David Gerrold, novelist and screenwriter, is the 2022 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of Gerrold’s body of work, including his emphasis on young adult space travel novels and inspired creation during Star Trek screenwriting. Hella (2020) is his most recent YA novel about space colonization.
The award will be formally presented during the opening ceremonies of Balticon 56 on Friday, May 27. Balticon will take place at the Renaissance Baltimore Harborplace Hotel (virus situation allowing). Gerrold will participate in the Balticon program across Memorial Day Weekend.
Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society, Inc. A grant from the Heinlein Society funds half of the costs associated with the award, and the family of the late author Dr. Yoji Kondo provides additional funding.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.
Virginia Heinlein authorized multiple awards in memory of her husband. Other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
More information on the Robert A. Heinlein Award, including past winners, can be found here.
…This summer, an unexpected candidate in the form of King Randor of Eternia threw his hat or rather his crown in the ring. Now Randor has never been a stellar parents by any means, as chronicled in more than 100 episodes of the original Masters of the Universe cartoon. He not only completely fails to notice that his son Prince Adam is also the superhero He-Man despite the fact that in the original cartoon, He-Man is basically Adam with a tan and his clothes off, but also constantly berates Adam for not being whatever Randor expects from his son….
But this guy does not get the award – in fact, two even worse finalists finished ahead of him. And believe me, this is an extremely entertaining post!
…When Burton found out about his selection as Grand Marshal, he said he was “gobsmacked.” The L.A. resident seemed to have been gravitating toward the role since he was a kid.
This year, the Rose Parade’s theme is “Dream, Believe, Achieve.” The credo strikes a particularly personal chord with Burton.
“[The theme] is almost as if it’s a recipe … for my life. My mother … Erma Jean Christian … I am the man that I am because she was the woman that she was. Education was primarily important to her,” Burton said. “My mother had two careers. First, as a teacher of high school English, and then as a social worker. So the values that she established in our family are all about dreaming your personal dream, whatever that is, and believing that you not only can achieve it but deserve it.”
Dreaming and believing that you deserve that dream, those two steps, said Burton, are necessary for anyone hoping to live out the “Dream, Believe, Achieve” theme….
…Dune in 2021, unchanged in its plot, but imagining an underclass of native people as made up of a smattering of different ethnicities (mostly Brown and Black), embodies what David M. Higgins calls “imperial fantasy” and “alt-victimhood” in his latest book, Reverse Colonization (2021). Higgins describes a genre of reverse colonization narratives in which audiences “who are most often the beneficiaries of empire [are invited] to imagine what it feels like to be on the receiving end of imperial conquest,” provoking audiences to “identify as colonized victims.” It’s hardly surprising, then, that white supremacists have long cathected to Frank Herbert’s Dune, and white nationalists — a group that feels threatened by the presence of people of color, and increasingly aggrieved and attacked by liberal pushes to address systemic racism — have eagerly anticipated Villeneuve’s latest adaptation. As Jordan Carroll succinctly sums up: “Fascists love Dune.” Suddenly, the privileged chosen one — the imperialist who is also the Christ figure — becomes the suffering victim deserving of sympathy. In this way, identification with victimhood becomes a seductive imperial fantasy for the most privileged in society, what Higgins terms “alt-victimhood.”…
… In this mode, a revisit of another 1984 film about a similar ecodystopian future can uncover a more radical and historically grounded politics apt for our contemporary moment. Hayao Miyazaki’s early animated film Nausicaä of the Valley of the Wind (1984) drew inspiration from the fantasy world of Herbert’s Dune and shares uncanny similarities with the Dune film adaptations: where Dune has giant sandworms, Nausicaä has the Ohmu; where Dune has desert, Nausicaä the Sea of Decay; Dune the Harkonnens, Nausicaä the Tolmekians. Instead of yet another imperially appointed master, in Nausicaä, the people are led by a daring princess, one who leads by example and is beloved by her people; one who resists imperial expansionists, but not at the cost of her own people; and most importantly, one who radically chooses nonviolent action against all possible defense of rational violence, and eventually achieves harmony through cooperation and understanding.
Ursula K. Le Guin once said that “[t]o use the world well, to be able to stop wasting it and our time in it, we need to relearn our being in it.” Crucially, Nausicaä imagines a new way of being in the world by radically reframing our relation to it and our understanding of it. Instead of a desert, the inhospitable environment in Nausicaä is known as the Sea of Decay. But far from a dying and deadened milieu, the Sea of Decay is in fact brimming with life….
After the difficulties of 2020 – in which we were all really grateful for the ability to stream and watch at home – 2021 has been an odd blend of lockdown and modified freedom. Scotland Loves Anime (and its regional offshoots) triumphantly brought live audiences back to the cinema. Funimation has managed to have anime screenings in many local cinemas. As for the world of streaming and simulcast, in August we had the official confirmation that Sony’s Funimation Global Group had acquired Crunchyroll. How this will all pan out for viewers/subscribers remains to be seen. Earlier, Manga Entertainment became Funimation UK, bringing an end to a famous label and uniting streaming, home video and cinema releases under the same name.
With all these changes, how has the anime-viewing experience been for the fans? Has there been too much material available on streaming services ranging from Netflix and Amazon Prime to dedicated companies like Crunchyroll and Funimation, leading to a dip in quality? Our writers have been looking back at their favourites from 2021 and are here to share their thoughts. Let us know what your ’21 favourite have been too!
The NYPL Systemwide (the Bronx, Manhattan & Staten Island)
The Vanishing Half: A Novel by Brit Bennett
Mexican Gothic by Silvia Moreno-Garcia
Klara and the Sun: A Novel by Kazuo Ishiguro
A Promised Land by Barack Obama
Caste: The Origins of Our Discontents by Isabel Wilkerson
The Guest List: A Novel by Lucy Foley
Where the Crawdads Sing by Delia Owens
Maybe You Should Talk to Someone: A Therapist,Her Therapist, and Our Lives Revealed by Lori Gottlieb
The Other Black Girl: A Novel by Zakiya Dalila Harris
Malibu Rising: A Novel by Taylor Jenkins Reid
(7) MEDIA BIRTHDAY.
1967 — [Item by Cat Eldridge.] Fifty-four years ago, “The Trouble with Tribbles” first aired on NBC as written by David Gerrold and directed by Joseph Pevney, with some of the guest cast being Charlie Brill as Arne Darvin, Stanley Adams as Cyrano Jones, Whit Bissell as Station Manager Lurry, Michael Pataki as Korax.
Memory Alpha says ”Wah Chang designed the original tribbles. Hundreds were sewn together during production, using pieces of extra-long rolls of carpet. Some of them had mechanical toys placed in them so they could walk around.”
Memory Alpha also notes Heinlein had Martian flat cats in The Rolling Stones that were similar to these and Roddenberry called to apologize for these being so similar. My understanding is that they brought the issue to Heinlein’s attention and asked for permission to continue. To their surprise, he granted it in exchange for a signed copy of the episode’s script.
(I know that Heinlein’s authorized biography contradicts this story. Really contradicts this story.)
It would come in second in the Hugo balloting at BayCon to “The City on the Edge of Forever” written by Harlan Ellison. All five final Hugo nominees at BayCon were Trek episodes written by Jerome Bixby, Norman Spinrad and Theodore Sturgeon.
David Gerrold wrote a book on his experiences in the creation of this episode, The Trouble with Tribbles: The Birth, Sale and Final Production of One Episode. He did a children’s book as well, Too Many Tribbles!.
There would be two more Trek stories done with Tribbles. “More Tribbles, More Troubles”, the fifth episode of the first season of the animated series riffed off them. And of course Deep Space Nine would revisit the story in “Trials and Tribble-ations” which blended seamlessly footage from the original episode with new video including the Charlie Brill character. It, too, would be nominated for a Hugo, this time at LoneStarCon 2. (Babylon 5’s “Severed Dreams” won.)
Tribbles have been also seen in other Trek episodes and films, including The Search for Spock and the rebooted Star Trek and Star Trek Into Darkness. They also appeared in Enterprise’s “The Breach”. Phlox uses them as food for his creatures in sickbay. Which is either truly disgusting or really appropriate given how prolific they are. Or both.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 29, 1901 — William H. Ritt. US cartoonist and author, whose best known strip, Brick Bradford, was SF. Two of the early Thirties strips, Brick Bradford and the City Beneath the Sea and Brick Bradford with Brocco the Mountain Buccaneer, became Big Little books. In 1947, Brick Bradford, a 15-chapter serial film starring Kane Richmond, was produced by Columbia Pictures. (Died 1972.)
Born December 29, 1912 — Ward Hawkins. Alternative universes! Lizard men as sidekicks! He wrote the Borg and Guss series (Red Flaming Burning, Sword of Fire, Blaze of Wrath and Torch of Fear) which as it features these I really would like to hear as audiobooks. Not that it’s likely as I see he’s not made it even to the digital book realm yet. (Died 1990.)
Born December 29, 1928 — Bernard Cribbins, 93. He has the odd distinction of first showing up on Doctor Who in the Peter Cushing as The Doctor non-canon Daleks’ Invasion Earth 2150 A.D. film. He would show up in the canon when he appeared as Wilfred Mott in the Tenth Doctor story, “Voyage of the Damned”, and he‘s a Tenth Doctor companion himself in “The End of Time”, the two-part 2009–10 Christmas and New Year special.
Born December 29, 1963 — Dave McKean, 58. If you read nothing else involving him, do read the work done by him on and Gaiman called The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance. Brilliant, violent, horrifying. Well and Signal to Noise by them is worth chasing down as well.
Born December 29, 1966 — Alexandra Kamp, 55. Did you know one of Sax Rohmer’s novels was made into a film? I didn’t. Well, she was the lead in Sax Rohmer’s Sumuruwhich Michael Shanks also shows up in. She’s also in 2001: A Space Travesty with Leslie Nielsen, and Dracula 3000 with Caspar van Dien. Quality films neither will be be mistaken for, each warranting a fifteen percent rating among audience reviewers at Rotten Tomatoes.
Born December 29, 1969 — Ingrid Torrance, 52. A very busy performer who’s had one- offs in Poltergeist: The Legacy, The Sentinel, Viper, First Wave, The Outer Limits, Seven Days, Smallville, Stargate: SG-1, The 4400, Blade: The Series, Fringe, The Tomorrow People, R.L. Stine’s The Haunting Hour and Supernatural.
Born December 29, 1972 — Jude Law, 49. I think his first SF role was as Jerome Eugene Morrow in Gattaca followed by playing Gigolo Joe in A.I. with my fave role for him being the title role in Sky Captain and the World of Tomorrow. He was Lemony Snicket in Lemony Snicket’s A Series of Unfortunate Events, Tony in The Imaginarium of Doctor Parnassus, Dr. John Watson in Sherlock Holmes and Sherlock Holmes: A Game of Shadows, Remy in Repo Men and he voiced Pitch Black in one of my favorite animated films, Rise of the Guardians.
(9) COMICS SECTION.
Bizarro finds an unexpected pocket of resistance to the theory of evolution.
(10) BEST PICS OF 2021. [Item by SF Concatenation’s Jonathan Cowie.] From Nature’s end-of-year edition, “Images of the year.”
This one is of a 40-million-year-old gnat in amber. Photographed by Levon Biss and it got an honourable mention in the 2021 Nikon Small World Photomicrography Competition. If it were over a score of million years older, then shades of Michael Crichton’s Jurassic Park!
My personal topical favourite of the year, which I downloaded in case I ever needed it for a talk, is a computer simulation of the SARS-CoV-2 virus. This is also a .gif and an animation. Alas, I forget the source (it was one of the papers we covered in SF2 Concatenation CoVID coverage during the year) but it is quite a nifty simulation showing spike movement. This jiggling helps enable it to lock on to human cell membrane proteins giving it access to the cell. To see it, click here.
(11) OVERDUE BOOK. For your Fifties viewing pleasure: The Man From 1997, an episode of the Conflict anthology TV series aired in 1956. In the episode, Charles Ruggles portrays an elderly time-traveling librarian from the future attempting to retrieve a 1997 almanac that he mistakenly left 41 years before it is supposed to exist. I loved one of the comments somebody left – “Damn he from 1997 and he didn’t even ask them if he can smoke in their house.”
The cast also includes actor James Garner. Wikipedia says he caught producer Roy Huggins’ attention with a comedic performance as a gambler in the episode, Huggins to cast Garner as the lead the following year in his television series Maverick, according to Huggins’ Archive of American Television interview.
The luxurious “commemorative egg objet” was sold to an anonymous U.S. buyer in April shortly after its announcement and before the nine months of painstaking work was begun by Fabergé workmaster Paul Jones and his team of artisans, global sales director Josina von dem Bussche-Kessell told The Hollywood Reporter….
