To Be Fair, I Was Left Unsupervised: A Disjointed Chronicle of 79th World Science Fiction Convention, DisCon III — December 17-18, 2021
By Chris M. Barkley:
After yesterday’s events, I decided to sleep in a bit, until about 9 a.m. Because, you know, Worldcon.
The first bit of news came from Newsletter Number 3, which was published late Thursday evening. The middle column had the BIG news: that the proposal to create a Best Audiobook category had passed muster at the Preliminary Meeting and would be debated at the Main Session on Friday. After my blistering attack on the Business Meeting I feel slightly encouraged. But let’s see what happens next. Watch This Space, as Rachel Maddow intones on a regular basis…
At 10 a.m., I was on the move; today was the day I was going to race around like a whirling dervish and get books signed, come hell or high water!
I dashed down to the Dealers Room eagerly to seek out Mary Robinette Kowal, only to find out her signing session had been rescheduled due to a conflicting panel. So, you may wonder, who else would be crazy enough to get up that early in the morning to sign autographs? Yeah, THIS GUY, fellow Ohioian John Scalzi…
On my way back to my room, I made a stop at the Press Office. Peter Thomas was there and he informed me that a dozen media reporters had registered and that he did not have a firm number on how many warm bodies were on site, but had heard unofficially form the folks in Registration that the figure may or may not be around 2,500 people. He promised to text me directly if he got any solid information. (As of Friday evening, he did not have any additional information.)
After tempering my disappointment, it was time for breakfast. The weather remained unusually warm with moderate winds and an overcast sky. Our destination was Open City again because our companion Anna, Juli and I were wondering if their breakfast menu was as good as their dinner menu. Readers, we were not disappointed!
Juli had the Chorizo Scramble with an arugula salad, Anna had the California Scramble with a side of fruit. I decided to go big and have the Biscuit (singular!) and Gravy with a Breakfast Burrito. And yes, they serve animal crackers with their tea and coffee!
[Chris Barkley’s report continues after the jump.]
(1) WFC 2021 NEWS. World Fantasy Con’s new Progress Report is a free download available here.
WFC 2021 in Montreal – taking place November 4-7 — will be a hybrid convention, with both in-person and virtual elements. Virtual memberships are $75(US)/$100(CAD) and can be obtained through the con’s registration and memberships page.
Guests of honor Nisi Shawl and John Picacio will not be attending in person but will participate virtually.
WFC 2021 has added Julie Czerneda as a Special Guest.
A communication sent to members also reminds them to adhere to the Canadian (and airline) requirements in respect to COVID vaccination and testing.
Lastly, we want to point out that if you are coming to Montreal from outside Canada, please ensure that you meet all requirements for entry into Canada. This includes being fully vaccinated and having a negative PCR test within 72 hours of the scheduled departure time of your flight to Canada. You can find more information on the Government of Canada website. (Don’t forget the other requirements too!) Your airline may have its own requirements.
We are planning on having on-site testing for travellers leaving Canada. The final price (between C$70 and C$90) will depend on the number of tests to be performed. If you are interested in on-site testing during the convention, please send a short email to firstname.lastname@example.org. Indicate how many people would be taking the test and which day you plan to leave the country. If the antigen test is insufficient, let us know the type required, and we will see if the testing company can handle the request. We will contact interested parties when we have finalized the arrangements.
… So that I don’t bury the lede too much, I got my pathology report back this afternoon, and I’ve got clear margins and no signs of metastasis into the lymph nodes. Which is an enormous crying-in-my-tea relief and as soon as I am not on opiates anymore I’m going to have myself a very very fancy glass of Scotch to celebrate….
Witterstaetter started her comics career as an assistant editor at DC Comics working on the Superman books. She later worked at Marvel Comics on Silver Surfer, Conan, Guardians of the Galaxy, and other titles. In addition, she spearheaded the reintroduction of She-Hulk at Marvel, where she actually appeared in the comic!
But she’s much more than only comics, as you’ll soon learn.
We discussed how Jerry Lewis launched her interest in comics, the way science fiction fandom led to her first job at DC Comics, the differences between the Marvel and DC offices of the ’70s and ’80s, what made Mark Gruenwald such an amazing editor, her emotional encounter with Steve Ditko, the inflationary info we learned about the writing of letter columns during the ’70s and ’80s, her work with John Byrne on She-Hulk, how Jurassic Park caused her to leave Marvel, the prank Jackie Chan asked her to help pull on Chris Tucker, and much more.
…”Up until the 1930s, Halloween was largely the dominion of young male pranksters; candy—in the form of mainly candy corn, tiny sugar pellets, or taffy—might be offered at parties, but it wasn’t a particularly important part of the holiday,” says Lisa Morton, an author, screenwriter, and Halloween historian. “Then, in the ’30s, prank-playing moved out of rural areas and into cities, where it became very destructive and cost millions in damages. Rather than simply ban the holiday altogether (which some cities considered), civic groups came up with the idea of buying kids off with treats, costumes, and parties. It worked, and by 1936 we have the first mention of ‘trick-or-treat’ in a national magazine.”…
This listing constitutes the suggestions of the Chesley Nominating Committee plus suggestions received from the community. This is NOT the final ballot; it is only an example of what the community considers worthy of nominating for the Chesley Awards. These suggestions are provided to show you the kind of information we want from you on your ballot, and to maybe help jog your memory of other worthy works of art you saw in 2020. You are encouraged to look beyond this listing when making your nominations; any works published for the first time in 2020 or if unpublished, displayed for the first time in 2020, are eligible. Check out your local bookstore, gaming shop, or knock yourself out visiting various artist’s websites … lots of wonderful art out there. You may make up to five nominations in each category.
(6) I’M YOUR MAN WINS. The winners of the 2021 German film award Lola have been announced. Normally, this is of zero genre interest, but this year’s big winner, taking Best Screenplay, Best Director, Best Actress and Best Film is the science fiction romantic comedy I’m Your Man: “Lolas 2021 German Film Awards Winners List” from The Hollywood Reporter.
I’m Your Man, a sci-fi rom-com from director Maria Schrader, featuring Downton Abbey star Dan Stevens as a German-speaking romance robot, has won the Lola in Gold for best film at the 2021 German Film Prize, Germany’s top film awards.
Schrader, fresh off her Emmy win (for best directing for a limited series in Netflix’s Unorthodox), picked up the best director Lola for I’m Your Man. Schrader and co-screenwriter Jan Schomburg took the best screenplay honor for their I’m Your Man script, an adaptation of a short story by German writer Emma Braslavsky. Maren Eggert, who plays the robot’s no-nonsense human love interest, won the best actress Lola for her performance, a role that has already earned her the best actress Silver Bear at the Berlin Film Festival, where I’m Your Man premiered earlier this year….
(7) MAIL CALL. [Item by Cora Buhlert.] Bobby Derie, who’s one of those unsung fan writers I wish more people would know, takes a look at the correspondence between C.L. Moore and Robert E. Howard: “Her Letters to Robert E. Howard: Catherine Lucille Moore” at Deep Cuts in a Lovecraftian Vein.
… Catherine Lucille Moore burst into the pages of Weird Tales with “Shambleau” (Nov 1933). She was a secretary at the Fletcher Trust Company in her native Indianapolis, Indiana, and engaged to a bank teller named Herbert Ernest Lewis. During the Great Depression, jobs were scarce and her $25 a week was needed to support her family; married women were often expected to be homemakers, and this may be why Moore and her fiance had a long engagement—and it is why, when she began to sell her stories to the pulps for extra cash, she used her initials “C. L.” so that her employers would not discover she had an extra source of income….
From the absolutely appalling cover art that has defaced her books since she was first published, you would think Georgette Heyer the most gooey, ghastly, cutesy, sentimental and trashy author who ever dared put pen to paper. The surprise in store for you, if you have not encountered her before, is that once you tear off, burn or ignore those disgusting covers you will discover her to be one of the wittiest, most insightful and rewarding prose writers imaginable. Her stories satisfy all the requirements of romantic fiction, but the language she uses, the dialogue, the ironic awareness, the satire and insight – these rise far above the genre….
(9) A CLEVER CANARD. Evelyn C. Leeper drew attention to this W. Somerset Maugham quote in the weekly issue of MT Void:
“After mature consideration I have come to the conclusion that the real reason for the universal applause that comforts the declining years of the author who exceeds the common span of man is that intelligent people after the age of thirty read nothing at all. As they grow older the books they read in their youth are lit with its glamour and with every year that passes they ascribe greater merit to the author that wrote them.”
(10) RICHARD CURTIS Q&A. A famous literary figure shares a wealth of knowledge.
Watch & listen to author, playwright, literary agent and former publisher Richard Curtis talk about writing, publishing and many things that will interest writers and the general public. Richard gives tips, advice and a bit of a history of publishing and how it has changed over the years in his conversation with author Rick Bleiweiss.
(11) MEMORY LANE.
1950 – Seventy-one years ago, the first issue of Galaxy Science Fiction dated October 1950 was published. It was founded by a French-Italian company, World Editions, who hired as editor H. L. Gold who was both an established SF author and editor since the Thirties having made his first sale to Astounding in 1934. There was fiction by Clifford Simak, Theodore Sturgeon, Katherine MacLean, Issac Asimov, Fredric Brown and Fritz Leiber, as well as lots of reviews, mainly by Groff Conklin, but one each by Fredric Brown and Isaac Asimov as well. Gold contributed several essays too. The 1952 run of the magazine would be get a Hugo for Best Professional Magazine at Philcon II. Gold would later be inducted into the First Fandom Hall of Fame.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 1, 1930 — Richard Harris. One of the Dumbledores in the Potter film franchise. He also played King Arthur in Camelot, Richard the Lion Hearted in Robin and Marian, Gulliver in Gulliver’s Travels, James Parker in Tarzan, the Ape Man and he voiced Opal in Kaena: The Prophecy. His acting in Tarzan, the Ape Man got him a nomination for the Golden Raspberry Award for Worst Actor. Anyone see that film? It earns a ten percent rating among audience reviewers at Rotten Tomatoes. (Died 2002.)
Born October 1, 1935 — Dame Julie Andrews,DBE, 86. The original Mary Poppins! I could have stopped there but I won’t. (Hee.) She had a scene cut in which was a maid in The Return of the Pink Panther, and she’s uncredited as the singing voice of Ainsley Jarvis in The Pink Panther Strikes Again. Yet again she’s uncreated as in a Panther film, this time as chairwoman in Trail of the Pink Panther. She voices Queen Lillian in Sherk 2, Shrek the Third and Shrek Forever After. And she’s the voice of Karathen in Aquaman.
