Connie Willis and Neil Gaiman will be the toastmasters for the Science Fiction and Fantasy Writers of America’s 57th Annual Nebula Awards®. The Nebula Awards Ceremony will be livestreamed free to the public online on May 21, 2022, at 5:00 p.m. Pacific on SFWA’s social media platforms.
In addition to her long history as a celebrated toastmaster for award ceremonies in the science fiction and fantasy genres, Connie Willis was named the 2012 SFWA Damon Knight Memorial Grand Master and a recipient of the 2021 Kevin O’Donnell, Jr., Service to SFWA Award. Willis is the author of Doomsday Book, Crosstalk, and Passage, among many other fictional works, and the upcoming novel The Road to Roswell. She has won eleven Hugo Awards and seven Nebula Awards. In 2009, Willis was inducted into the Science Fiction Hall of Fame. Being a toastmaster is her favorite thing besides bulldogs, romantic comedies, Oxford, and Randy Rainbow videos.
Neil Gaiman is the New York Times bestselling author and creator of books, graphic novels, short stories, films, and television for all ages, including Norse Mythology, Neverwhere, Coraline, The Graveyard Book, The Ocean at the End of the Lane, The View from the Cheap Seats, and The Sandman comic series. His fiction has received many awards and honours, including the Newbery and Carnegie medals, and the Hugo, Nebula, World Fantasy, and Will Eisner awards. Several of his novels have been adapted for film and television, winning an Oscar nomination for Coraline, an Emmy nomination for American Gods, and Good Omens won the Hugo and Ray Bradbury awards, for the adaptation of the novel he wrote with the late Sir Terry Pratchett. His books have been translated into forty languages world-wide. In 2017, Gaiman became a Goodwill Ambassador for UNHCR, the UN Refugee Agency. Originally from England, he now divides his time between Scotland, where Good Omens and Anansi Boys are filmed, and the United States, where he is Professor in the Arts at Bard College.
This year’s Nebula Awards winners will be announced during the ceremony, which will stream for free on SFWA’s social media platforms. (See the list of finalists here.) Celebrating the past year’s most outstanding fictional works, the Nebula Awards Ceremony will be a highlight of the 2022 Nebula Conference Online. Aspiring and professional storytellers in the speculative fiction genres may benefit from attending the entire professional development weekend full of panels, networking opportunities, and chances to learn from and interact with experts in related fields, including the 38th SFWA Damon Knight Memorial Grand Master, Mercedes Lackey.
The 2022 Nebula Conference Online takes place May 20–22. The cost of registration is $150. Register here: events.sfwa.org
President Jeffe Kennedy says, “I’m delighted that Connie and Neil have so graciously taken time from their busy schedules to lend their voices and dynamic presences to the Nebula Awards ceremony. I’ve caught a glimpse in my crystal ball of what they’re up to and I can’t wait for everyone to join in the fun!”
…[This] is not an unfamiliar name to fans of classic Star Trek novels. Barbara Hambly’s Pocket Book novel Ishmael, first released in 1985, gave S’Chn T’Gai as Spock’s name. It was established that, in a similar manner to how the Bajorans naming conventions work—where, for example, Deep Space Nine’s Major Kira Nerys’ given name is Nerys, not Kira—Vulcan names are inverted, and S’Chn T’Gai is actually Spock’s family name. Spock had previously alluded to having a first name in the Star Trek season 1 episode “This Side of Paradise,” where he described it as “unpronounceable.” Not any more, apparently!…
A watermarked version of the forthcoming poster with Spock’s full name can be seen here at TrekCore.com.
Naturally, Barbara Hambly is ecstatic. As she told Facebook followers: “Now, classic Star Trek fiction is having its legacy live on in TV once more with the canonization of S’Chn T’Gai. And that makes me Mr. Spock’s godmother! This delights me as much as winning a Hugo or a Nebula. Maybe more.”
Fiction writer and former Tor assistant editor Molly McGhee joins co-hosts V.V. Ganeshananthan and Whitney Terrell to discuss details of her recent resignation from a position she’d fought for in the industry she loves. She also talks about what’s behind #PublishingBurnout for junior employees and what that means for the future of publishing.
… Molly McGhee: I had a lot of people reach out privately to me, and publicly, and express that this is something they felt as well, but that they were really nervous to burn any bridges. The thing about publishing is that no matter how high you are, especially if you’re in editorial, you had to start from the bottom. And so you have been experiencing this struggle for years and years, and then find yourself in a position of frustration where you cannot alleviate that struggle for other people below you….
We collaborated with more than 30 Black recipe developers as we celebrate Black History Month 2022. This Virtual Potluck explores Black food through the lens of Afrofuturism. Our collaboration of recipes explores the intersection of the Black diaspora via culture, future, geopolitics, imagination, liberation, culture, and technology…
What is Afrofuturism?
“Afrofuturism evaluates the past and future to create better conditions for the present generation of Black people through the use of technology, often presented through art, music, and literature.”
We tasked participants with developing recipes that honor the culinary ingenuity of our past and stretch towards an innovative culinary future. We sought out to take familiar cultural foods and reimagine them with the ingredients we use, flavors we develop, textures we mold, and visually the way we present….
… [The] problem of errors creeping in and somehow making it past the seemingly endless rounds of editing is a pretty universal one. I’ve had a few over the years, and in fact just this week got another email pointing one out. The biggest of the errors that I’ve been alerted to are:
— I’m shocked to realize that this was ten years ago, now, but all the way back in How to Teach Relativity to Your Dog, we ended up with a typo in Maxwell’s equations (on page 34 of the paperback)— there’s an incorrect sign in the Ampere-Maxwell law. In my defense, in the first round of proofs, basically every symbol in there had been replaced by some random dingbat because of a font issue, so it took quite a bit of effort to even get them close. I think the Kindle edition was still rendering a lot of them as empty boxes a few months after publication. I’ve gotten a bunch of emails about this one over the years, starting with one from Bill Phillips….
If you’ve been anywhere near the internet or TV lately, you’ve likely heard about the new film The Northman as commercials have hit the airwaves and the film’s star-studded cast have begun walking red carpets at various glitzy premieres.
The sweeping Viking epic from director Robert Eggers star-studded cast includes Alexander Skarsgård and Nicole Kidman, making the film pretty hard to miss as its opening weekend approaches.
But if you get most of your advertising from the New York city subway? …[The] film’s marketing team seems to have forgotten to put the film’s title on its poster….
Twitter is helpfully filling in the blank. This might be the best of them:
The Archbishop confesses that he didn’t know that King wrote The Green Mile and Shawshank Redemption. He’s not alone.
“The thing that I remember best about those books,” says King “is being in the supermarket one day and going up an aisle where this woman was looking at me, and she said, ‘I know who you are. You write all those scary stories. And that’s all right. For some people, that’s fine. I don’t read those scary stories. I like uplifting things like that Shawshank Redemption.’ And I said, ‘I wrote that,’ and she said, ‘No, you didn’t.’ So that was it. That was our whole conversation!”
(7) SCRIBNER OBIT. Australian fan Edwin A. “Ted” Scribner who edited the web version of the Australian SF Bullsheet (second series) has died. The editor of the email/print version Edwina Harvey announced the news today. He and Harvey were nominated six times for the Ditmar Award for their work on the newzine, winning in 2004, 2005, and 2006. Scribner also was a member of the Sydney Futurians.
Edwina Harvey’s personal tribute to her co-editor and friend is here on Facebook.
(8) MEDIA BIRTHDAY.
1950 — [Item by Cat Eldridge.] I’m reaching way back into the history of the genre this time as the Dimension X radio show premiered seventy-two years ago this evening on the NBC radio network. It was preceded by Mutual’s 2000 Plus which as the name suggests was another SF series with episodes like “Men from Mars”. That series lasted two years.
The Dimension X radio show was, according to all the articles I read, not the first SF radio series but it benefited from the deep stock of writers involved and I’m going to list all of them here: Isaac Asimov, Robert Bloch, Ray Bradbury, Fredric Brown, Robert A. Heinlein, Murray Leinster, H. Beam Piper, Frank M. Robinson, Clifford D. Simak, William Tenn, Jack Vance, Kurt Vonnegut, Jack Williamson and Donald A. Wollheim. Holy frell!
If I may single out an episode, I will by noting June 10, 1950’s “The Green Hills of Earth“, based upon the Heinlein story of the same name, relates the life of “Noisy” Rhysling whose story y’all know. It’s wonderful to hear it told.
The stories of course had already been published, be it in Astounding Science Fiction or the Saturday Evening Post. It was really the Golden Age of Science Fiction for these authors as they’d get paid for these stories again when they were used on the X Minus One series that followed not long after. Remember Heinlein’s adage about filing the serial numbers off.
With a five-month hiatus from January to June of 1951, the series spanned seventeen months. Quite remarkably all fifty episodes of the series have survived and can be heard today. I’ve profiled at least six episodes of this series on File 770. Do a search here if you want to listen to one of them.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 8, 1942 — Douglas Trumbull. Let’s call him a genius and leave it at that. He contributed to, or was fully responsible for, the special photographic effects of Close Encounters of the Third Kind, 2001: A Space Odyssey, Star Trek: The Motion Picture and Blade Runner, and directed the movies Silent Running and Brainstorm. And Trumbull was executive producer for Starlost which we will forgive him for. (Died 2022.)
Born April 8, 1943 — James Herbert. Writer whose work erased the boundaries between horror and sf and the supernatural in a manner that made for mighty fine popcorn reading. None of his work from his first two books, The Rats and The Fog, to his latter work such as Nobody True would be considered Hugo worthy in my opinion (you may of course disagree) but he’s always entertaining. I will note that in 2010 Herbert was greatly honored by receiving the World Horror Convention Grand Master Award which was presented to him by Stephen King. (Died 2013.)
Born April 8, 1967 — Cecilia Tan, 55. Editor, writer and founder of Circlet Press, which she says is the first press devoted to erotic genre fiction. It has published well over a hundred digital book to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She has two series, Magic University and The Prince’s Boy.
Born April 8, 1974 — Nnedi Okorafor, 48. Who Fears Death won a World Fantasy Award for Best Novel. Lagoon which is an Africanfuturism or Africanjujuism novel (her terms) was followed by her amazing Binti trilogy. Binti, which led off that trilogy, won both the Nebula and Hugo Awards. Binti: The Night Masquerade was a Hugo finalist at Dublin 2019. She was also a 2019 Hugo finalist for her work on the most excellent Black Panther: Long Live the King. Several of her works have been adapted for video, both in Africa and in North America. She wrote LaGuardia, winner of the Best Graphic Story Hugo at CoNZealand, and won a Nommo Award for writing Shuri, another graphic novel.
Born April 8, 1977 — Sarah Pinsker, 45. A nine-time finalist for the Nebula Award, her first novel A Song for a New Day won the Nebula for Best Novel while her story Our Lady of the Open Road won the award for Best Novelette. Her short story, “In Joy, Knowing the Abyss Behind”, won a Sturgeon Award, and “Two Truths and a Lie” won Best Novelette at DisCon III. Another novelette, “The Blur in the Corner of Your Eye” was nominated at ConNZealand, and a novella, “And Then There Were (N-One)”, was nominated at Worldcon 76. Very impressive indeed.
Born April 8, 1980 — Katee Sackhoff, 42. Being noted here for playing Lieutenant Kara “Starbuck” Thrace on the rebooted Battlestar Galactica though I must confess I’ve only seen in her excellent role as Deputy Sheriff Victoria “Vic” Moretti on Longmire which is now streaming on Peacock. She also played Amunet Black, a recurring character who showed up on the fourth season of The Flash. To my pleasant surprise, I see her on Star Wars: The Clone Wars in a recurring role of voicing Bo-Katan Kryze.
Born April 8, 1981 — Taylor Kitsch, 41. You’ll possibly remember him as the lead in John Carter which I swear was originally titled John Carter of Mars. He also played Gambit in X-Men Origins: Wolverine, and was Lieutenant Commander Alex Hopper in Battleship which was based off the board game.
Amazon revealed the actors who will portray the pantheon of deities on the show, including Goldberg’s Bird Woman, a.k.a. the God of Birds. She is the embodiment of birds, and not just the more beautiful, stately avian animals, but the dangerous ones, as well. Long ago, Anansi, the African trickster God of Stories did her dirty, and now she might finally have her chance to turn the tables….
I’ve noticed that many of my friends who read SFF also read mysteries. Not only that—authors who publish in SFF sometimes publish mysteries as well (which are often more profitable). Indeed, some authors even write SFF mysteries. Here are five recent SFF mysteries I liked.
(14) POSSIBLE NEW FORCE IN PHYSICS. [Item by SF Concatenation’s Jonathan Cowie.] Back in the day, at our occasional dinners, the bioscientists on the SF2 Concatenation team would always rib our physicist, Graham Connor (who was prone to saying that physics was the> key science), by asking him had physicists found anti-gravity yet? Or, broken the speed of light? etc. Well, now it just may be the BBC News reports that a new force in physics may have been discovered…
This is a three-part BBC Radio 4 documentary, first broadcast last year, that largely focuses on SF film special effects. It is now being repeated on BBC Radio 4 but you can access all three episodes on BBC Sounds.
Oscar winner Paul Franklin explores how film entered the digital realm.
The 1970s saw the very first onscreen digital effects in films like Westworld. Those first pioneers of CGI already spoke of digital humans, indeed of entire films being made within the computer, but Hollywood was unconvinced. By 1979, some of those visionaries like Ed Catmull and Alvy Ray Smith, later founders of Pixar, were working for filmmaker George Lucas, who primarily wanted new digital tools for editing and compositing and to explore computer graphics. Their first all-digital sequence created life-from lifelessness with the Genesis effect for Star Trek II: The Wrath of Khan. Meanwhile Disney itself was creating TRON, a spectacular mix of state-of-the art animation and pioneering digital effects that took audiences into cyberspace for the first time. In their different ways these two films were the true harbingers of the digital revolution that would bring profound change to moviemaking within little more than a decade. And then came Terminator 2’s chrome shape shifter-the T1000. The revolution was underway.
The latest glorious example came on Thursday during a segment on space news, when the discovery of a new star name Earendel prompted Colbert to launch into a truly impressive rundown of the name’s importance in Tolkien’s world….
Outer space enthusiast Stephen Colbert shares updates from beyond our world, including news about a newly-discovered star with a name borrowed from “The Lord of the Rings,” and an explosive report on unexplained alien phenomena from our buddy Bret Baier at Fox News.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Chris Barkley, James Bacon, Lise Andrerasen, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
(1) GAIMAN AND DORAN. The Guardian has made the full video of the livestream event with Neil Gaiman and Colleen Doran available online now, introducing their new graphic novel Chivalry from Dark Horse Comics. In comic shops now, in bookstores next week.
(2) AS TIME GOES BY. Rachel Birenbaum, author of a time travel novel, discusses why time travel stories remain an important part of sf. “On Time Travel and Metafiction” at CrimeReads.
…Every iteration begins with rules. The author has to create their universe and dictate how long time travel lasts, how it’s done, how it might affect the protagonist physically, and more. Most tales send people hurtling forwards or backwards with orders not to affect anything but their target. While all the rules are different, the reason behind time travel is almost always the same: regret….
