Tag Archives: Unofficial Hugo Book Club Blog

Pixel Scroll 7/20/24 There’s A Barsoom On The Right

Posted on by
21

(1) HELLO FROM CHINA. The Hugo Book Club Blog has a guest post from Chinese fan RiverFlow: “Guest Post: Unite Sci-Fi Fans Around The World”.

Hello science fiction fans attending the 2024 World Science Fiction Convention in Glasgow. First of all, have you heard of Chinese sci-fi fandom? If so, what examples can you give?

Science fiction fans in China were excited when Zero Gravity News won the Hugo Award for Best Fanzine last year. See “Introducing Chinese sci-fi fanzine Zero Gravity News” to learn more about the fanzine.

Yes, in fact, there is a very large group of science fiction fans in China, but few people have collected and collated their materials. I have been working on this since 2020, and have written some articles to introduce the collection.

The earliest Chinese Fanzine was born in 1988. In the 1990s, many science fiction fans were employed and writing in their leisure time, but in the 21st century, these contributions were mainly completed by students. Because workers are busy with their lives and families, it is difficult to find time to organize related activities. So I wrote a book, History of Chinese University Science Fiction Association, to introduce Chinese science fiction fans to the rest of the world. The thousands of photos and hundreds of thousands of words are enough to prove the rich history of this group….

(2) LOCAL GROUP FOCUS – NORTHUMBERLAND HEATH SF. [Item by SF Concatenation’s Jonathan Cowie.] This is the Northumberland Heath SF’s group meet recently when a Mandalorian visited. 

This is just half its regular membership of a score or so who turn up to at least two or three meets a year: work shift rotas, familial and other commitments, etc., mean that it is rare that all regulars attend the same meet.  In addition, the group’s Facebook has some 260 followers of which half are local, but 120 of these have never physically attended a meet. (Is this typical of other local groups?) Of the non-local remainder FB followers, a good proportion are familiar names on some Worldcon registrant lists. Some of its members belong to other specialist regional and national SF groups and one of its members is the daughter of a former Worldcon fan GoH.

The group is only several years old but has some heritage connection with the former NW Kent SF group of the 1980s and ’90s that used to meet in nearby Dartford.  N. Heath SF is located in southeast London, on its border in Kent, which means that in addition to local social gatherings and cinema outings, it is easy to have trips to central London events, such as the annual Sci-Fi London film fest, or one-offs, such as the Loncon 3 Worldcon. It meets the second Thursday of each month so as not to clash with the first Thursday London SF Circle (as it used to be called) gathering.

EDITOR’S NOTE: Jonathan adds, “I for one would be interested to see potted summaries of local SF groups across different countries” and I enthusiastically second the idea. I’d love to run people’s introductions to the sf groups they’re in.

(3) DOWNLOAD THE 2019 GUFF TRIP REPORT. Simon Litten’s 2019 GUFF Trip Report Visiting Nearly Kiwiland has been published. Copies can be downloaded at the Australian Fan Funds website.

There’s no charge to download the report but interested fans may wish to make a donation to GUFF (via PayPal to [email protected]).

(4) THE SELF-PUBLISHING BUSINESS. Dave Dobson offers a deep dive into the numbers in his “Anatomy of a free BookBub featured deal”. A lot to learn here about Amazon, free book campaigns, and ratings.

Also, the intangibles – the sales rank, the visibility, the (I hope) new fans, the glut of new ratings and reviews – all of those are things I’d gladly have paid a couple hundred bucks pursuing. So, I’m going to call this a clear win, and I’d do it again in a heartbeat.

(5) OCTOTHORPE. In episode 114 of Octothorpe, “Tastemaker Batty”, John Coxon, Alison Scott and Liz Batty discuss the Hugo Awards. Uncorrected transcript is available here.

We cover all the categories except Best Novel, which we covered in a previous episode. The deadline is today (20 July 2024 at 21:17 Glasgow time). Don’t forget to vote beforehand. 

The value for “today” is a now-expired deadline. But that comes to us all sooner or later.

”Octothorpe 114” is at the top, and the word ”Octothorpe” is written on a series of lottery balls. Below that, a bingo card, and below that, the words ”Worldcon Community Group Bingo Card". The items on the card are as follows: - Can I convert pounds to Scottish money? - Does anyone have any opinions on...? - Do you know my Scottish cousin? - This list is too long to read so can someone... - Is the programme out yet? - Can I swim in the Clyde? - Can I visit Stonehenge for the day? - Asks question answered in PR5 - Does Glasgow Zoo have live haggis? - Volunteering is the best way to have fun - What's with all the armadillos? - Shouldn't the subway be a Digital Orange now? - Free! - Is the con organising an aurora viewing? - Is it too late to get on the programme? - Will Nessie be doing a signing? - Mention of Glasgow, England - Can anyone go to the Hugo Awards? - Why don't we do this the way we did in 1956? - Can I fly from Glasgow to Edinburgh? - Will there be any authors there? - Can I bring my Emotional Support Moose? - Are tartan and/or kilts compulsory? - What I reckon... - Mention of deep-fried Mars Bar

(6) PLUTO STILL NOT ONE OF THE COOL KIDS. “Astronomers Propose New Criteria to Classify Planets, but Pluto Still Doesn’t Make the Cut” in Smithsonian Magazine.

Nearly two decades after Pluto got kicked out of the planet club, astronomers are proposing an updated way to define “planet” based on more measurable criteria. The current definition is “problematic” and “vague,” they write in a paper published Wednesday in The Planetary Science Journal.

Unfortunately for fans of the dwarf planet, however, Pluto would remain excluded, even if the proposal is approved….

… “Jupiter’s orbit is crossed by comets and asteroids, as is Earth’s,” Gladman points out in a university statement. “Have those planets not cleared their orbit and thus, aren’t actually planets?”

In a bid to correct for this ambiguity, Gladman and his two colleagues propose a more measurable definition. According to their model, a celestial body is a planet if it: orbits one or more stars, brown dwarfs or stellar remnants; is more massive than 1023 kilograms (a size big enough to clear its orbit of debris); and is less massive than 2.5 x 1028 kilograms (equivalent to 13 Jupiter masses).

Pluto’s mass is 1.31 x 1022 kilograms, so it would remain excluded—but our current eight planets would retain their classification….

New Horizons photo of chaos region on Pluto.

(7) TOP SCI-FI MOTORBIKES. SlashGear praises “10 Of The Coolest Motorcycles In All Of Science Fiction”.

…When making this list, we looked at motorcycles that specifically had a sci-fi bent to them. The 1990 Harley-Davidson Fat Boy in “Terminator 2: Judgement Day” is definitely cool, but that’s a bike that already exists. We wanted motorcycles that pushed the boundaries of transportation in the future and perhaps even inspired folks to design their own bikes that look similar in real life. These are the sci-fi motorcycles that show that while society might change in the future, riding around on a cool motorcycle never gets old. …

The list includes —

Kaneda’s bike in Akira

Kaneda’s bike in “Akira,” one of the most influential anime films of all time, isn’t just cool-looking — it inspired the famous “Akira Slide,” which has entered meme status and has been referenced in a wide range of projects, from “Batman: The Animated Series” to Jordan Peele’s “Nope.” Even when it’s not sliding, the bike is beautifully drawn. 

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 20, 1938 – Dame Diana Rigg. (Died 2020.)

By Paul Weimer:

I was introduced to Diana Rigg thanks to Roger Zelazny’s Amber.

It’ll make sense, trust me.

As you know, I am and have been an enthusiastic player of the Amber Diceless Roleplaying Game, set in the endless multiverse of the novels.  Lots of players and GMs like to import ideas from other books, shows and series. (I am no exception in that regard, mind you).

Diana Rigg

One of these GMs I played with was a big enthusiast of The Steed and Peel Avengers series from the 1960’s. I was not yet familiar with the series, but after playing a session where Steed turned out to be a secret Amberite, I had to know more! Who was Steed and who was the mysterious Mrs. Peel he was looking for (as part of the plot)?  (She did not actually appear on screen). The GM encouraged me to seek out The Avengers.

And thus, I discovered the original Avengers TV series, and thus, Diana Rigg. I was enchanted immediately, of course, by a beautiful kick-arse actress with skill, verve, and action. I avidly watched all the episodes of The Avengers, finding Rigg the best of the partners for McNee by a long way. The DNA of some notable action heroines with skill, verve, intelligence and independence definitely can be traced back to Rigg’s Mrs. Peel.

Later on, she was proven delightful in things such as Game of Thrones (Olenna Tyrell was a great major character for her late in her career) and, when I discovered, the weird and wonderful steampunk movie The Assassination Bureau.

But in the end, yes, for me Diana Rigg IS Mrs. Peel.  Now, if only Moorcock could confirm that Peel is actually an aspect of the Eternal Champion…

(9) COMICS SECTION.

(10) MONSTERPIECE THEATRE. “Godzilla Takes on the Great Gatsby in Monsterpiece Theatre Comic” at The Wrap. Cover art and preview pages at the link.

Godzilla’s been on a resurgent streak, from the MonsterVerse franchise and “Godzilla Minus One” in theaters to “Monarch” on Apple TV+. Now, TheWrap can exclusively share that acclaimed writer and artist Tom Scioli is delivering comic book “Godzilla’s Monsterpiece Theatre” from IDW, with the giant lizard taking on figures from throughout literary history — including the Great Gatsby, Sherlock Holmes, H.G. Wells’ Time Traveller and a mystery man with vampiric fingers and a “D” on the back of his cape (want to take a guess?).

The three-issue series is set in 1922, with one of Jay Gatsby’s legendary parties luring the attention of the giant lizard himself. Rather than being able to woo Daisy Buchanan, he has to deal with Godzilla absolutely demolishing his estate. Gatsby follows up on the destruction by teaming with the aforementioned 20th century literary icons to take his revenge….

(11) POINT OF NO RETURN? [Item by SF Concatenation’s Jonathan Cowie.] Bad news in this week’s Science editorial: “Go/no-go for a Mars samples return”.

Last month’s return to Earth of China’s lunar lander Chang’e-6 with samples from the far side of the Moon is a reminder that there are “firsts” in robotic space exploration still to be achieved. Unfortunately, this year has seen a major set-back for the prospects of an even more extensive plan to collect samples from Mars. In April, the US National Aeronautics and Space Administration (NASA) made clear that the ballooning cost for the US Mars Sample Return mission to around $11 billion was too much and the 2040 return date was too distant. NASA has been told to look for ideas to lower costs and shorten the timeline. Shock and anger are palpable in the astronomy community.

The challenge of an exploratory robotic mission to Mars to collect samples and return them to Earth for study dates back to the post-Apollo era, 50 years ago. Twenty-five years ago, a breakthrough occurred when France and the US announced a joint Mars sample return program. Sadly, that foundered on financial grounds. Fifteen years ago, the goal of a joint project between NASA and the European Space Agency (ESA) was vetoed at a high level in NASA, possibly an echo of the previous experience.

Nonetheless, the last two US National Academy of Sciences planetary science decadal surveys gave the Mars Sample Return mission a high priority, thereby encouraging federal agencies to fund it. Then, last year, after the critical design phase and external review, the program’s price turned out to be way above expectations, leading NASA to apply brakes to the project…

The figures quoted for cost escalation of the Mars Sample Return mission are a reminder that NASA’s JWST project grew from less than $1 billion to around $10 billion. However, most of the JWST cost increases came after the design phase, the point where the Mars project is now caught. The sub[1]sequent steady growth in the cost of JWST was due to a different cause— namely, the year-by-year NASA budget negotiation in Congress. Once the design phase is completed, a large development team is formed. European collaborators watched in frustration as the annual US budget, cycle after cycle, drip-fed just enough money to sustain the JWST mission’s team but not enough to allow efficient progress. The multiyear funding of the ESA Science Programme by member states mitigates this.

NASA is now told to look for a solution to the Mars Sample Return mission, but the agency is likely caught at a tricky crossroads. A quicker, cheaper swoop to grab Mars dust and get it back to Earth could win the exploration “first,” but that will not satisfy the US National Academy decadal goals….

(12) FARM ROBOTS. [Item by Mark Roth-Whitworth.] “Could robot weedkillers replace the need for pesticides?” in the Guardian. I’m sure they will, and I expect smaller ones for gardens.

On a sweltering summer day in central Kansas, farm fields shimmer in the heat as Clint Brauer watches a team of bright yellow robots churn up and down the rows, tirelessly slicing away any weeds that stand in their way while avoiding the growing crops.

The battery-powered machines, 4ft (1.2 metres) long and 2ft (0.6 metres) wide, pick their way through the fields with precision, without any human hand to guide them….

His Greenfield agricultural technology company now builds and programs its robots in a shed behind an old farmhouse where his grandmother once lived….

…Farmers have been fighting weeds in their fields – pulling, cutting and killing them off with an array of tools – for centuries. Weeds compete with crops for soil moisture and nutrients and can block out sunlight needed for crop growth, cutting into final yields. Over the last 50-plus years, chemical eradication has been the method of choice. It is common for farmers to spray or otherwise apply several weedkilling chemicals on to their fields in a single season.

But as chemical use has expanded, so has scientific evidence that exposure to the toxic substances in weedkillers can cause disease. In addition to glyphosate’s link to cancer, the weedkilling chemical paraquat has been linked to Parkinson’s disease. Another common farm herbicide, atrazine, can be harmful to reproductive health and is linked to several other health problems.

Weedkilling chemicals have also been found to be harmful to the environment, with negative impacts on soil health and on pollinators and other important species. 

… North Dakota-based Aigen Robotics has raised $19m to date. Its compact robots are powered by solar panels fixed to the top of each machine and are designed to work autonomously, sleeping and waking up on farm fields….

… Still, many farmers and academic experts are skeptical that farm robots can make a substantial difference. They say that there is simply too much farmland and too many diverse needs to be addressed by robots that are costly to make and use. The better path, many say, is for farmers to work with nature, rather than against it.

The model of regenerative agriculture – using a variety of strategies focused on improving soil health, including limiting pesticides, rotating crops, planting crops that provide ground cover to suppress weeds and avoiding disturbing the soil – is the better path, they say….

(13) ELEMENTARY. According to ScienceAlert, “Curiosity Cracked Open a Rock on Mars And Found a Huge Surprise”.

A rock on Mars has just spilled a surprising yellow treasure after Curiosity accidentally cracked through its unremarkable exterior.

When the rover rolled its 899-kilogram (1,982-pound) body over the rock, the rock broke open, revealing yellow crystals of elemental sulfur: brimstone. Although sulfates are fairly common on Mars, this is the first time sulfur has been found on the red planet in its pure elemental form….

“But do they smell like rotten eggs?” asks John King Tarpinian.

(14) SF IN 1958. [Item by SF Concatenation’s Jonathan Cowie.] Grammaticus Books has continued his deep dive into some golden age editions of SF pulps. This time he looks at a1958 edition of Fantasy & Science Fiction that saw Heinlein’s “Have Spacesuit Will Travel” which if memory serves was short-listed for a Hugo. There’s also a Richard Matheson in the mix…

(15) VIDEO OF THE DAY. [Via Cat Rambo.] “We Didn’t Start the Fire (Bardcore|Medieval/Renaissance Style Cover)” from Hildegard von Blingin’.

There are many covers of Billy Joel’s We Didn’t Start the Fire that adapt it to different times, but we wanted to give it the bardcore treatment. *Unlike the original, the list is not chronological, and jumps around in time a lot. It very loosely spans from around 400 to 1600, and is from a rather Eurocentric point of view. Thank you to my brother, Friar Funk, for devising the lyrics and providing the majority of the vocals. Many thanks as well to his new wife and our dad for joining us in the chorus at the end.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “CCR” Dern.]

Pixel Scroll 4/30/24 Hold Your Vibranium

Posted on by
22

(1) ANGELS IN SPITE OF AMERICA. It’s never too late to read Tobes TAFF Ting for the first time – the report of Tobes Valois’s westbound TAFF trip to the USA and the 2002 San Jose Worldcon (ConJosé) is the latest addition to the Trans-Atlantic Fan Fund’s library of free ebooks.

It consists partly of his own confession “extracted by torture” in a dramatic two-hour event at the 2005 UK Eastercon. Also included are campaign details, his online trip notes, eye-witness accounts of his doings in the USA, commentaries, photographs and artwork.

Cover artwork by Sue Mason.

(2) NEW HORROR. Gabino Iglesias’s New York Times review column “Alien Terrors, Vampire Conspiracies and More in 4 New Horror Books” discusses Thomas Olde Heuvelt’s Oracle (Tor Nightfire, 376 pp., $29.99); C.J. Tudor’s The Gathering (Ballantine, 336 pp., $29); S.A. Barnes’s Ghost Station (Tor Nightfire, 377 pp., $27.99); and The Black Girl Survives In This One: Horror Stories (Flatiron, 354 pp., $19.99), edited by Desiree S. Evans and Saraciea J. Fennell.

(3) NO NEED TO STAY BETWEEN THE LINES. Hugo finalist The Unofficial Hugo Book Club Blog has posted their contribution to the Hugo Voter Packet on Google Drive as a freely available download: UHBC Voter Packet 2024.pdf.

(4) WHEN YOU’RE YA AT HEART. “More than a quarter of readers of YA are over the age of 28 research shows” – the Guardian has details.

Young adult fiction such as The Hunger Games, A Good Girl’s Guide to Murder and the Heartstopper graphic novels might be aimed at teenagers – but new research has shown that more than a quarter of readers of YA in the UK are over the age of 28.

Research commissioned by publisher HarperCollins, in collaboration with Nielsen Book, the UK book industry’s data provider, suggests that a growing number of adult readers have been reading YA fiction since 2019. According to the report, 74% of YA readers were adults, and 28% were over the age of 28. The research suggests this is due to behavioural changes described as “emerging adulthood”: young people growing up more slowly and delaying “adult” life. The feelings of instability and “in-betweenness” this can cause has led to young adults seeking solace in young adult fiction – and for some these books remain a source of comfort as they grow older….

(5) BEST NEW BOOKS FOR KIDS AND TEENS. And for the rest of us. The Guardian’s Kitty Empire delivers a “Children’s and teens roundup – the best new chapter books”.

