The workshop will take place from June 25–August 5, 2023. Applications for the 2023 Summer Workshop open in December 2022. Each year, Clarion West is able to provide full and partial scholarships to a significant number of applicants, thanks to their generous community of donors and sponsors.
Founded in 1971, Clarion West holds a six-week workshop each summer geared toward helping writers of speculative fiction (science fiction, fantasy, and horror) at the beginnings of their professional careers. Each workshop is limited to 18 students, and each week features a different instructor, a highly-regarded author or editor offering a unique perspective on the field. Applicants and students come from everywhere in the world, and graduates frequently go on to professional success.
(1) “POINTLESS” QUIZ SHOW. [Item by Christian Brunschen.] I was just watching a repeat of the quiz show “Pointless” on BBC – where questions have been previously asked of 100 people who are given 1 minute to give answers; and the contestants have to try to find answers that are not only correct, but which as few as possible of the 100 polled people knew!
In this episode the final category was “Award-winning authors in specific genres” – and the three options were “Hugo Award for Best Novel”, “Wodehouse Award for Comic Literature” and “Walter Scott Prize for Historical Fiction”.
The contestants are allowed to give three possible answers, from any of the three options, and in order to win they need to give at least one answer which nobody else among the 100 knew – one “pointless” answer.
They chose to go for three answers from the Hugo Awards category:
Each one of those was then counted down to see how many of the group-of-100 had given that answer.
The counter for Frank Herbert went down to 1 – only a single one of the 100 had given Frank Herbert as an answer – so just 1 away from being pointless.
Neither Robert Silverberg nor Brian Aldiss were correct – so the contestants did not win.
It was mentioned that Robert Silverberg had the most nominations without winning.
Pointless answers in the Hugo award category included Mary Robinette Kowal, Neil Gaiman, Ray Bradbury, Susanna Clarke, William Gibson, Robert A. Heinlein; big scorers (known by many of the 100) were Isaac Asimov, Arthur C. Clarke, Philip K. Dick.
(2) MAKING WORLDS AND PUZZLES. Host Kate Elliot discusses a worldbuilding topic with Karen Lord in Narrative Worlds Season 2: Ep. 3 now available on SFWA’s YouTube channel.
Welcome to Episode 3 of Season Two in the Narrative Worlds Webinar Series, hosted by author Kate Elliott! Featuring guest author Karen Lord, this month’s topic is “The Puzzles Inside Worldbuilding: Constructing Narratives at Various Lengths.” This monthly series digs into the theory and practice of building the worlds in which stories are set. Rather than focusing on a survey of basics like “What elements do you need to create a setting?” Elliott discusses a specific single topic in more depth each month with a guest.
(3) WAITING AT THE LIGHT. J. Michael Straczynski, in a public Patreon post, today announced that while the Babylon 5 reboot wasn’t greenlighted for fall 2022, it has been retained in active development at the CW and Warner Bros. for fall 2023. “B5 CW News”.
Anyone who knows the history of Babylon 5 knows that the path of this show has never been easy, and rarely proceeds in a straight line. Apparently, that has not changed.
About a month or so ago it was announced that the CW Network, B5’s home for the last year while the pilot script was in active development, was up for sale. When news of this broke, the immediate question was: will this have any effect on B5? Situations like this have a way of upending development because new owners usually want to put their imprimatur on what programs go forward. Like everyone else, I’d hoped there would be no immediate impact, and that progress on the project would continue onward unabated.
A few days ago, I heard from inside Warner Bros. that there were a number of High Level Conversations taking place with the CW to determine how many pilots, and what sort, could be picked up during this transition, especially given pre-existing deals and commitments. This made sense given the preceding paragraph, but I remained optimistic.
Today, about an hour ago, Deadline Hollywood announced the slate of pilot scripts being picked up for production by The CW. Babylon 5 was not on that list.
When a pilot script is not picked up to production, 99.999% of the time, that’s the end of the road for the project, the script is dead.
However: shortly before that piece was published, I received a call from Mark Pedowitz, President of The CW. (I should mention that Mark is a great guy and a long-time fan of B5. He worked for Warners when the show was first airing, and always made sure we got him copies of the episodes before they aired because he didn’t want to wait to see what happened next.)
Calling the pilot “a damned fine script,” he said he was taking the highly unusual step of rolling the project and the pilot script into next year, keeping B5 in active development while the dust settles on the sale of the CW….
(4) CANDIDATES FOR CHAIR OF GLASGOW IN 2024. Alice Lawson, on behalf of the board of the Glasgow in 2024 bid, has called for anyone who intends to put themselves forward to chair the convention to let the board know by February 7. Bid chair Esther MacCallum-Stewart is already a candidate. Her letter was shared with Glasgow in 2024 supporters.
Dear Alice, the Board of Glasgow 2024, all staff members, and pre-supporters.
I would like to put myself forward as Chair of the Glasgow 2024 Worldcon.
I have been working towards a third Worldcon in Glasgow since 2016, announcing an intention to bid at Novacon alongside Emma England and Vanessa May. Since then I have led the bid team, first as a Co-Chair, and then as Chair. We are currently approaching just under 1000 pre-supporters, and the Bid has had tremendous support from the SFF fan community and beyond.
I have been a volunteer for Worldcon since 2011, when I joined the Loncon 3 team as an AH for games. Since then I have worked as Programme manager and admin (Loncon, MAC II), DH for Facilitation (Dublin 2019), and co-DH for Facilities (ConZealand). I have also volunteered for Eastercons (the UK national convention) and Octocon (the Irish National Convention). Elsewhere I have been Vice-Chair of DiGRA (Digital Games Research Association) and am currently Chair of the UK chapter, which runs events on a yearly basis. In 2021 I was made a Professor of Game Studies at the University of Staffordshire.
I am hugely proud of the Bid Team and their passion for Glasgow 2024. Every day I see something original, funny or hard working from them, and this continues to grow. I have seen friendship, bravery and more than my fair share of armadillos in the last few years, as more people join and add their own sense of wonder and creativity to the bid. We would not be so strong if it were not for all these working parts, in which every single one counts towards something brilliant. I am constantly amazed at the goodwill and passion to create an event that is inclusive, caring and extraordinary. I would be honoured to lead such a group forwards as Chair, towards a Worldcon in Glasgow, a city I love, in 2024, a year which has special importance to me.
/s/ Professor Esther MacCallum-Stewart
(5) SPACE GHOSTS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Isabel Hilton reviews The Subplot: What China Is Reading And Why It Matters by Megan Walsh, a book about fiction popular in China and what Chinese tastes in fiction have to say about the Chinese. Among the topics Walsh discusses is sf in China.
For many authors who must navigate the uncertainties of shifting official red lines, science fiction offers a safe haven. It is a genre in which to address the disruption and dislocations between past and present, and between official narratives and reality, and to explore otherwise dangerous themes such as social injustice.
Liu Cixin, a computer engineer and bestselling sci-fi author, locates real world problems such as pollution and human greed on distant planets, while in the story “Underground Bricks,” Han Song describes recycling the rubble of the 2008 Sichuan earthquake, which contains victims’ remains, into ‘intelligent bricks’ for space colonization, thus populating distant planets with unhappy ghosts.
Daryl Gregory’s first novel, Pandemonium (2008), won the Crawford Award and was nominated for a World Fantasy Award. His novella We Are All Completely Fine (2014) won the Shirley Jackson Award and the World Fantasy Award. His short story collection Unpossible and Other Stories was named one of the best books of 2011 by Publishers Weekly. His novel Spoonbenders (2017) was a Top 20 Amazon Editor’s Choice, an Audible.com’s editors choice for the year, and an NPR best book of the year. His most recent novel is Revelator, which was published last August. His comics work includes Planet of the Apes, The Green Hornet, Dracula, and the graphic novel The Secret Battles of Genghis Khan.
We discussed how he celebrated the two books he published during the pandemic, what caused him to say about his latest novel, “I like to split the difference to keep everyone as unsatisfied as possible,” the narrative technique which finally unlocked the writing of that book (and why it made Revelator more difficult to complete), how our mothers responded to our writing, the way marketing affects the reading protocols of our stories, how listening to Damon Knight and Kate Wilhelm argue about one of his stories freed him as a writer, the promise a murder mystery makes to a reader, his “Mom Rule” for Easter eggs, the way he tortured a comic book artist with an outrageous panel description, how to play fair when writing a science fiction mystery where anything can happen, what Samuel R. Delany told him which helped him make his first sale to F&SF, how he doesn’t understand why everybody doesn’t want to be writers, the way his writing gets better during the times he isn’t writing, Gardner Dozois’ “ladder of sadness,” and much more.
