The 2024 Cordwainer Smith Rediscovery Award honoree is Claire Winger Harris. The selection was announced this weekend at Readercon, held July 11-14, 2022, in Quincy, Massachusetts.
The 2024 jury consisted of Ann VanderMeer, Steven H Silver, and Rich Horton, who gave these reasons for their choice:
Clare Winger Harris, as pictured in the 1929 debut issue of Science Wonder Quarterly
Clare Winger Harris (1891-1968) was a true pioneer of the field of genre science fiction, and was the first woman to write regularly for the early Science Fiction pulps such as Amazing Stories and Science Wonder Stories under her own name. She published a dozen stories between 1926 and 1933, and her work was characterized by a truly expansive and exotic imagination, and by an uncompromising devotion to the consequences of the unusual events she conceived. Her best work, such as “The Fate of the Poseidonia”, “The Miracle of the Lily”, “The Diabolical Drug”, and “The Artificial Man”, is rewarding reading to this day. Her sole novel, Persephone of Eleusis (1923), is historical fiction. It is unfortunate that she abandoned her writing career so soon, but we hope this award will focus attention on her early contributions.
The Cordwainer Smith Rediscovery Award has been given annually since 2001 by the Cordwainer Smith Foundation, preserving the memory of science-fiction writer Paul Linebarger, who wrote under that pen name. The Cordwainer Smith Rediscovery Award honors under-read science fiction and fantasy authors with the intention of drawing renewed attention to the winners.
(1) POWER ON BOARD. MIT Technology Review checks out CATAN: New Energies, an updated version of the popular board game that will be released June 14: “This classic game is taking on climate change”.
…Given Catan’s superstar status, I was intrigued to learn late last year that the studio that makes it had plans in the works to release this new version. I quickly got in touch with the game’s co-creator, Benjamin Teuber, to hear more.
“The whole idea is that energy comes to Catan,” Teuber told me. “Now the question is, which energy comes to Catan?” Power plants help players develop their society more quickly, amassing more of the points needed to win the game. Players can build fossil-fuel plants, represented by little brown tokens. These are less resource-intensive to build, but they produce pollution. Alternatively, players can elect to build renewable-power plants, signified by green tokens, which are costlier but don’t have the same negative effects in the game.
As a climate reporter, I feel that some elements of the game setup ring true—for example, as players reach higher levels of pollution, disasters become more likely, but there’s still a strong element of chance involved.
One aspect of the game that didn’t quite match reality was the cost difference between fossil fuels and renewables. Technologies like solar and wind have plummeted in price over the last decade—today, building new renewable projects is generally cheaper than operating existing coal plants in the US.
I asked if the creators had considered having renewables get cheaper over time in the game, and Teuber said the team had actually built an early version with this idea in place, but the whole thing got too complicated. Keeping things simple enough to be playable is a crucial component of game design, Teuber says….
…As I think my reviews make clear, none of these books are terrible — they all have redeeming values, and I’m glad I read them all. Having said that much, it also might be clear that I’m having a hard time enthusiastically supporting any of them for the Hugo. Is that a statement about the state of SF today, or the state of me as a reader of SF today? Probably both, in all honesty….
…So — in summary, what do I think of these books — how do I rank them? I’ll state my prejudices first. As hinted above, I do prize ambition — both literary ambition (I definitely give extra points for good prose) and thematic ambition — asking difficult questions, and presenting intriguing and original ideas. Especially science fictional ideas: cool extrapolation, and the treatment of technologies or scientific ideas that raise interesting question or that throw light on broader ideas, such as, say, what does it mean to be intelligent….
(3) THE PIONEER FANZINE THAT “BOMBED” THE RUSSIANS. [Item by Ahrvid Engholm.] Imagine Ray Palmer popped up and told how the very first fanzine, The Comet, May 1930, came about?
A pioneer fanzine maker from 1952, Åke Schwartz, now surfaces after 72 years of silence. Not his fault, others didn’t know about him or Sweden’s first fanzine: Vår Rymd (“Our Space”).
Every issue of my PDFzine Intermission covers sf and fandom history. And Intermission 143.5 has a bombshell, all about the forgotten or lost Vår Rymd, directly from Åke (soon 89). Those pioneer fanzine makers once —
…gathered after lunch in a big room at Åke Henriksson’s on 13B Villa Street and produced it. It took a weekend. I worked the typewriter. I put up the typwriter on a big dining table. It was a bit difficult to write on stencils. If there was a typo you had to smear some substance on it, wait and then type the correction. We began with discussing what ideas each one had and if he had brought the material so it could be written. Then we decided the contents. Sven could draw what he wanted. He was a good artist. Then we began. A lot of milk and buns were consumed during the afternoon. We didn’t drink beer at the time. The next day we took the stencils to dad’s office at the company Gränges on Gustaf Adolf Square to print it.
But this was unexpected:
The Russian Ambassador lived below Henrikssons. Every day he went to the Russian Embassy on Villa Street 17. Once we put explosives in his keyhole. It was a fairly innocent mix called “blast dough”. It was Karl who studied chemistry who made it. When the ambassador put in the key it exploded.
The news on the fanzine dug up after 7+ decades is truly explosive…
…The Peltzers have no business taking care of Gizmo, who must be kept away from bright light and water and must not, under any circumstances, eat after midnight. (The fact that it’s always after midnight is a bit of pedantry that Dante tackles in the sequel.) It takes absolutely no time at all for Billy and the family to violate all those rules, which result in the mogwai first multiplying into mischievous clones and then cocooning like the xenomorphs in Alien, later emerging as scaly, malevolent beasts hellbent on destruction. Credit Dante and his soon-to-be-famous screenwriter, Home Alone’s Chris Columbus, with establishing some key supporting players before things go awry, including Billy’s love interest, Kate (Phoebe Cates), the cantankerous Murray Futterman (Dante mainstay Dick Miller) and Mrs Deagle (Polly Holliday), the town’s miserly widow.
Released just two weeks after Spielberg’s Indiana Jones and the Temple of Doom, Gremlins cracked open a nationwide conversation about violence in family films and led to the creation of PG-13, intended to covering the wide gulf between all-ages fare and films aimed at adults. How that new rating would reshape American movies is a massive and mostly deflating discussion, but Dante’s willingness to spook his younger audience rather than infantilize it is laudable, because it’s done in the right spirit. …
Richard Williams: “Alfred E. Neuman and Norman Rockwell”, 2002 Cover illustration for Mad Art: A Visual Celebration of MAD Magazine and the Idiots Who Create It (Watson Guptill, 2002)
The show covers the full legacy of MAD, from Harvey Kurtzman’s inspired comic book, to Bill Gaines’ outwitting the Comics Code Authority by transitioning from comic book to magazine format, up through the present. The NRM curatorial staff, headed by Stephanie Plunkett, together with guest curator Steve Brodner (assisted by an unusual gang of experts), has brought MAD—which ended newsstand distribution in 2018, continuing in comic book stores and via subscription—back to the fore with a richly filled treasury of printed and original material. I prevailed on Plunkett and Brodner before the opening on June 8 to discuss what and what not to worry about while visiting this MAD wellspring of humor in the jugular vein….
By Paul Weimer. Even beyond her fiction, Wilhelm’s influence and effect on the field can be best defined with one word: Clarion.
The Clarion Workshop (and its splinter and descendant groups) was the brainchild of herself and Damon Knight, and its influence on the field cannot be underestimated. It remains to this day the premier workshop for science fiction writers, and many of the best writers, past and present either attended Clarion, or have taught at Clarion, or attended a workshop that came out or was inspired by Clarion. Thanks to Wilhelm, Clarion permanently and profoundly changed how science fiction writing is taught.
Kate Wilhelm
As far as that fiction, the one Wilhelm work that stays with me, and it will be no surprise, is Where Late the Sweet Birds Sang. Part of the round of post-apocalyptic novels and stories that was a strong strain in cinema and in written science fiction in the 1970’s, I think it might have been the first time I had come across the idea of clones. I first read the novel in that first burst of Science fictional reading in the early 1980’s (again, from my older brother’s collection). I was struck by the setting, the conflict between the clones and those seeking to return to biological means of reproduction, and the slow continued apocalypse of the world.
A community that had survived the apocalypse and was slowly surviving and outlasting global warming, was nevertheless succumbing, inexorably, to lacking the parts and technology to keep their new clone society alive. (This would come to mind recently, when I read Walk to the End of the World by Suzy McKee Charnas, which takes this idea as well but in a different direction). It’s a sad and elegiac novel in the end, and very representative in general of her work.
Sadly, a lot of her non-mystery work (her mystery work output being far vaster than her science fiction) is not readily in print, which is, I think, a disservice and a shame.
…Now our favorite buckaroo is back with a new horror novel—and the audiobook version has a cast that will make speculative fiction fans scream.
Bury Your Gays, coming out on July 9, 2024, is Tingle’s second full-length horror novel. The book tells the story of Misha, a screenwriter in L.A. who’s been nominated for his first Oscar. However, the network executives in charge of Misha’s streaming show are pressuring him to kill off all his gay characters “for the algorithm.” When Misha refuses, he puts himself in mortal danger, while monsters of his own creation begin to stalk him in the hills outside the city.
A slate of beloved authors are in the audiobook’s cast, including Charlie Jane Anders, CJ Leede, Liz Kerin, Mark Oshiro, Sarah Gailey, Stephen Graham Jones, T. Kingfisher, and TJ Klune. The audiobook will be primarily narrated by Andre Santana, with Georgia Bird and Mara Wilson also contributing….
We may be living in a doughnut. It sounds like Homer Simpson’s fever dream, but that could be the shape of the entire universe – to be exact, a hyperdimensional doughnut that mathematicians call a 3-torus.
This is just one of the many possibilities for the topology of the cosmos. “We’re trying to find the shape of space,” says Yashar Akrami of the Institute for Theoretical Physics in Madrid, a member of an international partnership called Compact (Collaboration for Observations, Models and Predictions of Anomalies and Cosmic Topology). In May, the Compact team explained that the question of the shape of the universe remains wide open and surveyed the future prospects for pinning it down.
“It’s high-risk, high-reward cosmology,” says team member Andrew Jaffe, a cosmologist at Imperial College London. “I would be very surprised if we find anything, but I’ll be extremely happy if we do.”
…. “Knowing what the curvature is, you know what kinds of topologies are possible,” says Akrami. Flat space could just go on for ever, like an infinite sheet of paper. That’s the most boring, trivial possibility. But a flat geometry also fits with some topologies that cosmologists euphemistically call “nontrivial”, meaning that they’re far more interesting and can get pretty mind-boggling.
There are, for mathematical reasons, precisely 18 possibilities. In general, they correspond to the universe having a finite volume but no edges: if you travel farther than the scale of the universe, you end up back where you started. It’s like the screen of a video game in which a character exiting on the far right reappears on the far left – as though the screen is twisted into a loop. In three dimensions, the simplest of these topologies is the 3-torus: like a box from which, exiting through any face, you re-enter through the opposite face….
Kristen Stewart will make her TV series-starring debut in The Challenger, a limited series in which she’ll play Sally Ride, the astronaut and physicist who became the first American woman to fly in space. She did this as part of a NASA space shuttle astronaut class of 1978 that was the first to be diversified and not comprised of all white men.…
…The series is based on The New Guys, a book written by Meredith E. Bagby, who partners with Sedgwick and Valerie Stadler in Big Swing. They are also executive producers.
In some ways, this has the tapestry to tell the successor story to The Right Stuff, which was based on Tom Wolfe’s book about the culture clash that occurred when the cockiest world’s best fighter pilots jumped into the space race that America was engaged in with the Russians. Bagby tells the story of a group that was called by their predecessors ‘The F*cking New Guys,’ as NASA sought to diversify its pilots and crew for the space shuttle program. Ride was the first woman and the first member of the LGBTQ+ community to fly into space. Also in that program was the first Black and Asian American astronauts, and a married couple. They passed all the rigorous tests to become top of the class, and egos, ambition and romance were part of the cultural clash. They were also quite brilliant.In 1983, Ride became the first American woman to fly on the space shuttle, and became an instant celebrity. That joy was short-lived, however, when three years later the space shuttle Challenger blew apart 73 seconds into its ascent, killing all seven members of the crew. Ride then became the only astronaut to become part of the Rogers Commission, a presidential commission to investigate the disaster, and it later came out that she pinpointed the problems with O-rings that became stiff at low temperature, and that turned out to be the reason for the explosion. Ride died from cancer at age 61 in 2012, a true American hero.
(11) NASA IS IN TROUBLE. [Item by SF Concatenation’s Jonathan Cowie.]Cool Worlds notes that NASA is in deep trouble.
In 2023 Congress spent US$1.5 billion (the same as NASA’s entire astrophysics budget) to buy extra F35 aircraft that the Department of Defense did not request. In terms of total tax revenue NASA’s astrophysics budget is 0.03% of total US tax spent and NASA’s overall budget 0.5% of US tax spent. For this year, NASA, through the White House, had requested US$27.2 billion but Congress only approved US$25.4 billion giving NASA its first budget cut in over a decade. Of course, there have been problems with things like the James Webb Space Telescope being massively over budget.
Cool Worlds suggests that we take NASA’s estimates for the cost of future missions with “a pinch of salt”. For example, will the Habitable Worlds Observatory (working title – bet it’s going to be called the Sagan telescope) really cost US$11 billion and launch in 2040? Cool Worlds also argues that a bigger telescope than that planned is needed as it is likely that the nearest habitable world around a Sun-like star will be further away than proposers think. It also notes that there are competing factors for US tax dollars. In the 1980s decade extreme weather events cost the US US$21.7 billion, but with climate change the half decade to the end of 2023 cost US$122.5 billion.
[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, Paul Weimer, Mark Roth-Whitworth, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
The Rambo Academy for Wayward Writers is pleased to announce the second annual Wayward Wormhole, this time in New Mexico. Join us for the short story workshop to study with Arley Sorg and Minister Faust, or the novel workshop with Donald Maass, C.C. Finlay, and Cat Rambo.
Both intensive workshops will be hosted at the Painted Pony ranch in Rodeo, New Mexico. The short story workshop runs November 4-12, 2024, and the novel workshop runs November 15 through 24, 2024.
(2) EARLY ENTRY ON THE 2024 BUSINESS MEETING AGENDA. Linda Deneroff, Alexia Hebel, Kevin Standlee, and Kevin Black have submitted to the Glasgow 2024 Business Meeting an amendment to the WSFS Constitution to restore “supporting” and “attending” to replace “WSFS Membership” and “Attending Supplement”.
Short Title: The Way We Were
Moved, to amend the WSFS Constitution by striking out and inserting the following:
Moved: To replace WSFS Membership with Supporting Membership wherever it appears in the Constitution, and to replace Attending Supplement with Attending Membership, including all similar variations of the words (e.g., WSFS Memberships, WSFS members, attending supplement) to their grammatically correct replacements.
Proposed by: Linda Deneroff, Alexia Hebel, Kevin Standlee, and Kevin Black
Commentary: Since both terms involved the word “Membership” there has been a lot of confusion among people purchasing memberships who do not understand why they have to purchase a “second” membership, or why they have to buy a “WSFS membership” in the first place. Under the original terminology, the price of an attending membership was inclusive of the support price.
Any reimbursement restrictions could still remain in place, with the price of the supporting portion of the attending membership deducted from any refund.
(3) IF IT’S NOT MADE IN MIDDLE-EARTH, IT’S CRAP! “Why Do Dwarves Sound Scottish and Elves Sound Like Royalty?” While Atlas Obscura tries to say Tolkien had a lot to do with it, their evidence shows it’s not his books but the filmmakers who adapted them that are the greatest influence.
…Of course the original readers couldn’t hear what Tolkien’s creatures sounded like, but the intense focus he placed on developing their languages gave people a pretty good idea. “Tolkien was a philologist,” says Olsen.“This is what he did. He studied language and the history of language and the changing of language over time.”
Tolkien would create languages first, then write cultures and histories to speak them, often taking inspiration from the sound of an existing language. In the case of the ever-present Elvish languages in his works, Tolkien took inspiration from Finnish and Welsh. As the race of men and hobbits got their language from the elves in Tolkien’s universe, their language was portrayed as similarly Euro-centric in flavor.
