So Glad You (Didn’t) Ask #84: A Column of Unsolicited Opinions

Chris M. Barkley

Unburdening Myself of Unfinished Business

By Chris M. Barkley: 

ITEM ONE: As we emerge from the cold and cloudless days of January and February, you would think that the prospect of sunny days, baseball, international football (soccer), the open swimming pools and children playing outside would bring some joy to my soul.

Every year for the past forty years or so, the coming of the so-called “Daylight Savings Time” fills me with sadness, anxiety, moodiness and lastly, anger. (Yes, I only appear to be a mild-mannered reporter for a daily metropolitan daily sf news zine.)

Because myself and most of my fellow North Americans have lost an hour’s sleep. And why?

Because the farmers, blah, blah, blah. And the kids getting on the bus in the dark, blah, blah. And commerce and businesses flourish, blah, blah, blah… 

When I was a young lad in the mid-1960’s, the prospect of time travel (in this fashion) was novel and exciting. Forward into the future and then returning back into the past a few months later was a perfectly appealing idea to my young mind.

But, as I got older, my priorities and attitude towards DST gradually changed. Just the thought of the approaching date brought on bouts of gnawing and persisting dread. Changing the clocks forth and back became (and still are) a hassle. And the loss of an hour’s sleep every spring is just plain wrong.

 I’m not going to bore everyone with its history, musings, opinions or statistics about whether we should choose to sat in “standard” or “daylight” time or why the DST should be hunted down with pitchforks and torches, staked through the heart and left burning in the noonday sun. 

Instead, I will leave you with a well known Native American aphorism:

“Only a white man would have you believe you could cut a foot off the top of the blanket, sew it onto the bottom of the blanket, and you’d be left with a longer blanket.”

Contact your congressional representative and Senators; they are the only ones who can kill this stupid and unhealthy abomination once and for all.

Enough. Said. 

ITEM TWO: On the morning of February 5, 2024, my audio interview with Dave McCarty was published here on File770.com.

As many of you may know, I distribute the daily “Pixel Scroll” and other standalone news items on eight sff Facebook groups and on the Bluesky app. (I have mostly avoided posting on X/Twitter since September 2023.) If there is something more important or pressing at hand, like an exclusive interview with Dave McCarty for example, I post a File 770 link to a more widespread group of forty groups…well, actually, thirty-nine as of today. Let me explain…

That particular morning, I started posting the interview to my usual group but when I came up to the Washington Science Fiction Association, I had to pause because I was served with a notice that stated that my posting privileges had been suspended:

“Your profile been (sic) suspended in this group. The admin has temporarily turned off your ability to post, comment and earn contribution points in the group until February 23, 2024, 10:19 AM.”

I was flabbergasted for several reasons, the first of which was that I had not received any notice of the suspension from any of the administrators, there was no previous indication of any trouble before that day. 

Since I was locked out of the page, there was no way to send a message to an admin, so I decided to shout out on my own page:

To the Washington Science Fiction Association Facebook Page:

While posting my latest File 770 column this morning, I found out that the admins of the Washington Science Fiction Association suspended my posting privileges on their page for three weeks. Apparently they found my most recent dispersing news on a regular basis either offensive and/or disturbing.

I have done my best to pass along vital and accurate information there for some time and I am HIGHLY upset that I was suspended without notification or an adequate explanation. Do I need to point out the parallels to what happened recently regarding the Chengdu Long List nominees?

As a journalist, I resent being effectively censored in this fashion; sf fans have every right to be informed, whether the news is for good or for ill, especially during these tumultuous times in sf fandom.

While I recognize that they have every right to run their page as they see fit, I find this action egregious, unnecessary and a disservice to the other members of the group. As a result of these actions I will be leaving the group later today.

Chris B.

During the course of that day, several friends offered advice and support, which, for the most part, I appreciated. Several suggested I reach out to the administrators to find out what the problem was. I wasn’t very receptive to doing that because I was very upset and the aggrieved party; so why would I do that? 

Two friends intervened on my behalf and made inquiries on my behalf. One reported in a direct message:   

Sent your message to the three admins. I’m guessing what set this off was the piece with the McCarty interview.”

