Pixel Scroll 2/5/24 To Boldly Scroll Where No Fan Has Scrolled Before

(1) MCCARTY Q&A. Chris Barkley’s audio interview with Dave McCarty was published here overnight: “Barkley — So Glad You (Didn’t) Ask #81”. The audio recording is at Soundcloud. A transcript is here.

(2) SPARE CHANGE? The New Zealand Mint has a line of The Lord Of The Rings™ Collectible coins.

Set in the mythical world of Middle-earth, The Lord of The Rings fantasy saga follows hobbit Frodo Baggins, Samwise Gamgee and a fellowship of characters as they embark on a quest to destroy the One Ring. Considered one of the greatest works of the 21st century, its popularity has spawned numerous adaptions.

Return to Middle-earth with our limited-edition THE LORD OF THE RINGS™ coins. Made from pure gold or silver, they feature characters and landscapes from the epic fantasy adventure films. Crafted in fine detail with themed packaging, they make the perfect memento for any fan!

Famed Middle-Earth locations feature in these gold coins.

And the silver series includes one with Gollum. Heads he wins, tails you lose!

(3) LEST GRIMDARKNESS FALL. [Item by Anne Marble.] Sebastian Milbank, in an article for the British magazine The Critic (called a “contrarian conservative magazine”) refers to “grimdark” as “Grimdull” — and seems to think they are both “liberal” and “leftist.” (Umm, those are not the same thing.) The article also flings darts at Michael Moorcock and Phillip Pullman. And it calls Breaking Bad grimdark?! Boy, does this article ever make a lot of assumptions about the writers (and readers) of grimdark! And it uses a lot of words in which to do so.

For those unblessed (or uncursed) with an interest in contemporary fantasy, the phrase “Grimdark” may suggest the name of some 2000s era Goth club. It’s a recent coinage for an ongoing craze in “gritty” and dark fantasy settings, epitomised and popularised by George RR Martin, becoming the default tone for a whole range of feted fantasy offerings from Joe Abercrombie’s First Law series featuring a dark, brooding protagonist who kills a lot of people — and occasionally feels bad about it — to Mark Lawrence’s Broken Empire Trilogy featuring a dark, brooding protagonist who kills a lot of people — and occasionally feels bad about it.

It’s a genre with a number of consistent features. It’s generally in a mediaeval fantasy setting, but shorn of any romance. Characters are overwhelmingly cynical, and those few who exhibit nobility are treated as foolish or naive. Generally a chaotic war is happening, or about to happen. Religion features, but largely as a tool of social control, often portrayed (usually with some real effort given the baseline awfulness) as even more cruel and cynical than the secular world around it. Dark observations about human nature substitute for any moral drama, with characters seeking to outwit, manipulate or overpower one another in a kind of Darwinian struggle for dominance.

It’s a script born of vaguely liberal, vaguely radical, vaguely anarchic sentiments common to most contemporary creative “industries”. But fantasy, with its over escapism and heroic aristocratic setting, presents something of a problem. This is the inner tension of left wing fantasy — how can a genre defined by apparent escapism not end up serving reactionary ends?…

Grimdark author Joe Abercrombie has a very concise takedown:

(4) ALERT FOR CONVENTION EMAIL RUNNERS. Andrew Trembley shared this alert on Facebook.

For y’all running conventions and running convention email, if you haven’t set up SPF, DKIM and DMARC, you need to do it yesterday. If you’re reading this on Monday, February 5, literally yesterday, because today is the day Google and Yahoo started refusing mail from many email services that have failed to implement SPF, DKIM and DMARC.

(ETA long version, did not include in the share)

I’m seeing people saying “Google is starting to block more non-Gmail senders.” Now they’re right from the perspective they’re looking at this from, but they’re not seeing the whole picture.

It’s not non-Gmail senders. It’s also not just Gmail.

So what is happening? Bear with me, this is long…

(5) MARY SOON LEE Q&A. Space Cowboy Books hosts an “Online Reading and Interview with Mary Soon Lee” on Tuesday, February 6 at 6:00 p.m. Pacific. Register for free HERE.

How-to astronomy poetry to answer vexing questions such as How to Surprise Saturn, How to Blush Like Betelgeuse, and How to Survive a Black Hole.

“Unraveling meaning from partial glimpses of the universe has preoccupied astronomers for thousands of years. Mary Soon Lee’s remarkable collection of poetry traces this journey, capturing the wonder of the celestial bodies that comprise our universe, the elegance of the rules that guide its evolution and the humanity of those who search to better our understanding.” -Andy Connolly, Professor of Astronomy, University of Washington

Mary Soon Lee is a Grand Master of the Science Fiction & Fantasy Poetry Association, and has won the Rhysling Award, the Elgin Award, and the AnLab Readers’ Award. Her work has appeared in Science, American Scholar, Spillway, Asimov’s Science Fiction, and Strange Horizons. This is her second collection of science poetry, following on from Elemental Haiku: Poems to honor the periodic table three lines at a time. Born and raised in London, she now lives in Pittsburgh.

(6) FAN FALLOUT. The Seattle 2025 Worldcon committee answered a query on Facebook by saying that neither Dave McCarty nor anyone else from the Chengdu Worldcon team will be involved with their Hugo Awards.

(7) SALAM AWARD OPEN FOR SUBMISSIONS. The Salam Award, which promotes imaginative fiction in and about Pakistan, reminds Pakistani writers they have until midnight July 31 to submit entries for the award. See full guidelines at this link. Participants must either be currently residing in Pakistan, or be of Pakistani birth/descent.

(8) DANISH COMPLETIST. “Modstand og håb” at Superkultur is written in Danish, however, Lise Andreasen has provided an English translation in the first comment.