(7) SHIPPING SCHEDULE. The Orville: New Horizons will now arrive on June 2.
(8) MEMORY LANE.
1998 — [Item by Cat Eldridge] Twenty-four years ago, Morn apparently had died on “Who Mourns for Morn?”, an episode of Deep Space Nine. Yes, that character in Quark’s Bar, the one what never spoke on the series despite ninety-one appearances as Morn plus several more as Morn on Next Generation and Voyager.
The actor had another eleven appearances as other characters on the DS9 series. Indeed Shepherd makes an appearance (still uncredited as all of his Morn appearances were) as a Bajoran mourner at Morn’s memorial service who sits in Morn’s chair, thus showing the actor’s actual appearance.
Can I spoil a twenty-year-old episode really? I think not. Morn had faked his death to escape some legal troubles and this dealt with aftermath of him doing so. It was a quite funny episode as written by Mark Gehred-O’Connell for season six after previously writing “Second Sight” and “Meredian” for the series.
Critical reviews of it are almost non-existent with the only one being the Star Trek: Deep Space Nine Rewatch by Keith R. A. DeCandido for Tor.com who said that “Still, this is, ultimately, a gag episode about a gag character, and the gag loses steam at the end when we get the full story, but Quark has to say all of it in order to keep the gag going. It doesn’t work at that point, and the ending falls flat because we can see the strings.” I never thought of Morn as being a gag. He’s somehow sweet despite never saying a word.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 4, 1922 — William Phipps. He started off his genre career by being in both The War of The Worlds and Invaders from Mars. He’d later be in Cat-Women of the Moon, The Snow Creature,The Evil of Frankenstein, and the Dune series. He’d have one-offs in Batman, Green Hornet, The Munsters, Wild Wild West and a lead role in the Time Express series which would last four episodes according to IMDB. (Died 2018.)
Born February 4, 1925 — Russell Hoban. Author of a number of genre novel of which the best by far is Riddley Walker. Indeed, ISFDB some fifteen such novels by him, so I’m curious how he is as a genre writer beyond Riddley Walker. (Died 2011.)
Born February 4, 1936 — Gary Conway, 86. Best remembered I’d say for starring in Irwin Allen‘s Land of the Giants. You can see the opening episode here. He was also in How to Make a Monster, a late Fifties horror film which I’m delighted to say that you can watch here. He’s the Young Frankenstein in it.
Born February 4, 1940 — John Schuck, 82. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in Star Trek VI: The Undiscovered Country. He guest-starred in Deep Space Nine as Legate Parn in “The Maquis: Part II”, on Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh. and he was Herman Munster in The Munsters Today. Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns?
Born February 4, 1940 — George Romero. Dubbed by many as Father of the Zombie Film. Certainly his Night of the Living Dead from just over fifty years ago is the root of the Zombie movie craze. He also created and executive-produced Tales from the Darkside. No, I’m not listing all of his films here as I’m assuming you tell me what your favorite film by him is as you always do. (Died 2017.)
Born February 4, 1951 — Patrick Bergin, 71. If he had done nothing else, he’d make the Birthday list today for playing Robin Hood in the 1990 Robin Hood which for my money is the finest such film made. Go ahead and argue, I’ve all night. Now as it turns out he has a very long career in this community starting after playing Robin Hood by being in Frankenstein as Victor Frankenstein, then Benjamin Trace In Lawnmower Man 2: Beyond Cyberspace (a film universally despised), George Challenger in The Lost World, Treasure Island as Billy Bones, Merlin: The Return as King Arthur, Dracula as, well, Dracula Himself, Ghostwood as Friar Paul and Gallowwalkers as Marshall Gaza.
Born February 4, 1959 — Pamelyn Ferdin, 63. She was in the “And the Children Shall Lead” episode of Trek. She’ll show up in The Flying Nun (as two different characters), voicing a role in The Cat in the Hat short, Night Gallery, Sealab 2020 (another voice acting gig), Shazam! and Project UFO.She’d have a main role in Space Academy, the Jonathan Harris failed series as well.
Born February 4, 1961 — Neal Asher, 61. I’m been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I recently finished off Jack Four, his latest novel in that series, and it’s typically filled with his usual mix of outrageous SF concepts.
(10) COMICS SECTION.
Bizarro eavesdrops on the confessions of a garden gnome.
… In the world of Jurassic League, Superman was still sent to Earth on a rocket ship from a dying planet. And he was still raised by humans. It’s just that he’s also a man-shaped brachiosaurus. Batman (rather, Batsaur, Gedeon clarifies for Polygon) is an allosaurus. Wonder Woman is a triceratops. The Joker is a dilophosaurus….
(12) QUESTRISON Q&A. Space Cowboy Books will host a reading and interview with J. Dianne Dotson, author of The Questrison Saga on Tuesday, February 15 at 6:00 p.m. Pacific. Free registration at Eventbrite.
The Questrison Saga is an epic four-book space opera beginning at the edge of our solar system and expanding out into the galaxy. Within its pages: Love and war. Spaceships and exotic worlds. Aliens, androids, ecosystems. Mages and presidents. Long cons. Family feuds that led to galactic destruction. Family ties that could save the galaxy.
(13) ASK HARRIS. And Space Cowboy Books will also host an interview with Brent A. Harris, author of the science fiction novel Alyx: An AI’s Guide to Love and Murder, on Tuesday, February 22 at 6:00 p.m. Pacific. Free registration here.
What if your home wanted you dead?
Tech-loving teen Christine makes fast friends with her home’s AI, Alyx. But when a real-world romance threatens their bond, Alyx turns from friend to foe.
Alyx is a positive LGBTQ+ coming-of-age techno-thriller trapped inside a monster-in-the house horror where the home itself is the monster.
Use visual means to organize and connect information about characters, setting, and movement, expand plot options using a flowchart, then combine all into a single large diagram outline.
Every writer has their approach to resolving plot problems and generating new ideas. One that Julie Czerneda has used successfully for years is to “draw her way out.” In this workshop, you’ll use this technique to work through different story challenges, from character development to plotting. There is no advance preparation required.
Attendees will be emailed worksheets to be used during the workshop and must have their own large sheet of paper (minimum 40X40cm).
…About 1.7 million households tuned into The Book of Boba Fett’s premiere last December, and a second season seems inevitable. Han Solo might be sabotaging the Death Star, Luke Skywalker might be forging the fate of the Force, but currently, Star Wars fans are far more fascinated with this obscure C+ player in a green visor. Back when I was a preteen Star Wars fan, my friends and I shared an innate understanding that Boba Fett was uncommonly cool, even if we didn’t know much about him. Twenty years later, I’m still trying to figure out why.
James Clarke, 36, is well equipped to answer that question. He’s a longtime editor of the Boba Fett Fan Club, which sports over 14,000 members and is the single most comprehensive repository of Fettian facts, tributes, and theories on the internet. Like me, Clarke fell in love with the bounty hunter as a child, and pursued his fascination to the point of writing reams of Boba-themed fanfiction in middle school. “I probably have 25-year-old stories still on the site somewhere,” says Clarke. (Minutes after our interview, he sent me a photo of himself in full Boba Fett cosplay, a confirmation of his bona fides.)…
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Olav Rokne, Daniel Dern, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]
(1) SPACE OPERA. Stars Between, the 20-minute opera on the Voyager missions that E. Lily Yu wrote the libretto for, with Steven Tran composing, recently became available on Seattle Opera’s website along with other operas from the Jane Lang Davis Creation Lab. Yu won the Astounding Award for Best New Writer in 2012. “At Seattle Opera, young artists push a 400-year-old art form forward” at Crosscut.
…Created over the course of 21 weeks — via Zoom and during socially distanced, masked rehearsal sessions — this year’s eight Creation Lab operas will be streamed on the Seattle Opera website, in two separate bills, starting Sept. 9 and Sept. 10.