Lauren Child brings a light touch to big issues [with Smile], Elle McNicoll explores autism – and a secret society is at work in Paris’s sewers [Keedie],

The column also reviews The Wrong Shoes written and illustrated by Tom Percival,  The Whisperwicks: The Labyrinth of Lost and Found by Jordan Lees, Piu DasGupta’s debut, Secrets of the Snakestone, and Yorick Goldewijk’s Movies Showing Nowhere, translated from Dutch by Laura Watkinson.

(6) BSFA’S SF THEATRE COLUMNIST. Kat Kourbeti launches a new column on SF theatre titled Infinite Possibilities in the British Science Fiction Association’s critical journal Vector, starting with the latest issue.

The first iteration of the column tackles the current trends in UK theatre (and to a lesser extent Broadway), which see many well-known film IPs receive the musical treatment to varying degrees of success, and compares these trends to the last decade, during which time the UK had many original and thought provoking speculative theatre productions on the big stages across London and elsewhere.

Vector is available to all BSFA members in digital or print form. Articles and reviews of individual plays will also be appearing on the Vector website.

(7) BUT DID THEY GO IRONICALLY? [Item by Mike Kennedy.] Remember the horribly failed Willy Wonka “Chocolate Experience” a while back in Scotland? Well, it has now spread to LA. Sort of. This time, however, there were no disappointed children, since children were not allowed at this THC-infused adult version. “Viral Glasgow Willy Wonka ‘Chocolate Experience’ inspires Los Angeles event” at NBC News.

Two months after a Willy Wonka-inspired “Chocolate Experience” in Scotland failed so spectacularly that it cemented itself in internet meme history, a similar event in Los Angeles attracted dozens of people hoping to take part in a re-creation of the absurd experience.

The original event in Glasgow, Scotland, had promised ticket buyers an immersive candy wonderland only to deliver a sparsely decorated warehouse. Faced with a crowd of crying children and shouting parents, the Fyre Fest-like event shuttered just halfway through the day.

“Willy’s Chocolate Experience LA”— organized by a collective of local artists unaffiliated with those behind the Glasgow event — had a similar vibe. This time, however, attendees knew what they were signing up for.

Held in a worn-down warehouse embellished with a few candy cane props, the one-night only pop-up event stayed true to the underwhelming decor of the Glasgow event, complete with artificial intelligence-generated art. Attendees were even offered two complimentary jellybeans, just like in Glasgow.

… Scottish actor Kirsty Paterson — who became known as “Meth Lab Oompa Loompa” — was a key participant in the event. Also present was a local actor donning the persona of “The Unknown” — the random and slightly unsettling masked character who went viral for scaring the children who attended.

This Los Angeles experience, however, was not catered to children. Attendees, who paid $44 per ticket, mingled and laughed with one another as they consumed THC-infused cotton candy, Oompa Loompa-themed cocktails and some not-so-PG on-stage performances….

(8) TEDDY HARVIA CARTOON.

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 30, 1938 — Larry Niven, 86.

By Paul Weimer: One could write a whole book about his early work, but I am here today on his birthday to discuss his later work, what I read of it anyway. Niven, like a number of writers, became less and less aligned with the kinds of SFF I was interested in as time goes by, but he lasted longer than many. 

Take The Burning City.  Years after The Magic Goes Away stories (still some of the best sword and sorcery out there), Niven teamed up with Jerry Pournelle to write a novel set in The Magic Goes Away verse.  It’s set in a version of Los Angeles in the distant prehistoric past, a Los Angeles that occasionally burns down again and again (Fire Gods are so temperamental).  Some of the magic of Niven, and some of the magic of the Niven and Pournelle combination, are here. Other things feel a lot like men shouting at clouds. (A group of antagonists clearly meant to be the IRS, for example, feels like leaden and unwanted political point making).  But the brilliance of Niven sometimes shines through.

Larry Niven, Steve Barnes and Jerry Pournelle at the LA Annual Paperback Show in 2015. Photo by Alex Pournelle. Used by permission.

Rainbow Mars is a book whose contents are published in the wrong order. The titular work is a novella, one of the Svetz series and a capstone to the stories of his time traveler going back in time and winding up tangling with all sorts of supernatural creatures. In Rainbow Mars, he winds up dealing with a number of different SFF Martian landscapes and creatures, and a world-killing Yddgrasil. But this novella is first in the book, and then the rest of the Svetz stories come after it.  It is my opinion that is the absolute wrong way to appreciate what Niven is doing in the Svetz stories and his cleverness is wasted thereby. 

Finally, a few words about Achilles’ Choice. Co Written with Steven Barnes, Achilles’ Choice is the story of Jillian.  In a world where winning Olympic medals means personal power, and where winning Olympic medals means taking a drug that, if not managed afterwards (expensively),  means death, the devil’s choice of the title becomes clear right away and is a Niven novel which runs on theme more than anything. Is it better to have an obscure, low life, safe and cossetted, or to risk greatly, in the hopes of getting great glory. Jillian of course goes for the latter, just as Achilles did, and the unfolding of that choice runs through the novel. It may be a standalone “lesser” Niven, but I think him and Barnes team up here as well as they did in the first couple of Dream Park novels. 

Happy Birthday, Larry Niven!

(10) COMICS SECTION.

(11) ALIEN EARTHS. [Item by SF Concatenation’s Jonathan Cowie.] Arguably one of SF’s commonest tropes is alien life.  So this week’s BBC Radio 4 Book of the Week is of interest, it being on Alien Earths. “Book of the Week: Episode 1 – Are we alone in the cosmos?”

Lisa Kaltenegger, the astronomer and world-leading expert in the search for life on faraway worlds takes us on a mind-bending journey through the cosmos, asking, are we alone? Pippa Nixon reads.

Astronomer Lisa Kaltenegger’s eye-opening guide to the cosmos uses Earth’s diverse biosphere as a template to search for life on other planets beyond our galaxy. Working with a team of tenacious scientists from a variety of disciplines she has come up with an ingenious toolkit to identify possible life forms on planets far from Earth. Her enthusiasm and her expertise in the newest technological advances reveal the possibilities for whole new worlds. Perhaps, she muses aliens might be out there gazing back at us.

Lisa Kaltenegger is the Founding Director of the Carl Sagan Institute to Search for Life in the Cosmos at Cornell University. She is a pioneer and world-leading expert in modelling potential habitable worlds . She is a Science Team Member of NASA’s TESS mission and the NIRISS instrument on the James Webb Space Telescope. The recipient of numerous international prizes and awards, including a European Commission Role Model for Women of Science and Research, she was named one of America’s Young Innovators by Smithsonian Magazine. Asteroid Kaltenegger7734 is named after her.

(12) FALLOUT TV ADAPTATION PERFORMANCE. JustWatch’s new graphic covers TV shows based on popular video games. Amazon Prime is the latest streaming platform to find success with Fallout, their latest production and one of the most anticipated releases of 2024, and JustWatch wanted to see how it stacks up against similar adaptations. 

Developments relevant to this report include Amazon’s release of Fallout, as well as HBO Max’s runaway hit, The Last of Us, and Paramount’s Halo. 

Key Insights:

  • All 3 adaptations have IMDb scores higher than 7, even though they vary in first week success
  • Even though The Last of Us was a runaway success, “Fallout” has still managed to dominate the global market during its first week of availability 
  • Even though Fallout is more popular, The Last of Us has a higher rating on IMDb 

The report was created by pulling data from the week following the release of Fallout, and compared it to other video game adaptation titles with similar themes. JustWatch Streaming Charts are calculated by user activity, including: clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >40 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

(13) EVERYBODY MUST GET STONED. [Item by Mike Kennedy.] Even Rolling Stones (no, not those Stones) can be spaceflight fans. While visiting Houston to kick off their latest tour, the Stones’ Mick Jagger made a visit to the Johnson Space Center. “Mick Jagger visits Johnson Space Center as Rolling Stones kick off nationwide tour” at Good Morning America.

… The collection of photos Jagger shared on Instagram showed the 80-year-old rock star exploring various parts of the station and posing in front of a sign in a control center that read “Welcome to Mission Control Mick Jagger” with his face in the center of the sign.

In another photo, Jagger peers down at his hands using what appears to be a virtual reality headset. The photo collection also includes shots of the music legend posing inside what appears to be an equipped spacecraft….

(14) USING EVERYTHING INCLUDING THE OINK. In the Guardian:  “’We used pig squeals to create their shriek’ … how we made Invasion of the Body Snatchers” (the 1978 version).

… You see a banjo player on the street with his dog a few times – the music was played by Jerry Garcia of the Grateful Dead. Later we see the dog has the banjo player’s face – the result of Donald’s character striking the pod they were sleeping next to and causing an organic accident – man and beast have become one. For that effect, the dog was wearing a mask. We smeared something sweet on the front so its tongue came out through the mouth.

Ben Burtt, who had done the sound design for Star Wars, created the shriek made by the pods when they identify someone who’s still human, mixing pig squeals with other organic sounds….

(15) INCIPIENT DINO CHOW. “Jenna Ortega Exit Confirmed In ‘Jurassic World: Chaos Theory’ Trailer” says Deadline.

Netflix has dropped the official trailer for Jurassic World: Chaos Theory, the animated follow-up sequel series to Jurassic World: Camp Cretaceous, and there’s one name that is conspicuously missing. Jenna Ortega, who voiced Brooklynn in Camp Creatceous, is not listed in the voice cast for Chaos Theory, or seen in the trailer, and we’ve confirmed she will not be returning for the new series. Chaos Theory picks up with Brooklynn seemingly killed by a dinosaur attack. According to Ben (Sean Giambrone), she was targeted, and the other members of the Nublar Six are now in danger…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Paul Weimer, Kat Kourbeti, Mark Roth-Whitworth, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/21/24 Mr. Sandworm, Bring Me A Dream

Posted on by
29

(1) MASTER OF SF. Vernor Vinge died March 20. One of the many callbacks to this distinguished sf author’s genre contributions comes from the Hugo Book Club Blog: “A Tribute To Vernor Vinge”.

…“Singularity is the point at which our old models will have to be discarded, where a new reality will reign,” Vinge wrote. “This is a world whose outlines will become clearer, approaching modern humanity, until this new reality obscures surrounding reality, becoming commonplace.”

One of these forays into singularitarianism helped launch an entire subgenre of science fiction. First appearing in a Dell paperback alongside George R.R. Martin’s Nightflyers, the story True Names offered a blueprint for cyberpunk that would influence and inspire everything from blockbuster movies to role playing games and television series….

(2) CIXIN LIU ON PRODUCTIVITY ISSUES. [Via Zionius on Weibo] On Wednesday, Singapore newspaper The Straits Times published an article tying in with the release of the Netflix adaptation of The Three-Body Problem.  The piece includes a few quotes from Liu himself, where he talks about his activity in recent years, and his sympathy with one of his peers, George R.R. Martin.

While he yearns to see Martin place the long-delayed sixth book, The Winds Of Winter, in the hands of publishers, Liu, 60, also sympathises with his 75-year-old peer’s plight – Liu himself has been through a long fallow period.

“The Winds Of Winter has been delayed for 10 years. As a writer who also writes fantasy literature, I completely understand this, because I have not been able to publish a new work for more than 10 years,” Liu tells The Straits Times in an e-mail interview…

Other than Of Ants And Dinosaurs (2010), a work that imagines a war between the two species of the title, Liu has not produced a new novel since.

“Martin has at least published other works during that time, and I had done almost nothing,” he says. 

(3) A LIFELINE TO SANITY. The Guardian calls it, “’A fascinating insight into pandemic psychology’: how Animal Crossing gave us an escape”.

“Today is the first day of your new life on this pristine, lovely island. So, congratulations!” says Tom Nook, the benevolent tanuki landlord, a few minutes into Animal Crossing: New Horizons. (Nook is often besmirched online, but you can’t argue that he’s extremely welcoming.) Many players read this comforting message at a destabilising and frightening time in the real world: Animal Crossing: New Horizons came out on Nintendo Switch on 20 March 2020, a few days before the UK entered its first Covid lockdown.

This was fortuitous timing. When we were all stuck at home, the game let us plant our native fruits, tend to our flowers and see what the town shop had on offer, repaying our extensive loans (interest-free, thankfully) to Tom Nook as a way of escaping the chaos and daily death tolls. We opened the gates to our islands and welcomed friends and strangers into our pristine little worlds. As real life crumbled, we started anew with bespectacled cats, sheep in clown’s coats and rhinos who looked like cakes.

The game’s sudden popularity caused Nintendo Switch sales to skyrocket among pandemic-induced shortages. New Horizons had sold 44.79 million units by December 2023 – nearly three-and-a-half times more than any other game in the Animal Crossing series, which has been running since 2001. It’s the second best-selling Switch game to date, behind Mario Kart 8 Deluxe….

(4) BOT AND PAID FOR. Annie Bot has already been called “A sharp take on a sex robot that becomes human” in a paywalled New Scientist review:

I opened the novel with low hopes, because the idea of a robot learning to be human, then chafing at its bonds, seemed a bit old hat. How wrong I was. Right from the first page, the book is coruscating, unexpected and subtle….

Now Glamour has interviewed author Sierra Green in a Q&A titled “Annie Bot Is a Chillingly Prescient Novel That Asks What Happens When a Sex Robot Realizes Her Worth”.

…The character of Doug felt so real to me (a man who would rather have a sex slave robot than a real human companion), which is scary, to say the least. What does his character represent to you, and why do you think it is important to demonstrate these types of men in the media?

This is a complicated subject. I think it’s important to try to understand what in our society encourages a man to feel like he ought to be in control, even when he’s not. No one likes to feel helpless, but men can feel doubly conflicted when they are denigrated because society has taught them that they deserve respect. Suddenly they have to reassess the entire system. When we see a character like Doug who is lonely and wants to be in control, we understand why he’s reaching out for a connection. We’re not surprised that men turn to the internet for pornography, and Annie is just a step beyond that. What matters to me is that Doug learns from his situation. He experiences deep shame, isolation, and rage, but he’s also willing to reflect on how to become a better man, a better human. Almost despite himself, he takes risks that lead him where he needs to go.

Do you think if Stellas really existed, a lot of men would buy them?

Yes. Women would buy them too, or the male Handy models. People will buy a new toy whether it’s good for them or not….

(5) MONSTER MASHER. Radio Times says “Doctor Who needs Steven Moffat – despite what he might say”.

…Every showrunner has brought something incredible to Doctor Who, from Russell T Davies’s famously skillful writing to Chris Chibnall’s bold new directions, but there’s something that Moffat brings to the show that no other writer does.

He remains unmatched as Doctor Who’s monster maker. By his own admission, his creations are simple and actually a little formulaic, usually riffing on a childhood fear to create a chilling physical embodiment of our nightmares. But it doesn’t get old – because he does it so well.

Moffat’s first episodes, a season 1 two-parter, introduced the Empty Child. Arming his creation with a haunting catchphrase (“Are you my mummy?”) and a gruesome physicality (I’ve never forgotten that transformation scene), he immediately ensured his first Doctor Who monster would be one for the ages. But it was far from his most iconic.

In season 3, Moffat penned what is widely described as one of Doctor Who’s best ever episodes, Blink, creating an all-time classic monster, the Weeping Angels….

(6) A TILT TOWARD NORTH AMERICA. “Doctor Who’s schedule change is inevitable – but still heartbreaking” opines Radio Times.

With the decision being made to debut new Doctor Who episodes at midnight on BBC iPlayer, many Whovians have expressed their disappointment. They argue that the choice was made for US-based audiences, and it undeniably was.

When the first two episodes are released on BBC iPlayer at midnight on Saturday 11th May, they will also be available on Disney Plus at 7pm ET on Friday 10th May, before BBC One airs them again later in the day on Saturday.

This means that while viewers on the US East Coast can enjoy the premiere episode in the late evening, UK fans will have to stay up into the late hours of the night to watch, diminishing the event nature and experience of watching the series…

(7) NEW HORROR. Gabino Iglesias reviewed Premee Mohamed’s The Butcher Of The Forest, C.J. Cooke’s A Haunting In The Arctic, Tim Lebbon’s Among The Living, and Amanda Jayatissa’s Island Witch in “Demons, Haunted Forests and Arctic Nightmares in 4 New Horror Novels” for the New York Times in February.

(8) SPUR AWARDS. The Western Writers of America have presented the 2024 Spur Awards. Complete winners list at the link – there do not appear to be any genre works among them. Not even Thomas Goodman’s Best First Novel The Last Man: A Novel of the 1927 Santa Claus Bank Robbery has much to do with jolly old elves.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 21, 1946 – Timothy Dalton, 78. Timothy Dalton made his film debut sixty-eight years ago as Philip II of France in The Lion in Winter. I remember him distinctly in that role. Of course, I’ve watched that film enough times that I think I’ve memorized much of the script. 

He would do two Bond films, The Living Daylights and Licence to Kill. He made a decent Bond, but then I think the only true Bond was Connery. 

Timothy Dalton in 1987.

Now doing a dive into his genre roles, he was Prince Barin in Flash Gordon, and had a major role as film star Neville Sinclair, one of baddies in The Rocketeer. An absolutely amazing film which is why it got a nomination for a Hugo at MagiCon. 

And he was Lord President Rassilon in “The End of Time”, the last Tenth Doctor story. He made a rather impressive Time Lord indeed. 

I’ll finish up with his role as the Chief on the DC Universe/Max Doom Patrol series which just wrapped up. It was a great role for him, and a most excellent series indeed. 

(10) COMICS SECTION.

(11) TRAINING FOR WAR. James Bacon reviews an issue of Battling Britons, “The Fanzine of Vintage British War Comics”, for Downthetubes.net: “In Review: Battling Britons 6 – Planes, Trains and Giant Vampire Bats!”.

The Book: The latest issue of a fanzine dedicated to British war comics, offering articles, reviews and features on comics such as Commando, still published, and vintage comics such as Battle Picture Weekly, War Picture Library, including items on strips such as “Black Max”, “Dredger”, “Maddock’s Marauders”, “Kommando King” and more…

…Editor and publisher Justin Marriott often writes about subjects that are close to my heart, and this issue he looks at Commando comics that feature trains. He starts this with a fabulous laugh out loud list of the ten things he has learned from reading comics which featured trains. It’s a light hearted and humorous approach, and then lists some 30 Commando stories, and discusses them briefly….

