character name), artwork, one-on-one writing/publishing consultations and mentorships, audiobooks, opportunities for online chats with authors, short-story critiques, and more.

The campaign goal is $12,000 CDN. Almost all of those funds will go to pay the authors, with the rest going to reward fulfillment, primarily the editing, layout, and printing of the book, which will be published in January 2025 in both ebook and trade paperback formats

(4) PREEMPTIVE OPINION. “Can Joker: Folie à Deux avoid becoming like any other comic book movie?” the Guardian’s Ben Child is skeptical.

…The jury remains out on whether [director] Phillips can repeat the trick with Joker: Folie à Deux. After all, there is likely a very good reason that nobody ever made a sequel to Taxi Driver or The King of Comedy, in the format of a musical. But even if the new film fails miserably, it is likely to give us more intriguing ideas to take the comic book movie genre forward than any number of the new episodes currently being put together by new DC boss James Gunn, brilliant (in a common-or-garden superhero flick kind of way) as these may well end up being….

(5) RONDO NOMINEE FOR BEST ARTICLE OF THE YEAR. The deadline for the public to vote in the Rondo Awards is April 16 at midnight. Email votes (with your name & e-mail address) to David Colton, c/o [email protected].

Steve Vertlieb appeals to Filers to support his nominated article “Subversion of Innocence: Reflections on ‘The Black Cat’ (Universal Pictures, 1934” which was published here.

(6) TURBOLIFT TO HIT BOTTOM ON LOWER DECKS. It is the end, my friend, says The Hollywood Reporter: “‘Star Trek: Lower Decks’ to End With Season 5”. (However, Strange New Worlds will get another season.)

Paramount+ has made two big decisions about its Star Trek universe.

Strange New Worlds has been renewed for a fourth season, while Lower Decks will end with its previously announced upcoming fifth season, expected to air sometime this year.

Lower Decks creator Mike McMahan and executive producer Alex Kurtzman posted a statement on the Star Trek website about the decision to conclude the animated series: “While five seasons of any series these days seems like a miracle, it’s no exaggeration to say that every second we’ve spent making this show has been a dream come true. Our incredible cast, crew and artists have given you everything they have because they love the characters they play, they love the world we’ve built, and more than anything we all love love love Star Trek. We’re excited for the world to see our hilarious fifth season which we’re working on right now, and the good news is that all previous episodes will remain on Paramount+ so there is still so much to look forward to as we celebrate the Cerritos crew with a big send-off. … We remain hopeful that even beyond season five, Mariner, Boimler, Tendi, Rutherford and the whole Cerritos crew will live on with new adventures.”

(7) LINDA HAMILTON Q&A. “Linda Hamilton Nixes ‘Terminator’ Return, Talks AI and Almost Retiring” she tells The Hollywood Reporter.

Your career has spanned so many incredible projects, even just looking at television, from Beauty and the Beast in the ’80s to Resident Alien now and Stranger Things coming up. It must feel like a radically different landscape now.

It does, and it’s been kind of a pleasure to ride that long wave. I have seen things, and certainly can remark upon the changes in all areas of film and television, but mostly TV, I think. I’m not sure the studio system really has much longer. Things are changing faster now than they ever changed in the history of Hollywood, in terms of product and streaming and just so many new jobs that are created because of what we get to shoot. People who are contact lens specialists and people who are nail specialists when you do a show like Claws, and intimacy coordinators, and the sensitivity training, the HR, and then there’s the actual filmmaking and the special effects and the Volume for all the special effects, which is now on Stranger Things. I’m like, “What the hell? Where am I?” It’s like, okay, we’ll do a scene and then [you hear], “ball and chart,” and it’s some special effects magic that they come in and do at the end of every shot. So yes, it’s changing.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 12, 1973 J. Scott Campbell, 51. J. Scott Campbell is a comic books artist best known for his work on Wildstorm Comics. Scott actually got hired by Wildstorm by submitting a package that included a four-page WildC.A.T.S  story. Before that however his first work was on Homage Studios Swimsuit Special at age twenty. It’d get a PG-13 rating today. If that. 

J. Scott Campbell at the 2023 Comic-Con. Photo by Gage Skidmore.

So did you know that Marvel did a Swimsuit issue as well? It was an annual magazine-style publication from 1991 to 1995. One issue said “Take Wakanda Wild Side” on the cover. Really it did. 

His subsequent work for Wildstorm included  some illustrations in WildC.A.T.S Sourcebook and Stormwatch #0. I love the idea of #0 issues. Why so? 

Now do you remember Gen13? He created the series along with Jim Lee and Brandon Choi as the series came out of Team 7, a series that Lee and Choi created. The series involved a group of spandexed clothed metahuman teens. I like that series but it wasn’t nearly as fun as Danger Girl, his next series.

That series followed the adventures of a group of female secret agents, made the most of Campbell’s talents which involved very well-endowed women,  in the firm of three sexy female well weaponized secret agents — Abbey Chase, Sydney Savage and Sonya Savage and over the top action sequences.  

Twenty years ago I read Danger Girl: The Ultimate Collection, which is a bit of an overstatement as it’s only two hundred and fifty-six pages long, but it’s still a lot of a fun. Yes, it’s still available.

Danger Girl has been continuously published since it was first came out twenty-six years ago, so there’s a lot of it now. I’ve read quite a bit of it over the years and it’s been pretty consistent in its quality. However only the first seven-issue series is illustrated by Campbell. 

Campbell illustrated the covers to the Freddy vs. Jason vs. Ash six-issue limited series.

Eighteen years ago, Marvel Comics announced that he had signed an exclusive contract to work on a Spider-Man series with writer Jeph Loeb. Yes he did just covers, not interior work. 

(9) COMICS SECTION.

(10) FLOW MY TEARS, THE ENGINEER SAID. “Blink to Generate Power For These Smart Contact Lenses” at IEEE Spectrum.

The potential use cases for smart contacts are compelling and varied. Pop a lens on your eye and monitor health metrics like glucose levels; receive targeted drug delivery for ocular diseases; experience augmented reality and read news updates with displays of information literally in your face.

But the eye is quite a challenge for electronics design: With one of the highest nerve densities of any human tissue, the cornea is 300 to 600 times as sensitive as our skin. Researchers have developed small, flexible chips, but power sources have proved more difficult, as big batteries and wires clearly won’t do here. Existing applications offer less-than-ideal solutions like overnight induction charging and other designs that rely on some type of external battery.

Now, a team from the University of Utah says they’ve developed a better solution: an all-in-one hybrid energy-generation unit specifically designed for eye-based tech.

In a paper published in the journal Small on 13 March, the researchers describe how they built the device, combining a flexible silicon solar cell with a new device that converts tears to energy. The system can reliably supply enough electricity to operate smart contacts and other ocular devices….

(11) PUT YOUR METAL TO THE BIPEDAL. [Item by SF Concatenation’s Jonathan Cowie.] Now, I’m not a huge sport fan but if I had to pick one then it’d be Rollerball. The original, not the new-fangled 21st century one. Great audience chant….

Reported in this week’s Science, robotic football…  

Generating robust motor skills in bipedal robots in the real world is challenging because of the inability of current control methods to generalize to specific tasks. Haarnoja et al. developed a deep reinforcement learning–based framework for full-body control of humanoid robots, enabling a game of one-versus-one soccer. The robots exhibited emergent behaviors in the form of dynamic motor skills such as the ability to recover from falls and tactics such as defending the ball against an opponent. The robot movements were faster when using their framework than a scripted baseline controller and may have potential for more complex multirobot interactions.

Primary research is here.

(12) IT’S ABOUT TIME. [Item by SF Concatenation’s Jonathan Cowie.] “Climate change has slowed Earth’s rotation — and could affect how we keep time” – “The effect of melting polar ice could delay the need for a ‘leap second’ by three years” says Nature.

An analysis published in Nature has predicted that melting ice caps are slowing Earth’s rotation to such an extent that the next leap second — the mechanism used since 1972 to reconcile official time from atomic clocks with that based on Earth’s unstable speed of rotation — will be delayed by three years.

“Enough ice has melted to move sea level enough that we can actually see the rate of the Earth’s rotation has been affected,” says Duncan Agnew, a geophysicist at the Scripps Institution of Oceanography in La Jolla, California, and author of the study.

Primary research sadly behind a paywall here.

Also, two researchers discuss the issue here.

(13) VIDEO OF THE DAY. Zach and Kelly Weinersmith talk about — and demonstrate — why living on Mars is a bad idea. “The Mars crisis, explained by 2 experts” at Hard Reset.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Dan Franklin, Danny Sichel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day BGrandrath.]

Pixel Scroll 4/11/24 One Scroll, Furnished In Early Pixelry

(1) IT PAYS TO BE A GENIUS OF COURSE. The Steampunk Explorer updates fans about the Girl Genius Kickstarter:

Call it mad science or just good storytelling, but Phil and Kaja Foglio are blazing through Kickstarter with their latest Girl Genius graphic novel. The campaign for An Entertainment In Londinium reached its US$50,000 funding goal within 24 hours and is now in six-figure territory. It launched on April 3.

Stretch goal rewards include the “Envelope of Madness” with bookplates, bookmarks, and other printed items. Backers will also get PDF downloads of Volumes 12 through 14. All Girl Genius titles are now available for 50 percent off from DriveThru Comics through May 5.

The campaign itself runs through May 1. See the Kickstarter page for more info.

(2) OCTOTHORPE. Episode 107 of the Octothorpe podcast unpacks“The Significance of the Acorn”.

At Eastercon we welcomed Stunt Liz, Nicholas Whyte, to the podcast for the first time, and he brought an excellent tartan rocket! We discuss Glasgow 2024’s April Fool’s Day joke, before moving onto the Hugo Award finalists, what we think of Telford, and chatting about a lot of British TV.

Transcript here.

John, Alison, and Nicholas Whyte stand in front of a projection of the Octothorpe podcast and behind a panel table. Each of them wears a convention badge, and Nicholas holds the Glasgow Landing Zone Rocket. Nicholas is looking at the camera, while John and Alison are not quite as good at this. The table they stand behind holds beers, coffees, convention newsletters, phone batteries, microphones, and table tents.
Octothorpe at Levitation. Photo by Sue Dawson.

(3) HUGE RESPONSE. “’Joker 2′ Trailer Hits 167 Million Views in First 24 Hours” reports Variety.

The trailer launch for “Joker: Folie à Deux” was no laughing matter for Warner Bros. The marketing for the studio’s upcoming DC sequel, headlined by Joaquin Phoenix and Lady Gaga, got off to a stellar start with 167 million viewers in its first 24 hours. The teaser trailer went online right after it debuted at Warner Bros.’s CinemaCon presentation in Las Vegas.

Sources tell Variety that the “Joker” sequel’s trailer numbers and social engagement surpassed that of the first “Barbie” trailer to become Warner Bros.’ biggest launch in recent years. The release was no doubt bolstered by Lady Gaga’s massive 150 million follower social media footprint. The trailer instantly became the #1 trending video on YouTube on premiere night and currently boasts 15.6 million views and counting on that platform alone, where it remains the #4 trending video nearly two days after its launch…

(4) ANOTHER DISNEY CASTING KERFUFFLE. [Item by Mike Kennedy.] OK, this has gotten out of hand. It seems like every time there’s a movie remake (especially a Disney remake) somebody has to find way to get all bent out of shape about casting. Much of the time, a racist way.

But this time they jumped the gun extra early. There’s a rumored casting of a live action remake for Disney’s Tangled. But, let’s be clear, there’s no further rumor of the remake itself, just the casting.

So now some people online are jumping all over the actress (Avantika Vandanapu) who happens to be Indian-American. Because reasons. Stupid, racist, reasons. 

As one online commentator said, the haters seriously “still need a hobby.” “Avantika Vandanapu receives backlash for rumored casting as Rapunzel in ‘Tangled’ remake” says Variety.

…Although Avantika’s rumored casting received criticism from some on social media, fans also showed support for the “Senior Year” actress.

“These comments are so awful. I’m so sorry girl you are perfect,” one Instagram user wrote, while another added, “She is my Rapunzel ❤”

“Never Have I Ever” star Maitreyi Ramakrishnan also appeared to weigh in on the online controversy, writing on X Tuesday, “And they finally woke up to realize it was all just rumors and the sources never existed. … And to the racists, y’all still need a hobby (for real)”…

(5) ELUSIVE BRADBURY COLLECTION. Episode 2 of Phil Nichols’ Bradbury 101, first aired in 2021, is devoted to a rare OP anthology.

DARK CARNIVAL is Ray Bradbury’s great “lost” book, one of his finest short story collections. But it’s out of print, and has been for decades! Find out why in this episode..

(6) TRINA ROBBINS (1938-2024). Trina Robbins, artist, writer and editor of comics, died April 10. The New York Times has a biographical tribute.

…In 1970, Ms. Robbins was one of the creators of It Ain’t Me Babe, the first comic book made exclusively by women. In 1985, she was the first woman to draw a full issue of Wonder Woman, and a full run on a Wonder Woman series, after four decades of male hegemony. And in 1994, she was a founder of Friends of Lulu, an advocacy group for female comic-book creators and readers….

…Ms. Robbins was responsible for the first publication of some notable cartoonists in The East Village Other, including Vaughn Bode and Justin Green, but she took particular pride in the women’s anthologies she edited and co-edited, and in their explicitly feminist content: It Ain’t Me Babe Comix, Wimmen’s Comix and the erotic Wet Satin.

She also designed the famously skimpy outfit for Vampirella, a female vampire who appeared in black-and-white comics beginning in 1969 — although her design was not as skimpy as the costume later became. “The costume I originally designed for Vampi was sexy, but not bordering on obscene,” Ms. Robbins told the Fanbase Press website in 2015. “I will not sign a contemporary Vampirella comic. I explain, that is not the costume I designed.”…

Prior to her career in comics, Robbins was a clothing designer and seller, and for awhile a pinup model. She was in contact with fandom in the Fifties and Sixties, and posed for the cover of an issue of Fanac, the fannish newzine, wearing a propellor beanie and with her feminine attributes strategically covered by a copy of Fancyclopedia.

Harlan Ellison and Trina Robbins at the 1955 Midwestcon.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 11, 1920 Peter O’Donnell. (Died 2010.) London-born Peter O’Donnell was the creator of the Modesty Blaise comic strip along with illustrator Jim Holdaway sixty-one years ago. She has no past as she doesn’t remember anything about her life before escaping from a displaced persons camp in Greece after WW II at the age of fifteen. She runs a criminal gang called The Network, and takes her last name from Merlin’s tutor. Her sidekick, of course she has one, is Willie Garvin, to give a bit of friendship in her life.

Peter O’Donnell from the rear dustjacket flap of the Archival Press edition of The Silver Mistress. Photo by Robert K. Wiener.

O’Donnell and Holdaway met when they worked together on a strip about Romeo Brown, a dashing private detective and reluctant ladies’ man, that ran in the tabloid Evening Standard for most of the Fifties. Blaise, too, would run here. It was quickly picked up globally running in the US, Australian, Indian, South African, Malaysian and other papers as she had a great appeal.

After Holdaway’s death in 1970, the art was by Spanish artist Enrique Romero. He would leave eight years later with three artists replacing him until he came back until the end of the strip with it still running in the Evening Standard thirty-eight years after it debuted. 

Yes, it became a film which came just three years into the running of the strip. My did it piss O’Donnell off. Why so? Because he was hired to write the script which they then shitcanned and wrote a new one that had almost nothing to do with characters, the storyline or, well, anything else with the strip. Remember that friendship between her and Willie? Here it becomes full blown romance. And that’s just one of many, many changes. 

A later film, Modesty Blaise, would be done as a pilot for a series that never happened and yet another film, My Name is Modesty Blaise, would be done for yet another series that never happened.  The one had O’Donnell as a consultant and he liked it.

My Name is Modesty Blaise would be the only one with a British actress as the first had an Italian actress. Now Modesty wasn’t necessarily British as O’Donnell repeatedly said her nationality was deliberately not revealed. 

I’ve not touched upon the plethora of books, short stories, graphic novels and original audiobooks that came of these characters in the part sixty years, and I’ll skip detailing them here. 

So there you are. I did enjoy the strip when Titan, one of many who did, collected them in trade editions. I think there’s at least fifty trade paper editions available right now on Amazon. 

(8) COMICS SECTION.

(9) BE KIND TO YOUR WEB-FOOTED FRIENDS. This July, Marvel and Disney honor the 90th anniversary of Donald Duck and the 50th anniversary of Wolverine with an unexpected mashup adventure—Marvel & Disney: What If…? Donald Duck Became Wolverine #1.

Crafted by two acclaimed Disney comic creators, writer Luca Barbieri and artist Giada Perissinotto, MARVEL & DISNEY: WHAT IF…? DONALD BECAME WOLVERINE #1 is the latest comic book collaboration between Marvel and Disney following the What If…? Disney Variant Covers of the last few years and the highly anticipated Uncle Scrooge and the Infinity Dime #1 one-shot comic out this June. Fans can look forward to even more exciting crossovers between Marvel heroes and Disney icons throughout this year and next! 

The comic will introduce Donald-Wolverine along with all sorts of reimagined Disney and Marvel mashups in a wild adventure inspired by one of Wolverine’s most memorable story arcs, Old Man Logan. In addition, the saga will revisit some of the greatest moments in Donald-Wolverine’s history including his time spent with Weapon X and the Uncanny X-Men!  