The inaugural cohort’s 20-minute creations use traditional opera vocals to deal with raw issues in fresh ways or take innovative approaches to storylines and orchestration. The dramatic opera Blaze depicts the personal losses caused by terrifying wildfires. If only I could give you the sun, a nonbinary/transgender retelling of the Icarus myth, centers generosity and joy instead of hubris and calamity. The existential opera Stars Between tells the story of the Voyager space mission with the help of ’80s synths and a vocoder (along with some Ariana Grande inspiration). And in Flush, the soprano portrays a girl running into a public bathroom — and the mezzo-soprano plays the toilet who sings back to her.
(2) CARRIBEAN SFF PODCAST. Jarrel De Matas invites fans to listen to The Caribbean Science Fiction Network, “A celebration of all things fantasy, folklore, and science fiction.”
Want to learn more about Caribbean fantasy, folklore, speculative, and science fiction? Interested in established and emerging Caribbean voices about all things sf? Then tune in to The Caribbean Science Fiction Network. In this podcast I showcase emerging and established Caribbean voices who use sf genres to explore future states of Caribbean identity. Through these genres, the writers redefine Caribbean futurity and what it means to be Caribbean.
How can literature illuminate matters of public health and Caribbean futures? Listen to Barbadian writer, Karen Lord, discuss her latest short story “The Plague Doctors” which is eerily prophetic in its portrayal of an island bearing the brunt of a contagious disease. Through a blending of the hard sciences and the social sciences, Lord urges us to read not just for entertainment but for social change.
…“Mothership: Voyage Into Afrofuturism,” which will be on view through Feb. 27, showcases work across mediums, dating from the early days of the Black American experience to the present.
The Afrofuturism movement “is about collapsing time and space, so what happened in 1919 is just as relevant as what happened in 2019,” Harden explained. “You can understand that Black folks’ mere presence of life and living is in part resisting this impossibility that’s facing them, which is life, in a world that is fully anti-Black.”
“Mothership: Voyage Into Afrofuturism” is the museum’s first new exhibition since the start of the pandemic. It was scheduled to open in October, but public health orders forced the museum to suspend in-person operations from March 2020 to June.
Rhonda Pagnozzi, a curator at the East Bay institution since 2017, served as lead curator, working with Oakland-born Harden, a doctoral candidate in the African American studies department at UC Berkeley. The museum had been at work on the project before the protests over the police killing of George Floyd erupted last summer and worked with more than 50 Black artists and historians in creating the exhibit.
“As a non-Black curator, it was critical on this project to center the voices of Black creatives,” said Pagnozzi, who is white.
To mount the exhibition, new walls were erected to create more intimate spaces, and the museum’s 7,600-square-foot Great Hall was painted with darker tones, primarily black and grays. The effect makes each installation more striking, as the exhibits contrast with the simple and muted nature of the space.
The exhibit engulfs a visitor immediately with a hypnotizing sound installation, “Mothership Calling,” by Pittsburgh composer Nicole Mitchell, and a mural, “Radio Imagination,” by San Francisco artist Sydney Cain, both created in 2020. The mural aims to capture the idea of a collapse of time and space, featuring visuals of ancestors of the African diaspora while being abstract enough that it feels like something part of a distant future….
(4) SAY THEIR NAMES. Lise Andreasen asks, “Did you know I have a Soundcloud? Currently the correct (?) pronunciation of more than 50 names. Did I get someone wrong? Did I miss someone people often get wrong?” Listen here – “Say It Right. If you want to give any feedback, contact Lise here. (And now I know the right way to pronouce Lise Andreasen!)
Brock Adams‘s first novel, Ember, won the South Carolina First Novel Prize in 2016 and was published the following year by Hub City Press. His short fiction has appeared in Best American Mystery Stories, The Sewanee Review, Bacopa Literary Review, and several other journals….
Michael Lawson Bishop is an award-winning American writer. Over four decades & thirty books, he has created a body of work that stands among the most admired in modern sf & fantasy literature….
Guillermo del Toro’s upcoming film Nightmare Alley is highly anticipated for a few reasons. The most obvious one is, well, it’s a del Toro film. But the cast comes in a close second for this dark ‘40s noir tale. Bradley Cooper, Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Rooney Mara, Ron Perlman, and David Strathairn complete the film’s ensemble cast. It feels like 84 years since we first found out about this adaptation of William Lindsay Gresham’s 1946 book of the same name. Believe it or not, the initial announcement hit way back in December 2017. And now, nearly four years later, we finally got the trailer. And it was indeed worth the long (and pandemic affected) wait….
(7) SAVING BOOKS. Andrew Porter says his comment about salvaging water damaged books, left on the New YorkTimes article “He Was Swept Down a Sewer Pipe: ‘I Just Let the Water Take Me’”, is getting a lot of upvotes. (Click for larger image.)
(8) MEDIA BIRTHDAY.
1965 – Fifty-six years ago on this evening , Get Smart! first aired on NBC. Created by Buck Henry and Mel Brooks, this would be the first scripted television series for either of them. It had a small core cast consisting of Don Adams, Barbara Feldon and Edward Platt. It would run for five seasons, the last being being on CBS, consisting on one hundred and thirty-eight episodes. A movie, The Nude Bomb (retitled The Return of Maxwell Smart when it ran on TV as obviously those audiences are sensitive), followed, and then later on Get Smart, Again!, another film aired. A mid-Nineties revival series, Get Smart, with Don Adams and Barbara Feldon lasted but seven episodes. Edward Platt who played The Chief in the original series had died, so he wasn’t part of it. Adams would later do many a commercial using his Maxwell Smart persona. You can see his ad for Savemart New York City here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called a pioneering author of genre fiction. She wrote a number of fantasies between in the late 1910s and early 1920s, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered first time that an American female writer published an SF story using her real name. I’m pleased to say that the usual suspects are heavily stocked with her works. (Died 1948.)
Born September 18, 1917 — June Foray. Voice performer with such roles as Cindy Lou Who, Natasha Fatale and Rocky the Flying Squirrel. She also provided the voice of Lucifer the Cat from Disney’s Cinderella. She also did a lot of witches such as Looney Tunes’ Witch Hazel which you can hear thisaway. She was instrumental in the creation of the Academy Award for Best Animated Feature twenty years ago. OGH has a detailed remembrance here. (Died 2017.)
Born September 18, 1939 — Frankie Avalon, 82. He first graced the SFF realm with an appearance on Voyage to the Bottom of the Sea followed by being in the Panic In Year Zero film and then in the Bondian spoof Dr. Goldfoot and the Bikini Machine. His last two genre one-offs were on Fantasy Island and Sabrina, the Teenage Witch. Well, and there was the teenage horror bloodfest The Haunted House of Horror.
Born September 18, 1944 — Veronica Carlson, 77. She’s best remembered for her roles in Hammer horror films. Among them are Dracula Has Risen from the Grave, Frankenstein Must Be Destroyed and The Horror of Frankenstein. She also shows up in Casino Royale as an uncredited blonde. She also appeared in the Randall and Hopkirk (Deceased) episode “The Ghost Who Saved the Bank at Monte Carlo”.
Born September 18, 1946 — Struan Rodger, 75. He voiced the Face of Boe in the Tenth Doctor stories “New Earth” and “Gridlock”. He returned to the series as Clayton in the Twelfth Doctor story, “The Woman Who Loved” and voiced Kasaavin in Thirteenth Doctor story, “Skyfall”. He was also Bishop in Stardust, and voiced the Three-Eyed Raven in The Game of Thrones’ “The Lion and The Rose” and “The Children”.
Born September 18, 1946 — Nicholas Clay. Here for playing Lancelot on Excalibur. He did two earlier horror films, The Damned and Terror of Frankenstein, and he was The Prince in Sleeping Beauty. For television work, he’s done The Adventures of Sherlock Holmes, The Hound of the Baskervilles, Zorro, The New Adventures of Robin Hood, Virtual Murder, Highlander and Merlin. (Died 2000.)
Born September 18, 1948 — Lynn Abbey, 73. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for 13 years) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will not to tell me how it is. Most of the Thieves’ World Series is available from the usual digital suspects.
Born September 18, 1984 — Caitlin Kittredge, 37. Known for for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s penned a Witchblade series at Image Comics, and the excellent Coffin Hill series for Vertigo.
