Pixel Scroll 2/3/22 You Can Scroll, Scrollsocki, If You Pixel Down

(1) AFRICAN STORY FORMS. Clarion West is offering an online workshop “African Story Forms: Ngano & Black Fabulism” with Yvette Lisa Ndlovu on February 26 at 4:00 p.m. Pacific. Register here. Cost: $75.

This craft talk & generative workshop will explore the form & structure of ngano, a Zimbabwean storytelling form that blends fables, folktales, and the surreal. We will examine how some of the structures and techniques of this traditional narrative can be used for plotting and structuring in the short form. In a ngano strange things happen: animals talk, people fly, time collapses, & nature eschews the laws of physics. These fantastic tales have social justice elements at their core: they call out social evils and speak truth to power. In this session, I’m specifically interested in interrogating Ngano as political fantasy that holds a mirror to our world. What can writers borrow from this traditional African storytelling form to reflect our bizarre & impossible realities across the globe? 

We will engage with the work of Zimbabwean Sarunganos, like Ignatius Mabasa, who are keeping this form alive, as well as Black fabulists like Lesley Nneka Arimah, Irenosen Okojie, Helen Oyeyemi, Nana Nkweti, and others. All writers are welcome.

(2) CAT IN A VACUUM. James Davis Nicoll has been “Revisiting The Amazing Adventures of Space Cat!” at Tor.com.

… Flyball is a cat. Who—and this is the complicated part—lives in space. His career is documented in four illustrated volumes: Space Cat (1952), Space Cat Visits Venus (1955), Space Cat Meets Mars (1957), Space Cat and the Kittens (1958). All four are illustrated by Paul Galdone (June 2, 1907–November 7, 1986).

I have not read these since 1969. How did they stand up? I am glad you asked….

(3) STOP WATCHING THE SKIES. [Item by Michael Toman.] Has anyone heard anything from Liiliput, Brobdingnag, The Floating Island (with its associated Grand Academy-of Lagadu-at-Balnibarbi,) Japan, Houyhnhnm-land, and “Other Remote Nations of the World” lately? Or, like my sister, residing in the Still-Improbable-Sounding-to-the-Undersigned, Red State of “North Carolina, USA,” has already seen the movie? MSN.com shares what happens when “Physicists consider real-life ‘Don’t Look Up’ scenarios”.

… “Effective mitigation strategies are imperative to ensure humanity’s continuity and future advancement,” Lubin and Cohen write. “Existential threats to humanity are very low recurrence, but are known to have happened multiple times in the past.”

NASA takes the threat seriously, scanning the heavens in search of potentially threatening bodies that cross Earth’s orbit. Last November, the agency used a SpaceX Falcon 9 rocket to launch a probe at a 525-foot-wide moon, Dimorphos, orbiting a a half-mile-wide asteroid named Didymos.

The 1,210-pound DART spacecraft is expected to slam into Dimorphos at a blistering 15,000 mph in September, disintegrating on impact as it gouges out a fresh crater and, in the process, slows the moonlet by a minuscule fraction of an inch per second.

The test will not move the targeted asteroid off its trajectory any appreciable amount. But it will allow scientists to assess their ability to one day deflect a threatening body by nudging it off course to ensure it misses Earth entirely.

Deflection works best at great distances, where a small nudge can have a major effect over many months. That requires early detection…

(4) A LANDMARK IN HORROR. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s series 1922: The Birth of Now, has devoted a short 15-minute program to Nosferatu. Available for download as mp3 from BBC Sounds (simple registration required). Details here — “1922: The Birth of Now, Nosferatu and Modernist Horror”.

1922: The Birth of Now – Ten programmes in which Matthew Sweet investigates objects and events from 1922, the crucial year for modernism, that have an impact today.

 Nosferatu: A Symphony of Horror.

 F. W. Murnau’s 1922 gothic masterpiece is the first vampire movie. It is German Expressionism in cinematic form and still influences contemporary film-makers. It’s also a film about disease: Count Orlok – a rip-off of Dracula that got Bram Stoker’s family lawyers on the case – brings plague to Mittel Europe. What does this disease mean, in a Europe that has just survived war and pandemic? Matthew Sweet and guests including Dana Gioia, the award-winning poet and critic who wrote the libretto to composer Alva Henderson’s Nosferatu: The Opera, first produced in 2004, and the literary scholars Roger Luckhurst and Lisa Mullen.

(5) IRISH STUDIES. The American Conference for Irish Studies has put out a call for papers for ACIS National 2022 with the theme “Irish Studies: Pasts, Presents, and Futures”. It will be held online April 29-30, 2022.

Another year disrupted. Another unforeseen turning in the widening gyre. As in so many elements of our lives, the most recent wave of the pandemic means we must ask questions about our past, our present, and our future: How long has it been since we felt normal? What can we do right now? What will tomorrow bring? This moment allows us to reconsider the purpose and future of Irish Studies, and its related, interconnected, peripheral, and unrecognized fields. For the online 2022 American Conference for Irish Studies, we invite individual papers, panels, and roundtables that reassess the pasts, presents, and futures of our field. Intentionally open, speculative, and abstract, it is our hope that these papers, panels, and roundtables seek “collisions and encounters” that help, in the words of Gayatri Gopinath, to explore “our imbricated pasts and futures.”

For this year’s conference, which will be fully online, we seek papers, panels, and roundtables on the following, as well as any or all other topics in Irish Studies:

  • Imagined and real Irish pasts
  • Speculative and potential Irish futures
  • Irish encounters with other fields of study
  • Imbricated Irish experiences
  • Teaching Irish Studies in new contexts

(6) A PEEK INTO A FUTURE THAT NEVER WAS. Steve Haffner unveils a discovery that will be included in Volume 2 of The Complete John the Balladeer.

INFORMED READERS of Manly Wade Wellman, and followers of John the Balladeer in particular, know that prior to his death, the “Old Captain” was planning a sixth novel in Doubleday’s “Silver John” series to be called THE VALLEY SO LOW. FYI, Wellman detested the “Silver John” appellation and we almost never use it; it’s “John the Balladeer,” “John the Wanderer,” or just “John.”
     Following Wellman’s passing, Karl Edward Wagner edited a posthumous collection of Wellman’s recent short stories titled The Valley So Low: Southern Mountain Stories in 1987.
     Haffner Press is pleased as pinecones to share that we are including Wellman’s 4-page outline for the unwritten novel, THE VALLEY SO LOW, in Vol. Two of THE COMPLETE JOHN THE BALLADEER. So now all of you have the opportunity to learn what Manly Wade Wellman planned for John’s final song. Of course, artist Tim Kirk will be contributing a brand new interior illustration for Wellman’s proposal for THE VALLEY SO LOW.

(7) TRUNK SCRIPT. Radio Times says he already had a Doctor Who project in the pipeline before his return as showrunner came about: “Russell T Davies teases Doctor Who return in Mind of the Hodiac”.

If you’ve paid any attention to popular culture over the last few months, you may have heard the shock news that former Doctor Who boss Russell T Davies is returning to take charge once more for Who’s 60th anniversary year – but you might not know that this isn’t his only Doctor Who project in the offing.

In fact, before we had any idea he was returning to the main TV series fans were already excited at the news of a very different Who return for the acclaimed screenwriter –an audio drama. It all started when Davies dug out an old script he’d written as a young fan in the 1980s, and eventually Doctor Who audio producers Big Finish came on board to bring the story to life for real.

Now, Davies’ unfinished Mind of the Hodiac – completed by Scott Handcock and starring Colin Baker and Bonnie Langford – is coming soon, the first Who script we’ve seen from Davies for over 12 years. And with a load more scripts on the horizon, it’s fair to say that it’s a moment of odd synchronicity for the It’s A Sin creator.

(8) WHAT HAS SPACE DONE FOR ME LATELY? The UC San Diego Office of Innovation and Commercialization and the Clarke Center hope to answer that question in a free Zoom webinar about the benefits of space research today and what to expect tomorrow! Takes place February 10 at 4:00 p.m. Pacific. Register here.

The vast majority of people are unaware of all the ways space technologies affect us on a daily basis. Everything from bioengineering to communications to manufacturing and more, technology cultivated in humanity’s pursuit to conquer the last frontier, has had, and will continue to have, a profound impact on our everyday lives. So join us, as we explore what space has done for us lately.

The panelists are: Anjali Gupta, PhD, Business Development at Axiom Space; Karl Stedman, Co-Founder of Aurvandil; Robert Jacobson, Partner with Space Advisors®, LLC & Author of Space is Open for Business; and Dr. Erik Viirre, Director at Arthur C Clarke Center For Human Imagination.

(9) MEMORY LANE.

1983 [Item by Cat Eldridge] Thirty-nine years ago on this date, The Greatest American Hero ended its three year run on ABC. It was created by producer Stephen J. Cannell, more known for series like Magnum P.I. and Castle (in which he appeared in a poker game with Castle as himself until his death) than SF series like this. 

The series features William Katt as teacher turned superhero Ralph Hinkley after getting a suit from aliens, Robert Culp as FBI agent Bill Maxwell, and Connie Sellecca as lawyer Pam Davidson.

Though it ran for three seasons, it had an unusually low number of episodes for a show of that duration racking up only forty-five in total of which of five went unaired during the original broadcast. 

The powers of the red suit would appear to be quite generic, but that apparently didn’t appear so to Warner Bros., the owners of DC Comics, who filed a lawsuit against ABC, Warner Bros. Inc. v. American Broadcasting Companies, Inc.  It was ultimately dismissed by the Court where it was filed who said it had no grounds. A wise decision given how common red suits with extraordinary powers were. 

Five years later, the cast came back together for a pilot movie for a new NBC series which was named The Greatest American Heroine which was never picked up. The movie was later added in syndication to this series. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 3, 1924 Leslie Stevens. Here because he was the creator of first version of The Outer Limits and Buck Rogers in the 25th Century. Oh, and a neat little pulp film called Sheena starring Tanya Roberts for which he wrote the story. He wrote a handful of scripts for The Invisible Man as well. (Died 1998.)
  • Born February 3, 1925 John Fiedler. He’s solely here as he played the ever so bland bureaucrat who gets possessed by the spirit of Jack the Ripper on the Trek episode “Wolf in the Fold”. I’m less interested in him than who wrote that screenplay. It was written by Robert Bloch, a master of horror who would write two other Trek episodes, “What Are Little Girls Made Of?” and “Catspaw”. (Died 2005.)
  • Born February 3, 1930 Carolyn Serling. Widow of Rod Serling. She was the associate publisher and consulting editor of Rod Serling’s The Twilight Zone, a monthly magazine published in the Eighties. She was a consultant to “Twilight Zone: The Movie” and had a cameo in there as Passenger in the “Nightmare at 20,000 Feet” segment. In 1994, Ms. Serling found two unproduced stories by her husband in a trunk at her home and sold them to CBS which produced them as Twilight Zone: Rod Serling’s Lost Classics. In total, she edited six anthologies of stories inspired by the series. (Died 2020.)
  • Born February 3, 1953 Randy Lofficier, 69. Editor, translator and author who I am including here for French Science Fiction, Fantasy, Horror and Pulp Fiction: A Guide to Cinema, Television, Radio, Animation, Comic Books and Literature from the Middle Ages to the Present with her husband Jean-Marc Lofficier. Though published twenty years ago, it is still well worth picking up. 
  • Born February 3, 1970 Warwick Davis, 52. Nearly fifty live and voice appearances since first appearing in the Return of the Jedi in in place of Kenny Baker who was going to be a Ewok before he fell ill. Did you know he’s in Labyrinth as a member of the Goblin Corps? I certainly didn’t. Or that he did a series of humorous horror films centered around him as a Leprechaun? They did well enough that there was at least six of them. He even shows up in Doctor Who during the time of the Eleventh Doctor. 
  • Born February 3, 1979 Ransom Riggs, 43. He’s best known for Miss Peregrine’s Home for Peculiar Children which I’ll confess I know absolutely nothing about, so educate me. I know it was turned into a film by Tim Burton which could a Very Good Thing and later into a series. His first book btw was The Sherlock Holmes Handbook: The Methods and Mysteries of the World’s Greatest Detective which sounds way cool. He won a Neffy for Best SSF YA Author. 

(11) COMICS SECTION.

  • Blondie – how often does this comic do a genre joke?

(12) EIGHT PROOF. Octothorpe 50 is up! John Coxon is exchanging, Alison Scott is rekindling her sensawunda, and Liz Batty is watching the builders. We discuss what beers we like, listen to the Caribbean Science Fiction Podcast, talk about self-promotion and talk about TAFF. Listen here: “This is How Boxing Championships Work”.

(13) THE FUTURE IS NOW. Are you ready for “carcopter” races? “MACA S11 Flying Carcopter Formula Racer: Competition Is in the Air” at Motor Trend.

Drone-like vertical takeoff and landing (VTOL) flying car air taxis have been showing up at CES shows for years—Cadillac even showed one in 2021. But most experts don’t expect the first air taxi to be certified for use until 2024 at the earliest. At CES 2022, French startup MACA announced plans to get its hydrogen fuel-cell-powered electric VTOL “carcopter,” as they call it, off the ground before then. How do they hope to jump the government certification line? By flying low and restricting themselves to the airspace immediately above Formula 1 racetracks.

(14) THE MASKALORIAN. No, that was not a typo. “’The Maskalorian’ gives out free masks in a ‘Star Wars’ costume” – the Washington Post has the story.

Even in these strange times, the sight is unusual enough to turn heads: a helmeted figure in a jumpsuit and cape with a tiny green creature strapped to his chest. Both appear to come from a galaxy far, far away. Both wear disposable masks over their mouths.

Masks, it turns out, are the entire point of their mission.“I am the Maskalorian, giver of masks,” the figure says in his first public appearance, in the summer of 2020. “Whether you’re a human or a droid, it doesn’t matter. We must be vigilant and do what we can to keep each other protected.”

The character — inspired by the hit Star Wars show “The Mandalorian” on Disney Plus — is the brainchild of Matt Adams, a 43-year-old filmmaker and improv performer. And that little green guy wearing a GoPro on his chest might look a lot like Grogu, a.k.a. the Child, a.k.a. Baby Yoda. But his name is Masku. Together, they have given away roughly 1,000 masks.

(15) ASIMOV NEWS. [Item by Martin Morse Wooster.] This is the lede of an article by Anjuna Ahuja about space-based solar power, behind a paywall in the Financial Times.

It was Isaac Asimov who first envisioned that light from our nearest star could be captured, converted into microwave radiation and then beamed down to Earth.  More than 80 years after his short story, “Reason,” was published, the idea of space-based solar power–where the panels are in orbit rather than on earth–is having a moment in the sun.

(16) PRE-WASHED GENES. James Davis Nicoll tells Tor.com readers there’s one thing you can count on finding in science fiction. That’s bad science. As in these “Five SF Stories Involving Selective Breeding”.

It might be comforting to tell oneself that eugenics—the conviction that one can breed one’s way to better humans by encouraging the fitter ones to have more children and those considered to be less fit to have fewer—was a horrible fad that went out of fashion after the unpleasantness in the mid-20th century. Of course, that’s not true. State sanctioned sterilization of those deemed inferior continues to the modern day.

It’s not surprising that science fiction authors have not always resisted the lure of eugenics as a plot starter. Why not apply to humans the same techniques that transformed the humble wolf into the majestic chihuahua? Here are five stories that engage with the notion in different ways….

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This is a video where over two dozen animators each did three seconds of animating a red ball then “passed” it on to another animator. “Pass the Ball”.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Daniel Dern, Nancy Sauer, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Bruce D. Arthurs (it’s the line following one previously used as a title).]

Pixel Scroll 7/28/21 So Put Another File In The Jukebox, Baby

(1) MORE’S HAPPENING THAN WHAT’S ON THE PAGE. Aigner Loren Wilson is “Exploring Nnedi Okorafor’s Africanfuturist Universe” at Tor.com.

…Though not all of the stories take place in Africa, they all speak to the same African future that Okorafor is creating and envisioning. Sometimes this future is at the nexus of American industrialism and the exploitation of Africans like in The Book of Phoenix, in which Okorafor shows the rage and anger of a child used and experimented on. Sometimes her stories show the aftermath of such greed. In Who Fears Death, Okorafor writes of the strife of Sudan and the resilience of its people through the story of Onyesonwu. Readers watch her grow from an infant to a powerful being with the ability to save and heal a whole people. Though the landscapes change, the heart of an Africanfuturist universe is being carved out within these books. Eventually in Binti, Africa reaches the stars by way of the character literally running away so she can be the first of her people to attend a top intergalactic school. Binti is the future of her people, carrying the weight of all the past struggles of them and herself—the histories both told and not….

(2) BOOKER PRIZE LONGLIST. The Booker Prize 2021 longlist includes three books of genre interest, titles shown in boldface.

  • A Passage North, Anuk Arudpragasam (Granta Books, Granta Publications)
  • Second Place, Rachel Cusk, (Faber)
  • The Promise, Damon Galgut, (Chatto & Windus, Vintage, PRH)
  • The Sweetness of Water, Nathan Harris (Tinder Press, Headline, Hachette Book Group)
  • Klara and the Sun, Kazuo Ishiguro (Faber)
  • An Island, Karen Jennings (Holland House Books)
  • A Town Called Solace, Mary Lawson (Chatto & Windus, Vintage, PRH)
  • No One is Talking About This, Patricia Lockwood (Bloomsbury Circus, Bloomsbury Publishing)
  • The Fortune Men, Nadifa Mohamed (Viking, Penguin General, PRH)
  • Bewilderment, Richard Powers (Hutchinson Heinemann, PRH)
  • China Room, Sunjeev Sahota (Harvill Secker, Vintage, PRH)
  • Great Circle, Maggie Shipstead (Doubleday, Transworld Publishers, PRH)
  • Light Perpetual, Francis Spufford (Faber)

The shortlist will be announced September 14, and the winner on November 3.

(3) COMPLICATED Q&A. LeVar Burton was interviewed by David Marchese in the July 4 New York Times Magazine.  It’s mostly about his Jeopardy! stint, but he also discusses his 1997 sf novel Aftermath, which has recently been reprinted. “LeVar Burton’s Quest to Succeed Alex Trebek”

…Forgive me for making the subtext of these questions the text, but I’m trying to see if we can complicate the image of you as almost a secular pop-culture saint like Alex Trebek or Fred Rogers. And one of the things that I came across that maybe does complicate things is your novel, “Aftermath.”5

[5 Published in 1997, Burton’s only novel to date is a dystopian story about a United States recovering from a series of catastrophic events, including violent racial conflicts after the assassination of the nation’s first Black president-elect by a white extremist.]

