The 2022 inductees into the Canadian Science Fiction and Fantasy Association Hall of Fame are:
Julie E. Czerneda: Fantasy and Science Fiction author and editor, and winner of seven Aurora Awards. Since 1997, Julie E. Czerneda has turned her love and knowledge of biology into science fiction novels and short stories that have received international acclaim, multiple awards, and best-selling status.
Ed Greenwood: Fantasy author, editor, and creator of the Forgotten Realms game world. In 1979 he began writing articles about it for Dragon magazine and subsequently sold the rights to TSR. He has published over 35 novels for TSR and contributed to over 200 books and game products for other publishers.
Hayden Trenholm: Science Fiction writer and editor, winner of five Aurora Awards, and publisher (Bundoran Press). Over the years, Hayden has published 4 novels and more than 30 short stories in the field. Despite his work as an editor (17 novels and 5 anthologies for Bundoran Press plus numerous freelance assignments) he has continued to write and consistently adds to his short fiction tally.
The CSFFA has also released two other special notices.
AURORA AWARDS. Voting for the 2022 Aurora Awards by CSFFA members is now open. Members of have until 11:59 p.m. Eastern on July 25 to cast their ballots. The awards will be live streamed on August 13, starting at 7:00 p.m. Eastern. The awards will be hosted by author, Mark Leslie Lefebvre in conjunction with When Words Collide a free virtual festival that weekend.
CSFFA WRITERS’ GRANT. It is CSFFA’s vision and goal to not only promote and showcase Canadian writers but also to support them in their creative journey. To further support that vision, the organization has announced a grant to writers to pursue their dream.
This year they are offering grant funds of up to a total disbursement by CSFFA of $1,500cdn. This amount may be given or divided as per the successful applicant or applicants. This grant is to cover the cost of courses, convention attendance and or travel or professional development.
To apply must be a member of CSFFA and submit a 500-word proposal of what the endeavor is and how these funds will help achieve your goal. The grant will cover up to 75% of the costs, while the applicant must cover the remaining 25%. The applicant must also include a description and weblink for the endeavor being covered. All applications will be considered and reviewed by CSFFA. The successful applicants will be announced at this year’s Aurora Awards. Upon completion the successful applicant(s) are required to submit all receipts and a 500-word essay on the benefits of the grant.
(1) “POINTLESS” QUIZ SHOW. [Item by Christian Brunschen.] I was just watching a repeat of the quiz show “Pointless” on BBC – where questions have been previously asked of 100 people who are given 1 minute to give answers; and the contestants have to try to find answers that are not only correct, but which as few as possible of the 100 polled people knew!
In this episode the final category was “Award-winning authors in specific genres” – and the three options were “Hugo Award for Best Novel”, “Wodehouse Award for Comic Literature” and “Walter Scott Prize for Historical Fiction”.
The contestants are allowed to give three possible answers, from any of the three options, and in order to win they need to give at least one answer which nobody else among the 100 knew – one “pointless” answer.
They chose to go for three answers from the Hugo Awards category:
Each one of those was then counted down to see how many of the group-of-100 had given that answer.
The counter for Frank Herbert went down to 1 – only a single one of the 100 had given Frank Herbert as an answer – so just 1 away from being pointless.
Neither Robert Silverberg nor Brian Aldiss were correct – so the contestants did not win.
It was mentioned that Robert Silverberg had the most nominations without winning.
Pointless answers in the Hugo award category included Mary Robinette Kowal, Neil Gaiman, Ray Bradbury, Susanna Clarke, William Gibson, Robert A. Heinlein; big scorers (known by many of the 100) were Isaac Asimov, Arthur C. Clarke, Philip K. Dick.
(2) MAKING WORLDS AND PUZZLES. Host Kate Elliot discusses a worldbuilding topic with Karen Lord in Narrative Worlds Season 2: Ep. 3 now available on SFWA’s YouTube channel.
Welcome to Episode 3 of Season Two in the Narrative Worlds Webinar Series, hosted by author Kate Elliott! Featuring guest author Karen Lord, this month’s topic is “The Puzzles Inside Worldbuilding: Constructing Narratives at Various Lengths.” This monthly series digs into the theory and practice of building the worlds in which stories are set. Rather than focusing on a survey of basics like “What elements do you need to create a setting?” Elliott discusses a specific single topic in more depth each month with a guest.
(3) WAITING AT THE LIGHT. J. Michael Straczynski, in a public Patreon post, today announced that while the Babylon 5 reboot wasn’t greenlighted for fall 2022, it has been retained in active development at the CW and Warner Bros. for fall 2023. “B5 CW News”.
Anyone who knows the history of Babylon 5 knows that the path of this show has never been easy, and rarely proceeds in a straight line. Apparently, that has not changed.
About a month or so ago it was announced that the CW Network, B5’s home for the last year while the pilot script was in active development, was up for sale. When news of this broke, the immediate question was: will this have any effect on B5? Situations like this have a way of upending development because new owners usually want to put their imprimatur on what programs go forward. Like everyone else, I’d hoped there would be no immediate impact, and that progress on the project would continue onward unabated.
A few days ago, I heard from inside Warner Bros. that there were a number of High Level Conversations taking place with the CW to determine how many pilots, and what sort, could be picked up during this transition, especially given pre-existing deals and commitments. This made sense given the preceding paragraph, but I remained optimistic.
Today, about an hour ago, Deadline Hollywood announced the slate of pilot scripts being picked up for production by The CW. Babylon 5 was not on that list.
When a pilot script is not picked up to production, 99.999% of the time, that’s the end of the road for the project, the script is dead.
However: shortly before that piece was published, I received a call from Mark Pedowitz, President of The CW. (I should mention that Mark is a great guy and a long-time fan of B5. He worked for Warners when the show was first airing, and always made sure we got him copies of the episodes before they aired because he didn’t want to wait to see what happened next.)
Calling the pilot “a damned fine script,” he said he was taking the highly unusual step of rolling the project and the pilot script into next year, keeping B5 in active development while the dust settles on the sale of the CW….
(4) CANDIDATES FOR CHAIR OF GLASGOW IN 2024. Alice Lawson, on behalf of the board of the Glasgow in 2024 bid, has called for anyone who intends to put themselves forward to chair the convention to let the board know by February 7. Bid chair Esther MacCallum-Stewart is already a candidate. Her letter was shared with Glasgow in 2024 supporters.
Dear Alice, the Board of Glasgow 2024, all staff members, and pre-supporters.
I would like to put myself forward as Chair of the Glasgow 2024 Worldcon.
I have been working towards a third Worldcon in Glasgow since 2016, announcing an intention to bid at Novacon alongside Emma England and Vanessa May. Since then I have led the bid team, first as a Co-Chair, and then as Chair. We are currently approaching just under 1000 pre-supporters, and the Bid has had tremendous support from the SFF fan community and beyond.
I have been a volunteer for Worldcon since 2011, when I joined the Loncon 3 team as an AH for games. Since then I have worked as Programme manager and admin (Loncon, MAC II), DH for Facilitation (Dublin 2019), and co-DH for Facilities (ConZealand). I have also volunteered for Eastercons (the UK national convention) and Octocon (the Irish National Convention). Elsewhere I have been Vice-Chair of DiGRA (Digital Games Research Association) and am currently Chair of the UK chapter, which runs events on a yearly basis. In 2021 I was made a Professor of Game Studies at the University of Staffordshire.
I am hugely proud of the Bid Team and their passion for Glasgow 2024. Every day I see something original, funny or hard working from them, and this continues to grow. I have seen friendship, bravery and more than my fair share of armadillos in the last few years, as more people join and add their own sense of wonder and creativity to the bid. We would not be so strong if it were not for all these working parts, in which every single one counts towards something brilliant. I am constantly amazed at the goodwill and passion to create an event that is inclusive, caring and extraordinary. I would be honoured to lead such a group forwards as Chair, towards a Worldcon in Glasgow, a city I love, in 2024, a year which has special importance to me.
/s/ Professor Esther MacCallum-Stewart
(5) SPACE GHOSTS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Isabel Hilton reviews The Subplot: What China Is Reading And Why It Matters by Megan Walsh, a book about fiction popular in China and what Chinese tastes in fiction have to say about the Chinese. Among the topics Walsh discusses is sf in China.
For many authors who must navigate the uncertainties of shifting official red lines, science fiction offers a safe haven. It is a genre in which to address the disruption and dislocations between past and present, and between official narratives and reality, and to explore otherwise dangerous themes such as social injustice.
Liu Cixin, a computer engineer and bestselling sci-fi author, locates real world problems such as pollution and human greed on distant planets, while in the story “Underground Bricks,” Han Song describes recycling the rubble of the 2008 Sichuan earthquake, which contains victims’ remains, into ‘intelligent bricks’ for space colonization, thus populating distant planets with unhappy ghosts.
Daryl Gregory’s first novel, Pandemonium (2008), won the Crawford Award and was nominated for a World Fantasy Award. His novella We Are All Completely Fine (2014) won the Shirley Jackson Award and the World Fantasy Award. His short story collection Unpossible and Other Stories was named one of the best books of 2011 by Publishers Weekly. His novel Spoonbenders (2017) was a Top 20 Amazon Editor’s Choice, an Audible.com’s editors choice for the year, and an NPR best book of the year. His most recent novel is Revelator, which was published last August. His comics work includes Planet of the Apes, The Green Hornet, Dracula, and the graphic novel The Secret Battles of Genghis Khan.
We discussed how he celebrated the two books he published during the pandemic, what caused him to say about his latest novel, “I like to split the difference to keep everyone as unsatisfied as possible,” the narrative technique which finally unlocked the writing of that book (and why it made Revelator more difficult to complete), how our mothers responded to our writing, the way marketing affects the reading protocols of our stories, how listening to Damon Knight and Kate Wilhelm argue about one of his stories freed him as a writer, the promise a murder mystery makes to a reader, his “Mom Rule” for Easter eggs, the way he tortured a comic book artist with an outrageous panel description, how to play fair when writing a science fiction mystery where anything can happen, what Samuel R. Delany told him which helped him make his first sale to F&SF, how he doesn’t understand why everybody doesn’t want to be writers, the way his writing gets better during the times he isn’t writing, Gardner Dozois’ “ladder of sadness,” and much more.