Niels Dalgaard is a patient man – not only in his persistent attempt to collect all the science fiction that has been published in odd corners of the Danish publishing world, but more specifically in this case in his project: to read through the approximately 250 novels that has been published in Danish, which can be placed in the category “youth dystopias”….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 5, 1941 Stephen J. Cannell. I have come this Scroll to talk of not cabbages and kings but a man who as a mystery writer showed up regularly playing poker as himself in the Castle series with Nathan Fillion as Richard Castle — Stephen J. Cannell. James Patterson, Michael Connelly, and Dennis Lehane were the other such writers here. I’ll talk about his work as a novelist later. 

Nathan Fillion as mystery writer Richard Castle, playing poker with real-life authors Michael Connelly, James Patterson and Stephen J Cannell.

The Zorro rip-off, scripted in its one season by him, The Night Rider, described by IMDB this way, “A refined New Orleans gentleman becomes a masked crimefighter by night, both to uphold law and order and to find the men who murdered his family in order to get their silver mine” is genre the same The Shadow or Doc Savage is in that it’s pulp.

Between that series and what I’m about to note next, scripting shows, the good, the bad and the truly awful made him very wealthy. So he got to produce a series that he said was one he’d to do a very long time ago — The Greatest American Hero.  You know the story of it so I want go into deep detail here, but suffice it to say that he was very happy with its success.

Veering way out of genre, I’m going to note he created Baa Baa Black Sheep (which was renamed Black Sheep Squadron for the second season for reasons unknown by the Powers That Be), a series I really liked.

I’ll note next 21 Jump Street which he created with Patrick Hasburgh which was about the cases of an undercover police unit composed of really great looking young officers specializing in youth crime. Definitely not genre, so why mention it? Because that featured Johnny Depp who would later do so many genre performances. And yes, he’d done one before this series as Greg Lantz in A Nightmare on Elm Street.

He loved making low budget horror films such as The Demon HunterThe Fairy and Left in Darkness. All shot on all cheap budgets (and this is after he became very wealthy), shot on locations you wouldn’t go without security in armor and shot fast enough you’d suspect use of interesting drugs to keep everyone alert, there’s more than makes sense of these in his IMDB listings. Stephen, you devil. Possibly literally.

Now about that poker game on Castle. All four of those players are there because they are mystery writers. Cannell wrote a series of novels about Shane Scully who was a detective in the LAPD force. I don’t know if they actually played poker in those scenes but I suspect they did. 

(10) SATISFIED FAN. Cora Buhlert heaps praise on a He-Man adaptation: “The Revolution Will Be Televised: Some Thoughts on Masters of the Universe Revolution”.

…So I watched Revelation and it turned out to be not just some nostalgic fun, but so much more. Here was the He-Man story I always wanted to see, a series which took the characters seriously in all their beautiful absurdity and found new depths in them and even managed to make me cry (something western animation in general very rarely does – crying is for anime), while also harkening back to the early 20th SFF which had inspired Masters of the Universe in the first place. Plus, the animation was gorgeous and finally looked as good as the Filmation cartoon looked in my memory, but never in reality, and the voice cast was stellar….

(11) GROUNDHOG DAY CAST REUNION. “Bill Murray celebrates ‘Harold Ramis Day’ Groundhog Day” at CBS Chicago.

This Groundhog Day, Woodstock Willie did not see his shadow — and thus said we should expect an early spring this year.

But at a ceremony in Chicago on Friday, a groundhog named Chicago Harry did not agree.

But first off, why is there a groundhog prognosticating on the trajectory of winter in Woodstock, Illinois? The answer, of course, is that in the 1993 film “Groundhog Day,” Woodstock stood in for Punxsutawney, Pennsylvania — home of Groundhog Day celebrations since the 1880s.

Ever since the movie came out 31 years ago, Woodstock Willie has been up there with Punxsutawney Phil in the real Punxsutawney among large-rodent long-range winter forecasters.

Members of the cast of the iconic film reunited for the first time at Navy Pier Friday, marking 31 years since the film was released. But Friday was also about honoring Harold Ramis and commemorating 10 years since his death….

…”I think it’s great that we’re here and, I don’t want to be too Irish, but it’s very nice of Harold to make it a very nice, mild day for today,” Murray said. “He’s up there stirring the clouds around, making that low pressure move out to Indiana and just drenching, ruining those people’s lives over there in Indiana.”

Ramis’ wife, Erica, was in attendance, beaming with pride as many spoke wonders about her husband. She even read a letter from former President Barack Obama encouraging people to enjoy the day as Ramis would. 

The ceremony included re-enactments of Punxsutawney festival emcee Buster Green (Brian Doyle-Murray) knocking at the tree stump with his cane, where a groundhog named Chicago Harry made his prediction.

Ken Hudson Campbell (“man in hallway”), Robin Duke (Doris the waitress), Marita Geraghty (Nancy Taylor), Richard Henzel (the DJ), Don Rio McNichols (drum player), David Pasquesi (the psychiatrist), and Peggy Roeder (the piano teacher) were also in attendance.

And unlike Woodstock Willie, and Punxsutawney Phil, Chicago Harry saw his shadow — and predicted six more weeks of winter after all.

(12) GOING ROGUE. [Item by SF Concatenation’s Jonathan Cowie.] Just learned that the 2000AD strip Rogue Trooper film is at last moving forward. Director Duncan (Moon, Source Code) Jones teased about this back in 2018 and it now looks like a cast is being pulled together. “Duncan Jones’ Rogue Trooper Movie Cast Announced, Including Hayley Atwell, Sean Bean, and Matt Berry” at IGN.

