24 One Scroll, Furnished In Early Pixelry

Posted on April 11, 2024 by Mike Glyer

(1) IT PAYS TO BE A GENIUS OF COURSE. The Steampunk Explorer updates fans about the Girl Genius Kickstarter:

Call it mad science or just good storytelling, but Phil and Kaja Foglio are blazing through Kickstarter with their latest Girl Genius graphic novel. The campaign for An Entertainment In Londinium reached its US$50,000 funding goal within 24 hours and is now in six-figure territory. It launched on April 3.

Stretch goal rewards include the “Envelope of Madness” with bookplates, bookmarks, and other printed items. Backers will also get PDF downloads of Volumes 12 through 14. All Girl Genius titles are now available for 50 percent off from DriveThru Comics through May 5.

The campaign itself runs through May 1. See the Kickstarter page for more info.

(2) OCTOTHORPE. Episode 107 of the Octothorpe podcast unpacks“The Significance of the Acorn”.

At Eastercon we welcomed Stunt Liz, Nicholas Whyte, to the podcast for the first time, and he brought an excellent tartan rocket! We discuss Glasgow 2024’s April Fool’s Day joke, before moving onto the Hugo Award finalists, what we think of Telford, and chatting about a lot of British TV.

Transcript here.

(3) HUGE RESPONSE. “’Joker 2′ Trailer Hits 167 Million Views in First 24 Hours” reports Variety.

The trailer launch for “Joker: Folie à Deux” was no laughing matter for Warner Bros. The marketing for the studio’s upcoming DC sequel, headlined by Joaquin Phoenix and Lady Gaga, got off to a stellar start with 167 million viewers in its first 24 hours. The teaser trailer went online right after it debuted at Warner Bros.’s CinemaCon presentation in Las Vegas.

Sources tell Variety that the “Joker” sequel’s trailer numbers and social engagement surpassed that of the first “Barbie” trailer to become Warner Bros.’ biggest launch in recent years. The release was no doubt bolstered by Lady Gaga’s massive 150 million follower social media footprint. The trailer instantly became the #1 trending video on YouTube on premiere night and currently boasts 15.6 million views and counting on that platform alone, where it remains the #4 trending video nearly two days after its launch…

(4) ANOTHER DISNEY CASTING KERFUFFLE. [Item by Mike Kennedy.] OK, this has gotten out of hand. It seems like every time there’s a movie remake (especially a Disney remake) somebody has to find way to get all bent out of shape about casting. Much of the time, a racist way.

But this time they jumped the gun extra early. There’s a rumored casting of a live action remake for Disney’s Tangled. But, let’s be clear, there’s no further rumor of the remake itself, just the casting.

So now some people online are jumping all over the actress (Avantika Vandanapu) who happens to be Indian-American. Because reasons. Stupid, racist, reasons.

As one online commentator said, the haters seriously “still need a hobby.” “Avantika Vandanapu receives backlash for rumored casting as Rapunzel in ‘Tangled’ remake” says Variety.

…Although Avantika’s rumored casting received criticism from some on social media, fans also showed support for the “Senior Year” actress.

“These comments are so awful. I’m so sorry girl you are perfect,” one Instagram user wrote, while another added, “She is my Rapunzel ❤”

“Never Have I Ever” star Maitreyi Ramakrishnan also appeared to weigh in on the online controversy, writing on X Tuesday, “And they finally woke up to realize it was all just rumors and the sources never existed. … And to the racists, y’all still need a hobby (for real)”…

(5) ELUSIVE BRADBURY COLLECTION. Episode 2 of Phil Nichols’ Bradbury 101, first aired in 2021, is devoted to a rare OP anthology.

DARK CARNIVAL is Ray Bradbury’s great “lost” book, one of his finest short story collections. But it’s out of print, and has been for decades! Find out why in this episode..

(6) TRINA ROBBINS (1938-2024). Trina Robbins, artist, writer and editor of comics, died April 10. The New York Times has a biographical tribute.

…In 1970, Ms. Robbins was one of the creators of It Ain’t Me Babe, the first comic book made exclusively by women. In 1985, she was the first woman to draw a full issue of Wonder Woman, and a full run on a Wonder Woman series, after four decades of male hegemony. And in 1994, she was a founder of Friends of Lulu, an advocacy group for female comic-book creators and readers….

…Ms. Robbins was responsible for the first publication of some notable cartoonists in The East Village Other, including Vaughn Bode and Justin Green, but she took particular pride in the women’s anthologies she edited and co-edited, and in their explicitly feminist content: It Ain’t Me Babe Comix, Wimmen’s Comix and the erotic Wet Satin.

She also designed the famously skimpy outfit for Vampirella, a female vampire who appeared in black-and-white comics beginning in 1969 — although her design was not as skimpy as the costume later became. “The costume I originally designed for Vampi was sexy, but not bordering on obscene,” Ms. Robbins told the Fanbase Press website in 2015. “I will not sign a contemporary Vampirella comic. I explain, that is not the costume I designed.”…

Prior to her career in comics, Robbins was a clothing designer and seller, and for awhile a pinup model. She was in contact with fandom in the Fifties and Sixties, and posed for the cover of an issue of Fanac, the fannish newzine, wearing a propellor beanie and with her feminine attributes strategically covered by a copy of Fancyclopedia.

Harlan Ellison and Trina Robbins at the 1955 Midwestcon.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 11, 1920 — Peter O’Donnell. (Died 2010.) London-born Peter O’Donnell was the creator of the Modesty Blaise comic strip along with illustrator Jim Holdaway sixty-one years ago. She has no past as she doesn’t remember anything about her life before escaping from a displaced persons camp in Greece after WW II at the age of fifteen. She runs a criminal gang called The Network, and takes her last name from Merlin’s tutor. Her sidekick, of course she has one, is Willie Garvin, to give a bit of friendship in her life.

Peter O’Donnell from the rear dustjacket flap of the Archival Press edition of The Silver Mistress. Photo by Robert K. Wiener.

O’Donnell and Holdaway met when they worked together on a strip about Romeo Brown, a dashing private detective and reluctant ladies’ man, that ran in the tabloid Evening Standard for most of the Fifties. Blaise, too, would run here. It was quickly picked up globally running in the US, Australian, Indian, South African, Malaysian and other papers as she had a great appeal.

After Holdaway’s death in 1970, the art was by Spanish artist Enrique Romero. He would leave eight years later with three artists replacing him until he came back until the end of the strip with it still running in the Evening Standard thirty-eight years after it debuted.

Yes, it became a film which came just three years into the running of the strip. My did it piss O’Donnell off. Why so? Because he was hired to write the script which they then shitcanned and wrote a new one that had almost nothing to do with characters, the storyline or, well, anything else with the strip. Remember that friendship between her and Willie? Here it becomes full blown romance. And that’s just one of many, many changes.

A later film, Modesty Blaise, would be done as a pilot for a series that never happened and yet another film, My Name is Modesty Blaise, would be done for yet another series that never happened. The one had O’Donnell as a consultant and he liked it.

My Name is Modesty Blaise would be the only one with a British actress as the first had an Italian actress. Now Modesty wasn’t necessarily British as O’Donnell repeatedly said her nationality was deliberately not revealed.

I’ve not touched upon the plethora of books, short stories, graphic novels and original audiobooks that came of these characters in the part sixty years, and I’ll skip detailing them here.

So there you are. I did enjoy the strip when Titan, one of many who did, collected them in trade editions. I think there’s at least fifty trade paper editions available right now on Amazon.

(8) COMICS SECTION.

Heart of the City has a road reporting form with many options
Off the Mark is about a close encounter of the bad kind.
Reality Check cross-breeds universes.
Red and Rover analyze the usual question.
Arctic Circle delivers an AI solution.

(9) BE KIND TO YOUR WEB-FOOTED FRIENDS. This July, Marvel and Disney honor the 90th anniversary of Donald Duck and the 50th anniversary of Wolverine with an unexpected mashup adventure—Marvel & Disney: What If…? Donald Duck Became Wolverine #1.

Crafted by two acclaimed Disney comic creators, writer Luca Barbieri and artist Giada Perissinotto, MARVEL & DISNEY: WHAT IF…? DONALD BECAME WOLVERINE #1 is the latest comic book collaboration between Marvel and Disney following the What If…? Disney Variant Covers of the last few years and the highly anticipated Uncle Scrooge and the Infinity Dime #1 one-shot comic out this June. Fans can look forward to even more exciting crossovers between Marvel heroes and Disney icons throughout this year and next!

The comic will introduce Donald-Wolverine along with all sorts of reimagined Disney and Marvel mashups in a wild adventure inspired by one of Wolverine’s most memorable story arcs, Old Man Logan. In addition, the saga will revisit some of the greatest moments in Donald-Wolverine’s history including his time spent with Weapon X and the Uncanny X-Men!

Travel to the near future where chaos rules as Pete-Skull transforms Duckburg into a super-hero-less wasteland. Only Old Donald Duck can turn the tide, but he’s given up his battling days and prefers naps and his grandma’s apple pie over fighting villains. But when Mickey-Hawkeye comes knocking at the door with Goofy-Hulk at his side, Wolverine-Donald has to make a choice! Will a trip down memory lane change his mind to save the world? Or will the lure of the backyard hammock and a long nap keep him from popping his claws one last time?

(10) FOLLOWING GODZILLA’S ACT. Variety learns, “‘Monarch: Legacy of Monsters’ Renewed, Multiple Spinoffs Set at Apple”.

“Monarch: Legacy of Monsters” has been renewed for Season 2 at Apple TV+, Variety has learned.