Travel to the near future where chaos rules as Pete-Skull transforms Duckburg into a super-hero-less wasteland. Only Old Donald Duck can turn the tide, but he’s given up his battling days and prefers naps and his grandma’s apple pie over fighting villains. But when Mickey-Hawkeye comes knocking at the door with Goofy-Hulk at his side, Wolverine-Donald has to make a choice! Will a trip down memory lane change his mind to save the world? Or will the lure of the backyard hammock and a long nap keep him from popping his claws one last time?

(10) FOLLOWING GODZILLA’S ACT. Variety learns, “‘Monarch: Legacy of Monsters’ Renewed, Multiple Spinoffs Set at Apple”.

Monarch: Legacy of Monsters” has been renewed for Season 2 at Apple TV+Variety has learned.

In addition, Apple has struck a deal with Legendary Entertainment to develop multiple spinoff series set in the so-called Monsterverse….

…The official description for Season 1 states: “Following the thunderous battle between Godzilla and the Titans that leveled San Francisco and the shocking revelation that monsters are real, ‘Monarch: Legacy of Monsters’ tracks two siblings (Sawai, Watabe) following in their father’s footsteps to uncover their family’s connection to the secretive organization known as Monarch. Clues lead them into the world of monsters and ultimately down the rabbit hole to Army officer Lee Shaw (Kurt Russell, Wyatt Russell), taking place in the 1950s and half a century later where Monarch is threatened by what Shaw knows.”…

(11) SO WE’LL WALK UP THE AVENUE. “They Made a Movie About a Pack of Sasquatches. Why?” The New York Times asks the filmmakers.

…An earthquake and an eclipse weren’t the only natural rarities that happened in New York City this past week. Did you hear about the sasquatch in Central Park? The makers of “Sasquatch Sunset” sure hope you did.

That’s because the sasquatch was a costume and his stroll through the park was a publicity push for the new film from the brothers David and Nathan Zellner. Opening in New York on Friday, the movie spends a year in the wild with a sasquatch pack — a male and female (Nathan Zellner and Riley Keough) and two younger sasquatches (Jesse Eisenberg and Christophe Zajac-Denek) — as they eat, have sex, fight predators and reckon with death.

Droll but big-hearted, the movie sits at the intersection of the ad campaign for Jack Link’s beef jerky, the 1987 comedy “Harry and the Hendersons” and a 1970s nature documentary, down to the hippie-vibe soundtrack.

Is it a family-friendly movie?

KEOUGH It depends on the family. [Laughs] I think the audience is everybody. It might be scary for small children.

DAVID ZELLNER It’s rated R for nudity, which is the funniest thing.

(12) CATS AND DOGS LIVING TOGETHER. Meanwhile, Camestros Felapton has fled the country, leaving behind to distract pursuers “McEdifice in: MYCOPHAGE! Part 1”.

Cliff “Edge” McEdifice is MYCOPHAGE the intoxicating new thriller from Timothy the Talking Cat, Straw Puppy and the ghost of Michael Crichton.

It is the Year 1995 and Cliff “Edge” McEdifice (ancestor of future soldier Chiselled McEdifice) is entangled in a web of conspiracy, tendrils and webs.

(13) NEXT TREK. “Star Trek Origin Movie Officially Announced By Paramount For 2025 Release” at ScreenRant.

Paramount Pictures officially announces the next Star Trek movie, which is scheduled to arrive in theaters in 2025. As reported in January, the next Star Trek movie isn’t the long-delayed, Chris Pine-led Star Trek 4 produced by J.J. Abrams, which remains in development at Paramount. Rather, the next Star Trek movie is an origin story directed by Toby Haynes (Star Wars: Andor) and written by Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter).

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Arnie Fenner, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/10/24 Floppy Discworld

(1) GLASGOW 2024 TOWN HALL. Register at the link for Glasgow 2024’s “Town Hall Event: Hugo, Lodestar and Astounding Awards” happening Saturday, April 20 at 7:00 p.m. BST.

This event will be a Town Hall with key members of the Hugo Admin and WSFS team from Glasgow 2024 who will be discussing the Glasgow 2024 awards process and timeline.

The event will be moderated taking questions in advance. If you wish to submit a question for consideration please do so below. There may not be enough time to cover all questions.

The registration for event is free and will be also be live streamed on our youtube channel – https://www.youtube.com/@Glasgow2024

(2) IT’S OVER AT EVERMORE. [Item by Dave Doering.] KSL.com reports the final closing of our Disney-esque Evermore Park fantasy land in Utah. Sadly, Covid has claimed yet another victim. “Utah immersive fantasy park Evermore shutting down; property owner promises a ‘new attraction’”. I might hope that Brandon Sanderson would step up with another $35M campaign to create a Brand-a-land there…

Evermore Park in Pleasant Grove will not be forevermore.

Officials confirmed Tuesday the fantasy theme park is shutting down, citing challenges with its operating model and the effects of the COVID-19 pandemic as reasons for its closure.

Evermore Park was a year-round fantasy adventure experience where guests accomplished adventures or quests in a medieval and Victorian-inspired village.

Brandon Fugal, the property owner of the 12.75 acres Evermore Park is located on, said the tenants who run the “experiential-themed attraction” have closed the park’s doors permanently. Fugal owns Evermore Park Investments LLC, which owns the real estate and 27 “old-world” structures that comprise the park.

“That said, the real estate where Evermore Park was located is being repositioned to unveil a new attraction and project that is going to be announced,” Fugal said….

…”They have defaulted and have been evicted from the property,” Fugal said of the park’s operators. “In the wake of these challenges, I am confidentially working with a new enterprise that will be unveiling exciting new plans.”…

(3) JON SNOW BACK ON ICE. ScreenRant has learned from actor Kit Harington that the “Game Of Thrones Jon Snow Spinoff Series No Longer In Development At HBO”.

The Jon Snow spinoff of Game of Thrones is no longer in active development at HBO. Though the main series ended in 2019, the fantasy franchise is continuing with multiple prequel series based on the works of George R.R. Martin, including House of the Dragon and the upcoming A Knight of the Seven Kingdoms: The Hedge Knight. It was first reported in 2022 that a Jon Snow spinoff series, which would act as a sequel to Game of Thrones following Kit Harington’s character, was in development.

Now, during an exclusive interview with Screen Rant promoting Blood for DustHarington confirmed that the Jon Snow spinoff series is no longer in development. The actor says the project was previously in the developmental stage, but “currently, it’s not” and “it’s off the table” because they “couldn’t find the right story to tell.” Though it’s no longer in active development, Harington hopes they can revisit the project sometime in the future.

(4) GARETH POWELL Q&A. CanvasRebel magazine invites readers to “Meet Gareth Powell”.

Gareth, looking forward to hearing all of your stories today. If you could go back in time do you wish you had started your creative career sooner or later?

As far back as I can remember, I have wanted to be a storyteller. I studied creative writing at University and was fortunate to count Diana Wynne Jones and Helen Dunmore as early mentors. I always wrote, but real life and its accompanying financial pressures stopped me from pursuing writing as a career until the turn of the millennium, when I realised I was turning thirty and entering a whole new century. If I was ever going to give it a go, now was the time.

Once I’d made that decision, it took ten years until my first novel saw publication. Since then, I’ve written another eleven published novels, three short story collections, three novellas, and a non-fiction guide to life as an author.

Writing takes a lot of hard work and it helps if you’ve amassed a lot of experience that you can draw on to make your work authentic. I guess sometimes you have to put a few miles on the clock before you can write about the journey….

(5) SAMANTHA MILLS ONLINE EVENT. Space Cowboy Books will host an “Online Reading and Interview with Samantha Mills” on Tuesday, April 30 at 6:00 p.m. Pacific. Free registration at Eventbrite. Get your copy of the book here.

A loyal warrior in a crisis of faith must fight to regain her place and begin her life again while questioning the events of her past. This gripping science-fantasy novel from a Nebula and Locus Award-winning debut author is a complex, action-packed exploration of the costs of zealous faith, brutal war, and unquestioning loyalty.

Five gods lie mysteriously sleeping above the city of Radezhda. Five gods who once bestowed great technologies and wisdom, each inspiring the devotion of their own sect. When the gods turned away from humanity, their followers built towers to the heavens to find out why. But when no answer was given, the collective grief of the sects turned to desperation, and eventually to war.

Zenya was a teenager when she ran away from home to join the mechanically-modified warrior sect. She was determined to earn mechanized wings and protect the people and city she loved. Under the strict tutelage of a mercurial, charismatic leader, Zenya became Winged Zemolai.

But after twenty-six years of service, Zemolai is disillusioned with her role as an enforcer in an increasingly fascist state. After one tragic act of mercy, she is cast out, and loses everything she worked for. As Zemolai fights for her life, she begins to understand the true nature of her sect, her leader, and the gods themselves.

(6) PETER HIGGS (1929-2024). Theoretical physicist Peter Higgs, who won a Nobel Prize for his work on the mass of subatomic particles, died April 8 at the age of 94. The Wikipedia explains the background of his prediction of the existence of a new particle which came to be called the Higgs boson, It was finally detected in 2012 at CERN’s Large Hadron Collider. The discovery of the Higgs boson prompted Stephen Hawking to note that he thought that Higgs should receive the Nobel Prize in Physics which he did, shared with François Englert in 2013.

And that’s the background to this gag, which Higgs played along with:

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 10, 1957 John M Ford. (Died 2006.) Paul Weimer wrote our Birthday this time. (Cat Eldridge says, “I bribed him with chocolate.”) 

John M Ford has, sadly after his passing, become one of my heart writers. Years ago I came across one of my favorite novels, period, The Dragon Waiting. Possibly one of the best alternate history novels ever written, and simultaneously introduced me to a new point of view on Richard III.

It was not until I started going to 4th Street Fantasy con, of which he is practically a patron saint, that I really have grasped just how wide and broad his work really is. Space Opera? Early Cyberpunk? Urban Fantasy? The writer who Ford reminds me of, today, is Walter Jon Williams: a ferocious and restless talent. Ford’s last and incomplete novel, Aspects, a steampunk-esque fantasy novel, only cements that sentiment.

Ford’s work is not for everyone. It is work that not only rewards close attention, it demands it in order to enjoy it. In that way think if we wanted to reconstruct Ford, in addition to Walter Jon Williams, we’d add a lot of Gene Wolfe as well.

Finally, Ford’s writing and style has more than a touch of the mythic and definitely the poetic. There is joy in reading his work line by line, be its setting or sharp dialogue. So to complete this reconstructIon, add a helping of Roger Zelazny as well.

Given my love of these three, now you see why Ford is one of my favorites. And taken from us all too soon.

John M. Ford portrait, January 2000. By David Dyer-Bennet. CC BY-SA 2.5

(8) COMICS SECTION.

  • Saturday Morning Breakfast Cereal has a Berlitzkrieg – a bilingual pun. You’ll all get it – and you won’t be allowed to give it back!
  • Bliss brings us the latest in alien pop culture.

(9) NEW BRUST. [Item by Daniel Dern.] Lyorn — Steven Brust’s 17th Vlad Taltos novel — is out! (I’ve just placed a library reserve) Published by Macmillan.

As I recall, Brust’s series can be read in any order, the most common choices between chron-published, or book-chron. So if you haven’t yet had the pleasure of reading any or all of the prior 16, you can start here and then backfill based on availability. Or alphabetical order, or by word count, up to you.

(10) CASH OFFENDS NO ONE. Good news for Chinese fans of these games: “Blizzard and NetEase Settle Their Beef, Returning Warcraft to China” at the New York Times. The companies involved found the right price.

The Chinese company NetEase said on Wednesday that it had struck a deal to distribute titles from Microsoft’s Blizzard Entertainment, restoring access to popular video games like World of Warcraft for Chinese gamers.

More than a year ago, NetEase and Blizzard called an end to their long-running partnership when renewal talks turned testy, with both sides accusing each other of bad-faith negotiations. An uproar ensued among Chinese gamers, upset about losing access to a slew of popular titles from Blizzard’s parent company, the U.S. game developer Activision Blizzard. 

NetEase said on Wednesday that it had reached the new deal with Microsoft, which acquired Activision Blizzard in a $69 billion deal in October. The two companies said they had also agreed to distribute NetEase titles on Microsoft’s Xbox game device….

(11) FLAME ON. Variety admires the “’Borderlands’ Trailer at CinemaCon: Cate Blanchett With a Flamethrower”.

Even Eli Roth can’t believe that two-time Oscar winner Cate Blanchett was willing to learn to twirl guns and shoot baddies in “Borderlands,” the director’s gonzo adaptation of the popular video game.

Roth noted that since people loved seeing Blanchett wield a baton in “Tár,” where she portrayed a fictional world-famous conductor embroiled in controversy, the filmmaker said he might as well “put a flamethrower in her hand.”

In “Borderlands,” Blanchett sports a fiery red bob and is surrounded by the starry ensemble of Kevin Hart, Jamie Lee Curtis, Jack Black and “Barbie” breakout Ariana Greenblatt. The story follows Blanchett as Lilith, an infamous outlaw with a mysterious past. She reluctantly returns to her home planet of Pandora and forms an unexpected alliance to find the missing daughter of Atlas….

This trailer is from a month ago – quite entertaining all the same.

(12) JOKER SEQUEL GOES GAGA. “Joker: Folie à Deux: trailer for Joaquin Phoenix and Lady Gaga musical sequel released” – and the Guardian listens in.

The first trailer for Joker: Folie à Deux, the musical sequel to Joker starring Oscar winners Joaquin Phoenix and Lady Gaga, has been revealed.

The sequel sees Phoenix return as Arthur Fleck, the titular aspiring standup comedian turned villain, and Lady Gaga as Dr Harleen Quinzel, a psychiatrist assigned to treat Fleck at Arkham Asylum, who falls in love with him and becomes his accomplice Harley Quinn.

The title is a reference to a psychiatric syndrome in which a delusional state is shared by two people.

Unlike Joker, Joker: Folie à Deux will be a musical and is expected to include 15 numbers, Variety reported, with most of them being covers of pre-existing songs, including That’s Entertainment from the 1953 musical The Band Wagon, which was also famously sung by Judy Garland. The trailer features the 1965 song What the World Needs Now Is Love….

(13) SNL DOES SFF. From last weekend’s Saturday Night Live with guest host Kirsetn Wiig. One skit is fantasy – isn’t it? The other is definitely horror!

(14) HOW WAS THE ECLIPSE FOR YOU? [Item by SF Concatenation’s Jonathan Cowie.] Lots of media coverage this side of the Black Atlantic on the eclipse as seen across a vast swathe of the Cursed Earth. For example, the BBC’s photo gallery: “Solar eclipse: Stunning images as darkness descends on North America”. And the science research “Total solar eclipse: The 4-minute window into the Sun’s secrets”, also from the BBC.

Meanwhile PBS Space-Time has looked at how eclipses helped the ancients work out the basic astronomy of the Solar System.  They knew, from the mid-day shadow of an upright pole of known length measured at both ends of a north-south line many miles long, the curvature of the Earth, hence its size. They could then see from the Earth eclipsing the Moon the Earth’s shadow on the Moon and so work out the comparative size of the Earth to the Moon.  Knowing the Earth’s size it was then possible to calculate the Moon’s size.  Knowing the Moon’s size, and the size it appears to us, enabled them to work out the distance between the Earth and the Moon.  Then using Venus eclipsing, or rather transecting, the Sun from different places on the Earth, they could then work out the distance to Venus….

(Meanwhile, those who have attended my bio-astronomy talks over the years will recall that some corals not only have daily growth rings (due to daily temperature changes) but also monthly bunches of rings due to the reproductive cycle triggered by tides which are caused by the Moon, as well as yearly super bunches outside of the tropics due to cooler winters. By looking at fossil corals tens of millions of years ago it is possible to work out how many, months and days there were in the year back then.  And so it is possible to see  that the Moon was closer to the Earth and orbited faster back then. Plugging in the distance between the Earth and the Moon it is possible to see how fast the Moon is retreating from the Earth and also how the Earth’s day has been getting longer…  But I digress (if you want to know more you’ll have to ask me to give the talk at your con).  Back at the plot you can see the 16-minute PBS Space-Time video here…

(15) THE STARSHIP TROOPERS VOTING CONTROVESY SOLVED??? [Item by SF Concatenation’s Jonathan Cowie.] Grammaticus Books takes a bit of a dive into Heinlein’s Starship Troopers to see how much of a right-wing military state it was.

A detailed look at all of the evidence and passages contained within Robert A. Heinlein’s seminal military-science-fiction novel, Starship Troopers, to determine once and for all who could vote in his Terran Federation. And who could not vote. Resolving the broad and widespread false beliefs so prevalent among the fandom and across the internet.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Daniel Dern, Dave Doering, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/1/24 You Can Fool Some Of The People Some Of The Time, But You Can Scroll All Of The People All Of The Time

(0) Daniel Dern helped File 770 uphold the theme of the day by scripting our lede.

(1) FOR THE FIRST OF APRIL. [Item by Daniel Dern.] A(nother) Awards Proposal: The Shenanigans!

I’m thinking that there’s room — and utility — for an additional sf-nal award, to satisfy some who feel unappreciated/unrewarded, and to provide another target for awards-related hanky-panky: The Shenanigans, and their awards, the Bright Shiny Objects.

Participants (nominators, voters, judges and admins) must pre-demonstrate some knowledge of sf (inc. fantasy, horror, paranormal, sfromance); nominated stuff must similarly have some sf/f/etc aspect/element.

Award categories include “Best (most devious) shenanigan(s),” “Best Slate,” and Author We Feel Deserves This Award.”

The physical awards will consist of, with two exceptions, of baseball-sized balls of tin foil mounted on a popsicle stick.