The cast for Rogue Trooper, the upcoming movie from Moon and Warcraft director Duncan Jones, has been announced. The animated adaptation of the classic 2000 AD comic will be headlined by Aneurin Barnard, Hayley Atwell, and Jack Lowden, and will also feature a number of other well-known British stars such as Sean Bean.

Aneurin Barnard, who previously starred in The Goldfinch and Dunkirk, plays the titular Rogue Trooper, a blue-skinned, genetically-engineered soldier fighting on the toxic battlefields of a seemingly never-ending war. The sole survivor of a massacre that killed his squadmates, he’s on the hunt for the traitor that arranged their deaths. He does this with the aid of three of his killed-in-action squadmates, whose digital personalities still remain conscious after death and are uploaded into Rogue’s gun, helmet, and backpack….

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Science Futurism with Isaac Arthur this week took a look at Death Worlds. These are planets on which, once you land, they set out to kill you.  Unlike most of Isaac Arthur’s episodes (other than his monthly ‘Sci-Fi Sundays’) which have a (highly speculative) science take, this one has as much a science fictional approach, starting as it does with the legendary Harry Harrison’s DeathWorld series of the 1960s. Along the way, he gives us a number of SFnal examples… So, pour a mug of builders and sit back for a half-hour episode (it won’t kill you)…

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Lise Andreasen, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions #65

Dark Corners and Illumination

By Chris M. Barkley:

“Let me reiterate: Racism is a system. As such, it is fueled as much by chance as by hostile intentions and equally the best intentions as well. It is whatever systematically acclimates people, of all colors, to become comfortable with the isolation and segregation of the races, on a visual, social, or economic level—which in turn supports and is supported by socio-economic discrimination.”

From The New York Review of Science Fiction: “Racism and Science Fiction” by Samuel R. Delany, August 1998. (https://www.nyrsf.com/racism-and-science-fiction-.html)

Professor Henry Jones: Elsa never really believed in the grail. She thought she’d found a prize.

Indiana Jones: And what did you find, Dad?

Professor Henry Jones: Me? Illumination.

Indiana Jones and the Last Crusade, written by Jeffery David Boam, 1989.

When I was growing up, children like myself were taught, no, more like indoctrinated, to think the United States was the BEST place to grow up, that our country was ALWAYS in the right and that our institutions were, for the most part, unassailable and impervious to criticism from anyone, especially foreigners.

I grew up in Ohio in the 1960’s and despite what I was being taught in a parochial Catholic grade school (at great expense, I might add, by my hard-working parents), certain things I was experiencing did not add up. News of the violence and casualties during the Vietnam War was inescapable. I remember watching the evening network news broadcasts and being horrified by the number of people (on all sides of the conflict) being wounded or killed on a daily basis.

As the years went on, it became harder to reconcile all of the violence, terrorism, public assassinations and the racism I was experiencing with the education I was receiving. The Pentagon Papers and the Watergate break-ins coincided with my high school years and the beginnings of my political awakening.

When I look back on those formative days of my life, I see myself as a small child, set out upon a sea of prejudice and whiteness, in a boat of hetero-normaltity, destination unknown.

You should also keep in mind in this era of American history, the civil rights movement was supplementing the struggle for basic human rights alongside a growing emphasis on the pride of being Black and uncovering the suppressed history of women, other various minorities and oppressed peoples.

Needless to say, there was very little representation of minorities (of ANY kind) on television and the movies then, but when there was, our household paid attention. Bill Cosby as an undercover intelligence agent on I Spy. Diahanne Carroll was a compassionate nurse, Julia. Genius engineer Greg Morris on Mission: Impossible. Gail Fisher as Joe Mannix’s hip assistant. Eartha Kitt as Catwoman on Batman. Nichelle Nichols on Star Trek. And Sidney Poitier in, well, anything.

With that small awakening within me, came the realization that the institutions that I was taught to revere without question had glaring flaws, if not dark corners. Outright villany in their ranks. The United States military and industrial complex. Politicians on both sides of the aisle. Walt Disney. Harvard University. Police departments, everywhere. Kelloggs and General Mills. Major League Baseball and National Football League. Oil and gas companies. Automobile manufacturers.

And, as I gradually found out, in sf fandom’s past as well. (More on this later in the column.)

It was with this mindset that I formally entered sf fandom in June of 1976. It was as though my metaphorical had landed on an undiscovered land of opportunity and discovery.

Bright eyed, bushy tailed and somewhat politically aware, I plunged right into Midwestcon 27 with gusto. Besides the friend I came with, Michaele, we knew no one there. Fortunately, the Cincinnati Fantasy Group welcomed us both with open arms.

I will note that although almost all of the members of the CFG at that time were white, there was one other member at that time who was probably the first person of color to join the group, the late Frank Johnson.

Frank, who passed away in March of 2019 at the age of 65, was a good friend over the years, had first attended Midwestcon in 1968 along with a good friend of his, Joel Zakem, who both became full fledged members of the CFG a year later. I knew him and I was grateful to know him as well.

Then, and now, the members of the CFG have treated me with respect. I have truly felt that from the beginning, they have treated me as their peer and an equal. Any animosity or disagreements I may have had with any of them, I felt as though racial animus was never a factor in those matters.

In fact, during the first two decades that I attended literary sf conventions, I felt as though I was completely safe. In addition, I also thought I was positively egalitarian among my peers and I believe they felt the same way about me. Any problems I had at conventions in that era, which I have chronicled here in the past, were from people outside fandom who openly questioned or doubted I should be in such spaces. But I may have been wrong.

During those early days in fandom, I was either an attendee, a panelist or in the lower chain of command of volunteering at conventions.

