Pixel Scroll 3/5/24 But The Pixels We Climbed Were Just Shoggoths Out Of Time

(1) COMING IN FOR A LANDING. Los Angeles Magazine tells why “George Lucas’ Billion Dollar Museum Is About Way More Than ‘Star Wars’”. A year ago this design looked unique. But today? I bet you can guess what building it reminds me of now.

We’re still maybe a year out from the grand opening of the new museum created by film director George Lucas and his wife, executive Melody Hobson. But anyone visiting the Coliseum, Natural History Museum, USC, or riding the Expo Line has seen the Lucas Museum of Narrative Art rising above Exposition Park. The absolutely massive structure by Beijing-based architect Ma Yansong encloses some 300,000 square feet over a building ranging from three and five floors set atop an underground parking garage (with 600 more spaces than the surface lot the building replaced) all nestled in a green garden….

Artist’s rendering of Lucas Museum of Narrative Art

(2) A SHORE THING. A trailer has dropped for The Wild Robot. Arrives in theaters on September 20.

The epic adventure follows the journey of a robot—ROZZUM unit 7134, “Roz” for short — that is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling.

(3) LEARNEDLEAGUE SFF QUESTION. [Item by David Goldfarb.] It’s the hundredth season of LearnedLeague. The first question of match day 15 asked us:

“What name is the last word uttered in the final installment of the Star Wars sequel trilogy from 2019, as well as the last word of the film’s title?”

Way to nerf the question with that last clause, eh? Although even with that, the question had a 67% get rate, with 12% giving the most common wrong answer of “Jedi”. (Presumably thinking of the second movie in the trilogy.)

My opponent quite rightly assigned me 0 points for this one, as did I for him.

(4) HANDS (OR LEGS) UP FOR “YES”? NO? [Item by Mike Kennedy.] Is the giant spider in Netflix’s Spaceman real or just a figment of the title character’s imagination? The main creatives each have an answer but it may not be your answer. Beware — spoilers ahead.

There’s an obvious question at the heart of Spaceman, Netflix’s science fiction movie where Adam Sandler’s forlorn astronaut character spends half the story talking to a tennis ball communing with a giant alien spider that he names Hanuš. But even without watching the movie, viewers may wonder: Is Hanuš actually real?

Normally, when a movie revolves around this kind of question, the director and stars hedge when asked for their opinions. For instance, No One Will Save You writer-director Brian Duffield has been clear that he wants viewers to interpret that film’s startling ending in whatever way they think fits best, without his input. Andrew Haigh has been careful about weighing in on the controversial ending of All of Us Strangers. And that’s entirely reasonable — often filmmakers want to keep viewers guessing, thinking, debating, and interpreting.

But not always. Polygon couldn’t resist asking Spaceman director Johan Renck and stars Adam Sandler and Paul Dano what they think about the movie’s central debate point — and we were surprised at how definitive their answers were. We’ll get into the details after a spoiler break….

(5) MPSE GOLDEN REEL AWARDS. The Motion Picture Sound Editors presented their Golden Reel Awards on March 3. Here are the winners of genre interest:

EFFECTS & FOLEY

  • Oppenheimer

DIALOGUE & ADR

  • Oppenheimer

ANIMATION

  • Spider-Man: Across the Spider-Verse

(6) IN THE YEAR 2024. “Plane commutes, world peace and 100-year-old predictions about 2024” at USA Today.

Well, we’re finally here. Is this the future that you envisioned?

Nearly 100 years ago, a group of visionaries dared to imagine what life would be like in 2024. Some of their prophecies fell woefully short while others proved to be strangely accurate. 

Join us now as we gaze into that crystal ball from 1924….

A growing problem

Arthur Dean, whose parental advice column appeared in newspapers across the country, expressed concerns about American dietary habits.

“I sometimes wonder what our stomachs will look like and be like 100 years from now,” he wrote. “Will we have any teeth at all? Will there be any color on our face except paint? Will the men have any height to speak of or will they be all girth? Will people have mostly an east and west appearance – all latitude and lassitude and no longitude?”

(7) SFWA ESTATES LEGACY PROGRAM. The Science Fiction & Fantasy Writers Association has informed members that Mishell Baker is stepping down from her lead position on the Estates Project but will remain available for consultation. Going forward, the remaining Estates Project volunteers will cover her duties as needed.

Mishell is a winner of the Kevin J. O’Donnell Service to SFWA Award, and she served as the primary contact for SFWA’s Estate Project since 2016. She liaised with publishers interested in reprinting works by science fiction and fantasy authors who are no longer with us and acted as an intermediary for individual heirs who wished to keep their contact information confidential. Mishell gained a well-deserved reputation for handling these communications with consistency and sensitivity, providing help in sometimes difficult and confusing situations.  

The Estates-Legacy Project wishes to thank Mishell for her many years of exceptional service on behalf of writers, their heirs, and the readers now enjoying the work of past masters as a result of her efforts.

(8) RICHARD BOWES (1944-2023). In “Richard Bowes—A Remembrance” at Uncanny Magazine, Lynne M. Thomas and Michael Damian Thomas, Christopher Barzak, Matthew Cheney, Sam J. Miller, and Matthew Kressel share their memories and feelings about Bowes, who died December 24. Here is an excerpt fro Kressel’s segment:

I’m fairly certain I met Rick Bowes at a Fantastic Fiction at KGB reading on November 15, 2006. That night, Lucius Shepard and Catherynne Valente were reading. This may seem awfully specific, but I have proof. Ellen Datlow captured this moment in a photo that resides on her Flickr stream. For a Halloween party I’d bleached my hair and dressed up as Roy Batty from Blade Runner. In the photo, Rick leans in, hands pressed like a sage, telling me something with authority, while I, with my Billy-Idol-blonde hair, listen rapt. (In the background, Rajan Khanna, whom in this moment I have yet to befriend, stares at the camera.) And this is how I will remember Rick. Telling stories. His depth of knowledge always astounded me. Right away, I knew I was in the presence of a sharp mind….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 5, 1951 Margaret Astrid Lindholm Ogden, 73. Let’s talk about Margaret Astrid Lindholm Ogden who writes under the pen names of Megan Lindholm and Robin Hobb. Thirty-six years ago at the age of thirty, as Megan Lindholm, her second novel, a fantasy set in Seattle was published. That was the extraordinarily excellent Wizard of the Pigeons, a novel that bring a smile to the face of even the Suck Fairy. 

In a sense, it is a direct evolution from her fiction as children’s writer which published in magazines as Jack and JillHighlights for Children and Humpty Dumpty as she notes. Her Robin Hobb persona, she claims is a little more gentle than her Meghan Lindholm persona which, as she told a Bookseller interviewer, is “a little more snarky, a little more sarcastic, a little less optimistic, less emotional”.

So let’s stay with her writing under the Lindholm name. Her first writing as that persona was short fiction was in 1979, “Bones for Dulath”, followed in 1980 by “The Small One” and in 1981 by “Faunsdown Cottage”. She’s written (and coauthored) twenty-six stories exclusively as Lindholm. That includes five works in Emma Bull and Will Shetterly’s Laivek franchise, some co-written with Stephen Brust or Gregory Frost. 

Lindholm’s first novel, Harpy’s Flight, was published forty-one years as ago, and was the first in her Windsingers series about the characters Ki and Vandien, and, yes, I like these novels a lot. 

Now remember these Birthdays are, if I choose, are what I’ve read by a given writer and this is what I’m doing here as I’ve read enough her to be reasonably knowledgeable about her.

The final novel by her that I’ve read is the one she did with Stephen Brust, The Gypsy. It’s based on Romany folklore, and it’s more or less a mystery. It got its own soundtrack courtesy of Boiled in Lead, vocals by Adam Stemple, son of Jane Yolen. Superbly crafted work. 

So now her other persona, Robin Hobb, and may I now say that I like both of the creators that she choose to be? Really I do.

Her first work as Hobb was the Farseer trilogy, narrated in first person, my favorite way to experience this sort of fiction, involves  FitzChivalry Farseer, illegitimate son of a prince. Great character, ever better series.  The first volume of the trilogy, Assassin’s Apprentice, sets up them well.

Ok, I’ll admit I’ve read much of the Realm of the Elderlings franchise, though by no means all, that talking about it coherently isn’t possible. What I will say is nothing by her is anything by really, really good.  I will say, despite Margaret Astrid Lindholm Ogden saying Hobb is the gentler of the two, that trigger warnings for brutality and even rape are necessary here. Really they are.

Both personas in the end aren’t, despite her claims, really that different. The only novel that is decidedly different I can say as a reader is The Gypsy but that was co-written with Brust as were the four Laivek works. Co-written works are such that one never knows how much that the one has influenced it and how much the other has.

(10) A NEW MEANING FOR WC. “What Is WcDonald’s, McDonald’s Anime Counterpart?” at Food Network. One of these comics was on my bag today!

… This month, McDonald’s is embracing what has become a common … homage, shall we say, to its golden arches in anime films and series: WcDonald’s.Swapping in a “W” — or, rather, an upside-down “M” — has become a cheeky way for animators and illustrators to let their characters dine at or otherwise interact with what the audience can immediately identify as a McDonald’s without licensing the actual name of (or getting sued by) McDonald’s itself. Starting next week, however, McDonald’s is embracing its cartoon counterpart at its real-life restaurants in the U.S. and beyond…. A New McNugget Sauce: To pair with “WcNuggets,” a new, limited-edition Savory Chili WcDonald’s Sauce is coming to the menu, described as a “unique combination of ginger, garlic and soy with a slight heat from chili flakes.” Manga-Inspired Packaging: Japanese illustrator Acky Bright designed original artwork of WcDonald’s crew members for the McDonald’s/WcDonald’s items. Packaging will also feature a QR code with access to digital WcDonald’s manga content weekly featuring Bright’s cast of WcDonald’s characters (yes, one is a mecha).

The promotional website WcDonald’s has a lot of content. Here are some of the newest characters.

(11) LAST DARKNESS FALL — PERMANENTLY. “Solar eclipse glasses: Why you need them, and why you should buy them right now” – advice from Slate. “The eclipse is happening on April 8—and last time, the glasses sold out many places.”

Few natural phenomena bring sci-fi-esque buzz like a solar eclipse. Some people talk about this astronomical event as if it comes straight out of a Ray Bradbury story. And those people are right! Solar eclipses are, without hyperbole, awesome. And just in case you haven’t heard, there’s one happening on April 8.

Of course, a cardinal rule of day-to-day life still applies to eclipses: You must absolutely not look at the sun directly—even if it’s partially obscured by the moon. It can cause permanent retinal damage.

Photoreceptors in the eyes register and convert light to electrical signals detected in your brain. The powerfully incandescent sun overwhelms those photoreceptors, bombarding them with far more light than they can convert. Any light your photoreceptors don’t absorb filters through to the back of your eye, producing heat. Although the moon partially blots out the sun, that doesn’t make the rays that are visible any less potent. Look at a partial eclipse long enough and you can burn the sun into your retinas, which can result in a permanent hole in your vision called a scotoma. Since your retinas lack pain receptors, you won’t know that the damage has been done until it’s too late. Looking through conventional binoculars or telescopes doesn’t mitigate this risk….

(12) ROLL THE CREDITS. “Superman movie to film in Ohio, hire more than 3,000 locals” at NBC4i. The state will reward this decision with a big tax credit.

It’s a bird! It’s a plane! It’s Superman! A new movie on the comic book hero is filming in Ohio this year and has been awarded about $11 million in tax credits, with plans to hire more than 3,000 locals.

The DC Studios movie titled simply “Superman” is filming in Cincinnati and Cleveland this spring and summer and will receive $11,091,686 in tax credits, according to an Ohio Motion Picture Tax Credit application filed under the project’s code name, “Genesis.” The film is expected to hire 3,254 Ohio residents to take part in the production.

DC’s Ohio-related expenses are projected to exceed $36 million, which makes up about 10% of the movie’s total budget of more than $363 million….

(13) TECH BROS. “’Musk needs to be adored … Zuckerberg is out of his depth’: Kara Swisher on the toxic giants of Big Tech” in the Guardian.

…In the book, Swisher says Zuckerberg is “the most damaging man in tech”. Elon Musk, by contrast, is maligned as the “most disappointing”, which reflects Swisher’s long period of thinking of the founder of Tesla and SpaceX as one of the tech industry’s most promising sons. In 2016, she contacted him ahead of the big meeting with Trump, warning that the president-elect would “screw” him; two years later, Musk told her she had been right. All told, she seemed to believe that he operated on a higher level than most of his peers.

“Here’s someone who actually was doing serious things,” she says. “There’s a lot of people in Silicon Valley who are always doing a dry cleaning app. He was thinking of everything from cars to space to solar. Even the silly stuff like [his imagined high-speed transport system] Hyperloop: what a great idea. What an interesting idea.” She also mentions Neuralink, the venture working on computer interfaces that can be implanted in people’s brains. “How could we upgrade our intelligence? That’s a big, fascinating problem.”…

(14) SFWA INSTAGRAM PROGRAM. The SFWA Instagram Program gives users a peek at members’ daily creative lives, pets, and works. In the past year and a half, SFWA has processed nearly 200 requests and created over 600 graphics that have been shared through its Instagram account. Here’s an example:

(15) A FINE IDEA. This month (only) “A Massachusetts Library System Will Let You Pay Fines With Cat Pictures” according to Mental Floss.

It’s not often that cat photos are accepted as currency. But for the month of March, public libraries in Worcester, Massachusetts, will wipe certain fines from your account if you submit any picture of a cat.

Branches in the Worcester Public Library (WPL) system don’t charge fees for overdue books, but they do charge for lost or damaged ones. The call for cat pictures is a way to keep those bills from preventing patrons from using the library. “We at the Worcester Public Library are always looking for ways to reduce barriers,” Worcester Public Library executive library director Jason Homer told WBUR. “We know that a lot of people, unfortunately, through being displaced in housing, or life getting in the way in the global pandemic, lost a lot of materials.” 

“Felines for Fee Forgiveness” is part of March Meowness, a month of cat-centric programming that includes a screening of the 2019 movie Cats, a cat-eye makeup tutorial, a “de-stressing” hour of playing with shelter cats, DIY crafts, and more events.

Before you show up to a WPL branch with a cat image at the ready, there are a few rules to know. For one, a book needs to have been lost for at least two months in order for its fee to be waived…. 

(16) PROTOPLANETARY SYSTEM. [Item by SF Concatenation’s Jonathan Cowie.] Last week’s issue of Science looks at the formation of other planetary systems.

This JWST infrared image shows the Orion Bar, which separates parts of the Orion Nebula containing cool molecular gas (lower left) from those containing hot plasma (upper right). The latter are ionized by ultraviolet radiation from massive stars (located beyond the image). The strong ultraviolet radiation field heats protoplanetary disks around young stars in this region, dispersing the gas needed for planet formation<

Primary research paper’s abstract here.

(17) VIDEO OF THE DAY. GamesRadar+ reports “Star Wars fans rocked by resurfaced beer adverts stitched directly into the original trilogy – including a bizarre replacement for Luke Skywalker’s lightsaber”. One video is embedded below, there are more at the link.

We all remember that iconic Star Wars moment where Obi-Wan Kenobi goes to give Luke Skywalker his father’s old, ice cold beer, right? 

Well, if you watched a specific version of the movie shown in Chile, you might remember things that way. The old ads are going viral once again thanks to the fact that the beer marketing is spliced directly into some of the original trilogy’s most famous moments – unintentionally creating the most hilarious advertising campaign ever. While these videos might seem like fakes, they are very much real: according to The Guardian, the campaign even won an award for its ingenuity…. 

[Thanks to Steven French, Mike Kennedy, Andrew Porter, N., Jeffrey Smith, JJ, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Jones.]

Pixel Scroll 6/14/23 A Whiter Shade Of A Pail Of Air? Probably Too Much Dry Ice – Better Scoop A Few Feet Lower

(1) CHENGDU WORLDCON ON HUGO DELAY. The Chengdu Worldcon yesterday confirmed on Twitter what Hugo co-Administrator Dave McCarty said a week ago on his Facebook page concerning when to expect the ballot:

(2) SWIPER STOP SWIPING. Music conglomerates are asking for a quarter billion dollars:“Twitter Lawsuit: Music Publishers Claim ‘Massive Copyright Infringement’”. The Hollywood Reporter has full details.

Twitter’s longstanding refusal to secure music licensing rights has come to a head with a lawsuit accusing the company of mass copyright infringement.

The three major music conglomerates — Universal, Sony and Warner — joined by a host of other publishers on Wednesday sued Twitter for at least $250 million over the alleged infringement of roughly 1,700 works for which it received hundreds of thousands of takedown notices. They allege the company “consistently and knowingly hosts and streams infringing copies of music compositions” to “fuel its business.” Twitter has rebuffed calls for it to obtain the proper licenses, according to the suit.

Twitter is the lone major social media platform without music licensing deals, which permits those sites to legally host videos and other content featuring publishers’ music. Facebook, Instagram, TikTok, YouTube and Snapchat have all entered into agreements that compensate creators of musical compositions for use of their work….

(3) AVENGERS LEGAL ENDGAME. The Hollywood Reporter reports new court filings as “Marvel Winds Down Fight Over Avengers Characters”.

Marvel has made a major move toward ending the battle for the rights to its most iconic characters — including the Avengers — but the fight isn’t over.

Back in 2021, Marvel filed a series of lawsuits in response to copyright termination notices from Larry Lieber and the estates of Gene Colan, Steve Ditko, Don Heck and Don Rico.

U.S. Copyright Law gives authors or their heirs the ability to essentially claw back copyrights after a certain period of time. It doesn’t cover works made for hire, which has been Marvel’s primary argument in these matters.

At issue are the rights to titles including Amazing FantasyThe AvengersCaptain AmericaDaredevilIron ManJourney Into MysteryMarvel Super-HeroesStrange TalesTales to AstonishTales of Suspense and Tomb of Dracula.

In addition to the specific art and stories in the comics, the termination notices also targeted “any character, story element, or indicia reasonably associated with the Works.”

Collectively, an extremely long list of characters has been involved, including Iron Man, Captain America, Black Widow, Hulk, Thor, Hawkeye and Scarlet Witch.

Marvel, represented by Dan Petrocelli and Molly Lens of O’Melveny, has apparently reached deals that resolve four of the fights, as the parties have filed joint stipulations for voluntary dismissal.

There’s one exception: No such notice has been filed in the fight over Steve Ditko’s works…. 