Born October 1, 1940 — Richard Corben. Comic book artist best remembered for his work in Heavy Metal magazine. His work also appeared in Creepy, Eerie and Vampirella. All the stories and covers he did for Creepy and Eerie have been reprinted by Dark Horse Books in a single volume: Creepy Presents Richard Corben. Corben collaborated with Brian Azzarello on five issues of Azzarello’s run on Hellblazer, Hellblazer: Hard Time. (Died 2020.)
Born October 1, 1948 — Mike Ashley, 73. Anthologist, and that is somewhat of an understatement, as the Mammoth Book series by itself ran to thirty volumes including such titles as The Mammoth Book of Awesome Comic Fantasy and The Mammoth Book of New Jules Verne Adventures. He also did The History of the Science Fiction Magazine which features commentary by him. He’s did a number of genre related studies including The History of the Science Fiction Magazine with Robert A. W. Lowndes and Out of This World: Science Fiction But Not As You Know It.
Born October 1, 1950 — Natalia Nogulich, 71. She’s best remembered as being on The Next Generation and Deep Space Nine as Vice Admiral/Fleet Admiral Alynna Nechayev. Interestingly, though Serbian, they gave her a Russian surname. She was the voice for Mon Mothma for the radio adaptation of Return of the Jedi. She had one-offs on Dark Skies, Prey, Sabrina, the Teenage Witch and Charmed.
Born October 1, 1953 — John Ridley, 68. Author of Those Who Walk in Darkness and What Fire Cannot Burn novels. Both excellent though high on the violence cringe scale. Extremely high. Writer on the Static Shock and Justice League series. Writer, The Authority: human on the inside graphic novel. And apparently he was the writer for Team Knight Rider, a female version of Knight Rider that lasted but one season in the Nineties. I’ve never even heard of it until now. In 2021, Ridley began writing a number of series for DC Comics Including a future Batman story.
Born October 1, 1973 — Rachel Manija Brown, 48. Co-writer of the Change series with Sherwood Smith; Laura’s Wolf, first volume of the Werewolf Marines series. She wrote an essay entitled “The Golden Age of Fantasy Is Twelve: SF and the Young Adult Novel” which was published in Strange Horizons. She’s well stocked at the usual digital suspects.
Born October 1, 1989 — Brie Larson, 32. Captain Marvel in the Marvel film universe including of course the most excellent Captain Marvel which was nominated for a Hugo at CoNZealand. She’s also been in Kong: Skull Island as Mason Weaver, and plays Kit in the Unicorn Store which she also directed and produced. Her first genre role was Rachael in the “Into the Fire” episode of the Touched by an Angel series; she also appeared as Krista Eisenburg in the “Slam” episode of Ghost Whisperer. I wrote up a review of her Funko Rock Candy figure at Green Man.
“I am happy to have resolved our differences with Disney,” stated Johansson. “I’m incredibly proud of the work we’ve done together over the years and have greatly enjoyed my creative relationship with the team. I look forward to continuing our collaboration in years to come.”
Disney Studios chairman Alan Bergman added: “I’m very pleased that we have been able to come to a mutual agreement with Scarlett Johansson regarding Black Widow. We appreciate her contributions to the Marvel Cinematic Universe and look forward to working together on a number of upcoming projects, including Disney’s Tower of Terror.”…
… Ms. Johansson would have made tens of millions of dollars in box office bonuses if “Black Widow” had approached $1 billion in global ticket sales; “Captain Marvel” and “Black Panther” both exceeded that threshold in prepandemic release, so similar turnout for “Black Widow” was not out of the question.
The Wall Street Journal reported this month that Creative Artists had privately asked Disney to pay Ms. Johansson $80 million — on top of her base salary of $20 million — to compensate for lost bonuses. Disney did not respond with a counteroffer, prompting her to sue….
(15) JEOPARDY! While watching last night’s Jeopardy!, Andrew Porter’s jaw dropped when a contestant came up with this response.
Final Jeopardy: Children’s Literature
Answer: A 2000 Library of Congress exhibit called this 1900 work “America’s greatest and best-loved homegrown fairytale.”
Wrong question: What is “Shrek”?
Right question: What is “The Wizard of Oz”?
(16) JUSTWATCH – SEPTEMBER TOP 10S. Here are the top sff movies and streaming shows of September 2021 according to JustWatch. (Click for larger images.)
(17) WEEKS LATER, THESE ESCAPEES ARE STILL WEARING STRIPES. I’m having trouble thinking of a way to connect this to science fiction, thereby justifying the presence in the Scroll of an item that amuses me. Any suggestions? “A Month Later, Five Zebras Are Still on the Run in Maryland” from the New York Times.
…A month after they escaped from a farm in Maryland, five zebras have evaded capture and are continuing to ramble across the wilds of suburban Prince George’s County, eking out a living on territory far from the grasslands of East Africa.
… Daniel I. Rubenstein, a professor of zoology at Princeton University, said he was not surprised that the zebras had proved so elusive.
Unlike domesticated horses that will return to a barn after they’ve gotten loose, zebras are wild animals and “don’t like people generally,” he said. And they may not have any need to feed on the grain set out for them as bait, if they can find enough food to munch elsewhere.
If the zebras continue to elude capture, “they should be able to do just fine” in Prince George’s County, Dr. Rubinstein said.
The county has plenty of lawns, fields and pastures where the zebras can graze, as well as streams and other places for them to drink water, which they need to do once a day, he said.
And with the dearth of lions in the Greater Washington area, they have no natural predators, he said, adding, “coyotes they can deal with.”
While zebras “won’t like snow,” they may be able to survive colder weather in the fall and winter. Zebras, he said, live on the slopes of Mount Kenya, at 13,000 feet, where temperatures at night dip into the 30s.
“They should be able to thrive quite nicely,” Dr. Rubinstein said. “They will be able to sustain themselves naturally on that landscape.”…
Studies show southeast Asia is a hotspot for potentially dangerous viruses similar to SARS-CoV-2. Scientists have found three viruses in bats in Laos that are more similar to SARS-CoV-2 than any known viruses. Researchers say that parts of their genetic code bolster claims that the virus behind COVID-19 has a natural origin — but their discovery also raises fears that there are numerous coronaviruses with the potential to infect people.
(19) CHERNOBYL BACK IN NEWS. This is worrying: Radiation levels are rising around reactor 4 of the Chernobyl nuclear power plant, which suffered the catastrophic meltdown in 1986: “Chernobyl’s Blown Up Reactor 4 Just Woke Up” in History of Yesterday. The article explores several hypothetical explanations why this could happen.
… Scientists from Ukraine have placed many sensors around reactor 4 that constantly monitor the level of radioactivity. Recently those sensors have detected a constant increase in the level of radioactivity. It seems that this radioactivity is coming from an unreachable chamber from underneath reactor 4 that has been blocked since the night of the explosion on the 26th of April, 1986….
…A question kept occurring to me over and over again that no one seemed to be addressing. Chuck Tingle is a pretty cool guy. Chuck Tingle is great at titles and covers. But are his books actually any good? Is chuck tingle a good writer? Now I feel the need to immediately qualify this. I am aware that it doesn’t matter. His books make people happy even if they’ve not read them which is quite an achievement. His inclusivity means a lot to people and his general behavior be it amusingly bizarre or the unashamedly progressive matters more in this crazy world we’re living in than if he can rock a good three-act structure…
[Thanks to, John King Tarpinian, Michael Toman, Mike Kennedy, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Paul Di Filippo, Martin Morse Wooster, JJ, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff, with an assist from OGH.]
(1) 55 ISN’T JUST A GOOD IDEA. Cora Buhlert, in her new series “Fanzine Spotlight,” interviews Hugo eligible fanzines and fansites and the people behind them. The first post features Gideon Marcus discussing one of my favorites: “Fanzine Spotlight: Galactic Journey”.
Tell us about your site or zine.
Galactic Journey is more than a site or a zine. It’s a time machine.
The 20+ writers for the Journey produce an article every other day from the context of SF fans (and professionals) living exactly 55 years ago. Thus, when it turned January 1, 2021 in your world, we rang in the new year of 1966.
…Weird Tales, November 1933, containing “Worms of the Earth” by Robert E. Howard. Cover by J. Allen St. John
Despite Howard’s pulpster credentials, the young writer demonstrates intellectual ambition in this story. Readers are introduced to a historical framework philosophically anchored in the ideas of “Rome” and “Pictdom,” i.e. “civilization” and “barbarism.” Make no mistake: philosophy aside, this is a fantasy story, a sword and sorcery tale delicately painted with a gossamer-thin layer of history. Howard’s Picts are not the historical Picts, and Howard’s Romans are not the historical Romans. Without question, both tribes are unreal, fictionalized in this story, and fictionalized tendentiously: the Romans are rendered as irredeemable oppressors and the Picts are rendered as the brutally oppressed victims. Artful and strategic distortions allow Howard to bring into focus his troubling theme: the hatred of an oppressed race for their brutal oppressors and the evil consequences of that hatred.
Despite the story’s fantastic nature, it nevertheless engages with the actual, with real oppression, oppressors, and oppressed. Real racism was prevalent in the early 1930s in Howard’s rural Texas, a racially-mixed frontier where the elderly and the descendants of settlers and displaced first tribes remembered (and witnessed) the bloody battle, civil war, banditry, and rapine that characterized what has been mythologized as “the wild west.” Indeed, this earnest engagement with actual racism can be gleaned by contextualizing the “Worms of the Earth” with Howard’s correspondence…
(3) A WRITER’S RELICS. You might also be interested in a guided “Tour of the Robert E. Howard Home” in Cross Plains, Texas conducted by Howard scholar Rusty Burke. Includes a chart based on a map by Catherine Crook de Camp!
…Intended to mark 75 years since the death of the author, the coin has already been criticised for depicting the “monstrous tripod” featured in The War of the Worlds with a fourth leg, and for giving his Invisible Man a top hat, which the character never wore. Then the Wells expert Prof Simon James spotted the quote chosen for the edge of the coin: “Good books are warehouses of ideas.” James and his fellow academic Adam Roberts, a vice-president of the Wells Society, could source no such quote in Wells’s writing – although it is credited to him on various inspirational quote websites.