(12) NOT JUST LOOKING AT THE PICTURES. And Downthetubes.net founder John Freeman suggests, “Comics: The Answer to The UK’s Literacy Crisis?”

We’re used to Spider-Man saving the world from the Green Goblin and a multiverse of masked miscreants. But new research by Comic Art Europe, and a separate research project by the National Literacy Trust, suggests that he could have the super-powers to do something even more valuable – something our government has signally failed to do: turn us into a nation of readers again

That’s the view, at least, of Lakes International Comic Art Festival chair Peter Kessler MBE, in an article for the latest issue of Books for Keeps magazine.

“A unique project has been unfolding in a primary school in North Manchester,” he notes, discussing the Comics and Literacy Project the Festival worked on as a partner of Comic Art Europe, launched in 2021, supported by The Phoenix comic, its full, interim report here on the Festival web site.“Abraham Moss is a typical, hard-working community school in an underprivileged area. Most of its students are from ethnic minority backgrounds, and it has a higher-than-average number in receipt of the Pupil Premium subsidy given to disadvantaged students. The school has spent two academic years participating in a Europe-wide research project entitled Comics and Literacy. The aim of the project: to analyse and quantify the impact of exposure to comics on young people.

“The results are jaw-dropping….”

(13) FANAC ZOOM NOW ONLINE. You can view the two-part FANAC History Zoom: “The Women Fen Don’t See” with Claire Brialey, Kate Heffner and Leah Zeldes Smith on YouTube.

Part 1 – 

Description: Women did not magically appear in fandom with the advent of Star Trek, but have been part of science fiction fandom since the earliest days. They’re faneds, and convention chairs, writers and artists, club fans and costumers. Sometimes, they’re all of the above. Our impressive panelists (see bios on the bottom) Claire Brialey, Kate Heffner and Leah Zeldes Smith talk about why early female fans have received less credit than they deserved, or been overlooked entirely, and describe the contributions of a number of them…In this recording (Mar 2024, part 1 of 2), our panelists talk about how this research began, and why women that were cranking the mimeos, writing fanzine articles and going to conventions were not even regarded as fans. Early fan historians didn’t correct this impression, reflecting the attitudes of society and ignoring women’s contributions to fandom, especially married women. In this recording, you’ll learn about what fans did say about women in the community, “the radical hoax of Lee Hoffman”, and Miss Science Fiction 1949 (and the Fake Geek Girl response that ensued).

Women discussed in this part 1 include Jean Bogart, Pam Bulmer, Daphne Buckmaster, Marion Eadie, Helen Finn, Nancy Kemp, Trudy Kuslan, Lois Miles, Frances Swisher, and Jane Tucker. There’s a lot of information, a little hero worship and a dive into those hard-to-research women whose fanac was not primarily in fanzines. The discussion continues in Part 2. For more fan history, go to https://fanac.org and https://fancyclopedia.org. If you enjoyed this video, please subscribe to our channel.

Bios: 

Claire Brialey – Claire encountered fandom in her early teens, in the mid-’80s, after having read SF for five or six years. She’s a fanzine fan and co-editor of Banana Wings, as well as having won the 2011 Best Fan Writer Hugo. She’s a former President of ANZAPA and a conrunner (up to and including the Worldcon level). She’s worked on clubs, fan funds, and awards administration. She is one of the Guests of Honor of the 2024 Worldcon in Glasgow. And she still enjoys reading and watching SF. 

Kate Heffner – Kate Heffner (she/they) is a PhD researcher at the University of Kent England in the Department of History and an adjunct faculty member in the School of Library and Information Science at the University of Iowa. She is completing her dissertation entitled ‘A Fanzine of Her Own: Femme Fans in the Post-War Era.’ She is the recipient of the 2022 Peter Nicholls prize for best essay and a former judge for the Arthur C Clarke Award. For the last several years, she has also been adding to Fancyclopedia.org. 

Leah Zeldes Smith – A retired journalist, Leah has been an actifan for more than 50 years, since she was a young teenager. She is a fanzine fan, and her zine STET was nominated for the Best Fanzine Hugo 3 times (1993, 1994, 2001). She’s a DUFF winner (93). She’s been involved with APAs, clubs and convention running. Leah’s involvement in documenting fanhistory dates back several decades. She has been a mainstay of Fancyclopedia, and has made thousands of updates to the site. Recently she’s pulled together a list of Fandom Firsts.

Part 2: 

Description: Women did not magically appear in fandom with the advent of Star Trek, but have been part of science fiction fandom since the earliest days. They’re faneds, and convention chairs, writers and artists, club fans and costumers. Sometimes, they’re all of the above. In this part 2 of the session (Mar 2024), our panelists Claire Brialey, Kate Heffner and Leah Zeldes Smith continue to talk about why early female fans have received less credit than they deserved, or been overlooked entirely, and describe the contributions of a number of them.

Women discussed here include Ina Shorrock, Bobbie Gray, and Ethel Lindsay. There’s more about Femizine, the impact that early female fans can have on younger generations today, and whether women fans today will experience the same sorts of erasure. At about 32 minutes in, Q&A from the audience begins, with the difficulty of researching women fans, especially those that change their names multiple times, and anecdotes of Nan Gerding, Lynette Mills, Fuzzy Pink Niven, and Noreen Shaw. Maggie Thompson contributes a wonderful anecdote about her mother SF author Betsy Curtis and Tony Boucher. The recording concludes with a welcome discussion of how women have been treated in fandom in recent years.

(14) OSCARS A RISING TIDE FOR THESE ACTORS. JustWatch asked: (1) Which movies featuring Oscar-winners Emma Stone and Cillian Murphy are the most popular with audiences? (2) Are their 2024 Oscar-winning pictures at the top?

Key Insights

Poor Things is topping our popularity ranking, with an overall popularity of 48.6% among global audiences. The Favourite, her other Oscar winning performance, is no surprise in second place. Followed by La La Land, which was also a top contender during the 2016 Oscars. Surprisingly, Cruella ranked lower on the list, even though it was a big budget Disney project. 

Oppenheimer blew away Cillian Murphy’s other movies, garnering more than 60% of global popularity. Inception, another Christopher Nolan project, took second place. Dunkirk, A Quiet Place, and The Dark Knight also ranked in our top 1010. 

We created this report by using our JustWatch Streaming Charts, which are calculated by user activity, including clicking on a streaming offer, adding a title to a watchlist, and marking a title as ‘seen’. This data is collected from >40 million movie & TV show fans per month. It is updated daily for 140 countries and 4,500 streaming services.

(15) DON’T BOTHER ME, I’M BUSY. The form letter Robert A. Heinlein devised to answer his mail is making the rounds again. In the Seventies when I heard this existed I wrote him a fan letter in hopes of receiving a copy in reply, and I did — though it was a later variation than this one. (Click for larger image.)

(16) VIDEO OF THE DAY. Arriving in theaters on September 9: “’Beetlejuice Beetlejuice’ Trailer: ‘The Juice Is Loose’ In Sequel Teaser”. Let Deadline lead the way.

… The logline: Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid (Ortega), discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kathy Sullivan, Ersatz Culture, Zionius, James Bacon, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

So Glad You (Didn’t) Ask #84: A Column of Unsolicited Opinions

Posted on by
35
Chris M. Barkley

Unburdening Myself of Unfinished Business

By Chris M. Barkley: 

ITEM ONE: As we emerge from the cold and cloudless days of January and February, you would think that the prospect of sunny days, baseball, international football (soccer), the open swimming pools and children playing outside would bring some joy to my soul.

Every year for the past forty years or so, the coming of the so-called “Daylight Savings Time” fills me with sadness, anxiety, moodiness and lastly, anger. (Yes, I only appear to be a mild-mannered reporter for a daily metropolitan daily sf news zine.)

Because myself and most of my fellow North Americans have lost an hour’s sleep. And why?

Because the farmers, blah, blah, blah. And the kids getting on the bus in the dark, blah, blah. And commerce and businesses flourish, blah, blah, blah… 

When I was a young lad in the mid-1960’s, the prospect of time travel (in this fashion) was novel and exciting. Forward into the future and then returning back into the past a few months later was a perfectly appealing idea to my young mind.

But, as I got older, my priorities and attitude towards DST gradually changed. Just the thought of the approaching date brought on bouts of gnawing and persisting dread. Changing the clocks forth and back became (and still are) a hassle. And the loss of an hour’s sleep every spring is just plain wrong.

 I’m not going to bore everyone with its history, musings, opinions or statistics about whether we should choose to sat in “standard” or “daylight” time or why the DST should be hunted down with pitchforks and torches, staked through the heart and left burning in the noonday sun. 

Instead, I will leave you with a well known Native American aphorism:

“Only a white man would have you believe you could cut a foot off the top of the blanket, sew it onto the bottom of the blanket, and you’d be left with a longer blanket.”

Contact your congressional representative and Senators; they are the only ones who can kill this stupid and unhealthy abomination once and for all.

Enough. Said. 

ITEM TWO: On the morning of February 5, 2024, my audio interview with Dave McCarty was published here on File770.com.

As many of you may know, I distribute the daily “Pixel Scroll” and other standalone news items on eight sff Facebook groups and on the Bluesky app. (I have mostly avoided posting on X/Twitter since September 2023.) If there is something more important or pressing at hand, like an exclusive interview with Dave McCarty for example, I post a File 770 link to a more widespread group of forty groups…well, actually, thirty-nine as of today. Let me explain…

That particular morning, I started posting the interview to my usual group but when I came up to the Washington Science Fiction Association, I had to pause because I was served with a notice that stated that my posting privileges had been suspended:

“Your profile been (sic) suspended in this group. The admin has temporarily turned off your ability to post, comment and earn contribution points in the group until February 23, 2024, 10:19 AM.”

I was flabbergasted for several reasons, the first of which was that I had not received any notice of the suspension from any of the administrators, there was no previous indication of any trouble before that day. 

Since I was locked out of the page, there was no way to send a message to an admin, so I decided to shout out on my own page:

To the Washington Science Fiction Association Facebook Page:

While posting my latest File 770 column this morning, I found out that the admins of the Washington Science Fiction Association suspended my posting privileges on their page for three weeks. Apparently they found my most recent dispersing news on a regular basis either offensive and/or disturbing.

I have done my best to pass along vital and accurate information there for some time and I am HIGHLY upset that I was suspended without notification or an adequate explanation. Do I need to point out the parallels to what happened recently regarding the Chengdu Long List nominees?

As a journalist, I resent being effectively censored in this fashion; sf fans have every right to be informed, whether the news is for good or for ill, especially during these tumultuous times in sf fandom.

While I recognize that they have every right to run their page as they see fit, I find this action egregious, unnecessary and a disservice to the other members of the group. As a result of these actions I will be leaving the group later today.

Chris B.

During the course of that day, several friends offered advice and support, which, for the most part, I appreciated. Several suggested I reach out to the administrators to find out what the problem was. I wasn’t very receptive to doing that because I was very upset and the aggrieved party; so why would I do that? 

Two friends intervened on my behalf and made inquiries on my behalf. One reported in a direct message:   

“Sent your message to the three admins. I’m guessing what set this off was the piece with the McCarty interview.”

I did not hear back from anyone else about this that day. And so, at a little after 10pm, the Washington Science Fiction Association page had one less member. 

My other friend sent me the following message in the early morning hours of the next day:

“Chris, you were paused by the moderator because they were traveling and could not monitor posts.”

I sent back the following message:

“Well, that’s a troubling explanation. Was this applied to everyone? Or just me? Because without a notification to me or on the page, it felt like I was being targeted.

Also  the period of time described in the suspension notice wasn’t for a period of days but weeks. 

So yeah, I’m having a hard time believing this.”

As of today, I have not been contacted by any of the admins involved nor have I been given an adequate explanation for their actions or offered an apology.

My reason for airing my grievance here and now is two-fold; this incident has been simmering with me for over five weeks and I felt the need to let loose before I lose my sanity, self esteem or both. Secondly, this is not my first rodeo with unresponsive page admins and frankly I’m becoming more and more disenchanted with social media and Facebook in particular.

And at its best, Facebook is a wonderful tool to keep in touch with friends and share ideas and opinions. But I am beginning to realize that for me, the pervasive and oftentimes intrusive effects of social media may outweigh its benefits. 

Lately, I have been contemplating leaving Facebook for good. Incidents like this just nudge me a little further towards doing that.

ITEM THREE: And then there was the matter of D.G. Valdron’s essay on Medium.com.

On February 18, Mr. Valdron, who describes himself on the website as a “Canadian Speculative Fiction and Pop Culture writer”, published an article that was ominously titled “Moral Compromise and the Lesson of the Hugos”.

Mr. Valdron, in an imperious and somewhat solemn tone, vaguely (and, mind you, without attribution) outlined the problems regarding the Chengdu Worldcon:

In 2023, the World Science Fiction Convention was held in Chengdu, China.

This was a little bit controversial, given the Chinese government’s genocidal actions regarding Ughyers and Tibetans, their authoritarian police state shtick, etc. But everyone went along with it. Why rock the boat?

The problem came with the Hugo Awards.

Now, the thing with the Hugos, is that everyone submits nominations, the Hugo Awards Committee vets the nominations, and a final list gets put out for the fans and convention members to vote on by secret ballot. Now, that’s how I understand it. I might have gotten some detail wrong, but I believe that’s the gist. It doesn’t matter.

Here’s what matters:

The Hugos were corrupted. The Hugo Awards Committee turns out to have been screening out the works of American, English and Chinese creators, on behalf of the Chinese government. Basically, anyone whose novel or background was critical of the Chinese government, or even politically sensitive, like mentioning Tibet, was dropped from the list.

But you know what strikes me?

It’s how trivial this is.

Forgive me, I’m sure it’s important to the people involved. Careers and friendships ended, a community rocked.

But let’s get a grip. Most people in North America have never even heard of the Hugos. Most people in North America are not science fiction writers, or readers. Hell, most people in North America are not readers.

The Hugos aren’t the Nobels, or the Pulitzers. In the larger scheme, they’re a minor award, restricted to a literary/social subculture which might result in a few extra sales and an ego boost.

No one’s life was at risk. No one’s freedom was imperiled. No huge sums of money, no public safety.

This was a small trivial thing.

In my cynical side, I suspect that most times, people would make the wrong moral choice, but hopefully, in the face of more pressure, or intimidation or incentive than this. Maybe I just want people to suffer more.

Anyway, we’ve been down this path before you and I. Sorry to belabour it. How we treat each other is a hobby horse of mine. I’ve had my tests, and I’ll have more. I’ve dealt with them.

What about you?

I’m SO GLAD you asked, sir.

Now, to be fair, Mr. Valdron is entitled to his opinion. And granted, what happened with the Chengdu Worldcon and the 2023 Hugo Awards is definitely not as important as the ongoing wars in Ukraine and the Gaza Strip, the current battle between democracy and fascism in the United States or our ever increasing concerns over climate change and various environmental crises all over the world.

What really ticked me off about D.G. Valdron’s article is his rather cavalier attitude towards what happened, the Hugo Awards and general air of disapproval of the fandom that supports it.  

Fantasy, science fiction and horror is, despite the bleating of insufferable academics and mainstream literary critics, a vital part of the tree of literature, and whose roots run a millenium or two deep.

Modern sff literature (and fandom) started over a hundred years ago when teenagers in the US and United Kingdom began to correspond, meet, talk and write about their mutual fascination. 

And out of those meetings came conventions, cosplay, and generations of aspiring publishers, writers, editors, artists, game creators, filmmakers, and commentators, like myself.

I have had the privilege of growing up in a period of this history to witness sff grow from being considered a freakish sideshow to becoming a dominant force in world culture.

And the Hugo Awards, for better or worse, have provided all of us with an invaluable anecdotal, year by year snapshot of what people thought about fantastic literature and the visual arts. Readers, writers, editors, artists and publishers look to it as a bellwether of the field’s vitality. 

So, no this is NOT “a small trivial thing,” Mr. Waldron.

And I find it very disappointing to see a member of our own community like yourself thinking so little of the situation as to look down your nose at the sff fandom and its history under the pretense of high handed criticism.

There is a term for this Mr. Waldron. 

It is called “bad form”.

ITEM FOUR: Having a little notoriety in your life can be fun. I have been a fan guest of honor at three conventions (Windycon in 2019, Astronomicon in 2021 and Confusion in 2023), a panelist art auctioneer at local, regional conventions and at Worldcons. I’ve been nominated for a Hugo Award twice (and may have even won one).

But speaking personally, I don’t go out of my way to seek it out. I know myself well enough to know that if my ego were well fed on a regular basis it would be to the detriment of myself and my family and friends.

So, as you can well imagine my quandary as the Chengdu Worldcon story grew exponentially, my name (as well as my co-author, Jason Sanford) popped in all sorts of media outlets like the Guardian (UK), NBC News, the Associated Press and the New York Times among others.

I was even interviewed by Andrew Linbong for National Public Radio, which, as a listener of fifty-plus years, was the thrill of a lifetime as far as I’m concerned.

But, there’s a downside as well. While I and Jason received universal praise for our reporting, we were also reminded that there are a lot of cranks out there who were more than willing to let the air out of tires, so to speak.

There were several that stood out; sff author Larry Correia was irked because of Jason and I had previously reported on and commented negatively against his involvements in the Sad/Angry/Rabid Puppy wars a decade ago. Frankly, having someone like Correia upset with me is a badge of honor as far as I’m concerned. (See my post on Bluesky.)

My partner Juli alerted me that some wag on Reddit had heard my interview with Dave McCarty and had come to the startling conclusion that I was actually in cahoots with him to cover up his complicity in the scandal. To which I replied that he had obviously seen far too many episodes of The Traitors reality competition show to be reasoned with. 

I was very heartened when I read that both Samantha Mills (author of the acclaimed short story “Rabbit Test”) and Adrian Tchaikovsky (who wrote The Children of Time series) had both decided not to acknowledge their Hugo Awards in the wake of the Chengdu scandal. 

Adversely, I received a bit of backlash from some people once I let it be known that I was going to keep my Hugo Award more as a keepsake and family heirloom than a personal achievement. 

