Winnipeg has been voted the right to host the 2023 NASFiC. The con will be held in Winnipeg, Manitoba, Canada from July 20-23, 2023, and be named Pemmi-con 2023.
There were 343 site selection ballots cast, with 312 in favor of Winnipeg, as reported by Chicon 8. The Winnipeg bid was running unopposed after another bid for Orlando folded last month.
Winnipeg’s Guests of Honor will be Dr. Philip J. Currie, Julie Czerneda, John Mansfield, Waubgeshig Rice, Nisi Shawl and Katherina Vermette. The Ghost of Honor will be Lorna Toolis and the Toastmaster will be Tanya Huff. The convention will be chaired by Robbie Bourget and Linda Ross-Mansfield.
As provided by the WSFS Constitution, the same rules that govern the Worldcon, the NASFiC (North American Science Fiction Convention) is held in North America in years when the Worldcon is held overseas. In this case, the 2023 Worldcon will be held in Chendgu, China from August 16-20, 2023.
Unseen photographs and paintings of JRR Tolkien, the author of The Lord of the Rings fantasy books, have been released by the writer’s estate, along with draft manuscripts and letters.
Its website has been relaunched with new material, including sections on Tolkien’s calligraphy and a timeline of his life.
Audio recordings and video clips featuring both Tolkien, who died in 1973, and his son Christopher, who died in 2020, are among the new material.
The relaunch date of 26 February is significant in Tolkien lore because 26 February 3019 was the date in the Third Age when the Fellowship of the Ring was broken at Amon Hen and Frodo and Sam set out on their lonely and terrifying journey to Mordor.
The name TOLKIEN is a registered trademark and may not be used without permission. Unfortunately permission cannot be given for publications which use the name TOLKIEN or the Tolkien Estate’s Copyright Materials.
Are a lot of you faneds who don’t spell it T*****n hearing from lawyers?
… According to CNN, Biden further stated that the sanctions “will degrade (Russia’s) aerospace industry, including their space program.”…
In response, Rogozin said on Twitter: “If you block cooperation with us, who will save the ISS from an uncontrolled deorbit and fall into the United States or Europe?”
He added: There is also the option of dropping a 500-ton structure to India and China. Do you want to threaten them with such a prospect? The ISS does not fly over Russia, so all the risks are yours. Are you ready for them?”
Rogozin also mentioned that the ISS’s location and orbit in space are controlled by “Russian Progress MS cargo ships.”
NASA did not immediately respond to Insider’s request for comment made outside of normal working hours.
In a statement to Euronews, however, NASA said that it “continues working with Roscosmos and our other international partners in Canada, Europe, and Japan to maintain safe and continuous ISS operations.”
It added: “The new export control measures will continue to allow US-Russia civil space cooperation.”
…Now, with Davies’ surprise return to Doctor Who looming, everyone is searching for potential clues as to RTD’s approach to his second run – and unusually, the acclaimed screenwriter might have already given us a pretty good idea of what he’s planning thanks to a little book called The Writer’s Tale.
The Writer’s Tale is a tome of correspondence between Davies and Doctor Who Magazine contributor Benjamin Cook, taking place over the pre-production of season 4 right up to the final shots of Tennant’s last special between 2007 and 2009…
The Next Doctor
14th Doctor speculation is currently at an all-time high, with names like Michael Sheen, Michaela Coel, T’Nia Miller and Olly Alexander mentioned. However, one name that hasn’t arisen, which might just be a strong contender to bet on: Russell Tovey.
Davies makes no secret of his love for Tovey, and in a discussion over potential 11th Doctor castings, RTD states that Tovey is “amazing – I think I’d make him the eleventh Doctor”. Since then Tovey has starred in Davies’ Years & Years, and currently all of his upcoming projects are in post-production – making it the perfect time for RTD to nab Tovey if he so wishes.
Alternatively, if we look at Davies’ choice of actors in the years since The Writer’s Tale, the choice becomes clear: Lydia West. She’s clearly a favourite of RTD’s, starring in both Years & Years and It’s A Sin, and could follow in Jodie Whittaker’s footsteps as a female Doctor (and the first ‘lead’ Doctor to be played by a Black actor, though Jo Martin’s Fugitive Doctor technically got there first).
Altogether, based on RTD’s creative patterns and the insight of The Writer’s Tale it seems Russell Tovey or Lydia West are strong options for the 14th Doctor. However, there is a third possibility – the return of David Tennant…..
Ahimsa waves an elbow at me, keeping her hands firmly cupped. “Isaura! Look!” She shouts to be heard over my earplugs, and I panic thinking she’s woozy again. But no, she only wants to show me something. I lean across the sorting table to look, and with a smile she opens her tawny hands like a flower, just enough so I can peek inside. Two stamens wiggle in the darkness.
Not stamens. Antennae. Out come the earplugs. “It’s just a cricket, Ahimsa. One of a billion crickets under this dome, every one of them chirping like an insect possessed.”…
…The first time I seriously considered crickets as the food of the future was in late 2015 during a presentation by undergraduates. Their policy proposal outlining how the adoption of insect protein in the Los Angeles Area could help insulate the region from some of the impacts of climate-change included a tasting of a recent-to-market, paleo-friendly, cricket-based protein bar. As I sunk my teeth into the slightly gummy, peanut-buttery bite being passed around the classroom, my mind flashed between the grim food futures presented in science fiction novels and the much smaller collection of hopeful fiction portrayals of delicious future feasts. What is it about our contemporary anxieties that makes it so easy to imagine such dystopic food futures?…
…The things you loved when you were young will never be able to make you young again. The reluctant acceptance of this fact is the source of nostalgia, a disorder that afflicts every modern generation in its own special way. Members of Generation X grew up under the heavy, sanctimonious shadow of the baby boom’s long adolescence, among crates of LPs and shelves of paperbacks to remind us of what we had missed. Just as baby boomers’ rebellion against their Depression- and war-formed parents defined their styles and poses, so did our impatience with the boomers set ours in motion. But I’m not talking so much about a grand narrative of history as about what Aksel might call the useless stuff — the objects and gadgets that form the infrastructure of memory….
Every cohort has these. A CD in a plastic jewel box is not intrinsically more poetic than a vinyl LP in a cardboard sleeve. On the internet and in television shows like “PEN15,” a robust millennial nostalgia fetishizes AOL chat rooms, Dance Dance Revolution, Tamagotchis and other things that I was already too old for the first time around. Gen Z will surely have its turn before long, even if its characteristic cultural pursuits don’t seem to be manifested in physical objects….
Over the course of the year we gave out $10,000, in grants of $500 – $1000 each, to science fiction and fantasy conventions.
These grants are intended to support conventions both in developing their online presences (through the purchase of tech, training costs, hosting costs, etc.) and making in-person gathering safer once it’s appropriate. Read on for more information about how each convention will use the funding.
WisCon is a feminist science fiction and fantasy convention held annually in Madison, Wisconsin. Founded in 1976 as the world’s first feminist speculative fiction convention, it has since grown into a robust and dedicated community of fans, artists, and scholars. The convention is hosted by the Society for the Furtherance and Study of Fantasy and Science Fiction a 501(c)(3) not-for-profit organization in Madison, Wisconsin, which aims to create a safe and inclusive environment for everyone.
WisCon will use the grant funds to cover the costs of equipment and equipment rental to make their con more accessible.
The Outer Dark Symposium on the Greater Weird is a progressive speculative fiction conference that focuses on contemporary Weird fiction. The con actively seeks to create spaces that allow for the kinds of conversations and connections that chart the future of boundary-breaking speculative fiction, as well as being an inclusive, safe and welcoming place for women, LBGTQ+, and writers of color. To meet this mission, they consider each dimension of access (fiscal, disability, equity, etc) with care to inform every decision they make, from where programming is accessed to how it’s structured.
A key focus for their 2022 convention is making sure they have easily accessible virtual spaces, as well as safe future events during the pandemic, which includes travel, catering, and technology costs that they anticipate will increase significantly this year.
(7) GAIMAN ADAPTED. [Item by Martin Morse Wooster.] Behind a paywall in the Financial Times, Nilanjana Roy reviews Chivalry, a graphic novel written by Neil Gaiman and drawn by Colleen Doran and based on a short story from Gaiman’s collection Smoke And Mirrors.
[Colleen Doran’s] stunning artwork turns Arthur’s knight into the kind of dashing, courtly hero who is obliged to seduce a maiden. Doran’s illustrations, drawing from a soft palette of blues, pinks, and greens that flare unto sudden glorious bursts of crimson and gold at need, are what will make Chivalry a perennial Christmas gift. Famous Authors are often at risk of having their old work briskly repackaged by clever marketing departments but Doran, a Gaiman fan since her youth has, for complicated rights reasons, waited over two decades to work on this short story…
,,,The question as to whether a single short story taken from a far more varied fantasy collection is satisfying as a standalone graphic novel remains. Certainly,Gaiman and Doran’s book feels too slight on its own to measure up to the best of Gaiman’s output. Still, Chivalry reminds you that, some days, all you need is to believe in impossible quests.
…Butler rose to prominence in the traditionally white bastion of science fiction. She was the first to write about prominent Black characters in science fiction settings, using dystopias, time travel and other tropes.
Science-fiction author Nisi Shawl recalls meeting the “Kindred” author in 1999 during a convention in Seattle when she was tasked with writing a profile on Butler. The two became acquainted and a friendship later blossomed in 2002.
“One thing that she really instilled in me was the idea that you should write about things that bring up strong emotions in you, things that you fear, things that you loathe, things that you cherish, but things that you are passionate about in one way or another,” Shawl tells USA TODAY, adding that Butler inspired her to write the short story “Momi Watu.” …
(9) MEMORY LANE.
2007 — [Item by Cat Eldridge] Barbara Hambly, one of my favorite writers of horror, has won two Lord Ruthven Awards (1996 and 2007) given by the Lord Ruthven Assembly, a group of scholars specializing in vampire literature who are affiliated with the International Association for the Fantastic in the Arts.
Those Who Hunt in The Night, the first in the excellent John Asher series, won the Locus Award for Best Horror Novel.
I’m also very impressed of her two novelizations done for one of my favorite tv series, Beauty and the Beast and and Beauty and the Beast: Song of Orpheus as it’s hard to write material off those series that’s actually worth reading. She wrote three Trek novels and several Star Wars too but I’ve not read them.
And yes, there’s lots about her writing career I’ve not included here so feel free to tell me what you think I should have mentioned.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 26, 1908 — Tex Avery. An animator, cartoonist, director and voice actor beyond compare. Without him, Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig would not have existed. Avery’s influence can be seen in Animaniacs and Who Framed Roger Rabbit. (Died 1980.)
Born February 26, 1918 — Theodore Sturgeon. Damn, I hadn’t realized that he’d only written six genre novels! More Than Human is brilliant and I assumed that he’d written a lot more long form fiction but it was short form where he excelled with more than two hundred such stories. I did read over the years a number of his reviews — they were quite good. (Died 1985.)
Born February 26, 1945 — Marta Kristen, 77. Kristen is best known for her role as Judy Robinson, one of Professor John and Maureen Robinson’s daughters, in the original Lost in Space. And yes, I watched the entire series. Good stuff it was. She has a cameo in the Lost in Space film as Reporter Number One. None of her other genre credits are really that interesting, just the standard stuff you’d expect such as an appearance on The Man from U.N.C.L.E. and Alfred Hitchcock Presents.
Born February 26, 1948 — Sharyn McCrumb, 74. ISFDB lists all of her Ballad novels as genre but that’s a wee bit deceptive as how genre-strong they are depends upon the novel. Oh, Nora Bonesteel, she who sees Death, is in every novel but only some novels such as the Ghost Riders explicitly contain fantasy elements. If you like mysteries, all of them are highly recommended. Now the Jay Omega novels, Bimbos of the Death Sun and Zombies of the Gene Pool are genre, are great fun and well worth reading. They are in print and available from the usual suspects which is interesting as I know she took them out of print for awhile.
