The Arthur C. Clarke Foundation has announced the 2022 Arthur C. Clarke Award winners. (Note: This is a different honor than the literary Arthur C. Clarke Award.)
On November 16, the Clarke Foundation in Washington, D.C., will host Unleash Imagination, including these 2022 Arthur C. Clarke Awardees.
THE ARTHUR C. CLARKE LIFETIME ACHIEVEMENT AWARD
for his exceptional contributions as a Physican-Geneticist, and for his Human Genome Leadership
Dr. Collins is a physician-geneticist noted for his landmark discoveries of disease genes and his previous leadership of the international Human Genome Project, which culminated in April 2003 with the completion of a finished sequence of the human DNA instruction book.
THE ARTHUR C. CLARKE IMAGINATION IN SERVICE TO SOCIETY AWARD
for his imaginative Science Fiction creations, and exceptional Journalism and Technology Activism.
The awardee for Imagination in Service to Society is a science fiction novelist, journalist and technology activist. Mr. Doctorow is also a special consultant to the Electronic Frontier Foundation (EFF), a non-profit civil liberties group that defends freedom in technology law, policy, standards and treaties. He holds an honorary doctorate in computer science from the Open University (UK), where he is a Visiting Professor. He is an MIT Media Lab Research Affiliate and a Visiting Professor of Practice at the University of North Carolina’s School of Library and Information Science.
THE ARTHUR C. CLARKE INNOVATOR AWARD
for her incomparable leadership and vision as an Internet Policy Pioneer and Investor, Journalist, Author, Commentator and Philanthropist.
As a member of the National Information Infrastructure Advisory Council (NIIAC), chair of the Electronic Frontier Foundation (EFF), and founding chairman of ICANN, Esther Dyson has helped mediate and inform public policy regarding privacy, encryption, trust, and the assignment of Internet domain names.
Ms. Dyson has been widely regarded as one of the most influential voices in technology policy for more than three decades. Though she is now mostly focused on human well-being and health (through the 10-year nonprofit community health and equity project she founded in 2014, Wellville), she is returning her gaze to Internet governance as the world approaches Web 3.0. She hopes to help it avoid the governance issues she saw clearly in Web 2.0.
This year the judges considered about a hundred novels with remarkable commitment and rigour. Every stage of zooming in on the winner was the conversation of informed readers at the top of their game. Deep Wheel Orcadia is the sort of book that makes you rethink what sf can do and makes the reading experience feel strange in a new and thrilling way. It’s as if language itself becomes the book’s hero and the genre is all the richer for it.
Harry Josephine Giles receives a trophy in the form of a commemorative engraved bookend and prize money to the value of £2022.00; a tradition that sees the annual prize money rise incrementally by year from the year 2001 in memory of Sir Arthur C. Clarke.
The judging panel for the Arthur C. Clarke Award 2022 were:
Phoenix Alexander and Dr Nicole Devarenne for the Science Fiction Foundation
Crispin Black and Stark Holborn for the British Science Fiction Association
Nick Hubble for the SCI-FI-LONDON film festival
Dr Andrew M. Butler represents the Arthur C. Clarke Award directors in a non-voting role as the Chair of the Judges.
…In particular, Tolkien wrote about what makes a happy ending so powerful in stories. And to do so, he came up with an intriguing coinage: fairy stories, he suggested, often feature a “eucatastrophe” – this was, he suggested, a “good” catastrophe. So, what exactly did he mean? And could such events happen in real life too?
In the present day, Tolkien’s idea of the “good catastrophe” has attracted the attention of scholars who study existential risk and humanity’s future prospects. It turns out that eucatastrophes may matter beyond fairy stories – and identifying the conditions that lead to them could be necessary if we want to thrive as a species.
According to Tolkien, a eucatastrophe in a story often happens at the darkest moment. When all seems lost – when the enemy seems to have won – a sudden “joyous turn” for the better can emerge. It delivers a deep emotional reaction in readers: “a catch of the breath, a beat and lifting of the heart”, he wrote….
…Let’s talk about Deep Wheel Orcadia by the Scottish writer Harry Josephine Giles. It’s a novel-in-verse, which takes a very interesting literary approach. Can you tell us more?