 Wow. I love talking to people who have taken the time to read my book. I’m enormously proud of it. I just recorded a digital version of it with a new author’s note. I threw out the old author’s note about how I came to be a science-fiction fan and instead addressed the time in which we find ourselves now and some of the ways in which the events at the beginning of the novel are kind of prescient.

I don’t really know how well the book sold, but I think it’s fair to say that it’s obscure. Is it possible that the public wasn’t eager to accept the side of your sensibility that it represented? I was surprised by the violence, the allusions to sexual assault — just the darkness in it. 

I would venture to say, based on some encounters that I have had on Twitter, that there is a population of people who aren’t willing to see me displaying an aspect of my character that perhaps goes against their idea of who I am. They feel like they have the right to opine on who I should be, what I should and should not say. That’s an interesting part of this dynamic of fame. However, I spent a lot of time and energy discovering, defining, divining who I am and how I want to live my life. What you do with what I put out there is your business. What I put out there is my business….

(4) AFTER ACTION REPORT. At Green Book of the White Downs, Tim Bolton’s “Thoughts on the release of the Tolkien Society Summer Seminar videos and push-back against the online small-minded backlash around the event” includes links to “an outpouring of writing focused on the reception of Tolkien’s work and finding representation to identify with in Tolkien’s words” plus “numerous blog posts about LGBT+ and Tolkien.”

…A couple of weeks ago, as we headed towards what would be a fantastic and thoughtful Tolkien Society Summer Seminar, it came apparent that a part of the Tolkien fandom were quite vocally angry that diversity should be a topic associated with Tolkien. We saw a rival conference set up (as if other conferences have ever been a bad thing), we saw podcasts and YouTube rants. Social media saw the same people posting angrily about the affront that the Tolkien Society were holding a seminar – not sure where these lot have been, the Tolkien Society have hosted seminars every year for longer than some of them were born….    

This is the Tolkien Society seminar whose announced schedule was used by some bloggers as an excuse to act out – “Seminar’s Focus on Diversity in Tolkien Draws Conservatives’ Ire” – including pitching a dubious rival event: “Purported Event Will Counter-Program the Seminar on Diversity in Tolkien”.

Bolton concludes his post with this affirmation:

…Here’s the thing. No matter how far back these cave trolls want to try and drag us, we (as a fandom and a society) are going to move forward. We are diverse, we are inclusive. Will we make mistakes? Of course, we are human. But I will stand by groups that at their core hold values such empathy, kindness and being welcoming to all.

And at the centre of it all – our love of Tolkien’s works.

(5) DOG AT LARGE. Joseph Tuttle introduces readers to “’Roverandom:’ Tolkien’s little-known children’s story” at Voyage.

Roverandom is the endearing tale of a little dog’s adventures after being turned into a toy by a wizard. Tolkien originally told this story to his children after one of them had lost a toy dog on vacation. After searching for the lost toy unsuccessfully, Tolkien devised Roverandom to help explain what happened to the toy. Years later, he put the story into the book format we now have….

(6) LUMPY LOKI. [Item by Martin Morse Wooster, Designated Reader, Financial Times.] In the July 24 Financial Times, Fiona Sturges interviews Richard E Grant about his role on Loki.

Grant hams it up terrifically as Classic Loki, one of several ‘variant’ Lokis marooned in a purgatory known as ‘The Void’ (other variants include Alligator Loki and Kid Loki.)  When he first saw his costume — scoffed-grubby-with clear sagging in the crotch area — he was a little crestfallen.  ‘My first question was, ‘Where are the muscles?’  If you look at Jack Kirby’s original drawings in the comic, the guy had muscles.  But the costume designer was very insistent that I was relying on Loki magic (for strength). So I didn’t get my way.  I thought, ‘Oh well, it’s a withered and old Classic Loki that they’re going to get!’

The role also required Grant to grapple with CGI and green screen technology.  He notes that in 2019’s Star Wars: The Rise Of Skywalker, in which he played Allegiant General Pryde, ‘ all the doors were functional, all the lights on the consoles worked, and there were stormtroopers’  By contrast, in Loki, his alligator co-star was made of three cushions roughly sewn together. 

(7) METAVERSE MAVEN. The Verge says “Mark Zuckerberg is betting Facebook’s future on the metaverse” – so I guess I’d better start figuring out what that’s supposed to be.

As June came to an end, Facebook CEO Mark Zuckerberg told his employees about an ambitious new initiative. The future of the company would go far beyond its current project of building a set of connected social apps and some hardware to support them. Instead, he said, Facebook would strive to build a maximalist, interconnected set of experiences straight out of sci-fi — a world known as the metaverse.

The company’s divisions focused on products for communities, creators, commerce, and virtual reality would increasingly work to realize this vision, he said in a remote address to employees. “What I think is most interesting is how these themes will come together into a bigger idea,” Zuckerberg said. “Our overarching goal across all of these initiatives is to help bring the metaverse to life.”

The metaverse is having a moment. Coined in Snow Crash, Neal Stephenson’s 1992 sci-fi novel, the term refers to a convergence of physical, augmented, and virtual reality in a shared online space. Earlier this month, The New York Times explored how companies and products including Epic Games’ FortniteRoblox, and even Animal Crossing: New Horizons increasingly had metaverse-like elements. (Epic Games CEO Tim Sweeney has been discussing his desire to contribute to a metaverse for many months now.)…

(8) SECOND BANANAS WITH MORE APPEAL. James Davis Nicoll points out “Five Supporting Characters Who Outshine the Protagonist” at Tor.com.

Sergeant Sam Anderson from Starman Jones by Robert A. Heinlein (1953)

Had runaway Max Jones never met Sam Anderson, late of the Imperial Marines, Max’s plans to follow his late uncle Chester into space would have come to nothing. Chester may have been a member in good standing of the Astrogators’ Guild, but he never signed the necessary paperwork nominating Max for membership. As far as the Guild is concerned, that is that.

Sam, on the other hand, has the ethical flexibility, experience, and connections needed to circumvent onerous regulation. Thanks to Sam’s experienced mentorship, Max acquires all the necessary papers needed to work in space and a position on board the Asgard. Max’s odd talents will prove invaluable when the Asgard is lost in space. Those talents would never have been there to help the Asgard without genially amoral Sam’s corrupting influence.

(9) HELP SOLVE A MYSTERY. Filer Jake says at the Something Awful forums someone has posted a Polaroid picture from 1989 in which a paperback book, believed to be SF, can be seen, and asked “What is that book?”

We’re seriously stumped, to the point where I’ve been trawling a copy of the ISFDB to get titles that might be of the same length as the one in the picture, and am also considering downloading their cover DB so as to do some heavy-duty image analysis.

I’m hoping that you’d be willing to add this as an item in a Pixel Scroll, as in the words of the original asker “Why should we be the only ones to be haunted by this?”

This is the picture. You can see why they’re having so much trouble figuring out the answer. But maybe the pattern of the cover will tickle something in your memory banks?

(10) MEMORY LANE.

  • July 28, 2007 – On this date fourteen years ago, Jekyll, a British series produced as a sequel to The Strange Case of Dr Jekyll and Mr Hyde novella, finishes airing on BBC One. Steven Moffat wrote all six episodes with Douglas Mackinnon and Matt Lipsey each directing three episodes. Elaine Cameron and Jeffrey Taylor were the producers. It starred James Nesbitt in the lead role with the rest of the cast being Gina Bellman, Paterson Joseph, Denis Lawson, Michelle Ryan, Meera Syal and Fenella Woolgar. Critics loved it with James Jackson of The Times saying Nesbitt’s acting as Hyde was “entertainingly over the top as a dozen Doctor Who villains, with a palpable sense of menace to boot”.  A second season was written by Moffat but the BBC never picked up the option on it. Eight years later, ITV would air Jekyll and Hyde based off the same source material and it too would cancelled after one series.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 28, 1866 Beatrix Potter. Probably best known for Tales of Peter Rabbit but I’d submit her gardening skills were second-to-none as well as can be seen in the Green Man review of Marta McDowell’s Beatrix Potter’s Gardening Life. Those skills are reflected in her fiction. (Died 1943.)
  • Born July 28, 1928 Angélica Gorodischer, 93. Argentinian writer whose Kalpa Imperial: The Greatest Empire That Never Was got translated by Ursula Le Guin into English. Likewise Prodigies.has been translated by Sue Burke for Small Beer Press. She won a World Fantasy Award for Lifetime Achievement. You can read Lightspeed Magazine’s interview with her here.
  • Born July 28, 1931 Jay Kay Klein. I’ll direct you to Mike’s excellent look at him here as I can’t add anything to what he says.  I will note that Jay Kay was a published author of three stories, “Century of Progress”, “Mass Communication“ and  “On Conquered Earth”.  The first two in Analog, the latter in If. None of these have been republished since.  (Died 2012.)
  • Born July 28, 1941 Bill Crider. Primarily a writer of mystery fiction, his extensive bibliography includes three stories in the Sherlock Holmes metaverse: The Adventure of the Venomous LizardThe Adventure of the St. Marylebone Ghoul and The Case of the Vanished Vampire. He also wrote a Sookie Stackhouse short story, “Don’t Be Cruel” in the Charlaine Harris Metaverse. His “Doesn’t Matter Any Matter More” short story won a Sidewise Awards for Alternate History and his “Mike Gonzo and the UFO Terror” won a Golden Duck Award. (Died 2018.)
  • Born July 28, 1955 Dey Young, 66. One of those performers who appeared in multiple Trek series. She was in Next Gen’s “The Masterpiece Society” as Hannah Bates, in Deep Space Nine’s “A Simple Investigation” as Arissa and  and in Enterprise’s “Two Days and Two Nights” as Keyla. She’s got minor roles in Running ManStrange Invaders and Spaceballs as well.
  • Born July 28, 1966 Larry Dixon, 55. Husband of Mercedes Lackey who collaborates with her on such series as SERRAted Edge and The Mage Wars Trilogy. (They were CoNZealand GoHs last year.) He contributed artwork to Wizards of the Coast’s Dungeons & Dragons source books, including Oriental AdventuresEpic Level Handbook, and Fiend Folio
  • Born July 28, 1968 Rachel Blakely, 53. You’ll most likely know her as Marguerite Krux on Sir Arthur Conan Doyle’s The Lost World as that was her longest running genre role. She was briefly Alcmene on Young Hercules, and played Gael’s Mum on The Chronicles of Narnia: The Voyage of the Dawn Treader. And showed up as Penelope in the “Ulysses” episode of Xena: Warrior Princess
  • Born July 28, 1972 Elizabeth Berkley, 49. Her best known role is Verhooven’s Showgirls which is decidedly not genre even if Kyle MacLachan is in it. She’s done some genre work including The Twilight ZonePerversions of Science which appears to be akin to the Tales from The Crypt series, the animated Armitage III: Polymatrix series, and the Threshold series which pops up regularly in these Birthday notes. 

(12) SJW CREDENTIAL BUNDLE. StoryBundle’s 2021 Cattitude Bundle, curated by Kristine Kathryn Rusch, is available for three more weeks. Get the full list of books and the rest of the deal at the link.

This bundle thrills me. Often, I curate StoryBundles filled with books I’ve read. Always, I curate with authors whose work I like. But as I curate them, I’m aware that I am a moody reader who rarely wants to read what’s prescribed. So, with the books I have only read parts of or haven’t read at all, I put them in a To-Be-Read pile to finish when the mood strikes.

With cat fiction, though, the mood always strikes me. I’ll stop whatever I’m doing to read a cat story. Well, that’s not entirely true. I’ll do whatever I’m doing, unless I’m petting one of my three cats.

Many of the books in this bundle combine cats and magic. It seems a proper combination. Cats can twist themselves into the strangest positions. They have an uncanny way of loving us or torturing us (depending on how they feel about us). They have a mysterious edge, even if they’re the friendliest cat on the planet.

(13) LOCKDOWN WAS GOOD BUSINESS FOR THEM. Game makers are getting an unexpected slice of the pie. The Guardian has the story: “Warhammer maker Games Workshop hands staff £5,000 bonus after lockdown sales surge”.

Warhammer retailer Games Workshop is handing its shop workers, model makers, designers and support staff a £5,000 bonus each after sales and profits benefited from tabletop gamers escaping lockdown by fighting bloodthirsty battles with orcs, elves and alien hordes.

The Nottingham-based company behind the popular fantasygaming equipment and Lord of the Rings figurines said its 2,600 ordinary workers would split a £10.6m special bonus on top of a £2.6m profit share.

Senior managers will share an extra £1.1m bonus pot, up from £300,000 the year before, after sales rose by just over a third to £361m and pretax profits soared almost 70% to £151m….

(14) WITCHER SPINOFF. This trailer for a Witcher anime spinoff dropped on Wednesday. The Witcher: Nightmare of the Wolf premieres August 23 on Netflix.

The world of The Witcher expands in this anime origin story: Before Geralt, there was his mentor Vesemir — a swashbuckling young witcher who escaped a life of poverty to slay monsters for coin. But when a strange new monster begins terrorizing a politically-fraught kingdom, Vesemir finds himself on a frightening adventure that forces him to confront the demons of his past.

(15) KEEP WATCHING THE SKIES. Dr. Brian Keating, Co-Director of the Arthur C. Clarke Center for Human Imagination, who also is a member of the Galileo Project’s Advisory Board, is joined by Harvard University Professor Avi Loeb to chat about the Galileo Project in “Extraterrestrial Technology: The Situation Has Changed!” on YouTube.

Huge news out of Harvard: In 2017, the world for the first time observed an interstellar object, called ‘Oumuamua, that was briefly visiting our Solar system. Based on astronomical observations, ‘Oumuamua turned out to have highly anomalous properties that defy well-understood natural explanations. We can only speculate whether ‘Oumuamua may be explained by never seen before natural explanations, or by stretching our imagination to ‘Oumuamua perhaps being an extraterrestrial technological object, similar to a very thin light-sail or communication dish, which fits the astronomical data rather well.

After the release of the ODNI (Office of the Director of National Intelligence) report on Unidentified Aerial Phenomena (UAP), the scientific community now needs the determination to systematically, scientifically & transparently look for potential evidence of extraterrestrial technological equipment. The impact of any discovery of extraterrestrial technology on science & on our entire worldview would be enormous.

Given the recently discovered abundance of Earth-Sun systems, the Galileo Project is dedicated to the proposition that humans can no longer ignore the possible existence of Extraterrestrial Technological Civilizations (ETCs), and that science should not dogmatically reject potential extraterrestrial explanations because of social stigma or cultural preferences, factors which are not conducive to the scientific method of unbiased, empirical inquiry. We now must look through new telescopes, both literally and figuratively. The Galileo Project aims to identify the nature of UAP and ‘Oumuamua-like interstellar objects using the standard scientific method based on a transparent analysis of open scientific data to be collected using optimized instruments.

The Galileo Project follows three major avenues of research:

1. Obtain High-resolution, Multi-detector UAP Images, Discover their Nature: This goal will be accomplished by searching for UAP with a network of mid-sized, high-resolution telescopes and detector arrays with suitable cameras and computer systems, distributed in select locations. The data will be open to the public and the scientific analysis will be transparent.

We anticipate extensive Artificial Intelligence/Deep Learning (AI/DL) and algorithmic approaches to differentiate atmospheric phenomena from birds, balloons, commercial or consumer drones, and from potential technological objects of terrestrial or other origin surveying our planet, such as satellites. For the purpose of high contrast imaging, each telescope will be part of a detector array of orthogonal and complementary capabilities from radar, Doppler radar, and high-resolution synthetic aperture radar to high-resolution, large camera visible range and infrared band telescopes. If an ETC is discovered to be surveying Earth using UAP, then we have to assume that the ETC has mastered passive radar, optical and infrared technologies. In such a case, our systematic study of such detected UAP will be enhanced by means of high-performance, integrated and multi-wavelength detector arrays.

2. Search for and In-Depth Research on ‘Oumuamua-like Interstellar Objects:  

The Galileo Project research group also will utilize existing and future astronomical surveys, such as the Rubin Observatory, to discover and monitor the properties of interstellar visitors to the Solar system. We will conceptualize and design, potentially in collaboration with interested space agencies or space ventures, a launch-ready space mission to image unusual interstellar objects such as ‘Oumuamua by intercepting their trajectories on their approach to the Sun or by using ground-based survey telescopes to discover interstellar meteors.

3. Search for Potential ETC Satellites: Discovering potential 1 meter-scale or smaller satellites that may be exploring Earth, e.g., in polar orbits a few hundred km above Earth, may become feasible with VRO in 2023 and later, but if radar, optical and infrared technologies have been mastered by an ETC, then very sophisticated large telescopes on Earth might be required. We will design advanced algorithmic and AI/DL object recognition and fast filtering methods that the Galileo Project intends to deploy, initially on non-orbiting telescopes. 

(16) PICS OR IT DIDN’T HAPPEN. The Expanse was a Jeopardy! clue. I can prove it. (Do we still call this a screenshot?)

(17) TRAILER FOR A PROMISED FAN FILM. Strap in for a fun Star Wars fan film from writer/director Anthony Ferraro, Forsaken Mandalorian and the Drunken Jedi Master. “The goal was to make a fan film driven by dramatic performances rather than winks and nods to the franchise. But not to worry, we do some winking and nodding,” Ferraro promises. The video launches August 6 on the Create Sci-Fi YouTube channel.

Hope hinges on two men with no hope.

A forsaken Mandalorian hunts down a Hutt Courier to recover an asset that unexpectedly leads him to team up with an outcast drunken Jedi Master to fulfill his sworn duty.

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, N., Jake, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]

Pixel Scroll 4/15/21 Pixel Dawns On MarbleScroll

(1) PAY THE WRITER. Adam Whitehead in “Disney and Alan Dean Foster approaching settlement on royalties” at The Wertzone brings promising news:

Foster does not go into details, but notes on his webpage.

“The irritating imbroglio with Disney, which you may have read about, is moving towards a mutually agreeable conclusion. A formal statement will be forthcoming.”

Hopefully the matter will now be resolved and Disney will agree to uphold their contractual obligations moving forwards with both Foster and all other impacted authors.

For background, see Cora Buhlert’s post “The #DisneyMustPay Alan Dean Foster and SFWA Joint Press Conference”.

(2) NO, THE REAL WRITER. The Guardian says the proceeds of a literary prize were ripped off by scammers: “Rathbones Folio prize paid £30,000 to scammers posing as the winner”. (Incidentally, they did make it good to the genuine winner.)