(7) SHIPPING SCHEDULE. The Orville: New Horizons will now arrive on June 2.
(8) MEMORY LANE.
1998 — [Item by Cat Eldridge] Twenty-four years ago, Morn apparently had died on “Who Mourns for Morn?”, an episode of Deep Space Nine. Yes, that character in Quark’s Bar, the one what never spoke on the series despite ninety-one appearances as Morn plus several more as Morn on Next Generation and Voyager.
The actor had another eleven appearances as other characters on the DS9 series. Indeed Shepherd makes an appearance (still uncredited as all of his Morn appearances were) as a Bajoran mourner at Morn’s memorial service who sits in Morn’s chair, thus showing the actor’s actual appearance.
Can I spoil a twenty-year-old episode really? I think not. Morn had faked his death to escape some legal troubles and this dealt with aftermath of him doing so. It was a quite funny episode as written by Mark Gehred-O’Connell for season six after previously writing “Second Sight” and “Meredian” for the series.
Critical reviews of it are almost non-existent with the only one being the Star Trek: Deep Space Nine Rewatch by Keith R. A. DeCandido for Tor.com who said that “Still, this is, ultimately, a gag episode about a gag character, and the gag loses steam at the end when we get the full story, but Quark has to say all of it in order to keep the gag going. It doesn’t work at that point, and the ending falls flat because we can see the strings.” I never thought of Morn as being a gag. He’s somehow sweet despite never saying a word.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 4, 1922 — William Phipps. He started off his genre career by being in both The War of The Worlds and Invaders from Mars. He’d later be in Cat-Women of the Moon, The Snow Creature,The Evil of Frankenstein, and the Dune series. He’d have one-offs in Batman, Green Hornet, The Munsters, Wild Wild West and a lead role in the Time Express series which would last four episodes according to IMDB. (Died 2018.)
Born February 4, 1925 — Russell Hoban. Author of a number of genre novel of which the best by far is Riddley Walker. Indeed, ISFDB some fifteen such novels by him, so I’m curious how he is as a genre writer beyond Riddley Walker. (Died 2011.)
Born February 4, 1936 — Gary Conway, 86. Best remembered I’d say for starring in Irwin Allen‘s Land of the Giants. You can see the opening episode here. He was also in How to Make a Monster, a late Fifties horror film which I’m delighted to say that you can watch here. He’s the Young Frankenstein in it.
Born February 4, 1940 — John Schuck, 82. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in Star Trek VI: The Undiscovered Country. He guest-starred in Deep Space Nine as Legate Parn in “The Maquis: Part II”, on Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh. and he was Herman Munster in The Munsters Today. Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns?
Born February 4, 1940 — George Romero. Dubbed by many as Father of the Zombie Film. Certainly his Night of the Living Dead from just over fifty years ago is the root of the Zombie movie craze. He also created and executive-produced Tales from the Darkside. No, I’m not listing all of his films here as I’m assuming you tell me what your favorite film by him is as you always do. (Died 2017.)
Born February 4, 1951 — Patrick Bergin, 71. If he had done nothing else, he’d make the Birthday list today for playing Robin Hood in the 1990 Robin Hood which for my money is the finest such film made. Go ahead and argue, I’ve all night. Now as it turns out he has a very long career in this community starting after playing Robin Hood by being in Frankenstein as Victor Frankenstein, then Benjamin Trace In Lawnmower Man 2: Beyond Cyberspace (a film universally despised), George Challenger in The Lost World, Treasure Island as Billy Bones, Merlin: The Return as King Arthur, Dracula as, well, Dracula Himself, Ghostwood as Friar Paul and Gallowwalkers as Marshall Gaza.
Born February 4, 1959 — Pamelyn Ferdin, 63. She was in the “And the Children Shall Lead” episode of Trek. She’ll show up in The Flying Nun (as two different characters), voicing a role in The Cat in the Hat short, Night Gallery, Sealab 2020 (another voice acting gig), Shazam! and Project UFO.She’d have a main role in Space Academy, the Jonathan Harris failed series as well.
Born February 4, 1961 — Neal Asher, 61. I’m been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I recently finished off Jack Four, his latest novel in that series, and it’s typically filled with his usual mix of outrageous SF concepts.
(10) COMICS SECTION.
Bizarro eavesdrops on the confessions of a garden gnome.
… In the world of Jurassic League, Superman was still sent to Earth on a rocket ship from a dying planet. And he was still raised by humans. It’s just that he’s also a man-shaped brachiosaurus. Batman (rather, Batsaur, Gedeon clarifies for Polygon) is an allosaurus. Wonder Woman is a triceratops. The Joker is a dilophosaurus….
(12) QUESTRISON Q&A. Space Cowboy Books will host a reading and interview with J. Dianne Dotson, author of The Questrison Saga on Tuesday, February 15 at 6:00 p.m. Pacific. Free registration at Eventbrite.
The Questrison Saga is an epic four-book space opera beginning at the edge of our solar system and expanding out into the galaxy. Within its pages: Love and war. Spaceships and exotic worlds. Aliens, androids, ecosystems. Mages and presidents. Long cons. Family feuds that led to galactic destruction. Family ties that could save the galaxy.
(13) ASK HARRIS. And Space Cowboy Books will also host an interview with Brent A. Harris, author of the science fiction novel Alyx: An AI’s Guide to Love and Murder, on Tuesday, February 22 at 6:00 p.m. Pacific. Free registration here.
What if your home wanted you dead?
Tech-loving teen Christine makes fast friends with her home’s AI, Alyx. But when a real-world romance threatens their bond, Alyx turns from friend to foe.
Alyx is a positive LGBTQ+ coming-of-age techno-thriller trapped inside a monster-in-the house horror where the home itself is the monster.
Use visual means to organize and connect information about characters, setting, and movement, expand plot options using a flowchart, then combine all into a single large diagram outline.
Every writer has their approach to resolving plot problems and generating new ideas. One that Julie Czerneda has used successfully for years is to “draw her way out.” In this workshop, you’ll use this technique to work through different story challenges, from character development to plotting. There is no advance preparation required.
Attendees will be emailed worksheets to be used during the workshop and must have their own large sheet of paper (minimum 40X40cm).
…About 1.7 million households tuned into The Book of Boba Fett’s premiere last December, and a second season seems inevitable. Han Solo might be sabotaging the Death Star, Luke Skywalker might be forging the fate of the Force, but currently, Star Wars fans are far more fascinated with this obscure C+ player in a green visor. Back when I was a preteen Star Wars fan, my friends and I shared an innate understanding that Boba Fett was uncommonly cool, even if we didn’t know much about him. Twenty years later, I’m still trying to figure out why.
James Clarke, 36, is well equipped to answer that question. He’s a longtime editor of the Boba Fett Fan Club, which sports over 14,000 members and is the single most comprehensive repository of Fettian facts, tributes, and theories on the internet. Like me, Clarke fell in love with the bounty hunter as a child, and pursued his fascination to the point of writing reams of Boba-themed fanfiction in middle school. “I probably have 25-year-old stories still on the site somewhere,” says Clarke. (Minutes after our interview, he sent me a photo of himself in full Boba Fett cosplay, a confirmation of his bona fides.)…
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Olav Rokne, Daniel Dern, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]
…Minneapolis property owners have complained that the policy was slowing the pace of recovery and turning piles of debris into public safety hazards. The situation is different in St. Paul, which has been issuing demolition permits without requiring the prepayment of the second half of 2020 property taxes, which are due in October.
…“This will remove one small roadblock, but I am not sure how much it will actually speed up the entire rebuilding process,” said Don Blyly, owner of Uncle Hugo’s and Uncle Edgar’s bookstores in Minneapolis, which were destroyed in the riots. “You are still going to have the problem of a whole lot of demolition permits being handled by people who are working at home because of COVID-19.”
Blyly, who hired a contractor to remove the rubble from his lot a month ago, still doesn’t have his demolition permit, even though he paid his taxes last week.
Minneapolis City Council Member Andrew Johnson said he will introduce legislation at Friday’s council meeting that would require city officials to expedite the approval process for riot-damaged properties and waive all administrative fees.
“We should be processing their applications first, in front of everyone else’s, and they shouldn’t be subject to any unnecessary steps that are slowing stuff down,” Johnson said. “We need to bend over backward and do everything possible to help them with rebuilding.”
(2) F&SF COVER. The Magazine of Fantasy and Science Fiction’s Sept/Oct 2020 cover art is by Bob Eggleton for “The Shadows of Alexandrium” by David Gerrold.
(3) QUITE A FASCINATING ARTICLE. In “My First Thriller: David Morrell” on CrimeReads, Rick Pullen interviews Morrell, who explains that sf writer and Penn State English professor Philip Klass not only inspired Morrell to find the path he needed to complete First Blood (whose protagonist was John Rambo) but also introduced Morrell to his first agent.
…He read the show’s credits, noting that Stirling Silliphant was the creator. His local library found the address for the “Route 66” production company (the beginning of Morrell’s love affair with libraries). He mailed Silliphant a hand-written letter, saying “I want to be you.” Surprisingly, Silliphant wrote back with a single-spaced, two-page letter within the week. (The framed letter now hangs in Morrell’s office.)
“I wish I had some specific advice for you or encouragement,” wrote Silliphant, “but what I have to say is certainly not new. Keep writing…eventually if you have something of promise to say, someone will help you or hire you.”
…While at Penn State, he met science fiction writer Philip Klass, better known by the pseudonym William Tenn, who taught the basics of fiction writing.
“It was astonishing that a university would hire a real writer. He did not have a degree. He was the backbone of their creative writing department…I couldn’t get into his classes. They filled up right away. So Klass agreed to meet me during office hours.”
To test Morrell, Klass instructed him to turn in a short story every week, and every week he did.