Looking to get in shape but need some extra motivation? A new gamified exercise program challenges players to log workouts in the real world as they virtually follow The Lord of the Rings characters Frodo and Sam from The Shire to Mount Doom to destroy the One Ring.
The Conqueror Virtual Challenges has teamed up with Warner Bros. for a new series of five virtual challenges based on The Lord of the Rings movies. Anyone can take part in exercises of varying lengths, with the ultimate goal of making it all the way to Mordor to destroy the ring.
The Conqueror Challenges app has been updated with a Middle-earth map that has five challenges to unlock: The Shire, The Fellowship, Mines of Moria, The Eye of Sauron, and the Mordor. Participants can run, cycle, swim, or walk to reach the set distance, and each stop has stories and postcards detailing Frodo and Sam’s journey. The distances are listed below….
“I think I can confidently say I’m done showrunning Doctor Who,” Steven Moffat (who was in charge of Doctor Who from 2010 to 2017) told RadioTimes.com at the Radio Times Covers Party.
“Everyone can stop worrying. I did it for six seasons on the trot. And I cannot imagine going back into doing that. I cannot. I simply cannot picture it.”
He added: “I loved the show. I don’t want anyone to think I didn’t love the show. And I loved every second I spent on it, although some of them were hellish. But I’ve done that. I have done it and I did it a lot.
“So no offence and no disrespect and certainly no disdaining of wonderful memories. But no, I will not be showrunning Doctor Who again.”
(5) AN APPEAL TO AUTHORS.[Item by SF Concatenation’s Jonathan Cowie.] Russia has been using SF/F fiction for a few years now to promote propaganda against Ukraine.
Even back in 2006 at the Eurocon in Ukraine it was possible to see how Russian publishing dominated over Ukrainian in that country. However, since then Russian propaganda against Ukraine has appeared in fiction including fantasy.
For example Eduard Limonov in Kyiv Kaput has written an alternate universe history of Ukraine that ends up predicting events in the future.
Chytomo – the Ukrainian publishing news site – has created a pie chart of Russian publishers and the number of such propaganda books they publish.
Western writers may wish to note — once all this ghastly business is over — who these publishers are and avoid them translating western works. The chart is here.
Since 2009, Russia has been actively publishing books on the war between Russia and Ukraine in the «fantasy» genre, as well as «historical» and nonfiction literature about the «collapse of the Ukraine project» and mocking the independence of the «non-existent» Ukrainian people, «artificial» Ukrainian language.
These books can be easily found on the Internet for purchase and in services for open access books. In addition, children’s books began to offer more and more poems about the «great Russian army» that was coming to free everyone.
The import of books from Russia was limited in 2017 due to their aggressive content. Only books with anti-Ukrainian printed materials were restricted, such as publications aimed at eliminating Ukraine’s independence, promoting violence, inciting ethnic, racial, religious animosity, carrying out terrorist attacks, and violating human rights and freedoms. The State Committee of television and radio broadcasting of Ukraine was entrusted with the functions of examination and issuance of permits.
The State Committee of television and radio broadcasting of Ukraine processed more than 45,000 applications during this period: issued 39,416 permits to import publishing products, 5,275 refusals and revoked 2,227 previously issued permits.
Among the publications not allowed on the territory of Ukraine, many publications belong to authors who have been included in the lists of persons who pose a threat to national security — in particular, Zakhar Prilepin, Alexander Dugin and Alexander Tamonikov. The latter is «famous» because the list of anti-Ukrainian publications includes 20 of his works at once, not just with propaganda elements, but those whose sole purpose is to incite hatred against Ukraine and Ukrainians.
(6) MEDIA BIRTHDAY.
1978 — [Item by Cat Eldridge.] Much to my surprise, forty-four years ago a series called Quark aired as mid-season replacement on NBC. Why surprises me is that it only lasted eight episodes. I swear I remember it lasting longer than that.
It was created by Buck Henry, co-creator of Get Smart. It was co-produced by David Gerber who had been responsible for the series version of The Ghost & Mrs. Muir (try not to hold that against him) and Mace Neufield who after being a talent agent for such acts as The Captain and Tennille became responsible for The Omen as the producer.
The cast was Richard Benjamin, Tim Thomerson Richard Kelton Tricia Barnstable, Cyb Barnstable, Conrad Janis, Alan Caillou and Bobby Porter. The Barnstable twins got a lot of press, mostly for the fact that they didn’t wear much and really, really could not act. They previously appeared as the Doublemint Twins often with identical canines. I kid you not.
Ok, so how is the reception? Oh you have to ask? Seriously? One reviewer summed it up this way: “Only lasting eight episodes, it is eight episodes too many. The idea of spoofing science fiction is a given and there are only a handful that get it right, but this is a spectacularly awful show.” And another said succinctly that “A viewer seeking something a little different may find the series entertaining, but low expectations are a must.”
It has no rating at Rotten Tomatoes. It might be streaming on Crackle and Philo, two services that I’ve never heard of.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 7, 1909 — Ray Quigley. Here solely for the three covers that he did for Weird Tales in the Forties. He didn’t do a lot of pulp work that I can find but these three are amazing. He did the December 1938 cover with the Dracula like figure here, the September 1940 cover with the nightmarish skull-faced Bombers here, and finally, the May 1942 cover with the really scary living ship here. The latter issue had Henry Kuttner, Robert Bloch and Dorothy Quick listed on the cover! (Died 1998.)
Born April 7, 1915 — Henry Kuttner. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories. His own work was done in close collaboration with C. L. Moore, his wife, and much of they would publish was under pseudonyms. During the Forties, he also contributed numerous scripts to the Green Lantern series. He’s won two Retro Hugos, the first at Worldcon 76 (2018) for “The Twonky” short story, the second at Dublin 2019 for “Mimsy Were the Borogoves”. (Died 1958.)
Born April 7, 1928 — James White. Certainly the Sector General series which ran to twelve books and ran over thirty years of publication was his best known work. I’ve no idea how many or even which ones that I read but I’m certain that it was quite a few as I really, really loved this series. I’m not sure what else by him I’ve read but I’m equally sure there were other novels down the years. He was a 1996 Worldcon guest of honor at L.A.con III. It appears that only a handful of his novels are available from the usual suspects. (Died 1999.)
Born April 7, 1939 — Francis Ford Coppola, 83. Director / Writer / Producer. THX 1138 was produced by him and directed by George Lucas in his feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a redhead who was seriously into Morrison — strange experience that was. Other genre works of his include Bram Stoker’s Dracula, a episode of Faerie Tale Theatre entitled “Rip Van Winkle”, Twixt (a horror film that I’m betting almost no one here has heard of), Captain EO which featured Michael Jackson, Mary Shelley’s Frankenstein, Jeepers Creepers and Jeepers Creepers2.
Born April 7, 1945 — Susan Petrey. Another who died far, far too young. Only three of her stories were published during her lifetime. More of her work appeared in the Gifts of Blood collection published after her death. She was nominated, also posthumously, for the Astounding Award for Best New Writer, and her story ”Spidersong” was nominated for the Hugo Award at Denvention Two. The Susan C. Petrey Clarion Scholarship Fund annually awards scholarships to both the Clarion & Clarion West workshops and also supports an instructor at Clarion West as a Petrey Fellow. (Died 1980.)
Born April 7, 1946 — Stan Winston. He’s best known for his work in Aliens, the Terminator franchise, the first three Jurassic Park films, the first two Predator films, Batman Returns and Iron Man. (He also did the Inspector Gadget film which I still haven’t seem.) He was unusual in having expertise in makeup, puppets and practical effects, and was just starting to get in digital effects as well upon the time of his passing. I think we sum up his talent by noting that his four Oscars include a pair he won for Best Visual Effects and Best Makeup for his work on Terminator 2: Judgment Day. (Died 2008.)
Born April 7, 1951 — Yvonne Gilbert, 71. Though best remembered for her controversial cover design of Frankie Goes To Hollywood’s 1983 single “Relax”, she did a number of great genre covers including Le Guin’s A Wizard of Earthsea for Bantam in 1991 and Beagle’s A Dance for Emiliafor Roc in 2000. (CE)
…Thus, while Jemisin has become a leading figure, her influence and prestige have come through two decades of unrelenting commitment to sophisticated world-building, culturally rich, character-driven literary prose, and a remarkable capacity for experimental writing. This concentration of character-voice combined with a disciplined approach to speculative world-building appears in some of Jemisin’s best writing in How Long ‘Til Black Future Month?
The true Jemisin fan is going to be particularly thrilled to participate in some of her short story experiments that later become novels or full series. “The Narcomancer” has a tinge of a melancholy sweetness, a story of conscience and vocational risk that becomes part of the Dreamblood series (which I haven’t read yet). “Stone Hunger” was exciting for me to read, for I was privileged to see how Jemisin began to conceptualize the extremely complex character make-up of The Broken Earth Trilogy–and how deeply implicated the characters are in that universe with the speculative world itself. And “The City Born Great” has all the terrifying brilliance and bracing goodness of The City We Became–an experiment in allegorical fiction that I have argued (here and here) is more successful in this short story than in the full novel….
Three Liaden Universe® titles to be released by Baen in 2023 Scout’s Progress will be reissued in a new mass market/ebook edition March 2023 Salvage Right* will be published in Summer 2023 Trade Lanes** will be published in Fall 2023
Liaden Universe® Constellations audiobook editions Tantor Media will be releasing the first four Liaden Universe® Constellations, starting in June. Go to this link, and click on the individual titles to preorder.
Trade Lanes audiobook edition We are in contact with our publisher and hope to have news regarding the Trade Lanes audiobook edition soon. As soon as we have it, you’ll have it. Promise
_________________ *Salvage Right is set on Tinsori Light after the events described in Neogenesis. The cast of characters includes, but is not limited to: Jen Sin yos’Phelium, Seignur Veeoni, Tocohl Lorlin, Lorith, Tolly Jones, Hazenthull nor’Phelium, Theo Waitley
**Fair Trade is the third book following the adventures of Jethri Gobelyn ven’Deelin, who made his first, admittedly awkward, bow in Balance of Trade; his second, somewhat more nuanced, in Trade Secret.
(10) ON STAGE AT CALTECH. A musical adaptation of Verne’s From the Earth to the Moon will be performed by Theater Arts at Caltech (TACIT) in Pasadena’s Ramo Auditorium on six times next week – see full details at the link.
From the Earth to the Moon
From the writers of the record-breaking Caltech musical Boldly Go! comes a fresh new science fiction musical based on the Jules Verne classic written in 1865. Gauntlets are thrown, headlines made, duels waged, and alliances put to the test in this dynamic imagining of spaceflight in the late nineteenth century directed by Brian Brophy.
…TACIT, as Theater Arts at Caltech is familiarly known, typically prepares and performs two or three plays each academic year. Recent productions include She Kills Monsters, Avenue Q,Rent, Company and many original projects.
Members of the Caltech community have the opportunity to learn all aspects of the theatrical craft—acting, stage crew, set construction, wardrobe, light and sound operation, properties, house management, and publicity—and to work with professionals in areas of theater design: set, light, sound, costume, and music. This is a hands-on approach, not classroom theory. It also provides an appreciation of the theatrical literature and exposure to the literature of many languages (in translation).
When he asked for “a teapot in the shape of an avocado,” typing those words into a largely empty computer screen, the system created 10 distinct images of a dark green avocado teapot, some with pits and some without. “DALL-E is good at avocados,” Mr. Nichol said….
A collaboration of hundreds of scientists have precisely measured the mass of the W boson, an elementary particle responsible for the weak nuclear force. The researchers found, to their surprise, that the boson is more massive than predicted by the Standard Model of particle physics, the working theory that describes several of the fundamental forces in the universe….
Sir David will review the discoveries, many that will be getting their first public viewing.
Along with that leg, there are fish that breathed in impact debris as it rained down from the sky.
We see a fossil turtle that was skewered by a wooden stake; the remains of small mammals and the burrows they made; skin from a horned triceratops; the embryo of a flying pterosaur inside its egg; and what appears to be a fragment from the asteroid impactor itself….
(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George, in “Morbius Pitch Meeting,” a spoiler-filled episode, says that Dr. Michael Morbius drinks vampire bat blood which causes him to bulk up “like a Calvin Klein underwear model.” But the producer tells the screenwriter to add many more references to Spider-Man, Vulture, and other Marvel characters because “we’re in the MCU now” at Sony.
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Cleo Campion, Daniel Dern, Borys Sydiuk, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]
(1) MOPOP INTRODUCES NEW ONLINE COLLECTION VAULT. [Item by Frank Catalano.] Seattle’s Museum of Pop Culture is finally putting part of its collection online. This is a very cool development for fans of science fiction as popular culture.
How do I know it’s only a small subset of everything MoPOP has to offer? Back in 2014, I donated more than 50 lobby cards for science fiction and fantasy films to the permanent collection, and only one has appeared in the online vault so far, for Futureworld. (WHY that crappy movie and not ones for 2001, Planet of the Apes, or others? No idea.)
My grandmother taking me to a bridge in my pushchair to watch the steam trains go by. I was 23 months old. I also remember her venting, months later, about the Beatles song “She Loves You” and how their use of the word “yeah” instead of “yes” meant we were now all living in the end times.
Who are your heroes?
As a boy I loved urbane and unflappable literary characters, such as PG Wodehouse’s Rupert Psmith, and indomitable heroes on television – Adam West’s Batman, Adam Adamant, Doctor Who, and the Monkees. When I was a teenager the Stranglers released “No More Heroes” around the same time that David Bowie sang “Heroes”. I listened to them both and thought we are meant to be our own heroes…
“Kij is a fantastic writer and educator. I’m very excited that she is on board to help shape the vision and impact of Ad Astra,” said center Director Chris McKitterick. “She has been a valued colleague for many years and someone I admire for their tenacity of thought, dedication to students, and excellence in craft.”
Johnson is a writer of speculative and experimental short fiction and novels. She has won the Hugo, Nebula, and World Fantasy Awards, as well as the Grand Prix de l’Imaginaire and others.
In 2013, she gave the inaugural Tolkien Lecture at Oxford University; since then, she has been a guest of honor at conferences and conventions in Sweden, France, and the United States. Johnson has also been a professor in the Department of English at the University of Kansas, starting in 2012.
“Science fiction—speculative fiction—offers a unique way of engaging with big ideas. In some ways, it is the dominant storytelling mode of our era,” Johnson said. “To continue my work exploring speculative fiction as a practitioner and educator through the efforts of the Ad Astra Center is particularly gratifying.”
These efforts will include many of the center’s public outreach projects, including conferences, classes, presentations, masterclasses, events, and workshops. Kij will be on hand to offer her expertise and experience in driving these projects.
“Right now, Kij and I are planning some wonderful things,” said McKitterick. “For fans, scholars, and writers of spec fic, there will be a lot to enjoy.”