For the dwarves, who were meant to have evolved from an entirely separate lineage, he took inspiration from Semitic languages for their speech, resulting in dwarven place names like Khazad-dûm and Moria….
… However, the dwarves of the Lord of the Rings movies don’t speak with an Israeli accent, and the elves of Warcraft don’t have a Finnish inflection. This comes down to the differences between how Tolkien portrayed his fantasy races and how he imagined they should talk, and the readers’ interpretation….
There are a lot of movie series that made it through four or five entries as an unusual rotating showcase for different directors before giving in to the temptation to re-hire past successes. I still love the Alien and Mission: Impossible movies dearly, but they’ve also made me extra-grateful for the rare franchise that has managed to never repeat a director or major (human) cast member. I’m talking – for now – about the Predator movies, the B-movie little siblings to the classier, weirder, more thought-provoking A-list Alien. Only one is bad – the second Alien vs Predator match-up, nonsensically subtitled Requiem. All of the rest, where various badass aliens hunt various opponents (including Arnold Schwarzeneggar, Danny Glover, Olivia Munn, the xenomorph and Adrien Brody, among others) for sport, filter their premise through a different vision of monster-movie splendor. On one level, you always know what you’ll get: clicky noises, gory deaths, those triangle laser-sight things. Yet the specifics have plenty of wiggle room: should they be scary, funny or nasty? Action, horror or sci-fi? It’s a throwback to when movie franchises knew their place as fun programmers, rather than tentpole sagas. Alas, Dan Trachtenberg is about to become the first Predator director to return to the series. He did a great job with the entertaining Prey; it’s just a shame for the series to lose its constant one-and-done churn. For now, I’ll continue to savor those no-nonsense weirdos with the ugly mandibles and over-elaborate armor, and their accidental compatibility with B-movie auteurism. Jesse Hassenger
(5) THAT 70’S ART. This link assembles many examples of “Space Bar” themed examples of “70s Sci-Fi Art”. (And from later, too).
(6) JOHNNY WACTOR (1986-2024). Best known for his work in daytime TV, Johnny Wactor was reportedly killed by thieves on May 25. The New York Times’ summary shows he also had roles in several genre series.
Johnny Wactor, an actor best known for his role in “General Hospital,” was shot and killed on Saturday, reports said, amid what his family described as an attempted theft of a catalytic converter in Los Angeles.
Ms. Wactor said her son thought his car was being towed at first, and when he approached the person to ask, the person “looked up, he was wearing a mask, and opened fire.”
Mr. Wactor … also appeared in episodes of “Westworld,” “The OA” and “Station 19.”
(7) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
May 27, 1934 – Harlan Ellison. (Died 2018.)
By Paul Weimer. Or, even though he has passed away, he still might sue me from beyond the grave, so Harlan Ellison® .
My reading of Harlan Ellison® was benefited to me thanks to my older brother, whom I have mentioned earlier in this space was mainly responsible for me to get into science fiction and fantasy, and his bookshelf were my early steps into the genre. As it so happened, he had a fair number of the extant Harlan Ellison® short story collections. So very early on in my SFF reading, I did come across “I Have No Mouth And I Must Scream” “Pretty Maggie Moneyeyes” and other SFF stories of his. At that early age, I found few SFF short story writers that could match him.
Harlan Ellison at the ABA convention; Larry and Marilyn Niven behind him: Photo by and (c) Andrew Porter.
And I learned, thanks to the collections my brother had, that Harlan Ellison® wrote far more than SFF short stories. I’m not even talking about his movie or television scripts. Ellison is the first SFF author who I read non-SFF work by. I read The Glass Teat and The Other Glass Teat. I read and reread his criticism of television and cinema and began to understand the wide range of his talent. When I discovered he wrote mimetic short stories, and horror short stories as well, there was a point that I wondered what Ellison didn’t excel at as a writer in the short form.
My favorite Harlan Ellison® is not “Mouth” because I think that is just too easy an answer. I have a fondness for the sadness of “Pretty Maggie Moneyeyes” and the tragic fate of the protagonist. “Jeffty is Five” breaks my heart every time I read it. “The Whimper of Whipped Dogs” moved me, even though I was too young to know it was a take on the Kitty Genovese murder.
I will reach more deeply and go with “Paladin”, which I saw first as the Twilight Zone episode “Paladin of the Lost Hour” and then later read the Hugo winning novelette. It’s a poignant story, with some of the sadness and gray veil that you find in some of Ellison’s work. It’s as if Harlan Ellison® is grabbing me by the collar and shouting. “Feel something, you coward. Feel something!”. The anger of raging against the dying of the light and being angry when people shoulder-shrug, give up, and shuffle along? I may not have ever met Harlan Jay Ellison®, but I think Paladin helps you feel just how powerful, angry, and potent a writer he was. Love him or hate him, his work could not and would not be ignored.
I think there are definite periods and waves of Harlan Ellison® ‘s work. And like another sui generis artist, David Bowie, you probably will find a wave or period of Harlan Ellison® that you will like best. Not all of his oeuvre worked for me, there is a definite band I like, and a narrower (but not narrow) band that I really like. This may be the consequence of his extensive oeuvre and constant ability to change and try and write new things, or rewrite old things in a new way. Restless, Angry, Raging. Potent.
I loved his cameo on Babylon 5 which he served as a creative consultant and wrote an episode “A View from The Gallery”. (Which may mean that we have Harlan Ellison® to thank for Lower Decks, which is to Star Trek that this episode is to the rest of Babylon 5.)
That, my friends, is the work of Harlan Ellison®
Harlan Ellison in 2014 at Creation event in Las Vegas.
(9) ANOTHER HARLAN TRIBUTE. Janis Ian marked Harlan Ellison’s 90th with this tribute on Facebook.
In my life, there have been very few colleagues who viscerally understand having been an “enfant terrible”. Even fewer that lived up to their promise. And even fewer who continued to be brave, and bold, fearlessly speaking out despite the consequences.
Today is the birthday of my late friend Harlan Ellison. A writer who completely understood what it was like for me at the age of 15, when “Society’s Child” became a hit. Unable to connect with most of my peers because of the experiences I was having, unable to much time with those I could connect with, who were always 5 to 10 years older and usually on the road.
Harlan understood better than most that Fame hadn’t changed me, it had changed the people around me. And he understood the impossibility of living up to the expectations placed on me because of my innate talent and ability.
He could be an unbelievable pain in the rear. He could be absolutely impossible. He could be rude and obnoxious and he did not suffer fools. God help you if you annoyed him. But to me, he was unfailingly courteous, generous, kind, and giving. I miss him more than I can say, and I regret the years I did not know him.
Marie Brennan has been publishing short SF and Fantasy (mostly Fantasy, I think) for a couple of decades, after winning the Asimov’s Undergraduate Award back in 2003. (That’s an award which spurred some excellent careers over time — writers like Rich Larson, Marissa Lingen, Eric Choi, and Seth Dickinson are also among the past winners.)…
…The two books [Cold-Forged Flame, and Lightning in the Blood] concern Ree, whom we meet “coming into existence” as Cold-Forged Flame opens. She has no idea of her name, only a dim sense of her abilities (she is a warrior, for one thing) and of her character (suspicious, prickly) — but also aware that she is bound to do what the nine people who have summoned her ask. After some debate, she learns what these people want: she must go and bring back a vial of blood from the cauldron of the Lhian. And, in exchange, they offer her her freedom — and, but only after the fact, what knowledge they have of her … history. To tell too much in advance would harm her, they suggest….
…In Appendix C of The Lord of the Rings, Tolkien explained the in-universe origin of the surname Gamgee. It came from the family’s ancestral village of Gamwich, which meant “game village” in the language of the hobbits. Over time, the name Gamwich evolved into Gamidge and later to Gamgee. This was one of many examples of the great amount of thought and effort that went into even the tiniest worldbuilding details of The Lord of the Rings. However, this backstory was a retroactive explanation that Tolkien came up with long after settling on the name Sam Gamgee for his story’s deuteragonist. The real-world basis for Sam’s surname was more unusual, and its origins predated Tolkien’s conception of Middle-earth.
Gamgee is a real — albeit uncommon — surname. In fact, in 1956, a man named Sam Gamgee wrote a letter to Tolkien after learning that a character in The Lord of the Rings shared his name. Tolkien was surprised and delighted by this coincidence. Since the real Sam had not read the novel for himself, Tolkien assured him that the fictional Sam was “a most heroic character, now widely beloved by many readers” and offered to send him a copy of the book. In Tolkien’s response, he also explained the reason that he chose to use the name. It was a long story that began with a famous surgeon: Dr. Joseph Sampson Gamgee.
Born in 1828, Joseph Gamgee made major strides in the field of aseptic surgery, the practice of ensuring that a doctor’s hands and tools remain sanitary during medical procedures….
(12) WOLFE PACK ON LOCATION. Black Gate has Bob Byrne’s newest installment of “Nero Wolfe’s Brownstone”: “Welcome to Kanawha Spa – The Wolfe Pack 2024 Greenbrier Weekend”. He joined the Wolfe Pack for a descent on the West Virginia resort featured in Too Many Cooks.
…Trish [Parker] is the resident Greenbrier historian. She is also a Wolfe fan! She gave a really cool presentation that talked about the Greenbrier, the logistics of of other locations (Barry Tolman was NOT going to make that court session he was pressing to be at), and other related information.
I loved it! It was really neat. Especially as she knew the story. I really enjoyed it. She took a couple questions and got a healthy round of applause.
Intelligence Guided by Experience – A question I heard more than once over the weekend was, “Did Rex Stout stay here before he wrote the book?” While the thought seemed to be, ‘Probably, as he knew the place pretty well.’ it’s unknown. The records from that early have been lost over the years. No proof he had been to the Greenbrier….
[Thanks to Chris Barkley, Cat Eldridge, Rob Jackson, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) ELLEN KLAGES ON JEOPARDY! [Item by Steven H Silver and David Goldfarb.] One of the contestants on Wednesday’s episode was World Fantasy Award-winning, Hugo- and Nebula-shortlisted author Ellen Klages. Ellen came in third. She was against a couple of guys who had strong buzzer abilities. The game recap can be found on J! Archive. At the break, she began the story of the scary ham story that she told at the Nebula Award Ceremony in San Jose in 2014.
David Goldfarb took notes on the episode’s sff references.
In the Double Jeopardy round, there was some SFF content in the clues.
Books From the Last Few Years, $1200: There are an infinite number of books in “The Midnight” this, a 2020 bestseller by Matt Haig
Amar Kakirde knew it was a library.
Books From the Last Few Years, $1600: This 2021 Andy Weir book about a plucky astronaut sounds like it may be a long shot
A triple stumper. (This was “Project Hail Mary”.)
Books From the Last Few Years, $800: Author Curtis Sittenfeld wonders what would’ve happened in Hillary never married Bill in the novel titled with this maiden name.
Returning champion Chris D’Amico knew Hillary’s maiden name: “What is ‘Rodham’?”
Not SF but amusing to note:
Already in the Form of a Question, $1600. A Daily Double, with $6000 on the line: In a relatively famous play, this 4-word question precedes “Deny thy father & refuse thy name”
Chris didn’t know it: he tried, “What is, ‘How now, brown cow?’”
(It was actually “Wherefore art thou Romeo?”)
(2) DANGER IN THE REAR VIEW MIRROR. At A Deep Look by Dave Hook the author is “Revisiting ‘Dangerous Visions’”. He still finds 19 of the 33 stories in the volume are “great” or “superlative”.
… With all of the circus and controversy over whether Dangerous Visions was ever as good or as important as its reputation, or whether it was overrated, or whether the Suck Fairy had visited, I approached the reread with interest, hope and no small amount of trepidation….
… I am very glad I reread Dangerous Visions, although my reactions are mixed….
Hook shares ratings and comments about the 19 stories he feels are still remarkable.
It’s worth remembering that four stories in the anthology became finalists for the Hugo and/or Nebula, and of those, three won at least one of the awards:
“Riders of the Purple Wage” by Philip José Farmer (tied for Hugo Award Best Novella, and a Nebula finalist)
“Gonna Roll the Bones” by Fritz Leiber (won the Hugo and Nebula Award for Novelette)
“Aye, and Gomorrah…” by Samuel R. Delany (Hugo Best Short Story finalist, and Nebula Award Short Story winner)
“The Jigsaw Man” by Larry Niven (Hugo Best Short Story finalist)
“If All Men Were Brothers, Would You Let One Marry Your Sister?” by Theodore Sturgeon (Nebula Award Novella finalist)
However, Hook points out a definite shortcoming in the anthology:
…I also observe that only three out of 33 stories (9%) were by women. I don’t know how this came to be, but it is unfortunate. It may be that Ellison heard criticism on this point for Dangerous Visions. Looking at Ellison’s 1972 anthology Again, Dangerous Visions, there is a modest improvement, with nine out of 55 stories (16%) that feature women writers….
Well, I kind of like twisted things, as a baseline. As a writer, I like that horror as a genre lets you take an abstract fear and make it tangible, and confront and take apart all its angles. I also like the big, raw feelings; I like the transportive strangeness and the sense of confrontation and catharsis. Horror and romance are Barbenheimer genre sisters, really; they’re both rooted in these big vulnerable core feelings. I love romance in my horror, or horror in my romance.
Do you include Asian and/or Pacific Islander characters and themes in your writing with purpose, and if so, what do you want to portray?
I do! The protagonist in my debut novel is Chinese American, but more often than not I write from my being Southeast Asian Chinese–specifically Singaporean–which is very different from the Asian American identity but shares enough here and there that I do resonate with Asian American work. In The Dark We Know there are elements of being unrooted compared to the white families in town that can trace their lines back generations on the land, and familial language barriers and cultural isolation are factors in the main character’s loneliness. Other times, I’m not trying to write something “cultural” and “meaningful”, but just tell a good story that happens to be rooted in a particular ethnic/cultural environment, with characters that look and sound familiar instead of the blonde/blue-eyed girls that my main characters used to be. I’m still working on putting out a true love letter to Southeast Asia’s shared iconic female ghosts…
…Before we go any further with Redwall, an important clarification: the characters are animal-sized and their world is scaled down. Some poor, misguided folks will tell you that these books are filled with human-sized animals, but the issue has been settled by scientific polling. We’re talking about a world of whimsy here, not a freak show where some rodents fell into the Toxic Avenger ooze. And yes, I know Jacques said in a Q&A that, “the creatures in my stories are as big or small as your imagination wants them to be.” We can all agree that this is a polite smokescreen for younger readers. But we’re all adults here—the characters are small.
What seems to be most enduring about Jacques’ books for me and other readers, though, are his descriptions of food and drink. If you’ve read the books, you know what I’m talking about—no one ever just eats food in Redwall. The descriptions of food unfurl in long lists, cataloged here in impressive detail. The mice food has inspired memes, a Twitter bot, a drinking game, and a cookbook.
Jacques is sumptuous, even gratuitous in his descriptions of food and drink. In the first book, Jacques writes of “tender freshwater shrimp garnished with cream and rose leaves, devilled barley pearls in acorn puree, apple and carrot chews, marinated cabbage stalks steeped in creamed white turnip with nutmeg.” The Bellmaker has dishes of “turnovers, trifles, breads, fondants, salads, pasties, and cheeses alternated with beakers of greensap milk, mint tea, rosehip cup and elderberry wine.” Even a simple breakfast at the cave of a mouse named Bobbo in Mariel of Redwall is lavished with description: “Now, you will find a small rockpool outside to wash in, and I will prepare wild oatcakes, small fish, and gorseflower honey to break your fast.”…
(5) BEETLEJUICE BEETLEJUICE TRAILER. The official trailer for the Beetlejuice sequel dropped today.
Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.
Mort Castle remembers being frightened when his third-grade teacher played Edgar Allan Poe’s short stories “The Tell-Tale Heart” and “The Pit and the Pendulum” on a phonograph.
“I was one of the weird kids who liked being scared. I dug nightmares,” said Castle of Crete.
The Horror Writers Association will present him with a Lifetime Achievement Award on June 1 during the Bram Stoker Awards ceremony at StokerCon 2024 in San Diego.
The award honors individuals whose work has influenced the horror genre substantially….