(6) INFINITE WORLDS. [Item by rcade.] There’s a full-page ad in the new issue of the Previews catalog for Infinite Worlds magazine, a science fiction magazine that has its seventh issue coming out in March.
The magazine is published by Winston Ward and was launched by a Kickstarter campaign that raised around $3,500. Infinite Worlds is described as an “independent magazine” and does not take any advertising.
Issue 7 has stories by Adele Gardner, Daniel Kozuh and Emily Martha Sorensen and an interview with Stu Mackenzie of the Australian rock band King Gizzard & The Lizard Wizard.
Infinite Worlds has an Instagram audience of 105,000 followers featuring illustration-heavy posts such as this collection of the first six covers.
…Creating a funny character is one thing, but consciously setting out to write a witty crime novel is another matter altogether. Humour must emerge organically; you can’t simply parachute characters into a funny situation. It also requires a moral viewpoint, if only so that morality can then be flung aside. The tragedy of sudden death and its investigation needs to be treated with gravity, the humour confined to those who have no idea that they’re amusing. People are at their most ridiculous when they’re desperately serious.
…The rigmarole of last year really changed the shape of what Black Panther will look like moving forward. There’s also still quite a lag when it comes to seeing any iteration of Black Adam or a second Shazam film, but there is a lot of hope when it comes to films that were shelved last year. Black Widow? Still slated to come your way in May. The Eternals and Shang-Chi? Also making a 2021 debut. All of this is to say, while there’s still some bad news, there’s also a lot to look forward to in the coming year so get that bag of popcorn ready. We got some blockbusters on the horizon.
(9) MEDIA BIRTHDAYS.
January 12, 1966 — The Batman series premiered on ABC. It ran for three seasons and one hundred twenty twenty-five minute episodes. Starring Adam West as Bruce Wayne/Batman and Burt Ward as Dick Grayson/Robin, Alan Napier was Alfred, Neil Hamilton was Commissioner James Gordon and Yvonne Craig was Barbara Gordon / Batgirl. Its villains were many and featured many a famous performer. It enjoys a 62 rating among audience members at Rotten Tomatoes.
January 12, 1967 – Star Trek’s “The Squire of Gothos” first aired on CBS. Starring William Campbell as Trelane, it was written by Paul Schneider, and directed by Don McDougall. Trelane Is considered by many Trekkies to be a possible Q. Critics loved it giving such comments as “one of TOS’s most deservedly iconic hours” and voting the William Campbell performance as Trelane, as the fifth best guest star of the Trek series.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born January 12, 1937 — Shirley Eaton, 84. Bond Girl Jill Masterson in Goldfinger, and yes, she got painted gold in it. She was not nude as is thought but was wearing monokini. She also shows up as the title character in The Million Eyes of Sumuru, the Sax Rohmer based film we just discussed. Her other significant role would be as Dr. Margaret E. ‘Maggie’ Hanford in Around the World Under the Sea. She retired from acting in 1969. (CE)
Born January 12, 1937 – Joyce Jumper. Just as David McDaniel and Ted Johnstone lived in the same body, likewise David’s wife Joyce McDaniel and Ted’s wife Lin Johnstone. David, a pro author, published eight novels, three shorter stories; Ted was a leading Los Angeles fan. I knew Ted but hardly saw David; I knew Joyce but hardly saw Lin. When David and Ted died, Lin gafiated; after a while Joyce married L.A. fan George Jumper; following his death (2001) she grew less active. (Died 2013) [JH]
Born January 12, 1940 – Tomas Endrey. Escaped from Hungary 1956. Often attended Boskone, Lunacon. Active in APA:NESFA. Assistant editor of SF Chronicle. See Andrew Porter’s appreciation here. (Died 2017) [JH]
Born January 12, 1952 — Rockne S. O’Bannon, 69. He’s the genius behind the rejuvenated Twilight Zone, Amazing Stories, Farscape, SeaQuest 2032, the Alien Nation series and Defiance. Only the latter I couldn’t get interested in though I did try. (CE)
Born January 12, 1952 — Walter Mosley, 69. An odd one as I have read his most excellent Ezekiel “Easy” Rawlins series but hadn’t been aware that he wrote SF of which he has four novels to date, Blue Light, Futureland: Nine Stories of an Imminent Future, The Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four that was conceived of and orchestrated by him. Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking is the Host according to IMdB. (CE)
Born January 12, 1954 – Seth Breidbart, Ph.D., age 67. Chaired Lunacon 1988, 1999 (alas for pattern-lovers, not in 2000 or 2011). Served a term as President of the Lunarians. Guest of Honor at Albacon IV. Often found in responsible positions at SF cons, e.g. he was House Manager in the Events Division of MidAmeriCon II the 74th Worldcon. Annoyingly successful in fannish auctions and lotteries. Two Harvard and two Yale degrees, which is like him. [JH]
Born January 12, 1954 – Bill Higgins, age 67. Radiation-safety physicist, thus seen here and elsewhere as Bill Higgins, Beam Jockey. Plays baritone ukulele. Guest of Honor at ConClave 15, Windycon XX, DucKon 2 & 22, Congenial 9, Capricon 10; Hal Clement Science Speaker at Boskone 51. [JH]
Born January 12, 1954 – Paula Lieberman, age 67. Thoughtful and vigorous in Boston fandom, e.g. at Noreascon 3 the 47th Worldcon she was Creative Consultant in the Program Division, in the Extravaganzas Division was part of the Brains Trust and ran the Anniversary Party. Does some filking. [JH]
Born January 12, 1964 — Jeff Bezos, 57. He actually does have a genre credit for having played a Starfleet official on Star Trek Beyond. (CE)
Born January 12, 1980 — Kameron Hurley, 41. Winner of a Best Related Work Hugo at London 3 for We Have Always Fought: Challenging the Women, Cattle and Slaves Narrative. Fiction wise, her most excellent God’s War won a BFA and a Kitschie, whereas her The Geek Feminist Revolution won her a BFA fir non-fiction. Very impressive indeed. Oh, and she won a Hugo for Best Fan Writer as well. Nice. (CE)
Born January 12, 1980 – Ameriie, age 41. Recording artist; three golds, one silver; two Soul Train Awards; Club Banger of the Year; one Rolling Stone Best Album of the Year. Edited one anthology for us, a short story of her own in it. [JH]
…The idea for “Invisible Men” started 20 years ago, when Quattro was writing an article about Matt Baker, the Black artist who in 1945 created Voodah, a character that is considered the first Black hero in a comic book aimed at white audiences.
Quattro was having a hard time tracking down information about Baker until someone suggested he reach out to Samuel Joyner, an influential cartoonist, teacher and illustrator from Philadelphia who died last year at age 96.
He wrote me a beautiful four-page letter about not only Matt Baker, but about all these other Black cartoonists, and it stunned me at the time,” recalls Quattro, who wasn’t familiar with the other names that were included.
Quattro began reading what he describes as thousands of past issues of publications written by and for African Americans. “There was nothing in the white media, in newspapers or magazines at all, about Black comic book artists. I started going to Black newspapers of the 1930s and ’40s and ’50s, and there was a lot of information on these guys.”
(13) GAME TIME. [Item by Cath.] I spent a couple of enjoyable hours recently playing the text game ”Stay?” It incorporates Groundhog Day-style loops. WARNING: The link as I entered shows spoilers for how to “get the good ending.”
Welcome to Elaia, a magical city nestled in a high valley. It’s the end of your first year at university & time to choose your major.
Find yourself among potential friends or lovers– young people with secrets, dreams, fears, and tragedies. Learn about the history & breadth of Elaia’s world, and decide what kind of mark you want to leave on it.
WHAT IS “STAY? ” ?
An interactive fiction story.
A dating sim wrapped up in a fantasy adventure puzzle.
A quest to find your own happy ending in a world where you always get a second chance.
… Early in the pandemic, a fire hose of data started gushing forth on citizen science platforms like Zooniverse and SciStarter, where scientists ask the public to analyze their data online. It’s a form of crowdsourcing that has the added bonus of giving volunteers a real sense of community; each project has a discussion forum where participants can pose questions to each other (and often to the scientists behind the projects) and forge friendly connections.
“There’s a wonderful project called Rainfall Rescue that’s transcribing historical weather records. It’s a climate change project to understand how weather has changed over the past few centuries,” Laura Trouille, vice president of citizen science at the Adler Planetarium in Chicago and co-lead of Zooniverse, told me. “They uploaded a dataset of 10,000 weather logs that needed transcribing — and that was completed in one day!”
Some Zooniverse projects, like Snapshot Safari, ask participants to classify animals in images from wildlife cameras. That project saw daily classifications go from 25,000 to 200,000 per day in the initial days of lockdown. And across all its projects, Zooniverse reported that 200,000 participants contributed more than 5 million classifications of images in one week alone — the equivalent of 48 years of research. Although participation has slowed a bit since the spring, it’s still four times what it was pre-pandemic….
… KOI-5Ab is likely a gas giant, similar to Neptune in terms of its size. It resides within a triple-star system, and while its orbit is a bit strange, it’s overall environment is less chaotic than it may sound.
Despite having three stellar companions, KOI-5Ab orbits a single star, KOI-5A, once every five days. This host star is caught in a mutual orbit with a nearby star called KOI-5B, and the two twirl around each other once every 30 years. A more distant star, KOI-5C orbits this pair once every 400 years.
(16) THE HYDROPONICS THAT FALL ON YOU FROM NOWHERE.[Item by Martin Morse Wooster.] The Washington Post today had a piece about CES. The gadget that seemed pretty futuristic to me is “Gardyn,” a portable hydroponic garden that’s about five feet tall. Seeds are inserted via pods like coffee pods. All you do is add water occasionally and the device says it grows enough veggies to feed a family of four. Video at the link: “Gardyn, the AI-driven indoor, leafy green growing machine”.
…There is even evidence they caught birds of prey, including golden eagles and vultures. We don’t know if they laid out meat and then waited for the right opportunity to go in for the kill, or whether they actively hunted birds, a much more difficult task. What we do know is that they didn’t necessarily eat all the birds they were hunting, especially not the birds of prey like vultures – which are full of acid.
“Most of the cut marks are on the wing bones with little flesh. It seems they were catching these to wear the feathers,” says Clive Finlayson. They seem to have preferred birds with black feathers. This indicates they may have used them for decorative purposes such as jewellery.