As I rose through the ranks of conrunning, I was still seen and sought after for assignments and advice. However, as I became more politically engaged through my twenty years of activism at the WSFS Business Meetings, I became gradually aware that some people were not entirely happy with the changes I was trying to implement through changing the Hugo Awards.  One of the main reasons I was trying to push through those changes was because it was becoming readily apparent to me that there was a schism between younger fans who favored media based conventions and older fans who celebrated films but preferred author-driven conventions.

The seeds of this separation were sown from the growing ascension of Star Trek conventions in the mid-1970’s and the explosive (and surprising) success of Star Wars, whose debut irreparably blew the doors off both fandom and the media landscape as well.

The catalyst for this column began with the pointed meme by Andrew Trembley (at the top of the column) on April 18 and this post on the JOF Facebook page on the very same day:

“Question for the group.  Why do we as a group (science fiction conventions) do such a poor job of getting BIPOC?  From what I can see we get less than 5%.  But you go to a comicon and there are hundreds, go to a SF convention maybe 10 or 20?”

THIS is not a new problem for fandom. POC and other marginalized groups have been asked this question over and over for several decades now, and usually by well meaning white or privileged fans, who demand BIPOC fans come up with the answers to a problem they systematically keep perpetuating.

I subsequently read EVERY single response to the query and at some points, it got very ugly. There are some people in fandom who are still under the false impression that fans outside of their sphere are uninformed, ignorant or just plain undesirable to associate with. These sorts of comments weren’t new to me, I had encountered them more than twenty years ago through emails and early internet bulletin boards.

Then, on April 22, while doing research about addressing that very question, Kat Tanaka Okopnik re-posted this blog post on JOF from 2021 on two days earlier: “Jim Crow, Science Fiction, and WorldCon” by Bobby Derie at Deep Cuts in a Lovecraftian Vein.

Wherein I became reacquainted with some not so very flattering history of Cincinnati Fandom:

[Gene Deweese had] been corresponding with a girl, Bev Clark, in northern Indiana, and wanted me to go with him to meet her, which suited me fine; I was finally finding girls I could talk to. Gene arranged things and we went up. It was the first time I’d met a black (or African-American, if you prefer) person socially. We got along fine, and later on we’d arranged that the three of us would drive to Midwestcon, again in my car; that car got a lot of use that summer; Juanita and her friend Lee Tremper would meet us there, and we’d have fun. We arrived at Beatley’s Hotel (or Beastley’s-on-the-Bayou, which was one of the fannish descriptions at the time) but Bev was refused admittance. No blacks allowed. None of us had even considered the possibility. On the way out, we talked to a few fans sitting on the hotel porch and some anger was expressed, especially by Harlan Ellison, who said that all fandom would hear about this outrage. We drove home, and as far as I know, nobody ever mentioned the episode again. Except me, of course.

—Buck Coulson, “Midwest Memories” in Mimosa #13 [PDF] (1993), 36

That was in 1953; Coulson added that later that year Bev attended the 1953 WorldCon in Philadelphia with them and there were “no room problems.”

When my friend Michaele and I attended Midwestcon 27 twenty-three years after this infamous incident in June of 1976, we were both blissfully unaware that the convention had been embroiled in such discriminatory acts towards people of color in the 1950’s. Why would we? We had just stumbled on to one of the greatest continuing parties of our lives, that’s why. We had entered fandom at a time when the elder members of the Cincinnati Fantasy group were exiting or dying off and a new generation were just joining.

In light of all of this history, I must give pause to think and question what actually happened during my 46 years of fandom.

Was the opposition to my activism regarding the Hugo Awards treated as altruism  (as I saw it on my part) OR, were people opposing me because of my “outsider-other” status, or was it more plainly, but hidden, racial prejudice against me? At the moment, I don’t know. And frankly, I am very comfortable with my actions and how I conducted myself while I was a fan activist between 1999 to 2019 to leave that judgment to historians and literary critics.

I should also say that out of this cauldron of frustration and angst came some actual illumination.

On April 19, Kris ‘Nchanter’ Snyder (pronouns they/them), a veteran con runner of many years and person of color, laid out a formative set of guidelines they have developed over the years on the JOF (Journeymen of Fandom) Facebook page. (Quoted with permission) To wit:

So you want more Fans of Color at your convention?  I’ll repeat (some of) the advice we’ve been giving you. In order:

1) Listen to what non-white fans are telling you and stop arguing with us that it can’t be that bad. We’re not actually telling you everything.  This means doing research by using Google to read blogs and things.  Don’t engage, just read. If this is exhausting or makes you uncomfortable, I promise it’s 10x more so for those of us who live it.

2) Deplatform your bigots, and anyone who thinks bigots deserve a seat at your table. Anyone who refuses to put in work to root out bigotry, who complains about attending sensitivity training (unless they are a member of imperiled marginalized groups, but like, even then) is a PROBLEM and needs to not be on panels, and not be on staff.

3) Pay for sensitivity training for your staff.  Yes, pay.  You want someone good, and preference should go to trainers who are not-white.  It’s just as important as making sure there is first aid training or people are serve-safe certified. 

4) Make sure your code of conduct covers racial harassment, have a clear reporting and follow up process, have members of that team go through extra training, and then do all the hard follow up work.  It’s 2022. Have an anti-racism statement that you make sure your staff is following and refers back to when setting goals.

5) Create safer spaces at your convention.  This acknowledges that you know there are problems, and you are committed to doing work to address them. 

6) Spend money on accessibility services. (You should have been doing this already, but I’m adding it in here.  And god help anyone who asks why this is in here when we’re talking about racial inclusion).