Writers from George R.R. Martin’s Wild Cards and Ellen Kushner’s Tremontaine come together to talk about the challenges and delights of working in a shared universe. Panelists: Ellen Kushner, author of Swordspoint and other fantasy novels, Delia Sherman author of The Porcelain Dove, Walter Jon Williams author of the Privateers and Gentlemen series, and David D. Levine author of Arabella of Mars. Moderated by Mary Anne Mohanraj, SLF Director.
(5) LE GUIN BIO. Publishers Marketplace, behind a paywall, notes that Julie Phillips, author of the Hugo Award-winning James Tiptree Jr.: The Double Life of Alice B. Sheldon, is at work on an untitled biography of Ursula K. Le Guin (first revealed in 2016) “which will intimately examine Le Guin’s intellectual and emotional development as a person and writer, her struggles with depression, her visionary politics, and her commitment to literary freedom.”
I had the great pleasure of interviewing Jane Yolen, author of literally hundreds, perhaps thousands, of books, poems, and stories. This was such a joy of an interview that I wanted to pull out some of my favorite quotes….
(7) OPEN THE POD BAY DOOR HAL. [Item by Mike Kennedy.] … And for God’s sake hold onto that rope!
An article in Vanity Fair (partial paywall) tells stories of the making of 2001: A Space Odyssey. These include the critical scene where astronaut Dave Bowman (played by Kier Dullea) is attempting to re-enter Discovery One and has to try a hazardous jump through vacuum without a helmet.
Dullea did the stunt himself because his face would be to the camera. In fact, his face could have ended up in the camera. The stunt was performed by the expedient of having the actor drop down a vertical shaft toward a camera mounted at the bottom. To control his fall, a rope was tied to him and belayed by a crewmember who had to stop Dullea when a knot tied in the rope reached the crewman’s hands.
… By March the production had moved onto its most elaborate set of all: the Discovery’s work and living area, a centrifuge that rotated to simulate gravity. Kubrick’s production team had taken six months to build an actual centrifuge, with a diameter of 40 feet and a weight of 40 tons. Dressed for its entire 360 degrees, the set could turn forward or backward, at a top rate of three miles an hour, creaking and groaning as it got up to speed. For some scenes the actors had to be strapped in place by hidden harnesses as they spun upside down, with props such as meal trays and video pads glued or bolted in place. Depending on the shot, the set’s entire circumference might be aglow with lights, the actors locked inside and forced to turn on the camera themselves before hitting their marks. In production photos the set resembles a demented and unlikely torture device, a hybrid of jewelry tumbler and blistering heat lamp. With God knows how many megawatts surging through the entire setup, lights frequently exploded while unsecured props and overlooked pieces of equipment plummeted as they reached the top of the arc, narrowly missing actors and crew members. “A portentous spectacle, accompanied by terrifying noises and popping light bulbs,” as Clarke described it….
…Each day started with a brief meditation session where I would clear my mind and say to myself, “All that matters is the characters. Follow their lead, their needs and desires, and everything else about the narrative will unfold naturally.” As after all, in fiction, it truly is the characters who guide the story.
Let them lead and the story-arc will follow.
During my brief meditation, I would ask my characters what they were doing that day, how they were feeling, what they needed, and even if there was anywhere specific they wanted to go. Then I would kindly ask them to show up to set, so I could guide them on a wild and horrific adventure. And during this new ritual, I found something of vast importance—my authentic voice. In August 2020, I had the first draft of The Sommelier complete and for the first time in my life, the entire process felt like a wellspring of creativity and command as I purged my characters’ truth onto the page….
…“I don’t want a kid picking up a book, whether it’s about homosexuality or heterosexuality, and reading about how to hook up sexually in our libraries,” Glenn said.
He also made it clear that his concerns specifically included books with LGBTQ themes, even if they do not describe sex. Those comments, according to legal experts, raise concerns about possible violations of the First Amendment and federal civil rights laws that protect students from discrimination based on their gender and sexuality.
“And I’m going to take it a step further with you,” he said, according to the recording. “There are two genders. There’s male, and there’s female. And I acknowledge that there are men that think they’re women. And there are women that think they’re men. And again, I don’t have any issues with what people want to believe, but there’s no place for it in our libraries.”
Minutes later, after someone asked whether titles on racism were acceptable, Glenn said books on different cultures “are great.”
“Specifically, what we’re getting at, let’s call it what it is, and I’m cutting to the chase on a lot of this,” Glenn said. “It’s the transgender, LGBTQ and the sex — sexuality — in books. That’s what the governor has said that he will prosecute people for, and that’s what we’re pulling out.”
Over the next two weeks, the school district embarked on one of the largest book removals in the country, pulling about 130 titles from library shelves for review. Nearly three-quarters of the removed books featured LGBTQ characters or themes, according to a ProPublica and Texas Tribune analysis. Others dealt with racism, sex ed, abortion and women’s rights.
Two months later, a volunteer review committee voted to permanently ban three of the books and return the others to shelves. But that may not be the end of the process….
(10) MEMORY LANE.
1999 – [Item by Cat Eldridge.] Twenty-three years ago this month, Rainbow Mars was published by Tor. It is my absolutely favorite work by Larry Niven, with Ringworld being my second. It contains six stories, five previously published and the longest, “Rainbow Mars”, written for this collection, plus some other material. It is about Svetz, the cross-reality traveler who keeps encountering beings who really should not exist including those Martians.
The first story, “Get A Horse!” was first published in The Magazine of Fantasy and Science Fiction in October 1969. That was followed by “Bird in the Hand” in the same magazine, October of the next year. Surprisingly the third story, “Leviathan!” was published in Playboy in August of that year.
(Yes I know Playboy did a lot of SF, it’s just that I wouldn’t have expected this story to show up there. It fits F&SF better in my opinion. Your opinion on that matter of course may differ.)
Then “There’s a Wolf in My Time Machine” was published in October of that year in the fine zine that printed the first two. Finally the last story that got printed at that time, “Death in a Cage” was published in Niven’s The Flight of the Horse collection in September of 1973 which collected these stories as well. (The Flight of the Horse also had “Flash Crowd” which I like a lot and “What Good is a Glass Dagger?” which is fantastic.)
Now we get Rainbow Mars, the novel that finishes out the work this delightfully silly work. Some of Pratchett idea’s from a conversation he had with Niven remain in the final version of Rainbow Mars, mainly the use of Yggdrasil, the world tree. Though there’s Norsemen as well…
There’s two other two short pieces, “The Reference Director Speaks”, in which Niven speaks about his fictional sources for the Mars he creates, and “Svetz’s Time Line” which is self-explanatory.
An afterword, “Svetz and the Beanstalk”, rounds out the work in which Niven talks about the fictional sources for Rainbow Mars as a whole.
The fantastic cover art, which was nominated for a Chelsey Award, is by Bob Eggleton who has won, if my counting skills are right tonight, an impressive nine Hugos, mostly for Best Professional Artist though there was one for Best Related Work for his most excellent Greetings from Earth: The Art of Bob Eggleton.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 24, 1834 — William Morris. Credited with creating the modern fantasy literature genre which may or may not be true, he certainly wrote some of its earlier works, to note his epic poem The Earthly Paradise, The Wood Beyond the World and The Well at the World’s End, plus his entire artistic motif fits nearly within a fantasy literature and artistic design that looks as if it was created by the Fey Themselves. All of his works can be found at the usual digital suspects, often at no cost. (Died 1896.)
Born March 24, 1874 — Harry Houdini. His literary career intersects the genre world in interesting ways. Though it’s not known which ones, many of his works were apparently written by his close friend Walter B. Gibson who as you know is the creator of The Shadow. And one famous story of his, “Imprisoned with the Pharaohs”, was actually ghost written by Lovecraft! ISFDB lists another piece of genre fiction for him, “The Spirit Fakers of Hermannstad”. And IMDB notes that he appeared in The Master Mystery which decidedly genre with robots and death rays. (Died 1926.)
Born March 24, 1930 — Steve McQueen. Another one who died far too young. He got his big break by being the lead, Steve Andrews, in The Blob. Setting aside the two different roles on Alfred Hitchcock Presents which are at least genre adjacent, The Blob is his only genre appearance in his brief life. He died of a damn heart attack. (Died 1980.)
Born March 24, 1946 — Gary K. Wolfe, 76. Monthly reviewer for Locus for twenty-seven years now and yes I enjoy his column a lot. His brief marriage to Ellen R. Weil ended with her tragic early death. They co-wrote Harlan Ellison: The Edge of Forever. Old Earth Books has reprinted many of his reviews done between 1992 and 2006 in Soundings: Reviews 1992-1996. He’s also written several critical looks at the genre, Critical Terms for Science Fiction and Fantasy and The Known and the Unknown: The Iconography of Science Fiction. The Coode Street Podcast was nominated seven times before winning a Hugo at DicCon III; his Bearings: Reviews 1997-2001 was nominated for Best Related Work at Renovation; and Soundings: Reviews 1992-1996 was nominated for the same at L.A. Con IV. Very impressive indeed.
Born March 24, 1946 — Andrew I. Porter, 76. Editor, publisher, fan. He discovered fandom in 1960 and before the end of the year his first news-related column about upcoming paperbacks was appearing in James V. Taurasi’s Science Fiction Times. Porter has been nominated for the Hugo 26 times in the fanzine and semiprozine categories. His fanzine Algol: The Magazine About Science Fiction, later renamed Starship, won a Hugo for Best Fanzine in 1974, in a tie with Richard E. Geis, who was then doing The Alien Critic. (OGH accepted that Hugo on behalf of Geis. Sorry!) Porter won two more Hugos with Science Fiction Chronicle, the newzine he began publishing monthly in May 1980, and twenty years later sold to DNA Publications. He has won the Big Heart Award, and was Fan Guest of Honor at the 1990 Worldcon. And with John Bangsund, he was responsible for Australia hosting its first Worldcon. (OGH)
Born March 24, 1949 — Tabitha King, 73. Wife of Stephen, mother of that writing brood. I met her but once on the lot of the original Pet Sematary a very long time ago. ISFDB to my surprise lists only two novels she’s written solely by herself, Small World and Wolves at the Door, and one with Michael McDowell, Candles Burning. None of her books are with her husband which surprises me.
… We seek a well-rounded collection that includes a variety of subgenres and a diversity of authors, settings, and characters. We also look for unique takes on our theme, which means you should never self-reject if you think your book only kind-of fits!
Conversely, because readers do not select each book individually in a bundle, we avoid books that preach a strong message or contain content that many readers may find disturbing. Those books have a place! But we prefer not to roll them into our bundles….
“Roberta and Ken Williams were retired for 25 years, mostly living in Mexico, playing golf, and exploring the world on their boat. In 2020 when the Covid pandemic struck, Ken and Roberta were locked down like everyone. Ken was bored and Roberta suggested he write a book about Sierra. The process of writing the book brought back long forgotten memories resulting in Ken deciding to learn Unity and deciding to make a game,” a related FAQ explains.
They didn’t have any interesting in starting another company, and instead were “just looking for something fun to build.” Roberta had the idea to pay homage to the game that inspired Sierra and “changed our lives.”
And so here we are. Colossal Cave 3D Adventure is being built with Unity. It promises a fully immersive 3D experience with over 143 locations to explore, and will release to the Quest 2, PC, and Mac. And true to old school form, there will be a boxed version (with a USB stick in the box), though those details are still being hammered out.
You will be in a 3D maze of twisty passages! A hollow voice is unlikely to cry out, “God stalk!” 🙂 (quips Dern).
(15) INITIAL THOUGHTS. On a different subject, Daniel Dern suggested a too-long Scroll title that is too entertaining to actually discard, so here it is.
If Hans Solo and Chewie started shipping while doing the Kessel Run, we could have T-shirts that were NSFW NFT of a WTF FTL WFH? Nah, NFW.
Actors put on shows during dinner and each floor of the restaurant focuses on a different aspect of a fictional, 1930s British explorers club, from science fiction to the Gothic horror of its namesake characters, Dr. Jekyll and Mr. Hyde.
Andrew Porter says, “They used to have a branch in the 50s on 6th Avenue, where I went during a Nebula or Stoker weekend, with Stephen Jones and others, A Long Time Ago…”
… This new chapter of the Eraser series trades Schwarzenegger’s John Kruger character for a different U.S. Marshal named Mason Pollard who “specializes in engineering the fake deaths of witnesses that need to leave no trace of their existence.” As you can see in the trailer, this film once again goes with the premise of the Eraser’s mission being compromised in a serious way, forcing him to go on the run with a key witness that’s in his care….
(18) SPACE-TIME. [Item by SF Concatenation’s Jonathan Cowie.] The cover on this week’s edition of Nature has an SFnal riff. The cover image shows a view of the Milky Way captured at Nambung National Park in Western Australia. To understand how the Galaxy formed requires precision age dating of the stars that it contains. In this week’s issue, Maosheng Xiang and Hans-Walter Rix of the Max Planck Institute for Astronomy in Heidelberg, Germany, present an analysis of the birth dates for nearly 250,000 stars in their subgiant evolutionary phase, when they can serve as precise stellar clocks. The researchers found that the individual ages of the stars ranged from about 1.5 billion to more than 13 billion years old. Tripling the age-dating precision for such a large stellar sample allowed the researchers to infer the sequence of events that initiated our Galaxy’s formation. Using this information, Xiang and Rix were able to determine that the oldest part of our Galaxy’s disk had already begun to form about 13 billion years ago, just 800 million years after the Big Bang, and that the formation of the inner Galactic halo was completed some 2 billion years later.
(19) HE’S BACK. [Item by Martin Morse Wooster.] Ryan Reynolds and Mark Ruffalo team up with a Valued Senior Actor about daylight savings time as they plug The Adam Project.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Batman Returns Pitch Meeting,” Ryan George explains that in this movie Oswald Cobblepot became The Penguin because his parents threw him out the window into a river but penguins saved him, Villain Max Schreck thre Selina Kyle out of a window but cats licked her a lot so she became Catwoman. The producer explains he was personally saved by pigeons but since this si a family blog we won’t discuss what happened to him!
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Frank Catalano, SF Concatenation’s Jonathan Cowie, Daniel Dern, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]
… If the past is any indication, however, these big Kickstarters increase the people who watch the category and, to use the cliched phrase, they will become the rising tide that will lift all boats.
That’s the small picture.
The larger one? Smart traditionally published bestsellers should be looking closely at this. Smart unpublished writers should use this as a wake-up call.
Traditional publishing will never pay its writers tens of millions for unnamed projects. Traditional publishing can barely afford the million-dollar advances these days.
And please, remember, the Kickstarter numbers are only the beginning of the earnings on these books. These books will live for decades. Brandon will earn money on them for decades—without licensing any of the copyright to some gigantic corporate entity that does not have his best interest at heart.
Also, remember that this Kickstarter is advertising. It’s introducing millions of readers to Brandon Sanderson. These new readers are asking Who is this guy and why is he getting so much money? What are these new readers going to do? Why, they’re going to buy a backlist book and try to read it before the Kickstarter ends.
His published book sales are going to increase dramatically. So the tens of millions he’s earning on the Kickstarter does not count the other ways this Kickstarter is benefitting him financially. Nor is it counting the promotion value that he’s getting from projects that he felt inspired to write.
There’s a lot more to unpack—from some of the innovations he’s doing to the impact on the fantasy and science fiction field. But for the moment, I’m stopping here.