In addition, Apple has struck a deal with Legendary Entertainment to develop multiple spinoff series set in the so-called Monsterverse….

…The official description for Season 1 states: “Following the thunderous battle between Godzilla and the Titans that leveled San Francisco and the shocking revelation that monsters are real, ‘Monarch: Legacy of Monsters’ tracks two siblings (Sawai, Watabe) following in their father’s footsteps to uncover their family’s connection to the secretive organization known as Monarch. Clues lead them into the world of monsters and ultimately down the rabbit hole to Army officer Lee Shaw (Kurt Russell, Wyatt Russell), taking place in the 1950s and half a century later where Monarch is threatened by what Shaw knows.”…

(11) SO WE’LL WALK UP THE AVENUE. “They Made a Movie About a Pack of Sasquatches. Why?” The New York Times asks the filmmakers.

…An earthquake and an eclipse weren’t the only natural rarities that happened in New York City this past week. Did you hear about the sasquatch in Central Park? The makers of “Sasquatch Sunset” sure hope you did.

That’s because the sasquatch was a costume and his stroll through the park was a publicity push for the new film from the brothers David and Nathan Zellner. Opening in New York on Friday, the movie spends a year in the wild with a sasquatch pack — a male and female (Nathan Zellner and Riley Keough) and two younger sasquatches (Jesse Eisenberg and Christophe Zajac-Denek) — as they eat, have sex, fight predators and reckon with death.

Droll but big-hearted, the movie sits at the intersection of the ad campaign for Jack Link’s beef jerky, the 1987 comedy “Harry and the Hendersons” and a 1970s nature documentary, down to the hippie-vibe soundtrack.

…Is it a family-friendly movie?

KEOUGH It depends on the family. [Laughs] I think the audience is everybody. It might be scary for small children.

DAVID ZELLNER It’s rated R for nudity, which is the funniest thing.

(12) CATS AND DOGS LIVING TOGETHER. Meanwhile, Camestros Felapton has fled the country, leaving behind to distract pursuers “McEdifice in: MYCOPHAGE! Part 1”.

Cliff “Edge” McEdifice is MYCOPHAGE the intoxicating new thriller from Timothy the Talking Cat, Straw Puppy and the ghost of Michael Crichton.

It is the Year 1995 and Cliff “Edge” McEdifice (ancestor of future soldier Chiselled McEdifice) is entangled in a web of conspiracy, tendrils and webs.

(13) NEXT TREK. “Star Trek Origin Movie Officially Announced By Paramount For 2025 Release” at ScreenRant.

Paramount Pictures officially announces the next Star Trek movie, which is scheduled to arrive in theaters in 2025. As reported in January, the next Star Trek movie isn’t the long-delayed, Chris Pine-led Star Trek 4 produced by J.J. Abrams, which remains in development at Paramount. Rather, the next Star Trek movie is an origin story directed by Toby Haynes (Star Wars: Andor) and written by Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter).

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Arnie Fenner, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/11/23 The Pixel. It Destroyed Its Scroll. Yes. YES. The Pixel Is Out

Posted on June 11, 2023 by Mike Glyer

(1) THESE FEET ARE MADE FOR WALKING. How have I not covered this before? The North American Bigfoot Center in Boring, Oregon.

The Exhibit Halls are an admission area. Dozens of displays feature a wide array of bigfoot evidence and historical artifacts. Our life-sized sasquatch replica (nicknamed “Murphy”) acts as a centerpiece of the exhibit hall and is a popular backdrop for family photos. We feature short documentaries and films in our small theater, as well as on the displays themselves.

(2) AGREE OR DISAGREE? Inverse writer Ryan Britt insists “You Need To Watch The Most Misunderstood Sci-Fi Movie On Netflix ASAP”.

…Saying Dune was bad in 1984 because it was either too dense or not enough like the book, isn’t a great criterion, because there are so many other examples of great sci-fi/fantasy adaptations that work in spite of (or because of?) these kinds of so-called flaws. Game of Thrones is pretty dense, and people love that. Meanwhile, again, Blade Runner is a rowdy departure from Philip K. Dick’s novel, Do Androids Dream of Electric Sheep? and that’s probably why it’s good. Plus, it bears mentioning here that the actual events of the film, in the broad strokes, do unfold pretty much the way Herbert wrote it. And, leading up to the film’s release, Herbert’s praise of Lynch was effusive, calling it a “visual feast” and saying that Lynch captured many of his scenes perfectly, with “some of them [scenes] … better” than in his novel.

Okay, so, perhaps you’re now convinced that it’s not cool to hate on the Dune 1984 from a Frank Herbert-purist point of view. Perhaps you’re also now convinced that this was a noble attempt with all the best intentions. This still might not convince you to fire it up on Netflix. You’ve heard (or remember) that aspects of the film are rough and haven’t aged well. Here’s the thing: You’re right. This Dune is rough, and some of it really doesn’t work. It’s tonally incongruous at times, and yes, you sometimes do feel the movie rushing through the plot points, which is weird because, at other times, the movie feels slow….

Yeah, by the time I happened to wind up seated behind Frank Herbert at the 1985 Hugo ceremony I’d heard he liked the movie a lot, so I had to forgo making any Mystery Science Theatre 3000-style jokes to the fan beside me while the trailer ran. (Right, MST3K didn’t even start airing for another three years, but you know what I mean.)

(3) ACCOUNTANTS NOT ACCOUNTABILITY. “Jurassic Park at 30: Spielberg’s sleek blockbuster remains a grave warning” says the Guardian’s Scott Tobias.

In the face of various leadership disasters, it’s become common meme-ing practice in recent years to note that the mayor of Steven Spielberg’s Jaws – the man who wanted to keep the beaches open, even as a Great White was feasting on a buffet of tourists – is still the mayor in Jaws II. Point being, there are rarely any consequences to arrogance and ineptitude, especially if a person has a certain folksy charisma and is only considered guilty of pursuing the almighty dollar.

The world is run by the mayors of Jaws. And when Spielberg adapted Michael Crichton’s bestselling sci-fi/adventure Jurassic Park, he found another one in Dr John Hammond, an avuncular industrialist who rushes to make a theme park out of cloned dinosaurs. As played by Richard Attenborough, Hammond is a white-bearded grandpa with a twinkle in his eye, eager to open a prehistoric zoo where no expense was spared but all corners were cut. It’s hard to understand him as a villain, though, because Spielberg sees a little of himself in a commercial visionary bringing wonders to the masses. He’s just another fool in charge.

Thirty years later, Jurassic Park has only burnished its reputation as one of Spielberg’s finest blockbusters, despite sequels and reboots that keep discovering new frontiers in insulting an audience’s intelligence. But as technology continues to advance, there are more John Hammonds than ever, promoting an astounding future that can feel like an endless beta test, full of bugs that these self-styled geniuses have no ability to anticipate, much less resolve. Though the film feels like Jaws 2.0 in many respects, it also finds Spielberg in a slyly cynical, even self-lacerating mood: he knows what it’s like to create eye-popping spectacles that can be merchandized on T-shirts and lunch boxes. Hammond is his worst image of himself….

(4) THE MONEY KEEPS ROLLING IN. Seems like a strange juxtaposition of articles to follow the digs at Jurassic Park capitalism with this report from Variety that “’Spider-Verse 2′ Surpasses Box Office Gross of First Film in 12 Days”. And few enjoy a strange juxtaposition more than I do…

After less than two weeks of release, “Spider-Man: Across the Spider-Verse” has surpassed the entire box office run of its predecessor, 2018’s Oscar-winning “Spider-Man: Into the Spider-Verse.”

Over the weekend, the comic book sequel hit $226 million in North America and $390 million globally. It now stands as Sony’s highest-grossing animated release in history. The original film, also a box office winner, tapped out with $190 in North America and $384 million globally.

Despite competition from Paramount’s “Transformers: Rise of the Beasts,” which opened to $60 million and targets a similar audience of younger males, “Spider-Verse” added $55 million in its second weekend of domestic release, a decline of 55% from its huge $120 million debut….

(5) YOUR MONEY’S WORTH. Entertainment Weekly talks to everyone involved in the live action, stunts, and effects to learn “How Rings of Power crafted that stunning battle sequence”.

…Here, some of the filmmakers behind The Rings of Power’s biggest episode break down how they crafted that epic battle sequence — from complicated stunt work to careful cinematography. Directed by Charlotte Brandstrom, the episode is entirely centered in the Southlands of Middle-earth, where elf Arondir (Ismael Cruz Córdova) and human Bronwyn (Nazanin Boniadi) lead a scrappy band of villagers as they fight back against a horde of invading orcs. Later, the regal Númenórean cavalry arrives, led by Cynthia Addai-Robinson’s queen-regent Míriel, setting up a grand clash on horseback.

It’s a massive moment, where multiple story lines converge for the first time. Much of the action is centered in the Southlands village, and the production team constructed the set from scratch, nestled into a bucolic valley in New Zealand. Legendary stunt coordinator and second unit director Vic Armstrong remembers wandering around the set while it was still being built, sketching out action sequences in his head. “That’s the moment I like best, getting creative and dreaming up ideas,” he says with a smile. “It’s like you have to deliver a big cake, and the location tells you what the ingredients are, so you can build up to that lovely tasty cake at the end.”…

(6) MEMORY LANE.

2015 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Canadian author Leah Bobet this time and she is someone that I’d never, as far as I can remember, heard of. She was the last editor of the online Ideomancer zine (fiction, poetry and reviews) which you can read here.