Born February 26, 1957 — John Jude Palencar, 65. Illustrator whose artwork graces over a hundred genre covers. In my personal collection, he’s on the covers of de lint’s The Onion Girl and Forests of the Heart (one of my top ten novels of SFF), Priest’s Four & Twenty Blackbirds and Le Guin’s Tehanu: The Last Book of Earthsea. Origins: The Art of John Jude Palencar is a perfect look at his work and marvelous eye candy as well.
Born February 26, 1958 — Karen Berger, 64. She created the Vertigo imprint at DC, and served as the line’s Executive Editor for a decade. Some of my favorite works there are Fables, Hellblazer, Preacher, 100 Bullets and V for Vendetta. She currently runs Berger Books, an imprint of Dark Horse Comics.
Born February 26, 1965 — Liz Williams, 57. For my money, her best writing by far is her Detective Inspector Chen series about the futuristic city Singapore Three, its favorite paranormal police officer Chen and his squabbles with an actual Chinese-derived Heaven and Hell. I’ve read most of them and recommend them highly. I’m curious to see what else y’all have read of her and suggest that I read.
(12) 45TH BIRTHDAY ISSUE OF 2000 AD. [Item by SF Concatenation’s Jonathan Cowie.] This week the 45th birthday issue of 2000 AD is out. It includes a zarjaz strip of the Command Module droids travelling through the thrillverse collecting 2000 AD characters to help Tharg compose a birthday hit single. It also features the start of a new Judge Dredd story that teases that the Judges are trying to silence someone who claims to have a secret concerning the truth of Judge Dredd!
(13) I SEE BY YOUR OUTFIT THAT YOU ARE A COWBOY. Kevin Standlee says Westercon 74 sent out the following announcement to its members today regarding COVID-19. The short version:
…Then there is all the food. The Oreos we have covered; they have a picture of Batman’s face on them, because we all know that nothing is more delicious than wolfing down an effigy of agonising mental torment. Papa John’s is also in on the act. Its pizzas currently come in commemorative The Batman boxes (because who doesn’t love using used food receptacles as keepsakes?) and there is also a new side – black ghost chilli chicken wings – that also apparently have something to do with Batman. Meanwhile, in the US, Little Caesars has made a “calzony” (a kind of folded pizza) that’s shaped like the Batman logo, allowing customers to grab themselves a slice of gooey, unresolved trauma.
Caffè Nero has subverted the pattern a little by focusing on the Riddler. It has launched a new hot chocolate, with a mysterious new flavour. If you can guess the flavour – which is to say, if you can stomach spending your money on a product that for the purposes of suspension of disbelief was designed by a nightmarish BDSM goblin – you can win a trip to a theme park.
Again, I’m barely touching the sides here….
(15) VIDEO OF THE DAY. Dream Foundry has shared the Flights of Foundry 2021 panel “Making Your Reader Hungry: Food in SFF” with Nibedita Sen and Shweta Adhyam, moderated by Cora Buhlert. (Watch the video at the link.)
For a long time, speculative fiction rarely engaged with food. Over on the science fiction side of the fence, protagonists lived on food pills or ordered “Tea, Earl Grey, hot” from the replicator, while fantasy characters subsisted on the ubiquitous stew and quaffed tankards of ale. However, this has changed in recent times and now detailed food descriptions are a lot more common in SFF. Nor are we just seeing only stereotypical western and American food anymore, but also dishes from non-western cuisines and food traditions. This panel will discuss how food is portrayed in science fiction and fantasy and how this parallels real world developments, whether it’s meal replacement products like the unfortunately named Soylent or trends like pandemic baking.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Irene Bruce, Rob Thornton, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
(1) WFC 2021 NEWS. World Fantasy Con’s new Progress Report is a free download available here.
WFC 2021 in Montreal – taking place November 4-7 — will be a hybrid convention, with both in-person and virtual elements. Virtual memberships are $75(US)/$100(CAD) and can be obtained through the con’s registration and memberships page.
Guests of honor Nisi Shawl and John Picacio will not be attending in person but will participate virtually.
WFC 2021 has added Julie Czerneda as a Special Guest.
A communication sent to members also reminds them to adhere to the Canadian (and airline) requirements in respect to COVID vaccination and testing.
Lastly, we want to point out that if you are coming to Montreal from outside Canada, please ensure that you meet all requirements for entry into Canada. This includes being fully vaccinated and having a negative PCR test within 72 hours of the scheduled departure time of your flight to Canada. You can find more information on the Government of Canada website. (Don’t forget the other requirements too!) Your airline may have its own requirements.
We are planning on having on-site testing for travellers leaving Canada. The final price (between C$70 and C$90) will depend on the number of tests to be performed. If you are interested in on-site testing during the convention, please send a short email to email@example.com. Indicate how many people would be taking the test and which day you plan to leave the country. If the antigen test is insufficient, let us know the type required, and we will see if the testing company can handle the request. We will contact interested parties when we have finalized the arrangements.
… So that I don’t bury the lede too much, I got my pathology report back this afternoon, and I’ve got clear margins and no signs of metastasis into the lymph nodes. Which is an enormous crying-in-my-tea relief and as soon as I am not on opiates anymore I’m going to have myself a very very fancy glass of Scotch to celebrate….
Witterstaetter started her comics career as an assistant editor at DC Comics working on the Superman books. She later worked at Marvel Comics on Silver Surfer, Conan, Guardians of the Galaxy, and other titles. In addition, she spearheaded the reintroduction of She-Hulk at Marvel, where she actually appeared in the comic!
But she’s much more than only comics, as you’ll soon learn.
We discussed how Jerry Lewis launched her interest in comics, the way science fiction fandom led to her first job at DC Comics, the differences between the Marvel and DC offices of the ’70s and ’80s, what made Mark Gruenwald such an amazing editor, her emotional encounter with Steve Ditko, the inflationary info we learned about the writing of letter columns during the ’70s and ’80s, her work with John Byrne on She-Hulk, how Jurassic Park caused her to leave Marvel, the prank Jackie Chan asked her to help pull on Chris Tucker, and much more.
…”Up until the 1930s, Halloween was largely the dominion of young male pranksters; candy—in the form of mainly candy corn, tiny sugar pellets, or taffy—might be offered at parties, but it wasn’t a particularly important part of the holiday,” says Lisa Morton, an author, screenwriter, and Halloween historian. “Then, in the ’30s, prank-playing moved out of rural areas and into cities, where it became very destructive and cost millions in damages. Rather than simply ban the holiday altogether (which some cities considered), civic groups came up with the idea of buying kids off with treats, costumes, and parties. It worked, and by 1936 we have the first mention of ‘trick-or-treat’ in a national magazine.”…
This listing constitutes the suggestions of the Chesley Nominating Committee plus suggestions received from the community. This is NOT the final ballot; it is only an example of what the community considers worthy of nominating for the Chesley Awards. These suggestions are provided to show you the kind of information we want from you on your ballot, and to maybe help jog your memory of other worthy works of art you saw in 2020. You are encouraged to look beyond this listing when making your nominations; any works published for the first time in 2020 or if unpublished, displayed for the first time in 2020, are eligible. Check out your local bookstore, gaming shop, or knock yourself out visiting various artist’s websites … lots of wonderful art out there. You may make up to five nominations in each category.
(6) I’M YOUR MAN WINS. The winners of the 2021 German film award Lola have been announced. Normally, this is of zero genre interest, but this year’s big winner, taking Best Screenplay, Best Director, Best Actress and Best Film is the science fiction romantic comedy I’m Your Man: “Lolas 2021 German Film Awards Winners List” from The Hollywood Reporter.
I’m Your Man, a sci-fi rom-com from director Maria Schrader, featuring Downton Abbey star Dan Stevens as a German-speaking romance robot, has won the Lola in Gold for best film at the 2021 German Film Prize, Germany’s top film awards.
Schrader, fresh off her Emmy win (for best directing for a limited series in Netflix’s Unorthodox), picked up the best director Lola for I’m Your Man. Schrader and co-screenwriter Jan Schomburg took the best screenplay honor for their I’m Your Man script, an adaptation of a short story by German writer Emma Braslavsky. Maren Eggert, who plays the robot’s no-nonsense human love interest, won the best actress Lola for her performance, a role that has already earned her the best actress Silver Bear at the Berlin Film Festival, where I’m Your Man premiered earlier this year….
(7) MAIL CALL. [Item by Cora Buhlert.] Bobby Derie, who’s one of those unsung fan writers I wish more people would know, takes a look at the correspondence between C.L. Moore and Robert E. Howard: “Her Letters to Robert E. Howard: Catherine Lucille Moore” at Deep Cuts in a Lovecraftian Vein.
… Catherine Lucille Moore burst into the pages of Weird Tales with “Shambleau” (Nov 1933). She was a secretary at the Fletcher Trust Company in her native Indianapolis, Indiana, and engaged to a bank teller named Herbert Ernest Lewis. During the Great Depression, jobs were scarce and her $25 a week was needed to support her family; married women were often expected to be homemakers, and this may be why Moore and her fiance had a long engagement—and it is why, when she began to sell her stories to the pulps for extra cash, she used her initials “C. L.” so that her employers would not discover she had an extra source of income….
From the absolutely appalling cover art that has defaced her books since she was first published, you would think Georgette Heyer the most gooey, ghastly, cutesy, sentimental and trashy author who ever dared put pen to paper. The surprise in store for you, if you have not encountered her before, is that once you tear off, burn or ignore those disgusting covers you will discover her to be one of the wittiest, most insightful and rewarding prose writers imaginable. Her stories satisfy all the requirements of romantic fiction, but the language she uses, the dialogue, the ironic awareness, the satire and insight – these rise far above the genre….
(9) A CLEVER CANARD. Evelyn C. Leeper drew attention to this W. Somerset Maugham quote in the weekly issue of MT Void:
“After mature consideration I have come to the conclusion that the real reason for the universal applause that comforts the declining years of the author who exceeds the common span of man is that intelligent people after the age of thirty read nothing at all. As they grow older the books they read in their youth are lit with its glamour and with every year that passes they ascribe greater merit to the author that wrote them.”
(10) RICHARD CURTIS Q&A. A famous literary figure shares a wealth of knowledge.
Watch & listen to author, playwright, literary agent and former publisher Richard Curtis talk about writing, publishing and many things that will interest writers and the general public. Richard gives tips, advice and a bit of a history of publishing and how it has changed over the years in his conversation with author Rick Bleiweiss.
(11) MEMORY LANE.
1950 – Seventy-one years ago, the first issue of Galaxy Science Fiction dated October 1950 was published. It was founded by a French-Italian company, World Editions, who hired as editor H. L. Gold who was both an established SF author and editor since the Thirties having made his first sale to Astounding in 1934. There was fiction by Clifford Simak, Theodore Sturgeon, Katherine MacLean, Issac Asimov, Fredric Brown and Fritz Leiber, as well as lots of reviews, mainly by Groff Conklin, but one each by Fredric Brown and Isaac Asimov as well. Gold contributed several essays too. The 1952 run of the magazine would be get a Hugo for Best Professional Magazine at Philcon II. Gold would later be inducted into the First Fandom Hall of Fame.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 1, 1930 — Richard Harris. One of the Dumbledores in the Potter film franchise. He also played King Arthur in Camelot, Richard the Lion Hearted in Robin and Marian, Gulliver in Gulliver’s Travels, James Parker in Tarzan, the Ape Man and he voiced Opal in Kaena: The Prophecy. His acting in Tarzan, the Ape Man got him a nomination for the Golden Raspberry Award for Worst Actor. Anyone see that film? It earns a ten percent rating among audience reviewers at Rotten Tomatoes. (Died 2002.)