… Publishing industry magazine the Bookseller revealed on Wednesday that the Folio, which is awarded to the year’s best work of literature regardless of form, was scammed by “sophisticated cyber-criminals”. The scammers posed as the Mexican author [Valeria] Luiselli, who had won with her novel Lost Children Archive, and requested that the £30,000 payment be made through PayPal.

Minna Fry, the prize’s executive director, confirmed that the funds were lost and that “the police were informed at the time, as were key industry colleagues”.

“Our winner Valeria Luiselli was awarded her prize money in full, and the lost funds were absorbed by cost savings elsewhere,” she added.

The prize is run by a charity and is independent from its sponsor, Rathbone Investment Management. Fry said the investment firm “have supported us through this incident and helped us to put in place additional safeguarding measures”.

This is not the first time a book prize has been targeted by fraudsters. A spokesperson for the Baillie Gifford prize for non-fiction, worth £50,000, confirmed that it was also targeted in November, but no funds were paid.

“Someone emailed pretending to be the 2020 winner Craig Brown and asked us to pay the prize money via PayPal,” a spokesperson for the prize told the Bookseller…

(3) EXIT THE WAYFARER UNIVERSE. On the Imaginary Worlds podcast “Becky Chambers Goes Wayfaring”.

Becky Chambers’ latest novel, “The Galaxy and The Ground Within,” is the final book in her Wayfarer series, which is about aliens, humans and AI trying to make their way through the galaxy and find common ground. Some of the characters in her books may seem fantastical and strange, but the conversations between them often revolve around familiar issues like identity, gender, family structure, and politics. We talk about why she’s closing this chapter in her writing career, even though the Wayfarer series could’ve gone on indefinitely, and what she has planned next.

(4) WEB OF LIES. [Item by Olav Rokne.] Spider-Man co-creator Stan Lee casts an oversized shadow across comic book fandom. But arguments abound about how much credit he deserves for the various works he is purportedly behind. In a new deeply-researched biography True Believer, journalist Abraham Riesman looks at this iconic figure. It’s a terrific book that perhaps people should be considering for Best Related Work on *next year’s* Hugo ballot, and that the Hugo Book Club Blog reviewed this week:  “The Lies That Bind”.

There is a long tradition of fandom idolizing a certain variety of PT Barnum-style self-promoter. This tradition has come under much-needed scrutiny in the past decade thanks to works such as Astounding by Alec Nevala-Lee and The Pleasant Profession of Robert A. Heinlein by Farrah Mendelsohn. Abraham Riesman’s True Believer is a welcome addition to this critical reckoning.

(5) SPOTTED IN GOTHAM. Did you know François Truffaut took the robot dog out of his film of Fahrenheit 451 because there was no technology for the dog? Well, that future has just about arrived: “NYPD Deploys ‘Creepy’ New Robot Dog In Manhattan Public Housing Complex” in Gothamist.

… The remote-controlled bot was made by Boston Dynamics, a robotics company famous for its viral videos of machines dancing and running with human-like dexterity. (Versions of “Spot,” as the mechanical dog is known, can open doors, and are strong enough to help tow an 18-wheeler.)

Since October, the NYPD has dispatched the robot to a handful of crime scenes and hostage situations, raising fears of unwanted surveillance and questions about the department’s use of public dollars. The mobile dog, which comes equipped with automated sensors, lights, and cameras capable of collecting “limitless data,” is sold at a starting price of $74,000.

A spokesperson for the NYPD said the robot dog was on standby, but not used, during a domestic dispute at East 28th Street on Monday afternoon. After a man allegedly barricaded himself inside a room with a mother and her baby, officers showed up and convinced him to let them exit. The man was arrested for weapons possession, police said….

(6) MEDIA BIRTHDAY.

  • April 15, 1944 –On this day in 1944, The Monster Maker which was originally titled The Devil’s Apprentice premiered. It was directed by Sam Newfield and produced from a script written by by Sigmund Neufeld which was by Lawrence Williams, Pierre Gendron and Martin Mooney. It starred J. Carrol Naish, Talla Birell, Wanda McKay and Ralph Morgan. It was almost completely ignored by critics at the time and it currently holds an extremely low five percent rating on Rotten Tomatoes among audience reviewers. You can see it here.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 15, 1452 – Leonardo da Vinci.  One of our greatest neighbors.  Among his many drawings were things that could almost be made then; dreaming them up, and depicting them, took imagination very much like SF authors’ and illustrators’.  Here is a 500th-anniversary exhibit I made for Dublin 2019 the 77th Worldcon with high-tech graphics wizard Elizabeth Klein-Lebbink (shown as it appeared at Loscon XLVI later; scroll down past Rotsler Award photos).  (Died 1519) [JH]
  • Born April 15, 1908 – Howard Browne.  Edited Amazing and Fantastic; five novels, a dozen shorter stories for us, some under other names; also detective fiction; films, television.  More here.  (Died 1999) [JH]
  • Born April 15, 1933 Elizabeth Montgomery. She’s best remembered as Samantha Stephens on Bewitched. Other genre roles included being Lili in One Step Beyond’s “The Death Waltz” which you can watch here. She also had on every-offs in The Twilight Zone, Alfred Hitchcock Presents, and voicing a Barmaid in the “Showdown” episode of Batman: The Animated Series. (Died 1995.) (CE)
  • Born April 15, 1937  Thomas F. Sutton. Comic book artist who’s best known for his contributions to Marvel Comics and  Warren Publishing’s line of black-and-white horror magazines. He’s particularly known as the first artist of the Vampirella series. He illustrated “Vampirella of Draculona”, the first story which was written by Forrest J Ackerman. (Died 2002.) (CE)
  • Born April 15, 1938 – Unipán Helga, age 83.  (Personal name last, Hungarian style.)  Designed more than a hundred twenty books, many ours.  Here is The Antics of Robi Robot (in Romanian).  Here is an interior from the Jun 73 Korunk (“Our Age”).   Here is Orthopedic Hat.  Here is The Vicissitudes of a Brave Mouse.  Here is Calendar of Nature.  [JH]
  • Born April 15, 1941 – Mal Dean.  Six covers, twoscore interiors for us.  Particularly associated with Michael Moorcock and the graphic-art Jerry Cornelius.  Here is the Jun 69 New Worlds.  Here is “The Duke of Queens duels Lord Shark the Unknown” illustrating MM’s “White Stars”.  Here is the Nov 75 – Jan 76 Other Times.  Outside our field, jazz trumpeter & bandleader, illustrator; cartoonist.  Here is a posthumous artbook.  (Died 1974) [JH]
  • Born April 15, 1949 – Tim Bolgeo.  Uncle Timmy chaired LibertyCons 1-25, Chattacons 7-11.  Fan Guest of Honor at Con*Stellation III (not this one), DeepSouthCon 43, StellarCon 33, LibertyCon 32.  Four decades a fixture in fandom.  (Died 2019) [JH]
  • Born April 15, 1949  Sharan Newman, 72. Author of the most excellent Guinevere trilogy (GuinevereChessboard Queen and Guinevere Evermore), a superb reinterpretation of the Arthurian saga . They’re available at the usual digital suspects as is her superb Catherine LeVendeur medieval mystery series. Alas her SF short stories are not. (CE) 
  • Born April 15, 1966 – Cressida Crowell, age 56.  A dozen novels, particularly about How to Train Your Dragon (eleven million copies sold) and The Wizards of Once.  Illustrates many of her own books.  Blue Peter Book Award.  “Children are surrounded by adults who are VERY BOSSY.  They might not always mean to be bossy, and they have the best of intentions, but still.”  [JH]
  • Born April 15, 1974 Jim C. Hines, 47. Winner at Chicon 7 of the Best Fan Writer Hugo. Author of the Goblin Quest series which I’ve read at least two of and enjoyed. Same for his Magic ex Libris series. Yeah more popcorn reading. (CE) 
  • Born April 15, 1990 Emma Watson, 31. Hermione Granger in the Harry Potter film franchise which lasted an entire decade. She was Belle in Disney’s Beauty and the Beast, and the voice of Prince Pea in The Tale of Despereaux. (CE) 
  • Born April 15, 1997 Maisie Williams, 24. She made her professional acting debut as Arya Stark of Winterfell in Game of Thrones. She was Ashildr, a Viking woman of unique skills, the principal character of “The Girl Who Died”, during the time of Twelfth Doctor who would be back several times more. She was Wolfsbane in the Marvel film New Mutants. (CE) 

(8) COMICS SECTION.

(9) CLARION CALLS. The Clarion Science Fiction and Fantasy Writers’ Workshop, organized by the Arthur C. Clarke Center for Human Imagination at UC San Diego, is hosting the Winter Writers Series, a monthly series of conversations between Clarion alumni and instructors about the art of speculative fiction and their writing careers. These conversations, co-hosted by Mysterious Galaxy Bookstore, are presented via Zoom Webinars and are free and open to the public. Each conversation will include time for Q&A with the audience. The next is —

Speculative Horror

April 21, 2021, 5pm PT / 8pm ET (register here)

Join us for a conversation about ins and outs of writing modern horror with three astounding writers and Clarion alumni/instructors who terrify and unsettle us.

Jeffrey Ford is the author of the novels The PhysiognomyThe Girl in the GlassThe Portrait of Mrs. CharbuqueThe Shadow YearThe Twilight Pariah, and Ahab’s Return. His story collections are The Fantasy Writer’s AssistantThe Empire of Ice CreamThe Drowned LifeCrackpot Palace, and A Natural History of Hell.

Victor LaValle is the author of the short story collection Slapboxing with Jesus, four novels, The EcstaticBig MachineThe Devil in Silver, and The Changeling and two novellas, Lucretia and the Kroons and The Ballad of Black Tom. He is also the creator and writer of a comic book Victor LaValle’s DESTROYER. He has been the recipient of numerous awards including the World Fantasy Award, British World Fantasy Award, Bram Stoker Award, Whiting Writers’ Award, a Guggenheim Fellowship, Shirley Jackson Award, American Book Award, and the key to Southeast Queens. He was raised in Queens, New York. He now lives in Washington Heights with his wife and kids. He teaches at Columbia University.

Sam J. Miller is the Nebula-Award-winning author of The Art of Starving (an NPR best of the year) and Blackfish City (a best book of the year for Vulture, The Washington Post, Barnes & Noble, and more – and a “Must Read” in Entertainment Weekly and O: The Oprah Winfrey Magazine). A recipient of the Shirley Jackson Award and a graduate of the Clarion Writers’ Workshop, Sam’s work has been nominated for the World Fantasy, Theodore Sturgeon, John W. Campbell and Locus Awards, and reprinted in dozens of anthologies. A community organizer by day, he lives in New York City. His latest novel is The Blade Between.

(10) LEEDS LIBRARY ARTICLE ON E.R. EDDISON. The Secret Library / Leeds Libraries Heritage Blog profiles the author in “Novels That Shaped Our World: Life, Death and Other Worlds”.

…In 1922 he published his first and most notable fantasy work, The Worm Ouroboros. The Worm, a serpent or snake, derived from the old Norse, ormr. This he followed with three volumes set in the imaginary world first observed by the Lords Juss and Brandoch Daha as they gaze from the top of great mountain, Koshstra Pevrarcha in The Worm, Zimiamvia, known as The Zimiamvian trilogyMistress of Mistresses (1935), A Fish Dinner in Memison (1941), and The Mezentian Gate (published posthumously in 1958). His Icelandic sagas were: Styrbiorn the Strong (1926) and his much admired translation of Egil’s Saga (1930).

In 1963 almost twenty years after Eddison’s death his late wife, Winifred Grace, and his close friend and literary executor, Sir George Rostrevor Hamilton deposited into the care of the special collections of the Leeds Central Library the vast majority of Eddison’s manuscript works….

(11) LIVE OCTOTHORPE. Big doings by John Coxon, Alison Scott and Liz Batty on the Octothorpe podcast.  Listen to Episode 29 here — “Ode to Badger”.

John is not Chris Garcia, Alison is full of beans, and Liz is T. S. Eliot. We handle letters of comment and then spend an hour talking about ConFusion in a BUMPER EPISODE.

You also are invited to join them for Octothorpe Live on 25 April – either join the Facebook group here or email them at [email protected] for the Zoom link!

(12) VIDEO OF THE DAY. “Zack Snyder’s Justice League/Trilogy” on YouTube is HBO Max’s repackaging of Man Of Steel, Batman v. Superman, and Zack Snyder’s Justice League into a trilogy.

[Thanks to Edd Vick, Bruce D. Arthurs, John King Tarpinian, Martin Morse Wooster, JJ, StephenfromOttawa, Cat Eldridge, James Davis Nicoll, Steven French, Michael Toman, John Hertz, Olav Rokne, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/6/21 Scroll A Song Of Pixels, A Rocket Full Of Files

(1) BE PREPARED. The Center for Disease Control has updated its Zombie Preparedness webpage: Yahoo! has the story — “The CDC is giving advice on preparing for a zombie apocalypse. Here’s why experts applaud the move.”

… The CDC recently updated the Zombie Preparedness section on its website — yes, this is a thing. While the section isn’t new — it originally launched back in 2011 — it does make for interesting timing given that it’s been updated in the middle of a global pandemic that just so happens to be happening in the year of a predicted zombie apocalypse.

The CDC makes it clear online that this is a joke, albeit one with a serious message about the importance of disaster preparedness. “Wonder why zombies, zombie apocalypse, and zombie preparedness continue to live or walk dead on a CDC web site?” the landing page reads. “As it turns out, what first began as a tongue-in-cheek campaign to engage new audiences with preparedness messages has proven to be a very effective platform. We continue to reach and engage a wide variety of audiences on all hazards preparedness via ‘zombie preparedness.'”

The CDC offers up lesson plans for teachers on zombie apocalypse preparedness, a downloadable poster that reads, “Get a Kit. Make a Plan. Be Prepared,” next to a zombie’s face, and general information about disaster preparedness….

The site’s resources include a Zombie Preparedness Graphic Novel.

(2) FREE AUTHOR FESTIVAL. Andy Weir will be the keynote speaker during the free virtual “Penguin Random House Book & Author Festival” on April 6. Register here.

Join Penguin Random House, Library Journal, and School Library Journal for a free, day-long virtual book and author festival as we celebrate National Library Week and librarians everywhere!

Enjoy a day packed with author panels and interviews, book buzzes, virtual shelf browsing, and adding to your TBR pile. You’ll hear from many of your favorite authors, whose work runs the gamut from Picture Books to Young Adult titles to the best new Fiction and Nonfiction for adults. There is something of interest for every reader. Attendees will also have the opportunity to check out the virtual exhibit hall, chat directly with authors, access eGalleys, and enter to win prizes and giveaways.

(3) GREAT MINDS THINK ALIKE? Apparently before there was Niven’s “Man of Steel, Woman of Kleenex” a similar idea was expressed in an unpublished Nabokov poem that has only now seen print: “Poem: ‘The Man of To-morrow’s Lament’ by Vladimir Nabokov” in the Times Literary Supplement. The verse appears at the end of the article which is unfortunately paywalled — unless you haven’t exhausted your quota of free articles.  

…Originally included with Nabokov’s letter from 16 June, the poem was preserved in a separate folder, holding various poems, prose pieces, and newspaper clippings that had been sent to “Dear Bunny” (Edmund Wilson Papers. Box 170. Folder 4246). Nabokov’s unpublished poem lay in this folder for nearly eighty years, breaking out at last – as Superman himself would – to see the light of day.

It should be fair use to quote these four lines from the middle of the poem which caused the New Yorker to reject it in 1942:

I’m young and bursting with prodigious sap,
and I’m in love like any healthy chap –
and I must throttle my dynamic heart
for marriage would be murder on my part

(4) WHAT DID YOU SEE FROM 2020 THAT DESERVES A CHESLEY AWARD? ASFA President Sara Felix announced the Chesley Award suggestions are now open: “Did you know anyone can suggest art at this time? Artists, Fans, Collectors, Art Directors…. we welcome all to show us the fabulous art seen last year.” You have until April 2nd to get them in. The 2021 Chesley Award Suggestions.

Chesley Award pin by Charles Urbach

The suggestion form is now live.  Please send in your suggestions before April 2nd.  We will then begin to collate the lists and open nominations.

There is also a photo album for people to add images of the suggestions here: https://photos.app.goo.gl/JLyREPvr3UfzTq889

If you can’t see the form here is the direct link: https://forms.gle/Ly565iDj1iAiyke67

(5) (C). Ursula Vernon posted an after-action report about a Twitter brawl over copyright.

(6) TRAN IS BACK. In the Washington Post, Michael Cavna interviews Kelly Marie Tran, who overcame a lot of social media hate thrown at her for her Star Wars work to portray “the first Disney princess of Southeast Asian descent” in the just released Raya And The Lost Dragon. “Kelly Marie Tran’s journey to becoming a fighting Disney princess: ‘It feels like an absolute miracle’”.

If the remarkable life and times of Kelly Marie Tran were a Disney movie, the opening scene would not spotlight the young, hungry unknown hustling to yet another post-college audition in her Honda Civic, or the multi-hyphenate talent being plucked from relative obscurity to become the most prominent actress of color in a Star Wars film. It would not show the swirl of red-carpet events for “The Last Jedi” she posted on social media, or the vile online abuse that followed.Instead, the opening shot would zoom in on Tran as a bright-faced kindergarten singer, performing in her church choir and getting struck by something more life-altering than any radioactive Disney/Marvel spider. This was when and where she was first bitten by the performance bug.

Tran, 32, is best known globally for playing mechanic Rose Tico in the most recent Star Wars trilogy. And with this weekend’s release of Disney’s animated “Raya and the Last Dragon” (in theaters and streaming), the talents of Tran will be on full display in a title role, as she deploys her trained voice in an emotionally resonant and rounded performance….

(7) VIRTUAL TRAVEL. The Arthur C. Clarke Center for Human Imagination has been continuing to experiment with bringing the tools of worldbuilding, speculative design, and remote collaboration into virtual reality with their partners at Origami Air. To preview what has been happening (and more to come!), they invite you to read Origami Air’s inaugural zine, ZEPHYR, here.

As a preview, here is Clarke Center Assistant Director Patrick Coleman’s contribution to the issue:

(8) A TOOL FOR THINKING. “Examples of Applied Sci-Fi: Design Fiction Story Contests, Anthologies, Practitioners, and More” by Kevin Bankston at Medium.