She also contributed quite a bit of fiction to Shadow Unit, the collaborative story created by Elizabeth Bear and Emma Bull.

Our Beginning is An Inheritance of Ashes: A Novel which is also that which gave her the only Awards she has to date, a Prix Aurora Award and the Sunburst Award for Excellence in Canadian Literature of the Fantastic. The latter think this is a Young Adult novel.

It is but one of two novels to date, the other being Above. She’s written much, much more short fiction, some forty pieces to date, and thirty-six poems as well.

Now that Beginning…

PROLOGUE

Eight Years Before, Midsummer

“HALLIE?” THE VOICE WHISPERED AROUND THE BROKEN chairs and cobwebs, and I breathed out because it wasn’t my father.

Uncle Matthias edged past the snapped spinning wheel, over a pile of fishing nets set aside for mending. “You can come out, sweetheart,” he said. “It’s over.” My ears still rang with Papa’s roaring swears, with Uncle Matthias’s voice pitched low to cut. They didn’t bother whispering anymore when they fought. Marthe had nudged her foot against mine—I’m right here—when Papa started to growl, but I wasn’t half as big or strong as my older sister. When the first dish had flown, I’d run for the smokehouse—and I hadn’t looked back.

Deep behind my junk barricades, I swallowed. “Who won?”

“Nobody.” Uncle Matthias’s light steps stopped in front of me. “It doesn’t matter anymore.”

I scowled. Of course it mattered. I would feel that win or loss in the weight of Papa’s footsteps on our farmhouse floorboards, in whether being slow on my chores tomorrow would mean an indifferent smile or a bucket of water across the face. I peeked out from behind the scratched table leg. “Who won?”

Uncle Matthias sighed. “Your father did,” he said, and my shoulders sagged with relief. “Come sit with me, kiddo. You’ll get splinters down there.”

My uncle’s careful hands lifted me from my tangled fortress, carried me—even though I was much too big for carrying—to Great-grandmother’s red brocade stool. He set me down gently, a thin, hardy brushstroke of a man, and I pulled my knees up to my chest. There were new islands in the mess of the smokehouse floor: clothes, tools, two pairs of walking boots.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 11, 1927 — Kit Pedler. In the mid-1960s, Pedler, who was a scientist, became the unofficial scientific adviser to the Doctor Who production team. He would help create the Cybermen. In turn, he wrote three scripts for the series: “The Tenth Planet” (with Gerry Davis), “The Moonbase” and “The Tomb of the Cybermen” (also with Gerry Davis). Pedler and Davis also created and co-wrote Doomwatch which ran for three seasons on the Beeb. (Died 1981.)
Born June 11, 1933 — Gene Wilder. The first role I saw him play was The Waco Kid in Blazing Saddles. Of course, he has more genre roles than that starting out with Willy Wonka in Willy Wonka & the Chocolate Factory followed by Blazing Saddles and then Dr. Frederick Frankenstein in Young Frankenstein. He was Sigerson Holmes in The Adventure of Sherlock Holmes’ Smarter Brother, a brilliantly weird film who cast included Marty Feldman, Madeline Kahn, Dom DeLuise, Roy Kinnear and Leo McKern! I’ve also got him playing Lord Ravensbane/The Scarecrow in The Scarecrow, a 1972 TV film based based on Nathaniel Hawthorne’s short story, “Feathertop”. (Died 2016.)
Born June 11, 1945 — Adrienne Barbeau, 78. Swamp Thing with her is quite pulpy. She’s also in the Carnivale series, a very weird affair that never got wrapped up properly. She provided the voice of Catwoman on Batman: The Animated Series. And she was in both Creepshow and The Fog. Oh and ISFDB lists her as writing two novels, Vampyres of Hollywood (with Michael Scott) and presumably another vampire novel, Love Bites. Anyone here read these?
Born June 11, 1959 — Hugh Laurie, 64. Best known as House to most folks which I just watched in its entirety. His most recent genre role was as Mycroft Holmes in the Holmes and Watson film. He’s had past genre roles in The Borrowers, the Stuart Little franchise, Tomorrowland, Blackadder: Back & Forth and Randall & Hopkirk (Deceased). He also appeared in Blackadder.
Born June 11, 1968 — Justina Robson, 55. Author of the excellent Quantum Gravity series which I loved. I’ve not started her Natural History series, so would be interested in hearing from anyone here who has. I was surprised that she hasn’t picked up any Hugo nominations so far, although her work has been up for other awards quite a few times.
Born June 11, 1970 — Jane Goldman, 53. She’s a English screenwriter, author and producer who’s done a lot of work but I’m going to list but a few of her works including the screenplay for the Hugo winning Stardust, the same for Miss Peregrine’s Home for Peculiar Children, based on the Ransom Riggs novel, The Limehouse Golem screenplay off Peter Ackroyd’s novel and a screenplay on spec off Bill Willingham’s Fables series that never got financed. She was also a fan of the X-Files as she wrote two volumes of The X-Files Book of the Unexplained.
Born June 11, 1971 — P. Djèlí Clark, 52. I’m very much enjoying A Master of Djinn which made my Hugo nominations list. It follows his “The Haunting of Tram Car 015” novella, a 2020 Hugo finalist, and “The Angel of Khan el-Khalili” and “A Dead Djinn in Cairo”, short stories, all set in his Dead Djinn universe. I’ve not read his “Black Drums” novella which garnered a Hugo nomination at Dublin 2019, nor the “Ring Shout” novella which got a Hugo nomination at DisCon III, so I welcome opinions on them. And I see his “The Secret Lives of the Nine Negro Teeth of George Washington” short story also got a 2019 Hugo nomination.

(8) COMICS SECTION.

Crabgrass relates Toy Story’s impact and delivers a bonus sff reference.
Lola shows one dog’s idea of a safety precaution.
Wallace the Brave demonstrates how a little imagination can be very motivating.

(9) I ALREADY GET IT, THANKS. MSN.com has the “10 Weirdest Punchlines in Far Side Comics History” – and their explanation for every joke is something I promise you can be safely skipped.

(10) IT’S A MASSACRE. Mashable names “Every TV show that’s been canceled in 2023 so far, from ‘Avenue 5’ to ‘Ziwe’”.

As we reach the midpoint of 2023, it’s time to take a look back at the scripted dramas, comedies, and genre-bending series that have been taken off our weekly TV schedules. The wave of cancellations can be attributed to a myriad of factors including the ongoing Writers Guild of America strike or streaming services looking to save a few bucks in tax money….

There are four genre casualties from this provider alone:

HBO / Max

Avenue 5 – Canceled after 2 seasons
Doom Patrol – Canceled after 4 seasons
Pennyworth – Canceled after 3 seasons
Titans – Canceled after 4 seasons

(11) GOING ONCE, GOING TWICE. John Scalzi put up two photos and — at least among his commenters — it’s not at all close which one they want to be his official author photo.

That said, I really do like this photo of me. pic.twitter.com/Ze8sguFbuX
— John Scalzi (@scalzi) June 9, 2023

(12) SPACE TO WRITE. “Why Wouldn’t NASA Want to Use Pencils in Space? Here’s The True Story” says Science Alert.

…But why such a big brouhaha in the first place?

As it turns out, there are certain things that you don’t want floating around in space. Pencil detritus is one of them. The lead could snap off, which presents a hazard; but neither do you want flammable wood shavings floating loose in a spacecraft, or the microscopic particles of electrically conductive graphite that shed from a pencil as it writes.

Any minute particles that can get lodged in delicate machinery are a hazard in space, and the particles that come off pencils were cause for significant concern. Fire, in particular, is a serious safety issue in spacecraft, and one NASA doesn’t treat lightly after a fire killed all three members of the Apollo 1 mission in 1967.

The ballpoint pens of the time were also hazardous. The first commercially successful ballpoint pen was introduced in 1945, and the pens, according to Fisher Pen Company founder Paul C. Fisher, “leaked everywhere”. Droplets of ink are also not something you really want floating around a space capsule….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Kathy Sullivan, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 11/13/20 If You Like Pixel Scrolladas, And Getting Caught In The File

Posted on November 13, 2020 by Mike Glyer

(1) FOR CONRUNNERS. On Sunday, November 15, Virtual Convention Convention will be held — an event devoted to (guess who) convention runners of virtual conventions. Register at the link.

Steve Davidson sent the link and says, “I’ll be presenting on how I put AmazingCon’s scheduling together in a very short time-frame.”

(2) HAYAO MIYAZAKI NEWS. [Item by Martin Morse Wooster.] This is from an interview with Studio Ghibli co-founder Toshio Suzuki by Leo Lewis in the November 9 Financial Times.

Two weeks before our meeting in June, the studio (Studio Ghibli) had announced that Miyazaki’s son Goro was working on a CH animated adaptation of Diana Wynne Jones’s novel Earwig And The Witch, which is scheduled to be broadcast in Japan next month. But even more fascinating for Ghibli’s global fan base is the progress of the elder Miyazaki on How Do You Live?–his first film in the director’s chair since The Wnd Rises in 2013 and the reason he decided to come out of retirement. It was a decision, says Suzuki, that did not arise from any formal meeting of the company (“We never have those!” but from another of the daily chinwags between the two old friends.
Miyazaki, says Suzuki, has come into the office every day of the Covid crisis, even as the rest of the operation has had to be pared back and dependent on teleworking. The good news is that production has continued to some extent; the bad news is that because the maestro works at his own perfectionist pace, the film is at least three years away.”

