(1) CHAIN-GANG ALL-STARS AUTHOR Q&A. “Nana Kwame Adjei-Brenyah: ‘Satire is a way to make myself less depressed’” in the Guardian.
…His first novel, Chain-Gang All-Stars, now out in paperback and currently on the shortlist for this year’s Arthur C Clarke science fiction award (announced on 24 July), takes place in a future in which live-streamed combat between death-row convicts has become prime-time entertainment. [Nana Kwame] Adjei-Brenyah, born and raised in New York, was speaking from his home in the Bronx.
Where did Chain-Gang All-Stars begin?
I’d been working with this group to try to end solitary confinement in New York state, because it’s known pretty much universally to be torture. I actually got involved with them because they were trying to support my former school district – it was being mismanaged and children of colour were being treated poorly – but the group [Rockland Coalition to End the New Jim Crow] was also interested in the rights and outcomes of people who are incarcerated. I’m interested in systems that get us to buy into violence and trick us into stepping on each other’s heads – literally, metaphorically – and I view the prison system as a huge version of that. Ninety-nine per cent of people in prison are impoverished and suffering from mental health problems and diseases of addiction. The idea that you can put humans in cages only stifles our ability to respond to these systemic issues with compassion. Carceral solutions to serious human problems perpetuate those problems.Why did you address the subject by writing a satirical dystopia?
The speculative nature of the story helped me feel more comfortable getting extremely specific about the brutal statistical realities of prison. I don’t deny I’m writing a dystopia, but dystopia is really just a point of view that depends on your proximity to violence.…
(2) SOMETIMES THEY DO GET WEARY. “Election result celebrated by David and Georgia Tennant with ‘amazing’ Doctor Who reference” – The Independent sets up the photo.
David and Georgia Tennant have celebrated the General Election results with an “amazing” Doctor Who callback.
After a night of humiliation for the Conservative Party, who were beaten in a historic landslide by Labour, Rishi Sunak, before falling victim to an embarrassing prank by a YouTuber, conceded to Keir Starmer, calling the result “sobering”….
(3) COMPANIONSHIP. “Doctor Who’s Russell T Davies explains how Varada Sethu’s cameo in ‘Boom’ led to her being cast as Ncuti Gatwa’s companion” at GamesRadar+.
“I think we might as well just be simple with this, because we’ve already said she’s not coming back as Mundy Flynn,” Davies tells SFX magazine in the new issue, which hits newsstands on July 10 and features Doctor Who on the cover. “It’s one of those very simple situations, like with Freema [Agyeman, who appeared in ‘Army of Ghosts’ before being cast as companion Martha Jones]: when you cast a great actor, you need a new companion.”Sethu played Mundy Flynn in ‘Boom‘, the third episode of season 1. Written by former showrunner Steven Moffat, it takes place on the wartorn planet of Kastarion 3, and Mundy is a marine who the Doctor and Ruby encounter after the Doctor steps on a landmine….
…”I was watching, like, the fifteenth edit of ‘Boom’, loving her,” Davies continues. “Every time I watch her, I think, ‘God, she’s brilliant’, I literally think she’s brilliant. I used to watch her thinking, ‘God, what a shame we can’t work with her again.’ I was thinking, ‘Should we go back to the 51st century, could we meet her again?’ and then I suddenly went, ‘Oh, let’s just cast her again. We’ve done that before. Lovely.’…
…Davies concluded by teasing what’s to come, claiming: “Good stuff ahead. Completely new character, again, a completely new story and that’s a great new story that will run across eight episodes.”
(4) FROM BRIDGERTON TO GALLIFREY. “’Doctor Who’ showrunner teases Nicola Coughlan cameo in Christmas episode” at Geo News.
Nicola Coughlan, who rose to fame after starring in Netflix’s regency era drama Bridgerton, has reportedly landed another role.
Steven Moffat, who is the director of Doctor Who, recently sat down for a confessional on Ireland AM, and weighed in on the Christmas special episode of the popular sci-fi series.
He also revealed the name for this episode, which is called, Joy to the World and continued to say, “Nicola is wonderful in it.”
“I’m not allowed to say anything about it. At least I think I’m not allowed to say anything about it so I’ll just shut up,” he also teased and added that Nicola “will break your heart.”
(5) OH-OH! Inverse takes us “Inside The Secret James Bond Reboot That’s Happening Right Now”.
…Written by Kim Sherwood, the novels Double or Nothing (March 2023) and A Spy Like Me (April 2024), tell a new kind of James Bond story, one that utterly reboots the canon of character and smarty, focuses on various new Double O agents. In doing so, Sherwood pulls off a radical pivot for the Bond franchise.
“What I’m doing I think is a structural shift where I’m turning it into an ensemble cast,” Sherwood tells Inverse. “Fleming was writing in this very traditional quest narrative structure where Bond was a kind of medieval knight. He’s given a mission and he sets out from the castle. He’s always on his own. But he’s part of a Double O section. He’s inherently part of a wider world.”