(4) THE PTAO. “Pratchett and Philosophy: The Tao of Sir Terry” is related by J. R. H. Lawless at Tor.com.

…This is not an exhaustive survey of those various viewpoints and concepts. Rather, this essay is an attempt to provide a flying machine’s-eye overview of just a few of the major philosophical underpinnings of Pratchett’s Tao, or “way.” Let’s jump in…

(5) ASTEROID CITY GOES BICOASTAL. SYFY Wire tells fans how to “Visit Wes Anderson’s Asteroid City Pop-up in NYC and LA”.

Wes Anderson fans in New York City and Los Angeles, get yourself suited up and head to the exclusive Asteroid City Pop-Up activations at the Landmark Theatres Sunset and Alamo Drafthouse Lower Manhattan. Both theaters cater to the cinephile crowd and are celebrating Wes Anderson’s Focus Features sci-fi / dramedy, Asteroid City — out in limited theatrical release on June 16 and wide release on June 23 — by turning both theaters into the dusty little town.

… As the Landmark was still under renovation, Holloway said it was the perfect time for Focus to swoop in and wrap the whole lobby with signage, wallpaper and lighting grabbed straight from the film. Actual costumes and props featured in film are included in the display.The Pop-Up covers two floors of the cinema. Plus, there are social media-worthy photo ops, including reproductions of the two cabins where Augie Steenbeck (Jason Schwartzman) and Midge Campbell (Scarlett Johansson) have their deep conversations, and the podium where General Grif Gibson (Wright) hosts the Junior Stargazer awards….

(6) A WRITER’S HEALTH MEMOIR. Madeline Ashby shares vulnerably while introducing a recipe for “Betty’s Summer Surprise Fruit Dessert” at Sarah Gailey’s Stone Soup.

…My illness enjoyed hiding behind my successes. It hid inside my carry-on and my hardshell. It hid under my gel manicure. It was a deceptively-worded clause in yet another contract I had failed to sign and scan until long after the work was done. Occasionally others glimpsed it peeking out from behind my glasses, which is, I imagine, why, in the greenroom at SXSW 2018, Bruce Sterling suddenly turned to me with the dread weight of his perceptiveness and asked, “But are you okay? Really?”

Reader, I was not.

A lot of my day was spent watching loops of soothing videos. There was something democratizing about video platforms, then. People were still nervous on camera. I listened to soft-spoken men explaining crypto and whispering women explaining crystals. What I was really listening to were people talking about the beliefs which had seen them through times of crisis. This is how I found the recipe I am about to share with you…

(7) JOHN ROMITA SR. (1930-2023). Legendary comic book artist John Romita Sr., who worked on The Amazing Spider-Man, and co-created Mary Jane Watson, Wolverine and the Punisher, died June 12 at the age of 93 reports Deadline. See also the New York Times’ obit:

…Mr. Romita’s interest in drawing was encouraged at home and in school, according to a 2007 biography by Sue L. Hamilton. In 1938, he purchased two copies of the first Superman comic, keeping one safely in a bag while using the other as a drawing guide.

After graduating from high school in 1947, Mr. Romita began working as a commercial artist. But a chance meeting with a friend and former high school classmate, who worked for Stan Lee, the comic book revolutionary, led to his first big break. Mr. Romita began secretly sketching comics in pencil for his friend, who would later go over them with ink and pass them off as his own work.

Mr. Romita took his career into his own hands in the 1950s and revealed the arrangement to Mr. Lee, who in turn gave him the opportunity to work, Mr. Romita said in an interview with The Comics Reporter in 2002….

The Guardian’s David Barnett adds these details: “John Romita Sr: the Spider-Man artist was a titan of the comic-book world”.

… Spider-Man, of course, wasn’t Romita’s first comics work; not even his first chance to stamp his mark on the Marvel Universe. The man often billed in the comic credits in Stan Lee’s Barnum-esque fashion as “Jazzy” John had started work in comics in 1949, aged just 19.

His first work was uncredited, a 10-page gangster story for Timely Comics, which was the forerunner of Marvel. He cut his teeth on war, horror, science fiction and romance comics throughout the 1950s, and then late in the decade moved to DC Comics where he worked mainly on the hugely popular teen romance titles such as Young Love, Heart Throbs and Girls’ Romances.

Hearing that Romita was thinking of getting into commercial illustration after DC pulled the plug on many of its romance titles as the genre declined in popularity, Stan Lee, ever the comic book puppetmaster, met him for a three-hour lunch and persuaded him to take on Daredevil, with issue 12 of the blind superhero’s title which came out in January 1966. It’s hard not to imagine Lee quietly moving the pieces around the chessboard of his masterplan as he wrote a Daredevil issue later that year with Spider-Man (who had debuted in Amazing Fantasy issue 15 in 1962) as a guest star, to see how Romita would handle the character who – by accident, or more likely Lee’s design – was shortly to become Marvel’s flagship superhero….

(8) MEMORY LANE.

2018[Written by Cat Eldridge from a choice by Mike Glyer.]

Sam J. Miller has been nominated for multiple Nebula Awards along with the World Fantasy and  Sturgeon Memorial Awards with one of his two Awards to date  is a Shirley Jackson Award for his “57 Reasons for the Slate Quarry Suicides” story. 

By my count, he’s written nearly fifty stories and his stories have appeared in publications such as Asimov’s Science FictionDaily Science FictionClarkesworldLightspeed and Uncanny Magazine along with being reprinted in over fifteen year’s best collections.

The other is the John W. Campbell Memorial Award for Blackfish City: A Novel which is our Beginning this time.

And now for that Beginning..

People would say she came to Qaanaaq in a skiff towed by a killer whale harnessed to the front like a horse. In these stories, which grew astonishingly elaborate in the days and weeks after her arrival, the polar bear paced beside her on the flat bloody deck of the boat. Her face was clenched and angry. She wore battle armor built from thick scavenged plastic.

At her feet, in heaps, were the kind of weird weapons and machines that refugee-camp ingenuity had been producing; strange tools fashioned from the wreckage of Manhattan or Mumbai. Her fingers twitched along the walrus-ivory handle of her blade. She had come to do something horrific in Qaanaaq, and she could not wait to start. 

You have heard these stories. You may even have told them. Stories are valuable here. They are what we brought when we came here; they are what cannot be taken away from us. The truth of her arrival was almost certainly less dramatic. The skiff was your standard tri-power rig, with a sail and oars and a gas engine, and for the last few miles of her journey to the floating city it was the engine that she used. The killer whale swam beside her. The polar bear was in chains, a metal cage over its head and two smaller ones boxing in its forepaws. She wore simple clothes, the skins and furs preferred by the people who had fled to the north when the cities of the south began to burn or sink. She did not pace. Her weapon lay at her feet. She brought nothing else with her. Whatever she had come to Qaanaaq to accomplish, her face gave no hint of whether it would be bloody or beautiful or both.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 14, 1908 Stephen Tall aka Compton Crook. Stephen Tall was the most common pseudonym of American science fiction writer Compton Newby Crook. He wrote two novels, The Ramsgate Paradox (in his Stardust series) and The People Beyond the WallThe Stardust Voyages collects the short stories in that series. The Compton Crook/Stephen Tall Memorial Award was established by the Baltimore Science Fiction Society in his name for best first novel in a given year. (Died 1981.)
  • Born June 14, 1909 Burl Ives. No, I’m not including because of being him voicing Sam the Snowman, narrator of Rudolph the Red-Nosed Reindeer in that film though I could argue it is genre. No, I’m including him because he was on The Night Gallery (“The Other Way Out” episode) and appeared in several comic SF films, Jules Verne’s Rocket to the Moon and Earthbound. He also appeared in The Bermuda Depths which is more of a horror film. (Died 1995.)
  • Born June 14, 1914 Ruthven Todd. He’s here for his delightful children’s illustrated quartet of Space Cat books — Space Cat, Space Cat Visits Venus, Space Cat Meets Mars and Space Cat and the Kittens. I’m pleased to say they’re available at all the usual digital suspects and yes I’ve read them. He also wrote Over the Mountain and The Lost Traveller which are respectively a lost world novel and a dystopian novel.  Side note: he was an editor of the works of William Blake which must have a really interesting undertaking! (Died 1978.)
  • Born June 14, 1921 William L. Hamling. Author and editor who was active as an sf fan in the late 1930s and early 1940s. His first story “War with Jupiter”, written with Mark Reinsberg, appeared in Amazing Stories in May 1939. He’d write only short stories, some nineteen of them, over the next twenty years. Genre adjacent, his Shadow of the Sphinx is a horror novel about an ancient Egyptian sorceress. He would be the Editor of two genre zines, Imagination for most of the Fifties, and Imaginative Tales during the Fifties as well. He published four issues of the Stardust fanzine in 1940, and contributed to the 1940 Worldcon program. He was best known for publishing adult magazines and books, which led to First Amendment litigation, and also a criminal prosecution that resulted in a jail term. (Died 2017.)
  • Born June 14, 1949 Harry Turtledove, 74. I wouldn’t know where to begin with him considering how many series he’s done. I’m fairly sure I first read novels in his Agent of Byzantium series and I know his Crosstime Traffic series was definitely fun reading. He’s won two Sidewise Awards for How Few Remain and Ruled Britannia, and a Prometheus for The Gladiator. Hugos? Well there was one.  ConAdian saw him win for his “Down in the Bottomlands” novella, and his “Must and Shall” novelette picked up a nomination at L.A. Con III, and Chicon 2000 where he was Toastmaster saw his “Forty, Counting Down” honored with a nomination. 
  • Born June 14, 1955 Paul Kupperberg, 68. Scripted more a thousand stories of which I’ll only single out a very few: The Brave and the Bold, Green Lantern, Justice League of America,  House of Mystery, Justice League of America, and Star Trek. One of my favorite scripts by him was his work on The Phantom Stranger (with Mike Mignola and P. Craig Russell). 
  • Born June 14, 1958 James Gurney, 65. Artist and author best known for his illustrated Dinotopia book series. He won a Hugo for Best Original Artwork at L.A. Con III for Dinotopia: The World Beneath, and was twice nominated for a Hugo for Best Professional Artist. The dinosaur Torvosaurus gurneyi was named in honor of him.

(10) INTERNATIONAL SUPPORT FOR WGA STRIKE. Variety checks in around the world: “’Screenwriters Everywhere’: Writers Strike Gets Global Support”.

From Argentina to New Zealand, support for the Writers Guild of America is officially going global.

Wednesday marks an International Day of Solidarity for the writers strike that is being branded “Screenwriters Everywhere,” with events taking place in major cities including Paris and London.

The Writers Guild of America has enlisted members from the International Affiliation of Writers Guilds, Federation of Screenwriters in Europe and UNI Global Union to demonstrate global support for the union’s strike against Hollywood’s largest producers. The unprecedented rallying behind the WGA is especially relevant during this strike given the globalization of content, and the fast-growing international outposts of many “struck” companies, such as Netflix and Prime Video….

In London —

Titans of television turned up for the U.K. rally in support of WGA: “Black Mirror” creator Charlie Brooker, “Succession” creator Jesse Armstrong, “Doctor Who” showrunner Russell T. Davies and “His Dark Materials” writer Jack Thorne were among those who came to show solidarity with their U.S. counterparts.

Russell T Davies said:

…Russell T Davies was typically forthright about why he had made the effort to come down to London for the rally. “This is a fight to the death for drama,” he told Variety. “We’re looking at processes and software and attitudes and hostility that could drive these people into other jobs. These could be teachers and clerks and shop assistants in a few years time because our jobs are being erased. Absolutely erased with a happy smile on the accountants’ faces.”…

(11) STARFIELD. Forbes contributor Paul Stassi tries to wrap his brain around an elaborate video game that arrives in three months: “I Don’t Even Understand How ‘Starfield’ Exists”.

Microsoft promised that after all this time, we would finally get a proper look at Bethesda’s Starfield, set to be released in just over three months. No more in-engine footage, no more brief previews. Starfield instead did a showcase that was nearly as long as Xbox’s entire show. And I don’t think anyone expected it to be as wild as it was.

Very clearly, Starfield is using elements of No Man’s Sky as a base. A thousand planets, instead of infinite ones, but the same concept: exploration. Plus mining, plus cataloguing wildlife, plus building homes and finding ships to sail the stars.

But soon enough, the similarities stop, and you remember that oh wait, there’s also an entire mainline Bethesda RPG layered on top of this, and also, they are doing some things that almost sound too insane to be real….

Believe me, I understand how AAA video game hype works. We all remember being fooled by early looks at Cyberpunk 2077 or the aforementioned No Man’s Sky. But this feels different, namely because this game comes out in three months. This is not some years-early preview, and Bethesda has famously barely shown us anything about the game to this point outside of a few scarce minutes of gameplay and proofs of concept. What we’re seeing here is what the game is. Nothing is going to be cut or reduced in scale at this point.

There are questions, sure. How many of the thousand planets will have two neat buildings and then you move on? Or is there true exploration to be found? And just how buggy will this game launch, given that A) it’s this absolutely massive and B) it’s a Bethesda game, home of the most voluminous and hilarious bugs in the industry?

But it is hard not to be blown away by what was shown yesterday….

(12) DIDJA SEE THAT?! Inverse says “A Nearby Supernova Could Be Our Chance to Hear From Aliens”.

… The trick, of course, is that interstellar communication isn’t quick. Imagine there’s a three-car pileup on your street; you look out your window and see it, then yell downstairs to your neighbor, telling them to go take a look. All of that can happen within a matter of seconds.

But the space version takes a lot longer. Let’s say a star 21 million light years away explodes; it takes 21 million years for the light to reach you so that you can see the explosion. You send a radio message to your interstellar neighbor about 100 light years away, but that message will take 100 years to reach them.

Meanwhile, you’ve got to consider how far from the supernova your interstellar neighbor lives. Will the light from the explosion have reached them by the time they can hear your radio message?

As an example, Cabrales suggested that 32 star systems should already have seen the bright afterglow of SN 1987A, a supernova in our own Milky Way galaxy that lit up Earth’s skies in (you guessed it) 1987. If there’s anyone manning radio telescopes and transmitters on a planet around any of those stars, they’d have had time to see it and send a signal, and that signal would have had time to reach us here on Earth….

(13) MOVE OVER HABITABLE ZONES. [Item by SF Concatenation’s Jonathan Cowie.] When considering the possibility of extraterrestrial life (exobiology) around other stars, astronomers often use the concept of the star’s ‘habitable zone’. There is now a new proposal put forward by three astrophysicists and a microbiologist all of whom are based in the US. This new concept is what they call the ‘photosynthetic habitable zone’.  

The ‘photosynthetic habitable zone’ is the overlap between two other zones: the ‘photosynthetic zone’ and the ‘habitable zone’. The ‘photosynthetic zone’ is different from the ‘habitable zone’.  The former, as the researchers define it, is where Earth-biology-type oxygen generating photosynthesis can take place, while the latter is where liquid water can exist on the planetary surface. (I mention Earth-biology-type photosynthesis which uses two non-oxygen generating photosynthetic systems – one gives a leg up to the other to get the energy to split water – as it has been hypothesised that a three photosystem mechanism might evolve around slightly redder stars than our own but the researchers do not include this.)

The photosynthesis zone is actually bigger than the habitable zone (as, for example, on Earth there are microbes that can photosynthesise while living in snow and ice).  So what you need to do is to look at the overlap between the two to get the ‘photosynthetic habitable zone’.

The researchers have done this plotting graphs for planets of varying atmospheric thickness (the thicker the atmosphere the less light reaches its surface for photosynthesis) with one axis of the graph being the star’s size and the other the distance of the exoplanet’s orbit from its star.  The graph shown here is for planets whose atmospheric thickness is similar to Earth’s.  There is a further refinement in that the planet should not be tidally locked to its star. (In the graph the upper limit is for those planets that take a billion years to become tidally locked.)

The researchers have plotted photosynthetic zone and habitable zone exo-planets on the graph. They identify just five that are in the photosynthetic habitable zone (PHZ) that are not tidally locked: Kepler-452b, Kepler-1638b, Kepler-1544b, Kepler-62e, and Kepler-62f, that are consistently in the PHZ. Of these, Kepler-452b seems to have conditions most like Earth. Kepler 452b was discovered in 2015. It is around 1,400 light years away (430 parsecs away) from Manchester’s Festival of Fantastic Films and a decent pint of beer. It is suggested that Kepler-452b be the focus of study looking for biosignatures. However, it is a long way off.

The primary research paper proposing this new concept is Hall, C. et al (2023) “A New Definition of Exoplanet Habitability: Introducing the Photosynthetic Habitable Zone”. The Astrophysical Journal Letters, vol. 948, L26.

(14) VIDEO OF THE DAY. Ryan George knows what it’s like to be going through airport security before the crack of dawn. You probably know, too. So how come you didn’t make this video instead of him? “Early Flights When You’re Not A Morning Person”.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/5/22 Welcome To The Scrolltel California. You Can Pixel Out Anytime But You Can Never Leave

(1) HWA ELECTIONS UPCOMING. The Horror Writers Association will be holding elections for President, Secretary, and three Trustee positions in September.

John Edward Lawson is running unopposed for President, and Becky Spratford is the lone candidate for Secretary.

The candidates for the three Trustee positions are Marc L. Abbott, Linda Addison, James Chambers, Ellen Datlow, Anthony Gambol, Sèphera Girón, Douglas Gwilym, Frances Lu-Pai Ippolito, Eugene Johnson, Stephen Mark Rainey, David Rose, Lindy Ryan, and John F.D. Taff.

The candidates’ statements are here. The elected officers will hold their respective offices for terms of two years, beginning on November 1 and ending on October 31.

(2) KEENE HEALTH UPDATE. Horror writer Brian Keene is positive for Covid-19 – and has symptoms — so he alerted Facebook readers who might have come in contact with him at last weekend’s Scares That Care Charity Weekend VIII.  

For those who had me sign their books or take a selfie with them this past weekend: I have just tested positive for Covid-19. As you saw, I was pretty militant about keeping my mask on, so I hopefully didn’t spread it. But you deserve a heads up, regardless. My symptoms are more than mild but less than severe. Will be quarantining at home.

(3) LITERARY CONTACT TRACING. David Agranoff, host of the DickHeads Podcast, says the evidence suggests Philip K. Dick based a Ubik character in part on Robert Lichtman. Thread starts here.

(4) WRITERS GETTING PAID. Deadline reports “WGA Wins $42 Million ‘Self-Dealing’ Arbitration Against Netflix”.