… The story is told primarily from the point of view of Fetter. Fetter’s mother tore his shadow from him at birth, and as a consequence, besides not casting a shadow, he is not tightly rooted to the ground: he will float into the air if he doesn’t take care. His mother also teaches him to be an assassin, from an early age, and she prepares him to commit the Five Unforgivables, as defined by his absent father’s theology — for his father is a “saint”, the Perfect and Kind. These crimes are matricide, heresy, killing of saints, patricide, and killing the Perfect and Kind. Nice family!…
… In 2009, Chris Bouchard, a recent film school graduate, uploaded his 39-minute “Lord of the Rings” fan film, “The Hunt for Gollum,” to YouTube. At the time, the platform was still, in his words, full of “five-minute videos of people’s cats.”
The site promoted Bouchard’s movie on its homepage, and within 24 hours, he had more than one million views. Today more than 13 million have watched the film, cementing it as a fan favorite.
So it came as a surprise recently when Bouchard received a text from an old friend saying that Warner Bros. had announced a planned addition to its growing “Lord of the Rings” franchise. The name of the movie? “The Hunt for Gollum.”…
… After getting the text, “at first I thought he was pulling my leg,” Bouchard said of his friend. Soon, online articles were embedding the fan film in their coverage of the Warner Bros. announcement, leading younger fans to it for the first time while older ones relived its lo-fi magic.
But by the next morning, Bouchard’s 15-year-old work had disappeared from YouTube. Viewers clicking on the link were shown a message stating, “This video contains content from Warner Bros. Entertainment, who has blocked it on copyright grounds.”…
… But YouTube denied the appeal. So, like eagles over Mordor, the Ringers, as the fans are known, swooped in. They wrote articles and posted heated comments on Reddit and other sites, calling the removal “deplorable” and “despicable.” Bouchard noted his disappointment on X.
Bouchard quickly received a follow-up email from YouTube: The movie had been reinstated. In an email, Warner Bros. said it had no official comment. YouTube did not reply to requests for comment….
(9) H. BRUCE FRANKLIN (1934-2024). Black Gate reports that scholar H. Bruce Franklin died May 19 at the age of 90. He was the emeritus John Cotton Dana endowed Professor of English and American Studies at Rutgers University-Newark and author of numerous books, essays, and exhibitions related to science fiction.
During the 1960s, Dr. Franklin was fired from Stanford despite being tenured supposedly for inciting student anti-Vietnam war protests. A former Air Force navigator and intelligence office in the Strategic Air Command, he also resigned his commission in protest of that war.
He won the Science Fiction Research Association’s Pioneer Award for his article “The Vietnam War as American SF and Fantasy” (Science Fiction Studies Nov 1990). He also received SFRA’s Pilgrim Award, an Eaton Award, and was named a Distinguished Scholar for the International Association for Fantastic in the Arts.
(10) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
May 23, 1921 — James Blish. (Died 1975.)
By Paul Weimer. For me, my reading of James Blish revolves around two axes.
The first is Star Trek. I’ve not read a ton of Star Trek novels and stories. I don’t consider myself that well read in them, even as I remember at one point it seemed the SFF section of Borders and B Dalton were half Star Trek novels and the like. But when you, reader, having watched lots of repeats of the original series are confronted with a book with the title Spock Must Die, reading it becomes a moral imperative. It’s a clever book, even if I don’t like the (now distinctly non-canonical) fate of the Klingon Commander, Koloth. I’ve also read a couple of his adaptations of episodes that he turned into short stories, which is a pretty unique way to go about things. Has anyone else done that, turning tv episodes of a series into short stories?
James Blish on his Vespa in the Sixties.
But what I remember Blish for the most is Cities in Flight. I came across this one by accident. Somewhere along the line, I had read Oswald Spengler, whose racial theories are pants, but I was fascinated for a long while (and still am) with his attempts to systemize history into cycles. One really can’t, and he does a lot of plates spinning to make his formulations work. (and yet, seeing that he sees the West in a period headed toward “Caesarism” and the rise of fascism in Europe and America, I still wonder). But somewhere along the line, I came across a reference that Blish had used a Spenglerian type of history for his Cities in Flight in sequence.
And so I had to go read it. The idea is bonkers, outfitting whole cities to go out into space is an idea that simply should not work. (And yet, it’s an idea which has come time and again ever since). But the idea of the Okies culture rising, changing, growing as the cities of Earth explore the galaxy and try to make a living is a compelling one. Characters? Plots? I really don’t remember either for the novel sequence. But the basic ideas (including a devastating nuclear weapon type), especially the spindizzy drive itself, stuck with me. And of course, the fact that the head of the migrating cities is the city of New York, of course, warmed and warms my ex-pat New Yorker’s heart. And a novel sequence that concludes with the end (or is it the beginning of a new one?) universe is as big a stakes as you can possibly ever get.
I’ve also read A Case of Conscience, which I feel is a prelude or an overture to the work of Mary Doria Russell, and maybe in another vein, Walter M Miller Jr.
… Imagine you are the mayor of a coastal city. How high would you build a sea wall, for example, to offer protection from future flooding? The decision involves balancing the risks of breaches against the cost of construction, without knowing how fast seas might rise or what the wider consequences of building it might be.
It is hard to anticipate the complexity of the decisions that we will all face as the world warms. But, as a game designer and education researcher, I know that games — and, in particular, role-playing games — can be an invaluable tool for helping us think through scenarios. By getting players to deal with situations in a simulated environment, games can help us to explore options in a risk-free way.
For example, I’ve used the board game Terraforming Mars to introduce young adults to the ethics of space colonization. Players control corporations competing to transform Mars into a habitable planet by extracting resources, building cities and creating green spaces. Nearly every session evolves into a heated debate about diverting resources to make a new ‘Earth’ instead of fixing the one we have….
“Stranger Things: The First Shadow,” the stage play based on Netflix‘s hit sci-fi drama of the same name, will extend its run on London’s West End into 2025. Previously, shows were only scheduled through Dec. 14, but tickets are now available through Feb. 16.
The news comes as Netflix debuts an official trailer for “The First Shadow,” which serves as a “Stranger Things” prequel. Set in 1959 Hawkins, Ind., “The First Shadow” tells the origin story of Henry Creel, a new kid in town who later goes on to become Vecna, the villain introduced in “Stranger Things” Season 4….
…John Williams’s neoclassical approach combines elements of classic Hollywood composers (Max Steiner’s leitmotifs and physical action, Alfred Newman’s lush string writing, Erich Wolfgang Korngold’s heroic fanfares, and Bernard Herrmann’s suspenseful ostinati) as well as Americana concert composers (such as Aaron Copland and Howard Hanson), and even some of the jazzy piano-based scores of Henry Mancini.
He is a product of his time, and he found the right collaborator in Steven Spielberg; the two represent one of the most productive director/composer relationships in history….
Astronomers have spotted dozens of rogue planets floating free from their stars after turning the Euclid space telescope to look at a distant region of the Milky Way.
The wandering worlds were seen deep inside the Orion nebula, a giant cloud of dust and gas 1,500 light years away, and described in the first scientific results announced by Euclid mission researchers.
The European Space Agency (Esa) launched the €1bn (£851m) observatory last summer on a six-year mission to create a 3D map of the cosmos. Armed with its images, scientists hope to understand more about the mysterious 95% of the universe that is unexplained….
(16) MOMENT IN THE SUN. [Item by SF Concatenation’s Jonathan Cowie.] Today’s Nature cover is quite nifty. Link to cover and contents here.
The Sun undergoes an 11-year cycle that results in a variation of its magnetic field, readily seen in the creation and movement of sunspots. Conventional models assert that the origins of this solar dynamo lie deep within the star, but in this week’s issue, Geoffrey Vasil and colleagues present a model that suggests the opposite is true. The researchers identify that instabilities very close to the Sun’s surface provide a better explanation of the various features of the solar dynamo. The cover is a composite of some 150 images of the Sun taken by NASA’s Solar Dynamics Observatory between 2010 and 2020, capturing variations in the Sun’s magnetic field over nearly a full sunspot cycle.
Without international partnerships, NASA’s ground-breaking mission could fail to be ready in time for its optimal launch window.
This week, space and planetary scientists are meeting at the Goddard Space Flight Centre in Greenbelt, Maryland, to scope out a new flagship NASA mission — the Uranus Orbiter and Probe. Still on the drawing board, the project would entail sending a spacecraft to orbit Uranus and drop a probe into the planet’s atmosphere. The spacecraft, which could be built and launched within a decade, would investigate the nature of Uranus, including its unusual tilt and magnetic field. It would also search the planet’s moons for signs of hidden oceans and other potentially habitable environments.
Such a mission would be ground-breaking — the first to orbit an ‘ice giant’ planet. Thought to be made mostly of ices, or perhaps dominated by rocks, ice giants Uranus and Neptune have more exotic chemistry than do Jupiter and Saturn, which as ‘gas giants’ consist mainly of hydrogen and helium gas1,2. Ice giants are also the most common type of exoplanet in the Milky Way3. With characteristics that lie between those of gas giants and of Earth and other terrestrial planets, it’s crucial to learn how such systems formed and evolved.
That’s why the Uranus Orbiter and Probe was given priority status in the 2022 US Planetary Science and Astrobiology Decadal Survey. And NASA is set to lead it. At the Goddard workshop, scientists will scope out the mission and consider its design, technologies and costs.
The mission has been under discussion for some time, and it will be exciting to see it begin to take shape. But, to make sure it is successful and happens as quickly and cost-effectively as possible, we would like to see others involved in its design, too. As a first step, we call for the European Space Agency (ESA) to join the project by, for example, building the entry probe — a possibility that was foreseen in the decadal report and has been assessed by ESA but has not yet been agreed.
Uranus
[Thanks to Kathy Sullivan, Mike Kennedy, Steven H Silver, Mark Roth-Whitworth, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) PROBABLY SOMETHING. I would use Patrick Morris Miller’s entire verse as the title if it wouldn’t break Jetpack. Here are the lyrics he posted in comments.
Something quite fannish, Something quite slannish, Something for everyone, A pixel scroll tonight!
from A Funny Thing Happened on the Way to the Consuite
(2) TAFF NEWS. Taffluorescence 4, downloadable from the link, has the latest on the Trans-Atlantic Fan Fund: (1) a two-vote correction to the TAFF results reported a couple weeks ago, (2) winner Sarah Gulde’s basic itinterary, and (3) financial information.
The two stories were selected for the competition’s top honors by Quantum Shorts judges Chad Orzel, George Musser, Ingrid Jendrzejewski, José Ignacio Latorre, Ken Liu, Leonardo Benini and Tania De Rozario from a shortlist of ten quantum-inspired stories. The winner receives $1500, and the runner-up gets $1000.
The People’s Choice Prize was chosen by a public poll on the shortlist, and includes $500.
In addition to the shortlist award, certificate and digital subscription to Scientific American that is awarded to all the finalists, the three winners will receive cash awards and an engraved trophy.
…The Universe of Xuya by Aliette de Bodard is one of the Best Series finalists for the 2024 Hugo Awards. As this point, there are two novels and 33 pieces of short fiction (4 novellas, 13 novelettes, and 16 short stories). Since the main connection between them is the setting, they can pretty much be read independently and in any order. Take a look at the author’s webpage about the series for suggestions on where to start and background information….
(5) WRITER BEWARE. Jeanne Veillette Bowerman explains “How a Book Really Becomes a Movie” in a guest post at Writer Beware. Here the introduction.
… The filmmaking industry baffles many—even those working in it. The reality is, there is no single way to get a film made. There are quite literally as many ways to break in as there are writers who’ve successfully done so, making scams harder to identify.
Sadly, when someone proactively reaches out to you, you have to assume it’s fake until you can prove otherwise. With scams abounding, the burden of proof has shifted. Due diligence has never been more important.
You do NOT need a screenplay to sell your book-to-film rights.
You do NOT need a sizzle reel or “cinematic trailer”.
You do NOT need storyboards.
You do NOT need mood boards.
You should NOT have to pay any upfront fees.
You should NOT be required to buy anything.
Let’s go through the traditional paths first, then I’ll share an unusual story to demonstrate how varied this process can be….
Corvus has snapped up Rose McGee’s “delightful” STEM rom-com, Talk Data to Me…
“Physicists Dr Erin Monaghan and Dr Ethan Meyer are bitter rivals,” the synopsis says. “They are each at the forefront of their opposing fields and competing for everything: grant money, lab time, government backing. But fate has lined up a meet-cute on the pages of sci-fi magazine Galactica. Erin’s short story and Ethan’s illustrations are paired for publication, and when they meet online as their alter egos ‘Aaron Forster’ and ‘Bannister’, sparks fly.”
A Doctor Who fan feature film described as a ‘passionate tribute to the classic ’70s and ’80s series’ is being filmed in Cardiff using local amateur actors and crew.
The movie titled ‘Dr Who meets The Scorpion’ is to be released as a non-profit film on YouTube purely for the pleasure of the fans to watch.
As of last month – 45 minutes of the 70 minute feature film is already in the can.
Now the makers of the movie have launched a crowdfunding campaign to raise the funds needed to complete filming…. [Dr Who meets the Scorpion at Greenlit]
…Are there any copyright implications in making something like this and how would you circumnavigate them?
There are literally hundreds of Dr Who fan films out there on Youtube. As well as Star Trek, Star Wars, James Bonds fan films. As long as you don’t try to make money out of something like Doctor Who that belongs to the BBC there has never been a problem. If you put it out on Youtube for free purely for the enjoyment of the fans then I don’t think the BBC is concerned. I’m not trying to compete with the BBC series and wouldn’t want to. How could we on our tiny budget? We’re trying to give a flavour of the 70s/80s series with a bit of the Peter Cushing Dalek movies thrown in as well. It’s my homage to the days of the classic series where the ingenuity of the designers faced with a tight budget produced some iconic sets and monsters out of nothing. Just like I’m having to do! That’s always been the charm of the classic series for me.
What is the plotline of Dr Who meets The Scorpion without giving away spoilers obviously?
The Doctor bumps into Jennie in a deserted warehouse at night, both there to find out more about the mysterious Scorpion company. They start to unravel a fiendish plot by the arch villain Scorpion and his right hand man Taylor which takes them from Earth to a planet far, far away! Thrills, spills, monsters, peril and adventure await them…and we couldn’t resist including the iconic Daleks as well!…
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born April 14, 1925 — Rod Steiger. (Died 2002.) Let’s start with Rod Steiger’s best-known genre role as Carl in The Illustrated Man. The film is based off of three short stories from Bradbury’s The Illustrated Man released first seventy-three years ago, “The Veldt”, “The Long Rain” and “The Last Night of the World” with all three having been published elsewhere previously.
Need I say that I madly, deeply love this collection? I have it as an audiobook from Audible with the narrator being Scott Brick who does the Philip Marlowe series.
Rod Steiger being illustrated.
Steiger gives his usual commanding performance though I do think he was a bit much at times. Hostile and violent, it’s hard to feel any sympathy for him. That of course is the role. And setting aside the role, there’s that illustrated body. I wasn’t sure if it was his body that got illustrated or not until I actually found the image below which indicates that indeed he got inked before every filming session. Cool.
Let’s not forget the other two principal actors, Claire Bloom and Robert Drives, who put on magnificent performances as well. It was nominated for a Hugo at Heicon ’70.
He had several genre roles after that, all interesting.
A decade after this film, he’s in The Amityville Horror as Father Francis ‘Frank’ Delaney, a rather great role.
He’s Dr. Phillip Lloyd in The Kindred. Hey, it has a tentacled baby in it. Need I say more?
In Tim Burton’s Mars Attacks! he is a United States Army General who did not trust the Martians, and advised nuclear warfare against them, an action which that is not allowed by President Dale.
He sank his teeth, no I couldn’t resist into his next role as Dr. Van Helsing, leader of Van Helsing’s Institute of Vienna in Modern Vampires (also known as Revenant).
Finally he’s in an Arnold Schwarzenegger film, End of Days, a horror film about a young woman who is chosen to bear the Antichrist. He’s Father Kovac here.
(10) ALSO KNOWN AS. Rich Horton has put together a “Pseudonyms Quiz” for readers of Strange at Ecbatan.