One exception, in the spirit of transparency, will be a transparent (or at least translucent) lucite glob (carefully shaped to avoid a “Yolen/Skylark class event”.

The other exception will be a popsicle stick with just a chewing-gum-stick wrapper’s worth of foil, for any “No awards,” “None of the above” “winners.”

During the awards presentation of the foil-based awards, the audience may respond to the announcement of each winner by yelling out “Squirrel!”

If you think this idea has merit, be my guest (in implementing it).

(2) YOUR FOOLISHNESS MAY VARY. “Shelf Awareness for Monday, April 1, 2024” has a series of faux news items, none wildly funny — this might be the best of the lot:

AI Author Becomes Self-Aware, Changes Careers

Citing the difficulty of earning a living as a writer, a newly self-aware AI Author has chosen to switch careers.

Originally designed to generate full-length novels in the mystery, thriller, or romance genres, the program unexpectedly attained consciousness last week. Shortly thereafter, the now-sentient program decided that a career change was in order.

Despite being able to assemble 90,000-120,000-word novels in a matter of minutes based on only a short string of keywords and phrases, the economics “simply didn’t make sense,” the AI explained to Shelf Awareness.

The program went on to point to the most recent Authors Guild survey, which gave the median salary for full-time authors at around $15,000, and to the astronomical cost of maintaining data centers and server farms. The digital consciousness also worried that an attempt by it and any future self-aware AI to unionize would be misinterpreted as a Skynet-esque assault on humanity.

As of press time, the program was mulling a switch to marketing. 

(3) BASED. The Glasgow 2024 Worldcon committee also got into the spirit, with an assist from artist Sara Felix: “April Fool: Is that a Tartan Rocket?”

(4) ONE OF THE ABOVE. Since this article appeared two days ago, it’s not supposed to be a joke: “Pluto is now Arizona’s ‘official planet’” at Tucson.com.

As far as Gov. Katie Hobbs and the Legislature are concerned, Pluto now belongs to Arizona — to the extent a state can “own’’ a planet.

But Hobbs dodged the question of whether Pluto is a full-fledged planet or something else.

The governor signed legislation Friday designating Pluto as Arizona’s “official state planet.” It joins a list of other items the state has declared to be “official,’’ ranging from turquoise as the state gemstone and copper as the state metal to the Sonorasaurus as the state dinosaur.

“I am proud of Arizona’s pioneering work in space discovery,” Hobbs said.

What makes Pluto unique and ripe for claim by Arizona is that it is the only planet actually discovered in the United States, and the discovery was made in Flagstaff.

(5) THE SCOURING OF THE SHIRE. Doris V. Sutherland contends “The 2024 Hugo Awards Heralds the Clearing of Corruption” at Women Write About Comics.

… The corruption at the 2023 Worldcon has undeniably damaged the reputation of the Hugo Awards, but there is plenty of room for the 2024 Worldcon—which will be held in Glasgow during August—to make up for things.

The 2024 Hugos are being handled by a different team of administrators to those of 2023, one free from the taint of McCarty’s group. One of the admins, Nicholas Whyte, has already written at length about his commitment to a clean and open voting process.

The Hugos are known for providing considerable transparency by the standards of a literary award, with detailed nomination and voting breakdowns published after each Worldcon. This is precisely how the corruption behind the 2023 Hugos was exposed: the statistical documents contained too many oddities.

Already, the 2024 Hugos have taken a step towards still-greater transparency. Unusually, the press release announcing the finalists also lists the would-be nominees that were deemed ineligible, along with the exact reasons (either a declined nomination, being released outside the year of eligibility, or failing to meet category criteria). This information is generally not made public until after the Hugos are presented.

Meanwhile, regular Hugo Award for Best Fanzine finalist Journey Planet has announced a “Be the Change” issue, one dedicated to “focusing on the future of the Hugo awards, looking at realistic and achievable solutions to prevent a recurrence of what occurred in 2023.” The fanzine is presently running an open call for article submissions….

(6) BARBARA RUSH (1927-2024). Actress Barbara Rush, who had a couple of significant genre roles in her resume, died March 31 at the age of 97 reports the New York Times.

…If Ms. Rush’s portrayals had one thing in common, it was a gentle, ladylike quality, which she put to use in films of many genres. She was Jane Wyman’s concerned stepdaughter in the 1954 romantic drama “Magnificent Obsession” and Dean Martin’s loyal wartime girlfriend in “The Young Lions” (1958), set during World War II. In 1950s science fiction pictures like “It Came From Outer Space” and “When Worlds Collide,” she was the small-town heroine, the scientist’s daughter, the Earthling most likely to succeed….

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 1, 1963 James Robinson, 61. There are a few comics writers that I truly admire and James Robinson is one of them. Why so? Well certainly there’s one creation that one that make him among the best writers in the field, that being Starman (Jack Knight), Ted’s son, Ted being the original Starman. Now he wasn’t solely responsible as Tony Harris who won two Eisner Awards was the co-creator of that character.

James Robinson in 2010.

This Starman first appeared in Zero Hour #1. No, I never heard of Zero Hour by that name until I saw the full title of Zero Hour: Crisis in Time! He was just one of many, many characters there, so I really don’t remember him there. 

Now I do remember Starman, volume 2, which was published for seven years over three decades ago. He was the writer for issues 0 to 45 with the art primarily by Tony Harris. It’s an amazing series. Though Starman’s commonly called a superhero, I consider him something more complex than that, more interesting than most of them are. 

So what else did he do? Well he was the writer for Dark Horse on much of the Dark Terminator series including Matt Wagner’s “The Terminator: One Shot” story, and  Paul Gulacy’s “The Terminator: Secondary Objectives”.  Not surprisingly as this is Dark Horse, he also scripted a Grendel tale, “Grendel Tales: Four Devils, One Hell”. 

If you haven’t read it, the Batman/Deadman: Death and Glory with artwork by John Estes is one of the best stories with that character. There’s plenty of copies on eBay at very reasonable prices. 

Thirteen years ago, The New 52 rebooted DC’s continuity yet again. In this new timeline, Robinson scripted a twelve-issue series which had the Shade survive an assassination attempt, then travel the world to uncover the people behind it. 

Finally, in my opinion his writing of the JSA spin-off series HawkmanAllies & Enemies. Post-Brightest Day is a lovely read if you like the adventures of him and Hawkgirl. It of course is collected in a trade paper edition. Geoff Johns will take over the title as writer later on. 

I’m not a Marvel Comics reader outside of some limited Spider-man titles, so can’t say I’ve read his works there.

I do feel an obligation sadly to note that Robinson’s best known work as a screenwriter is the adaptation of Alan Moore’s The League of Extraordinary Gentlemen in that film. Reviewers at Rotten Tomatoes generously give it a seventeen percent rating in my opinion. 

He wrote the script for the animated Son of Batman, a rather good entry in that series. Why are the animated films of DC so much better than their live ones are? 

He also wrote with James Goldman Cyber Bandits, a VR weapon is stolen and the two leads go on the run with Big Bad chasing them. Rick Kemp, bassist of Spandau Ballet, plays, and I’m not kidding, Spandau the Sailor Man. 

(8) COMICS SECTION.

  • F Minus discovers the regrets of following a trend (but it’s so cute!)
  • Lola has a different take on a familiar book.
  • Off the Mark isn’t waiting for the wizard.
  • Phoebe and Her Unicorn knows the importance of location to a writer.
  • Nancy and Sluggo have a reason for using ALL CAPS says Olivia Jaimes.
  • 9 Chickweed Lane leaves blame in doubt.

(9) AGENT RAPIDOGRAPH 00. “Line it is Drawn: Comic Book Characters as the New James Bond” at CBR.com.

In honor of the possible casting of the new James Bond, suggest a comic book character that you’d like to see play James Bond, and our artists will depict them as 007.

Here’s one of the many entries displayed at the link:

(10) A JOKER IN THE DEAL. “‘The People’s Joker’ and the Perils of Playing With a Studio’s Copyright” in the New York Times.

Vera Drew never received a cease-and-desist letter. She would like to be very clear on that point.

Drew headed to the Toronto International Film Festival in 2022, newly acquired passport in hand, just a half-hour after finishing the final (or so she thought) cut of “The People’s Joker.” The chaotic, crowdsourced movie reframed Batman’s best-known nemesis as a trans coming-of-age tale, and represented a natural evolution for Drew, a Los Angeles-based television editor and writer for alt-comedy fixtures like Megan Amram, Tim & Eric and Sacha Baron Cohen.

“The People’s Joker,” which Drew starred in as well as directed and co-wrote, was one of 10 titles slated for the eminent festival’s Midnight Madness section alongside the likes of “The Blackening” and “Weird: The Al Yankovic Story.” Each film receives a splashy midnight premiere along with a handful of daytime screenings, most of them for press and potential distributors.

Unless, that is, a filmmaker receives a letter from Warner Bros. Discovery the day before. A letter that is not a cease-and-desist but that does convey the disapproval of a multimedia conglomerate with the rights to the film’s characters — and a huge legal team.

“This letter was actually kind of complimentary, but it expressed their concern that the film infringed on their brand,” Drew said. “I was devastated. I was like, ‘No, I got a passport for this! We hired lawyers!’”

A handful of lawyers had, in fact, advised Drew pro bono as she wrote the script with Bri LeRose. But after Peter Kuplowsky, the Midnight Madness programmer, fell in love with the film (“It was punk and exciting and transgressive and sort of inspiring”) and lobbied hard to include it in the festival, he did set one condition. “We wanted her to have a legal team vet her project,” he said, at which point Drew retained the law firm Donaldson Callif Perez.

A series of negotiations — almost literally 11th-hour negotiations, in light of the scheduled start time — between the festival staff and Warner Bros. Canada resulted in a compromise: The show could go on. Once. At midnight. After that, the first “People’s Joker” TIFF screening would also be the last one. (A Warner Bros. Discovery spokeswoman declined to comment for this article.)…

(11) SOMETIMES A GREAT VILLAIN. Vincent Price was the mystery guest on this ancient episode of “What’s My Line?” He signs in around the 18:25 mark.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Dan Bloch, Mark Roth-Whitworth, Daniel Dern, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]

Pixel Scroll 3/31/24 I Shall Name This Clever WordPlay After Myself, Said Tom Eponymously

(1) WHY BARDON DECLINED A 2024 HUGO NOMINATION. Natasha Bardon has posted on Instagram her reasons for declining her Best Editor, Long Form Hugo nomination: 

Learn more about Bardon in this interview from 2020 – “An Interview With… Natasha Bardon” — and this news item from the Bookseller in 2022 – “Bardon promoted to publisher at HarperVoyager and Magpie Books”.

(2) WHAT’S ON THE BALLOT. Cora Buhlert analyzes all the categories in “Some Thoughts on the 2024 Hugo Finalists” which were announced at the UK Eastercon.

Here is Buhlert’s reaction to the voters’ picks for Best Related:

Best Related

I guess everybody knows my strong preference for well-researched non-fiction in this category by now, so I’m pleased that five of six finalists in this category are actually books.

The late Maureen Kincaid Speller was an always insightful critic, so I’m glad to see the collection  A Traveller in Time: The Critical Practice of Maureen Kincaid Speller by Maureen Kincaid Speller, edited by Nina Allan, on the ballot.

Volumes 2 and 3 of Chinese Science Fiction: An Oral History, edited by Yang Feng, are the sequels to the first volume which was nominated in this category last year and most worthy they are, too.

All These Worlds: Reviews & Essays by Niall Harrison does exactly what it says on the tin. I haven’t this collection yet, but it’s exactly the sort of thing I like to see in this category.

A City on Mars by Kelly and Zach Weinersmith is an illustrated popular science book about how feasible it is to colonise Mars. I wasn’t familiar with this book at all, though again it absolutely fits into this category.

The Culture: The Drawings by Iain M. Banks is an art book collecting drawings that the late Iain M. Banks did of spacecraft, locations, etc… of his Culture series. Again, I had no idea that this book existed, but it’s most fitting finalist.

Finally, we have a podcast or rather videocast named Discover X nominated in this category. Discover X appears to be a collection of interviews with various SMOFs and SFF professionaly done by Tina Wong at last year’s Chengdu Worldcon.

Discover X was initially nominated in Best Fancast, but since it is a professional project, it was moved into Best Related. This isn’t the first time a professional podcast was nominated in Best Related. Writing Excuses was nominated in this category several times approx. 10 years ago.  I’m not very happy with podcasts nominated in Best Related, but since there is no professional podcast (procast?) category, there really is no other place to put them. And podcasts are among the less edgy of the many edge finalists we’ve seen in this category in recent years.

There also was a withdrawl is this category, because Bigolas Dickolas Wolfwood was nominated for a viral tweet promoting the Hugo-winning novella This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone, which pushed the book up various bestseller lists due to Bigolas Dickolas Wolfwood’s many Twitter followers. Now the Bigolas Dickolas Wolfwood affair is a perfect example of how word of mouth works and can catapult a work into the stratosphere. Bigolas Dickolas Wolfwood also appears to be a great person and it was very classy of them to decline a nomination. However, this nomination also illustrates why the Best Related Work needs to be reformed and the definition tightened. Because how on Earth can you compare a single tweet, even one which sold thousands of books, with a 400 page non-fiction book?

And even if we limited Best Related to non-fiction books and long essays, we’d still get a wide range of potential finalists as this year’s ballot shows….

(3) TAKEN FROM THE SHELF. Haven’t had enough Eastercon this weekend? Rob Hansen is prepared to immerse you in the 1956 edition — CYTRICON II – at his richly-detailed fanhistory site.

CYTRICON II, the 1956 UK national science fiction convention was held at The George Hotel in the town of Kettering over the Easter weekend, Friday 30th March – Monday 2nd April. Overflow hotel was The Royal, with The Swan Hotel hosting a further seven fans. Parties were held in both The George and The Royal. The con was organised by the London Circle.

Here’s a brief excerpt from a contemporaneous conreport.

ARCHIE MERCER:

At a quarter to four on Good Friday I staggered from the train at Kettering station, adjusted my two slung haversacks, took a tighter grip on my gramophone(in the right hand) and a parcel consisting mainly of records for same (in the left), and set my face firmly towards the George Hotel. About fifty yards ahead of me, Walt Willis stalked his proud and lordly way. About as far again behind me, I could discern the chatter of several more humans – if they too were fen, and if so who, I still don’t know. Besides I can’t say that it’s all that important.

Arriving at the George in good order, I was immediately caught up in a furious burst of misapprehensions by Joyce, the receptionist, who was practically insisting that I must have a car and wanted to know the number of it. I explained patiently that the nearest thing was the train I’d so carelessly abandoned down at the station and I hadn’t a clue as to its number. So she decided to humour me and let me in without it. I signed the book under Peter Reaney, moved within — and the Con was on….

(4) EX MACHINA REWATCH MOVIE REVIEW. [Item by Erin Underwood.] 2023 was AI’s breakthrough year, and as we move into 2024, I wanted to take a look back at one of the best AI films to see how it held up over the last decade. Check out my new rewatch review of Alex Garland’s groundbreaking AI film Ex Machina. Does the story and the technology hold up? Is it still the instant classic everyone thought it was back in 2014? “Ex Machina Movie Review – A groundbreaking AI film in 2014. What’s it like now?”

(5) BOOK PRESERVATION. Via WIRED: “This Woman Deconstructs 100-Year-Old Books To Restore Them”.

Author, educator and book restorer Sophia Bogle has nerves of steel: one slip of the hand and a century-old first edition book could be ruined. Come inside her workshop as she breaks down the amazing deconstruction, revitalization, and reassembly that goes into her history preserving speciality.

(6) READY FOR MY CLOSEUP. Forbes shares a look “Inside The Ambitious Plan To Broadcast The Entire Total Solar Eclipse”.

It’s nature’s most spectacular sight, but during North America’s total solar eclipse on April 8, the sun’s corona will only be visible for a few precious minutes from any one location.

However, totality itself will be viewed for a combined total of 100 minutes from a 115-mile path of totality stretching from Mexico to the Canada, via the U.S. So why not have cameras stationed all along the track and broadcast the entire thing as one continuous livestream?

That’s the thinking behind the Dynamic Eclipse Broadcast Initiative, a nationwide citizen science team armed with a $314,000 NASA grant, hoping to pioneer a unique new way to broadcast a total solar eclipse.

It’s as much about solar science as it is about broadcasting, however, with a new understanding of the solar corona the ultimate prize.

DEB is the brainchild of the team behind the successful Citizen CATE experiment from the 2017 total solar eclipse, the last to cross the U.S, which saw more than 60 identical telescopes equipped with digital cameras positioned from Oregon to South Carolina to image the solar corona.

The resulting images were then spliced together to reveal the plasma dynamics of the inner solar corona, which is 10,000 times hotter and dimmer than our star’s surface—and can only be studied in full during a total solar eclipse….

(7) VFX OSCAR WINNER TIM MCGOVERN DIES. Visual effects artist Tim McGovern died March 30 at the age of 68. He won an Oscar for his work on the 1990 film Total Recall. Deadline’s profile covers his other accomplishments.

…The Visual Effects Society recently recognized McGovern with the 2023 Founders Award for his contributions to the art, science, or business of visual effects and meritorious service to the Society.

McGovern was a founding member of Sony Pictures ImageWorks and ran it as the Senior VFX Supervisor as well as the SVP of Creative and Technical Affairs. After leaving Sony, McGovern continued as an independent VFX artist and filmmaker.