Lewis talks about a video Suzuki made about how to draw Totoro that went viral. This is on the web as “Learn How To Draw Totoro From Studio Ghibli’s Former President.” He says he wanted to do something to cheer kids up at the height of the pandemic.

(3) ON THE RACK. Scott Edelman got a kick out of deconstructing the comics rack in this scene from The Queen’s Gambit.

Chess genius Beth Harmon enters a drug store in 1963 not that long after JFK's "Ich bin ein Berliner" speech and walks by a spinner rack which I can only share with you fuzzily because I can't seem to do screengrabs while watching @netflix. But you should be able to make out … pic.twitter.com/yGUzbzVMsV
— Scott Edelman (@scottedelman) November 13, 2020

… turn out to be the November 1991 Avengers and the February 1990 Spectacular Spider-Man. So there's clearly time travel taking place in this show! Or maybe it takes place in an alternate universe! Or maybe … I pay too much attention whenever a comic appears on the screen. pic.twitter.com/8lFDIKhhEd
— Scott Edelman (@scottedelman) November 13, 2020

And that issue of Casper at the top of the spinner rack has now been identified, thanks to old comics pal @JimSalicrup! It's issue #178, the March 1975 issue, on sale December 5, 1974, which is most definitely not 1963. So yet another decade has now been heard from. pic.twitter.com/faXJLGgvXQ
— Scott Edelman (@scottedelman) November 14, 2020

(4) COMING TO A MT. TBR NEAR YOU. “The best recent science fiction and fantasy – review roundup” in The Guardian. They begin the list with Christopher Priest –

In The Evidence (Gollancz, £20), Christopher Priest makes a welcome return to the Dream Archipelago, a string of islands where nothing is as it first appears. Thriller writer Todd Fremde is invited to lecture at the university in Dearth, a subpolar island that undergoes destabilising changes in space and time known as “mutability”. While on the island he is approached by a semi-retired police commissioner; she recounts the details of a murder that occurred 15 years earlier. Fremde investigates the killing on his return home, only to discover that aspects of her story do not tally with the known facts. He soon finds himself drawn into a series of baffling events that threaten to bring the killer to his doorstep. With characteristic literary playfulness, Priest presents both a compelling mystery – Fremde’s attempts to work out the objective truth of the cold case – and a treatise on the unreliability of subjective narrative. The Evidence is an unsettling, Kafkaesque tour de force.

(5) WORLDCON BID VIDEO. The Chengdu in 2023 Worldcon bid has put out a promotional video. President Obama’s in there for a split second. (But not his successor – they’re trying to win, after all.)

(6) MEDIA BIRTHDAY.

November 13, 1987 — The Running Man premiered. Directed by Paul Michael Glaser and starring Arnold Schwarzenegger, María Conchita Alonso and Richard Dawson. It‘s very loosely based on the novel of the same title written by Stephen King and published under the Richard Bachman pseudonym. It was a moderate box office success and currently rates 60% at Rotten Tomatoes. (CE)

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born November 13, 1850 – Robert Louis Stevenson. Had he written only the novella “Strange Case of Dr. Jekyll and Mr. Hyde”, it would have been enough for us. (Incidentally, the name is pronounced “Jee-kill”.) What he did in 25,000 words! The best discussion I know is Nabokov’s, see N’s Lectures on Literature (F. Bowers ed. 1980). The Master of Ballantrae is ours, and many shorter stories. I recommend “Markheim” for the characterization of its antagonist – but no spoilers. (Died 1894) [JH]
Born November 13, 1873 – Oliver Onions. You’ll expect me to recommend The Tower of Oblivion, and I do. Four more novels for us, three dozen others; three dozen shorter stories. He had been an amateur boxer and was a commercial artist; he sometimes did his own covers. (Died 1961) [JH]
Born November 13, 1888 — Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. While working in Philadelphia, he created and wrote the Buck Rogers comic strip, illustrated by Dick Calkins. Philip Nowlan, working for the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, was contracted to adapt the story into a comic strip. The strip made its first newspaper appearance on January 7, 1929. (Died 1940.) (CE)
Born November 13, 1898 – Walter Karig. Navy captain, seven books of naval history; three Nancy Drew books, five others of that kind; detective fiction; four general-interest novels; for us, Zotz! Read it, and when you discover the tragedy, you’ll see why the movie was different. (Died 1956) [JH]
Born November 13, 1930 — Adrienne Corri. Mena in “The Leisure Hive”, a Fourth Doctor story. She was also in A Clockwork Orange as Mrs. Alexander, Devil Girl from Mars, Corridors of Blood, The Tell-Tale Heart, Lancelot and Guinevere, Revenge of the Pink Panther and Moon Zero Two which is not a complete listing by any means. (Died 2016.) (CE)
Born November 13, 1933 – Jasia Reichardt, 87. Survived the Holocaust. Art critic, curator, teacher, gallery director; assembled the Francziska & Stefan Themerson archive. Famous for curating Cybernetic Serendipity at the Institute of Contemporary Arts, London; three related books. Robots: Fact, Fiction, and Prediction. Lectures, Our Dreams Change, We Don’t (2019). Many other books and articles. [JH]
Born November 13, 1946 – Marty Massoglia, 74. Chaired Loscon 4. Fan Guest of Honor at Tuscon 10, Penulticon 3. Forty years a leading bookseller. Teaches Regency dancing. Now in Tucson, Arizona. He looked like this at LoneStarCon 3 the 71st Worldcon. [JH]
Born November 13, 1948 — John de Lancie, 72. Best known for his role as Q in the Trek multiverse though I was quite fond of him as Janos Barton inLegend (if you’ve not seen it, go now and watch it). He also was Jack O’Neill enemy Frank Simmons in Stargate SG-1. He has an impressive number of one-offs on genre shows including The Six Million Dollar Man, Battlestar Galactica (1978 version), The New Twilight Zone, MacGyver, Mission: Impossible (Australian edition), Get Smart, Again!, Batman: The Animated Series, and I’m going to stop there. (CE)
Born November 13, 1953 — Tracy Scoggins, 67. Capt. Elizabeth Lochley on Babylon 5 and its follow-up series, the short-lived Crusade. See Neil Gaiman’s most excellent Babylon 5 episode “ Day of the Dead” for all you need to know about her. She was also Cat Grant in the first season of Lois & Clark, and she played Gilora Rejal, a female Cardassian, in “Destiny” a DS9 episode. (CE)
Born November 13, 1955 — Whoopi Goldberg, 65. Best known as Guinan the Barkeep in Ten Forward on Enterprise in Next Gen which she reprised in Generations and Nemesis. Other genre appearances include It’s a Very Merry Muppet Christmas Movie, Teenage Mutant Ninja Turtles and The Adventures of Rocky and Bullwinkle to name but a few of her appearances as she’s very busy performer! And she has one interesting sounding genre novel, Alice, based off that novel to her credit. (CE)
Born November 13, 1957 — Stephen Baxter, 63. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth serieswith Terry Pratchett. I’ve only read the first three but they are quite great SF! Ok, I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of awards as well though no Hugos. It’s worth noting that Baxter’s story “Last Contact” was nominated for a. Hugo for best short story as were quite a number of his works. (CE)
Born November 13, 1977 – Leanne Hall, 43. Three novels. Text Prize for Children’s & Young Adult Writing. Wrightson Prize for Children’s Literature. Australian Writers Week in China, 2014. [JH]

(8) COMICS SECTION.

Moderately Confused shows Santa’s current dilemma.

(9) ON THE ROAD AGAIN. “Sasquatch Found?! Missing Bigfoot Statue Mysteriously Reappears On California Road” – SYFY Wire checks it out.

Early Thursday morning, officers from the Scotts Valley Police Department in Santa Cruz County, California responded to a call about a “suspicious figure” by the side of the road. That’s a phrase that could imply all kinds of scary things, but when the officers got to the spot in question, they found something they perhaps didn’t expect: Bigfoot.
Yes, Bigfoot has been found in Scotts Valley, California! And by “Bigfoot,” we mean a beloved four-foot-tall redwood statue of Bigfoot reported stolen from a local museum earlier this week….

(10) WON’T YOU SMILE FOR THE CAMERA? “Curiosity takes selfie with ‘Mary Anning’ on the red planet” – Phys.Org shows off the result.

NASA’s Curiosity Mars rover has a new selfie. This latest is from a location named “Mary Anning,” after a 19th-century English paleontologist whose discovery of marine-reptile fossils were ignored for generations because of her gender and class. The rover has been at the site since this past July, taking and analyzing drill samples.
Made up of 59 pictures stitched together by imaging specialists, the selfie was taken on Oct. 25, 2020—the 2,922nd Martian day, or sol, of Curiosity’s mission.
Scientists on the Curiosity team thought it fitting to name the sampling site after Anning because of the area’s potential to reveal details about the ancient environment. Curiosity used the rock drill on the end of its robotic arm to take samples from three drill holes called “Mary Anning,” “Mary Anning 3,” and “Groken,” this last one named after cliffs in Scotland’s Shetland Islands. The robotic scientist has conducted a set of advanced experiments with those samples to extend the search for organic (or carbon-based) molecules in the ancient rocks.

(11) WHERE WOLF? “A Japanese city is using these motion-sensing robot wolves to scare bears away”. Today I learned there are bears running around Japan. Which I can testify from local experience is a problem if they visit your neighborhood.