I might have felt the same way as Ms. Mills and Mr. Tchaikovsky if I was sitting at home watching the Hugo Awards Ceremony at home and found out later that my presence on the ballot was dubious at best and that many Chinese writers and fans were most likely disenfranchised from the process.    

But, I went to China, had the time of my life, made the speech of my life and felt a close affinity for this award I thought I had rightly won. If anything, I wanted to be reminded of the trip, the people I met and befriended and the devastating revelations that followed.

Well, for a very vocal fringe minority of people, keeping this Hugo Award was tantamount to rooting for Lex Luthor, killing baby seals, helping the Houston Astros win the 2017 World Series or actually being a communist.

I laughed off nearly all of this outrage as either sour grapes, jealousy, pettiness or “virtue signaling”. In the course of all of this sturm and drang, I posted the following on Bluesky:

This generated a (unnecessarily snarky) response from @afab boyfriend:

It’s responses like these, that seemingly come out of the social ether that occasionally bother me, referring back to my general unease about social media. I don’t know this person and they CLEARLY don’t know me and yet it seems my comment struck a nerve that needed a pointed response. And I get it; I admit that in the past, I too, have sought out people I don’t know to comment on how reprehensible I thought their opinions or positions were, but tried to do so from a reasonable point of view and not to make it personal enough to hurt someone’s feelings.

THIS comment was meant to be both condemning AND personal. 

But, I decided to take the high road:

I followed that up with:

Case Closed, @afab boyfriend.

ITEM FIVE: Last week, this happened:

My response was:

Two things happened after I posted this; two days later, on Sunday March 10th, I fumbled my understanding of GMT time and Eastern Daylight Time (DAMN YOU AGAIN, DST) and as a result, both Juli and I logged onto the Glasgow Worldcon site three hours too late to nominate anything for this year’s Hugo Awards for the first time in more than a decade.

Even more ironically, I began to hear from friends and acquaintances who openly stated that despite my recusal of future nominations in my speech at the Chengdu Hugo Award Ceremony and my public statement on March 8th, people were still nominating me in the Best Fan Writer category.

Their reasons ranged from they viewed my “win” in Chengdu as invalid and they wanted me to have another chance or that my works from 2023 were quite worthy of consideration.

I have to admit that the idea of being nominated again in light of what happened last year excites me, but the other side of that coin brings feelings of despair. 

Do I actually deserve another nomination? Would I be depriving someone else of a nomination? And, what if I get that email in the next week or so; am I allowed to change my mind? 

My partner Juli says that she will abide by and support any decision I make, which is one of the many reasons why I love her so much.. The few friends I have asked about this dilemma all said I should take the nomination.

Right now, I have no idea what I should do.

Watch this space, readers…

Pixel Scroll 2/27/24 It’s Scrolls And Pixels I Recall, I Really Don’t Know Files At All

Posted on by
51

(1) BEN YALOW OFF LA IN 2026 BID. LA in 2026 Worldcon bid chair Joyce Lloyd told File 770 today, “I can confirm that Ben Yalow is no longer a member of the bid committee.”

Craig Miller, a director of the nonprofit, also said in a comment here that Yalow has resigned from SCIFI, Inc., the parent organization to the L.A. in 2026 Bid. And that Yalow is not going to be on the L.A. 2026 Worldcon Committee.

(2) SOUND OFF. Kristine Kathryn Rusch reacts to “Findaway And Corporate Rights Grabs” on Patreon.

…Does that mean that after next week, you will find my work on Findaway? Um, no. You will not. As a friend of mine said, they’ve shown their true colors. Musicians have had trouble with Spotify for years and these are Spotify-inspired changes.

Spotify bought Findaway in 2022, paying about $123 million dollars. At the time, Spotify CEO, Daniel Ek, told investors that he was “confident that audiobooks will deliver the kind of earnings that  investors are looking for, with profit margins north of 40 percent.”

Over the past 18 months or so, Spotify has tinkered with Findaway in a variety of ways, mostly to do with the way that they’re paying content providers. Then this new TOS rights grab, which is not unexpected. In fact, it’s right on time….

(3) VERSUS INJUSTICE. Reckoning publisher Michael J. DeLuca reacts to the 2023 Hugo disaster, then goes beyond, in his post “On Ongoing Prejudice in the SFF Community and What Is to Be Done”. (Or go straight to DeLuca’s “original, uncut and expletive-laden version” here: “Do the Right Thing: A Hugo Rant”  at The Mossy Skull.)

….We perceive the dangerous potential, as daily worse things seem to come out about the behavior of a Hugo admin committee responsible for hurting so many great authors and the entire fandom of China—not to mention individual humans in their immediate vicinity—of writing them off as irrevocably evil outliers and therefore not representative of problems in our field. We don’t want this latest crisis to overshadow the previous, ongoing crisis or the one before that. That the Hugo committee has provided a scapegoat to whom consequences can be applied cannot be allowed to obscure the fact that, for one glaring example, the insidious shutting-out of Palestinian voices is still going on. There are so many compounded crises, anyone can be forgiven for not addressing every one all the time loud enough so nobody else forgets. Individually, we must choose one injustice at a time to address, with our voices, our donations, our votes, because otherwise we’ll all implode from the pressure. But we can’t let the latest injustice blot out the rest.

How do individual people get to act this terribly? They get encouraged. If they’re entitled white men, that encouragement need amount to nothing more than looking the other way. How do individual people get encouraged to be better? By positive peer pressure. By example.

The antidote to bureaucratic power-clutching and uninterrogated fascist creep, like the problem, is manifold. We need juried awards with juries of accountable, well-intentioned people empaneled by accountable, well-intentioned people. The Ignyte awards are one such. So are the Shirleys. Support them, care about them, pay attention to who wins. Our fellow Detroit-based indie press Atthis Arts bent over backwards this past year rescuing an anthology of Ukrainian SFF, Embroidered Worlds, from the slag heap. Pay attention to what they’re doing. Lift them up. We need magazines like Strange Horizons (who published a Palestinian special issue in 2020), Fiyah, Clarkesworld (who have long been in the vanguard of championing translated work and translators), Omenana, and khōréō (their year 4 fundraiser ends 2/29). We need magazines whose editors and staff are actively listening to, seeking out, boosting, celebrating, paying—and translating, paying, and celebrating translators of—Chinese, Taiwanese, Palestinian, Yemeni, Ukrainian, Russian, Israeli, Indigenous, Aboriginal, Congolese, Nigerian, disabled, neurodivergent, queer, and trans voices. Do we in that litany miss anybody currently getting oppressed and shut out? Undoubtedly. This work is unending. We choose to keep at it.

The Hugo admins aren’t the only ones failing at this. The PEN Awards have recently been actively lifting up pro-genocide voices and suppressing Palestinian voices. A story we published, “All We Have Left Is Ourselves” by Oyedotun Damilola Muees, won a PEN Award for emerging writers in 2021. How can the administrators of an award designed specifically to remedy the way the publishing establishment has systematically ignored marginalized voices side with imperialism? There’s an open letter calling the PEN organization to task for this. Reckoning is among those who have signed it….

(4) ROMANTASY. Vox explores “How Sarah J. Maas became romantasy’s reigning queen”.

… Within the stories themselves, Maas’s worldbuilding is full of hat tips to her predecessors. In A Court of Thorn and Roses, the faerie land is called Prythian, a nod to Lloyd Alexander’s Chronicles of Prydain. In Prythian, faeries use a form of teleportation called “winnowing,” and their explanation of it will be familiar to anyone who loved Madeleine L’Engle’s A Wrinkle in Time. “Think of it as … two different points on a piece of cloth,” Maas writes (very much her ellipses). “Winnowing … it’s like folding that cloth so the two spots align.” If you’ve read the classics of YA fantasy before, you’ll recognize the sampling and remixing she is doing here.

Part of the pleasure of reading Maas is seeing these familiar YA fantasy references lie cheek by jowl with the tropes of romance novels. In A Court of Mist and Fury, the second volume of the series, two lovers who have not yet admitted their feelings for each other find themselves forced by cruel circumstance to fake date. Later, they end up at an inn with only one bed to spare, not once but twice. Across ACOTAR, Maas’s protagonist, Feyre, is torn between two boys. One is blond and sunny; one is dark-haired and brooding; both are impossibly beautiful, rich, and powerful; both begin as Feyre’s enemies….

(5) CHESTBURSTERS, MUPPETS, AND A BLACK HOLE, OH MY! Hugo Book Club Blog calls 1980 “The Ascendancy of Science Fiction Cinema (Hugo Cinema 1980)”.

In each year from 1970 to 1975, fewer than five of the top-30 movies (which could only be seen in cinemas at that time) could even remotely be considered genre works. By 1979, just two years after Star Wars, most of the top grossing movies were science fiction.

When the Hugo Award for Best Dramatic Presentation began in 1958, there had been concerns raised about whether or not there could be sufficient SFF movies worthy of consideration. Several times between 1958 and 1978, fans voted to present no award because they were dissatisfied with the cinematic fare on offer. That would never happen again.

After decades as a marginal cinematic genre, science fiction was in its ascendancy.

Most of the movies on the 1980 Best Dramatic Presentation Hugo have withstood the test of time: The Muppet Movie, Time After Time, Star Trek The Motion Picture, and Alien remain well-loved today. Only Disney’s The Black Hole stands out as being one we thought was unworthy of Hugo Awards consideration … and even it has some charm to it….

(6) GODZILLA MINUS ONE LIVE REVIEW. Artist Bob Eggleton and Erin Underwood will review Godzilla Minus One live on YouTube on February 29 at 1:30 p.m. Eastern. (YouTube link.)

Join a special live movie review on YouTube of Godzilla Minus One with award winning science fiction artist Bob Eggleton, whose past work on Godzilla imagery has earned him love from fans around the world. Godzilla Minus One is the newest Japanese remake of the iconic monster who has captured our hearts ever since its original release in 1954. The newest film in the Godzilla genre features post war Japan when the country is still trying to recover, and “a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb.”

Bob Eggleton: Instagram: https://www.instagram.com/bobeggleton; Bob Eggleton has won 9 Hugo Awards, and various other important awards for his art over the last 30 years of his career. He is a fan of Godzilla and worked as a creative consultant on the American remake. While in Japan he appeared as an extra in one of the more recent films. Bob has designed concepts for Star Trek, Jimmy Neutron Boy Genius (2001) and The Ant Bully (2006) as well as created art for various publishers, magazines, book covers and media projects. His passion is with classic masters of art such as JMW Turner, John Martin and the Romantic movement. Bob has always been fascinated with ‘scale’ as a philosophy in the painted image, whether it be the vastness of outer space, or the size of a kaiju, H P Lovecraft denizen, or a dragon viewed from a human perspective.

Erin Underwood: YouTube: www.youtube.com/@ErinUnderwood; Erin Underwood is a movie reviewer on YouTube. She’s also a science fiction and fantasy conrunner, fan, author, and editor who loves dissecting stories and talking about films, TV, and books. However, in the daylight hours, she designs and produces emerging technology conferences for MIT Technology Review, where she tells the story of how new technologies are being used and how they are likely to impact our world.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 27, 1940 — Howard Hesseman. (Died 2022.) So yes, I’m doing Howard Hesseman so I can mention how much I liked him as Dr. Johnny Fever on WKRP in Cincinnati. Hesseman prepared for the role by actually DJing at KMPX-FM in San Francisco for several months. 

In interviews, the producers of the show said that persona was largely developed by him and the following opening words of him on the first show are all his doing. 

All right, Cincinnati, it is time for this town to get down! You’ve got Johnny—Doctor Johnny Fever, and I am burnin’ up in here! Whoa! Whoo! We all in critical condition, babies, but you can tell me where it hurts, because I got the healing prescription here from the big ‘KRP musical medicine cabinet. Now I am talking about your 50,000 watt intensive care unit… 

Now let’s talk about his genre roles. 

He was Fred in Tarantulas: The Deadly Cargo, a television horror film that has no rating on Rotten Tomatoes, but one person there says the only interesting thing was the real tarantulas. 

Howard Hesseman in 2014.

No, Clue, one of my all-time favorite films cannot be stretched to be considered genre, but I’m including it here because he, though uncredited, had the juicy role of The Chief. 

He was in the wonderful Flight of the Navigator as Dr. Louis Farsday, and then there’s the amusing thing Amazon Women on the Moon where he’s Rupert King in the “Titan Man” segment. 

He was Dr. Berg in the excellent Martian Child which based the David Gerrold’s Hugo Award winning novelette, not the novel based off it. 

Yes, he was in both Halloween II as Uncle Meat and Bigfoot as Mayor Tommy Gillis, neither career highlights by any measure.

I see he showed up on one of my favorite series, The Ray Bradbury Theatre, playing a character named Bayes: in “Downwind from Gettysburg”.

Around the that time, he  went elsewhere to the new Outer Limits to be Dr. Emory Taylor in “Music of the Spheres”. 

I’m off to watch the pilot now…

(8) COMICS SECTION.

(9) NO SFF IN DICK TRACY RETURN. In “Dick Tracy Writers Tease the Legendary Detective’s Return” at CBR.com, Alex Segura and Michael Moreci celebrate Dick Tracy’s return. No fancy wrist-radio, though.

When does your series take place? What made you choose this era as a setting?

Moreci: We’re very specific in the time we’re setting this — our story takes place in 1947, so it’s just after World War II. Again, there’s a definite, clear reason for that, rooted in Tracy’s character and the mood we’re trying to set.

Segura: This is Dick Tracy: Year One, basically.

(10) CHARITY BEGINS AT HOME. In a manner of speaking… The Library Foundation of Los Angeles invites you to “The Stay Home and Read a Book Ball”, 36th edition, on Sunday, March 3 at 12:00 a.m. – “Wherever you are!”

While you’re celebrating, take a moment to support the Library Foundation of Los Angeles by donating what you would have spent on a night out.

Share photos of your literary festivities on our Facebook event page, Instagram, or Twitter and tell us what you’ll be reading. Tag us at @LibraryFoundLA and use hashtag #StayHomeandRead to let others know how you are celebrating!

(11) THE ROBOT YOU NEED? The “Lost In Space Electronic Lights & Sounds B9 Robot Golden Boy Edition” is offered by Diamond Select Toys on Amazon.

  • Eyes light up and sensors blink, Chest blinks when B-9 talks
  • Head bubble manually raises and lowers, Arms extend and collapse
  • Claws open and close
  • Wheels allow B-9 to roll
  • B-9 Says the following phrases, including dialogue from “Cave of the Wizards”: “Watch it, I do not like grubby finger stains on my new suit of gold.” “From now on I’d appreciate it if you’d call be Golden Boy” “In my opinion, it is not Professor Robinson who needs psychiatric treatment, it is his doctor.” “I forgot, you are brave, handsome Dr. Smith.” and more!

(12) SIDEWAYS ON LUNA. [Item by Steven French.] I wonder if one of the engineers went home before the launch thinking “I’m sure I’ve forgotten something”! “Odysseus craft’s moon mission to be cut short after sideways landing” in the Guardian.

….On Friday, Intuitive Machines had disclosed that the laser range finders – designed to feed altitude and forward-velocity readings to Odysseus’ autonomous navigation system – were inoperable because company engineers neglected to unlock the lasers’ safety switch before launch on 15 February. The safety lock, akin to a firearm’s safety switch, can only be disabled by hand….

(13) VIDEO OF THE DAY. Introduction from Deadline: “’The Watchers’ Trailer Sees Dakota Fanning Stalked Through Irish Forest”. Comes to theaters June 7.

Warner Bros on Tuesday unveiled the first trailer for The Watchers, the anticipated supernatural thriller marking the feature debut of writer-director Ishana Night Shyamalan, with Dakota Fanning (The Equalizer 3) in the lead.

Set up at New Line following a multi-studio bidding war, this film from the daughter of M. Night Shyamlan is based on the 2021 gothic horror novel by A.M. Shine. Pic tells the story of Mina (Fanning), a 28-year-old artist who gets stranded in an expansive, untouched forest in western Ireland. When Mina finds shelter, she unknowingly becomes trapped alongside three strangers that are watched and stalked by mysterious creatures each night….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Kathy Sullivan, Andrew (not Werdna), Olav Rokne, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 1/29/24 I’m All Lost In The Pixel-Market, I Can No Longer Scroll Happily

Posted on by
51

(1) SIC SEMPER HEAVENLY TYRANT. [Item by Anne Marble.] Xiran Jay Zhao’s social media offers a window onto their problems with the publisher of their next book, Heavenly Tyrant. They began on January 24 with these messages:

Then today, Xiran Jay Zhao implied that their publisher threatened legal action over those X.com. posts

And later:

In response to some of these posts, horror & SFF writer Zachary Rosenberg suggested at this point, Xiran Jay Zhao should get a lawyer and stop posting to protect their interests.

The hardcover was published by Penguin Teen. (Wikipedia says that they signed with Penguin Teen Canada. I’m not sure if they had a separate U.S. edition.) The paperback is published by Tundra Books, an imprint of Tundra Book Group, which is part of Penguin Random House of Canada Limited. The author lives in Canada.

(2) LUKYANENKO ENDORSES PUTIN. Well, what else did you think the Chengdu Worldcon’s absent guest of honor was going to do? “Писатель Сергей Лукьяненко поддержал решение Владимира Путина участвовать в выборах” at Звездный Бульвар (Star Boulevard) — “Writer Sergei Lukyanenko supported Vladimir Putin’s decision to participate in the elections”.

The collection of signatures in support of Vladimir Putin’s participation in the presidential elections continues in Moscow. The famous Russian science fiction writer Sergei Lukyanenko spoke about his support for the candidacy of the current president in Moscow today in a conversation with journalists from the Moscow News Agency.

“I support Vladimir Putin’s decision (to nominate his candidacy for the presidency). I think that the changes in the country are visible to everyone who has lived at least more than 20 years,” he said….

(3) DON’T SAY WORLDCON. This odd phenomenon in Chinese social media was reported earlier today. Later it was learned the ban only affected one group.

