Tag Archives: Georgette Heyer

Pixel Scroll 10/30/23 If You Give A Scroll A Cookie

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(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Hai Ya TV interviews

CGTN posted a 3½-minute subtitled interview on YouTube with the Best Novelette winner.

On Weibo, CCTV followed up their earlier videolink interview with a 20-minute face-to-face interview with him.  This one is also untranslated though.

Jiang Bo also mentioned on Weibo that he’d been interviewed by a TV station in Chengdu, but I’ve not come across any online copy of it.

Robert J. Sawyer speaking at Shanghai bookshop

Per his Facebook, post-Worldcon Robert J. Sawyer embarked on a short signing tour of China.  From Bilibili, here’s a short clip from an event at a Shanghai bookshop, where the aforementioned Hugo finalist Jiang Bo also spoke.

Con reports and commentary

(All of the following quotes/extracts are via Google Translate, with minor manual edits.)

I wasn’t previously aware of Qitongren (骑桶人), but I see he’s had a couple of stories published in English.  He posted his thoughts on the event to Weibo.

In fact, I think this science fiction conference is very similar to Chinese society at this moment, really. Officials are trying to use high-tech digitization and high costs and manpower to create a beautiful, orderly, lively and technologically advanced conference that can bring business benefits and long-term development. However, when it is actually held, various unexpected events and problems will always occur…

But can I put it it? My thoughts are very similar to those of many science fiction writers. No matter how many shortcomings this World Science Fiction Convention has, and how many things are worthy of repeated complaints, after it is over, you will still feel like it was a grand and fantastical event when you think about it again. It’s a sweet dream that you still want to relive over and over again. You still hope that China will have the opportunity to do it again, and you firmly believe that it will be better than this time next time.

(Including La Zi [aka Hugo finalist Latssep], who complained to me during the convention that he was too tired and never wants to hold it again. I believe he must be thinking about this convention again and again. Of course, I also believe that he will not want to be an organizer next time it is held. He just wants to be a guest.)

SF Light Year’s Weibo posts, covered in detail in yesterday’s Scroll, prompted a number of replies, including:

In a “quote tweet”, Baoshu, writer of a Three-Body Problem sequel, and also translator of Olaf Stapledon’s Star Maker, talked about the hotel situation

In fact, if you can’t [get all con attendees] in one hotel, it’s normal to split it between several hotels. You would need to split it up anywhere. But the problem was the location. There was only one hotel nearby, and the others were seven or eight kilometers away. The round-trip time difference was one hour.

He also “quote tweeted” to make a more general observation:

It is reasonable to say that as this was the first time to hold this convention, so some problems were inevitable, but the problems were so deep that they are indeed a little more than “inevitable”… [laughing and crying emoji]

In another “quote tweet” of an SF Light Year post, Ling Shizhen, who also accepted the Best Fanzine Hugo for Zero Gravity News, said:

As one of the finalists for this year’s Hugo Awards I did not receive any active invitation from the organizers until September 21st this year, after I had asked the relevant people for help to inform the organizers.

Fan Bessie-Gu in turn “quote-tweeted” that Baoshu “QT”, but said that

You can click on SF Light Year’s Weibo to read his first two articles, but my personal experience was still very happy

A couple of days ago, one of the most established figures in Chinese SF, Han Song, ruminated on his overall experience of the con.

When I came back from Chengdu on the 22nd, I went directly from the airport to my workplace, and stayed in the office. I took my first bath in six days today. When the hot water soaked my body, I felt that I was alive. I couldn’t help but be pleasantly surprised. This past week has been intense, even thrilling. And I also had a premonition that I didn’t dare to go home. As a science fiction writer, I see history happening in the future, and as a journalist, I witness history happening now. Here lies the humbleness of human beings and the fragility of life. Reading Jiang Bo’s new work “Sky Sail” and Mo Xiong’s new work “Sequence of Destiny”, I lament the mystery of the universe and the elusiveness of the truth. Last night I dreamed that the science fiction convention was held again, and I gave a speech at the opening ceremony, but I couldn’t remember the content. After waking up, I couldn’t tell which one was more science fictional, reality or science fiction.

Han Song and RiverFlow at the opening ceremony, photo from RiverFlow’s con report

The Puppies controversy mentioned in a news item about the Hugos

A Chinese-language video compiling a variety of news stories posted to Weibo on Saturday 28th included as its final item a piece on the Hugos (from around 10:00 onwards).  It initially covers Hai Ya, but goes on to talk about Cixin Liu’s win for The Three-Body Problem, and then the background with the Sad and Rabid Puppies, and Marko Kloos recusing himself, opening up a slot for Three-Body Problem to become a Hugo finalist and then a winner.

Ken Liu
Sad and Rabin Puppies logos
Marko Kloos

(2) FIVE NIGHTS DELIVERS BOFFO B.O. The New York Times declares “Film Based on Horror-Survival Video Game Is Surprise Box Office Hit”.

An evil pizzeria mascot, Freddy Fazbear, became a surprise box office sensation over the weekend, reinforcing a message that moviegoers have been sending to Hollywood all year: Give us something new.

“Five Nights at Freddy’s” sold an estimated $78 million in tickets at theaters in the United States and Canada from Thursday night to Sunday — a total that prompted double-takes in Hollywood because the movie did not play exclusively in theaters. “Five Nights at Freddy’s,” which was based on a popular horror-survival video game, also arrived on the Peacock streaming service on Thursday.

“This is more confirmation that moviegoers are looking for something new or, to be precise, getting the chance to see something they love already appear in a movie theater for the first time,” said Bruce Nash, founder of the Numbers, a box office tracking and analytics site.

In contrast, “The Exorcist: Believer,” an effort to revive a 50-year-old horror franchise, flopped in exclusive release in theaters earlier this month, collecting just $26.5 million over its first three days….

(3) NEW BERTH. “Captain Nemo Series ‘Nautilus’ To Air On AMC After Disney+ Cancelation” reports Deadline.

Nautilus, the ten-part series inspired by Jules Verne’s beloved Twenty Thousand Leagues Under the Sea, has found a new home.

The series has landed at AMC, where it will air in 2024 as well as on AMC+. The move comes after the Disney+ UK commission was axed by the streamer earlier this summer as part of its content removal plan.

Nautilus tells the origin story of Captain Nemo: an Indian Prince robbed of his birthright and family, a prisoner of the East India Mercantile Company and a man bent on revenge against the forces that have taken everything from him….

(4) SENSITIVITY EDITING FOR HEYER. “‘You Can’t Hide It’: Georgette Heyer and the Perils of Posthumous Revision” in the New York Times.

…Among her ardent fans, though, she remains revered as the Queen of Regency Romance, a subgenre she essentially created and popularized. Her intricately researched historical narratives are still widely read nearly 50 years after her death; Julia Quinn, whose Regency romance series “Bridgerton” spawned the hit Netflix series, called her “the original.”