I did not hear back from anyone else about this that day. And so, at a little after 10pm, the Washington Science Fiction Association page had one less member. 

My other friend sent me the following message in the early morning hours of the next day:

“Chris, you were paused by the moderator because they were traveling and could not monitor posts.

I sent back the following message:

Well, that’s a troubling explanation. Was this applied to everyone? Or just me? Because without a notification to me or on the page, it felt like I was being targeted.

Also  the period of time described in the suspension notice wasn’t for a period of days but weeks. 

So yeah, I’m having a hard time believing this.”

As of today, I have not been contacted by any of the admins involved nor have I been given an adequate explanation for their actions or offered an apology.

My reason for airing my grievance here and now is two-fold; this incident has been simmering with me for over five weeks and I felt the need to let loose before I lose my sanity, self esteem or both. Secondly, this is not my first rodeo with unresponsive page admins and frankly I’m becoming more and more disenchanted with social media and Facebook in particular.

And at its best, Facebook is a wonderful tool to keep in touch with friends and share ideas and opinions. But I am beginning to realize that for me, the pervasive and oftentimes intrusive effects of social media may outweigh its benefits. 

Lately, I have been contemplating leaving Facebook for good. Incidents like this just nudge me a little further towards doing that.

ITEM THREE: And then there was the matter of D.G. Valdron’s essay on Medium.com.

On February 18, Mr. Valdron, who describes himself on the website as a “Canadian Speculative Fiction and Pop Culture writer”, published an article that was ominously titled “Moral Compromise and the Lesson of the Hugos”.

Mr. Valdron, in an imperious and somewhat solemn tone, vaguely (and, mind you, without attribution) outlined the problems regarding the Chengdu Worldcon:

In 2023, the World Science Fiction Convention was held in Chengdu, China.

This was a little bit controversial, given the Chinese government’s genocidal actions regarding Ughyers and Tibetans, their authoritarian police state shtick, etc. But everyone went along with it. Why rock the boat?

The problem came with the Hugo Awards.

Now, the thing with the Hugos, is that everyone submits nominations, the Hugo Awards Committee vets the nominations, and a final list gets put out for the fans and convention members to vote on by secret ballot. Now, that’s how I understand it. I might have gotten some detail wrong, but I believe that’s the gist. It doesn’t matter.

Here’s what matters:

The Hugos were corrupted. The Hugo Awards Committee turns out to have been screening out the works of American, English and Chinese creators, on behalf of the Chinese government. Basically, anyone whose novel or background was critical of the Chinese government, or even politically sensitive, like mentioning Tibet, was dropped from the list.

But you know what strikes me?

It’s how trivial this is.

Forgive me, I’m sure it’s important to the people involved. Careers and friendships ended, a community rocked.

But let’s get a grip. Most people in North America have never even heard of the Hugos. Most people in North America are not science fiction writers, or readers. Hell, most people in North America are not readers.

The Hugos aren’t the Nobels, or the Pulitzers. In the larger scheme, they’re a minor award, restricted to a literary/social subculture which might result in a few extra sales and an ego boost.

No one’s life was at risk. No one’s freedom was imperiled. No huge sums of money, no public safety.

This was a small trivial thing.

In my cynical side, I suspect that most times, people would make the wrong moral choice, but hopefully, in the face of more pressure, or intimidation or incentive than this. Maybe I just want people to suffer more.

Anyway, we’ve been down this path before you and I. Sorry to belabour it. How we treat each other is a hobby horse of mine. I’ve had my tests, and I’ll have more. I’ve dealt with them.

What about you?

I’m SO GLAD you asked, sir.

Now, to be fair, Mr. Valdron is entitled to his opinion. And granted, what happened with the Chengdu Worldcon and the 2023 Hugo Awards is definitely not as important as the ongoing wars in Ukraine and the Gaza Strip, the current battle between democracy and fascism in the United States or our ever increasing concerns over climate change and various environmental crises all over the world.

What really ticked me off about D.G. Valdron’s article is his rather cavalier attitude towards what happened, the Hugo Awards and general air of disapproval of the fandom that supports it.  