7) Set up and spend money on an inclusion fund to help people who need financial assistance get to the convention.  If you have this, and advertise that it takes donations, people will donate to it, and fans of color who don’t need the services are more likely to come to your convention because it is a sign that you care. 

8.) Commit to doing this for 5 years before you come back and whine that it’s not working.

And though you’d think that post would have been a definitive endpoint to the discussion, people rambled on. As the weeks progressed, it seemed as though there would be no end to this roundabout discussion among the participants.

To accentuate my position, I took it upon myself to post another excerpt from Samuel Delany’s racism essay across Facebook, including a group I am an active member of, Science Fiction For All. Unfortunately, I inadvertently posted the quote twice. The first post was received very favorably by the few members who bothered to comment. The duplicate however, attracted some very unwanted attention…

I wasn’t expecting any comments at all. And if I had known there was a duplicate post at the time, I would have readily deleted it. Instead, I was “gifted” with the presence of one Michael Jones, who proceeded to tell me, in great detail, that my post was extremely problematic:

As some of you may have suspected, the laughing emoji was supplied by Mr. Jones as a parting shot. Sometime between our encounter online, he left as a member of the Science Fiction For All Facebook page. (Whether he was pushed by the admins or jumped on his own is unknown.)  I think I can safely say that he will definitely not be missed by me (or a great many of the current members).

I speculate freely that Mr. Jones is a part of the fannish community that was brought by his parents (and peers) to believe that people matter MORE than their racial ethnicity or national origin. Which is fine, except that as history has shown that setting aside those factors misses the point that continually ignoring people’s cultures, colonization, subjugation and oppression, really DO matter.

In the end, we all must realize that in addition to our personal experiences, we also bring our own sets of biases and prejudices as well. The first step in dealing with some of the more pressing issues in the various factions of fandom today is coming to the realization that these problems exist and that we should be very aware of our own personal shortcomings, or at least be willing to listen and accept constructive criticism when we are confronted with them.

I, and many others have called science fiction (and by inference, fantasy as well) the literature of change. And by change I mean shifts in perspective, either by historical, societal or technological means.

There have been times when I have marveled with dismay that the people who love and admire this branch of literature, can also be the most obstinate, stubborn and hidebound when it is plainly evident that a change in thinking or policy would be a great benefit to fandom.

On the whole, these changes, whether it is for either individuals or our society, is hard but inevitable.

How fandom ultimately deals with it will define us all, for better or for worse.

Let’s emerge from the dark corners. Let’s choose illumination.

There is no ‘them’ and ‘us.’ There is only us.

– Greg Boyle

This column is dedicated to the memory of Frank Johnson, sff fan, global traveler. collector, and a masterful lover of music, art and life itself. (Friends Pay Tribute To WGUC Announcer Frank Johnson | WVXU)

Frank Johnson

Pixel Scroll 3/21/22 Go Strider In The Sky 

(1) BALTICON GUEST NEWS. Balticon 56 announced that Odera Igbokwe has had to withdraw as Artist Guest of Honor due to personal reasons.

They followed up by naming two special guests: Kevin Roche, a costumer, conrunner, and quantum scientist and his husband Andy Trembley, a filker, costumer, and conrunner.

Balticon, which takes place May 27-30, also confirmed they will be streaming their most popular program tracks, and hosting virtual panels, kaffeeklatsches, author readings and more.

Virtual pricing for the whole weekend is $30 for adults and $20 for young adults. Virtual membership is automatically included with any in-person membership purchase. (Full rate information is here.)

(2) ESFS AWARDS NOMINEES. The European Science Fiction Society has released the nominations for the 2022 Achievement Awards, Hall of Fame Awards, and Chrysalis Awards.

The winners of these awards will be selected at the next general meeting of the ESFS, which will take place at Luxcon 2022, which takes place from 7th to 10th April, 2022 in Dudelange, Luxembourg.

(3) GRRM-CONNECTED GAME SUCCESS. Yahoo! reports “’Elden Ring’ Sells Over 12 Million Copies Worldwide”  — “Almost as many as PacMan,” teases John King Tarpinian.

While publisher Bandai Namco initially predicted that FromSoftware‘s Elden Ring would sell around 4 million units, the game has more than surpassed expectations. In the 18 days following its release, over 12 million copies of Elden Ring have been sold worldwide, the two companies announced on Monday.

According to the press release, the game was released throughout North America, Europe, Asia, Africa and the Middle East. 1 million units were sold in Japan alone.

Created in collaboration with novelist George R. R. Martin, who is best known for writing the series behind Game of Thrones, Elden Ring is an open-world action RPG that entered development in 2017. Players begin with a linear opening but are gradually enabled to explore the mythical Lands Between….

And George R.R. Martin recently took a moment to deny a story about the game.

…Oh, and as long as I am setting stuff straight, there’s a weird story all over the internet about how I “hid” my initials in ELDEN RING because… ah.. some of the characters have names beginning with R, or G, or M.   To which I say, “Eh?  What?  Really?”   This was news to me.    I have been writing and publishing stories since 1971, and I suspect that I have been giving characters names beginning with R and G and M since the start.   Along with the other twenty-three letters of the alphabet as well…  

(4) WHAT WOULD IT LOOK LIKE IF THE MANDALORIAN WAS INDIGENOUS? [Item by Olav Rokne.] Pretty cool Star-Wars-Inspired works by Canadian artist Christal Ratt got featured on the CBC News this weekend. Ratt, a member of the Barriere Lake Algonquin Nation in Quebec, used traditional techniques to create birch-bark armour modelled after the Mandalorian’s beskar armour. “What if the Mandalorian’s armour was birch bark instead of beskar? An Algonquin artist brings that to life”.