To date, Heyer’s books have sold around 20 million copies. But some readers have questioned her enduring popularity in light of offensive ethnic and antisemitic stereotypes that occasionally appeared in her work.

Most troubling to readers is her 1950 Regency romance “The Grand Sophy.” In a pivotal scene, the novel’s heroine confronts a greedy, villainous moneylender named Goldhanger, who is described as a “swarthy individual, with long, greasy curls, a semitic nose, and an ingratiating leer.”

“It’s not a stray comment, it’s a whole antisemitic scene,” said the romance novelist Cat Sebastian, who has read all of Heyer’s romances. “If I recommend her books, it’s with a lot of caveats.”

When Heyer’s American publisher, Sourcebooks, decided to release new editions of her romances this year, they had to strike a precarious balance. Leaving the original scene could repel some readers. But changing it risked provoking a backlash from fans and scholars who see posthumous revisions as a form of literary reputation laundering, or censorship.

After a lengthy back and forth with the Heyer estate, Sourcebooks made small but significant changes to “The Grand Sophy.” In the new version, the moneylender’s name has been changed to Grimpstone. References to his Jewish identity and appearance have been deleted, along with other negative generalizations about Jews.

Acknowledgment of the changes appears on the copyright page, which says “this edition has been edited from the original with permission of the Georgette Heyer Estate.”…

(5) SPHERES FOR FEARS. Christopher Cokinos tells LA Times readers that “’The War of the Worlds’ is much more than scary sci-fi”.

…Today, worries about an attack from the sky reach beyond fiction. No less than physicist Stephen Hawking has warned against humans advertising our presence in the cosmos because our messages could alert hostile beings. The U.S. government now takes seriously reports of UFOs or, in current parlance, “unidentified anomalous phenomena.” (In a twist, some say that if sightings of fast-moving, physics-defying objects are real, the best case would be that they are extraterrestrial. If not, it means other governments have technology America does not.)

Since “The War of the Worlds,” we’ve taken extraterrestrial hostility for granted. We didn’t always.

Wells wrote at the tail end of what was called the “plurality of worlds” debate. Once Galileo showed that Earth’s moon was a physical place and that Jupiter had multiple moons, a theological and philosophical question emerged: Would God waste other worlds by leaving them empty of life? The answer then was probably not. Instead, the expectation was that they’d be populated by beings more intelligent and more rational than Earthlings. There were utopias in the sky! Secular angels!

Wells turned that assumption on its head and used it to convey harsh truths about colonialism and to illustrate fears of war. “The War of the Worlds” explicitly referenced how European colonists waged a near-genocidal campaign against the Indigenous inhabitants of Tasmania. The story also played off worries that a belligerent Germany, even in the late 19th century, could invade England….

(6) NEW FED AI REGS COMING. “Biden to Issue First Regulations on Artificial Intelligence Systems” reports the New York Times.

President Biden will issue an executive order on Monday outlining the federal government’s first regulations on artificial intelligence systems. They include requirements that the most advanced A.I. products be tested to assure that they cannot be used to produce biological or nuclear weapons, with the findings from those tests reported to the federal government.

The testing requirements are a small but central part of what Mr. Biden, in a speech scheduled for Monday afternoon, is expected to describe as the most sweeping government action to protect Americans from the potential risks brought by the huge leaps in A.I. over the past several years.

The regulations will include recommendations, but not requirements, that photos, videos and audio developed by such systems be watermarked to make clear that they were created by A.I. That reflects a rising fear that A.I. will make it far easier to create “deep fakes” and convincing disinformation, especially as the 2024 presidential campaign accelerates….

(7) A GOOD DEAL OF DRAGONS. “’Fourth Wing’ TV Show Coming to Amazon, ‘Iron Flame’ Sequel Rights” – Variety reports the option.

A “Fourth Wing” TV show based on Rebecca Yarros’ best-selling fantasy book series is in the works at Amazon MGM Studios.

Amazon and Michael B. Jordan’s Outlier Society, which has an overall deal with the studio, have acquired the rights to not only “Fourth Wing,” but its follow-up “Iron Flame,” which will be released Nov. 7, and the three remaining planned books in Yarros’ “Fourth Wing”-universe, “The Empyrean” book series, from Entangled Publishing….

(8) HIROAKI IKE DIES. Translator Hiroaki Ike passed away on October 27, 2023 the Science Fiction Writers of Japan announced today.

…He was 83 years old. The genres are wide-ranging, and in science fiction, works such as J.P. Hogan’s “Star of the Giants” series (Tokyo Sogensha) and Carl Sagan’s “Contact” (Shincho Bunko) (starting with “Heir to the Stars”) It is known for.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 30, 1896 — Ruth Gordon. You’ll likely best remember her as Minnie Castevet in Rosemary’s Baby. (Trust me, you don’t need to see Look What’s Happened to Rosemary’s Baby.) She’s quite excellent as Cecilia Weiss in The Great Houdini, and that pretty much sums up her genre work save Voyage of the Rock Aliens which keeps giving me giggles. Serious giggles. (Died 1985.)
  • Born October 30, 1923  — William Campbell. In “The Squire of Gothos” on Trek — a proper Halloween episode even if it wasn’t broadcast then — he was Trelane, and in “The Trouble With Tribbles” he played the Klingon Koloth, a role revisited on Deep Space Nine in “Blood Oath”. He appeared in several horror films including Blood Bath, Night of Evil, and Dementia 13. He started a fan convention which ran for several years, Fantasticon, which celebrated the achievements of production staffers in genre films and TV shows and raised funds for the Motion Picture & Television Fund, a charitable organization which provides assistance and care to those in the motion picture industry with limited or no resources, when struck with infirmity and/or in retirement age. (Died 2011.)
  • Born October 30, 1939 — Grace Slick, 84. Initially performing with the Great Society, Slick achieved fame as the lead singer and front woman of Jefferson Airplane and then with Jefferson. “Hyperdrive” off their Dragonfly album was used at the MidAmeriCon opening ceremonies. And Blows Against the Empire was nominated for Best Dramatic Presentation at Noreascon 1, a year that had no winner.
  • Born October 30, 1947 — Tim Kirk, 76. His senior thesis would be mostly published by Ballantine Books as the 1975 Tolkien Calendar. Impressive. Even more impressive, he won Hugo Awards for Best Fan Artist at Heicon ’70, L.A. Con I, Torcon II, Discon II and again at MidAmeriCon. With Ken Keller, he co-designed the first cold-cast resin base used at MidAmeriCon. He also won a Balrog and was nominated for a World Fantasy Award as well.
  • Born October 30, 1951 — Harry Hamlin, 72. His first role of genre interest was Perseus on Clash of The Titans. He plays himself in Maxie, and briefly shows up in Harper’s Island. He also has two choice voice roles in Batman: the Animated Series,  Cameron Kaiser in “Joker’s Wild” and even more impressive as the voice of werewolf Anthony “Tony” Romulus in “Moon of the Wolf”.  Since I know a lot of you like the series, I’ll note he plays Aaron Echolls in Veronica Mars. It isn’t genre, is it? 
  • Born October 30, 1951 — P. Craig Russell, 71.  Illustrator whose work has won multiple Harvey and Eisner Awards. His work on Killraven, a future version of H. G. Wells’ The War of the Worlds, collaborating with writer Don McGregor, was lauded by readers and critics alike.  (Yes, that a page from it below.) Next up was mainstream work at DC with I think his work on Batman, particularly with Jim Starlin. He also inked Mike Mignola’s pencils on the Phantom Stranger series. He would segue into working on several Moorcock’s Elric of Melniboné projects. Worth noting is his work on a number of Gaiman projects including a Coraline graphic novel.  Wayne Alan Harold Productions published the P. Craig Russell Sketchbook Archives, a 250+-page hardcover art book featuring the best of his personal sketchbooks.
  • Born October 30, 1958 — Max McCoy, 65. Here for a quartet of novels (Indiana Jones and the Secret of the Sphinx, Indiana Jones and the Hollow Earth, Indiana Jones and the Dinosaur Eggs and Indiana Jones and the Philosopher’s Stone) which flesh out the back story and immerse him in a pulp reality. He’s also writing Wylde’s West, a paranormal mystery series.
  • Born October 30, 1972 — Jessica Hynes, 51. Playing Joan Redfern, she shows up on two of the very best Tenth Doctor stories, “Human Nuture” and “The Family of Blood”. She’d play another character, Verity Newman in a meeting of the Tenth and Eleventh Doctors, “The End of Time, Part Two”. Her other genre role was as Felia Siderova on Randall & Hopkirk (Deceased) in the “Mental Apparition Disorder” and  “Drop Dead” episodes. Her last genre adjacent role is Sofie Dahl in Roald & Beatrix: The Tail of the Curious Mouse.