Eventually Klass summoned Morrell to his office and begged him to stop writing fiction. “You’re terrible,” he said.
“He was right,” Morrell says. “I was writing bad Joyce and Faulkner.”
From Klass, he learned “every writer has a dominant emotion.” Morrell’s was fear. Maybe if he wrote honestly about fear, Klass told him, he would stop writing all of his horrible imitation fiction.
“I took him at his word.”…
(4) HELP NEEDED. Filer Lenora Rose hopes someone can lend a hand:
I have a writer’s issue to do with language — specifically semi-Nordic language — and I think this might be the right place to ask for help?
So I’m dealing with a fantasy setting that is used for the course of at least three books. One of the countries major characters come from speaks something I have been rendering, for the purpose of getting through the rough drafts, as quasi-Nordic — sometimes actually looking up words in Swedish or Norwegian or Icelandic and picking the one that sounds the least like English, and also going a Germanic style take two or three words and squish them together. It didn’t help that I decided they were the culture where the names of humans mostly translate to other nouns (Snow, Willow, etc) and the names of the non-human sapient race are usually those Germanic-style squished-together compounds (Bright Witty Magpie is one, as is Stream in Spring Flood). The protagonist is a multi-linguist and cares about this stuff.
Well, the story is now getting into final draft stages in every other way, and the placeholder language is still something that would almost certainly give any linguist or speaker of any of the related Scandinavian languages creeping horrors.
It certainly bothers me, because in the “I don’t know what I don’t know” way, I’m terrified I am going to end up, (as one author did when inventing names she thought sounded Welsh), naming someone a slang term for women’s hygiene products or something similarly terrible.
So basically I need a consult with someone who speaks a related language and would be willing to make non-painful translations or naming suggestions, or a linguist to do the same. *I am assuming this is something where I should pay for their time in some way*, at least if it goes past an initial consultation.
If anyone is willing to help, please relay your email through OGH – mikeglyer (at) cs (dot) com
….With 2020 seeing the re-emergence of the Black Lives Matter movement, leading to many conversations about inclusivity, [George R.R.] Martin’s mispronunciations have taken on a deeper meaning.
“The backlash is absolutely justified,” said Hugo award winner and British fantasy author Jeanette Ng. “But I am sometimes frustrated that it gets reduced down to an anger about him mispronouncing names rather than this deeper tension between competing visions of the genre and the award…Whilst the mispronunciations matter, they are ultimately a symptom of that deeper disconnect of what the [awards are meant to do].”
(6) ASFA SPONSORS BIPOC MEMBERSHIPS. The Association of Science Fiction & Fantasy Artists is offering “Sponsored Memberships For BIPOC”. Donations have raised the number available to 15.
In recognition of systemic biases against BIPOC (Black, Indigenous, & other People of Color) both within the Speculative Fiction & Fantasy communities and without, the Association of Science Fiction & Fantasy Artists intends to sponsor memberships in the organization for BIPOC artists. These sponsorships will be open to up-and-coming artists as well as established artists, and each membership will convey voting rights in the annual Chesley Awards in addition to periodic opportunities to exhibit in shows with other ASFA artists. Additionally, ASFA encourages its BIPOC members to participate in our Board elections, as candidates for Board positions and as voters, to ensure that the organization’s representatives are truly representative of our membership and our aspirations for the community overall.
The site of America’s first nuclear meltdown — and subsequent cover-up — in the picturesque hills of Ventura County may soon join Hearst Castle, the cable cars of San Francisco, and the Santa Barbara Mission as an official landmark in the National Register of Historic Places.
In what some have described as a cynical attempt by a U.S. government agency to avoid a long-promised cleanup of toxic and radioactive contaminants, NASA has nominated the Santa Susana Field Laboratory for official listing asa traditional cultural property.
…Hidden within the chaparral and rocky peaks of the Simi Hills, the Santa Susana Field Lab conducted research that was critical to the nation’s Cold War ambitions, yet toxic to the Earth. The partial meltdown released radioactive gasses that the public was never warned about, and spent rocket fuel, heavy metals and other toxins contaminated the soil and groundwater.
…Now, NASA and a coalition of Native American groups have proposed the area be designated a traditional cultural district. The move has been opposed by critics, who fear that strict laws protecting Native American artifacts, combined with terms of the 2010 agreement, could make it difficult to clean up contamination.
4. Winning an award is not always as important as being a finalist. I can speak to this personally: In terms of my career, it was far more important for me to have been nominated for the Best Novel Hugo award in 2006, than it was for me to win it in 2013. Why? Because in 2006 I was new to the field, and having my first novel nominated was a thing, especially when coupled with the nomination for the Campbell Award for Best New Writer. I was the first person in more than twenty years to get nominated for the Campbell and Best Novel in the same year, and it changed my status in the field from “who is John Scalzi” to “oh, that’s John Scalzi.”
I didn’t win the Hugo that year (nor should I have: Spin by Robert Charles Wilson won, and deservedly so), but it didn’t matter because the boost put me in a different career orbit. When I did win the Best Novel award, several years later, it was great, and I loved it, and I wouldn’t trade the experience. But careerwise, it wasn’t a transforming event. It was a confirming event. My professional career didn’t change all that much after I won. Whereas being nominated earlier was transforming, and ultimately more important to my career.
…The novel, which follows the love story between vampire Edward Cullen and high schooler Bella Swan that fans originally fell for in the first Twilight book back in 2005, is currently No. 1 on USA Today’s Best-Selling Books List as well as on The New York Times’s Children’s Series List. While the original book series —which was adapted into a franchise of movies starring Kristen Stewart and Robert Pattinson in the leading roles — was told from the point of view of Bella, this version takes readers inside the mind of her bloodsucking boyfriend, Edward.
Something about that last line sounds a little off….
When I first envisioned Web-beings, it was a thought experiment on a biological basis for being semi-immortal. I arrived at the notion of organisms who manipulate their molecular structure using energy to repair aging and damage. It led me to aliens who’d hide themselves by cycling, as I called it, into the form of shorter-lived intelligent species. To be convincing, they’d need to know how to behave as one. Thus I had them (there were six at the start) collect and share everything they discovered about a species, from its biology (and thus how to be that form) to every aspect of society and culture.
When your memory consists of your flesh, you’re able to store vast amounts of information, which Web-beings exchange by biting off bits of one another. (I love my job.)…
(11) A CONZEALAND SOUVENIR. W.O.O.F. #45 put together by the Worldcon Order of Fan-Editors for CoNZealand is a free download from eFanzines [PDF file]. It boasts a cover by Tim Kirk, and contributions from John Purcell, Chris Garcia, Rich Lynch, Chuck Connor, Ahrvid Engholm, Evelyn & Mark Leeper, David Schlosser, Mark Blackman, Andrew Hooper, Murray Moore, Kees van Toorn, Wolf von Witting, R. Laurraine Tutihasi, Roger Hill, Alan Stewart, and Phil Wlodarczyk. Guy H. Lillian III served as the Offcial Editor.
(12) I DON’T KNOW — THIRD BLAST! On the Dragon Awards site: “A Blast from the Past (Winners) – Part 3” with Kevin J. Anderson, Nick Cole, Larry Correia, Richard Fox, Claudia Gray, Brian Niemeier, S.M. Stirling, and Harry Turtledove.
If you were a voting electorate of one, what book by any other author would you give a Dragon Award to? What books by other authors would you recommend to those who voted for or enjoyed your book?
Nick Cole: I’m going to decline naming any authors because I have too many talented friends. If you enjoyed Ctrl Alt Revolt!, I guess I would recommend that you read any book by any author who’s been cancelled. Instead of just arbitrarily listening to someone’s opinion on some author and why they should be banned, blacklisted, and their works burned in a bonfire either digital or physical, I think you should take the time to read that book, listen to that person, and come to the conclusion yourself.
(13) BOOK ANNVERSARY.
August 2015 —[Item by Cat Eldridge.]The House of Shattered Wings, the first of her Dominion of The Fallen series by French-Vietnamese author Aliette de Bodard was published by Roc in the U.S. It would be the first novel in what has been a prolific and award-rich writing career. In addition to the decadent, ruined Paris set of the Dominion of The Fallen series, there’s her Xuya stellar empire where she makes rich use of her French-Vietnamese heritage. Of the new writers I’ve been reading (and most are female), I think she’s one that bears watching as it’ll be interesting to see what new universes come from her. And yes I’m waiting for the first Xuya novel somewhat impatiently.
(14) MEDIA BIRTHDAY.