Novels-in-two-verses, you might argue. One in Orcadian, one in English. Orcadian is a dialect of Scots—as opposed to Gaelic—and there’s a history of Scots feeding into science fiction and horror, especially Gothic horror. In 1919, someone came up with the idea of the Caledonian antisyzygy—the Scots think in one language, but feel in another, say. There’s a sort of divided consciousness at the centre of Scottish books, poetry and art—and we can trace this division in authors such as Robert Louis Stevenson, Iain M. Banks and many others.
I think I can relate to that.
The action of Deep Wheel Orcadia is mostly set on or close to an isolated space station, at a crisis point in the solar system, and focuses on the working and private lives of the characters on board. You could decide to read the Orcadian version and then the English, or vice versa, or just one—but you’d miss so much if you only read half. I think you can pick up the Orcadian, as you might the Riddleyspeak in Russell Hoban’s Riddley Walker….
(3) SCORING SFF. [Item by Martin Morse Wooster.] I listened to this 2017 podcast Leonard and Jessie Maltin had with composer Michael Giacchino. You knew this would be a great interview because Giacchino begins the interview by saying that when he’s in the car, he listens to old-time radio and his favorite show is the sf show X Minus One. Leonard Maltin wrote a very good book about old time radio and he and Giacchino geek out about radio for many minutes. Most of the rest of the interview was how Giacchino got his start; he graduated from the School of Visual Arts with postgraduate work at Julliard. He ended up scoring video games and got a big break from Steven Spielberg that led to his scoring “The Lost World” video game. Another big break led to Giacchino writing the score for The Incredibles after John Barry, who originally was offered the job, declined.
I think Giacchino is the best active film composer and he also gets credit for hiring veteran musicians who have all their skills but may need help with technology or disabilities. Between 85-90 percent of Giacchino’s work is for sf or fantasy films, so this should be of interest. Maltin on Movies: “Michael Giacchino”.
I have a pretty big night stand. … and then I have Kim Stanley Robinson’s “New York 2140,” which is a really wonderful book, imagining a less dystopian future. It does have disasters and climate change, but it also has sort of human adaptability, and it’s really spectacular.
Do you have favorite genres and genres that you avoid?
I don’t like horror. I had a big science fiction thing in high school and college and I haven’t read science fiction in ages and ages. I used to read religiously Roger Zelazny and now I can’t even find his books on a bookshelf at a reputable bookstore. But everything else is kind of open. I like good writing. One writer I love is Willa Cather. People say, Was it Melville or Hemingway or Twain who wrote the great American novel, meaning “Moby-Dick” or “A Farewell to Arms” or obviously “Huckleberry Finn,” where, as Hemingway rightly said, American literature begins. But what about “O Pioneers!” or “My Ántonia”? For that matter, what about Gabriel García Márquez? We do not have a copyright on the word “American.”
(5) BUSCH COMMEMORATED. First Fandom President John L. Coker III announced a tribute to the late Justin E. A. Busch who died October 21.
Last week, after I learned about his grave condition, I had an award plaque made. It is the seldom-given First Fandom Merit Award, “Presented to Justin E. A. Busch for attaining excellence in his work.” He didn’t live long enough to see it but I would like for it to be at least a small part of his legacy.
(6) MEMORY LANE.
1984 — [By Cat Eldridge.] Ray Bradbury’s A Memory of Murder
Ray Bradbury’s A Memory of Murder is a collection of fifteen of his mystery short stories published thirty-eight years ago by Dell. They first appeared from 1944 to 1948 in pulp magazines owned by Popular Publications, Inc. that specialized in detective and crime fiction.
Bradbury wasn’t that happy with these stories as he thought he hadn’t developed yet as a writer and made that well known more than once later on. As he said in an interview with Crime Time, “When my first detective mystery stories began to appear in Dime Detective, Dime Mystery Magazine, Detective Tales, and Black Mask in the early ’40s, there was no immediate trepidation over in the Hammett-Chandler-Cain camp. The fact is, it didn’t develop later either. I was never a threat. I couldn’t, in the immortal words of Marlon Brando, have been a contender.”