(10) A MEETING OF MANLY MEN. Bill Higgins told X readers: “Perhaps the night before Halloween is a good time to retweet the story of The Weirdest Thing That Happened To Me At The American Library Association Conference. A bit spooky, but it has a very happy ending.” The thread starts here.

(11) ORIGINS OF HALLOWEEN. With the help of past Horror Writers Association President Lisa Morton, the “NPR history podcast ‘Throughline’ examines the rise of Halloween’s popularity”.

LEILA FADEL, HOST:

Does this sound familiar? Mid-October, buy Halloween candy. Mid-October, begin eating Halloween candy. October 30, buy more Halloween candy. The holiday is now a multibillion-dollar industry, but Halloween traces its roots back about 2,000 years to the Irish countryside and a spiritual celebration known as Samhain. So how did Halloween get so commercial? We turn to the hosts of NPR’s history podcast, Throughline, Rund Abdelfatah and Ramtin Arablouei.

RAMTIN ARABLOUEI, BYLINE: Halloween in early 20th-century America was a holiday just for kids, a night all about mischief and pranks.

LISA MORTON: These pranks are perpetrated mainly by young boys. And the pranks start kind of innocent.

RUND ABDELFATAH, HOST:

That’s Lisa Morton, author of three books on the history of Halloween….

(12) LUGOSI’S LIFE. A biographical profile of an iconic actor: “Behind the Scenes of Dracula: Bela Lugosi’s Journey Into (And Out Of) Stardom” at Audiophix.

…Once Lugosi was 18 years old (in 1900) he knew he was going to pursue a life in the arts. He began his stage work in the early 1900s and found steady work traveling theater companies. This gave him opportunities to take part in plays, operas, and operettas. 

But it was in 1913 that he caught his big break at the Budapest-based National Theater of Hungary. The company cast him in over 30 of their shows, in which he played parts like Rosencrantz in Hamlet and Sir Walter Herbert in Richard III. This humble beginning would later take the actor on much bigger career paths….

(13) VIDEO OF THE DAY. “Disneyland Unveils Test Droids Roaming The Theme Park – Will This End Well?” Why not? What I see in this video reminds me a lot of the duck parade at the Peabody Hotel.

[Thanks to Mike Kennedy, Andrew Porter, Ersatz Culture, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/21/22 Go Strider In The Sky 

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(1) BALTICON GUEST NEWS. Balticon 56 announced that Odera Igbokwe has had to withdraw as Artist Guest of Honor due to personal reasons.

They followed up by naming two special guests: Kevin Roche, a costumer, conrunner, and quantum scientist and his husband Andy Trembley, a filker, costumer, and conrunner.

Balticon, which takes place May 27-30, also confirmed they will be streaming their most popular program tracks, and hosting virtual panels, kaffeeklatsches, author readings and more.

Virtual pricing for the whole weekend is $30 for adults and $20 for young adults. Virtual membership is automatically included with any in-person membership purchase. (Full rate information is here.)

(2) ESFS AWARDS NOMINEES. The European Science Fiction Society has released the nominations for the 2022 Achievement Awards, Hall of Fame Awards, and Chrysalis Awards.

The winners of these awards will be selected at the next general meeting of the ESFS, which will take place at Luxcon 2022, which takes place from 7th to 10th April, 2022 in Dudelange, Luxembourg.

(3) GRRM-CONNECTED GAME SUCCESS. Yahoo! reports “’Elden Ring’ Sells Over 12 Million Copies Worldwide”  — “Almost as many as PacMan,” teases John King Tarpinian.

While publisher Bandai Namco initially predicted that FromSoftware‘s Elden Ring would sell around 4 million units, the game has more than surpassed expectations. In the 18 days following its release, over 12 million copies of Elden Ring have been sold worldwide, the two companies announced on Monday.

According to the press release, the game was released throughout North America, Europe, Asia, Africa and the Middle East. 1 million units were sold in Japan alone.

Created in collaboration with novelist George R. R. Martin, who is best known for writing the series behind Game of Thrones, Elden Ring is an open-world action RPG that entered development in 2017. Players begin with a linear opening but are gradually enabled to explore the mythical Lands Between….

And George R.R. Martin recently took a moment to deny a story about the game.