…I organized a session on “Applied Sci-Fi: Science Fiction as Tool, Influence, Warning,” which was a blast — especially considering that such interesting people as Kim Stanley Robinson, one of my very favorite speculative fiction writers, and Tom Kalil, former head of science and technology policy in the Obama administration who used sci-fi as a foresight tool at the White House, chose to show up and participate in the conversation.

The post collects two Twitter threads Bankston wrote about applied sci-fi in 2019.

The first thread is one I was inspired to pull together during the April 2019 We Robot conference at the University of Miami, when Ryan Calo and Stephanie Ballard of the University of Washington’s Tech Policy Lab presented a paper on deploying strategic foresight and design fiction techniques as a tool for thinking about the future of tech policy. In that thread, I collected a wide range of examples of two recent trends in the realm of applied sci-fi: short story contests soliciting sci-fi about “the future of [X],” and relatedly, anthologies of design fiction focused on the future of particular topics or technologies.

The second thread came a month later, when I had the pleasure of visiting the offices of DXLabs in San Francisco, a design consultancy that specializes in using science fiction as a tool for startups to refine their visions of the future. I was motivated to tweet other examples of individuals and companies that specialize in design fiction and sci-fi prototyping — applied sci-fi practitioners, if you will.

(9) UNDERGROUND AND AFTER. “Colson Whitehead: The only writer to win fiction Pulitzers for consecutive works speaks with 60 Minutes” – both the video and a transcript are available at the link.

The club of writers who have won the Pulitzer Prize twice for fiction is small. It contains just four members. The club of those awarded the prize for consecutive novels is even smaller. Colson Whitehead is its only member. He won last year for his novel, “The Nickel Boys,” about the Jim Crow south. In 2017, he won for “The Underground Railroad.” Through historical fiction, he has illuminated the past to tell us something about our present. But his work does not stay in one place. He has written about elevator inspectors, zombie hunters and the World Series of Poker. His next book is a heist novel. One of the other four members of the double-Pulitzer club, John Updike, said of Whitehead’s style: “His writing does what writing should do. It refreshes our sense of the world.”…

John Dickerson: You said at one point with these two books, “I’ve been working in the space of very little hope.” What does that mean?

Colson Whitehead: To create a realistic world, a realistic plantation, a realistic Florida in the South under Jim Crow, it’s bleak and it’s terrible. 

John Dickerson: That must be, emotionally, quite difficult.

Colson Whitehead: It is and definitely the last– writing these, these two books back to back about slavery and Jim Crow, was very depleting. It helps that people have shared their stories, whether it’s a former slave or a former student and opened themselves up in that way that gives me permission to try and find my way into their story and put myself in their, in their shoes.

(10) MEDIA BIRTHDAY.

  • March 6, 1936 — On this date in 1936, the “Income from Immigrants” episode of the Green Hornet radio show originated from WXYZ in Detroit. (It is also called “Ligget’s Citizenship Racket”.) The show was created by Fran Striker & George W. Trendle, and starred Al Hodge as the Green Hornet at this point, and Tokutaro Hayashi who had renamed Raymond Toyo by initial series director James Jewell. You can download the episode here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born March 6, 1619 – Savinien II de Cyrano de Bergerac.  (His grandfather was Savinien I de Cyrano.)  His Comical Histories published two years after his death (the States and Empires of the Moon), and seven years after (of the Sun), establish him for us, and a good thing too, since we know very little else.  Science fiction cannot claim him: his greatness is with fantasy: no sign of actually considering whether firecrackers could power a Space voyage.  (Died 1655) [JH]
  • Born March 6, 1918 – Marjii Ellers.  Alle Achtung, as Germans say – may I make that “all praise”, Cora Buhlert? –  to her widower Frank Ellersieck, for whom our world held no joy, but who from first to last told her “You go, girl!”  I knowing Forest’s Barbarella from The Evergreen Review recognized ME’s Black Queen in the L.A.Con (30th Worldcon) Masquerade. Two Worldcons later she was the Queen of Air and Darkness, turning from this – but Bjo (should have a circumflex over the j: “bee-joe”) Trimble cried “Look at her feet! Look at her feet!” – into this.  By Westercon 42 she looked like this.  She did the walls of two LASFS clubhouse restrooms, without any trouble or fuss, in Star Wars wallpaper. Wrote Thousands of Thursdays for new LASFS visitors. Kind, never condescending; gentle, never weak.  Int’l Costumers Guild life achievement award.  Big Heart (our highest service award).  Our Gracious Host’s appreciation here (PDF; go to p. 9).  (Died 1999) [JH]
  • Born March 6, 1928 – Gabriel García Márquez.  His citation for the Nobel Prize in Literature said that in his “novels and short stories … the fantastic and the realistic are combined in a richly composed world of imagination.”  Amen.  About his fictional Macondo nine short stories and One Hundred Years of Solitude are available in English; otherwise In Evil Hour and a further score of short pieces; in the year of his death, “A Very Old Man with Enormous Wings” and “The Sea of Lost Time”.  Wrote for two dozen films, directing one.  (Died 2014) [JH]
  • Born March 6, 1928 William F. Nolan, 93. Author of the long running Logan’s Run series (only the first was written with George Clayton Johnson). He started out in fandom in the Fifties publishing several zines including one dedicated to Bradbury. In May 2014, Nolan was presented with another Bram Stoker Award, for Superior Achievement in Nonfiction; this was for his collection about his late friend Ray Bradbury, called Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction. He’s done far too much writing-wise for me to sum it him up. (CE)
  • Born March 6, 1930 Allison Hayes. She was Nancy Fowler Archer, the lead role, in The Attack of The 50 Foot Woman. Her first SF role was the year as Grace Thomas in The Unearthly. She’d be Donna in The Crawling Hand shortly thereafter. She died at age forty seven from the result of injuries sustained from  Foxfire, a mid Fifties Western that’s she was in. That she made three SF films while in severe pain is amazing. (Died 1977.) (CE) 
  • Born March 6, 1942 Dorothy Hoobler, 79. Author with her husband, Thomas Hoobler, of the Samurai Detective series which is at least genre adjacent. More interestingly, they wrote a biography of Mary Shelley and her family called The Monsters: Mary Shelley and the Curse of Frankenstein which sounds absolutely fascinating. Note to ISFDB: no, it’s not a novel. Kindle has everything by them, alas Apple Books has only the biography. (CE)
  • Born March 6, 1937 – Edward Ferman, age 84.  Editor of The Magazine of Fantasy and Science Fiction, succeeding Avram Davidson – what an act to follow! but he did; succeeded in turn by Kristine Kathryn Rusch; publisher 1970-2000.  Four Hugos for F&SF during the years we gave Best Prozine; then three more to him as Best Pro Editor; Milford and World Fantasy awards for life achievement; Worldcon Special Committee Award for expanding and improving our field; SF Hall of Fame.  See his 20th, 25th, 30th, 40th, and 50th F&SF anniversary anthologies.  He and we were clever, lucky, and skillful enough that he’s been acknowledged.  [JH]
  • Born March 6, 1937 – Valentina Tereshkova, age 84.  First woman in Space.  Only woman to have been on a solo Space mission.  Also youngest (she was 26).  Amateur skydiver.  Engineer.  Teacher.  Retired from the Air Force with rank of major general.  Two dozen decorations; see them and more here.  Indeed a hero.  [JH]
  • Born March 6, 1957 Ann VanderMeer, 64. Publisher and editor, and the second female editor of Weird Tales. As Fiction Editor of Weird Tales, she won a Hugo Award. In 2009 Weird Tales, edited by her and Stephen H. Segal, won a Hugo Award for Best Semiprozine. She is also the founder of The Silver Web magazine, a periodical devoted to experimental and avant-garde fantasy literature. (CE)
  • Born March 6, 1972 – Kirsten Bishop, age 49.  One novel, a score of shorter stories, three poems, half a dozen covers: here is The Etched Cityhere is her collection That Book Your Mad Ancestor Wrote.  Aurealis, Crawford, two Ditmars.  Also sculpture.  Too bad we couldn’t see the tadpoles.  [JH]
  • Born March 6, 1979 Rufus Hound, 42. Ok I’ll admit it was his name that got him here. He also had the good fortune to appear as Sam Swift in “The Woman Who Lived”, easily one of the best Twelfth Doctor stories. He’s also played Toad in the world premiere of the musical, The Wind In The Willows in Plymouth, Salford and Southampton, as written by Julian Fellowes. (CE)

(12) COMICS SECTION.

  • How often does B.C. work in a Lucasfilm reference?

(13) BLAST FROM THE PRESENT. In the Washington Post, Travis M. Andrews says if you tweet that you think a piece of the MCU is really well written (as Madison Hatfield did with an episode of “WandaVision”) you’re going to get a lot of praise and a lot of hate from fellow Twitter users. “How a ‘WandaVision’ viral tweet explains the passion of Marvel fans — and haters”.

… So she didn’t think much of it when she posted what she thought was an innocuous tweet to her 800 or so followers, praising a line from Marvel’s latest hit show, “WandaVision.” In one scene, a character suggests to another, “But what is grief, if not love persevering?”

When she heard it, she muttered an expletive under her breath. As both a screenwriter and a casual fan, the line struck her as a standout. “Sometimes you hear a line, and you can tell it would be remembered,” she said.

So on Saturday, intending to poke fun at her “screenwriter self,” she tweeted a photo with the line as the caption, adding, “Do you hear that sound? It’s every screenwriter in the world whispering a reverent ‘F—’ under their breath.” That evening, she went to bed, pleased with the 100 likes it received.

Little did she know that tweet would become a symbol of the almost hyperbolic feelings the MCU inspires online — from both fans and detractors. And how the earnestness of fans of a popular, Disney-controlled product can clash with the cynicism of a place like Twitter.

The next morning, Hatfield’s tweet had 10,000 likes.

“I was excited,” she said. “I thought, ‘People like my joke.’ ” As an added bonus, many people who had experience with grief wrote that it touched them in a personal way.

“Then,” she said, “it took a turn.”

Remember, this is the Internet. Express what others deem as too much excitement for something, and you’re labeled “stupid” and “dumb,” and told you don’t “consume the right kind of art.” Which is what happened.

“Because we all aspire to write bumper stickers,” replied Josh Olson, the Oscar-nominated screenwriter of 2005’s “A History of Violence.” (Olson declined to comment for this article.)…

(And seeing that kind of lashing-out reminded me that Josh Olson was a good friend Harlan Ellison’s.)

(14) ROVELLI. The Arthur C. Clarke Center for Human Imagination podcast Into the Impossible is devoted to conversation with “Carlo Rovelli: Loop Quantum Gravity & The Order of Time”.

Carlo Rovelli (born 3 May 1956) is an Italian theoretical physicist and writer who has worked in Italy, the United States and since 2000, in France. His work is mainly in the field of quantum gravity, where he is among the founders of the loop quantum gravity theory.

He has also worked in the history and philosophy of science. He collaborates with several Italian newspapers, in particular the cultural supplements of the Corriere della SeraIl Sole 24 Ore and La Repubblica. His popular science book Seven Brief Lessons on Physics has been translated in 41 languages and has sold over a million copies worldwide.

In 2019 he has been included by the Foreign Policy magazine in the list of the 100 most influential global thinkers.

He is author of the international bestseller Seven Brief Lessons on PhysicsReality Is Not What It Seems, and The Order of Time. Rovelli lives in Marseille, France.

Already a bestseller in Italy, and written with the poetic vitality that made Seven Brief Lessons on Physics so appealing, The Order of Time offers a profoundly intelligent, culturally rich, novel appreciation of the mysteries of time.

(15) CREDIT OVERDUE. Mental Floss says it’s time to pay homage to “19 Unsung Scientists Who Didn’t Get Enough Credit”.

3. ROSALIND FRANKLIN

Rosalind Franklin was a British chemist who specialized in taking photos that could show the molecular structure of various compounds. With this method, her lab photographed DNA, which would be critical for the discovery of its double-helix structure. Three other people—James Watson, Francis Crick, and Maurice Wilkins—used Franklin’s findings without her permission. When they won the Nobel Prize in Physiology for their collective work in 1962, Franklin was left out of the honors; she had died in 1958.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “I Bought The Rights to A Bad Jack Nicholson Movie” on YouTube, Austin McConnell explains how he bought the rights to the Spanish-language version of The Terror, a 1963 Roger Corman movie which began by his trying to recycle the sets in the bigger-budget The Raven but ended up being shot by five directors (including Francis Ford Coppola).  McConnell explains he story behind his weird B movie and how he bought the Spanish language rights (it’s in the public domain in English) “just so I could make a dumb video about it.”

[Thanks to Mike Kennedy, Michael Toman, Andrew Porter, JJ, John King Tarpinian, Martin Morse Wooster, John Hertz, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 12/16/20 She’s Got A Pixel To File

(1) PAY THE WRITER. In “Star Wars novelist Alan Dean Foster’s Disney royalties issue, explained” at Polygon, Andrew Liptak examines the terrain of what is likely to be an uphill struggle, documents the increasing number of writers with the same grievance, and gives an overview of what some have heard from lawyers.

…Still, after the success of Star Wars, Foster found himself a go-to person for movie novelizations. Over the years, he’s penned dozens of novelizations for franchises like AliensStar TrekDark Star, The Black Hole, Clash of the Titans, Outland, The Thing, Krull, The Last Starfighter, Starman, The Chronicles of Riddick, and others. They were all written in addition to his own original novels.

The nature of a work-for-hire contract means an author who’s written a tie-in novel will have little control over where their story ends up; how characters, situations, or details are used after they turn in their manuscript; and even the copyright of the work itself. It’s a tradeoff: Foster might not own the book, but the product may provide a steady revenue stream for years, especially if the franchise is popular with audiences. Write enough of them, and those tributaries will feed a healthy river.

Shortly after Disney acquired 20th Century Fox last year, Foster says that his royalties for his Alien novels stopped coming. He and his agent first attempted to resolve the issue with the book’s publisher, Warner Books. According to Foster’s agent Vaughn Hansen, while Foster and the organization [SFWA] were working to uncover the provenance of those rights, it became clear there were also missing payments for his Star Wars novels….

Unpaid royalties appear to be an issue that affects other writers. Four additional authors have come forward to Polygon to confirm that they haven’t been paid royalties for work now owned by Disney, for works that appear to have been transferred to other publishers: Rob MacGregor, who wrote the tie-in novel for Indiana Jones and the Last Crusade, as well as several additional tie-in novels; Donald Glut, author of the Empire Strikes Back novelization; James Kahn, author Return of the Jedi and Indiana Jones and the Temple of Doom novelizations; and Michael A. Stackpole, author of the X-Wing comics, Star Wars: Union, and Star Wars: Mara Jade — By the Emperor’s Hand. Without seeing contracts or the full details of the nature of the transfer of property from Lucasfilm to Disney, it’s hard to know if each author falls into the same situation as Foster, but the result appears to be the same: They haven’t received money that they feel entitled to for the work that they published….

(2) A NOBEL PURSUIT. The Arthur C. Clarke Center for Human Imagination’s Into the Impossible podcast has reached its milestone 100th episode: “100: Barry Barish – Black Holes, Nobel Prizes & The Imposter Syndrome”

Barry Barish is an emeritus professor at Caltech, where he has worked since 1963. He became director of the LIGO (Laser Interferometer Gravitational-wave Observatory) project in 1997, which led to his Nobel Prize in 2017. He has many other awards and is a fellow of the National Academy of Sciences and American Physical Society, of which he was also president.

Barry joins our Nobel Minds playlist on the INTO THE IMPOSSIBLE podcast. He shared the 2017 Nobel Prize in Physics with Rai Weiss and Kip Thorne “for decisive contributions to the LIGO detector and the observation of gravitational waves.” We discuss Barry’s long and remarkable career that covers many disciplines within physics. It’s not the standard model, but he has a confidence about himself, and his contributions that make it seem perfectly natural to have been part of such varied, noteworthy projects during his career. Despite that, Barry also admits to feeling like an imposter at times, especially when singing the same Nobel register as Einstein. What a moment!

(3) A LEAGUE OF THEIR OWN. Not Pulp Covers is the place to admire Alphonse de Neuville’s engravings for 20000 Leagues Under the Sea by Jules Verne.

(4) SCREEN TIME. Kellie Doherty analyzes the experience of “Being a Panelist in a Virtual World” at Fantasy-Faction.

As an author, one key thing I always need to be doing is marketing, and events are wonderful marketing tools. Events allow us authors and other creatives to reach a new audience base, network with fellow creatives, and get our names out there. It allows people to gush about what they love while also opening doors for others who are looking to get into those fields. It even helps to demystify the careers of creatives. Plus, events are great for selling—vendor tables are usually bustling, and panels/workshops are key places to chat about all the creative endeavors.

But what about virtual events? Is it still a great experience for the panelists?…

(5) DON’T TOUCH THAT DIAL. “Stephen King Has Thoughts About Stephen King TV Shows” – and the New York Times takes notes as he shares them. For example —

‘It’

1990

This two-part ABC mini-series, an adaptation of King’s sprawling 1986 novel about a child-murdering monster in small-town Maine, is perhaps best remembered for Tim Curry’s frightening performance as Pennywise the Clown.

“I liked that series a lot, and I thought Tim Curry made a great Pennywise,” King said. “It scared the [expletive] out of a lot of kids at that time.”

In fact, King credits the impact of the series on children with the later success of the film version, which starred Bill Skarsgard as the diabolical clown and was a box-office sensation in 2017. (A 2019 sequel, based on the second half of the novel, was similarly successful.)

“One of the reasons the movie was a big hit was because kids remembered seeing it on TV,” King said. “So they went to see it.”

(6) POINT OF NO RETURN. “‘Heroes’ Was Supposed to Be Leonard Roberts’ Big Break. Instead, It Nearly Broke Him” – the actor tells Variety readers about the end of his time on the once-popular show.

As he details in his account below, he experienced immediate friction with his main co-star Ali Larter — and perceived indifference from creator and showrunner Tim Kring — that led him to feel singled out as a Black actor, a feeling that only grew more intense after he was fired from the show after its first season.

…As the first season played out, I learned two other non-white lead characters would be killed off and I started to wonder whether D.L. would suffer the same fate. His presence on the show kept getting smaller, and by the mid-season finale he had been shot more times than 2Pac. I even had my management inquire about the possibility of me being killed off. While I was initially thankful for the opportunity, the experience had become creatively unfulfilling and I thought moving on might be best for everyone. I was told, however, that the production’s response was “We love Leonard.” And in March 2007, while filming the penultimate episode of the season, a producer told me that I was indeed returning for Season 2. I took it as a positive sign, and looked forward to new possibilities.