The WGA said today that it has prevailed in a huge “self-dealing” arbitration against Netflix that it says will result in hundreds of writers on more than 100 Netflix theatrical films receiving an additional $42 million in unpaid residuals. The WGA West and the WGA East say they now are pursuing about $13.5 million in interest that Netflix reportedly owes writers for late payment of these residuals.

In a notification to their members, the guilds said that their victory stems from “an important arbitration over Netflix’s underpayment of the writer’s residuals for the theatrical motion picture Bird Box. Netflix argued the WGA should accept a substandard formula the company negotiated with DGA and SAG-AFTRA. After a hearing, however, an arbitrator determined differently — that the license fee should have been greater than the gross budget of the film. He ordered Netflix to pay the writer a total of $850,000 in residuals along with full interest of $350,000.”

“As a direct result of this ruling,” the WGA added, “216 writers on 139 other Netflix theatrical films are receiving an additional $42 million in unpaid residuals. The guild is now pursuing approximately $13.5 million in interest Netflix also owes writers for late payment of these residuals.”

The meaning of self-dealing and its consequences were explained by the guilds in their message to members:

“When a theatrical is licensed or released in any other market – like streaming or television or home video – residuals must be paid on revenues earned in those markets. The typical residual for the credited writer is 1.2% of the license fee paid to the producer for the right to exhibit that film.

“If the license is between related parties – for example, when Netflix is both the producer and the distributor of the film — the MBA requires that the company impute a license fee based on arm’s length transactions between unrelated parties of comparable pictures — for example, a Sony film licensed to Netflix. This critical definition, negotiated as part of the resolution of our strike in 2008, protects against the undervaluation of license fees through self-dealing.

“Rather than follow the established MBA definition for related party transactions (which exists in the DGA and SAG-AFTRA agreements with the AMPTP as well), Netflix negotiated new deals with the DGA and SAG-AFTRA that allow Netflix to pay residuals on significantly less than the cost of the film. Netflix then tried to force the WGA to take this ‘pattern’ deal. Since it was clear the new formula negotiated by the other Guilds undervalued these ‘imputed’ license fees, the Guild instead took the dispute to arbitration.

“During the arbitration, the Guild showed that when Netflix licensed comparable theatrical films from third party producers it almost always paid a license fee that exceeded the budget. The industry refers to this model as ‘cost-plus.’ The Guild argued that Netflix must apply this cost-plus model to its own films and impute license fees in excess of the budget for the purpose of paying residuals. The arbitrator agreed and ruled that the license fee should be 111% of the gross budget of the film.”

(5) A “FAN FICTION” CAUSE CÉLÈBRE. Meanwhile, Netflix lawyers are busy spreading joy in another direction, suing the Grammy-winning team behind an unofficial Bridgerton musical: “Netflix Sues ‘Bridgerton The Musical’ Creators For Infringement, Seeks to Halt Live Stagings”Deadline has the details. From the complaint: “Barlow & Bear’s conduct began on social media, but stretches ‘fan fiction’ well past its breaking point.” (Read the full complaint here.)

 …Songwriting duo Abigail Barlow and Emily Bear were the minds behind the popular adaptation of the hit television series. They staged a live concert of “The Unofficial Bridgerton Musical Album Live in Concert” at the Kennedy Center in Washington, DC earlier this week, selling out the venue.

Netflix originally hailed the concept when it debuted as a free online homage. But when that expanded into a profitable business, things became sticky.

“Defendants Abigail Barlow and Emily Bear and their companies (“Barlow & Bear”) have taken valuable intellectual property from the Netflix original series Bridgerton to build an international brand for themselves,” the lawsuit stated. “Bridgerton reflects the creative work and hard- earned success of hundreds of artists and Netflix employees. Netflix owns the exclusive right to create Bridgerton songs, musicals, or any other derivative works based on Bridgerton. Barlow & Bear cannot take that right—made valuable by others’ hard work—for themselves, without permission. Yet that is exactly what they have done.”…

(6) SOA AWARDS TAKING SUBMISSIONS. The Society of Authors 2023 Awards are open, including new prize to encourage disability representation in literature, called the ADCI (Authors with Disabilities & Chronic Illnesses) Literary Prize. Entries are being taken through October 31.

Launched in 2022, the ADCI (Authors with Disabilities and Chronic Illnesses) Literary Prize seeks to encourage greater positive representation of disability in literature.

Founded by author Penny Batchelor and publisher Clare Christian together with the Society of Authors, the prize is generously sponsored by Arts Council England, ALCS, the Drusilla Harvey Memorial Fund, the Hawthornden Literary Retreat, and the Professional Writing Academy. 

Open to authors with a disability and/or chronic illness, the prize will call for entries of novels which include a disabled or chronically ill character or characters. The winner will receive £1,000 and two runners-up £500 each.

(7) EATING THE FANTASTIC. Scott Edelman invites listeners to catch up with Sam J. Miller over khachapuri in episode 177 of his Eating the Fantastic podcast.

Sam J. Miller

It’s time to settle in for another lunch during the Washington, D.C. pop culture festival Awesome Con. Last episode, you eavesdropped on my meal with Patrick O’Leary, and this time around you get to take a seat at the table with Sam J. Miller.

You first heard me chat and chew with Sam 5-1/2 years ago in Episode 24, and when I noted he’d be at the con to promote his debut short story collection Boys, Beasts & Men, I knew it was time for us to catch up.

So much has changed since I last shared him with you in late 2016! His first novel, The Art of Starving, was published the following year and was a finalist for the 2018 Lodestar Award for Best Young Adult Book, and won the 2018 Andre Norton Award. Blackfish City, published in 2018, won the 2019 John W. Campbell Memorial Award, and was named a best book of the year by Vulture, the Washington Post, and Barnes & Noble, as well as a must-read for Entertainment Weekly and O: The Oprah Winfrey Magazine. His second young adult novel, Destroy All Monsters, was published by HarperTeen in 2019, and his second adult novel, The Blade Between, was published by Ecco Press in 2020.

We discussed the 1,500 short story submissions he made between 2002 and 2012 (as well as the one story which was rejected 99 times), the peculiar importance of the missing comma from the title of his new collection Boys, Beasts & Men, his technique for reading collections written by others, why the Clarion Writing Workshop was transformative, how Samuel R. Delany gave him permission, the way his novels and short stories exist in a shared universe, the impossibility of predicting posthumous fame, the superpower he developed via decades of obscurity, the differing ideas of what writers block means, and much more.

(8) A DATE IN THE SF CALENDAR. From Ray Bradbury‘s “There Will Come Soft Rains”.

The crash. The attic smashing into kitchen and parlor. The parlor into cellar, cellar into sub-cellar. Deep freeze, armchair, film tapes, circuits, beds, and all like skeletons thrown in a cluttered mound deep under.  Smoke and silence. A great quantity of smoke.  Dawn showed faintly in the east. Among the ruins, one wall stood alone. Within the wall, a last voice said, over and over again and again, even as the sun rose to shine upon the heaped rubble and steam: “Today is August 5, 2026, today is August 5, 2026, today is…”  

(9) MEDIA BIRTHDAY.  

1966 [By Cat Eldridge.] Daleks’ Invasion Earth 2150 A.D. is the Amicus film that premiered fifty-six years ago this evening. It was directed by Gordon Flemyng as written by Milton Subotsky, based off Terry Nation’s The Dalek Invasion of Earth for the TV show. It was the second such film done, the first being Dr. Who and the Daleks which was was based off Terry Nation’s The Daleks. It was not canon, nor has it been retroactively declared canon by the BBC.

Peter Cushing as Dr. Who and Roberta Tovey was Susan, his granddaughter. Bernard Cribbins appeared here as Tom Campbell. He appeared four times in the actual series. Despite this, the BBC explicitly note that that these films were not related to the series, nor any events here should reflect upon the series. Odd given that there was a Doctor Who there and his granddaughter, there was a TARDIS, there was Daleks and so forth.

Nation was paid five hundred pounds for three scripts with third being called The Chase but the second film drew so poorly that The Chase never got produced. 

And if you watched this one, you’ll have noticed the curious matter of the Doctor not being on-screen much of time. Cushing was seriously ill during shooting so they had to rewrite the script to remove much of his lines. 

Part of the funding came from a cereal company. The breakfast cereal Sugar Puffs to be precise and, their signs and products can be seen at various points in the film. Sugar Puffs ran a competition on its cereal packets to for its fans win a Dalek film prop, was allowed to feature the Daleks in its TV advertisements.  

The overall critical response at the time was that both films suffered greatly in comparison to the series itself. A typical comment was this one from The Times: “[T]he cast, headed by the long-suffering, much ill-used Peter Cushing, seem able, unsurprisingly, to drum up no conviction whatever in anything they are called to do.” It’s worth noting that was really made on the cheap by the BBC costing only three hundred thousand pounds. 

Tom Baker later criticized both films saying “There have been two Doctor Who films in the past, both rather poor… There are many dangers in transporting a television series onto the big screen… a lot of things that you could get away with on the small screen wouldn’t wash in the cinema.” 

It holds a poor rating of fifty-four percent among audience reviewers at Rotten Tomatoes. 

I have not seen either film. I’m curious to hear from those of you who have seen them as to what you think of them. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 5, 1891 Donald Kerr. Happy Hapgood in 1938’s Flash Gordon’s Trip To Mars which certainly is one of the earliest such films. His only other genre appearances were in the Abbott and Costello films such as Abbott and Costello Meet the Mummy and Abbott and Costello Meet the Invisible Man in uncredited roles. (Died 1977.)
  • Born August 5, 1929 Don Matheson. Best remembered for being Mark Wilson in Land of the Giants. He also had roles in Lost in Space (where he played in an alien in one episode and an android in another episode), Voyage to the Bottom of the SeaThe Alfred Hitchcock Hour, an Alice in Wonderland film and Dragonflight. (Died 2014.)
  • Born August 5, 1948 Larry Elmore, 74. His list of work includes illustrations for Dungeons & Dragons, Dragonlance, and his own comic strip series SnarfQuest. He is author of the book Reflections of Myth. He was nominated for Best Professional Artist at MidAmericCon II, has the Phoenix Award and has five Chesley Award nominations.
  • Born August 5, 1966 James Gunn, 56. Director, producer and screenwriter whose first film as director was Slither. Very silly film. He’s responsible for both Guardians of The Galaxy films, plus the forthcoming one. He executive produced both of the recent Avengers films, and he’s directing and writing the next Suicide Squad film. I am far fonder of the Guardians of The Galaxy films than I am of the Avengers films. 
  • Born August 5, 1972 Paolo Bacigalupi, 49. I remember the book group I was part of some years ago having a spirited debate over The Windup Girl (which won a Hugo at Aussiecon 4 in a tie with China Miéville’s The City & The City and a Nebula as well) over the believability of the central character. I think he did a better job with characters in his next novels, Ship Breaker and The Drowned Cities, but he’s really not about characters anyways but ideas.  The Tangled Lands, a collection of his short works, won a World Fantasy Award. His novelette, “The People of Sand and Slag” got nominated at Interaction; “The Calorie Man” novelette at L.A. Con IV; “Yellow Card Man” novellette at Nippon 2007; and “The Gambler” novellette at Anticipation.
  • Born August 5, 1975 Iddo Goldberg, 47. Israel-born actor. Freddie Thorne in the Peaky Blinders series , Isaac Walton in supernatural Salem series and Bennett Knox in Snowpiercer series. He also had a recurring role on Westworld as Sebastian.  And under a lot of costuming, he played the Red Tornado in an episode, “Red Faced” of Supergirl.
  • Born August 5, 1980 JoSelle Vanderhooft, 42. Former Green Man reviewer with a single novel so far, Ebenezer, and several collections, Steam-Powered: Lesbian Steampunk Stories and Steam-Powered II: More Lesbian Steampunk Stories which the former were nominated for a Lambda Award. She also co-edited with Steve Berman, Heiresses of Russ 2011: The Year’s Best Lesbian Speculative Fiction.

(11) IT’S IN THE CARDS. Gizmodo leads fans to “Relive X-Men Trading Card Nostalgia With This New Gallery”.

Jim Lee’s designs for the X-Men are burned into the minds of X-Fans like the Phoenix Force itself—whether you devoured comics, fell in love with the animated series, or, perhaps, just collected some of the iconic trading cards of the era. If you’re the latter, then we’ve got some very good news.

io9 has your exclusive look inside The Uncanny X-Men Trading Cards: The Complete Series, Abrams ComicArts’ 30th anniversary celebration of Jim Lee’s iconic 105 Uncanny X-Men trading card set. Featuring an introduction by Bob Budiansky and a foreword by Ed Piskor, the book collects the backs and fronts of every card in the classic series, as well as insight from Marvel creators in interviews conducted by Budiansky, the original writer and editor on the trading card series…..

(12) KIPPLE IS UNDEFEATED. Robin Abcarian, the syndicated opinion writer, discovered a new word – but you probably know it already: “Why none of us can win against kipple”.

It’s coming up on two years since my father died at age 91. I miss him terribly, of course, but his death left me with a personal struggle I had not anticipated.

While you might understandably think his death left a void in my life, it did quite the opposite.

His death left me with so … much … stuff. He’d lived in the same house for more than 30 years, and even though he’d engaged in some half-hearted Swedish death cleaning — a decluttering aimed at easing burdens on one’s survivors – what he did, mostly, was just put things in boxes. Boxes I had to open to figure out what they contained after he died….

… I want to keep all of it, but I also want to pile it up and torch it.

Last week, I was bemoaning this dilemma when Anton, my future son-in-law, said, “Yeah, all the kipple.”

Kipple?

I thought it might be a Yiddish or German word, but Anton told me it was coined by the great science fiction writer Philip K. Dick in his 1968 dystopian novel “Do Androids Dream of Electric Sheep?” For those who need a plot refresher – or have not seen the 1982 movie “Blade Runner,” which was based on the novel – the story takes place in the future, after Earth has been mostly destroyed by a nuclear global conflict, World War Terminus. Most animal life has been extinguished. The population has emigrated to “off-world colonies.”

The word is used by the book’s protagonist, Rick Deckard, a bounty hunter assigned to kill some uncannily human-like robots who have escaped involuntary servitude on Mars and returned to Earth.

“Kipple,” Deckard explains in the book, “is useless objects, like junk mail or match folders after you use the last match or gum wrappers or yesterday’s homepage. [Dick’s incredibly prescient vision of a digital newspaper.] When nobody’s around, kipple reproduces itself. For instance, if you go to bed leaving any kipple around your apartment, when you wake up the next morning there’s twice as much of it.”….

(13) UNFORCED ERROR. “Scientist admits ‘space telescope image’ was actually a slice of chorizo” says CNN.

A French scientist has apologized after tweeting a photo of a slice of chorizo, claiming it was an image of a distant star taken by the James Webb Space Telescope.

Étienne Klein, a celebrated physicist and director at France’s Alternative Energies and Atomic Energy Commission, shared the image of the spicy Spanish sausage on Twitter last week, praising the “level of detail” it provided.

…Klein admitted later in a series of follow-up tweets that the image was, in fact, a close-up of a slice of chorizo taken against a black background.

“Well, when it’s cocktail hour, cognitive bias seem to find plenty to enjoy… Beware of it. According to contemporary cosmology, no object related to Spanish charcuterie exists anywhere else other than on Earth”

After facing a backlash from members of the online community for the prank, he wrote: “In view of certain comments, I feel obliged to specify that this tweet showing an alleged picture of Proxima Centauri was a joke. Let’s learn to be wary of the arguments from positions of authority as much as the spontaneous eloquence of certain images.”…

(14) VIDEO OF THE DAY. [By Martin Morse Wooster.] In “Ms. Marvel Pitch Meeting,” the writer explains that Kamala Khan begins as a big fan of Captain Marvel and has all of our stuff. “I like it when we can sell fictional merch,” the producer explains.  He also likes a scene where Ms. Marvel suddenly has time travel and goes back to 1942 to save her grandmother’s life, because I think it’s a good idea for a character to be born.”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Bill, John A Arkansawyer, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Chris S.]

Pixel Scroll 6/3/22 Pixeled Like Your Soul, I’d Rather File Than Watch Disco’s Control

(1) BLUE PLAQUE SPECIAL. Radio Times reports “Verity Lambert, Doctor Who’s original producer, honoured with blue plaque”.

Some major names in the history of British television gathered on Sunday 29th May to honour the pioneering producer Verity Lambert, as Doctor Who’s very first director Waris Hussein and former showrunner Steven Moffat jointly unveiled a blue plaque on the wall of Riverside Studios in Hammersmith.

As the first ever female producer in the BBC drama department, Verity made a name for herself launching Doctor Who in 1963. Across a long and prestigious career, she produced dozens of successful and fondly remembered programmes, such as Take Three Girls, Budgie, The Naked Civil Servant, Rock Follies, Edward and Mrs Simson, The Flame Trees of Thika, Minder and Jonathan Creek. She died in 2007.

(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Karen Heuler and Sam. J. Miller in person at the KGB Bar on Wednesday, June 15 at 7:00 p.m. Eastern. Masks Strongly Encouraged.

  • Karen Heuler

Karen Heuler’s stories have appeared in over 120 literary and speculative magazines and anthologies, from Conjunctions to The Magazine of Fantasy and Science Fiction to Weird Tales, as well as in a number of Best Of anthologies (and in one of Ellen Datlow’s anthologies!). Her latest novel, The Splendid City, has just been published by Angry Robot Books. It’s a tale about stolen water, an exiled witch and her gun-wielding cat, and a city run by a self-declared President who loves parades. She has a literary short-story collection about dementia coming out in August, and Fairwood Books will publish A Slice of the Dark, a SF/F mix, this coming November.

  • Sam J. Miller

Sam J. Miller’s books have been called “must reads” and “bests of the year” by USA Today, Entertainment Weekly, NPR, and O: The Oprah Magazine, among others. He is the Nebula-Award-winning author of Blackfish City, which has been translated into six languages and won the John W. Campbell Memorial Award. Sam’s short stories have been nominated for the World Fantasy, Theodore Sturgeon, and Locus Awards, and reprinted in dozens of anthologies. He’s also the last in a long line of butchers. He lives in New York City, and at samjmiller.com

KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(3) PAUL WEIMER. Camestros Felapton continues his series of why-you-should-vote-for each Best Fan Writer finalist with “Paul Weimer: Hugo 2022 Fanwriter Finalist”.