…Oh, and as long as I am setting stuff straight, there’s a weird story all over the internet about how I “hid” my initials in ELDEN RING because… ah.. some of the characters have names beginning with R, or G, or M.   To which I say, “Eh?  What?  Really?”   This was news to me.    I have been writing and publishing stories since 1971, and I suspect that I have been giving characters names beginning with R and G and M since the start.   Along with the other twenty-three letters of the alphabet as well…  

(4) WHAT WOULD IT LOOK LIKE IF THE MANDALORIAN WAS INDIGENOUS? [Item by Olav Rokne.] Pretty cool Star-Wars-Inspired works by Canadian artist Christal Ratt got featured on the CBC News this weekend. Ratt, a member of the Barriere Lake Algonquin Nation in Quebec, used traditional techniques to create birch-bark armour modelled after the Mandalorian’s beskar armour. “What if the Mandalorian’s armour was birch bark instead of beskar? An Algonquin artist brings that to life”.

…And while it may not be able to stop lightsabers, the wearable piece of art also includes a birch bark helmet, with quilled Woodland florals and different shades of orange to honour residential school survivors from her community. 

The piece is called Shemaginish, which means warrior….

Personally, I find it really interesting to note that several artists of Indigenous Canadian descent are reinterpreting Star Wars iconography through traditional Indigenous styles. In addition to Ratt, there are several examples I can think of this, including well-known Canadian artists Andy Everson (a member of the Comox First Nation), and Aaron Paquette (a member of the Métis community in Edmonton) have found inspiration in mixing Star Wars with styles drawn from their respective Indigenous communities.

(5) AUTHOR’S GUILD SUPPORTS SMART COPYRIGHT ACT. The Author’s Guild announced, “AG Supports Introduction and Passage of the SMART Copyright Act of 2022”.

… Why the Smart Copyright Act Is Necessary

The safe harbors for internet platforms in the Copyright Act are conditioned on the platforms’ cooperation to remove pirated content. The law has not worked as intended by Congress to encourage that cooperation, however, because the courts resisted enforcing the loss of safe harbors. In doing so, they took the teeth out of the law. As a result, piracy is out of control today, and the only mechanism that creators have to combat piracy is to send continuous takedown notices to the platforms, which is not only costly and time-consuming—for both the creators and platforms—but it is also ineffective because pirates often repost the infringing material. Online piracy harms the entire publishing and other creative ecosystems, leaving creators, who are usually at the bottom of the food chain, with only crumbs. Writers and other creators have no recourse except to watch the income from legitimate sales of their works dwindle while e-book pirates line their coffers.

The best way to curb piracy is for service providers to adopt STMs that automatically limit the amount of piracy on their services. These technologies already exist, and many platforms already use them effectively for certain types of works. The Authors Guild and other organizations representing creators have asked Congress to require all the major user-generated content sites to use such technologies to prevent or curb piracy. While the current law contemplates voluntary multi-industry convenings to create and adopt STMs, there has been no incentive for online providers to do so. As a result, no STMs have been formally recognized in the 23 years since the law was passed.

Bill co-sponsor Sen. Thom Tillis (R-NC) says on his site:

…Online service providers struck a deal with Congress twenty years ago—they wouldn’t have to pay for copyright theft facilitated by their systems if they worked with copyright owners to create effective standardized technical measures (STMs) to identify and protect against distribution of stolen content. In enacting this grand bargain, Congress clearly envisioned this safe harbor immunity would act as an incentive for platforms and rights holders to collaborate on developing effective measures to combat copyright theft, lower transaction costs, accelerate information sharing, and create a healthy internet for everyone. 

Yet rather than incentivizing collaboration, the law actually inhibits it because service providers cannot risk losing their valuable safe harbors if an STM is created. In addition, the current statute provides only one path to establish that a technological measure is a consensus-based STM that must be available to all. As a result, no STMs have been identified since the law took effect.  The issue isn’t whether technical measures to combat rampant copyright infringement exist—plenty do—but rather how to encourage service providers to adopt technical measures to combat stealing and facilitate sharing of critical copyright data.   

The Strengthening Measures to Advance Rights Technologies (SMART) Copyright Act of 2022 takes a measured approach to addressing these barriers in two ways. It creates flexibility so that more existing measures could be eligible for consensus created STMs and it addresses the incentive issue by authorizing the Librarian of Congress to designate through an open, public rulemaking process technical measures identified by stakeholders that certain service providers must accommodate and not interfere with. Instead of “bet the company” loss of safe harbors, violations involving designated technical measures (DTMs) risk only actual or statutory damages, from which innocent violators can be exempt.

Read a one-pager of the bill HERE and myth vs. fact HERE.

(6) LISTEN IN. Cora Buhlert is interviewed by Oliver Brackenbury in episode 36 of the So I’m Writing a Novel podcast: “Interview with Cora Buhlert”.

Cora Buhlert is a Hugo-nominated author and genre scholar who Oliver was lucky enough to meet through his research for the novel, and he’d love for you to meet her too!

Oliver and Cora discuss her falling in love with the very American body of work known as pulp fiction while she grew up travelling the world, the survival of dime novels in modern Germany, the irresistible pull of forbidden fiction, Thundarr and He-Man, “the best thing that happened in Germany in 1989”…

(7) SLICE OF LIFE. Did you ever want to know what H.P. Lovecraft thought of Gustav Meyrink’s The Golem and its silent film adaptations? If yes, Bobby Derie has you covered: “The Golem (1928) by Gustav Meyrink” at Deep Cuts in a Lovecraftian Vein.

… Der Golem (“The Golem”) was a silent film directed by and starring Paul Wegener with German intertitles released in 1915. The film is now believed to be lost, aside from some fragments. This film was followed by two more: Der Golem und die Tänzerin (“The Golem and the Dancing Girl”) in 1917, and Der Golem, wie er in die Welt kam (“The Golem: How He Came Into The World”) in 1920, both of which were also directed by and starring Paul Wegener as the golem. So it isn’t clear which film Lovecraft actually saw. The 1920 film survives and is in the public domain.

Lovecraft claimed in most of his letters to have caught a showing of it in 1921, and like many an English student of the VHS era who needed to write a book report, he assumed somewhat erroneously that it was faithful to the plot of the book….

(8) ONCE UPON A NEWSSTAND. [Item by Cora Buhlert.] At Dark Worlds Quarterly, G.W. Thomas takes a look at Weird Tales’ shortlived sister magazine Oriental Stories a.k.a. Magic Carpet Tales: “Magic Carpet Tales: The Other Weird Tales” I’ve read some of Robert E. Howard’s contributions to Oriental Stories/Magic Carpet Tales and they were very good.

… Exotic locales, sexy seductresses and plotting agents aside, much of what appeared was a type of Horror fiction. Not always supernatural, torture tales, conte cruels but not your run-of-the-mill werewolf and vampire stories. For those who love Robert E. Howard and other WT authors, this is a bonanza of secondary tales….

(9) MEDIA BIRTHDAY.

1968 – [Item by Cat Eldridge.] On this day in the United Kingdom fifty-four years ago, Planet of The Apes premiered. It was directed by Franklin J. Schaffner. The screenplay was by Michael Wilson and Rod Serling, and was based loosely upon Pierre Boulle‘s La Planète des Singes. 