One of our last publicity obligations that first season involved a photoshoot for Entertainment Weekly, in which cast members, based on their characters’ relationship on the show, were featured on collector’s edition covers. The release of the covers was to coincide with the network’s upfront presentation for the 2007-2008 season in New York.

Upon arriving backstage at Radio City Music Hall for a rehearsal, I caught my co-star’s eye. “I’m hearing our cover is selling the least of all of them,” she told me. It was the first and only thing she said to me that night and I believed the subtext was clear: I was tarnishing her brand….

(7) ANOTHER REASON TO BEWARE. Longshot Press owner Daniel Scott White, publisher of Unfit and Unreal magazines, doubles down on his unhinged strategy of making enemies of SFWA writers.

Two of his magazines were the subject of complaints last February, covered by File 770’s roundup: “Is This Practice Unreal or Unfit? It’s Both”. Then two weeks ago White called for submissions to the magazines, but added “Tip: SFWA members not eligible” (see here, item #2.)

White’s latest assault is against Benjamin C. Kinney, first person to put his name to the complaints brought out in February. Thread starts here.

And White is also working on a Nixonian enemies list.

(8) MEDIA ANNIVERSARY.

  • 2008 — Twelve years ago, Catherynne M. Valente had the unusual honor of winning the Mythopoeic Fantasy Award for Adult Literature for not one novel but for two novels in the same series, The Orphan’s Tales: In The Night Garden and  its sequel, The Orphan’s Tales: In the Cities of Coin and Spice. It is the only time that this has happened as far as we can determine. An Otherwise Award would also go to The Orphan’s Tales: In The Night Garden

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 16, 1880 – Anna Alice Chapin.  Children’s book from the Victor Herbert operetta Babes in Toyland with its libretticist Glen MacDonough.  Half a dozen more fantasies; ten other books; shorter stories for magazines and newspapers; a play with her husband, and three more stories, made into films.  (Died 1920) [JH]  
  • Born December 16, 1917 Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. The tea plantations he described therein are very awesome.  I never saw him but he was well known among the small British community there and I passed by his residence one day. I’ll admit that I’ve not read that much by him — Childhood’s EndRendezvous with Rama and that novel are the only long form works by him I’ve read.  I’ve read a lot of short fiction including of course Tales from The White Hart. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.) (CE) 
  • Born December 16, 1927 Randall Garrett. Randall Garrett. Ahhh, Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. (The later Lord Darcy collection has two previously uncollected stories.) Glen Cook’s Garrett P.I. is named in honor of Garrett.  I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.) (CE):
  • Born December 16, 1937 Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley.  He had a number of truly  great works, both genre and not genre, including EvaThe Tears of the Salamander and The Flight of DragonsThe Ropemaker garnered a well-deserved Mythopoeic Fantasy Award for Children’s Literature. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.) (CE)
  • Born December 16, 1928 – Philip K. Dick.  Four dozen novels, ten dozen shorter stories, half a dozen poems; letters in The Alien Critic and PsychoticRiverside QuarterlySF Commentary.  A Hugo for The Man in the High Castle; Campbell Memorial Award for Flow My Tears, the Policeman Said; British SF Ass’n Award for A Scanner Darkly; Kurd Laßwitz Prize for VALIS.  SF Hall of Fame.  See too The Shifting Realities of PKD (L. Sutin ed. 1995).  Curiouser and curiouser.  (Died 1982) [JH]
  • Born December 16, 1937 – Norm Metcalf.  His Index of SF Magazines 1951-1965 followed Day’s Index to the SF Magazines 1926-1950.  His fanzine New Frontiers drew contributions from fannish pros e.g. Poul Anderson, Tony Boucher, Sprague de Camp.  Active in many apas, e.g. FAPA (fifty years), IPSOOMPASAPS (forty years), SFPAThe Cult.  (Died 2019) [JH]  
  • Born December 16, 1948 – Steve Forty, age 72.  Indispensable Vancouver fan.  Served as President of BCSFA (British Columbia SF Ass’n – to bring in a Tom Digby joke, not its real name, which is West Coast SF Ass’n), editor of BCSFAzine, chair of VCON 20, perhaps inevitably Fan Guest of Honour at VCON 40.  BCSFAzine was printed by Gestetner mimeograph until the late 1980s; S.40 had at least six Gestetners, each carrying a different colour ink (note spelling, these are Canadians), so as to manage multi-color covers.  BCSFA’s VCON Ambassador for Life.  Aptly a steel-burnisher by trade.  To us in the States he is the North Forty, but what do we know?  [JH]
  • Born December 16, 1956 – Alexander Bouchard, age 64.  Fanzines Scopus:3007Lightning Round.  Podcaster, costumer, conner (we have filkers, costumers –).  Fanwriting at least as early as “Asimov, the Foundation of SF” in Lan’s Lantern 34.  I’ve heard of but not seen the vegan electric-pressure-cooker recipe book over this name so can’t say if his, but you probably know fans who’re vegan electric pressure cookers.  [JH]
  • Born December 16, 1957 Mel Odom, 63. An author deep into mining franchise universes with work done into the BuffyverseOutlandersTime PoliceRogue Angel (which I’ve listen to a lot as GraphicAudio as produced them as most excellent audioworks) and weirder stuff such as the Left Behind Universe and Tom Clancy’s Net Force Explorers, both I think game tie-ins. (CE) 
  • Born December 16, 1967 Miranda Otto, 53. She was Éowyn in the second and third installments of Peter Jackson’s The Lord of the Rings film franchise. (I stopped watching after The Fellowship of The Rings.) She‘s Zelda Spellman in Chilling Adventures of Sabrina, and Mary Ann Davis in Spielberg’s version of The War of The Worlds. She also played Wueen Lenore inI, Frankenstein which had an an amazing cast even if the Tomatometer gives it’s 5% rating. (CE)
  • Born December 16, 1971 – Roz Clarke, age 49.  Three anthologies with Joanne Hall (2 vols. of Airship Shape and Bristol FashionFight Like a Girl); four short stories.  “Haunt-Type Experience” reprinted in Stories for Chip (i.e. S.R. Delany; tribute anthology).  [JH]

(10) THE WATCH. A trailer is out for The Watch Season 1. Premieres January 3.

Anyone can be a hero. ‘The Watch’, an all-new series inspired by characters created by Sir Terry Pratchett stars Richard Dormer as Vimes and Lara Rossi as Lady Sybil Ramkin.

(11) ON THE BOTTOM. John Picacio tweeted photos of his 2020 Hugo which features something I’ve never seen on the trophy before – writing on the bottom of the base. The text explains the design elements.

(12) TIME CONSIDERED. “Christopher Nolan On Why Time Is A Recurring Theme In His Movies”: NPR’s “All Things Considered” interviewed the filmmaker. Audio and a transcript at the link.

CHRISTOPHER NOLAN: Time is the most cinematic of subjects because before the movie camera came along, human beings had no way of seeing time backwards, slowed down, sped up. And I think that went some way to sort of explain to me why I’ve been interested in exploring it in movies because I think there’s a really productive relationship. And I had this visual notion of a bullet that’s in a wall, being sucked out of the wall and into the barrel of the gun it was fired from. And I put the image in “Memento,” my early film, as a…

(13) AN EXPANSIVE LETTER TO THE EDITOR. [Item by Daniel P. Dern] “Catching Up to ‘The Expanse,’ the Space Opera You Love” is a review by Mike Hale at the New York Times.

“The undisputed heir to ‘Battlestar Galactica’ begins its fifth (and next to last) season on Amazon Prime Video.”

DPD comments (note, I’m also submitting a shortened-for-length-restrictions version of this to the NYTimes online comments to the review, which already has a modest but informed discussion going):

While this is basically a favorable-enough review of the TV series, I want to pick a few nits, from the perspective who

a) is a life-long sf fan — written, also comics, movies and TV

b) has read all the Expanse books (and some of the novellas/stories) and is current watching the previous seasons

c) Never watched the original Battlestar G; watched maybe 2-3 eps of the 2004 reboot.

1) Hale says, with respect to The Expanse (show), “The series capably fulfills the basic requirement of speculative science-fiction: It keeps you guessing about where the journey’s going to end.”

Huh? This makes me wonder how much Hale knows about science fiction as a genre, as opposed to having watched a bunch. Discuss amongst yourselves.

2) “With regard to the show’s intensely devoted following, a binge only confirms what was obvious from the first few episodes. ‘The Expanse’ is the natural heir to the cult-favorite ‘Battlestar Galactica’ (2004-9); it’s another old-fashioned, hard-core space adventure set within an up-to-date clash-of-civilizations political allegory. It was an easy move for the ‘Galactica’ faithful.”

Since, like I said above, I haven’t watched (enough) B/G, I can’t agree or disagree with the “natural heir” point, nor whether B/G faithful found it an “easy move.” I will challenge “allegory” (and I’m dubious about “civilizations”).

3) “’The Expanse’ operates on a smaller, more intimate scale than ‘Galactica,’ …it doesn’t imagine ships zapping among star clusters. It’s contained within our solar system.” Hello? Venus whack? Galactic gateway? I’m not convinced Hale has watched the most recent two seasons. Or wasn’t paying attention.

4) “’The Expanse’ builds its future world in a schematic way that provides an efficient framework for plot and, I’m guessing, appeals to viewers who like their science-fiction highly diagramed.”

I’m not sure what Hale means by “schematic,” much less “highly diagrammed,” and even if I did, I don’t think I’d agree, assuming I could figure out what he meant. I mean, you could make similar claims about Game of Thrones, no?

5) “Into this setup, the show introduced a golem-like alien substance (called, with a notable lack of imagination, the protomolecule)”

“Notable lack of imagination”? Talk about setting phrasers to “Snark!”

“In its facelessness and inexorability, it was a decent stand-in for the cylons of ‘Galactica.’””

First, isn’t Cylon a proper noun, worth of initial-capping?

Arguably, also, the p-mol isn’t completely faceless, e.g., using the appearance (and perhaps more) of Detective Miller at times, to manifest to James “F***ing” Holden.

Like I said, Hale’s review is basically positive, but the off-notes irk me. Again, my theory is that Hale’s watched his share of TV/movie sf, but hasn’t read a significant amount of it.

Anyhoo, I’m looking forward to the new season.

(14) DRAWN THAT WAY. Publishers Weekly asked critics to name the year’s best graphic novels. Not too much genre on their list, unless you’re coming from a place that all graphic novels check that box: ‘”Kent State’ On Top of PW’s 2020 Graphic Novel Critics Poll”.

Released in September during the 50th anniversary year of the 1970 tragedy, Kent State: Four Dead in Ohio (Abrams ComicArts) by veteran comics journalist Derf Backderf garnered the majority of votes in PW’s annual Graphic Novel Critic’s Poll, receiving eight votes from a panel of 14 comics critics.

The PW Graphic Novel Critics Poll is compiled by asking participating critics to list up to 10 trade book releases they consider the best graphic novel and comics works of the year. The book receiving the most votes wins; and we share the remaining top vote-recipients. Titles listed as Honorable Mentions each received a single vote. Taking part in this year’s poll are PW graphic novel reviewers Gilcy Aquino, Chris Barsanti, Maurice Boyer, Rob Clough, John DiBello, Glen Downey, Shaenon Garrity, Rob Kirby, Cheryl Klein, Maia Kobabe, Sarah Mirk, and Samantha Riedel. Also participating are PW Graphic Novels Reviews editor Meg Lemke and PW senior news editor Calvin Reid.

(15) VIDEO OF YESTERDAY. Family Planning (1968) on YouTube is a 1968 Disney cartoon, featuring Donald Duck, done in cooperation with the Population Council.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Shazam!  The History of Shazam!” on YouTube is a 2019 documentary, narrated by Cooper Andrews, about the character originally known as Captain Marvel and, from 2011 onwards, completely known as Shazam.  It’s of course tied in to the 2019 movie Shazam, and we learn that the reason Billy Batson in the movie is part of a foster family was because of a 2012 revision of the character by Geoff Johns.  I think the lawsuits over whether Captain Marvel was a Superman knockoff are more interesting than the character itself.  It’s primarily comics-oriented because the only filmed appearances of the character until 2019 were in a 1940s serial and what looks like a cheezy 1970s Saturday morning series,  I think the most fun facts in the documentary are a visit to the DC archive (known as the Vault) and learning that one of the chief enemies of Captain Marvel, Dr. Sivana, was modeled after co-creator C.C. Beck’s dentist. I did think it was worth an hour.

[Thanks to John King Tarpinian, JJ, Daniel Dern, Cat Eldridge, Martin Morse Wooster, Michael Toman, John Hertz, Mike Kennedy, Andrew Liptak, Trey Palmer, Rich Lynch, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Pixel Scroll 11/15/20 There Was An Old Black Hole Who Swallowed A Jovian Gas Giant, I Don’t Know Why It Swallowed A Jovian Gas Giant, Perhaps It Will Implode

(1) TANTALIZING TITLES. Eric Flint says he and Griff Barber are closing in on finishing 1637: The Peacock Throne, the sequel to 1636: Mission To The Mughals. What next?

…1637: THE PEACOCK THRONE is a hell of a good novel, if I say so myself. All we have left to do is write a few chapters to conclude the story arc. THIS story arc, I should say.

Yes, there will be a sequel. I’m already pondering titles. Possibilities are:

1638: A PREGNANT PAUSE

1638: THE HAJJ IS TRICKIER THAN IT LOOKS

1638: WHAT TO DO, WHAT TO DO…

1638: GIRL, YOU ARE IN SOOOOOOO MUCH TROUBLE

1638: YOU DID WHAT?????

Muahahahahaha….

(2) ABOUT FACE. “Stranger Than Something That Is Already Strange: A Conversation with Namwali Serpell” at the LA Review of Books.

That leads right into one of my other questions. The central claim of the book is that, rather than being all that interested in the Ideal Face, we actually “love to play with faces, to make them into art.” Why do you think it is so important to emphasize art and play when thinking about the face?

I think that, when you have a very dominant model of something, like the face, you have to undo it not just through examples of things that contravene it — not just through counterexamples — but you have to actually build a positive model. In thinking about what playing with the face gives to us, I needed to present it not just as a kind of denigration or a sacrilegious desecration because we have this deification of the ideal face. So, I started thinking about what playing with faces actually grants us. And I thought, well, it actually starts shifting us to entirely different models of aesthetics and ethics and emotion.

(3) MEDICAL UPDATE. Heather Rose Jones tweeted today —

And later –

Hope she’s getting great care, and our wishes for a speedy return to health.

(4) LEND ME YOUR EARS. Elisabeth Moore pushes the canonical envelope at Sarah Gailey’s site — “Personal Canons: Dragon Rider”.

The idea that a personal literary canon is devised out of only literature has been disproven over and over again in this series of essays. Some people see comics as a key part of their development; others count anime and folktales. The very fact that the personal canon is multifaceted and multi-genre is key to the canon. And so, I want to add a key cornerstone of my canon: the audiobook for Cornelia Funke’s The Dragon Rider, Part 1.

Yes. Only Part 1….

(5) CRAIG MILLER WINS ANIMATION WRITING AWARD. Writers Guild of America gives an award, through its Animation Writers Caucus, that the Guild’s website calls the Animation Writing Award, informally a life-career award. Congratulations to Craig Miller, this year’s winner.

The official description says it’s “given to that member of the Animation Writers Caucus and/or the Guild who, in the opinion of the Board of Directors, has advanced the literature of animation in film and/or television through the years and who has made outstanding contributions to the profession of the animation writer”.

And this year, in an act of madness, they decided the recipient will be me.

I’m truly honored to get this award and hope I have and can continue to live up to it.

(6) TOOT TOOT. Inspired by the Star Trek train set, the O Gauge Railroad Online Forum asks “What kind of bell and horn sounds would be authentic for a Star Ship?”.

“How would you hear it in space? Do you blast the horn 4 times for warp speed? Is the bell for Impulse power?”

(7) A NOISE WITHIN. Meanwhile, “Doctor Who’s sonic pioneers to turn internet into giant musical instrument” says The Guardian. “The performance comes the day before 23 November, the anniversary of the first transmission of Doctor Who in 1963 which is also Delia Derbyshire Day, in honour of the Radiophonic Workshop’s leading light, who created the sound of the show’s famous theme tune.”

The Radiophonic Workshop has always broken new sonic ground, from the Doctor Who theme to the Hitchhiker’s Guide to the Galaxy. Now they’re at it again – this time using the internet as a musical instrument.

A performance of Latency will take place at a special online event on 22 November using a technique inspired by lockdown Zoom calls. The band includes composers from the original BBC Radiophonic Workshop, which created soundtracks for most BBC shows from the 60s to the 90s and influenced generations of musicians from Paul McCartney, Pink Floyd and Mike Oldfield to Aphex Twin, Orbital and Mary Epworth.

The idea [of playing the internet] reflected our time,” said workshop member Peter Howell. “We’re all subject to the internet now in a way that we never thought we would be. And Bob and Paddy came up with an idea that is literally using what we’re all relying on for a creative purpose, using something that we’ve all taken for granted but in an artistic way.”

(8) INSIDE STORY. Publishers Weekly, in “How ‘The Only Good Indians’ Got Made—And How It Hopes to Revive Horror”, covers the Authors Guild’s From Manuscript to Marketplace panel with Stephen Graham Jones and his team. including Saga editorial director Joe Monti, marketing and publicity manager Lauren Jackson, and his agent, B.J. Robbins.

The Only Good Indians, which received a starred review from PW and was recently named one of Time magazine’s 100 must-read books of 2020, tracks the lives of four young men who, during a hunt, commit a crime against an elk and their own Blackfeet Nation tribe. After walking away from the incident, they find themselves haunted by a mysterious entity bent on revenge, and realize that there are just some things one can’t take back.

What intrigued Monti about Jones’s novel was how it addressed reviving the horror genre. After seeing Jordan Peele’s Get Out, Monti said, he realized that “this is the way we’re gonna be able to talk about race and class and culture with a level of immediacy that other genres can’t”—and he believed Jones’s book nailed it. But Monti wasn’t the only one from Saga who saw the connection. Jackson was hooked from the prologue, going on to read the book in the course of a few days and immediately dubbing it “the Jordan Peele of Horror Literature.”

Johnson argues that Jones’s book is one of a number of recent releases to have proven that the horror genre isn’t as narrow as its reputation. Horror is a “statement about identity” in her view: “there are layers to these tropes, and if you really look deep, it’s saying a lot about who people are and what the world is like,” Johnson said, adding that “the tropes have a function [and] there’s something behind them.”…

(9) DIRECTORIAL DEBUT. Leonard Maltin reviews “Over The Moon: A Beautiful Journey”.