Paul Weimer is a fan, a photographer, a podcaster, a review, a critic, a traveller and did I mention that he is a fan? A prolific reviewer and a frequent guest on numerous podcasts, Paul does not literally know everybody in science fiction but I like to imagine that he does. These days you are most likely to find paul at the Nerds of a Feather fanzine blog or on the Skiffy and Fanty podcast or among the webpages of Tor.com….

(4) HOW THE WEST WAS WON. Clarion West invites everyone to support the students coming to this year’s workshop by chipping in to pay for things on their Summer Workshop Wish List.

If you’d like to help the workshop’s students be more comfortable in our new facilities where they’ll be eating, sleeping, and living story for six weeks this summer, there are ways for you to help

The Summer Workshop needs items large and small for the students every year—from coffee to whiteboards and beyond. This year we especially need additional safety supplies to be as safe as we possibly can during the pandemic and to meet our COVID protocols. If you’d like to help out, you can purchase items from our Amazon Wish List.

Thank you so much for helping support our students and our workshop!

(5) DEVOLVER NEWS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews the games of “tastemaking indie publisher Devolver Digital.” WASD was a game fair held recently in London.

Every year, a few Devolver titles inevitably make their way to year-end best-of lists.  ‘That success gives us the mandate to take risks and do some really interesting, off-the-wall games,’ says Graeme Struthers, head of publishing.  At WASD, this reputation attracted a constant stream of excited gamers to their booth of playable demos.  I sampled new releases Trek To Yomi, a moody samurai game in grainy monochrome inspired by classic Kurosawa films; Card Shark, a beautifully illustrated tale of cheating your way to the top of 18th-century French society using only a deck of cards; and Terra Nil, a ‘reverse city builder’ that asks you not to pave over the wilderness with motorways but instead restore the countryside to its former glory…

….Many of Devolver’s best releases take a received idea about games on their head and encourage players to look at the medium from a new perspective.  Often this means casting the player as a character they never thought they would inhabit. In Ape Out, you play an escaped gorilla whose every movement triggers a crash of cymbals or a snare-hit, creating a jazz score as you go.  The highlight of Devolver’s upcoming roster at WASD, Cult Of The Lamb, casts players as a sacrificial lamb which escapes from the altar and starts building its own cult in revenge.

(6) SIDE BY SIDE BY CYBERMEN. Radio Times tries to read the tealeaves of the Doctor Who multiverse: “Could Yasmin Finney’s new Rose be the key to Doctor Who’s own multiverse?”

Jodie Whittaker’s exit coming a year ahead of Doctor Who’s 60th anniversary means fans are expecting something massive in the next 12 months. Alongside the high-profile returns of David Tennant and Catherine Tate as the Tenth Doctor and Donna Noble, Heartstopper’s Yasmin Finney is paving the way for diversity. Details about these returns and debuts are sketchy, but Finney’s role as “New Rose” could have us opening the doors to the multiverse….

… When Whittaker’s Thirteen escaped a possible-future version of a nuclear-ravaged Earth in Orphan 55, she told us. “The future is not fixed, it depends on billions of decisions and actions, and people stepping up.” This was teased years earlier when the Doctor-lite Turn Left explained how drastically things can change with a simple decision. Ten’s iconic episode featured Donna being manipulated by a Time Beetle, and although ‘Donna’s World’ was erased from existence, it’s got us thinking about how many others there are. 

Doctor Who has long established that N-Space is the Prime Universe in canon, but over the past 60 years, we’ve learned about a lot more. Across various media, the Doctor has visited an alternate Earth populated by the vampire-like Haemovores, the many alternate realities that have been conquered by Cybermen, and even one with Tardis Tails – an anthropomorphic cat version of the Doctor….

(7) MEMORY LANE.

1969 [By Cat Eldridge.] On this date in 1969, the first incarnation of Star Trek came to an end. Its “five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before” would last just three years and seventy-nine episodes before ending with the “Turnabout Intruder”. 

The ratings for the series were never great and NBC responded by cutting the production each season from one ninety thousand the first season to the one eighty-five thousand the second season to the one hundred seventy-five thousand the last season. Assuming that there were salary increases which there were obviously were, this left little for special effects, costumes or anything else by the third season. And yes, it showed. 

It might have been a ratings failure in its first run but it thrived in syndication and spawned a vast franchise currently of ten television series (eleven if you include Short Treks which is remarkably good) with the latest being Strange New Worlds which I like quite a lot, and thirteen films. Not to mention novels, comics, action figures, games and toys. And decades of cosplayers. 

I’ve rewatched a lot of the series recently courtesy of Paramount + which is the home of it and everything else Trek. Some of the episodes are quite excellent, some are not bad and some are really execrable. I think it holds up fairly well all things considered. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 3, 1901 Maurice Evans. Ahhh the amazing work of make-up. Under the make-up that was Dr. Zaius in Planet of the Apes and Beneath the Planet of the Apes was this actor. Though this was his most well-known genre role, it wasn’t his only ones — he was in a Thirties Scrooge as poor man, on Bewitched as Maurice, Samantha’s father, on Batman as The Puzzler in “The Puzzles are Coming” and “The Duo Is Slumming”, in Rosemary’s Baby as Hutch, and finally in Terror in the Wax Museum as Inspector Daniels. Oh, and he showed up on Columbo as Raymond in “The Forgotten Lady”. No, not genre — but I love that series! (Died 1989.)
  • Born June 3, 1946 Penelope Wilton, 76. She played the recurring role of Harriet Jones in Doctor Who wherethey actually developed a story for the character. She was also played Homily in The Borrowers, Barbara in Shaun of the Dead, The Queen in Roald Dahl’s The BFG, Beatrix Potter in The Tale of Beatrix Potter, The White Queen in Through the Looking-Glass and Gertrude in in Hamlet at the Menier Chocolate Factory. 
  • Born June 3, 1947 John Dykstra, 75. He was one of the founders of Industrial Light & Magic. That means he’s responsible for the original visuals for lightsabers, the space battles between X-wings and TIE fighters, and much of the other Star Wars effects. Can’t list everything he later worked on, so I’ll single out his work on Battlestar Galactica, the sfx for Batman Forever and Batman and Robin, the visual effects on X-Men: First Class, and visual effects supervisor on Doolittle. I know the last is a shite of a film but the creatures aren’t. 
  • Born June 3, 1949 Michael McQuay. He wrote two novels in Asimov’s Robot City series, Suspicion and Isaac Asimov’s Robot City (with Michael P. Kube-McDowell) and Richter 10 with Arthur C. Clarke. The Mathew Swain sequence neatly blends SF and noir detective tropes – very good popcorn reading. His novelization of Escape from New York is superb. (Died 1995.)
  • Born June 3, 1950 Melissa Mathison. Another one who died far too young of cancer. Screenwriter for E.T. the Extra-Terrestrial. Spielberg credits the line “E.T. phone home” line to her. (She’s Eliot’s school nurse in the film.) She also wrote the screenplays for The Indian in the Cupboard and BFG with the latter being dedicated in her memory. And she wrote the “Kick the Can” segment of Twilight Zone: The Movie. (Died 2015.)
  • Born June 3, 1958 Suzie Plakson, 64. She played four characters on the Trek franchise: a Vulcan, Doctor Selar, in “The Schizoid Man”(Next Gen); the half-Klingon/half-human Ambassador K’Ehleyr in “The Emissary” and “Reunion” (Next Gen); the Lady Q in “The Q and the Grey” (Voyager); and an Andorian, Tarah, in “Cease Fire” (Enterprise).  She also voiced Amazonia in the “Amazon Women in the Mood” episode of Futurama. Really. Truly. By the way, her first genre role was in the My Stepmother Is an Alien film as Tenley. She also showed up in the Beauty and the Beast series as Susan in the “In the Forests of the Night” episode.
  • Born June 3, 1964 James Purefoy, 58. His most recent genre performance was as Laurens Bancroft in Altered Carbon. His most impressive was as Solomon Kane in the film of that name. He was also in A Knight’s Tale as Edward, the Black Prince of Wales/Sir Thomas Colville. He dropped out of being V in V for Vendetta some six weeks into shooting but some early scenes of the masked V are of him. And let’s not forget that he’s Hap Collins in the Sundance series Hap and Leonard which is steaming on Amazon Prime. 

(9) COMICS SECTION.

  • Bizarro shows why it’s not easy for a monster to get a drink.
  • Breaking Cat News shows that the future is unequally distributed. 

(10) TANGLED WEB. BBC’s Tanya Beckett takes a closer look at how China’s increasing influence is affecting the movie-making process in Hollywood. “Why did China ban Spider-Man?” – listen in at BBC Sounds.

Ever since Hollywood entered the Chinese market in the early ’90s, the importance of Chinese audiences was apparent. Over recent years the Chinese market has grown in significance to the point of deciding whether a film is ultimately successful or not. Given the country’s importance to the overall profitability of Tinsel Town, it is of little surprise that their censors are able to increasingly demand changes to films that threaten the Chinese narrative. Despite this, the recent Sony/Marvel blockbuster Spider-Man did not appear to challenge Chinese values.

(11) PROJECTING. GameSpot calls these “The Very Best Sci-Fi Movies Of the 1980s”. Twenty films – but there are three I’ve never had a desire to see. Does it help balance things that I have watched this one so many times?

2. Ghostbusters (1984)

Much like another entry on this list, Back to the Future, Ghostbusters was almost a very different film with a very different cast. Luckily, though, the production ended up with the right team and script to truly capture a lightning ghost in a bottle. Ghostbusters tells the story of a trio of academics and inventors studying the paranormal, who go into the business of capturing and containing dangerous ghosts. It is, in essence, blue-collar sci-fi, with a heavy dose of comedy resulting from having three of the best comedy actors of the 1980s on the cast. Few movies are this rewatchable and this quotable.

(12) SPEAKING OUT. In the Washington Post, Michael Cavna profiles Kristen Schaal, who is proud of her extensive voice work in animation (most recently in The Bob’s Burgers Movie) but also in BoJack Horseman and Toy Story. “Kristen Schaal of ‘Bob’s Burgers’ is the queen of quirky voice acting”.

… The Emmy-nominated actress aims to elude being pigeonholed, yet she’s well-aware that some casting directors now refer to a “Kristen Schaal type,” saying on Marc Maron’s podcast several years ago that their elevator-quick description of her as performer might well be: “She’s manic and a little crazy, coming out of that sweet face and voice.”

Whatever the alchemy within her artistry, there’s no doubting that Schaal has carved out an animation niche within her larger résumé: She is the queen of voicing the askew….

(13) AUTHOR’S PAPERS. This processing of Lawrence Watt-Evans’s papers reportedly is very recent.  UMBC is the University of Maryland (Baltimore County). “Lawrence Watt-Evans papers”. They were donated in 2017.

Abstract: The collection contains materials that cover Lawrence Watt-Evans professional career from 1974 to 2018. Included are manuscripts of his books, short stories, editorials, and comics and graphic novels; personal papers; correspondence with publishers, fellow authors, and fans; and convention memorabilia including programs and fliers.

Citation: Lawrence Watt-Evans papers, Collection 260, Special Collections, University of Maryland, Baltimore County (Baltimore, MD).

(14) PIZZA NIGHT ON THE ISS. Six of seven Expedition 67 crew members are pictured enjoying pizza during dinner time aboard the International Space Station. Clockwise from left are, Flight Engineer Denis Matveev, Commander Oleg Artemyev, and Flight Engineer Sergey Korsakov, all from Roscosmos; NASA Flight Engineers Kjell Lindgren and Jessica Watkins; and ESA (European Space Agency) Flight Engineer Samantha Cristoforetti.

(15) WHERE TO GET BUTTERSCOTCH BEER. [Item by Andrew Porter.] Wand sold separately (and batteries not included!) “Flying Cauldron Butterscotch (non alcoholic) Beer – 12 Oz”.

The Art Of Magic Is Thirsty Work!

Flying Cauldron Butterscotch Beer (non-alcoholic) 

Last time around, you cleared our shelves of this irresistible soda within hours of our owls delivering the newsletter!

Flying Cauldron Butterscotch (non-alcoholic) Beer is another butterscotch flavored soda in our beverage lineup.  This is a fun, magical drink that is free of preservatives, free of caffeine, free of gluten & GMO’s.  Enjoy this drink in a frozen mug or drop in a scoop of vanilla ice cream.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In The Mandrake, jointly made by 11 students at the Savannah College of Art and Design,  carrot farmer Mr. Rabbit is right to worry when a raccoon shows up with a strange plan.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Nancy Sauer, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 4/15/21 Pixel Dawns On MarbleScroll

(1) PAY THE WRITER. Adam Whitehead in “Disney and Alan Dean Foster approaching settlement on royalties” at The Wertzone brings promising news:

Foster does not go into details, but notes on his webpage.

“The irritating imbroglio with Disney, which you may have read about, is moving towards a mutually agreeable conclusion. A formal statement will be forthcoming.”

Hopefully the matter will now be resolved and Disney will agree to uphold their contractual obligations moving forwards with both Foster and all other impacted authors.

For background, see Cora Buhlert’s post “The #DisneyMustPay Alan Dean Foster and SFWA Joint Press Conference”.

(2) NO, THE REAL WRITER. The Guardian says the proceeds of a literary prize were ripped off by scammers: “Rathbones Folio prize paid £30,000 to scammers posing as the winner”. (Incidentally, they did make it good to the genuine winner.)

… Publishing industry magazine the Bookseller revealed on Wednesday that the Folio, which is awarded to the year’s best work of literature regardless of form, was scammed by “sophisticated cyber-criminals”. The scammers posed as the Mexican author [Valeria] Luiselli, who had won with her novel Lost Children Archive, and requested that the £30,000 payment be made through PayPal.

Minna Fry, the prize’s executive director, confirmed that the funds were lost and that “the police were informed at the time, as were key industry colleagues”.

“Our winner Valeria Luiselli was awarded her prize money in full, and the lost funds were absorbed by cost savings elsewhere,” she added.

The prize is run by a charity and is independent from its sponsor, Rathbone Investment Management. Fry said the investment firm “have supported us through this incident and helped us to put in place additional safeguarding measures”.

This is not the first time a book prize has been targeted by fraudsters. A spokesperson for the Baillie Gifford prize for non-fiction, worth £50,000, confirmed that it was also targeted in November, but no funds were paid.

“Someone emailed pretending to be the 2020 winner Craig Brown and asked us to pay the prize money via PayPal,” a spokesperson for the prize told the Bookseller…

(3) EXIT THE WAYFARER UNIVERSE. On the Imaginary Worlds podcast “Becky Chambers Goes Wayfaring”.

Becky Chambers’ latest novel, “The Galaxy and The Ground Within,” is the final book in her Wayfarer series, which is about aliens, humans and AI trying to make their way through the galaxy and find common ground. Some of the characters in her books may seem fantastical and strange, but the conversations between them often revolve around familiar issues like identity, gender, family structure, and politics. We talk about why she’s closing this chapter in her writing career, even though the Wayfarer series could’ve gone on indefinitely, and what she has planned next.

(4) WEB OF LIES. [Item by Olav Rokne.] Spider-Man co-creator Stan Lee casts an oversized shadow across comic book fandom. But arguments abound about how much credit he deserves for the various works he is purportedly behind. In a new deeply-researched biography True Believer, journalist Abraham Riesman looks at this iconic figure. It’s a terrific book that perhaps people should be considering for Best Related Work on *next year’s* Hugo ballot, and that the Hugo Book Club Blog reviewed this week:  “The Lies That Bind”.

There is a long tradition of fandom idolizing a certain variety of PT Barnum-style self-promoter. This tradition has come under much-needed scrutiny in the past decade thanks to works such as Astounding by Alec Nevala-Lee and The Pleasant Profession of Robert A. Heinlein by Farrah Mendelsohn. Abraham Riesman’s True Believer is a welcome addition to this critical reckoning.

(5) SPOTTED IN GOTHAM. Did you know François Truffaut took the robot dog out of his film of Fahrenheit 451 because there was no technology for the dog? Well, that future has just about arrived: “NYPD Deploys ‘Creepy’ New Robot Dog In Manhattan Public Housing Complex” in Gothamist.

… The remote-controlled bot was made by Boston Dynamics, a robotics company famous for its viral videos of machines dancing and running with human-like dexterity. (Versions of “Spot,” as the mechanical dog is known, can open doors, and are strong enough to help tow an 18-wheeler.)

Since October, the NYPD has dispatched the robot to a handful of crime scenes and hostage situations, raising fears of unwanted surveillance and questions about the department’s use of public dollars. The mobile dog, which comes equipped with automated sensors, lights, and cameras capable of collecting “limitless data,” is sold at a starting price of $74,000.

A spokesperson for the NYPD said the robot dog was on standby, but not used, during a domestic dispute at East 28th Street on Monday afternoon. After a man allegedly barricaded himself inside a room with a mother and her baby, officers showed up and convinced him to let them exit. The man was arrested for weapons possession, police said….

(6) MEDIA BIRTHDAY.