(13) STILL THINKING ABOUT THEM.New York Times opinion columnist Ezra Klein tweeted a list of recommended books from 2021, and several are sff. Thread starts here.
…And Brin has put a lot of work into thinking about how intelligent creatures with completely different mindsets might work together, especially with the undertones of slavery and colonialism which are the foundation of the series. I really enjoyed revisiting it. Where “Blood Music” is “My God! What if…”, Startide Rising is sensawunda reflecting contemporary debates (as always).
New York City Mayor Bill de Blasio set his verbal phasers on “stun” with a shocking display of Star Trek ignorance at a press conference, falsely identifying his uniform and making a complete hash out of Starfleet’s Prime Directive.
The shameful display occurred during a lengthy press conference at which the mayor covered a variety of topics, including having a safe Halloween.
As State Senator Kevin Parker completed his presentation on highspeed broadband, de Blasio appeared onscreen sporting a blue Starfleet shirt with a science department badge and command insignia, an obvious tribute to Commander S’chn T’gai Spock — or Mr. Spock to humans, and Dr. Spock to confused Boomers….
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Method Actor Tutorial” on Screen Rant. Ryan George plays Kurt Truffle, method actor. Truffle knew he would be a method actor because as a kid, he’d object to losing duck duck goose by speaking in goose language, so the other kids couldn’t understand him. Truffle claims that method actors can be jerks on the set and in life because method actors will do what it takes to stay in character.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, StephenfromOttwa, Michael J. Walsh, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day – no, wait, it’s OGH!]
Though this new post confirms that Gill has also “finished filming” on the next set of episodes, the BBC is yet to officially confirm if she will be departing her role as companion Yaz Khan.
Both stars will return for the show’s 13th series, set to air from 31st October on BBC One. This will be followed by two specials which will air in 2022, then one final feature-length adventure for Whittaker’s Thirteenth Doctor which will also mark the BBC’s centenary.
Speaking to Digital Spy, he explained: “It all depends. The moment you say yes to Doctor Who, even before you’ve done an episode, you’re being asked whether you’d go back after you finish. I don’t know if this happens to James Bonds. I don’t know if Pierce Brosnan gets asked if he’d go back to James Bond.
“Because there’s that element of fantasy, anything is ultimately possible. You should never say never to anything. I think that way madness lies.”
Well, that didn’t take long – Tennant is voicing the Doctor in a game:
David Tennant returns to the world of Doctor Who today with a special voice appearance in Doctor Who: The Edge of Reality, a video game that sees Tennant’s Time Lord sharing a screen with Jodie Whittaker’s incumbent version of the famous TV hero. But this return did come with a bit of “weirdness” thanks to the COVID-19 pandemic.
Fans cried during the airing of the “Star Trek” episode, “The City on the Edge of Forever.” This particular program would be proclaimed by many as the “greatest episode” in the franchise’s history. Written originally by science fiction scribe Harlan Ellison, “City” featured a story that taught the cruel lessons of time travel.
… Kirk, Spock, and McCoy (DeForest Kelley) were able to travel into the past with the help of a living machine known as the Guardian of Forever….
(3) HITTING THE THEMATIC TARGET. Author and editor Michael A. Ventrella from the Pocono Liars Club chats with authors and editors Keith DeCandido and Randee Dawn on the topic of “Writing for Themed Anthologies” with lots of stories, laughs, and advice for writers and editors both!
[Note: iPlayer link only works in UK, but YouTube has the episode. This game segment comes after the 20-minute mark.]
(6) GUESS WHO’S A BIG JEAN-LUC FAN. [Item by Martin Morse Wooster.] In the Washington Post, Travis M. Andrews and Roxanne Roberts say Jeff Bezos has been a Trekker since fourth grade, when he’s come home from school and watch classic Trek episodes. Andrews and Roberts note that Bezos’s favorite captain is Jean-Luc Picard, and that he nearly named Amazon makeitso.com. His current favorite sf writers are Alistair Reynolds, Ernest Cline, and Andy Weir and it’s not a coincidence that Amazon Studios saved The Expanse after the show was killed by Syfy. “Jeff Bezos and Star Trek: A love affair”.
…“For years, I have been begging Paramount, which is owned by Viacom, to let me be in a ‘Star Trek’ movie,” he said that year. “I am very persistent, and you can imagine the poor director who got the call: ‘You have to let Jeff Bezos be in your ‘Star Trek’ movie. ”
Bezos said he was willing to be unrecognizable but wanted a speaking part — and one that was central to the plot so it didn’t end up on the cutting-room floor.
Bezos appears in the first five minutes of the film as an alien Starfleet officer stationed at Yorktown Starbase in 2263 who scans Kalara as she pleads for help from Commodore Paris and Captain Kirk. “Speak normally,” Bezos tells her. The cameo role required such extensive makeup that he could only drink through a straw.
“He was awesome,” director Justin Lin told the Associated Press. “It was like a president was visiting, you know? He had a big entourage! But it didn’t matter because he was so into it. He had to wait around all day because it was one day we were shooting like three different scenes and, it was also credit to Jeff because … he just nailed it every time.”…
(7) YES BUCKS, YES BUCK ROGERS. I’m still catching up, and this seems a timely place to slip in Saturday Night Live’s “Billionaire Star Trek” sketch from a week ago.
(8) MEDIA BIRTHDAY.
1926 – Eighty-five years ago, A. A. Milne’s Winnie-the-Pooh, was first published in the United Kingdom. It is a collection of short stories with illustrations by E. H. Shepard. It was the first of two such collections, the second being The House at Pooh Corner. (Yes, it’d later be a song written by Kenny Loggins and performed by their Nitty Gritty Dirt Band on their 1970 Uncle Charlie & His Dog Teddy album but I digress.) The book was well-received at release, and was an extraordinary success, selling some one hundred fifty thousand copies before the end of the year. Winnie-the-Pooh has been adapted in other media, most notably by Disney beginning with Winnie the Pooh and the Honey Tree in the Sixties. Both books are free as part of the Audible Plus program.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 14, 1899 — Martin Miller. He played Kublai Khan in the completed erased by the BBC First Doctor story, “Marco Polo”. He’s in the first Pink Panther film as Pierre Luigi, a photographer, and has roles in Danger Man, Department S, The Avengers and The Prisoner. In the latter, he was number fifty-four in “It’s Your Funeral”. The Gamma People in which he played Lochner is I think his only true genre film though I’m obviously open to being told I’m wrong. (Died 1969.)
Born October 14, 1927 — Roger Moore. Bond in seven films 1973 to 1985, a long run indeed. And he played Simon Templar in The Saint for most of the Sixties, an amazing one hundred eighteen episodes. Let’s not forget that he was in the Curse of the Pink Panther as Chief Insp. Jacques Clouseau! He even got to play Sherlock Holmes in Sherlock Holmes in New York. (Died 2017.)
Born October 14, 1946 — Katy Manning, 75. She was Jo Grant, companion to the Third Doctor. She also appeared in that role with the Eleventh Doctor on the Sarah Jane Adventures in a two-part story entitled “Death of the Doctor”. She appears as herself in the The Five(ish) Doctors Reboot.
Born October 14, 1949 — Crispin Burnham, 72. And then there are those who just disappear. He was the founder, writer and publisher of Dark Messenger Reader / Eldritch Tales from 1975 to 1995 as the publisher Yith Press. He was also a prolific essayist from 1973 to 1995, his final essay being a reflection on the life and career of Robert Bloch. There’s nothing to show him active after 1998 when the final part of his “People of The Monolith” was publishedin Cthulhu Cultus #13. Then he vanishes without a trace.
Born October 14, 1953 — Richard Christian Matheson, 68. Son of the Richard Matheson that you’re thinking of. A very prolific horror writer mostly of short stories, he’s also no slouch at script writing as he’s written for Amazing Stories, Masters of Horror, The Powers of Matthew Star, Splatter, Tales from the Crypt, Knight Rider (the original series) and The Incredible Hulk. Wiki claims he wrote for Roger Zelazny’s The Chronicles of Amber but IMDB shows no such series or show. The usual suspects have a goodly number of story collections available for him.
Born October 14, 1953 — Greg Evigan, 68. TekWar, one of Shatner’s better ideas, starred him as Jake Cardigan. I really liked it. Yes, Shatner was in it. He also shows up in DeepStar Six as Kevin McBride, as Will South in the horror film Spectre aka The House of The Damned, as Marcus Cutter in Cerberus: The Guardian of Hell, and on the Alfred Hitchcock Presents as David Whitmore in “In the Driver’s Seat”.
Born October 14, 1963 — Lori Petty, 58. Rebecca Buck – “Tank Girl” in that film. She was also Dr. Lean Carli in Cryptic, and Dr. Sykes in Dead Awake. She had one-offs in The Hunger, Twilight Zone, Star Trek: Voyager, Brimstone, Freddy’s Nightmares and Alien Nation, and voiced quite well Livewire in the DCU animated shows.
Born October 14, 1968 — Robert C. Cooper, 53. He was an executive producer of all the Stargate series. He also co-created both Stargate Atlantis and Stargate Universe with Brad Wright. Cooper has written and produced many episodes of Stargate series as well as directed a number of episodes. I’m really impressed!
The Washington Post sums up the reasons for the stike:
…Members of the IATSE contend that television and film studios have raked in massive profits during the coronavirus pandemic as consumers turn to streaming options to fill more time at home. But those gains have not extended to workers, they say, who now put in significantly longer workweeks…
David Gerrold also discussed what the high (98%) vote portends and urged his readers to support IATSE.
Over 30 Paizo staff members from several departments have signed a letter announcing the formation of the United Paio Workers union, in coordination with the Communication Workers of America. This effort is the first of its kind in both the tabletop RPG and board game industry.
The letter states that Paizo workers have been organizing for some time but were spurred to act by September firing of customer service and community manager Sara Marie and what they call the sudden departure of customer service representative Diego Valdez and several others in the recent past. Many former and current employees, as well as freelancers and contract workers, took the opportunity to share stories of abuse, harassment, mistreatment and hostile management.
“These events, as well as internal conversations among Paizo workers, have uncovered a pattern of inconsistent hiring practices, pay inequity across the company, allegations of verbal abuse from executives and management, and allegations of harassment ignored or covered up by those at the top,” the letter said. “These findings have further galvanized the need for clearer policies and stronger employee protections to ensure that Paizo staff can feel secure in their employment.”
(13) DUNE MOTHER. [Item by Martin Morse Wooster.] In the Financial Times, behind a paywall, Raphael Abraham interviewed Rebecca Ferguson about her role in Dune.
(Timothee) Chalamet may be the star but Ferguson’s character is in many ways the story’s catalyst; her role amped up by (director Denis) Villeneuve–she has defied her mysterious religious order to bear a son and possesses supernatural powers that she attempts to impart to him. And, while other main players are killed off or become separated from the hero, it is Paul’s mother who remains by his side, battling on foot across the inhospitable desert planet of the title, evading enemies and giant sandworms. For Ferguson and Chalamet, this meant shooting under the Abu Dhabi sun in bulky space costumery.
‘We had to adapt to mother nature,’ the actress says. ‘We could only film for an hour and a half at dusk and dawn, and during the day we had to stay inside and not burn ourselves. It was a struggle running uphill in stillsuits but it was also so lovely doing it in the real environment–no bloody studio!’
…Fittingly, for his next creation, which will debut today at Woodruff Park in downtown Atlanta, the 71-year-old crop artist is looking up to the sky for inspiration. Stretching 4,800 square feet in size, the piece coincides with the United Nations’ International Day of the Girl Child initiative and is also part of World Space Week, an annual event that celebrates global accomplishments in science and technology. Since this year’s theme is Women in Space, Herd has created a portrait of Stephanie Wilson, a veteran NASA astronaut with three space flights under her belt (she’s also the second African American woman to go into space), and one of 18 astronauts who are a part of Artemis, NASA’s lunar exploration program that is scheduled to send the first woman to the moon in 2024…
(16) GILLIAN ANDERSON VOICE ROLE. Robin Robin comes to Netflix on November 24.
Robin Robin, a holiday special from Aardman Animation, makers of Shaun the Sheep, Chicken Run and Wallace & Gromit. “Starring Gillian Anderson, Richard E Grant, Bronte Carmichael and Adeel Akhtar.” When her egg fortuitously rolls into a rubbish dump, Robin is raised by a loving family of mice. As she grows up, her differences become more apparent. Robin sets off on the heist to end all heists to prove to her family that she can be a really good mouse – but ends up discovering who she really is.