Born October 1, 1935 — Dame Julie Andrews,DBE, 86. The original Mary Poppins! I could have stopped there but I won’t. (Hee.) She had a scene cut in which was a maid in The Return of the Pink Panther, and she’s uncredited as the singing voice of Ainsley Jarvis in The Pink Panther Strikes Again. Yet again she’s uncreated as in a Panther film, this time as chairwoman in Trail of the Pink Panther. She voices Queen Lillian in Sherk 2, Shrek the Third and Shrek Forever After. And she’s the voice of Karathen in Aquaman.
Born October 1, 1940 — Richard Corben. Comic book artist best remembered for his work in Heavy Metal magazine. His work also appeared in Creepy, Eerie and Vampirella. All the stories and covers he did for Creepy and Eerie have been reprinted by Dark Horse Books in a single volume: Creepy Presents Richard Corben. Corben collaborated with Brian Azzarello on five issues of Azzarello’s run on Hellblazer, Hellblazer: Hard Time. (Died 2020.)
Born October 1, 1948 — Mike Ashley, 73. Anthologist, and that is somewhat of an understatement, as the Mammoth Book series by itself ran to thirty volumes including such titles as The Mammoth Book of Awesome Comic Fantasy and The Mammoth Book of New Jules Verne Adventures. He also did The History of the Science Fiction Magazine which features commentary by him. He’s did a number of genre related studies including The History of the Science Fiction Magazine with Robert A. W. Lowndes and Out of This World: Science Fiction But Not As You Know It.
Born October 1, 1950 — Natalia Nogulich, 71. She’s best remembered as being on The Next Generation and Deep Space Nine as Vice Admiral/Fleet Admiral Alynna Nechayev. Interestingly, though Serbian, they gave her a Russian surname. She was the voice for Mon Mothma for the radio adaptation of Return of the Jedi. She had one-offs on Dark Skies, Prey, Sabrina, the Teenage Witch and Charmed.
Born October 1, 1953 — John Ridley, 68. Author of Those Who Walk in Darkness and What Fire Cannot Burn novels. Both excellent though high on the violence cringe scale. Extremely high. Writer on the Static Shock and Justice League series. Writer, The Authority: human on the inside graphic novel. And apparently he was the writer for Team Knight Rider, a female version of Knight Rider that lasted but one season in the Nineties. I’ve never even heard of it until now. In 2021, Ridley began writing a number of series for DC Comics Including a future Batman story.
Born October 1, 1973 — Rachel Manija Brown, 48. Co-writer of the Change series with Sherwood Smith; Laura’s Wolf, first volume of the Werewolf Marines series. She wrote an essay entitled “The Golden Age of Fantasy Is Twelve: SF and the Young Adult Novel” which was published in Strange Horizons. She’s well stocked at the usual digital suspects.
Born October 1, 1989 — Brie Larson, 32. Captain Marvel in the Marvel film universe including of course the most excellent Captain Marvel which was nominated for a Hugo at CoNZealand. She’s also been in Kong: Skull Island as Mason Weaver, and plays Kit in the Unicorn Store which she also directed and produced. Her first genre role was Rachael in the “Into the Fire” episode of the Touched by an Angel series; she also appeared as Krista Eisenburg in the “Slam” episode of Ghost Whisperer. I wrote up a review of her Funko Rock Candy figure at Green Man.
“I am happy to have resolved our differences with Disney,” stated Johansson. “I’m incredibly proud of the work we’ve done together over the years and have greatly enjoyed my creative relationship with the team. I look forward to continuing our collaboration in years to come.”
Disney Studios chairman Alan Bergman added: “I’m very pleased that we have been able to come to a mutual agreement with Scarlett Johansson regarding Black Widow. We appreciate her contributions to the Marvel Cinematic Universe and look forward to working together on a number of upcoming projects, including Disney’s Tower of Terror.”…
… Ms. Johansson would have made tens of millions of dollars in box office bonuses if “Black Widow” had approached $1 billion in global ticket sales; “Captain Marvel” and “Black Panther” both exceeded that threshold in prepandemic release, so similar turnout for “Black Widow” was not out of the question.
The Wall Street Journal reported this month that Creative Artists had privately asked Disney to pay Ms. Johansson $80 million — on top of her base salary of $20 million — to compensate for lost bonuses. Disney did not respond with a counteroffer, prompting her to sue….
(15) JEOPARDY! While watching last night’s Jeopardy!, Andrew Porter’s jaw dropped when a contestant came up with this response.
Final Jeopardy: Children’s Literature
Answer: A 2000 Library of Congress exhibit called this 1900 work “America’s greatest and best-loved homegrown fairytale.”
Wrong question: What is “Shrek”?
Right question: What is “The Wizard of Oz”?
(16) JUSTWATCH – SEPTEMBER TOP 10S. Here are the top sff movies and streaming shows of September 2021 according to JustWatch. (Click for larger images.)
(17) WEEKS LATER, THESE ESCAPEES ARE STILL WEARING STRIPES. I’m having trouble thinking of a way to connect this to science fiction, thereby justifying the presence in the Scroll of an item that amuses me. Any suggestions? “A Month Later, Five Zebras Are Still on the Run in Maryland” from the New York Times.
…A month after they escaped from a farm in Maryland, five zebras have evaded capture and are continuing to ramble across the wilds of suburban Prince George’s County, eking out a living on territory far from the grasslands of East Africa.
… Daniel I. Rubenstein, a professor of zoology at Princeton University, said he was not surprised that the zebras had proved so elusive.
Unlike domesticated horses that will return to a barn after they’ve gotten loose, zebras are wild animals and “don’t like people generally,” he said. And they may not have any need to feed on the grain set out for them as bait, if they can find enough food to munch elsewhere.
If the zebras continue to elude capture, “they should be able to do just fine” in Prince George’s County, Dr. Rubinstein said.
The county has plenty of lawns, fields and pastures where the zebras can graze, as well as streams and other places for them to drink water, which they need to do once a day, he said.
And with the dearth of lions in the Greater Washington area, they have no natural predators, he said, adding, “coyotes they can deal with.”
While zebras “won’t like snow,” they may be able to survive colder weather in the fall and winter. Zebras, he said, live on the slopes of Mount Kenya, at 13,000 feet, where temperatures at night dip into the 30s.
“They should be able to thrive quite nicely,” Dr. Rubinstein said. “They will be able to sustain themselves naturally on that landscape.”…
Studies show southeast Asia is a hotspot for potentially dangerous viruses similar to SARS-CoV-2. Scientists have found three viruses in bats in Laos that are more similar to SARS-CoV-2 than any known viruses. Researchers say that parts of their genetic code bolster claims that the virus behind COVID-19 has a natural origin — but their discovery also raises fears that there are numerous coronaviruses with the potential to infect people.
(19) CHERNOBYL BACK IN NEWS. This is worrying: Radiation levels are rising around reactor 4 of the Chernobyl nuclear power plant, which suffered the catastrophic meltdown in 1986: “Chernobyl’s Blown Up Reactor 4 Just Woke Up” in History of Yesterday. The article explores several hypothetical explanations why this could happen.
… Scientists from Ukraine have placed many sensors around reactor 4 that constantly monitor the level of radioactivity. Recently those sensors have detected a constant increase in the level of radioactivity. It seems that this radioactivity is coming from an unreachable chamber from underneath reactor 4 that has been blocked since the night of the explosion on the 26th of April, 1986….
…A question kept occurring to me over and over again that no one seemed to be addressing. Chuck Tingle is a pretty cool guy. Chuck Tingle is great at titles and covers. But are his books actually any good? Is chuck tingle a good writer? Now I feel the need to immediately qualify this. I am aware that it doesn’t matter. His books make people happy even if they’ve not read them which is quite an achievement. His inclusivity means a lot to people and his general behavior be it amusingly bizarre or the unashamedly progressive matters more in this crazy world we’re living in than if he can rock a good three-act structure…
[Thanks to, John King Tarpinian, Michael Toman, Mike Kennedy, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Paul Di Filippo, Martin Morse Wooster, JJ, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff, with an assist from OGH.]
Does it make sense to keep working on short fiction, with the idea of developing my writing skills before moving on to a novel? How do you know when one of your own ideas will be a short story or a novel??
What about the second question, though–what do you do if you’ve started writing a story, and now you think it might actually be a novel?
This is an issue that comes up a lot when you’re workshopping. What happens in those cases is that your readers notice that you have a lot going on in the story you’ve submitted. Like, a lot: lots of characters, lots of complexity within the world you’ve built, maybe even multiple story threads. You’ve alluded to a dozen or more incredibly interesting things and none of them feels fully realized, and several readers are calling for you to expand each and every one of those elements. But you’re already pushing 7,500 words!…
If someone asked me to reflect on my life, I’d probably say something like “yeah, I’m the woman who missed the moments.” I watched Veronica Mars for the first time in 2017, The OC in 2020, drank my first red wine when I was 50, and learned the meaning of “Shaving the Yak” when I was 60.
Being late to the party is kind of my tribute song. Annoyingly, it means there’s no one to hoot and holler with, about what you’re just discovering/crushing on.
Also, I regularly feel slightly… well… dumb.
So this week I heard the expression “shaving the yak” for the first time. A very polite gentleman I was interviewing, explained to me that it meant wanting to solve a problem, but running into a bunch of other problems you have to navigate, to get to the thing you want to do. It first got wings after a Ren and Stimpy show in the early 2000s. And for those of you that prefer a visual cue, here’s Hal doing it in Malcolm in the Middle, circa 2001….
(4) Q&A WITH BETSY WOLLHEIM. On YouTube, “An Interview with Betsy Wollheim: President, co-Publisher, and co-Editor-in-chief of DAW Books.”
Betsy Wollheim gives us insight into her nearly fifty years of experience in the publishing industry, highlighting her work with author Kristen Britain and the “Green Rider” series.
… At 34, I was a very different reader than I was at 15, when I first read Shards of Honor. Sure, the series has its flaws. The vast majority of sci-fi published the 1980s has flaws. And I’m not going to pretend that I can be objective about it, because I have a deep emotional connection to the world and its characters. But what struck me, on this most recent reread, was how well the series stands up. I was consistently impressed with Bujold’s mastery of the series as a form. I picked up on small details I hadn’t noticed before. I started to paying attention to the way Bujold plots each novel and to how each book connects to the others. I noticed patterns. Certain things started to jump out at me: how the books end, the ways the characters change over time, the many different kinds of stories contained in the series as a whole….
(6) MEMORY LANE.
1974 – Forty-seven years ago this evening on ABC, Kolchak: The Night Stalker first aired. It was preceded by The Night Stalker and The Night Strangler films, both written by Richard Matheson. It was created by Jeff Rice who Mike has some thoughts about here. As you know it has a small cast consisting of Darren McGavin, Simon Oakland, Jack Grinnage and Ruth McDevitt. It has become a cult favorite which currently carries a not surprising ninety-four percent rating among audience reviewers at Rotten Tomatoes but it was a Nielsen ratings failure and only lasted one season of twenty episodes before being cancelled. Chris Carter who credits the series as the primary inspiration for The X-Files wanted McGavin to appear as Kolchak in one or more episodes of that series, but McGavin was unwilling to reprise the character for the show. He did appear on the series as retired FBI agent very obviously attired in Kolchak’s trademark seersucker jacket, black knit tie, and straw hat.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 13, 1916 — Roald Dahl. Did you know he wrote the screenplay for You Only Live Twice? Or did he hosted and wrote for a sf and horror television anthology series called Way Out which aired before The Twilight Zone for a season? He also hosted the UK Roald Dahl’s Tales of the Unexpected. My favorite Dahl work is The BFG. What’s yours? (Died 1990.)