The stories themselves numbered fifteen in total with titles such as “A Careful Man Dies” from New Detective Magazine in November 1946). The cover blurb was “For a hemophiliac, no object is innocent, and even a kiss can kill!” It was one of Bradbury’s stories that filmed in 2005, this time by Italian backers and producers.
Another one, “It Burns Me Up!” from Dime Mystery Magazine in November 1944 carried the wonderfully chilling first line of “I am lying here in the very centre of the room and I am not mad, I am not angry, I am not perturbed” it serves as a great reminder that some of his stories got turned comics, see Ray Bradbury Comics, Number 3, published in 1993.
I’ll let Ed Gorman have the last word as he reviewed this collection over on his blog in his column Forgotten Books. He said of his favorite story, “The most interesting story is ‘The Long Night.’ I remember the editor who bought it writing a piece years later about what a find it was. And it is. A story set in the Hispanic area of Los Angeles during the war, it deals with race and race riots, with the juvenile delinquency that was a major problem for this country in the war years (remember The Amboy Dukes?) and the paternal bonds that teenage boys need and reject at the same time. A haunting, powerful story that hints at the greatness that was only a few years away from Bradbury.”
It went of print immediately but the paperback is fairly easy to find at the usual sellers.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 24, 1893 — Merian Cooper. Aviator, Writer, Director and Producer. After spending WWI in the Air Force, Cooper became a writer and researcher for The New York Times and later the American Geographic Society, traveling the world, and writing stories and giving lectures about his travels. He then turned some of his writing into documentary films. He had helped David Selznick get a job at RKO Pictures, and later Selznick hired him to make movies. He developed one of his story ideas into a movie featuring a giant gorilla which is terrorizing New York City. King Kong was released in 1933, and the story has been sequeled, remade, comicbooked, and rebooted innumerable times in the last 85 years. (Died 1973.) (JJ)
Born October 24, 1915 — Bob Kane. Writer and Artist who co-created, along with Bill Finger, the DC character Batman. Multiple sources report that “Kane said his influences for the character included actor Douglas Fairbanks’ movie portrayal of the swashbuckler Zorro, Leonardo da Vinci’s diagram of the ornithopter, a flying machine with huge bat-like wings; and the 1930 film The Bat Whispers, based on Mary Roberts Rinehart’s mystery novel The Circular Staircase.” He was inducted into Jack Kirby Hall of Fame and the Will Eisner Hall of Fame. The character he created has been featured in countless comic books, stories, movies, TV series, animated features, videogames, and action figures in the last eight decades. The 1989 movie based on his creation, featuring Michael Keaton in the title role, was a finalist for both Hugo and British Science Fiction Association Awards. (Died 1998.)
Born October 24, 1948 — Margaret “Peggy” Ranson. Artist, Illustrator, and Fan, who became involved with fandom when she co-edited the program book for the 1988 Worldcon in New Orleans. She went on to provide art for many fanzines and conventions, and was a finalist for the Best Fan Artist Hugo every one of the eight years from 1991 to 1998, winning once. She was Guest of Honor at several conventions, including a DeepSouthCon. Sadly, she died of cancer in 2016; Mike Glyer’s lovely tribute to her can be read here. (Died 2016.)
Born October 24, 1952 — Jane Fancher, 70. Writer and Artist. In the early 80s, she was an art assistant on Elfquest, providing inking assistance on the black and white comics and coloring of the original graphic novel reprints. She adapted portions of C.J. Cherryh’s first Morgaine novel into a black and white comic book, which prompted her to begin writing novels herself. Her first novel, Groundties, was a finalist for the Compton Crook Award, and she has been Guest of Honor and Toastmaster at several conventions.
Born October 24, 1956 — Katie Waitman, 66. Her best known work to date was the Compton Crook Award winning The Merro Tree in which a galaxy-spanning performance artist must defy a ban imposed on him. Her second novel, The Divided, appears to be bog standard military SF but really isn’t. Highly recommended.