Over the Moon is, like any animated feature, the work of many people but everyone I interviewed took inspiration from its director, master animator Glen Keane.

Glen spent 37 years at the Disney studio and brought to life some of the modern era’s most indelible characters: Ariel in The Little Mermaid, the Beast in Beauty and the Beast, the young hero in Aladdin, the title characters in Pocahontas and Tarzan, and Rapunzel in Tangled, among others. Several years ago he won an Oscar for Best Animated Short Subject for Dear Basketball, a collaboration with the late Kobe Bryant.

This is officially his feature directing debut and as you would expect, he chose his team with care. That’s why Over the Moon looks so striking and its characters are so vivid….

(10) MEDIA ANNIVERSARY.

1975 — Forty five years ago at Aussiecon One which had John Bangsund as Toastmaster, The Dispossessed: An Ambiguous Utopia by Ursula K. Le Guin wins the Best Novel Hugo. Runner-ups were Poul Anderson’s Fire Time, Philip K. Dick’s Flow My Tears, the Policeman Said, Larry Niven and Jerry Pournelle’s The Mote in God’s Eye andChristopher Priest’s Inverted World. First published by Harper & Row the previous year with cover art by Fred Winkowski, it would also win the Locus and Nebula Awards for Best SF Novel and be nominated for the Campbell Memorial, Ditmar and multiple Prometheus Awards being eventually voted into the Prometheus Hall of Fame Award. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 15, 1877 William Hope Hodgson. By far, his best known character is Thomas Carnacki, featured in several of his most famous stories and at least partly based upon Algernon Blackwood’s occult detective John Silence. (Simon R. Green will make use of him in his Ghost Finders series.)  Two of his later novels, The House on the Borderland and The Night Land would be lavishly praised by H.P. Lovecraft.  It is said that his horror writing influenced many later writers such as China Miéville, Tim Lebbon and Greg Bear but I cannot find a definitive source for that claim. (Died 1918.) (CE)
  • Born November 15, 1929 Ed Asner, 91. Genre work includes roles on Alfred Hitchcock PresentsThe Outer Limits,  Voyage to the Bottom of the SeaThe Girl from U.N.C.L.E.The InvadersThe Wild Wild WestMission: ImpossibleShelley Duvall’s Tall Tales & LegendsBatman: The Animated Series and I’ll stop there as the list goes on for quite some while. (CE)
  • Born November 15, 1930 J. G. Ballard. I’ll frankly admit that I’ve not read enough of him to render a coherent opinion of him as writer. What I’ve read such as The Drowned World is more than a bit depressing. Well yes, but really depressing. So tell me what you think of him. (Died 2009.) (CE) 
  • Born November 15, 1939 Yaphet Kotto, 81. As we count the Bond films as genre and I do, his first genre performance was as Dr. Kananga / Mr. Big in Live and Let Die. Later performances included Parker in Alien, William Laughlin in The Running Man, Doc in Freddy’s Dead: The Final Nightmare, Ressler in The Puppet Masters adapted from Heinlein’s 1951 novel of the same name and he played a character named Captain Jack Clayton on SeaQuest DSV. (CE) 
  • Born November 15, 1941 – Daniel Pinkwater, 79.  The Golux (in The Thirteen Clocks, J. Thurber 1950) wears an indescribable hat; DP is almost indescribable.  You may know he wrote The Snarkout Boys and the Avocado of Death; seven dozen more; a dozen shorter stories.  Sometimes he draws his own covers.  He deserves fuller treatment – no – more rounded – no – expansive – anyhow, his Website is here (hint: if you want to know about the Semper admirare melongenum eggplant, find out about the talking pineapple: I can say no more).  [JH]
  • Born November 15, 1942 – Ruth Berman, 78.  Rhysling Award, Short Poem for “Potherb Gardening” (Asimov’s, Dec 02); Dwarf Stars Award for “Knowledge Of” (repr. 2008 Nebula Awards Showcase).  Minnesota Fantasy Award.  Two novels, thirty shorter stories, a hundred thirty poems.  Nonfiction Patterns of Unification in “Sylvie and Bruno” (Lewis Carroll’s last novel, 1893); Who’s Who in the Borderlands of Oz.  Guest of Honor at Minicon 6, MarsCon 2016.  More here.  Often seen in the letter column of Lofgeornost.  [JH]
  • Born November 15, 1952 – Catherine Wells, 68.  Five novels, a dozen shorter stories. “Builders of Leaf Houses” won the Analog 2015 AnLab award for Best Novella.  Outside our field a novel Stones of Destiny about Macbeth (re-issued as Macbeatha).  Plays in a jazz trio at church with her husband on drums, rides tandem bicycle with him.  Thirty in her high school (Robinson, North Dakota); she was top in a class of five; when asked “Are you in the top 20% of your class?” she answered “I am the top 20% of my class.”  Guest of Honor at TusCon 27.  [JH]
  • Born November 15, 1958 – Scott Lefton, 62.  Built the Hugo base for Noreascon 4 (62nd Worldcon).  For the Hugo presentation at Sasquan (73rd Worldcon) by Kjell Lindgren from the Int’l Space Station via videoconference, SL made the Hugo rocket.  SL’s Pitcher-Plant Lamp won Popular Choice – Best 3-Dimensional in the Arisia 2017 Art Show.  [JH]
  • Born November 15, 1972 – Vadim Panov, 48.  Aircraft radio engineer who started writing.  Losers Launch Wars began an urban-fantasy series “The Secret City”, fourteen so far; Club Moscow began a cyberpunk series “The Enclaves”, five so far.  [JH]
  • Born November 15, 1972 Jonny Lee Miller, 48. British actor and director who played Sherlock Holmes on the exemplary Elementary series, but his first genre role was as a nine year-old with the Fifth Doctor, “Kinda”. While he’s had a fairly steady stage, film, and TV career across the pond since then, it’s only in the last decade that he’s become well-known in the States – unless, like JJ, you remember that 23 years ago he appeared in a shoddy technothriller called Hackers, with another unknown young actor named Angelina Jolie (to whom he ended up married, until they separated 18 months later). Other genre appearances include a trio of vampire films, Dracula 2000Dark Shadows, and Byzantium, the live-action Æon Flux movie, and the lead in the pseudo-fantasy TV series Eli Stone. (CE) 
  • Born November 15, 1977 – Ashley Knight, 43.  Loves horses, has been a Rodeo Queen.  Thereafter she became the Mermaid Lady and properly wrote a Fins trilogy; three more novels.  [JH]

(12) COMICS SECTION.

(13) SHOW TIME. Disney Rewards challenges fans with a “Quiz: How Well Do You Know The Mandalorian?”

Since it premiered in 2019 on Disney+, the first ever live-action Star Wars TV series, The Mandalorian, has thrilled a galaxy of fans with its action-packed adventures. But how closely did you watch, and how well do you know the bounty of details? Strap on your jetpack and launch into our trivia quiz to test your knowledge and target an expert-level score.

(14) DINO TBR. Pocket’s “The Ultimate Dinosaur Reading List” is a collection of links to articles about dinosaurs.

If you ever want to put things in perspective, consider this: Less time separates human beings in history from Tyrannosaurus rex than T. rex from Stegosaurus. That’s right. While T. rex went extinct about 66 million years ago, at the end of the Cretaceous Period, the Jurassic Period’s stegosaurus roamed the Earth 83 million years before T. rex had even evolved. All told, dinosaurs ruled the planet for some 180 million years, while homo sapiens emerged a paltry 200,000 years ago.

That’s just one of many reasons our fascination with the terrible lizards is wholly justified. We’ve curated this Brachiosaurus-sized collection of 20 great articles all about dinosaurs and the people who obsess over them, including what dinosaurs looked like, what it’s like to be a paleontologist hunting for dinosaur fossils, and whether Jurassic Park could actually happen.

(15) TIME FOR A SITDOWN. In Episode 40 of Two Chairs Talking, “Lost in the labyrinth of words”, Perry Middlemiss and David Grigg discuss their recent reading across a variety of genres and spend quite a bit of time on Piranesi by Susanna Clarke, her first book in 14 years.

(16) CHILD SIZED. Sideshow takes you “Behind the Scenes with The Child Life-Size Figure on ESPN’s Monday Night Football”. Video at the link.

Recently, football audiences, Star Wars™ fans, and Sideshow collectors alike were treated to a surprise special appearance of The Child Life-Size Figure on a themed promotional spot about The Mandalorian™ on ESPN’s Monday Night Football.

Now take a look at a few adorable behind the scenes shots featuring The Child Life-Size Figure during the filming of the promo. In the charming video narrated by actor Giancarlo Esposito, the Child Life-Size Figure featured alongside a young boy with ambitions of becoming a hero like the Mandalorian.

(17) HOW TO ASTRONAUT. The Arthur C. Clarke Center for Human Imagination offers “How To Astronaut, With Terry Virts”, in a virtual conversation on November 24 at 6:00 p.m. Pacific. Register here.

On November 24 at 6:00 PM PDT join NASA astronaut and International Space Station commander Colonel Terry Virts in conversation with Dr. Erik Viirre of UCSD Departments of Neurosciences, Surgery and Cognitive Science and the Arthur C. Clarke Center for Human Imagination. How to Astronaut covers everything from training through launch, orbit, spacewalking, deep space, and re-entry. Colonel Virts and Dr. Viirre will discuss the science, emotions, and philosophies that an off-the-planet perspective can grant.

Colonel Terry Virts earned a Bachelor of Science degree in mathematics from the United States Air Force Academy in 1989, and a master of aeronautical science degree in aeronautics from Embry-Riddle Aeronautical University. Selected by NASA in 2000, he was the pilot of STS-130 mission aboard Space Shuttle Endeavour. In March 2015, Virts assumed command of the International Space Station, and spent over 200 days on it. Virts is one of the stars (and photographers) of the IMAX film, A Beautiful Planet, released in April 2016. He is also the author of View from Above. He lives near Houston.

Dr. Viirre has done research for the National Institutes of Health, the United States Navy’s Office of Naval Research, DARPA and NASA. He is a consultant for groups such as the National Academy of Science and a variety of Virtual Reality technology companies.

(18) HONEST GAME TRAILER. In “Honest Game Trailers:  Crash Bandicoot 4:  It’s About Time,” Fandom Games says Crash Bandicoot is “gaming’s equivalent of a C-list celebrity” and dusting off this “mutated marsupial” is like having an “HD remake” of a popular ’90s franchise.  The game features a Peter Lorre joke “that was ancient in the ’90s.”

[Thanks to Rose Embolism, JJ, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, John Hertz, Cat Eldridge, Andrew Porter, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/6/20 You Get A File, I’ll Get A Troll, We’ll Head Down
To The Pixel Scroll, Honey, Enemy Mine

(1) CUTTING OFF THEIR AIR. Connie Willis starts her Facebook post by comparing recent tragedies with the Salem witch trials: “On The Surreal Situation We Find Ourselves In”.

The first thing I thought of when I saw the horrific police murder of George Floyd was the Salem witch trials. Most people think the innocent victims of those monstrous trials were burned at the stake, but they weren’t–they were hanged. Mostly. Fourteen women, five men, and two dogs were executed by hanging. And one, an eighty-one-year-old farmer named Giles Corey, was pressed to death by putting a large flat stone on his chest and then piling more stones on top of it till they crushed the life out of him.

Basically the same thing happened to George Floyd. The policeman kneeling on his neck cut off his airway, and the other two holding him down pressed him flat against the ground so that his rib cage couldn’t inflate, and he suffocated to death.

The atrocities in Salem were precipitated by a belief that Evil was loose in their community.

It was, but it didn’t reside in the helpless slaves and old women and religious dissenters (and people who dared to speak out against what was happening) who were “tried” for witchcraft and executed.

The terrible irony of Salem is that the evil they were trying so hard to stamp out resided in the pious Christian town folk who accused them and the self-righteous judges who presided over their mock trials– “spectral evidence” was allowed, and they were pronounced guilty of crimes they had supposedly committed in the town even though they were locked up in jail at the time–and sentenced them to death.

The crimes brought to light by the death of George Floyd haven’t just been the murders of other African-Americans killed by the police, but other crimes the police have committed and are committing: the brutalizing of people exercising their First Amendment rights, the calling out of troops against the citizens they’re supposed to protect, and administration officials directing them to do so, calling for violence against their own people. Crimes by so-called law-abiding citizens and the officials they’ve put in office to “serve and protect” the public….

(2) YES, THIS AUGUST. Inverse fills readers in: “Everything We Know About Lovecraft Country, HBO’s Timely New Horror Series”.

In what just might be your next obsession from HBO, the weird fiction of H.P. Lovecraft finally does what the famed author never dared to do: Tell stories about Black people.

In August, HBO will premiere the television series Lovecraft Country, a road trip horror fantasy set in Jim Crow era America. It tells the story of an Army veteran and science fiction geek embarking on a cross-country trip to find his missing father, only to encounter otherworldly — and some very familiar — horrors along the way….

(3) LESS CYBER, MORE FILLING. “The New AP Stylebook Gets Technical. Really Technical”Slate explains how.

On Wednesday, the Associated Press released the 55th edition of its official Stylebook, complete with a new chapter on digital security practices for journalists. It also comes with a slew of new entries on technology that reinforce the importance of online advertising and cybersecurity in everyday life—and journalism.

For most journalists, the advice in the AP guide on how to secure their communications—through strong passwords, multifactor authentication, and the use of virtual private networks and encrypted messaging apps—will probably not come as a surprise. Still, for those tools to have made their way into the Associated Press Stylebook seems like a landmark of some kind for measuring how mainstream digital security concerns have become for journalists.

The new and revised technology-related entries in the Stylebook also reflect some interesting shifts in what the Associated Press believes journalists can expect general audiences to know. In general, many of the recommendations tend to urge journalists in the direction of greater specificity about the technologies they are describing and away from more generic, dated terms. For instance, the Stylebook endorses the terms digital wallets and mobile wallets, but it recommends avoiding e-wallet. In a similar vein, journalists are advised to use the prefix cyber– and the terms cyberspace and cyber sparingly, and instead substitute words like internet or digital…. 

(4) THE POSITIVE POWER OF BOREDOM. Eh, maybe. “What type of ‘bored’ are you? Find out and master the art of boredom”Body+Soul tells you how.

Lockdown got you climbing the walls? Are you over feeling bored? While it’s certainly an unpleasant feeling, experts say boredom isn’t always a bad thing. Some say that ‘blah’ feeling can even spur you on to greatness.

“There’s a real misconception that boredom is a sign of laziness and associated with apathy — actually, it’s the opposite,” says Professor James Danckert, who studies boredom. “It’s motivating — and, if we listen to it, we can learn a lot.”

Other experts agree that being bored can be a good thing. “Most of the time our minds are constantly occupied by external stimuli like smartphones,” says psychologist Dr Joann Lukins. “But boredom gives us a space to pause, reflect and then, often out of necessity, sees us create our next opportunity. I find it interesting that we use negative phrases like ‘bored to tears’ to discuss boredom when we can be ‘bored to brilliance’.’’

In fact, when researchers at the UK’s University of Central Lancashire asked people to do a boring task for 15 minutes and then asked them to come up with a list of things they could do with a plastic cup, they came up with more creative ideas than those in the control group who weren’t bored….

(5) WRITING FOR TEENS. The Arthur C. Clarke Center for Human Imagination is promoting the SDFutures online writing courses, along with UCSD and other supporters.

Imagining fantastic worlds and the future has never been more important.

It’s how we expand our sense of what is possible. It’s how we change our culture, save our planet, and make stories that create better futures for our loved ones and ourselves. This summer, we’re inviting San Diego–area teens to join us in exploring the power and potential of one of our most powerful human capacities: imagination.

SDFutures is series of online courses to help young people write science fiction and fantasy stories by developing their skills, meeting other young writers, and stretching their imagination with incredible professional writers of speculative fiction as guides. 

Our instructors include: Rebecca Roanhorse, Minh Lê, Kali Wallace, Lilliam Rivera, Patrick Coleman, Leah Thomas, Jeanelle Horcasitas, and Olivia Quintanilla.

If you know a community group, teacher, or young person who would benefit from this opportunity, please feel free to share.

More information, including how to register, at sd-futures.org.

(6) COMING ATTRACTIONS. Rich Horton put together a list of recommended books on his TBR pile. Many well-known titles here, but being TBR, he said his own score is zero. I’ve read 7. You have probably read multiples of my score.

Recently I posted a list of 100 books that was full of crap … it claimed to be a BBC list (it wasn’t) and it claimed that the average person had read only 6 (who knows?) and it was shoddily curated (multiple weird duplicates, etc.)

Here is what I believe to be a far better list. There are no duplicates (not even duplicate authors.) It is very English-language-centric — I can’t help that, English is all I can read…

(7) WITCHER WATCHER. [Item by Martin Morse Wooster.] Behind a paywall in the May 30 Financial Times, Nilanjana Roy says she misses browsing bookstores in Delhi but has found some consolation watching TV shows adapted from novels, including The Witcher.

The hugely popular Netflix series, The Witcher, is a dark fantasy based on five novels written by Andrzej Sapkowski in the 1990s, following Geralt of Rivia, a lone monster killer who plies his trade across time jumps in the Continent, a place where monsters, humans, and creatures from Slavic fantasy battle it out with one another. Sapkowski, now 71, lives in Lodz and is as big a star in Polang as Terry Pratchett was in the UK. In one of his interviews, he dismissed critics of the fantasy genre:  ‘All literature is fantastic in its own way because it tells what wasn’t on paper before and it doesn’t matter whether you write about hobbits or love.’  Over the years, the community of Witcher fans has grown larger, drawn in by three wildly successful video games based on Geralt’s adventures, but it’s only now that the books have become a hit, propelled by the Netflix show.

What drew me in was not just the lure of a fantasy world peopled by vedmaks (sorcerers) or strigas (a flying witch who sucks the blood of infants at night); it’s that many of the characters are depicted as outsiders and outcasts.  It’s refreshing to watch fantasy that has a subtle echo of this last century’s swirl of xenophobia and politics about who belongs and who lives in the periphery, and that seeps into Geralt’s bloody exploits.

(8) TODAY IN HISTORY.