…And while it may not be able to stop lightsabers, the wearable piece of art also includes a birch bark helmet, with quilled Woodland florals and different shades of orange to honour residential school survivors from her community. 

The piece is called Shemaginish, which means warrior….

Personally, I find it really interesting to note that several artists of Indigenous Canadian descent are reinterpreting Star Wars iconography through traditional Indigenous styles. In addition to Ratt, there are several examples I can think of this, including well-known Canadian artists Andy Everson (a member of the Comox First Nation), and Aaron Paquette (a member of the Métis community in Edmonton) have found inspiration in mixing Star Wars with styles drawn from their respective Indigenous communities.

(5) AUTHOR’S GUILD SUPPORTS SMART COPYRIGHT ACT. The Author’s Guild announced, “AG Supports Introduction and Passage of the SMART Copyright Act of 2022”.

Why the Smart Copyright Act Is Necessary

The safe harbors for internet platforms in the Copyright Act are conditioned on the platforms’ cooperation to remove pirated content. The law has not worked as intended by Congress to encourage that cooperation, however, because the courts resisted enforcing the loss of safe harbors. In doing so, they took the teeth out of the law. As a result, piracy is out of control today, and the only mechanism that creators have to combat piracy is to send continuous takedown notices to the platforms, which is not only costly and time-consuming—for both the creators and platforms—but it is also ineffective because pirates often repost the infringing material. Online piracy harms the entire publishing and other creative ecosystems, leaving creators, who are usually at the bottom of the food chain, with only crumbs. Writers and other creators have no recourse except to watch the income from legitimate sales of their works dwindle while e-book pirates line their coffers.

The best way to curb piracy is for service providers to adopt STMs that automatically limit the amount of piracy on their services. These technologies already exist, and many platforms already use them effectively for certain types of works. The Authors Guild and other organizations representing creators have asked Congress to require all the major user-generated content sites to use such technologies to prevent or curb piracy. While the current law contemplates voluntary multi-industry convenings to create and adopt STMs, there has been no incentive for online providers to do so. As a result, no STMs have been formally recognized in the 23 years since the law was passed.

Bill co-sponsor Sen. Thom Tillis (R-NC) says on his site:

…Online service providers struck a deal with Congress twenty years ago—they wouldn’t have to pay for copyright theft facilitated by their systems if they worked with copyright owners to create effective standardized technical measures (STMs) to identify and protect against distribution of stolen content. In enacting this grand bargain, Congress clearly envisioned this safe harbor immunity would act as an incentive for platforms and rights holders to collaborate on developing effective measures to combat copyright theft, lower transaction costs, accelerate information sharing, and create a healthy internet for everyone. 

Yet rather than incentivizing collaboration, the law actually inhibits it because service providers cannot risk losing their valuable safe harbors if an STM is created. In addition, the current statute provides only one path to establish that a technological measure is a consensus-based STM that must be available to all. As a result, no STMs have been identified since the law took effect.  The issue isn’t whether technical measures to combat rampant copyright infringement exist—plenty do—but rather how to encourage service providers to adopt technical measures to combat stealing and facilitate sharing of critical copyright data.   

The Strengthening Measures to Advance Rights Technologies (SMART) Copyright Act of 2022 takes a measured approach to addressing these barriers in two ways. It creates flexibility so that more existing measures could be eligible for consensus created STMs and it addresses the incentive issue by authorizing the Librarian of Congress to designate through an open, public rulemaking process technical measures identified by stakeholders that certain service providers must accommodate and not interfere with. Instead of “bet the company” loss of safe harbors, violations involving designated technical measures (DTMs) risk only actual or statutory damages, from which innocent violators can be exempt.

Read a one-pager of the bill HERE and myth vs. fact HERE.

(6) LISTEN IN. Cora Buhlert is interviewed by Oliver Brackenbury in episode 36 of the So I’m Writing a Novel podcast: “Interview with Cora Buhlert”.

Cora Buhlert is a Hugo-nominated author and genre scholar who Oliver was lucky enough to meet through his research for the novel, and he’d love for you to meet her too!

Oliver and Cora discuss her falling in love with the very American body of work known as pulp fiction while she grew up travelling the world, the survival of dime novels in modern Germany, the irresistible pull of forbidden fiction, Thundarr and He-Man, “the best thing that happened in Germany in 1989”…

(7) SLICE OF LIFE. Did you ever want to know what H.P. Lovecraft thought of Gustav Meyrink’s The Golem and its silent film adaptations? If yes, Bobby Derie has you covered: “The Golem (1928) by Gustav Meyrink” at Deep Cuts in a Lovecraftian Vein.

Der Golem (“The Golem”) was a silent film directed by and starring Paul Wegener with German intertitles released in 1915. The film is now believed to be lost, aside from some fragments. This film was followed by two more: Der Golem und die Tänzerin (“The Golem and the Dancing Girl”) in 1917, and Der Golem, wie er in die Welt kam (“The Golem: How He Came Into The World”) in 1920, both of which were also directed by and starring Paul Wegener as the golem. So it isn’t clear which film Lovecraft actually saw. The 1920 film survives and is in the public domain.

Lovecraft claimed in most of his letters to have caught a showing of it in 1921, and like many an English student of the VHS era who needed to write a book report, he assumed somewhat erroneously that it was faithful to the plot of the book….

(8) ONCE UPON A NEWSSTAND. [Item by Cora Buhlert.] At Dark Worlds Quarterly, G.W. Thomas takes a look at Weird Tales’ shortlived sister magazine Oriental Stories a.k.a. Magic Carpet Tales: “Magic Carpet Tales: The Other Weird Tales” I’ve read some of Robert E. Howard’s contributions to Oriental Stories/Magic Carpet Tales and they were very good.