Tackling the wider world of 007 seems like something that should have already happened. And to some extent, it has. There were The Moneypenny Diaries in 2005, as well as a 2017 comic book miniseries about Bond’s CIA ally, Felix Leiter. But none of these spinoffs are quite as extensive or reboot-y as Sherwood’s Double O series.
“Growing up, I loved things like comic books or Star Trek, which lean into this idea of the extended universe and really big ensemble casts,” Sherwood says. “Those casts can be 25 characters deep, and every single one of them can carry the show. So that’s what I’ve grown up loving and being inspired by. That’s the direction that I’ve taken this expansion of Bond.”
Both of Sherwood’s “Double O” novels are masterclasses in world-building. The Double O section is now headed by Moneypenny, who, in this version of the timeline, rose through the ranks with Bond. A male version of M still oversees the Secret Service in general, but he’s a kindly grandfather figure who Sherwood says she modeled on Patrick Stewart. Meanwhile, the gadget expert “Q” (most recently played by Ben Whishaw in the films) is essentially an AI in this version, a quantum computer that assists MI6 with various intelligence gathering and tech problems….
(6) WHY THE WASP FACTORY WAS NEEDED. This is not the best week to lead with Neil Gaiman, but don’t hold that against Iain Banks. The Guardian has organized an anniversary tribute: “’An explosion of talent’: Iain Banks’s The Wasp Factory at 40”.
[Neil Gaiman:] It was 1984, and the publisher Macmillan was holding a small event for booksellers, and had invited a tiny handful of journalists along as well. They would be announcing upcoming titles, trying to get the booksellers excited about them. I was one of the journalists, but I only remember one author and one book from that afternoon. The author’s editor, James Hale, was thrilled about a first novel, which Macmillan would soon be publishing, and which James had discovered on the “slush pile” of unsolicited manuscripts. The author had been asked to say a few words to the assembled booksellers about himself and his book.
The author had dark, curly auburn hair and a ginger beard that was barely more than ambitious stubble. He was tall, and his accent was Scottish. He told us that he had really wanted to be a science fiction writer, that he had written several science fiction books and sent them out to publishers without attracting any interest. Then he had decided to “write what he knew”. He had taken his own obsessions as a young man, his delight in blowing things up and his fascination with homemade implements of destruction, and he had given them to Frank, a young man who also liked blowing things up but went much further than the author ever had. The author was Iain Banks, of course, and the book was The Wasp Factory…
…Iain needed to write a book that would be published, and he did. A book that was unflinchingly readable, dragging the reader in and through….
(7) JON LANDAU (1960-2024). Film producer Jon Landau died July 5. Variety notes:
…Landau, a longtime producing partner to James Cameron, was behind three of the top four highest-grossing movies of all time. Landau helped make history with “Titanic,” the first film to cross $1 billion at the global box office. He topped that movie’s record-breaking grosses twice, with 2009’s “Avatar” and its sequel, 2022’s “Avatar: The Way of Water.”
Before his death, Landau was deeply involved in the production of the “Avatar” sequels. Cameron is planning to fill his blockbuster sci-fi franchise with five movies in total, with the fifth tentatively coming out in 2031….
Landau’s genre producing credits include: Honey, I Shrunk the Kids (1989); Solaris (2002); Avatar (2009); Toruk: The First Fight (2016; TV movie); Alita: Battle Angel (2019); and Avatar: The Way of Water (2022).
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
July 6, 1927 — Janet Leigh. (Died 2004). Janet Leigh. Alfred Hitchcock. A perfect pair it turned out. And Psycho is all that I’ll be talking about.
MAJOR SPOILER NOW. I MEAN IT.
Yes, she was in Psycho. Forty-seven minutes into film, she is showering when a shadowy figure brutally kills her character Marion by stabbing her over and over so the blood runs copiously.
It took a full week to complete from set-up to filming, seventy camera setups, using fast-cut editing of seventy eight pieces of film, and apparently a naked stand-in model for rehearsal (Marli Renfro who appeared in many men’s magazines of the days and appeared on the cover of the September 1960 edition of Playboy) in a mere forty-five second impressionistic montage sequence, and both inter-cutting slow-motion and regular speed footage. (I say apparently but read on as to why that is disputed.)
Hitchcock would later acknowledge that while Leigh’s face is seen that it is her, otherwise it is Renfro. And later contradicts himself in yet another interview. And then changes his mind yet again.
Yet another individual, Rita Riggs, who was in charge of the wardrobe, stated that it was Leigh in the shower the entire time, explaining that Leigh did not wish to be nude and so she devised many things including pasties, moleskin, and bodystockings, to be pasted on Leigh for the scene. I must say this sounds quite silly.
Now it has to be noted that in Psycho – Behind the Scenes of the Classic Thriller says all the actual shower footage in the film was of her and the only time Renfro was used was in an overhead shot that was eventually cut due to censors’ concerns.
At this point, we’ll never know, will we? Now keep in mind that Renfro is still alive and has continued to give interviews, insisting that it is she.