Perseverance rover reveals an ancient delta-lake system and flood deposits at Jezero crater, Mars
Observations from orbital spacecraft have shown that Jezero crater, Mars, contains a prominent fan-shaped body of sedimentary rock deposited at its western margin. The Perseverance rover landed in Jezero crater in February 2021. Researchers have analyzes images taken by the rover in the three months after landing. The fan has outcrop faces that were invisible from orbit, which record the hydrological evolution of Jezero crater. Researchers interpret the presence of inclined strata in these outcrops as evidence of deltas that advanced into a lake.
(18) VIDEO OF THE DAY. In this Saturday Night Live “Cut for Time” sketch, a dinner party (Owen Wilson, Kenan Thompson, Cecily Strong, Heidi Gardner, Alex Moffat, Ego Nwodim) disagrees on splitting a check. But wait! – There’s more, and it’s genre.
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Nancy Sauer, Chris Barkley, SF Concatenation’s Jonathan Cowie, Lise Andreasen, John A Arkansawyer, Christian Brunschen, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) KGB RESUMES IN-PERSON READINGS. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel are very excited to return to in-person readings at the KGB Bar in Manhattan’s East Village. On Wednesday, October 20 at 7:00 Eastern, people will hear from this month’s guests Daryl Gregory and Michael J. DeLuca. (Proof of COVID-19 vaccination is required to enter the KGB Bar; face masks are required when not seated.)
Daryl Gregory’s work has been translated into a dozen languages and has won multiple awards, including the World Fantasy and Shirley Jackson awards. His latest books are the Appalachian horror novel Revelator, the novella The Album of Dr. Moreau, and the novel Spoonbenders. He’s lived in multiple towns along the 2,000 miles of I-80, and currently resides in Pennsylvania.
Michael J. DeLuca
Michael J. DeLuca has published 30+ short stories in markets including Apex, Beneath Ceaseless Skies, Mythic Delirium, and Interfictions. His debut novella, Night Roll, was a finalist for the Crawford award in 2020. He’s also the publisher of Reckoning, a journal of creative writing on environmental justice. He lives in the rapidly suburbifying post-industrial woodlands north of Detroit with partner, kids, cats and microbes.
Datlow and Kressel still plan to publish a video recording of the event on YouTube, but the readings will no longer be presented live online. They also will still be providing the audio podcasts as usual. If you’d like to support the Fantastic Fiction at KGB reading series, please click here.
… Had I sat that test, I might never have met Cecil Dormand, a teacher at the secondary modern where I ended up, who would change my life when I was 12, by putting Shakespeare into my hands for the very first time. It was The Merchant of Venice. He gave copies to most of us and told us to look up Act 4 Scene 1 (or the famous trial scene, as I was to learn). He cast all the speaking roles and told us to start reading. We all did, but silently. “No, no, you idiots, not to yourselves!” he yelled. “Out loud! This is a play, not a poem. It’s life. It’s real.”
The first words – “I have possessed your grace of what I purpose” – was the first line of Shakespeare I ever read. I barely understood a word, but I loved the feel of the words and sounds in my mouth….
(3) MUIR, MARILLIER LIBRARY ZOOMS. The Nelson Public Libraries in New Zealand are hosting two author talks on Zoom that will be open for anyone to attend from home. (Hat tip to SFFANZ News.)
Tuesday, October 19 from 7 pm (local time) — Tamsyn Muir, author of the Locked Tomb series. Info here.
Thursday, October 21 from 5 pm (local time) — Juliet Marillier, author of Sevenwaters series, Blackthorn and Grim, and Warrior Bards. Info here.
Whether audiences prefer to read the source material ahead of time or go into these shows and movies without expectations, there’s plenty to be excited for in these varied stories. From classics of the genres to more contemporary offerings, there are a slew of popular fantasy and sci-fi books headed for fans’ screens.
(5) CHECKING UNDER THE HOODS. [Item by Cora Buhlert.] Dutch Irish writing couple Remco van Straten and Angeline B. Adams remember the nigh-forgotten 1991 Robin Hood film starring Patrick Bergin, which was overshadowed by the other Robin Hood film starring Kevin Costner that came out in 1991. IMO, the Bergin film is much better. Remco and Angeline obviously agree: “Mists and Mummers: Robin Hood”.
It doesn’t have doesn’t have Bryan Adams rasping “Everything I do” and it doesn’t have Kevin Costner, or Mary Elizabeth Mastrantonio with big hair. Nor does it have Alan Rickman sneering away as the Sheriff of Nothingham. It doesn’t have a the Sheriff of N. at all, actually (nor any other plot points and characters directly lifted from TV’s Robin of Sherwood). ThisRobin Hood film did also come out in 1991, and as a result withered in the shadow of the mega-hit Robin Hood: Prince of Thieves….
Isabel Cañas is a Mexican-American speculative fiction writer. After having lived in Mexico, Scotland, Egypt, and Turkey, among other places, she has settled (for now) in New York City, where she works on her PhD dissertation in medieval Islamic literature and writes fiction inspired by her research and her heritage. …
What was it about the horror genre that drew you to it?
I have loved Gothic novels for a long time. Two of the most influential books I read in my teen years were Dracula, which I read at 17, and Beloved, which I read when I was 19. Dark fantasy also holds a special place in my heart—I read Holly Black’s Tithe at 14 and have never been the same since. I started reaching for horror as an adult in late 2019, a habit that was accelerated by the pandemic. Reading and writing are my number one form of escapism, and in March 2020, the high fantasies I usually reached for to flee my own anxiety suddenly weren’t cutting it. I needed a headier hit. I needed suspense. I needed someone else’s fear to distract from my own. My attention span was also shattered in those early pandemic days (and still is, honestly), so I frequently turn to short fiction and podcasts. The Dark and Nightmare Magazine are my mainstays, as is Snap Judgement’s Spooked podcast.
(7) INSIDE HORROR. The latest post in the Horror Writers Association’s “Halloween Haunts” series is “Why Do We Like Being Scared?” Marlena Frank offers a theory:
…As we get near Halloween, I find myself thinking about this often. The difference, I think, is whether the terror is safe or not. Can the bad guy take off his mask and he’s laughing and normal again? Or is the bad guy real and this isn’t a joke?…
(8) STOLEN PUNCHLINE. I saw a headline “Blue Origin Crew Members Concerned About New Uniforms.” But it turned out that this isn’t a photo of William Shatner from today’s flight.
(9) MEDIA BIRTHDAY.
1995 – Twenty-six years ago this day, James Cameron’s Strange Days debuted at the cinema. It was written by James Cameron and Jay Cocks, and produced by Cameron and Steven-Charles Jaffe. It was directed by Kathryn Bigelow who was briefly married to Cameron but divorced by this time. It stars Ralph Fiennes, Angela Bassett, Juliette Lewis, and Tom Sizemore. Ok, it bombed at the box making back only seven million dollars of the over fifty million dollars in production and publicity costs. It really polarized critics at time because of its extreme violence though now those attitudes have changed significantly and it currently has a rather excellent seventy-three percent rating at Rotten Tomatoes. Apparently Cameron wrote the novelization of the film.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 13, 1906 — Joseph Samachson. In 1955, he co-created with artist Joe Certa the Martian Manhunter in the pages of Detective Comics #225. Earlier he penned Captain Future pulp novels around 1940 under a house name. (House names often blur who did what.) He also wrote scripts for Captain Video and His Video Rangers, a late Forties to mid Fifties series. There’s a lot of his fiction including those Captain Future pulp novels at the usual suspects for very reasonable prices. (Died 1980.)
Born October 13, 1914 — Walter Brooke. You know him for muttering a certain word in The Graduate but he’s earlier noteworthy for being General T. Merrit in Conquest of Space, a Fifties SF film, one of many genre roles he did including The Wonderful World of the Brothers Grimm, The Munsters, Marooned, The Return of Count Yorga and The Nude Bomb (also known as The Return of Maxwell Smart). (Died 1986.)
Born October 13, 1923 — Cyril Shaps. He appears in a number of Doctor Who stories, to wit The Tomb of the Cybermen, The Ambassadors of Death, Planet of the Spiders and The Androids of Tara which means he’s appeared with the Second, Third and Fourth Doctors. He was also Mr. Pinkus in The Spy Who Loved Me, and he was in Sherlock Holmes and the Leading Lady as Emperor Franz Josef. The latter stars Christopher Lee and Patrick Macnee as Holmes and Watson. (Died 2003.)
Born October 13, 1956 — Chris Carter, 65. Best known for the X-Files and Millennium which I think is far better than X-Files was, but also responsible for Harsh Realm which lasted three episodes before being cancelled. The Lone Gunmen which was a good concept poorly executed managed to last thirteen episodes before poor ratings made them bite the bullet. He retired from doing anything creative after The X-Files: I Want to Believe.
Born October 13, 1959 — Wayne Pygram, 62. His most SFish role was as Scorpius on Farscape and he has a cameo as Grand Moff Tarkin in Revenge of the Sith because he’s a close facial resemblance to Peter Cushing. He’s likely best recognized as himself for his appearance on Lost as a faith healer named Isaac of Uluru.
Born October 13, 1976 — Jennifer Sky, 45. Lead character conveniently named Cleopatra in Sam Raimi’s Cleopatra 2525 series. (Opening theme “In the Year 2525” is performed by Gina Torres who’s also a cast member.) She’s had guest roles on Seaquest DSV, Xena, Charmed and Buffy the Vampire Slayer. And she is Lola in The Helix…Loaded, a parody of The Matrix which scores fourteen percent at Rotten Tomatoes among audience reviewers.
Born October 13, 1983 — Katie Winter, 38. Katrina Crane on Sleepy Hollow, Freydis Eriksdottir on Legends of Tomorrow and Gwen Karlsson on Blood & Treasure which is at genre adjacent. She appeared in Malice in Wonderland, a film best forgotten, and Banshee Chapter, based loosely based on the H. P. Lovecraft “From Beyond” short story. She plays Little Nina in The Boys, the DC superhero series on Amazon Prime.
The union representing film and television crews says its 60,000 members will begin a nationwide strike on Monday if it does not reach a deal that satisfies demands for fair and safe working conditions.
to filming on a broad swath of film and television productions and extend well beyond Hollywood, affecting productions in Georgia, New Mexico and other North American shoots.
International Alliance of Theatrical Stage Employees International President Matthew Loeb said Wednesday that the strike would begin at 12:01 a.m. Monday unless an agreement is reached on rest and meal periods and pay for its lowest-paid workers.
Loeb cited a lack of urgency in the pace of negotiations for setting a strike date.
“Without an end date, we could keep talking forever,” Loeb said in a statement. “Our members deserve to have their basic needs addressed now.”
A strike would be a serious setback for an industry that had recently returned to work after long pandemic shutdowns and recurring aftershocks amid new outbreaks.
… Union members say they are forced to work excessive hours and are not given reasonable rest via meal breaks and sufficient time off between shifts. Leaders say the lowest paid crafts get unlivable wages. And streamers like Netflix, Apple and Amazon are allowed to pay even less under previous agreements that allowed them more flexibility when they were up-and-comers.
“We’ve continued to try and impress upon the employers the importance of our priorities, the fact that this is about human beings, and the working conditions are about dignity and health and safety at work,” said Rebecca Rhine, national executive director of the Cinematographers Guild, IATSE Local 600. “The health and safety issues, the unsafe hours, the not breaking for meals, those were the exception for many years in the industry, which is a tough industry. But what they’ve become is the norm.”
Two visionary Tony Award® winners—playwright Jack Thorne (Harry Potter and the Cursed Child), director Matthew Warchus (Matilda)—offer a magical new interpretation of Charles Dickens’ timeless story starring three-time Emmy® winner Bradley Whitford (The Handmaid’s Tale, The West Wing, Get Out, The Post) as Ebenezer Scrooge; Tony and Emmy Award nominee Kate Burton as Ghost of Christmas Past; and Grammy®, SAG Award, Critics Choice, and Hollywood Critics Association Award nominee Alex Newell as Ghost of Christmas Present/Mrs. Fezziwig.
I won’t identify the author, he’s a fairly well-known guy, published by Baen. I’ve never met him in person, never even exchanged notes on FB, but I read one of his books last year and enjoyed it a lot, so when his name showed up on “People You Might Know,” I sent a friend request.
He replied, “Are you f**king kidding?”
I said, “I respect writers, I enjoyed your book.”
He grunted and snarled and blocked me.
He’s not the only Baen person who has slammed a door in my face.
IMHO, this is another piece of the damage caused by those who set out to disrupt fandom, the Worldcon, and the Hugos. They also succeeded in disrupting the possibilities of friendships and even working relationships for a great many others….
(14) STAR SMACK. George Takei had a snarky reply to actor Dean Cain’s complaint about the forthcoming comics where Superman is bi-sexual.