Fantasy, science fiction and horror is, despite the bleating of insufferable academics and mainstream literary critics, a vital part of the tree of literature, and whose roots run a millenium or two deep.

Modern sff literature (and fandom) started over a hundred years ago when teenagers in the US and United Kingdom began to correspond, meet, talk and write about their mutual fascination. 

And out of those meetings came conventions, cosplay, and generations of aspiring publishers, writers, editors, artists, game creators, filmmakers, and commentators, like myself.

I have had the privilege of growing up in a period of this history to witness sff grow from being considered a freakish sideshow to becoming a dominant force in world culture.

And the Hugo Awards, for better or worse, have provided all of us with an invaluable anecdotal, year by year snapshot of what people thought about fantastic literature and the visual arts. Readers, writers, editors, artists and publishers look to it as a bellwether of the field’s vitality. 

So, no this is NOT “a small trivial thing,” Mr. Waldron.

And I find it very disappointing to see a member of our own community like yourself thinking so little of the situation as to look down your nose at the sff fandom and its history under the pretense of high handed criticism.

There is a term for this Mr. Waldron. 

It is called “bad form”.

ITEM FOUR: Having a little notoriety in your life can be fun. I have been a fan guest of honor at three conventions (Windycon in 2019, Astronomicon in 2021 and Confusion in 2023), a panelist art auctioneer at local, regional conventions and at Worldcons. I’ve been nominated for a Hugo Award twice (and may have even won one).

But speaking personally, I don’t go out of my way to seek it out. I know myself well enough to know that if my ego were well fed on a regular basis it would be to the detriment of myself and my family and friends.

So, as you can well imagine my quandary as the Chengdu Worldcon story grew exponentially, my name (as well as my co-author, Jason Sanford) popped in all sorts of media outlets like the Guardian (UK), NBC News, the Associated Press and the New York Times among others.

I was even interviewed by Andrew Linbong for National Public Radio, which, as a listener of fifty-plus years, was the thrill of a lifetime as far as I’m concerned.

But, there’s a downside as well. While I and Jason received universal praise for our reporting, we were also reminded that there are a lot of cranks out there who were more than willing to let the air out of tires, so to speak.

There were several that stood out; sff author Larry Correia was irked because of Jason and I had previously reported on and commented negatively against his involvements in the Sad/Angry/Rabid Puppy wars a decade ago. Frankly, having someone like Correia upset with me is a badge of honor as far as I’m concerned. (See my post on Bluesky.)

My partner Juli alerted me that some wag on Reddit had heard my interview with Dave McCarty and had come to the startling conclusion that I was actually in cahoots with him to cover up his complicity in the scandal. To which I replied that he had obviously seen far too many episodes of The Traitors reality competition show to be reasoned with. 

I was very heartened when I read that both Samantha Mills (author of the acclaimed short story “Rabbit Test”) and Adrian Tchaikovsky (who wrote The Children of Time series) had both decided not to acknowledge their Hugo Awards in the wake of the Chengdu scandal. 

Adversely, I received a bit of backlash from some people once I let it be known that I was going to keep my Hugo Award more as a keepsake and family heirloom than a personal achievement. 

I might have felt the same way as Ms. Mills and Mr. Tchaikovsky if I was sitting at home watching the Hugo Awards Ceremony at home and found out later that my presence on the ballot was dubious at best and that many Chinese writers and fans were most likely disenfranchised from the process.    

But, I went to China, had the time of my life, made the speech of my life and felt a close affinity for this award I thought I had rightly won. If anything, I wanted to be reminded of the trip, the people I met and befriended and the devastating revelations that followed.

Well, for a very vocal fringe minority of people, keeping this Hugo Award was tantamount to rooting for Lex Luthor, killing baby seals, helping the Houston Astros win the 2017 World Series or actually being a communist.