  • April 15, 1944 –On this day in 1944, The Monster Maker which was originally titled The Devil’s Apprentice premiered. It was directed by Sam Newfield and produced from a script written by by Sigmund Neufeld which was by Lawrence Williams, Pierre Gendron and Martin Mooney. It starred J. Carrol Naish, Talla Birell, Wanda McKay and Ralph Morgan. It was almost completely ignored by critics at the time and it currently holds an extremely low five percent rating on Rotten Tomatoes among audience reviewers. You can see it here.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 15, 1452 – Leonardo da Vinci.  One of our greatest neighbors.  Among his many drawings were things that could almost be made then; dreaming them up, and depicting them, took imagination very much like SF authors’ and illustrators’.  Here is a 500th-anniversary exhibit I made for Dublin 2019 the 77th Worldcon with high-tech graphics wizard Elizabeth Klein-Lebbink (shown as it appeared at Loscon XLVI later; scroll down past Rotsler Award photos).  (Died 1519) [JH]
  • Born April 15, 1908 – Howard Browne.  Edited Amazing and Fantastic; five novels, a dozen shorter stories for us, some under other names; also detective fiction; films, television.  More here.  (Died 1999) [JH]
  • Born April 15, 1933 Elizabeth Montgomery. She’s best remembered as Samantha Stephens on Bewitched. Other genre roles included being Lili in One Step Beyond’s “The Death Waltz” which you can watch here. She also had on every-offs in The Twilight Zone, Alfred Hitchcock Presents, and voicing a Barmaid in the “Showdown” episode of Batman: The Animated Series. (Died 1995.) (CE)
  • Born April 15, 1937  Thomas F. Sutton. Comic book artist who’s best known for his contributions to Marvel Comics and  Warren Publishing’s line of black-and-white horror magazines. He’s particularly known as the first artist of the Vampirella series. He illustrated “Vampirella of Draculona”, the first story which was written by Forrest J Ackerman. (Died 2002.) (CE)
  • Born April 15, 1938 – Unipán Helga, age 83.  (Personal name last, Hungarian style.)  Designed more than a hundred twenty books, many ours.  Here is The Antics of Robi Robot (in Romanian).  Here is an interior from the Jun 73 Korunk (“Our Age”).   Here is Orthopedic Hat.  Here is The Vicissitudes of a Brave Mouse.  Here is Calendar of Nature.  [JH]
  • Born April 15, 1941 – Mal Dean.  Six covers, twoscore interiors for us.  Particularly associated with Michael Moorcock and the graphic-art Jerry Cornelius.  Here is the Jun 69 New Worlds.  Here is “The Duke of Queens duels Lord Shark the Unknown” illustrating MM’s “White Stars”.  Here is the Nov 75 – Jan 76 Other Times.  Outside our field, jazz trumpeter & bandleader, illustrator; cartoonist.  Here is a posthumous artbook.  (Died 1974) [JH]
  • Born April 15, 1949 – Tim Bolgeo.  Uncle Timmy chaired LibertyCons 1-25, Chattacons 7-11.  Fan Guest of Honor at Con*Stellation III (not this one), DeepSouthCon 43, StellarCon 33, LibertyCon 32.  Four decades a fixture in fandom.  (Died 2019) [JH]
  • Born April 15, 1949  Sharan Newman, 72. Author of the most excellent Guinevere trilogy (GuinevereChessboard Queen and Guinevere Evermore), a superb reinterpretation of the Arthurian saga . They’re available at the usual digital suspects as is her superb Catherine LeVendeur medieval mystery series. Alas her SF short stories are not. (CE) 
  • Born April 15, 1966 – Cressida Crowell, age 56.  A dozen novels, particularly about How to Train Your Dragon (eleven million copies sold) and The Wizards of Once.  Illustrates many of her own books.  Blue Peter Book Award.  “Children are surrounded by adults who are VERY BOSSY.  They might not always mean to be bossy, and they have the best of intentions, but still.”  [JH]
  • Born April 15, 1974 Jim C. Hines, 47. Winner at Chicon 7 of the Best Fan Writer Hugo. Author of the Goblin Quest series which I’ve read at least two of and enjoyed. Same for his Magic ex Libris series. Yeah more popcorn reading. (CE) 
  • Born April 15, 1990 Emma Watson, 31. Hermione Granger in the Harry Potter film franchise which lasted an entire decade. She was Belle in Disney’s Beauty and the Beast, and the voice of Prince Pea in The Tale of Despereaux. (CE) 
  • Born April 15, 1997 Maisie Williams, 24. She made her professional acting debut as Arya Stark of Winterfell in Game of Thrones. She was Ashildr, a Viking woman of unique skills, the principal character of “The Girl Who Died”, during the time of Twelfth Doctor who would be back several times more. She was Wolfsbane in the Marvel film New Mutants. (CE) 

(8) COMICS SECTION.

(9) CLARION CALLS. The Clarion Science Fiction and Fantasy Writers’ Workshop, organized by the Arthur C. Clarke Center for Human Imagination at UC San Diego, is hosting the Winter Writers Series, a monthly series of conversations between Clarion alumni and instructors about the art of speculative fiction and their writing careers. These conversations, co-hosted by Mysterious Galaxy Bookstore, are presented via Zoom Webinars and are free and open to the public. Each conversation will include time for Q&A with the audience. The next is —

Speculative Horror

April 21, 2021, 5pm PT / 8pm ET (register here)

Join us for a conversation about ins and outs of writing modern horror with three astounding writers and Clarion alumni/instructors who terrify and unsettle us.

Jeffrey Ford is the author of the novels The PhysiognomyThe Girl in the GlassThe Portrait of Mrs. CharbuqueThe Shadow YearThe Twilight Pariah, and Ahab’s Return. His story collections are The Fantasy Writer’s AssistantThe Empire of Ice CreamThe Drowned LifeCrackpot Palace, and A Natural History of Hell.

Victor LaValle is the author of the short story collection Slapboxing with Jesus, four novels, The EcstaticBig MachineThe Devil in Silver, and The Changeling and two novellas, Lucretia and the Kroons and The Ballad of Black Tom. He is also the creator and writer of a comic book Victor LaValle’s DESTROYER. He has been the recipient of numerous awards including the World Fantasy Award, British World Fantasy Award, Bram Stoker Award, Whiting Writers’ Award, a Guggenheim Fellowship, Shirley Jackson Award, American Book Award, and the key to Southeast Queens. He was raised in Queens, New York. He now lives in Washington Heights with his wife and kids. He teaches at Columbia University.

Sam J. Miller is the Nebula-Award-winning author of The Art of Starving (an NPR best of the year) and Blackfish City (a best book of the year for Vulture, The Washington Post, Barnes & Noble, and more – and a “Must Read” in Entertainment Weekly and O: The Oprah Winfrey Magazine). A recipient of the Shirley Jackson Award and a graduate of the Clarion Writers’ Workshop, Sam’s work has been nominated for the World Fantasy, Theodore Sturgeon, John W. Campbell and Locus Awards, and reprinted in dozens of anthologies. A community organizer by day, he lives in New York City. His latest novel is The Blade Between.

(10) LEEDS LIBRARY ARTICLE ON E.R. EDDISON. The Secret Library / Leeds Libraries Heritage Blog profiles the author in “Novels That Shaped Our World: Life, Death and Other Worlds”.

…In 1922 he published his first and most notable fantasy work, The Worm Ouroboros. The Worm, a serpent or snake, derived from the old Norse, ormr. This he followed with three volumes set in the imaginary world first observed by the Lords Juss and Brandoch Daha as they gaze from the top of great mountain, Koshstra Pevrarcha in The Worm, Zimiamvia, known as The Zimiamvian trilogyMistress of Mistresses (1935), A Fish Dinner in Memison (1941), and The Mezentian Gate (published posthumously in 1958). His Icelandic sagas were: Styrbiorn the Strong (1926) and his much admired translation of Egil’s Saga (1930).

In 1963 almost twenty years after Eddison’s death his late wife, Winifred Grace, and his close friend and literary executor, Sir George Rostrevor Hamilton deposited into the care of the special collections of the Leeds Central Library the vast majority of Eddison’s manuscript works….

(11) LIVE OCTOTHORPE. Big doings by John Coxon, Alison Scott and Liz Batty on the Octothorpe podcast.  Listen to Episode 29 here — “Ode to Badger”.

John is not Chris Garcia, Alison is full of beans, and Liz is T. S. Eliot. We handle letters of comment and then spend an hour talking about ConFusion in a BUMPER EPISODE.

You also are invited to join them for Octothorpe Live on 25 April – either join the Facebook group here or email them at [email protected] for the Zoom link!

(12) VIDEO OF THE DAY. “Zack Snyder’s Justice League/Trilogy” on YouTube is HBO Max’s repackaging of Man Of Steel, Batman v. Superman, and Zack Snyder’s Justice League into a trilogy.

[Thanks to Edd Vick, Bruce D. Arthurs, John King Tarpinian, Martin Morse Wooster, JJ, StephenfromOttawa, Cat Eldridge, James Davis Nicoll, Steven French, Michael Toman, John Hertz, Olav Rokne, Andrew Porter, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

NYRSF Reading Series Opens 2021 with Sam J. Miller

By Mark L. Blackman: On the evening of Tuesday, January 5, 2021, the New York Review of Science Fiction Reading Series opened 2021 and the second half of its 30th season with a virtual reading by writer Sam J. Miller (“to make sure we stay on our toes,” said the Series’ executive curator, Jim Freund). The event was guest hosted by Amy Goldschlager (who was described by Freund as “the general series dogsbody” – a word I’ve only otherwise encountered in Shakesperean comedies and Blackadder).

Sam J. Miller (website samjmiller.com) is the Nebula Award-winning author of The Art of Starving and Blackfish City. His short story “57 Reasons for the Slate Quarry Suicides” won the 2013 Shirley Jackson Award, and other stories have been nominated for the World Fantasy, Theodore Sturgeon, and Locus Awards, and reprinted in dozens of anthologies. Miller’s offering was an excerpt from his latest novel, Between the Blades.

A living machine, Tyrannosaurus Hex, is rampaging through AR (Augmented Reality – a Monster from the Vid?) and, it seems, crossing over to reality.

After the reading, Goldschlager conducted a revealing interview with Miller. He agreed that the story is “very Ray-Bradburian, ’The Veldt’ in AR.” He went on to confess that he puts “a lot of me” in his fiction, but, even though “I’m a mess,” they do “dumb things that I hope I wouldn’t do.” (Besides that, his protagonist in Between the Blades has a Hungarian name.) She noted that whales appeared in both Between the Blades and Blackfish City. “I love whales; they’re amazing” (a whale appears on the city seal of Hudson, NY, where he’s from), and like us “engage in revenge.”  James Baldwin, one of his favorite authors, also uses his and our history.

Goldschlager was in Downtown Brooklyn, which somehow led to a discussion of the issue of gentrification and the balance between “having nice things” and retaining neighborhood mix. He wants to take us to “a place where solutions can be found;” Between the Blades was “evenhanded” on the issue, she felt. A community activist and organizer, he was concerned that most people are struggling in a hard place right now, and encouraged us to understand what we can do about whatever issue we care about, health care, housing, racial and social justice. One of his is Health Care for the People – his husband is a nurse-practitioner and had Covid-19 last year – whose GoFundMe he shared: Healthcare for the People.

He misses having people to “geek out” with about Avatar: The Last Airbender (his favorite character is Prince Zuko) and the “disappointment” of Game of Thrones.

With Barbara Krasnoff as virtual “Audience Wrangler,” he took virtual questions from the virtual audience. Is “City Without a Map” a podcast or a radio show? (Freund, naturally, stuck up for radio.) Well, it’s in the future, so the words we use are not really applicable, but podcast is a good enough analogy. What genre programs (sf/fantasy) is he into currently? One obsession is Harley Quinn (HBO Max); “it has an edge.” (When Batman tells her that supervillains are ruining Gotham City, she responds no, lack of affordable housing is ruining Gotham City.) In terms of books, he praised Leo Mondello’s forthcoming Summer Suns, and said that Alaya Dawn Johnson is another favorite.

Miller has, of course, been asked the usual mainstream question “Where do you get your ideas?” (from his head), but the oddest one was whether his father reacted more to his coming out as gay or as a vegetarian. (Miller is the son of a butcher, and “the last in a long line of butchers.” That puts The Art of Starving in a whole new light.) He took them both with good humor and was quite amused by the latter. What is he working on now? Short stories, the very early draft of another novel, and a graphic novel pitch. It’s difficult to write in a visual medium like comics, and, as he can’t draw at a professional level, has to surrender some control to the artist. How has the pandemic affected his productivity? He moves between high levels and low.

Goldschlager concluded by announcing upcoming readers:

  • Tues., Feb. 2nd (Groundhog Day): Charles Yu
  • Tues., March 2nd: Karen Russell

She added that, even though the readings are virtual, there are still expenses involved and asked us to help keep the series going by donating to NYRSF Reading Series producer Jim Freund at PayPal.me/HourWolf. (And listen to Hour of the Wolf, his radio show on WBAI-FM.) Miller concluded by, as a writer, thanking Goldschlager and Locus for running audiobook reviews.

Pixel Scroll 12/29/20 A Mime
In A Tesseract Still Has Ways To Get Out

(1) BRADBURY’S CHAMPION. The Los Angeles Review of Books hosts “Ray Bradbury at 100: A Conversation Between Sam Weller and Dana Gioia”.

COMMEMORATING THE CENTENNIAL of the great Ray Bradbury, biographer Sam Weller sat down with former California poet laureate and former chairman of the National Endowment for the Arts Dana Gioia for a wide-ranging conversation on Bradbury’s imprint on arts and culture.

SAM WELLER: The first time I met you was at the White House ceremony for Ray Bradbury in November 2004. You were such a champion for Ray’s legacy — his advocate for both the National Medal of Arts and Pulitzer Prize. As we look at his 100th birthday, I want to ask: Why is Bradbury important in literary terms?

DANA GIOIA: Ray Bradbury is one of the most important American writers of the mid-20th century. He transformed science fiction’s position in American literature during the 1950s. There were other fine sci-fi writers, but Ray was the one who first engaged the mainstream audience. He had a huge impact on both American literature and popular culture. He was also one of the most significant California writers of the last century. When one talks about Bradbury, one needs to choose a perspective. His career looks different from each angle….

(2) TUCKER ON BRADBURY. [Item by Martin Morse Wooster.] This is from “Beard Mumblings,” a column by Bob Tucker that appears in the recently published Outworlds 71, but which was written in 1986 and is about the 1986 Worldcon.

There were some very pleasant memories of the con.  One of them was when Ray Bradbury recognized me in the huge 10th floor consuite and came over to shake and talk.  Mind you, we had not met each other for 40 years.  Our last meeting was the 1946 Worldcon in Los Angeles, yet he recognized and remembered.  I was very pleased to see him again, and equally pleased to get his autograph across the page of his chapter in Harry Warner’s All Our Yesterdays.  Judging the way he examined that page and that chapter, he doesn’t have a copy.

(3) WHEN HOKEY RELIGIONS AND ANCIENT WEAPONS ARE A MATCH. Professor Louise A. Hitchcock makes a connection in “The Mandalorian and Ancient Mediterranean Societies: The Way of The Force?” at Neon Kosmos. BEWARE SPOILERS.

…Thus, like both Achilles and Gilgamesh of early epic, baby Grogu has semi-divine aspects paired with Din Djarin’s stoic sense of duty and discipline. The pairing both calls to mind Patroclus who becomes a role model to the younger Achilles as well as Enkidu who becomes humanised through his friendship with Gilgamesh. In each epic tale the pair are changed by their bond of affection which is forged through shared experience. In all of these epics, the friends are also tragically separated, our ancients by death, and Grogu by Din Djarin’s quest to return him to the Jedi to finish his training. An element of danger is added by the fact that the Empire is seeking to capture or buy Grogu to increase its power through acquiring his force sensitive blood.

The weekly quest for survival as Din and Grogu, pursue their goal operates on the basis of pre-monetary economy that is reminiscent of maritime trade in the ancient Mediterranean. Food and drink are sometimes obtained through a shared code of hospitality, exchanging mercenary acts for information or needed supplies, transporting individuals from one port to another, providing Beskar ingots in exchange for ship repairs, and even trading spices. In other words, things haven’t changed a lot since the Silk Road brought needed goods from Asia to Mesopotamia or ships transported copper from Cyprus to Crete.

(4) OWN THOSE LITTLE BLACK BOOKS. [Item by Rob Thornton.] Games Designers Workshop is doing two Bundles of Holding that together will contain all of legendary science fiction roleplaying game Traveller’s Little Black Books (LBBs). Currently, “Traveller LBBs 1” and “Traveller LBBs 2” are available. Both bundles together comprise the complete LBB collection.

Traveller! We’ve resurrected both of our 2015 offers of the classic “Little Black Books” from the Golden Age of Traveller, the original science fiction tabletop roleplaying game. Together these two bargain-priced offers give you DRM-free .PDF ebooks of all 50+ rulebooks, supplements, and adventures published as half-size manuals (with elegant black covers) by Game Designers’ Workshop, 1977-1982.

(5) BROKEN HEARTS OF A WRITING LIFE. Stephen R. Donaldson mourns the response to his latest draft.

11/12/20
“The Killing God”: progress report

                I’ve finally finished my first-pass revision of Book Three of THE GREAT GOD’S WAR, “The Killing God” (formerly known as “The Last Repository”). The text is now ready to deliver to my agent and editor. In its current form, it stands at 1100 pages, a bit more than 283,000 words. What happens next? My agent will read the book much faster than my editor will; but I won’t start on the next revision until I’ve received what are politely called “comments” from both of them. At that point, no doubt, Berkley (and Gollancz in the UK) will schedule publication. Sometimes this requires me to do my next revision in a hurry. But not always.

12/6/20 
“The Killing God”: bad news

                My agent has submitted the book to my editor at Berkley. Without reading it (!), my editor informed me that Berkley will not consider publishing the book until I cut 100,000 words. Roughly 35% of the text. On the assumption that I will not do such violence to my own work, Berkley has removed the book from their publication schedule.
Their assumption is correct. At this stage, I routinely prune my manuscripts by 10%. I may conceivably be able to go as far as 15%. But whether or not anyone likes my characters and how I handle them, my stories are very tightly plotted. Each piece relies on–and is implied by–what came before it. I can’t mutilate Book Three without making the entire trilogy incoherent.
My agent believes that where we stand now is not the end of “The Killing God.” (Never mind of my career.) He has persuaded my editor to go ahead and read the book. He hopes that seeing how strongly Book Three caps Books One and Two (which she loved) will persuade her to rethink her position. I have my doubts. I suspect that her position is corporate rather than editorial: my books no longer earn enough to make them worth publishing regardless of their intrinsic merits. Naturally, I hope I’m wrong.

When I have more news, I’ll post it here. I don’t expect to hear anything until sometime in January.

(6) NEXT NYRSF READING. Sam J. Miller will be featured on the virtual New York Review of Science Fiction reading, Tuesday, January 5, 2021 at 7:00 PM EST.

Now that the Dystopia Year of 2020 is over, we will begin 2021 with the wonderful writer Sam J. Miller to make sure we stay on our toes.

Sam J. Miller is the Nebula Award-winning author of The Art of Starving (an NPR best of the year) and Blackfish City (a “Must Read” in Entertainment Weekly and O: The Oprah Winfrey Magazine). Sam’s short stories have been nominated for the World Fantasy, Theodore Sturgeon, and Locus Awards, and reprinted in dozens of anthologies. He is the last in a long line of butchers, and he has also been a film critic, a grocery bagger, a community organizer, a secretary, a painter’s assistant and model, and the guitarist in a punk rock band. He lives in New York City, and at samjmiller.com

After the reading general series dogsbody Amy Goldschlager will interview the author, and then we’ll open up the discussion to general questions from our virtual audience. Barbara Krasnoff will be the Audience Wrangler.

Please help us keep the series going by donating to NYRSF Reading Series producer Jim Freund at PayPal.me/HourWolf.