To show me exactly what he meant, Clive and his team reconstructed some intriguing Neanderthal habits. A dead vulture, carefully kept frozen, was brought out and dissected in front of me, to show how Neanderthals might have done so thousands of years earlier.
They carefully removed the bird’s body tissue. What was left appeared to be a stunning and elaborate black-feathered decorative cape, extending, of course, the length of the vulture’s wing span. They may have wrapped this around their shoulders, Clive says.
This all points to one thing: that Neanderthals had a sophisticated understanding and appreciation of cultural symbols.The fact that Neanderthals could, and would, take these steps – including the creativity and abstract reasoning required to turn a flying animal into a decorative cape – shows that their cognitive skills could have been on par with ours. And regardless of exactly how intelligent they were, their creation of these kinds of cultural artefacts is one of the defining traits of humanity.
Disneyland Resort in Anaheim, the bulk of which has been closed since the onset of the coronavirus pandemic in March, will serve as the first super Point-of-Dispensing (POD) site for Covid-19 vaccines in Orange County.
The site is expected to become operational later this week, county officials announced Monday. Also on Monday, Los Angeles County announced that its mass Covid-19 testing operation at Dodger Stadium will be phased out this week so the sports arena can be turned into a large-scale vaccination location….
…According to Snopes, the Office for the Director of National Intelligence has confirmed that the omnibus bill includes a 180-day window for the U.S. director of national intelligence and the secretary of defense to prepare a report for senators and armed services committees on the potential existence of UFOs and any potential they may have to pose a threat.
The data would be sourced from FBI reports as well as the Office of Naval Intelligence and the Unidentified Aerial Phenomena Task Force. The language comes from the bill’s Intelligence Authorization Act for Fiscal Year 2021.
(20) VIDEO OF THE DAY. In “Honest Trailers: Wonder Woman 1984” on YouTube, the Screen Junkies say that the story arc of Steve Trevor in this movie make WONDER WOMAN 1984 “more problematic than a Rob Schneider movie” and the film explains you “shouldn’t cat-call women because they’ll turn into a cat and fight you!”
[Thanks to Cora Buhlert, Cat Eldridge, JJ, John Hertz, Mlex, John King Tarpinian, Mike Kennedy, rcade, Michael Toman, Martin Morse Wooster, Cath, Daniel Dern, Joyce Scrivner, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
…Still, after the success of Star Wars, Foster found himself a go-to person for movie novelizations. Over the years, he’s penned dozens of novelizations for franchises like Aliens, Star Trek, Dark Star, The Black Hole, Clash of the Titans, Outland, The Thing, Krull, The Last Starfighter, Starman, The Chronicles of Riddick, and others. They were all written in addition to his own original novels.
The nature of a work-for-hire contract means an author who’s written a tie-in novel will have little control over where their story ends up; how characters, situations, or details are used after they turn in their manuscript; and even the copyright of the work itself. It’s a tradeoff: Foster might not own the book, but the product may provide a steady revenue stream for years, especially if the franchise is popular with audiences. Write enough of them, and those tributaries will feed a healthy river.
Shortly after Disney acquired 20th Century Fox last year, Foster says that his royalties for his Alien novels stopped coming. He and his agent first attempted to resolve the issue with the book’s publisher, Warner Books. According to Foster’s agent Vaughn Hansen, while Foster and the organization [SFWA] were working to uncover the provenance of those rights, it became clear there were also missing payments for his Star Wars novels….
Unpaid royalties appear to be an issue that affects other writers. Four additional authors have come forward to Polygon to confirm that they haven’t been paid royalties for work now owned by Disney, for works that appear to have been transferred to other publishers: Rob MacGregor, who wrote the tie-in novel for Indiana Jones and the Last Crusade, as well as several additional tie-in novels; Donald Glut, author of the Empire Strikes Back novelization; James Kahn, author Return of the Jedi and Indiana Jones and the Temple of Doom novelizations; and Michael A. Stackpole, author of the X-Wing comics,Star Wars: Union, and Star Wars: Mara Jade — By the Emperor’s Hand. Without seeing contracts or the full details of the nature of the transfer of property from Lucasfilm to Disney, it’s hard to know if each author falls into the same situation as Foster, but the result appears to be the same: They haven’t received money that they feel entitled to for the work that they published….
Barry Barish is an emeritus professor at Caltech, where he has worked since 1963. He became director of the LIGO (Laser Interferometer Gravitational-wave Observatory) project in 1997, which led to his Nobel Prize in 2017. He has many other awards and is a fellow of the National Academy of Sciences and American Physical Society, of which he was also president.
Barry joins our Nobel Minds playlist on the INTO THE IMPOSSIBLE podcast. He shared the 2017 Nobel Prize in Physics with Rai Weiss and Kip Thorne “for decisive contributions to the LIGO detector and the observation of gravitational waves.” We discuss Barry’s long and remarkable career that covers many disciplines within physics. It’s not the standard model, but he has a confidence about himself, and his contributions that make it seem perfectly natural to have been part of such varied, noteworthy projects during his career. Despite that, Barry also admits to feeling like an imposter at times, especially when singing the same Nobel register as Einstein. What a moment!
As an author, one key thing I always need to be doing is marketing, and events are wonderful marketing tools. Events allow us authors and other creatives to reach a new audience base, network with fellow creatives, and get our names out there. It allows people to gush about what they love while also opening doors for others who are looking to get into those fields. It even helps to demystify the careers of creatives. Plus, events are great for selling—vendor tables are usually bustling, and panels/workshops are key places to chat about all the creative endeavors.
But what about virtual events? Is it still a great experience for the panelists?…
This two-part ABC mini-series, an adaptation of King’s sprawling 1986 novel about a child-murdering monster in small-town Maine, is perhaps best remembered for Tim Curry’s frightening performance as Pennywise the Clown.
“I liked that series a lot, and I thought Tim Curry made a great Pennywise,” King said. “It scared the [expletive] out of a lot of kids at that time.”
In fact, King credits the impact of the series on children with the later success of the film version, which starred Bill Skarsgard as the diabolical clown and was a box-office sensation in 2017. (A 2019 sequel, based on the second half of the novel, was similarly successful.)
“One of the reasons the movie was a big hit was because kids remembered seeing it on TV,” King said. “So they went to see it.”
As he details in his account below, he experienced immediate friction with his main co-star Ali Larter — and perceived indifference from creator and showrunner Tim Kring — that led him to feel singled out as a Black actor, a feeling that only grew more intense after he was fired from the show after its first season.
…As the first season played out, I learned two other non-white lead characters would be killed off and I started to wonder whether D.L. would suffer the same fate. His presence on the show kept getting smaller, and by the mid-season finale he had been shot more times than 2Pac. I even had my management inquire about the possibility of me being killed off. While I was initially thankful for the opportunity, the experience had become creatively unfulfilling and I thought moving on might be best for everyone. I was told, however, that the production’s response was “We love Leonard.” And in March 2007, while filming the penultimate episode of the season, a producer told me that I was indeed returning for Season 2. I took it as a positive sign, and looked forward to new possibilities.
One of our last publicity obligations that first season involved a photoshoot for Entertainment Weekly, in which cast members, based on their characters’ relationship on the show, were featured on collector’s edition covers. The release of the covers was to coincide with the network’s upfront presentation for the 2007-2008 season in New York.
Upon arriving backstage at Radio City Music Hall for a rehearsal, I caught my co-star’s eye. “I’m hearing our cover is selling the least of all of them,” she told me. It was the first and only thing she said to me that night and I believed the subtext was clear: I was tarnishing her brand….
(7) ANOTHER REASON TO BEWARE. Longshot Press owner Daniel Scott White, publisher of Unfit and Unreal magazines, doubles down on his unhinged strategy of making enemies of SFWA writers.
Two of his magazines were the subject of complaints last February, covered by File 770’s roundup: “Is This Practice Unreal or Unfit? It’s Both”. Then two weeks ago White called for submissions to the magazines, but added “Tip: SFWA members not eligible” (see here, item #2.)
White’s latest assault is against Benjamin C. Kinney, first person to put his name to the complaints brought out in February. Thread starts here.
And White is also working on a Nixonian enemies list.
(8) MEDIA ANNIVERSARY.