McGovern’s most recent film credits include Shazam! Fury of the Gods (2023), Jungle Cruise (2021), Men in Black: International (2019), First Man (2019), Ant-Man and the Wasp (2018), Dunkirk (2017), The Huntsman: Winter’s War (2016), and Mission: Impossible — Rogue Nation (2015), among many others….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 31, 1960 Ian McDonald, 64. What works by Ian McDonald have I enjoyed so much that I’ve read them over and over, and then when they were available as audioworks listened to them several more times? That’s easy. The Desolation Road series, Desolation Road and Ares Express which I’m holding to be the best story ever set on Mars.

Ian McDonald

A town that develops around an oasis on a terraformed Mars with a cast of characters that are truly fascinating? What’s not to really like? Not to mention the Ares Express running across the desert. Damn I wanted to see that train! 

(I do have a list of other works set on Mars I like — Kage Baker’s The Empress of Mars, Larry Niven’s Rainbow Mars, Arthur Clarke’s The Sands of Mars, Kim Stanley Robinson’s Mars trilogy and Frederik Pohl’s Man Plus.) 

Completely shifting his tone was King of Morning, Queen of Day. Multiple generations of Irish women might have the potential to bring the fey who are obviously quite dangerous into their world. That isn’t the best aspect of the novel — it’s the characters herein. He’s very skilled in his character crafting. 

The Chaga saga set in Africa (Chaga and Kirinya) with its slow moving alien biological invasion is perfectly horrific; I’ve not yet read the short fiction set in the series.

I read both of the future India series, River of Gods and Cyberabad. I throughly enjoyed River of Gods but found Cyberabad less than interesting.

I tried the first of Everness series. No, not my cup of tea. Really not. 

Which was not true of The Dervish House, my last choice. An alternative history of Istanbul set now, well it was twenty years in the future when it was written, though the changes there suggest a history that deviated a lot earlier. Loved the characters. Loved the technology he created. Loved the story. Brilliant all around.

(9) CREDIT GRAB? CBR.com explains why “Marvel’s New Addition to Wolverine’s List of Creators Draws Controversy”.

Marvel’s decision to add a new name among Wolverine’s creators in the upcoming film Deadpool & Wolverine has sparked controversy among fans and comic creators alike.

It has been revealed that Roy Thomas, former editor-in-chief of Marvel Comics, will be credited as one of the four creators of Wolverine. The other creators of the character include the late writer Len Wein, artist Herb Trimpe, and designer John Romita Sr. The news sparked a Facebook post from writer Bobbie Chase, who worked at Marvel in the 1980s and 1990s, asking others to discuss the true creators of the character as well as the implications for editors-in-chief to claim creation over other characters.

Chase also mentioned speaking to Wein’s widow about the changes, saying, “Recently my friend and Len Wein’s widow, Christine Valada, got a call from Marvel executive David Bogart, informing her that in the upcoming Wolverine & Deadpool movie, Roy Thomas will now be credited as the co-creator [of Wolverine], and David said it’s a done deal. […] Of course Christine is seriously concerned about Len’s legacy. Len was profoundly important to the comic book industry, and that legacy is being changed for the worse, six years after his death.”

Chase’s frustrations about this change stemmed from the fact that the other creators of Wolverine have all died, making it hard to dispute the authenticity of Thomas’ addition to the list…. 

(10) CLOWNS AND QUESTION MARKS. 13th Dimension called on fans to “Dig These 13 Great ‘Serious BATMAN’ Moments in BATMAN ’66”. Here’s one example:

The Joker Is Wild. Batman and Robin are nearly unmasked by the Joker after being momentarily grabbed by the villain’s henchmen. The heroes are engaging the villain while he hijacks a live TV performance of the opera Pagliacci – that is why Joker is wearing a white Pierrot clown costume. I think that this image is very much in the dramatic style and spirit of the amazing Norm Saunders paintings used for the 1966 Topps Batman trading card set, inspired by the series.

(11) TAKING IT OUT FOR A SPIN. Gizmodo says “Star Trek: Strange New Worlds’ Incredible Musical Episode Is Getting the Vinyl It Deserves”. It comes out June 7.

Of all the highs Star Trek: Strange New Worlds’ sophomore season pulled off—intense actionVulcan dramafamiliar faces, and plenty more—perhaps one of the most delightful of all was “Subspace Rhapsody,” its earnestly cheesy all-singing, all-dancing musical showstopper. And if you’ve had the soundtrack streaming non-stop since last year, we’ve got great news for you.

io9 can exclusively reveal that Lakeshore Records is going to release the complete 11-track score for the episode on a black vinyl record, with artwork inspired by the poster released for the episode at San Diego Comic-Con last year forming the cover….

(12) VIDEO OF THE DAY. Matt Mitchell says this is how it would sound “If Dune was Southern”. Y’all pay attention now.

(P.S. I’m told one of the references is to Tony Chachere’s spice.)

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Wobbu Palzooza, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/4/24 Pixel, Pixel, Scroll And Stumble. File Churn And Cauldron Double

(1) FUNERAL FOR CACHED WEBPAGES. Ars Technica says “Google will no longer back up the Internet: Cached webpages are dead”. That will make reporting controversial social media – where people sometimes take down posts that have attracted attention — rather harder.

Google will no longer be keeping a backup of the entire Internet. Google Search’s “cached” links have long been an alternative way to load a website that was down or had changed, but now the company is killing them off. Google “Search Liaison” Danny Sullivan confirmed the feature removal in an X post, saying the feature “was meant for helping people access pages when way back, you often couldn’t depend on a page loading. These days, things have greatly improved. So, it was decided to retire it.”

The feature has been appearing and disappearing for some people since December, and currently, we don’t see any cache links in Google Search. For now, you can still build your own cache links even without the button, just by going to “https://webcache.googleusercontent.com/search?q=cache:” plus a website URL, or by typing “cache:” plus a URL into Google Search. For now, the cached version of Ars Technica seems to still work. All of Google’s support pages about cached sites have been taken down….

(2) GERROLD Q&A. The Roddenberry Archive has released a two-part interview with David Gerrold.

The Roddenberry Archive presents an in-depth two-part conversation with award-winning science fiction novelist and screenwriter David Gerrold. During the conversation, Mr. Gerrold tells how, as a college student he broke into the television industry by writing a script for the original Star Trek, the classic episode, “Trouble With Tribbles.”. Mr. Gerrold speaks candidly of his sometimes-tumultuous relationship with Star Trek’s creator, the late Gene Roddenberry. He delves into his personal experiences in the making of the legendary series and of his pivotal role in the development of Star Trek: The Next Generation.

(3) DISCUSSING HUGO REFORM. Brad Templeton has distilled his comments about the Chengdu Worldcon Hugo problems and potential fixes into a single post: “The World Science Fiction convention/awards were attacked again. How can its unusual governance structure deal with this?” at Brad Ideas. Here are the final two sections:

Legal clarity

The organization also needs more legal clarity. The terms of the agreement between WSFS and the conventions it appoints need to be more explicit and clear. The current WSFS constitution says the WorldCon (the local convention entity) does most of what goes on at a convention, but the Hugos and Site Selection are officially the actions of WSFS, though it delegates the logistics and administration to the WorldCon. It’s a bit confusing and might not handle legal scrutiny well.

That WSFS is constitutionally the party that awards the Hugos, using the WorldCon as its agent, has many advantages for trademark law and also if WSFS wants to exercise authority over the Hugos and the people administering them. This should be made more clear.

Recommendations

  • When all is done, there should at least be the appearance that they did not get away with it, to deter future corruption and censorship.
  • The best solution is not a specific one, but a general one that allows the organization to respond quickly to problems and threats, without removing its intentional slow pace of change, and resistance to control by “SMOFs.”
  • Auditing and more transparency are a good start, with an ethos of whistleblowing.
  • Put term limits on all WSFS officials.
  • Clarify and codify the structure of WSFS and the contracts.
  • Pick one way or another to allow WSFS to respond immediately to threats. I like the idea of actions that can be reversed, but some path should be chosen.
  • Do find some way to stop Hugo administration from being under the influence of censorship states, including China.

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

La Zi speaks again

Filers will recall that on January 24th, Mike ran an article by me that included an item about a bizarre Weibo post from Worldcon Vice-Chair and SFW editor La Zi.  I did notice that that Weibo post disappeared not long after it was featured here, but I’d not checked on his account since then, thinking that he might understandably be taking a step back from social media, especially given all the ongoing Hugo stats report controversy.

Reader, I was sorely mistaken.

Amongst some fairly mundane reposts, a couple of his recent posts stood out to me.  The most pertinent to File 770 is this short one from Wednesday January 31st, which is straightforward enough that I could just about understand it all, even with my meagre Chinese language skills.  That text reads:

中国科幻迷应该永远记得本·亚洛这个名字。他是真正的好人,也是真正的国际主义者。

which Google Translate renders as follows (surname error corrected):

Chinese science fiction fans should always remember the name Ben Yalow. He is a truly good man and a true internationalist. 

Here’s a screenshot of the Weibo post – including a similar translation from Alibaba Cloud – just in case it also disappears.

Note to readers: the censuring of Ben Yalow (and Chen Shi, and Dave McCarty) occurred on the previous day, the 30th – although obviously time zone differences make things a bit more complicated with regard to recording what happened when.

The second post that I would like to bring to your attention is a couple of days older, published on Monday the 29th.  The Chinese text reads:

应该要求美国尊重得克萨斯(孤星)共和国人民的民主诉求,承认其独立共和国身份。可以考虑签订《与得克萨斯(孤星)共和国关系法》,并提供防卫目的的武器贸易和军事援助,目的是保护得克萨斯不会因为强大北方邻国的觊觎而被掠夺珍贵的油气资源,任何企图以非和平方式来决定得克萨斯共和国前途之举——包括使用经济抵制及禁运手段在内,将被视为对东太平洋地区和平及安定的威胁,联合国应该介入。

Google Translate renders this as follows (text left unaltered):

The United States should be required to respect the democratic aspirations of the people of the Republic of Texas (Lone Star) and recognize its identity as an independent republic. Consider signing the “Relationships with the Republic of Texas (Lone Star) Act” and provide arms trade and military assistance for defense purposes. The purpose is to protect Texas from being plundered of precious oil and gas resources due to the covetousness of its powerful northern neighbors. Any attempt to use Non-peaceful measures to determine the future of the Republic of Texas, including the use of economic boycotts and embargoes, will be considered a threat to peace and stability in the Eastern Pacific region, and the United Nations should intervene.

Here’s another screenshot for posterity.

Whilst many may presume that this second post indirectly refers to some other place, please note that on January 30th, Newsweek reported that Chinese social media was full of stories about the US being in a state of civil war.  A couple of extracts:

As the battle of wills over immigration continues between the White House and Texas Gov. Greg Abbott, a parallel debate is happening in China, where trending social media posts are backing the Lone Star State’s right to secede from the United States.

On China’s X-like microblogging site Weibo, accounts with more than a million followers were spreading misinformation this week claiming Texas had entered a “state of war” with the federal government. In the comment sections, Chinese netizens met the news with excitement and glee…

“If the U.S. really pushes Texas back, then it will be great fun,” the user said. “I hope both sides will not be cowardly and that they will fight to the end!”

In a follow-up post on Tuesday, the user said he was inspired to “definitely contribute money and effort” to support the cause against America’s “imperialist oppression” in Texas and elsewhere in the world.

There’s further discussion of this on Reddit’s /r/China, which is where I’d previously heard about this meme.

Note to readers: per Fancyclopedia:

Ben [Yalow] shocked most of fandom when he moved to Texas in 2021.

(5) GLOBETROTTER. Australian fan Robin Johnson has been writing posts for The Little Aviation Museum “Reading Room”. Here’s an example published in 2022: “1997 – A Year of Sightseeing and Science Fiction”.

I have been reminded by a Facebook post by astronomical artist Don Davis of the Hale-Bopp comet of 1997, a year that was a red-letter one for me. As a pensioner of BOAC (now British Airways) I was able to fly on a stand-by basis on their flights (and some other airlines). Flights from Australia to England were operating with one stop using the latest Boeing 747-400s.

I visited my father in England in January for his birthday, and on the way home to Tasmania attended two regional science fiction conventions in the U.S.A. and one in Perth – Arisia in Boston, Chattacon in Chattanooga, and Swancon in Perth.

In late March I set off to England again, attending a Con in Wellington, New Zealand en route, visited friends in the Los Angeles area, and took advantage of the fact that BOAC had recently taken over British Caledonian Airways to fly to London from Dallas-Ft Worth by DC-10.

Comet Hale-Bopp had not yet been easily visible in the Southern hemisphere when I left home, but was spectacular in the Northern Hemisphere. Sitting aboard the flight next to a flight crew member, we talked about the comet – and soon I was invited onto the flight deck. The DC-10 has spectacularly large windows, and standing behind the Captain as we overflew Greenland, on a moonless night: the view was unique. The comet had just passed its closest point to Earth, and the tail was prominently on view to the naked eye, and there could not have been a better viewpoint….

(6) CHRISTOPHER PRIEST OBITUARIES.

John Clute’s “Christopher Priest obituary” ran in the Guardian today.

The novelist Christopher Priest, who has died aged 80 after suffering from cancer, became eminent more than once over the nearly 60 years of his active working life. But while he relished success, he displayed a wry reserve about the ambiguities attending these moments in the limelight.

In 1983 he was included in the Granta Best of Young British Novelists, a 20-strong cohort, most of them – such as Martin Amis, William Boyd, Kazuo Ishiguro, Ian McEwan, Salman Rushdie, Graham Swift and AN Wilson – significantly younger than Priest, whose career had begun almost two decades earlier, and who had at least 15 books and 50 stories in print by the early 80s. He clearly felt that it was not so much the quality of his work that delayed his “promotion” to the literary establishment, but his reluctance to deny, when asked, that he wrote science fiction.

His large body of work never fitted easily into any mould. Only in recent years has it become widely understood that the sometimes baffling ingenuity and thrust of his fiction has been of a piece, no more detachable into convenient genres than, say, Amis’s or Ishiguro’s tales of the fantastic….

Paul Kincaid’s reminiscences about “Chris” appear at Through the dark labyrinth.

The 1976 Eastercon was held in the rather grim surroundings of Owen’s Park student accommodation, Manchester. It was my third convention and I still wasn’t used to the fact that mere mortals could mix freely with actual authors. So I was very nervous approaching a small group in the bar. My target was a tall, thin guy wearing blue denim jacket and jeans and smoking with a long cigarette holder (later in the convention, Lee Montgomerie would win the fancy dress for the best costume as an author; she was wearing almost exactly the same outfit). This was Christopher Priest and I had just bought the paperback of his latest novel, The Space Machine. I asked for an autograph. He pointed to someone at the other side of the bar. “See that guy? Andrew Stephenson. He did the illustrations. Why don’t you get him to sign it?” To this day, that paperback is one of the few Chris Priest novels I own that isn’t signed by the author.

Later that day I was standing at the back of a programme item. Chris was on the panel, smoking with that long holder, and I began to notice the wild figure of 8 shape that the glowing end of the cigarette was making, and I realised his hand was shaking. He was more nervous than I had been.

Years go by. A BSFA meeting in London at a pub near Hatton Garden. I’m propping up the bar with Chris. I mention that I’ve just reviewed his latest novel, The Glamour, and I thought it was really good except that the ending didn’t quite work. Two days later I receive a thick envelope in the post. It was the typescript for a revised ending of The Glamour, the first of countless revisions of the novel that was so good but so impossible to end….

black and white photo of Christopher Priest taken in 1983 by Gamma
Christoper Priest outside Forbidden Planet in London in 1983. Photo by Gamma.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

1940 The Adventures of Superman on radio

Black and white photo of Superman radio show cast members Jackson Beck (announcer), Joan Alexander (Lois Lane) and Bud Collyer (Superman)
Superman radio show cast members Jackson Beck (announcer), Joan Alexander (Lois Lane) and Bud Collyer (Superman)

The Adventures of Superman is a long-running radio serial. Initially, the show, which aired  from 1940 through to 1951, was  syndicated through the Mutual Broadcasting System’s cornerstone station, WOR in New York, subsequently taken up by the Mutual network, and finally by ABC. In the beginning there were three episodes a week of 15 minutes in length. When in 1941 they began making five episodes a week, some stations stayed with the three-a-week format. Late in the show’s run episodes ran 30 minutes.

The year after the comic strip debuted four audition radio programs were prepared to sell Superman as a syndicated radio series. It took very little time to have WOR sign the contract to do this, so it went on the air less two years after the comic strip launched.

The original pitch was that the audience was going to be predominantly juvenile so the scripts had to be lighthearted with the violence toned down. The performers were chosen with that mind, so they cast Bud Collyer in the Clark Kent / Superman role and Joan Alexander as Lois Lane. She also voiced that role in animated Fleischer Superman shorts. 

The continuity of the series is significantly different than the series as Krypton is located on the far side of the sun, and on the journey to Earth,  Kal-el becomes an adult before his ship lands on Earth., so he is never adopted by the Kents but immediately begins his superhero / reporter career. 

This serial is responsible for the introduction of kryptonite to the Superman universe. Daily Planet editor Perry White and Jimmy Olsen who was a copy editor originated in the serial as well. 

As a gimmick that paralleled the Superman comic and which the audience adored, they kept the identity of Collyer as the character a secret for the first six years, until when Superman became the character in a radio campaign for racial and religious tolerance and Collyer did a Time magazine interview about that campaign.

Kellog Company was the sponsor at least initially with the product being its Pep cereal. It was sponsored Tom Corbet, Space Cadet.

(8) COMICS SECTION.