…Most of these questions are about writers, but there are some from the film world, one singer, and one more politically-oriented individual. I’ll have answers in a couple of days. If you wish, leave your guess in the comments….
I got 11 out of 16, greatly aided by the hints that Horton sprinkled along the way. Not bad, but I expect to hear from Filers who have run the table.
…While the folks behind the Dune: Part Two bucket (probably) didn’t intend for people to view it in a lewd way, Marvel Studios has decided to take the idea and run with it for Deadpool & Wolverine. Kevin Feige took the stage at CinemaCon today during Disney’s presentation and revealed the movie will have an intentionally risqué popcorn bucket.
“Deadpool & Wolverine is getting a popcorn bucket which will be intentionally crude and lewd. #CinemaCon,” ComicBook.com‘s Brandon Davis shared on Twitter while attending the presentation…
(12) GRADE INFLATION. [Item by Mike Kennedy.] This Variety article about movies presented at industry-insider CinemaCon is packed with information on upcoming releases. But it’s hard to take their overall conclusions too seriously since none of the companies’ slates received a grade below a B-. “CinemaCon Winners and Losers: ‘Gladiator 2,’ ‘Wicked,’ ‘Deadpool 3’”.
Hollywood decamped for Las Vegas this week for CinemaCon, looking to reassure movie theater owners and executives that they had what it takes to keep audiences flocking to cinemas through 2024 and beyond. And despite odes to the magic of the big screen experience, there was a whiff of desperation in the artificially-oxygenated, cigarette-perfumed air of Caesars Palace, where the annual exhibition trade show takes place.
That’s because the box office hasn’t recaptured its pre-pandemic stride — studios estimate that roughly 15% to 20% of frequent moviegoers have yet to resume their old entertainment habits now that COVID has dissipated. Plus, the labor strikes that consumed the media industry for much of the previous year as actors and writers hit the picket lines resulted in production delays that left theaters with fewer movies to hawk on their marquees….
….After four days filled with hours-long pitches to tease blockbuster hopefuls and big gambles, Variety has assessed the studio presentations that may have missed the mark or could just salvage the struggling box office….
(13) STIFFED AGAIN. In Morecambe & Wise’s 1980 Christmas Special, Peter Cushing makes another attempt to get the money he’s owed for appearing in the M&W show in the early 70’s
What happened to the Night Gallery paintings? Night Gallery co-author Jim Benson reveals the strange and sometimes sad fate of these classic, and valuable, TV artifacts. The fate of the Night Gallery paintings has always been shrouded in mystery–until now!
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Ersatz Culture, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]
(1) LETTERS FROM THE EDITOR. C. E. Murphy shares her views about what kind of revision request letters work best: “Process Post: on edit letters” at The Essential Kit.
There was a discussion going on over on Bluesky about dealing with edit letters, and this truth came up: “Editors aren’t always right about the solutions, but they’re nearly always right about the problems.”
That thread went on to discuss how the person quoting it, who happens to be KJ Charles whose books I read all of last year and who is also an editor, approaches edit letters; her approach involves suggesting ideas to fix the problems, because it opens the writer’s mind to the possiblity that the book could have something different happen in that moment, and also it gives them something to reject/bounce off/spitefully correct. Which, like: that seems very valid.
That said, I have recently watched friends get SUPER LONG, to my mind, edit letters, 70%+ of which are ideas & suggestions as how to tackle problems, and I honestly think my brain would explode. My editors have VERY MUCH been of the “this is a problem, pls fix” approach, rather than the “let us brainstorm!” approach, and I think that works for me….
(2) NONSENSE OF TASTE. Camestros Felapton shared a couple of riotous sci-fi themed brew labels in “Thursday’s Sunday Beer”. I won’t steal his thunder – click the link to discover his selections — only thank him for introducing us to New Zealand’s Behemoth Brewing Company where literally dozens more comical labels can be viewed, including tap badges like these:
(3) SEATTLE 2025 STATEMENT ABOUT REGISTRATION. Seattle 2025 Worldcon chair Kathy Bond today made the following statement about their registration software, and a delay in the ability to upgrade to attending membership for Seattle Worldcon bid supporters and site selection voters:
Due to a last-minute change in our registration software, our ability to process registrations and upgrades to attending memberships for site selection voters and bid supporters has been delayed past our originally projected date. We apologize for the delay. Please be assured we will honor our initial registration rates for at least two weeks after we are able to make our registration system go live.
Thank you for your patience as we iron out the bugs.
(4) BRITISH LIBRARY CONVENES ONLINE PANEL ABOUT LE GUIN. On January 23, join Theo Downes Le Guin, Ursula’s son and literary executor; Julie Phillips, her biographer, and writer Nicola Griffiths (shortlisted for the 2023 Ursula K. Le Guin Prize for Fiction) for an evening of appreciation and exploration: The British Library Cultural Events – “The Realms of Ursula K. Le Guin Tickets”.
Event: 7:00 pm UK/11:00 am Pacific
Tickets are £6.50, or £3.25 for Library members
This is an online event streamed on the British Library platform. Bookers will be sent a viewing link shortly before the event and will be able to watch at any time for 48 hours after the start time.
There were rumors that the project was in with HBO, but this was denied last year. It is not clear where The Avengers reboot will land. StudioCanal declined to comment as talks continue….
Macnee starred as Steed, who fought off diabolical plots against the state with his trademark bowler hat and umbrella. He had a succession of high-fashion assistants played by the likes of Diana Rigg and Honor Blackman. They broke ground for being Steed’s equal, holding their own in brawls and delivering playful quips….
Steed’s first partner wasn’t a woman at all but medical doctor David H Keel as the series spun out of Police Surgeon where Keel played the same character who asked Steed to help on a case. It would feel like a uniquely different series than the later series as the tone, Steed’s personality and stories are markedly more grounded.
Nightclub singer Venus Smith played by Julie Stevens was next, just six episodes in duration. Now we have Cathy Gale played by Honor Blackman, an anthropologist. Of course we finally got the extraordinary Emma Peel as played by Diana Rigg, described as a “talented amateur agent”.
Linda Thorson ended the series as Tara King. An actual spy, enlisted at an early age in the Intelligence Service as a trainee, under the number 69. Would I kid about that? No, I would not.
So how do you reboot a beloved classic of British television? Personally I don’t think you can.
So before you ask, I prefer not to mention that film.
(6) CLIMATE ACTION ALMANAC. The Center for Science and the Imagination at Arizona State University has launched The Climate Action Almanac, a free collection of fiction, nonfiction, and art exploring positive climate futures, grounded in real science and in the complexities of diverse human and physical geographies. The book is presented in partnership with the MIT Press and supported by the ClimateWorks Foundation.
The Almanac features 8 individual works of science fiction, with four authors contributing two stories apiece: Vandana Singh, Gu Shi, Hannah Onoguwe, and Libia Brenda. Overall, the collection features contributions from more than 25 writers representing 17 different countries around the globe, from Argentina, Norway, and China to Nigeria, Germany, Malaysia, Sri Lanka, and more. On the science fiction front, there is also a dialogue between Kim Stanley Robinson and Zeid Ra’ad Al Hussein, the former UN High Commissioner for Human Rights.
(7) NOT OK IN OK. [Item by Mike Kennedy.] A certain Oklahoma state legislator might want to take advantage of any mental health benefits available in his medical plan. Representative Justin Humphrey apparently has a possibly-unhealthy obsession with Furries. Or, perhaps specifically, with the urban myth that Furries are being provided litter boxes by school systems. According to HuffPost, “An Oklahoma Republican Wants Animal Services To Remove Furries From Schools”.
A Republican legislator in Oklahoma who once said that transgender people have “a mental illness” introduced a bill this week that would allow animal services to remove students who identify as furries from school.
The bill, which was pre-filed ahead of Oklahoma’s legislative session, would bar students who “purport to be an imaginary animal or animal species, or who engage in anthropomorphic behavior commonly referred to as furries,” from school activities.
The legislation, sponsored by Republican state Rep. Justin Humphrey, may seem farcical. But the idea that schools accommodate students who identify as animals has its roots in a long-standing — and repeatedly debunked — conservative myth.
Republican legislators and candidates have for years claimed that schools are putting litter boxes in classrooms for students who identify as cats or furries. At least 20 GOP politicians peddled these claims in 2022, and used them as a way to sound the alarm over protections and accommodations for LGBTQ+ students, NBC News reported.
“What’s most provocative about this hoax is how it turns to two key wedge issues for conservatives: educational accommodations and gender nonconformity,” Joan Donovan, a researcher on media and politics at Harvard University, told the outlet at the time…
On the heels of Terry Bisson’s death I heard news that Howard Waldrop had died. And this morning I woke up to learn that Tom Purdom had also died. A profound 1-2 punch to the SF community, followed by a knockout. Bisson and Waldrop were two of the most original, indeed weirdest, SF writers; and if Purdom wasn’t as downright weird as those two he was as intriguing in his slightly more traditional fashion. All three writers wrote novels, but it’s fair to say they are all best known for their short fiction….
This is very hard for me to write. So please excuse its infelicities. I knew this man for a full fifty years.
Tom Purdom is dead. Not enough people will know what a loss this is. While he was as vivid and eccentric an individual as any of the rest of us, he absolutely refused to promote himself. I think he believed it was ungentlemanly. But those who knew him, cherished him.
Tom was the very heart of Philadelphia science fiction long before I came to town in 1974. He and his socially elegant wife Sara Purdom had monthly open houses where all the SF community was welcome–even rowdies like Gardner Dozois and myself. They two served as role models for Marianne and me.
His gatherings were as glittery events as our crew ever saw. I recall Milton Rothman discussing the physics of nuclear-powered aircraft, and I most vividly remember Jack McKnight (who machined the first Hugo trophies in his garage) pretending to steal our then-infant son Sean at one of these soirees….
(10) PETER SCHICKELE (1935-2024). The composer also known as “P.D.Q. Bach”, Peter Schickele, died January 16 at the age of 88.
Schickele won the Grammy Award for Best Comedy Album four years in a row from 1990-1994. He also won in 2000 for Best Classical Crossover album. Once, he included in a concert program book an airsickness bag, labeled “For Use In Case of Cultural Discomfort.”
His catalogue of more than 100 works includes the score for Silent Running (1972).
He hosted the radio show “Schickele Mix” for Public Radio International. In 168 episodes, produced between 1992 and 1999, he explored the elements, concepts and techniques that make music work, illustrated with classical, jazz and rock recordings, proclaiming in his introductions that “all musics are created equal.”
(11) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 18, 1953 — Pamela Dean, 71. So we come this Scroll to Pamela Dean, one of the writers I consider without equivocation to be one of the best fantasy writers ever.
She’s a member of two writing groups, of which the first was the Scribblies, with Nate Bucklin, Steven Brust, Emma Bull, Kara Dalkey,Will Shetterly and Patricia Wrede.
Then there was Pre-Joycean Fellowship. Love that name! It was a shared belief that was more or lesser seriously adopted by several writers to indicate that they value 19th-century values of storytelling. Steven Brust wrote that “it is in large part a joke, and in another large part a way to start literary arguments.”
Pamela Dean
Writers who are members include Steven Brust, Emma Bull, Kara Dalkey, Pamela Dean, Neil Gaiman, Will Shetterly, Adam Stemple and Jane Yolen. No idea when the Pre-Joycean Fellowship meet up for tea and biscuits, but they must, right?
Warning: this is my list of favorites, not a comprehensive overview though it comes close.
Tam Lin, based of course on that Child ballad, and set in the early Seventies at the fictional Blackstock College in Minnesota is just brilliant. It was nominated for a Mythopoeic Fantasy Award for Adult Literature. It’s certainly my favorite book by her.
Another Child Ballad, “Riddles Wisely Expounded”, is the root text of her novel, Juniper, Gentian, and Rosemary. I relish a story with a house that shouldn’t exist and a character who speaks in riddles. Quite delicious indeed.
And for my reading pleasure, the final set of works by her is The Secret Country trilogy consisting of The Secret Country, The Hidden Land and The Whim of the Dragon. A Royal family in considerable turmoil, witches, unicorns — what’s not to like? Really it’s superb storytelling at its best.
She’s written but thirteen short stories and a poem, six of which and the poem were published in the Laivek tales that were edited by Emma Bull and Will Shetterley who created that franchise. Yes, I’ve read the Laivek tales and they are really great fantasy. Hers are among the best here. (The one here was co-written with Patricia C. Wrede.)
All of the novels I like are now available from the usual suspects. Oh and what I thought but now know having just checked the usual sources was a single Laivek story with Wrede is actually multiple stories as it’s available here as Points of Departure: Liavek Stories, all three hundred sixty-four pages of it!
I’m very glad to see these nine Laivek stories getting published like this, and I’m hoping more Laivek writers do the same.
Arnold Schwarzenegger was briefly held by customs officers at Munich airport on Wednesday after allegedly failing to declare a €26,000 (£22,000) Audemars Piguet watch the Terminator star was planning to sell at an auction in aid of his climate crisis charity.
The Austrian-born actor and former governor of California, 76, was stopped at the airport for about three hours upon arrival from Los Angeles, according to the German tabloid Bild, which quoted customs officials.
Schwarzenegger was taken aside by officers who searched his luggage and found the watch, which the actor had allegedly not declared on his arrivals customs form….
A spokesperson for the main customs office in Munich said: “We have initiated criminal tax proceedings. The watch should have been registered because it is an import.”
Alison Scott, John Coxon and Liz Batty get the year started off correctly. We give listeners a round-up of forthcoming conventions (mostly in the UK), give Keanu Reeves a frank talking-to, and discuss some hot new SF.
A Chuck E. Cheese reality television series is now in development.
Per The Hollywood Reporter, Magical Elves, a production company that’s worked on shows such as Top Chef and Project Runway, is now developing a reality television series based on the Chuck E. Cheese restaurant chain.
The description of the series reads, “The format will feature stand-alone comedic physical challenges where duos of ‘big kids’ (a.k.a. adults) will compete over supersized arcade games — including pinball, air hockey, alley roller, and the human claw. The top ticket-earning duo will get the chance to exchange their tickets for prizes off the massive version of the iconic Chuck E. Cheese prize wall.”…
Astronomers have accidentally found an entire galaxy that appears to have plenty of gas — but no visible stars to speak of.
Their findings, which were presented this week at the annual meeting of the American Astronomy Society, may seem paradoxical on their face, but the discovery could provide a rare, possibly never-before-seen insight that challenges our understanding of how stars and galaxies are formed….
… The eerily empty object, called J0613+52, is located 270 million light years away, according to a Big Think writeup on the discovery, and at the very least appears to be a low-surface brightness galaxy (LSB).
As the name suggests, an LSB is significantly less bright than other glimmering objects that populate the night sky because the gasses it contains are so spread out that few stars are formed.
Still, this classification holds that such a galaxy would at least have some stars, and J0613+52, with seemingly none at all, could be something even more rare and elusive: a dark, primordial galaxy.
“This could be our first discovery of a nearby galaxy made up of primordial gas,” Karen O’Neil, a senior scientist of the Green Bank Observatory, said in a statement about the research….
(17) BARBIE’S DREAM HOUSE. Neil DeGrasse Tyson geo-locates Barbieland using visual details in the movie in this clip from The Late Show with Stephen Colbert as adapted by @EnigmaWorldOfficial.
https://www.youtube.com/shorts/sBTr9REX7JY
(18) YOU’RE LOCKED INSIDE WITH ME. Isn’t that what Rorschach said was the inmates’ problem? There’s good reason to call this “The Creeptastic ‘Abigail’ Trailer”. The film arrives in theaters on April 19.
Children can be such monsters!. You just can’t ‘dance’ around the subject. If you need convincing, check out Radio Silence’s first trailer for the horror film ‘Abigail,’ featuring a very, very creepy kid. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, as they discover that they’re locked inside with no normal little girl.
[Thanks to John King Tarpinian, Chris Barkley, Kathy Sullivan, Daniel Dern, Joey Eschrich, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
…Criticisms of Starship Troopers’ themes, while hyperbolic, were not entirely off-base.In Heinlein’s world, the idealmilitary life is violent, abusive, and deindividualizing; death is and should be omnipresent at every stage of training. For example, there’s the basic training exercise in which
“… they dumped me down raw naked in a primitive area of the Canadian Rockies and I had to make my way forty miles through mountains. I made it [by killing rabbits and smearing fat and dirt on his body] … The others made it, too… all except two boys who died trying. Then we all went back into the mountains and spent thirteen days finding them…. We buried them with full honors to the strains of ‘This Land Is Ours’… They weren’t the first to die in training; they weren’t the last.”