Born September 13, 1931 — Barbara Bain, 90. She’s most remembered for co-starring in the original Mission: Impossible television series in the 1960s as Cinnamon Carter, and Space: 1999 as Doctor Helena Russell. Her first genre role was as Alma in the “KAOS in CONTROL” episode of Get Smart! She was active as of last year as showed in the Space Command series as Auut Simone in the “Ripple Effect” episode.
Born September 13, 1939 — Richard Kiel. He’s definitely best remembered for being the steely mouthed Jaws in The Spy Who Loved Me and Moonraker. Now let’s see what other SFF films he’s been in… One of his last credits was voicing Vlad in the animated Tangled. He was The Salorite in The Phantom Planet, Eegah in the low budget horror film Eegah, a giant in House of the Damned, Dr. Kolos in The Human Duplicators, a Psychiatric Hospital Patient in Brainstorm, Bolob in the Italian L’umanoide, internationally released as The Humanoid, and he reprised his Jaws character in Inspector Gadget. Series wise, he’s shown up in The Man from U.N.C.L.E., Twilight Zone, Kolchak: The Night Stalker, The Wild Wild West (where he worked in a recurring role with Michael Dunn as Dr. Miguelito Loveless), I Dream of Jeannie, Gilligan’s Island, Land of The Lost and Superboy. (Died 2014.)
Born September 13, 1944 — Jacqueline Bisset, 77. I never pass up a Bond performance and so she’s got on the Birthday Honors by being Giovanna Goodthighs in Casino Royale even though that might have been one of the dumbest character names ever. As near as I can tell, until she shows up in as Charlotte Burton in the “Love the Lie” episode of the Counterpart series that’s her entire encounter with genre acting. Genre adjacent, she appeared in the Albert Finney fronted Murder on the Orient Express as Countess Helena Andrenyi.
Born September 13, 1947 — Mike Grell, 74. He’s best known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance. The Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth. Theanimated Justice League Unlimited “Chaos at the Earth’s Core“ episode made use of this story.
Born September 13, 1960 — Bob Eggleton, 61. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork, Primal Darkness: The Gothic & Horror Art of Bob Eggleton which he put together in 2010 and was published by Cartouche Press.
Born September 13, 1961 — Tom Holt, 60. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, deeply into Wagner, you’ll love Expecting Someone Taller; if not, skip it. His only two Awards are a pair of World Fantasy Awards, both for novellas, “A Small Price to Pay for Birdsong” and “Let’s Maps to Others”. And yes, I know that he also publishes under the K. J. Parker name as well but I won’t go into the works he publishes there here.
Born September 13, 1974 — Fiona Avery, 47. Comic book and genre series scriptwriter. While being a reference editor on the final season of Babylon 5, she wrote “The Well of Forever” and “Patterns of the Soul” as well as two that were not produced, “Value Judgements” and “Tried and True”. After work on the Crusade series ended, she turned to comic book writing, working for Marvel and Top Cow with J. Michael Straczynski’s Rising Stars series being another place where her scripts were used. She created the Marvel character Anya Sofia Corazon later named Spider-girl. She did work on Tomb Raider, Spider-Man, X-Men and Witchblade as well.
(8) COMICS SECTION.
The Far Side shows the Scarecrow’s plans to be another Lincoln will have to be postponed.
Disney+ and Marvel Studios invite you on an unexpected holiday getaway, unwrapping a brand-new teaser trailer and poster today for “Hawkeye,” a new series set in post-blip New York City. Former Avenger Clint Barton has a seemingly simple mission: get back to his family for Christmas. Possible? Maybe with the help of Kate Bishop, a 22-year-old archer with dreams of becoming a Super Hero. The two are forced to work together when a presence from Barton’s past threatens to derail far more than the festive spirit.
(11) FORBIDDEN ADDRESS. Powell’s Books presents “Caitlin Starling in Conversation With Wendy N. Wagner” on October 6 at 5:00 p.m. Pacific. Register for the free Zoom webinar here.
From Bram Stoker-nominated Caitlin Starling, author of The Luminous Dead, comes The Death of Jane Lawrence (St. Martin’s), a new gothic fantasy horror novel. Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town. Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man — one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him. By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to. Set in a dark-mirror version of post-war England, Starling crafts a new kind of gothic horror from the bones of the beloved canon. This Crimson Peak-inspired story assembles, then upends, every expectation set in place by Shirley Jackson and Rebecca, and will leave readers shaken, desperate to begin again as soon as they are finished. Starling will be joined in conversation by Wendy N. Wagner, editor of Nightmare magazine and author of An Oath of Dogs.
… The scientists have set their initial sights on creating an elephant-mammoth hybrid by making embryos in the laboratory that carry mammoth DNA. The starting point for the project involves taking skin cells from Asian elephants, which are threatened with extinction, and reprogramming them into more versatile stem cells that carry mammoth DNA….
(13) B5 DREAMING. Add this to your list of rumors of SF series reboots/sequels. Make of it what you will.
[Thanks to JJ, Michael Toman, John King Tarpinian, Joyce Scrivner, Dann, Steven H Silver, Marc Criley, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Brian Z.]
…Titled Black Stars, the collection showcases some of the biggest names writing science fiction today, highlighting their visions of what the future might look like for the human race and the issues we might have to tackle. The six authors forming this all-star lineup include Chimamanda Ngozi Adichie (We Should All Be Feminists), C. T. Rwizi (Requiem Moon), Victor LaValle (The Changeling), Nnedi Okorafor (Binti), Nalo Hopkinson (The House of Whispers), and Nisi Shawl (Everfair), who also edited the entire collection, along with co-editor Latoya Peterson.
“Freedom is the overarching theme among the stories,” Shawl tells SYFY WIRE, while discussing the throughline that connects all six stories. “Freedom to explore new star systems, to develop new economies, to break away from stale stereotypes.”
Part of what makes Black Stars so special is the fact that it is showcasing speculative science fiction from Black authors from around the world.
“I want readers to take away the dazzling diversity that is the Black experience,” Shawl says. “I want us all to realize how our dreams and fantasies, our supposings and nightmares and aspirations are so very varied. Blackness is not a monolith! I’ve learned this, and I want to share with our readers the enormous wealth that is Black heritage and the many possible Black futures.” …
(2) YORK SOLAR SYSTEM. NickPheas, inspired by Ingvar’s photos of Sweden’s epic model, shot photos of the solar system model running for ten miles south of York, UK. Twitter thread starts here.
(3) STAR TREK EXPLORER. If you aren’t getting enough Star Trek news, Titan Comics promises to fix that for you when Star Trek Explorer – The Official Magazine Issue #1 hits stores on November 2.
EXPLORER is the no. #1 destination for everything Star Trek – filled with in-depth interviews and features taking you behind-the-scenes of all your favorite shows and movies.
The new-look EXPLORER magazine also includes two brand-new exclusive Star Trek short stories, and a bonus 16-page themed supplement bound inside each issue. The hotly anticipated premier issue features a definitive guide to Captain Kirk!
Subscribers of STAR TREK EXPLORER – THE OFFICIAL MAGAZINE will also receive an exclusive digital magazine, direct to their inbox with every quarterly issue. Each digital magazine will feature bonus short stories, printables, activities and much more!
The Speculative Literature Foundation needs jurors to help read applications for the Working Class Writers’ Grant Ideally, we’re looking for people who are well read in speculative fiction, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work.
If interested, please send a brief note to Catherine Lin (firstname.lastname@example.org) with the subject line: JUROR.
Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.
(5) AMAZING STORIES RETRENCHES. Following the announcement “Amazing Stories Special All Canadian Issue Now Available” comes a statement that “Amazing Stories has had a rough past year, mostly owing to the fact that our former Licensee – NBC/Universal Television – has failed to meet their contractual obligations” and how their publishing program is changing in response:
…Beyond denying you a regular issue of the magazine up till now, in order to continue publishing the magazine we have had to take the following steps as well:
Owing to the previously stated, Amazing Stories must change the way it produces issues, while at the same time attempting to do what is right by our subscribers. These are necessary, budget-related changes that represent our only option for keeping the magazine in publication. Those changes are as follows:
First, Amazing Stories will be changing to an annual format, producing one (over-sized) issue per year rather than quarterly (four) issues per year.
Second, we are eliminating the print edition as a regularly available option. Print copies of each issue will remain available as a separately purchased Print On Demand (POD) product. All current print subscriptions will be converted to Electronic Editions moving forward. In addition, former print subscribers may select one of the Amazing Select titles, electronic edition, for each year of subscription that is being converted.
Please know that we are not happy with having to make these changes, but following long discussion, we believe that these changes offer us our best chance of moving forward. Those with questions, please feel free to get in touch with the publisher, Steve Davidson, via Steve (at) amazingstories (dot) com.
There are perfectly legitimate reasons not to have read works widely regarded as science fiction and fantasy classics. Perhaps the most compelling is that the field is far too large for any one person to have read all of it, even if they were to limit themselves to works other readers enthusiastically recommend. However, there are other reasons, some quite silly, to have left promising books unread. Here are five of my stupidest reasons for not having read a widely-praised book cover to cover….
(7) STORIES THAT ARE THE FOUNDATIONS FOR RPG. Goodman Games, an RPG publisher, occasionally features interesting articles on their site. Here are two:
Appendix N of the original Dungeon Masters Guide has become a Rosetta Stone for the study of the literary roots of D&D. One figure carved on that stone is Andrew J. Offutt, who is cited not for his own writing, but for editing the Swords Against Darkness heroic fantasy anthology series. Oddly, only the third volume of the five-book series is singled out and none of the other four books are even mentioned. Who then is Andrew Offutt, and why is he enshrined with the other Appendix N luminaries? …
Robert E. Howard’s sword and sorcery tale “Red Nails,” published as a three-part serial in Weird Tales in 1936, tells the story of the city of Xuchotl, the enduring, blood-soaked war between the Tecuhltli and the Xotalanc, and the dehumanizing effect of sustained hatred and violence. “Red Nails” engages with several ancient literary tropes, but the one that centers “Red Nails” is what I term “the stalemate war.” By focusing on the stalemate war between the murderous Tecuhltli and insane Xotalanc, I hope to bring into focus a surprising facet of Robert E. Howard’s most famous sword and sorcery character, Conan of Cimmeria: the way the barbarian maintains his humanity through compassion….
(8) A KEY INVENTION. The Typewriter Revolution exhibit can be seen at the National Museum of Scotland through April 17, 2022. Or you can view photos of over 100 typewriters in their connection at the website.
The impact of the typewriter has been much wider than simply speeding up the way we write. It helped revolutionise the world of work and change the lives of working women in particular. Typewriters helped them launch their own businesses at a time when female employers were rare and became a vital weapon in the fight for the vote.
The typewriter’s social and technological influence is revealed in this new exhibition and looks at its role in society, arts and popular culture. It traces the effect and evolution of typewriters across more than 100 years, from weighty early machines to modern style icons. And despite being erased from many offices by the rise of computers, the typewriter has remained a beloved design icon that is still in use today.
Drawing on our outstanding typewriter collection, the exhibition features a range of machines, including an 1876 Sholes and Glidden typewriter which was the first to have a QWERTY keyboard; a 1950s electric machine used by Whisky Galore author Sir Compton Mackenzie; and the 1970s design icon, the Olivetti Valentine.
Writer, activist and broadcaster Walidah Imarisha presents the untold story of black sci-fi and its vital role in redefining the present and imagining the future.
This documentary explores the power – and the rich history – of speculative, visionary fiction by black authors in the UK, USA and Africa, and how activists around the world have been inspired by science fiction as they strive to build new worlds. Walidah Imarisha unravels the idea that all organisation and activism is a form of “science fiction” – and how bringing new realities into being is itself a creative act.