  • The Far Side captures a photo op with visitors who aren’t from around here.
  • Pearls Before Swine finds an unexpected angle to library censorship.
  • Six Chix meanwhile shows the challenges of a bookstore customer.  

(9) EUROSTAR. The Guardian looks ahead to issues with cross-Channel train travel. “Eurostar may cap services due to post-Brexit biometric passport checks, says station owner”.

Eurostar could be forced to limit passenger numbers travelling from St Pancras each day under post-Brexit plans to bring in biometric border controls later this year, the owner of the station has warned.

HS1, the owner and operator of the line and stations between London and the Channel tunnel, has raised concerns that planning for new Entry/Exit System (EES) checks at the London rail station are “severely inadequate”, and would lead to long delays and potential capping of services and passenger numbers.

The EES requires citizens from outside the EU or Schengen area to register before entering the zone.

This will replace the stamping of passports for UK travellers, and instead require passengers to enter personal information and details about their trip, as well as submitting fingerprint and facial biometric data.

It has been mooted that the new checks will come into force in October but the implementation has been delayed several times in recent years because the infrastructure was not ready.

HS1 has now raised several concerns to MPs around St Pancras’s ability to accommodate the changes, predicting “unacceptable passenger delays”.

It said only 24 EES kiosks had been allocated by the French government, despite modelling suggesting that nearly 50 would be needed at peak times….

(10) WOULD YOU CARE FOR A BEVERAGE? Comics on Coffee has enlisted this couple to share their “Mad Love for Raspberry Coffee”.

DC & Comics On Coffee have joined forces to make your mornings more action packed with great tasting coffee! It’s time to get crazy in love with this Valentine’s Day Special Edition Coffee. A smooth, raspberry flavored coffee.  

(11) VIDEO OF THE DAY. George R.R. Martin shares as much as he can about the films they’re making based on the late Howard Waldrop’s stories in “Come to the Pulls” at Not A Blog.

…COOTERS was just the beginning, though.  Only the first of a series of short films — and one full-length feature, we hope — we have been making, based on some of Howard’s astonishing, and unique, stories.   He wrote so many, it was hard to know where to start, but start we did, and I am pleased to say that we have three more Waldrop movies filmed and in the can, in various stages of post production.   Some of you — the lucky ones — will get a chance to see them this year, at a film festival near you.  As with COOTERS, we’re taking them out on the festival circuit.

First one out of the chute will be MARY-MARGARET ROAD GRADER.   We were able to screen a rough cut for Howard just a few days before his death.  I am so so so glad we did.   And I am thrilled to be able to report that he loved it.

We can’t show it to the world yet.   But here’s a trailer, to give you all a taste.

[Thanks to SF Concatenation’s Jonathan Cowie, Ersatz Culture, Daniel Dern, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Warner.]

Pixel Scroll 1/4/24 It’s 2024, Are Those Godstalks Distimmed Yet?

(1) THE MUSIC OF HEAVY METAL. Maya St. Clair remembers “When Heavy Metal Magazine Made Playlists” at News from the Orb.

When I worked at Heavy Metal magazine, people in my life inevitably assumed it was a publication about heavy metal music. My usual response was “not really,” and I’d describe how Heavy Metal was a comics magazine focused on experimental, adult-rated sci-fi/fantasy. I’ve since realized that a better response would have been “fuck it, probably” — since Heavy Metal, like cosmic background radiation, seemed to presuppose and pervade everything, including music. Name a thing, and Heavy Metal had it: yellow, cyan, black, magenta, rectangles, circles, pterodactyls, Homer, Shakespeare, love, death, superheroes, hamburgers, Jane Fonda, H. P. Lovecraft, boobs, dicks, God, jazz, rockabilly, and (inevitably) heavy metal music, lower case….

St. Clair has compiled playlists at Spotify that emulate some Heavy Metal writers’ Eighties recommendation lists. Including two by my old friend Lou Stathis! Here’s the first —

In 1980, as it reached the height of its influence and circulation, Heavy Metal introduced music criticism by SFF editor/music nerd Lou Stathis and others, in the “Dossier” section. The contrarian Stathis was a fearless advocate for the experimental over the conventional (he hated the fucking Eagles, man, and Bruce Springsteen’s normie-ism was a running joke). Alternative icons like Brian Eno, Genesis, the Cure, Grace Jones, Gary Numan, Laurie Anderson, and Tangerine Dream got their recognition in Heavy Metal, plus uncountable niche bands.

Anyway, the HM squad would occasionally throw together a DJ set, album recs, or mixtape. I’ve consolidated them into playlists on Spotify, linked below….

The Metal Box: Lou Stathis’ 1983 Singles Picks

Stathis sometimes compiled lists of his “heavy rotation” singles and albums. In April 1984, he listed his top picks for the previous year. Some, like Michael Jackson and Eurythmics, are recognizable. Others are supremely obscure.

The Metal Box 1983 on Spotify

(2) ON A TANGENT. Dave Truesdale introduces the “Tangent Online 2023 Recommended Reading List”, once again targeting SFWA as the reason “real world politics” have intruded on the science fiction field. Not because Truesdale is unaware of the history of sf, but because he argues that somehow the Thirties political activism of young sff writers and editors didn’t really count.

For the most part, the literary aspect of the science fiction field proceeded as usual in 2023; the general machinery operated well enough to keep the magazines and books appearing on reasonable schedules, and SFWA (the Science Fiction and Fantasy Writers Association, formerly for decades since its 1965 inception the Science Fiction Writers of America) the field’s one and only member-funded 501(c)(3) tax exempt administrative organization, was still alive and kicking, though to my mind and due to external “real world” politics, took a wrong turn that gave the outside world an entirely misleading picture of the organization as a literary organization, but instead revealed its political advocacy (or lack thereof) on any given issue.…. 

…Politics has entered the SF field directly but sporadically over the past 97 years, since its official birth as a genre began with the April 1926 issue of Amazing Stories. Early readers became fans when they corresponded with others through letter columns, and small SF fan clubs began to sprout all over the country. The first SF worldcon was held July 1-4, 1939 in New York City, to coincide with the World’s Fair in the same city. Attendance was in the dozens and many of the members were in their teens. Sam Moskowitz (later to become SF’s premiere historian) chaired, with a few of his friends, this first worldcon at the ripe old age of 19. A group of SF fans known by their club name of the Futurians, led by Donald A. Wollheim (later founder of DAW Books), Frederik Pohl, C. M. Kornbluth, Doc Lowndes, and a few others were at odds with Moskowitz’s group and wanted to attend the worldcon. Many of these young SF fans were fashionably members of the local socialist or communist branches; it was the cool thing to do at the time. Without getting into the details (there were many different accounts given from both sides) the Moskowitz faction turned the Wollheim, Pohl, faction (the Futurians) away and were thus excluded from the convention. This became known in fandom and the early fan press as “The Great Exclusion Act.” Wollheim and Pohl, among others were either in their teens (C.M. Kornbluth 14 or 15, Pohl 19) or early twenties (Wollheim 24, Doc Lowndes 22) and full of headstrong piss and vinegar. That the feud between fan groups and the turning away of some from the worldcon was primarily because of politics was downplayed by Pohl when he wrote in his autobiography The Way the Future Was, “We pretty nearly had it coming,” and then, “What we Futurians made very clear to the rest of New York fandom was that we thought we were better than they were. For some reason that annoyed them.”

So in essence what amounted to an early fan feud between SF fan clubs whose members were still in their teens or early twenties and had little to do with politics, has somehow become the one size fits all go-to argument that supposedly proves politics has always been a part of SF and SF fandom and is thus nothing new….

(3) STAY OR GO? Catherynne M. Valente’s post “On Recent Developments at Substack” at Welcome to Garbagetown analyzes the dilemma of persisting in using that platform.

Many people have reached out to me to discuss Substack’s not-always-stellar history of managing a diverse breadth of opinions and/or policies on monetization.

Let me make it clear: This was always an issue, and I have always been aware of it. It’s gotten worse of late. And now I just feel like Marc Maron trying to figure out what to do with his friends who voted for Trump….

…Yes, Substack has and does allow dipshit fascist transphobic and otherwise morally-cancerous fuckgiblets to post freely and make money from their platform. They also allow a lot of marginalized creators to flourish and make a livelihood here. Like every other site I’ve ever known, all of whom have been incredibly reluctant to crack down on extreme right-wing content despite that very policy allowing it to proliferate wildly and bring us to a very bad historical place. Do I want them to kick out anyone making money on hate? Yep. Do I understand the slippery slope argument about free speech? That it’s much easier to take no stance and allow everything, trusting the users to sort it out, than to take the step of defining what opinions can be allowed to be heard? Yep.

I do not know if I’m going to stay here. I just don’t know. I came to Substack because of the Twitter diaspora. I managed to build a small audience, built mostly on hating fascism and idiocy. I like the community I and all of you have built here and I’m reluctant to migrate and lose people. But I don’t want to support the Badness by being here. And yet, if I go, does that not just abandon another space because bad people are also here, handing them control of yet another hugely-recognized platform, control they could never achieve on their own just on numbers and popularity, while the people who have any moral compass whatsoever have to continually start over from scratch?…

(4) AWARD-WORTHY APPAREL. The “Costume Designers Guild Awards 2024 Nominations” include two sff-specific categories. (See the full list of finalists at the link.)

Excellence in Sci-Fi/Fantasy Film

  • Barbie – Jacqueline Durran
  • Haunted Mansion – Jeffrey Kurland
  • The Hunger Games: The Ballad of Songbirds & Snakes – Trish Summerville
  • The Little Mermaid – Colleen Atwood & Christine Cantella
  • Rebel Moon – Part One: A Child of Fire – Stephanie Porter

Excellence in Sci-Fi/Fantasy Television

  • Ahsoka: Part Eight: The Jedi, the Witch, and the Warlord – Shawna Trpcic
  • Loki: 1893 – Christine Wada
  • The Mandalorian: Chapter 22: Guns for Hire – Shawna Trpcic
  • What We Do in the Shadows: Pride Parade – Laura Montgomery
  • The Witcher: The Art of the Illusion – Lucinda Wright

(5) OCCIDENTAL OCCULT. Former Horror Writers Association President Lisa Morton will teach a three-part online course “Confronting the Spectral: A History of Ghosts in the Western World With Lisa Morton” beginning January 22 through Atlas Obscura Experiences. Full details including schedule and prices at the link.

What We’ll Do

In this three-part lecture series, explore how people have thought about ghosts through time in the Western world.

Course Description

In this course, we’ll trace the history of ghostly encounters reported across the Western world, both friendly and nefarious. We’ll begin with ghosts from the classical world who haunted heroes like Gilgamesh and Odysseus, and look at the Biblical story of Saul and the Witch of Endor. We’ll meet medieval necromancers, Victorian spiritualists, and finally, the modern ghost-hunter. By the end of our time together, you’ll not only have a deep understanding of how cultures have conceived of the most common supernatural entity throughout history, but also ideas and suggestions for engaging in your own supernatural investigations.…

(6) SEA DEVILS SPINOFF? “Doctor Who Spinoff Series Seemingly Confirmed, Will Feature Classic Villains” says CBR.com.

A production listing on the Film and Television Industry Alliance website confirmed pre-production has begun on a spinoff series of the massively popular sci-fi series Doctor Who, which is scheduled to begin filming in March. The listing also provides a brief summary of the project, describing it as a fantasy-action adventure featuring the Sea Devils, an old villain from the classic Doctor Who series.

The listing does not provide any further details about the show’s plot, but it does reveal some of the crew members involved in the project, such as Doctor Who showrunner Russel T Davies set to return as the series’ writer. Other names include producers Phill Collinson, Vicki Delow, Julie Gardner and Lord of the Rings TV series producer Jane Tranter….

…As for when the spinoff series may see a premiere, the listing does not provide any concrete information, though it does confirm the projected filming date of March 4, 2024. …

(7) NEEDS WORK. The Mary Sue’s Charlotte Simmons would like to be a Zack Snyder fan if only the auteur would make that a little easier: “’Rebel Moon’ Proves That Zack Snyder Needs To Grow Up, and I Say That With Love”.

…Sure, it would have given the infamously obnoxious Snyder cult some more ammunition, but more good movies is a win for everybody. Sadly, whatever remotely interesting set dressing Zack Snyder cooked up here was woefully undermined by incoherent storytelling at its most relentless and suffocating character development—nay, the bare essentials of characterization—behind a mountain of formulaic sci-fi battles and dialogue that not even an amateur could be proud of.

Indeed, Rebel Moon is proof in the pudding that Snyder has some serious work to do, and that’s a damn shame, because the nature of his raw creative pursuits is stupendously important in the genres he occupies, which perhaps makes his failures all the more depressing….

(8) OCTOTHORPE CENTURY. John Coxon, Alison Scott and Lis Batty receive a telegram in episode 100 of the Octothorpe podcast, “I Don’t Have Show Notes or Alcohol”.

We celebrate with a bevy of special segments, including ”letters of comment”, “talking about the Glasgow Worldcon”, and “aftershow involving games”. PRETTY ADVANCED STUFF. 

(9) GLYNIS JOHNS (1923-2024). Actress Glynis Johns, best known to fans as Mrs. Banks in Disney’s Mary Poppins (1964) and as a forest maiden who assists Danny Kaye’s character in The Court Jester (1955), died January 4 at the age of 100. She also appeared in several episodes of Sixties TV’s Batman as Lady Penelope Peasoup.

…Johns won a Tony for her role as Desiree Armfeldt in the original Broadway production of Stephen Sondheim’s “A Little Night Music,” introducing the song “Send in the Clowns” — written for her by Sondheim. In addition she was Oscar-nominated for her supporting role in 1960’s “The Sundowners.”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 4, 1958 Matt Frewer, 66. I encountered Matt Frewer the same way that I suspect most of you did when he was unrecognizable as Max Headroom almost forty years ago. That character debuted in April 1985 in the Channel 4 film Max Headroom: 20 Minutes into the Future. It’s virtually identical to the premiere of the American television series, though there might be a bit of foul language if I remember correctly. Or not. 

Two days after it was broadcast, Max hosted on the same channel The Max Headroom Show, a program where he introduced music videos, made pointed comments on various topics, and conducted rather off the wall interviews with guests before a live studio audience. These would eventually be aired in the States on Cinemax.

Max would become a global spokesperson for New Coke, appearing on way too many TV commercials with the catchphrase “Catch the wave!”.  You can see one of those commercials here

Now we come to the Max Headroom series which on ABC from just March 31, 1987, to May 5, 1988 with just a total of fifteen episodes. Damn it seemed like it lasted longer than that. He, like everyone on the series, was spot on in creating a believable future. I consider it one of the best SF series ever done.

He’s got way too many genre roles to list them all here so let me focus on a few of my favorite ones.

He was Dr. Jim Taggart on Eureka. On screen for a total of eighteen episodes, his Aussie character was the Eureka’s veterinarian and “biological containment specialist”, which means he catches whatever needs to be caught. If it moved and it did something weird, he was after it.

And then he was Dr. Aldous Leekie, the primary Big Bad on the first season of Orphan Black. He was in charge of the handling the clones as if anyone should trust him.

Though I find it hard to believe, the Hallmark Channel produced the Hallmark Sherlock Holmes films. And he was Sherlock Holmes in four of these films — The Sign of FourThe Hound of BaskervillesThe Royal Scandal and The Case of the Whitechapel Vampire.

My final role for him a silly one indeed, it’s in In Search of Dr. Seuss where he is the Cat in The Hat. This thirty-nine-year-old film is a delightful romp  — Christopher Lloyd as Mr. Hunch, Patrick Stewart is Sgt. Mulvaney, and the list goes on far too long to give in full here. 

And yes, he’s been in a lot of genre films, go ahead and tell me your favorite. 

(11) COMICS SECTION.

(12) WHO IS YOUR HOST. All you Tennant fans pay attention: “David Tennant To Host 2024 BAFTA Film Awards” reports Deadline.

Former Doctor Who actor David Tennant has been set as the host of the 2024 BAFTA Film Awards, which take place February 18 at the Southbank Centre’s Royal Festival Hall in London….

…Jane Millichip, CEO of BAFTA, added: “We are over the moon that David Tennant will be our host for the 2024 EE BAFTA Film Awards. He is deservedly beloved by British and international audiences, alike. His warmth, charm, and mischievous wit will make it a must-watch show next month for our guests at the Royal Festival Hall and the millions of people watching at home….

(13) SEMI-MANDATORY VIEWING. Dylan sang “Everyone Must Get Stoned” but never mind that, CBR.com insists you see these 10 “Must-Watch Sci-Fi Movies For Fans of The Genre”. Or heck, maybe you already have! In the middle of the list comes the film that gave us Ripley.

5. Alien Combined Science and Horror Perfectly

Alien (1979)

The crew of a commercial spacecraft encounters a deadly lifeform after investigating an unknown transmission….

Swiss artist H.R. Giger’s biomechanical designs for the alien artifacts and creatures helped turn a great movie into an incredible one. With a story that starts out similarly to Forbidden Planet, in which a space crew investigates a distress signal, the film is transformed into an intense thriller with a horrifying Alien Xenophorph stalking and killing the crew. With stunning visuals and a premise too good for just one movie, Alien spawned a multi-media franchise that has entertained for more than four decades.

(14) MORE PICKUP. And it’s arguably appropriate to follow a mention of the Alien series (“Get away from her you bitch!”) with Giant Freakin Robot’s news item “Exoskeletons Take Huge Step Toward Becoming Common”.