Thanoscore: Have eliminated half of items in house at random; was attempting Kondocore, but something went very wrong.
(11) WORTH A SECOND GLANCE? [Item by Mike Kennedy.] This list includes quite a few genre films, some of which are arguably the exact opposite of “brilliant.” “26 Overlooked Movies to Watch This Fall” in The Atlantic.
Aeon Flux (2005, directed by Karyn Kusama)
Undoubtedly one of the oddest blockbusters ever produced by a major studio, Kusama’s adaptation of the cult ’90s MTV series was critically derided and somewhat disowned by its director, who said it had been reedited for commercial appeal. If that’s the case, her cut must have been unimaginably bizarre, because the final version is a visually giddy, borderline-incomprehensible sci-fi actioner loaded with intriguing ideas of how our utopian future could go awry. Charlize Theron stars as the raven-haired, ultra-athletic warrior fighting to take down her future government; she eventually uncovers a conspiracy that helps explain both the cloistered world she lives in and the hazy dreams she has of another life in the distant past. Kusama has made better movies, such as Girlfight and The Invitation, but even her biggest flop is overflowing with more cool ideas than most summer tentpole releases.
The British government said it was taking steps to return to its traditional system of imperial weights and measures, allowing shops and market stalls to sell fruits and vegetables labeled in pounds and ounces alone, rather than in the metric system’s grams and kilograms, a move it hailed as an example of the country’s new post-Brexit freedoms.
Supporters of the metric system say its use is necessary for companies to compete globally, since so many countries use it. Those passionate about the metric system also point to the fact that Britain began its switch to the metric system in 1965, eight years before it joined the European Union. Others said there were more pressing issues to focus on, like cuts to public services.
(13) SLOW-PONY EXPRESS. Interesting to realize that crossing the U.S. by plane in thirty days would have been a speed to aspire to in 1911. See a gallery of close-up photos of the aircraft that tried to do it in “Wright EX Vin Fiz” at the National Air and Space Museum website.
110 years ago this month, Calbraith Perry Rodgers began the first crossing of the United States by airplane. Rodgers departed New York on September 17, 1911, in his Wright EX biplane Vin Fiz with the hopes of crossing the U.S. in thirty days or less to claim a $50,000 prize from publishing magnate William Randolph Hearst. His endeavor was supported financially by the Armour Company, makers of the grape-flavored soft drink called Vin Fiz. While the flight took him 49 days and he did not earn the prize money, he did go down in history as the first person to cross the U.S. by airplane when he arrived in Pasadena, California, on November 5.
(14) A WHIFF OF HALLOWEEN. I’m including the link to Burke & Hare’s Halloween Scented Candles because they had the foresight to label their product page “Something Wicked This Way Comes.” And as you know, we’re all Bradbury all the time here. (Don’t get excited when you see every candle is marked “sold out” — a note at the top of the page says they’ll restock on September 22.)
Four people returned to Earth from a three-day extraterrestrial excursion aboard a SpaceX Crew Dragon capsule on Saturday evening, marking the end of the first-ever flight to Earth’s orbit flown entirely by tourists or otherwise non-astronauts.
“Thanks so much SpaceX, it was a heck of a ride for us,” billionaire and mission commander Jared Isaacman could be heard saying over the company’s livestream.
The tourists were shown watching movies and occasionally heard responding to SpaceX’s mission control inside their fully autonomous spacecraft before it began the nail-biting process of re-entering the Earth’s atmosphere. After traveling at more than 17,000 miles per hour, the spacecraft used Earth’s own thick blanket of air to slow itself down, with the outside of the craft reaching temperatures up to 3,500º Fahrenheit in the process.
The Crew Dragon capsule, which is designed not to allow temperatures to go past 85º in the cabin, used its heat shield to protect the crew against the intense heat and buildup of plasma as it plunged back toward the ocean. During a Netflix documentary about the Inspiration4 mission, Musk described a capsule going through reentry as “like a blazing meteor coming in.”
This is not a video of the landing.
(16) VIDEO OF THE DAY. In “Untitled Earth Sim 64” by Jonathan Wilhelmsson, a woman is faced with existential crisis after learning that the universe is an untitled simulation. This is the latest short sff film distributed by DUST.
[Thanks to Andrew Porter, Martin Morse Wooster, JJ, E. Lily Yu, Paul Di Filippo, Estee, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]
(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matt Kressel will have Karen Lord & A.C. Wise on the line August 18.
The YouTube livestream starts August 18 at 7 pm. EDT. Link to come – will be posted here.
Barbadian writer Karen Lord is the award-winning author of Redemption in Indigo, The Best of All Possible Worlds, The Galaxy Game, and Unraveling, and the editor of the anthology New Worlds, Old Ways: Speculative Tales from the Caribbean.
A.C. Wise is a multiple-award finalist for her science fiction, fantasy, and horror short fiction. Her debut novel, Wendy, Darling, was published by Titan Books in June 2021. Born and raised in Montreal, she currently lives in the Philadelphia area with her spouse, two adorable corgis, and a small cat who is clearly in charge of everyone.
No doubt you are all so familiar with the reasons why stealth in space is very difficult to carry off that I need not explain… Here are five methods authors have used.
1: Ignore the science
This is perhaps the most popular solution, occasionally venturing into vigorous denial. After all, in a genre where such fundamentals such as relativity can be handwaved away for narrative convenience, why not simply handwave stealth in space and go full speed ahead?
An example that comes to mind is Chris Roberson’s 2008 novel The Dragon’s Nine Sons which sets a China that never suffered the Century of Humiliation against a malevolent Mexic Empire. The rivalry extends into the Solar System, which provides the pretext for a reprise of The Dirty Dozen…IN SPACE! Also, IN AN ALTERNATE HISTORY! Stealth being a key part of sneaking up on an enemy base, Roberson deals with the issue by ignoring it. Indeed, detecting other space craft, even ones at very short range, appears so difficult that it may be best to assume space is entirely filled with a very dense fog….
It’s another “Drinking With Authors” interview! This time with Marshall Ryan Maresca. He’s best known for his twelve book set of interconnected trilogies called the “Maradaine Saga,” but he’s here today to talk about a standalone novel called THE VELOCITY OF REVOLUTION. Join us as we discuss what we’re drinking, his latest novel (go buy it right now!), and worldbuilding! And don’t miss his worldbuilding podcast. Enjoy!
As Co-Editor-in-Chief of Fantasy Magazine and Senior Editor of Locus Magazine, you have the opportunity to read a lot of fiction. Where do you see short fiction going in the next ten years?
I see short fiction as the place where real experimentation happens. Not just in terms of form (which can sometimes be “gimmick” or “trend”) but also in terms of meaning, subject, content. Right now we are seeing more inclusivity. I hope that in ten years a lot of the narratives that are essentially arguments for the basic human rights of different kinds of people, or the beginnings of inclusivity of perspectives, shift baseline assumptions. This will allow a progression of stories from there.
The concerns of some stories are outside the lived experiences of some editors. They may not understand how good a story is because they don’t understand what the story is actually saying. Hopefully in ten years the things that many editors don’t get and need explained will be more broadly absorbed—and, the demographics of editors and publishers will be more diverse—again, allowing the conversations to progress.
I think there will be more experimentation in form, as well—including things I can’t predict. We see stories based on video games, messaging, Twitter. There’s interactive fiction, platforms that attempt different ways to make this work, including phone apps. Accessibility will be part of the key to proliferation, and technological shifts can open the way for new ideas. In the past, there were stories experimenting with hyperlinks. Maybe in the future there will be hybrids of text and audio, or other kinds of sensory input.
At the same time, the core elements that hit people in the feels seem to be somewhat timeless… so I think more “traditional” story structures will probably still be around….
(5) BRAM STOKER WINNER RETURNS. Lipstick Asylum is the next novel by Nzondi (pronounced En-Zon-Dee), an American urban fantasy and horror writer whose Oware Mosaic won a 2020 Bram Stoker Award for Superior Achievement in Young Adult fiction.
The Scream Teens are hired to raise the dead as the necro-tainment for a zombie cruise, and the eighteen-year-old animator, Cozy Coleman, is bitten by a shapeshifting she-wolf. To Cozy’s surprise, she survives and with the aid of her friends, helps the government stop a human-extinction virus from spreading. Unfortunately, Cozy uncovers a secret so haunting, that her death is only the beginning of her problems.