Born October 24, 1956 — Dr. Jordin Kare. Physicist, Filker, and Fan who was known for his scientific research on laser propulsion. A graduate of MIT and Berkeley, he said that he chose MIT because of the hero in Heinlein’s Have Spacesuit, Will Travel. He was a regular attendee and science and filk program participant at conventions, from 1975 until his untimely death. He met his wife, Mary Kay Kare, at the 1981 Worldcon. He should be remembered and honored as being an editor of The Westerfilk Collection: Songs of Fantasy and Science Fiction, a crucial filksong collection, and later as a partner in Off Centaur Publications, the very first commercial publisher specializing in filk songbooks and recordings. Shortly after the shuttle Columbia tragedy, astronaut Buzz Aldrin, on live TV, attempted to read the lyrics to Jordin’s Pegasus Award-winning song “Fire in the Sky”, which celebrates manned space exploration. He was Guest of Honor at numerous conventions, and was named to the Filk Hall of Fame. Mike Glyer’s tribute to him can be read here. (Died 2017.) (JJ)
Born October 24, 1960 — BD Wong, 62. His first genre role was in Jurassic Park as Dr. Henry Wu (a role reprised in Jurassic World, Jurassic World: Fallen Kingdom and Jurassic Park Dominion). He was the voice of Captain Li Shang on Mulan, and Whiterose, head of the hacker collective Dark Army on Mr. Robot.
Born October 24, 1974 — Liesel Schwarz, 48. She’s been dubbed, by whom I know not I admit, “The High Priestess of British Steampunk”. She has written the Chronicles of Light and Shadow trilogy, a sequence set in a Steampunk version of Europe in which the three novels are Chronicles of Lightand Shadow, A Clockwork Heart and Sky Pirates.
Born October 24, 1971 — Sofia Samatar, 51. Teacher, Writer, and Poet who speaks several languages and started out as a language instructor, a job which took her to Egypt for nine years. She won the Campbell Award for Best New Writer, and is the author of two wonderful novels to date, both of which I highly recommend: Stranger in Olondria (which won World Fantasy and British Fantasy Awards and was nominated for a Nebula) and The Winged Histories. Her short story “Selkie Stories are for Losers” was nominated for Hugo, Nebula, BSFA, and BFA Awards. She has written enough short fiction in just six years that Small Beer Press put out Tender, a collection which is a twenty-six stories strong. And she has a most splendid website. (Standback)
(8) COMICS SECTION.
Six Chixmay be a comic but these characters are not overdrawn.
Ann Nocenti, the writer, journalist and filmmaker who wrote and edited some of the most iconic Marvel comics of the late 1980s and early 1990s joins the podcast to discuss her early years in New York as “the girl who lived behind the fish tank,” quite literally, how her work in asylums influenced her stories about superheroes, creating Marvel’s first openly transgender character, the role of “fake news” in the comics she’s working on now, and much more.
Days before a Targaryen civil war erupts between Rhaenyra and Alicent on the Season 1 finale of HBO’s House of the Dragon, you’ll find series creator George R.R. Martin staying mum on fire-breathing animals and talking up his latest rotoscope animated short, Night of the Cooters, in his Santa Fe, NM stomping ground.
The Vincent D’Onofrio-directed cowboys vs. aliens film based on the Howard Waldrop short story is one of four short movies Martin is producing in what is shaping up to be an anthology either for the big screen (a la Creepshow) or TV (a la Love, Death and Robots)…
In addition to Night of the Cooters, Martin recently finished production on the second title he owns from sci-fi author Waldrop. Currently titled Friends Forever, the short was directed by Justin Duval, a producer and DP on Night of the Cooters, and is currently in post.
Another short currently shooting in Santa Fe under the helm of Steven Paul Judd is Mary Margaret Road-Grader, which Martin billed as a “Native American Mad Max story about tractor pulls and feminism.”
Then there’s Waldrop’s most notable work, The Ugly Chickens, about the extinction of the dodo, which is about to shoot in Toronto with Kodachrome‘s Mark Raso directing….
…In honor of spooky season (the best season), I’ve pulled together a by-no-means-exhaustive list of my favorite haunted house books, books with houses that exemplify the Shirley’s Jackson quote: “It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope.”…
The Adventures of Mansour, a sci-fi cartoon phenomenon from the Middle East that’s racked up an astounding two billion YouTube hits, is returning with an all-new sequel series, The Adventures of Mansour: Age of A.I.