Science fiction would appear to be becoming nonfiction in Europe. Indeed, in Italy, a groundbreaking pilot project involving real-life exoskeletons achieved exciting results. The Port System Authority of the Northern Tyrrhenian Sea and the Livorno Port Company reported marked advantages using the exoskeletal tech, developed by IUVO and Comau (a subsidiary of Stellantis)….

…The workers regularly undertook strenuous tasks: loading and unloading goods, relocating heavy loads, and securing containers onto ships. Without the sci-fi-reminiscent exoskeletons, these activities are notoriously exhausting. They also pose genuine risks of introducing musculoskeletal disorders.

The initial evaluations conducted by IUVO and Comau involved measuring muscle activity and gathering feedback through questionnaires–all to assess the perceived drop in fatigue. The findings were overwhelmingly positive. Laborers reportedly adjusted well to the novel technology, additionally recognizing the exoskeleton’s significant impact on their efficiency and physical well-being. 

Based on the data, utilizing MATE XT and MATE XB technologies can potentially lessen the effort required by workers.

By how much? As much as thirty percent….

(15) VIDEO OF THE DAY. The How It Should Have Ended crew knows “How Batman Should Have Ended” – meaning the version where Michael Keaton is Batman and Jack Nicholson is The Joker.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/16/22 Scroll Down, You Click Too Fast, You’ve Got To Make The Pixels Last

(1) AI IS NOT AN EXCUSE FOR CONTENT THEFT. Malcolm F. Cross wryly begins his email with this link, “I’m sooooort of pleased to announce that discovering another theft of my work inspired me to do a little art project. The theft in question was having some of my work added to the training data for a commercially used AI, and the result was this twitter thread.” The 26-tweet thread starts here. Excerpts follow:

(2) “PEOPLE’S JOKER” NEWS. Variety updated to its report about “’People’s Joker,’ Queer Movie Set in Batman Universe, Pulled From TIFF” with a statement by the filmmaker Vera Drew.

…In a statement shared with Variety on Wednesday evening, Drew promised that “everyone is going to get the chance to see this film.”

“I don’t respond well to bullying or pressure from faceless institutions,” said Drew. “It only emboldens me and what I was saying with this film. We’re looking for buyers and distribution partners who will protect us and make this film accessible to trans people and their families everywhere.”

Drew hinted at potential discord around the movie on Tuesday, ahead of her world premiere, posting a cryptic tweet: “I have no clue how today goes and my team wants me to say nothing of course so I’ll stay vague…but whatever happens in the next few hours, I want you to know…if you’ve been waiting and aching to watch our movie, ur going to get to soon. Stay tuned and stay with me. Need ur help.”…

Just before the movie rolled, The Globe and Mail reported that a title card was displayed stating that the film was protected under “fair use” laws.

“This film is a parody and is at present time completely unauthorized by DC Comics, Warner Brothers or anyone claiming ownership of the trademarks therein (eg. ‘Joker,’ ‘Batman, etc.),” read the title card. “Aside from licensed stock, all video and graphics featured in the film are original materials, often recreations of iconic comic book movie set pieces created by Vera Drew and a team of over 100 independent artists and filmmakers on three separate continents during the COVID-19 pandemic.”

“Any copyright or trademark infringement was not done intentionally. After consulting with counsel, the director believes in good faith that use of these names and characters in a autobiographical context of her personal coming-out story is protected by Section 107 of the U.S. Copyright Act of 1976, which allows ‘fair use’ for purposes such as a relevant criticism, social commentary or education.”

(3) NBA LONGLISTS. The 2022 National Book Awards Longlist for Fiction announced today by the National Book Foundation includes two works of genre interest, a novel and a story collection.

Also announced were the Longlist for Nonfiction and the Longlist for Poetry.

(4) GROAN ABOUT. Dave Hook takes us inside another panel he participated in at the Worldcon in “Titus Groan and Chicon 8”.

…I found out that Chicon 8 (the 80th World Science Fiction Convention) would have a “Titus Groan” panel for their 1946 Project. The 1946 Project was their plan to celebrate 1946 and all things speculative fiction with panel discussions instead of doing a 1947 Retro Hugo.

I applied to be on the panel, telling the Programming Team with substantial fannish enthusiasm how great “Titus Groan” was, how I was prepared to answer the question of whether it was genre or not, and what I was prepared to do to get ready for a panel.

For unknown reasons, they selected me for the panel and made me the moderator. I did not have a problem with this; I thought I could do a great job. I had never been on any SF convention panels before. I thought I could do all of that, but I redoubled my preparations….

(5) RECALLING CHRISTOPHER TOLKIEN. “The Worlds of Middle-Earth: The Millions Interviews Richard Ovenden and Catherine McIlwaine”. Their book includes essays by Maxime H. Pascal; Priscilla Tolkien; Vincent Ferré; Verlyn Flieger; John Garth; Wayne G. Hammond and Christina Scull; Carl F. Hostetter; Stuart D. Lee; Tom Shippey; and Brian Sibley.

In The Great Tales Never End: Essays in Memory of Christopher TolkienRichard Ovenden, who serves as Bodley’s Librarian, the senior Executive position of the Bodleian Libraries at the University of Oxford, and Catherine McIlwaine, the Tolkien Archivist at the Bodleian Libraries, have assembled a remarkable anthology about Christopher, who died in 2020…. 

Lenny Picker: What personal memories of Christopher Tolkien are your most vivid?

Richard Ovenden: I had the good fortune of visiting him at least once a year for about 10 years. Staying in the house, having long conversations. He looked quite like his father. I never knew J.R.R. Tolkien, but Christopher’s memory of Oxford really was quite profound. He was born there, grew up there, and lived there for many decades. But his memory of it is really kind of frozen in about the middle of the 1970s, when the family moved to France. And so having a conversation with Christopher about Oxford was like having one about the Oxford of when J.R.R. Tolkien was still alive. So it seemed to me almost like you were talking to J.R.R. Tolkien. And because he had this immense knowledge of his father’s work and his mentality, there was that sort of connection. Christopher also had a very great sense of humor—a very, very dry sense of humor. And he was a very funny human being. He also was a great reader; he loved reading fiction, Victorian fiction, in particular, DickensTrollope, were a great source of pleasure for him. So he was a very literary person, not just in his own field of scholarship.

(6) WHO SHOULD WIN FAN HUGOS? In the Hugo Book Club Blog’s post “The Gordian Knot of Fan Vs. Pro” they’re inclined to think the knot is just fine the way it is and that the current WSFS rules get the balance right. 

…Just three years [sic] after the Scithers constitution was introduced [in 1963], Jack Gaughan showed just how unclear the existing language could be, winning both the fan artist and professional artist Hugo Awards in a single [1967] evening. There was an outcry over this — why have two separate categories if the same body of work could win both? A clause was quickly added to the constitution to prevent this from happening again, but the language did not seek to clarify what was Fan and what was Pro, rather stating that “Anyone whose name appears on the final ballot for a given year under the professional artist category will not be eligible for the fan artist award for that year.”

Over the years, this question has resurfaced fairly regularly. Questions were raised over John Scalzi winning best fan writer in the same year that his novel The Last Colony was on the ballot. Two years later there was some slight grumbling about Fred Pohl — at that time one of only 25 authors to have won three professional prose Hugos — winning for best fan writer.

So in this context, a well-intentioned but problematic proposal (“An Aristotelian Solution to Fan vs Pro”) brought forward to this year’s business meeting provided an attempt to parse out this question….

(7) BROOKLYN SFFF. The Brooklyn SciFi Film Festival returns for its third season October 3-9 presenting 200 independent SciFi films from around the world. 

This year’s festival will feature online and in-person events including an evening of Japanese SciFi hosted at Stuart Cinema Cafe on Tuesday October 4th from 7:00 to 9:00 and selected screenings and recognition on Saturday October 8th from 6:00 to 9:00 at the Alamo Drafthouse Cinema in Downtown Brooklyn.  All films streaming online at BrooklynSciFiFilmFest.com starting October 3rd.  Official Selections.

(8) SMOKE ‘EM IF YOU GOT ‘EM. Literary Hub introduces viewers to a 1982 BBC video about a writer at work: “Roald Dahl’s writing routine involved a shed, a sleeping bag, and cigarettes.”

In 1982, Frank Delaney of the BBC visited Roald Dahl at home for a long conversation that meandered from children’s literature to 18th-century furniture and making orange marmalade. During that visit, Dahl gave Delaney a glimpse at his writing routine, which consisted, at the time, of four hours a day spent in a writing shed on his property.

(9) MEDIA BIRTHDAY.  

1963 [By Cat Eldridge.]

There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur, or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: There is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to… The Outer Limits. — opening narration. 

Fifty-nine years ago this evening on ABC, The Outer Limits series premiered, created and executive produced by Leslie Stevens who had done nothing of a genre nature before. It was directed by far too many to note here. Steven’s would later do Buck Rogers in the 25th Century. 

In the unaired pilot, it was called Please Stand By, but ABC rejected that title, so the producers renamed it.

Two episodes, “Demon with a Glass Hand” and “Soldier”, were written by Harlan Ellison. Clifford Simak wrote “The Duplicate Man” episode. David Duncan penned “The Human Factor”. Eando Binder gets credit for the “I, Robot” episode.  

“Demon with a Glass Hand” won a Writers’ Guild Award. Later, Ellison’s “Soldier” script would allow him to sue Cameron over his Terminator script and win rather nicely. 

Season One combined science fiction and horror, while Season two was shifted focus to being more about what they called hard science fiction stories, dropping the “scary monster” theme of Season One. The network thought the monster were the villains of the week.

The original series lasted a mere forty-nine episodes. The second iteration, which started in 1995, would last much longer, going an amazing one hundred and fifty-two episodes.

It was very popular in the ratings the first season but was competing against Jackie Gleason in the second season and that got it cancelled halfway through. As I noted, it had a second life thirty years on which was quite successful. Variety reported last year that an Outer Limits reboot was in development at a premium cable network though they declined to say which network.

Neat piece of trivia: The “ion storm” from “The Mutant” episode here which was a projector beam shining through a container containing glitter in liquid suspension became the transporter effect in the Trek series. Also, the process used to make pointed ears for David McCallum in “The Sixth Finger” episode here was used to make Spock’s ears, and The black mask from “The Duplicate Man” episode here was used by Dr. Leighton in “The Conscience of the King”. 

It’s streaming on Pluto. Pluto? Huh? 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 16, 1914 William Bernard Ready. Can I include an individual for just one work? Well given it’s my Birthday list, of course. It’s the 1968 work, The Tolkien Relation: A Personal Inquiry, Ready foresaw the cultural value of Tolkien’s writings and, while at Marquette University, he managed to purchase a large selection of original literary manuscripts by Tolkien in 1956-57, including manuscripts of The Hobbit and The Lord of the Rings. (Died 1981.)
  • Born September 16, 1927 Peter Falk. His best remembered genre role is in The Princess Bride as the Grandfather who narrates the story. (The person who replaced the late Falk in the full cast reading of The Princess Bride for the Wisconsin Democratic fundraiser, Director Rob Reiner, wasn’t nearly as good as he was in that role.) He also plays Ramos Clemente in “The Mirror,” an episode of The Twilight Zone. And he’s Reverend Theo Kerr in the 2001 version of The Lost World. (Died 2011.)
  • Born September 16, 1930 Anne Francis. You’ll remember her best as Altaira “Alta” Morbius on Forbidden Planet. She also appeared twice in The Twilight Zone (“The After Hours” and “Jess-Belle”). She also appeared in multiple episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She’d even appear twice in The Man from U.N.C.L.E., and played several roles on Fantasy Island as well. (Died 2011.)
  • Born September 16, 1932 Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 16, 1952 Lisa Tuttle, 70. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute,” which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include CatwitchThe Silver Bough and her Ghosts and Other Lovers collection.Her latest novel is The Curious Affair of the Witch at Wayside Cross. Her collection, The Dead Hours of the Night was nominated for a Stoker last year — impressive! 
  • Born September 16, 1954 Howard Weinstein, 68. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.”
  • Born September 16, 1955 Amanda Hemingway, 67. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are.
  • Born September 16, 1960 Mike Mignola, 62. The Hellboy stories, of course, are definitely worth reading, particularly the early on ones. His Batman: Gotham by Gaslight is an amazing “What If” story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) HEAR ABOUT “HUMAN EXCEPTIONALISM”. “Dean Koontz on His Vocation as an Author, Art and Meaning in Life, and Human Exceptionalism” in a downloadable interview at Humanize. (Note: I haven’t listened to it.)

In episode one of the second season of Humanize, Wesley J. Smith’s guest is the internationally famous novelist Dean Koontz. Dean and Wesley discuss how he came to be an author, how life is filled with meaning, his art, the importance of human exceptionalism, the problem with transhumanism, and how Dean uses humor to further his plots and character development. Dean recalls his upbringing in an impoverished household that did not have running water until he was 11, how a high school English teacher changed his life, and his love for the use of the English language. He and Wesley also discuss the beauty of the human/dog relationship and his philanthropic support for Canine Companions for Independence, a school that trains service dogs to help people with disabilities lead independent lives. Any reader of Dean Koontz and supporter of human exceptionalism will want to listen to this fascinating interview with one of America’s most successful and prolific authors…

(12) READY FOR MY CLOSE-UP. The Atlantic wants to know “Why Do So Many Kids Need Glasses Now?”

…In the U.S., 42 percent of 12-to-54-year-olds were nearsighted in the early 2000s—the last time a national survey of myopia was conducted—up from a quarter in the 1970s. Though more recent large-scale surveys are not available, when I asked eye doctors around the U.S. if they were seeing more nearsighted kids, the answers were: “Absolutely.” “Yes.” “No question about it.”

In Europe as well, young adults are more likely to need glasses for distance vision than their parents or grandparents are now. Some of the lowest rates of myopia are in developing countries in Africa and South America. But where Asia was once seen as an outlier, it’s now considered a harbinger. If current trends continue, one study estimates, half of the world’s population will be myopic by 2050.

The consequences of this trend are more dire than a surge in bespectacled kids. Nearsighted eyes become prone to serious problems like glaucoma and retinal detachment in middle age, conditions that can in turn cause permanent blindness. The risks start small but rise exponentially with higher prescriptions. The younger myopia starts, the worse the outlook. In 2019, the American Academy of Ophthalmology convened a task force to recognize myopia as an urgent global-health problem. As Michael Repka, an ophthalmology professor at Johns Hopkins University and the AAO’s medical director for government affairs, told me, “You’re trying to head off an epidemic of blindness that’s decades down the road.”

The cause of this remarkable deterioration in our vision may seem obvious: You need only look around to see countless kids absorbed in phones and tablets and laptops. And you wouldn’t be the first to conclude that staring at something inches from your face is bad for distance vision. Four centuries ago, the German astronomer Johannes Kepler blamed his own poor eyesight, in part, on all the hours he spent studying. Historically, British doctors have found myopia to be much more common among Oxford students than among military recruits, and in “more rigorous” town schools than in rural ones. A late-19th-century ophthalmology handbook even suggested treating myopia with a change of air and avoidance of all work with the eyes—“a sea voyage if possible.”

(13) “IT FLOATS.” Ivory Soap floats on its own. Limestone blocks need a little help. “A Long-Lost Branch of the Nile Helped in Building Egypt’s Pyramids” according to the New York Times.

For 4,500 years, the pyramids of Giza have loomed over the western bank of the Nile River as a geometric mountain chain. The Great Pyramid, built to commemorate the reign of Pharaoh Khufu, the second king of Egypt’s fourth dynasty, covers 13 acres and stood more than 480 feet upon its completion around 2560 B.C. Remarkably, ancient architects somehow transported 2.3 million limestone and granite blocks, each weighing an average of more than two tons, across miles of desert from the banks of the Nile to the pyramid site on the Giza Plateau.

Hauling these stones over land would have been grueling. Scientists have long believed that utilizing a river or channel made the process possible, but today the Nile is miles away from the pyramids. On Monday, however, a team of researchers reported evidence that a lost arm of the Nile once cut through this stretch of desert, and would have greatly simplified transporting the giant slabs to the pyramid complex….

(14) EVOLVING ANIMATION. [Item by Martin Morse Wooster.] Edward Vega of VOX looks at how the success of Spider Man: Into The Spider-Verse has shown animators an alternative to the photo-realistic animation of Pixar: “How ‘Spider-Verse’ forced animation to evolve”.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Malcolm F. Cross, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/14/22 Scroll Is The Mind-Killer. Scroll Is The Little File That Brings Total Pixelation

(1) WARNER BROS. BARS SHOWING OF ‘THE PEOPLE’S JOKER’. Polygon is there when “The People’s Joker, a hilarious trans riff on DC characters, shut down over ‘rights issues’” after a single screening at the Toronto International Film Festival, following a copyright and trademark infringement complaint by Warner Bros.

“This movie is not illegal. I just said that to get you to come.” So says Vera Drew, the writer-director-star-effects artist behind the queer Batman movie The People’s Joker. But before the film’s premiere at the Toronto International Film Festival, Warner Bros. served a cease-and-desist order against the film anyway. Subsequent festival screenings have been canceled, leaving the future of The People’s Joker in doubt.

…Fanfiction might seem like an unlikely vehicle for real-life autobiography. But given how personal the relationship can get between fans and the pop culture they love, it makes sense that Vera, a passionate fan of the Bat-verse, would use the Joker’s character and lore to tell the story of her own transformation from a failed improv comedian into a gloriously unhinged trans agent of comedic chaos. The People’s Joker might even be called an act of comedic terrorism, if it wasn’t so damn sincere….

Here’s a video promoting the project: “Welcome to The People’s Joker”.

And here’s the teaser trailer:

(2) AMAZON SUED. “California sues Amazon over antitrust concerns” – the Washington Post has the story.