NASA’s James Webb Space Telescope successfully arrived in French Guiana Tuesday, after a 16-day journey at sea. The 5,800-mile voyage took Webb from California through the Panama Canal to Port de Pariacabo on the Kourou River in French Guiana, on the northeastern coast of South America.
The world’s largest and most complex space science observatory will now be driven to its launch site, Europe’s Spaceport in Kourou, where it will begin two months of operational preparations before its launch on an Ariane 5 rocket, scheduled for Dec. 18.
Once operational, Webb will reveal insights about all phases of cosmic history – back to just after the big bang – and will help search for signs of potential habitability among the thousands of exoplanets scientists have discovered in recent years….
In the 1920s, Bessie Coleman toured the U.S. as a barnstormer, entertaining crowds with her aerial aerobatics and inspiring contemporaries with her boundless determination to fly despite significant racial and gender prejudice. A champion of other early aviators, she planned to open a flight school for African Americans, a dream unfulfilled due to her untimely death in 1926. Coleman has been an inspiration and role model to generations of pilots and an enduring symbol of perseverance. Join us for a panel discussion celebrating Coleman’s centennial achievement, boundary-breaking life, and lasting legacy.
(17) PRODUCT OF FRICTION. In episode 63 of Two Chairs Talking, “And after the fire…”. David Grigg and Perry Middlemiss discuss — and disagree about — “The Bass Rock” and “Notes from the Burning Age” as well as two of the novels nominated for this year’s Hugo Award.
(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Movie Sequel Tutorial” on Screen Rant, written by Ryan George, Juliette Danger plays movie sequel producer Barbara Rarbrarb, who says she gave James Cameron the idea for Avatar 2 “and had him spinning like a top. She says she takes ideas “that haven’t been squeezed for everything they’ve got just yet.” And if Two Flew Over The Cuckoo’s Nest or The Martian 2: Lost My Keys aren’t greenlit, well, just go to the toy store and pick a toy that hasn’t been turned into a movie yet!
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, rcade, Cora Buhlert, Jeffrey Smith, Karen B., John King Tarpinian, Andrew Porter. Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
[ComicMix VP Glenn Hauman today provided closure for those who have followed the Dr. Seuss Enterprises vs. ComicMix et al. case since it began in 2016. His article is reblogged here from ComicMix with his permission.]
By Glenn Hauman: The Dr. Seuss Enterprises lawsuit against us is finally over.
In August 2016, we put up a Kickstarter for Oh, The Places You’ll Boldly Go!, a mash-up of Star Trek and Dr. Seuss to be written by David Gerrold, drawn by Ty Templeton, edited by Glenn Hauman, and published by ComicMix LLC later that year. DSE sent us a cease and desist letter on September 27, 2016. (Yes, the legal wrangling lasted longer than the Enterprise’s original five-year mission.) DSE filed a DMCA motion to take down the Kickstarter campaign on October 7, and filed suit against us on November 10, 2016, alleging copyright infringement, trademark infringement, and unfair competition.
And yet, today we’re announcing that we and DSE submitted a proposed consent judgment for the suit, and that the Honorable Judge Janis L. Sammartino granted it on Friday, October 8, 2021 and closed the case.
Why? The simple truth is— we ran out of time.
This past year, Ty was diagnosed with Stage 3 colorectal cancer. This has required him to undergo months of chemotherapy and radiation treatment, just to prepare him for the needed surgery—which will then require weeks of recuperation until he recovers enough to go through six MORE months of chemo and radiation, and then MORE surgery after that. This has affected his ability to work, to draw, and to do any of the things an immunocompromised person shouldn’t do, especially in the middle of a global pandemic.
And the trial schedule would have been smack in the middle of all of that. After five years of sometimes ridiculous litigation and with the pre-trial deadlines looming, as Ty’s collaborators and friends, we refused to put him through any additional stress that could in any way impinge on his health and recovery. To the credit of the people at DSE, they didn’t want to put Ty through that either. So we joined in a motion to end the suit the day before Ty’s surgery, in order to alleviate the less serious pain in his ass so he can deal with the far more lethal and literal pain in his ass.
In the consent judgment, DSE concedes some of our defenses and we concede some of their claims. Unfortunately, the terms stipulate that even though the book is complete, we won’t be able to present Oh, The Places You’ll Boldly Go! to you for another forty years, when the Dr. Seuss copyrights are set to expire and his books enter the public domain. (We can start taking preorders in January 2062, so set your calendar reminders now.)
We still passionately believe in and stand for creators’ rights, including fair use, and we still maintain that Boldly is a fair use that could not have harmed DSE in any way, now, five years ago, or in forty years. Unfortunately, the Ninth Circuit Court of Appeals’s view of fair use makes it very difficult to overcome a well-heeled copyright holding corporation if it wants to stand in the way (anyone who thinks “corporations are people” has never seen a corporation in a cancer ward) and they decided that the book was over the line. We’re looking forward to the day when you can finally see the full book for yourself and make your own determination about it—until then, it’s like writing a book report by just looking at the cover, never seeing what’s inside.
It has been a long five-year mission filled with many absurdities. At one point, Universal Pictures asked us to help promote “The Grinch” DVD release, so DSE could make more money to bash over our heads. At another point, DSE paid an “expert witness” who got an artist to redraw our book in the most dreadful way imaginable, and then did a trademark survey asking shopping mall customers to compare Ty’s artful mix of Seuss and Trek with that hack job. We’re still wondering how our book referencing a single illustration from How The Grinch Stole Christmas could have taken “the heart of the work,” as the Ninth Circuit Court of Appeals thought, when the illustration in question shows neither the Grinch, Christmas, or anything being stolen. And less than thirty-six hours after the Ninth Circuit reversed the fair use ruling, we got to watch Saturday Night Live air a sketch about the Grinch in a Whoville three-way, with nary a peep from DSE.
We’re also grimly amused about how we had to fight a fair use case while DSE’s own publisher, Penguin Random House, put out their own unauthorized parody, Oh, The Meetings You’ll Go To! (Although there is some question as to whether or not Meetings is officially sanctioned by Dr. Seuss Enterprises, as the copyright page of Meetings makes no mention of a DSE license, yet this since deleted tweet from Eric Nelson on August 4th, 2020 says otherwise…)
But when we were sued two days after Election Day 2016, we knew that letting anyone with lots of money, name recognition, and power have the ability to shut down even the gentlest of parodies and mildest of commentaries about them unchallenged was an extremely bad precedent to set for the future—if for no other reason that we make up for one another’s biases by being able to criticize each other, whether we are children’s book authors or circuit court judges.
We can take satisfaction in many of the victories and precedents this case has set, including:
The Ninth Circuit made it explicit that mash-ups can be fair use. (Just not, apparently, ours.)
The District Court’s summary judgment ruling held that there are no exclusive trademark rights in an artistic style, or a distinctive font or typeface.
In fact, the trademark infringement and unfair competition claims wound up a total rout. They were dismissed based on nominative fair use in 2017. DSE renewed them, and we won judgment on the pleadings over its claims about the book’s title based on the Rogers/First Amendment test in 2018. We won the “that’s not even a thing” issue over the Seussian art style and typeface in 2019. And in 2020 the Ninth Circuit affirmed everything under Rogers and the First Amendment.
While we’re not entirely pleased with the case’s outcome, we remember the words of historian Richard Hofstadter, who observed that sometimes people must “endure error in the interest of social peace.” If we were ultimately unable to persuade the Ninth Circuit to reduce the amount of error involved in determining fair use for creators, we’ve done what we can to forge a path for future fair use activists.
There are many people we’d like to thank for helping us go boldly, as we believe that, as our book says, no one goes forward alone. First and foremost: our lead attorney Dan Booth of Dan Booth Law, who fought the good fight with the strength of a hundred lawyers against a firm with four thousand lawyers. We also give thanks to Michael Licari, now in-house counsel at Veteran Benefits Guide, Dan Halimi, now at Halimi Law Firm, T.C. Johnston at Internet Law, Joanna Ardalan of OneLLP, who appealed our case to the Supreme Court, and Ken White of Brown White & Osborn LLP, who sent up the Popehat signal that brought us much needed assistance in the first place. And we thank Dr. Joshua Gans, our expert witness, who generously donated his time and testimony and worked under ridiculous constraints.
We’d also like to thank the people who filed amici briefs taking our side:
Francesca Coppa, Stacey L. Dogan, Deborah R. Gerhardt, Leah Chan Grinvald, Michael Grynberg, Mark A. Lemley, Jessica Litman, Lydia Loren, David Mack, William McGeveran, Mark P. McKenna, Lisa P. Ramsey, Pamela Samuelson, Jessica Silbey, Rebecca Tushnet, Magdalene Visaggio, the Electronic Frontier Foundation, the Organization For Transformative Works, Public Knowledge, and their counsel Chris Bavitz, Mason Kortz, Phillip R. Malone, Meredith Rose, Eric Stallman, and Kit Walsh.
And we’d like to also thank Mike Gold, Martha Thomases, Brandy Hauman, Keiren Smith, Pam Hauman, Shann Dornhecker, Mark Treitel, Joshua Masur, Katherine Trendacosta, Heidi Tandy, Meredith Rose, Brian Jay Jones, Mike Godwin, Margot Atwell, Camilla Zhang, Oriana Leckert, Allison Adler, Michael C. Donaldson, Film Independent, the International Documentary Association, and Steve Saffel.
We’d very much like to thank United States District Judge Janis L. Sammartino, who presided over our case with patience, fairness, wisdom, and thoughtfulness, and all of the staff that supported her.
And finally, we’d like to thank all of the Kickstarter backers who wanted to make this book a reality, all the supporters who helped cover (the start of) our legal expenses, and all of the journalists and scholars who followed and reported on our case. We are grateful for your generosity and faith, and are very disappointed that we can’t show you what you’ve been waiting years to see. At least not yet.
For those interested, the case is Dr. Seuss Enterprises LP v. ComicMix LLC et al.,; case number 3:16-cv-02779 in the United States District Court for the Southern District of California, and case number 19-55348, in the United States Court of Appeals for the Ninth Circuit.
P.S.: There’s two more last minute “thank yous.” The proposed consent judgment was submitted this past Tuesday, October 5. On Wednesday, October 6, Ty had his surgery, which went well. And on Thursday, October 7, two guys joined David and Glenn in sending get-well notes to Ty—a Mr. Shatner and a Mr. Takei.
In a joint motion filed by the parties on October 5, ComicMix has agreed to a permanent injunction on further distribution of Oh, the Places You’ll Boldly Go! while Dr. Seuss Enterprises will abandon its efforts to collect damages.
Federal District Court Judge Janis L. Sammartino’s decision denying summary judgement filed August 9 can be read here.
The litigation began in November 2016 when, during a Kickstarter campaign to fund Oh, The Places You’ll Boldly Go! featuring the writing of David Gerrold, the art of Ty Templeton, and the editorial skills of ComicMix’s Glenn Hauman, Dr. Seuss Enterprises (DSE) filed suit for damages claiming the project infringed their copyright and trademark on Dr. Seuss’ Oh the Places You’ll Go!
One of the most interesting tools for thinking about future defence technology isn’t big data forecasting and the use of synthetic training environments, but narrative and imagination. And we get this from science fiction.
That might sound fanciful, but many militaries are already engaging with the genre. The US military and the French army use science fiction writers to generate future threat scenarios. The Australian Defence College advocates for the reading of science fiction and, in Germany, Project Cassandra uses novels to predict the world’s next conflict. The Sigma Forum, a science fiction think tank, has been offering forecasting services to US officials for years.
But while science fiction provides military planners with a tantalising glimpse of future weaponry, from exoskeletons to mind-machine interfaces, the genre is always about more than flashy new gadgets. It’s about anticipating the unforeseen ways in which these technologies could affect humans and society – and this extra context is often overlooked by the officials deciding which technologies to invest in for future conflicts….
(3) GET READY FOR BLUECON. [Item by Florrie Frederiksen.] BlueCon, the 48th French national science-fiction convention, takes place August 19-22. The in-person event will be held on the international campus of the Valbonne University near Nice and the French Riviera. Ugo Bellagamba, president of this project, waxed poetical in his introduction: “Blue is the primary color of imagination, which may be painted in shades of azure, deep blue, or the morning blue which lightens and opens, the color of the skies, of the sea, which both invite to explore the realms beyond the horizon… ”
It is still possible to join the 105 attendees already committed to make this convention a success; panels and meetings and many tables are already being readied. Although the rooms in the center are already filled, the website lists other possibilities for accommodation nearby. Nice is easily reached by train and there is a good sized airport not far away.