It starred Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. Roddy McDowall had a long-running relationship with this series, appearing in four of the original five films (absent only from the second film of the series, Beneath the Planet of the Apes, in which he was replaced by David Watson in the role of Cornelius), and also in the television series.

It was met with critical acclaim and is widely regarded as a classic film and one of the best films of that year.  Roger Ebert of the Chicago Sun-Times said that it was “much better than I expected it to be. It is quickly paced, completely entertaining, and its philosophical pretensions don’t get in the way.” And Kevin Thomas of the Los Angeles Times exclaimed that it was, “A triumph of artistry and imagination, it is at once a timely parable and a grand adventure on an epic scale.” 

It did exceedingly well at the box office costing less than six million to make and making more than thirty million in its first year of screening.

Audience reviewers at Rotten Tomatoes give it an eighty-seven percent rating with over a hundred thousand reviewers having expressed an opinion!

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 21, 1931 — Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award.  (Died 2010.)
  • Born March 21, 1944 — Lorene Yarnell Jansson. Yarnell played Dot Matrix (body acting, with Joan Rivers performing the voice) in Spaceballs. She was Sonia in The Wild Wild West Revisted, Formicida / Dr. Irene Janis in Wonder Woman’s “Formicida” episode and on the Muppet Show in season four episode, “Shields And Yarnell”. (Died 2010.)
  • Born March 21, 1946 — Terry Dowling, 76. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Midnight which I’ve not read but really should. He’s not at all deeply stocked at the usual digital suspects but they do have this plus several story collections. He’s won ten Ditmars, very impressive indeed, and quite a few other Awards as well.
  • Born March 21, 1946 — Timothy Dalton, 76. He is best known for portraying James Bond in The Living Daylights and Licence to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now! He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
  • Born March 21, 1956 — Teresa Nielsen Hayden, 66. She is a consulting editor for Tor Books and is well known for her and husband, Patrick Nielsen Hayden’s superb weblog Making Light, and back in the Eighties, they published the Izzard fanzine. And she has three fascinating framing pieces in The Essential Bordertown, edited by Delia Sherman and Terri Windling. 
  • Born March 21, 1958 — Gary Oldman, 64. First genre film role was as Rosencrantz in Rosencrantz & Guildenstern Are Dead. Next up is the lead role in Bram Stoker’s Dracula. And of course he was Jean-Baptiste Emanuel Zorg in Fifth Element, followed by being Lost in Space‘s Dr. Zachary Smith, which in turn led to Harry Potter’s Sirius Black, and that begat James Gordon in the Batman films. Although some reviewers give him accolades for us as role as Dr. Dennett Norton in the insipid Robocop remake, I will not. Having not seen Dawn of the Planet of the Apes, I can’t say how he is as Dreyfus in it.
  • Born March 21, 1965 — Cynthia Geary, 57. Best remembered as Shelly Tambo on Northern Exposure. It’s genre, isn’t it? If that’s not enough, she’s got a prime genre role in The Outer Limits episode “Mary 25” in which she plays Teryl who is not what she seems. And she shows up on Fantady Island in the “Dying to Dance” as Pamela Lewis.
  • Born March 21, 1970 — Chris Chibnall, 52. Current showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”.  He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo three times for work on Doctor Who, “Rosa” at Dublin 2019, “Resolution” CoNZealand and for “Fugitive of the Judoon” at DisCon III.
  • Born March 21, 1985 — Sonequa Martin-Green, 37. She currently plays Michael Burnham on Discovery which is now In its fourth series. She had a brief recurring role as Tamara in Once Upon a Time, and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold absolutely no interest to me. Well Solomon Grundy does…  And she was in the Shockwave, Darkside film.

(11) COMICS SECTION.

  • The Duplex shows the history you learn from watching movies.
  • Lise Andreasen says these are “Exactly the same things I would do!”

(12) OUTFOXED. Arturo Serrano reviews the new Pixar film for Nerds of a Feather in “’Turning Red’ finds joy in the scary messiness of puberty”.

…Disney/Pixar’s new animated movie Turning Red takes this metaphor of puberty as transformation and situates it in the no less stressful context of the immigrant experience during the rise of digital mass media. If being a teenager is hard, it’s almost unbearably so when inherited traditions and expectations conflict with multicultural openness and pop culture sex symbols. When protagonist Meilin Lee learns that the women of her family have the power to transform into enormous red pandas, it feels like it couldn’t have come at a worse time: she’s busy enough pleasing her parents and excelling at school and daydreaming about boy bands without going all Katie Ka-Boom every time she gets emotional. So she panics, and tries to hide what’s happening to her, and pretends to be in full command of her feelings—but her inner animal won’t be tamed. There’s no denying the call of nature….

(13) EFF ME. That was my reaction to the headline “Hugh Grant ‘in conversation’ to replace Jodie Whittaker as Doctor Who” at Metro News.

…Well, rumour has it the Love Actually star could be taking over from Jodie Whittaker as the Time Lord.

According to The Mirror, the BBC series could be heading for a Marvel-style makeover, with Hugh at the helm….

(14) WIN BY LOSING. “Loki Award Show Lost Saves Universe, According to Miss Minutes” – Gizmodo has the story.

Awards season hit a high note this weekend as multiple guilds and groups gave awards leading up to the grand finale, the Oscars, which happen this coming Sunday. One of the biggest to do so was the Writers Guild of America—and apparently one specific category literally saved the world, at least according to a certain animated talking clock from the Marvel Cinematic Universe.

… In the Drama category, Succession was up against The Handmaid’s Tale, The Morning Show, Yellowjackets, and Marvel’s Loki. And it’s that last one we’re going to concentrate on. Showrunner and head writer Michael Waldron revealed on Twitter that, had Loki won, this is the acceptance speech the writers submitted to air.

(15) REGENCY TEA TIME. [Item by Cora Buhlert.] Aja Romano shares her appreciation for the works of Georgette Heyer and wonders why Heyer is not a household name and has never had a film or TV adaptation: “When will Hollywood discover Georgette Heyer?” at Vox. I’d say that Georgette Heyer is at least genre-adjacent, since a lot of SFF fans seem to like her and Regency romance in general. Plus, Regency dancing is a thing at many cons.

…[Jane] Austen’s relative lack of sentiment also helped her gain popularity and respect as a writer in a male-dominated century of literature. While other women writers of her time like Fanny Burney were reviled as trashy, Austen’s lack of interest in high drama and romance made her work acceptable to male readers as well as to women. One 19th-century critic wrote approvingly that “she sets her face zealously against romantic attachments.”

That patriarchal lack of respect for the art of writing about love may also explain why few outside of romance fans have ever heard of Austen’s primary successor: Georgette Heyer. Despite singlehandedly creating the modern romance, Heyer is still a niche author. And though she has nearly 10 times as many books available for cinematic adaptation as Austen, Hollywood has yet to discover her….