(4) FURRY CON STAFF UPRISING. [Item by Patch P.] There’s turbulent convention organizing, and then there’s having staff resign in protest to force a leadership change: “Grassroots action: Leadership changes and weeding out hate at Garden State Fur The Weekend”. Dogpatch Press has the full story, which begins —

Garden State Fur The Weekend is an upcoming furry convention set for May 3-5, 2024 in New Brunswick, New Jersey. With their launch only months away, something unusual happened. GSFTW posted an official statement about opposing hate and Nazi-fur groups….

It was followed by an announcement of the con chair stepping down and a new one stepping up. It blames medical issues of the ex-chair, Dashing Fox. Dogpatch Press wishes good health to him. The story could end there, but unofficially, the change was forced by staff resignations. You’re seeing the aftermath of revolt behind the scenes, then getting back on track for launch. Yes, they stood up with the power of collective will to change the leadership for the better….

…Let’s not beat around the bush about why staff resigned to uproot the ex-chair: He actively associated with the Furry Raiders. They are a nazifur group who wither everything they touch. Their ties to alt-right hate groups and criminal schemes could fill a book….

(5) RABBIT TESTERS. Michael Grossberg opens a discussion of “Rabbit Test: Samantha Mill’s story, which swept this past year’s sf awards, has been hailed as libertarian (But that depends on your view of its central issue.)” on the Libertarian Futurist Society’s Prometheus Blog. One learns from his post there are people who classify themselves as Libertarians and do not agree with a woman’s freedom to choose to have an abortion. However, the post doesn’t explain whether that is on religious grounds, or why.

…That story is “Rabbit Test,” by Samantha Mills.

According to at least one veteran libertarian sf fan, Mill’s story fits the distinctive focus of the Prometheus Award.

“The well-written story has a strong individual-liberty theme,” said Fred Moulton, a now-retired former LFS leader and Prometheus judge.

But does it?…

…That’s been a hot-button issue even within the libertarian movement. Since libertarianism began to be popular in the 1960s and 1970s, most libertarians have supported a woman’s right to abortion (perhaps influenced partly by Ayn Rand, whose novels and essays helped spark the modern movement).

Yet, some libertarians have always disagreed, even while being consistently “pro-choice” on everything else that doesn’t violate the basic libertarian principles of non-aggression….

(6) GASTRONOMICAL AND OTHER BALONEY. In “Around the World in Eighty Lies”, The Walrus reveals an Atlas Obscura contributor’s mystifying pattern of fabricated facts.

THE STORY WAS CHARMING: a short article about soups, continually replenished for decades, secreted in jars across oceans. The soups, according to one source, were “older than Taylor Swift.” I devoured the article, published in December 2022 on Atlas Obscura, an online publication billed as “best-in-class journalism about hidden places, incredible history, scientific marvels, and gastronomical wonders,” and texted it to a few soup-obsessed friends. Then I forgot about it for months until the weather turned chilly and I pulled up the link again, only to notice the article had changed. An italicized editor’s note had been added to the top, which began: “This article has been retracted as it does not meet Atlas Obscura’s editorial standards.” The note went on to state that multiple details and interviews had been fabricated.

Intrigued, I did a Google search for the author, Blair Mastbaum. His social media profiles and Wikipedia page suggested an American writer in his mid-forties, very active on Instagram, where he posted captionless photos of his travels in Europe. Mastbaum had written ten other articles for Atlas Obscura, eight of which, it turned out, had similar retractions. Topics ranged widely: acoustic archeology, Hawaiian cultural appropriation, an obscure dialect of sign language. Mastbaum’s first retracted story had been published in January 2022; the last one more than a year later….

(7) ONE THUMB UP. [Item by Steven French.] For folks in Chicago, a “Science on Screen” series that includes Godzilla, Don’t Look Up, Contagio and War Games at Siskel Film Center from February 9-12.

It’s the end of the world as we know it…and, if we’re being honest, we could use some help in feeling fine. From pandemics to nuclear war, from planet-pulverizing meteors to a city-smashing monster, these films explore all the ways we’re risking destruction. Watch the films with experts from the Bulletin of the Atomic Scientists, keepers of the Doomsday Clock, to discuss the end times—and how we can avoid them. Presented in partnership with the University of Chicago Existential Risk Laboratory, the Japanese Cultural Center (JCC), and the DePaul Humanities Center. Additional speakers to be added.

(8) WHAT WHO’S FIGURES WERE. [Item by SF Concatenation’s Jonathan Cowie.] This month’s SFX magazine has the final low-down on Britain’s Doctor Who viewing figures which now includes 7-day catch-up views. (Remember, for comparison the US has five times the population of the UK.)

First up, The Goblin Song by Murray Gold reach number one on the iTunes chart on the day of its release and no12 in the official single sales chart that week and number six on the official singles download chart and number four on the official top 40.

Doctor Who ‘The Star Beast’ consolidated at 9.5 million viewers including catch-up. Overnights for ‘Wild Blue Yonder’ were 4.83 million with 7.14 million adding in 7-day catch-ups. ‘The Giggle’ obtained 4.62 million overnight and 6.85 million with 7-day catch-ups added in.  ‘The Church on Ruby Road’ was the most watched scripted show (which excludes things like the King’s address to the nation) on Christmas day with 4.73 million viewers which increases to 7.49 million with 7-day catch-ups added in.

(9) BRIAN LUMLEY (1937-2024). Horror Writers Association Lifetime Achievement Award winner Brian Lumley died January 2 his website has reported. He came to prominence in the 1970s writing in the Cthulhu Mythos featuring the new character Titus Crow, and in the 1980s began the best-selling Necroscope series, initially centered on character Harry Keogh, who can communicate with the spirits of the dead. His other series included The Primal Lands, Hero of Dreams, and Psychomech. He wrote around 60 books and many works of short fiction.

Lumley also had a 22-year career as a Royal Military Policeman. He is survived by his wife, Barbara Ann (Silky) Lumley, his daughter Julie and many grandchildren and great grandchildren.

Brian Lumley at 1992 World Horror Con. Photo by and (c) Andrew Porter.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 29, 1958 — Jeph Loeb, 66. It’s not likely that you’ve heard of Jeph Loeb but you’ll definitely have heard of the work he first did as a comics writer and later film writer/producer. So let’s get started.

Loeb, a four-time Eisner Award winner, started out as comic writer, with his first work being on Challengers of the Unknown with Tim Sale.  Loved that series! 

They notably would somewhat later do Batman: Legends of the Dark Knight and Batman: The Long Halloween. The latter you’ll no doubt recognize. The former is a collection of really interesting stories. It is available from the usual suspects. 

Jeph Loeb

(As always I’m not listing everything, just what I’m interested in.)

They did a really great Catwoman series, Catwoman: When in Rome. I’ll do no spoilers as it’s a six-issue story extraordinary told. If you’ve got lots of money to spare, the absolute edition is, well, absolutely amazing.

At the end of the Nineties, he started a nearly three-year run on Superman with Ed McGuinness largely being the artist. It ended with the rather amazing Emperor Joker storyline. 

Of course this being the two major comic producers, Loeb and McGuinness soon got another a series going, Superman/Batman, and that in turn led to a new ongoing Supergirl series.

Now Marvel. 

He destroyed his hometown of Stamford, Connecticut in the first issue of the Civil War series. Oh poor Stamford.

His Fallen Son: The Death of Captain America series got coverage by the Associated Press and The Washington Post. Impressive. 

Film scripts he has, oh yes.

With Matthew Weisman,  he wrote the script for Teen Wolf, you might recognize for having a major role for Michael J. Fox. Completely different in tone was his next script with Weisman, Commando, the Arnold Schwarzenegger vehicle. And he did Teen Wolf Two as well, this time with Weisman and Tim Kring.

Somewhere in the vaults of Warner Bros is his Flash film script.  Now that would really interesting to read, wouldn’t it?

He wrote a script for an episode of Smallville, after which he became a supervising producer and has written many episodes since then. He had a three year contract extension to stay on the series but left when his son developed cancer. (The son sadly passed away.)

He was writer/producer on Lost during its second season. After leaving Lost, he was co-executive producer and writer on Heroes. Tim Sale’s art was prominently featured. 

Thirteen years ago, Marvel Entertainment appointed him to the position of Executive Vice President, Head of Television of its new Marvel Television. If you’ve watched a Marvel series since then be it Agent Carter or Marvel’s Agents of S.H.I.E.L.D., he’s listed as executive producer.

He left Marvel five years ago. 

(11) COMICS SECTION.

  • Loose Parts has its own peculiar idea about saving the Earth.
  • Candorville has a debate about whether to waste words on a genre topic.

(12) REINVENTING THE WHEEL, ER, GRID? “14 Years Later, a Classic Sci-Fi Franchise Is About to Take its Biggest Risk Yet” claims Inverse.

It’s time to get back on the grid. As of now, the third film in the Tron franchise — titled Tron: Ares, but styled as Tr3N — is officially filming. Fourteen years after the second film, Tron: Legacy, and 42 years after the 1982 classic, Tron will finally become the weirdest sci-fi trilogy of all time.

How should Tron-heads feel about all this? Will Tr3N fix everything or destroy all programs, now and forever? At this point, it feels like Tr3N will either be great or terrible, with no room for a middle ground. Here’s why….

… Whether the movie is great or horrible, the third Tron movie will have to tackle the paradox of Tron’s essential weirdness. As a concept, Tron was both ahead of its time and terribly shortsighted. In the first film, we got an entire virtual world populated by living, sentient Programs, who manifest as people; imagine The Matrix, but most characters are Agent Smith.

Because it came out in 1982, Tron used arcade game logic to imagine this alternate digital realm, which gave the film its beautifully minimalistic aesthetic. However, this vibe also made “The Grid” seem small and empty compared to the kinds of virtual worlds that have existed in science fiction ever since.

The limitations of Tron’s world-building were so obvious that Tron: Legacy explicitly states Kevin Flynn created a bigger and better second version of the Grid. Still, this Grid feels limited in the same way the first one did, simply because the world-building feels contingent on the real world mattering more than the Grid. The paradox at the heart of Tron is the struggle to make a virtual world matter more than the real world….

(13) BOMBS AWAY. “Dr Strangelove at 60: is this still the greatest big-screen satire?” asks the Guardian.

…The message of Fail Safe: human beings are fallible. The message of Dr Strangelove: human beings are idiots.

On balance, Kubrick’s message is more persuasive. Dr Strangelove remains the greatest of movie satires for a host of reasons, not least that it hews so closely to the real-life absurdities of the cold war, with two saber-rattling superpowers escalating an arms race that could only end in mutual annihilation. There’s absolutely no question, for example, that the top military and political brass have gamed out the catastrophic loss of life in a nuclear conflict, just as they do in the war room here. Perhaps they would even nod sagely at the distinction between 20 million people dead v 150 million people dead. All Kubrick and his co-writers, Terry Southern and Peter George, have to add is a wry punchline: “I’m not saying we wouldn’t get our hair mussed.”…

(14) SLIM NOT-SO-SHADY. [Item by Mike Kennedy.] When it first landed on the Moon a week or so ago, JAXA’s (Japan Aerospace Exploration Agency) first ever Moon lander was unable to generate solar power and quickly lost energy from the battery. Now, however, it appears that the solar panel was misoriented and SLIM (Smart Lander for Investigating Moon) is back online. “Japan’s SLIM probe regains power more than a week after moon landing” reports Reuters.

… SLIM lost the thrust of one of its two main engines shortly before the touchdown for unknown reasons and ended up drifting a few dozen metres away from the target. The lander safely stopped on a gentle slope but appeared toppled with an engine facing upward in a picture taken by a baseball-sized wheeled rover it deployed.

The probe’s solar panels faced westward due to the displacement and could not immediately generate power. JAXA manually unplugged SLIM’s dying battery 2 hours and 37 minutes after the touchdown as it completed the transmission of the lander’s data to the earth.

JAXA does not have a clear date when SLIM will end its operation on the moon, but the agency has previously said the lander was not designed to survive a lunar night. The next lunar night begins on Thursday.

(15) DON’TCHA JUST LOVE DYSTOPIAS….? [Item by SF Concatenation’s Jonathan Cowie.] Dystopias are great (provided you just read about them and not begin to live in them as we now seem we are about to….) Moid over at Media Death Cult has a dive into dystopic fiction.

(16) VIDEO OF THE DAY. “Barbie with a Cat” is a parody of the movie with Owlkitty.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Anne Marble, Daniel Dern, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 1/19/24 All These Pixels Are Someone Else’s Fault

Posted on by
22

(1) WRITERS WHO SPEAK AT THE CIA. From Brian Keene I heard about this article:

Johannes Lichtman tells about attending “Invisible Ink: At the CIA’s Creative Writing Group” in The Paris Review. After he gives his presentation, they take him to lunch.

… I had a little time to kill before our lunch reservation—seating time in the executive dining room was not flexible—so Vivian took me to the gift shop.

Given that almost no one’s allowed inside Langley and the people who work for the CIA aren’t supposed to advertise it, it was, like with the museum, a bit of a mystery who the gift shop was for. The shelves were stocked with T-shirts (Central Intelligence Agency), mugs (Central Intelligence Agency), and novelty barbecue sauce (Top Secret Recipe!). There was also a Pride Month display (Central Intelligence Agency in rainbow)….

… While we waited for our food, the writer of dystopian sci-fi confirmed that if you work for the CIA, lawyers have to vet anything you publish. But they were more lenient than I would’ve guessed. She said that one of her novels had helped change how the agency viewed fiction versus nonfiction. While reading her novel, the lawyers decided that just because a character in a novel says something doesn’t mean that the author necessarily agrees, so there should be more leeway for CIA fiction writers. (Which suggests CIA lawyers are more nuanced literary critics than half of Goodreads.)…

(2) NEVER STEAL ANYTHING SMALL. This is breathtaking — “Peak Fake: A Scam Website Impersonating Macmillan Publishers”. Victoria Strauss analyzes the scam at Writer Beware.

I write a lot about impersonation scams on this blog–for good reason: they are extremely common, and becoming more so all the time. Literary agents, publishers, production companies, film directors: all are targets.

The purpose: money, of course. By posing as real, reputable companies and individuals, the scammers aim to make it more likely writers will be bamboozled into paying for needless, substandard, and/or fraudulent “services”.

This one, though, takes the cake: an entire website impersonating Macmillan Publishers.

The domain name, booksmacmillan.com, is just 15 days old as of this writing (the registration is, of course, anonymized):…

(3) LOCKS TOO EASY TO PICK. Cory Doctorow finds a creative way to criticize a trend: “Demon-haunted computers are back, baby”.

As a science fiction writer, I am professionally irritated by a lot of sf movies. Not only do those writers get paid a lot more than I do, they insist on including things like “self-destruct” buttons on the bridges of their starships.

Look, I get it. When the evil empire is closing in on your flagship with its secret transdimensional technology, it’s important that you keep those secrets out of the emperor’s hand. An irrevocable self-destruct switch there on the bridge gets the job done! (It has to be irrevocable, otherwise the baddies’ll just swarm the bridge and toggle it off).

But c’mon. If there’s a facility built into your spaceship that causes it to explode no matter what the people on the bridge do, that is also a pretty big security risk! What if the bad guy figures out how to hijack the measure that – by design – the people who depend on the spaceship as a matter of life and death can’t detect or override?…

Doctorow then gives several examples where software supposedly designed to secure computers turned out to be vulnerable. He sums up one case with a callback to his science fictional lede:

…This is a self-destruct switch that’s been compromised by the enemy, and which no one on the bridge can de-activate – by design. It’s not the first time this has happened, and it won’t be the last…

(4) THE WORST OF TIMES. BBC Radio 4’s Screen Shot discusses “British Dystopias”. Listen to the episode at the link.

Forty years on from 1984 and the release of the John Hurt-starring big screen adaptation of George Orwell’s novel, Ellen E Jones and Mark Kermode explore dystopian visions from British film and TV. Mark speaks to film critic Kim Newman about the literary roots of the dystopia, from 1984 to A Clockwork Orange. And he talks to actor Brian Cox about how, in a career that has included roles as Dr Hannibal Lecter and Logan Roy, the prophetic 1968 TV play The Year of The Sex Olympics remains one of the projects he is most proud of. Meanwhile, Ellen talks to Ngozi Onwurah, the director of landmark film Welcome II The Terrordome. Released in 1995, the radical British dystopian tale was the first feature directed by a black woman to get a UK cinema release. Ellen and Ngozi discuss why Welcome II The Terrordome was so prescient. And Ellen also speaks to Kibwe Tavares, who co-directed new film The Kitchen, about a dilapidated housing estate in a near-future London, with Get Out star Daniel Kaluuya.

(5) PLAGIARISM DISCOVERED. Utopia Science Fiction Magazine today made a painful announcement. Thread starts here.

(6) THAT SURE WOULD HAVE BEEN DIFFERENT. “Jodie Foster as Princess Leia? Here’s what Star Wars would have looked like” speculates the Guardian.

… Speaking to Jimmy Fallon on The Tonight Show, Foster revealed this week that she turned down the opportunity to star in 1977’s blockbuster gamechanger because she would have had to break a contract for a Disney movie (almost certainly 1976’s Freaky Friday) filmed during the same period….

…Foster would have been 13 or 14 during the filming of the first Star Wars movie, while Carrie Fisher (who won the role) was 19. Suffice to say, this would have changed the dynamic of Lucas’s movie just a little bit. Star Wars isn’t necessarily the most mature and sophisticated of science fiction sagas, but lowering the age of one of its central protagonists might have brought the era of Phantom Menace on us three decades too early. Harrison Ford’s Han Solo and Foster’s Leia would have had more of a daughter and father figure relationship, which might have provided its own unique dynamic, but certainly would have been a leap. Might Leia have ended up plunging that weird crossguard ’saber into Solo’s heart in the sequel trilogy instead of Kylo Ren?…

(7) DO NOT COLLECT $200. Gizmodo surveys “The Most Unhinged Monopoly Variations You Can Buy Right Now”. Here’s one that’s genre-themed:

A movie you barely remember, featuring characters you remember even less, featuring a set-up every kid will go crazy for: “Players try to safeguard as many properties as they can to collect rent in the form of cosmic energy units.” The sheer “waning days of Marvel Cinematic Universe dominance” vibes do add a certain nostalgic flair, though. $33.99 at Hasbro; $14.97 at Amazon.