(Warnings: this convention does not plan to have virtual elements. All attendees must make sure to have the compulsory valid “passe sanitaire” i.e. QR code proof of full vaccination or at least a negative PCR test dated after August 17. Even then, both vaccinated or non vaccinated people should be wearing masks and some measures of distance and hygiene will be necessary).
The program of the convention has been posted here.
In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind.
TerrifiCon Week continues with legendary Star Trek writer and creator of Land of the Lost, David Gerrold! David drops by to talk about the origin of his fascination with sci-fi, crafting the most memorable episode of Trek, tackling tales of Tarzan and Superboy, and developing the complex mythology for the 70s Saturday morning sensation, Land of the Lost!
Rescued by US/UN intervention from the perils of the United Republic’s radical democracy, Britain is home to a patchwork of micro-states under the umbrella of the restored Hanoverian monarchy. Within sensible limits, each micro-state is free to govern itself as it sees fit, with heavily armed, remotely piloted war robots providing gentle rebukes should anyone overstep the US/UN guidelines.
Although the peace process can be trying from the perspective of the common person in the street, the system provides something the US/UN treasures: stability. However, stability is a chimera. An unseen enemy has been waiting patiently to bring the US/UN regime down. Now, thanks to a mercenary, a fundamentalist teen, and a scientist, the revolution has come.
(7) HAMIT MEDICAL UPDATE. Longtime File 770 contributor Francis Hamit has had two surgeries this week to deal with spinal stenosis. His partner Leigh Strother-Vien reports:
Francis had his first surgery on Friday, the 23rd, and his second yesterday, the 26th. Everything went well; in fact, they decided Friday’s went so well that they combined the second and the planned third surgeries together yesterday, fixing his spine down to the T2. He is in the ICU for at least one more day just to be extra careful, and he’s getting plenty of pain management. He said to let you know that it’s ok to put something in File 770 if you wish.
Before the surgeries Hamit sent me a note which ended:
…So I am going to be out of action and Leigh will be taking care of me. … I will be “just the writer” for some time to come. Fortunately that’s part of my therapy. So I’m not going anywhere. Just completed that long novel and my memoir and have other work in progress. (Also need a literary agent).
…Thoughts, prayers, good wishes etc are welcome of course. Buying, reading and reviewing my books and stories, (Amazon.com) or dramatic work (Stageplays.com) is also very helpful since it helps out with expenses. No time left for a fundraiser and too much else to do….
(8) A TRIBUTE TO ANDERSSON. The death of horror writer C. Dean Andersson a.k.a. Asa Drake was reported here the other day. Here is a tribute by his friend Christopher Fulbright: “Rest in Peace Dean Andersson”.
… Looking through old pictures is a little bittersweet. We had such great times together, but you never think about having to say goodbye for the last time. You seldom know what conversation will be your last. If I had to pick a last conversation, the one we had was as close to perfect as one might get—we talked about everything from the meaning of life to God himself. We talked a lot about God. I brought him a book of Robert E. Howard’s Kull stories and a Bible, which I promised had heroes and heroines, swords and sorceresses, dragons, pagan gods, epic battles, and the living dead. He was so grateful, and it was such a good talk. I left Dean’s hospital room a week and a half ago with a promise that I would bring lunch by his house and hang out in a couple of weeks, after he’d had a chance to get settled in again at home. Well … I know I’ll see him again someday, it’s just going to be a longer wait. In the meantime, the world is a bit poorer without him. He would no doubt have some subtle quip to make at that, but I insist it’s true….
(9) LESNIAK OBIT. Jim Lesniak of Voodoo Comics died over the weekend while manning his dealers table at the Gem City Comic Con in Dayton, OH according to numerous reports. No more details are known at this writing.
(10) HENRI VERNES (1918-2021). [Item by Florrie Frederiksen:]Henri Vernes (pen-name of Belgian author Charles-Henri-Jean Dewisme, born in 1918) passed away on July 25 at the age of 102.
He is best remembered for the over 200 French language novels of action, fantasy and science-fiction revolving around the BOB MORANE character, that he published continuously since 1953. Bob Morane also appeared in a 1965 television series, a 1996 animated movie, and a number of comics albums with art by well-known French artists.
The character has been made famous by a line in the 1982 song L’Aventurier by French rock group Indochine (“Et soudain surgit face au vent le vrai héros de tous les temps, Bob Morane contre tout chacal, l’aventurier contre tout guerrier.” Tranlsation: “And suddenly, against the wind appeared the real all time hero: Bob Morane fighting any jackal, the adventurer fighting all warriors…”)
A French science-fiction award has been named for Bob Morane (see here).
(11) MEMORY LANE.
July 27, 2001 – Twenty years ago, the Planet of the Apes reboot premiered. Directed by Tim Burton and produced by Richard D. Zanuck, it was the sixth film in the Planet of the Apes franchise, very loosely adapted from Pierre Boulle’s novel and the 1968 film version. The screenplay was by William Broyles Jr., Lawrence Konner and Mark Rosenthal. The primary cast was Mark Wahlberg, Tim Roth, Helena Bonham Carter, Michael Clarke Duncan, Kris Kristofferson, Estella Warren and Paul Giamatti. The critics mostly liked it though Ebert noted the original was much better, and it did very well at the box office ranking among the top ten films of the year. Currently at Rotten Tomatoes, audience reviewers really don’t like it and give it a twenty-seven percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 27, 1874 — Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940. The serials themselves were Flash Gordon, Flash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. He does show in the Forties Batman serial as Dr. Hayden and The Phantom serial of the era as Professor Davidson. (Died 1959.)
Born July 27, 1938 — Pierre Christin, 83. French comics creator and writer. In the mid Sixties, collaborated with Jean-Claude Mézières to create the science-fiction series Valérian and Laureline for Pilote. Time Jam: Valerian & Laureline, a French animated series was released, and a feature film directed by Luc Besson, Valerian and the City of a Thousand Planets, was released as well. A compilation of the Valerian & Laureline series is on YouTubehere.
Born July 27, 1938 — Gary Gygax. Game designer and author best known for co-creating Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels, none of which is currently in print. I’ll admit that I’ve not read any of the many novels listed at ISFDB, so I’ve no idea how he is as a genre writer.(Died 2008.)
Born July 27, 1939 — Sydney J. van Scyoc, 82. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Assignment Nor’Dyren is one of her better novels. Over the next twenty years, she published a dozen novels and likewise number of short stories.
Born July 27, 1940 — Gary Kurtz. Producer whose genre credits include Star Wars and The Empire Strikes Back, The Dark Crystal and Return to Oz. He did a late Eighties SF film Slipstream, which reunited him with Mark Hamill. He was the original producer on The Spirit. He was executive producer on Chandler, a PI film which isn’t genre adjacent but worth noting here. (Died 2018.)
Born July 27, 1949 — Robert Rankin, 72. Writer of what I’d call serious comic genre fiction. Best book by him? I’d single out The Hollow Chocolate Bunnies of the Apocalypse as the best work he ever did bar none. Hell, even the name is absolutely frelling great.
Born July 27, 1968 — Farah Mendlesohn, 53. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein, The Pleasant Profession of Robert A. Heinlein, whichwon a BSFA. Her Diana Wynne Jones: Children’s Literature and the Fantastic Tradition is also a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. Her only Hugo to date was at Interaction for The Cambridge Companion to Science Fiction. She’s also garnered a BFA for Children’s Fantasy Literature: An Introduction (shared with co-writer Michael Levy) which also got a Mythopoeic Scholarship Award for Myth and Fantasy, and she a Karl Edward Wagner Award winner as well.
Born July 27, 1973 — Cassandra Clare, 48. I read at least the first three or four volumes of her Mortal Instruments series which I see means I’ve almost completed it. Damn good series. Anyone read her Magnus Bane series? Interestingly she’s been nominated for myriad Goodreads Choice Awards and won two for City of Fallen Angels and City of Heavenly Fire.
Half Full is tasteless, but it does involve three supeheroes.
(14) 30 YEARS IN THE MAKING. Here’s a teaser trailer for Mad God, a feature film directed by Phil Tippett, the world’s pre-eminent stop motion animator. Content Warning: Graphic body horror. Tippett’s career credits include Star Wars, RoboCop, and Jurassic Park.
… “After attempting a normal agricultural approach, I stepped back and saw a landscape bleak and exhausted from overgrazing and over-farming,” he explains. “Chemicals injected into the soil and no pause for regeneration or recovery. How does land remain healthy when the cycle of life is ignored?”
The 21st Baron of Dunsany made a radical decision. He removed all grazing animals from the property, gearing towards an overall holistic focus on crops. Pesticides were banned, fertilisers were abandoned and invasive weeds like ragwort and thistle were tackled by hand. “My mum looked at me as if I’d joined a cult.”
Steered by a passionate new advocacy for veganism, Randal — who tradition dictates should be addressed as Lord Dunsany — came upon the concept of ‘rewilding’ seven years ago, a progressive approach to conservation allowing the environment to take care of itself and return to a native natural state. Rather than an experimental litmus test in a quiet corner of the property, he sacrificed 750 acres of a highly profitable 1,700-acre pasture in an unorthodox gamble.
“I wanted to return the land to the wild, not just preserve what little natural habitat remained. So we locked up a huge part of the estate and it was militant. No footfall most of the year, no paths or interference. That’s not to say we abandoned the land, we’re guardians keeping a distant, watchful eye. And the results speak for themselves.”…
A Florida man startled beachgoers when he washed ashore inside a hybrid bubble-running wheel device.
The man, identified by a local news channel as Reza Baluchi, washed ashore in Flagler county on the east coast of Florida on Saturday.
He was inside a large barrel-type device which appeared to have flotation buoys attached to each end. The Flagler county sheriff’s office posted photos of the strange vessel on Facebook.
“The occupant advised he left the St Augustine area yesterday to head to New York,” the sheriff’s office said, “but came across some complications that brought him back to shore”.
…The Sun-Sentinel reported that Baluchi was forced to turn back after he discovered that some of his safety and navigation equipment had been stolen. The equipment has been recovered, and Baluchi plans to resume his journey once the weather improves, the newspaper said.
(18) THE LATEST MEMES OF 2003. In Honest Trailers: Space Jam: A New Legacy, on YouTube, teh Screen Junkies say this movie turns LeBron James into “a joyless grunt who plays boring basketball” and Bugs Bunny into “off-brand Bugs Bunny.”
[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, N., Steve H Silver, Cora Buhlert, Florrie Frederiksen, David K.M. Klaus, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]
The final season of Star Wars: The Clone Wars was released to widespread critical acclaim, and now the animated series will look to pick up some new accolades. It was announced this week that the seventh season of The Clone Wars has received three nominations at the upcoming Daytime Emmy Awards.
The show will look to take home the trophies for Outstanding Writing Team for a Daytime Animated Program, Outstanding Music Direction and Composition for a Preschool, Children’s or Animated Program, and Outstanding Sound Mixing and Sound Editing for a Daytime Animated Program.
The winners in the Children’s Programming and Animation category will be announced in a stand-alone show streaming at 8 p.m. ET July 17 on the Emmy OTT platform.
FIYAH is partnering with the LeVar Burton Reads podcast for their first-ever writing contest! Do you write speculative fiction (sci-fi, fantasy, horror)? Do you love the podcast? Have you dreamed of getting your work in front of THE LeVar Burton ever since the days of Reading Rainbow? Well, here’s your shot. We are looking for one special story to be featured in Season 10 of the podcast
The first place winner will receive $500 and the story will be read by LeVar Burton on an upcoming episode of the LeVar Burton Reads podcast. The second place winner gets $250, and the third place winner, $100.
Editors for this contest include Diana M. Pho and L. D. Lewis, with the final selection being made by LeVar himself. View full submission guidelines and contest rules here.
After over 50 years of rubbing shoulders with the giants of the entertainment industry, Steve Vertlieb’s resume reads like a cinephile’s dream. This week I speak with the award winning journalist and film historian about the cultural impact of Rod Serling and his seminal science fiction anthology series “The Twilight Zone”.
The late 1950s/early 1960s were a time of staunch conservatism in America. This ideology was prevalent in the mainstream entertainment Americans watched on their television sets and at the local cinema. Rod Serling was a man with a message but it wasn’t a message many at this time wanted to hear. A talented writer, Serling was also a student of history and he knew that to get a message through a fortress wall, sometimes you needed to give the gift of a Trojan horse. “The Twilight Zone” was that gift and in the guise of science fiction, black comedy and horror Rod Serling’s voice reached out to open the eyes, ears and hearts of a fascinated public. This week we welcome award winning journalist, film historian and archivist Steve Vertlieb to the show as we discuss the cultural impact of “The Twilight Zone” and how Rod Serling’s message is still relevant over 60 years after the show’s debut.