I laughed off nearly all of this outrage as either sour grapes, jealousy, pettiness or “virtue signaling”. In the course of all of this sturm and drang, I posted the following on Bluesky:

This generated a (unnecessarily snarky) response from @afab boyfriend:

It’s responses like these, that seemingly come out of the social ether that occasionally bother me, referring back to my general unease about social media. I don’t know this person and they CLEARLY don’t know me and yet it seems my comment struck a nerve that needed a pointed response. And I get it; I admit that in the past, I too, have sought out people I don’t know to comment on how reprehensible I thought their opinions or positions were, but tried to do so from a reasonable point of view and not to make it personal enough to hurt someone’s feelings.

THIS comment was meant to be both condemning AND personal. 

But, I decided to take the high road:

I followed that up with:

Case Closed, @afab boyfriend.

ITEM FIVE: Last week, this happened:

My response was:

Two things happened after I posted this; two days later, on Sunday March 10th, I fumbled my understanding of GMT time and Eastern Daylight Time (DAMN YOU AGAIN, DST) and as a result, both Juli and I logged onto the Glasgow Worldcon site three hours too late to nominate anything for this year’s Hugo Awards for the first time in more than a decade.

Even more ironically, I began to hear from friends and acquaintances who openly stated that despite my recusal of future nominations in my speech at the Chengdu Hugo Award Ceremony and my public statement on March 8th, people were still nominating me in the Best Fan Writer category.

Their reasons ranged from they viewed my “win” in Chengdu as invalid and they wanted me to have another chance or that my works from 2023 were quite worthy of consideration.

I have to admit that the idea of being nominated again in light of what happened last year excites me, but the other side of that coin brings feelings of despair. 

Do I actually deserve another nomination? Would I be depriving someone else of a nomination? And, what if I get that email in the next week or so; am I allowed to change my mind? 

My partner Juli says that she will abide by and support any decision I make, which is one of the many reasons why I love her so much.. The few friends I have asked about this dilemma all said I should take the nomination.

Right now, I have no idea what I should do.

Watch this space, readers…

Pixel Scroll 2/20/24 The Scroll Of Theseus

(1) IN THE BEGINNING. Philip Athans asks everyone, “Don’t Be Hatin’ On Prologues (Again)” at Fantasy Author’s Handbook.

… Anyway, once again we’re being told that all prologues are bad, no books should ever have a prologue, and all authors who write prologues are bad, and anyway, it’s best to just skip over them if one should have the nerve to appear….

…Let’s take this monumental misconception in two parts. First, the notion that prologues are optional and no one reads them.

As both an editor and a reader I have never in my life skipped a prologue or in any way went in thinking it was not necessary to the story. Not one time, not ever. This notion is so alien to me I can’t even begin to understand the origin of it.

Richard Lee Byers, author of Called to Darkness and The Reaver (neither of which happen to have prologues) tried to help: “…the assumption is that the prologue is an info dump. Beyond that, even if it’s exciting in its own right, there’s a feeling that if Chapter 1 switches to different characters or is Ten Years Later, you’ve thrown away whatever narrative momentum you might have built up.”

There should never be an assumption that a prologue is an info dump, because prologues should never be info dumps—not ever, not under any circumstances. And yes, even if your world is really complex and you’ve spent years worldbuilding and you’re sure no one will understand your story unless you “set the scene” or teach them all about your amazing world, and all that nonsense. If this is what your prologue is doing, that’s why your book is being rejected, not because it has a prologue, but because it has a crappy prologue….

(3) HISTORY AND MORAL PHILOSOPHY. Canadian sff author D.G. Valdron writes about “Moral Compromise and the Lesson of the Hugos” on Medium.

… Well, the Hugos Scandal isn’t the battle for Civil Rights. But the sort of moral compromise and coercion that King criticized is on display here, and it’s frightening how unnecessary it was, how shallow virtue turned out to be.

How do we really act, how do we really think or behave, how virtuous are we if we are genuinely tested, if there’s a real push. How often have you bowed your head and simply gone along to get along.

And how brave will you be when there are real consequences? When taking a stand actually can get you arrested, or get you fired from your job, or get you beaten up? How principled are you, when there’s money involved, either to lose or to gain? When principles mean some form of inconvenience? When principles mean going against the crowd?

Sadly, I think that most of us won’t be. We’ll be just like the Hugo folk….