  • June 6, 1980 — The decidedly low-budget Galaxina premiered. Starring the 1980 Playboy Playmate of the Year Dorothy Stratten as the android Galaxina and a cast too large to detail here, it was written and directed by William Sachs. Marilyn Jacobs Tenser was the producer. She did work for Crown International which did low-budget genre films such as horror cinema, biker films, exploitation films, and B-movie drive-in fare. Critics thought it was a failure at spoofing it’s intended victims of Star TrekStars Wars and Aliens.  Audience reviewers at Rotten Tomatoes give it a not so generous 24% rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 6, 1799 – Alexander Pushkin.  Sometimes after a surprise you re-examine and think “Oh.  Of course.”  When Ravi Shankar first visited Russia, people cried “Pushkin!  Pushkin!”  They loved Pushkin and there is a resemblance.  I’d like to call Mozart and Salieri a fantasy but, as my father used to say, not within the normal meaning of that term.  Anyway, we get Ruslan and Lyudmila and “The Queen of Spades” and The Bronze Horseman and “The Golden Cockerel” and The Stone Guest and “The Shot”.  Speaking of which –  (Died 1837) [JH]
  • Born June 6, 1918 Richard Crane. In the Fifties, he would be cast in two of the series that largely defined the look and feel of televised SF for a decade. First, he was the dashing lead in Rocky Jones, Space Ranger which lasted for thirty-nine thrilling episodes; second, he’s Dick Preston in nine of the twelve episodes of the wonderfully titled Commando Cody: Sky Marshal of the Universe. He was also the lead in the fifteen-chapter serial Mysterious Island which was a very loose adaption of the Jules Verne novel. (Died 1969.) (CE) 
  • Born June 6, 1921 – Milton Charles.  Artist and art director in and out of our field; Art Director for Jaguar (New York), later for Pocket Books; five hundred awards from Amer. Inst. Graphic Arts (AIGA), Society of Illustrators, Amer. Book Publishers, and like that.  Here is his cover for Tucker’s Wild Talenthere is Vonnegut’s Mother Nighthere is a study of his V.C. Andrews covers.  (Died 2002) [JH]
  • Born June 6, 1924 Robert Abernathy. Writer during the 1940s and 1950s. He’s remembered mostly for his short stories which were published in many of the pulp magazines that existed during the Golden Age of Science Fiction such as Planet StoriesGalaxyF&SFAstounding and Fantastic Universe. He did around forty stories in total, and apparently wrote no novels that I can locate. There’s no collection of his works currently available in digital form but some of his stories are up at the usual digital suspects. (Died 1990.) (CE)
  • Born June 6, 1942 Dorothy Heydt, 78. She was the creator and first editor of the Star Trek Concordance, first published in March of 1969. (Yes, I owned a copy.) A linguist, she credited with creating one of the first widely used Vulcan languages in 1967 for a Trek fan fiction series. Though most of her short fiction is set in her own Cynthia, Daughter of Euelpides series, some was set in Bradley’s Darkover series. (CE)
  • Born June 6, 1945 – Vivian French.  Libraries in the United Kingdom say she is borrowed – that’s a metaphor, folks – shall we call it a Thing Contained for the Container? – half a million times a year; the Tiara Club books have sold three million copies.  Three dozen novels for us, some shorter stories, not least “I Wish I Were an Alien” in which the extraterrestrial boy, for his part, wishes –  [JH]
  • Born June 6, 1947 Robert Englund, 73. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Short-lived as in six episodes. Of course most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD to Strippers vs Werewolves. Versatile man, our Robert.  (CE)
  • Born June 6, 1948 – Ron Salomon.  Hey Ron, I saw you had a Supporting Membership in last year’s Worldcon; thanks!  If CoNZealand has published a list I haven’t got one yet.  [JH]
  • Born June 6, 1959 Amanda Pays, 61. I first encountered her as Thero Jones on Max Headroom, a series I think should be considered one of the best SF series ever made. She appeared as Dawn in the Spacejacked film. She also had a guest role as Phoebe Green in the episode “Fire” of The X-Files, and was cast as Christina “Tina” McGee in The Flash of  the 1990 series, and she has a recurring role on the present Flash series as the same character.(CE)
  • Born June 6, 1964 – Jay Lake.  Born on Taiwan, lived in Nigeria, Dahomey (as it then was), Canada, and the U.S.  Won the Campbell Best New Writer award (as it then was); anyway, he was astounding.  Endeavour Award, also appropriate.  A dozen novels, two hundred seventy shorter stories, some co-authored.  Here is a cover he did for Polyphony – also appropriate.  (Died 2014) [JH]
  • Born June 6, 1973 – Anne Ursu.  Teaches at Hamline, first university in Minnesota.  She’s given us eight novels, for children, adults, both.  The Lost Girl is told from the viewpoint of a crow.  In The Cronus Chronicles – three so far – two cousins find they’re in Greek myths; the first cousin we meet is Charlotte Mielswetzki, and if I say so myself it’s about time we did.  Breadcrumbs retells The Snow Queen; creatures from Hans Andersen’s tales keep showing up; and Jack, Hazel’s only friend in 5th Grade, may not want to be saved.  [JH]
  • Born June 6, 1973 Guy Haley, 57. British author of the Richards & Klein Investigations series, a cyberpunk noir series where the partners are an android and an AI. His regular paycheck comes from his Warhammer 40,000 work where he’s written a baker’s dozen novels so far. Not surprisingly, he’s got a novel coming out in the their just announced Warhammer Crime imprint which, though I’ve read no other Warhammer 40.000 fiction, I’m interested in seeing how they do it. (CE)

(10) COMICS SECTION.

(11) MAD, I TELL YOU. The Washington Post’s Michael Cavna throws a party when “Mad magazine legend Al Jaffee retires at age 99 after a record-breaking career”.

Mad magazine’s iconic back-page Fold-In is about to fold it in. Finito after 56 years. Because Al Jaffee, officially the longest-working comic artist ever, has decided to retire at age 99.

So to mark his farewell, Mad’s “Usual Gang of Idiots” will salute Jaffee with a tribute issue next week. It will be the magazine’s final regular issue to offer new material, including Jaffee’s final Fold-In, 65 years after he made his Mad debut.“He deserves some spotlight outside our industry,” Mad caricature artist Tom Richmond said of the magazine’s beloved elder statesman, who broke into the business during World War II.

One of the most heartfelt features in the send-off issue will be by Sergio Aragones, a fellow Mad legend who befriended Jaffee in 1962 upon joining the staff. They formed a mutual admiration society — both deeply steeped in the craft of the pantomime cartoon — and were occasional roommates on the Mad staff’s storied annual trips to far-flung vacation spots….

(12) TOUGH AUDIENCE. ScreenRant has surprisingly demanding standards: “”Up, Up & Away”: Every Superman Actor, Ranked By Comic Book Accuracy”.

5. Christopher Reeve: Superman The Movie (1978)

There is so much that this movie does right. Superman’s strength, powers, and heroic optimism are fully realized, while Christopher Reeve gives a performance as strong as his character’s steely muscles. In his civilian life as Clark Kent, he is bumbling and shy, but sweet and a skilled reporter.

The biggest problem working against this movie is the famous scene in which Superman turns back time by flying around the Earth and reversing its rotation. This is not how time works, and it is certainly not how Superman’s powers work. If not for this scene, Christopher Reeve would top this list (at least in his first two films).

(13) READY FOR YOUR MT. TBR. The Little Red Reviewer has high praise for A Sinister Quartet, with fiction by Cooney, Wick, McGee, and Allen”.

…Part of me wants to tell you to read this collection in the order the stories are presented, so that you can move from least dark and scary to most dark and scary: Start with Cooney’s beautifully rendered fantasy “The Twice Drowned Saint”;  then go to Jessia P. Wick’s “An Unkindness”, a dark fantasy of a sister trying to save her brother from the fae;  from there go to Amanda J. McGee’s “Viridian”, a contemporary gothic horror of isolation and obsession;  and from there go to Mike Allen’s absolutely horrifying and terrifying “The Comforter”.  If you go that path, you’ll slowly ramp up from “fun, sorta creepy” to “not sure I should be reading this before bed”.

(14) AND IN THIS CORNER. The Little Red Reviewer also gives this irresistible description about Gods of Jade and Shadow, by Silvia Moreno-Garcia”.

…one day,  when the family is on an outing, having left Caseopea at home, as a punishment,  she takes special notice of an old trunk in her grandfather’s bedroom.  And she opens the trunk.

What’s in the trunk?   oh, only the bones and soul of Hun-Kame,  Lord of Xibalba, and one of his bone shards gets lodged in Casiopea’s hand.  no biggie, right?  He can just, remove the shard, and then he can go back to Xibalba to dethrone his brother, and then Casiopea can pretend none of this ever happened, right?

hahahaha, NO.

(15) MOUTHPIECE. “Facebook Begins Labeling ‘State-Controlled’ Media”.

Facebook has begun labeling content produced by media outlets it says are under state control, enacting a policy the social network first announced in October.

Pages and posts from at least 18 outlets including Russia Today, China’s People’s Daily and Iran’s Press TV now carry notices to users that they are “state-controlled media.” Ads from state-controlled publishers will also be labeled starting later this year. The labels will initially be shown to U.S. Facebook users and roll out to other countries over time.

“We’re providing greater transparency into these publishers because they combine the influence of a media organization with the strategic backing of a state, and we believe people should know if the news they read is coming from a publication that may be under the influence of a government,” Nathaniel Gleicher, Facebook’s head of cybersecurity policy, wrote in a blog post.

Facebook will also begin barring state-controlled outlets from buying advertising in the U.S. later this summer. Gleicher said that decision was “out of an abundance of caution to provide an extra layer of protection against various types of foreign influence in the public debate” ahead of the 2020 presidential election. He noted that these outlets “rarely” advertise in the U.S.

(16) I’M THINKING IT OVER. “Facebook Will Review Policies On Posts About State Violence, Voting” reports NPR.

CEO Mark Zuckerberg told Facebook employees on Friday that the social network will review how it handles some of the most incendiary posts on its platform, including those by President Trump. His announcement follows a revolt by employees over his decision to do nothing about messages the president posted about violence toward protesters and mail-in voting.

In a memo to staff, Zuckerberg said he wanted “to acknowledge that the decision I made last week has left many of you angry, disappointed and hurt.”

Zuckerberg said Facebook will consider labeling posts that violate its rules, a more nuanced approach than the company’s current policy, which states that posts should either be removed or left alone. It will also review its policies allowing “discussion and threats of state use of force” and its policies on voter suppression.

(17) FACING UP. “Coronavirus face mask lights up with moving mouth shapes” – video. (At least it’s not as creepy as the Syncro Vox they tried on Clutch Cargo.)

A light-up face mask that responds to the sound of the wearer’s voice has been developed by a games developer in California.

The BBC’s Chris Fox spoke to designer Tyler Glaiel and had a go at making the mask himself – although he keeping his purely as a novelty.

(18) CONZEALAND CHAIRS Q&A. Norman Cates and Kelly Buehler held a video Q&A session this afternoon. Bottom line: Hugo voting is only being done with paper ballots right now. Site selection voting won’t start until the online advanced memberships fee token payment system is available — perhaps next week.

[Thanks to JJ, Cat Eldridge, Andrew Porter, John Hertz, Chip Hitchcock, John King Tarpinian, Michael Toman, Mike Kennedy, Soon Lee, and Martin Morse Wooster for some of these stories. Title credit goes o File 770 contributing editor of the day John A Arkansawyer.]

The Expanse Wins Clarke Center Prize in Speculative Media

As part of the Raw Science Film Festival 2020, The Expanse was named winner of the Arthur C. Clarke Center for Human Imagination Prize in Speculative Media.

Selecting for the Clarke Center Prize in Speculative Media was a difficult choice—it has been an amazing year for speculative arts across genres and media—but The Expanse continues to portray a vision of humankind’s future in the solar system that is diverse and inspirational, while exploring issues of inequality and ethics through their storytelling. Congratulations to the showrunners, producers, writers, cast, and crew for their extraordinary accomplishment!

Raw Science Film Festival (RSFF) is an annual event that takes place in Los Angeles, California and brings together people across science, technology, entertainment and media from across the world to showcase best in class film and media from around the globe. The event was initially made possible through the support of the National Academy of Sciences and The Science and Entertainment Exchange. 

The mission of RSFF is to humanize science and bring fact-based experts to the forefront of popular culture by celebrating the best science storytelling in the world. The top festival winners are awarded theatrical Oscar qualifying runs. The goal is to create a world class film festival for science media on par with Cannes or Sundance, and to extend the festival globally. The festival was created by Raw Science Inc. founder Keri Kukral.

[Based on a press release.]

Pixel Scroll 4/9/20 I Had Too Much To Stream Last Night

(1) UNDERESTIMATED CRISIS. Kristine Kathryn Rusch sounds overwhelmed in “Business Musings: A Crisis Like No Other (A Process Blog)” where she discusses her daily challenges and struggles as a writer.

Well, I was wrong. A month or so ago, I warned that what we’re going through is a black swan event, that it would have an economic impact, and we as business owners needed to be braced. Then, as things got even worse, I decided this was a double black swan—a crisis without good leadership to carry us through to the other side.

And it seems that, in both cases, I underestimated this thing.  On April 3, Kristalina Georgieva, managing director of the International Monetary Fund, called this “a crisis like no other.”

In a speech before the World Health Organization, she added, “Never in the history of the IMF have we witnessed the world economy coming to a standstill. It is way worse than the global financial crisis.”

A crisis like no other. Yeah, that was my sense as well over these past two weeks as I tried over and over again to find some kind of historic precedent to guide us forward. I couldn’t find one—not an analogous one, on that hit the global economy all at once, and forced people around the world to behave in the same way.

It’s breathtaking and shocking and hard to fathom. As you can tell from my many blog posts, I’m wrestling with this change. I know we’ll come out the other side, but for the first time—maybe in my adult life—I have no idea what kind of world we will emerge into. Usually I can predict both worst case and best case scenarios….

(2) SETTING THE TONE. Connie Willis’ Doomsday Book is where I first read John Clyn’s famous quote, written in 1349 at the height of the Black Plague:

“So that notable deeds should not perish with time, and be lost from the memory of future generations, I, seeing these many ills, and that the whole world encompassed by evil, waiting among the dead for death to come, have committed to writing what I have truly heard and examined; and so that the writing does not perish with the writer, or the work fail with the workman, I leave parchment for continuing the work, in case anyone should still be alive in the future and any son of Adam can escape this pestilence and continue the work thus begun.”

(3) APOLLO 13. At least the astronauts came out the other side of this disaster all right — “‘Houston, we’ve had a problem’: Remembering Apollo 13 at 50”.

…A half-century later, Apollo 13 is still considered Mission Control’s finest hour.

Lovell calls it “a miraculous recovery.”

Haise, like so many others, regards it as NASA’s most successful failure.

“It was a great mission,” Haise, 86, said. It showed “what can be done if people use their minds and a little ingenuity.”

As the lunar module pilot, Haise would have become the sixth man to walk on the moon, following Lovell onto the dusty gray surface. The oxygen tank explosion robbed them of the moon landing, which would have been NASA’s third, nine months after Apollo 11’s Neil Armstrong and Buzz Aldrin took humanity’s first footsteps on the moon.

Now the coronavirus pandemic has robbed them of their anniversary celebrations. Festivities are on hold, including at Kennedy Space Center in Florida, where the mission began on April 11, 1970, a Saturday just like this year.

(4) WHO TWO. ScreenRant offers their opinion — “Doctor Who: Every Doctor’s TRUE Companion”. For example:

Fourth Doctor: Sarah Jane Smith

Often considered the best companion of Doctor Who‘s classic run, Elizabeth Sladen made a lasting impression as Sarah Jane Smith, evolving the template set by Jo Grant previously. More so than her predecessors, Sarah Jane naturally grew into a second main character and although she debuted alongside the Third Doctor, her wits were slightly better suited to the eccentric ramblings of Tom Baker’s Time Lord. The Fourth Doctor would struggle to find an equally fitting companion, treating Leela with occasional contempt and burning through several regenerations of Romana.

(5) IMPOSSIBLE TIME. The Arthur C. Clarke Center for the Human Imagination’s podcast Into the Impossible has posted Episode 38: “Giving the Devil His Due: a conversation with Michael Shermer & Brian Keating”.

Dr. Michael Shermer is the Founding Publisher of Skeptic magazine, the host of the Science Salon Podcast, and a Presidential Fellow at Chapman University where he teaches Skepticism 101. For 18 years he was a monthly columnist for Scientific American. He is the author of New York Times bestsellers Why People Believe Weird Things and The Believing Brain, Why Darwin Matters, The Science of Good and Evil, The Moral Arc, and Heavens on Earth. His new book is Giving the Devil His Due: Reflections of a Scientific Humanist.

(6) HOW’S YOUR EYESIGHT? “Smithsonian seeks public’s help with Sally Ride’s astronaut training notes”.

Before she became the first American woman to fly into space, Sally Ride needed to learn how to be an astronaut. Now, 30 years later, the public can help expand access to Ride’s training experience by volunteering to transcribe her extensive handwritten notes.

The National Air and Space Museum has begun the process of converting the 23 cubic feet of material it obtained from Ride’s estate in 2015 to be available for research and study. Archivists have scanned and indexed the entire collection, but more can be done to make the papers fully searchable.

(7) DRUCKER OBIT. MAD Magazine artist Mort Drucker died April 8 at the age of 91. Mark Evanier paid tribute at News From Me: “Mort Drucker, R.I.P.”

He found his way to MAD magazine in 1956 at a precarious moment in that publication’s history. Founding editor Harvey Kurtzman had departed and taken most of the art crew with him. Replacement editor Al Feldstein was assembling a new team and with no idea how valuable the new applicant would be to MAD, he took a shot with Drucker.

Mort had never thought of himself as a caricaturist but when called upon to draw the comedy team of Bob & Ray for some pieces, he displayed a flair that surprised even him. Before long, Mort was the illustrator of movie and TV parodies in every issue of MAD…an association that lasted some 55 years. Big stars would say that you didn’t feel you’d made it in Hollywood until Mort Drucker had drawn you in MAD.

The New York Times obituary is here.

…“No one saw Drucker’s talent,” Mr. Hendrix wrote, until he illustrated “The Night That Perry Masonmint Lost a Case,” a takeoff on the television courtroom drama “Perry Mason,” in 1959. It was then, Mr. Hendrix maintained, that “the basic movie parody format for the next 44 years was born.”

From the early 1960s on, nearly every issue of Mad included a movie parody, and before Mr. Ducker retired he had illustrated 238, more than half of them. The last one, “The Chronic-Ills of Yawnia: Prince Thespian,” appeared in 2008.