(16) PARALLAX VIEWS OF WESTEROS. George R.R. Martin introduces “The Rise Of The Dragon” at Not A Blog and explains how it complements Fire & Blood. Sample art at the link.

We’re so excited to announce The Rise of The Dragon, a lavish visual history of House Targaryen – the iconic family at the heart of HBO’s Game of Thrones prequel series, House of the Dragon – featuring over 180 all-new illustrations!

For those of you who are wondering: What’s the difference between The Rise of the Dragon and Fire & Blood? Think of The Rise of the Dragon as a deluxe reference book, in which Westeros’ most infamous family – and their dragons – come to life in partnership with some truly incredible artists.

Fire & Blood was scribed as a grandmaesters’ account of events from Aegon Targaryen’s conquest of Westeros through to the infamous Dance of the Dragons, the civil war that nearly undid the Targaryen rule. The Rise of the Dragon will cover the same time period, but is written in a more encyclopedic style similar to The World of Ice and Fire. In fact, The World of Ice and Fire authors Elio M. García, Jr. and Linda Antonsson have returned to help with this tome. …

(17) AIRING ON THE SIDE OF CAUTION. [Item by Daniel Dern.] From the “By The Book” weekly interview in the NY Times (Sunday) Book Review section, 3/20/22, with Jeremy Denk, a question that IIRC is part of every interview:

Q: What books are on your night stand.

A: In Manhattan, my night stand has become commandeered by a CPAP machine. I chose breathing over reading.

He then goes on to list books elsewhere in his domicile(s).

(18) IT’S FOR YOU. [Item by Martin Morse Wooster.] The BBC shows it’s possible to walk outside with a mobile phone “as big as a walkie talkie” and make a phone call in this clip from a 1974 episode of Blue Peter.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Lise Andreasen, Olav Rokne, Daniel Dern, Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who calls it his Tolkien cowboy title.]

Pixel Scroll 10/1/21 Ask Not For Whom The Pixel Scrolls

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(1) WFC 2021 NEWS. World Fantasy Con’s new Progress Report is a free download available here.

WFC 2021 in Montreal – taking place November 4-7 — will be a hybrid convention, with both in-person and virtual elements. Virtual memberships are $75(US)/$100(CAD) and can be obtained through the con’s registration and memberships page.

Guests of honor Nisi Shawl and John Picacio will not be attending in person but will participate virtually.

WFC 2021 has added Julie Czerneda as a Special Guest.

A communication sent to members also reminds them to adhere to the Canadian (and airline) requirements in respect to COVID vaccination and testing.

Lastly, we want to point out that if you are coming to Montreal from outside Canada, please ensure that you meet all requirements for entry into Canada. This includes being fully vaccinated and having a negative PCR test within 72 hours of the scheduled departure time of your flight to Canada. You can find more information on the Government of Canada website. (Don’t forget the other requirements too!) Your airline may have its own requirements.

We are planning on having on-site testing for travellers leaving Canada. The final price (between C$70 and C$90) will depend on the number of tests to be performed. If you are interested in on-site testing during the convention, please send a short email to [email protected]. Indicate how many people would be taking the test and which day you plan to leave the country. If the antigen test is insufficient, let us know the type required, and we will see if the testing company can handle the request. We will contact interested parties when we have finalized the arrangements.

(2) BEAR MEDICAL UPDATE. Elizabeth Bear made a public post about her cancer surgery at her Throwanotherbearinthecanoe newsletter.

… So that I don’t bury the lede too much, I got my pathology report back this afternoon, and I’ve got clear margins and no signs of metastasis into the lymph nodes. Which is an enormous crying-in-my-tea relief and as soon as I am not on opiates anymore I’m going to have myself a very very fancy glass of Scotch to celebrate….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to snack on shredded jellyfish with Renée Witterstaetter in episode 155 p his Eating the Fantastic podcast.

Renée Witterstaetter

Come along with me to D.C.’s AwesomeCon for dinner with writer, editor, and colorist Renée Witterstaetter at Chinatown’s New Big Wong restaurant.

Witterstaetter started her comics career as an assistant editor at DC Comics working on the Superman books. She later worked at Marvel Comics on Silver Surfer, Conan, Guardians of the Galaxy, and other titles. In addition, she spearheaded the reintroduction of She-Hulk at Marvel, where she actually appeared in the comic!

But she’s much more than only comics, as you’ll soon learn.

We discussed how Jerry Lewis launched her interest in comics, the way science fiction fandom led to her first job at DC Comics, the differences between the Marvel and DC offices of the ’70s and ’80s, what made Mark Gruenwald such an amazing editor, her emotional encounter with Steve Ditko, the inflationary info we learned about the writing of letter columns during the ’70s and ’80s, her work with John Byrne on She-Hulk, how Jurassic Park caused her to leave Marvel, the prank Jackie Chan asked her to help pull on Chris Tucker, and much more.

(4) PASSING OUT. Yahoo! consults an expert – former HWA President Lisa Morton — to find out “Why Do We Pass Out Candy on Halloween?”

…”Up until the 1930s, Halloween was largely the dominion of young male pranksters; candy—in the form of mainly candy corn, tiny sugar pellets, or taffy—might be offered at parties, but it wasn’t a particularly important part of the holiday,” says Lisa Morton, an author, screenwriter, and Halloween historian. “Then, in the ’30s, prank-playing moved out of rural areas and into cities, where it became very destructive and cost millions in damages. Rather than simply ban the holiday altogether (which some cities considered), civic groups came up with the idea of buying kids off with treats, costumes, and parties. It worked, and by 1936 we have the first mention of ‘trick-or-treat’ in a national magazine.”…

(5) CHESLEY NEWS. ASFA members (the only people who can vote) have been notified the 2021 Chesley Award Suggestions List (for 2020 Works) is live. The introduction explains:

This listing constitutes the suggestions of the Chesley Nominating Committee plus suggestions received from the community. This is NOT the final ballot; it is only an example of what the community considers worthy of nominating for the Chesley Awards. These suggestions are provided to show you the kind of information we want from you on your ballot, and to maybe help jog your memory of other worthy works of art you saw in 2020. You are encouraged to look beyond this listing when making your nominations; any works published for the first time in 2020 or if unpublished, displayed for the first time in 2020, are eligible. Check out your local bookstore, gaming shop, or knock yourself out visiting various artist’s websites … lots of wonderful art out there. You may make up to five nominations in each category.

(6) I’M YOUR MAN WINS. The winners of the 2021 German film award Lola have been announced. Normally, this is of zero genre interest, but this year’s big winner, taking Best Screenplay, Best Director, Best Actress and Best Film is the science fiction romantic comedy I’m Your Man: “Lolas 2021 German Film Awards Winners List” from The Hollywood Reporter. 