August 13, 1953 — George Pal’s adaptation of H.G. Wells’ The War Of The Worlds premiered in Atlantic City, New Jersey. (Not New York City as is popularly believed.) It was directed by Byron Haskin from the screenplay by Barré Lyndon. It starred Gene Barry and Anne Robinson. It was narrated by Cedric Hardwicke. The film was both a critical and box office success with it earning back its budget in its first run. And it would won an Academy Award for Special Effects. Audience reviewers at Rotten Tomatoes currently give it a 71% rating. (CE)
(15) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 13, 1895 — Bert Lahr. Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though In the war film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.) (CE)
Born August 13, 1899 — Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part was awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.) (CE)
Born August 13, 1909 — Tristram Coffin. He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in. “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.) (CE)
Born August 13, 1922 — Willard Sage. He showed up on Trek as Thann, one of the Empaths in “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of Giants, Invaders, The Man from U.N.C.L.E., The Outer Limits and The Sixth Sense. (Died 1974.) (CE)
Born August 13, 1928 – Sir George Pollock, Bt. The 5th baronet (an oversimplification); pursued photography that had light itself as its subject; invented color photographs using controlled light, originally through glass, which he called Vitrograph; later, large-scale photographic murals. Five book and magazine covers for us; here is New Writings in SF 3. Two album covers for His Master’s Voice; here is HQM 1008 with Stravinsky’s Soldier’s Tale (translation in part by Michael Flanders!), here is HQM 1026 with Prokofievand Shostakovich. Here is Galactic Event. Website here (under re-construction but some help). Appreciation by the Photographic Alliance of Great Britain here (“NGV” is Nat’l Gallery of Victoria) (PDF). (Died 2016) [JH]
Born August 13, 1932 – John Berkey. A hundred seventy covers, two hundred twenty interiors. Mixed his own colors. Here is Starman Jones. Here is Star SF 6. Here is the Nov 94 SF Age. Here is a Star Wars book. Here is One Giant Leap. Four artbooks; lastly J. Frank ed., The Art of John Berkey. Society of Illustrators Hall of Fame. Spectrum Grand Master. Website here. (Died 2008) [JH]
Born August 13, 1945 – Rita Krupowicz. (She usually signed “R.J. Krupowicz”.) Ten covers, as many interiors. Here is The Dark Cry of the Moon.Here is the Nov 85 Fantasy & Science Fiction. This is from The Vortex Library on Twitter. (Died 1991) [JH]
Born August 13, 1952 – Donna Barr, 68. Enlisted in the U.S. Army, school-trained Teletype operator. Much of her work self-published, available electronically. Stinz was serialized in the Eclipse Comics series The Dreamery (hello, Lex Nakashima). GURPS (Generic Universal RolePlaying System) and Traveller role-playing books. “I usually do a rough on scrap paper (junk mail has lots of blank backs!), happily cutting and pasting, then I copy the whole thing (so the back is clear), rearrange the copy backwards on the back of the final paper, slap in some lettering guides, flip it over on a light table, and use it as a rough guide while I ink. No penciling, and no erasing.” Website here. [JH]
Born August 13, 1974 – Christina Henry, 46. A dozen novels, half a dozen shorter stories. Alice, Red Queen and Looking Glass are “a dark and twisted take on Alice’s Adventures in Wonderland”; The Girl in Red is “a post-apocalyptic Red Riding Hood novel”. The Ghost Tree, expected next month, is “an homage to all the coming-of-age horror novels I read when I was younger – except all those books featured boys as the protagonists when I longed for more stories about girls. Just to clarify, though – this is not a young adult novel; it’s intended for an adult audience (like all of my work).” [JH]
Born August 13, 1977 — Damian O’Hare, 43. Though you might know him from the Pirates of the Caribbean films, The Curse of the Black Pearl and On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on Justice League Action. He also showed up in Agent Carter. (CE)
Born August 13, 1990 — Sara Serraiocco, 30. She plays the complex role of Baldwin on the Counterpart series which I’ve got on the iPad for watching soon. Anyone watch this? (CE)
Born August 13, 1990 – Marlon Pierre-Antoine, 30. “Helena’s Empire” is an E-book novelette. Its sequel Wandering Stars explores a teenage girl’s whblooming romance with Lucifer (i.e. after his fall), whom she meets on a beach. MP ranks The Divine Comedy above Animal Farm, both below The Hitchhiker’s Guide to the Galaxy. [JH]
Years after the completion of the second outing of his alternate history series The American Way, 12 Years a Slave screenwriter John Ridley is returning to comics to reveal The Other History of the DC Universe. The long-awaited series, exploring DC’s lengthy comic book mythology from a new angle, has been newly scheduled for a November release.
The five-part series, originally announced in 2018, re-examines important and iconic moments from DC’s comic book history from the point of view of characters from traditionally disenfranchised groups, including Jefferson Pierce — better known as Black Lightning — and Renee Montoya (The Question). Giuseppe “Cammo” Camuncoli, Andrea Cucchi, and colorist José Villarrubia are the artists for the series, with covers from Camuncoli and Jamal Campbell (Far Sector, Naomi)….
In a rare public fallout for Netflix, the creators of the platform’s highly anticipated, live-action adaptation of Avatar: The Last Airbender, the acclaimed Nickelodeon cartoon, have walked away from the project.
Avatar: The Last Airbender’s full run became available on Netflix this past June, attracting a huge audience and reigniting the 2000s cartoon’s popularity. But in separate posts published to their respective blogs and Instagrams, Avatar franchise creators Michael Dante DiMartino and Bryan Konietzko said they were no longer involved with the previously announced Netflix remake, due to prolonged creative differences.
“When Netflix brought me on board to run this series alongside Mike two years ago,” Konietzko wrote in his Instagram post, “they made a very public promise to support our vision. Unfortunately, there was no follow-through on that promise. … [T]he general handling of the project created what I felt was a negative and unsupportive environment.”
“I realized I couldn’t control the creative direction of the series, but I could control how I responded,” DiMartino added on his own website. “So, I chose to leave the project.”…
”People ask me to predict the future, when all I want to do is prevent it.” Ray Bradbury has been acclaimed as the writer most responsible for bringing modern science fiction into the literary mainstream but, as the quote above shows, he regarded himself as the author of modern philosophical fables, rather than a sci-fi writer. In his dystopian works, such as Fahrenheit 451, he holds up a mirror to contemporary society and then transposes it into fantastical and futuristic scenarios. Bradbury was a prolific writer who tried his hand at everything from poems and novels to TV and radio scripts but it’s his early short stories which he produced in his twenties that are perhaps the most imaginative.
To mark the centenary of Bradbury’s birth, Rajan Datar is joined by three Bradbury experts to help him navigate through the author’s prodigious output: Professor Jonathan Eller from Indiana University who is also the Director of the Center for Ray Bradbury Studies; Dr. Miranda Corcoran who teaches American literature at University College Cork with particular interest in science fiction, horror and the gothic; and Dr. Phil Nichols who combines research into Bradbury’s TV and other media work with the teaching of Film and Television Production at Wolverhampton University.
(21) TOONING OUT. Camestros Felapton’s attention was drawn to “The Webtoon Short Story Contest” by Vox Day’s complaints that his Arkhaven Comics entry got no love from the judges:
Where there are stories gathered together there are story competitions and Webtoon is no different. They recently held their Short Story competition with the winners announced here https://www.webtoons.com/en/challenge/contest/us-contest-2020. It’s a juried award with cash prizes that splits winners and runners up into two categories: “Brain” for stories that blow your mind and “Heart” for stories that warm your heart (Rules and FAQs).
“Why are you telling us all this Camestros?” I hear you say….
Camestros proceeds to make some interesting observations.
And it wasn’t just unawarded. Midnight’s War somehow didn’t even qualify as one of the 36 runners-up despite being one of the top 10 ranked in Popularity and earning a higher rating than two out of the three Silver winners.
This tells me that Arkhaven needs to seriously rethink our plan to use Webtoons as a platform….
…JAY PRICE, BYLINE: Esports has exploded in the past few years. There are pro leagues, bricks and mortar arenas, players with six-figure salaries. Millions of people log on to streaming platforms like the Amazon owned Twitch to watch games and interact with players and each other. Many are of recruiting age. The military has taken notice. Major General Frank Muth just finished a stint leading U.S. Army Recruiting Command.
FRANK MUTH: This really has brought us into the modern era of where this generation and the next generation – they’re mainly hanging out online all the time.
PRICE: The four largest military services all now have teams or official players. Sergeant Nicole Ortiz is on the Army’s team. Her role includes playing games while socializing and explaining military life to viewers, like her own as an IT specialist.
NICOLE ORTIZ: A lot of them, they look at movies and think that the Army is just about war and shooting guns. In reality, I used to work at a help desk.
PRICE: Recruiting brass say the new esports push is already helping, especially given the difficulties of face-to-face recruiting during the pandemic. Part of the allure is being able to interact directly with viewers through the chat function. And that’s where the military’s esports initiative ran into some trouble.
KATIE FALLOW: What they did here is impermissible under the First Amendment.
PRICE: Attorney Katie Fallow is with the Knight First Amendment Institute at Columbia University. She represents an activist named Jordan Uhl. On the Army and Navy Twitch channels, he posted messages including, what’s your favorite U.S. war crime? Uhl was banned from both, along with dozens of others who posted similar messages or other comments the military gamers deemed improper.
FALLOW: Because they basically said, we don’t like that you’re raising questions about war crimes or things that the military is sensitive about. And they blocked people based on their viewpoints.
(24) SOONER OF LATER IT ALL ADDS UP. In “The Cost of Perseverance, in Context”, the Planetary Society says the cost of the latest Mars Exploration Rover mission sounds quite modest compared to some other chosen figures.
NASA expects to spend approximately $2.7 billion on the Perseverance rover project. This number can sound large, even excessive, to some—but it’s a number that demands context. Let’s give it some….
The total cost of the Perseverance rover is equivalent to…
33 hours of running the Department of Defense
Slightly less than 1 day of Social Security spending
One year of spending on the Space Launch System rocket
…Northumberland Park garage will host vehicle-to-grid technology, which feeds energy stored in parked electric buses back into the electricity network.
If the government-funded Bus2Grid project is rolled out across London it could power an estimated 150,000 homes.
The project will begin in November and run for three years.
Putting energy back into the grid when demand is high and recharging buses when demand is low helps make the network more efficient by balancing the peaks and troughs.
Ian Cameron, head of innovation at UK Power Networks, said: “A fleet of bus batteries harnesses large amounts of electricity and they are habitual, with regular and predictable routes, driving patterns and timings.
“That means we can easily predict and plan for how we can use any spare electrical capacity they can offer.”
(27) FORBIDDEN KNOWLEDGE. Forbidden Planet, the world’s largest and best-known comic book and cult entertainment retail chain, is throwing itself a 42nd birthday party — Forbidden Planet 42 – an online event featuring many genre and other celebrities.
On Saturday August 29th 2020, ForbiddenPlanet.com will play host to a huge range of celebrity interviews, as alumni from the worlds of science fiction, comics & popular culture come together to help the store celebrate 42 years of pop-culture addiction – and ponder the answer to The Ultimate Question of Life, the Universe and Everythingwith an all-star cast of our oldest friends & customers!