Interviewees include multidisciplinary artists Moor Mother and Rasheedah Philips, Nigerian-American writer Nnedi Okorafor, and British feminist writer and researcher Lola Olufemi.
Dr. Eric Leif Davin teaches labor and political history at the University of Pittsburgh. He wrote “Pioneers of Wonder: Conversations with the Founders of Science Fiction.” as well as “Partners in Wonder: Women and the Birth of Science Fiction, 1928-1965.”
John Grayshaw: What is the Gernsback era?
[Davin] Although Hugo Gernsback briefly published an SF magazine in the 1950s, “SF Plus,” the Gernsback Era is actually referring to the period 1926-1934. In 1926 Gernsback launched “Amazing Stories,” the first SF magazine. It was the only SF magazine until 1929, when he launched “Wonder Stories.” In 1934 he sold the latter magazine to the Thrilling group, with it becoming “Thrilling Wonder Stories.” With that, he exited the SF magazine world until the 1950s
…In the late 1980s when I first met Lorna, the Spaced Out Library was on the second floor of the Boys and Girls House at Beverly and College Streets. Not climate-controlled. Not accessible. As ad-hoc a library as its name might suggest.
I’d come in as a journalist, ostensibly working with another writer on an article about the Canadian science fiction community for a local alternative paper – but really, dipping my toe into a world that I very much wanted to enter.
Lorna helped me do both. First, she gave me a who’s-who rundown of sources I might speak to, suggested I hit Ad Astra, the local science fiction convention to find those sources in one place.
Those sources included Judith Merril herself, who after a very professional interview, told me very candidly, about a writer’s workshop that might be looking for members – and introduced me to one of the founding members, Michael Skeet. Lorna’s husband….
(12) MEMORY LANE.
2007 – Fourteen years ago today, Masters of Science Fiction, an anthology science fiction series, finished its very brief run on ABC. And I do mean brief as only four of its six episodes actually aired. It was presented by Stephen Hawking which is why when it broadcast later on the Science Channel in its entirety that it was called Stephen Hawking’s Sci-Fi Masters. The six stories were all by SF writers, to wit John Kessel, Howard Fast, Robert Heinlein, Harlan Ellison, Walter Mosley and Robert Sheckley. The few critics that actually noticed it liked it. Like so many similar short-run series, it has no Rotten Tomatoes audience rating. The trailer is up here. (Several YouTubers attempted to host the videos, however, they aren’t available as, of course, the series is under copyright.)
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 25, 1909 — Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time Tunnel, The Man from U.N.C.L.E. and The Invaders. (Died 1971.)
Born August 25, 1913 — Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on Dumbo, Pinocchio and Fantasia? (Died 1973.)
Born August 25, 1930 — Sir Sean Connery. Best film overall? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly. Worst film? Zardoz. These are my choices and yours no doubt will be different. (Died 2020.)
Born August 25, 1940 — Marilyn Niven, 81. She was a Boston-area fan who lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons. In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
Born August 25, 1955 — Simon R. Green, 66. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The Nightside, Hawk & Fisher and Secret History are my all-time favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. He’s got three active series now of which the Ishmael Jones and the Gideon Sable series are the best.
Born August 25, 1958 — Tim Burton, 63. Beetlejuice is by far my favorite film by him. His Batman is kind of interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. Not really true to the source material though.
Born August 25, 1970 — Chris Roberson, 51. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He’s also written two Warhammer novels, Dawn of War and Sons of Dorn, and is publisher with his wife Allison Baker of Monkey Brain Books which has twice been nominated for World Fantasy Awards. He won two Sidewise Awards for Alternate History, for his novella O One (2003), and novel The Dragon’s Nine Sons (2008).
Born August 25, 1987 — Blake Lively, 34. She was Adaline Bowman in The Age of Adaline, a neat mediation upon life and death. She also played Carol Ferris in that Green Lantern film but the less said about it the better. Her very first role was as Trixie / Tooth Fairy in The Sandman at age eleven.
It’s finally here! And it was worth the wait. Fantastic Voyage has reached the big screen, and it’s spectacular.
Fantastic Voyage may be the most advertised science fiction film ever made, with intriguing articles in Life and Look, a novelization published in The Saturday Evening Post and about a zillion articles in Famous Monsters in Filmland. And despite this endless campaign – or maybe because of it – I’m delighted to tell you this audacious film deserves its media ubiquity.
(15) YOU’LL SHOP HERE SOONER OR LATER. A business in LA’s Echo Park neighborhood has the fascinating name Time Travel Mart. Here are just a few of the items they sell there.
…Just to make sure that she isn’t imagining things, Mona calls over Ellen, the maid, and asks her what she sees in the puddle of spilled water. Ellen confirms that the puddle looks like a dog, but not just any old dog either, but the little dogs on which the leprechauns ride on moonlit nights. For Ellen just happens to be Irish and therefore a fount of Irish folklore…..
(18) IT CAUSES ME TO TINGLE. Not only is love real, so is Chuck.
(19) R.L. STINE REMEMBERS. [Item by Martin Morse Wooster.] I listened to this podcast that Leonard and Jessie Maltin did with R.L. Stine. “Maltin on Movies: R.L. Stine”. The Maltins began by remembering how they would chat with Stine in the Los Angeles Times Book festival green room, where they would also say hello to Ray Bradbury and Harlan Ellison. Stine then explained how he, born in 1943, was first influenced by radio comedians (remember Mortimer Snerd?) He also loved E.C. comics and after his parents refused to let him buy the comics he made sure to get a haircut every Saturday because the local barbershop had a plentiful supply. Stine then worked his way up at Scholastic Books, and became a YA horror author because an editor got mad at Christopher Pike and they wanted someone to write YA horror novels. Stine said he was a hands-on producer of the Goosebumps TV series, which “gave every child actor in Canada a job” including 11-year-old Ryan Gosling. Stine also explained that he had kids come up to him and say they learned how to use typewriters because they saw Jack Black use a typewriter playing Stine in the Goosebumps movie.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Monster Hunter Stories” on YouTube, Fandom Games says Monster Hunter Stories is a dinosaur-fighting game that has gone through “Pokemonification,.” and includes a scene here you fight a dinosaur with a bagpipe and another where a talking cat spends too much time explaining how she enjoys donuts.
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, SF Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
… Questions around the fate of Nichols’ home — who lives in it and what happens to it — have been central to an ongoing, years-long legal battle over the finances and care of the beloved TV star, who friends and family say is financially drained and struggling with dementia.
A three-way fight over Nichols’ fate involves her only child, Kyle Johnson, who is also her conservator; her former manager Gilbert Bell; and a concerned friend, Angelique Fawcette….
After aggressively pursuing rights, Paramount Pictures has preemptively acquired the Wayward Children fantasy book series by Seanan McGuire. With six books already published and a seventh installment coming in early 2022, the studio plans to build a franchise around this universe of characters and stories.
Sources say Paramount’s Motion Picture Group president Emma Watts has had her eye on the series for some time and was hands on in making sure the studio landed the rights. Insiders say the studio views the series as a possible franchise given the huge fanbase that is behind it, and add it has already drawn interest from top talent to be a part of it.
The series adaptations will be produced by Pouya Shahbazian. The series takes place in Eleanor West’s School for Wayward Children, a boarding school for people who have returned home from magical fantasy worlds and have trouble readjusting to their old lives. For as long as time, children have always found doorways into different worlds, whether down rabbit holes and wishing wells or through wardrobes and magic mirrors, but this series explores what happens to the ones who come back — and want nothing more than to return to those other worlds.
This surreal and subversive take on portal fantasy stories is centered around a culturally diverse group of teenagers across the LGBTQIA+ spectrum, as they work to make sense of the fantastical realms they came from and the shared world they find themselves back in….
You probably know the story of Lord Byron’s house party at Villa Diodati – the one in which he challenged his guests to see who could write the scariest ghost story. Teenage Mary Shelley won his challenge on infamy, if not technicality, when she wrote Frankenstein. Thus the horror genre was invented by a disenfranchised teenage girl.
While it might be more precise to say that Shelley invented science fiction in this moment, her story, a non-religious creationist myth, would upend the rules of literature. Frankenstein has become such an influential examination of the distortion of nature and hubris of man, that it looms larger in the gothic horror genre than any other work of literature.
If you want to acknowledge just how much women have contributed to the horror genre, and how much the genre continues to reflect women and women’s realities back to themselves, Frankenstein is also a useful place to start.
Horror is one of the only genres that allows for a constantly evolving interplay of the factual and fantastical. “When you enter into horror, you’re entering into your own mind, your own anxiety, your own fear, your own darkest spaces,” said American author Carmen Maria Machado, speaking to the Paris Review in 2017. Having won the Shirley Jackson award for her short story collection Her Body and Other Parties, Machado went on to use a horror framework to tell her personal story of queer domestic violence in her 2019 memoir, In the Dream House. With gothic tropes and style, Machado replayed physical and emotional abuse within the walls of her mind and the memories of the old house she shared with her partner – now haunted by the past and their relationship. “Horror is an intimate, eerie, terrifying thing, and when it’s done well it can unmake you, the viewer, the reader,” she said….
Full of memoir, personal anecdote, and insight about how to flourish during the present emergency, Never Say You Can’t Survive is the perfect manual for creativity in unprecedented times. Things are scary right now. We’re all being swept along by a tidal wave of history, and it’s easy to feel helpless. But we’re not helpless: we have minds, and imaginations, and the ability to visualize other worlds and valiant struggles. And writing can be an act of resistance that reminds us that other futures and other ways of living are possible.
…P Djèlí Clark’s debut novel A Master of Djinn (Orbit, £8.99) is set in an alternative-history version of Egypt. In 1912, half a century after the mystic al-Jahiz made an opening into the realm of spirits, Cairo is a modern, multicultural city running on a combination of magical, alchemical and steam-powered technology. Muslims and Copts co-exist with devotees of Hathor; djinn and humans work together; even women have won the right to vote, and are employed in jobs formerly given only to men. Fatma el-Sha’arawi of the Ministry of Alchemy, Enchantments and Supernatural Entities has already saved the universe from destruction once and is sure she can handle the little problem of an imposter in a gold mask, claiming to be al-Jahiz and stirring unrest in the rougher neighbourhoods. This fantasy is refreshingly different; a well-plotted mystery filled with engaging characters, presented with a lightly humorous touch….
(7) CLI-FI. Future Tense, a partnership of Arizona State University, Slate, and New America presents the first public event connected with their Climate Imagination Fellowship.
“Unlocking Our Climate Imagination” is on August 31 at 12 p.m. Eastern. Speakers include Kim Stanley Robinson, the three Climate Imagination Fellows, Vandana Singh, Hannah Onoguwe, and Libia Brenda, plus Nigel Topping, the UN High-Level Climate Champion for the UK, and Bina Venkataraman, Boston Globe editorial page editor and former White House climate advisor.
The event is free and open to everyone. Register here.
(8) MEMORY LANE.
1967 – Fifty-four year ago at NyCon 3 where Harlan Ellison was Toastmaster, Robert Heinlein would win the Hugo for Best Novel for The Moon is a Harsh Mistress. It had been serialized in If the previous year and published by Putnam that year. Other nominated works were Samuel R. Delany‘s Babel-17, Randall Garrett‘s Too Many Magicians, Daniel Keyes‘ Flowers for Algernon, James H. Schmitz‘s The Witches of Karres and Thomas Burnett Swann’s Day of the Minotaur. It would also be nominated for a Nebula and it would be inducted into the Prometheus Hall of Fame.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 16, 1884 — Hugo Gernsback. Publisher of the first SF magazine, Amazing Stories in 1926. He also helped create fandom through the Science Fiction League. Pittcon voted him a Hugo titled Father of Magazine Science Fiction, and he was voted the First Fandom Hall of Fame Award. He’s the writer of the Ralph 124C 41+ novel which most critics think is utterly dreadful but Westfahl considers an “essential text for all studies of science fiction.” There’s at least nine versions of it available at the usual suspects which is sort of odd. (Died 1967.)