(7) EXPANDING THE HONORVERSE. Eric Flint did a title reveal on Facebook today.

Well, it’s official. After much wrangling and soul-searching, we’ve settled on the title To End In Fire for the upcoming Honorverse novel David Weber and I are writing. It’s tentatively scheduled for publication in October.

I tried to hold out for the more exciting title of The Cabal In The Luyten 726-8b (UV Ceti) System, but David overruled me. He thinks that title is too obscure. I find that hard to believe, given that the star system is clearly identified in the Gliese Catalog of Nearby Stars, which I’m sure can be found on every literate person’s bookshelves. But, he’s got the final sayso on account of he’s the one who created this whole setting.

Titles are just window dressing, anyway. What matters is the story — which in this case is shaping up to be a dandy. If I say so myself as shouldn’t, if I subscribed to Samwise Gamgee notions of modesty. Which (clears the throat), I don’t, on account of I’m a shameless scribbler and he’s, well, a hobbit when you get right down to it.

(8) MOSS OBIT. Actor Basil Moss (1935-2020) died November 28. There’s an overview of his career in The Guardian.

Basil Moss, who has died aged 85, was a perennial character actor often popping up in popular series as authority figures, but he found his best parts in two BBC soaps.

He became a familiar face on television as the librarian Alan Drew in Compact, set in the offices of a glossy women’s magazine… 

After Compact, Moss’s other TV roles included … a doctor with the hi-tech military agency Shado, defending the Earth against aliens, in UFO (1970-71), the puppet master Gerry Anderson’s first full live-action series; and Robert Atkinson in the political thriller series First Among Equals (1986).

Uncredited, Moss was also seen as a Navy submarine officer in the James Bond film You Only Live Twice (1967).

(9) MEDIA BIRTHDAY.

  • December 29, 1967 — “The Trouble with Tribbles” first aired as written by David Gerrold and directed by Joseph Pevney,  with some of the guest cast being Stanley Adams as Cyrano Jones, Whit Bissell as Station Manager and Michael Pataki  as Korax. Memory Alpha says ”Wah Chang designed the original tribbles. Hundreds were sewn together during production, using pieces of extra-long rolls of carpet. Some of them had mechanical toys placed in them so they could walk around.” Memory Alpha also notes Heinlein had Martian flat cats in The Rolling Stones that were similar to these and Roddenberry called to apologize for these being so similar. Who remembers these?  It would come in second in the Hugo balloting to “The City on the Edge of Forever” written by Harlan Ellison. All five final Hugo nominees at Baycon were Trek episodes written by Jerome Bixby, Norman Spinrad and Theodore Sturgeon.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 29, 1843 – Carmen Sylva.  Keyboardist (piano, organ), singer, graphic artist (painting, illuminating), poet, writer in English, French, German, Romanian, she left us particularly a dozen tales published in English as Pilgrim Sorrow, one in The Ruby Fairy Book and more recently in the VanderMeers’ Big Book of Classic Fantasy (2019).  CS was a pen name, she was the Queen of Romania.  (Died 1916) [JH]
  • Born December 29, 1915 – Charles L. Harness.  A dozen novels, five dozen shorter stories; appreciation of Van Vogt in Nebula Awards 31; interview “I Did It for the Money” in Locus (but, as has often been said, fiction-writers are liars).  SFWA (Science Fiction & Fantasy Writers of America) Author of Distinction.  Best known for “The Rose” and The Paradox Men.  Three NESFA (New England SF Ass’n) Press books; here is Jane Dennis’ cover for Cybele, with Bluebonnets.  Patent lawyer.  (Died 2005) [JH]
  • Born December 29, 1916 John D. MacDonald. He wrote three genre novels of which I think the best by far is The Girl, the Gold Watch & Everything. He also wrote some sixty genre short stories, many of the genre are collected in End of The Tiger which is available from the usual digital suspects (Died 1986.) (CE)
  • Born December 29, 1924 – Art Rapp.  At his home in Michigan he welcomed fans and published Spacewarp; after two years’ Army service in Korea he married Nancy Share and moved to Pennsylvania.  Two N3F Laureate Awards (Nat’l Fantasy Fan Fed’n), later a term as N3F President.  To him was revealed the fannish ghod (naturally opinions differ on what this is for; it may indicate the shape of a cheek with a tongue in itRoscoe.  (Died 2005) [JH]
  • Born December 29, 1928 Bernard Cribbins, 92. He has the odd distinction of first showing up on Doctor Who in the Peter Cushing as The Doctor non-canon Daleks’ Invasion Earth 2150 A.D. film. He would show up in the canon when he appeared as Wilfred Mott in the Tenth Doctor story, “Voyage of the Damned”, and he‘s a Tenth Doctor companion himself in “The End of Time”, the two-part 2009–10 Christmas and New Year special. (CE)
  • Born December 29, 1945 – Sam Long, age 75.  First noted in Fred Hemmings’ Viewpoint reporting Eastercon 23, he notably published (with Ned Brooks) the Mae Strelkov Trip Report (as you can see here; PDF) after friends brought the fine fanartist MS from Argentina.  SL still appears e.g. in The MT Void (pronounce it M-T, not as an abbreviation for mountain).  [JH]
  • Born December 29, 1950 – Gitte Spee, age 70.  This Dutch artist born in (on?) Java has done lots of illustrations for us.  Here is Detective Gordon’s first case in English and in Polish.  Here is Rosalinde on the Moon(in French).  [JH]
  • Born December 29, 1961 – Kenneth Chiacchia, Ph.D., age 59.  Medical science writer at Univ. Pittsburgh, and since he is ours too, member of both SFWA and the Nat’l Ass’n of Science Writers.  A dozen stories; poems (the 2007 Rhysling anthology has this one).  Carnegie Science Center Journalism Award.  [JH]
  • Born December 29, 1966 Alexandra Kamp, 53. Did you know Sax Rohmer’s noels were made into a film? I didn’t. Well she was the lead in Sax Rohmer’s Sumuru which Michael Shanks also shows up in. She’s also in 2001: A Space Travesty with Leslie Neilsen, and Dracula 3000 with Caspar van Dien. Quality films neither will be mistaken for, each warranting a fifteen percent rating  among audience reviewers at Rotten Tomatoes.. (CE) 
  • Born December 29, 1963 Dave McKean, 57. If you read nothing else involving him, do read the work done by him on and Gaiman called The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance. Brilliant, violent, horrifying. Well and Signal to Noise by them is worth chasing down as well. (CE) 
  • Born December 29, 1969 Ingrid Torrance, 51. A very busy performer who’s had one- offs in Poltergeist: The Legacy, The Sentinel, Viper, First Wave, The Outer Limits, Seven Days, Smallville, Stargate: SG-1, The 4400, Blade: The Series, Fringe, The Tomorrow People, and Supernatural.
  • Born December 29, 1972 Jude Law, 48. I think his first SF role was as Jerome Eugene Morrow in Gattaca followed by playing Gigolo Joe in A.I. with my fav role for him being the title role in  Sky Captain and the World of Tomorrow. He was Lemony Snicket In Lemony Snicket’s A Series of Unfortunate Events, Tony in The Imaginarium of Doctor Parnassus, Dr. John Watson in Sherlock Holmes and Sherlock Holmes: A Game of Shadows, Remy In Repo Man and he voiced Pitch Black in one of my favorite animated films, Rise of the Guardians. (CE)

(11) KAL-EL AND LL. SYFY Wire is there when “The CW’s Superman & Lois drops first heroic trailer for new DC series”.

… While the teaser isn’t very long (or footage-heavy for that matter), it does give us our first look at the Kent family unit, while Clark talks about how the stress of life can strengthen a person beneath the surface. His use of the phrase “forged liked steel” is a nice little nod to one of Superman’s monickers: the Man of Steel.

(12) SPDIEY’S NEW THREADS. Spider-Man’s hideous new costume that looks like he tore it off a New England Patriots cornerback is revealed in Amazing Spider-Man’ #61.

Over the years, Spider-Man has donned a host of iconic costumes, from his classics digs to the black suit to the Iron Spider. Now in 2021, everyone’s favorite Wall-Crawler will get a brand-new costume to add to his legendary wardrobe! Designed by superstar artist Dustin Weaver, this vibrant new look is unlike any that Peter Parker has worn before. The mysterious look can be seen on Weaver’s incredible variant covers for AMAZING SPIDER-MAN #62 and April’s AMAZING SPIDER-MAN #63.

…  Peter Parker will wear this new suit for his face-off against Kingpin in the next arc of writer Nick Spencer’s hit run. Discover the mystery behind this top-secret costume when AMAZING SPIDER-MAN #61 and AMAZING SPIDER-MAN #62 swing into shops this March!

(13) SUPERHERO LIFTS THEATER CHAINS. Deadline reports “’Wonder Woman 1984’ Opening Boosts Movie Theater Stocks, But AMC Loses More Ground”.

The better-than-expected Christmas-weekend opening of Wonder Woman 1984 is giving most exhibition stocks a welcome boost as the misery of 2020 gives way to hope for a brighter 2021.

Shares in Cinemark, Imax, Marcus Corp. and National CineMedia rose between 3% and 7% apiece after the sequel took in $16.7 million domestically, the best bow by any film during the coronavirus pandemic.

AMC, the world’s largest theater circuit, was a notable exception to the rally. Its stock dropped 5% on ongoing investor concern about its liquidity and a potential bankruptcy filing…. 

(14) BOOGLY WOOGLY STUFF. This is great — Boston Dynamics sets its robots dancing in “Do You Love Me?” on YouTube.

(15) SPLINTERS ARE BETTER. “Japan developing wooden satellites to cut space junk” – BBC News has the story. [Via Slashdot.]

…The partnership will begin experimenting with different types of wood in extreme environments on Earth.

Space junk is becoming an increasing problem as more satellites are launched into the atmosphere.

Wooden satellites would burn up without releasing harmful substances into the atmosphere or raining debris on the ground when they plunge back to Earth….

Does this train of thought wind up with Captain Harlock’s spaceship?

(16) VIDEO OF THE DAY. [By Martin Morse Wooster.] “Batman:  The Animated Series/The Heart of Batman” on YouTube is a 2018 documentary, directed by Alexander Gray, on the 1990s “Batman: The Animated Series” which many critics, such as Glen Weldon, say is the best version of Batman.  The film shows that the immediate inspiration for the series was Tim Burton’s Batman and Steven Spielberg’s desire to build an animation at Warner Bros., including giving the budget to have a full orchestra record Shirley Walker’s imaginative score.  Creators Bruce Timm and Eric Radomski give many influences, including film noir, German expressionist films, Citizen Kane, Max Fleischer’s Superman cartoons, and the art of Alex Toth.  But Andrea Romano gets a lot of credit for coming up with superb voices, including Mark Hamill as the Joker and Kevin Conroy as Batman.  The series also turned Harley Quinn into a full-fledged, interesting character and led to Margot Robbie playing her in three big-budget movies.

As an aside, Batman:  The Animated Series discusses how earlier animated shows of the 1980s had stifling restrictions imposed by network censors.  One writer (who wasn’t identified) worked on Super Friends.  One episode had the Justice League shrunk to midgets leading to Robin fighting a spider.  The censors said the cartoon had to include a scene where the spider is seen crawling away because Robin couldn’t hurt the spider.

[Thanks to John Hertz, Andrew Porter, Michael Toman, JJ, Mike Kennedy, Cat Eldridge, John King Tarpinian, Rob Thornton, Louise A. Hitchcock, Michael J. Walsh, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/19/20 A Long-Expected Party: Potlatch, Status And Spoons Among Late Third Age Hobbits

(1) THE FUTURE THROUGH YESTERDAY. Nicholas Whyte has put together a video of “The world in 2021, according to science fiction” and started a YouTube channel to host it. At the link is his impressive list of sources.

I’ve spent several weekends working on a presentation of twentieth-century science fiction set in the year 2021, and here is the fruit of my labours, a 21-minute video.

(2) BEEP BEEP, BEEP BEEP. Phil Plait, in a “Bad Astronomy” entry at SYFY Wire, reports that “Alien hunters detect a signal from Proxima Centauri, the closest star, but it’s likely human in origin”.

…A standard radio astronomy technique to make sure that what you see is coming from the object you’re observing is to move the telescope back and forth a bit to point to a different part of the sky and see if the signal persists (perhaps leaking into the dish from a source nearby); this is called “nodding” because it’s like a head nodding. When they did this, the signal went away, then came back when they repointed at Proxima.

So it appears to be coming from the star, or at least form very nearby it in the sky. It also appears to have a very narrow frequency range. Not only that, but another characteristic you might expect from an intelligent signal is that, over time, the frequency itself will shift a bit — if aliens are transmitting from a planetary surface, as that planet rotates it causes a Doppler shift in the signal. A shift was seen in the signal, which is interesting….

(3) GOTHIC YEAR. Molly Odintz’ choices of “The Best Gothic Fiction of 2020” for CrimeReads is full of familiar names, including —

Sam J. Miller, The Blade Between (Ecco)

2020 brought a plethora of new additions to the gentrification noir canon, but Sam J. Miller’s The Blade Between stands out for its heroes’ plan to raise sinister supernatural forces in defense of their city. Ever since H.P. Lovecraft first drew attention to the plight of New England architecture by filling his fictional decaying homes with hideous monstrosities, Gothic fiction has been a surprisingly partisan force for housing preservation (Jane Eyre and Rebecca notwithstanding). In The Blade Between, the relationship reaches its zenith, as a photographer and his two childhood besties attempt to save their beloved city of Hudson from corporations and yuppies, only to find themselves instead awakening an ancient force bent on vengeance. Also, since this is Sam Miller, be warned: there will be whales. 

(4) STANDARD BEARER. Sean T. Collins shows how popular culture has connected The Stand with newsmaking crises over the years: “‘The Stand’: Tracing the Stephen King Epic Through Its Many Mutations” in the New York Times.

Take a pandemic. Add the paranormal. Make it a uniquely American story of survival horror. The result: “The Stand,” Stephen King’s epic post-apocalyptic novel from 1978, a new mini-series adaptation of which debuted Thursday on CBS All Access.

Conceived in the pre-Covid era, the show has taken on new resonance since, telling the story of a weaponized virus that wipes out 99 percent of the population. But that’s only the beginning. The real battle happens afterward as supernatural forces of darkness and light — embodied by the demonic dictator Randall Flagg (Alexander Skarsgard) and the holy woman Mother Abagail (Whoopi Goldberg) — duel for the souls of the plague’s survivors.

Since the original novel’s original release, King’s saga has entered the pop-culture consciousness in many different incarnations, including an expanded edition of the book and an earlier mini-series adaptation. In anticipation of the show’s arrival, we’re tracing the story from its point of origin to its latest mutation.

The Allegory

The opening act of King’s novel is an eerily plausible account of the complete collapse of human society after the “Captain Trips” superflu is unleashed upon the world. That aspect has found relevance across the decades since the novel’s publication, in the Cold War nuclear arms race, through the peak of the AIDS epidemic in the United States, to the events of 2020.

But that’s only the first part. Flagg is presented as an even worse plague upon the living — a grinning dictator who builds a new society based on human drivers like greed, pride, lust and wrath and who exploits the virus for the sake of his own power. Are there lessons to be applied in the real world? Successive generations have thought so….

(5) DOWN MEMORY LANE.

  • 1953  — At the 11th Worldcon in 1953, Alfred Bester’s The Demolished Man wins the very first Hugo for Best Novel. It had been published in Galaxy in January, February and March of the previous year. It would also be nominated for the International Fantasy Award, an award that would exist only in the Fifties. This would be the only Hugo that Bester would win though he would be awarded a SFWA Grand Master Award and Prometheus Hall of Fame Award for The Stars My Destination. It, like most of his works, is available from the usual digital suspects.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 19, 1897 – Lucia Trent.  Book reviewer for The Nation.  President of the Western Poets’ Congress.  Called the best woman reader of poetry.  Got a poem into Fire and Sleet and Candlelight (A. Derleth ed. 1961).  Seven books of them, some with husband Ralph Cheyney.  (Died 1977) [JH]
  • Born December 19, 1902 Sir Ralph Richardson. God in Time Bandits but also Earl of Greystoke in Greystoke: The Legend of Tarzan, Lord of the Apes and Chief Rabbit in Watership Down. Also the Head Librarian in Rollerball which I’ll admit I’ve never seenAnd a caterpillar in Alice’s Adventures in Wonderland. And Satan in the Tales from the Crypt film. Oh, my he had an interesting genre film career! (Died 1983.) (CE)
  • Born December 19, 1922 – Harry Warner, Jr.  Two indispensable books of fanhistory, All Our Yesterdays (fandom in the 1940s) and A Wealth of Fable (1950s).  Quite possibly the best letters-of-comment author we’ve ever known; it seemed he read and wrote to every fanzine, his letters were short and they were good.  Three Hugos, four FAAn (Fan Activity Achievement) Awards.  Fan Guest of Honor at Noreascon I the 29th Worldcon.  Big Heart (our highest service award).  His own fanzines HorizonsSpaceways.  First Fandom Hall of Fame.  More here. (Died 2003) [JH]
  • Born December 19, 1949 – Lee Pelton. Active in Minn-stf and Minneapa.  Co-edited Rune with Carol Kennedy.  Often head of film program at Minicon.  Younger brother played baseball with John Purcell, as a result of which Purcell went Askew.  (Died 1994) [JH]
  • Born December 19, 1952 Linda Woolverton, 68. She’s the first woman to have written a Disney animated feature, Beauty and the Beast, which was the first animated film ever to be nominated for Best Picture at the Academy Awards. She also co-wrote The Lion King screenplay (along with Irene Mecchi and Jonathan Roberts). (CE)
  • Born December 19, 1958 – Laura Whitcomb, age 62.  Three novels for us.  Won three Kay Snow awards, later served a term as a judge.  Sings madrigals.  [JH]
  • Born December 19, 1960 Dave Hutchinson, 60. Best known for his Fractured Europe series which won a BSFA Award for the third novel, Europe in Winter. Europe at Midnight was a finalist for the John W. Campbell Memorial Award. I’ve listened to  the entire series and it’s quite fascinating. He’s got a lot of other genre fiction as well but I’ve not delved into any of those yet. (CE) 
  • Born December 19, 1961 Matthew Waterhouse, 59. He’s best known as Adric, companion to the Fourth and Fifth Doctors. He was the youngest actor in that role at the time. And yes, he too shows up in The Five(ish) Doctors Reboot. (CE)
  • Born December 19, 1970 – Tanigawa Nagaru, age 50.  (Personal name last, Japanese style.)  Famous for a dozen light novels about Suzumiya Haruhi, which earned TN the grand prize at the 8th Sneaker Awards and became television and film animé, video games, manga, audio dramas, and original Net animation.  I’ll actually refer you to the SF Encyclopedia.  [JH]
  • Born December 19, 1972 Alyssa Milano, 48. Phoebe Halliwell in the long running original Charmed series. Other genre appearances include on Outer Limits, the second Fantasy Island series, Embrace of the VampireDouble Dragon, the Young Justice animated series as the voice of Poison Ivy and more voice work in DC’s The Spectre excellent animated short as a spoiled rich young thing with a murderous vent who comes to a most fitting end. (CE)
  • Born December 19, 1975 – Brandon Sanderson, age 45.  Thirty novels, three dozen shorter stories.  Concluded Robert Jordan’s Wheel of Time.  Proposed a theory of hard and soft magic.  Two Hugos, one being for a season of Writing Excuses podcast (with Kowal, Tayler, Wells, J. Sanderson).  Fifteen NY Times Best-Sellers.  A Geffen last year.  Interviewed in FantasyLightspeedSpace and TimeSuperSonic.  Launched by Hambly’s Dragonsbane.  [JH]
  • Born December 19, 1979 Robin Sloan, 41. Author of Mr. Penumbra’s 24-Hour Bookstore which definitely has fantasy elements in it and is a damn fine read. His second novel which he sent me to consider reviewing,  Sourdough or, Lois and Her Adventures in the Underground Market, is also probably genre adjacent but is also weirdly about food as well. And he’s a really nice person. (CE)

(7) COMICS SECTION.