(8) EVERYTHING DEPENDS ON WHERE YOU ARE IN THE CIRCLE THAT NEVER BEGINS. (Some of you will remember that lyric.) The Guardian likes the look of an Indiana Jones game that’s in development: “Lashings of fun? Microsoft reveals new Indiana Jones game”.

…During Microsoft’s latest Developer Direct online event, streamed on Thursday evening, we saw a 12-minute preview of Indiana Jones and the Great Circle, a globe-trotting first-person adventure, set between Raiders of the Lost Ark and the Last Crusade. The project was revealed three years ago, but this is the first footage we’ve seen, and it’s promising stuff. It has Nazis, it has a whip, it has Dr Jones in deserts, in tombs and arguing with Denholm Elliott in fusty college buildings; and it has a story involving a stolen artefact that is somehow linked to an international network of ancient monuments all of which align with a circle spanning the world…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 19, 1932 — Richard Lester, 92. Serious film and I don’t get along — give me a good, fun film and I’m very, very happy. Thus you’re getting American-born but eventually British-resident film director Richard Lester for the Birthday this Scroll. Pop the bubbly and dig into the chocolate cake, let’s get started. 

A variety show he produced caught the attention of Peter Sellers who got Lester’s assistance in getting The Goon Show from the BBC Home Service on to ITV in the London area as The Idiot Weekly, Price 2d.  It lasted but six episodes. 

Richard Lester in 1967.

His second film after It’s Trad, Dad which is decidedly not genre was The Mouse on the Moon, a sequel to The Mouse That Roared (which he was not involved in at all.) It was by Michael Pertwee, brother of a certain actor we know from Doctor Who. Quite silly it was. 

He directed The Running Jumping & Standing Still Film, a late Fifties sketch comedy short film directed by him and Peter Sellers. So why mention it? It’s because it was a favorite of John Lennon which led to him being hired to direct A Hard Day’s Night and then Help! You know which film is genre, so I needn’t say so. 

Next up is The Three Musketeers (which I didn’t know was also known as The Three Musketeers (The Queen’s Diamonds) which is an interesting title).  Fascinatingly George MacDonald Fraser wrote the screenplay. He shot The Four Musketeers right after this film.

He later reunited most of the Three Musketeers cast to film The Return of the Musketeers with the only notable cast member not being present was Raquel Welch. 

Lester was fond of swashbuckler films, so it was only natural that he decided to direct a Flashman film. Royal Flash was based offthe second of the Flashman novels by George MacDonald Fraser which now gives me the link to him writing the Musketeer screenplays. Cool. Very cool. And naturally Fraser wrote the screenplay here.

(A digression. I mentioned it before but I’ll mention it again. Kage Baker adored Flashman and this film as well. She told me several times in the last year before her passing on that she was planning on writing a Flashman novel but of course never did sadly.) 

Then there was Robin and Marian, which along with along with Richard Carpenter’s Robin of Sherwood, I hold to be the finest representations of Robin Hood ever done.  The script was by James Goldman, writer of The Lion in Winter, and as you know the leads were performed by Sean Connery and Audrey Hepburn. Perfect. Truly perfect. 

Superman II was a great success after he reshot almost all the footage Richard Donner had already shot, some three quarters of the projected film. Ouch. (That was released as Superman II: The Richard Donner Cut.) Unlike this film, Superman III directed by him would be both a critical and box office failure. 

His last film before retirement though not genre, I’ll note as it’s a great film called Get Back, the thirty-three year old concert film that about The Paul McCartney World Tour of 1989–1990.  Seventeen of the twenty-three songs he performs are by the Beatles. 

(10) LANSDALE ON WALDROP. The Texas Standard interviewed Joe Lansdale about his friend in “Remembering science fiction author Howard Waldrop”. Waldrop died January 14.

Well, he was certainly known among other writers. I think he’s sometimes been called a writer’s writer, which is quite the compliment from one’s colleagues. What does that accolade mean to you when you think about Waldrop’s work and how he related with other writers? 

Well, you want the general audience to like your work, but I think there is something special about the idea that you’re writing something that your peers really get and really understand and really appreciate, because I think that ultimately you want to be able to say, “look, I want to write something unusual, but I want it to be appreciated by other people who write unusual things.”

So it’s not just passé or the same old stuff. So I believe that that’s what is meant by a writer’s writer. It’s a writer who looks at another writer and says, “I wish I could do that,” or “maybe I can learn to do that.”

(11) KILLING FOR IVORY. The Hugo Book Club Blog reviews Ray Nayler’s The Tusks of Extinction in “The Last Trumpet Shall Sound”.

…“The Mountain in the Sea had its roots in the ecological preservation work I engaged in in Vietnam. That work was preventative and positive, working with youth and with environmental activists to protect the Con Dao Archipelago,” Nayler explained by email in early January. “The Tusks of Extinction has its roots in my experiences in Vietnam dealing with the illegal ivory trade and the trade in rhino horn. That work exposed me to the grimmest realities of human greed, ignorance, and exploitation. The enormity of the slaughter of elephants and rhinos for the sake of useless trinkets and the stupidest pseudo-medicinal ideas.”…

(12) FREAKY. [Item by Mike Kennedy.] Um, Pennywise. Ghost hunting in a graveyard. And Tonopah NV—host city of Westercon 74 in 2022. “Man Gives Chilling Look at His One Night in ‘Haunted’ Clown Motel: ‘Done With Clown Stuff'” in People.

If you’ve ever wondered exactly what it’s like to stay overnight alone in a haunted motel — one inhabited by hundreds of clowns — one brave soul knows the answer.

In a video shared to Instagram, user Khail Anonymous shares his experience staying overnight at the Clown Motel in Tonopah, Nevada.

“Why did I go ALONE??” he captions the Reel, which begins with a shot of the hotel room door — decorated with a colorful illustration of what appears to be Pennywise, the toothed clown made famous in Stephen King’s It….

… The video also shows what’s next door to the motel — a graveyard complete with rows of headstones.

“There’s also a graveyard next door. I forgot to mention that, Oh, whoops,” he says in the video….

(13) NOT LONG BEFORE THE END. “A Hunger for Strangeness: A Cryptids Reading List” at Longreads.

Late one night many years ago, my sister was driving home through the leafy roads of South East England when a strange animal bounded into the headlights of her car and swiftly disappeared into a hedgerow. She was certain, she said, that it had been a wallaby—despite the fact that the kangaroo relative was native to Australia and Papua New Guinea and decidedly not native to Oxfordshire. Our reaction was about what you’d expect from a British family: politely skeptical. It had been dark, the encounter fleeting, and the human brain is decidedly fallible. Surely, then, she must have been mistaken.

My sister would eventually be vindicated when the existence of wild wallabies in the UK was confirmed and even captured on film. Yet, her experience isn’t too different from those who claim to have encountered cryptids, creatures whose existence remains a matter of debate. Yeti, Bigfoot, and the Loch Ness Monster are only the beginning; a small but committed community of cryptid hunters is dedicated to proving the existence of doubted beasts like the Mongolian Death Worm, the Honey Island Swamp Monster, and the Skunk Ape. …

… why do cryptid hunters continue to put their reputations on the line, and what other legendary beasts might we discover to be not so legendary after all? In an age when species extinction has reached alarming proportions, perhaps this quest to discover new life carries extra poignancy. The articles collected below offer tantalizing insight into both questions….

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Nickpheas, Michael J. Walsh, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 8/30/23 And The Pixels That Mother Gives You Don’t Do Anything At All

Posted on by
27

(1) COURT DECISION CURBS A LONGTIME COPYRIGHT REQUIREMENT. [Item by Anne Marble.] In 2018, print-on-demand publisher Valancourt Books sued the U.S. Copyright Office because of the “mandatory deposit” requirement — which required the publisher to send U.S. Copyright Office copies of about 240 of the books they publish. They didn’t have the books on hand and would have had to spend several thousand dollars to produce them. Valancourt faced the possibility of as much as $100,000 in fines.

The legal issues were analyzed by the plaintiff’s law firm Institute for Justice in a 2021 article “Unique Richmond Publisher Will Appeal After D.C. Judge Insists It Must Give the Government Free Copies of Its Books”.

Valancourt is a unique publisher run by James and his husband Ryan Cagle. James is a former lawyer who found his life’s calling reviving and popularizing rare, neglected and out-of-print fiction, including 18th century Gothic novels, Victorian horror novels, forgotten literary fiction and works by early LGBT authors. Founded in 2005, Valancourt has published more than 300 books, all of which they have permission to reprint, winning praise from literature professors and the press alike.

The U.S. Copyright Office is demanding copies of hundreds of books published by Valancourt. If Valancourt doesn’t send the books, they could be subject to fines of $250 per book (plus the retail price of the books), along with additional fines of $2,500 for “willful” failure to deposit the books. But there’s a problem: Valancourt doesn’t have the books. They are a print-on-demand publisher, and giving the federal government free books would damage their business.

An earlier Forbes article (“Why Is The Federal Government Threatening An Indie Book Publisher With $100,000 In Fines?” (2018) also explained:

…[M]andatory deposit was originally required if an owner wanted their works protected by copyright. That requirement was upheld as constitutional by the Supreme Court—in 1834….

Valancourt lost at the District Court level but won at the U.S. Appeals Court level (read the decision here). Reuters covered the victory: “US appeals court curbs Copyright Office’s mandatory deposit policy”. The Copyright Office says they are reviewing the decision.

(2) BIG GREEN NUMBERS. The Hollywood Reporter passes this on with a grain of salt: “’Ahsoka’ Series Premiere Gets Big Ratings, Disney+ Says”.

Disney+ is breaking with its usual practice to share some (strong) viewing numbers for the premiere of its latest Star Wars series, Ahsoka.

According to the streamer, the first episode of the series, starring Rosario Dawson as the titular Jedi, has racked up 14 million views worldwide in the five days after its Aug. 23 debut. Disney+ is using the same methodology for counting a “view” that Netflix has employed for the past couple of months — dividing the total viewing time by the run time for a given title.

In Ahsoka’s case, 14 million views of the 56-minute premiere episode would equate to 784 million minutes of viewing worldwide. “Views” doesn’t necessarily equal “viewers,” however, as the total viewing time doesn’t necessarily account for multiple people watching the show together or a single person watching the episode several times. Disney+ also didn’t release any figures for episode two of Ahsoka, which also premiered Aug. 23.

(3) PRATCHETT PROJECT EVENT. “Terry Pratchett at the Unseen University”, featuring a series of short presentations from researchers of various disciplines, is an in-person and virtual event happening September 22. Tickets available at the link.

The Pratchett Project in Trinity College Dublin is an interdisciplinary platform for research into the life and works of Terry Pratchett. It builds on the comprehensive collection of Pratchett’s works and their translations into forty languages, held in the Trinity College Library, as well as Pratchett’s personal connection with the College, borne out of the adjunct professorship he held from 2010. A further part of this endeavour is driven by Pratchett’s own life story and inclinations. In 2007, Pratchett publicly announced that he had a rare form of young-onset Alzheimer’s disease, called posterior cortical atrophy. He subsequently became a passionate campaigner who was determined to reduce the stigma of dementia. A docudrama on BBC followed the literary career and charitable work of the beloved author.

So, research into brain health is an important part of the Pratchett Project in Trinity College. We are currently developing this strand of the project to find new ways in which the implications of breakthroughs in research can be “translated” for members of the public. We aim to bring people together from various backgrounds and fields to make new connections, to promote public understanding and awareness, to change perceptions and inspire people to support brain awareness campaigns and get involved.

This Culture Night, we will be joined by a wide range of speakers, each discussing their research, which is in some way connected to the life and/or work of Terry Pratchett.

THIS EVENT CAN BE ATTENDED BOTH ONLINE AND IN PERSON.

IT WILL ALSO BE RECORDED AND UPLOADED TO OUR YOUTUBE CHANNEL

(4) AVOID TOO MUCH INFORMATION. Sarah A. Hoyt speaks with the voice of experience in “Starting Your Novel and Need to Know” at Mad Genius Club.

…Anyway, one thing that is becoming painfully obvious as I read people’s beginnings of novels, is that most of you have no idea how much information and world building to put in the beginning of your book.

This is not strange or unusual. I not only went through years of having this issue, but I also revert to this issue whenever I have not written for a long while.

When I fail I have two modes: either I write completely incomprehensible stuff or I write an opening that reads like you’re in a classroom and I’m expecting you to take notes.

But there is a way to handle it. I only figured it with Darkship Thieves, and only after breaking it pretty badly with an extra fifty pages in the beginning.

Anyway, so, what do you need to tell the reader: no more and no less than the reader needs to know.….

(5) GENRE WORK UP FOR KIRKUS PRIZE. The Kirkus Prize announced finalists across three categories, with winners to be named on October 11. The Fiction category shortlist includes White Cat, Black Dog by Kelly Link and Shaun Tan. Literary Hub explains how the award works.

The Kirkus Prize is one of the richest annual literary awards in the world with the prizes totaling $150,000. Writers become eligible by receiving a rare, starred review from Kirkus Reviews; this year’s 18 finalists were chosen from 608 young readers’ literature titles, 435 fiction titles, and 435 nonfiction titles….

(6) HUANG Q&A. “Reading with… S.L. Huang” at Shelf Awareness.

On your nightstand now: 

I don’t actually have a nightstand, but next to my bed or currently on my phone are:

The Search for E.T. Bell: Also Known as John Taine by Constance Reid. It’s the biography of mathematician Eric Temple Bell, who wrote Radium Age science fiction under the pen name John Taine, and it is WILD, because this man?? completely made up??? his entire life??? I read it because I’m writing an intro to a rerelease of his fiction, but his life is fascinating. I love reading about mathematicians!

Lost Ark Dreaming, a novella by Suyi Davies Okungbowa, which I was lucky enough to be sent an advance copy of. I haven’t started this one yet, but I’m looking forward to it!

Shigidi and the Brass Head of Obalufon, which is Wole Talabi’s debut novel–another advanced copy I’m super excited to start reading! I’ve really enjoyed Wole’s short fiction.

And finally, I’m also currently part of a book club reading this podcast version of Romance of the Three Kingdoms: 3kingdomspodcast.com . We’ve been at it a year, and we’re about a third of the way through! It’s a very, very long book.

(7) THE ART OF ZARDOZ. The Hugo Book Club Blog improved on a meme about good art vs. bad art that has been getting a lot of attention. Their table is effing brilliant. Or zeeing brilliant. You decide.

(8) WITH EXTRA ADDED BRAIN. At Galactic Journey, Victoria Silverworlf explains a fact of TV life in 1968: “[August 30, 1968] TV or Not TV, That is The Question (They Saved Hitler’s Brain and Mars Needs Women)”.

Not all movies show up in theaters. Movies made for television began a few years ago, at least here in the USA, with a thriller called See How They Run. There have been quite a few since then.

A similar phenomenon is the fact that theatrical movies are frequently altered for television. Of course, films are often cut for broadcast, either to reduce the running time or to remove material deemed inappropriate for the tender sensibilities of American viewers.

But did you know that new footage is sometimes added to movies before they show up on TV? That’s because they’re too short to fill up the time slot allotted to them.

An example is Roger Corman’s cheap little monster movie The Wasp Woman. In theaters, it ran just over an hour. On television, new scenes increased the length by about ten minutes.

Wasting time in front of the TV screen recently, I came across such an elongated theatrical film, as well as one made for television only. Let’s take a look at both.

They Saved Hitler’s Brain

This thing began life in 1963 under the a much less laughable title….

(9) MEMORY LANE

1991 – [Written by Cat Eldridge from a choice by Mike Glyer.]

To my thinking, there are two great fictional uses of the Babbage Machine that Charles Babbage designed but never built. Oh, and the first complete Babbage Engine was constructed in London in 2002, one hundred and fifty three years after it was designed. So what are those novels?

One is S.M Stirling’s The Peshawar Lancers in which the British Empire decamps to India after meteor strikes usher in a new ice age. That novel and his Sky People novels, particularly In the Courts of the Crimson Kings, are my favorite works by him.

Then there’s the one our Beginning comes from which is William Gibson & Bruce Sterling’s The Difference Engine, their name for The Babbage Machine. It was published by Gollancz thirty-three years ago with cover art by Ian Miller.

It was nominated for a number of Awards but didn’t win any. The nominations were a BSFA, a John W. Campbell Memorial Award, a Nebula and a Prix Aurora.

It is at the usual suspects as a Meredith Moment. 

And now, as I don’t want to give a single message generated by The Difference Engine, is our Beginning…

THE ANGEL OF GOLIAD

Composite image, optically encoded by escort-craft of the trans-Channel airship Lord Brunel: aerial view of suburban Cherbourg, October 14, 1905.

A villa, a garden, a balcony.

Erase the balcony’s wrought-iron curves, exposing a bath-chair and its occupant. Reflected sunset glints from the nickel-plate of the chair’s wheel-spokes.

The occupant, owner of the villa, rests her arthritic hands upon fabric woven by a Jacquard loom.

These hands consist of tendons, tissue, jointed bone. Through quiet processes of time and information, threads within the human cells have woven themselves into a woman.

Her name is Sybil Gerard.

Below her, in a neglected formal garden, leafless vines lace wooden trellises on whitewashed, flaking walls. From the open windows of her sickroom, a warm draft stirs the loose white hair at her neck, bringing scents of coal-smoke, jasmine, opium.

Her attention is fixed upon the sky, upon a silhouette of vast and irresistible grace—metal, in her lifetime, having taught itself to fly. In advance of that magnificence, tiny unmanned aeroplanes dip and skirl against the red horizon.

Like starlings, Sybil thinks.

The airship’s lights, square golden windows, hint at human warmth. “Effortlessly, with the incomparable grace of organic function, she imagines a distant music there, the music of London: the passengers promenade, they drink, they flirt, perhaps they dance.

Thoughts come unbidden, the mind weaving its perspectives, assembling meaning from emotion and memory.