This star-studded online event will feature new, exclusive interviews with some of Forbidden Planet’s most celebrated customers including William Shatner, DMC, Neil Gaiman, Alice Cooper, Jonathan Ross, Gerard Way, Garth Ennis, Kevin Smith, Michael Moorcock, Simon Pegg, Mark Millar, Dan Slott, V.E. Schwab, Dave Gibbons, Brian Bolland, Dirk Maggs, Chris Claremont & Ben Aaronovich amongst others, hosted by Forbidden Planet’s Andrew Sumner.
As part of the Forbidden Planet 42 celebrations, this online extravaganza will also host a tribute to Forbidden Planet’s old friend – the late, great Douglas Adams (The Hitchhiker’s Guide to the Galaxy) in the shape of a rare, never-before-heard interview with Douglas (recently discovered in the Forbidden Planet vaults) conducted by another old pal, celebrated author Neil Gaiman.
[Thanks to Kathryn Sullivan, John King Tarpinian, JJ, John Hertz, Rose Embolism, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of the ridiculous number of stories in today’s Scroll. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
(1) MARY SUE ORIGIN STORY. [Item by Jerry Kaufman.] This
recent article from the London Review of Books
is about fandom, or fandoms as the case may be, the woman who identified the
“Mary Sue”, and her recent writing. (I am the real Jerry Kaufman –
accept no other) – “On
Sophie Collins”. (Registration required to
read full article.)
A ‘Mary Sue’ is an implausibly skilful, attractive or successful protagonist who seems to be a stand-in for the author, especially in fanfiction. The term comes from Paula Smith’s parodic story ‘A Trekkie’s Tale’ (1973), originally published in a mimeographed journal for Star Trek fans. In mocking ‘Mary Sue’, Smith was not attacking fanfiction but trying to bolster its literary quality against fans who used it naively for wish fulfilment. Most of these fans were (like Smith) female. As the term, and the critique, became more common, some fans, and some feminist critics, pushed back. They saw fan communities, and the defiantly unprofessional cultural production that emerged from them, as a kind of safe space, where the rules imposed by a patriarchal outside world about what one can say, and who one can be, could be ignored.
Council Member Fernando Cabrera’s proposal aims to honor Stan Lee’s Bronx roots by co-naming a section of University Avenue between Brandt Place and West 176th Street after the comic book genius.
The city council voted Tuesday to approve the proposal.
… “Stan Lee was a Bronx native who grew up in my district,” said Cabrera. “Stan Lee was a creative genius who co-created iconic super heroes including Spider-Man, the X-Men, the Hulk, Doctor Strange, Ant-Man, Black Panther and more. Mr. Lee’s amazing talent brought joy and entertainment to countless children and adults and he deserves to be permanently memorialized in his home borough, the Bronx.”
(3) BUILDING A STORY WITH MAGIC. Juliette Wade’s new Dive
Into Worldbuilding introduces readers to “Julie
Czerneda and The Gossamer Mage“. View the video interview,
and/or read the summary notes at the link.
…I asked her where the idea for the book started, and she said it started with a pen – and proceeded to show us the pen in question! She brought a lot of cool props to show us, so I encourage you all to check out the video if you’re curious about them.
One of the things that Julie explored while writing this was the history of ink. Battles were fought over areas of the world that provided good ink ingredients, and pirates stole ink as well as other things.
I’ve always found constrained magic systems very interesting, so I asked her to tell us about the magic system she used in The Gossamer Mage. Julie said she agreed with me that she liked constrained systems. She said she liked it when everyone knows how to use the magic, but wait, it’s not so simple. This particular magic system is constrained in part because it requires writing, which means it requires a particular type of scholarship. You have to be able to write words that are not human words, and to intend them. Further, this magic can only be done in the one place in the world where magic remains. One important ingredient here is that magic used to be in more of the world, but is no longer present except in one region, ringed with mountains.
Thus, magic is constrained physically, and it is constrained to scholars….
Rereading A Coney Island of the Mind by Lawrence Ferlinghetti. I believe that an appreciation of poetry is essential for any writer in any field. That economy of language reminds you of the importance of choosing exactly the right word, not the word next to the right one on the shelf. On a conceptual level, I admire Ferlinghetti’s writing which comes at you from a right angle with a huge impact, so I reread his work every couple of years to keep my brain flexible.
And so, drip by drip, crumb by crumb, inch by inch, Straczynski manages to become a writer, and it turns out that not only can he write to deadline, he’s really good at it. Even projects that seem silly or trivial on their face, like writing for He-Man or The Real Ghostbusters, are treated with such intense seriousness that they just kill.
But this being Hollywood, where, famously, nobody knows anything, every success that Straczynski ekes out is eventually scuttled by venality, cowardice, grift, or all three, as greedy execs and bullshit-slinging consultants demand that he compromise on what he knows is right. And Straczynski being Straczynski — being the survivor of a campaign of terror visited upon him by a literal Nazi — refuses to back down, because despite the mountain of shit he’s climbed to get where he is, the prospect of falling down to the bottom is incapable of scaring him beyond his threshold of tolerability.
And, remarkably, despite industry concentration and a thousand variations of “you’ll never work in this town again,” Straczynski continues to work. His story is a beautiful parable about how luck is made: the way it’s told, it seems like Straczynski has a horseshoe up his ass, with opportunities dropping appearing over the horizon just a little faster than the burn-rate of the bridges he’s torched behind him, but when you look a little closer, you realize that the most improbable thing here isn’t the opportunities, but rather Straczynski’s relentless, singleminded determination to seize them, writing (for example) entire seasons of his TV shows when the studios’ dumb mistakes leave them shorthanded.
(6) REVOLUTIONARY DATA. Can you imagine Brent Spiner
playing John Adams in 1776? There’s a concept. He’s the guest on the
latest Maltin on
Forever to be remembered as Lt. Commander Data on Star Trek: the Next Generation and other treks to follow, Brent Spiner is a versatile actor and performer with notable Broadway credits—and two fervent fans in Leonard and Jessie, who saw him play John Adams in a masterful revival of 1776. He’s happy to discuss all facets of his career, from musical theater to his memorable role in Independence Day. Even longtime fans may learn things they didn’t already know about Brent in this delightful chat.
(7) THIS IS COOL. The
earth seen from outer space — here is a visualization of how Planet’s
satellites assemble swatches of remote sensing tiles to complete a global
observation in 24 hours:
In four years, Planet has flown on 18 successful launches and deployed 293 satellites successfully into low Earth orbit. With more than 150 satellites currently in orbit, Planet has the largest constellation of Earth imaging satellites in history.
As you may notice, the satellites are not always taking photos (or sending / “beaming” the data down to Earth). Parts of the landmass can also be missing due to complete cloud cover that day. See the Amazon, Central Africa, or Northern Australia for example.
A companion piece reveals more about the satellites themselves; the “doves”, “RapidEyes”, and “SkySats”. Explaining their sizes, the numbers out there already and the types of images they capture. Check out the story here!
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 26, 1883 — Edwin Balmer. Together with author Philip Wylie, he penned When Worlds Collide and After Worlds Collide. The first was made into the 1951 movie by George Pal. He also wrote several detective novels and collaborated with William MacHarg on The Achievements of Luther Trant, an early collection of detective short stories. The latter are not genre, despite being listed as ISFDB as I’ve read them. (Died 1959.)
Born July 26, 1894 — Aldous Huxley. Brave New World is fascinating. I knew I had it assigned and sort of discussed in a High School class and at least one Uni class decades ago. So what else is genre by him and worth reading? (Died 1963.)
Born July 26, 1919 — James Lovelock, 99. Just shy of a century now in life, the Gaia theorist wrote a genre novel with Michael Allaby, The Greening of Mars, of the transformation of the red planet into a green one. His newest work, Novacene: The Coming Age of Hyperintelligence, thinks that hyperintelligent machines are coming into being by our own hand and that we better be prepared for their arrival.
Born July 26, 1928 — Stanley Kubrick. I’m reasonably sure 2001: A Space Odyssey was the first film I saw by him but Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the one that impressed me the most. A Clockwork Orange was just damn depressing. And I’m not a horror fan as such so I never saw The Shining. Barry Lyndon is great but it’s not genre by any means. (Died 1999.)
Born July 26, 1945 — M. John Harrison, 74. TheViriconium sequence, I hesitate to call it a series, starting with The Pastel City, is some of the most elegant fantasy I’ve read. And I see he’s a SJW as he’s written the Tag, the Cat series which I need to take a look at. He’s not published deep in digital form at this time.
Born July 26, 1945 — Helen Mirren, 74. She first graces our presences as Hermia in A Midsummer Night’s Dream. She next shows up in a genre role as Alice Rage in The Fiendish Plot of Dr. Fu Manchu, Peter Sellers’ last film. She’s an ever so delicious Morgana in Excalibur and then leaps into the future as Tanya Kirbuk in 2010: The Year We Make Contact. She voices the evil lead role in The Snow Queen, and likewise is Deep Thought in The Hitchhiker’s Guide to the Galaxy.
Born July 26, 1957 — Nana Visitor,62. Kira Nerys on Deep Space Nine which for my money is the best of the Trek series to date. After DS9 ended, Visitor had a recurring role as villain Dr. Elizabeth Renfro on Dark Angel. In 1987, Visitor appeared as Ellen Dolan in a never developed series pilot for Will Eisner’s The Spirit with Sam J. Jones as The Spirit.
Born July 26, 1971 — Mary Anne Mohanraj, 48. Writer and editor. Founder of Strange Horizons, a genre fiction magazine. She has one genre novel, The Stars That Change, and two stories published in the Wild Cards Universe, “Low Chicago” and “Ties That Bind”. She also an anthology, Without A Map, co-edited with Nnedi Okorafor.
Born July 26, 1978 — Eve Myles, 41. She’s a a Welsh actress from Ystradgynlais, convenient as she played Gwen Cooper on Torchwood which was set in and shot in Cardiff. She previously played the servant girl Gwyneth in the Doctor Who episode “The Unquiet Dead” during the Ninth Doctor’s time. She and the full Torchwood cast did an an BBC 4 Radio Play called Golden Age in which they time travelled back to Imperial India. Highly recommended.