Born August 16, 1930 — Robert Culp. He’d make the Birthday Honors solely for being the lead in Outer Limits’ “Demon with a Glass Hand” which Ellison wrote specifically with him in mind. He would do two more appearances on the show, “Corpus Earthling” and “The Architects of Fear”. Around this time, he makes one-offs on Get Smart! and The Man from U.N.C.L.E. before being Special FBI Agent Bill Maxwell in The Greatest American Hero. Did you know there was a Conan the Adventurer series in the Nineties in which he was King Vog in one episode? I’ve not seen it. Do we consider I Spy genre? (Died 2010.)
Born August 16, 1933 — Julie Newmar, 88. Catwoman in Batman. Her recent voice work includes the animated Batman: Return of the Caped Crusaders and Batman vs. Two-Face, both done in the style of the Sixties show. They feature the last voice work by Adam West. Shatner btw plays Harvey Dent aka Two Face. She was on the original Trek in the “Friday’s Child” episode as Eleen. She also has one-offs on Get Smart!, Twilight Zone, Fantasy Island, Bionic Woman, Buck Rogers in the 25th Century, Bewitched and Monster Squad.
Born August 16, 1934 — Andrew J. Offutt. I know him through his work in the Thieves’ World anthologies though I also enjoyed the Swords Against Darkness anthologies that he edited. I don’t think I’ve read any of his novels. And I’m not Robert E. Howard fan so I’ve not read any of his Cormac mac Art or Conan novels but his short fiction is superb. His only award was a Phoenix Award which is lifetime achievement award for a science fiction professional who had done a great deal for Southern Fandom. (Died 2013.)
Born August 16, 1934 — Diana Wynne Jones. If there’s essential reading for her, it’d be The Tough Guide to Fantasyland with a playful look at the genre. Then I’d toss in Deep Secret for its setting, and Fire and Hemlock for her artful merging of the Scottish ballads Tam Lin and Thomas the Rhymer. Now what’s the name of the exemplary short story collection she did late in life? Ahhh it was Unexpected Magic: Collected Stories with the great cover by artist Dan Craig. (Died 2011.)
Born August 16, 1954 — James Cameron, 67. Let’s see… Terminator… Aliens… Terminator 2… True Lies… Strange Days… And The Abyss as well. Did you know he was interested in doing a Spider-man film? It never happened but the Dark Angel series with Jessica Alba did. And then there’s his Avatar franchise.
Born August 16, 1958 — Rachael Talalay, 63. She made her directorial debut with Freddy’s Dead: The Final Nightmare, and she also worked on the first four of the Nightmare on Elm Street films. Moving from horror to SF, she directed Tank Girl next. A long time Who fan, she directed all three of Twelfth Doctor’s series finales: series 8’s “Dark Water” and “Death in Heaven,” along with series 9’s “Heaven Sent” and “Hell Bent” before directing series 10’s “World Enough and Time” and “The Doctor Falls.” She capped who Who work with “Twice Upon a Time”, the last Twelfth Doctor story. Her latest genre undertaking is A Babysitter’s Guide to Monster Hunting.
Born August 16, 1960 — Timothy Hutton, 61. Best known of late as Nathan Ford on the Leverage series which is almost genre. His first genre was in Iceman as Dr. Stanley Shephard, and he was in The Dark Half in the dual roles of Beaumont and George Stark. He’s David Wildee in The Last Mizo, based off “Mimsy Were the Borogoves” by Lewis Padgett (husband-and-wife team Henry Kuttner and C. L. Moore). He was Hugh Crain in The Haunting of Hill House series. I’m going to finish off this Birthday note by singling out his role as Archie Goodwin on the Nero Wolfe series.
(11) AVENGERS 750. When Marvel Comics presents the 750th issue of Avengers in November, it will include Christopher Ruocchio making his Marvel Comics debut alongside artist Steve McNiven in a bonus story starring Thor.
“I’m honored to play a small part in this moment of Avengers history and thrilled to get to work with Steve McNiven to bring you all a little classic Thor,” Ruocchio said. “It’s a bit surreal to get to work with a character I grew up with, and I hope I’ve told a tale worthy of the God of Thunder.”
The rest of the supersized issue will include the introduction of The Multiversal Masters Of Evil, the deadly new group of villains fans met in this year’s Free Comic Book Day: Avengers/Hulk #1. Fans will also witness the conclusion of “World War She-Hulk”, finally learn the true purpose of the prehistoric Avengers, uncover the secret of the Iron Inquisitor, watch the Avengers recruit some surprising new members, and follow the Ghost Rider on a quest for vengeance across the Multiverse that will spark an all-new era in Avengers history.
(12) UK REVIEWERS NEEDED. Jonathan Cowie sends a head’s-up to UK based Filers: “SF2 Concatenation is on the hunt for SF/F book reviewers (especially fantasy and especially female reviewers to more even our gender balance). Sadly UK reviewers only as we have to snail-mail post books.” Full details here: “SF & Fantasy book reviewers wanted”
As previously discussed, Gerard K. O’Neill’s vision of space colonies was particularly comforting to 1970s anxieties. Soaring population? The asteroid belt has enough material to build habitats promising many times the surface area of Earth! Energy crisis? Have said habitats pay for themselves by building solar power arrays IN SPAAACE! Indigenous populations weirdly ungrateful for genocidal displacement by Europeans? Colonization do-over in space where there are no natives to displace or complain!…
A Plague of Angels by Toren Smith and Adam Warren (1990–1991)
When member worlds are overwhelmed by crisis, the United Galactica’s World Welfare Work Association dispatches field agents to resolve the problem. A very unlucky minority of worlds find themselves being assisted by Trouble Consultants Kei and Yuri, who are as inadvertently destructive as they are inexplicably scantily-clad. Code-named “the Lovely Angels,” the apocalyptic pair are infamous as the Dirty Pair.
Habitats are by their nature fragile. Kei and Yuri are harbingers of doom. Logic would dictate sending someone else—anyone else—to Kalevala O’Neill Colony. The 3WA sends the Dirty Pair. Kalevala is struggling to deal with smugglers. Soon, smugglers will be the least of Kalevala’s problems.
[Thanks to JJ, Michael Toman, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Jeffrey Smith, Joey Eschrich, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]
(1) LEND A HAND? Another Titan Comics blog tour will be rolling through on Monday. Would one of you volunteer to write a review of a comic by tomorrow night? I’d be thrilled, and so would Titan Comics. (Email me at mikeglyer (at) cs (dot) com and I will send you a link to the PDF.)
(2) WISCON SAYS SUPPORT THEIR HOTEL. [Item by Jeffrey Smith.] This is different. The convention hotel saying: No convention this year? Come and hang out anyway! The SF3/WisCon Newsletter encourages readers to “Spend Memorial Day weekend at the Concourse Hotel”.
As you know, we’re not able to hold a WisCon in Madison this spring. However! The Concourse Hotel, the longtime home of WisCon, is running a special promotion for members and friends of the WisCon community over Memorial Day weekend, May 27-31, 2021
… The Concourse hosted its first WisCon in 1984 and has been our full-time hotel partner since 1995. They are an independently owned and operated hotel and as such have been hit especially hard by the loss of business during the pandemic. This is a fantastic chance to support them, get away from home for the weekend and see some friends in a clean, well-ventilated, socially distant environment….
(3) BOTH SIDES NOW. Lincoln Michel is writing an interesting series about the different genre and literary ecosystems for his Counter Craft newsletter. Here are links to the first three posts.
… I’m NOT going to try and delineate the (various and conflicting) definitions of “genre” and “literary” here. I do plan to get into that in some future newsletter but for now when I refer to the “literary world” I’m speaking of what you’d expect: MFA programs, magazines like The Paris Review or Ploughshares, imprints like Riverhead or FSG, agents who list “literary fiction” on their websites, etc.
When I say “genre world” I’m focusing mostly on science fiction, fantasy, and horror fiction (plus the one hundred billion subgenres of those). Those are the genres I write in and am most familiar with. Obviously, there are other genre ecosystems: crime fiction, romance fiction, etc. Those tend to overlap a fair amount with SFF world, and also tend to function similarly in terms of how professional organizations operate, how awards are structured, and so on. But when I speak of something like “genre jargon” I’m pulling primarily from SFF. I don’t think I need to define SFF, beyond saying that acronym means “science fiction and fantasy.” You know it. Magazines like Lightspeed and Uncanny. Imprints like Orbit, Del Rey, and Tor.
Because genre vs. literary fiction is so often treated like a team sport where you pick a side and scream insults at the other one, I want to state up front that I root for both. Or perhaps play for both, in this metaphor. I’ve published in both “literary” magazines like The Paris Review and Granta as well as “genre” magazines like Lightspeed (forthcoming) and Strange Horizons. My story collection was published by the literary Coffee House Press and my science fiction novel is coming out this year from Orbit. I really love both “teams” here….
…Popular authors also tend to contend over and over. This can easily be seen by the list of multiple winners. Many SFF writers have won the Hugo for Best Novel multiple times. You have 6/12 (wins/nominations) for Heinlein and 4/10 for Bujold. Five different authors have won three times and nine have won twice. There is nothing like that in the Pulitzer. No author has won three, four, or six Pulitzers. Only four have won twice: Booth Tarkington, William Faulkner, John Updike, and Colson Whitehead. This is despite the fact that the Pulitzers have been around since 1918 and the Hugos only since 1953. (This pattern is a little less prominent in other, newer awards, but still there.)
It’s fair to note that SFF perhaps has a smaller pool of books to choose from, since at least theoretically the literary awards are drawn from all of literature. But if the literary world is as narrow and parochial as many SFF fans contend then you’d expect to see that in the rewards.
As with almost everything I discuss here, there are arguments for both ways of doing things. In the genre side, the titans of the genre can be adequately reflected in the awards. A monumental work like N.K. Jemisin’s Broken Earth trilogy—truly one of the best fantasy series of modern times, which I’ve written about a bit here before—can even win three times in a row . That would simply never happen in the literary world, no matter how deserving. And one could certainly argue that the awards more accurately reflect the tastes of readership.
This can be a downside too, since biases and prejudices are also reflected. Before N.K. Jemisin won in 2016, no black author had ever won the Hugo for best novel. If you had died before 2015, when Cixin Liu won, you would have never witnessed a POC win the Hugo. It was hardly perfect in the lit world, but you did have Ralph Ellison, Alice Walker, Toni Morrison, Ha Jin, Jesmyn Ward, Junot Díaz, Jhumpa Lahiri, and others winning NBAs and Pulitzers. It’s about the same for gender. Ursula K. Le Guin was the first woman to win a Hugo for Best Novel in 1970. (Ditto the Nebula, although that had only started in 1966.) By that time, dozens of women had won the Pulitzer and/or National Book Award.
All of that said, both the lit world and SFF world have been far better on the diversity front in the last five to ten years than they have been historically. Hopefully that will continue.
… Publishing runs on novels. At least when it comes to fiction, novels are what agents want to hear about, what editors want to look at, and—with a few exceptions—what readers want to buy. Perhaps because of this, short stories hold a special place in fiction writers’ hearts. The short story is our form. Our weird mysterious little monster that no one else can love.