If you’re one of the sour grapes people, perhaps you should ask yourself why you’re being so very negative. Are you jealous? Or scared?
The rest of you should watch what happens next. This is a very big deal. For all of us.
(2) KDP WTF. Philip Beaufoy, author of the Lochwood Series, is another casualty of a sudden and unexplained Kindle Direct Publishing account closure.
… I see romance everywhere, on all levels, and it makes me love the books I read even more. There are books without romance, that don’t need romance, and readers that are perfectly happy without it. But borrowing from the romance genre can strengthen a story and the readers’ connection to the characters.
We all want to craft memorable characters, and the strong ones can become more enduring with a partner—two are stronger than one, as the adage goes. Princess Leia and Han Solo from Star Wars—closely followed by Ben and Rey. Paul and Chani from Dune. Nahri and Ali from S.A. Chakraborty’s Daevabad Trilogy. K and Chloe from Terry Miles’s Rabbits. Euthalia and Conrí from Jeffe Kennedy’s Forgotten Empires series. Niko and Petalia from Cat Rambo’s You Sexy Thing. Some of those names may strike a romantic chord within you?…
Shortly after Disney CEO Bob Chapek spoke out publicly against Florida’s so-called “Don’t Say Gay” bill today, a very pointed response began circulating internally at the studio. A letter signed by “The LGBTQIA+ employees of Pixar, and their allies” took Chapek to task. It refuted, point by point, an internal memo Chapek sent to employees on Monday and also criticized the fact that the company “did not take a hard stance in support of the LGBTQIA+” at the shareholder meeting.
“Monday’s email, ‘Our Unwavering Commitment to the LGBTQ+ Community,’ rang hollow,” read the LGBTQIA+ letter. It said Chapek’s communication “began with the claim that Disney has a long history of supporting the LGBT community, but Disney Parks did not officially host Pride until 2019, in Paris alone. Disney has a history of shutting down fan-created Pride events in the parks, even removing same-sex couples for dancing together in the 1980’s.”
The letter goes on to say the corporation is “capitalizing on Pride” through merchandising, specifically The Rainbow Mickey Collection.
“It feels terrible to be a part of a company that makes money from Pride merch when it chooses to ‘step back’ in times of our greatest need, when our rights are at risk,” the letter asserts.
The “step back” bit is likely a reference to Chapek’s assertion at a shareholders’ annual meeting today that “we chose not to take a public position on [the bill] because we felt we could be more effective working behind the scenes, engaging directly with lawmakers on both sides of the aisle.” It later came out that Chapek had only reached out to Florida Gov. Ron DeSantis very recently….
… Finally, the letter damningly addresses Chapek’s repeated insistence that the best way for Disney to make change is through creating “powerful content that changes hearts and minds.”
It reads [in part]:
“We at Pixar have personally witnessed beautiful stories, full of diverse characters, come back from Disney corporate reviews shaved down to crumbs of what they once were. Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is protest from both the creative teams and executive leadership at Pixar. Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it.”
(5) CALL TO REMOVE A 2023 WORLDCON GOH. SF² Concatenation has tweeted the link to an editorial comment ahead of its next seasonal edition (slated for April). Read it here.
Science fiction is far more than a genre, it enthuses science and warns of possible futures, among much else. More, many of its aficionados are part of a community: a community that crosses nations. Sometimes that community needs to nail its colours to the mast. Now, at this moment in time, due to circumstances up-to-now unthought-of in the early 21st century, those colours are blue and yellow….
On Wednesday, 2nd March (2022), the UN moved to condemn Russia’s war on Ukraine. 141 nations supported that call: only Belarus, Syria, North Korea and Eritrea supported Russia, while China, Cuba and Venezuela abstained. And here’s the thing, if China is abstaining then arguably the 2023 SF Worldcon should dis-invite Sergei Lukyanenko as a Guest of Honour: Lukyanenko has repeatedly and publicly proclaimed his support for his nation’s war against Ukraine…
In particular, there is one person in the west who is currently due to share the platform at the 2023 Worldcon with Lukyanenko. Is that something he really wants to do?…
Christoper Priest: Before I wrote and published my first novel I had already written several amateurish book reviews. I was young and inexperienced, unguided, learning slowly as I went along. I was writing for fanzines published by Peter Weston and Charles Platt, and others. It was a way of writing something and seeing it in print—or at least, typed out by someone else, which at the time felt almost as good because after the process of being retyped, with bits cut out or changed or just got wrong, it looked different. By looking different it made me read it again and look at it with some objectivity. Overall, it was much easier and quicker to write an opinion piece on a new book by Brian N. Ball or Ken Bulmer than write a novel of my own. None of this counted in the long run, of course, although I still think for a beginning writer it was a good way to learn.
Paul Kincaid: Personally, I can’t remember a time when I didn’t read reviews. This goes back to a time when newspapers used to publish things like book reviews and film reviews. But I never thought about writing them until I started getting involved in fandom….
The panelists for the titular panel were: Ada Palmer, Aparna Verma, Elle E. Ire, Nancy Kress, and Patricia A. Jackson, with Delia Sherman as moderator.
The panel description was as follows:
Do you even need chapters? How long should they be? Should you title your chapters or just number them? Where do you break a chapter, and how do you write a good cliffhanger? How do you write chapters with multiple character points of view? So much to discuss for such a small topic!
While the panelists didn’t address all of these, they shared some valuable tips.
… News of Hitchcock’s sci-fi project broke in October 1926, a month after The Lodger was first shown to the press. P.L. Mannock of the Kinematograph Weekly, who had spoken to Hitchcock about his “film laid in the future”, wrote that “If we except ‘Metropolis,’ it will be the first screen forecast of days to come,” the last words being a deliberate reference to a novella by one of Lang’s inspirations, H.G. Wells. “Television will be used dramatically, and Sir Alan Cobham will probably be consultant on big episodes of the air.”…
(9) MEDIA BIRTHDAY.
1964 — [Item by Cat Eldridge]
“My specialty is wisdom. Do you know what wisdom is?””- Dr. Lao
“No sir.” – Mike
“Wise answer.” – Dr. Lao
Fifty-eight years ago, 7 Faces of Dr. Lao premiered. It was George Pal’s last directorial effort. As you well know, it’s based off of Charles G. Finney’s The Circus of Dr. Lao. (There is now a Kindle edition of The Circus of Dr. Lao though it won’t be mistaken for a Meredith Moment.) It was nominated for a Hugo at Loncon II, the year Dr. Strangelove won.
The screenplay was by Beaumont, who wrote twenty-two Twilight Zone episodes which given he died at 38 is quite astonishing, and Ben Hecht (originally uncredited), whose most notable work was Alfred Hitchcock’s Spellbound and Notorious, though he did have a genre credit writing The Thing from Outer Space, an early Fifties film. He also did uncredited work on Casino Royale.
Tony Randall played myriad roles in the 7 Faces of Dr. Lao including of course Dr. Lao, the Mysterious Visitor. And if you look carefully, you spot Randall simply as himself sans any makeup as a silent audience member. He also voices the Serpent, a stop-motion animated snake which has the face of another actor. Quite a performance indeed.
Pal originally wanted Peter Sellers for the role of Dr. Lao and Sellers very much wanted to do the role. However, MGM had Randall under contract who was far cheaper than Sellers would’ve been.
Pal also saved quite a bit of money here by reusing footage from Atlantis, the Lost Continent and The Time Machine. The Woldercan spectacular that Dr. Lao does as his grand finale of his circus is drawn entirely from the former.
Pal has stated that it’s only film that he lost money on. It made just one million and I can’t find any mention of how much the production costs were but they were obviously higher than the very small box office was.
So how was it received? The Hollywood Reporter at the time said Randall’s performance was “a dazzling display of virtuosity, in some stunning makeup created by Bill Tuttle.” Audience reviewers at Rotten Tomatoes give a very strong rating of seventy-eight percent.
I don’t believe it’s streaming anywhere but you can rent it pretty much everywhere. Or you can buy it for little more than a Meredith Moment.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 10, 1891 — Sam Jaffe, His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.)
Born March 10, 1905 — Richard Haydn. Actor who appeared in a number of genre undertakings including voicing the Caterpillar in the early Fifties Alice in Wonderland, Professor Summerlee in the early Sixties version of The Lost World and Herr Falkstein in Young Frankenstein. I’d be very remiss not to note his appearance on The Twilight Zone as Bartlett Finchley in the chilling “A Thing About Machines”. And he had one offs on Bewitched, Shirley Temple’s Storybook and The Man from U.N.C.L.E., in the “The Mad, Mad Tea Party Affair” an unusual episode as it takes place almost entirely within U.N.C.L.E headquarters. (Died 1985.)
Born March 10, 1918 — Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed theirs and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller.” Having not read these, I’ve no idea, what this details, but I’m betting one of y’all know. (Died 1987.)
Born March 10, 1921 — Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock Presents, Voyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
Born March 10, 1938 — Marvin Kaye. Editor of Weird Tales, he also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He wrote the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (Died 2021.)
Born March 10, 1938 — Ken Sobol. New to our Birthday honors list. I will single him out for having personally received Astrid Lindgren’s personal blessing to write the Pippi Longstocking series which he worked on with puppeteer Noreen Young. He also contributed scripts to Batman, Curious George, G.I. Joe, George of the Jungle, Hardy Boys, Highlander, Superman, and Wizard of Id, and that’s hardly a complete listing. He also wrote one of the best works done on baseball, Babe Ruth and the American Dream. (Died 2010.)
Born March 10, 1951 — Christopher Hinz, 71. His Liege Killer novel, the first in his most excellent Paratwa Saga, won the Compton Crook Award, the BSFS Award for the Best First Novel. (And yes, there is a prequel, Binary Storm, which was written much later.) He was nominated for an Astounding Award for Best New Writer.
Born March 10, 1956 — Robert Llewellyn, 66. He plays the mechanoid Kryten in the Red Dwarf series. His It2i2 which was a television show about AI depicting fictional events but presented as a documentary. And he played a gryphon in the oh-so-superb MirrorMask.
The Black Feminist Futures Series features programs highlighting the powerful and long-standing relationship between Afrofuturism and Black feminism in genres ranging from literature, film, art, fashion, and community organizing. Planting for the Future, a virtual conversation on Black women’s participation in Afrofuturism through literature, film, art, fashion, and community organizing. The program features Dr. Andrea Hairston (author of Master of Poisons), Sheree Renee Thomas (author of Nine Bar Blues), Tananarive Due (author of The Between: A Novel), and Tanaya Denise Fields (founder of Black Feminist Project & Black Joy Farm, and author of “Dirty Business: The Messy Affair of Rejecting Shame” in the book You Are Your Best Thing). Moderated by Dr. Chesya Burke.
(12) GAIMAN MIRACLEMAN REPRINT. Following the herald of his return in Timeless #1 and the announcement of an all-new omnibus, Marvel Comics continues to mark the 40th anniversary of Miracleman’s modern era with a new printing of award-winning writer Neil Gaiman and artist Mark Buckingham’s redefining work on the character.
Arriving in October, Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will collect the first six issues of Gaiman and Buckingham’s groundwork to give a legendary super hero a fascinating future —a future that will now come to pass! Available for the first time in paperback, the Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will give fans a chance to revisit this beloved era of Miracleman ahead of the exciting plans Marvel has in store for the iconic character later this year.
Atop Olympus, Miracleman presides over a brave new world forged from London’s destruction. It is a world free of war, of famine, of poverty. A world of countless wonders. A world where pilgrims scale Olympus’ peak to petition their living god, while miles below the dead return in fantastic android bodies. It is an Age of Miracles — but is humankind ready for it? Do we even want it? Is there a place for humanity in a world of gods? Gaiman and Buckingham delve into the lives of lonely idealists, rebellious schoolchildren and fracturing families, exploring the human constant in a changing world of gods and miracles.
…Fans of the Star Wars franchise can relate to Padmé Amidala, a character from the Star Wars prequel trilogy played by Natalie Portman, for a multitude of reasons, from her troubled romance with Anakin Skywalker to her desire to do her best to protect her people.
“We, the undersigned, are 77 fan content creators, podcasters, YouTubers, TikTokers, artists, writers and cosplayers who have joined together to use our limited platforms to stand in solidarity with our trans siblings and their families in Texas,” a GoFundMe site for the Amidala Initiative states. “No child should fear that their teachers will report their parents to the government for allowing them to live as their true gender. No parent should fear criminal charges for supporting their transgender child and helping them seek therapeutic and medical support to treat their gender dysphoria … this is something we refuse to stand by silently for.”…
…However, according to the latest comments from The A Word star, there’s seemingly no chance he would return for a 60th anniversary team-up special currently rumoured for 2023.
He told crowds at Australian convention Supanova: “I’ve never been a fan of multi-Doctor stories. When I worked on the series, I had really strong ideas about what works and what doesn’t, and I always think that multi-Doctor stories are a bit of a cash-in, and a bit of exploitation.
“Creatively, they never worked for me. I looked at the script for the 50th anniversary and I felt as soon as I said I wasn’t doing it it got better because, well, if I’m not in it, it’s better. The creation of the War Doctor introduced a whole new facet to the canon.”
Interestingly though, a later comment from Eccleston suggested he would consider returning to Doctor Who in live-action for a solo storyline following the Ninth Doctor.
He added: “The Ninth Doctor, in particular, is a one-man band. Definitely. So he doesn’t work with other Doctors. If you want me back, you’d get me on my own.”
(15) HEAR FROM EDITORS. Space Cowboy Books will host an online panel discussion “Beyond the Submission Guidelines” on March 29 at 6:00 p.m. Pacific. Register for free here.
Join us for an online panel discussion with editors of SF/F magazines. Learn about the behind the scenes of running science fiction and fantasy magazines with editors: Arley Sorg (Locus & Fantasy Magazines), F.J. Bergmann (Mobius & Weird House), Rob Carroll (Dark Matter Magazine), and JW Stebner (Hexagon Magazine)
(16) PREDICTING THE PAST. [Item by SF Concatenation’s Jonathan Cowie.] Inscriptions provide an invaluable insight into the ancient world. But over the centuries, many inscriptions have been damaged and exist in fragmented or semi-legible forms, making the job of reading and interpreting them extremely difficult. In this week’s issue of Nature, “Restoring and attributing ancient texts using deep neural networks”, Yannis Assael, Thea Sommerschield and their team introduce Ithaca, a deep neural network designed to help historians restore and understand ancient Greek inscriptions. Working alone, Ithaca is able to restore damaged texts with a 62% accuracy, but when historians use Ithaca, their accuracy on the same task rises to 72%. Ithaca can also determine the original geographical location of inscriptions with 71% accuracy, and can date them to within 30 years from the date ranges proposed by historians. The researchers say that such cooperation between artificial intelligence and historians could help transform studies of the ancient world.
(17) SOUNDTRACK OF SPACE. NASA’s Chandra X-Ray Observatory page hosts a “Sonification Collection” – maybe there is a “music of the spheres.”
…By translating the inherently digital data (in the form of ones and zeroes) captured by telescopes in space into images, astronomers create visual representations that would otherwise be invisible to us.