…Amazon’s new 8-episode series The Boys – about a team of non-powered mercenaries determined to take down the world’s premier team of evil, corrupt, soulless-corporate-shill superheroes – chooses to play in a sandbox that’s seen its share of use. A sandbox that’s been sitting out in the sun and rain and wind for decades, filling up with cigarette butts and cat poop and old toys left by previous storytellers, who’ve hit precisely the same themes.
This is even more true today than it was in 2006, when the comics series The Boys, by writer Garth Ennis and artist Darick Robertson – from which the Amazon show has been adapted, freely – first debuted.
…What The Boys was, at the time — especially if you’d been reading comics for years — was tiresome, more than anything else: Really? We’re still doing … this?
I’m happy to report that the Amazon series improves on its source material. It does so by taking the comics’ lazy inciting incident – the accidental death-by-superhero of the girlfriend of its main character Hughie (Jack Quaid) – and treating it as something more than solely a plot trigger. The series gives Hughie time to absorb, to grieve, to soak in the brutal incident so – even though it is depicted, lovingly, in garish slow-motion – it becomes something more than another nihilistic gag.
That’s a hallmark of the show, as it turns out. Where the comic was content to steer headlong into bloody spectacle and smugly snicker, the show serves up the spectacle (on a budget) and then … takes the time to inspect it, examine it, unpack it. To legitimately honor it, in other words. In its way.
(10) NEW TENANT IN THE WHITE HOUSE. Zombieland: Double
Tap comes to theaters October 18.
A decade after Zombieland became a hit film and a cult classic, the lead cast (Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and Emma Stone) have reunited with director Ruben Fleischer (Venom) and the original writers Rhett Reese & Paul Wernick (Deadpool) for Zombieland 2: Double Tap. In the sequel, written by Rhett Reese & Paul Wernick and Dave Callaham, through comic mayhem that stretches from the White House and through the heartland, these four slayers must face off against the many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.
Although wackiness levels vary from video to video, the run times are all wisely kept brief. The only things that run longer than the time it takes to decide between regular avocados and organic ones are the cooking tutorials. Everything else—including charm-infused shorts like Christmas in Germany, produced by Condé Nast Traveler, which mixes traditional animation with stop-motion footage of Pfeffernüsse cookies and other German delicacies—runs at around the one-minute mark, making for a thoroughly undemanding watch.
This one’s very stfnal –
While this one’s just plain funky –
(12) NASFIC/WESTERCON IN UTAH. Rodford Edmiston has posted an
of photos from Spikecon at Flickr. Whether
intentionally or not, the photographer showed a genius for standing at the back
of a hall in which the only people were in the front row and on the platform.
STEPHAN PASTIS is the creator of the daily comic strip Pearls Before Swine, syndicated by Andrews McMeel Syndication. Stephan practiced law in the San Fransisco Bay area before following his love of cartooning and eventually seeing syndication with Pearls, which was launched in newspapers beginning December 31, 2001. The National Cartoonists Society awarded Pearls Before Swine the Best Newspaper Comic Strip in 2003 and in 2006. Stephan is also the author of the children’s book series Timmy Failure. Stephan lives in northern California with his wife Staci and their two children.
Covered up by a secretive Soviet Union at the time, the true number of deaths and illnesses caused by the nuclear accident are only now becoming clear.
Springtime was always the busiest time of year for the women working at the wool processing plant in Chernihiv, northern Ukraine. More than 21,000 tons of wool passed through the factory from farms all across the country during the annual sheep shearing period. The April and May of 1986 were no exception.
The workers pulled 12-hour shifts as they sorted the piles of raw fleece by hand before they were washed and baled. But then the women started getting sick.
Some suffered nosebleeds, others complained of dizziness and nausea. When the authorities were called to investigate, they found radiation levels in the factory of up to 180mSv/hr. Anyone exposed at these levels would exceed the total annual dose considered to be safe in many parts of the world today in less than a minute.
Fifty miles away was the Chernobyl nuclear power plant. On 26 April 1986 reactor number four at the power plant suffered a catastrophic explosion that exposed the core and threw clouds of radioactive material over the surrounding area as a fire burned uncontrollably.
But Chernihiv was regarded to be well outside the exclusion zone that was hastily thrown up around the stricken plant and readings elsewhere in the town had shown it to have comparatively low levels of radiation.
…Had Hauer played Batty as another stone-faced Eurobaddie, “Blade Runner” itself might have been a more comfortably classifiable genre effort, the kind of movie that many viewers expected in 1982, the kind that promised to pit Ford, the star so familiar to us as Han Solo and Indiana Jones, against a new kind of futuristic nemesis. Instead, audiences were thrown off by the knotty neo-noir that Scott and the screenwriters Hampton Fancher and David Webb Peoples delivered, the film flopped, and a cult masterpiece was born.
Look no further than Batty’s extended final battle with Deckard to see both the evidence of the movie’s idiosyncratic tone and how Hauer’s remarkable performance enhances it, practically deconstructing the simple plot before our eyes. The replicant chases the beleaguered, frightened Deckard around an abandoned building, toying with the cop and playing singsong children’s games. But there’s still a catch in Batty’s words, slight pauses scattered in unusual places. Seeing that Deckard has killed his replicant lover, Pris (Daryl Hannah), Batty offers, “I thought you were good. Aren’t you the … good man?” The awkwardness of the words, combined with the pause before “good man” seems to question the film’s very moral universe…
(16) X MARKS THE PLOT. ScreenRant fires up another Pitch
Meeting – this one for Dark Phoenix.
The X-Men franchise has been running for nearly two decades, and it all culminates with Dark Phoenix, a storyline that the movies already covered in 2006. Once again, Jean Grey goes absolutely bonkers with power, but this time Wolverine isn’t around to stab her. The movie has a pretty awful score on Rotten Tomatoes and definitely raises a lot of questions. Like what’s the deal with the aliens, are they bulletproof or not? Why was Quicksilver dismissed from the movie so quickly? What was up with that Phoenix moment in X-Men Apocalypse? Why do these movies keep jumping forward a decade each time? Is Magneto supposed to be 62 years old, and if so, why is a 42-year-old with no make-up playing him? Why did they show Mystique dying in the trailer?
[Thanks to Jerry Kaufman, Juliette Wade, John Hertz, Chip
Hitchcock, JJ, Mike Kennedy, Carl Slaughter, Andrew Porter, mlex, John King
Tarpinian, Cat Eldridge, and Martin Morse Wooster for some of these stories.
Title credit belongs to File 770 contributing editor of the day Andrew.]
So we’ve been at this Villain of the Month thing for a while now — since August 2016, to be precise — and by this point we’ve accumulated an interesting roster of villains….
First up, we have the True Believer (the Operative, Dolores Umbridge). True Believers have a cause to which they are faithfully devoted. That’s not to say they lack other ambitions — wealth, for example, or glory — but those take a back seat to one all-important ideological goal. For the Operative, that goal is creating “a world without sin”. For Umbridge, it’s a fascist regime ruled by the Ministry of Magic. Villains who obsequiously serve a Dark Lord (e.g. Bellatrix Lestrange) or fight to preserve the existing order (e.g. Agent Smith) would also fall into this category. For me, the most interesting True Believers are those fighting for a cause the audience could nominally get behind (e.g. the aforementioned world without sin), but whose methods are beyond the pale….
Such are the absurdities of the fossil-fuel lifestyle we are locked into globally, folly piling upon folly, the latest among them the decision by the United States to pull out of a Paris Climate Agreement that itself is like a band-aid applied to an earthquake. (Its target is to limit the global rise in temperature to between 1.5 and 2 degrees centigrade but, since it comes into effect only in 2020, it is seen by many critics as putting such a target beyond reach.) Yet in spite of all the evidence of the destruction visited upon the world by our resource-heavy appetites, accompanied by a gnawing recognition that something is fundamentally wrong in our relationship with the Earth and in the way we live, and all the cumulative knowledge about climate change and the irreplicable characteristics of an era that some have named the Anthropocene, the end result is still a kind of imaginative fatigue.
This makes itself evident in the paucity of fiction devoted to the carbon economy, something the Brooklyn-based Indian writer Amitav Ghosh addresses in his marvelous recent book, The Great Derangement, writing, “When the subject of climate change occurs . . . it is almost always in relation to nonfiction; novels and short stories are very rarely to be glimpsed within this horizon.”
One of the most entertaining things I’ve gotten to do in the background worldbuilding for the hexarchate is its popular culture. For example, in Ninefox Gambit, my heroine Cheris spends her free time watching crackalicious TV shows (“dramas”). In Raven Stratagem, one of the Kel recalls a classmate who used to read trashy adventures involving “dungeon-crawling” in the bowels of the campus. And it also reveals that Jedao’s mom used to like reading equally trashy sci-fi novels involving survivalists and tentacled monsters from outer space. Just because she’s a science fantasy character doesn’t mean she can’t like sci-fi, right?
(4) INDIGENOUS VOICES. Silvia Moreno-Garcia and Robin Parker have succeeded in creating the Emerging Indigenous Voices Awards, which is now hosted by the Indigenous Literary Studies Association. And the ILSA has announced the award judges. (No excerpt, because the news item is one big image file — not text!) ILSA has set a funding target of $150,000 to”make the award sustainable for many years to come.” As of this writing, the Indiegogo appeal has raised $109,298 (Canadian). [H/T to Earl Grey Editing.]
(5) TIPTREE FELLOWSHIP REPORTS. The two 2016 Tiptree Fellowship winners have reported on how their work has been facilitated by the fellowships. [H/T to Earl Grey Editing.]
Here’s what I’ve been up to since I got the Tiptree fellowship. I made Miniskirt World Network: Business Slut Online, a video/music hypertext about a femme vaporwave world where fashion is a basic computer peripheral. I wanted to evoke the contradictory tensions of feminine-coded clothing and the weird emotional textures that come with it.