…The fanzine survived for nine issues, the last appearing in late Spring 1937. While some individual club members remained active, others pursued diverse interests. The Binder brothers relocated to New York to promote their writing careers. Fortunately for history, the final Fourteen Leaflet gives us a rare pictorial glimpse of early fandom.
Prior to the wider availability of lithography, photographs in fanzines required the inclusion of actual photo prints. This was beyond the capability and budget of most amateur publishers. In the rare instances where this was undertaken, it was common for the prints to be glued to a page. If the page has managed to survive, very often the glue has not. This decreases the likelihood that the photo continues to travel with the page.
In their fanzine’s 1937 swansong, Dellenback and his cohort undertook to publish nineteen separate photographs, all tiny prints attached to a single page….
(7) SPOTS DANCING BEFORE YOUR EYES. [Item by Martin Morse Wooster.] In the Washington Post, Karen Heller looks at Boston Dynamics’s doglike robot Spot and asks several experts (including Ed Finn of Arizona State’s Center for Science and the Imagination) if being doglike would influence the public’s acceptance of robots. “Spot is the $74,500 robot dog of our dystopian dreams”.
…Why is a robotic dog frightening to so many? Possibly because the Venn diagram intersection of robots and dogs remains whippet slim. Humans are irrational about both. Also, entirely reductive. Robots = Terrifying. Dogs = Goodness incarnate.
Dr. Frankenstein’s creature, a monster of man’s own making, is more than 200 years old, a response to the threat of the industrial revolution that machines might well replace us, making human existence seem utterly disposable and meaningless. The term “robot” is a century old, dating to Czech writer Karel Capek’s science-fiction play “R.U.R.,” in English short for “Rossum’s Universal Robots.”
How does the drama end? Not well.
Robots in our collective imagination have tended towardmenace, rapacious will and allegiance to none. With few exceptions (C-3PO, R2-D2, the Jetsons’ aproned Rosey), robots in popular culturetend to be Terminators possessed with the soul of HAL 9000.
Whereas our affection for dogs is overly sentimental, resulting in a fathomless ocean of slobbery drool. We never fear dogs will replace us. We believe they’re here to comfort and adore us unconditionally, despite what some have done to mail carriers. Spot challenges us to hold two opposing thoughts in one $74,500 place….
Heller also steered me to this video from June, in which Boston Dynamics celebrated being taken over by Hyundai Motor.
(8) BRIANT OBIT. The International Costumers Guild reports Bruce Briant has died. He was involved in the UCSD science fiction club in the Eighties. An active convention masquerader, he was part of the group that took Best in (Novice) Class at the 1993 Worldcon for “Chess: The Elegant Game of War,” and Best Journeyman at the 1995 Westercon with “Superhero Wedding,” and part of the vast group that won a Retro Master Award at the 1996 Worldcon for “The Wedding on Klovia,” just to name three appearances. He was Dean of the Costume Colleges of 1996 and 1997.
(9) TODAY’S DAY.
(10) MEDIA BIRTHDAY.
1996 – On this date in 1996, John Carpenter’s Escape from L.A. as it was stylised on screen premiered fifteen years after Escape from New York came out. It was co-written, co-scored, and directed by John Carpenter, also co-written by Debra Hill who produced it with Kurt Russell, with Russell again starring as Snake Plissken. It also co-stars Steve Buscemi, Stacy Keach, Bruce Campbell, and Pam Grier. Reception was definitely a lot more mixed than Escape from New York with most critics thinking the script was uneven, the film bombed at the box office, and audience reviewers at Rotten Tomatoes currently give it a thirty nine percent rating as opposed to seventy seven percent for the first film. Carpenter has said that, “Escape from L.A. is better than the first movie. Ten times better.” He might be the only one that holds that view.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 9, 1914 — Tove Jansson. Swedish-speaking Finnish artist wrote the Moomin books for children, starting in 1945 with Småtrollen och den stora översvämninge (The Moomins and the Great Flood). Over the next decades, there would a total of nineteen books. Currently Moominvalley, the new animated series is playing, on Netflix. And Terry Pratchett in “My family and other Moomins: Rhianna Pratchett on her father’s love for Tove Jansson” credits her for him becoming a fiction writer. (Died 2001.)
Born August 9, 1920 — Jack Speer. He is without doubt was one of the founders of fandom and perhaps the first true fan historian having Up to Now: A History of Science Fiction Fandom covering up to 1939 as well as the first Fancyclopedia in 1944. Filking and costume parties are also widely credited to him as well. Mike has a proper remembrance here. (Died 2008.)
Born August 9, 1927 — Daniel Keyes. Flowers for Algernon was a novel that I read in my teens. Two of the teachers decided that SF was to be the assigned texts for that school year and that was one of them. I don’t now remember if I liked it or not (A Clockwork Orange was another text they assigned along with something by Heinlein that I don’t remember) nor have I ever seen Charly. I see he has three other genre novels, none that I’ve heard of. (Died 2014.)
Born August 9, 1944 — Sam Elliott, 77. Weirdly, the source for this Birthday thought he’d only been in one genre role, General Thaddeus E. “Thunderbolt” Ross in the 2003 Hulk film, but he’s got many other roles as well. His first was Duke in Westworld followed by being Luke Peck in Time Bandits, Flik Whistler in The Thing and Lock in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’s the Phantom Rider in Ghost Rider and Lee Scoresby in The Golden Compass. His latest genre is as the lead in The Man Who Killed Hitler and Then the Bigfoot as Calvin Barr. Not even vaguely genre adjacent, but he’s in the exemplary Tombstone as Virgil Earp.
Born August 9, 1947 — John Varley, 74. One of those authors that I’ve been meaning to read more of. I read both The Ophiuchi Hotline and Titan, the first novels respectively in his Eight Worlds and the Gaea Trilogy series, but didn’t go further. (See books, too many to read.) If you’ve read beyond the first novels, how are they as series? Worth pursuing now?
Born August 9, 1954 — Victor Koman, 67. Three time winner of the Prometheus Award, his short stories have appeared in such publications as The Magazine of Fantasy & Science Fiction, Galaxy and Fred Olen Ray’s Weird Menace. Kings of The High Frontier which won of those Prometheus Awards also was on the long list for a Nebula.
Born August 9, 1956 — Adam Nimoy, 65. Son of Leonard Nimoy and the actress Sandra Zober. His wife is Terry Farrell. He’s directed episodes of Babylon 5, Next Generation, The Outer Limits (he directed his father in the “I, Robot” episode), and Sliders. He’s responsible for For the Love of Spock, the documentary about his father.
Born August 9, 1968 — Gillian Anderson, 53. The ever-skeptical (well, most of the time) Special Agent Dana Scully on X-Files. she played Media on the now cancelled American Gods. And she played Kate Flynn in Robot Overlords. Did you know she’s co-authored a X-File-ish trilogy, The EarthEnd Saga, with Jeff Rovin?
(12) KEEP SOMEONE’S MT. TSUNDOKU FROM ERUPTING. Newcon Press publisher Ian Whates is running a “Make Room! Make Room! Sale” through August 15. Here’s why —
I’m hoping Helen and I can beg a small favour.
You see, once upon a time I had a library. It was my pride and joy, with a lifetime’s collection of books proudly displayed…
Then I became a publisher.
My collection is now largely inaccessible, hidden behind walls of cartons containing NewCon Press books. With over 150 titles and counting to our credit, the library has burst its seams, and stock has started to amass ominously in my office. I fear that soon we may not be able to reach the computer to work, or indeed the door…
In a desperate attempt to avert this disaster and reclaim our home, we have launched our biggest ever sale; for the next week, prices have been slashed on over 80 titles, including signed limited edition hardbacks and paperbacks, with prices starting as low as £1.00. In some instances we have plenty of stock remaining, in others just a few copies; when they’re gone, they’re gone.
Any assistance you could provide in boosting word of the sale on social media, blogs, etc, would be greatly appreciated…
Thank you. This has been a public service announcement on behalf of a beleaguered independent publisher.