I’m Your Man, a sci-fi rom-com from director Maria Schrader, featuring Downton Abbey star Dan Stevens as a German-speaking romance robot, has won the Lola in Gold for best film at the 2021 German Film Prize, Germany’s top film awards.

Schrader, fresh off her Emmy win (for best directing for a limited series in Netflix’s Unorthodox), picked up the best director Lola for I’m Your Man. Schrader and co-screenwriter Jan Schomburg took the best screenplay honor for their I’m Your Man script, an adaptation of a short story by German writer Emma Braslavsky. Maren Eggert, who plays the robot’s no-nonsense human love interest, won the best actress Lola for her performance, a role that has already earned her the best actress Silver Bear at the Berlin Film Festival, where I’m Your Man premiered earlier this year….

(7) MAIL CALL. [Item by Cora Buhlert.] Bobby Derie, who’s one of those unsung fan writers I wish more people would know, takes a look at the correspondence between C.L. Moore and Robert E. Howard: “Her Letters to Robert E. Howard: Catherine Lucille Moore” at Deep Cuts in a Lovecraftian Vein. 

… Catherine Lucille Moore burst into the pages of Weird Tales with “Shambleau” (Nov 1933). She was a secretary at the Fletcher Trust Company in her native Indianapolis, Indiana, and engaged to a bank teller named Herbert Ernest Lewis. During the Great Depression, jobs were scarce and her $25 a week was needed to support her family; married women were often expected to be homemakers, and this may be why Moore and her fiance had a long engagement—and it is why, when she began to sell her stories to the pulps for extra cash, she used her initials “C. L.” so that her employers would not discover she had an extra source of income….

Derie also examined the correspondence and relationship in general between H.P. Lovecraft and his wife Sonia H. Greene: “Her Letters To Lovecraft: Sonia H. Greene”.

(8) A SINGULAR SENSATION. The Guardian published an article by Stephen Fry about a non-genre writer popular with some fans: “Stephen Fry on the enduring appeal of Georgette Heyer”.

From the absolutely appalling cover art that has defaced her books since she was first published, you would think Georgette Heyer the most gooey, ghastly, cutesy, sentimental and trashy author who ever dared put pen to paper. The surprise in store for you, if you have not encountered her before, is that once you tear off, burn or ignore those disgusting covers you will discover her to be one of the wittiest, most insightful and rewarding prose writers imaginable. Her stories satisfy all the requirements of romantic fiction, but the language she uses, the dialogue, the ironic awareness, the satire and insight – these rise far above the genre….

(9) A CLEVER CANARD. Evelyn C. Leeper drew attention to this W. Somerset Maugham quote in the weekly issue of MT Void:

“After mature consideration I have come to the conclusion that the real reason for the universal applause that comforts the declining years of the author who exceeds the common span of man is that intelligent people after the age of thirty read nothing at all.  As they grow older the books they read in their youth are lit with its glamour and with every year that passes they ascribe greater merit to the author that wrote them.”

(10) RICHARD CURTIS Q&A. A famous literary figure shares a wealth of knowledge.

Watch & listen to author, playwright, literary agent and former publisher Richard Curtis talk about writing, publishing and many things that will interest writers and the general public. Richard gives tips, advice and a bit of a history of publishing and how it has changed over the years in his conversation with author Rick Bleiweiss.

(11) MEMORY LANE.

  • 1950 – Seventy-one years ago, the first issue of Galaxy Science Fiction dated October 1950 was published. It was founded by a French-Italian company, World Editions, who hired as editor H. L. Gold who was both an established SF author and editor since the Thirties having made his first sale to Astounding in 1934. There was fiction by Clifford Simak, Theodore Sturgeon, Katherine MacLean, Issac Asimov, Fredric Brown and Fritz Leiber, as well as lots of reviews, mainly by Groff Conklin, but one each by Fredric Brown and Isaac Asimov as well. Gold contributed several essays too. The 1952 run of the magazine would be get a Hugo for Best Professional Magazine at Philcon II. Gold would later be inducted into the First Fandom Hall of Fame. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 1, 1930 — Richard Harris. One of the Dumbledores in the Potter film franchise. He also played King Arthur in Camelot, Richard the Lion Hearted in Robin and Marian, Gulliver in Gulliver’s Travels, James Parker in Tarzan, the Ape Man and he voiced Opal in Kaena: The Prophecy. His acting in Tarzan, the Ape Man got him a nomination for the Golden Raspberry Award for Worst Actor. Anyone see that film? It earns a ten percent rating among audience reviewers at Rotten Tomatoes. (Died 2002.)
  • Born October 1, 1935 — Dame Julie Andrews, DBE, 86. The original Mary Poppins! I could have stopped there but I won’t. (Hee.) She had a scene cut in which was a maid in The Return of the Pink Panther, and she’s uncredited as the singing voice of Ainsley Jarvis in The Pink Panther Strikes Again. Yet again she’s uncreated as in a Panther film, this time as chairwoman in Trail of the Pink Panther. She voices Queen Lillian in Sherk 2, Shrek the Third and Shrek Forever After. And she’s the voice of Karathen in Aquaman. 
  • Born October 1, 1940 — Richard Corben. Comic book artist best remembered for his work in Heavy Metal magazine. His work also appeared in Creepy, Eerie and Vampirella. All the stories and covers he did for Creepy and Eerie have been reprinted by Dark Horse Books in a single volume: Creepy Presents Richard Corben. Corben collaborated with Brian Azzarello on five issues of Azzarello’s run on Hellblazer, Hellblazer: Hard Time. (Died 2020.)
  • Born October 1, 1948 — Mike Ashley, 73. Anthologist, and that is somewhat of an understatement, as the Mammoth Book series by itself ran to thirty volumes including such titles as The Mammoth Book of Awesome Comic Fantasy and The Mammoth Book of New Jules Verne Adventures. He also did The History of the Science Fiction Magazine which features commentary by him. He’s did a number of genre related studies including The History of the Science Fiction Magazine with Robert A. W. Lowndes and Out of This World: Science Fiction But Not As You Know It.
  • Born October 1, 1950 — Natalia Nogulich, 71. She’s best remembered as being on The Next Generation and Deep Space Nine as Vice Admiral/Fleet Admiral Alynna Nechayev. Interestingly, though Serbian, they gave her a Russian surname. She was the voice for Mon Mothma for the radio adaptation of Return of the Jedi. She had one-offs on Dark Skies, Prey, Sabrina, the Teenage Witch and Charmed. 
  • Born October 1, 1953 — John Ridley, 68. Author of Those Who Walk in Darkness and What Fire Cannot Burn novels. Both excellent though high on the violence cringe scale. Extremely high. Writer on the Static Shock and Justice League series. Writer, The Authority: human on the inside graphic novel. And apparently he was the writer for Team Knight Rider, a female version of Knight Rider that lasted but one season in the Nineties. I’ve never even heard of it until now. In 2021, Ridley began writing a number of series for DC Comics Including a future Batman story.
  • Born October 1, 1973 — Rachel Manija Brown, 48. Co-writer of the Change series with Sherwood Smith; Laura’s Wolf, first volume of the Werewolf Marines series. She wrote an essay entitled “The Golden Age of Fantasy Is Twelve: SF and the Young Adult Novel” which was published in Strange Horizons. She’s well stocked at the usual digital suspects.
  • Born October 1, 1989 — Brie Larson, 32. Captain Marvel in the Marvel film universe including of course the most excellent Captain Marvel which was nominated for a Hugo at CoNZealand. She’s also been in Kong: Skull Island as Mason Weaver, and plays Kit in the Unicorn Store which she also directed and produced. Her first genre role was Rachael in the “Into the Fire” episode of the Touched by an Angel series; she also appeared as Krista Eisenburg in the “Slam” episode of Ghost Whisperer. I wrote up a review of her Funko Rock Candy figure at Green Man. 