(8) COME TO PAPA. Literary Hub’s Robert K. Elder contemplates “Why Ernest Hemingway Makes a Great Subject for Comic Book Artists”).Michael Toman surmises, “He was also one of Harlan Ellison’s favorite authors, as shown by HE’s naming of his ‘Kilimanjaro Corporation.’” (Could Ellison also have been paying a homage to Bradbury’s 1965 story with a Hemingway connection?)

…Celebrity appearances aren’t new to comic books. Both Stephen Colbert and President Barack Obama got guest shots with Spider-Man, and Eminem got a two-issue series with the Punisher. Orson Welles helped Superman foil a Martian invasion, and President John F. Kennedy helped the Man of Steel keep his secret identity. Even David Letterman got a studio visit from the Avengers. But, using the crowd-sourced Comic Book Database and my own research, I’ve discovered that Hemingway by far exceeds other authors in number of appearances (Shakespeare: 22, Mark Twain: 13). As historical figures go, only Abraham Lincoln comes close to touching him, with roughly 122 appearances in comics (and counting). 

(9) BATWHEELS. [Item by Martin Morse Wooster.] Batman/The Batmobile on YouTube is a 2012 documentary, directed by Roko Belic, all about the Batmobile.  Although Batman always had a car, the Batmobile was really invented by George Barris for the 1966 TV series, Barris was interviewed for the documentary, and discussed how he bought a Ford Futura concept car and turned it into the Batmobile Adam West drove.  West is also interviewed, as is Christian Bale, Tim Burton, Joel Schumacher, and Christopher Nolan.  But the film is really for people who (like me) enjoy watching car designers talk about their work.  This film is pretty geeky but worth an hour.

Fun fact:  H.R. Giger was hired to design a Batmobile for BATMAN FOREVER but the car he drew looked like “a tarantula with four legs” and was unfilmable.

(10) PERSONAL PORTAL. Unmapped Chronicles series author Abi Elphinstone tells Guardian readers “I found my own Narnia behind a blue door in Scotland”.

…As a child, I watched salmon leap from the brilliantly named fishing pools beyond the blue door (Kitbog, Witch’s, Badger) and played hide-and-seek inside Doulie Tower (a folly built around 1780, when Lord Adam Gordon, commander-in-chief of the army in Scotland, acquired the estate and turned it from “the wildest state of barrenness” into woods filled with Scots pines, oaks, rowans and silver birches). I watched dippers gliding through the Rocks of Solitude (a picturesque narrow stretch of the North Esk) and I listened to my father’s stories about trolls who lived beneath the gnarled roots of beech trees. It felt impossible that all this should exist on the other side of that little blue door, yet it did.

(11) IN THE TWENTY-FOURTH-AND-A-HALF CENTURY. “Legendary’s BUCK ROGERS Sci-Fi Series Will Be Written by Brian K. Vaughan” reports GeekTyrant.

Comic book and TV writer Brian K. Vaughan has been hired to write Legendary’s television series adaptation of classic pulp hero Buck Rogers. Vaughan has worked on a ton of projects over the years, and he seems like a solid choice to take on the material. Some of his previous TV projects include Lost, Under the Dome, Y: The Last Man, Runaways, and more.

(12) THE TWELVE DAYS OF 770. Applause to Bruce D, Arthurs for his seasonal parody (left as a comment.)

Because I was avoiding stuff I should actually be working on this morning, I produced the following instead:

On the twelfth day of Christmas
My bookstore shipped to me
All twelve Maradaine books,
Eleven Pipers viking,
Ten Leibers mousing,
Nine Gideons boning,
Eight Correias shooting
Seven Besters jaunting,
Six Star Trek tie-ins,
F-i-i-i-i-ve Mu-r-r-r-de-r-r-r-r-bots!,
Four Asimovs,
Three Jules Verne,
Two Turtledoves,

And a one-volume Lord of the Rings!

(13) VIDEO OF THE DAY. Kaya Torres is circling a black hole in a pod, with no one coming, no one to help. She’s Alone. Mind Matters adds —

…As Torres is “marooned on my lifepod” as the only survivor of the DSV Intrepid, she is able to contact an “interstellar penpal” to keep her company via occasional messages until her food runs out and she dies. Unless…

[Thanks to Cat Eldridge, JJ, John Hertz, John King Tarpinian, Michael Toman, Martin Morse Wooster, Mike Kennedy, Nicholas Whyte, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/6/20 Tell Me About The Rest Of The Robots, Geordi

(1) MACHINE AGAINST THE RAGE. Get your Murderbot fix from Twitter’s MurderBotBot.

(2) KEEP THE ARMOR ON THE SHELF. The Society for Creative Anachronism has extended its suspension to the end of May 2021: “Resolution to Suspend In-Person SCA Activity Updated – December 4, 2020.

At the end of July, the Board of Directors issued a proclamation suspending most inperson SCA activities in North America until January 31, 2021, due to the COVID-19 global pandemic. In November, we asked the Kingdom Seneschals and Crowns of the known world to give us their counsel on how to proceed in the first part of 2021. We received very thoughtful responses from nearly all Crowns and Kingdom Seneschals as well as many other concerned people. We wish to thank everyone who responded for taking the time to do so, and for putting such effort into your responses. After reading and discussing the feedback received, the Board decided at their conference call meeting on 12/01/2020 to continue the suspension of in-person activities in North America through May 31, 2021….

(3) FILER ASKS YOU OPINION. Cora Buhlert says, “I’m considering starting a Patreon next year and have created a survey to gauge interest.”

Tell Cora what you think here — surveymonkey.de/r/WSDN6DK 

(4) THE ORIGINAL SURVEILLANCE SOCIETY. “How to subvert authoritarian regimes? Astrid Bear’s Hall of Fame acceptance speech for Poul Anderson’s ‘Sam Hall’” on the Prometheus Blog.

…Science fiction set in the future is often as much about the time it was written in as it is about prognostications.   Diving into both world and family history, we can tease out some of the threads that came together to make this story of the subversion of an authoritarian regime from within its record-keeping arm, and how that inspired revolution.

In 1953, we were less than 10 years from the end of World War II.  Senator Joe McCarthy was busy investigating citizens for wrongful thoughts and potential treason.   The early main-frame computer, UNIVAC, correctly predicted the winner of the 1952 presidential election. Dad’s brother, my Uncle John, was turned down for the US Foreign Service because of his Danish Communist aunt. And Dad wrote “Sam Hall.”

Computer-savvy folk of today will likely snicker a bit at the electromechanical whirs and buzzes of the government’s Central Records computer, nicknamed Matilda the Machine. Matilda holds detailed information on all citizens, tracking all transactions, travel, education, contacts, relationships.   The “Matildas” of today know a tremendous amount about us and our shopping habits, travel plans, and private emails.

For although Dad did a good job of thinking about the power of computers held by the government as data gathering machines, in 1953 he didn’t seem to have thought much about computers as gatherers of data for private enterprise.

The America of “Sam Hall” has closed its borders to immigration, gives its citizens loyalty ratings, assigns them each a unique ID number and demands that it is tattooed on the shoulder.  There is an underground movement, but, as our protagonist, Thornberg muses,   “It was supported by foreign countries who didn’t like an American-dominated world – at least not one dominated by today’s kind of America, though once ‘USA’ had meant ‘hope.’”…

(5) HAVE YE SEEN THE GREAT FLIGHT WHALE? Sam J. Miller’s new novel The Blade Between gets praised in a review by Gabino Iglesias at NPR.

The are violent ghosts, flying whales, and dead people with mouthfuls of saltwater hundreds of miles from the ocean in Sam J. Miller’s The Blade Between, but it all makes sense. It all makes sense because the story takes place in Hudson, New York, a place built on the remains of slaughtered whales, where their unused parts were buried underground and the scraps were fed to animals later used to feed people. Hudson is full of angry spirits, but now a different monster is destroying it: gentrification.

The Blade Between is a book about broken people. The creepy atmosphere and ghosts make it horror, but the drug abuse, evictions, cheating, and destroyed lives make it noir. Also, Miller’s writing and vivid imagery, especially when describing dreams, make it poetry. The mix of genres, much like the mix of elements, makes no sense, but it works.

(6) ONCE UPON AN ACADEME. Maria Sachiko Cecire asserts that Tolkien and Lewis not only wrote influential fantasy novels, they created the curriculum for Oxford’s English School, in “The rise and fall of the Oxford School of fantasy literature” at Aeon Essays. She doesn’t find this to be a plus.

… What is less known is that Tolkien and Lewis also designed and established the curriculum for Oxford’s developing English School, and through it educated a second generation of important children’s fantasy authors in their own intellectual image. Put in place in 1931, this curriculum focused on the medieval period to the near-exclusion of other eras; it guided students’ reading and examinations until 1970, and some aspects of it remain today. Though there has been relatively little attention paid to the connection until now, these activities – fantasy-writing, often for children, and curricular design in England’s oldest and most prestigious university – were intimately related. Tolkien and Lewis’s fiction regularly alludes to works in the syllabus that they created, and their Oxford-educated successors likewise draw upon these medieval sources when they set out to write their own children’s fantasy in later decades. In this way, Tolkien and Lewis were able to make a two-pronged attack, both within and outside the academy, on the disenchantment, relativism, ambiguity and progressivism that they saw and detested in 20th-century modernity.

…The Oxford School’s medievalist approach radiated outward, influencing many more children’s fantasy authors and readers, and helping to turn Anglophilic fascination with early Britain and its medieval legends into a globally recognisable setting for children’s adventures, world-saving deeds and magical possibility. 

(7) MEDIA BIRTHDAY.

  • December 6, 1991 Star Trek VI: The Undiscovered Country premiered. It would be the last Trek film to feature the entire original cast from the series, and was released just after Roddenberry passed on. Directed by Nicholas Meyers and produced by Ralph Winter Steven-Charles Jaffe, the screenplay was by Nicholas Meyer and Denny Martin Flinn from a story from Leonard Nimoy, Lawrence Konner and Mark Rosenthal. It would lose out to Terminator 2: Judgement Day at MagiCon for Best Hugo, Long Form Presentation. The film received a much warmer reception from critics and audiences alike than The Final Frontier did, and it was a box office success. Audience reviewers at Rotten Tomatoes give it a most exemplary rating of eighty three percent. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 6, 1881 – Helen Knipe.  Illustrator (also rendered stage plays into novels).  Here is The Magical Man of Mirth.  Here is The Land of Never Was.  Here is an interior for The Queen of the City of Mirth.  (Died 1959) [JH]
  • Born December 6, 1909 Arthur K. Barnes. Pulp magazine writer in mostly the Thirties and Forties. He wrote a series of stories about interplanetary hunters Tommy Strike and Gerry Carlyle which are collected in Interplanetary Hunter and Interplanetary Huntress. Some of these were co-written with Henry Kuttner. His Pete Manx, Time Troubler collection featuring Pete Manx is a lot of fun too. Both series are available from the usual digital suspects. (Died 1979.) (CE) 
  • Born December 6, 1911 Ejler Jakobsson. Finnish-born Editor who worked on Astonishing Stories and Super Science Stories butbriefly as they were shut down due to paper shortages. When Super Science Stories was revived in 1949, Jakobson was named editor until it ceased publication two years later. Twenty years later, he took over Galaxy and If, succeeding Frederik Pohl.  His first credited publications were The Octopus and The Scorpion in 1939, co-edited with his wife, Edith Jakobsson. (Died 1984.) (CE) 
  • Born December 6, 1957 Arabella Weir, 63. A performer with two Who appearances, the first being as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story, before being The Doctor Herself in “Exile”, a Big Audio production. She’s had one-offs on genre and genre adjacent series such as Shades of DarknessGenie in the HouseRandall & Hopkirk (Deceased) and even a genre adjacent Midsomer Murders. (CE) 
  • Born December 6, 1962 Colin Salmon, 58. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never DiesThe World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories, and was Walter Steele on Arrow. He most recently played General Zod on Krypton He was, alas, Ben in the clunker of films, Mortal Engines. (CE)
  • Born December 6, 1942 – Ted Pauls.  A hundred reviews in LocusSF CommentarySF ReviewThe WSFA (Washington, DC, SF Ass’n) Journal.  His T-K Graphics was a leading mail-order bookshop.  Fanzine, Kipple.  Co-chaired Balticon 5-8.  Part of the Baltimore SF Forum (hello, Ted White).  (Died 1997) [JH]
  • Born December 6, 1946 – Ana Lydia Vega, Ph.D., age 74.  Seven collections, one children’s book.  Casa de las Américas prize, Juan Rulfo prize.  Puerto Rico Society of Authors’ Author of the Year.  Professor at Univ. Puerto Rico (retired).  [JH]
  • Born December 6, 1960 – Julie Dean Smith, age 60.  Four novels “done with panache and a happy skill” — hey, I’m quoting Clute, it must be St. Nicholas’ Day.  [JH]
  • Born December 6, 1962 Janine Turner, 58. Maggie O’Connell on Northern Exposure which we’ve accepted as genre adjacent.  She was also Linda Aikman in Monkey Shines, a horror film not for the squeamish, and had one-offs in Knight-RiderQuantum Leap and Mr. Merlin. (CE) 
  • Born December 6, 1969 Torri Higginson, 51. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in one episode of Stargate SG-1 and the entire Stargate Atlantis series. Her most recent genre roles was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients, and Commander Delaney Truffault in the Dark Matter series. (CE)
  • Born December 6, 1972 – Kevin Brockmeier, age 48.  Fifteen novels for us, thirty shorter stories.  “A Proustian Reverie” in the NY Times Book Review.  Three O. Henry prizes (take that, Arthur Hawke), several others.  Interviewed in Lightspeed.  [JH]
  • Born December 6, 1981 – Ben White, age 39.  Confessedly Aotearoan pâkehâ.  Three novels.  Twenty-six games here.  Has read The Sirens of TitanThe Phantom TollboothOne Flew Over the Cuckoo’s NestThe Thirteen Clocks.  [JH]

(9) STINK ‘EM UP JUST RIGHT. ”One-star wonders: how to make a film that’s so bad it’s good” – Catherine Bray shares the formula wih readers of The Guardian.

There is nothing quite like a good-bad movie. Sometimes the title alone is enough to let us know what we’re in for: think Attack of the 50 Foot Woman (1958). Sometimes the good-badness might be about knowing we are guaranteed an over-ripe performance from a particular star: think Nicolas Cage from around 2010 onwards. Sometimes a lurid or ridiculous premise promises a good time all by itself (see: Night of the Lepus, AKA the killer rabbit movie). But whether or not the creative minds behind these kinds of cultural landmarks were in on the joke is sometimes less self-evident.

…The godfather of wonderfully terrible films is Plan 9 from Outer Space, Ed Wood’s 1959 effort about aliens attacking the Earth. Hubcaps on strings are pressed into service as interstellar spacecraft, wobbling their way to our planet. When we get our first glimpse of the alien beings within, the hubcaps start to look pretty cosmic by contrast; the aliens bear a resemblance to inexpensive actors sporting off-the-rack medieval fayre costumes. Horror veteran Bela Lugosi, appearing as the villain, passed away before filming; his character’s scenes are constructed from screen-test footage he’d shot with Wood, plus additional material featuring another, far taller guy with a cape draped over his face. Throughout the film, scenery has a habit of wobbling alarmingly, particularly the gravestones.

(10) WWI09. According to io9 “The First Impressions of Wonder Woman 1984 Are In, and It Sounds Like a Fitting Sequel and ’80s Tribute” – a roundup of tweeted comments about the movie.

(11) WHAT’S UP CHUCK? Checking in on the latest wisdom from the Tingleverse.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Martin Morse Wooster, JJ. John Hertz, Cat Eldridge, Dany Sichel, and Mike Kennedy for some of these stories. Title credit goes to contributing editor of the day Daniel Dern.]

Pixel Scroll 10/16/20 Hey! HAL! I’m Not Just Sitting Here On The Dock Of The Pod Door Bay For My Health! Open The $^%&$! Door, HAL!

(1) A TAIL OF SPACE. A new Star Trek: Discovery trailer. Complete with a certain feline. 

(2) PARIS CALLING. Halfway through the Constelación Magazine Kickstarter, they are announcing their second special event – “Translation Station” with Aliette de Bodard and Cristina Jurado. Takes place October 23 at 7 p.m. Paris time (10 a.m. Pacific / 1 p.m. Eastern)  Register here.

Our very own Cristina Jurado is hosting a chat with multi-award-winning author Aliette de Bodard. They’ll have a fascinating conversation about translations and languages, and whever else happens to come up.

To date the Kickstarter has raised $10,048 of their $18,000 goal.

(3) ONCE MORE INTO THE BREACH. In “Barnes & Noble Cyberattack” Locus Online signal boosts a warning to B&N customers:

Barnes & Noble CEO Darren Guccione warned customers to be “on high alert” following an October 10 data breach. The company notified customers via email.