Mark Twain had a lifelong habit of writing in the margins of the books he read – and it did not always matter whether the book actually belonged to him. He commented acerbically on the authors and their work – “by an ass” was a favorite phrase – and made other, longer comments that tell us about the man and his thoughts. His marginalia are his “conversations” with the books he was reading, and there are many examples of this in the library collection of The Mark Twain House & Museum.
(14) WAILING. Verlyn Klinkenborg recites a “Requiem for a Heavyweight” at The New York Review of Books. Most of the article is behind a paywall – sorry.
…Were those two whales, mother and calf, aware of us? Yes, I’d say, though surely without the elation we humans felt. Just how they might have been aware of us—what awareness might look like in a whale—is an undecided question having to do with cetacean physiology and the complexities of the aquatic environment, including its acoustic properties. (The most discernible thing about us may have been the thrum of our motor.) How human awareness works is also an undecided question, and not only because the price we often pay for consciousness is inattention. Since that encounter in Mozambique, I’ve found myself wondering: What happens when creatures from separate species become aware of each other? Is there something there, something shared or shaped between them? Or do their sensoriums simply overlap—like car alarms setting each other off—in isolation, without reciprocity?…
(15) IF YOU COOK IT THEY WILL COME. “Guy Fieri, Chevy sell Apple Pie Hot Dog at MLB Field of Dreams” reports The Takeout. Will those hot dogs be made from pork?I’ve been to Dyersville, and driving to the ballpark I remember passing a pen filled with hogs that looked the size of Volkswagens, so it would only be appropriate if the meat was local.
This Thursday, a very special and long-awaited baseball game will take place: the MLB at Field of Dreams. The White Sox will play the Yankees at the filming location for the 1989 film Field Of Dreams in Dyersville, Iowa, a site that still draws a strong contingent of tourists each year. While it will count as a home game for Chicago, this will be the first Major League Baseball game ever to be played in the state of Iowa, and a momentous milestone like that calls for a momentous ballpark snack for spectators to gnaw on from their shiny new stadium seats built just for the occasion. Enter Guy Fieri, Chevrolet, and the (Fieri-tastic) Apple Pie Hot Dog.
According to a press release sent to The Takeout, the Apple Pie Hot Dog is a play on an old Chevrolet ad from 1975, which heralds a bunch of comically patriotic imagery: baseball, hot dogs, apple pie and Chevrolet “go together in the good old U.S.A.,” asserts the jingle.
They better have Doc Graham standing by, too, in case any of those hot dogs go down the wrong way.
(16) REAL FUNKO POP. How long has there been Funko Soda?
2011, United States, Florida — When Jolyne Cujoh and her boyfriend get in an accident while out on a drive, she is framed for the crime and sentenced to 15 years in prison. Will she ever be free from this prison — this stone ocean? The final battle in the century-spanning, intertwining fate of the Joestar family and DIO begins!
[Thanks to JJ, Michael Toman, John King Tarpinian, Paul Di Filippo, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
on the above for more information about each of the faculty via the Mysterious
Galaxy event pages.
year, the Clarion Science Fiction and Fantasy Writers’ Workshop holds a
six-week Write-a-thon to coincide with the workshop. Like
a walk-a-thon, participants write to raise money for scholarships to support
This year, the Write-a-thon
will begin June 23, the same day that the workshop begins. Participants commit
to achieving their writing goals for the summer, whether that’s a daily word
count, number of chapters, stories or submissions, or just butt-in-chair
You can either sign up to do the Write-a-thon yourself, donate to individual participants, or just make a
general donation to the workshop. Everything helps achieve Clarion’s goal of
$15,000 to support the workshop and future students. The majority of the Thon
funds goes to scholarships for incoming students. Check it out and sign-up
or back a writer today!
Today’s Scroll is unconscionably short because I took the early part of the day to deliver a prescription to my mother, and must leave soon to see my daughter perform with the color guard at a football game. I have left space to drop in the birthdays when I get back….!
The judging panel will be chaired by Kittitian-British novelist, playwright and essayist Caryl Phillips —
He will be joined on the international judging panel by a judge from each of the five Commonwealth regions – Africa, Asia, Canada and Europe, the Caribbean and the Pacific. They will be: Ugandan novelist and short story writer Jennifer Nansubuga Makumbi, Pakistani writer and journalist Mohammed Hanif, Barbados’s Karen Lord, British short story writer Chris Power, and New Zealander poet, playwright, fiction writer and musician Courtney Sina Meredith.
The Commonwealth Short Story Prize is awarded for the best piece of unpublished short fiction (2,000–5,000 words) in English. Regional winners receive £2,500 and the overall winner receives £5,000. Translated entries are also eligible, as are stories written in the original Bengali, Chinese, Greek, Kiswahili, Malay, Portuguese, Samoan, Tamil and Turkish. The competition is free to enter.
The submission window for the 2019 Prize is open and will close 1 November 2018. Find the 2019 rules here.
Content warnings: rape, trauma, sexism, gaslighting, harassment, intimidation, stalking, and general asshattery of a group of people in general and one rapist in particular….
…Arisia was the first science fiction event I attended, my first year in college. It was the first convention for which I volunteered on staff. After working on the convention for several years, it was the first one I chaired, in 2011. I served on the executive board several times. I used to regard Arisia as my “home convention,” and I was proud of the things I did to make it happen. I regarded the progress on the con’s inclusion and diversity efforts in recent years as having roots in things I did years ago, in ways great and small, and I was thrilled to see accessibility and safer spaces and diversity of program participants expand beyond those efforts. I was, to be honest, chuffed that Arisia was considered a feminist convention by other convention-runners. My online handle, for many years, was “ArisiaCrystal.”
You can therefore perhaps imagine how awful and gutting it was for me when members of Arisia leadership, over the past few years, told me that there was nothing to be done about the fact that my rapist was also on staff, in positions of authority, and has in recent years involved himself with the safety processes of the convention. Over the past few years, these developments have edged me out of the Arisia community.
Marie Brennan responds to Huff’s statement in “On Arisia” —
…This is not a con I can trust with my safety, or that of anybody I know. So while I did not have any existing plans to attend Arisia — just a vague “ooh, I should do that someday!” intention — I now have very firm plans not to attend. Not this year, not next year, not any year until and unless this is made better. And if you’re an Arisia attendee, I encourage you to rethink that plan.
The expansion of CBS All Access’ Star Trek universe continues with a two-season order to Star Trek: Lower Decks, a half-hour adult animated comedy series from Rick and Morty head writer and executive producer Mike McMahan, a long-time Star Trek fan. Star Trek: Lower Decks, which will focus on the support crew serving on one of Starfleet’s least important ships, marks CBS All Access’ first original animated series and the first project to be produced by CBS Eye Animation Productions, a newly launched animation arm of CBS Television Studios.
It hails from Alex Kurtzman’s CBS TV Studios-based Secret Hideout, which had been spearheading the Star Trek franchise expansion, and Roddenberry Entertainment. Secret Hideout’s Alex Kurtzman and Heather Kadin, Roddenberry Entertainment’s Rod Roddenberry and Trevor Roth as well as former Cartoon Network executive Katie Krentz will executive produce alongside McMahan. Aaron Baiers, who brought McMahan to the project, will serve as a co-executive producer.
(4) INDUSTRY NEWS. Shelf Awareness Pro reports these changes at Tom Doherty Associates (Tor/Forge/Tor Teen/Starscape):
Anthony Parisi has joined the company as associate director, Tor Teen, Starscape, and school & library marketing. He was formerly senior marketing manager at Simon and Schuster.
Rebecca Yeager has been promoted to advertising and promotions manager. She was formerly assistant manager.
Renata Sweeney has been promoted to digital marketing manager, Tor, Forge Books, Tor Teen, Starscape. She was formerly associate manager.
Isa Caban has joined the company as marketing manager, Tor Teen, Starscape, and school & library marketing. She was formerly YA associate marketing manager at Scholastic.
Sara Di Blasi has been promoted to marketing assistant, Tor Teen, Starscape, and school & library marketing. She was formerly assistant to the v-p of marketing and publicity.
Zakiya Jamal has joined the company as digital marketing assistant, Tor, Forge Books, Tor Teen, Starscape.
(5) WORD STUDY. According to the Oxford English Dictionary the word “prequel” first appeared in print in 1958 in an article by Anthony Boucher in The Magazine of Fantasy & Science Fiction, used to describe James Blish’s 1956 story They Shall Have Stars, which expanded on the story introduced in his earlier 1955 work, Earthman Come Home – Mother Jones reports “Before 1958, There Was No Way to Say That Something Was Stackable”.