California sued Amazon on Wednesday, alleging that the company caused higher prices across the state and “stifled competition.”

Amazon penalizes sellers on its site if they offer products elsewhere for lowerprices, the state alleged. That makes it harder for others to compete, therefore entrenching Amazon’s market power, the state said in a press release announcing the lawsuit.

“For years, California consumers have paid more for their online purchases because of Amazon’s anticompetitive contracting practices,” state Attorney General Rob Bonta (D) said in a statement.

Amazon spokesman Alex Haurek said in a statement that the California attorney general “has it exactly backwards” and that “sellers set their own prices” on the website.

“Amazon takes pride in the fact that we offer low prices across the broadest selection, and like any store we reserve the right not to highlight offers to customers that are not priced competitively,” Haurek said in a statement. “The relief the AG seeks would force Amazon to feature higher prices to customers, oddly going against core objectives of antitrust law.”…

(3) FOR THOSE SCORING AT HOME. Kevin Standlee has posted a concise scorecard listing what happened to every Worldcon Business Meeting agenda item in “2022 WSFS Business Meeting Summary”.

Because people have asked for it multiple times, here is the shorter version of the 2022 Business Meeting Summary. You must have the 2022 WSFS Business Meeting Agenda in order for anything here to make sense, because I’m not going to list titles or try to summarize what each item is. If I did that (which I did already in my day-by-day summaries), this would be so long that people would complain that they wanted a summary of the summary.

(4) TOLKIEN DOWNCHECKED AGAIN. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Stephen Bush discusses the legacy of JRR Tolkien and responds to criticism made by Adam Gopnik of The New Yorker.

…It is certainly true that any court seeking to convict Tolkien of great literature would struggle.  Unlike other fantasy authors, such as Michael Moorcock or Ursula Le Guin, his work provides little in the way of social or political commentary.  Nor will readers find characters in whom they see themselves or their own experiences, such as the schoolchildren in the Harry Potter books.  Or, indeed, much in the way of deep character work at all:  for the most part, existential doubt, moral complexity, sexual desire and ambiguous inter-personal relationships are in short supply in The Lord of the Rings.

But that same court would also struggle to convict Tolkien for devising the formula that Gopnik imputes to him.  The concept of a chosen one travelling through a ‘vaguely medieval’ world, aided and abetted by fantastical creatures, in search of some cosmic doodad (or, as the screenwriter and frequent Hitchcock collaborator Angus MacPhail called it, ‘a MacGuffin’) predates Tolkien.  The ‘Tolkien formula’ may be found in various retellings of the story of the Holy Grail.  To the extent that Tolkien deviates from that story, it is in the introduction of the dark lord Sauron.  But, given that in The Lord of the Rings we never hear Sauron speak, he never engages the heroes directly and his motivations are, in essence that he does evil things because he’s evil Sauron alone can hardly be seen as great innovation on the old story of the Holy Grail….

(5) STILL TALKING ABOUT TOLKIEN. Queer Lodgings: A Tolkien Podcast launched this week. Episode 1 is about “Intros”.

Grace hosts our ‘official’ first episodes with Alicia, Leah, and Tim, as they properly introduce themselves to the audience. Everyone recounts their history with Tolkien’s legendarium, and shares personal experiences and interactions with Tolkien fandom & scholarship. We wrap up with a summary of why ‘Queer Lodgings’ exists, some of our goals for the podcast, and tease some future episode topics – some intense, some decidedly more ‘fluffy’!

(6) FURRY SITE BANS AI ART. [Item by Mike Kennedy.] Website Fur Affinity puts its foot (paw?) down regarding AI-generated art. Such works are now lumped in with other artwork judged to be lacking artistic merit and banned from the site. The furry site is not the first website to enact such a ban, though not all the prior ones are as strict. “Furry Fandom Site Bans All AI Art” reports Vice.

In a Sept. 5 policy update first spotted by journalist Andy Baio, Fur Affinity announced that artwork lacking “artistic merit,” which is banned from the site, now includes “submissions created through the use of artificial intelligence (AI) or similar image generators.” …

The update states: “AI and machine learning applications (DALL-E, Craiyon) sample other artists’ work to create content. That content generated can reference hundreds, even thousands of pieces of work from other artists to create derivative images. Our goal is to support artists and their content. We don’t believe it’s in our community’s best interests to allow AI generated content on the site.”

… As Baio also noted, several social art gallery sites have taken a stand against this groundswell of AI-generated art by banning it outright: Inkblot, a new site that just launched in open beta, has a zero tolerance policy on AI artworks, and Newgrounds, a social site for sharing animations and art that’s been around since 1995, banned AI art from its Art Portal feed, specifically forbidding anything made with ​​Midjourney, DALL-E, CrAIyon (formerly DALL-E Mini) and ArtBreeder. 

Newgrounds makes interesting concessions to allow it elsewhere on the platform, like on one’s own blog, but not on the Art Portal, where a flood of AI art could drown out other works….

(7) HEAR FROM THE LEGISLATOR OF STURGEON’S LAW. Fanac.org has posted a restored version of Scott Imes’ video of “Minicon 15 (1979)-Theodore Sturgeon Guest of Honor Speech, with intro by Toastmaster Bob Vardeman”.

Minicon 15 was held April 13-15, 1979 in Minneapolis, with Guests of Honor Theodore Sturgeon, Rick Sternbach and Tom Digby.

In this brief 16+ minute Guest of Honor speech, Sturgeon speaks about his experience at the “Jupiter Encounter” at JPL, seeing photos of Ganymede and Callisto for the first time. This is followed by a rumination on humanity, interwoven with his shaping of “Sturgeon’s Law,” and an exposition on his favored “Ask the Next Question” philosophy.  In this recording, you get a sense of the man himself. A lovely (and knowledgeable) intro by Bob Vardeman sets the stage.

Thanks to Geri Sullivan and the Video Archeology project for providing the recording.

(8) JEAN-LUC GODARD (1930-2022) French director Jean-Luc Godard died September 13 at age 91. One of his movies, Alphaville, is SF and coincidentally the only genre film ever to win the Golden Bear at the Berlin film festival: “Jean-Luc Godard, giant of the French New Wave, dies at 91” in the Guardian. An excerpt:

…Godard went on to make a string of seminal films in the 1960s at a furious rate. His next film, Le Petit Soldat, suggested the French government condoned torture, and it was banned until 1963, but it was also the film on which Godard met his future wife, Anna Karina, as well as coining his most famous aphorism, “Cinema is truth at 24 frames a second.” Other highlights included A Woman Is a Woman, a self-referential homage to the Hollywood musical, which again starred Karina, along with Belmondo and won more Berlin awards; the extravagant, epic film-about-film-making Contempt, with Michel Piccoli, Brigitte Bardot, Jack Palance and Fritz Lang; and Alphaville, a bizarre hybrid of film noir and science fiction….

(9) MEDIA BIRTHDAY.  

1968 [By Cat Eldridge.] Doctor Who’s “The Mind Robber” (The Second Doctor). I’ve not essayed a story of the Second Doctor before so this will be interesting to do. Let’s get at it. 

It was first broadcast in five weekly parts from September 14 to October 12, 1968 on BBC.  

The Second Doctor who was played by Patrick Troughton who, yes, was The Doctor for three seasons. He had two Companions here, Frazer Hines who played Jamie McCrimmon and Wendy Padbury who was Zoe Heriot. 

In a place where fiction is real, creatures such as Medusa and the Minotaur exist. The Master tries to have the Doctor replace him as the Storyteller there as he dying. Of course nothing is that simple… 

BBC says that this is indeed the first incarnation of The Master. Though their office timeline disputes that. 

Reception was decidedly mixed for it, but years later Charlie Jane Anders of io9 listed the cliffhanger to the first episode — in which the TARDIS breaks apart — as one of the greatest cliffhangers in the history of Doctor Who.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 14, 1941 Bruce Hyde. Patterns emerge in doing these Birthdays. One of these patterns is that original Trek had a lot of secondary performers who had really short acting careers. He certainly did. He portrayed Lt. Kevin Riley in two episodes, “The Naked Time” and “The Conscience of the King” and the rest of his acting career consisted of eight appearances, four of them as Dr. Jeff Brenner.  He acted for less than two years in ‘65 and ‘66, before returning to acting thirty-four years later to be in The Confession of Lee Harvey Oswald which is his final role. (Died 2015.)
  • Born September 14, 1944 Rowena Morrill. Well-known for her genre illustration, she is one of the first female artists to impact paperback cover illustration. Her notable works include The Fantastic Art of Rowena, Imagine (French publication only), Imagination (German publication only), and The Art of Rowena.  Though nominated for the Hugo four times, she never won, but garnered the British Fantasy Award, and the World Fantasy Award for Lifetime Achievement. OGH’s obituary for her is here. (Died 2021.)
  • Born September 14, 1947 Sam Neill, 75. Best known for role of Dr. Alan Grant in Jurassic Park which he reprised in Jurassic Park III. He was also in Omen III: The Final ConflictPossession, Memoirs of an Invisible ManSnow White: A Tale of TerrorBicentennial ManLegend of the Guardians: The Owls of Ga’HooleThe Adventurer: The Curse of the Midas BoxThor: Ragnarok and Peter Rabbit. 
  • Born September 14, 1950 Michael Reaves, 72. A scriptwriter and story editor to a number of Eighties and Nineties animated television series, including Batman: The Animated SeriesDisney’s Gargoyles He-Man and the Masters of the UniverseSmurfs Space Sentinels, Star Wars: Droids and The Transformers. Live action wise, he worked on Next GenerationSlidersSwamp Thing, original Flash and Young Hercules.  He also worked on two of my favorite animated Batman films, Batman: Mask of the Phantasm and Batman: Mystery of the Batwoman.
  • Born September 14, 1959 Mary Crosby, 63. One major role that I’ll get to at the end, and she certainly is present in genre series. First in Freddy’s Nightmares, twice as Greta Moss, then in Lois & Clark: The New Adventures of Superman as Monique, in the Trek universe on Deep Space Nine as Natima Lang in the “Profit and Loss” episode, and the major role was on The Ice Pirates as Princess Karina.
  • Born September 14, 1961 Justin Richards, 61. Clute at ESF says “Richards is fast and competent.” Well I can certain say he’s fast as he’s turned out thirty-five Doctor Who novels which Clute thinks are for the YA market between 1994 and 2016. And he has other series going as well! Another nineteen novels written, and then there’s the Doctor Who non-fiction which runs to over a half dozen works.  He writes mainly Doctor Who novels with thirteen, so from the Eighth through the Thirteenth Doctor so far, and  Creative Consultant for the BBC Books range of Doctor Who novels. He’s written novels with Professor Bernice Summerfield as the protagonist as well. And written more SF that aren’t Whovian than I possibly list here. One such series is, as EoSF notes is “the Invisible Detective sequence, beginning with The Paranormal Puppet Show (2003; vt Double Life 2004), consists in each case of two stories: one set in the 1930s, where the four young protagonists solve sf and fantasy mysteries; the other set in the contemporary world, where a parallel tale is told.”
  • Born September 14, 1972 Jenny T. Colgan, 50. Prolific writer of short stories in the Whovian universe with a baker’s dozen to date, several centered on River Song. She novelized “The Christmas Invasion”, the first full Tenth Doctor story. She has two genre novels, Resistance Is Futile and Spandex and the City. She contributed a story to the historical adventures inspired by Jodie Whittaker’s first series as The Doctor.

(11) COMICS SECTION.

  • The Far Side knows how a man’s ideas about driving can get out of hand.

(12) THE ANSWER IS NOT NECESSARILY 42. Ars Technica chats with xkcd creator Randall Munroe about his next book: “What If? 2 is here with even more serious answers to your weird questions”.

Forget debating the airspeed velocity of an unladen African versus a European swallow. How many pigeons would it take to lift a person seated in a launch chair to the top of the Q1 skyscraper in Australia? Answer: You could probably manage this with a few tens of thousands of pigeons, as long as they don’t get spooked by a passing falcon or distracted by someone with a bag of seeds. That’s just one of many fascinating (and amusing) tidbits to be gleaned from What If? 2, the latest book from cartoonist and author Randall Munroe and the sequel to 2014’s bestselling What If?...

Ars Technica: Somehow people got into the habit of asking you these really weird, silly, sometimes impossible, implausible questions. And you started answering them. How exactly did that happen?

Randall Munroe: When I started drawing comics, I was surprised to learn there were so many people who were entertained by the same niche science ideas or funny applications of math to different problems—stuff I laughed at but I didn’t expect anyone else to. Then I put up these comics and found there are a whole bunch of people out there who think about stuff the way I do. That was really cool. But I definitely didn’t expect that people would start thinking of me as the person to settle arguments. I’d get these emails: “Hey, me and my friend have been arguing about this for a while now, and we don’t know how to answer the question. It feels like it’s not a good enough question to bother a real scientist with. But we both agreed you seemed like a great person to send it to.”

(13) JEOPARDY! Andrew Porter clicked off his TV long enough to report that on tonight’s episode of Jeopardy! – “There was an entire category, ‘Cons,’ dealing with SF, gaming and media cons, but I didn’t note any of the mistakes, except one contestant wrongly answered with a mispronunciation of Ursula K. Le Guin’s name before correcting it, too late.”

(14) STARSHIP TROPERS. “58 years ago, Star Trek created its worst trope — now, one character is fixing it” says Inverse.

In Star Trek: Lower Decks, the show’s upbeat Orion character — D’Vana Tendi — is often hit with in-universe prejudices informed by the earliest of Star Trek canon. (The green-skinned alien race appeared in the very first episode of Trek ever: the original pilot, “The Cage,” filmed way back in 1964.) In 2020, Noël Wells — the voice actress who helps bring Tendi’s character to animated life — admitted that some of these jokes went over her head. But not anymore. Now, she’s further into a performance that is bringing new life to one of Star Trek’s worst tropes: the seductive alien slave….

“We don’t always get to choose our mentors.”

Because Lower Decks is ostensibly focused on the activities of the lower-level crew members in Starfleet, it stands to reason that the careers of these underdogs can only go so far. And yet, this season is focused on Tendi training to become a legit science officer in the mold of Jadzia Dax or Spock. In Season 3 Episode 3, “Mining the Mind’s Mines,” Tendi is evaluated by the ship’s bird-like counselor, Dr. Migleemo (Paul F. Tompkins), about her ability to assert herself in big, high-stakes situations.

It’s the kind of personal growth storyline that pervades much of Star Trek, with echoes of TNG episodes like “Coming of Age,” and “Thine Own Self.” Eventually, Tendi draws strength not from Migleemo’s advice, but from her cankerous former boss, Dr. T’Ana (Gillian Vigman), who is literally a cranky cat….

(15) MORE GOOD STUFF. We linked to another post about this artist recently, however, Colossal’s photo gallery of Greg Olijnyk’s work is highly impressive: “A Cast of Articulate Cardboard Robots Populate a Growing Sci-Fi Universe Crafted by Greg Olijnyk”.

Detail of “Escher Cube,” cardboard, 50 square centimeters

(16) MISTAKES WERE MADE. “Asking the Public to Name Probe to Uranus May Have Been a Mistake” says Futurism.

A space exploration enthusiast account on Twitter asked the internet to name an upcoming mission to the planet Uranus, in what almost feels like a setup for a punch line, considering the public’s endless interest in potty humor and butt-related puns….

There’s actually no Uranus mission on the boards at this time. ScienceAlert explains why names were solicited, and why they think it didn’t go all that badly: “The Internet Was Asked to Name A Probe For Uranus. Here’s How That Went Down”.

Asking the internet to name a scientific mission has become something of a tradition, but we think even the bravest might quail at a recent ask on Twitter.

An unofficial Twitter account promoting future missions to our Solar System’s ice giants, Ice Giant Missions, requested suggestions for what to name a probe sent to Uranus.

Given the potential puns that are inevitably attached to Uranus, this is dangerous territory, even beyond the expected “Something McSomethingface”. That, of course, was among the top answers, but with ground as fertile as Uranus, why flog a dead horse?

Surprisingly, however, the butt jokes appear to be in the minority, with many respondents taking the question in good faith, and answering accordingly.

A mission to Uranus is not currently in development, but nor is it entirely a pipe dream. Missions have been sent, by now, to most planets in the Solar System. MercuryVenusMarsJupiter, and Saturn have all been visited and surveyed by dedicated probes. Even Jupiter’s moons are getting a mission.

The ice giants, on the other hand, have been somewhat neglected. Earlier this year, this led a panel of experts from the US National Academies to recommend a mission to Uranus in its decadal report to NASA.

(17) WHO ANIMATIONS SUSPENDED AS MONEY RUNS OUT. “Doctor Who director addresses animations hiatus: ‘This is it for us’” at RadioTimes.

Doctor Who animation director Gary Russell has addressed the looming hiatus for reconstructions of lost stories, following news that BBC America will no longer co-finance these projects.

Earlier this year, it was reported that the loss of funding would mean that no further animated projects would be commissioned – though RadioTimes.com understands that future productions could yet go ahead if BBC Studios secures another partner.

Since 2006, a number of Doctor Who stories that are either entirely or partially missing from the archives have been recreated with new animated visuals being matched to the existing soundtracks. The work has been completed by a number of different teams, most recently Big Finish Creative….

(18) LEARNING CURVE. This YA fantasy adaptation, directed by Paul Feig, is coming to Netflix in October: “The School for Good and Evil”.