… Exotic locales, sexy seductresses and plotting agents aside, much of what appeared was a type of Horror fiction. Not always supernatural, torture tales, conte cruels but not your run-of-the-mill werewolf and vampire stories. For those who love Robert E. Howard and other WT authors, this is a bonanza of secondary tales….

(9) MEDIA BIRTHDAY.

1968 [Item by Cat Eldridge.] On this day in the United Kingdom fifty-four years ago, Planet of The Apes premiered. It was directed by Franklin J. Schaffner. The screenplay was by Michael Wilson and Rod Serling, and was based loosely upon Pierre Boulle‘s La Planète des Singes

It starred Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. Roddy McDowall had a long-running relationship with this series, appearing in four of the original five films (absent only from the second film of the series, Beneath the Planet of the Apes, in which he was replaced by David Watson in the role of Cornelius), and also in the television series.

It was met with critical acclaim and is widely regarded as a classic film and one of the best films of that year.  Roger Ebert of the Chicago Sun-Times said that it was “much better than I expected it to be. It is quickly paced, completely entertaining, and its philosophical pretensions don’t get in the way.” And Kevin Thomas of the Los Angeles Times exclaimed that it was, “A triumph of artistry and imagination, it is at once a timely parable and a grand adventure on an epic scale.” 

It did exceedingly well at the box office costing less than six million to make and making more than thirty million in its first year of screening.

Audience reviewers at Rotten Tomatoes give it an eighty-seven percent rating with over a hundred thousand reviewers having expressed an opinion!

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 21, 1931 Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award.  (Died 2010.)
  • Born March 21, 1944 Lorene Yarnell Jansson. Yarnell played Dot Matrix (body acting, with Joan Rivers performing the voice) in Spaceballs. She was Sonia in The Wild Wild West Revisted, Formicida / Dr. Irene Janis in Wonder Woman’s “Formicida” episode and on the Muppet Show in season four episode, “Shields And Yarnell”. (Died 2010.)
  • Born March 21, 1946 Terry Dowling, 76. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Midnight which I’ve not read but really should. He’s not at all deeply stocked at the usual digital suspects but they do have this plus several story collections. He’s won ten Ditmars, very impressive indeed, and quite a few other Awards as well.
  • Born March 21, 1946 Timothy Dalton, 76. He is best known for portraying James Bond in The Living Daylights and Licence to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now! He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
  • Born March 21, 1956 Teresa Nielsen Hayden, 66. She is a consulting editor for Tor Books and is well known for her and husband, Patrick Nielsen Hayden’s superb weblog Making Light, and back in the Eighties, they published the Izzard fanzine. And she has three fascinating framing pieces in The Essential Bordertown, edited by Delia Sherman and Terri Windling. 
  • Born March 21, 1958 Gary Oldman, 64. First genre film role was as Rosencrantz in Rosencrantz & Guildenstern Are Dead. Next up is the lead role in Bram Stoker’s Dracula. And of course he was Jean-Baptiste Emanuel Zorg in Fifth Element, followed by being Lost in Space‘s Dr. Zachary Smith, which in turn led to Harry Potter’s Sirius Black, and that begat James Gordon in the Batman filmsAlthough some reviewers give him accolades for us as role as Dr. Dennett Norton in the insipid Robocop remake, I will not. Having not seen Dawn of the Planet of the Apes, I can’t say how he is as Dreyfus in it.
  • Born March 21, 1965 Cynthia Geary, 57. Best remembered as Shelly Tambo on Northern Exposure. It’s genre, isn’t it? If that’s not enough, she’s got a prime genre role in The Outer Limits episode “Mary 25” in which she plays Teryl who is not what she seems. And she shows up on Fantady Island in the “Dying to Dance” as Pamela Lewis.
  • Born March 21, 1970 Chris Chibnall, 52. Current showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”.  He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo three times for work on Doctor Who, “Rosa” at Dublin 2019, “Resolution” CoNZealand and for “Fugitive of the Judoon” at DisCon III.
  • Born March 21, 1985 Sonequa Martin-Green, 37. She currently plays Michael Burnham on Discovery which is now In its fourth series. She had a brief recurring role as Tamara in Once Upon a Time, and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold absolutely no interest to me. Well Solomon Grundy does…  And she was in the Shockwave, Darkside film.

(11) COMICS SECTION.

  • The Duplex shows the history you learn from watching movies.
  • Lise Andreasen says these are “Exactly the same things I would do!”

(12) OUTFOXED. Arturo Serrano reviews the new Pixar film for Nerds of a Feather in “’Turning Red’ finds joy in the scary messiness of puberty”.

…Disney/Pixar’s new animated movie Turning Red takes this metaphor of puberty as transformation and situates it in the no less stressful context of the immigrant experience during the rise of digital mass media. If being a teenager is hard, it’s almost unbearably so when inherited traditions and expectations conflict with multicultural openness and pop culture sex symbols. When protagonist Meilin Lee learns that the women of her family have the power to transform into enormous red pandas, it feels like it couldn’t have come at a worse time: she’s busy enough pleasing her parents and excelling at school and daydreaming about boy bands without going all Katie Ka-Boom every time she gets emotional. So she panics, and tries to hide what’s happening to her, and pretends to be in full command of her feelings—but her inner animal won’t be tamed. There’s no denying the call of nature….

(13) EFF ME. That was my reaction to the headline “Hugh Grant ‘in conversation’ to replace Jodie Whittaker as Doctor Who” at Metro News.

…Well, rumour has it the Love Actually star could be taking over from Jodie Whittaker as the Time Lord.

According to The Mirror, the BBC series could be heading for a Marvel-style makeover, with Hugh at the helm….