Through the eyes of Johnnie, we experience an intensity of life that makes civilian existence seem anemic, even pathetic….
…With all that being said, it feels wrong to mention Fourth Wing in the same breath as Starship Troopers. Putting aside the fact that Fourth Wing is a poorly-written work whose prose has been critiqued to death by many people before me, the two books seem to represent opposing moments in publishing history. Heinlein, for all his faults, was writing “up” for an audience of teens, treating them as adults and including them in the sphere of “adult” science fiction, with complex worldbuilding and (relatively) sophisticated themes. Sixty years later, Fourth Wing and its team (author Rebecca Yarros and Entangled Publishing) represent a publishing world moving in the opposite direction: creating books for adults in an actively juvenile style, and cultivating an audience of adult readers who no longer demand that published books have good writing at all so long as they check necessary boxes of sensation and eroticism.
But thematically and content-wise, the two books are as close as one could possibly get. Fourth Wing, like Starship Troopers, sells a military coming-of-age story in which mass death is a part of the allure (“brutally addictive,” says the cover blurb). Someone on Reddit puts the death count of Fourth Wing at 222 cadets, plus an untold number of civilians — though it’s widely considered a “fluff” read. Its primary audience (and the primary audience of most mainstream fantasy now) is female, young, progressive, and would probably be aghast at being compared to grimdark bros, Heinlein apologists, or men in general. And yet here we all are, hooked on the same stuff….
…First published in paperback by Ace Books, the novel sported cover art by award-winning artists and biracial couple Leo and Diane Dillon. Their painting featured profiles of the book’s protagonists in the left bottom corner looking off into the distance. Surrounding the pair is a blue and white celestial-like scene with what appears to be a brown planet and a spaceship hovering above.
(Leo Dillon, of Trinidadian descent, died in 2012. He was the first African American to win the prestigious Randolph Caldecott Medal for illustrators of children’s books, while the Dillons were the only consecutive winners of the award, having received the honor in 1976 and 1977.)
The Dillons’ original 17 and 1/4 by 13 inches acrylic painting is now being offered for sale for the first time at the Antiquarian Booksellers’ Association of America global book fair taking place in San Francisco in early February. The asking price is $20,000.
“It is literally unique. This is it, the original and not a print,” said Mark Funke, a rare bookseller who lives in Mill Valley where his business is also located.
Scouting out shops in the East Bay several years ago looking for new material to sell, Funke had received a tip about the sale of various items from a home in the Oakland hills. It led him to receive an invite from the executor of the estate to come to the house.
To his amazement, Funke had stumbled onto the archives of three individuals involved in the world of science fiction writing. One was the late Terry Carr, an editor at Ace Books who published the works of Le Guin and other sci-fi authors and died in 1987. While most of Carr’s personal papers had gone to UC Riverside, Funke found several boxes still in the house and acquired them….
… Funke is now handling its sale on behalf of the Carr and Lichtman Estate. He will have it available on a first-come, first-served basis at his booth at the book fair.
“I am pricing it high for the artists but, I think, reasonable for it being Le Guin’s most famous novel. She won awards for it, and it ratcheted her up to the greats of science fiction,” said Funke. “It’s got very topical content; this idea of the planet Gethen and ambisexual individuals. I just think it is fascinating and a very active topic in today’s discussion.”
In a statement to the B.A.R. about the sale, the executor for the family estate said, “The Carr-Lichtman family has treasured this artwork for over 50 years and now it is time to find a new owner who will cherish this remarkable work of science fiction publishing history for the next 50 years.”…
We have partnered with the University of Delaware for an academic illustrated catalog of the Korshak Collection. We don’t want to give away all of our surprises, but the catalog will include a foreword by New York Times bestselling author Neil Gaiman and entry by Pulitzer prize winner author Michael Dirda, as well as an interview with the Hugo Award winning artist Michael Whelan. We are so grateful for this partnership and all of the outstanding contributions that have made this project possible.
… This is a fascinating book, and, for Captain Britain fans, a definite buy. For comic fans interested in Marvel UK, of great interest. Yet it is also an excellent autobiography, a very readable and personal exploration of a comic fans desires, aspirations and progression to be a writer and an insight into how Marvel UK was, and offers real honesty when it comes to a comics career that took an interesting turn that saw David Thorpe’s work in the industry elsewhere. The story is brimful, and includes how another comic related moment saw him turn to a very successful career beyond comics, one that arguably has made a real difference to the world….
… David Thorpe came up with the concept of Earth 616, and he describes it as a Stan Lee styled “Hoo Boy” moment when he heard Mysterio say “This is Earth dimension 616. I’m from Earth 833.” to Spider-Man in Spider-Man: Far From Home and that is something that any comic reader can appreciate, many of whom have imagined themselves as writers….
A golden glow illuminated the employees huddled inside a Hex & Co. cafe on the Upper East Side, a haven created for board game enthusiasts to gather for fantastical quests.
Meticulous campaigns were second nature to these workers — how many times had they infiltrated an obsidian castle or vanquished a warlock? They had been immersed in this particular adventure for months, navigating a labyrinth governed by strict rules and made harrowing by unfamiliar tasks and tests. Now they gathered to plot their final triumph: unionization.
On that Tuesday in September, Hex & Co. workers confronted their bosses with a demand for recognition. Less than two months later, they voted to join Workers United, the same group that has been organizing workers at Starbucks stores across the United States. The workers at the three Hex & Co. locations across New York City were just the first employees of a board game cafe in the city to unionize. Workers at the Uncommons and the Brooklyn Strategist followed this month.
All the stores fall under the ownership of either Jon Freeman, Greg May or both, and they pleaded with their employees not to unionize, saying that a union would wipe out the “flexible and open-door atmosphere we have tried to foster.”
Teaching board games is a far cry from swinging a miner’s pick or working numbing hours on an assembly line. In fact, many of the cafe workers said they hung out at their workplaces in their off hours. But in the end, complaints over dollar-an-hour raises and bands of unruly children reigned: Among the 94 employees who voted, only 17 dissented….
…Only 10 percent of American wage and salary workers were union members in 2022, a historical low, according to the Bureau of Labor Statistics. The food-service sector’s membership rate was less than 4 percent. But this fiscal year saw the most representation filings since 2015, according to the National Labor Relations Board.
Young workers “are willing to take risks, because they feel like their future is at stake,” said Kate Bronfenbrenner, the director of labor education research at Cornell University.
After slogging through a recession and a pandemic, many found themselves earning minimum wage while corporate profits soared, she said….
(6) AI AS SEEN BY THREE SFF AUTHORS. The River Cities’ Reader tells fans how to access the “Virtual Event: ‘Speculating Our AI Future,’” with Cory Doctorow, Ken Liu, and Martha Wells on January 11.
Designed for those fascinated by, or terrified about, the rise of artificial intelligence is invited to a January 11 virtual event hosted by the Rock Island and Silvis Public Libraries, when Illinois Libraries Present’s Speculating Our AI Future finds bestselling science-fiction writers Cory Doctorow, Ken Liu, and Martha Wells in discussion on the promise, perils, and possible impacts that AI will have on our future, as well as AI as portrayed in contemporary and future science-fiction writing.
The Speculating Our AI Future panel discussion with Corry Doctorow, Ken Liu, and Martha Wells will begin on January 11 at 7 p.m., participation in the virtual event is free, and more information is available by calling (309)732-7323 and visiting RockIslandLibrary.org, and calling (309)755-3393 and visiting SilvisLibrary.org.
Cory Doctorow, Ken Liu, Martha Wells.
(7) GRAPHIC EXAMPLES. Sam Thielman hits the high notes in a review of “The Year in Graphic Novels” for the New York Times.
Good graphic novels tend to appear in bookstores seemingly out of nowhere after years of rumors, scattershot serialization, “process” zines and snippets posted to social media. As literature, long-form comics are uniquely resistant to editing. As visual art, the cartoonist is in the weird position of having no access to the final product until it’s presented to the public. So it’s frankly miraculous when we get as many good comics as we do. This year there were remarkable new books from established masters and freshman graphic novels from brilliant young artists. Better still, a gratifyingly thick stratum of our 2023 stack was devoted to making us laugh. It’s a rich conversation, and one that promises to continue into next year and long beyond.
From the moment you open it, Daniel Clowes’s MONICA (Fantagraphics, 108 pp., $30) announces its ambition. Against the weird hellscape of its front endpapers, the title spread depicts the world at its lifeless, churning, brightly colored beginning. Then all of time (so far) goes by in a whoosh on the next two pages — the dinosaurs, Jesus, Hitler, Little Richard, Sputnik — alongside the copyright boilerplate and the names of the editors and publicist. In Clowes’s smooth lines and precise hues, the rest of the book borrows styles from war, horror and romance comics to tell the story of an ordinary woman trying to give her life some meaning. Is such a thing even possible? Could the attempt destroy everything?…
(8) EVA HAUSER (1954-2023). Past fan fund winner (GUFF) Eva Hauser died December 23 at the age of 69. Here is an excerpt from Jan Vaněk Jr.’s tribute on Facebook:
I am sad to announce that the 1992 GUFF delegate died on Friday 22nd. Eva Hauser[ová] travelled from Prague, still-Czechoslovakia to Syncon ’92 in Sydney, and then to Melbourne and back.
If you were there (despite the small attendance, the trip report reads like the Who Is Who of a golden age of the Australian fandom, and a testimony to their hospitality. Even though so much, and many, have already been lost in time, like tears in rain…), you may remember; and then you will understand why Eva is so much-lamented and widely eulogised from many different communities she was a part of….
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born December 27, 1951 — Charles Band, 72. We have come tonight to honor a true film genius in Charles Band. He entered film production in the Seventies with Charles Band Productions. Dissatisfied with distributors’ handling of his movies, he formed his own company in the early Eighties. At its height, he would release an average of two films a month, one theatrically and one on home video.
So what are you going to recognize out of his hundreds of films?
Most of his films paid the cast next to nothing, were notoriously lax on safety measures according to State officials who fined him considerable amounts over the years and he paid screenwriters, well, guess.
Trancers, also released as Future Cop, the first of a series, which I’ve seen and liked, had Tim Thomerson and Helen Hunt in the lead cast. Supposedly the detective here is homage to Bogart’s various detective roles.
As producer, he did Metalstorm: The Destruction of Jared-Syn. Richard Moll who is in the cast and he shaved his head for his role here. The Night Court producers liked the look for Moll, so he continued shaving his head for the show.
Now he also produced a lot of more frankly sleazy SF such as Slave Girls from Beyond Infinity, Galactic Gigolo, and Space Sluts in the Slammer, and the post-apocalypse zombie films, Barbie & Kendra Save the Tiger King and Barbie & Kendra Storm Area 51.
His autobiography has a title that’s every bit has as over the top as most of some of film titles are, Confessions of a Puppetmaster: A Hollywood Memoir of Ghouls, Guts, and Gonzo Filmmaking.
One final note. His entire financial house of cards collapsed in the late Eighties and was seized by various banks who in turned sold the assets off to MGM, so you’re likely to see one of his films streaming just about anywhere these days.
“No more stories.” So ends Joanna Russ’s great novelette “The Second Inquisition.” But in many ways the story is about stories — about how we use them to define ourselves, protect ourselves, understand ourselves. It’s also, in a curious way, about Joanna Russ’s stories, particularly those about Alyx, a woman rescued from drowning in classical times by the future Trans-Temporal Authority….
(11) CORE TELEVISION. [Item by Olav Rokne.] Now, I don’t agree with everything in this article (for one thing, Foundation is execrable.) But it is an interesting look at what Apple+ is doing in SFF and why so much of it works. “The Best Sci-Fi Shows of 2023 All of Have One Shocking Thing in Common” at Inverse.
…For All Mankind isn’t the only sci-fi show pushing the limits of the genre on Tim Cook’s dime. The Apple CEO has been quietly funding some of the best science fiction TV in recent memory, ranging from the centuries-spanning Isaac Asimov adaptation Foundation to the mind-bending near-future of Severance to the globe-trotting Godzilla spinoff series Monarch: Legacy of Monsters — to name just a few.
And while it’s hard to say what exactly defines an Apple sci-fi show, Inverse spoke to several showrunners and producers who all agree the tech giant brings a unique, futurist perspective to the genre that — when combined with endless cash — helps explain why, all of a sudden, it seems like the best science fiction television is all coming from the same company that sold you your iPhone….
… One thing you can say about pretty much any show or movie on Apple TV+ is that it probably looks gorgeous. While many Netflix productions have a certain flatness to them that can make it feel like the streamer has been cutting corners, Apple is pouring a lot of money into the look (and star power) of its original series — it helps to have a trillion-dollar cash pile, even if Amazon and Disney are still outspending the MacBook maker….
Just as you can count on our planet making a full rotation around the sun every 365 days or so, you can also rest assured that SYFY will use the key of imagination to unlock its annual New Year’s marathon of The Twilight Zone. The honored tradition of airing Rod Serling’s groundbreaking anthology series won’t be going anywhere anytime soon. In fact, the 2023-24 edition is super-sized, with the marathon spanning a total of three whole days — starting Saturday (December 30) and ending Tuesday (January 2).
Who needs to smooch someone at midnight when you’ve got Jason Foster (Robert Keith) teaching his wicked family members a lesson they’ll never forget in “The Masks”? Fittingly enough, the classic episode — which revolves around a collection of vain and greedy individuals ordered to wear hideous masks until the stroke of midnight — will air about 40 minutes before the ball drops. If someone offers you a grotesque party favor along with that glass of Champagne, you might want to turn it down….
(13) CHINA’S MIXED SIGNALS ON VIDEO GAME PLAYING. “Will China Ease Its New Video Game Controls? Investors Think So.” The New York Times says, “After a market rout, gaming companies like Tencent and Netease rally on signals that regulators might apply proposed curbs on users less harshly than feared.”
…The events of the past several days underline the push-and-pull forces in Chinese policymaking. The country’s top leaders have acknowledged they need to stabilize the economy, which has been slow to recover from being virtually locked down during the Covid pandemic. But the government’s tight control of how companies do business continues to inject uncertainty into the markets.
China’s National Press and Publication Administration, which issues licenses to game publishers and oversees the industry, unveiled a proposal on Friday aimed at effectively reducing how much people spend playing games. The plan took the industry by surprise, and investors dumped tens of billions of dollars in company stock.
The regulator issued a statement on Saturday stressing that the draft rules aim to “promote the prosperity and healthy development of the industry,” and said it is “listening to more opinions comprehensively and improving regulations and provisions.”
Then on Monday, the agency announced that it had licensed about 100 new games, after licensing 40 others on Friday. And a semiofficial association affiliated with the agency said that the additional game approvals were “positive signals” that the agency supports the industry.
The new regulations would cap how much money users could spend within games on things like upgrading the features of characters or procuring virtual weapons or other things used by the characters. It would also ban rewards that companies use to entice players to return. The proposal did not specify a spending cap…..
… The industry is still reeling from earlier restrictions first imposed in 2019 aimed at what the government deemed was an online gaming addiction among minors, as well as a broader crackdown against tech companies. Regulators also stymied publishers by not issuing any new game licenses for an eight-month stretch that ended in April 2022….
Outer Space is so huge, there’s really no way to wrap your head around the entire thing. This makes it all make sense.
(15) VIDEO OF THE DAY. [Item by Dann.] A tale of old Japan. A tale as old as time. A beleaguered hero looking to avenge past wrongs. Western forces looking to control a local government. A beauty of a beast.
When the culture and government deny any usual path to survival, much less happiness, our hero seeks unusual opportunities instead. Learning the secrets of steel. Surreptitiously learning the secrets of the sword. All of them.
Eventually, our hero sets out on a path of vengeance leaving rivers of blood along the way. Companions are found, whether or not our hero desires their companionship.