(6) TODAY’S BIRTHDAYS.
Born October 25, 1902 – Mark Marchioni, Artist known as “Marchioni”. He sold his first illustration to Hugo Gernsback’s Air Wonder Stories in 1929. He went on to draw black and white story illustrations, in the Modernist, style, for most pulp magazines in the science fiction genre, including Astonishing Stories, Astounding, Startling Stories, Wonder Stories, and Thrilling Wonder Stories, from 1930-1948. In the 40s, his lifelong interest in machinery lead him to invent a coin-sorting machine, for which he and his older brother Caesar won a patent. They also invented, patented, and manufactured for nearly three decades the Tiltall aluminum camera tripod, which became wildly popular with photographers for its superior performance; eventually the rights were sold to Leica.
Born October 25, 1924 — Billy Barty, who was frequently cast in character roles where his small stature suited the character, and who is probably best known to genre fans as the wise elder wizard in Willow. He was also in the Ridley Scott fantasy Legend, and played the rotoscoped Bilbo Baggins and Samwise Gamgee in the animated The Lord of the Rings; other appearances include in Alice in Wonderland, Bride of Frankenstein, The Undead, Rumpelstiltskin, Snow White, Masters of the Universe, and Lobster Man from Mars.
Born October 25, 1935 – Russell “Rusty” Schweikart, 83, Pilot and Astronaut who was the lunar module pilot for Apollo 9, and the first in the Apollo program to do an EVA (Extra-Vehicular Activity). During the launch of the first Skylab space station mission in 1973, the station’s thermal heat shield was lost, and his work developing procedures and equipment for building and implementing an emergency solar shade, and for deployment of a jammed solar array wing, resulted in saving the space station. He was awarded NASA’s Distinguished Service Medal and Exceptional Service Medal. He is the co-founder and chair of the B612 Foundation, an organization devoted to finding ways to defend Earth from the impact of stray asteroids.
Born October 25, 1955 – Gale Anne Hurd, 63, Saturn-winning Writer, Film Producer and founder of Valhalla Entertainment. After starting out as executive assistant to New World Pictures president Roger Corman, she formed her own production company which has been responsible for numerous major blockbusters in the last 30+ years, including the Hugo-winning Aliens, the first three Terminator movies, Hugo finalist The Abyss, and Armageddon as well as Virus, The Relic, two Hulk movies, Aeon Flux and the just-announced TV series of the same name, and The Walking Dead and Fear the Walking Dead series.
Born October 25, 1963 – John Gregory Betancourt, 55, Writer who is best known (or possibly most notorious) for his third Chronicles of Amber series in Roger Zelazny’s universe, and who has written quite a bit of other franchise fiction including in the Star Trek, Hercules, and The New Adventures of Superman universes. Most of his original fiction was early in his career. He’s also edited in a number of magazines including Weird Tales, Amazing Stories, H. P. Lovecraft’s Magazine of Horror, Adventure Tales, and Cat Tales, and co-edited with Anne McCaffrey Serve It Forth: Cooking with Anne McCaffrey. He founded Wildside Press in 1989, which has received three nominations for World Fantasy Special Awards.
Born October 25, 1964 – Kevin Michael Richardson, 54, Actor and Singer who has become a powerhouse as a voice actor in the animation world in the last 20 years. Just a few of his more than a hundred show credits include roles in the animated series The Batman, Black Panther, Star Wars: The Clone Wars, Guardians of the Galaxy, The Simpsons, Avatar: The Last Airbender, Ben 10, Lilo & Stitch, Gremlins, Ace Ventura, Voltron, Family Guy, and Buzz Lightyear. He has had numerous nominations and wins for Behind The Voice, Annie, and Daytime Emmy Awards.
Le Guin’s work throughout her long career was underpinned by her deep interest in anthropology, feminism, environmentalism and anarchism. In 2014 she wrote about her philosophy of writing: “anything at all can be said to happen [in the future] without fear of contradiction from a native. The future is a safe, sterile laboratory for trying out ideas in, a means of thinking about reality, a method.”
[Thanks to Cat Eldridge, JJ, Nancy Sauer, Alan Baumler, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Randall M.]
(1) QUEEN OF PULP. Twitter’s Pulp Librarian today did a retrospective of illustrator Margaret Brundage, “the Queen of Pulp,” with lots of her Weird Tales covers from the 1930s. Jump on the thread here —
The Sally Klages Memorial Instructorship will be awarded in 2018 in memory of Sally Klages, with love from her sister Ellen Klages….
Ellen Klages’ tribute begins —
Sally was a writer. I never heard her say that she wanted to be one; she simply proclaimed, proudly, that she was. She wrote every day in tiny, cramped cursive: working on her autobiography, lectures to her Invisible Friends, instructions about how life ought to be led.
Like many of us, she owned dozens of notebooks and countless pens, and was never without them. She once packed a gallon-sized Ziploc bag of pens and markers into her carry-on bag for a two-hour flight, “in case one runs out.” Writing was her joy, her recreation, her solace.
Sally was born with Down Syndrome. As far as she was concerned, that wasn’t a handicap — it was what made her special. And she was. She was Valedictorian of her class at Northeast Training Center, and an employee at Columbus State University for 17 years. She was one of the founding members of the Down Syndrome Association of Central Ohio (DSACO), she was on the board of the National Down Syndrome Conference, and was a featured speaker there in 1989. An active participant in the Special Olympics, she won more than three dozen medals in swimming, diving, track and field, bowling, and cross-country skiing….
Today, the 76th World Science Fiction Convention has announced me as the Master of Ceremonies for this year’s Hugo Awards in San Jose, CA, while also announcing that the Hugo Awards’ Nominations Period is now open! Having won two Hugos for Best Professional Artist, I know how much the Hugos mean to the sf/f field, and it’s a huge honor to serve this stage in front of my colleagues and heroes. Worldcon 76 asked me to be the 2018 Hugo MC last August so it’s been fun keeping that under wraps the last five months, even after being announced as this year’s Artist Guest of Honor.
There’s some history that comes along with this role.
I’m the first visual artist to ever be a Hugo Awards MC. I think this could perhaps be a harbinger of Hugo Ceremonies to come. Many of our best visual creators — such as Brom, Todd Lockwood, Ruth Sanderson, Gregory Manchess, and more — are becoming author / artist / storytellers, conjuring the words and pictures of their own bestselling books and media. Our next generation of illustrators are aspiring to tell their own stories, just as much as becoming hired guns. I suspect there will be more artists following through the Hugo MC door behind me, and they’ll likely come from this expanding universe of hybrid, contemporary artists.
I’m only the third Worldcon Guest of Honor to also serve as Hugo Awards MC at the same Worldcon. I believe Connie Willis and David Gerrold are the only others to do this in the con’s 76-year history. We must all be insane. ?.
I’m especially proud to be the first Mexicanx to ever serve as a Hugo Awards MC. I love being first, but the most important thing is that I’m not the last. With the daily assaults upon our DREAMers, villainizing of our culture by racists, and terroristic threats against our citizens, we’re living in an important moment for Mexicanx north and south of the border. I’m looking forward to sharing my spotlight with all of them.
At some point during reading those 113 books it occurred to me what a difficult thing writers are trying to do and just how many different things each author is trying to get right. It’s not just character and plot and pace and tension, world-building, good dialogue, effective exposition, setting story questions and keeping story promises, it’s also trying to get that motivating vision in your head down onto the page. Even a pretty ordinary book takes a lot of effort. If you assume each of those books took 6 months to write?—?and many would have taken more?—?that is 57 years of effort, not far from the entire productive life of a single person.
(5) THE WRITER’S EMOTIONAL ROLLER COASTER. A tweet from Annie Bellet.
Me at beginning of this book: how did I word even for like 17 books they were a fluke
Me toward end of this book: I am amazing this book will be amazing I love writing why don't I write 20 more things asap
Me during release week: this book will flop everyone has forgotten me
(6) READERCON PRUNES PROGRAM INVITE LIST. Several older, white male writers who have participated on Readercon’s program in previous years have posted to Facebook over the past month that they have been notified they won’t be on this year’s program, or simply haven’t received the expected invitation. There’s no reason they have to be happy about it, and understandable if it triggers a bit of insecurity and resentment. However, the whiff of controversy around this development is not completely unlike Jon Del Arroz’ certainty that politics were the real reason he was rotated off BayCon programming.