(13) COMICS SECTION.

(14) SUIT SETTLED. Everybody’s now “proud” and “pleased”, but as one might expect terms of the settlement were not released. “Scarlett Johansson, Disney Lawsuit Settled Over ‘Black Widow’” says The Hollywood Reporter.

“I am happy to have resolved our differences with Disney,” stated Johansson. “I’m incredibly proud of the work we’ve done together over the years and have greatly enjoyed my creative relationship with the team. I look forward to continuing our collaboration in years to come.”

Disney Studios chairman Alan Bergman added: “I’m very pleased that we have been able to come to a mutual agreement with Scarlett Johansson regarding Black Widow. We appreciate her contributions to the Marvel Cinematic Universe and look forward to working together on a number of upcoming projects, including Disney’s Tower of Terror.”…

The New York Times adds:

… Ms. Johansson would have made tens of millions of dollars in box office bonuses if “Black Widow” had approached $1 billion in global ticket sales; “Captain Marvel” and “Black Panther” both exceeded that threshold in prepandemic release, so similar turnout for “Black Widow” was not out of the question.

The Wall Street Journal reported this month that Creative Artists had privately asked Disney to pay Ms. Johansson $80 million — on top of her base salary of $20 million — to compensate for lost bonuses. Disney did not respond with a counteroffer, prompting her to sue….

(15) JEOPARDY! While watching last night’s  Jeopardy!, Andrew Porter’s jaw dropped when a contestant came up with this response.

Final Jeopardy: Children’s Literature

Answer: A 2000 Library of Congress exhibit called this 1900 work “America’s greatest and best-loved homegrown fairytale.”

Wrong question: What is “Shrek”?

Right question: What is “The Wizard of Oz”?

(16) JUSTWATCH – SEPTEMBER TOP 10S. Here are the top sff movies and streaming shows of September 2021 according to JustWatch. (Click for larger images.)

(17) WEEKS LATER, THESE ESCAPEES ARE STILL WEARING STRIPES. I’m having trouble thinking of a way to connect this to science fiction, thereby justifying the presence in the Scroll of an item that amuses me. Any suggestions?  “A Month Later, Five Zebras Are Still on the Run in Maryland” from the New York Times.

…A month after they escaped from a farm in Maryland, five zebras have evaded capture and are continuing to ramble across the wilds of suburban Prince George’s County, eking out a living on territory far from the grasslands of East Africa.

… Daniel I. Rubenstein, a professor of zoology at Princeton University, said he was not surprised that the zebras had proved so elusive.

Unlike domesticated horses that will return to a barn after they’ve gotten loose, zebras are wild animals and “don’t like people generally,” he said. And they may not have any need to feed on the grain set out for them as bait, if they can find enough food to munch elsewhere.

If the zebras continue to elude capture, “they should be able to do just fine” in Prince George’s County, Dr. Rubinstein said.

The county has plenty of lawns, fields and pastures where the zebras can graze, as well as streams and other places for them to drink water, which they need to do once a day, he said.

And with the dearth of lions in the Greater Washington area, they have no natural predators, he said, adding, “coyotes they can deal with.”

While zebras “won’t like snow,” they may be able to survive colder weather in the fall and winter. Zebras, he said, live on the slopes of Mount Kenya, at 13,000 feet, where temperatures at night dip into the 30s.

“They should be able to thrive quite nicely,” Dr. Rubinstein said. “They will be able to sustain themselves naturally on that landscape.”…

(18) NOW AT BAT. Possibly too sciency but then many are interested in SARS-CoV-2 source…. “Laos Bats Host Closest Known Relatives Of Virus Behind Covid” in Nature.

Studies show southeast Asia is a hotspot for potentially dangerous viruses similar to SARS-CoV-2. Scientists have found three viruses in bats in Laos that are more similar to SARS-CoV-2 than any known viruses. Researchers say that parts of their genetic code bolster claims that the virus behind COVID-19 has a natural origin — but their discovery also raises fears that there are numerous coronaviruses with the potential to infect people.

(19) CHERNOBYL BACK IN NEWS. This is worrying: Radiation levels are rising around reactor 4 of the Chernobyl nuclear power plant, which suffered the catastrophic meltdown in 1986: “Chernobyl’s Blown Up Reactor 4 Just Woke Up” in History of Yesterday. The article explores several hypothetical explanations why this could happen.

… Scientists from Ukraine have placed many sensors around reactor 4 that constantly monitor the level of radioactivity. Recently those sensors have detected a constant increase in the level of radioactivity. It seems that this radioactivity is coming from an unreachable chamber from underneath reactor 4 that has been blocked since the night of the explosion on the 26th of April, 1986….

(20) TINGLE TALK. Dominic Noble decided to answer the question “Is Chuck Tingle A Good Writer?” and reviewed 25 of Tingle’s books.

…A question kept occurring to me over and over again that no one seemed to be addressing. Chuck Tingle is a pretty cool guy. Chuck Tingle is great at titles and covers. But are his books actually any good? Is chuck tingle a good writer? Now I feel the need to immediately qualify this. I am aware that it doesn’t matter. His books make people happy even if they’ve not read them which is quite an achievement. His inclusivity means a lot to people and his general behavior be it amusingly bizarre or the unashamedly progressive matters more in this crazy world we’re living in than if he can rock a good three-act structure… 

(21) YA COMMENTARY. YouTuber Sarah Z analyzes “The Rise and Fall of Teen Dystopias”.

[Thanks to, John King Tarpinian, Michael Toman, Mike Kennedy, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Paul Di Filippo, Martin Morse Wooster, JJ, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff, with an assist from OGH.]