She recalls her life in London. Recalls herself, so long ago, making her way along the Strand, pressing past the crush at Temple Bar. Pressing on, the city of Memory winding itself about her—till, by the walls on Newgate, the shadow of her father’s hanging falls …

And Memory turns, deflected swift as light, down another byway—one where it is always evening….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 30, 1797 — Mary Shelley. Author of Frankenstein, or The Modern Prometheus (1818), her first novel. Another of Shelley’s novels, The Last Man (1826), concerns Europe in the late 21st century, ravaged by a mysterious pandemic illness that rapidly sweeps across the entire globe, ultimately resulting in the near-extinction of humanity. Scholars call it one of the first pieces of dystopian fiction published. (OGH) (Died 1851.)
  • Born August 30, 1942 — Judith Moffett, 81. Editor and academic. She won the first Theodore Sturgeon Award with her story “Surviving” and the fame gained for her Pennterra novel helped her win John W. Campbell Award for Best New Writer at Nolacon II. Asimov wrote an introduction for the book and published it under his Isaac Asimov Presents series.  Her Holy Ground series of The Ragged World: A Novel of the Hefn on Earth, Time, Like an Ever-Rolling Stream: A Sequel to the Ragged World and The Bird Shaman are her other genre novels. The Bear’s Babys And Other Stories collects her genre short stories. All of her works are surprisingly available at the usual digital suspects.
  • Born August 30, 1943 — Robert Crumb, 80. He’s here because ISFDB lists him as the illustrator of The Religious Experience of Philip K. Dick which is likely they say an interview that Dick did with Gregg Rickman and published in Rickman’s The Last Testament. They’re also listing the cover art for Edward Abby’s The Monkey Wrench Gang which I think is genre.
  • Born August 30, 1955 — Jeannette Holloman. She was one of the founding members of the Greater Columbia Costumers Guild and she was a participant at masquerades at Worldcon, CostumeCon, and other conventions. Her costumes were featured in The Costume Makers Art and Thread magazine. She’s here in the gold outfit that she designed and made at Costume-Con 9 which was held February 15-18, 1991 at The Columbia Inn in Columbia, Maryland. (Died 2019.)
  • Born August 30, 1955 — Mark Kelly, born 1955, aged sixty eight years. He maintains the indispensable Science Fiction Awards Database (SFADB), which we consult almost daily. He wrote reviews for Locus in the Nineties, then founded the Locus Online website in 1997 and ran it single-handedly for 20 years, along the way winning the Best Website Hugo (2002). More recently he’s devised a way to use his awards data to rank the all-time “Top SF/F/H Short Stories” and “Top SF/F/H Novelettes”. Kelly’s explanation of how the numbers are crunched is here. (OGH)
  • Born August 30, 1965 — Laeta Kalogridis, 58. She was an executive producer of the short-lived not so great Birds of Prey series and she co-wrote the screenplays for Terminator Genisys and Alita: Battle Angel. She recently was the creator and executive producer of Altered Carbon. She also has a screenwriting credit for Lara Croft: Tomb Raider, a film the fanboys hate but which I really like. 
  • Born August 30, 1972 — Cameron Diaz, 51. She first shows as Tina Carlyle in The Mask, an amazing film. She voices Princess Fiona in the Shrek franchise. While dating Tom Cruise, she’s cast as an uncredited bus passenger in Minority Report.

(11) COMICS SECTION.

  • Brewster Rockit has an inside comics joke, and it’s a hoot.
  • Tom Gauld, meanwhile, has an inside physics joke.

(12) A BIG FAN, EVENTUALLY. Peter Stone shows the evolution of one comics artist’s respect for another: “Mapping Out NEAL ADAMS’ Enduring Respect and Admiration for JACK KIRBY” at 13th Dimension, Comics, Creators, Culture.

Like many of us, Neal was not a big fan of Jack Kirby’s art when he was younger. In fact, Neal thought very little about Kirby’s art. IN FACT, Neal kind of hated it…

The transformation of Adams’ opinion began here:

…[Challengers of the Unknown]  Issue #4! Chapter 4, “The Mechanical Judge”! The splash page was exactly what Neal was looking for. It had changed the way Neal viewed Jack Kirby when he was just getting into comics. Jack was writing and pencilling these stories and this was Neal’s Dream. His theory was always that artists should be writing their stories. They understood storytelling better than writers, according to Neal. A writer was there to add dialogue and that was “the icing on the cake.” But, in this case, it was the splash page image that blew his mind.

It was all about perspective. Kirby had drawn a futuristic, sci-fi building where the reader can see the bottom, middle and top clearly. The middle of the building is the focus and closest to the reader. However the top of the building AND the bottom of the building curve away and get smaller. Neal would always say it’s wrong but absolutely fascinating. Neal once drew a couple other examples of what Kirby was doing with perspective. The first is a boat with three men in it where the front of the boat comes to a point and the back end of the boat does the same. The widest spot is the middle section. Neal viewed it very much like a cinematic technique; a fish-eye lens that adds drama to the image….

…When Neal was 27 in the late ’60s, he started to realize how unique Kirby was. Fantastic Four was obviously a heightened version of the Challengers. Then, the Hulk, the Avengers, the (almost throwaway) X-Men, Ant-Man, Thor, Black Panther, a revised Captain America and so many others. Neal drew Deadman, Green Lantern/Green Arrow, Batman, Avengers, the X-Men and so much more while Jack Kirby was changing the comic universe. Neal saw that every page of a Jack Kirby comic had a boldly new idea that someone else could explore and turn into a regular series….

(13) THANKED AND EXCUSED. The actress that Carrie Fisher beat out for her Star Wars role — Terri Nunn — still went on to fame: “’Star Wars’ Princess Leia Runner-Up Wound Up Becoming A Famous Musician” at Slashfilm.

…Lucas said, “Your runner-up? She became a rockstar.” That runner-up was Terri Nunn, the lead singer of the band Berlin, who brought us songs like “Take My Breath Away” and “Metro.” In fact, Nunn’s audition with Harrison Ford is out there (via WishItWas1984) on YouTube. Nunn brought a softness to the part that is very different than Fisher’s interpretation. Frankly, I’m in awe of both of them for making what, at the time, was space gibberish sound compelling.

Nunn spoke about the audition in a 2022 interview with Rave It Up. She said, “I’m sitting there with Harrison Ford, and we’re reading these lines, and I had no idea what the hell is an R2-D2. I don’t know what that is. But I was trying to make it happen.” Nunn would go on to act in projects like “T.J. Hooker,” “Lou Grant,” and “Vega$,” but Fisher just nailed that audition….

(14) HOOCH YOU CAN FIND IN THE DARK. If It’s Hip It’s Here introduces oenophiles to “The latest in global design and creativity”.

The 19 Crimes x Universal Monsters Glow-In-The-Dark Wine Bottles are a must have for lovers of old classic monster movies and Halloween. The wine brand 19 Crimes has launched 2 new wines; a Frankenstein Cabernet Sauvignon and a Dracula Red Blend, both with illustrated labels that illuminate when the lights are out.

… The Frankenstein Cabernet, vintage 2021, is firm and full with a rich mouth feel. Aromatics of dark berries, violets and vanilla….

… The Dracula Red Blend, vintage 2021, is rich and round with a soft fruity finish. Sweet aromatics with notes of chocolate….

The place to buy them is at the 19 Crimes website.

(15) CYBERATTACKS ON TELESCOPES. “Hackers shut down 2 of the world’s most advanced telescopes” at Space.com.

Some of the world’s leading astronomical observatories have reported cyberattacks that have resulted in temporary shutdowns.

The National Science Foundation’s National Optical-Infrared Astronomy Research Laboratory, or NOIRLab, reported that a cybersecurity incident that occurred on Aug. 1 has prompted the lab to temporarily halt operations at its Gemini North Telescope in Hawaii and Gemini South Telescope in Chile. Other, smaller telescopes on Cerro Tololo in Chile were also affected. 

… “We plan to provide the community with more information when we are able to, in alignment with our commitment to transparency as well as our dedication to the security of our infrastructure,” the update added. 

The cyberattacks on NOIRLab’s facilities occurred just days before the United States National Counterintelligence and Security Center (NCSC) issued a bulletin advising American space companies and research organizations about the threat of cyberattacks and espionage. …

(16) WHAT HAS IT GOT ON ITS SPROCKETSES? “Chandrayaan-3: What has India’s Moon rover Pragyaan been up to since landing?” BBC News overviews the rover’s first week of activity.

…Over the past few days, the rover has been hard at work.

On Tuesday evening, Isro said that a laser detector onboard had made “the first-ever in-situ – in the original space – measurements on the elemental composition of the surface near the south pole” and found a host of chemicals, including sulphur and oxygen, on lunar soil.

The instrument “unambiguously confirms” the presence of sulphur, it said, adding that preliminary analysis also “unveiled the presence of aluminium, calcium, iron, chromium, titanium, manganese, silicon and oxygen”.

“A thorough investigation regarding the presence of hydrogen is underway,” it added….

(17) VIDEO OF THE DAY. Ryan George’s “Game of Thrones Season 8 Pitch Meeting – Revisited!” is something you may have seen before. There’s some new content at the very end, and his explanation of how he decided which viewer questions to answer is worth skipping ahead to.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Anne Marble, John A. Arkansawyer, Rich Lynch, Kathy Sullivan, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Anne Marble.]

Pixel Scroll 8/14/23 Nine Hundred Granfalloons

Posted on by
36

(1) LUKYANENKO’S LATEST OPINIONS ABOUT UKRAINE. Chengdu Worldcon GoH Sergey Lukyanenko’s interview on Radio Komsomolskaya Pravda was transcribed for his website. Here are some computer-translated excerpts; “’By the end of 2023, the situation for Russia will be clearer’ – S. Lukyanenko”.

… M. Bachenina:

Well, then, who would you like to see at the head of Ukraine?

S. Lukyanenko:

This is a very difficult question, because, firstly, I would not want to see anyone there. As well as Ukraine itself. Because Ukraine, it was originally formed and is being formed as anti-Russia. That is, as long as Ukraine exists, it will act, unfortunately, as anti-Russia. It needs to be completely reformatted, it needs to completely change itself, including both the name and the territories, in order to create some kind of state that they want to create not as such an antagonist of Russia, an adversary and hater, but as a state that wants to represent something and live its own life. This will be a completely different state.

…M. Bachenina:

Many now say that Russia cannot lose, we have the gene of winners. Do you agree with that? And if so, what is the manifestation of this gene?

S. Lukyanenko:

I don’t know if we have a special gene for winners, but I know that we didn’t worry about that, and we will naturally win, it’s indisputable. I would just like this to happen without any unnecessary victims, not only ours, but also those deceived Russian people who now live on the territory of Ukraine. As a matter of fact, we are, of course, one people, just part of the people has been reformatted. It’s, you know, like Tolkien, at one time he described that orcs are the same elves, only who have been poisoned, changed and distorted.

I understand that here we probably have a conviction on both sides that the beautiful elves are us, and there, on the other side, the nefarious orcs. But we know that we are not orcs….

(2) WRONG. THANKS FOR PLAYING. Robin A. Reid devotes her latest Writing From Ithilien newsletter to those “Misquoting Tolkien”.

At some point before Covid (2019 maybe?), I attended a Tolkien Society event and heard a great presentation by Marcel Aubron-Bülles based on a project that he calls “Things J.R.R. Tolkien has never said, done, written or had anything to do with (TThnsdwohatdw)” where he debunks, through research, internet quotes that are not by Tolkien, or are corrupted versions of what Tolkien wrote (I might charitably call some of those paraphrases but they are attributed as direct quotes to Tolkien), or are quotes from Jackson’s films (though they also might be incorrectly quoted). It was fascinating and turns out to that wrong/fake quotes on the internet are legion.

I’m quite sure there will eventually be quotes from Rings of Power attributed to Tolkien!

I am happy in this post to be able to add another example to Marcel’s list (I have skimmed the fifteen blog entries and do not see it!)….

Read the post to find out which one she has in mind.

(3) HUGO RECEPTION MUSICAL CHAIRS. The Hugo Book Club Blog takes its turn at explaining the “The Numbers Game” – the fluctuating ceiling on how many team members get listed as Hugo finalists.

…Over the past decade, there has been a regularly recurring argument about the maximum number of individual contributors that can be listed for each group finalist on the Hugo ballot. This is more common with fan categories like fanzine, fancast, and semiprozine — in recent years some of the contributors lists for an individual publication have extended to several dozen names.

On one side of the argument are those who express logistical concerns about the size of the ballot. On the other side are those who want to ensure that everyone who contributed to the success of a work or publication are given nomination-level credit for their work….

Is this issue something that should be addressed in a new Worldcon rule?

…Those advocating for a more restrictive set of rules point out that the pre-Hugo reception already has capacity issues and logistical constraints. They also suggest that if everyone gets called a “Hugo finalist,” then the status becomes devalued. In addition, the distribution of perks to Hugo finalists, such as the rocketship pins, etc., increase costs on Worldcons.

Both of these positions have merit, and neither should be dismissed out of hand. But the debate should take place in the appropriate forum. The WSFS membership on whose behalf these awards are presented deserve a say in this matter, and the way to do this is to allow both sides to make their case at a business meeting….

(4) INTERNET ARCHIVE SUIT PROPOSED AGREEMENT. Publishers Weekly has more details: “Judgment Entered in Publishers, Internet Archive Copyright Case”.

…The jointly proposed agreement includes a declaration that cements the key finding from Judge John G. Koeltl’s March 24 summary judgment decision: that the IA’s unauthorized scanning and lending of the 127 in-suit copyrighted books under a novel protocol known as “controlled digital lending” constitutes copyright infringement, including in the IA’s controversial “National Emergency Library” (under which the IA temporarily allowed for simultaneous access to its collections of scans in the the early days of the pandemic, when schools and libraries were shuttered).

Most importantly, the proposed agreement includes a permanent injunction that would, among its provisions, bar the IA’s lending of unauthorized scans of in-copyright, commercially available books, as well as bar the IA from “profiting from” or “inducing” any other party’s “infringing reproduction, public distribution, public display and/or public performance” of books “in any digital or electronic form” once notified by the copyright holder. Under the agreement, the injunction will not be stayed while the case is on appeal—essentially meaning that once Koeltl signs off, the IA will have to take stop making unauthorized scans of copyrighted works available to be borrowed within two weeks of notification.

The parties left one final dispute for Koeltl to clean up, however: what books will be “covered” by the proposed injunction?

In a letter to the court, IA attorneys argue that “Covered Books” should be limited to books that are both “commercially available” and available in digital format. “This case involved only works that the Publishers make available as e-books and so the scope of any injunction should be limited accordingly,” IA attorneys argue. “Because the parties did not have the opportunity in this case to litigate the degree to which the unavailability of digital library licensing would affect the fair use analysis, it is inappropriate for an injunction in this case, by its breadth, to effectively prejudge the outcome of that question.”

Lawyers for the plaintiff publishers counter that the injunction should cover all unauthorized scans of commercially available books, whether the copyright holder has licensed a digital edition or not. “The law is clear that the right to decide whether or not to publish a book in electronic format belongs to its authors and publishers, not IA,” the publishers’ letter argues….

(5) MAGICAL HISTORICAL FICTION. [Item by SF Concatenation’s Jonathan Cowie.] This week’s B Beeb Ceeb Radio 4 programme Open Book takes a deep dive into magical historical fiction and includes an interview with Ann Patchett.

Available on BBC Sounds  here. 28 minutes.

Anne Patchett

Octavia Bright talks to Ann Patchett about her captivating new novel. Tom Lake is the story of a young actor Lara under the spell of a future Hollywood star, but it is also about how she retells that story in later life to her adult daughters, and the power of storytelling itself.

Two masters of historical fiction, Laura Shepherd-Robinson and S. J. Parris (aka Stephanie Merritt) discuss the allure of magic and mysticism in their latest books set either side of the Enlightenment.

Plus Nana Kwame Adjei-Brenyah recalls the enchanting tale behind the book he’d never lend.

(6) IT ALL TIES TOGETHER. You may know about Philip José Farmer’s creation, but for the benefit of those born in the past few decades Keith Roysdon explains “The Wold Newton Universe: How a Fictional History Connects Literary Legends” at CrimeReads.

…Even a casual student of science fiction and comic-book history knows all about meteorites. They’re either the source of superheroic powers – or agents of destruction to people with fantastic abilities. (See: Kryptonite.) 

Farmer chose the former concept and, in an unmatched bit of revisionist literary history, decided to use the Wold Newton meteorite to form an interconnected world for some of imaginative literature’s most fantastic characters. Not Superman, of course, because his off-planet origin is well known. But very nearly everyone else was included, as Farmer and his successors in tending the Wold Newton Universe would have it….

(7) OLD SFF LOOKS AT EVOLUTION. The Public Domain Review revisits “H. G. Wells and the Uncertainties of Progress” in this 2019 article.

For Wells the most basic level of uncertainty arose from the fear that the human race might not sustain its current rate of development. In his 1895 story “The Time Machine” he imagined his time traveler projected through eras of future progress: “I saw great and splendid architecture rising about me, more massive than any buildings of our time, and yet, as it seemed, built of glimmer and mist.”2 But the time traveler ends up in a world brought down by social division and degeneration. The brutal Morlocks are the descendants of the industrial workers, while the childlike Eloi are the remnants of the leisured upper classes. This prediction was based on his zoologist friend E. Ray Lankester’s extension of the Darwinian theory. Lankester argued that because evolution works by adapting populations to their environment, progress is not inevitable and any species that adapts itself to a less active and hence less challenging way of life will degenerate.3 Here was the model for a more complex vision of progress in which any advance would depend on the circumstances of the time and could not be predicted on the basis of previous trends….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.)
  • Born August 14, 1932 — Lee Hoffman. In the early Fifties, she edited and published the Quandry fanzine. At the same time, she began publication of Science-Fiction Five-Yearly which appeared regularly until ‘til 2006. The latter won the fanzine Hugo at Nippon 2007 (with Geri Sullivan and Randy Byers) after her death. She wrote four novels and a handful of short fiction, none of which are in-print. (Died 2007.)
  • Born August 14, 1940 — Alexei Panshin. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis. Let’s not overlook that he was the Hugo Award winning Best Fan Writer at NYCon 3. (Died 2022.)
  • Born August 14, 1950 — Gary Larson, 73. Setting aside a long and delightful career in creating the weird for us, ISFDB lists a SF link that deserve noting. In the March 1991 Warp as published by the Montreal Science Fiction and Fantasy Association, he had a cartoon “The crew of the Starship Enterprise encounters the floating head of Zsa Zsa Gabor”.
  • Born August 14, 1956 — Joan Slonczewski, 67. Their novel A Door into Ocean won the John W. Campbell Memorial Award. They won a second John W. Campbell Memorial Award for their Highest Frontier novel. They were nominated for an Otherwise Award for The Children Star novel.
  • Born August 14, 1965 — Brannon Braga, 58. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes of the Trek various series than anyone else has with one hundred and nine to date. He was responsible for the Next Generation series finale “All Good Things…” which won him a Hugo Award at Intersection for excellence in SF writing, along with Ronald D. Moore. He’s one of the producers of The Orville. 