Each character is well-developed with unique strengths, flaws, and motivations. Even the villains have a compelling story to tell.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Dann, Olav Rokne, Michael J. Walsh, James Bacon, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) NEW VONDA MCINTYRE COLLECTION. Clarion West has announced that Little Sisters and Other Stories, a collection of short fiction by Clarion West founder and life-long supporter, Vonda N. McIntyre, will be released April 23, 2024 and is available for preorder now.
With story notes by Una McCormack, this collection spans the whole of McIntyre’s career, showing the broad range of her interests and her voice, taking us from bleak dystopian worlds on the verge of environmental collapse to baroque intergalactic civilizations populated by genetically modified humans; from cries for freedom to sharp-eyed satire to meditations on aging.
Published by Gold SF, an imprint of Goldsmiths Press dedicated to discovering and publishing new intersectional feminist science fiction, the collection captures McIntyre’s distinctive themes of gender and power dynamics, human and species diversity, and a pragmatic utopianism that emphasizes our mutual dependency.
Featuring previously uncollected stories from McIntyre’s earlier career, including her first published piece, “Breaking Point” (1970), as well as McIntyre’s last two vivid and provocative pieces, the award-nominated “Little Faces” (2005) and “Little Sisters” (2015). One story, “XYY,” was intended for The Last Dangerous Visions edited by Harlan Ellison, and we are pleased to present it here for the first time.
The ten stories in this collection include:
Breaking Point
Thanatos
Shadows, Moving
Elfleda
A Story for Eilonwy
Malheur Maar
The Adventure of the Field Theorems
Little Faces
Little Sisters
XYY
Clarion West is also actively seeking a publisher for The Curve of the World, Vonda’s last manuscript. Direct inquiries about that work and Vonda’s other stories to Jennifer Goloboy with the Donald Maass Literary Agency.
(2) AND WHEN IT ENDS, NO ONE CATCHES IT. The Westercon business meeting held at last weekend’s Loscon voted “None of the Above” when asked to pick a 2025 site, for reasons explained in Kevin Standlee’s post “Westercon 77 Site Selection Detailed Results”. Then they authorized a Caretaker Committee of Kevin and Lisa Hayes to consider proposals that may be made to host the con.
No bids filed to host the 2025 West Coast Science Fantasy Conference (Westercon 77). Nineteen voting fees were paid to vote in the election at Westercon 75 (Loscon 49) In Los Angeles on November 24, 2023, and nineteen ballots were cast. The detailed results were reported to the Westercon 75 Business Meeting on November 25. As there were no filed bids, none of the write-in votes were for valid candidates, and consequently None of the Above won, referring the selection to the Business Meeting.
The Westercon 75 Business Meeting awarded Westercon 77 to a “Caretaker Committee” consisting of Kevin Standlee and Lisa Hayes, with the understanding that this committee will entertain proposals from groups that want to host the 2025 Westercon and select from among them, then transferring the right host Westercon 77 to one of those groups. The Caretaker Committee will announce additional details on how they will proceed before the end of 2023.
…There was nothing in Drew Ortiz’s author biography at Sports Illustrated to suggest that he was anything other than human.
“Drew has spent much of his life outdoors, and is excited to guide you through his never-ending list of the best products to keep you from falling to the perils of nature,” it read. “Nowadays, there is rarely a weekend that goes by where Drew isn’t out camping, hiking, or just back on his parents’ farm.”
The only problem? Outside of Sports Illustrated, Drew Ortiz doesn’t seem to exist. He has no social media presence and no publishing history. And even more strangely, his profile photo on Sports Illustrated is for sale on a website that sells AI-generated headshots, where he’s described as “neutral white young-adult male with short brown hair and blue eyes.”
Ortiz isn’t the only AI-generated author published by SportsIllustrated, according to a person involved with the creation of the content who asked to be kept anonymous to protect them from professional repercussions.
“There’s a lot,” they told us of the fake authors. “I was like, what are they? This is ridiculous. This person does not exist.”…
… After we reached out with questions to the magazine’s publisher, The Arena Group, all the AI-generated authors disappeared from Sports Illustrated‘s site without explanation.
Initially, our questions received no response. But after we published this story, an Arena Group spokesperson provided the following statement that blamed a contractor for the content…
A disclaimer has been added to the pages noting that “a 3rd party” created the content and that Sports Illustrated editorial staff were not involved.
However, the article includes examples of the same issue with The Arena Group’s other publications.
…Though Sports Illustrated‘s AI-generated authors and their articles disappeared after we asked about them, similar operations appear to be alive and well elsewhere in The Arena Group’s portfolio.
Take TheStreet, a financial publication cofounded by Jim Cramer in 1996 that The Arena Group bought for $16.5 million in 2019. Like at Sports Illustrated, we found authors at TheStreet with highly specific biographies detailing seemingly flesh-and-blood humans with specific areas of expertise — but with profile photos traceable to that same AI face website. And like at Sports Illustrated, these fake writers are periodically wiped from existence and their articles reattributed to new names, with no disclosure about the use of AI….
And there are further examples of other companies that have been detected running AI-generated content.
…Shortly after noon today, the Sports Illustrated Union, which bills itself as a the publication’s “united editorial staff” organized under the New Guild of New York, issued a response on social media….
Our response to today’s story from @futurism reporting that The Arena Group has published AI-written stories by fake people under the Sports Illustrated name: pic.twitter.com/QcR4iGOi5w
Michael Connelly is one of several authors suing the tech company OpenAI for “theft” of his work. Nicola Solomon, outgoing Society of Authors CEO, and Sean Michaels, one of the first novelists to use AI, discuss the challenges and opportunities facing writers on the cusp of a new technological era.
…In 1996’s Excession, the fourth of Banks’s sci-fi novels set in the symbiotic human/machine intergalactic utopia of the Culture, artificial intelligence clever-clogs known as Minds entertain themselves by experimenting with the options sliders on virgin galaxies to analyse the pinballing ways in which they might evolve. This God Mode mucking about is interrupted when an inscrutable but all-powerful onyx sphere appears on the edge of Culture space. In interviews at the time Banks likened that plot development to the stomach-dropping sensation in Civilization of seeing a fleet of AI-controlled ironclad warships on the horizon when your fledgling society has barely mastered clay pots and raffia mats….
(6) A YEAR FROM NOW. Loscon 50 “Celebrating 50 Loscons” will be held next Thanksgiving Weekend at the LAX Hilton. Congratulations to the GoHs!
Guests of Honor Writer: SPIDER ROBINSON Musical Artist: KATHY MAR Artist: DR. LAURA BRODIAN FREAS BERAHA Ghost Artist: FRANK KELLY FREAS Fan: GENNY DAZZO AND CRAIG MILLER
…“It’s a compulsion,” Snyder admits on a balmy November day at his compound in the hills above Pasadena. He’s sitting in his home office, a modernist cube that also contains a screening room, an editing bay and a gym. Steps away is the pottery studio Snyder recently constructed on the property for his new hobby. Not far from that, near the pickleball court, is his family’s sprawling dwelling, a midcentury glass-and-concrete structure that bears more than a passing resemblance to Bruce Wayne’s house in Snyder’s 2016 film Batman v Superman: Dawn of Justice.
Snyder’s compulsion to mold — and pull apart — has made him one of the most argued-about directors of the past couple of decades. To some, he was the savior of the DC superhero universe. To others, he was its destroyer. But his latest film, Rebel Moon, is something of a departure from his career trajectory up till now, a shift in genres, if not necessarily in tone or ambition, and perhaps a refreshing change of pace from the controversy magnets he was making in the 2010s. For one thing, his new film contains not a single comic book character for him to darkly reimagine. Instead, it’s a big-budget space epic about a group of outlaw rebels on a remote planetoid who battle an evil empire. Think Star Wars, only grittier, more violent, sexier and R-rated (at least in the negotiated director’s cut, but more on that later).
Ironically, Rebel Moon arrives on Netflix on Dec. 22, the very same date that Snyder’s former home, Warner Bros., will be releasing Aquaman and the Lost Kingdom. Snyder had nothing to do with that sequel, but technically it’s the final film in the so-called SnyderVerse, the constellation of DC comic book-inspired pictures — some of which Snyder directed, some of which he produced, most featuring actors he initially cast, like Henry Cavill in 2013’s Man of Steel, and Gal Gadot and Jason Momoa in the original 2016 Batman v Superman: Dawn of Justice — that all carry Snyder’s inimitable underglaze….
The news comes on the 35th anniversary of the DC comic book series on which the show is based. Neil Gaiman, who wrote the comics and developed the TV series, celebrated the occasion with a letter to fans promising that “good things are coming.” Netflix also shared a new photo that shows Tom Sturridge, who plays Dream, and Mason Alexander Park, who plays Desire, on set….
… It was always clear that Compton was a major writer who never found a mass audience. And so he received two awards that were aimed at bringing deserved attention to neglected writers: the SFWA Author Emeritus in 2007, and the Cordwainer Smith Rediscovery Award in 2021….
(10) TAKING A BITE OUT OF COLLECTORS. The Wikipedia article on “Vampire killing kit” buries the lede, which I suppose is fitting to the subject, but gets there eventually.
…The items within vampire killing kits often date to the 19th century, although they may be combined with items such as paper labels that are significantly more recent.[1][8]
The kit in the collection of the Royal Armouries contains a pocket pistol dating from around the middle of the 19th century, wooden stakes with a mallet, a crucifix, jars for holy water, soil and garlic, a rosary, and an 1851 Book of Common Prayer.[3] The case has been assessed as dating to around 1920, although the full kit was likely assembled circa 1970 or later.[9]…
(11) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born November 29, — Madeleine L’Engle. (Died 2007.) I first encountered her not as a genre writer but through her more literary work in the form of her Katherine Forrester Vigneras series, A Small Rain and A Severed Wasp which tell the tale of a woman who’s a pianist, first in her teens and then when she’s in her seventies. Most decidedly worth reading.
Then came the Time Quintet of A Wrinkle in Time, A Wind in the Door, A Swiftly Tilting Planet and Many Waters. Truly extraordinary novels. I see that A Wrinkle in Time won a Newberry Award which it richly deserved.
I did not know until I was writing this up that there was a second series of four novels set a generation after these novels. Who’s read them?
There’s serious amounts of her writing that I’ve not touched upon as I’ve not read them, her in-depth Christian writings, her Children’s books, her non-fiction, her poetry and her more literature undertakings. Even a play was done by her.
I did see the 2003 four miniseries version of A Wrinkle in Time that Disney did and I share what L’Engle told Time: “I have glimpsed it. I expected it to be bad, and it is.” And we will not talk about the Disney 2018 A Wrinkle in Time film as polite company doesn’t do that.
She would receive a World Fantasy Award for Lifetime Achievement.
(13) WHERE BEAR? THERE CASTLE. The New York Times finds that “With an Artist’s Help, Paddington Can Go Anywhere”. “For nearly 1,000 straight days, Jason Chou has inserted Paddington, the anthropomorphized bear, into absurd situations. He has no plans to stop.”
I Photoshop Paddington into a movie, game, or TV show until I forget: Day 880 pic.twitter.com/TCoNXyi1n0
(14) VIRTUAL MONUMENTS. [Item by Andrew (not Werdna).] Reminds me of something from William Gibson – the “locational art” from “Spook Country”, “The Statue Wars Turn to Cyberspace” in The New Yorker.
…Brewster is a co-founder of the Kinfolk Foundation, an organization attempting to remake the city’s streetscape with an app. In 2017, Brewster was working at Google, and he was among the many local activists who tried and failed to persuade lawmakers to remove the towering statue of Christopher Columbus on Fifty-ninth Street. “We were, like, ‘All right, we lost that one,’ ” Brewster recalled. “So we started creating monuments.”
Each was fashioned not from bronze or marble but from bits and bytes in the cloud, visible only on screens using augmented reality. “You can build hundreds of digital monuments for the price of one physical one,” he said.
He believes that in a nation where there are ten times as many monuments honoring mermaids as honoring U.S. congresswomen, and where statues of Robert E. Lee outnumber those of Frederick Douglass, having more diverse monuments makes more sense….
… This week, without permission from the city’s bureaucrats, Kinfolk is placing four new statues around town. The installations were created in collaboration with the Black artists Hank Willis Thomas, Pamela Council, Derrick Adams, and Tourmaline. Thomas’s piece is a three-hundred-foot Afro pick in the East River, looming over the Brooklyn Bridge. Adams designed two huge statues representing Alma and Victor Hugo Green, who, in the nineteen-thirties, began publishing the “Green Book” travel guide, which identified businesses around the U.S. that welcomed Black customers. Tourmaline explained, of Kinfolk, “It’s kind of like Pokémon Go. You didn’t know it was there—until you did.”…
(15) DON’T LET THE SOUND OF YOUR OWN MEALS DRIVE YOU CRAZY. [Item by Mike Kennedy.] Scientist believe they have found a pattern of brain activity that helps explain misophonia—an abnormal reaction to sounds that may include anger, disgust, panic, and other strong emotions or physical reactions. Triggers may include eating sounds (chewing, slurping, smacking, etc.), repetitive clicking or tapping sounds (e.g., clock ticks), and more. “What is misophonia? Causes and why the sound of chewing angers some” at USA Today.
Noises such as chewing, slurping, sniffing and heavy breathing are common triggers, as well as clicking, tapping and other repetitive noises that come from objects like clocks and fans….
…“People without misophonia struggle to understand it because they also don’t like certain sounds, in the same way that people don’t understand ADHD because they relate to having trouble concentrating,” said Jane Gregory, a clinical psychologist with the University of Oxford who studies the disorder. “It’s not that people with misophonia don’t like the sound — it’s that their body is reacting as if that sound is somehow dangerous or harmful.”…
At first it was just one flower, but Emmanuel Mendoza, an undergraduate student at Texas A&M University, had worked hard to help it bloom. When this five-petaled thing burst forth from his English pea plant collection in late October, and then more flowers and even pea pods followed, he could also see, a little better, the future it might foretell on another world millions of miles from Earth.
These weren’t just any pea plants. Some were grown in soil meant to mimic Mars’s inhospitable regolith, the mixture of grainy, eroded rocks and minerals that covers the planet’s surface. To that simulated regolith, Mr. Mendoza had added fertilizer called frass — the waste left after black soldier fly larvae are finished eating and digesting. Essentially, bug manure.
The goal for Mr. Mendoza and his collaborators was to investigate whether frass and the bugs that created it might someday help astronauts grow food and manage waste on Mars. Black soldier fly larvae could consume astronauts’ organic waste and process it into frass, which could be used as fertilizer to coax plants out of alien soil. Humans could eat the plants, and even food made from the larvae, producing more waste for the cycle to continue.
While that might not ultimately be the way astronauts grow food on Mars, they will have to grow food. “We can’t take everything with us,” said Lisa Carnell, director for NASA’s Biological and Physical Sciences Division.
But gardening doesn’t just require a plot of land, a bit of water, a beam of sunlight. It also requires very animate ingredients: the insects, like black soldier flies, and microorganisms that keep these ecological systems in working order. A trip to Mars for a long-term stay, then, won’t just involve humans. It will also involve creeping, crawling carry-ons most people don’t think about when they envision brave explorers stepping foot on new worlds….
…The recipe, roughly: Pancake mix, puffed rice, Grape-Nuts and instant coffee, with water in the mixture. The chocolate chips are made using hot glue sticks — essentially colored gobs of glue.
The cookies do not have oils, fats or sugars. Those would stain Cookie Monster. They’re edible, but barely.
“Kind of like a dog treat,” MacLean said in an interview.
Before MacLean reinvented the recipe in the 2000s, the creative team behind “Sesame Street” used versions of rice crackers and foams to make the cookies. The challenge was that the rice crackers would make more of a mess and get stuck in Cookie’s fur. And the foams didn’t look like cookies once they broke apart.
For a given episode, depending on the script, MacLean will bake, on average, two dozen cookies. There’s no oven large enough at Sesame’s New York workplace, so MacLean does almost everything at home….
… Using a novel AI process to decode ancient cuneiform tablets, they leveraged a sophisticated AI model based on the Region-based Convolutional Neural Network (R-CNN) architecture, a specialized system designed for object recognition. The study utilized a unique dataset consisting of 3D models of 1,977 cuneiform tablets, with detailed annotations of 21,000 cuneiform signs and 4,700 wedges.