2008 — Twelve years ago, Catherynne M. Valente had the unusual honor of winning the Mythopoeic Fantasy Award for Adult Literature for not one novel but for two novels in the same series, The Orphan’s Tales:In The Night Garden and its sequel, The Orphan’s Tales: In the Cities of Coin and Spice. It is the only time that this has happened as far as we can determine. An Otherwise Award would also go to The Orphan’s Tales:In The Night Garden.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 16, 1880 – Anna Alice Chapin. Children’s book from the Victor Herbert operetta Babes in Toyland with its libretticist Glen MacDonough. Half a dozen more fantasies; ten other books; shorter stories for magazines and newspapers; a play with her husband, and three more stories, made into films. (Died 1920) [JH]
Born December 16, 1917 — Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. The tea plantations he described therein are very awesome. I never saw him but he was well known among the small British community there and I passed by his residence one day. I’ll admit that I’ve not read that much by him — Childhood’s End, Rendezvous with Rama and that novel are the only long form works by him I’ve read. I’ve read a lot of short fiction including of course Tales from The White Hart. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.) (CE)
Born December 16, 1927 — Randall Garrett. Randall Garrett. Ahhh, Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. (The later Lord Darcy collection has two previously uncollected stories.) Glen Cook’s Garrett P.I. is named in honor of Garrett. I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.) (CE):
Born December 16, 1937 — Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley. He had a number of truly great works, both genre and not genre, including Eva, The Tears of the Salamander and The Flight of Dragons. The Ropemaker garnered a well-deserved Mythopoeic Fantasy Award for Children’s Literature. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.) (CE)
Born December 16, 1928 – Philip K. Dick. Four dozen novels, ten dozen shorter stories, half a dozen poems; letters in The Alien Critic and Psychotic, Riverside Quarterly, SF Commentary. A Hugo for The Man in the High Castle; Campbell Memorial Award for Flow My Tears, the Policeman Said; British SF Ass’n Award for A Scanner Darkly; Kurd Laßwitz Prize for VALIS. SF Hall of Fame. See too The Shifting Realities of PKD (L. Sutin ed. 1995). Curiouser and curiouser. (Died 1982) [JH]
Born December 16, 1937 – Norm Metcalf. His Index of SF Magazines 1951-1965 followed Day’s Index to the SF Magazines 1926-1950. His fanzine New Frontiers drew contributions from fannish pros e.g. Poul Anderson, Tony Boucher, Sprague de Camp. Active in many apas, e.g. FAPA (fifty years), IPSO, OMPA, SAPS (forty years), SFPA, The Cult. (Died 2019) [JH]
Born December 16, 1948 – Steve Forty, age 72. Indispensable Vancouver fan. Served as President of BCSFA (British Columbia SF Ass’n – to bring in a Tom Digby joke, not its real name, which is West Coast SF Ass’n), editor of BCSFAzine, chair of VCON 20, perhaps inevitably Fan Guest of Honour at VCON 40. BCSFAzine was printed by Gestetner mimeograph until the late 1980s; S.40 had at least six Gestetners, each carrying a different colour ink (note spelling, these are Canadians), so as to manage multi-color covers. BCSFA’s VCON Ambassador for Life. Aptly a steel-burnisher by trade. To us in the States he is the North Forty, but what do we know? [JH]
Born December 16, 1956 – Alexander Bouchard, age 64. Fanzines Scopus:3007, Lightning Round. Podcaster, costumer, conner (we have filkers, costumers –). Fanwriting at least as early as “Asimov, the Foundation of SF” in Lan’s Lantern 34. I’ve heard of but not seen the vegan electric-pressure-cooker recipe book over this name so can’t say if his, but you probably know fans who’re vegan electric pressure cookers. [JH]
Born December 16, 1957 — Mel Odom, 63. An author deep into mining franchise universes with work done into the Buffyverse, Outlanders, Time Police, Rogue Angel (which I’ve listen to a lot as GraphicAudio as produced them as most excellent audioworks) and weirder stuff such as the Left Behind Universe and Tom Clancy’s Net Force Explorers, both I think game tie-ins. (CE)
Born December 16, 1967 — Miranda Otto, 53. She was Éowyn in the second and third installments of Peter Jackson’s The Lord of the Rings film franchise. (I stopped watching after The Fellowship of The Rings.) She‘s Zelda Spellman in Chilling Adventures of Sabrina, and Mary Ann Davis in Spielberg’s version of The War of The Worlds. She also played Wueen Lenore inI, Frankenstein which had an an amazing cast even if the Tomatometer gives it’s 5% rating. (CE)
Born December 16, 1971 – Roz Clarke, age 49. Three anthologies with Joanne Hall (2 vols. of Airship Shape and Bristol Fashion; Fight Like a Girl); four short stories. “Haunt-Type Experience” reprinted in Stories for Chip (i.e. S.R. Delany; tribute anthology). [JH]
Anyone can be a hero. ‘The Watch’, an all-new series inspired by characters created by Sir Terry Pratchett stars Richard Dormer as Vimes and Lara Rossi as Lady Sybil Ramkin.
(11) ON THE BOTTOM. John Picacio tweeted photos of his 2020 Hugo which features something I’ve never seen on the trophy before – writing on the bottom of the base. The text explains the design elements.
CHRISTOPHER NOLAN: Time is the most cinematic of subjects because before the movie camera came along, human beings had no way of seeing time backwards, slowed down, sped up. And I think that went some way to sort of explain to me why I’ve been interested in exploring it in movies because I think there’s a really productive relationship. And I had this visual notion of a bullet that’s in a wall, being sucked out of the wall and into the barrel of the gun it was fired from. And I put the image in “Memento,” my early film, as a…
“The undisputed heir to ‘Battlestar Galactica’ begins its fifth (and next to last) season on Amazon Prime Video.”
DPD comments (note, I’m also submitting a shortened-for-length-restrictions version of this to the NYTimes online comments to the review, which already has a modest but informed discussion going):
While this is basically a favorable-enough review of the TV series, I want to pick a few nits, from the perspective who
a) is a life-long sf fan — written, also comics, movies and TV
b) has read all the Expanse books (and some of the novellas/stories) and is current watching the previous seasons
c) Never watched the original Battlestar G; watched maybe 2-3 eps of the 2004 reboot.
1) Hale says, with respect to The Expanse (show), “The series capably fulfills the basic requirement of speculative science-fiction: It keeps you guessing about where the journey’s going to end.”
Huh? This makes me wonder how much Hale knows about science fiction as a genre, as opposed to having watched a bunch. Discuss amongst yourselves.
2) “With regard to the show’s intensely devoted following, a binge only confirms what was obvious from the first few episodes. ‘The Expanse’ is the natural heir to the cult-favorite ‘Battlestar Galactica’ (2004-9); it’s another old-fashioned, hard-core space adventure set within an up-to-date clash-of-civilizations political allegory. It was an easy move for the ‘Galactica’ faithful.”
Since, like I said above, I haven’t watched (enough) B/G, I can’t agree or disagree with the “natural heir” point, nor whether B/G faithful found it an “easy move.” I will challenge “allegory” (and I’m dubious about “civilizations”).
3) “’The Expanse’ operates on a smaller, more intimate scale than ‘Galactica,’ …it doesn’t imagine ships zapping among star clusters. It’s contained within our solar system.” Hello? Venus whack? Galactic gateway? I’m not convinced Hale has watched the most recent two seasons. Or wasn’t paying attention.
4) “’The Expanse’ builds its future world in a schematic way that provides an efficient framework for plot and, I’m guessing, appeals to viewers who like their science-fiction highly diagramed.”
I’m not sure what Hale means by “schematic,” much less “highly diagrammed,” and even if I did, I don’t think I’d agree, assuming I could figure out what he meant. I mean, you could make similar claims about Game of Thrones, no?
5) “Into this setup, the show introduced a golem-like alien substance (called, with a notable lack of imagination, the protomolecule)”
“Notable lack of imagination”? Talk about setting phrasers to “Snark!”
“In its facelessness and inexorability, it was a decent stand-in for the cylons of ‘Galactica.’””
First, isn’t Cylon a proper noun, worth of initial-capping?
Arguably, also, the p-mol isn’t completely faceless, e.g., using the appearance (and perhaps more) of Detective Miller at times, to manifest to James “F***ing” Holden.
Like I said, Hale’s review is basically positive, but the off-notes irk me. Again, my theory is that Hale’s watched his share of TV/movie sf, but hasn’t read a significant amount of it.
Released in September during the 50th anniversary year of the 1970 tragedy, Kent State: Four Dead in Ohio (Abrams ComicArts) by veteran comics journalist Derf Backderf garnered the majority of votes in PW’s annual Graphic Novel Critic’s Poll, receiving eight votes from a panel of 14 comics critics.
… The PW Graphic Novel Critics Poll is compiled by asking participating critics to list up to 10 trade book releases they consider the best graphic novel and comics works of the year. The book receiving the most votes wins; and we share the remaining top vote-recipients. Titles listed as Honorable Mentions each received a single vote. Taking part in this year’s poll are PW graphic novel reviewers Gilcy Aquino, Chris Barsanti, Maurice Boyer, Rob Clough, John DiBello, Glen Downey, Shaenon Garrity, Rob Kirby, Cheryl Klein, Maia Kobabe, Sarah Mirk, and Samantha Riedel. Also participating are PW Graphic Novels Reviews editor Meg Lemke and PW senior news editor Calvin Reid.
(15) VIDEO OF YESTERDAY. Family Planning (1968) on YouTube is a 1968 Disney cartoon, featuring Donald Duck, done in cooperation with the Population Council.
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Shazam! The History of Shazam!” on YouTube is a 2019 documentary, narrated by Cooper Andrews, about the character originally known as Captain Marvel and, from 2011 onwards, completely known as Shazam. It’s of course tied in to the 2019 movie Shazam, and we learn that the reason Billy Batson in the movie is part of a foster family was because of a 2012 revision of the character by Geoff Johns. I think the lawsuits over whether Captain Marvel was a Superman knockoff are more interesting than the character itself. It’s primarily comics-oriented because the only filmed appearances of the character until 2019 were in a 1940s serial and what looks like a cheezy 1970s Saturday morning series, I think the most fun facts in the documentary are a visit to the DC archive (known as the Vault) and learning that one of the chief enemies of Captain Marvel, Dr. Sivana, was modeled after co-creator C.C. Beck’s dentist. I did think it was worth an hour.
[Thanks to John King Tarpinian, JJ, Daniel Dern, Cat Eldridge, Martin Morse Wooster, Michael Toman, John Hertz, Mike Kennedy, Andrew Liptak, Trey Palmer, Rich Lynch, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
Stuart told File 770, “The letter was workshopped by the entire group, and wasn’t published before they gave express approval so it very much is a group of co-signees.”
The group includes: Charles Payseur, Benjamin C. Kinney, Jennifer Mace, SL Huang, Shiv Ramdas, SB Divya, Jenn Lyons, Sarah Gailey, Paul Weimer, Sarah Pinsker, Claire Rousseau, Maria Haskins, Tasha Suri, Marguerite Kenner, Alasdair Stuart, Jonathan Strahan, Pablo Defendini, Elsa Sjunneson, Brent Lambert, Freya Marske, Julia Rios, Alix Harrow, Gideon Marcus, Janice Marcus, Lorelei Marcus, James Davis Nicoll, Neil Clarke, Cora Buhlert, Charlie Jane Anders, Brandon O’Brien, Erica Frank, Jen Zink, Adri Joy, Fran Wilde, Suzanne Walker, Chimedum Ohaegbu, Navah Wolfe, John Picacio, and Max Gladstone.
The letter says:
We applaud the courage and conviction of the CoNZealand organisers in pivoting to a virtual Worldcon during an unprecedented global event. Their work has been admirable and — in many aspects — both innovative and successful.
We are a group of Hugo Award finalists who identified concerns with our programming when we received our “final schedules” this week, and came together to help CoNZealand recognize and address these issues.
In brief, our key concerns are:
Many Hugo finalists have not been offered programming and panels relevant to their nomination.
We believe that many of our panels cannot be adequately performed without more diverse participants and/or a reframing of the topic.
Communication with Hugo finalists about the financial requirements for participation has been inconsistent or absent, with contradictory information on whether or not we were able to participate in programming without a full attending membership. This issue particularly impacted Black, Indigenous and people of color (“BIPOC”), leaving them more likely than other finalists to receive no programming.
We present our concerns in the hope that these issues represent not intentional choices on the convention’s part but the unavoidable consequences of Worldcon’s discontinuous structure, and the necessary prioritization CoNZealand has had to undertake in order to pivot successfully to a virtual event.