Strangely, the opposite was true 100 years ago. For the first few decades of the 20th-century, the short story was the popular form of literature. It was a magazine world back then. Short stories were what paid the bills. Authors like F. Scott Fitzgerald felt forced to write short stories that they could afford to write “decent books” (novels) on the side! In the genre world, the short story was so dominant that even the “novels” were often a bunch of existing short stories stitched quickly together in what was known as a “fix-up.” I’m not talking obscure books here, but some of the pillars of SFF from that era: Bradbury’s The Martian Chronicles, Asimov’s I, Robot, and Simak’s City. Also several of Raymond Chandler’s best hardboiled novels over in crime fiction. (Here’s a good post by Charlie Jane Anders arguing the fix-up is the ideal form for SFF.)…
…You may be asking, “So what? All the bids we knew about have already filed, so what difference does it make?”
I contend that there are two reasons for being concerned about this. The first is that frankly, there are groups that are unhappy about both the bids on the ballot, for various reasons. A “sprint” bid might enter the field. Now even though I have agreed to run Memphis’ WSFS division should they win, I’m trying to be as fair as I can about the known deficiencies of all currently filed bids. In 1990, I was a member of the San Francisco in ’93 Worldcon bid committee, facing filed bids from Phoenix and Zagreb. Due to unimpressive performances from all three filed bids at the 1989 SMOFCon (the filing deadline at that time was the close of the previous Worldcon, and sites were selected three years in advance at that time), a heretofore hoax bid for Hawaii was pressed into service by a large number of SMOFs and a write-in bid for Hawaii in ’93 filed. The write-in bid placed second ahead of the Zagreb and Phoenix bids, and I rather expect that had they been on the ballot, they might have beaten San Francisco. In 1991-92, I wrote and was a co-sponsor of a change to WSFS rules that changed the filing deadline to 180 days before the convention, a rule that, had it been in effect for the 1990 election for the 1993 Worldcon, would have allowed Hawaii to be on the ballot. So even though it would have been used against me back then, I recognize the value in keeping the door open for “sprint” bids. If there are groups that still want to take a shot at the 2023 Worldcon, I think they should have a chance to file until the T-180 deadline that is written into the Constitution.
The second reason I think DisCon III should reopen filing, even if nobody else files, is philosophical. WSFS rules are not self-enforcing. We trust Worldcon committees to follow WSFS rules as much as they can, subject to local laws and other contingencies. There is no higher authority that can force a Worldcon committee to obey WSFS rules. There’s no WSFS Inc. that can step in and give orders. There is no appeal from a Worldcon committee’s decisions. A Worldcon committee that refuses to follow a clearly-written and unambiguous rule that would not be difficult to follow is telling us that no rule is safe. WSFS governance is based on trust. If we can’t trust a committee to follow the rules, then the unwritten contract between the members of WSFS and the Worldcon committee that manages the members’ annual convention breaks down….
… I think DisCon III should change their initial decision and reopen site selection filing until June 18, even if no other bid surfaces, to confirm that insofar as they are able to do so, even under the difficulties of a worldwide pandemic, they will continue to obey the rules of the organization whose membership is the World Science Fiction Society. To do otherwise is to do a disservice to the members of WSFS….
… Now a special innovation team and a group of nearly 300 newsroom employees are pushing for drastic changes at the paper, which has been part of Rupert Murdoch’s media empire since 2007….
… As the team was completing a report on its findings last summer, Mr. [Matt] Murray [WSJ Editor] found himself staring down a newsroom revolt. Soon after the killing of George Floyd, staff members created a private Slack channel called “Newsroomies,” where they discussed how The Journal, in their view, was behind on major stories of the day, including the social justice movement growing in the aftermath of Mr. Floyd’s death. Participants also complained that The Journal’s digital presence was not robust enough, and that its conservative opinion department had published essays that did not meet standards applied to the reporting staff. The tensions and challenges are similar to what leaders of other news organizations, including The Times, have heard from their staffs.
In July, Mr. Murray received a draft from Ms. [Louise] Story’s team, a 209-page blueprint on how The Journal should remake itself called The Content Review. It noted that “in the past five years, we have had six quarters where we lost more subscribers than we gained,” and said addressing its slow-growing audience called for significant changes in everything from the paper’s social media strategy to the subjects it deemed newsworthy.
The report argued that the paper should attract new readers — specifically, women, people of color and younger professionals — by focusing more on topics such as climate change and income inequality. Among its suggestions: “We also strongly recommend putting muscle behind efforts to feature more women and people of color in all of our stories.”
The Content Review has not been formally shared with the newsroom and its recommendations have not been put into effect, but it is influencing how people work: An impasse over the report has led to a divided newsroom, according to interviews with 25 current and former staff members. The company, they say, has avoided making the proposed changes because a brewing power struggle between Mr. Murray and the newpublisher, Almar Latour, has contributed to a stalemate that threatens the future of The Journal.
…About a month after the report was submitted, Ms. Story’s strategy team was concerned that its work might never see the light of day, three people with knowledge of the matter said, and a draft was leaked to one of The Journal’s own media reporters, Jeffrey Trachtenberg. He filed a detailed article on it late last summer.
But the first glimpse that outside readers, and most of the staff, got of the document wasn’t in The Journal. In October, a pared-down version of The Content Review was leaked to BuzzFeed News, which included a link to the document as a sideways scan. (Staffers, eager to read the report, had to turn their heads 90 degrees.)…
(6) THE POWER OF ANTHOLOGIES. Featuring Linda D. Addison (Sycorax’s Daughters), Maurice Broaddus (POC Destroy Horror & Dark Faith), and Sheree Renée Thomas (Dark Matter), and moderated by author and editor Nisi Shawl (New Suns, Everfair, Stories for Chip: A Tribute to Samuel R. Delany), “Ancestors and Anthologies: New Worlds in Chorus” is a free livestream panel hosted by Clarion West and the Seattle Public Library on Monday, April 12 at 6:30 p.m. Register at the link. It’s part of the “Beyond Afrofuturism: Black Editors and Publishers in Speculative Fiction” Panel Series.
From the groundbreaking Dark Matter to Sycorax’s Daughters to POC Destroy!, anthologies are one way marginalized voices gather in chorus on a particular subject, subgenre, or genre. Our anthologies panel will delve into the world of bespoke collections with luminaries in the field.
… What took so long? 1) It is a daunting thing when a loved one dies to be responsible for the accumulations of a lifetime. 2) We’re book people! Letting go of books is painful. A bookcase is a record of time spent and history and books are harder to find good homes for than one might think. 3) Her particular status as beloved author made every decision weighted.
(8) STANISLAW LEM CENTENNIAL DEBATE. On April 18, Polish Society for Futures Studies (PSFS) will present a live online debate “The expansion of future consciousness through the practice of science fiction and futures studies,” celebrating the Stanis?aw Lem centenary. Lem was a celebrated science-fiction writer and futurologist from Poland. The Centennial Debate will feature international participants: Thomas Lombardo, professor emeritus of Rio Salado College and author of books on science-fiction and future consciousness; Karlheinz Steinmüller, PhD, science fiction author, publisher and eminent German futurist; Kacper Nosarzewski, futurist from Poland and a literary critic.
The event will be streamed live on Zoom and YouTube, April 18th 12:00 am Pacific Standard Time, 3:00 pm Eastern Standard Time, 20:00 Central European Time, and the admittance is free. More information including links to the event will be posted at https://centennialdebate.ptsp.pl/.
The event is being supported by the World Futures Studies Federation, Association of Professional Futurists and Lem Estate, among many others.
Stanis?aw Lem wrote, in Solaris: “We don’t want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos.” The Centennial Debate will explore the practice of science-fiction and futures studies as different ways of “using the future” and increasing our understanding of humanity’s hopes, fears, prospects and predicaments.
(9) MEMORY LANE.
On a day in 1986 Star Trek IV: The Voyage Home premiered. It was directed by Leonard Nimoy who wrote it with Harve Bennett. It was produced by Steve Meerson, Peter Krikes, Nicholas Meyer and Harve Bennett. It starred the entire original original Trek cast. It would lose out to Aliens at Conspiracy ’87. The film’s less-than-serious attitude and rather unconventional story were well liked by critics and fans of the original series along with the general public. It was also a box office success. And it has an exemplary eighty-one percent rating among audience reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born April 10, 1936 – David Hardy, age 85. Astronomical and SF artist. European Vice President of the Int’l Ass’n of Astronomical Artists. Artbooks e.g. Visions of Space; Hardyware; 50 Years in Space: what we thought then, what we know now. Two hundred fifty covers, a hundred interiors. Here is the Jun 74 Amazing. Here is King David’s Spaceship. Here is Understanding Space and Time (note that the piano is a Bösendorfer). Here is the Apr 2010 Analog. [JH]
Born April 10, 1940 — Raul Julia. If we count Sesame Street as genre which it should, his appearance as Rafael there was his first genre role. Yeah, I’m stretching it somewhat. OK, how about as Aram Fingal In Overdrawn at the Memory Bank, a RSL production off the John Varley short story? That better? He later starred in Frankenstein Unbound as Victor Frankenstein as well. His last role released while he was still living was in the superb Addams Family Values as Gomez Addams reprising the role he’d had in The Addams Family. (Died 1994.) (CE)
Born April 10, 1948 – Jim Burns, age 73 (not James H. Burns 1962-2016). Four hundred twenty covers, two hundred interiors. Three Hugos. Twelve BSFA (British SF Ass’n) Awards. Artist Guest of Honour at Conspiracy ’87 the 45th Worldcon, several other more local cons in the U.K. and U.S., see here. Artbooks e.g. Lightship; Transluminal; The Art of Jim Burns. Each in The Durdane Trilogy used a segment of this, e.g. The Asutra. Here is Interzone 11. Here is the Jul 94 Asimov’s. Here is The Wanderer. Here is Dozois’ 34th Year’s Best Science Fiction. Here is Dark Angels Rising. [JH]
Born April 10, 1951 – Ross Pavlac. Co-chaired Marcon XIII-XIV, Windycon VIII, Chicon IV the 40th Worldcon. Fan Guest of Honor at Torque 2. Sometimes appeared in a blue aardvark costume; RP’s fanzine for the apaMyriad was The Avenging Aardvark’s Aerie; RP was one of the first fans to extrude a Website, also so called. Chaired Windycon XXIV from his deathbed. See these appreciations. (Died 1997) [JH]
Born April 10, 1953 — David Langford, 68. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the EoSF, not to mention some 629,000 words as a principal editor of the third (online) edition of the Encyclopedia of SF, and contributed some eighty thousand words of articles to the most excellent EoF as well. And let’s not forget his genre writing as well that earned him a Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”. And yes, he has won other Hugos, too numerous to recount here. (CE)
Born April 10, 1955 — Pat Murphy, 66. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects. (CE)
Born April 10, 1957 — John M. Ford. Popular at Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing. I’d be lying to say he’s deeply stocked at the usual suspects. (Died 2006.) (CE)
Born April 10, 1959 – Ruth Lichtwardt, age 62. Hugo Adm’r for Anticipation the 67th Worldcon. Chaired MidAmeriCon II the 74th; her reflections as Chair here. Long active with the Gunn Center for the Study of SF; Adm’r for the 2021 Conference. Co-chaired ConQuest 49. Drinks Guinness. [JH]
Born April 10, 1975 – Merrie Haskell, age 46. Three novels, a score of shorter stories, recently in Beneath Ceaseless Skies 313. Interviewed in Lightspeed. Schneider Book Award. “I don’t think I’m unique in finding stories where female agency is non-existent, or is punished, as really troublesome…. I’m not even talking about the waiting-for-rescue parts; I don’t love that, mind you, but where are the choices?” [JH]
Born April 10, 1978 — Hannu Rajaniemi, 43. Author of the Jean le Flambeur series which consists of The Quantum Thief, The Fractal Prince and The Causal Angel. Damn if I can summarize them. They remind me a bit of Alastair Reynolds’ Prefect novels, somewhat of Ian Mcdonald’s Mars novels as well. Layers of weirdness upon weirdness. Quite fascinating. (CE)
Born April 10, 1984 – Rachel Carter, age 37. Three novels for us. Nonfiction in e.g. The New Republic. Teaches fiction-writing, also a freelance editor. [JH]
Born April 10, 1992 — Daisy Ridley, 29. Obviously she played the role of Rey in The Force Awakens, The Last Jedi and The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on the Orient Express which was rather well done. (CE)
…I won’t lie, though: I sure do miss the time when a buck got you two comics and change. But I get how inflation works and how rising paper costs can’t be ignored. I’m also quite aware that the higher cover prices of today’s market have led to creators being able to make a decent living while entertaining us. That benefits the fans, who get to enjoy the great stories that spring from their imaginations.