A recent spate of bear attacks in Japan has prompted one city to invest in an unusual scare tactic: robotic wolves.
The city of Takikawa in northern Japan, population 41,000, purchased two of the animatronic wolves — called the “Monster Wolf” — in September after bears were found entering the city, Reuters reports.
The Monster Wolf is mounted on a stationary pole and comes equipped with motion sensors.
When those sensors are triggered it swivels its head, flashes lights in its eyes and on its tail, and emits a variety of sounds, including wolf-like howls and the clanking of machinery.

https://twitter.com/nhk_news/status/1318076693597343746

(12) VIDEO OF THE DAY. “Chuck Jones’s MGM Cartoons–The Dot and The Line (1965)” is a 1965 cartoon, directed by Chuck Jones and with a script by Norton Juster, about a doomed romance between a dot and a line. Narrated by Robert Morley.

[Thanks to John King Tarpinian, John Hertz, JJ, Andrew Porter, Martin Morse Wooster, Mike Kennedy, Michael Toman, Contrarius, Steve Davidson, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 9/18/18 When Lessa Told Me To Do It, I Succumbed To Weyr Pressure

Posted on September 18, 2018 by Mike Glyer

(1) BIGFOOT’S POLITICAL OPINIONS. Registration is required to read Adweek’s article “Bigfoot Tries to Get Footage of an Elusive Congressman in This Enjoyably Odd Political Ad”. Fortunately, the commercial itself is available at YouTube.

Congressional hopeful Dean Phillips, a Democrat running in Minnesota, says Republican incumbent Erik Paulsen is so detached from his home district, he’s practically impossible to find.

(2) STORMY WEATHER. Mur Lafferty’s Hugo win (with Matt Wallace) for Ditch Diggers was not completely washed out by Hurricane Florence, but the news did get bumped to fifth place in her latest post at The Murverse Mothership (where you can also see a photo of her wearing a chicken hat at the Hugo Losers Party).

Florence: We are fine. Hurricane Florence hit North Carolina and South Carolina last weekend, and wandered slowly through the state, dumping lots and lots of rain. The flooding was catastrophic. Oddly enough, when we thought our area would get hit with the eye, the storm turned and moved south of us, then turned north. We got wind, rain, Fiona’s school lost a big tree, but our area is largely unscathed. We did have some excitement yesterday when the last tail end of the storm whipped around and smacked us, letting Durham get a taste of the flooding and tornadoes that the rest of the state has suffered, but that didn’t last too long. If you can give to hurricane relief to help the eastern part of the state, please do.

(3) OBSERVATIONS ABOUT SF IN FRENCH. Matthew Rettino reports on “Congrès Boréal 2018: Differences between Anglophone and Francophone SF” at Archaeologies of the Weird, including the panel “L’imaginaire a-t-il une langue? Différence culturelle dans l’imaginaire anglophone et francophone” (“Does the imagination have a language? Cultural differences in the anglophone and francophone imaginary.”)

…One interesting idea that arose: language does not inherently carry the values of a society. Rather, culture does. The different traumas and schisms that define a society do have a much greater influence on national literature. For example, Cixin Liu’s Three Body Problem, remarked one of the panelists, is marked by the impact of the Cultural Revolution in China. This echoes how French SF is marked by the policy of laïcité (state secularism), the origins of which go back to the French Revolution. There did seem to be truth to this observation, given how French-language SF is in a sense more “secular” in its embrace of violent and sexual themes that would religious people shiver. On the other hand, anglophone SF retains a more “puritanical” attitude in the literature it produces and censors, particularly in the United States.

This being said, certain attitudes to the French language itself do influence French SF. Patrick Senecal pointed out later in the discussion that French-language editors have a tendency to homogenize the different registers of the language, leading to less linguistic diversity. When editing dialogue, French publishers often edit out regional dialect in favour of “le Français internationale.” The result is a banal, grammatically correct French, where all characters sound the same. These editing decisions do not accommodate the regional French spoken in certain regions of Québec, for example, which leads to a more monovocal (as opposed to polyvocal) body of literature. This is not just unappealing; it’s unrealistic and unrepresentative of how French is actually spoken. As Senecal quipped, “Il n’y a personne qui parle comme Radio Canada!”

(4) BELGIAN INFLUENCE ON SPACE PROGRAM. “Elon Musk Says SpaceX’s BFR Design Is Inspired by Tintin Comics” — Inverse has the story.

Elon Musk unveiled a new design for SpaceX’s BFR rocket on Thursday, and he’s taking inspiration from a famous series of Belgian comics. The CEO confirmed on Twitter that the new design “intentionally” bears resemblance to the vehicles depicted in The Adventures of Tintin, the whimsical series that depicts Tintin and his friends embarking on far-flung trips to find new stories.

…The redesign shared with the moon announcement bears similarities to rockets as featured in Hergé’s comic series. The 1950 comic Destination Moon shows a red-and-yellow checkered rocket with three giant fins on the base, elevating the rocket above the ground, which Tintin and his friends use to visit the moon and explore a secret government project.

(5) THE ACADEMY. At Quills, Fretful Porpentine’s new discourse is: “On the performativity of ‘What have you been reading lately?’” Here’s the kind of thing college professors are supposed to say when asked what they have been reading:

– If you are a humanities professor, you say something that is clearly pleasure-reading, but at least vaguely cerebral. Witty mysteries about British academics are good, or the sort of science fiction that doesn’t have aliens on the cover.

– If you work in tech support, you are allowed to read the kind of books with aliens on the cover.

(6) YOU ARE HERE. A new version of a reference frame for the universe is being released (Gizmodo: “Where Are We in Space? Astronomers Update Their Celestial Frame of Reference”). The third International Celestial Reference Frame is based with (0,0,0) at the center of mass of the Solar System, with the axes fixed in relation to a number of distant quasars.

“Nitty-gritty stuff like this is super important when you’re sitting on an Earth moving 70,000 mph around a star that is moving 450,000 mph around a galaxy center,” Grant Tremblay, astrophysicist at the Harvard-Smithsonian Center for Astrophysics, told Gizmodo.

…The ICRF-3 […] places the center of the reference frame at the Solar System’s center of mass, and is oriented based on the position of distant bright radio sources called quasars. Those measurements were made using Very Long Baseline Interferometry (VLBI), essentially a method of using the entire Earth as a telescope, collecting data from multiple radio telescopes and combining them to get the highest-resolution image possible.

This most recent frame derives from measurements of 4,536 quasars, all between 100 million and 10 billion light-years away. […] The most recent edition also takes the motion of our own Milky Way galaxy into account for the first time, according to a press release from the Helmholtz Centre Potsdam.

(7) MEXICANX INITIATIVE. The second installment of Hector Gonzalez’ report — “My Road to Worldcon 76. Part 2: Who the hell is John Picacio?”

I even remember the first conversation I had with my dad about being a Mexicanx recipient. He was initially wary, doubting a stranger on the internet would give away something like that. I explained the situation and mentioned John’s name. “¡Si! ¡John es un monstruo de la ciencia ficción!” Translation note: If I tried to literally translate what my dad meant to say, it would sound as if John was a monster. My dad meant it more as “He is HUGE in the science fiction world.” Bottom line, he knew more about John than me.

(8) TODAY IN HISTORY

September 18, 1964 – The Addams Family premiered on television.

(9) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

Born September 18 – Lynn Abbey, 70. Author best known for her Thieves World fiction though her first works for was for TSR games including stories set in the Forgotten Realms and the Dark Sun games. Daughter of the Bright Moon was edited by Gordon R. Dickson and I’ll let someone here tell that story.
Born September 18 – Caitlin Kittredge, 34. Author of the Black London urban fantasy series featuring Jack Winter and Pete Caldecott which I think is one is the finest such series ever done. Also wrote the Iron Codex, Nocturne City and Hellhound Chronicle series. Currently writer on Witchblade series.

(10) W76 PANEL RESOURCES. Bogi Takács has released notes prepared for use when appearing on two panels at Worldcon 76.

“Worldcon panel resources I”

I promised the writeups of my notes for Worldcon 2018 panels! The first one is for Queer Joy. I am honestly not sure which of these works I actually mentioned on the panel, these were my advance notes and I just tidied them up and hyperlinked them.

[At the post are lists of works under each of these categories — ]

Presents oppression / discrimination and/or suffering, but also joy:

Recent-ish anthologies with related material (not all stories might be related):

More grim SFF which is still queer-inclusive and queer people are not persecuted in-universe:

“Worldcon panel resources 2”

Queer Families

These are my advance notes, but I also mentioned on the panel how queer families seem to be non-multigenerational in SFF, and we had a fairly lengthy discussion about that. So I tried to add which of the works buckle that trend.

Contemporary work…

(11) IN A HOLE IN THE GROUND THERE LIVED A WRITER. The latest Brandon Sanderson newsletter talks about constructing his office – which is epic, just like his books. (See photos at the link.)

I always like to include something about my life in these newsletters—something unrelated to the books. So today, I thought I’d post some updates on my office, which we’re building in the empty lot beside my house.

I’m building it underground, because…well, what else would you expect from a fantasy novelist? It’s been an interesting process, since the city really has no idea what to do with someone like me. I call it my Underground Supervillain Lair, something that the suburbs in Utah really aren’t that equipped to deal with. But, after some work, we’ve gotten permissions. Peter has been taking pictures of it.

First, we dug out a huge pit. I don’t go halfway on underground lairs—so we’re doing 20-foot ceilings. The kids had a wonderful time digging in this hole, and I’m convinced they’d have loved it if we never put anything in it.