… I’m sure you could find many SFF novels about such fuddy-duddy tourism turning strange. There are also novels that up the stakes by marooning the protagonist far from home. This will certainly give the protagonist a way to display do-or-die determination by denying them any choice in the matter…
Consider these five works about castaways.
The Luck of Brin’s Five by Cherry Wilder (1977)
Travel on Torin is a simple matter of hopping into a convenient space-plane and jetting to some other location on the Earth-like world that orbits 70 Ophuichi. Or it would be, if Scott Gale had not just crashed his expedition’s only space-plane on the far side of Torin, near the Terran expeditionary base’s antipodes. Oops.
Torin’s native population is unaware that they have off-world visitors until Scott’s space-plane falls from the sky. To the family of weavers known as Brin’s Five, Scott could become their new Luck (an integral member of each Moruian family’s five-member structure). His arrival may save the weavers from misfortune and starvation.
To Great Elder Tiath Avran Pentroy, also known as Tiath Gargan (or Strangler), technologically superior aliens are an unwanted disruptive element. Best to quietly dispatch Scott before Strangler has to deal with the ramifications of alien contact. And if Brin’s Five are not public-minded enough to surrender their Luck? Why, they can be dispatched as well.
I am very happy to announce Toni Weisskopf, Publisher of Baen Books, as this year’s keynote speaker for the combined Writers and Illustrators of the Future 36/37 Awards Ceremony. Many of our past winners and current judges are published by Baen Books. Writers of the Future and Toni first connected up in 1989, when as a volunteer, she helped out at the Writers of the Future Awards Event in New York City. We are happy she will be back again!
(8) TIME ENOUGH FOR CATS. Did we mention there is a Japanese adaptation of Heinlein’s The Door Into Summer? Let’s make sure it hasn’t been overlooked by the Scroll:
(9) MEMORY LANE.
1999 — Twenty-two years ago, Charles Vess wins a Mythopoeic Fantasy Award for Adult Literature for the illustrated version of Neil Gaiman’s Stardust which was published by Vertigo the previous year. Gaiman of course shared in that Award. It would also win a World Fantasy Award as well.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And of course he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
Born June 29, 1943 — Maureen O’Brien, 78. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
Born June 29, 1947 — Michael Carter, 74. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”.
Born June 29, 1950 — Michael Whelan, 71. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
Born June 29, 1956 — David Burroughs Mattingly, 65. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), the 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
Born June 29, 1968 — Judith Hoag, 53. Her first genre role was in Teenage Mutant Ninja Turtles as April O’Neil followed by being in Armageddon playing Denise Chappel and then a Doctor in A Nightmare On Elm Street. She filmed a cameo for another Turtle film, Teenage Mutant Ninja Turtles: Out of the Shadows, but it was deleted. She’s got one one-offs in Quantum Leap, The Adventures of Brisco County, Jr., Strange World, The Burning Zone, X-Files, Carnivàle and Grimm. Her latest genre role was in The Magicians as Stephanie Quinn.
It is a good time to be a superheroic animal. DC’s League of Super-Pets animated movie is on the way and has somehow nabbed Dwayne “The Rock” Johnson as the voice of Krypto the Superdog, along with Kevin Hart as Ace the Bat-Hound, plus Keanu Reeves, Kate McKinnon, Diego Luna, and more. But these critters—and maybe others—have long had superhero careers in the pages of DC Comics. It’s time to look at every member of the Legion of Super-Pets— and see how they compare….
(13) SALE OF THE MID-CENTURY. See a bit of sf history in a photo here on Facebook – at the 1968 Worldcon in Oakland/Berkeley, Harlan Ellison auctions off the services of David Gerrold (standing).
It’s time for a showdown of galactic proportions… In which universe does your loyalty lie, are you Team Spock or is Darth your daddy? Foxglove and Gee Quiz are proud to strike back in 2021 bringing you a quiz from galaxies far away, a showdown between Star Wars and Star Trek superfans.
Whet your whistle in Mos Eisely Cantina while the food replicator whips you up dishes from culinary worlds like Endor, Naboo, Vulcan and Remus. Have you ever tried Petrokian Sausage? All teams answer questions from both universes, including specialty bonus food and beverage rounds to test your knowledge of culinary delights that are out of this world. Every ticket includes 2 drinks, canape and shared table banquet dishes from all corners of the universe!
Book your six person team ($450) or book a single ticket ($75) and declare your loyalty and we’ll match you up with like-minded quizzers.
ORIGINAL: How big? When complete the starship will measure 42-inches long and 18-inches wide. Features will include electronic lights and sounds that can be controlled via an app, and you can open up the saucer section of the Enterprise to see a full 1966-style bridge. The body of the ship will also open to display the engineering room.
A large collaboration of astrophysicists report they have made the first-ever confirmed detections of shockwaves produced by mergers between neutron stars and black holes. The detections, 10 days apart, represent two of these enormous cosmic unions.
In January 2020, Earth quivered ever so slightly as shockwaves imperceptible to human senses passed through it. Those ripples were gravitational waves, perturbations in spacetime generated by all massive objects but only detectable from extremely huge events, like two black holes colliding. The waves were strong enough to be picked up by the Laser Interferometer Gravitational-Wave Observatory in Louisiana (the Washington branch of the instrument was offline at the time) and the similar Virgo experiment in Pisa, Italy. These experiments detect gravitational waves using a sensitive arrangement of mirrors and laser beams.
Black holes are points in space with such intense gravitational fields that not even light can escape. They form when a star dies and collapses in on itself. Neutron stars form similarly; they are the extremely dense collapsed remains of dead stars and are mostly composed of packed-in neutrons.
… Venus doesn’t have plate tectonics. But according to a study published Monday in the Proceedings of the National Academy of Sciences, it may possess a quirky variation of that process: Parts of its surface seem to be made up of blocks that have shifted and twisted about, contorting their surroundings as they went.
These boogying blocks, thin and flat slices of rock referred to as campi (Latin for “fields”), can be as small as Ireland or as expansive as Alaska. They were found using data from NASA’s Magellan orbiter mission, the agency’s last foray to Venus. In the early 1990s, it used radar to peer through the planet’s obfuscating atmosphere and map the entire surface. Taking another look at these maps, scientists found 58 campi scattered throughout the planet’s lava-covered lowlands….
(18) SHOW BIZ WANTS YOU. Universal Studios Hollywood put out a call for contestants to be on “the first ever Harry Potter quiz show.” The application is here.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Ratchet and Crank: Rift Apart,” Fandom Games says the latest line extension of the Ratchet and Crank franchise is so familiar that “if it seems like a new coat of paint on an old favorite, that’s what it is” and shows the rule of the gaming industry, that, “If it ain’t broke, just slap newer-looking graphics on it and charge full price.”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]
(1) A CELEBRATION. N. K. Jemisin and Walter Mosley will be among the participants in “A Celebration of Octavia E. Butler”, a live virtual event at Symphony Space on February 24 starting at 7 p.m. (Eastern). Tickets sold at the link.
Actors and authors come together for an evening of readings and conversation to celebrate the work of the visionary author whose Afrofuturistic feminist novels and short fiction have become even more poignant since her death. Her award-winning novels, including Parable of the Sower, Kindred, Dawn, and Wild Seed, have influenced a generation of writers. Playwright Branden Jacobs-Jenkins (An Octoroon) will lead a discussion with authors N. K. Jemisin (How Long ’til Black Future Month?), Walter Mosley (The Awkward Black Man), and Imani Perry (Breathe: A Letter to My Sons); and actors Yetide Badaki (American Gods) and Adepero Oduye (When They See Us) will read selections from Butler’s prolific body of work.
Audience members will be invited to join the conversation with questions for the panelists.
(2) RED PLANET CLOSEUP. EiderFox Documentaries takes the NASA footage and gives you “Mars In 4K”.
A world first. New footage from Mars rendered in stunning 4K resolution. We also talk about the cameras on board the Martian rovers and how we made the video. The cameras on board the rovers were the height of technology when the respective missions launched. A question often asked is: ‘Why don’t we actually have live video from Mars?’ Although the cameras are high quality, the rate at which the rovers can send data back to earth is the biggest challenge. Curiosity can only send data directly back to earth at 32 kilo-bits per second. Instead, when the rover can connect to the Mars Reconnaissance Orbiter, we get more favourable speeds of 2 Megabytes per second. However, this link is only available for about 8 minutes each Sol, or Martian day. As you would expect, sending HD video at these speeds would take a long long time. As nothing really moves on Mars, it makes more sense to take and send back images.
(3) WORLDCON FOLKS. Ty Schalter says he doesn’t know anything about the Worldcon, but his questions are good: “Worldcon vs. The World”. (Just the same it brings to mind a line from Field of Dreams: “Oh! You’re from the Sixties! There’s no room for you here in the future!”)
…How many of the people reading, writing, editing and publishing the state of the art in genre fiction also fly out to Worldcon every year? How many of the people who go to Worldcon every year are reading, say, FIYAH Magazine— the kind of bold, original, cutting-edge fantastic literature that’s currently earning Hugo Award nominations and wins?
I’m genuinely asking, because remember: I don’t know what I’m talking about. But from the outside, it sure looks like The SFF Community and Worldcon Folks are two pretty disparate groups of people, who don’t necessarily care for or value each other a whole lot.
I see it when SFF Twitter explodes with shock and outrage every time Worldcon steps on another rake— how did it happen again?! I see it every time Worldcon Folks are mystified that doing things the way they’ve always done them is now not just insufficient but immoral— and who are these people yelling at us, anyway?!
I see it every time I go to church.
Wait, church? Yes, at church — and in family businesses, and on non-profit boards. In Chambers of Commerce and Kiwanis clubs. In all the gray-haired, tuxedoed, former cultural revolutionaries of the Rock And Roll Hall of Fame harrumphing about letting N.W.A. in their storied institution. In every walk of life, everywhere, there are cultural and social organizations caught in an existential battle of whether to preserve their traditions or their values.
As a white guy turning 40 this year, I have an appreciation for the SFF of the 20th century and its associated Baby Boomer fans, slans, SMOFs, etc. In many ways, they’re who I grew up aspiring to be. But now that I’m grown, I can see the cultural blind spots and moral holes in the kind of let’s-just-us-smart-people-get-on-a-rocket-and-let-all-the-dumb-people-die Visions of A Better Future that still entice prominent members of the middle-aged-and-up set….
(4) HUGO DYNAMICS. Eric Flint’s Facebook comments in a discussion about Baen’s Bar include his views about the Hugo Awards and the Sad Puppies slates.
(5) AURORA AWARDS ELIGIBILITY. The Canadian Science Fiction & Fantasy Association is compiling its eligibility lists. Do you know of work that belongs there? More information at their website.
Just a quick reminder that the Aurora Award Eligibility Lists for works done by Canadians in 2020 are open and awaiting your submissions. The Eligibility Lists will close on February 28th at 11:59 EST. If you have created, published, read, or know of works or activities that should be on our lists please assist us and submit them. Help us find all the fantastic work done by Canadians in 2020! All works should be submitted to the eligibility lists on our website at www.prixaurorawards.ca
(6) BE LARRY’S GOOGLE MONKEY. Larry Correia is crowdsourcing the next step in his retaliation against the Worldcon for DisCon III disinviting Toni Weisskopf as a guest of honor. Camestros Felapton has the screencap in his post “More Larry Nonsense”. Correia’s public call says in part —
… I need examples of writers/editors/fans who WorldCon is perfectly comfortable with, and their shitty posts, tweets, memes, of things that aren’t “inclusive”. (advocating violence, shooting cops, killing Trump, celebrating Rush’s death, putting us in reeducation camps, whatever. If it makes you feel not included, I’d like to know) If you don’t have a screen cap but are going from memory, that’s fine….
(7) HORRIBLE FAN BEHAVIOR. Examples of bad behavior in the sff community aren’t hard to come by. Harlan Ellison’s recitation of fannish awfulness, “Xenogenesis,” was probably written off the top of his head. It originated as his 1984 Westercon GoH speech. The Internet Archive has a copy in the transcript of an Asimov’s issue — https://archive.org/stream/Asimovs_v14n08_1990-08/Asimovs_v14n08_1990-08_djvu.txt
Ellison precedes his dossier of criminal acts and psychopathic behavior with this introduction:
… In biology there is a phenomenon known as xenogenesis. It is a pathological state in which the child does not resemble the parent. You may remember a fairly grisly 1975 film by my pal Larry Cohen titled It’s Alive! in which a fanged and taloned baby gnaws its way out of its mother’s womb and slaughters the attending nurses and gynecologist in the delivery room and then leaps straight up through a skylight, smashes out, and for the duration of the film crawls in and out of the frame ripping people’s throats.