(14) WIN BY LOSING. “Loki Award Show Lost Saves Universe, According to Miss Minutes”Gizmodo has the story.

Awards season hit a high note this weekend as multiple guilds and groups gave awards leading up to the grand finale, the Oscars, which happen this coming Sunday. One of the biggest to do so was the Writers Guild of America—and apparently one specific category literally saved the world, at least according to a certain animated talking clock from the Marvel Cinematic Universe.

… In the Drama category, Succession was up against The Handmaid’s Tale, The Morning Show, Yellowjackets, and Marvel’s Loki. And it’s that last one we’re going to concentrate on. Showrunner and head writer Michael Waldron revealed on Twitter that, had Loki won, this is the acceptance speech the writers submitted to air.

(15) REGENCY TEA TIME. [Item by Cora Buhlert.] Aja Romano shares her appreciation for the works of Georgette Heyer and wonders why Heyer is not a household name and has never had a film or TV adaptation: “When will Hollywood discover Georgette Heyer?” at Vox. I’d say that Georgette Heyer is at least genre-adjacent, since a lot of SFF fans seem to like her and Regency romance in general. Plus, Regency dancing is a thing at many cons.

…[Jane] Austen’s relative lack of sentiment also helped her gain popularity and respect as a writer in a male-dominated century of literature. While other women writers of her time like Fanny Burney were reviled as trashy, Austen’s lack of interest in high drama and romance made her work acceptable to male readers as well as to women. One 19th-century critic wrote approvingly that “she sets her face zealously against romantic attachments.”

That patriarchal lack of respect for the art of writing about love may also explain why few outside of romance fans have ever heard of Austen’s primary successor: Georgette Heyer. Despite singlehandedly creating the modern romance, Heyer is still a niche author. And though she has nearly 10 times as many books available for cinematic adaptation as Austen, Hollywood has yet to discover her….

(16) PARALLAX VIEWS OF WESTEROS. George R.R. Martin introduces The Rise Of The Dragon” at Not A Blog and explains how it complements Fire & Blood. Sample art at the link.

We’re so excited to announce The Rise of The Dragon, a lavish visual history of House Targaryen – the iconic family at the heart of HBO’s Game of Thrones prequel series, House of the Dragon – featuring over 180 all-new illustrations!

For those of you who are wondering: What’s the difference between The Rise of the Dragon and Fire & Blood? Think of The Rise of the Dragon as a deluxe reference book, in which Westeros’ most infamous family – and their dragons – come to life in partnership with some truly incredible artists.

Fire & Blood was scribed as a grandmaesters’ account of events from Aegon Targaryen’s conquest of Westeros through to the infamous Dance of the Dragons, the civil war that nearly undid the Targaryen rule. The Rise of the Dragon will cover the same time period, but is written in a more encyclopedic style similar to The World of Ice and Fire. In fact, The World of Ice and Fire authors Elio M. García, Jr. and Linda Antonsson have returned to help with this tome. …

(17) AIRING ON THE SIDE OF CAUTION. [Item by Daniel Dern.] From the “By The Book” weekly interview in the NY Times (Sunday) Book Review section, 3/20/22, with Jeremy Denk, a question that IIRC is part of every interview:

Q: What books are on your night stand.

A: In Manhattan, my night stand has become commandeered by a CPAP machine. I chose breathing over reading.

He then goes on to list books elsewhere in his domicile(s).

(18) IT’S FOR YOU. [Item by Martin Morse Wooster.] The BBC shows it’s possible to walk outside with a mobile phone “as big as a walkie talkie” and make a phone call in this clip from a 1974 episode of Blue Peter.

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Lise Andreasen, Olav Rokne, Daniel Dern, Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who calls it his Tolkien cowboy title.]

Westercon 66 Picks Guests

Nicola Griffith and Kelley Eskridge.

Westercon 66, coming to Sacramento in 2013, has named its GoHs.

Author Guests of Honor are Nicola Griffith, multi-award-winning novelist and editor of several anthologies, and Kelley Eskridge, author of a New York Times Notable novel and prize-winning short fiction, who chairs the Clarion West Writers Workshop board.

Artist Guest of Honor Eric Shanower and Small Press Special Guest David Maxine are Wizard of Oz devotees whose shared fanac developed into a comfortable professional life. Eric Shanower has created Oz-based comic books, written Oz novels and Marvel graphic novelizations of Baum’s Oz books. David Maxine runs Hungry Tiger Press, which specializes in Oz-related publications.

Fan Guests of Honor are “The Three Who Rule,” Warren Frey, Steven Schapansky, Chris Burgess, from the Doctor Who-themed podcast Radio Free Skaro, voted the most popular Doctor Who podcast by members of Gallifrey Base.

Westercon 66 co-chair Andrew Trembly says:

We think this slate will both satisfy Westercon traditionalists on many grounds, and at the same time make them think about writing, art and fanac they may not have really noticed in the past. We also think these guests will draw the attention of fans who have wondered why they should spend their hard-earned dollars to come to another convention, or who didn’t even know about Westercon in the first place.

Worldcon Masquerade MC’s Announced

Phil and Kaja Foglio, creators of Girl Genius, will serve as the Masters of Ceremony for the 2011 Worldcon masquerade. And while the judges deliberate, Paul Cornell will entertain with his Worldcon edition of the BBC Radio 4 game show Just A Minute.

Masquerade Directors Kevin Roche and Andrew Trembley have named the first members of the panel of judges. Karen Dick (founder of Costume-Con) and Lindsay Tallman (producer of the Anime Los Angeles masquerade) will be backstage for close-up workmanship judging, with Toni Lay and John O’Halloran judging the entries as presented on-stage.

The full press release follows the jump.

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