But what about experiencing these data with other senses like hearing? Sonification is the process that translates data into sound, and a new project brings the center of the Milky Way to listeners for the first time. The translation begins on the left side of the image and moves to the right, with the sounds representing the position and brightness of the sources. The light of objects located towards the top of the image are heard as higher pitches while the intensity of the light controls the volume. Stars and compact sources are converted to individual notes while extended clouds of gas and dust produce an evolving drone….
English science-fiction writer Arthur C. Clarke discusses the on-going research in astronomy into discovering new planets and how he believes there is life on other planets, although we don’t know it yet.
[Thanks to Michael Toman, Cat Eldridge, rcade, Phil Nichols, mlex, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
Unseen photographs and paintings of JRR Tolkien, the author of The Lord of the Rings fantasy books, have been released by the writer’s estate, along with draft manuscripts and letters.
Its website has been relaunched with new material, including sections on Tolkien’s calligraphy and a timeline of his life.
Audio recordings and video clips featuring both Tolkien, who died in 1973, and his son Christopher, who died in 2020, are among the new material.
The relaunch date of 26 February is significant in Tolkien lore because 26 February 3019 was the date in the Third Age when the Fellowship of the Ring was broken at Amon Hen and Frodo and Sam set out on their lonely and terrifying journey to Mordor.
The name TOLKIEN is a registered trademark and may not be used without permission. Unfortunately permission cannot be given for publications which use the name TOLKIEN or the Tolkien Estate’s Copyright Materials.
Are a lot of you faneds who don’t spell it T*****n hearing from lawyers?
… According to CNN, Biden further stated that the sanctions “will degrade (Russia’s) aerospace industry, including their space program.”…
In response, Rogozin said on Twitter: “If you block cooperation with us, who will save the ISS from an uncontrolled deorbit and fall into the United States or Europe?”
He added: There is also the option of dropping a 500-ton structure to India and China. Do you want to threaten them with such a prospect? The ISS does not fly over Russia, so all the risks are yours. Are you ready for them?”
Rogozin also mentioned that the ISS’s location and orbit in space are controlled by “Russian Progress MS cargo ships.”
NASA did not immediately respond to Insider’s request for comment made outside of normal working hours.
In a statement to Euronews, however, NASA said that it “continues working with Roscosmos and our other international partners in Canada, Europe, and Japan to maintain safe and continuous ISS operations.”
It added: “The new export control measures will continue to allow US-Russia civil space cooperation.”
…Now, with Davies’ surprise return to Doctor Who looming, everyone is searching for potential clues as to RTD’s approach to his second run – and unusually, the acclaimed screenwriter might have already given us a pretty good idea of what he’s planning thanks to a little book called The Writer’s Tale.
The Writer’s Tale is a tome of correspondence between Davies and Doctor Who Magazine contributor Benjamin Cook, taking place over the pre-production of season 4 right up to the final shots of Tennant’s last special between 2007 and 2009…
The Next Doctor
14th Doctor speculation is currently at an all-time high, with names like Michael Sheen, Michaela Coel, T’Nia Miller and Olly Alexander mentioned. However, one name that hasn’t arisen, which might just be a strong contender to bet on: Russell Tovey.
Davies makes no secret of his love for Tovey, and in a discussion over potential 11th Doctor castings, RTD states that Tovey is “amazing – I think I’d make him the eleventh Doctor”. Since then Tovey has starred in Davies’ Years & Years, and currently all of his upcoming projects are in post-production – making it the perfect time for RTD to nab Tovey if he so wishes.
Alternatively, if we look at Davies’ choice of actors in the years since The Writer’s Tale, the choice becomes clear: Lydia West. She’s clearly a favourite of RTD’s, starring in both Years & Years and It’s A Sin, and could follow in Jodie Whittaker’s footsteps as a female Doctor (and the first ‘lead’ Doctor to be played by a Black actor, though Jo Martin’s Fugitive Doctor technically got there first).
Altogether, based on RTD’s creative patterns and the insight of The Writer’s Tale it seems Russell Tovey or Lydia West are strong options for the 14th Doctor. However, there is a third possibility – the return of David Tennant…..
Ahimsa waves an elbow at me, keeping her hands firmly cupped. “Isaura! Look!” She shouts to be heard over my earplugs, and I panic thinking she’s woozy again. But no, she only wants to show me something. I lean across the sorting table to look, and with a smile she opens her tawny hands like a flower, just enough so I can peek inside. Two stamens wiggle in the darkness.
Not stamens. Antennae. Out come the earplugs. “It’s just a cricket, Ahimsa. One of a billion crickets under this dome, every one of them chirping like an insect possessed.”…
…The first time I seriously considered crickets as the food of the future was in late 2015 during a presentation by undergraduates. Their policy proposal outlining how the adoption of insect protein in the Los Angeles Area could help insulate the region from some of the impacts of climate-change included a tasting of a recent-to-market, paleo-friendly, cricket-based protein bar. As I sunk my teeth into the slightly gummy, peanut-buttery bite being passed around the classroom, my mind flashed between the grim food futures presented in science fiction novels and the much smaller collection of hopeful fiction portrayals of delicious future feasts. What is it about our contemporary anxieties that makes it so easy to imagine such dystopic food futures?…
…The things you loved when you were young will never be able to make you young again. The reluctant acceptance of this fact is the source of nostalgia, a disorder that afflicts every modern generation in its own special way. Members of Generation X grew up under the heavy, sanctimonious shadow of the baby boom’s long adolescence, among crates of LPs and shelves of paperbacks to remind us of what we had missed. Just as baby boomers’ rebellion against their Depression- and war-formed parents defined their styles and poses, so did our impatience with the boomers set ours in motion. But I’m not talking so much about a grand narrative of history as about what Aksel might call the useless stuff — the objects and gadgets that form the infrastructure of memory….
Every cohort has these. A CD in a plastic jewel box is not intrinsically more poetic than a vinyl LP in a cardboard sleeve. On the internet and in television shows like “PEN15,” a robust millennial nostalgia fetishizes AOL chat rooms, Dance Dance Revolution, Tamagotchis and other things that I was already too old for the first time around. Gen Z will surely have its turn before long, even if its characteristic cultural pursuits don’t seem to be manifested in physical objects….
Over the course of the year we gave out $10,000, in grants of $500 – $1000 each, to science fiction and fantasy conventions.
These grants are intended to support conventions both in developing their online presences (through the purchase of tech, training costs, hosting costs, etc.) and making in-person gathering safer once it’s appropriate. Read on for more information about how each convention will use the funding.
WisCon is a feminist science fiction and fantasy convention held annually in Madison, Wisconsin. Founded in 1976 as the world’s first feminist speculative fiction convention, it has since grown into a robust and dedicated community of fans, artists, and scholars. The convention is hosted by the Society for the Furtherance and Study of Fantasy and Science Fiction a 501(c)(3) not-for-profit organization in Madison, Wisconsin, which aims to create a safe and inclusive environment for everyone.
WisCon will use the grant funds to cover the costs of equipment and equipment rental to make their con more accessible.
The Outer Dark Symposium on the Greater Weird is a progressive speculative fiction conference that focuses on contemporary Weird fiction. The con actively seeks to create spaces that allow for the kinds of conversations and connections that chart the future of boundary-breaking speculative fiction, as well as being an inclusive, safe and welcoming place for women, LBGTQ+, and writers of color. To meet this mission, they consider each dimension of access (fiscal, disability, equity, etc) with care to inform every decision they make, from where programming is accessed to how it’s structured.
A key focus for their 2022 convention is making sure they have easily accessible virtual spaces, as well as safe future events during the pandemic, which includes travel, catering, and technology costs that they anticipate will increase significantly this year.
(7) GAIMAN ADAPTED. [Item by Martin Morse Wooster.] Behind a paywall in the Financial Times, Nilanjana Roy reviews Chivalry, a graphic novel written by Neil Gaiman and drawn by Colleen Doran and based on a short story from Gaiman’s collection Smoke And Mirrors.
[Colleen Doran’s] stunning artwork turns Arthur’s knight into the kind of dashing, courtly hero who is obliged to seduce a maiden. Doran’s illustrations, drawing from a soft palette of blues, pinks, and greens that flare unto sudden glorious bursts of crimson and gold at need, are what will make Chivalry a perennial Christmas gift. Famous Authors are often at risk of having their old work briskly repackaged by clever marketing departments but Doran, a Gaiman fan since her youth has, for complicated rights reasons, waited over two decades to work on this short story…
,,,The question as to whether a single short story taken from a far more varied fantasy collection is satisfying as a standalone graphic novel remains. Certainly,Gaiman and Doran’s book feels too slight on its own to measure up to the best of Gaiman’s output. Still, Chivalry reminds you that, some days, all you need is to believe in impossible quests.
…Butler rose to prominence in the traditionally white bastion of science fiction. She was the first to write about prominent Black characters in science fiction settings, using dystopias, time travel and other tropes.
Science-fiction author Nisi Shawl recalls meeting the “Kindred” author in 1999 during a convention in Seattle when she was tasked with writing a profile on Butler. The two became acquainted and a friendship later blossomed in 2002.
“One thing that she really instilled in me was the idea that you should write about things that bring up strong emotions in you, things that you fear, things that you loathe, things that you cherish, but things that you are passionate about in one way or another,” Shawl tells USA TODAY, adding that Butler inspired her to write the short story “Momi Watu.” …
(9) MEMORY LANE.
2007 — [Item by Cat Eldridge] Barbara Hambly, one of my favorite writers of horror, has won two Lord Ruthven Awards (1996 and 2007) given by the Lord Ruthven Assembly, a group of scholars specializing in vampire literature who are affiliated with the International Association for the Fantastic in the Arts.
Those Who Hunt in The Night, the first in the excellent John Asher series, won the Locus Award for Best Horror Novel.
I’m also very impressed of her two novelizations done for one of my favorite tv series, Beauty and the Beast and and Beauty and the Beast: Song of Orpheus as it’s hard to write material off those series that’s actually worth reading. She wrote three Trek novels and several Star Wars too but I’ve not read them.
And yes, there’s lots about her writing career I’ve not included here so feel free to tell me what you think I should have mentioned.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 26, 1908 — Tex Avery. An animator, cartoonist, director and voice actor beyond compare. Without him, Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig would not have existed. Avery’s influence can be seen in Animaniacs and Who Framed Roger Rabbit. (Died 1980.)
Born February 26, 1918 — Theodore Sturgeon. Damn, I hadn’t realized that he’d only written six genre novels! More Than Human is brilliant and I assumed that he’d written a lot more long form fiction but it was short form where he excelled with more than two hundred such stories. I did read over the years a number of his reviews — they were quite good. (Died 1985.)
Born February 26, 1945 — Marta Kristen, 77. Kristen is best known for her role as Judy Robinson, one of Professor John and Maureen Robinson’s daughters, in the original Lost in Space. And yes, I watched the entire series. Good stuff it was. She has a cameo in the Lost in Space film as Reporter Number One. None of her other genre credits are really that interesting, just the standard stuff you’d expect such as an appearance on The Man from U.N.C.L.E. and Alfred Hitchcock Presents.
Born February 26, 1948 — Sharyn McCrumb, 74. ISFDB lists all of her Ballad novels as genre but that’s a wee bit deceptive as how genre-strong they are depends upon the novel. Oh, Nora Bonesteel, she who sees Death, is in every novel but only some novels such as the Ghost Riders explicitly contain fantasy elements. If you like mysteries, all of them are highly recommended. Now the Jay Omega novels, Bimbos of the Death Sun and Zombies of the Gene Pool are genre, are great fun and well worth reading. They are in print and available from the usual suspects which is interesting as I know she took them out of print for awhile.
Born February 26, 1957 — John Jude Palencar, 65. Illustrator whose artwork graces over a hundred genre covers. In my personal collection, he’s on the covers of de lint’s The Onion Girl and Forests of the Heart (one of my top ten novels of SFF), Priest’s Four & Twenty Blackbirds and Le Guin’s Tehanu: The Last Book of Earthsea. Origins: The Art of John Jude Palencar is a perfect look at his work and marvelous eye candy as well.
Born February 26, 1958 — Karen Berger, 64. She created the Vertigo imprint at DC, and served as the line’s Executive Editor for a decade. Some of my favorite works there are Fables, Hellblazer, Preacher, 100 Bullets and V for Vendetta. She currently runs Berger Books, an imprint of Dark Horse Comics.
Born February 26, 1965 — Liz Williams, 57. For my money, her best writing by far is her Detective Inspector Chen series about the futuristic city Singapore Three, its favorite paranormal police officer Chen and his squabbles with an actual Chinese-derived Heaven and Hell. I’ve read most of them and recommend them highly. I’m curious to see what else y’all have read of her and suggest that I read.
(12) 45TH BIRTHDAY ISSUE OF 2000 AD. [Item by SF Concatenation’s Jonathan Cowie.] This week the 45th birthday issue of 2000 AD is out. It includes a zarjaz strip of the Command Module droids travelling through the thrillverse collecting 2000 AD characters to help Tharg compose a birthday hit single. It also features the start of a new Judge Dredd story that teases that the Judges are trying to silence someone who claims to have a secret concerning the truth of Judge Dredd!
(13) I SEE BY YOUR OUTFIT THAT YOU ARE A COWBOY. Kevin Standlee says Westercon 74 sent out the following announcement to its members today regarding COVID-19. The short version:
…Then there is all the food. The Oreos we have covered; they have a picture of Batman’s face on them, because we all know that nothing is more delicious than wolfing down an effigy of agonising mental torment. Papa John’s is also in on the act. Its pizzas currently come in commemorative The Batman boxes (because who doesn’t love using used food receptacles as keepsakes?) and there is also a new side – black ghost chilli chicken wings – that also apparently have something to do with Batman. Meanwhile, in the US, Little Caesars has made a “calzony” (a kind of folded pizza) that’s shaped like the Batman logo, allowing customers to grab themselves a slice of gooey, unresolved trauma.
Caffè Nero has subverted the pattern a little by focusing on the Riddler. It has launched a new hot chocolate, with a mysterious new flavour. If you can guess the flavour – which is to say, if you can stomach spending your money on a product that for the purposes of suspension of disbelief was designed by a nightmarish BDSM goblin – you can win a trip to a theme park.
Again, I’m barely touching the sides here….
(15) VIDEO OF THE DAY. Dream Foundry has shared the Flights of Foundry 2021 panel “Making Your Reader Hungry: Food in SFF” with Nibedita Sen and Shweta Adhyam, moderated by Cora Buhlert. (Watch the video at the link.)
For a long time, speculative fiction rarely engaged with food. Over on the science fiction side of the fence, protagonists lived on food pills or ordered “Tea, Earl Grey, hot” from the replicator, while fantasy characters subsisted on the ubiquitous stew and quaffed tankards of ale. However, this has changed in recent times and now detailed food descriptions are a lot more common in SFF. Nor are we just seeing only stereotypical western and American food anymore, but also dishes from non-western cuisines and food traditions. This panel will discuss how food is portrayed in science fiction and fantasy and how this parallels real world developments, whether it’s meal replacement products like the unfortunately named Soylent or trends like pandemic baking.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Irene Bruce, Rob Thornton, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
A Tennessee school board has voted to remove the Pulitzer Prize-winning graphic novel “Maus” from an eighth-grade language arts curriculum due to concerns about profanity and an image of female nudity in its depiction of Polish Jews who survived the Holocaust.