(12) PUNCH-CARD-PUNK. Mary Robinette Kowal is writing two new lady astronaut novels. Andrew Liptak interviews the author for The Verge: “Return to an alternate history space race with two new Lady Astronaut novels”

After signing a six-figure deal with Tor Books, author Mary Robinette Kowal will expand to her Lady Astronaut series over the next several years with two new novels, The Relentless Moon and The Derivative Base, as well as a standalone sci-fi murder mystery novel, The Spare Man. The new Lady Astronaut titles will join this summer’s fantastic The Calculating Stars and The Fated Sky, which followed pilot and mathematician Elma York through an alternate history 1950s space race aimed at sending humanity to off-world colonies after an extinction-level asteroid strike on Earth. The Relentless Moon is expected to drop in 2020, with The Spare Man to follow in 2021, and The Derivative Base in 2022.

Both novels are set in the “punch-card-punk” world that Kowal established in her 2013 novelette, “The Lady Astronaut of Mars.” The Calculating Stars begins in 1953, as the asteroid lands off of Washington, DC, devastating the US East Coast. York and her colleagues quickly realize that the incident has started a chain reaction that will change the climate of the Earth in decades, making it inhospitable to human life. In response, a coalition of nations forms the International Aerospace Coalition (IAC), which works to first reach space, and then figure out how to live there.

(13) WHEN PERFECTION ISN’T ALL IT’S CRACKED UP TO BE. James Davis Nicoll discusses “Six Stories That Find the Drama in Utopian Settings” at Tor.com.

Tanith Lee’s classic duology Don’t Bite the Sun and Drinking Sapphire Wine is set on a desert world hostile to unprotected life. Not that this matters, because all of its human inhabitants live in one of three domed cities: Four BEE, Four BAA, and Four BOO. Within those cities, virtually every need and desire is met. Even death is only a momentary inconvenience before one is incarnated in a new designer body.

The nameless protagonist, offered material paradise, commits the unforgivable sin of realizing that while the options offered are pleasant, none of them are meaningful. That realization is the border between life in paradise and life in a cossetted hell. Unfortunately for our hero, the Powers That Be in the three cities are determined to maintain the status quo of their cozy societies, keeping them just as they are…which means crushing (by any means necessary) any pesky aspirations for personal fulfillment.

(14) YOUNG VETERAN ACTOR. Sandie Angulo Chen in the Washington Post interviews seventh-grader Owen Vaccaro, star of The House With a Clock in Its Walls, about how he became an actor and what it was like to work on the film: “Sports didn’t interest Owen Vaccaro, but a theater class sparked a passion for acting”

Soon, the theater classes led to his first auditions, which eventually landed him his first film gig, “A Product of Me,” at age 7. In the years since, Owen has been in eight more movies, most notably acting opposite A-list stars Will Ferrell and Mark Wahlberg in the comedies “Daddy’s Home” and “Daddy’s Home 2.”

(15) BACK LOOKING FOR SUNSPOTS. In a September 16 press release (“AURA Statement about the Status of the Sunspot Solar Observatory at Sacramento Peak, New Mexico”), the sponsoring organizations (Association of Universities for Research in Astronomy and the National Science Foundation) have released some information on the mysterious closure of the Sunspot Solar Observatory.

On September 6th, the Association of Universities for Research in Astronomy (AURA) and the National Science Foundation (NSF) made the decision to temporarily vacate the Sunspot Solar Observatory at Sacramento Peak, New Mexico as a precautionary measure while addressing a security issue. The facility closed down in an orderly fashion and is now re-opening. The residents that vacated their homes will be returning to the site, and all employees will return to work this week.

AURA has been cooperating with an on-going law enforcement investigation of criminal activity that occurred at Sacramento Peak. During this time, we became concerned that a suspect in the investigation potentially posed a threat to the safety of local staff and residents. For this reason, AURA temporarily vacated the facility and ceased science activities at this location.

The decision to vacate was based on the logistical challenges associated with protecting personnel at such a remote location, and the need for expeditious response to the potential threat. AURA determined that moving the small number of on-site staff and residents off the mountain was the most prudent and effective action to ensure their safety.

In light of recent developments in the investigation, we have determined there is no risk to staff, and Sunspot Solar Observatory is transitioning back to regular operations as of September 17th. Given the significant amount of publicity the temporary closure has generated, and the consequent expectation of an unusual number of visitors to the site, we are temporarily engaging a security service while the facility returns to a normal working environment.

We recognize that the lack of communications while the facility was vacated was concerning and frustrating for some. However, our desire to provide additional information had to be balanced against the risk that, if spread at the time, the news would alert the suspect and impede the law enforcement investigation. That was a risk we could not take.

(16) CAN’T SAY THAT. Ryan George discovers “Being a Motivational Speaker in the MCU Sucks.”

[Thanks to JJ, David K.M. Klaus, Mike Kennedy, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Michael J. Walsh, Alan Baumler, Andrew Liptak, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 7/30/18 There Have Been Rumors About This Strange Scroll, Frightening Rumors About Hapennings Way Beyond The Laws of Nature

Posted on July 30, 2018 by Mike Glyer

(1) FREE ELIZABETH BEAR BOOK. Joey Eschrich, Editor and Program Manager, Center for Science and the Imagination at Arizona State University wants Filers to know they recently published We Have Always Died in the Castle, a free ebook featuring a near-future story about virtual reality by Elizabeth Bear. It also features a couple of stunning original illustrations by Melissa Gay.

Virtual reality technology is no longer confined to computer-science labs and high-tech theme parks. Today, head-mounted goggles, sensors, and haptic control systems are tools for immersive journalism, professional development, and clinical therapy. In this novella, award-winning science fiction and fantasy author Elizabeth Bear and artist Melissa Gay imagine a near future informed by visceral VR simulations to catalyze positive change.

We Have Always Died in the Castle is the first story in the Crowd Futures project from Arizona State University. An experiment in collaborative storytelling, Crowd Futures brings authors and illustrators into dialogue with members of an intellectually curious public to participate in the creative process by proposing scenarios, sharing ideas, weighing options, and navigating the uncertainties of our looming scientific and technological discoveries.

(2) ON THE RADIO. SF Concatenation’s Jonathan Cowie tells Filers when to tune in to BBC Radio 4.

The 1-hour BBC Radio 4 adaptation play of Jules Verne’s 20,000 Leagues Under the Sea broadcast this weekend will be available for several weeks to come on the BBC i-Player. The link is here: “To the Ends of the Earth: 20,000 Leagues Under the Sea”.

Cowie says, “A slight shame this was not broadcast a couple of weekends ago as that would have been compensation for those of us who did not go to the Eurocon in Amiens, the home of Jules Verne”

Radio 4 Extra (a separate BBC radio channel supplementing Radio 4) will shortly see a programme on the comic Eagle [Wikipedia]. (But I don’t think they – BBC – have a web page for this prog yet). This was a mainstay for kids aged 8 to 12 in the 1960s wit a few SF related strips. The most famous of which was Dan Dare: Pilot of the Future [Wikipedia].
The channel will also broadcast a related programme, a drama adaptation of the Dan Dare adventure Voyage to Venus (there is a page for it).

(3) ATTENTION ALL FILERS WHO HAVE $100K THEY DON’T KNOW WHAT TO DO WITH. A rare Magic: The Gathering card (“Black Lotus from the original [Alpha] release”) has sold on eBay for $87,672 — not counting shipping of $125 There were “exactly 1,100 copies printed of every ‘rare’ card in the Alpha set” (Kotaku.com: “Rare Alpha Black Lotus Sells For $87,000”) and ghis one was graded as a 9.5/10. At this writing, another copy (graded 9/10) is listed on eBay for $100,000.

(4) ORDER A NORSE COURSE. Francesca Strait, in “Channel Your Inner Thor At This Viking Restaurant in Australia” on CNN.com, says that if you’re in Sydney or Melbourne, you can have a Viking feast at Mjølner restaurant, named after Thor’s hammer.

It might be thousands of miles from Scandinavia, but this Viking-themed restaurant offers a contemporary interpretation of Norse traditions Down Under.

Mjølner restaurant first originated in Sydney and there’s a recently opened outpost in Melbourne, named after Thor’s famous hammer.

Of course, Thor himself, Chris Hemsworth, is a proud Aussie and featured in a recent Crocodile Dundee-themed tourism ad for Australia, so it’s only fitting the feasting halls of Asgard are being recreated in Oz.

(5) SEMI-FORGOTTEN HARD SCIENCE. James Davis Nicoll remembers when “When Ramjets Ruled Science Fiction”.

The classic Bussard ramjet novel is, of course, Poul Anderson’s Tau Zero. What was for other authors a convenient prop was one of the centerpieces of Anderson’s novel. The Leonora Christina sets out for Beta Virginis, a nearby star. A mid-trip mishap robs the ship of its ability to slow down. Repairs are impossible unless they shut down the ramjet, but if the crew did that, they would instantly be exposed to lethal radiation. There’s no choice but to keep accelerating and hope that the ship will eventually encounter a region in the intergalactic depths with a sufficiently hard vacuum so that the ramjet could be safely shut down. Even if they did find such a region, the crew is still committed to a journey of many millions of light years, one that will forever distance them from their own time.

Even before Tau Zero, Bussard ramjets were everywhere. Larry Niven’s A Gift From Earth feature an egregiously hierarchical society that is toppled thanks to a package delivered by robotic ramship. Jo Walton’s review of that novel is here.

(James Davis Nicoll also proudly notes, “I got name-checked in the Guardian” — “The English language reigns now, but look at the fate of Latin”.

The point is made graphically by a famous description attributed to James Nicoll: “We don’t just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary”.