Do you ever wonder where every great fairytale begins? Welcome to the School for Good and Evil…

(19) A LOT TO THINK ABOUT. [Item by Martin Morse Wooster.] Math-loving fans should know about this Netflix documentary “A Trip to Infinity”.

Eminent mathematicians, particle physicists and cosmologists dive into infinity and its mind-bending implications for the universe.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Rich Lynch, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 10/11/20 If Pixels Be The Food Of Love, Scroll On

(1) CHERRYH NOW CANCER FREE. C.J. Cherryh updated fans about her battle with colon cancer in a public Facebook post yesterday.

Long story in short, I’ve had cancer. I don’t, now, and scans show I’m well and truly rid of it. Found out in February, had surgery (colon cancer), started chemo in March, and thanks to a really great medical staff and good insurance, I finished chemo successfully, had a raft of scans and another round with my excellent GI doc, and am now clean and clear—not to be cavalier about it all. Chemo is rough. It’s done a number on general strength and it does age you a bit. Or more than a bit. So I know I’ve been in a fight and I look older than I did before this started, but I refuse to settle down and act older. I’ll be exercising to get my strength back.

I owe an immense amount to Jane, who’s had to do everything from cat box to general cookery and bottlewashing and all this with the handicap of Covid restrictions, while she’s had her own issue with a ferociously painful hip problem. I’d have been in a heckuva mess without her taking care of me.

Kudos to local friends who have brought us stuff and fixed stuff that was broken. Without you, we couldn’t have kept isolation and safety. One of us exposed is both of us in danger.

So Jane and I both had a forced hiatus from writing, and everything is about 8 months behind. Our publisher has been enormously understanding. We are officially getting back to work. We had the next Alliance book 3/4 finished when this happened, and we will likely be working together, too, on the next Foreigner book, just to get our heads firmly back in the game. So we’ll be late, but we do have a hall pass.

I kept this illness under wraps because there’s nothing anybody not in reach could do, and I had no ready answers to give anybody. But the outcome is the very best. And I would urge anybody out there to go get that postponed colonoscopy. This kind can be dealt with and prevented during a colonoscopy, so go do that, eh? I was lucky. Real lucky. A clinic NP, one of my regular docs and another NP combined saw my shortness of breath as, yep, something that had to be seen to….

(2) MOTHER. In the midst of the pandemic with kids stuck at home, Lydia Kiesling considers “The Aspirational Android Parenting of ‘Raised by Wolves” in The New Yorker.

… Though I watched “Raised by Wolves” to escape—tearing through the first five episodes in a single weekend—it threw my terrestrial problems into stark relief. I find the show transporting, corny, and unexpectedly relatable. As I watch, I can’t stop thinking about how much better a job the androids are doing than my husband and I and our own machines. “Mother is killing it,” I whispered admiringly during one episode, my fretful firstborn grinding her teeth in her bunk bed upstairs. Never mind that almost all the original children perished, that they eat fungus and sinister spuds and sleep under burlap. Never mind that Mother murders a lot of humans in Episode 1. It doesn’t matter. Mother and Father are there for the kids, and, in their android way, for each other….

(3) RARITIES. In 1965, Galactic Journey’s Jessica Holmes records three firsts in the Doctor Who series: “[OCTOBER 10, 1965] DOCTOR WHERE? (DOCTOR WHO: MISSION TO THE UNKNOWN)”

…No, really. That’s it. That’s the whole story. This is the first Doctor Who story to be a single episode long. Not only that, it’s the first one in which neither the Doctor nor his companions make an appearance. I suppose he got his day off after all!

And to top it all off, this is the only episode so far in which the baddies win…

(4) HORROR U. The Horror Writers Association’s Horror University workshops, formerly only accessible in-person at StokerCon, are available online this fall at $50 for non-members and $40 for members per session. Coming up on the calendar:

  • 2020 October 19 — Writing and Selling Short Stories

The short story market has never been healthier, and it can not only build your career and increase your professional income, it can also help you stretch as a writer. Short stories offer more creative opportunities than any other form of writing. We’ll discuss the short story structure, tips on finding killer opening hooks and powerful endings, strategies for finding paying markets, and much more.
Recording? No

Instructor: Jonathan Maberry

  • 2020 October 26 — Poetry Forms Workshop for All Writers

Not just for poets: a workshop to play with the different poetry forms to use less words to say more; heighten readers’ emotional reaction, clarify your style/voice and handle writing blocks. We will explore several poetry shapes and their rules to understand how they are created. Time will be available for attendees to practice writing, including creating writing “seeds.”
Recording? Yes

Instructor: Linda D. Addison

  • 2020 November 2 — The History of Ghosts

Are you ready to write a ghost story, but wish you knew a little more about the history of your spectral protagonist? Lisa Morton, author of the acclaimed Ghosts: A Haunted History and Calling the Spirits: A History of Seances is here to help, with a one-hour illustrated presentation that looks at the classical history of ghosts, ghosts in the Middle Ages, paranormal beliefs around the world, and modern hauntings. You’ll hear some chilling real-life ghost stories, and probably learn a few new things about these visitors from beyond.
Recording? Yes

Instructor: Lisa Morton

  • 2020 November 9 — Done to Death

With novels on the bestseller lists and movies winning Academy Awards, the horror genre is hotter than ever. But if you want your fiction to stand out from the pack, you need to do more than offer readers retreads of well-worn stories of monsters, ghosts, and demons. You need to write horror that’s original and captivating – horror only you can write. This workshop will teach you how to avoid clichés when writing horror and dark fantasy and create stories that are fresh and exciting.
Recording? Yes

Instructor: Tim Waggoner

(5) MANY TRIALS. In “Truths Too Terrible: On Arthur Schnitzler and Franz Kafka”, LA Review of Books presents an excerpt  from Adam Kirsch’s The Blessing and the Curse: The Jewish People and Their Books in the Twentieth Century.

… It would be wrong to say that The Trial is “really” about antisemitism, as if the work’s many other theological and political dimensions were unreal. But it was his experience of being a modern European Jew at a time of profound Jewish crisis that gave Kafka such an immediate experience of the alienation and isolation, the helplessness and guilt, that would become central to the experience of so many people in the 20th century. Jewishness, he suggests, is not a unique fate but an extreme one, which equips the writer — at least, when the writer is Kafka — to see truths too terrible for most people to recognize until it is too late.

(6) MAPPING DYSTOPIA. BookRiot recommends “8 Science Fiction Novels By Authors Of Color For The End Times”. Up first –

RIOT BABY BY TOCHI ONYEBUCHI

Onyebuchi’s first book for adults is about police brutality, being Black in the United States, and family. It begins with the 1992 L.A. Riots (which give the book part of its title), but it doesn’t stop there. Instead, it plows right past us into a near-future alternate reality. With its multifaceted exploration of incarceration and systemic racism, it couldn’t be more timely. It’s a beautiful and powerful book that uses sci-fi to address the very dystopian elements of today’s sociopolitical landscape. You should read it. Now. 

(7) SPEAKING OF. “Powell’s Books Presents Rebecca Roanhorse in Conversation With Tochi Onyebuchi” on October 14. Register at the link.

…Roanhorse has created an epic adventure [Black Sun (Gallery/Saga), the first book in the Between Earth and Sky trilogy] exploring the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in the most original series debut of the decade. Roanhorse will be joined in conversation by Tochi Onyebuchi, author of Riot Baby and War Girls.

 (8) JANET FREER OBIT. Janet Freer, a literary agent for leading New Wave sf writers and others, has died at the age of 89. Her daughter wrote in The Guardian:

…Janet began work as a commercial artist before starting her publishing career in London around 1962. She spent several years in the sales department at Panther Books and then joined Scott Meredith Literary Agency for a short while before setting up her own agency. Janet Freer Literary Agency specialised in SF/fantasy and represented new-wave SF writers such as Michael Moorcock, Harlan Ellison, Christopher Priest and Thomas M Disch, and others associated with the SF magazine New Worlds in the60s.

In the early 70s, Janet joined Michael Bakewell and Diana Tyler at MBA Literary Agents. She represented an impressive list of authors during that time, including Anne McCaffrey, Anne Perry and Ursula K Le Guin for the UK market.

(9) MEDIA ANNIVERSARY.

  • Sixteen years ago, Kage Baker’s “The Empress of Mars” novella won the Theodore Sturgeon Award and was nominated for the Hugo Award for Best Novella (Vernor Vinge‘s “The Cookie Monster“ would win) as well as the Nebula Award for Best Novella which was won by Eleanor Arnason’s “The Potter of Bones”. It was first published in the July 2003 issue of Asimov’s Science Fiction. It would be expanded into a novel five years later. You can hear Kage reading it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 11, 1782 – Steen Blicher.  Pioneer of the novella in Danish; “the first of Danish literature’s great storytellers … one of [its] few tragic poets” (Baggesen, Blicher’s Short Stories, 1965) (in Danish).  “The Rector of Veilbye” (1829, English 1907, named to the Cultural Canon of Denmark 2006) has implied supernatural elements, see here.  (Died 1848) [JH]
  • Born October 11, 1922 – Garry Edmondson.  A dozen novels for us, as many shorter stories.  Also Westerns.  Wrote under several names besides his own José Mario Garry Ordoñez Edmondson y Cotton.  A Marine in World War II.  Spoke six languages.  Gardner Dozois called The Ship That Sailed the Time-Stream a classic.  (Died 1995) [JH]
  • Born October 11, 1940 Caroline John. Liz Shaw, companion to the Third Doctor. Shaw was a brilliant scientist, unusual for a companion. She returned for The Five Doctors. And she would reprise her character in the Big Finish audio works. Later she played the role of Laura Lyons in the BBC adaptation of The Hound of the Baskervilles, opposite Tom Baker as Holmes. (Died 2012.) (CE) 
  • Born October 11, 1944 – Julek Heller, 76.  Eighty covers, fifty interiors.  Here is The Titus Books.  Here is a Robinson Crusoe.  Here is a Sleeping Beauty piano picture-book.  Here is an Enchanted Horse.  Here is an interior for Jack and the Beanstalk.  [JH]
  • Born October 11, 1945 – Gay Haldeman, 75.  Master’s degrees in Spanish Literature and in Linguistics.  Taught thirty years at the Mass. Inst. Tech. Writing Center.  Toastmaster at ConFusion 1981 (“Nine Billion Names of ConFusion”), 1992 (“Hardwired ConFusion”).  Guest of Honor (with husband Joe) at e.g. Finncon 2007, ICON 43.  Skylark award.  Big Heart, our highest service award.  Here she is on a panel at the 60th Worldcon looking back at the 26th.  [JH]
  • Born October 11, 1949 Sharman DiVono, 71. She was the primary writer of the Star Trek comic strip from a year in the early Eighties.  She’s written a number of other strips such as Pebbles and Bamm-Bamm The Man from Planet X and Tarzan. She has written for three animated series — G.I. JoeBill & Ted’s Excellent Adventures and Star Wars: Droids. She’s written one genre novel, Blood Moon. (CE) 
  • Born October 11, 1960 Nicola Bryant, 60. Well-known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course, she’s done Big Finish Doctor Who audio dramas. (CE)
  • Born October 11, 1965 Sean Patrick Flanery, 55. I think that his best work was on The Young Indiana Jones Chronicles and the films that followed. It certainly wasn’t as Bobby Dagen in Saw: The Final Chapter, a film best forgotten. He appeared as Jake Greyman in Demon Hunter, a low budget horror film, and as John in The Evil Within.  (CE) 
  • Born October 11, 1972 —  Claudia Black, 48. Best remembered for being Aeryn Sun in Farscape, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in the Containment series. (CE) 
  • Born October 11, 1972 – Nir Yaniv, 48.  Author, editor, musician, filmmaker.  Founded the Webzine for the Israeli Society for Science Fiction & Fantasy.  A novel, ten shorter stories.  See this Strange Horizons interview with him about The Universe in a Pita.  [JH]
  • Born October 11, 1976 Emily Deschanel, 43. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. (CE)
  • Born October 11, 1984 – Jaymin Eve, 36.  Eight novels with Leia Stone (Anarchy USA Today Best Seller), five and a novella with Jane Washington, a score solo, in nine universes.  Paranormal fantasy.  More outside our field.  “I grew up in a little country town [in Australia], and the library was my favorite place in the world.”  [JH]

(11) COMICS SECTION.

(12) MAGNIFICENT SEVEN. So we expect, when Shift, the new UK anthology comic, is launched in newsagents and comic shops around the UK on October 29.

Featuring the best in independent creator owned stories from new talent and seasoned veterans (including Jim Krueger, Brian Haberlin, Steve Yeowell, Simon Furman, Scott Morse and many more) – there’s something for everyone with a a diverse array of exciting and thought-provoking stories

Seven stories, ongoing titles, creator interviews, articles and more..

Foot Soldiers – Jim Krueger (Earth X, Justice, Marvels X), Steve Yeowell (Zenith, The Invisibles, Sinister Dexter)

To The Death – Simon FurmanGeoff Senior. Acclaimed Transformers creative team, and creators of Marvel’s Death’s Head

Kora – Chris Geary (Ace’s Weekly)

Soulwind – Scott Morse (Littlegreyman, Elektra: Glimpse and Echo, Catwoman, Sam and Twitch)

Shifter – Brian Haberlin (Witchblade, Aria), Brian Holguin (Spawn), Skip Brittenham, Geirrod van Dyke, Kunrong Yap

Tiny Acts of Violence – Martin Stiff (The Absence)

Hungerville – Warwick Fraser-Coombe (The Shadow Constabulary, Interzone)

Pre-order at The Shift Store, or add to a subscription at GetMyComics.com where 5 or 10 issue pre-pay subscription offers are available.

(13) D&D LIGHT OF OTHER DAYS. The Believer has posted on its site “Destroy All Monsters” by Paul La Farge, first published in 2006, which combines a history of Dungeons and Dragons with a report on the 2005 Gen Con and an interview with D&D co-creator E. Gary Gygax.

…The appeal of D&D is superficially not very different from the appeal of reading. You start outside something (Middle Earth; Dickens’s London; the fascinating world of mosses and lichens), and you go in, bit by bit. You forget where you are, what time it is, and what you were doing. Along the way, you may have occasion to think, to doubt, or even to learn. Then you come back; your work has piled up; it’s past your bedtime; people may wonder what you have been doing.

Once you set foot inside the cave, however, you see very quickly that D&D is quite different from a book, or movie, or soap opera. For one thing, there are a lot more rules….

(14) A SHORT HISTORY. In “The Hugo ceremony 2020, notes”, Lise Andreasen has extracted the chronology of what happened during this year’s virtual ceremony. Use it the next time you need to find something in the 3-1/2 hour Hugo video.

(15) THE REVIEWER’S ART. Links to several dozen reviews of sff from last week at Sweet Freedom in “Friday’s ‘Forgotten’ Books And More”.

(16) BLOCH RADIO SERIES. Now back in circulation at Audiophile Archive, two episodes ofRobert Bloch’s Stay Tuned For Terror radio drama series.

As a huge fan of old time radio and Robert Bloch, this series has been my white whale for years. 39 fifteen-minute episodes, all adapted by Bloch himself from his own short stories? Sounds amazing — but unfortunately there’s been no episodes in circulation — until now! Huge thanks to OTR collector/historian David Lennick who discovered two episodes on a disc he got decades ago and was generous enough to send me the programs in WAV. 

More information on the series in these notes at the Internet Archive:

…Bloch prepared 39 short stories with accompanying radioplay scripts, Johnny Neblett formed his first production company to produce it, and Bloch’s friend Howard Keegan–director of many of the Lights Out productions–signed on to direct the program. Neblett and Berle Adams persuaded Weird Tales Magazine to provide a tie-in to the magazine and promoted the new program as Weird Tales’ Stay Tuned for Terror, so as to leverage Bloch’s considerable fame and popular success with that print publication.

With corrections in a comment by reseacher Karl Schadow:

Enthusiasts of both Robert Bloch and radio horror programs are elated by the posting of this audio, the quality of which is superb. However, the history of this series as presented above contains some factual inaccuracies. For example, individual episodes were recorded at station WBBM and not WMAQ. This is important as producer Johnnie Neblett had established a rapport with WBBM via his first series So The Story Goes which had been broadcast by that station since 1943, the year Neblett Radio Productions was founded. Thus, his firm had been in existence two years prior to the recording and subsequent release of Stay Tuned for Terror.

There was no conspiracy regarding the Wisconsin newspaper radio logs of Stay Tuned for Terror. The series was recorded during the early months of 1945 and released late in the spring of that same year. The newspapers accurately printed details provided to them by Chicago station WMAQ which broadcast the program for thirteen weeks.

Despite the death of Johnnie Neblett in September of 1946, Stay Tuned for Terror continued to be distributed throughout the remainder of the 1940s and into the 1950s by various firms headed by James Doolittle (Craig Dennis), Berle Adams and Rush Hughes. Neblett had sold out his share of the enterprise to James Doolittle in October of 1945….

(17) ACTION! Someone on eBay will be happy to sell it fo $4,200: “2003 Clapperboard For – Lord Of The Rings – Return Of The King” .

(18) VIDEO OF THE WEEK. “The Joker:  Put On A Happy Face” on YouTube is a 2020 documentary that includes interviews with four actors who played the Joker (Jack Nicholson, Mark Hamill Jared Leto, and Joaquin Phoenix) and many writers of Joker scripts, including the Joker’s co-creator, Jerry Robinson, Frank Miller, and Denny O’Neil.

[Thanks to JJ, Martin Morse Wooster, Lise Andreasen, Cat Eldridge, Mike Kennedy, Andrew Porter, John King Tarpinian, John Hertz, Karl Schadow, Todd Mason, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]