(4) THE FIRST. “’No one had done it before him’: the groundbreaking stories of Black astronauts” – the Guardian discusses the documentary film The Space Race.

…Glover describes the tension of code switching between his professional and personal lives. He is a military officer and Nasa astronaut – he will pilot the upcoming Artemis II mission that will orbit the moon – but also a Black man in America. “Is it really possible to have a double consciousness? No, but you almost have to think of it that way: there’s a bit of me that I am at home and then there’s a bit of me that I am at work, and the overlap is kind of small.”…

(5) STEVE MILLER (1950-2024). Sff author Steve Miller died this afternoon. His wife and co-author Sharon Lee told Facebook readers:

He went downstairs to take a walk at about 4:30. At about 5:30, I thought he’d been awhile and went downstairs to see what was going on.

He was on the floor, unconscious, and not breathing. I called 911, and did CPR until the ambulance and EMTs arrived. They did everything they could, but his heart just wouldn’t beat on its own.

Miller’s health had been failing; he recently wrote his own obituary, which Sharon Lee has allowed File 770 to post (see “Steven Richard Miller (July 31, 1950 – February 20, 2024)”.)

Steve and Sharon Lee declared themselves partners in life and in writing in 1978. They married in November 1980, and moved from Maryland to Skowhegan, Maine, in October 1988 after the publication of their first joint novel, Agent of Change, the first in what was to become a long series of space opera novels and stories set in their original Liaden Universe®. A book in that series, Scout’s Progress, won the 2002 Romantic Times Book Club Reviewers Choice Award for Best Science Fiction Novel.

Steve was an active member of fandom in earlier years, as Director of Information of the Baltimore Science Fiction Society for some time, and as vice-chair of the bid committee to hold the 1980 Worldcon in Baltimore (they lost to Boston).

The SF Encyclopedia says Steve began publishing work of genre interest with “Shalgiel” for Flux Magazine in 1976, one of his few solo works. He began collaborating with Sharon with “The Naming of Kinzel: The Foolish” (June 1984 Fantasy Book); and all his novels have been with Lee, primarily the Liaden Universe® sequence. 

Steve ran his own small press from 1995 through 2012, specializing in chapbooks containing 2-3 short stories set in the Liaden Universe® and other settings from books by him, Sharon Lee and other authors.

For awhile Steve and Sharon ran Bookcastle & Dreamsgarth, Inc., a genre bookstore with a traveling convention SF art agency component.

Steve and Sharon were honored together in 2012 with NESFA’s Skylark Award, given for contributions to SF in the spirit of E.E. “Doc” Smith.

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 20, 1926 Richard Matheson. (Died 2013.) Now we come to Richard Matheson. So where shall I start?  From a genre viewpoint, we should start with the Hugo he would share at Solacon for The Incredible Shrinking Man, directed by Jack Arnold from Matheson’s screenplay based off his novel. 

What next? Well The Twilight Zone, of course. He scripted thirteen episodes of which “Nightmare at 20,000 Feet” with William Shatner is certainly the best-known. I’d also single out “Little Girl Lost” for just being out really, really scary, again it’s based off a story of his. Also, “Nightmare at 20,000 Feet” became part of the Twilight Zone film.

Richard Matheson

Oh, sweet mother, he was prolific! I mean really, really prolific. Just cinema films alone totaled up to at least twenty-eight: television work adds another thirty-four. So no, I’m not covering these in detail, am I? 

Matheson’s famous novel I Am Legend was made into three movies – but he wondered in an interview why it kept being optioned when no one ever made a movie that actually followed the book. He hated The Last Man on Earth, so he’s credited as Logan Swanson instead. It got made twice more, as The Omega Man, and much later as I Am Legend with Will Smith.

Now where was I? (The phone rang from a medical office. Lots of those these days.) Ahhh, series work. 

The Night Stalker was his greatest success. The Night Stalker first aired in January 1972, and garnered the highest ratings of any television movie at that time. Matheson would receive an Edgar Award from the Mystery Writers of America for Best TV Feature or Miniseries Teleplay. 