(6) TODAY’S BIRTHDAYS

Born July 30 – Arnold Schwarzenegger, 71. Terminator franchise of courses as well as Running Man, Conan the Barbarian and Conan the Destroyer, Tales from the Crypt and True Lies. Apparently in sort of announced Conan and Terminator reboots.
Born July 30 – Christopher Nolan, 48. Writer, producer and often director as well of the Batman film franchise, The Prestige, Interstellar, Inception and Batman v Superman: Dawn of Justice to name some of his work.

(7) HINTING UNDINTING. An utterly brilliant challenge on Reddit: In limerick form (AABBA), and without saying its name, what is your favorite movie?

There once was a man with a dream:
“Put a dream in a dream!” He would scream.
There’s a top at the end,
And we all pretend
That we definitely know what it means.

Two rockers were failing a class,
so they telephoned back to the past.
They escaped awful fates
with some help from Socrates,
and the speech by Abe Lincoln kicked ass.

(One commenter says the choice to rhyme fates and Socrates was excellent.)

It’s a tale that’s a bit unbelievable:
A princess is now irretrievable.
When a man all in black
Catches up from the back
The kidnapper says, “Inconceivable!”

(8) ARTIFICIAL STUPIDITY? “IBM’s Watson supercomputer recommended ‘unsafe and incorrect’ cancer treatments, internal documents show” – STAT News has the story – behind a paywall, unfortunately.

Internal IBM documents show that its Watson supercomputer often spit out erroneous cancer treatment advice and that company medical specialists and customers identified “multiple examples of unsafe and incorrect treatment recommendations” as IBM was promoting the product to hospitals and physicians around the world.

The documents — slide decks presented last summer by IBM Watson Health’s deputy chief health officer — largely blame the problems on the training of Watson by IBM engineers and doctors at the renowned Memorial Sloan Kettering Cancer Center.

(9) TODAY IN HISTORY

July 30, 1958 — War Of The Colossal Beast enjoyed its New York theatrical premiere

(10) COMICS SECTION.

Monty illustrates one of the downsides of a writer using a coffee shop as free office space.
Non Sequitur explains when to accept defeat.
Would you admit your worst fear? — Candorville.

(11) ROCK AROUND THE CLOCK.

https://twitter.com/nkjemisin/status/1023957283271843840

(12) POLITICAL DISCOURSE. One small step for man, one giant bleep for mankind. From the Washington Post — “Perspective What is Bigfoot erotica? A Virginia congressional candidate accused her opponent of being into it.”

Our weird political era just got a little hairier. For the first time, millions of Americans are asking, “What is Bigfoot erotica?”

That question has been inspired by Leslie Cockburn, a Democrat who’s running for Congress in Virginia’s 5th District. On Twitter this Sunday, Cockburn accused her Republican opponent, Denver Riggleman, of being a “devotee of Bigfoot erotica.” Her tweet included a crudely drawn image of Bigfoot — with the monster’s genitalia obscured — taken from Riggleman’s Instagram account. She added, “This is not what we need on Capitol Hill.”

…Chuck Tingle, the pseudonym of an author of comically absurd erotica, is perhaps the most well-known creator of monster porn, including about 10 books featuring encounters with Sasquatch. Reached via email, Tingle said he understands why Bigfoot monsters are so attractive as romantic heroes: “They are natural outdoorsmen .?.?. which I think is nice, and, even though it seems like they could have a bad-boy way, they are actually very kind.” He imagines his readers think, “Wow, he could protect me in a big fight, and he could also take me on a walk in nature and show me which are the best plants to kiss or to eat in a stew.”

“Such stories, he said, “prove love is real for all.”

Whether the voters of Virginia’s 5th District will agree is not clear

(13) A FUTURE TO AVOID. Ian Allen’s opinion piece “Inside the World of Racist Science Fiction” in the New York Times says “To understand why white supremacists back the president, we have to understand the books that define their worldview.” Andrew Porter sent the link with a note, “The article has a horrible title, bound to sow confusion. Absolutely nothing at all to do with professionally published science fiction, or SF fandom.” Just the same, I’m surprised I never heard of any of these authors before.

Two years later — after Richard Spencer, after Charlottesville — the public has heard a lot about white supremacist culture. But I’d argue that we haven’t quite heard enough. To understand their ideologies and why they support this president so strongly, we need to examine their literature…..

Most of the books are self-published. Others are distributed by small, activist imprints or the publishing arms of white nationalist organizations. They are sold online, at gun shows or person to person. This scattershot distribution system makes it hard to track sales, but the more popular titles are estimated to have sold hundreds of thousands of copies. I acquired some out-of-print titles from rare book dealers.
They are dog-eared, annotated and often inscribed.

… White supremacists seem convinced that the novels’ “white genocide” is coming to life, and are petitioning Mr. Trump for help. This past spring, Andrew Anglin, the deeply sinister and darkly clever force behind Daily Stormer, the most Millennial-y neo-Nazi site on the web, started to spread the news of a “migrant caravan” that was moving through Central America, toward the United States-Mexico border. It was a protest march, organized by the Central American pro-immigration activist group Pueblo Sin Fronteras. The march has taken place every year since 2010 without ever getting much traction in the press.

But Mr. Anglin saw an opportunity in the implication of a literal enactment of [Jean Raspail’s 1973 novel] “The Camp of the Saints.” He rallied his troll army to petition Mr. Trump to use the word “caravans” publicly, and on April 1, he did. In fact, he and Vice President Mike Pence used the word multiple times, then issued an order to send the National Guard to the border. The story dominated the news cycle for days, and Mr. Anglin took a well-deserved victory lap, bragging that “the media was not talking about this, only the alt-right was, and Trump is posting about it — so he does hear us.”

…It is unlikely that Mr. Trump has read any of these books. But members of his staff undoubtedly have. His former aide Steve Bannon is a fan of “The Camp of the Saints” and refers to it often — in knowing, offhand ways that betray both his familiarity with racist literature and his awareness of his target audience’s reading habits. Another administration official, Julie Kirchner, was named ombudsman at the Customs and Border Protection after spending 10 years as the executive director of the Federation for American Immigration Reform. That organization, which Southern Poverty Law Center has designated a hate group, was founded by John Tanton, who runs The Social Contract Press, which is the current publisher of “The Camp of the Saints.”

The point is not that there is a direct line between, say, “The Turner Diaries” and the Oval Office. Rather, it’s that the tropes that define the Trump administration’s rhetoric and policies — apocalyptic xenophobia, anti-Semitic conspiracies, racist fear-mongering — are also the tropes that define white-supremacist literature.

(14) EMISSION QUITE POSSIBLE. James Corden looks like he might lose it before they even get him on the plane —

[Thanks to JJ, Rick Moen, Andrew Porter, Cat Eldridge, Carl Slaughter, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Daniel Dern,Mike Kennedy, Martin Morse Wooster, Joey Eschrich, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 5/18/17 For I Am A Bear Of Very Little Files, And Long Scrolls Bother Me

Posted on May 18, 2017 by Mike Glyer

(1) NO NEED TO SAY MORE. Michael Swanwick recounts what he labels the shortest and most succinct discussion about the horror genre in the history of the speculative fiction community:

MICHAEL SWANWICK: “I don’t like horror because it scares me.”

ELLEN DATLOW: “That’s why I love it.”

(2) A FINE ROMANCE. Welcome to 21st-century dating. “This Man Is Suing His Date For Texting During ‘Guardians Of The Galaxy'”.

Texting during a movie is rude.

Brandon Vezmar from Texas is taking a stance on the issue by suing his Bumble date after she used her phone during a movie. The Austin American-Statesman reported that Vezmar filed a small court claim for $17.31, the price of a 3D showing of “Guardians of the Galaxy 2.”

“It was kind of a first date from hell,” he told the local newspaper.

The 36-year-old said that his date was on her phone “at least 10-20 times in 15 minutes to read and send text messages.” According to Vezmar, he told her she should text outside, so she left and took the car in which they both arrived.

Ouch.

Vezmar claimed he tried to text and call his date before taking the matter to court. He tweeted a screenshot once his date sent a statement to KVUE anonymously to say that, while she felt bad that his feelings were hurt, she chose to leave because he made her feel unsafe.

“His behavior made me extremely uncomfortable, and I felt I needed to remove myself from the situation for my own safety,” the statement read. “He has escalated the situation far past what any mentally healthy person would.”

Director James Gunn, who might have stayed safely out of this, unfortunately decided to show his ass, as if texting in the theater was the entire issue.

https://twitter.com/JamesGunn/status/864605865701146624

(3) TRAILER PARK. Aziz H. Poonawalla goes into deep analysis about the Star Trek: Discovery trailer.

But really, hairless Klingons? With a H.R. Geiger armor aesthetic?

It’s not like we haven’t seen the 60’s aesthetic embraced by modern television. Deep Space Nine went there and did it brilliantly — they arguably made the TOS USS Enterprise look even more gorgeous than any of her successors, and they didn’t change anything about her at all — just lighting and texture. Enterprise itself managed to authentically portray a pre-Kirk technology chic that had a more industrial feel, which was utterly believable as the ancestor to the softened look of the Kirk era. I do not accept that the Kelvinization of the Prime timeline was necessary to modernize the production. After all, the aesthetic of The Expanse and Dark Matter is thoroughly modern but doesn’t have the same Kelvin fascination with chrome and glass. Not that I want any Trek to go the grunge-fi look, but I do at least want Trek to honor it’s own identity. This feels like a rejection — purely a Han shot first decision.