We have tried to be brief and targeted in our recommendations so as to remain sensitive to the time pressure CoNZealand is under. Accompanying this letter is a spreadsheet containing specific examples of the issues above. We have listed (1) which panel topics we are missing; (2) which panels have problematic design or membership; (3) which panels we finalists want off or are willing to leave to create space; and (4) finalists that were deterred from participation due to lack of membership.
Our data are incomplete because we could only recruit a limited number of Hugo finalists to provide input without further delaying the process. Among our group of finalists, about 25% entirely lack relevant panels, and about 45% are dissatisfied with the fit of the programming they have.
We recognize there is a difficult balance to strike when raising concerns to an overtaxed team less than two weeks before an event, however many of us have repeatedly raised these issues or volunteered only to receive no response. We have intentionally not sought to assume ownership of programming items, but we are committed to assisting where possible and desired by CoNZealand. However, we emphasize that our bringing awareness to these issues does not obligate us to single-handedly resolve them.
As part of our offer to assist, we have begun identifying additional and replacement panelists who could add necessary diversity. If CoNZealand lacks sufficient BIPOC attendees, we hope you will provide free attendance to needed panelists who aren’t members. Moreover, there remain issues we cannot address on our own, especially (1) communicating with all finalists whether paid membership is required for programming; and (2) making sure all finalists with memberships are on relevant programming.
We are not united in what actions we intend to take if our concerns are not addressed. Many have already begun the process of asking to be removed from programming in its entirety, while others are actively working to locate replacements for the programming items they feel need improvement. Our focus at this stage remains taking action to make our concerns known, and to support CoNZealand addressing them in the combined spirit of fostering an environment for all to share in the celebration of our genre.
We appreciate your volunteerism in contacting all those people for us. As you know, due to privacy regulations, we cannot contact people more than once without a response from them. We hope they will get in touch with us directly and soon, to see if we can fit them in.
All the best, Jannie
Shea points to CoNZealand’s inclusion initiative in answer to the letter’s question “whether paid membership is required for programming.” Typically, only people who have bought attending memberships become Worldcon program participants. The introduction to the inclusion initiative explains what help is available:
Marginalised communities are overrepresented in the group suffering the greatest fallout from this pandemic, and as such, we want to ensure that our community does not suffer a loss of its hard-won diversity. We want to lower the barriers for participation for those from underrepresented communities.
We want the convention to be a global one, where all communities and viewpoints are represented, and this fund is intended to help those who would otherwise not be able to participate fully in the activities of the Worldcon.
The initiative upgrades eligible members from supporting to attending memberships. …There are a small number of attending passes available.
CoNZealand is especially challenged in its efforts to answer these needs because, as a virtual convention, it isn’t limited to programming people who can afford to come to Wellington, as would have been the case before the pandemic — it could draw people from everywhere. But like most non-U.S. Worldcons it has a smaller membership base from which to draw the financial support needed to make its budget.
Following the jump is a roundup of Twitter comments from participants.
(1) VIRTUAL BALTICON IN-PROGRESS REPORT. The Sunday Edition of the Virtual Balticon 54 Newsletter Rocketmail, which can be downloaded here, says the total unique attendance on Zoom for all of Friday was 1,343 and on Saturday 2,787 people. This does not count the fans participating on other platforms. The newsletter also contains Masquerade participant info, and fundraising totals.
Balticon runs through tomorrow, and you can access it in a variety of ways. Dale S. Arnold explains:
You can of course continue/start enjoying the Virtual Balticon 54 by going to WWW.balticon.org and choosing links off the schedule and or links on the platform page. You can ghost by just watching the YouTube and Twitch feeds which stream the items each hour that the most people signed up for participating on that item in zoom if you prefer not to register on zoom as well…. Programs continue all the way through Monday…
However, they are running a GoFundMe to pay the virtual freight.
For the record as of 5:20 AM on 5/24/20 the total GoFundMe donations are at $11,065.00 gifted by the generous fans that are making Virtual Balticon 54 possible. An additional $495.00 has come into the BSFS paypal account during the GoFundMe campaign by folks who did not want to use GoFundMe using the http://www.bsfs.org/donate.htm link. The BSFS treasurer reports that “almost” $2,000.00 has also been received as checks and or people donating their B45 memberships instead of taking a refund.
(2) FANFIC DISPUTE GOES TO COURT. There’s a lawsuit in progress over reuse of fanfic tropes in commercial genre fic. It could have repercussions well beyond hyper-niche erotica. The New York Times devotes a long article to the litigation: “A Feud in Wolf-Kink Erotica Raises a Deep Legal Question”.
…Then, in 2018, Ms. Cain heard about an up-and-coming fantasy writer with the pen name Zoey Ellis, who had published an erotic fantasy series with a premise that sounded awfully familiar. It featured an Alpha and Omega couple, and lots of lupine sex.
…Ms. Cain urged Blushing Books to do something. The publisher sent copyright violation notices to more than half a dozen online retailers, alleging that Ms. Ellis’s story was “a copy” with scenes that were “almost identical to Addison Cain’s book.”
… “You have to make sure you use the tropes of Omegaverse in order to be recognized by fans of the genre,” Ms. Ellis said. “Crave to Conquer” and its sequel, “Crave to Capture,” were published in early 2018 by Quill Ink Books, a London company she founded. Readers gave the series glowing reviews on Goodreads and Amazon, calling it “sensational new Omegaverse!” and the “best Omega yet.”
In late April 2018, Ms. Ellis got an email from a reader who had ordered one of her books from Barnes & Noble, then learned that it wasn’t available anymore. She soon discovered that all of her Omegaverse books had disappeared from major stores, all because of a claim of copyright infringement from Ms. Cain and her publisher. Ms. Ellis found it bewildering.
“I couldn’t see how a story I had written using recognized tropes from a shared universe, to tell a story that was quite different than anything else out there commercially, could be targeted in that way,” Ms. Ellis said. “There are moments and scenarios that seem almost identical, but it’s a trope that can be found in hundreds of stories.”
A lawyer for Ms. Ellis and Quill filed counter-notices to websites that had removed her books. Some took weeks to restore the titles; others took months. There was no way to recover the lost sales. “As a new author, I was building momentum, and that momentum was lost,” Ms. Ellis said. And she worried that the “plagiarist” label would permanently mar her reputation.
Ms. Ellis decided to sue. “Everything would have been in question, my integrity would have been questioned, my ability to write and tell stories — all of that would have been under threat if I didn’t challenge these claims,” she said.
In the fall of 2018, Quill Ink filed against Blushing Books and Ms. Cain in federal court in Oklahoma, where Ms. Ellis’s digital distributor is based, seeking $1.25 million in damages for defamation, interfering with Ms. Ellis’s career, and for filing false copyright infringement notices. In the suit, Quill’s lawyers argued that “no one owns the ‘omegaverse’ or the various tropes that define ‘omegaverse.’”
Ms. Ellis’s lawyers thought they had a strong position. But they struggled to find a prior case that addressed whether fan fiction tropes could be protected by copyright….
The biggest development in the case so far is that Blushing Books has left Ms. Cain to contest the matter alone. Last year, the publisher conceded that no plagiarism or copyright infringement had occurred, and a judgment was entered against the company, which paid undisclosed monetary damages to Quill and Ms. Ellis. (Ms. Cain is now self-publishing.)
Ms. Ellis and her publishing company filed a new civil suit against Ms. Cain in her home state of Virginia, arguing that she maliciously directed her publisher to send false copyright infringement notices to retailers. Ms. Cain’s lawyers have denied the claims, and have lined up authors, bloggers and readers as witnesses.
If the judge, or a jury, finds Ms. Cain in the wrong, the case would send a message to overzealous genre writers that the Digital Millennium Copyright Act is not to be abused. By the same token, authors of genuinely original stories might find they have one fewer legal lever to protect their work. And a victory by Ms. Cain could encourage a free-for-all, emboldening authors to knock back competitors and formally assert their ownership of swaths of the fan fiction universe and common tropes in genre fiction.
Discovery is ongoing, and a pretrial conference before a judge is scheduled for June. In the meantime, the Omegaverse continues to thrive. This year, more than 200 new books from the genre have been published on Amazon.
The latest batch draws on virtually every genre and trope imaginable: paranormal shifter romances, paranormal Mpreg romances, reverse harem romances, sci-fi alien warrior romances. There are fantastical Alpha-Omega stories featuring witches, unicorns, dragons, vampires, wolf-shifters, bear-shifters, and wolf-shifters versus bear-shifters. There are comparatively pedestrian Omegaverse romances about celebrity chefs, dentists, frat boys, bakers, bodyguards and billionaires. In a teeming multiverse of stories, the tropes are still evolving, inexhaustible.
… “Many of the folks I selected were rising stars such as David Bowles, Julia Rios and Marcela Davison Aviles,” Picacio said. “The Initiative enhanced their networks, but the vast majority of my picks were much newer talents to the field. The industry badly needs their cultural perspective and their voice right now.”
This is the most comprehensive collection of African speculative fiction authors ever assembled. With the complete bundle containing nearly 100 authors and over 145 works it stands both as an excellent introduction to the rapidly evolving canon of African SF and a unique one-time collection of their works. From established stars you might know such as Nnedi Okorafor, Tade Thompson, and Sarah Lotz, to upcomers like Wole Talabi, Chinelo Onwualu, Nerine Dorman, Dilman Dila, and so many more.
The road to this bundle has been paved by the work of countless African writers, editors, publishers, and most importantly readers. For too long was the African experience, imagination, and insight, held captive and until relatively recently only glimpsed through the thick lens of other cultures and their inherent biases. In a big way this is what the new wave of African Speculative Fiction is about: telling our own stories, revealing our vibrant cultures from within, sharing our unique perspectives, and writing ourselves into futures that for so long seemed to spell our doom by virtue of our absence.
[Sam] Esmail says he never planned to helm the series himself. “I’m a huge fan of Ronald Moore’s Battlestar, but I don’t know if I’m great at hard sci-fi like that,” he says. “I love it. I’m a fan of it. But I knew early on that we were going to have to bring somebody in to run the room and to write the scripts.”