The AI’s methodology entailed a two-part pipeline: initially, a sign detector, built on a RepPoints model with a ResNet18 backbone, identified cuneiform characters on the tablets. In simple terms, the RepPoints model combs through the ResNet18 collection of images connected to the Mesopotamian languages and then combines the patterns to ‘see’ the text. This step was crucial for locating the signs accurately. Subsequently, the wedge detector, using Point R-CNN with advanced features like Feature Pyramid Network (FPN) and RoI Align, classified and predicted the wedges’ positions, which forms the basis of the cuneiform script’s fundamental elements, allowing the AI, in effect, to ‘read.’…
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew (not Werdna), Lise Andreasen, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
In the ever-evolving landscape of Doctor Who, the iconic British series has taken a recent turn that spotlights its growth from a stringent past. Known for its gallivanting through space and time, the beloved show is breaking down its own historical barriers, particularly one peculiar rule that harkens back to the 1980s….
…The pivot to emotional resonance is most pointedly realized in new scenes surrounding the omnibus of Earthshock, penned by Davies himself. Here, the Memory TARDIS acts as a vessel more for emotional catharsis than for space-time travel, facilitating a heart-to-heart between the Doctor and Tegan as they process the demise of Adric, a narrative beat scarcely imagined in the show’s earlier format where stiffer upper lips prevailed.
During the 1980s, producer John Nathan-Turner’s tenure was marked by an austere decree: no displays of affection within the TARDIS. Dubbed as the “no hanky panky” mandate, it stretched beyond romantic implications to ban even the simplest of hugs, lest they be misconstrued. This directive cast a chilly pall over the TARDIS, muting the warmth that might have been shared between the Doctor and companions. Davies, with a knowing wink, playfully critiques this through dialogue that bridges the three-decade emotional gap.
It’s through exchanges like the Fifth Doctor‘s quip, “We never really did this sort of thing, did we?” and Tegan’s response, “We do now!” that the series acknowledges its own thaw. This meta-commentary doesn’t just point to a thawing of the ’80s chill; it’s also a tribute to Davies’ contribution to the series’ tonal shift when he revived it in 2005….
…Somewhat miraculously, Isaac Butler, a journalist and new-hatched Ford enthusiast, was able to track down his heirs and untangle the issue, which was apparently largely due to his agent leaving the field approximately as he died. Thus many of his novels have been reprinted, and some more books may be in the offing. The first to be reprinted was The Dragon Waiting….
… I won’t say much more about the plot — perhaps I’ve already said too much. But it is rich and complicated, and there are many more fascinating characters to meet: Richard III, of course (though he’s not yet the king); a Christian Welsh witch named Mary Setright; Anthony Woodville, brother-in-law to King Edward IV, and man regarded as a renaissance man, England’s perfect knight; numerous other intriguers, including for example John Morton, rumored to be a wizard; and of course Edward’s young sons, the famous “Princes in the Tower”. There is lots of action — battles, daring rescues, desperate treks. There is lots of magic — wizardly spells, a remarkable dragon, alchemy. There are acts of wrenching heroism, and of dreadful treachery, and some that might be both at once. The resolution is powerful and moving.
But most of all there is character. Cynthia’s agony over her acts of violence, in violation of her oath as a doctor. Hywel’s battles with letting is wizardly powers consume him — apparently always a danger. Dimitrios’ attempts to find a man to whom to be truly loyal. And Gregory’s agonized struggle with his vampiric needs. I am no fan of vampire novels, on the whole, but I rank two as truly worthy: George R. R. Martin’s Fevre Dream, and this novel….
LORD BYRON intended to publish his memoir, but his literary executor burned it instead. T.S. Eliot is thought never to have wanted songs made about his cats. Terry Pratchett, a British fantasy writer, had imagination: his former assistant honoured Pratchett’s wish to have a steamroller crush a hard drive containing the author’s unfinished stories.
Roald Dahl, author of dark, delightful children’s tales, might have done something equally drastic had he known scriptwriters would conjure up a teenaged Willy Wonka. Dahl, who died in 1990, detested the first film made of his “Charlie and the Chocolate Factory”. It is hard to imagine him cheering its prequel, “Wonka”, which will be released in December. In it, young Willy, played by Timothée Chalamet (pictured), faces off against a chocolate cartel.
Authors have long tried to control what happens to their works after they die—and mostly failed. Yet Dahl’s legacy represents a new twist in the tale. Huge sums paid in 2021 for his estate by Netflix, a streaming service, have helped spur a gold rush to mine dead authors’ estates. Once it was intrusion by snoopy biographers that worried writers most. Today it is the temptation among heirs to monetise every shred of creative output.
Voracious hunger for new content from streaming services and film studios is driving this new interest in old books. Shrewd video producers, faced with bidding wars for hot new titles, have turned to more affordable options: novels written decades ago. The rights for these “backlist” works generally belong to an estate for 70 years after an author’s death. After that, the work enters the public domain, and estates can no longer profit from or control it. Consider “Winnie the Pooh: Blood and Honey”, a film released this year, in which Pooh and Piglet, A.A. Milne’s loveable, nearly 100-year-old characters, become bloodthirsty killers.
Copyright-protected works are ripe for technological transformation. They can be milked in various ways, including selling the rights for translations into new languages, permitting “continuation novels” penned by living authors and making streaming series. For example, “The Queen’s Gambit”, which is best known as a show on Netflix, was actually based on a novel published in 1983.
Traditionally, managing the intellectual property of an author’s estate was a low-key affair left to grand-nephews and harried former agents. The modern era of more actively exploiting rights began 15 years ago, when star agents in America and Britain started vying for the estates of Ian Fleming, Evelyn Waugh and Vladimir Nabokov. The heirs of Agatha Christie and Dahl, meanwhile, set up companies to oversee growing empires….
(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]
Part 4 of Arthur Liu’s con report
Although originally announced as a four-part series, the latest instalment ends on something of a cliffhanger on the night of the Hugos, so there should be a concluding part to follow. This one is generally much more upbeat than the previous entries, although there are ominous hints about things to come in the final part. Extracts via Google Translate, with minor manual edits:
From this day [Thursday 19th] on, the number of foreign guests increased significantly. Based on my previous experience of attending conventions abroad, it might simply have been that they had just finished listening to panels, and had gone out to take a look around. Most of them were very interested in Chinese science fiction, and they were very happy to hear that there is such a comprehensive reference source as CSFDB. César Santivañez, editor of Future Fiction’s Cuba department, mentioned their books and did some checking with the records in the database; Estonian critic Nikolai Karayev mentioned FantLab when he came over to talk; the founder of the MUFANT Science Fiction museum in TurinDavid Monopoli bought our association’s journal and asked if he could record a one-minute video to introduce it; Israeli science fiction writer Uri Aviv came over to talk and learned that I like Lavie Tidhar’s works and that I also live near to one of the buildings used on the cover of Central Station. He took out his cell phone and called me over to say hello to Lavie directly.
I got a little tired in the middle of the day, so I sat behind the table to rest. Zixuan happened to pass by and said hello to me. Just behind him came a kind and slightly older foreigner. When I looked, I realized that it was Andreas Eschbach! I had only just asked for his autograph the day before, but I didn’t expect to have the opportunity to meet him in person! His “The Hair-Carpet Weavers” is one of the best science fiction works I have read in the past two years. We exchanged contact information – and not long before writing this, he sent an email. Whilst making some suggestions for the database, he also congratulated me on being shortlisted for the Hugo Award and said that if there was anything I wanted to know about his work, to contact him at any time…
[After having dinner] I returned to my hotel. [Zhong] Tianyi spent a day writing his own story, and he recovered a little, but before dinner, I went to have a midnight snack with him again. From that night on, I began to feel my body temperature intermittently become unstable. However, the local temperature difference was also very large, and as I continued to be in a state of alternating excitement and nervousness, I didn’t pay much attention to it. Now that I think about it, it may be that this is where the disease started off [referring to the severe con crud he suffered after getting back to Beijing, which I mentioned in passing on some of the earlier reports].
At a barbecue shop on the night snack street, he and I discussed some general issues, and then ate grilled locusts for the first time in my life. It is this sort of the novel experience that is closest to the spirit of science fiction at this convention…
Working at the Glasgow Worldcon table was Ann Gry. She was also one of the guest editors of “Journey Planet”. It is an amazing thing is that many foreign friends present have participated in the editing of issues of this magazine, and there is a feeling that the world is full of talents. I told her about my plans to attend the con next year, and then exchanged some gifts. She also showed me an interactive narrative game called “Loop” made by her friend. During the exchange, many people came over to take photos and sign autographs – foreigners are really more popular than ever at this conference. I hope to see more Sino-international exchanges in Glasgow next year…
The meeting was coming to an end and everyone had to say a few words. I felt a little sorry for not hearing it clearly. Then the leader said it was okay and we would talk more about it when we came back. Then he asked me if I thought I had a good chance of winning the Hugo Award and gave me his best wishes. Although everyone knew that I was doing something in this area before, in general doing science fiction has always been a kind of double life like Batman for me. Suddenly breaking out of that [private] circle feels very subtle, or wonderful – kind of like the atmosphere of Hell’s Kitchen or American Idol nearing the season finale…
When we arrived at the [Hugo] reception, we just passed by the group photo of the fan authors, as no one showed up. Officials from the World Science Fiction Convention in Seattle were handing out exclusive pins to the finalists at the entrance. This afternoon, RiverFlow was exhausted again, and had returned to the hotel to rest. We asked if we could pick it up for him, and they said no, they could send it to him later. Later, in an email, I learned that each shortlisted project would receive one, instead of each person receiving only one.
There were very few Chinese finalists at the reception. When we arrived, we only saw Regina Kanyu Wang and her partner. She took us to meet many other foreign finalists, such as Best Fan Artist finalist Richard Man, and Glasgow representative Vincent Docherty. After a while, a tall man came over, and I recognized him as Chris M. Barkley, another of the Best Fan Writer finalists. Unlike us, he has been writing columns for decades – before the conference, he also advised foreigners to be friendly to the Chinese science fiction fans attending the conference – and he can be regarded as a senior fan, although he does not look old at all! As soon as he heard that we were also finalists, he enthusiastically took a photo with us. The volunteers at the reception were recruited from nearby international schools. They came up to talk to us in English first, and then switched to Chinese. As the photoshoot was coming to an end, they took us to a nearby display table, where there were cloisonné enamel paintings carefully made by students from the Hua’Ai School [located across the road from the con venue, see Scrolls passim]. Everyone would receive one according to their preference. When receiving the gifts, Regina asked me to take a photo of her and [founder of publisher 8 Light Minutes Culture] Yang Feng. Not long after, the reception ended. Everyone split up into groups and took the shuttle bus back to the venue. The Hugo Awards party was about to begin.
A textual representation of the Cixin Liu signing queue outside the venue. ‘人’ is ren/personWith (I think) Zhong TianyuWIth Nnedi OkoraforWith Regina Kanyu Wang and Vince Docherty
Purported “news” outlet apparently unable to count up to three
The byline indicates that it may be the Xinhua news agency rather than the People’s Daily that is the source for this English-language travesty, but the bottom of the piece credits a pair of “web editors”, so I feel that they are all equally culpable.
Extracts (my emphasis):
Hai Ya took away the Best Novelette award for “The Space-Time Painter” while well-known computer graphics artist Zhao Enzhe won the Best Professional Artist award…
In addition to the two [Chinese] winners, many other categories at this year’s Hugo Awards also featured Chinese authors and artists.
(Someone on Mastodon reported that they couldn’t access the original link, so I made a backup on archive.org.)
There was a similar, if not quite as blatant, omission in another Hugos writeup from the same agency/website.
Bilibili videos
I hadn’t checked this video sharing site for a few days, but there have been a few items of interest posted.
This one (uploaded by a game developer, I think) in vertical aspect is 13 minutes long, but from about 8 minutes in, it switches to a visit to a panda centre, and later on generic footage of Chengdu. There’s no dialogue, so there aren’t really any translation issues, but I can’t say I’m a fan of the music they chose to overdub the video with. I’m not sure when this was filmed; possibly before the con, or on one of the weekdays, given that much of the space seems fairly empty compared to most of the photos and videos we’ve seen.
This 10-minute Chinese-language video from (I think) a voice actor, doesn’t have too much that hasn’t been seen in prior photos or videos, but from around 2:45 she interviews Huawen, whose con reports were featured in a couple of recent Scrolls. At 5 minutes in, she speaks with Hugo winner Hai Ya. Warning: her presentational style is very “hyperactive YouTuber”, which some may find grating.
With the Kormo mascotWith HuawenWith Hai YaOn the themed tram
(5) IN A POTHOLE IN THE GROUND THERE LIVED… “Mid-Earth Removals Limited” by R.S.A. Garcia is a free story at Sunday Morning Transport to encourage subscriptions.
Public works are extra problematic in the magical realm, as R.S.A. Garcia delightfully proves in this free, first story for the month of November.
“Barbie” screenwriters Greta Gerwig and Noah Baumbach recently joined Tony Kushner (“Angels in America,” “Lincoln”) for a discussion about the record-breaking Warner Bros. blockbuster and revealed one of the first notes Mattel gave them on the script: Please don’t have the Mattel exec stand-in characters be shot.
In the third act of “Barbie,” an all-out beach battle takes place between the warring Ken characters. It’s at this moment that Will Ferrell, playing the fictionalized CEO of Mattel, arrives in Barbieland along with his armada of nameless male Mattel execs. At one point one of these execs gets shot with a fake arrow during the ensuing, bloodless mayhem….
…In an article from this year, you also described “M3gan” as a gay movie. Do you think gay audiences have a special affinity for horror?
Well,I think all horror movies are about one of two things: trauma or gayness. That’s just my queer-theory lens that people can accept or reject. But in horror movies, there’s often this notion of otherness — of the monster existing outside of societal norms. I think queer audiences can align themselves with villains who feel like outsiders, like no one understands their feelings.
I also think queer audiences appreciate the outrageous, camp quality of horror. “M3gan” is a perfect example. The villain is a demon that you kind of want to be friends with. I know people in my life who can be monsters, but I love them anyway.
What trends are you seeing in the horror genre right now?
There’s certainly a lot of Covid-inspired films — movies about being locked up inside and fears about contagions. I would say another trend is the slow-burn horror movie, one that takes time to unfold instead of hitting you over the head with monsters, explosions, ghosts and conventional horror scares. The slow burn delivers tiny moments of unease so that by the film’s end, your entire body has become so tense that it’s hard to shake. Those are some of my favorites….
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 5, 1903 — H. Warner Munn. Writer and Poet known in genre for his early stories in Weird Tales in the 1920s and 30s, his Atlantean/Arthurian fantasy saga, and his later stories about The Werewolf Clan. After making two mistakes in his first published genre story, he compensated by becoming a meticulous researcher and intricate plotter. His work became popular again in the 1970s after Donald Wollheim and Lin Carter sought him out to write sequels to the first novel in his Merlin’s Godson series, which had been serialized in Weird Tales in 1939. These novels were published as part of their Ballantine and Del Rey adult fantasy lines. The third novel in the series received World Fantasy and Mythopoeic Award nominations, he himself was nominated three times for the World Fantasy Award for Life Achievement, and he was Guest of Honor at the 1978 World Fantasy Convention. He won the Balrog Award for Poet twice in the 80s, and received the Clark Ashton Smith Award for Poetry. (Died 1981.)
Born November 5, 1938 — Jim Steranko, 84. His breakthough series was the Sixties “Nick Fury, Agent of S.H.I.E.L.D.” feature in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry effecting even Raiders of the Lost Ark and Bram Stoker’s Dracula as he created the conceptual art and character designs for them. ISFDB says his first genre cover art was for C. C. MacApp’s 1969 Prisoners of the Sky. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006.
Born November 5, 1940 — Butch Honeck, 83. Sculptor and Fan who learned mechanics, welding, machining, and metal finishing as a teenager, then went on to build a foundry and teach himself to cast bronze so he could create shapes that were too complex for welding. His bronze fantasy sculptures, which depict dragons, mythical creatures, wizards, and other fantasy-oriented themes, use the lost wax method with ceramic shell molds and are characterized by intricate details, mechanical components, humor, and surprise. He has been Artist Guest of Honor at several conventions, was named to Archon’s Hall of Fame, and won a Chesley Award with his wife Susan for Magic Mountain, the Best Three-Dimensional Art.