While we do not know if any personal information was exposed as a result of the attack, we do retain in the impacted systems your billing and shipping addresses, your email address and your telephone number if you have supplied these… It is possible that your email address was exposed and, as a result, you may receive unsolicited emails… We currently have no evidence of the exposure of any of this data, but we cannot at this stage rule out the possibility….

(4) TOP 100 FANTASY LIST. TIME Magazine has anointed “The 100 Best Fantasy Books of All Time”

… To develop our list, we began in 2019 by recruiting a panel of leading fantasy authors—Tomi Adeyemi, Cassandra Clare, Diana Gabaldon, Neil Gaiman, Marlon James, N.K. Jemisin, George R.R. Martin and Sabaa Tahir—to join TIME staff in nominating the top books of the genre (panelists did not nominate their own works). The group then rated 250 nominees on a scale, and using their responses, TIME created a ranking. Finally, TIME editors considered each finalist based on key factors, including originality, ambition, artistry, critical and popular reception, and influence on the fantasy genre and literature more broadly.

The result is a list that underscores the imaginative breadth of fantasy fiction—from early roots in the oral storytelling tradition that brought about works like The Arabian Nights, to modern classics like A Wrinkle in Time and groundbreaking recent novels like Black Leopard, Red WolfThe Poppy War and Elatsoe. Together, these titles help us trace our history and understand our reality….

I’ve read 24 of these, which is a disgraceful score – fortunately a few more of them are on my TBR pile.

Rich Horton regaled Facebook readers about the list’s deficiencies:

… Chew on that for a bit. This list doesn’t include Jonathan Strange & Mr Norrell. It doesn’t include Little, Big. I could make a case that those are the two BEST fantasies of the past half-century. But they don’t make this list?…

He also noted that a third of the listed books came out in the past 6 years. Is this a Golden Age of fantasy, or is that another problem?

TIME also ran an article by N.K. Jemisin about the “Timeless Power of Fantasy”

… These are fraught times—but there have always been fraught times for someone in the world, somewhere. And there have always been those whose mastery of the art of storytelling has helped us understand how powerfully stories shape the world. C.S. Lewis sought to comfort children with faith. Philip Pullman disturbed them with warnings of encroaching fascism. There is a preponderance of stories aimed at children on this list, possibly because we’re still openly hungry for stories in the years of our childhood, and thus the stories we absorb then have a lasting effect. Our hunger for stories doesn’t really change when we grow up, however; the need is still there, acknowledged or not—especially if the stories we’ve been given up to that point don’t accurately encapsulate reality. Thus it’s fitting that some of the most powerful storytellers on this list, such as Victor LaValle, engage with adult concerns like parenthood instead of myth.

Is it comforting to see how many of the stories on this list wrestle with the need to reform institutions and change the leadership of society? It could be. Yet the newer storytellers on the list, many of whom hail from colonized cultures and thus have vastly different background stories from those of “classic” fantasy authors, also warn us of the realities of societal strife. The good guys don’t always win, the bad guys don’t always lose, and either way, the ones who suffer most will be the people who were already struggling to get by….

(5) FORGOTTEN DOCTORS. Artist Paul Hanley posted his conceptions for the Doctor Who TARDIS console rooms of “forgotten doctors” or those seen briefly in the Fourth Doctor serial “The Brain of Morbius”. Thread starts here. The first two:

(6) POPULAR FEAR. “Little Bursts of Fright: The Horror Anthology Is Having a Heyday” reports the New York Times.

When Mary Laws set out to create “Monsterland,” her new socially conscious horror anthology series on Hulu, she drew inspiration from the concise, unnerving fables of the British playwright Caryl Churchill.

“She knows how to tell a scary story,” said Laws, who has a playwriting background. “She refuses to give the audience a break.”

But Laws also looked within.

“As a woman, part of why I’m interested in horror is that I’ve been put in horrific situations and have experienced something like real terror,” she said. “My womanness has led me into those action-packed two minutes of tense terror that you feel when you’re facing some kind of dreaded situation. That’s the way that I think horror has to work.”

Accelerated terror in a fleeting time frame: that’s the revved-up engine that drives “Monsterland” and other new horror anthologies out this spooky season. Hulu’s “Books of Blood” assembles three tales inspired by Clive Barker’s short stories. “The Mortuary Collection,” on Shudder, is a compilation of darkly antic narratives. Quibi’s blood-and-guts series “50 States of Fright” recently released several new episodes, each set in a different state.

Sam Raimi, an executive producer of “50 States of Fright,” said the best short-form horror is “designed like a great campfire tale.”

“It’s something you can really get goose bumps from in a brief amount of time,” said Raimi, known to horror fans as the director of the “Evil Dead” movies. “I like the precision that it takes for a filmmaker to hold the audience in its grip.”

(7) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published the 4th issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination. The new issue features writing from SF critic Alvaro Zinos-Amaro and Katherine Buse, a scholar of digital media and the environmental humanities.

Buse’s Forgotten Futures segment discusses —

SimEarth (1990)

I like to say that my favorite video game is SimEarth (1990). But this is a joke: as far as I know, SimEarth has never been anyone’s favorite. Attempting to embody the paradox of “fun climate model,” it’s borderline unplayable: it’s baffling, slow, and lacking in what McKenzie Wark calls “satisfying win conditions.” It was created by Will Wright in consultation with James Lovelock as a software implementation of the Gaia Hypothesis, a theory of life at the planetary scale which Lovelock began to develop while working at NASA on astrobiology….

(8) NEUKOM WINNERS PANEL. Neukom Institute Director Dan Rockmore invites you to an “Online Event with 2020 Speculative Fiction Literary Arts Awards Winners” on Wednesday, October 21 at 2 p.m. Eastern.

The panel discussion includes Neukom Award winners for Speculative Fiction (Debut) Cadwell Turnbull, author of The Lesson, Speculative Fiction (Open Category) Ted Chiang, whose stories are collected in Exhalation, and award judge Sam J. Miller.

Use the link below to join the online event:
https://dartmouth.zoom.u/j/93780993554?pwd=am5xQU0xTURIYmVHenhhNm0zdUZYZz09

Passcode: 789407

(9) MEDIA ANNIVERSARY.

1990 — Thirty years ago at ConFiction, the Hugo for Best Dramatic Presentation, Long Form, would go to Indiana Jones and the Last Crusade. Released the previous year by  Lucasfilm, it was, of course, directed by Steven Spielberg from a screenplay by Jeffrey Boam which in turn was based off the story by George Lucas and Menno Meyjes. Need we note that George Lucas created the characters? Runners-up were The Adventures of Baron MunchausenBatmanField of Dreams and The Abyss. It holds a rather spectacular ninety-four percent rating among audience reviewers at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 16, 1924 David Armstrong. He never had a major role but he was in myriad gene shows. In The Man from U.N.C.L.E. alone he appeared in twenty-two episodes in twenty-two different minor roles, he was a henchman twice on Batman and had two uncredited appearances on Trek as well. He showed up on Mission ImpossibleGet Smart!The Girl from U.N.C.L.E. and even The Invaders. (Died 2016.) (CE) 
  • Born October 16, 1925 Dame Angela Brigid Lansbury, 95. She first shows up in a genre work as Sibyl Vane in The Picture of Dorian Gray. A few years later, she’s Queen Anne of France in The Three Musketeers. Somewhat later, she’s Miss Eglantine Price in Bedknobs and Broomsticks. She voices Mommy Fortuna in The Last Unicorn, and is Granny in A Company of Wolves which won the BSFA Award for Best Film and is based off Angela Carter’s A Company of Wolves. And yes, she’s in Mary Poppins Returns as The Balloon Lady. (CE) 
  • Born October 16, 1947 Guy Siner, 73. Apparently he’s one of only ten actors to appear in both the Trek and Who franchises. He appeared in the “Genesis of the Daleks”, a Fourth Doctor story, and on Enterprise in the “Silent Enemy” episode. Interestingly he shows up on Babylon 5 as well in “Rumors, Bargains and Lies”.  And that might place him in very select acting company indeed. (CE) 
  • Born October 16, 1958 Tim Robbins, 62. I think his finest role was as Nuke LaLoosh in Bull Durham, but his first genre role was Phil Blumburtt in Howard the Duck. He played Erik in Erik the Viking, and is in The Shawshank Redemption as Andy Dufresne. He’s Woodrow “Woody” Blake in Mission to Mars. He was Harlan Ogilvy in the truly awful War of the Worlds followed by being Senator Robert Hammond in the even worse Green Lantern. (CE)
  • Born October 16, 1965 Joseph Mallozzi, 55. He is most noted for his work on the Stargate series. He joined the Stargate production team at the start of Stargate SG-1’s fourth season in 2000. He was a writer and executive producer for all three Stargate series. He also co-created the Dark Matter comic book series with Paul Mullie that became a Syfy series. (CE)
  • Born October 16, 1973 Eva Röse, 47. Most likely best known for her role as the android Niska in Season 1 of the Swedish Real Humans upon which AMC’s Humans was based. She also was one of the voice cast for the animated Creepschool series, and was Jasmie on The Befallen, a supernatural series that lasted one season there. (CE) 
  • Born October 16, 1827 – Arnold Böcklin.  Symbolist painter.  Here is Self Portrait with Death Playing the Fiddle.  Here is Silence of the Forest.  Here is St. Anthony Preaching to the Fish.  Here is Faun Whistling to a Blackbird.  Most famous for five versions of The Isle of the Dead – here is one – which inspired Mahler, Rachmaninoff, and Zelazny: this Dean Ellis cover is an homage.  (Died 1901) [JH]
  • Born October 16, 1891 – Frances Comstock.  Illustrator, painter, sculptor.  Here is her cover for Dewey’s Star People.  Here is her frontispiece and an interior for Fairy Frolics.  Here is her cover for La Mothe – Fouqué’s Undine and here is an interior.  Here is an illustration for Crothers’ Ignominy of Being Grown-Up.  (Died 1922) [JH]
  • Born October 16, 1926 – Ed Valigursky.  Two hundred covers, six dozen interiors.  Here is the Nov 51 Fantastic.  Here is The Stars Are Ours!, hello Publius – note the really wonderful foreground faces.  Here is The Pawns of Null-A.  Here is City.  Here is The Currents of Space.  Here is an interior illustrating “The Black Tide”.  (Died 2009) [JH]
  • Born October 16, 1947 – Laura Brodian Kelly-Freas Beraha, D.M.E., 73.  Doctorate in Music Education (I heard her play piano two-hands with Somtow Sucharitkul), then San Francisco Bay area fandom.  Moved to L.A., exchanged coats by mistake with Kelly Freas at a party, married him, won a Chesley with him, survived him, married a local teacher whose name means blessed.  No one else outranks me as a Kelly Freas fan.  [JH]
  • Born October 16, 1951 – Patrice Kindl, 69.  Mythopoeic Fantasy Award, Children’s Fiction, for Owl in Love.  Six more novels.  She and husband (son works in Manhattan) have 1 dog, 1 parrot, 1 cat; have raised monkeys, have housed hawks.  “All my characters are made up….  This isn’t an easy profession….  Read a lot and write a lot.”  Do I have to wait until I’m grown up? “No.  You should be reading and writing now.”  Does spelling matter? “Yes.  Yes, yes, yes!”  Grammar isn’t important, is it? “YES!  YES!  YES!”  Hmmmm.  This sounds like work.  “Yes.”  [JH]
  • Born October 16, 1973 – Christian Cantrell, 47.  Three novels, half a dozen shorter stories, despite or because of being Director of Design Prototyping at Adobe.  Hulu, TriStar, Fox 21, Random House projects in the works. “You can,” he says, “plant paphiopedilums [Venus’ slippers] in lava rock”, and he shows us.  [JH]

(11) END OF THE LINE. If you have the stomach for it, you can learn a lot about “The Last Days of Stan Lee” on the AARP site. Tagline: “A heartbreaking tragedy about the (alleged) abuse of the Marvel Comics creator by those who swear they loved him.”

…As we approach the second anniversary of Lee’s death, a half-dozen civil suits are pending and a criminal elder-abuse prosecution by the Los Angeles County District Attorney’s office remains mired in pretrial maneuverings. The courts have yet to shed light on many of the details and the veracity of the elder-abuse charges against several people. Elder-abuse cases are difficult to bring to trial, tough to litigate and hard to win. Was Stan Lee, like 1 in 10 Americans over age 60, a true victim of elder abuse, which can include physical violence, emotional torment, financial exploitation and willful deprivation? Plenty of evidence and testimony suggests that may be true.

But uncomfortable questions will arise along the way: Is it possible that our real-life hero, like many others in his situation, was complicit in his own abuse? And who will be the villain in this story? There will be plenty of suspects to choose from, but in the end, you will be shocked but not surprised.

(12) CAMEO COLLECTION. Last night’s Jeopardy hearkened back to Stan’s brighter days – unknown to the contestants, evidently. Andrew Porter took notes:

Final Jeopardy: Movie Appearances

Not an actor, this man who died in 2018 appeared briefly in some 40 mainly action films with a combined $30 billion worldwide gross,

Wrong question: Who is ?

Correct question: Who is Stan Lee?

(13) THE TWENTIES ARE NOT ROARING. [Item by Cora Buhlert.] Here are a few news stories about the pandemic woes of the British and global cinema industry, mostly from the Guardian

Months after the initial Covid-19 restrictions closed all cinemas, Australian moviegoers are beginning to return for socially distanced screenings across most of the country.

But with most major international releases delayed, the large chains that rely on blockbusters face an uncertain future. And for independent operators, more accustomed to showing reruns of classics and local titles, the outlook is not much clearer….

…But the immediate future for Bollywood in the UK now looks particularly bleak, given that Cineworld venues host more than half of all Bollywood screenings in the UK, presenting between 40 and 50 different films a year. The prospect of reduced takings in the UK is being felt in Mumbai, where the industry relies on the territory for a sizeable chunk of its overseas revenue.

…“But for me the really big success is the BFI restoration of La Haine,” said Wood. “We’ve played it now for four weeks and it’s sold out every single performance.” Bong Joon-ho’s Memories of Murder has also been hugely popular.

“Many of the successes have been foreign language, a number are directed by women, some directed by people of colour,” Wood said.

UK cinema admissions are set to hit their lowest level since records began almost a century ago, with the impact of the coronavirus pandemic wiping almost £1bn from box office sales.

…Do you need the same number of cinemas if they’re only showing blockbusters? For some time, many of them have been artificially sustained anyway, the real estate empty for much of the day. There’s also the problem that this is a sector that’s historically been very conservative and reluctant to innovate. I remember when there was a great controversy about the introduction of cup-holders.

…I love the cinema – it truly brings me joy. “Escapism” sells the experience short; I feel alive and engaged when lost in a narrative that is not my own. I used to see about three films a week, but I think I’ve seen about three films since March because watching them at home just doesn’t come close and I haven’t been back since the cinemas reopened as it doesn’t feel like the responsible thing to do. Covid is meant to spread best in an enclosed environment and I’d feel proper shit if I caught it and ended up giving it to my parents and they then died because I just had to see Tenet.

…One of my routes on my morning runs each week takes me past a small independent high-end movie theater, privately owned. It has a full restaurant, a beautiful bar, a space that can be rented for civic events, and six small theaters with extremely comfortable chairs.

In the Before times, as one reporter likes to call everything pre-Covid, the theater had a wait-staff that would take your orders while you sank into those seats to watch your favorite blockbuster. Every Democratic Presidential candidate held an event in that theater in the run-up to February’s caucus. Not a week went by when I didn’t see or get an invitation to a special event held there.

In March, when quarantine set in, the theater’s owners put up huge sheets of plywood over the display windows on all three stories of the building and made the lovely balcony inaccessible should someone get the bright idea to climb up there.

No one has painted the plywood, unlike so many other plywood coverings in the Arts District here. So the high-end theater now looks like an abandoned building. A group of homeless men slept against the plywood until someone moved them out. Occasionally, one of the totally stoned people from the high-end marijuana dispensary across the street will sit on a bench near the plywood, swaying to music only they can hear….

(14) BUTLER DID IT. Having seen the trailer, JJ calls Greenland “like a bad mashup of Deep Impact, Armagedddon, and 2012: We Were Warned.

A family fights for survival as a planet-killing comet races to Earth. John Garrity (Gerard Butler), his estranged wife Allison (Morena Baccarin), and young son Nathan make a perilous journey to their only hope for sanctuary. Amid terrifying news accounts of cities around the world being leveled by the comet’s fragments, the Garrity’s experience the best and worst in humanity while they battle the increasing panic and lawlessness surrounding them. As the countdown to global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.

(15) DRAMATIC TRACKS. “Prehistoric footprints of woman carrying toddler while dodging sabre-toothed cats unearthed” – let Yahoo! News tell you the story.

Prehistoric footprints of a woman carrying a toddler while dodging sabre-toothed cats and giant sloths are the longest set of fossilised human prints ever found, scientists have said.  

The prints, which stretch for almost a mile and were discovered in the White Sands National Park in New Mexico, USA, date back 13,000 years.

…Locally known as “ghost tracks” because they can only be seen under certain weather conditions, the adult tracks were first discovered in 2017, followed by the child’s.

The prints tell the remarkable story of a woman and a small child as they made their way across the mudflats with large predators crossing their path.

An analysis found the woman was moving at a rapid pace, intermittently carrying and putting down the child.

On the outward journey, her prints show that she was slipping, suggesting conditions were wet and treacherous. But on her return, following the same path almost exactly, she was alone and no slipping marks were detected.

During the trips, other tracks show a giant sloth, mammoths and sabre-tooth cats crossed their path, and the sloth was startled by their scent.

“As the animal approached the trackway, it appears to have reared up on its hind legs to catch the scent, pausing by turning and trampling the human tracks before dropping to all fours and making off,” Prof Bennett said….

(16) HOT ON THE TRAILER. Amazon Prime introduces Invincible. The series will be online in 2021.

INVINCIBLE is an adult animated superhero series that revolves around 17-year-old Mark Grayson (Steven Yeun), who’s just like every other guy his age — except his father is the most powerful superhero on the planet, Omni-Man (J.K. Simmons). But as Mark develops powers of his own, he discovers his father’s legacy may not be as heroic as it seems.

[Thanks to John King Tarpinian, Michael Toman, Cora Buhlert, Martin Morse Wooster, JJ, Cat Eldridge, Mike Kennedy, John Hertz, Joey Eschrich, Ben Bird Person, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “I Can Improve On The Classics” Dern.]