He went to explain why the job went to Lesslie, who is best known for the miniseries The Little Drummer Girl. “He’s just a fantastic writer,” Esmail says. “I loved his series, Little Drummer Girl, and the one thing that really struck me about him and his take for Battlestar, one of the reasons I even wanted to do Battlestar, was that the way Ron Moore, what he did with his remake in the early 2000s where it was this sort of hard sci-fi series with lots of action set pieces and really this exciting sci-fi adventure but purely grounded in an allegory of what was going on at the time, which was post-9/11. And it wasn’t that subtle, the links, I would say. But because he was also attuned to the sci-fi nature of the show, you didn’t feel it.
“When I was approached to do Battlestar now, it has to have that same sort of dynamic. It can’t be just a retread of what he already did so masterfully back then. What are we saying about today’s world? And Mike just had this great take, and I’m not going to go into it because obviously, I don’t want to spoil it for fans, but you kind of see it a little bit in Little Drummer Girl where politics plays a big part in it but without compromising the entertainment value, because in my opinion, you’ve got to have that….”
The CW Network has announced that “Superman & Lois” will officially premiere in January, 2021 when the network launches its new season.
…In “Superman & Lois”, after years of facing megalomaniacal supervillains, monsters wreaking havoc on Metropolis, and alien invaders intent on wiping out the human race, the world’s most famous superhero, The Man of Steel aka Clark Kent (Tyler Hoechlin, “Teen Wolf”) and comic books’ most famous journalist, Lois Lane (Elizabeth Tulloch, “Grimm”), come face to face with one of their greatest challenges ever – dealing with all the stress, pressures and complexities that come with being working parents in today’s society. Complicating the already daunting job of raising two boys, Clark and Lois must also concern themselves with whether or not their sons Jonathan (Jordan Elsass, “Little Fires Everywhere”) and Jordan (Alexander Garfin, “The Peanuts Movie”) could inherit their father’s Kryptonian superpowers as they grow older.
Returning to Smallville to handle some Kent family business, Clark and Lois are reacquainted with Lana Lang (Emmanuelle Chriqui, “Entourage”), a local loan officer who also happens to be Clark’s first love, and her Fire Chief husband Kyle Cushing (Erik Valdez, “Graceland”). The adults aren’t the only ones rediscovering old friendships in Smallville as the Kent sons are reacquainted with Lana and Kyle’s rebellious daughter, Sarah (Inde Navarrette, “Wander Darkly”). Of course, there’s never a dull moment in the life of a superhero, especially with Lois’ father, General Samuel Lane (Dylan Walsh, “Nip/Tuck”) looking for Superman to vanquish a villain or save the day at a moment’s notice. Meanwhile, Superman and Lois’ return to idyllic Smallville is set to be upended when a mysterious stranger (Wolé Parks, “All American”) enters their lives.
(7) TODAY IN HISTORY.
May 24, 1957 — Quatermass 2 premiered In the U.K. It was produced by Anthony Hinds, and directed by Val Guest. It’s a sequel to The Quatermass Xperiment. Screenplay was by Nigel Kneale and Val Guest. It stars Brian Donlevy, John Longden, Sid James, Bryan Forbes, Vera Day, and William Franklyn. Like the first film, some critics thought it was a lot of fun, some were less than impressed. Audience reviewers at Rotten Tomatoes currently give it a respectable sixty percent rating.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz!]
Born 24 May 1794 – Rev. Dr. William Whewell. Pronounced “hew-ell”. Master of Trinity College, Cambridge, 1841-1866. Crater on the Moon named after him. Mathematician, Anglican priest, historian of science. Coined the words scientist, physicist, linguistics, osmosis, ion, astigmatism. Royal Medal for organizing thousands of volunteers internationally to study ocean tides. Clifton Fadiman put him here by anthologizing in Fantasia Mathematicathis poem. (Died 1866) [JH]
Born May 24, 1917 – Irving Cox. Five dozen stories in Amazing, Astounding, Cosmos, Fantastic, Future, If, Imagination, Orbit, Rocket Stories, Saturn, SF Adventures, SF Quarterly, SF Stories, Universe – and that’s just some of the prozines we’ve had – translated into French, German, Italian. You can read ten of his stories from 1953-1960 here. (Died 2001) [JH]
Born May 24, 1925 — Carmine Infantino. Comics artist and editor, mostly for DC Comics, during the late 1950s known as the Silver Age of Comics. He created the Silver Age version of the Flash (with writer Robert Kanigher), Deadman with writer Arnold Drake and the Elongated Man (with John Broome). He also introduced Barbara Gordon as a new version of Batgirl. Infantino wrote or contributed to two books about his life and career: The Amazing World of Carmine Infantino (Vanguard Productions and Carmine Infantino: Penciler, Publisher, Provocateur. (Died 2013.) (CE)
Born May 24, 1928 – William Trevor. Whitbread Prize for The Children of Dynmouth, reviewed by Elaine Cochrane in SF Commentary 60/61, p. 26 [PDF]; two more Whitbreads; Hawthornden Prize; Saoi; four O. Henry Awards (not limited to U.S. authors since 2002). (Died 2016) [JH]
Born 24 May 1930 – Terri Pinckard. Stories in Fantasy Book, Vertex; wrote the Introduction to Womanthology (F. Ackerman & P. Keesey eds. 2003). Told the L.A. Times (3 Jun 99) that when we landed on the Moon “I cried. Science fiction writers were the ones who dreamed it.” With husband Tom hosted the Pinckard Salon; Big Heart Award to both, 1984; the Salon drew Ackerman, Bloch, Bradbury, Daugherty, George Clayton Johnson, C.L. Moore, Niven, Pournelle, Roddenberry, Spinrad, and like that. Dian Girard dedicated Tetragravitron (as by J.D. Crayne) to “Members of the Pinckard Salon”. (Died 2005) [JH]
Born May 24, 1935 — W. P. Kinsella. Best I’d say known for his novel Shoeless Joe which was adapted into the movie Field of Dreams, one of the few films that Kevin Costner is a decent actor in, ironic as the other is Bull Durham. Kinsella’s other genre novel is The Iowa Baseball Confederacy and it’s rather less well-known than Shoeless Joe is but it’s excellent. He also edited Baseball Fantastic, an anthology of just what the title says they are. Given that he’s got eighteen collections of short stories listed on his wiki page, I’m reasonably sure his ISFDB page doesn’t come close to listing all his short stories. (Died 2016.) (CE)
Born May 24, 1945 — Graham Williams. He produced three seasons of Doctor Who during Tom Baker’s era as the Fourth Doctor. He’d write a novelization of his story, The Nightmare Fair, developed as a Sixth Doctor story but never filmed when Colin Baker’s contract was terminated. He would die at home of an accident gunshot wound. (Died 1990) (CE)
Born May 24, 1949 — Barry Windsor-Smith, 71. Illustrator and painter, mostly for Marvel Comics. Oh, his work on Conan the Barbarian in the early Seventies was amazing, truly amazing! And then there was the original Weapon X story arc involving Wolverine which still ranks among the best stories told largely because of his artwork. And let’s not forget that he and writer Roy Thomas created Red Sonja as partially based on Howard’s characters Red Sonya of Rogatino and Dark Agnes de Chastillon. (CE)
Born May 24, 1960 — Michael Chabon, 60. Author of the single best fantasy novel about baseball, Summerland which won a Mythopoeic Fantasy Award for Children’s Literature. His other two genre novels, Gentlemen of the Road and The Yiddish Policemen’s Union, winner of Best Novel at Denvention 3, are stellar works in themselves. He was Showrunner for the first season of Picard but will be Executive Producer for the upcoming season. (CE)
Born May 24, 1960 — Doug Jones, 60. I first saw him as Abe Sapien on Hellboy, an amazing role indeed. To pick a few of my favorite roles by him, he’s in Pan’s Labyrinth as The Faun and The Pale Man (creepy film), a clown in Batman Returns, the Lead Gentleman in the “Hush” episode of Buffy and Commander Saru on Discovery.
Born May 24, 1965 – Shinichirô Watanabe. Co-directed Macross Plus; directed Cowboy Bebop, alternative-history Samurai Champloo, Space Dandy, Carole & Tuesday. Blade Runner – Black Lotus is in the works. Don’t ask me why my host’s daughter at the Yokohama Worldcon was rehearsing The Magic Flute but I don’t know any of my fellow gaijin rehearsing Yoshitsune and the Thousand Cherry Trees. [JH]
Born May 24, 1985 – Isabelle Melançon. Drawings in Oziana and The Baum Bugle. Oz found its way into the Webcomic that Isa co-authors, Namesake – or vice versa. Here’s a sketch for Quibbling and even one for Hamilton – will this man write The Federalist? [JH]
A more perfect origin story would’ve had a superheroic tinge. Maybe I’d be sitting in my apartment, on the couch, contemplating how to move safely about Philadelphia when a clatter of glass would erupt and a ball of coronavirus — the size of a grapefruit with the spiny ridge of a porcupine — would bound through my window, roll to my feet and pulse with exhaustion. I’d stare at it and think Yes, father, that is what I will do, I will become an anti-virus. And that would be the reason to don the mask that I now wear daily when I walk my neighborhood.
A week before Britain came to a standstill in mid-March, the Wessex Mill found itself fielding nearly 600 calls a day requesting one of the country’s hottest commodities: flour.
The mill in Oxfordshire has produced nearly 13,000 small bags of flour each day during the coronavirus pandemic, a fourfold increase. Demand led Emily Munsey, a flour miller who runs the business with her father, to hire more staff and add afternoon and night shifts to keep the mill running 24 hours a day, seven days a week, for the first time in its 125-year history.
“It’s been very challenging as a company. The amount of work we’ve all had to do has increased a huge amount,” said Ms. Munsey, who has since scaled back to five days a week, though still around the clock, to give employees a weekend break. “Demand remains consistently obscene.”
Commercial mills produce nearly four million tons of flour each year in Britain, according to the National Association of British and Irish Flour Millers. With much of the country stuck at home, baking has surged, and retail-size flour bags have become scarce on grocery shelves.
(12) CURTAIN CALL. [Item by JJ.] Anthropomorphic phone — I’m calling it genre.
(13) READING IN THE NEW CAPTAIN. Ted Anthony, in the Associated Press story “Kirk 2.0: Capt. Pike of the New ‘Star Trek’ A Welcome New Icon” says he welcomes Christopher Pike as the captain of Star Trek: Strange New Worlds because he sees James T. Kirk as “an interstellar Don Draper–brooding, arrogant, a top-down manager who earned his privilege but often presumed it” and thinks Pike will be a more responsible captain.