The Jan. 10 vote by the McMinn County School Board, which only began attracting attention Wednesday, comes amid a number of battles in school systems around the country as conservatives target curriculums over teachings about the history of slavery and racism in America.
“I’m kind of baffled by this,” Art Spiegelman, the author of “Maus,” told CNBC in an interview about the unanimous vote by the McMinn board to bar the book, which is about his parents, from continuing to be used in the curriculum.
“It’s leaving me with my jaw open, like, ‘What?’” said Spiegelman, 73, who only learned of the ban after it was the subject of a tweet Wednesday – a day before International Holocaust Remembrance Day.
He called the school board “Orwellian” for its action….
In “Maus,” different groups of people are drawn as different kinds of animals: Jews are the mice, Poles are pigs and Nazi Germans — who had a notorious history of banning and burning books — are cats. It has won a slew of awards, including a 1992 Pulitzer Prize.
(2) CATHERYNNE M. VALENTE MEDICAL UPDATE. Author Catherynne M. Valente has contracted Covid and has been tweeting about how she feels, and is handling quarantining away from the rest of the family. She also will be unable to appear in person at Capricon the first weekend in February.
…This year, socializing got underway on Thursday afternoon at the Grolier Club, the country’s leading society for bibliophiles. Opening that week, and running till April 16, was “Sherlock Holmes in 221 Objects,” an exhibition drawn from the fabled collection of Glen S. Miranker. Fabled? As I once wrote, “If the Great Agra Treasure — from ‘The Sign of Four’ — contained rare Sherlockian books and manuscripts instead of priceless gems, it would resemble Glen Miranker’s library.”
In display cases below a huge banner depicting Holmes in his signature dressing gown, one could see the only known copy in its dust jacket of the first edition of “The Adventures of Sherlock Holmes,” with original artwork by Sidney Paget and Frederic Dorr Steele, handwritten drafts of four major stories, and even Conan Doyle’s work ledger containing the December 1893 memorandum, “Killed Holmes.” This refers to “The Final Problem,” which ends with the great detective and his arch-nemesis, Professor Moriarty, both falling to their deaths, or so it seemed, at the Reichenbach Falls….
It’s an interesting conundrum, because some science fiction seems to extrapolate from existing science to a future that’s possible and consistent with what we know about science today. That is, a hypothetical situation that is a plausible, possible future world—or maybe not so plausible, but still could happen. But there’s another kind of science fiction which doesn’t seem to be bound by anything we know about science now—it just allows what you might call magical things to happen. I wonder how the two of them relate to philosophy.
Fantasy just allows magical things to happen. And that can be very useful in thinking through philosophical issues because you might be interested in considering things that aren’t scientifically plausible at all, exploring them as conceptual possibilities. Now, within the constraints of scientific plausibility we can find a second big philosophical value in science fiction: thinking about the future. For example, I think it’s likely that in the next several decades, or maybe the next 100 or 200 years, if humanity continues to exist and continues along its current trajectory, we will eventually create artificial beings who are conscious. Maybe they’ll be robots or maybe they’ll artificial biological organisms. Or they might be a bio-machine hybrid or the result of technology we can’t yet foresee. We might create artificial entities who are people—entities with conscious experiences, self-knowledge, values, who think of themselves as individuals. They might be very much unlike us in other ways—physiologically, physically, maybe in their values, maybe in their styles of thinking.
If that happens, that’s hugely significant. We’d have created a new species of person—people radically different from us, sharing the world with us. Humanity’s children, so to speak. Few things could be more historically momentous than that! But these matters are hard to think about well. Maybe that future is coming. But what might it even look like? What would it do to ethics? To philosophy of mind? To our sense of the purpose and value of humanity itself? Science fiction is a tool for imagining the possible shape of such a future. So that’s just one example of the way in which science fiction can help us think about future possibilities.
…Dinklage, 52, told Maron he was surprised by what he saw as a contradiction.
“They were very, very proud to cast a Latino actress as Snow White, but you’re still telling the story of ‘Snow White and the Seven Dwarfs,’ ” Dinklage said, adding, “You’re progressive in one way … but you’re still making that … backward story about seven dwarfs living in a cave. What … are you doing, man?”
On Tuesday, Disney responded, saying it will aim to present the characters in a sensitive manner….
This short video features a conversation between authors Poul Anderson and Gordon Dickson on the history of the Minneapolis Fantasy Society (MFS). Gordy, the older of the two, begins with a description of the prewar (World War II) MFS, a serious writers’ group with members such as Clifford Simak and Donald Wandrei. Poul and Gordy then bring the calendar forward with anecdotes of traveling to Torcon (1948), MFS parties, and how the writing community worked in the middle of the century.
These much loved members of the science fiction community are by turns very earnest, very funny and always very engaging in telling us “The Way It Was”…
Note that this is part 1 of a longer program. As of January 2022, we are working to digitize the next part.
Also note that there are about 5 seconds of disrupted video towards the end of the recording.
Thanks to Geri Sullivan and the Video Archeology project for providing the recording.
(7) SEE VIDEO OF MANCHESS ADAPTATION. On Muddy Colors, Gregory Manchess posted a link to a video of the stage production of Above the Timberline, based on his story and art. “Watch the Stage Play of Above the Timberline!” (The video has to be watched at the link.)
In an alternate future where the weather of the world has been permanently altered, the son of a famed polar explorer sets out in search of his father, who disappeared while looking for a lost city buried under the snow. But Wes Singleton believes his father is still alive – somewhere above the timberline. Adapted from the exquisitely painted novel, the world premiere stage adaptation is sure to delight.
One only needs to look at Dave Farland’s vast roster of names discovered and nurtured. It is no wonder his keen eye for talent was dubbed “Writer Whisperer.” Dave was an extraordinary individual, a kind soul, and a cherished personal friend and friend to everyone in the writing community. He was always there to lend a helping hand. Dave will be greatly missed. But it is good to know that due to his excellent work and dedication to creating the future, science fiction and fantasy will continue to be in good hands.
(9) MEDIA BIRTHDAY.
1999 — [Item by Cat Eldridge.]
Captain Janeway: Coffee, black.
Neelix: I’m sorry, Captain. We’ve lost another two replicators –
Kathryn Janeway: Listen to me very carefully because I’m only going to say this once. Coffee – black.
Twenty three years ago this evening on the UPN network, Star Trek: Voyager‘s “Bride of Chaotica!” first aired. It was the twelfth episode of the fifth season of the series. The episode is loving homage to the 1936 Flash Gordon film serial and 1939 Buck Rogers film serial that followed film. Much of the episode was shot in black and white to emulate the look of those shows.
The story was Bryan Fuller who was the writer and executive producer on Voyager and Deep Space Nine; he is also the co-creator of Discovery. The script was by Fuller and Michael Taylor who was best known as a writer on Deep Space Nine and Voyager.
Critics really liked it. SyFy Wire said it was “campy, hilarious, hysterical, brilliant, and an absolute joy.” And CBR noted that Voyager was “having fun with its goofier side.”
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 27, 1832 — Lewis Carroll. Writer, Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass. In 1876, he also produced his work, “The Hunting of the Snark”, a fantastical nonsense poem about the adventures of a very, very bizarre crew of nine tradesmen and a beaver who set off to find the snark. (Died 1898.)
Born January 27, 1938 — Ron Ellik. A well-known sf fan who was a co-editor with Terry Carr of the Hugo winning fanzine Fanac in the late Fifties. Ellik was also the co-author of The Universes of E.E. Smith with Bill Evans which was largely a concordance of characters and the like. Fancyclopedia 3 notes that ‘He also had some fiction published professionally and co-authored a Man from U.N.C.L.E. novelization.’ (ISFDB says it was The Cross of Gold Affair.) Encyclopaedia of Science Fiction says he died in an auto accident the day before his wedding. (Died 1968.)
Born January 27, 1940 — James Cromwell, 82. I think we best know him as Doctor Zefram Cochrane in Star Trek: First Contact, which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”. He’s been in other genre films including Species II, Deep Impact, The Green Mile, Space Cowboys, I, Robot, Spider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise.
Born January 27, 1953 — Joe Bob Briggs, 69. Writer, actor, and comic performer. Host of the TNT MonsterVision series, and the ongoing The Last Drive-in with Joe Bob Briggs on Shudder from 2018–present. The author of a number of non- fiction review books including Profoundly Disturbing: Shocking Movies that Changed History! And he’s written one genre novel, Iron Joe Bob. My favorite quote by him is that after contracting Covid and keeping private that he had, he said later that “Many people have had COVID-19 and most of them were much worse off than me. I wish everybody thought it was a death sentence, because then everyone would wear the f*cking mask and then we would get rid of it.”
Born January 27, 1957 — Frank Miller, 65. If you’re not a comic reader, you first encountered him in the form of Robocop 2 which I think is a quite decent film. His other films include Robocop 3, Sin City, 300, Spirit (fun) and various Batman animated films that you’ll either like or loathe depending on your ability to tolerate extreme violence. Oh, but his comics. Setting aside his Batman work all of which is a must read, I’d recommend his Daredevil, especially the Frank Miller & Klaus Janson Omnibus which gives you everything by him you need, Elektra by Frank Miller & Bill Sienkiewicz, all of his Sin City work and RoboCop vs. The Terminator #1–4 with Walt Simonson.
Born January 27, 1963 — Alan Cumming, 59. His film roles include his performances as Boris Grishenko in GoldenEye, Fegan Floop in the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask (a really horrid film), Nightcrawler in X2 and Judas Caretaker in Riverworld (anyone know this got made?)
Born January 27, 1970 — Irene Gallo, 52. Associate Publisher of Tor.com and Creative Director of Tor Books. Editor of Worlds Seen in Passing: Ten Years of Tor.com Short Fiction which won a World Fantasy Award. Interestingly, she won all but one of the Chesley Award for Best Art Director that were given out between 2004 and 2012.
(11) THE SOUND AND THE FURRY. [Item by Michael Kennedy.] A Texas primary candidate for the state House got in an uproar regarding a tall tale about Furries. She decided that it was an outrage that some schools would be lowering their cafeteria tables to make it easier for these anthropomorphs to eat out of their bowls—sans utensils or hands.
This despite the fact that Furrys don’t do that. Or that the schools in question had no intention of lowering their tables. Or that, in fact, it was impossible to do so given the tables’ design.
On Sunday night, a candidate in the GOP primary for Texas House District 136, which includes a large portion of the suburbs north of Austin, tweeted a curious allegation. That candidate, Michelle Evans—an activist who works with the local chapter of conservative parents’ group Moms for Liberty and who cofounded the anti-vaccine political action committee Texans for Vaccine Choice, back in 2015—tweeted that “Cafeteria tables are being lowered in certain @RoundRockISD middle and high schools to allow ‘furries’ to more easily eat without utensils or their hands (ie, like a dog eats from a bowl).”
She was responding to a tweet from right-wing Texas provocateur Michael Quinn Sullivan, who had shared a video of a woman speaking at a December school board meeting in Midland, Michigan, claiming that schools there have added “litter boxes” in the halls to allow students who identify as “furries” to relieve themselves. Sullivan retweeted the video, adding, “This is public education.” (It isn’t; the claims made by the speaker in the video have been shown to be untrue.)
(12) JEOPARDY! Andrew Porter tuned into tonight’s Jeopardy! and saw a contestant struggling with this:
Category: Books and authors
Answer: This feral character raised by jungle animals originally appeared in Rudyard Kipling’s short story “In The Rukh”
Wrong question: Who is Tarzan?
Correct question: Who is Mowgli?
(13) DRY FUTURE FOR SOME. [Item by SF Concatenation’s Jonathan Cowie.] With a global population explosion and climate change, both factors will combine to create water shortages in some places (which would not happen otherwise if one or other factor did not exist). Now, writing in Nature Communications, N. American researchers based in Canada and the US have mapped the global situation. (Not looking good for SW of the USA.) “Hotspots for social and ecological impacts from freshwater stress and storage loss”.
The most-vulnerable basins encompass over 1.5 billion people, 17% of global food crop production, 13% of global gross domestic product, and hundreds of significant wetlands. There are substantial social and ecological benefits to reducing vulnerability in hotspot basins, which can be achieved through hydro- diplomacy, social adaptive capacity building, and integrated water resources management practices, the researchers conclude.
(14) A LITTLE CHILD SHALL MISLEAD THEM. In “Misunderstandings”, David Bratman says, “A comment elsewhere prompted me to drag out recollections of words whose meaning I misunderstood as a child,” and gives several engaging examples.
*blind spot I thought this meant you were literally struck blind if you looked in that direction – whether permanently or momentarily I wasn’t sure and didn’t want to find out the hard way. I specifically remember our coming across a road sign with this warning when we were out driving around house-hunting in the hill country, which would put my age at 7. It is characteristic of me that, well over a half century later, I still remember exactly where this was, even though I’ve never gone back to check if the sign is still there. (I might be struck blind!) But from Google street view, apparently not.
(15) A PARAGON. I felt much better about File 770’s copyediting when I read artist James Artimus Owen tell Facebook readers —
I have accidentally replaced all the spaces in my current manuscript with the words, “Chuck Norris”. But I’m leaving it in, in hopes that the change will be accepted as one of those necessary, semi-invisible words like “and”, “the”, and “defenestrate.”
(16) VIDEO OF THE DAY. In “Honest Game Trailers: Final Fantasy XIV Endwalker,” Fandom Games, in a spoiler-packed episode, says the concluding Final Fantasy game has many “beautiful and poignant moments” because “you spent 5,000 hours with these characters in the previous 13 episodes,” but there are exciting sidebars, such as “waiting for a really rare monster to appear while someone writes the entire plot of Shrek in chat.”
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Chris Barkley, Joel Zakem, Bruce D. Arthurs, BravoLimaPoppa, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
The ending to cult 1999 US film Fight Club has been removed for viewers in China, and replaced by a screen with a message saying the authorities won.
The original ending saw Edward Norton’s narrator killing his imaginary alter-ego Tyler Durden, played by Brad Pitt, before bombs destroyed buildings in the climax to a subversive plot to reorder society, dubbed Project Mayhem.
In China, before the explosions, a message now says the police foiled the plot, arrested the criminals and sent Durden to a “lunatic asylum”.
The new finale tells viewers: “Through the clue provided by Tyler, the police rapidly figured out the whole plan and arrested all criminals, successfully preventing the bomb from exploding.
“After the trial, Tyler was sent to lunatic asylum receiving psychological treatment. He was discharged from the hospital in 2012.”
Director David Fincher’s film has recently been added to streaming platform Tencent Video, and Human Rights Watch described the changes as “dystopian”.
…The changes were flagged up on social media by outraged viewers who had previously seen pirated copies of the original.
It’s not uncommon for Chinese censor to make cuts to Western films, but it’s more rare for them to change an ending.
Some social media users made light of the new Fight Club ending.