However, there does come a point where comic books can simply become too expensive for many fans, forcing readers to drop titles not because they don’t like reading them, but because they simply can’t afford to anymore.
We may be approaching that point.
One of the Big Two publishers, DC Comics, is bumping the price up on some of its monthly titles to $5.99 for a 40-page issue. In its solicitations for June releases, several ongoing series, The Joker #4, Superman Red & Blue #3, Wonder Woman: Black White and Gold #1, and one of the company’s flagship books, Batman #109, are all listed with $5.99 cover prices. Think about that for a moment. If someone wanted to read all four of those titles, it would cost about $24 (before tax) to do so. Four comics, $24. That’s a big financial hit….
(12) JONESING. [Item by Mike Kennedy.] “Phoebe Waller-Bridge to star in new Indiana Jones” reports CNN. Let’s hope the 35-year-old Waller-Bridge is not the love interest for the 78-year-old Harrison Ford. She wouldn’t pass the “half+7” rule for another 22 years.
2018 Australian 6-episode series which we HIGHLY recommend both for spy geeks and people that don’t care much about tradecraft but enjoy a solid human drama. Watching these characters unwind and reveal their true characters under the duress of multiple intertwining espionage threats was a real treat for both of us. ALSO!!!! It is our first episode featuring a guest with actual expertise in the field, author and ex-intelligence officer Francis Hamit. Really excited about this one.
Hamit says: “This was a very positive experience for me. Tod and Dave are really nice guys and very ‘Otaku’ for any spy film or television show. Some of those (James Bond, etc) fall into the SF&F genre and they’ve done about fifty so far. Each is an hour long and they usually do two part, one hour each, in depth discussions. I was on as a topic expert on SIGINT.”
One of the puzzlements of “The Nevers,” the new alt-superhero show beginning Sunday on HBO, is the title. The peculiarly gifted late-Victorian Londoners, mostly women, who serve as the show’s heroes (and some of its villains) are never called “nevers”; they’re most often referred to as the Touched. In the first four of the series’s 12 episodes, nothing is called the Nevers. You can understand not calling a show “The Touched,” but it’s still a little confusing.
And the confusion doesn’t end there. “The Nevers,” while handsomely produced and, from moment to moment, reasonably diverting, doesn’t catch fire in those early episodes in part because we — along with the characters — are still trying to figure out what the heck is going on.
Before this goes any further, it’s time to mention that “The Nevers” — a rare case these days of a genre series not based on an existing property — was created for the screen by Joss Whedon. There are things to be explained about Whedon’s involvement with the show, but for now let’s stick to the synergism between the new series and his great creation, “Buffy the Vampire Slayer.”…
A trio of Russian and American space travelers launched successfully and reached the International Space Station on Friday [April 9].
NASA astronaut Mark Vande Hei and Russian cosmonauts Oleg Novitskiy and Pyotr Dubrov blasted off as scheduled at 12:42 p.m. (0742 GMT, 3:42 a.m. EDT) aboard the Soyuz MS-18 spacecraft from the Russia-leased Baikonur launch facility in Kazakhstan.
They docked at the station after a two-orbit journey that lasted just over three hours.
It is the second space mission for Vande Hei and the third for Novitskiy, while Dubrov is on his first mission.
By today’s standards, Pongdoesn’t appear to exactly offer the latest, greatest gaming experience around, but just try and tell that to Pager, a macaque monkey who works for Elon Musk at Neuralink, who is currently playing the game with just his mind…
The gameplay is all part of Musk’s master plan of creating a “fully-implanted, wireless, high-channel count brain-machine interface (BMI),” aka a Neuralink, according to the company’s latest blog post highlighting Pager’s gameplay. While the end goal of the implanted device is to give people dealing with paralysis a direct, neural connection to easily and seamlessly operate their computers and mobile devices, the technology is currently giving this monkey some solid entertainment (as well as some tasty banana smoothies)
In the best video you’ll see of a monkey playing video games all day, we get to hang out for a few minutes with Pager, a 9-year-old macaque who, about six weeks ago, had a Neuralink device implanted into each side of his brain. By appearance, he doesn’t seem to be ill-affected by the procedure, save for some missing head fur. Although, it’s hard to say we’re really having a good hang, as Pager is intently focused on playing mind games with a joystick, and on the sweet, sweet smoothies he gets for interacting with the computer. (Hey, at least he’s getting paid.)
(17) BEACH BLANKET BIG BROTHER. Mr. Sci-Fi – Marc Scott Zicree – is running a multi-part series about radio and on-screen adaptations of Orwell’s novel. The latest is “1984 Marathon Part 5 — 1984 Meets Dr. Phibes!” However, the cute title is deceptive — it’s really an audio copy of Vincent Price’s 1955 radio performance in the role of Winston Smith.
[Thanks to Danny Sichel, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Michael Toman, John Hertz, Jeffrey Smith, Michael J. Walsh, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day jayn.]
The Science Fiction and Fantasy Writers of America (SFWA) honors one living writer each year with the Damon Knight Memorial Grand Master Award.
The recent deaths of two distinguished sf writers have drawn attention to the award. The late Ben Bova is someone Gregory Benford wished would have gotten it. James Gunn, who passed away last week, deservedly did get it. And he is also now the fifth Grand Master to die in the past four years (preceded by Brian Aldiss, Ursula K. Le Guin, Harlan Ellison, and Gene Wolfe.)
What writers are File 770 readers hoping SFWA will honor in years to come? Give your ideas in a comment.
To start the discussion rolling I asked four writers who they think deserves priority.
Gregory Benford sent a list of five:
Ursula Vernon says:
Oh lord…my choices might be rather idiosyncratic! But I’d want Terri Windling, Robin McKinley, Diane Duane, Barbara Hambly and Ellen Kushner to all be considered. Terri Windling would probably be top of my list.
Past SFWA President Cat Rambo, who led the selection process during her years in office, sent this overview:
The biggest thing stopping Bova being a candidate — and the reason a lot of my picks didn’t fly — is that there’s been a lot of past “the rule is they can’t be dead” stuff. This leads to some weirdness (IMO), including people factoring in how healthy candidates are. To me it has to be someone who shaped the genre — my picks were Peter Beagle, C.J. Cherryh, Jane Yolen, and Bill Gibson, and I think all of them have a substantial and unquestionable legacy and influence on the field.
I’d love to see the award revamped, and be something that could go to multiple people, living and dead, each year, along the lines of the Science Fiction Hall of Fame. I know top of my list would be Octavia Butler, and there’s some other now-gone folks that I would also put above Bova, although he is certainly worthy.
That last thought about expanding eligibility resonates with Nisi Shawl ’s SFWA Grand Master Wishlist:
I’m surely not the first to name Octavia E. Butler as a priority for the honor of SFWA Grand Master. I mean. I mean come on. She was a MacArthur Fellowship-certified genius who demonstrably changed the field. She was gracious, kind, and charming in person and ruthlessly gorgeous in her prose. She was a tireless worker, a dreamer, a sincere advocate for emerging authors such as myself, and the moment for us to honor her is fast approaching. Or maybe it’s already here.
My other two picks for most-likely-to-make-Grand Master are known primarily for their short stories, a form I feel has gotten much shorter shrift than it deserves.
Nebula-winner Eileen Gunn is a short story writer supreme. Wisewoman and wise-ass, Eileen is generous with that most precious of authorial treasures, her time. She teaches, she critiques, she analyzes, she sets forth on pioneering journeys to the heart of speculation and leaves shining footsteps for us to follow.
And Ted F. Chiang (ask Ellen Klages what the “f” stands for) is a careful, precise giant in this field. His stories are exquisite and true to the core. Long may he live! Long may he reign as Grand Master—and soon!
FIYAH Literary Magazine’s inaugural Ignyte Awards were presented in an online ceremony on October 17 brilliantly hosted by Jesse of Bowties & Books.
The Ignyte Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre. There were 1,431 valid votes cast to decide the winners.
Best Novel – Adult – for novel-length (40k+ words) works intended for the adult audience:
Gods of Jade and Shadow – Silvia Moreno-Garcia
Best Novel – YA – for novel-length (40k+ words) works intended for the young adult audience:
We Hunt the Flame – Hafsah Faizal
Best in MG – for works intended for the middle-grade audience:
Tristan Strong Punches a Hole in the Sky – Kwame Mbalia
Best Novella – for speculative works ranging from 17,500-39,999 words:
This is How You Lose the Time War – Max Gladstone & Amal El-Mohtar
Best Novelette – for speculative works ranging from 7,500-17,499 words:
Emergency Skin – N K Jemisin for the Amazon Forward Collection
Best Short Story – for speculative works ranging from 2,000-7,499 words:
A Brief Lesson in Native American Astronomy – Rebecca Roanhorse for Mythic Dream
Speculative Poetry –
A Conversation Between the Embalmed Heads of Lampião and Maria Bonita on Public Display at the Baiano State Forensic Institute, Circa Mid-20th Century – Woody Dismukes for Strange Horizons
Critics Award – for reviews and analysis of the field of speculative literature:
Alex Brown – Tor.com
Best Fiction Podcast – for excellence in audio performance and production for speculative fiction:
LeVar Burton Reads – LeVar Burton
Best Artist – for contributions in visual speculative storytelling:
Grace P. Fong
Best Comics Team – for comics, graphic novels, and sequential storytelling:
These Savage Shores – Ram V, Sumit Kumar, Vitorio Astone, Aditya Bidikar, & Tim Daniel
Best Anthology/Collected Works –
New Suns – Nisi Shawl
Best in Creative Nonfiction – for works related to the field of speculative fiction:
Black Horror Rising – Tananarive Due
The Ember Award – for unsung contributions to the genre:
Community Award – for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre:
Strange Horizons – Gautam Bhatia, Vajra Chandrasekera, Joyce Chng, Kate Cowan, Tahlia Day, William Ellwood, Rebecca Evans, Ciro Faienza, Lila Garrott, Dan Hartland, Amanda Jean, Lulu Kadhim, Maureen Kincaid Speller, Catherine Krahe, Anaea Lay, Dante Luiz, Heather McDougal, AJ Odasso, Vanessa Rose Phin, Clark Seanor, Romie Stott, Aishwarya Subramanian, Fred G. Yost, and the SH copyediting team and first readers
The Brave New Words Award winner is Nisi Shawl for her work on editing New Suns: Original Speculative Fiction by People of Color. The judges felt that “Nisi had brought together an astonishing collection that challenged the readers and opened them up to new perspectives and ideas. This is very much what the Brave New Words Award is about.”
The award is special version of Starburst Magazine’s own Robotto award, a shiny metal robot.
The Starburst Hero Award for Literature went to Orbit Books Senior Commissioning Editor Jenni Hill. The award recognizes an outstanding contribution to genre literature by people who are “active in the industry and doing great work that helps change and improve the shape of genre literature.”
This year’s award is a leather shield, designed by Jez Hunt, a renowned leather worker who produces outstanding work for fantasy movies.
Both awards were announced online by the award-winning comedian John Robertson. The full video can be viewed below.