(9) WORLDCON THEMED FABRIC. Glasgow 2024, A Worldcon For Our Futures introduces Sara Felix-designed fabrics.

Sara Felix, Hugo award-winning artist and Glasgow 2024 designer, has launched six brand-new fabric designs on Spoonflower, now available for purchase.

Whether it’s a yard of fabric or a throw pillow, tea towels or a blanket, you can celebrate Glasgow 2024 with your choice of festive wares!

A word from Sara: “I created these fabrics because while I love the tartan, I wanted a few more options to play with. So I took the Armadillo we use on the bottom of some of our webpages and publication pages and made these. Of course, we had to have the logo on there as well!”

Browse the designs on Sara Felix’s website.

(10) PASSENGERS. “You’ll travel nearly a trillion miles in your lifetime. Here’s how” explains Space.com. This reminds me of a paragraph in a Vonnegut book that ends, “Who says there’s no such thing as progress?”

….In addition to rotating, Earth orbits the sun. That orbit is an ellipse, which causes our planet to occasionally move more quickly or slowly depending on its distance from the sun. But on average, Earth’s orbital speed is about 19 miles per second (30 km per second).

That’s about 600 million miles (1 billion km) every year. So over a lifetime, each of us travels roughly 50 billion miles (80 billion km) — which, again, dwarfs the distance we travel due solely to the rotation of our planet….

(11) MULTITALENTED JOYNER’S NEW BOOK. Jackiem Joyner, author of Zarya Episode II Sochi Unleashed, also is a contemporary saxophonist and music producer with a pair of number one hit songs and five top 10 Billboard under his belt.

In the second novel of his Zarya series, the fate of Cydnus, a highly advanced desert world, hangs in the balance. With oxygen levels beginning to deplete, this politically divided planet stands on the brink of an existential crisis.

In the heart of the advanced city of New Cebrenia City, Zarya, along with her father, Aaron, and friends Kizzy and Marco, must navigate a complex web of political strife. With Vice Chairman Eros’s dark plots threatening their progress, the security of their only political ally, the chairman, is under threat.
Their most powerful asset is Sochi, Zarya’s advanced AI Airboard. Yet, Sochi’s newfound ability to control other machines presents both significant opportunities and risks.

Meanwhile, Aaron embarks on a perilous journey into the cosmos, driven by desperation to resurrect a long-abandoned project that might be Cydnus’s last hope. His mission, shadowed by his past, is a race against time, with the future of Cydnus at stake.

Zarya Episode II: Sochi Unleashed delves into the intricate relationship between sentient beings and technology, bravery amidst uncertainty, and the struggle for survival. As Zarya, her allies, and Sochi traverse this journey, the tale evolves into a saga filled with challenges and triumphs. Welcome to Cydnus, a world teetering on the brink of an uncertain future, in this captivating narrative.

Available at Amazon.com and Amazon.ca.

(12) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Media Death Cult’s latest from Moid is a very brief (Hondo Cit) look at Japanese SF shot on location in a Japanese garden in Poole (Dorset, England, Brit Cit): “The History Of Japanese Science Fiction”.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Anne Marble, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/29/23 Every Pixel In The Room Was Scrolling At Me

Posted on by
28

(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Michael Cisco and Farah Rose Smith on Wednesday, July 12, beginning at 7 Eastern.

MICHAEL CISCO

Michael Cisco is the author of several novels, including The Divinity Student, The Great Lover, The Narrator, and Pest, as well as the Stoker-nominated nonfiction book Weird Fiction: A Genre Study. His short fiction has appeared in numerous anthologies, and his most recent collection is Antisoc. He is the author of two novellas: ETHICS, and Do You Mind If We Dance With Your Legs? He lives in New York City.

FARAH ROSE SMITH

Farah Rose Smith is the author of the horror and dark fantasy novellas Eviscerator, The Almanac of Dust, Anonyma, and Lavinia Rising. She has also written two collections of short supernatural fiction, Of One Pure Will and The Witch is the Body. Smith recently completed a master’s degree in English Literature, Language, and Theory and is writing her third collection. Born and raised in Rhode Island, Smith currently lives in New York City with her husband, weird fiction author Michael Cisco, and their three cats.

Location: The KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(2) BANKS ACCOUNT. On the 10th anniversary of the author’s death, the Guardian’s Steven Poole helps readers decide “Where to start with: Iain Banks”. The second book he considers is Consider Phlebas:

The billionaires’ favourite

Banks originally wanted to be a science-fiction author, but after several unsuccessful drafts in the 1970s decided to write something “normal” instead, thus rocket-boosting his literary career with The Wasp Factory. He then started publishing science fiction as Iain M Banks, beginning with Consider Phlebas, a phrase taken from Eliot’s The Waste Land. It’s a cosmos-spanning romp that introduces the Culture, a post-human galactic civilisation in which AI does all the work and no one wants for food or other resources. (Fully automated luxury communism – in space.)

In this first story, the smug liberal Culture is at war with the Idirans – AI refuseniks who are waging a jihad against them. Through this backdrop wanders sympathetic mercenary Bora Horza Gobuchul, a Mandalorian-style drifter with a very particular set of skills. Banks’s vision of a starfaring, post-scarcity civilisation run by AIs, in which people can change their DNA at will and live for 400 years, is publicly admired by tech giants such as Jeff Bezos and Elon Musk – even as they toil along with us in the capitalist present. Unfortunately for Bezos, a planned Amazon TV series based on the novel was cancelled in 2020 after Banks’s estate withdrew permission.

(3) APOCALYPSE, THE NEXT GENERATION. The New York Times magazine looks at media to probe the question “Will Children Save Us at the End of the World?”

…There’s “Station Eleven,” the 2014 novel by Emily St. John Mandel about the aftermath of a swine flu, which was turned into a much-discussed 2021 HBO Max series, in which an 8-year-old girl manages to survive with the help of a stranger turned surrogate parent. “The Last of Us,” HBO’s video game adaptation, which debuted in January, features a zombie-fungus pandemic; a seemingly immune teenage girl is humanity’s one hope. “Leave the World Behind,” Rumaan Alam’s 2020 novel — soon to be a movie — about a bourgeois family vacation gone very bad, features a vague but menacing threat of apocalypse. Also loosely belonging to this category are the shows “Yellowjackets” (2021-present) — a girls’ soccer team turns to cannibalism after a plane crash — and “Class of ’07” (2023) — a school reunion coincides with a climate apocalypse — and the new-to-Netflix 2019 Icelandic movie “Woman at War” (a renegade activist tries to stop the destruction of the environment and adopt a child).

These stories are, in various ways, about how and whether our children can survive the mess that we’ve left them — and what it will cost them to do so. In “Station Eleven,” post-pans (children who were born after the pandemic) are both beacons of optimism and conscripted killers deployed by a self-styled prophet who hopes to erase anyone who holds on to the trauma of the past. And in “The Last of Us,” Ellie, the young girl with possible immunity (played by the actor Bella Ramsey), is forced to kill to survive, and to grapple with whether it’s worth sacrificing her own life in the search for a cure….

The anxieties that these works explore — about planetary destruction and what we did to enable it — are, evidence suggests, affecting the desire of some to have children at all, either because of fear for their future or a belief that not procreating will help stave off the worst. But following the children in these fictions, who didn’t create the conditions of their suffering, isn’t just a devastating guilt trip. Almost all these stories also frame children as our best hope, as we so often do in real life. Children, we need to believe, are resilient and ingenious in ways that adults aren’t. In these stories, when the phones stop working and Amazon stops delivering, it’s children, less set in their ways, who can rebuild and imagine something different. They’re our victims but also our saviors….

(4) SALVAGE RIGHT NEWS. Salvage Right by Sharon Lee and Steve Miller, the 25th Liaden Universe® novel (and their 100th collaborative work), will be officially released in paper and ebook editions July 4, 2023. Some stores already have the hardback on the shelves; signed copies are available from Uncle Hugo’s bookstore in Minneapolis.

Sample chapters from Salvage Right are available online at Baen Books

In honor of Salvage Right Lee and Miller are taking part in a number of podcasts and special events:

  • Annies Bookstore: Selina Lovett at Annie’s Bookstore did a Zoom interview with the authors, which can be found here
  • Watch for Griffin Barber’s interview with them at the Baen Free Radio Hour
  • Upcoming: An interview with fyyd: CultureScape with Peter PischkeCultureScape with Peter Pischke with release date TBA
  • Another interview with Under The Radar SFF Books is due later in July
  • The authors will be doing a virtual book signing at Pandemonium Books, Wednesday July 26, details TBA

(5) MANNERS, PLEASE. Oghenechovwe Donald Ekpeki thought a timely reminder was in order about the awards etiquette published by the Unofficial Hugo Book Club Blog a couple of months ago, so he retweeted it today. Thread begins here. Here’s an excerpt:

(6) AMY WISNIEWSKI (1947-2023). Mythopoeic Society member Amy Wisniewski died June 20 at the age of 76. She is survived by her wife, Edith Crowe. David Bratman has written a tribute on Kalimac’s corner, “Amy Wisniewski”, which says in part:

…Amy was already in the Society when I arrived. The first meeting I attended was at the small house that she and her partner (and later wife) Edith Crowe were living at in the flatlands of Redwood City. 48 years later, in a larger house further up in the hills, they were still hosting meetings. Almost every year, except during pandemics, they hosted the annual Reading and Eating Meeting. We would gather for a potluck meal and then take turns reading short selections around the (once real, later theoretical) fire.

For a few years, Amy was our discussion group’s moderator, and she actually directed meetings with a skill and knowledge surpassing that of anyone else who had that title. Amy wasn’t a Tolkien scholar; she didn’t give papers at Mythcon; but she had read and absorbed his books and did the same for the books we were discussing, and consequently always had intelligent things to say….

(7) MEMORY LANE.

2002 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Tonight we have a Beginning by Carol Emshwiller. She was prolific as a short fiction writer with more stories than I can comfortably count.  The two volume collection of The Collected Stories of Carol Emshwiller that Nonstop Press did a decade back collects nearly twelve hundred pages of her stories. 

She did just six novels of which four were genre and two were in the cowboy genre, Ledoyt and Leaping Man Hill.  No, I didn’t know she’d written the latter. All four of her genre novels are quite excellent.  The Mount which is where our Beginning comes from garnered a Philip K. Dick Award. 

And now from stage left comes our Beginning…

We’re not against you, we’re for. In fact we’re built for you and you for us – we, so our weak little legs will dangle on your chest and our tail down the back. Exactly as you so often transport your own young when they are weak and small. It’s a joy. Just like mother-walk.

You’ll be free. You’ll have a pillow. You’ll have a water faucet and a bookcase. We’ll pat you if you do things fast enough and don’t play hard to catch. We’ll rub your legs and soak your feet. Sams and Sues, and you Sams had better behave yourselves.

You still call us aliens in spite of the fact that we’ve been on your world for generations. And why call aliens exactly those who have brought health and happiness to you? And look how well we fit, you and us. As if born for each other even though we come from different worlds.

We mate the stock with the stocky, the thin with the thin, the pygmy with the pygmy. You’ve done a fairly good job of that yourselves before we came. As to skin, we like a color a little on the reddish side. Freckles are third best.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. Simply astounding. And, of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
  • Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
  • Born June 29, 1943 — Maureen O’Brien, 80. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
  • Born June 29, 1947 — Michael Carter, 76. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”. 
  • Born June 29, 1950 — Michael Whelan, 73. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
  • Born June 29, 1956 — David Burroughs Mattingly, 67. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), 2006 Anderson’s Time Patrol and the 1986 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
  • Born June 29, 1957 — Fred Duarte, Jr. His Birthday is today and this long-time Texas fan is eulogized by Mike here upon his passing almost a decade back. (Died 2015.)

(9) COMICS SECTION.

Catching up with Tom Gauld —

(10) JEOPARDY! [Item by David Goldfarb.] From the June 28 episode, three clues in the single Jeopardy round.

Open Door, $1000: Gandalf initially struggles to open the door to this place, but after speaking the Elvish word for “friend” he gets it right

This was a triple stumper.

Google Easter eggs, $400: A Google search for what’s the answer to life, the universe, & everything gives you this number

Bryan White (whose score was $4200!): “What is 37?”

Neither of the other two could respond correctly. Douglas Adams is spinning in his grave.

$800: Google this HBO show with Pedro Pascal & keep clicking the mushroom icon for your screen to be enveloped by some humongous fungus

Bryan knew “The Last of Us”.

(11) ALL KAIJU ALL THE TIME. “24-Hour Godzilla Channel Coming to Pluto TV With Exclusive Films” promises Comicbook.com.

Godzilla is coming to Pluto TV with a huge new channel dedicated to showing off tons of Godzilla movies and shows 24 hours a day with some exclusive films to boot! TOHO’s famous Kaiju has been stomping through many eras since the giant monster was first introduced back in the 1950s, and has since amassed a massive library of TV shows and movies that fans still enjoy to this day. Now Pluto TV has made checking out your favorite Godzilla projects easier than ever before with a new streaming channel with the platform highlighting all of the biggest and best Godzilla outings over the years! 

Pluto TV has announced a new Godzilla channel filled with not only classics such as the original 1954 Godzilla debut film, Godzilla vs. Megalon, and more but even left-field additions such as the animated Godzilla: The Series from the late ’90s and early ’00s. But the biggest surprise is that this new Godzilla channel will also offer up seven Godzilla films that are exclusive to Pluto TV as fans won’t be able to find them streaming anywhere else. Read on to see the massive list of movies and TV shows coming to Pluto TV’s new Godzilla channel launching on July 1st…. 

(12) HERE’S MY NUMBER AND A DIME, DIAL ANYTIME. “The Real History Behind the Archimedes Dial in ‘Indiana Jones and the Dial of Destiny’” in Smithsonian Magazine.

Off the coast of the Greek island of Antikythera in 1900, sponge divers came across a shipwreck filled with ancient treasures. Hidden among flashier finds like marble statues and jewelry was a mysterious device known today as the Antikythera mechanism.

Dated to more than 2,000 years ago, the device “is probably the most exciting artifact that we have from the ancient world,” says Jo Marchant, author of the 2008 book Decoding the Heavens: Solving the Mystery of the World’s First Computer. More than a millennium before 13th-century Europeans invented the first mechanical clocks, the Antikythera mechanism employed similarly complex technology—including gear wheels, dials and pointers—to chart the cosmos. The ancients used it to predict eclipses, track the movement of the sun and the moon, and even see when sporting events like the Olympics were scheduled to take place.

Contrary to what Indiana Jones and the Dial of Destiny, the latest installment in the epic franchise, suggests, the Antikythera mechanism won’t transport you back in time—not literally, at least. Every Indiana Jones adventure needs an exotic MacGuffin; in the new outing, which arrives in theaters this week, the hero chases after the Archimedes Dial, a fictionalized version of the Antikythera mechanism that predicts the location of naturally occurring fissures in time.

…In the film’s 1944-set prologue, Indy (Harrison Ford) captures a train loaded with Nazi plunder, including the titular Dial of Destiny. The movie then jumps ahead to 1969. Indy is set to retire from teaching archaeology, and the world is celebrating the safe return of the Apollo 11 crew. One of the men most responsible for the United States’ victory in the space race is Jürgen Voller (Mads Mikkelsen), a former Nazi who was given sanctuary by the Allies in exchange for his expertise, much like the real-life NASA engineer Wernher von Braun. When Indy learns that Voller wants to use the Archimedes Dial to travel for nefarious purposes, he reluctantly dusts off his old hat and bullwhip to (again) keep a potentially devastating weapon out of Nazi hands….

(13) NATURE EDITORIAL WARNS ABOUT AI. [Item by SF Concatenation’s Jonathan Cowie.] You know, I simply love the end of the world.  You can’t beat it. Of course, as long as it is firmly in SF.  (Wouldn’t like it in reality: it’d get in the way of afternoon tea and evening real ale down the pub…)

Today’s Nature editorial once more tackles doomsday.  Beware of tech companies achieving their goals through obsfucation… “Stop talking about tomorrow’s AI doomsday when AI poses risks today”.

Talk of artificial intelligence destroying humanity plays into the tech companies’ agenda, and hinders effective regulation of the societal harms AI is causing right now.

The idea that AI could lead to human extinction has been discussed on the fringes of the technology community for years. The excitement about the tool ChatGPT and generative AI has now propelled it into the mainstream. But, like a magician’s sleight of hand, it draws attention away from the real issue: the societal harms that AI systems and tools are causing now, or risk causing in future. Governments and regulators in particular should not be distracted by this narrative and must act decisively to curb potential harms. And although their work should be informed by the tech industry, it should not be beholden to the tech agenda.

Many AI researchers and ethicists to whom Nature has spoken are frustrated by the doomsday talk dominating debates about AI. It is problematic in at least two ways. First, the spectre of AI as an all-powerful machine fuels competition between nations to develop AI so that they can benefit from and control it. This works to the advantage of tech firms: it encourages investment and weakens arguments for regulating the industry. An actual arms race to produce next-generation AI-powered military technology is already under way, increasing the risk of catastrophic conflict — doomsday, perhaps, but not of the sort much discussed in the dominant ‘AI threatens human extinction’ narrative.

Second, it allows a homogeneous group of company executives and technologists to dominate the conversation about AI risks and regulation, while other communities are left out. Letters written by tech-industry leaders are “essentially drawing boundaries around who counts as an expert in this conversation”, says Amba Kak, director of the AI Now Institute in New York City, which focuses on the social consequences of AI.

To all of which the SF fan might ask how the genre might contribute…?

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steven French, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day –dsr-.]