(4) MESSAGE TO THE PAST. If the term “calendrical rot” hadn’t been invented for a different purpose, and we had a way to send it into the past, it would find the perfect Petri dish in this incredibly technical discussion of alternate timelines in Star Trek held on Reddit in 2015.

(5) SASQUATCH APPROPRIATED. In the Walrus, Robert Jago introduces his op-ed about Canada’s latest cultural appropriation controversy with an sff illustration: “On Cultural Appropriation, Canadians Are Hypocrites”.

Harry and the Hendersons is a 1987 fantasy movie about a Seattle family’s encounter with a friendly bigfoot (Harry) and their efforts to protect him from harm before releasing him in the mountains of the Pacific northwest. It’s a forgettable film, but it has undoubtedly been seen and heard in more Indigenous homes than has the story of Sasq’ets–the original sasquatch.

Sasq’ets, whose name was one of the few Halkomelem words to make their way into English, was one of a host of other legendary “wild people” living in the forests on the Pacific coast. For hundreds of generations, Salish and Kwakwaka’wakw children were raised on the stories of the wild people and taught to listen for their characteristic hu-hu-hu calls. Sasq’ets, along with Dzunuka, were said to capture wayward children, take them away from their families, and eat them. With their supernatural healing powers, the wild ones were thought to be invincible; only once was a wild person taken by angry villagers and burned alive. But to the mortals’ horror, the ashes began buzzing in a tiny chorus of little hu-hu-hu’s, and each particle sought out human flesh. This was the origin myth of mosquitos.

Sasq’ets taught our children to stay out of the forests at night. It connected us to our part of the world, in the same way that Hansel and Gretel or Little Red Riding Hood connected Europeans to their ancient forests–and possibly for the same purposes. Our stories are works of genius and beauty, and vital to our relationship with the land. By no means do I want to restrict our legends to Indigenous people. I want you to know about Sasq’ets, and the psychedelically odd stories of the spirit of the South Winds, and all of the legends of our country.

But when the story is taken from us and told by outsiders without our involvement, its identity can be lost, and Sasq’ets becomes Bigfoot. The cultural dominance of non-Natives means that a B-movie like Harry and the Hendersons can have more influence over Salish children than the legend that inspired it.

(6) WESTLAKE’S BOND. Daniel Dern says be on the lookout for copies of Donald Westlake’s James Bond novel(ization) released last fall. “I’ve already just put a reserve-request in to my library.”

Forever And A Death

In the mid-1990s, prolific mystery and crime thriller author Donald E. Westlake submitted two treatments for the 18th Bond film (which would ultimately become ‘Tomorrow Never Dies’)….Never one to waste a good story, Westlake turned his treatments into a novel.

Dern adds:

Fewer Filers than normally expected might be familiar with Westlake, since he wrote near-zero scifi, by choice. OTOH, he wrote lots of great mystery/thriller/crime and other novels and stories, ranging from humorous, e.g. his John Dortmunder stories, and his tabloid-reporter ones, to serious, notably the ones written as Richard Stark.

See the Donald Westlake site.

My favorite Westlake book: Up Your Banners

(7) MACE WINDU GETS HIS OWN BOOK. The Jedi have always been the galaxy’s peacekeepers — but with the Clone Wars on the horizon, all that is about to change.

This August, writer Matt Owens (Elektra) will team with artist Denys Cowan (Nighthawk, Captain America/Black Panther: Flags of Our Fathers) to unveil the exciting story of one of the Jedi’s greatest warriors in STAR WARS: JEDI OF THE REPUBLIC — MACE WINDU #1!

One of the most accomplished and storied members of the Jedi High Council, his wisdom and combat prowess are legendary. Now, in this new story, readers will get to see Mace Windu lead his Jedi into battle, and face the ultimate test of leadership!

(8) PETER OLSON OBIT. SF Site News reports that Boston area fan Peter Olson (1949-2017) died April 28. He was active in NESFA and participated in the Ig Nobel Awards.

(9) TODAY’S BIRTHDAY GIRLS

Born May 18 — R. Laurraine Tutihasi
Born May 18 — Diane Duane

(10) TODAY’S BIRTHDAY BOY

Born May 18, 1897 — Frank Capra

(11) COMIC SECTION. John King Tarpinian says Ziggy has a point.

(12) WHIP OUT YOUR ROLL OF HUNDREDS. Nicole Pelletier on Good Morning America has a piece called “Classic Disney animation art featuring Snow White, Pinocchio headed to auction” about how a tranche of Disney cels from the 1940s is headed for auction in an event sponsored by Bonhams and Turner Classic Movies.

Bonhams Fine Art Auctioneers and Turner Classic Movies (TCM) will present the movie memorabilia auction, “An Important Animation Art Collection, The Property of a Gentleman” in New York City on June 5.

The sale will feature more than 290 original Disney animation drawings, storyboards, posters, concept art and celluloids, according to Bonhams’ press release.

(13) WARNING LABEL. While I was browsing Bertie MacAvoy’s Amazon page, I especially enjoyed this self-introduction:

Robert A.MacAvoy

If you are young to the S.F. field and don’t know who I am, I will prep you by warning that I often kill off my heroes, sometimes at the most unexpected times. But never in a depressing manner. I’ve never wanted to depress my readers. My outlook is essentially comic.

(14) DRYING OFF. This may be the first good news I’ve ever heard about a convention associated with the Ozarks. Nerd & Tie’s Trae Dorn reports how some fans are overcoming a natural disaster: “West Plains, MO Based Oz-Con Plans Game Day Event to Make Up For Canceled Day of Con”.

I think any reasonable person would forgive the con, considering this was an extreme, unpredictable situation where homes and lives were literally lost. What’s the Sunday of a con compared to that? To the extreme credit of the Oz-Con organizers though, they still want to try to make it right.

Yesterday Oz-Con organizers announced an event they’re calling “Flood Con.” It’s a free game day the con is hosting from 9:00am until 10:00pm on June 17th at the Missouri State University-West Plains Student Rec Center. Admission is free, but they’ll also be accepting cash donations and canned food items to help with ongoing flood relief in the area. There will be video games, tabletop games, and fellow geeks to have a grand old time with.

Admittedly, I haven’t heard much about sff in the Ozarks — just that famous story about the time Larry Niven arrived expecting to be GoH of Ozarkon only to find out the con had been cancelled. (Fans involve swear they tried to get a message to him, but in those pre-internet days it failed to reach him on the road.)

(15) FAME IN PIXELS. Who needs a monument when you can be an answer on Jeopardy!

I am now functionally immortal. It's the tv show but still >FUNCTIONAL IMMORTALITY< pic.twitter.com/hsLgrOg2VG

— Lev Grossman (@leverus) May 17, 2017

(16) LOVECRAFT COUNTRY TO TV. Get Out writer-director Jordan Peele and J.J. Abrams’ Bad Robot and Warner Bros Television are teaming on Lovecraft Country, a one-hour drama that has been given a straight-to-series order by HBO.

There is connective tissue to Peele’s breakout genre feature Get Out, which brought a Black Lives Matter theme to the horror genre. Lovecraft Country, the 2016 novel from Matt Ruff, focuses on 25-year-old Atticus Black. After his father goes missing, Black joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America to find him. This begins a struggle to survive and overcome both the racist terrors of white America and the malevolent spirits that could be ripped from a Lovecraft paperback. The goal is an anthological horror series that reclaims genre storytelling from the African-American perspective.

[Thanks to Carl Slaughter, Andrew Porter, JJ, Dawn Incognito, Daniel Dern, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Ky.]

Feder Author on Today

Posted on December 10, 2009 by Mike Glyer

Moshe Feder, Consulting Editor for Tor, proudly reports some major media attention is being given to one of his authors:

Dr. Jeff Meldrum, author of Sasquatch: Legend Meets Science, becomes the first of my authors to make it to NBC’s “Today” show when an interview taped at his lab in Idaho a few weeks ago airs on Tuesday, December 15.

The book is the first serious examination of the sasquatch mystery by a qualified scientist with an open mind and has been widely acknowledged as the definitive book on the subject. We published it under our Forge imprint in hardcover in 2006 and in trade paperback in 2007. I’m proud of it, and would love to do more science non-fiction books like it.

NBC tells us the piece will air in the first or second hour, repeating in the fourth hour. I hope those of you who have access to the show will try to catch it.

A post on the Idaho State University website further explains:

Meldrum’s interview is slated to air Tuesday, Dec. 15, as part of a story on cryptozoology, the study of hidden animals, recognizing the public’s heightened interests in rare, elusive and mysterious creatures…

The “Today Show” producer, Jennifer Long, asked questions such as “zoologically and evolutionarily speaking, could the animal people describe as Bigfoot exist in this day and age,” “what is the most compelling evidence that sasquatch does or does not exist,” and “what would be the implications of the discovery of Bigfoot.”

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Tag Archives: sasquatch

Pixel Scroll 4/11/24 One Scroll, Furnished In Early Pixelry

Pixel Scroll 6/11/23 The Pixel. It Destroyed Its Scroll. Yes. YES. The Pixel Is Out

Pixel Scroll 11/13/20 If You Like Pixel Scrolladas, And Getting Caught In The File

Pixel Scroll 9/18/18 When Lessa Told Me To Do It, I Succumbed To Weyr Pressure

Pixel Scroll 7/30/18 There Have Been Rumors About This Strange Scroll, Frightening Rumors About Hapennings Way Beyond The Laws of Nature

Pixel Scroll 5/18/17 For I Am A Bear Of Very Little Files, And Long Scrolls Bother Me

Feder Author on Today