Its natural father is a CPA or something similar. Most CPA’s do not, other than symbolically, have fangs and talons. Xenogenesis.
In the subculture of science fiction literature and its umbilically attached aficionados, we have the manifestation of a symbiotic relationship in which the behavior of the children, that is, the fans, does not resemble the noble ideals set forth in the writings and pronouncements of the parents, the writers. For all its apocalyptic doomsaying, its frequent pointing with alarm, its gardyloos of caution, the literature of imagination has ever and always promoted an ethic of good manners and kindness via its viewpoint characters.
The ones we are asked to relate to, in sf and fantasy, the ones we are urged to see as the Good Folks, are usually the ones who say excuse me and thank you, ma’am.
The most efficient narrative shorthand to explain why a particular character is the one struck by cosmic lightning or masticated by some nameless Lovecraftian horror is to paint that character as rude, insensitive, paralogical or slovenly.
Through this free-floating auctorial trope, the canon has promulgated as salutary an image of mannerliness, rectitude and humanism. The smart alecks, slugs, slimeworts and snipers of the universe in these fables unfailingly reap a terrible comeuppance.
That is the attitude of the parents, for the most part.
Yet the children of this ongoing education, the fans who incorporate the canon as a significant part of their world-view, frequently demonstrate a cruelty that would, in the fiction, bring them a reward of Job-like awfulness….
… No matter how accurate some writers are about the future, they are victims of the time they live in. It’s not Verne’s fault that he wrote his books in the 1800s and lacked the knowledge we have today. Yet this is what happens when you write about the future. Those future people can look back to see how accurate you were. Verne is one of many amazing writers who were both right and wrong about his future predictions. Yet some were completely wrong, and this involves far more than books. That is what our article is about, the science fiction out there that ended up getting the future very wrong. Enjoy!
25. Back to the Future Part II (Food Hydrators In 2015)
The original Back to the Future, starring Christopher Lloyd and Michael J. Fox came out in 1985. The movies were all released within 5 years in real-time but they had to always return to the year of the original film, 1985. Instead of the past, the second film focused on the future
In this film, we see a Future 2015, where they have an entire world we almost wish was real. One of the impressive futuristic inventions in the film was a Food Hydrator by Black & Decker. Any food you wanted could be made with it, cooked quickly and ready to go in seconds. We never saw this in 2015, and we’re still upset about it!
David Gerrold is the author of dozens of science fiction books, including The Martian Child and The Man Who Folded Himself. His new novel Hella, about a low-gravity planet inhabited by dinosaur-like aliens, was inspired by the 2011 TV series Terra Nova.
“The worldbuilding that they did was very interesting, very exciting, but because I was frustrated that they didn’t go in the direction I wanted to go, I was thinking, ‘Let me do a story where I can actually tackle the worldbuilding problems,’” Gerrold says in Episode 454 of the Geek’s Guide to the Galaxy podcast.
Hella goes into enormous detail about the logistics of settling an alien world, and grapples with questions like: Would it be safe for us to eat alien proteins? Would it be safe for us to breathe alien germs? What effect would plants and animals from Earth have on an alien ecology? It’s a far cry from many science fiction stories which assume that alien planets would be pretty much like Earth. “My theory is that there are no Earthlike planets, there’s just lazy writers,” Gerrold says….
(10) THE WORLD SF MAKES. Sherryl Vint’s Science Fiction is being released by MIT Press this month.
How science fiction has been a tool for understanding and living through rapid technological change.
…After a brief overview of the genre’s origins, science fiction authority Sherryl Vint considers how and why contemporary science fiction is changing. She explores anxieties in current science fiction over such key sites of technological innovation as artificial intelligence, genomic research and commodified biomedicine, and climate change. Connecting science fiction with speculative design and futurology in the corporate world, she argues that science fiction does not merely reflect these trends, but has a role in directing them.
(11) MEDIA BIRTHDAY.
February 20, 1955 — On this day in 1955, Tarantula premiered. It was produced by William Alland, directed by Jack Arnold. It stars John Agar, Mara Corday, and Leo G. Carroll. The screenplay by Robert M. Fresco and Martin Berkeley was based on a story by Arnold, which was in turn was based on by Fresco’s script for the Science Fiction Theatre “No Food for Thought” episode which was also directed by Arnold. It was a box office success earning more than a million dollars in its first month of release. Critics at the time liked it and even current audiences at Rotten Tomatoes gives at a sterling 92% rating. You can watch it here. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 20, 1925 — Robert Altman. I’m going to argue that his very first film in 1947, The Secret Life of Walter Mitty, based off the James Thurber short story of the same name, is genre given its premise. Some twenty five years later Images was a full-blown horror film. And of course Popeye is pure comic literature at its very best. (Died 2006.) (CE)
Born February 20, 1926 — Richard Matheson. Best known for I Am Legend which has been adapted for the screen four times, as well as the film Somewhere In Time for which he wrote the screenplay based on his novel Bid Time Return. Seven of his novels have been adapted into films. In addition, he wrote sixteen episodes of The Twilight Zone including “Nightmare at 20,000 Feet” and “Steel”. The former episode of course has William Shatner in it. (Died 2013.) (CE)
Born February 20, 1926 – Pierre Boulle. For us, Planet of the Apes and eight more novels, thirty shorter stories; famous for The Bridge on the River Kwai; a dozen other novels. Knight of the Legion of Honor, Croix de Guerre, Médaille de la Resistance, earned during World War II. (Died 1994) [JH]
Born February 20, 1926 – Ed Clinton. A score of short stories (some as Anthony More). “Idea Man” essay in the Jan 44 Diablerie. Review & Comments Editor for Rhodomagnetic Digest. (Died 2006) [JH]
Born February 20, 1943 – Dan Goodman. Active fan in New York, San Francisco, Los Angeles, Minneapolis. Literate, articulate, wry. Edited and I believe named the Minn-StF clubzine Einblatt. For a while in The Cult, to which the Fancyclopedia III article hardly does justice, but see Hamlet Act II scene 2 (Folger Shakespeare line 555). In Lofgeornost at least as recently as 2014. A story in Tales of the Unanticipated. A note by me here. (Died 2020) [JH]
Born February 20, 1943 – Suford Lewis, F.N., age 78. Active in the LASFS (L.A. Science Fantasy Soc.); then NESFA (New England SF Ass’n): a Founding Fellow (service; first year’s Fellow of NESFA awards, 1976), President, chaired Boskone 10, co-chaired B44, edited six Bujold books for NESFA Press, also the excellent Noreascon Two Memory Book (post-con; 38th Worldcon). Ran the Retrospective-Hugo ceremony for L.A.con III (42nd), the Masquerade (our on-stage costume competition) for Noreascon Three (47th). Co-ordinated and actually brought into being Bruce Pelz’ Fantasy Showcase Tarot Deck, herself drawing Strength (! – Major Arcana VIII; a dozen-year project; see all the images and BP’s introduction here, PDF), and exhibiting all the original artwork at N2. Fan Guest of Honor at Windycon VI (with husband Tony Lewis). That ain’t the half of it. Big Heart (our highest service award). [JH]
Born February 20, 1943 — Diana Paxson, 78. Did you know she’s a founder of the Society for Creative Anachronism? Well she is. Genre wise, she’s best known for her Westria novels, and the later books in the Avalon series, which she first co-wrote with Marion Zimmer Bradley, then – after Bradley’s death, took over sole authorship of. All of her novels are heavily colored with paganism — sometimes it works for me, sometimes it doesn’t. I like her Wodan’s Children series more than the Avalon material. (CE)
Born February 20, 1954 — Anthony Head, 67. Perhaps best known as as Librarian and Watcher Rupert Giles in Buffy the Vampire Slayer, he also made an impressive Uther Pendragon in Merlin. He also shows up in Repo! The Genetic Operaas Nathan Wallace aka the Repo Man, in Ghost Rider: Spirit of Vengeance as Benedict, and in the awesomely great Batman: Gotham by Gaslight voicing Alfred Pennyworth. (CE)
Born February 20, 1964 – Tracey Rolfe, age 57. Half a dozen novels, as many shorter stories. Clarion South 2004 (see her among other graduates in Andromeda Spaceways 10). “How do you deal with writer’s block?” ‘I usually take my dog out for a walk.’ [JH]
Born February 20, 1979 — Brian James Freeman, 42. Horror author. Novels to date are Blue November Storms, This Painted Darkness and Black Fire (as James Kidman). He’s also done The Illustrated Stephen King Trivia Book (superbly done) which he co-authored with Bev Vincent and which is illustrated by Glenn Chadbourne. He publishes limited edition books here. (CE)
Born February 20, 1989 – Nathália Suellen, age 32. Digital artist and commercial illustrator. A score of covers for us, but certainty is elusive at borders. Here is Above. Here is Unhinged. Here is The Gathering Dark (U.K. title). Here is Henry, the Gaoler. Here is a self-portrait. [JH]
Kazuo Ishiguro, winner of the 2017 Nobel Prize in Literature, seduces us with his storytelling. His novels (The Remains of the Day; Never Let Me Go; and others) draw us in and we are powerless to leave the page. His novels are deceptive–while he lulls us into his gorgeous and straightforward prose, he presents us with profound observations of human behavior, and explorations of love, duty, and identity. In his new novel, Klara and the Sun, Ishiguro introduces us to Klara, an artificial object who watches the world from her perch in a shop. She watches the comings and goings of those who enter the shop, and those who merely pass by. She hopes that someone will choose her. and that she can be loved. Magnificent.
In conversation with Lisa Joy. Lisa Joy is one of the creators and writers of the acclaimed HBO series, Westworld. A dystopic genre-bending series, Westworld explores the fraught relationship between humans and human-looking robots at an amusement park. What happens when artificial intelligence interferes with the people who employ them? What happens when artificial intelligence breaks its own boundaries and those robots start to feel, to love, to cause harm? Westworld has won countless prestigious awards.
That pretty much said it all, the other day, when a 90-year-old remarked in a Seattle Times story that the easy part of navigating our COVID-19 vaccine system was when she had to walk 6 miles through the snow to get the shot.
George Hu is only 52, but he can sympathize. When the former Microsoft developer tried to find appointments online for his 80-year-old in-laws, he was dumbfounded how primitive it all was.
“All tech people who see this setup are horrified,” Hu says.
That was my experience trying to nab a slot for my 91-year-old father. As everyone discovers, there isn’t one or a couple of places to hunt vaccine, but rather … hundreds, many with their own interfaces. I ran into one vaccine provider that was using Doodle for its vaccine appointment scheduling, another using Sign-Up Genius, another with a “don’t call us, we’ll text you back sometime” online form.
Rather than a global health emergency, it felt more like when the PTA is signing parents up for a bake sale.
“It’s whack-a-mole, except there are 300 holes,” Hu says. “And also you have no clue if the mole is ever going to pop up in any of them.”
It took scientists 375 years to discover the eighth continent of the world, which has been hiding in plain sight all along. But mysteries still remain….
Zealandia was originally part of the ancient supercontinent of Gondwana, which was formed about 550 million years ago and essentially lumped together all the land in the southern hemisphere. It occupied a corner on the eastern side, where it bordered several others, including half of West Antarctica and all of eastern Australia.
Then around 105 million years ago, “due to a process which we don’t completely understand yet, Zealandia started to be pulled away”, says Tulloch.
Continental crust is usually around 40km deep – significantly thicker than oceanic crust, which tends to be around 10km. As it was strained, Zealandia ended up being stretched so much that its crust now only extends 20km (12.4 miles) down. Eventually, the wafter-thin continent sank – though not quite to the level of normal oceanic crust – and disappeared under the sea.
Despite being thin and submerged, geologists know that Zealandia is a continent because of the kinds of rocks found there. Continental crust tends to be made up of igneous, metamorphic and sedimentary rocks – like granite, schist and limestone, while the ocean floor is usually just made of igneous ones such as basalt.
But there are still many unknowns. The unusual origins of the eighth continent make it particularly intriguing to geologists, and more than a little baffling. For example, it’s still not clear how Zealandia managed to stay together when it’s so thin and not disintegrate into tiny micro-continents.
Another mystery is exactly when Zealandia ended up underwater – and whether it has ever, in fact, consisted of dry land. The parts that are currently above sea level are ridges that formed as the Pacific and Australian tectonic plates crumpled together. Tulloch says opinion is split as to whether it was always submerged apart from a few small islands, or once entirely dry land….
…Now, however, it’s home to common clothes moths that could wreak havoc on rugs, clothing, and other vulnerable artifacts—including a rare 18th-century canopy bed and a tapestry that Catherine the Great bestowed upon the household in the 1760s. The moths have had much freer rein throughout Blickling Hall in the wake of the coronavirus pandemic, and periodic pest counts have proved that the population has grown considerably over the past year.