Of course, that film’s not sff. They’re probably fine with ending to 1984 – the only problem is the whole movie that precedes it.
In this clip, Billy Boyd and Dominic Monaghan delightedly discover that The Lord of the Rings has a PG-13 rating in the United States. This means the movie could have contained a singular swear word. Of course, the movies didn’t actually make use of this ability. But Boyd and Monaghan, in true Merry and Pippin style, invite us to imagine the possibilities.
Their top choices? Gandalf saying, “F**cking fool of a Tuck.” Or Pippin say, “Oh, I’m really f**cking sorry, Gandalf.” And the best one, of course. the idea of Aragorn saying, “My friends, you f**cking bow to know one.” I admit that’s where I lost it. Nothing like the King of Gondor dropping a casual swear at the most emotional moment.
Rob Wilkins, Terry Pratchett’s former assistant and friend, is writing the official biography of the late Discworld author, which will move from his childhood to the “embuggerance” of the Alzheimer’s disease he was diagnosed with in 2007.
Pratchett was working on his autobiography when he died in 2015, but “following his untimely death from Alzheimer’s disease, the mantle of completing Terry Pratchett’s memoir was passed to Rob”, said publisher Transworld.
It will include “fragments” from the memoir Pratchett was working on before he died, the publisher added….
Terry Pratchett’s estate has authorised Jack Monroe to use the “Vimes Boots Index” as the name of her new price index, which is intended to document the “insidiously creeping prices” of basic food products.
The author’s daughter, writer Rhianna Pratchett, said her father would have been proud to see his work used in this way by the anti-poverty campaigner. Monroe was prompted to create her index after inflation jumped to 5.4% last week, and she found herself “infuriate[d]” that the index (the consumer price index or CPI) used for this calculation “grossly underestimates the real cost of inflation as it happens to people with the least”. She laid out how the prices of “value” product ranges in supermarkets had soared over the last decade – rice in her local supermarket had increased in price from 45p for a kilogram bag last year, to £1 for 500g, a 344% increase – and how the number of value products has shrunk. She was soon working with economists, charities and analysts to compile her own index….
Cast has been set for season two of Amazon and BBC’s Neil Gaiman fantasy series Good Omens, which remains in production in Scotland.
Reprising his role as Metatron is Derek Jacobi (Gladiator) and joining the cast for season two is his I, Claudius co-star Dame Siân Phillips (Dune).
Also returning this season in roles that span heaven, hell, and earth are the trio from The League of Gentlemen Mark Gatiss (Sherlock), Steve Pemberton (Killing Eve), and Reece Shearsmith (Inside No. 9).
Niamh Walsh (The English Game) returns, while joining in new roles are Tim Downie (Outlander), Pete Firman (The Magicians), Andi Osho (I May Destroy You), and Alex Norton (Pirates of the Caribbean).
However, neither Frances McDormand (God) nor Benedict Cumberbatch (Satan) will be back for season two.
Alice, which is due out in theaters March 18 via Roadside Attractions, is inspired by true events of Black Americans who remained enslaved after the Emancipation Proclamation. A blend of time travel, historical drama and revenge thriller, the movie is an ode to (and spin-on) Blaxpoitation films….
There’s this acknowledgment that Black people have limitations around time travel because they don’t have the same freedoms as now. But this movie doesn’t pull its main character into the past; it pulls her forward into freedom and the future. How does that make this film different than works with a similar storyline?
Yes, it’s set in the past, but it is pulling into the future. I think that’s a big thing. Where we start and then mostly live in the 1970s space, [which] still feels like now in a sense. Ultimately, that’s what the movie is saying. Things aren’t done and over just like that. Everything doesn’t just change. But you keep going, not in spite of but because of — like Alice. You keep going because of the Franks because of the Martin Luthers because of the Malcolm Xes. Also, it’s not going to be the same fight each time. I’m excited to see how people will unpack and digest that. When I think about the time travel in this film, it doesn’t feel like we are waiting in the back. And it’s being used in a way that reflects a mirror of us today. So many of us today are Frank. But then you look at Alice, who was just in the field, and you’re like, “What the hell am I doing?”
(7) WHAT’S THAT YOU SAY? [Item by SF Concatenation’s Jonathan Cowie.] Word of Mouth is a sort of whimsical philosophy-of-language radio show on BBC Radio 4. Yesterday’s episode – now available for downloading for a month (and on BBC Sounds thereafter, if you have an account) – sees a discussion on alien communication following first contact. Along the way they discuss the film Arrival and the novel Project Hail Mary. Word of Mouth, “It’s language, Jim, but not as we know it”.
Could aliens ‘speak’ in chemicals? Could they converse in electricity? Would they be able to hear us? In the absence of a Star Trek-style universal translator, how would you talk to an alien newly arrived on Planet Earth?
Dr Hannah Little is a science communicator, linguist and comedian. She joins Michael Rosen for some fascinating thought experiments on extraterrestrial communication and animal interactions closer to home. What might all this tell us about how human language first appeared, and why does it matter?
(8) MEDIA BIRTHDAY.
1994 — [Item by Cat Eldridge.] Twenty-eight years ago on PTEN, the Prime Time Entertainment Network, a syndicated network organized by Warner Brothers, the Babylon 5 series premiered. It was created by writer and producer J. Michael Straczynski and it followed the pilot film Babylon 5: The Gathering which aired a year earlier. It would run for five twenty-two episode seasons as planned plus six related films.
It generated a spin-off series, Crusade, but that only lasted thirteen episodes. Two other series were planned, The Legend of the Rangers and The Lost Tales, but neither got past the pilot.
Its cast was marked by tragedy with a number of the principal actors dying young including Mira Furlan, Richard Biggs, Jeff Conaway, Jerry Doyle, Andreas Katsulas and Michael O’Hare.
It won two Hugo Awards for “The Coming of Shadows” at L.A. Con III and “Severed Dreams” at LoneStarCon II. Neil Gaiman wrote an episode, “The Day of The Dead” which is on my frequent rewatch list. Harlan Ellison is the voice of Zooty in this episode.
Babylon 5 in revised print is streaming on HBO Max.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 26, 1918 — Philip José Farmer. I know I’ve read at least the first three Riverworld novels (To Your Scattered BodiesGo, The Fabulous Riverboat and The Dark Design) but I’ll be damned if I recognize the latter ones. Great novels those first three are. And I’ll admit that I’m not familiar at all with the World of Tiers or Dayworld series. I’m sure someone here has read them. I do remember his Doc Savage novel Escape from Loki as being a highly entertaining read, and I see he’s done a number of Tarzan novels as well. (Died 2009.)
Born January 26, 1928 — Roger Vadim. Director, Barbarbella with Jane Fonda in a leather bikini. That alone gets a Birthday Honor. But he was one of three directors of Spirits of the Dead, a horror anthology film. (Louis Malle and Federico Fellini were the others.) And not to stop there, he directed another horror film, Blood and Roses (Et mourir de plaisir) and even was involved in The Hitchhiker horror anthology series. (Died 2000.)
Born January 26, 1929 — Jules Feiffer, 93. On the Birthday list as he’s the illustrator of The Phantom Tollbooth. Well, and that he also worked on Eisner’s Spirit, starting in 1946 as an art assistant and later the primary writer til the strip ended in 1952, which helped get him into the Comic Book Hall of Fame. Let’s not overlook that he wrote The Great Comic Book Heroes in the Sixties which made it the first history of the superheroes of the late Thirties and Forties and their creators.
Born January 26, 1943 — Judy-Lynn Del Rey. Editor at Ballantine Books after first starting at Galaxy Magazine. Dick and Asimov were two of her clients who considered her the best editor they’d worked with. Wife of Lester del Rey. She suffered a brain hemorrhage in October 1985 and died several months later. Though she won a Hugo Award for Best Professional Editor after her death, her widower turned it down on the grounds that it only been awarded because of her death. (Died 1986.)
Born January 26, 1949 — Jonathan Carroll, 73. I think his best work by far is The Crane’s View Trilogy consisting of Kissing the Beehive, The Marriage of Sticks and The Wooden Sea. I know de Lint likes these novels though mainstream critics were less than thrilled. White Apples I thought was a well-crafted novel and The Crow’s Dinner is his wide-ranging look at life in general, not genre at all but fascinating.
Born January 26, 1960 — Stephen Cox, 62. Pop culture writer who has written a number of books on genre subjects including The Munchkins Remember: The Wizard of Oz and Beyond, The Addams Chronicles: Everything You Ever Wanted to Know about the Addams Family, Dreaming of Jeannie: TV’s Primetime in a Bottle and The Munsters: A Trip Down Mockingbird Lane. I’ll admit to being puzzled by his Cooking in Oz that he did with Elaine Willingham as I don’t remember that much for food in the Oz books…
Born January 26, 1979 — Yoon Ha Lee, 43. Best known for his Machineries of Empire space opera novels and his short fiction. His most excellent Ninefox Gambit, his first novel, received the 2017 Locus Award for Best First Novel. His latest novel is Tiger Honor, the sequel to Dragon Pearl.
(10) JUPITER’S LEGACY, VOUME 5. [Item by Daniel Dern.] Volume 5 of Jupiter’s Legacy now available on Hoopla (and elsewhere). If you enjoyed the multi-generational superhero Jupiter’s Legacy series (alas, only one season) on Netflix (I did), and/or the comic book series originally titled Jupiter’s Children) that the show is based on (ditto), written by Mark Millar and (mostly) illustrated by Frank Quitely, you’ll be happy to know that Volume 5, collecting issues 1-6 of the 12-issue “Requiem” arc, is (as I discovered last night) on Hoopla (free, to library patrons of Hoopla-participating libraries). (Also available in physical-book and electronic editions, e.g., on Kindle.)
I’m enjoying it — three issues in so far, and relieved to discover it’s slated for 12 issues, since I don’t see things wrapping up by this volume’s end.
… But as the experience of the last few years has shown, the most anticipated books list isn’t a reading plan (I think I’ve read fewer than half of the books I listed last year) so much as it is a snapshot of the literary year to come. And it’s a reflection of one’s own reading history—my copy of Hanya Yanagihara’s A Little Life has sat unread on a shelf for more than six years, so I can’t participate in the ebullience and/or disdain that has greeted the news of her new novel, To Paradise. On the other hand, when authors I’ve reviewed and championed, like Isaac Fellman or Rachel Hartman, announce new books, I feel invested in advertising that fact and widening their readership circle….
Giving a pretty undeniable hint of what he is up to, Daniels shared a photo of himself in a motion capture suit at Ealing Studios, London, on his Instagram account, with the caption “Finally, a new suit – that fits!.” The actor included the hashtags #c3po, #starwars and #iamc3po, leaving it in do doubt that he is clearly getting ready to bring Threepio back to the screen once again, although the use of the mo-cap technology would suggest that this could possibly be a CGI-version of the droid, which could tie into the new Disney+-bound A Droid Story.
American billionaires are funding companies to create fusion energy which uses super magnets to harness the energy of the stars and create a clean source of energy.
As WBUR’s Bruce Gellerman reports, one start-up in Massachusetts recently received an $1.8 billion infusion from Bill Gates, George Soros and others.
(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Eternals,” the Screen Junkies say that many scenes in the film abandon the green screen and “go beyond the farthest reaches of a nerd’s imagination: outside” but that the film will appeal to someone whose “idea of fun is watching ten people debate the trolley problem for 2 1/2 hours.”
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Steven French, Chris Barkley, Daniel Dern, SF Concatenation’s Jonathan Cowie, Alan Baumler, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
Gov. Kathy Hochul of New York said on Thursday that everyone who attended a recent anime convention in Manhattan should get tested for the coronavirus, after it was announced that an individual who tested positive for the Omicron variant in Minnesota had attended to the conference.
Ms. Hochul said the individual, a Minnesota resident who was vaccinated and experienced mild symptoms, had attended the Anime NYC 2021 convention at the Javits Center in Midtown Manhattan. She urged people who attended the event, which was held from Nov. 19 to Nov. 21, to get tested and said that health officials would be in contact with attendees. The convention hosted 53,000 attendees over three days, according to a spokesman for the Javits Center….
The Mayor of New York City also put out a statement:
(2) VARLEY MEDICAL UPDATE. In “The Two Johns”, John Varley tells why he’s home from his third stay in the hospital this year. Much as he works to lighten it up, this is serious, plus some touching moments about his last roommate. The digest version about his health is in this excerpt of the last three paragraphs:
…So I’m back home now. My final diagnosis, like a slap on the butt as I went out the door, was C.O.P.D. (That’s #5.) It stands for Chronic Obstructive Pulmonary Disease. My guess is that it has something to do (ya think?) with over fifty years of a pack-and-a-half per day smoking habit, only recently terminated. Used to be, it was easy to find me at SF conventions. Just look for the very tall guy whose head was obscured by the smoke that encircled his head like a wreath. That was in the early days. More recently I could usually be found outside the hotel, huddled against the rain, the cold, and the howling gale with a couple other hopeless addicts.
I was sent home with a couple bottles of oxygen and an oxygen concentrator, but it’s possible I won’t need them after a while. Lee and I were enrolled in classes at something called the Transitional Care Clinic, TCC, a really smart and nice service of the Clinic where you record all your vital signs and come in weekly for consultation. I hate trailing the coiled tubing for the O2 all around the house, but so be it. I am able to do most things I always did, and get around in the car. I still tire quickly, but I don’t pant like an overheated hound dog.
Thanks again to all who sent money after my heart attack at the beginning of the year. I can’t tell you how much those dollars have helped take a heavy load off both our minds….
(3) MOBY WORM. Michael Dirda, well-known Washington Post critic who started there writing sf book reviews, has written an introduction to the new Folio Society edition of Frank Herbert’s Dune. An excerpt appears at Literary Hub: “What Accounts for the Lasting Appeal of Dune?”
… Even now, half a century since it first appeared in 1965, Dune is certainly still “the one”—it continues to top readers’ polls as the greatest science-fiction novel of modern times. Many would say of all time. Before Star Wars, before A Game of Thrones, Frank Herbert brought to blazing life a feudalistic future of relentless political intrigue and insidious treachery, a grandly operatic vision—half Wagner, half spaghetti western—of a hero discovering his destiny. Characters include elite samurai-like warriors, sadistically decadent aristocrats, mystical revolutionaries, and, not least, those monster worms, which barrel along under the desert surface with the speed of a freight train, then suddenly emerge from the sand like Moby Dick rising from the depths….
… Presented with an index and a list of principal art sources, the book is clearly attempting to be of some academic or referential use, on top of its wider appeal. But the English translation of Histoire De La Science Fiction fails utterly as a proper historic work—and worse, ends up functioning as weak hagiography.
… For example, though objects and ideas from Japanese sci-fi litter the futuristic museum, no Japanese author is given anywhere near the depth as writers from the aforementioned countries. Considering that one of the primary sources for this book is able to be precise about its purview (La Science-Fiction En France Dans Les Années 50, or Science Fiction In France In The ’50s), it’s a baffling decision on the part of everyone involved here to not specify this—especially while calling itself history.
Additionally, there is an ugly tendency in the book to gloss over the more reprehensible aspects of the writers featured….