Mr. Drucker compared his method to creating a movie storyboard: “I become the ‘camera,’” he once said, “and look for angles, lighting, close-ups, wide angles, long shots — just as a director does to tell the story in the most visually interesting way he can.”

Mr. Hendrix called Mr. Drucker “the cartoonist’s equivalent of an actor’s director” and “a master of drawing hands, faces and body language.” Mr. Friedman praised Mr. Drucker’s restraint: “He wasn’t really hung up on exaggerating. He was far more subtle and nuanced — interested in how people stood and so on.”

(8) WILLNER OBIT. Most recently known as Saturday Night Live’s sketch music producer. Hal Willner died April 7. The LA Times tribute is here. He had a long career in film, and produced several record albums, including these genre-adjacent projects –

…Most striking was Willner’s ode to the music of Walt Disney’s animated films. Called “Stay Awake: Various Interpretations of Music from Vintage Disney Films,” he enlisted artists including cosmic jazz traveler Sun Ra, experimental vocalist Yma Sumac, Los Angeles group Los Lobos and rock band the Replacements to re-imagine such songs as “Cruella De Ville,” “Whistle While You Work” and “Someday My Prince Will Come.” Tom Waits turned “Heigh Ho (The Dwarves Marching Song)” into a forced-labor dirge.

As the compiler of “The Carl Stalling Project: Music From Warner Bros. Cartoons 1936-1958,” Willner resurrected the reputation of the frantic, inventive composer Stalling and his scores for “Bugs Bunny” and “Road Runner” cartoons….

(9) TODAY IN HISTORY.

  • April 9, 1953 Invaders From Mars premiered. It was produced by Edward L. Alperson Jr. and directed by William Cameron Menzies. It starred  a large cast of Jimmy Hunt, Helena Carter, Arthur Franz, Morris Ankrum, Leif Erickson, and Hillary Brooke. Made a shoestring budget of three hundred thousand, it got amazingly good reviews though a few critics thought it it was too frightening for younger children, did a great box office and currently has a rating of fifty six percent among audience reviewers at Rotten Tomatoes. You can see it here.
  • April 9, 1955 Science Fiction Theatre first aired in syndication. It was produced by Ivan Tors and Maurice Ziv.  It ran for seventy-eight episodes over two years and was hosted by Truman Bradley who was the announcer for Red Skelton’s program. The first episode “Beyond” had the story of a test pilot travelling at much faster than the speed of sound who bails out and tells his superiors that another craft was about to collide with his. It starred William Lundigan, Ellen Drew and Bruce Bennett. You can watch it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 9, 1911 George O. Smith. His early prolific writings on Astounding Science Fiction in the 1940s which ended when Campbell’s wife left him for Smith Whom she married. Later stories were on Thrilling Wonder Stories, GalaxySuper Science Stories and Fantastic To name but four such outlets. He was given First Fandom Hall of Fame Award just before he passed on. Interestingly his novels are available from the usual digital sources but his short stories are not. (Died 1981.)
  • Born April 9, 1913 George F. Lowther. He was writer, producer, director in the earliest days of radio and television. He wrote scripts for both Captain Video and His Video Rangers and Tom Corbett, Space Cadet.  You can see the first show “The Birth of The Galaxy” which he scripted here. (Died 1975.)
  • Born April 9, 1921 Frankie Thomas. He was best remembered for his starring role in Tom Corbett, Space Cadet which ran from 1950 to 1955. Though definitely not genre or genre adjacent, he was in the Nancy Drew film franchise that ran in the late Thirties. (Died 2006.)
  • Born April 9, 1935 Avery Schreiber. He’s had a long history with genre fiction starting with Get Smart! and going from there to include More Wild Wild West!Fantasy IslandFaerie Tale Theatre: PinocchioShadow ChasersCavemanGalaxinaDracula: Dead and Loving ItAnimainiacs in which he voiced Beanie the Brain-Dead Bisonand, of course, The Muppet Show. (Died 2002.)
  • Born April 9, 1937 Marty Krofft, 83. Along with with Sid, a Canadian sibling team of television creators and puppeteers. Through Sid & Marty Krofft Pictures, they have made numerous series including the superb H.R. Pufnstuf which I still remember fondly all these years later not to forget Sigmund and the Sea MonstersLand of the Lost and Electra Woman and Dyna Girl.
  • Born April 9,1949 Stephen Hickman, 71. Illustrator who has done over three hundred and fifty genre covers such as Manly Wade Wellman’s John the Balladeer and Nancy Springer’s Rowan Hood, Outlaw Girl of Sherwood Forest. His most widely known effort is his space fantasy postage stamps done for the U.S. Postal Service which won a Hugo for Best Original Artwork at ConAndian in 1994.
  • Born April 9, 1954 Dennis Quaid, 66. I’m reasonably sure that he first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it.
  • Born April 9, 1955 Earl Terry Kemp, 65. Author of The Anthem Series: A Guide to the Science Fiction, Fantasy, Horror and Weird Specialty Publishers of the Golden Age and The Anthem Series Companion: A Companion to The Guide to the Science Fiction, Fantasy, Horror and Weird Specialty Publishers of the Golden Age. He also maintains several databases devoted to the same including The Golden Age of Pulps: SF Magazine Database: Science Fiction, Fantasy and Horror (1890-2009).
  • Born April 9, 1972 Neve McIntosh, 48. During time of the Eleventh Doctor, she played Alaya and Restac, two Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra, in “A Good Man Goes to War”. Also a Silurian, she’s a Victorian crime fighter.  She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She reprises her role as Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, form a private investigator team. 
  • Born April 9, 1998 Elle Fanning, 22. Yes she’s from that acting family. And she’s certainly been busy with roles in over forty films! Her first genre film is The Curious Case of Benjamin Button followed by Astro BoySuper 8MaleficentThe BoxtrollsThe Neon Demon, the upcoming Maleficent: Mistress of Evil and a recurring role on The Lost Room, a Cursed Objects miniseries that aired on Syfy. 

(11) COMICS SECTION.

  • Candorville encounters a social media slipup.
  • Free Range shows why even superheroes must keep in mind “the right tool for the right job.”

(12) TEMPORARILY FREE COMICS. Dark Horse Comics is releasing the first issue of more than 80 comics series for free, as well as a few volumes of graphics novels, available to read via DARK HORSE DIGITAL from now until April 30. The series include such titles as Umbrella AcademyAmerican Gods, & Disney’s Frozen, as well as graphic novels such as Empowered Vol. 1, and Hellboy Vol. 1.

(13) CAN COMICS RESUSCITATE THE CASH REGISTER? CBR.com investigates “DC vs Marvel: Possible Storylines for a New Big Two Crossover”.

As the effects of the ongoing coronavirus (COVID-19) pandemic continue to reverberate around the world, one of the many industries severely impacted by the global health crisis is the American comic book market. With major publishers refraining from distributing new comics either digitally or in print and comic retailers shuttering normal operations to prevent the virus’ spread, the future of the industry is currently in a state of limbo. Led by acclaimed writer Gail Simone, comic creators have since suggested the possibility of an intercompany crossover between DC and Marvel Comics’ respective superhero universes as a means to revitalize the industry.

(14) PICARD SPECIAL ISSUE. Titan Comics has Star Trek: Picard – The Official Collector’s Edition on sale now.

A behind-the-scenes guide to the smash hit new Star Trek TV Show, showcasing the further adventures of fan-favorite captain of the Enterprise-D, Jean Luc Picard!

A deluxe collector’s edition offering a behind-the-scenes guide to the brand new Star Trek: Picard TV show, featuring interviews with Star Trek legends Sir Patrick Stewart, Brent Spiner (Data), Jonathan Frakes (Riker), Martin Sirtis (Troi), plus the new cast members Isa Briones (Dahj/Soji), Michelle Herd (Raffi), Harry Treadaway (Narke) and many more. Plus, Showrunners Alex Kurtzman and Michael Chabon, and Director Hanelle Culpepper reveal behind-the-scenes secrets.

(15) OLAF SCENES. “Fun With Snow” | At Home With Olaf on YouTube is the first of 20 micro-sized Olaf stories coming from Disney. Find others as they post on the Walt Disney Animation Studios YouTube channel.

(16) MAD AS HELL. In “Suing Hollywood” at CrimeReads, Tess Gerritsen looks at her long series of lawsuits about whether Gravity was stolen from her 1999 space thriller Gravity.

…Most writers who work in the industry understand that suing a studio, no matter how justified their lawsuit, is a losing proposition—and it’s the writer who almost always loses. Knowing this, why would any writer risk everything to charge into battle as David against Goliath? 

I’ll tell you why: because we’re angry and refuse to let them get away with it. I know, because I’ve been there and done that. I’ve seen the dark side of Hollywood.

(17) STATION BREAK. And making a smooth segue between topics, did you know NASA has available a virtual “International Space Station Tour”?

(18) NEXT SPACE STATION SHIFT ARRIVES. And for a news trifecta — “ISS crew blast off after long quarantine”.

Three new crew members have arrived at the International Space Station (ISS) after a launch carried out under tight restrictions due to the coronavirus.

The Russian Soyuz rocket carrying cosmonauts Anatoly Ivanishin and Ivan Vagner and Nasa astronaut Chris Cassidy took off from Kazakhstan on Thursday.

Pre-launch protocols were changed to prevent the virus being taken to the ISS.

Only essential personnel were allowed at the launch site for the blast-off.

Support workers wore masks and kept their distance as the crew walked to the bus to take them to the spacecraft.

Earlier, Chris Cassidy said not having their families in Baikonur to cheer them on for the launch had affected the crew, but he added: “We understand that the whole world is also impacted by the same crisis.

(19) WAVE BYE-BYE. “BepiColombo: Mercury mission set to wave goodbye to Earth” – BBC supplies lots of details on the instruments being sent.

The joint European-Japanese mission to Mercury reaches a key milestone on Friday when it swings past the Earth.

The two-in-one BepiColombo space probe is using the gravity of its home world to bend a path towards the inner Solar System.

It will also bleed off some speed.

The mission needs to make sure it isn’t travelling too fast when it arrives at Mercury in 2025 or it won’t be able to go into orbit around the diminutive world.

(20) POTTERING ABOUT. “Harry Potter hospital rooms get JK Rowling approval”.

Doctors dealing with coronavirus said they were “uplifted” to have a message of support from JK Rowling when they named areas of their hospital after Harry Potter school houses.

Meeting rooms at the Royal Bournemouth Hospital were named Gryffindor, Slytherin, Hufflepuff and Ravensclaw.

The hospital said the idea was “a bit of fun amongst all the significant issues”.

The author tweeted to say she had “rarely felt prouder”.

The hospital’s medical team decided to name meeting rooms after the Hogwarts houses when redesigning systems to be better prepared for the coronavirus outbreak.

Senior house officer Alex Maslen said: “The house names are familiar to many junior doctors who grew up with the Harry Potter stories, and the awareness has provided some reassurance during these difficult times.”

(21) YOUNG MAN MULLIGAN ATE HERE. BBC tells us “Crops were cultivated in regions of the Amazon ‘10,000 years ago'”.

Far from being a pristine wilderness, some regions of the Amazon have been profoundly altered by humans dating back 10,000 years, say researchers.

An international team found that during this period, crops were being cultivated in a remote location in what is now northern Bolivia.

The scientists believe that the humans who lived here were planting squash, cassava and maize.

The inhabitants also created thousands of artificial islands in the forest.

FYI, “Young Man Mulligan” is the filk answer to ”The Great Historical Bum” song (“Bum” lyrics here). It opens “I was born about ten thousand years from now.”

(22) BEFORE FABERGÉ. “Mysteries of decorated ostrich eggs in British Museum revealed”.

If you wanted to give an extravagant gift 5,000 years ago, you might have chosen an ostrich egg.

Now some of these beautiful Easter egg-sized objects are in London’s British Museum.

The eggs were found in Italy but their origins have long been a mystery – ostriches are not indigenous to Europe.

Now, research into the museum’s collection by an international team of archaeologists reveals new insights into their history.

People across Europe, the Mediterranean and North Africa traded ostrich eggs up to 5,000 years ago, in the Bronze and Iron Ages.

Eggs were decorated in many ways – painted, adorned with ivory or precious metals, or covered in small glazed stones or other materials.

The five eggs in the British Museum’s collection are embellished with animals, flowers, geometric patterns, soldiers and chariots.

(23) DON’T STOP. Rebooted – on YouTube.

It’s not easy for a movie-star to age – especially when you’re a stop motion animated skeleton monster. Phil, once a terrifying villain of the silver-screen, struggles to find work in modern Hollywood due to being an out-of-date special effect.

[Thanks to Andrew Porter, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, JJ, Chip Hitchcock, Michael Toman, Daniel Dern, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

NASA Award to Advance Stem Cell Therapies in New Space Station Lab

A three-year, nearly $5 million award from NASA will allow researchers at the Sanford Stem Cell Clinical Center at UC San Diego Health, Sanford Consortium for Regenerative Medicine, Arthur C. Clarke Center for Human Imagination, and their partners at Space Tango to develop a new integrated space stem cell orbital research laboratory within the International Space Station (ISS) and launch three collaborative research projects within it.

Stem cells self-renew, generating more stem cells, and specialize into tissue-specific cells, such as blood, brain and liver cells, making them ideal for biological studies far from Earth’s resources. The goal of the new effort is to leverage microgravity and these unique properties of stem cells to better understand how space flight affects the human body. The studies will also inform how aging, degenerative diseases, cancers and other conditions develop in a setting with increased exposure to ionizing radiation and pro-inflammatory factors. The findings from these studies may speed the development of new therapeutics for a broad array of degenerative diseases on Earth.

“We envision that the next thriving ecosystem of commercial stem cell companies, the next nexus for biotechnology, could be created 250 miles overhead by the establishment of these capabilities on the ISS,” said Catriona Jamieson, MD, PhD, co-principal investigator of the award and Koman Family Presidential Endowed Chair in Cancer Research, deputy director of Moores Cancer Center, director of the Sanford Stem Cell Clinical Center and director of the CIRM Alpha Stem Cell Clinic at UC San Diego Health.

The project’s first flight to the ISS is planned for mid-2021. The ISS stem cell lab is expected to be fully operational and self-sustaining by 2025.

With hardware designed by Space Tango, a developer of fully automated, remote-controlled systems for research and manufacturing on orbit, initial projects in the new lab will include investigations of:

Blood cancers and immune reactivation syndromes, led by Jamieson, who is also a member of the Sanford Consortium for Regenerative Medicine, and Sheldon Morris, MD, MPH, clinical professor of family medicine and public health and infectious diseases at UC San Diego School of Medicine. 

In what’s known as the NASA Twins Study, investigators around the nation assessed identical twin astronauts Scott and Mark Kelly. Scott flew aboard the ISS for 342 days in 2015 and 2016, while his identical twin brother, Mark, remained on Earth. In a paper published in Science in early 2019, researchers, including UC San Diego School of Medicine’s Brinda Rana, PhD, described the many ways Scott’s body differed from Mark’s due to his time spent in microgravity, including signs of pre-cancer. 

In the new ISS lab, Jamieson and Morris will use stem cell-derived blood and immune cells to look for biomarkers — tell-tale molecular changes — as cancer develops and immune cells malfunction in microgravity. They will also work with experts in the Jacobs School of Engineering at UC San Diego and Space Tango to build special microscopes and bioreactors that fit the ISS lab space and transmit images to Earth in near real-time.

“If we can find early predictors of cancer progression on the ISS, we are ideally positioned to rapidly translate them into clinical trials in our Sanford Stem Cell Clinical Center back on Earth,” Jamieson said. 

Brain stem cell regeneration and repair, led by Alysson R. Muotri, PhD, professor of pediatrics and cellular and molecular medicine and director of the Stem Cell Program at UC San Diego School of Medicine and a member of the Sanford Consortium for Regenerative Medicine, and Erik Viirre, MD, PhD, professor of neurosciences and director of the Arthur C. Clarke Center for Human Imagination.

This project will build on a previous proof-of concept flight that sent a payload of stem cell-derived human brain organoids to the ISS in 2019. Brain organoids — also called mini-brains — are 3D cellular models that represent aspects of the human brain in the laboratory. Brain organoids help researchers track human development, unravel the molecular events that lead to disease and test new treatments. 

Since their last trip to space, the UC San Diego team has significantly advanced the brain organoids’ levels of neural network activity — electrical impulses that can be recorded by multi-electrode arrays. 

“All the research models we currently use to study aging in a laboratory dish rely on artificial things, such as increasing oxidative stress or manipulating genes associated with aging,” said Muotri, who is also co-principal investigator on the award. “Here we’re taking a different approach to speed up the aging process and study how it plays a role in developmental diseases and neurodegenerative conditions such as Alzheimer’s.”

Liver cell injury and repair, led by David A. Brenner, MD, vice chancellor of health sciences at UC San Diego, and Tatiana Kisseleva, MD, PhD, associate professor of surgery at UC San Diego School of Medicine. 

On Earth, Brenner and Kisseleva study ailments of the liver, such as liver fibrosis and steatohepatitis, a type of fatty liver disease. Liver diseases can be caused by alcohol use, obesity, viral infection and a number of other factors. They are interested in determining the impact microgravity may have on liver function, which could provide insights into diseases on Earth, as well as potential effects during space travel. In the future, the team may test therapies for steatohepatitis in the new ISS lab, where microgravity mimics aging and can lead to liver cell injury.

“These insights may allow us to develop new ways to stop the progression of liver disease and cirrhosis — conditions that affect approximately 4.5 million people in the U.S.,” Brenner said.

Once the ISS stem cell lab is validated, the team said it will replicate the Earth-based Sanford Consortium for Regenerative Medicine, a “collaboratory” in La Jolla, Calif. that brings together experts from five research institutions: UC San Diego, Scripps Research, Salk Institute for Biological Studies, Sanford Burnham Prebys Medical Discovery Institute and La Jolla Institute for Immunology. 

Plans for the new ISS research lab and initial projects were made possible by an award from the NASA Research Opportunities for ISS Utilization. The UC San Diego team also credits the support of philanthropists T. Denny Sanford, Rebecca Moores Foundation and the Koman Family Foundation; their leadership, Pradeep Khosla, chancellor of UC San Diego, Patty Maysent, CEO of UC San Diego Health, Scott Lippman, MD, director of Moores Cancer Center at UC San Diego Health; and previous research and infrastructure funding from the National Institutes of Health, California Institute for Regenerative Medicine (CIRM), Pedal the Cause, and Leukemia & Lymphoma Society.

[From a press release, of course.]