Born November 5, 1942 — Frank Gasperik. Tuckerized in as a character in several novels including Lucifer’s Hammer as Mark Czescu, and into Footfall as Harry Reddington aka Hairy Red, and in Fallen Angels, all by Larry Niven and Jerry Pournelle. He was a close friend of both and assisted Pournelle on his Byte column. To my knowledge, he has but two writing credits which are he co-wrote a story, “Janesfort War”, with Leslie Fish that was published in Pournelle’s War World collection, CoDominium: Revolt on War World, and “To Win the Peace” also co-written with Fish which was published in John F. Carr’s War World: Takeover. He was a filk singer including here doing “The Green Hills of Earth”. (Died 2007.)
Born November 5, 1971 — Rana Dasgupta, 52. UK-born author now resident in India. His Tokyo Cancelled, think Tales from the White Hart at least in tone, is fascinating. Equally fascinating though not genre at all is his Capital, the story of the city of Delhi.
(9) NESFA PRESS RELEASES ZELAZNY SHORT FICTION AS EBOOKS. The NESFA Press’ six-volume series The Collected Stories of Roger Zelazny is now available in eBook format — epub and mobi format.
For many years, the six-volume series, The Collected Stories of Roger Zelazny, has been available in a durable hardcover edition. NESFA Press is delighted to announce the release of these books in eBook format!
This series contains all the short science fiction of Roger Zelazny. Each story is enriched by editors’ notes and Zelazny’s own words, taken from his many essays, describing why he wrote the stories and what he thought about them retrospectively.
After a spate of criticism and concern over the summer, Amazon-owned Goodreads this week said it is working with users to combat what’s become known as “review bombing,” a practice in which users look to protest an author or book by swamping the book with one-star reviews and negative comments. In an October 30 message to the Goodreads community, officials reiterated the website’s policy to prohibit reviews and comments that “harass readers or authors, or attempt to artificially deflate or inflate the overall rating of books,” and encouraged users to report such behavior.
“Earlier this year, we launched the ability to temporarily limit submission of ratings and reviews on a book during times of unusual activity that violate our guidelines, including instances of ‘review bombing,’” the message states, adding that the site is currently “in the process of removing ratings and reviews” added during periods of “unusual” activity. “If you see content or behavior that does not meet our reviews or community guidelines, we encourage you to report it,” the message continues. “By alerting our team, you’ll be contributing to the overall community and helping keep Goodreads a place where people can come together to share authentic reviews and enjoy interacting with readers and authors of books they’ve loved.”
The message comes after a high-profile incident in June, in which Eat, Pray, Love author Elizabeth Gilbert announced that she was pulling her new novel The Snow Forest, which was slated to be published by Riverhead in February 2024, after more than 500 Ukrainian and pro-Ukrainian users slammed the book with negative comments and one-star reviews expressing concerns that the book—based only on a description, since the book had not yet been published—would “romanticize” Russia. Gilbert’s decision alarmed literary critics and freedom to publish advocates. It’s unclear when, or if, the book will be published. The book is not currently listed on Gilbert’s author page at Penguin Random House….
(11) THEY TORE DOWN PARADISE AND PUT UP A PARKNG LOT. Not so often anymore. Originally Los Angeles was regarded as a place that was too new to have history, let alone historic buildings. That attitude has changed over the past fifty years. “The Woman Who Has Fought to Save L.A. History From Demolition” – a New York Times profile.
…Many of Southern California’s most popular landmarks are still there because Los Angeles rallied. St. Vibiana’s Cathedral downtown, once on the brink of demolition, is now a thriving events center. The gorgeous Julia Morgan building that once housed the old Los Angeles Herald Examiner, where I used to work, is now a satellite Arizona State University campus. There’s a fight to save the bungalow where Marilyn Monroe died — a legend behind a wall in a cul-de-sac on a side street in Brentwood.
In a place with a history as growth-oriented as Southern California’s, the preservation of those properties has not been easy.
Next month, a leading voice in that effort, Linda Dishman, the president of the Los Angeles Conservancy, will pass the torch after 31 years at the organization, a nonprofit group that has been instrumental in saving pieces of Southern California’s past from bulldozers. The conservancy’s senior director of advocacy, Adrian Scott Fine, will succeed her.
Dishman and I chatted not long ago about history and growth in L.A., the nation’s second most populous city. Here is some of our conversation, lightly edited.
Los Angeles was just beginning to realize the value of historic preservation when you became the conservancy’s leader. What has changed since then?
Preservation has really become more of a commonly held value. I think of my first years, when we were fighting to save the Herald Examiner building. Fighting to save the Ambassador Hotel. Fighting to save the May Company. The Herald Examiner was going to be torn down for a parking lot, which seems so strange now. But that’s how little value people placed on these buildings and their history….
A new entry into the world of Planet of the Apes is coming our way. And it picks up generations after we left Caesar and his tribe living peacefully in War for the Planet of the Apes. Trouble, of course, is brewing, as it naturally does in order for franchises to continue. And we can sense an epic conflict coming our way. The first teaser trailer for Kingdom of the Planet of the Apes sets us up well for the “action-adventure spectacle” that awaits, promising ape tyrants, human friends, lots of danger, but also beauty. You can get your first look at what’s in store below….
[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Paul Weimer, Rich Horton, Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]
…Driven by visual social media and digital reading innovations, book cover design is reclaiming significance. Publishers are investing more in illustrated covers over text-dominant designs. Authors are regaining control over cover direction. Book cover reveals have become standalone social media events driving buzz. In many ways, we are witnessing a renaissance in the aesthetics and art of book covers. Let’s examine the forces driving this comeback.
…. Another paradoxical force spurring the comeback of print-style covers is the rise of e-books. With e-readers like Kindle gaining adoption, publishers feared print covers would lose significance. But an unexpected opposite effect occurred.
E-readers triggered innovations in e-book cover design that looped back to influence print covers. Interactive e-book covers came to life through animation and video. Digital-first elements like neon textures or holographic finishes became popular. E-book-first series that went viral, like ambitious illustrated covers for epic fantasy novels, crossed back over to print.
Reading ecosystem convergence is also elevating covers. Services like Amazon Matchbook give e-book copies of print purchases, keeping hardcover artwork relevant. Companies popularized custom dust jackets as consumable cover accessories. Display-worthy book boxes and monthly subscription book packages rely on striking cover reveals….
…“As a prospective writer, I would urge you to not only read good books. Read terrible books as well, because they can be more inspiring than the good books,” Moore says in a clip taken from his BBC Maestro online storytelling course.
“If you are inspired by a good book, there’s always the danger of plagiarism, of doing something that is too much like that good book,” Moore says in the video. “Whereas, a genuinely helpful reaction to a piece of work that you’re reading is, ‘Jesus Christ, I could write this sh*t!’ That is immensely liberating — to find somebody who is published who is doing much, much worse than you.”
Moore also believes that being exposed to bad writing can help you learn from other writers’ mistakes. Knowing why something doesn’t work can be as valuable as understanding why something succeeds….
…On the PBS website for American Masters, several notable artists were put on the record as to their fandom of Serling’s show. One might easily guess that Jordan Peele was a fan of “The Twilight Zone” as he served as executive producer and narrator for the 2019 revival. It will also shock no one to learn that Stephen King and Guillermo delt Toro are massive fans. King said in Marc Scott Zicree’s sourcebook “The Twilight Zone Companion” that he was inspired by Matheson in particular, while del Toro, although a “Twilight” fan, was more fond of Serling’s follow-up series “Night Gallery.”
One might be a little more surprised to learn that comedian Mel Brooks was a fan. Brooks, of course, had taste in entertainment that extended far beyond the comedies he was known for writing, as the maker of “Blazing Saddles” also produced films like “The Elephant Man” and “The Fly.” Brooks clearly had a thing for the unusual and the macabre and was impressed by Serling’s mastery over his production. In Mark Dawidziak’s 2020 book “Everything I Need to Know I Learned in the Twilight Zone: A Fifth-Dimension Guide to Life,” Brooks offered the following observation:
“The greatest lesson I learned is that you need to reserve judgment and seriously buy into the creation and design of the filmmaker. You’ve got to give it all up and go along with the magic. Every time I watched ‘The Twilight Zone,’ I was completely ready to surrender to it. That’s what the mystery of creation is all about. Give yourself over to that wonderful, wonderful mystery.”…
Every child wishes they could be a superhero, right? On Saturday, kids had the opportunity to take part in the action, as part of Eli’s Block Party.
Children were inspired and had some fun with superhero characters for the free family-friendly event hosted by Athens-Limestone Tourism for childhood cancer research.
The special day was established in 2011 for Eli Williams, who fought medulloblastoma for almost six years. In 2017 Williams passed away and his mother, Kristie Williams remains a vital part of keeping his memory alive through the organization, Eli’s Block Party.
“The goal for Superhero Day is to honor this decade-long annual event by preserving it and continuing it,” said Tina Morrison, Athens-Limestone County Tourism Association Event Coordinator. “This kids event makes a positive change for children by providing a fun, free environment for all kids of all economic backgrounds. While having fun, they will also learn the importance of serving in their community, the importance of saving and donating money, and the opportunity to inquire with caring, professional adults about becoming community leaders when they grow up.”…
(5) A RED LETTER DAY. The date of next year’s LA Vintage Paperback Show has been set: Sunday, March 17, 2024.
Even though they’re often mocking their source material, sci-fi parodies can be as good as the franchises they’re based on. The Orville is better than modern Star Trekto some fans, and similar series have actually contributed to the genre as a whole with fun plots, memorable characters, and engaging visuals, with a moral lesson or two for good measure. Far from spoofing George Lucas’s original Star Wars trilogy, movies like Spaceballs actually elevate it, making its rich lore and world-building come across as even more distinct and iconic within the pop culture zeitgeist.
Unexpectedly in first place:
1. Star Trek: Lower Decks
Star Trek: Lower Decks focuses on the goings-on of the lower decks of Starfleet’s USS Cerritos, an unimportant vessel often called upon to engage in extraordinary adventures despite the mediocre nature of its crew. This animated series is actually a part of Star Trek canon but does an ingenious job of subverting it with humor. Everything fans have made fun of about the franchise for years is lovingly incorporated into jokes about cleaning bodily fluids from the holodeck, and this sci-fi parody is now touted as one of the best new Star Trek series of the last ten years.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 10, 1914 — Robert Wise. Film director, producer, and editor. Among his accomplishments are directing The Curse of The Cat People, The Day the Earth Stood Still, The Haunting, The Andromeda Strain and Star Trek: The Motion Picture. Though not at all genre, he also directed West Side Story and edited Citizen Kane, two exemplary accomplishments indeed. (Died 2005.)
Born September 10, 1952 — Gerry Conway, 71. Writer who’s best known for co-creating with John Romita Sr. and Ross Andru the Punisher character and scripting the death of Gwen Stacy during his long run on The Amazing Spider-Man. (ThePunisher comic is far, far better than any the three films is. I broke my vow of not watching anything I like and deeply regret it. I really mean that.) I’m also fond of his work on Weird Western Tales at DC. A truly odd and deeply entertaining series. At DC, he created a number of characters including Firestorm, Count Vertigo and Killer Croc. Not genre at all, but he wrote a lot of scripts for Law and Order: Criminal Intent, one of my favorite series.
Born September 10, 1953 — Pat Cadigan, 70. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she co-wrote with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love. In many ways, it was better than the damn series is which I’ll discuss with anyone here.
Born September 10, 1955 — Victoria Strauss, 68. Author of the Burning Land trilogy, she should be praised for being founder along with AC Crispin for being founder of the Committee on Writing Scams. She maintains the Writer Beware website and blog.
Born September 10, 1958 — Nancy A. Collins, 65. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues 110 to 138, and it is generally considered a very good period in that narrative. She also wrote Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile.
Born September 10, 1964 — Chip Kidd, 58. Graphic designer. And isn’t that an understatement. He did Batman: Death by Design which was illustrated by Dave Taylor, and there’s his amazing homage to Plastic Man with Art Spiegelman, Jack Cole and Plastic Man: Forms Stretched to Their Limits. He also created the Tyrannosaurus rex skeleton design for the original Jurassic park novel which was later carried over into the film franchise. Neat. Really neat.
Born September 10, 1968 — Guy Ritchie, 55. Director of Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows, both of each I rather liked, and the live-action Aladdin. He did also directed / wrote / produced the rebooted The Man from U.N.C.L.E. which got rather nice reviews to my surprise as well as King Arthur: Legend of the Sword which apparently is quite excellent as audience reviewers at Rotten Tomatoes give it a seventy percent rating.
(8) COMICS SECTION.
In case you wondered, Tom Gauld shows it’s harder to find the right book than the right porridge.
…The novel is told primarily from the POV of Welga Ramírez, with a number of chapters from the POV of her sister-in-law Nithya. It is set in 2095, and its themes are stated to some extent in extracts from the Machinehood Manifesto, a document issued during the action of the novel. The first two declarations from the manifesto we see are: “All forms of intelligence have the right to exist without persecution or slavery.” and “No form of intelligence may own another.” We are quickly aware that this is a significant issue in this future, as the society is heavily reliant on bots of various forms — a fairly obtuse vendor bot is immediately introduced — and by WAIs, or “weak artificial intelligences”, such as Welga’s personal aide Por Qué. A key issue, clearly, is “what is intelligence?” (The Machinehood defines it very expansively.) Another issue, already fraught for this future society, is labor rights — the economy is largely a gig economy, and humans have struggled to compete for jobs as many jobs are performed by bots or WAIs….
…I have been speaking in terms as if this were a historical novel rather than an actual piece of non fiction, and I do think that this book really does borrow a lot from the novel tradition. The tradition expansive and sometimes dry history book of the past that turned off as many or more readers than they drew in is not so much a thing in modern history and non fiction. The rage these days is for the microhistory, for the history of sometimes not even just a particular person, but a moment in time, a decision, a small aspect of the world that can be illuminated, described and brought to life. Capturing Suleyman the Magnificent at the beginning of his reign, when he rising to his power and the crest of his reign (and arguably the height of the entire Ottoman Empire) is definitely in that microhistorical frame….
(11) ANOTHER SIDE OF TOM GAULD. In “Microreview: Mooncop” at Nerds of a Feather, Alex Wallace shows “Tom Gauld has more up his sleeve than just funny cartoons.”
…Mooncop is a slim volume; I read it in a single sitting, and I think most people could do it in a rather short amount of time. It is, in a sense, exactly what it says on the tin, being about a policeman on a lunar colony sometime in the not-too-distant future. Even the title feels like Gauld, in some way, with a bluntness that only obscures the greater depths of the work with a seeming irreverence towards standard titles….
…Both studies used state-of-the art AI technology. Months after one study proclaimed that the so-called de Brécy Tondo, currently on display at Bradford council’s Cartwright Hall Art Gallery, is “undoubtedly” by Raphael, another has found that it cannot be by the Renaissance master.
In January, research teams from the universities of Nottingham and Bradford announced the findings of facial recognition technology, which compared the faces in the Tondo with those in Raphael’s Sistine Madonna altarpiece, commissioned in 1512.
Having used “millions of faces to train an algorithm to recognise and compare facial features”, they stated: “The similarity between the madonnas was found to be 97%, while comparison of the child in both paintings produced an 86% similarity.”
They added: “This means that the two paintings are highly likely to have been created by the same artist.”
But algorithms involved in a new study by Dr Carina Popovici, a scientist with Art Recognition, a Swiss company based near Zurich, have now returned an 85% probability for the painting not to be painted by Raphael….
The Pirate Bible is a full translation of the Bible (including Old and New Testaments). It was translated using a complex algorithm and artificial intelligence to create a realistic translation of the Holy Book while striving to maintain content accuracy. We hope it inspires you to engage with the Bible in new and meaningful ways.
What’s the difference? Compare how the King James Version and the Pirate Bible render this verse:
Matthew 6:3 (KJV)
But when thou doest alms, let not thy left hand know what thy right hand doeth:
Matthew 6:3 (Pirate Bible)
But when ye scuttle booty, let not yer port hand know what yer starboard hand be doin’!
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