I cannot separate my being Filipino, of the Philippines, from my being a woman; they are inextricably intertwined. Thanks to the Tiptree Fellowship I was able to examine this intertwining more closely through my art. Life has not been easy this past year and between trying to keep my household afloat and taking care of my own health, I’ve had less time than I would have liked to work on my art series built around the concept of Filipinas as monsters, monstrosity reclaimed and embraced. Still, I’d like to share with you some work-in-progress pencils and concept sketches featuring both high fantasy settings and the supernatural as the second skin of our everyday.
By now most superhero fans with an eye for gender representation will have noticed a discrepancy between males and females with superpowers in comic movies, fantasy, science fiction, etc., etc.. Where the men either immediately or eventually see their superpowers as a gift, and the testing and mastery of the powers as a thrilling ‘coming of age’ story (or montage), women face a different road ahead. Often, the surfacing of a latent or new superpower is treated as an illness: something to hide, remove, control, or at the very least suspect as a problem to be solved (no matter how cool those superpowers may be). For every ‘Professor X’ there is a Jean Grey, for every Flash there is a Killer Frost, for every super-fast Quicksilver, there is a mentally-traumatized Scarlet ‘Witch.’
It’s a gender difference that means men will typically exert power by hitting things, while women are given powers rendering them unpredictable, mentally unstable, or simply tied to forces from an ‘unknown, mystical, potentially harmful’ source. But with Wonder Woman, Diana’s discovery of her ability to punch straight through stone is treated as the world-altering, empowering, and thrilling gift the viewers would take it to be. After smashing her hand through the stone in a frantic fall, Diana deduces that she is stronger than any Amazon before her
The Nebula Awards Showcase volumes have been published annually since 1966, reprinting the winning and nominated stories of the Nebula Awards, voted on by the members of the Science Fiction and Fantasy Writers of America (SFWA). This year’s editor, selected by SFWA’s anthology Committee (chaired by Mike Resnick), is Canadian science fiction and fantasy writer and editor Julie Czerneda. This year’s Nebula Award winners are Naomi Novik, Nnedi Okorafor, Sarah Pinsker, and Alyssa Wong, with Fran Wilde winning the Andre Norton Award for Young Adult Science Fiction and Fantasy Book. Also included in this volume are works by N. K. Jemisin and Ann Leckie.
June 8, 1984 — Ghostbusters is released in theaters across the United States.
(11) TODAY’S BIRTHDAY BOY
June 8, 1910 — John W. Campbell, Jr
(12) BRYANT MEMORIAL. George R.R. Martin tells about attending the memorial service for Ed Bryant in “Saying Farewell”.
Ed was a talented writer and a great workshopper, who mentored and encouraged many writers younger than himself and helped them on their way. He was one of my Wild Cards authors, creator of Sewer Jack and Wyungare. But most of all he was a sweet, kind man, with a warm smile and a gentle wit. Science fiction and fantasy will be poorer without him. Memorials like this are not for the deceased so much as they are for those left behind, I believe. It was good to get together with so many others who cared about Ed, and to share our memories of him, with laughter and love.
Africa is rich and the West is poor. That’s the setting for Queen Idia’s Africa: Ten Short Stories by Cordelia Salter with a foreword by Zeinab Badawi.
This is a world where slavery and colonialism never happened and Africa is the rich global superpower.
The West is mired in poverty, politically unstable and relies on aid from Africa. Zeinab Badawi, Chair of the Royal African Society, points out in the foreword that the stories make us think what things could have been like if the boot had been on the other foot.
What would Africa do about swarms of illegal European migrants trying to get to Africa in search of a better life? How would Africa respond to droughts, famines and rebel warfare in North America? Could there have been apartheid the other way round?
Alderman will be one of five judges, chaired by award-winning writer and television presenter, palaeontologist and Royal Society Fellow, Richard Fortey. They are joined by: writer and presenter of BBC Radio 4’s All in the Mind, Claudia Hammond, Channel 4’s Topical Specialist Factual Commissioner, Shaminder Nahal and former Royal Society University Research Fellow, Sam Gilbert.
The Prize has worked with many eminent judges over its illustrious 30-year history, among them Ian McEwan, Sarah Waters, Terry Pratchett, David Attenborough, Tracy Chevalier and Michael Frayn.
The Prize celebrates outstanding popular science books from around the world and is open to authors of science books written for a non-specialist audience. Over the decades, it has championed writers such as Stephen Hawking, Jared Diamond, Stephen Jay Gould and Bill Bryson.
Naomi Alderman commented: “It’s a terrible shame that arts and sciences are so often seen as mutually opposed, and that there’s so little understanding of what makes great work in ‘the other’ culture. So many of the most urgent problems that face us today can only be solved by thinking in an interdisciplinary way. That’s why I’m particularly thrilled to be a judge of this Prize, where we’ll be looking both for great science and excellent writing and storytelling. There’s no reason that a science book can’t be a bloody good read, and I can’t wait to get stuck in, and to discuss the best new science writing with the other judges.”
(15) ILLEGAL ESPIONAGE. In Section 31: Control, frequent Star Trek novelist David Mack takes on Starfleet’s secretive, rogue agency. Dr. Bashir, as he was in Deep Space Nine episodes involving Section 31, is the chief protagonist.
No law…no conscience…no mercy. Amoral, shrouded in secrecy, and answering to no one, Section 31 is the mysterious covert operations division of Starfleet, a rogue shadow group pledged to defend the Federation at any cost.
The discovery of a two-hundred-year-old secret gives Doctor Julian Bashir his best chance yet to expose and destroy the illegal spy organization. But his foes won’t go down without a fight, and his mission to protect the Federation he loves just end up triggering its destruction.
Only one thing is for certain: this time, the price of victory will be paid with Bashir’s dearest blood.
Astrophysicist Neil deGrasse Tyson received the Stephen Hawking Medal for Science Communication Tuesday (June 6), becoming the first American scientist to earn the prestigious award.
Tyson, who refers to himself as “your personal astrophysicist,” is most known for his television series “Cosmos: A Spacetime Odyssey” and podcast-turned-television-series “StarTalk.” He is the director for the Hayden Planetarium at the American Museum of Natural History here in New York City, where Tuesday’s announcement was made.
The Stephen Hawking Medal is an annual award created in association with the Starmus Festival, an international gathering celebrating science and art that will take place in Trondheim, Norway, on June 18-23 this year. Medals are given to science communicators in three categories: writers, musicians and artists, and people in the film and entertainment industry. Hawking, a famous theoretical physicist and author of several best-selling books about the universe, handpicks the recipients himself. [The Most Famous Astronomers of All Time]
[JURASSIC PARK – THE FILM]. CRICHTON, MICHAEL, DAVID KOEPP. Original Limited and Numbered Confidential Shooting Script for the Film ‘Jurassic Park’ by David Koep. Based on the Novel by Michael Crichton and on Adaptations by Michael Crichton and Malia Scotch Marmo. Los Angeles: Amblin Entertainment, 1992. Original limited and numbered copy of a 126 page shooting script with color rewrite pages for the film ‘Jurassic Park’ by David Koep, based on the novel by Michael Crichton and on adaptations by Michael Crichton and Malia Scotch Marmo. A special printed page at the beginning reads: “HIGHLY CONFIDENTIAL – You are a part of a very limited distribution. This numbered copy of JURASSIC PARK has been assigned to you and is for your eyes only.” next to which “JP” and “64” are stamped in red and throughout the script. This copy belonged to the film’s safety coordinator
The results of the 2015 experiment were dramatic and explosive. The recommendations of the Sad Puppies (and also those put forward by the Rabid Puppies) dominated the 2015 Hugo Nominations. John C. Wright received five nominations in three categories (he initially was awarded a sixth slot, but one was revoked on a technicality). The Hugo nominee list changed over the coming weeks. Aside from the aforementioned instance, some nominees chose to decline their nomination (Hugo nominees have this option and can decline for any reason they like — some original nominees did not approve of the Sad or Rabid Puppies and did not wish to have any connection with them, and others objected that they believed that the voting process was being corrupted), and the slots were then filled by the runners-up. Incidentally, Correia’s Monster Hunter Nemesis received enough votes to qualify for a Best Novel nomination, but he turned down the nod to make the point that Sad Puppies was not being organized in order to receive honors for himself.
There’s two groups, the old guard burnout mentality, and the new indie pulp revolution. There’s a bit of a line up along political lines, but not as much as you’d expect, and in fact, that’s used as an excuse a lot of the time to poo poo the new. This is the state of science fiction today. I’ve talked about it briefly before, but here’s a broader look at the experiences I’ve had after engaging with both.
You walk into social media, or a group, or a convention of what I called the “old guard”, they’e hesitant. They’re the type to complain that they’re introverts, having to recharge after social interactions (which is fine to be, but knowing that — why complain so often?). A new person is immediately greeted with a stand-offish attitude, like they have to vet you to make sure you’re “really one of them” or that you have to pay your dues to prove yourself somehow. They’re hyper-political. If you look at their social media posts, 70-90% of them are endless shrieking about politics they don’t like. They keep talking about how they’re too busy for anyone or anything — including the next generation of fans and writers. And this is all before they know that you’re on the “wrongthink” side of politics.
(22) WE INTERRUPT THIS PROGRAM. The Coode Street Podcast will take a couple of breaks this year. The announcement provoked this hilarious exchange.
The Coode Street Podcast will be on hiatus from 1-31 August 2017 and from 15 November 2017 to 15 January 2018.
(23) ALTERNATE REALITY HUMOR. It might be too late for this to be funny — Loki Runs For President, a video from last November. (Was it funny then? It’s basically somebody talking a mile a minute over scans of a comic book.)
(24) APE CLIP. Two minutes of War for the Planet of the Apes about “Meeting Nova.”
(1) TAKE NO PRISONERS OF ZENDA. Ian Sales’ title “When I read a story I skip the explanations” introduces an extremely skillful dissection of a certain approach to science fictional worldbuilding that Sales compares to Ruritanian romance.