The other convention I’ve usually gone to in the past, but will no longer attend, is Readercon. I’ve been an invited guest since Readercon 2 (had to skip the first one because of a schedule conflict), and have attended most of the 36 previous conventions … and then last year, without any sort of notice or explanation, I wasn’t invited. I was recovering from last year’s pancreas operation, so I probably wouldn’t have been able to show up anyway, but I wondered why nonetheless.
This year, I have an explanation … just not a good one. It appears, in an effort to be fair to young new writers, Readercon has been sending out form email letters to older authors such as myself (everyone known to have received the letter is male and above age 50), telling them that they’ve been dropped from the program participant list and therefore will not be invited guests.
Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.
So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.
I haven’t received the letter … but neither have I been invited. As I said, I wasn’t invited last year either, nor was I ever offered a reason why. To their program chair, I sent a polite letter calmly explaining why the letter is demeaning, insulting, and for the convention disastrously short-sighted; the response I got was a “so sorry you feel that way” blow-off. This pretty much confirms that I’ve been cast into the outer darkness for being … well, let’s not go there. And even if I’m not on the “past pro” list, I won’t come to a convention that would treat my friends and colleagues this way.
I mention this because I usually see at Readercon quite a few people who follow this page. Sometimes they bring copies of my books so I can sign them, and they need to know in advance not to use valuable suitcase-space. Sorry, guys … this year, it’s Boskone and the Hong Kong SF Forum only. At least those conventions still have respect for senior authors.
Anyone else get the email (under the subject line “Thank you for your service to Readercon”) starting out “There’s no easy way to say this, so I’ll be straightforward: you won’t be receiving an invitation to participate in programming for Readercon 29.”?
Another thought occurs: are they only doing this to folks who are also dealers, thinking we’ll be there anyway? I’ll have to run the numbers to see if it’s worth attending.
BRADBURY DID NOT WRITE FAHRENHEIT 451 IN NINE DAYS.
A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word “The Fireman” that he wrote in that time period. The author would later refer to the short story as “the first version” of the eventual novel. But over the years, he would often speak about “The Fireman” and Fahrenheit 451 interchangeably, which has caused some confusion.
HE WROTE HIS FIRST VERSION ON A RENTED TYPEWRITER IN A LIBRARY BASEMENT.
Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:
“I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it.”
HE SPENT $9.80 ON TYPEWRITER RENTAL.
Bradbury’s nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing “The Fireman.”
Prosthetics have advanced drastically in recent years. The technology’s potential has even inspired many, like Elon Musk, to ask whether we may be living as “cyborgs” in the not-too-far future. For Johnny Matheny of Port Richey, Florida, that future is now. Matheny, who lost his arm to cancer in 2005, has recently become the first person to live with an advanced mind-controlled robotic arm. He received the arm in December and will be spending the next year testing it out.
The arm was developed by Johns Hopkins Applied Physics Lab as part of their program Revolutionizing Prosthetics. The aim of the program, which is funded by the Defense Advanced Research Projects Agency (DARPA), is to create prosthetics that are controlled by neural activity in the brain to restore motor function to where it feels entirely natural. The program is specifically working on prosthetics for upper-arm amputee patients. While this particular arm has been demoed before, Matheny will be the first person to actually live with the prosthesis. The program does hope to have more patients take the tech for a longterm test run, though.
… Where Kellior was the sedate, downbeat host who wanted you to be part of the Lake Woebegon community, Thile is more than a bit manic, bouncing around in delight apparently as he gets to interact with musicians and other folk who he obviously admires a lot. APHC put me to sleep, LFH is definitely designed to keep me actively listening.
Shovel & Rope, a really good Americana couple, is dok good a bluesy travel song as I listen this moment. (By now I’d usually have decided to turn Kellior off.) Some minutes later, Gabby Moreno is playing a very lively (I think) a Tex-Mex song. Need I say Thile is really excited like her being on Live from Here?
… I’m an hour in and still not even close to tuning out though the comedy riff just now was meh but I’m not a fan of most such comedy anyways. That segued into a very nice and quite tasty bit of jazzy music by Snarky Puppy which is enhanced by the production team cleverly positioning mics in the audience which is more than a bit raucous all show long which they really demonstrate when Chris musically deconstructs ‘I’ll Be There’ in words and music….
(13) FAR SIDE OF THE KERFUFFLE. Most of the post is more abuse, so won’t be excerpted here, but Vox Day hastened to say Foz Meadows won’t be getting an apology from him: “I’ll take ‘things that will never happen’”. He adds —
Third, Dave Freer didn’t sic me on anyone about anything. I don’t recall having any communication with him in years. I just checked my email and I haven’t received even a single email from him since I set up my current machine in April 2016. Nor have I spoken to him.
(I’m not creating an Internet Archive page for this one so people can somehow feel okay about insisting on reading the insults.)
Those sick enough will get sent around the corner to a room with a crazy-looking, Rube-Goldberg-like contraption known as the Gesundheit machine.
For half an hour, the student sits in the machine. As the student breathes, the machine collects whatever virus they’ve got from the droplets in their breath.
The researchers will then use the student’s contacts to try to figure out how infections spread from person to person: “roommates, study buddies, girlfriends and boyfriends,” Milton says. “We’re going to swab them every day for a week to see if they get infected.”
If the student’s contacts get infected, researchers will try to pin down whether they got the bug from the original subject or someone else.
“We’re going to deep sequence the genetic code of the agent to see if it was really exactly the same thing,” Milton explains. He’s aware that confirming that your roommate gave you a horrible flu could ruin some perfectly nice relationships, but it’s for science.
(16) STAR WARS MEETS PETER RABBIT. Daisy Ridley is still a rebel. And a rabbit.
[Thanks to Cat Eldridge, Bill, JJ, John King Tarpinian, John Picacio, Carl Slaughter, Chip Hitchcock, Andrew Porter, Mark Hepworth, Chris Garcia, Will R., Vox Day, StephenfromOttawa, Christopher Rowe, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]
(2) Worldcon 75 has released Progress Report 3. Download it free here.
If you have paid for paper publications, you will also receive a printed PR3 in the post early next month. If you have not paid for paper publications, you are still welcome to print out this PR3 and savor its wisdom and knowledge in a nice warm sauna or elsewhere, or to enjoy its pixels directly on your screen.
(2) PR3 contains articles on:
Words of Wisdom from our Guests of Honour
We introduce our Toastmistress!
Hugo Nomination information and ballot
Finnish foods and where to find them
A brief history of Finnish fandom, part 2
and much more!
(4) Storycom will provide support for two Chinese fans to attend Worldcon 75 who are willing to work this year’s con and help with a future Chinese Worldcon bid. Here is the bilingual link for the funding: http://mp.weixin.qq.com/s/DN8UO45YFxeANe_IReUExQ
Worldcon 75 Attending Funding for Chinese Fans
In order to encourage Chinese fans to take active part in Worldcons and enhance the communication between Chinese and international fandom, Storycom sets up this Worldcon 75 Attending Funding. 2 active Chinese fans will be selected and granted RMB 10,000 each, for their attendance in and work for Worldcon 75, which will be held in Helsinki in August 2017. The beneficiaries should buy attending memberships for Worldcon 75, book their flights and hotels, as well as apply for visa by themselves, with the help of Storycom. The beneficiaries should also volunteer to work for Worldcon 75 and promise to take active part in attending and organizing both domestic and international science fiction activities in the future.
1. The applicant must be a Chinese citizen and live in mainland China.
2. The applicant must be a science fiction fan and have experience in organizing science fiction activities.
3. The applicant must be available during August 9-13, 2017 and can attend Worldcon 75 in Helsinki, Finland. He/she should also volunteer to work for Worldcon 75 before the con actually takes place.
4. The applicant should promise that he/she will help with future Chinese Worldcon bid if there is any.
5. The applicant’s English proficiency should meet the requirements of working for Worldcon 75.
Applications will be judged by:
Xia Jia, science fiction writer, Associate Professor at Xi’an Jiaotong University