The question is where is the unedited film? That is the question that goes unanswered though the likely answer it seems is that it no longer exists.
END OF MAJOR SPOILER, REALY IT IS. SO IT WAS ALL SPOILERS THIS TIME.
(9) COMICS SECTION.
- Saturday Morning Breakfast Cereal ends Franklin W. Dixon’s writing career before it starts.
- Reality Check features a monstrous prank.
(10) ASTRONOMY PHOTOGRAPHER OF THE YEAR SHORTLIST. Smithsonian Magazine makes it possible for us to “See Ten Awe-Inspiring Images From the Astronomy Photographer of the Year Contest” The photo gallery is at the link.
For generations, skywatchers and hobbyists around the world have admired the beauty of the cosmos.
The Astronomy Photographer of the Year contest channels that wonder into dazzling images, taken by amateur and professional astrophotographers as they vie for a £10,000 ($12,750) grand prize. The contest, arguably the biggest astrophotography competition in the world, is run by the Royal Observatory Greenwich in England and is in its 16th year.
…. The 2024 Astronomy Photographer of the Year shortlist, unveiled on Tuesday, includes an aurora shaped like a dragon, a total solar eclipse and a breathtaking shot of the Milky Way in a desert sky.
A panel of art and astronomy experts judges the contest. The overall winners will be announced on September 12….
(11) THE MOTION STOPPED – FOR ALMOST 30 YEARS. The New York Times knows “How Stop-Motion Yetis Emerged From Film Hibernation”.
Movies like “Dune: Part Two” and “Challengers” arrived in theaters later than expected because of last year’s actors’ strike, and Hollywood experienced significant production setbacks during the coronavirus pandemic.
But “The Primevals,” about a group of researchers who discover gigantic yetis and other prehistoric creatures, made those movie delays look minuscule when it was released in theaters in March.
It was filmed in 1994.
The live-action movie, which was delayed because of funding woes and then the death of its director, David Allen, incorporates a stop-motion animation technique in which puppets are painstakingly photographed and brought to life through a series of frames, as with a children’s flipbook. The retro look conjures up an earlier era of filmmaking, before computer-generated imagery took over visual effects.
“It’s like an archaeological find,” said Juliet Mills, who plays one of the movie’s researchers. “It’s like entering a time machine watching this film.”
Mills and the other actors had doubted that the movie would ever reach theaters. Even before Allen died, the film’s development had been plagued by outsize expectations and financial challenges….
… Allen had originally envisioned pushing the boundaries of what could be accomplished with stop-motion animation, Endicott said. In the decades since, however, computer-generated imagery had become an essential tool for animating films.
“By the time he was working on it in the ’90s, the movie became a comment that stop-motion still had a voice in a world of C.G.I.,” Endicott said.
Allen died in 1999. Despite his final wishes, the movie’s puppets collected dust in a storage unit for nearly two decades.
While rewatching an old version of “The Primevals” in 2018, Endicott recalled Allen’s directive and recommitted himself to releasing the film, even if it was an unfinished version. By this time, Band’s production company Full Moon Features had also become more profitable, so there were fewer funding hurdles. Endicott and a group of Allen’s friends and fans recreated some of the puppets and completed more of the animations, and Richard Band created an orchestral score….
(12) SPACE TRAVEL CONTMINATES MOON — WELL THEY SAID ALL THESE WORLDS WERE OURS EXCEPT EUROPA ALONE… [Item by SF Concatenation’s Jonathan Cowie.] Reported in this week’s Science journal comes the news that our visits to the Moon are contaminating its natural water ice trapped in permanently shadow areas…
Orbital spacecraft have observed thin surface deposits of water-ice in permanently shadowed regions (PSRs) of craters near the Moon’s poles. Any free water molecules hop across the lunar surface until they are either destroyed by sunlight or reach one of the PSRs, where they remain indefinitely. Rocket exhaust contains water, so Farrell et al. calculated how much water reaches PSRs from lunar landings. They found that the six Apollo landings contributed less than 1% of the surface water in PSRs, implying that most is natural. However, a single Artemis landing will increase PSR surface water mass by more than 20%, polluting the record of natural water on the Moon.
(13) DO ALIEN OPTIMISTS HAVE A FINE-TUNING PROBLEM? [Item by SF Concatenation’s Jonathan Cowie.] Aliens are a key SF trope. But I am fascinated when there is serious discussion in the academic literature. Here’s the latest from Prof. David Kipping at the Cool Worlds Lab. “Crowded or Lonely? The Statistics of Alien Life”.
New research paper from the Cool Worlds Lab! Today we explore the implications of a classic result in statistics but applied to alien life for the first time. The result implies a startling conclusion, the cosmos is either teeming with intelligent civilisations, or we’re essentially alone. Join us today as explore how this works and what the implications might be.
(14) SOLARIS. [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff over at Media Death Cult takes a look at Stanislaw Lem’s classic Solaris. And for once we get a behind the scenes look at how Moid pulls these vids together. The 12-minute video is below….
[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Gilbert & Sullivan” Dern.]