“There’s no doubt lockdown suited our resident bugs,” assistant national conservator Hilary Jarvis said in a press release. “The relative quiet, darkness, and absence of disruption from visitors and staff provided perfect conditions for larvae and adults alike from March onwards.”
To curb further spawning, the National Trust has enlisted the help of an unlikely ally: microscopic parasitoid wasps (Trichogramma evanescens). In 11 especially moth-ridden locations within the hall, staff members will plant dispensers that hold around 2400 wasps each, which will destroy moth eggs by laying their own eggs inside them. Though it seems like Blickling Hall will have simply swapped out one infestation for another, the wasps pose no threat to the upholstery or anything else—they’ll eventually die and “disappear inconspicuously into house dust,” if all goes according to plan….
(17) TENET COMMENTARY. CinemaWins tells you “Everything GREAT About Tenet!” There must have been more good stuff in there than I suspected.
Everything GREAT About Tenet! PART 0 (Plot Breakdown):
Everything GREAT About Tenet! PART 1:
Everything GREAT About Tenet! PART 2:
(18) VIDEO OF THE DAY. “Jim Henson Introduces Kermit The Frog to Dick” on YouTube is a November 1971 clip from The Dick Cavett Show with both Jim Henson and Kermit as guests where you can clearly see how Henson changed his voice to be Kermit.
[Thanks to Michael Toman, rcde, John Hertz, N., Andrew Porter, JJ, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Many award prognosticators are already predicting that Boseman, who died of cancer in August at the age of 43, could become the third actor—following Peter Finch in Network and Heath Ledger in The Dark Knight—to win a posthumous Oscar for his performance. (At this point, his chief rival appears to be Riz Ahmed, who plays a punk-metal drummer beginning to go deaf in Sound of Metal. Ahmed has won several critics’ awards as well as the best-actor citation from the National Board of Review.)…
(4) ARGUMENT CLINIC. David Gerrold offered a new service on Facebook. This could be the coming thing.
At the suggestion of a friend, I am now charging $50 for 30 minutes of online argument.
Subject must be agreed on beforehand. (I reserve the right to decline.) Sources of data must also be agreed on before. (Fox News and other farce right sources will not be accepted. In return, I will forego CNN, NYT, Huffpost, Washington Post, and MSNBC)
Cerulean, azure, navy, royal … Much has been written about the color blue, the first human-made pigment. “Because blue contracts, retreats, it is the color of transcendence, leading us away in pursuit of the infinite,” wrote William Gass in his book On Being Blue: A Philosophical Inquiry. Wassily Kandinsky once mused: “The power of profound meaning is found in blue, and first in its physical movements of retreat from the spectator, of turning in upon its own center […] Blue is the typical heavenly color.”
And now, for the first time in two centuries, a new chemically-made pigment of the celebrated color is available for artists — YInMn Blue. It’s named after its components — Yttrium, Indium, and Manganese — and its luminous, vivid pigment never fades, even if mixed with oil and water.
Like all good discoveries, the new inorganic pigment was identified by coincidence….
…. “My step-grandmother, Dame Jean Conan Doyle, tried hard to stop the world doing what it liked with her father’s fictional characters. In the end she realised this was a fruitless exercise,” says Richard Pooley, director of the Conan Doyle estate and step- great-grandson of the author. “Instead she focused on giving her approval to those Holmes pastiches which were well-written and did not stray too far from Doyle’s characterisation. We have tried to do the same.”
The estate has authorised Horowitz’s sequels and Lane’s stories, but most Holmes adaptations come without the estate’s stamp of approval – not that that appears to put readers off. Pooley says that its approval comes down to the quality of the writing, and if the writer stays “true to Doyle’s depiction of Holmes’s and Watson’s characters” – meaning they don’t mind if Cumberbatch’s Holmes lives in modern London, or if Holmes and Watson are women, as in HBO Asia’s Miss Sherlock….
George will be in conversation with Los Angeles artist Connie Samaras, an avid admirer of Butler’s prose which served as the inspiration for her 2019 project “The Past is Another Planet”, an illustrious depiction of the Huntington Library, home to Butler’s archive.
(8) MEDIA BIRTHDAY.
February 4, 1983 — Videodrome premiered. It was written and directed by David Cronenberg, with a cast of James Woods, Sonja Smits, and Debbie Harry. It was the first film by Cronenberg to get Hollywood backing and it bombed earning back only two million dollars of its nearly six million budget. In spite of that, critics and audience goers alike found it to a good film. Today it is considered his best film by many, and it holds a sterling seventy-eight percent rating among audience reviewers at Rotten Tomatoes.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 4, 1889 – Dorothea Faulkner. Two short stories, half a dozen poems, in If and Slant (there’s a range for you) and like that, under variations of “Rory Faulkner”, “Rory Magill”, “Dorothea M. Faulkner”. Active in the LASFS (Los Angeles Science Fantasy Society), serving a term as Secretary, and the Outlanders, also the N3F (Nat’l Fantasy Fan Fed’n). Often seen in Now & Then. With that and Slant you won’t be surprised to hear she attended Loncon I the 15th Worldcon (at age 68) and was made a Knight of St. Fantony. (Died 1999) [JH]
Born February 4, 1915 – Harry Whittington. For us, one Man from U.N.C.L.E. novel and four novellas, and an essay on Fredric Brown for this collection; outside our field, note first HW’s One Deadly Dawn was published as an Ace Double with Tucker’s Hired Target; HW wrote two hundred novels – fourscore in one twelve-year span – under a score of names; quite possibly King of the Pulps; see here. (Died 1989) [JH]
Born February 4, 1938 – Ted White, age 83. Perhaps our most been-everywhere-done-everything fan alive. A dozen novels, thirty shorter stories; assistant editor at The Magazine of Fantasy & Science Fiction, then edited Amazing and Fantastic (concurrently!), Stardate; columnist for Algol and Thrust; “Uffish Thots” and “The Trenchant Bludgeon” in SF Review; active beyond measure there, in Izzard, New Frontiers, Raucous Caucus, Riverside Quarterly, Yandro, and indeed File 770. Interviewed by Schweitzer in SF Voices. One Hugo (as Best Fanwriter; often a finalist as a pro), three FAAn (Fan Activity Achievement) Awards. Chaired Lunacon 11-13. Organized FanHistoricon 9 but couldn’t attend. Variously Pro and Fan Guest of Honor at Bubonicon 4, DeepSouthCon 18, RavenCon 11, Aussiecon Two the 43rd Worldcon. Also musician and music critic (plays keyboards, saxophone). British Fantasy Award for Heavy Metal. Acidulous, enthusiastic, skeptical, strong; it would be a miracle not to think him sometimes wrong. [JH]
Born February 4, 1940 — John Schuck, 81. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in Star Trek VI: The Undiscovered Country. He guest starred in Deep Space Nine as Legate Parn In “The Maquis: Part II”, on Star Trek: Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh, and he was Herman Munster in The Munsters Today. Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns? (CE)
Born February 4, 1940 — George A. Romero. Is horror genre or genre adjacent? Either way, he’s got an impressive listing form the Dead films, I count seven of them, to Knightriders, which is truly genre adjacent at best, and one of my favorites of him, Tales from the Darkside: The Movie. Oh, and he wasn’t quite as ubiquitous as Stan Lee, but he did show up in at least seven of his films. (Died 2017.) (CE)
Born February 4, 1941 — Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage which I never heard of, but you can see the premiere episode here. (Died 2010.) (CE)
Born February 4, 1959 — Pamelyn Ferdin, 62. She was in the “And the Children Shall Lead” episode of Trek. She’ll show up in The Flying Nun (as two different characters), voicing a role in The Cat in The Hat short, Night Gallery, Sealab 2020 (another voice acting gig), Shazam! and Project UFO. She’d have a main role in Space Academy, the Jonathan Harris failed series as well. (CE)
Born February 4, 1961 — Neal Asher, 60. I’m been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I last listened to The Line War and it’s typically filled with a mix of outrageous SF concepts (Dyson spheres in the middle of hundred thousand year construction cycles) and humans who might not be human (Ian Cormac is back again). (CE)
Born February 4, 1962 — Thomas Scott Winnett. Locus magazine editorial assistant and reviewer from 1989 to 1994. He worked on Locus looks at books and Books received as well. In addition, he wrote well over a hundred review reviews for Locus. He died of AIDS related pneumonia. (Died 2004.) (CE)
Born February 4, 1968 – Neve Maslakovic, Ph.D., age 53. From Belgrade to Stanford’s STAR Lab (Space, Telecommunications, And Radioscience) to writing fiction. Four novels, another due next month. Likes the Twin Cities winters. Has read Time and Again, A History of [Greek letter “pi”], Three Men in a Boat, nine by Wodehouse, five by Sayers, a Complete Sherlock Holmes, A Connecticut Yankee in King Arthur’s Court. [JH]
Born February 4, 1968 – David Speakman, age 53. Until recently very active in the N3F, serving as Chair of the Directorate, editor of The Nat’l Fantasy Fan and Tightbeam; two Franson Awards, Kaymar Award, awarded a Life Membership. As to “recently”, he explains here. [JH]
Born February 4, 1990 – Zach King, age 31. Actor, author, digital-video illusionist. Three novels for us. Two London Film Festival first-place awards. A video of him apparently flying on a broomstick had two billion views in four days. “They rejected my application to Hogwarts but I still found a way to be a wizard.” Does he do it all with mirrors? Website. [JH]
I’ve been a Trekkie since TNG started in 1987, so when Chris Garcia and James Bacon asked me to guest edit an issue of Journey Planet, I did a whole Star Trek-themed issue. I reached out to people I know in the Trek community and asked them to write about how Star Trek had impacted their lives. I ended up receiving some really impactful stories, from a friend who had immigrated to the US finding a family, to another friend finding the courage to come out of the closet, all through Star Trek.
It was a game-changing experience for me to edit other people’s stories. Everyone has a story to tell, but everyone is at a different writing level. Some pieces I didn’t have to touch, while I spent hours editing others. I loved helping people tell their stories, and making sure those stories were heard.
I loved it so much I didn’t want to stop with one issue! After some careful thought, I decided to create my own Star Trek-themed fanzine. Monthly was too much for me to take on by myself, so I went with quarterly. I asked Women At Warp, a feminist Trek podcast, to write a regular column. (Since then I’ve joined the show as a co-host.) I passed out flyers at the big annual convention in Las Vegas soliciting submissions for the first issue. And I posted to various Star Trek Facebook groups looking for more….
…The Mandalorian Egg-Shaped Magic Hot Chocolate Melt from Galerie Candy is very similar to a hot cocoa bomb—but without the hot chocolate mix. Made of milk chocolate, it’s meant to be dissolved in a cup of hot milk to reveal the green Baby Yoda marshmallow inside. While it’s intended use is to make hot chocolate, you can easily eat the Baby Yoda treat as is.
David Grigg and Perry Middlemiss talk about the books they’ve been reading lately, ranging in length from novellas to a nine-volume, almost million-word opus written entirely in the form of letters. And a rather damp theme emerges…
(13) LIGHTEN UP. Frostbeard Studio adds a brand new bookish scent every month to its line of Book Lovers’ Soy Candles and Bookish Goods.
Follow your nose through the woods to a mysterious lamppost where you’ll embark on a magical adventure into wintry realms. You might be cozied up with blankets and a book, but you’ll feel like you’re being whisked away to a snowy, enchanted forest in another world.
(14) GET IN ON THE GROUND FLOOR. Camestros Felapton recommends this adaptation of a comic: “Review: Sweet Home”.
…The monsters feel like a cross between The Thing and Attack on Titan but that weirdness aside, the story gradually drifts into a more conventional zombie-apocalypse survival narrative. The small number of survivors trapped on the ground floor of the Green Home apartment bloc, must find ways to band together to protect themselves from the surrounding nightmare. In later episodes they have to deal with an intruding human gang, as well as the secret agenda of the army which (as per usual) knows more about the plague than they are letting on. Luckily, by this point the viewer is more invested in the fate of the ensemble of characters who range from shop keepers to an improbable combination of people with bad-ass backstories.
… Some of the DC villains and antiheroes called out in the synopsis include Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin and “everyone’s favorite psycho, Harley Quinn.” Part of the Suicide Squad’s mission will see them dropped off “on theremote, enemy-infused island of Corto Maltese.”
[Thanks to Michael Toman, Cora Buhlert, Martin Morse Wooster, Andrew Porter, JJ, Cat Eldridge, John King Tarpinian, John Hertz, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]