…It’s not accidental that Pike is the son of a father who taught science AND comparative religion — an embodiment of the empiricism-faith equation that “Star Trek” and its captains have always espoused. In many ways, in fact — even more so than Chris Pine in the movie reboots — Pike functions as James T. Kirk 2.0.
…However, George Lucas’ wonderful world of science fiction space opera has also provided the world with a series of timeless movie quotes. “May the Force be with you” has taken on a life of its own and “I am your father” is now a staple of Father’s Day greetings cards. In more recent years, less prominent quotes have come to the fore thanks to the onset of meme culture, “it’s a trap!” being the most famous. Now The Mandalorian is getting in on the act with “this is the way” and “I have spoken.“
But undoubtedly one of the most famous utterances in the Star Wars universe is “I have a bad feeling about this,” …
(15) A WHOLE NEW BALL GAME. As reported last month (item 13), Lou Antontelli is running for Congress in Texas. But this week the district’s Republican incumbent John Ratcliffe resigned his seat to accept appointment as director of National Intelligence. With no incumbent to run against, shit just got real! And at least one Texas paper (besides the one owned by the candidate himself) thinks it’s terrific that Lou Antonelli is running: “Libertarians field viable candidate for District 4 seat”. The question is how well these pearls of wisdom will play with the locals:
… Antonelli said his goal running as a third party candidate is to inject original ideas into the discussion, and push for the Libertarian Party to become the second party in the district, displacing the Democrats.
“Can you imagine how much better our political system would be if the two major parties were the Republicans and Libertarians, instead of the Republicans and Democrats?” Antonelli asked. “Libertarians are the loyal opposition, as opposed to the Democrats, who are the disloyal opposition.”
Antonelli said Libertarians stand for hacking away strangling bureaucracy at all levels of government, and returning as much authority as possible to individuals.
“Thanks to the Covid pandemic, we have all gotten a free trial of socialism,” he said. “How do you like it?”
On 27 May, two US astronauts will achieve a world first when they launch to the International Space Station (ISS) aboard a spacecraft built by Elon Musk’s SpaceX. Here, BBC News profiles the astronauts who will make the historic journey.
Doug Hurley and Bob Behnken are about to break a nine-year hiatus for Nasa, becoming the first astronauts to launch from US soil since the retirement of the space shuttle in 2011.
…”It’s well past time to be launching an American rocket from the Florida coast to the International Space Station and I am certainly honoured to be a part of it,” Hurley, 53, said earlier this month.
Behnken, 49, added: “On my first flight… I didn’t have a son, so I’m really excited to share the mission with him.”
Nasa has chosen two of its most experienced astronauts to help California-based SpaceX ready the Crew Dragon for launch. The two are also longstanding friends.
“Being lucky enough to fly with your best friend… I think there’s a lot of people who wish they could do that,” says Hurley.
When they blast off atop a Falcon 9 rocket, their spouses will know exactly what they are going through. That’s because they’re astronauts too.
On Wednesday, the California company SpaceX will launch a mission to the International Space Station (ISS). It’s something the firm has done many times before, taking cargo to the sky-high laboratory. But on this occasion, the firm will be transporting people.
It’s one of those seminal moments in the history of spaceflight.
When Nasa astronauts Doug Hurley and Bob Behnken lift off atop their Falcon-9 rocket, inside their Crew Dragon capsule, it will mark the first time humans have left US territory to reach low-Earth orbit in almost nine years.
But more than that, it sees a shift to the commercialisation of human space transportation – of companies selling “taxi” rides to government and anyone else who wants to purchase the service.
This page details the key phases in the mission sequence.
Launch will occur from the Kennedy Space Center’s Complex 39A. This is the famous Florida pad from where the Apollo 11 moonwalkers and the very first shuttle, Columbia, also began their missions.
…What the duo decided to do was to design a finale that emphasizes character over mystery. “The End” plays out in two realities: the mysterious island where mystical forces and weird science live side-by-side, as well as the “Flash sideways” timeline where Jack and the rest of the castaways were back in the real world, albeit leading different lives than what we saw in the flashback sequences that were a major part of previous seasons. The island-based sequences are explicitly devoted to tying up some, though not all of the loose ends: Jack has a final confrontation with the Man in Black, currently housed in the body of John Locke (Terry O’Quinn); Hurley (Jorge Garcia) becomes the new protector of the island, with Ben Linus (Michael Emerson) as his sidekick; and pilot Frank Lapidus (Jeff Fahey) gets everyone else — including Kate (Lilly), Sawyer (Holloway) and Claire (Emilie de Ravin) — the heck out of dodge. As the plane soars away from the island, a mortally wounded Jack watches it depart from his final resting place as his eyes close, a direct nod to the first shot of the first episode….
…But there is one author who predicted these dumb and absurd times: George Saunders.
The MacArthur “Genius” and Booker Prize-winning Saunders has been publishing darkly hilarious visions of America since the early 1990s. Zadie Smith has said “not since Twain has America produced a satirist this funny” while The New York Times noted “no one writes more powerfully than George Saunders about the lost, the unlucky, the disenfranchised.” Perhaps the archetypal Saunders story is “Sea Oak,” which follows a trod-upon worker at an aviation-themed male strip club called Joysticks: “Guests rank us as Knockout, Honeypie, Adequate, or Stinker. Not that I’m complaining. At least I’m working.” At home, his family lives in a dangerous neighborhood and anesthetizes themselves with reality TV shows like How My Child Died Violently while fantasizing about the American dream, summarized by one character as “you start out in a dangerous craphole and work hard so you can someday move up to a somewhat less dangerous craphole. And finally maybe you get a mansion.”
(21) JANELLE MONÁE. On Late Night with Seth Meyers Janelle Monáe talks about David Byrne using one of her songs in his musical American Utopia, a musical she wrote as a child and her efforts to help communities during the pandemic.
[Thanks to JJ, Cat Eldridge, John King Tarpinian, John Hertz, Martin Morse Wooster, Danny Sichel, Michael Toman, Mike Kennedy, StephenfromOttawa, Chip Hitchcock, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]
Science Fiction and Fantasy Writers of America (SFWA, Inc.) has announced that
the Kate Wilhelm Solstice Award will be presented to John Picacio and David
Gaughran at the 55th Annual SFWA Nebula Awards.
Kate Wilhelm Solstice Award is given by SFWA for distinguished contributions to
the science fiction and fantasy community. Picacio and Gaughran join the ranks
of previous Solstice Award winners, including Octavia E. Butler, James Tiptree,
Jr., and Carl Sagan. The award will be presented at the SFWA Nebula Conference
in Woodland Hills, CA, May 28-31.
Picacio is an award-winning artist whose work can be seen on many science
fiction and fantasy novels. He has produced art for the Loteria Grande cards
series, a re-imagineering of the classic Mexican game of chance, which is
published by his imprint Lone Boy. In 2018, upon realizing he was the first
Mexicanx creator to be honored as a Worldcon Guest of Honor, Picacio founded
the Mexicanx initiative to help open up Worldcon, and eventually other science
fiction and fantasy events, to other Mexicanx professionals and fans. Picacio
has been named a recipient of the Solstice Award for his efforts to make
science fiction more accessible to underrepresented creators and fans.
President Mary Robinette Kowal has noted about Picacio, “The work
that John Picacio has done with the Mexicanx Initiative started as an
effort for one conference and has had ripple effects through the field of
science-fiction and fantasy. His on-going outreach is encouraging new voices to
enter the community making SFF more vibrant than ever.
Gaughran is the author of several historical fantasies which he successfully
self-published. He took his experience with marketing his work and began to
share it with other authors, publishing a number of marketing books which are targeted
at the self-published and independent authors. He has also used his skills to
create giant marketing campaigns for several authors and has run workshops,
written blogs, and otherwise helped other self-published authors to achieve
President Mary Robinette Kowal has noted about Gaughran, “David
Gaughran has been doing yeoman’s work for years, alerting indie writers about
predatory schemes and warning them about changes in independent publishing. His
work makes the science-fiction and fantasy landscape safer for writers.”
Nebula Awards will be presented during the annual SFWA Nebula Conference, which
will feature a series of seminars and panel discussions on the craft and
business of writing, SFWA’s annual business meeting, and receptions. On May 31,
a mass autograph session will take place at Warner Center Marriott Woodland
Hills and is open to the public.
By JJ: To assist Hugo nominators, this post provides information on the artists and designers of more than 660 works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.
These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, as well as other sources on the internet. This year, Filer Goobergunch also collected this information, and though we had a lot of overlap, his extra entries have greatly increasead the information we are able to provide you. My profound thanks go to Goobergunch for all of his hard work.
You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).
In this post I will display up to 8 images of artworks for each artist for whom I have identified 3 or more works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.
3.3.12: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.
3.2.11: A Professional Publication is one which meets at least one of the following two criteria:
(1) it provided at least a quarter the income of any one person or,
(2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.
3.10.2: In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.
Under the current rules, artwork for semiprozines and fanzines is not eligible in this category. You can check whether a publication is a prozine or a semiprozine in this directory (the semiprozine list is at the top of the page, and the prozine directory is at the bottom).
Please be sure to check the spreadsheet first; but then, if you are able to confirm credits missing 2019-original works and the names of their artists from Acknowledgments sections, copyright pages, or by contacting authors and/or artists, go ahead and add them in comments, and I will get them included in the spreadsheet, and if the artist is credited with at least 4 works, in this post. If you have questions or corrections, please add those also. Please note that works may or may not be added to the list at my discretion.
PLEASE DON’T ADD GUESSES.
Artists, Authors, Editors and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.
(warning: this post is heavily image-intensive, and will probably not work well on mobile devices: flee now, or prepare to meet your doom extremely slow page download)
World Fantasy Convention 2021, to be held in Montreal, Canada, has named its Guests of Honor: Author GoH: Nisi Shawl; Artist GoH: John Picacio; Editor GoH: André-François Ruaud; and Special Guests: Owl Goingback, and Yves Meynard, The Toastmaster is Christine Taylor-Butler.
The con, chaired by Diane Lacey, will be held November 4–7,
2021 at the Hotel Montreal Bonaventure.
The convention theme will be “Fantasy, Imagination, and the
Dreams of Youth.”
Attending memberships are currently $150 USD/$200 Cdn. Rates will be going up December 1st to $200 in US dollars and $270 in Canadian dollars.