As of November 30, our blog editor, C.L. Clark (Cherae) has stepped down from her role for personal reasons. Clark joined SFWA’s staff in the summer of 2020. Her editorial perspective has brought many new voices to the blog over the past year, voices with a lot of insightful and fresh perspectives on the publishing industry today and the craft of science fiction and fantasy writing in the many mediums in which our members work. She’s also provided essential assistance with the release of The Bulletin #216 and our other SFWA Publications projects….
(6) SLF WANTS ART. The Speculative Literature Foundation has put out a “Call for Artists 2022” seeking a piece of original artwork, ideally combining fantasy and science fiction themes, to be featured as its cover art (Illustration of the Year or Artwork) for 2022. Full guidelines at the link.
Artwork will be displayed on the Speculative Literature Foundation’s (SLF) website and social media accounts. Artwork will also be used as a visual element of SLF’s marketing material and swag, including but not limited to, bookmarks, pins, posters, etc., and may be cropped or otherwise minimally altered to fit these different formats. The winning artist will receive $750.00 (USD) and will be announced, along with the selected Artwork, on SLF’s website and in a press release.
This is the SLF’s first open call for Illustration of the Year, and the fifth consecutive year that it has featured an illustration. The SLF, founded in 2004 by author and creative writing professor Mary Anne Mohanraj, is a global non-profit arts foundation serving the speculative literature (science fiction, fantasy, and horror) community. It provides resources to speculative fiction writers, editors, illustrators, and publishers, and aims to develop a greater public appreciation of this art.
Submission Dates: November 20, 2021 at 12:01 a.m. through December 20, 2021 at 11:59 p.m.
Because no groups filed to host Westercon 75, selection of the site of the 2023 Westercon devolved upon the 2021 Westercon Business Meeting held at Westercon 73 (in conjunction with Loscon 47) in Los Angeles on November 27, 2021. The Business Meeting voted to appoint Westercon 74 Chair Kevin Standlee and Westercon 74 Head of Hospitality Lisa Hayes as a committee to select a site and committee to run Westercon 75. Any site in North America west of 104° west longitude or in Hawaii is eligible to host Westercon 75.
To submit a bid to the “Standlee-Hayes Commission” to host Westercon 75, write to Kevin Standlee at chair@Westercon74.org, or send a paper application to Lisa Hayes at PO Box 242, Fernley NV 89408. Include information about the proposed site, the proposed dates, and the proposed operating committee.
The initial deadline for applications is January 31, 2022.
2. Award Eligibility Posts Are for All Writers, Not Only the Big Names.
Don’t believe me? Consider how many writers won a Hugo, Nebula, World Fantasy Award or another prestigious literary prize with the first story or novel they ever got into print. Think about the “newcomers” awards such as the Astounding Award for Best New Writer given to someone whose first professional work was published during the two previous calendar years. It’s been a springboard launching a number of careers. Also, keep in mind that your audience may nominate and/or vote on readers’ choice awards given by Analog, Asimov’s, Clarkesworld, and other periodicals.
By now, some of you are saying to yourselves, “Why bother when I’ll never win an award…or even be nominated. Or if I am, it’ll be as a list filler.” Others are thinking, “I only published one story. It came out in an obscure publication.” Then there’s, “My novel didn’t sell all that well,” not to mention the perennial, “The reviewers don’t know my book exists.” Are you thinking about waiting until…what? You’re better known? You sell more copies? You get published in a top market? Your sales figures improve or your social-media following grows? Your work attracts a glowing review?
To every one of your objections, the answer is the same: Your fiction merits more attention right now. Even in better times, writing is a difficult enough business without running ourselves down. As writers, we are notoriously NOT the best judge of our own work. We’re too close to it. Sometimes words flow quickly and effortlessly. Other pieces fight us for every sentence we succeed in wringing out of them. Critical and popular acclaim aren’t tethered to the ease or difficulty of creation. Besides, our assessment of particular pieces may evolve as we gain the advantages of time and distance. In short, you never know how a story will fare….
(9) A TOP SFF BOOK COMES TO TV.Station Eleven will air starting December 24 on HBO Max.
A limited series based on Emily St. John Mandel’s international bestseller, #StationEleven is a post-apocalyptic saga that follows survivors of a devastating flu as they attempt to rebuild and reimagine the world anew while holding on to the best of what’s been lost.
(10) GAIMAN ON TOUR. Neil Gaiman will be visiting many cities in the U.S. in April and May next year – see the schedule on Facebook.
(11) OSBORN OBIT. [Item by Bill.] I am saddened to pass on that Darrell Osborn has died of heart issues. He’s the husband of Stephanie Osborn. They’ve made a number of appearances at SF cons in the Southeast, with Stephanie as a writer and Darrell doing magic and balloon animals. Darrell’s day job was as a graphic designer for an aerospace contractor, and he did cover art for SF books.
(12) MEMORY LANE.
1996 — [Item by Cat Eldridge.] Twenty-five years ago, Neal Stephenson’s The Diamond Age wins the Hugo for Best Novel at L.A. Con III where Connie Willis was Toastmaster. The other nominated works that year were The Time Ships by Stephen Baxter, Brightness Reef by David Brin, The Terminal Experiment by Robert J. Sawyer and Remake by Connie Willis. The Diamond Age would be nominated for Nebula, Campbell Memorial, SF Chronicle, Clarke, Locus, Prometheus, BSFA and HOMer Awards, winning the SF Chronicle and Locus Awards.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 2, 1913 — Jerry Sohl. Scriptwriter and genre writer who did work for The Twilight Zone (ghostwriting for Charles Beaumont who was seriously ill at the time), Alfred Hitchcock Presents, The Outer Limits and Star Trek. One of his three Trek scripts was the superb “Corbomite Maneuver” episode. He wrote a lot of SFF novels, none of which I recognize from the ISFDB listings. A lot of his genre novels are available from the usual suspects for very reasonable prices. (Died 2002.)
Born December 2, 1914 — Ray Walston. Best remembered, of course, for playing the lead in My Favorite Martian from 1963 to 1966, alongside co-star Bill Bixby. His later genre appearances would include The Wild Wild West, Mission: Impossible, Six Million Dollar Man, Galaxy of Terror, Amazing Stories, Popeye, Friday the 13th: The Series and Addams Family Reunion. He would appear in The Incredible Hulk (in which David Banner was played by Bill Bixby) as Jasper the Magician in an episode called “My Favorite Magician”. (Died 2001.)
Born December 2, 1937 — Brian Lumley, 84. Horror writer who came to distinction in the Seventies writing in the Cthulhu Mythos and by creating his own character Titus Crow. In the Eighties, he created the Necroscope series, which first centered on Speaker to the Dead Harry Keogh. He has received a Lifetime Achievement Award from the Horror Writers Association and a World Fantasy Award for Lifetime Achievement.
Born December 2, 1946 — David Macaulay, 75. British-born American illustrator and writer who is at least genre adjacent I’d say. (Motel of the Mysteries is genre.) Creator of such cool works as Cathedral, The New Way Things Work which has he updated for the computer technology age, and I really like one of latest works, Crossing on Time: Steam Engines, Fast Ships, and a Journey to the New World.
Born December 2, 1946 — Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and with other writers such as Mercedes Lackey with whom she wrote A Cast of Corbies and two Buffyverse novels with Laura Anne Gilman. I knew her personally as a folklorist first and that is she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf. Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man some twenty years ago: “Josepha Sherman’s Winter Queen Speech”. (Died 2012.)
Born December 2, 1952 — OR Melling, 69. One of her favorite authors is Alan Garner whose The Owl Service is a frequent read of hers she tells me. She too loves dark chocolate. As for novels by her that I’d recommend, the Chronicles of Faerie series is quite excellent. For more adult fare, her People of the Great Journey is quite good.
Born December 2, 1952 — Keith Szarabajka, 69. Quite a few genre roles including Daniel Holtz in the Angel series, voicing the demon Trigon in the Teen Titans series, Gerard Stephens in The Dark Knight and a recurring role as Donatello Redfield on Supernatural. That’s just a small sample of his genre roles down the decades.
Born December 2, 1971 — Frank Cho, 50. Writer and illustrator, best remembered as creator of the most excellent Liberty Meadows series as well as work on Hulk, Mighty Avengers and Shanna the She-Devil for Marvel Comics, and Jungle Girl for Dynamite Entertainment. I recommend the Frank Cho Art Book from Delcourt as being a superb look at his work. It’s available from the usual suspects. In French only for some reason.
(14) COMICS SECTION.
Half Full’s joke really has nothing to do with Tom Baker. Honestly.
You don’t (apparently) have to have been watching the WB/”Arrowverse” series DC’s Legends of Tomorrow; indeed, it’s not clear that will help or otherwise make any difference. Beebo is a small furry toy that’s appeared as a character in several LofT episodes, ranging from as a mild joke to a malevolent something-or-other.
… For those who aren’t invested in Arrowverse lore, Beebo Saves Christmas was spun out of a running joke on DC’s Legends Of Tomorrow, the show about loser superheroes traveling through time and trying to save the day without making anything worse. In one episode—arguably the show’s best—a talking Tickle Me Elmo-style toy called Beebo is sent back in time and ends up in the possession of Leif Erikson and a group of Vikings who worship the talking toy as their new god of war….
I’m thinking that an hour might be overmuch, but there’s only one way to find out…
(16) LAUREL & HARDY. [Item by Martin Morse Wooster.] I listened to this 2017 podcast Leonard Maltin did with Mark Evanier on Laurel and Hardy (Maltin on Movies: Mark Evanier.) As kids, both of them watched Laurel and Hardy two-reelers after school and when John McCabe’s Mr Laurel And Mr Hardy came out in 1961 both checked out copies from the adult section of the library. Because the Los Angeles public library didn’t have a copy, Evanier persuaded his aunt to get the Beverly Hills library’s copy.
Both men are really knowledgeable on silent film history, and if you know enough to argue about whether Snub Pollard was funnier than Charley Chase, you’ll find a lot to enjoy here. But their points are simple ones: all of Laurel and Hardy is worth watching except for the last five years of their careers, and it’s best to see them in a theatre or with friends because the laughter produced by a group adds to the joy these great comedians provided.
Fun facts: The stairs used in the 1932 short The Music Box still exist, and you can visit them in the Silver Lake section of Los Angeles. Two Oscar-winning directors: Leo McCarey (as director) and George Stevens (as cinematographer) got their start on Laurel and Hardy shorts.
…I’m recording the commentary for the Geometry of Shadows for the third time. The first time turned out that the new lavalier i was using wasn’t exactly hooked up right and did the entire recording sounding like Marvin the Martian — if Marvin the Martian were a raging drunk. Same applies to the Sense-8 commentary I did the same night. The second time I did it to redo the technology of the first one everything went fine. The sensitive microphone picked up all the sound in the room which was great, until I found out that it also picked up enough of the dialogue from the screen that it showed up on the recording and Youtube, when it did its search, said you cannot use this, Warner Brothers television has a claim on this, you can’t use it, you can’t post it. From 26 minutes to 42 minutes we can hear it. This is now my third run at this. I am beyond annoyed. I’m so – I wore a B5 cap from the pilot. I had a whole story about this. Screw it. I’m not telling you what it was because i don’t care anymore…
(Is this what really happened to the first four Babylons?)
(18) NOT SF. AT ALL. But if you read the Jack Reacher books you might want to see this trailer for Amazon Prime’s Reacher series. If it’s important to you that the new actor be taller than Tom Cruise, they have that covered. However, the trailer makes this Reacher look a bit of a showoff and dipshit, which isn’t his psychology in the books.
Oscar-winning filmmaker Guillermo del Toro has long held that his passion project is an adaptation of H.P. Lovecraft’s “At the Mountains of Madness,” and while he still hopes the opportunity arises to make the film, he now has a different version in mind than the one he nearly got off the ground a decade ago.
Appearing on the Stephen King-centric podcast The Kingcast to discuss “It,” del Toro was asked about the multiyear deal he signed with Netflix in 2020 and whether he might finally make “At the Mountains of Madness” at the streamer. “Take a wild guess which were the first projects I presented, you know?” del Toro replied. “I went through the cupboard and found ‘Monte Cristo’ and ‘Mountains of Madness.’ Those were a couple of the ones I presented first.”
A Norwegian amulet more than 700 years old has been hiding a runic inscription that holds religious and magic significance.
When archaeologists found the rectangular metal object during an excavation in Oslo’s medieval town in 2018, they saw that it was covered with runes and folded several times. Hartmut Kutzke at the city’s Museum of Cultural History and his colleagues wanted to study what was inscribed inside, but they feared that manually opening the talisman, known as the Bispegata amulet, would damage it. Because it is made out of lead — a heavy metal that blocks most X-rays — using X-ray tomography to make the hidden runes visible would not work either. Instead, the researchers used a neutron beam to peek inside the amulet and create a detailed reconstruction of it.
They found that some of the runes spell out Latin and Greek phrases, whereas others signify repetitive sequences of seemingly meaningless words. Some of the comprehensible phrases might carry religious meaning, whereas the abstruse abracadabra was probably thought to have a magic effect, the researchers say.
In December 2020, the Chang’e-5 lander set down in the Rümker region near the northwest corner of Oceanus Procellarum on the side of the Moon closest to Earth (Fig. 1). Like the sites visited by Luna and by NASA’s Apollo missions, the Rümker region consists predominantly of a magnesium-rich volcanic rock known as basalt, but the difference from previous missions is that the Rümker basalts are potentially as young as 1.2 billion to 2.3 billion years old, which makes the Chang’e-5 samples the youngest taken from the Moon so far.
…Houston artist Neva Mikulicz, a self-described “nerd” with an alter ego named Commodore Mik, who once ordered Kirk to the Star Fleet Fat Farm so she could board and evaluate the condition of the Starship Enterprise, smartly and humorously blurs that line between science and science fiction in her new exhibit, Declassified, a collection of beautifully realized Prismacolor pencil on paper drawings, complemented by archival videos and LED and sound module technology. The show opens Saturday at Anya Tish Gallery.
UFOs, robots, and monsters both prehistoric and imagined are recurring subjects in Mikulicz’s artwork, which radiates with a 1950s “vintage-y” vibe, the decade when the automobile, rock’n’roll and television took hold of the country’s collective imagination.
But Declassified is no nostalgia trip. Some drawings mirror the look of our world as it is photographed and disseminated by handheld consumer gizmos, while other works are composed like panels in a graphic novel, a medium that many contemporary fine artists find inspiring. One features a T-Rex chasing an iconic orange-and-white-striped Whataburger cup; another is titled “Selfie with Godzilla.” Mikulicz also created a comic book to accompany the exhibition….
(23) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: No Time To Die,” the Screen Junkies say the film shows that Bond has gone beyond silliness (remember Roger Moore driving a gondola?) to be a movie “about a divorced dad who wonders what to feed a French kid for breakfast.” Also, why should characters care who is 007, since that’s basically “an employee ID number?”
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Rob Thornton, Bill, Michael J. Walsh, Kevin Standlee, David K.M. Klaus, Will R., SF Concatenation’s Jonathan Cowie, Daniel Dern, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]