He scripted but a single episode of The Girl from U.N.C.L.E., “The Atlantis Affair” and none of the other U.N.C.L.E. series. 

He did “The Enemy Within” episode of the Trek series, not one that I consider to be all that great.

Remember in the Jack Palance Birthday I mentioned Dracula, also known as Bram Stoker’s Dracula and Dan Curtis’ Dracula? Well guess who the scriptwriter was for it?

He’s the scriptwriter of The Martian Chronicles, the good, the bad whatever of that series. Seen it at least three times, still love the original version much more.

He was involved in Twilight Zone: Rod Serling’s Lost Classics. The first and much shorter segment, The Theatre, was expanded and scripted by him from a Serling outline. 

Now his fiction. 

Thirty novels which with the exception of the ones of the ones I’ve already noted and The Shrinking Man and The Night Stalker novels, I recognized absolutely nothing. What I found fascinating is that half of the nearly thirty novels had become films. Nearly all with him writing the scripts for them. 

Short stories. Oh yes. And as I’ve mentioned previously, many of them were adapted by him into scripts for such series as The Twilight Zone. He’s got literally dozens of collections but not being one who’s read him deeply, I cannot recommend what ones are the best to acquire.

(7) COMICS SECTION.

(8) HOW EDUCATIONAL! The New York Times declares, “It’s Alive! EC Comics Returns”.

EC Comics, which specialized in tales of horror, crime and suspense, and was shut down in the “moral panic” of the 1950s, is making a comeback.

Oni Press will publish two new anthology series under the EC Comics banner. The first, Epitaphs From the Abyss, coming in July, will be horror focused; Cruel Universe, the second, arrives in August and will tell science fiction stories.

Hunter Gorinson, the president and publisher of Oni Press, said the new stories will interpret the world of today, much as EC Comics explored the American psyche of the 1950s. The cover designs will feel familiar to EC Comics fans: Running down the top left is a label declaring the type of story — “Terror” or “Horror” or “Science-Fiction” — and the logo evokes the bold colors and fonts of past series like “Tales From the Crypt” and “The Vault of Horror.”

The series are a partnership between Oni and the family of William M. Gaines, the original publisher of EC Comics, who died in 1992. Gary Groth, the editor of The Comics Journal, told The New York Times in 2013 that EC Comics was “arguably the best commercial comics company in the history of the medium.”….

 (9) IT’S A JUNGLE OUT THERE. “I Went to Hogwarts for Seven Years and Did Not Learn Math or Spelling, and Now I Can’t Get a Job” is a 2020 humor piece from The New Yorker.

Dear Headmaster McGonagall:

I am a recent Hogwarts graduate, and, although my time with you was a literal fantasy, I unfortunately did not learn a lot of basic skills, like math or spelling, at your skool.

You may say, “Why do you need arithmetic? You’re a wizard. You can do magic!” To which I reply, sure, for some wizard careers that’s great, but other wizards work in middle management and just want a normal nine-to-five gig. When I graduated, I thought that all I would need was my wand and a couple of choice incantations, but these days, without at least a little algebra, you’re not even qualified to work in Bertie Bott’s retail department…

(10) ARTIFICIAL SURE, INTELLIGENT? MAYBE. Not including any copies of the images was an easy choice: “The rat with the big balls and the enormous penis – how Frontiers published a paper with botched AI-generated images” at Science Integrity Digest.

… The authors disclose that the figures were generated by Midjourney, but the images are – ahem – anatomically and scientifically incorrect.

Figure 1 features an illustration of a rat, sitting up like a squirrel, with four enormous testicles and a giant … penis? The figure includes indecipherable labels like ‘testtomcels‘, ‘senctolic‘, ‘dissilced‘, ‘iollotte sserotgomar‘ and ‘diƨlocttal stem ells’. At least the word ‘rat‘ is correct.

One of the insets shows a ‘retat‘, with some ‘sterrn cells‘ in a Petri dish with a serving spoon. Enjoy!…

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Daniel Dern, Lis Carey, Lise Andreasen, Michael J. “Orange Mike” Lowrey, John A Arkansawyer, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]