That’s the essence of Ruritanian science fiction. It is genre fiction which builds an invented setting out of elements which might as well not be invented. The labels are different but the objects are the same, or fulfil the same function. It’s not a failure of imagination, because imagination doesn’t feature in the process. And it’s only a failure of craft if the author is attempting something more than Ruritanian sf. If all they want is a science-fictional setting the reader can parse, one that’s uncoupled from the real world but close enough to it that few explanations are required, then if they’ve produced Ruritanian sf they’ve succeeded. Info-dumps are a given, but they’re usually “historical”, inasmuch as they attempt to give the invented world solidity and depth through exposition – but shifting the burden of exposition onto the setting’s own narrative only demonstrates how little exposition the tropes in the story actually need.
Needless to say, I think such forms of science fiction are low on invention and make poor use of the tools at the genre’s disposal. They can be entertaining, there’s no doubt about that; but their uncritical use of tropes, and their failure to interrogate the form, means they have little or nothing to add to the genre conversation.
(2) KEEP TRACK OF YOUR SPOONS. Andrea seeks the reasons she’s not writing more reviews in “Anger, Anxiety, and Art” at the Little Red Reviewer.
I know what I write on this blog doesn’t matter. I know none of this counts as “writing” or as anything, really. But in my mind, I put a lot of energy into this. I like pretty metaphors, ornamented sentences. I like to write book reviews and other articles that I am proud of. It’s not art, by a long shot, but I am creating something out of nothing. for the purposes of this particular blog post, let’s call what I do here art. And art requires mental energy. or at least it does for me.
So, where were all my spoons going? And was there any way to get them back? And thus, we get to the why.
What upcoming book you are really excited about? The next one Ben Aaronovitch writes in his Rivers of London series. Our travelling offspring lent me the existing books and I gobbled them up, despite trying to ration myself. They are fun, original, and yes, feel a bit Pratchett (wistful sigh) in the best way. Can’t wait to dive back in!
The erasure of women’s achievements in science is a known phenomenon, but it is rare that you get to see it happen in such a simple and direct way. Over at our new favourite train-wreck, Vox Day had been busy quite literally erasing women’s contribution to science….
(5) A MONTH WITH NO FIVES. Rocket Stack Rank’s ”October 2016 Ratings” covers 51 stories, but none of them warranted the highest score of 5, which means ‘Hugo worthy.”
The 5 highest grossing films of all time are heavy plot, light character: – Avatar – Titanic – Star Wars: The Force Awakens – Jurassic World – The Avengers.
These are all entertaining movies dominated by things happening. The characters are interchangeable pieces to throw explosions or dinosaurs, or sinking ships at. They don’t really matter. People don’t walk around reciting quotes from any of these films, because characters are made memorable by the things they say. And there are no truly memorable characters in any of these movies.
Memorable scenes, yes, memorable quotes, no.
On the other hand, character movies are filled with amazing lines.
Frankly, my dear, I don’t give a damn.
I’m gonna make him an offer he can’t refuse.
Here’s looking at you kid.
These are the kind of things that characters who really blow your hair back say. The cool comebacks and one liners you wish you could have used on anyone who pushed you around or made you fall in love. These are character driven quotes, and the top IMDB highest rated films of all time are filled with them…
(7) NO FEAR. I would need to excerpt about eight paragraphs of Ann Leckie’s “On Blacklisting” to convey how many aspects of this topic she deals with. That’s why you should just click through and read it, eh?
I’ll be honest, I am not down for calls to close anyone out of the field for bad behavior. I mean, for myself, bad enough, or bad in specific ways, and yeah, I don’t want to work with you. Maybe quite a few people don’t. But it’s not my call to make for anyone but me, nor should it be. No one should have that power, to shut anyone out of SFF. Behave badly enough and quite a few editors will prefer not to work with you–but that’s not the same as a field-wide blacklist, and I don’t think there should be one. Ever. Each editor gets to make the call for their venue, end of story. And yes, there will be editors who are all about the purity of art apart from artist, editors who don’t care one way or the other about kittens. You may disagree with those editors’ decisions, but they get to make that choice. You may prefer on balance not to work with such editors–again, that’s your call. You choose where to submit, and you get to have whatever reasons you want for that choice.
I am down for being open about serious problems, though. Someone who’s a really bad actor, who’s strewn destruction in their wake? Yeah, let’s know about that. We can all make our decisions about how to react to that, going forward. Concealing things to whisper networks and private chats just lets the bad actor continue to harm the unwarned.
(8) BELLY UP. This weekend Utah regional publisher Jolly Fish Press announced they are going out of business.
Our Journey Has Come to a Close
It is with deep sadness that we are announcing the closing of Jolly Fish Press (JFP). For nearly five years, JFP has been a beacon of inspiration to many in the publishing industry; we’ve opened up doors to authors, editors, designers, publicists, and illustrators alike, providing them with a platform on which their dreams of establishing themselves in the industry could be realized….
After a long process of seeking investors who believe in our company and what we aim to achieve, we have, unfortunately, failed to secure the funds necessary to grow and move the company forward. While JFP has great propensity to becoming a serious competitor in the industry, the lack of financial investment prohibits us from reaching our potential. We have approached the point where we can no longer sustain our business.
JFP is ceasing business effective October 31, 2016. All rights to our titles will be reverted by October 31, 2016. Book production will stop effective immediately.
JFP’s authors included Johnny Worthen and Jenniffer Wardell.
Ruth Stuart worked in insurance, the past 10 years as quality assurance auditor for Manulife Financial. Her job required a no-nonsense approach in the anything but lighthearted world of insurance. By night, Ruth cast off her serious side and delved into the world of fantasy writing as an author, mentor, editor and inspiration to everyone in the speculative fiction community. She even dabbled in writing eroticism according to her friend and editor, Julie Czerneda.
These were two very different sides to a woman who had so many friends that while in hospital suffering through the final stages of brain cancer, Ruth’s room was constantly jammed packed with visitors, not to mention the steady stream of phone calls and text messages. Nurses suggested they install a revolving door in her room.
One comment I made in one of my recent posts that has attracted a certain amount of skepticism was my endorsement of a con culture that focuses on safety rather than justice in conflict resolutions. “How can you have safety without justice?” is one typical response. “So justice is a bad thing now?” is another.
Well, justice is most assuredly not a bad thing.
But justice in the sense of criminal justice or what we might call retributive justice is not the most pressing concern of a convention’s code of conduct, nor should it be the focus of a convention’s safety or security team.
Let me put it to you this way: how many comic, literary, or media conventions have you been to or heard of, that you would trust with the weighty responsibility of meting out justice? How many of them do you think have the people, expertise, or time and resources to serve out justice in a meaningful sense?
The Los Angeles Chamber Orchestra and guest conductor Thomas Dausgaard are looking to start off an upcoming concert on a more eccentric note.
One of Beethoven’s most celebrated works, Symphony No. 3, “Eroica,” will be the headlining piece at the chamber’s concert at the Alex Theatre in Glendale on Oct. 29. However, the night will open with a roughly 10-minute work called “A Freak in Burbank,” a composition making its West Coast debut and dedicated to the legendary and eccentric filmmaker Tim Burton.
The promotional materials, including the usually amusing snarky screener announcement sent to critics (or “critics” as such people are called within), hyped the return of still-hotly-debated Homer nemesis Frank Grimes, or at least the poor guy’s ghost. And the opening segment sees the Simpsons in costume, buying Christmas trees on Halloween, as Homer says, “Because in America, everything’s way too early.” (He’s wearing an “Ivanka 2028” campaign button, because nothing matters in America at this point.) There, they’re confronted not only by the ghost of Grimes (“Who?,” asks Homer, to the ghostly Grimes’ chagrin), Sideshow Bob, Kang (or Kodos), and that leprechaun who tells Ralph to burn things, who proclaim themselves the family’s four evil nemeses before being immediately slaughtered by Maggie. (What looked like her Chaplin costume turns out to be her old Alex DeLarge costume, complete with sword cane.) Adios, Frank Grimes—you were used for a throwaway gag, as is your destiny.
The pieces that follow all partake of the same strengths and weaknesses.
The first fanzine I read was an issue of Science Fiction Review, a magazine edited and published by the late Richard (Dick) Geis, and that issue included among much else a bit of autobiography by Algis Budrys, a fiction-writer, editor and critic who has had rather a large influence on me; along with that essay, an interview, conducted by an impressed fan of his (and of other contributors to the literary legacy of the Fawcett Gold Medal paperback line), Edward Gorman. So that’s how I was introduced to Ed, in 1978.
Like Budrys, or Geis, only perhaps even more so, Ed went ahead and did things that he clearly thought needed doing, not only establishing himself as a freelance writer, but launching the magazine Mystery Scene and engaged in the launch of the book-publishing house, Five Star, which have both done notable service to the field of crime fiction and beyond. He co-edited two (or, arguably, three) best crime fiction of the year annual series, and wrote well and often brilliantly in at least the fields of crime fiction, fantastic fiction (particularly horror), western fiction, and historical fiction. His editorial work has been impressive, beyond the magazine and annuals, often assembling key anthologies of crime fiction and more, not least with The Black Lizard Anthology of Crime Fiction and The Second Black Lizard Anthology of Crime Fiction, and such notable compilations as the nonfiction collection The Big Book of Noir and the interview collections Speaking of Murder and Speaking of Murder 2.
[Thanks to John King Tarpinian, Bonnie McDaniel, Mackenzie, Martin Morse Wooster, James Davis Nicoll, and Dave Doering for some of these stories. Title credit goes to File 770 contributing editors of the day Jim Henley and Simon Bisson.]
Anticipation lists the names of program participants in a new press release that follows the jump.
A prestigious addition is 2008 Nobel Laureate in Economics Professor Paul Krugman of the Economics and International Affairs at Princeton University and centenary professor at the London School of Economics:
He has credited Isaac Asimov’s “Foundation” novels with inspiring him to choose his field, and will be speaking about his experiences in a program item entitled “From SF Reader to Economist.” He will also have a conversation with Charles Stross, author of the Hugo nominated novel Saturn’s Children.