Funded by Mubadala Investment Company and Abu Dhabi Early Childhood Authority (ECA), the dynamic adventure show is aimed at kids aged 6-12. This Mansour relaunch from Bidaya Media, recently announced at MIPCOM 2022, will be the first Arab cartoon first created in English and Arabic then realigned for a worldwide audience presenting topical themes of artificial intelligence, technology, climate change, and space exploration.
…Here’s the official description:
Set in the near future, in the technologically advanced Salam City, ‘The Adventures of Mansour: Age of AI’ is a sci-fi action adventure series that revolves around Mansour, a 12-year-old tech whiz, who unintentionally creates a mischievous sentient artificial intelligence known as Blink. With the support of his closest friends, Mansour must deal with all manner of pranks, challenges and dangers posed by Blink, who for his own amusement, is determined to cause as much chaos as possible for Mansour and the people of Salam City.
[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian, for some of these stories. Title credit belongs to File 770 contributing editor of the day OGH.]
The winner will receive a trophy in the form of a commemorative engraved bookend and prize money to the value of £2022.00; a tradition that sees the annual prize money rise incrementally by year from the year 2001 in memory of Sir Arthur C. Clarke.
Chair of Judges, Dr Andrew M. Butler, said:
“I always view the shortlist as a snapshot of the richness and variety of the genre – space operas and dystopias, debutants and veterans, page turners that you can swallow whole and books that make you want to linger on every sentence. We’re slowly seeing a wider range of authors getting published in the British sf market, so we get to see a wider range of ways of reimagining the world. If science fiction is a toolbox, then we need to keep our tools sharp by approaching the material from different angles.
“The judges also come to science fiction from different angles. We have reviewers, academics, archivists and more, but above all they are enthusiastic readers and fans who have the mammoth task of whittling over hundred submissions down to exactly six titles. There was passion and intelligence and emotion in abundance. I’m proud of how they were able to challenge and still respect each other and produce the shortlist we’re celebrating today. And they get to have the debates all over again, as they choose the single best science fiction novel of the year.”
Award Director Tom Hunter said:
“I am in awe of the work of our judges this year, reading over 100 titles submitted by 39 publishing imprints and independent authors, and for leading us to this moment. I am also delighted for the opportunity to return both to a live ceremony this year and for it to be held at the Science Museum as one of their Science Fiction exhibition events.
“Every Clarke Award shortlist is a voyage into the imagination, and an opportunity to seek out new authors, and new readers, as much as it is a moment to revisit our hopes and expectations for the genre. I couldn’t think of a better partner to take that journey with this year.”
The judging panel for the Arthur C. Clarke Award 2022 are:
Phoenix Alexander and Dr Nicole Devarenne for the Science Fiction Foundation
Crispin Black and Stark Holborn for the British Science Fiction Association
Nick Hubble for the SCI-FI-LONDON film festival
Dr Andrew M. Butler represents the Arthur C. Clarke Award directors in a non-voting role as the Chair of the Judges.
Twenty years before Margaret Atwood won the first Arthur C Clarke award, she published a small but important collection of poetry called The Animals in That Country, a title I borrowed for my book. That this book could become one of the Clarke award winners alongside Atwood – as well as other writers I adore like Miéville and Whitehead – is a momentous honour. I wrote The Animals in That Country to look closely at the relationship between humans and other animals. In these strange times, I find that (more than ever) reading and writing connects us humans as well.
Chair of Judges, Dr Andrew M. Butler, commented on the fact that all six shortlisted books this year were by debut authors:
Our six shortlisted debut novelists have found ways to rework tools that sf has used for over two centuries. This should give us all hope for the future of our genre.
And Award Director Tom Hunter added:
For 35 years the Clarke Award has promoted not only the best of science fiction but also new ways of defining and exploring it. Laura’s win re-positions the boundaries of science fiction once again, and we’re delighted to welcome her to the genre.
Laura Jean McKay receives a trophy in the form of a commemorative engraved bookend and prize money to the value of £2021.00; a tradition that sees the annual prize money rise incrementally by year from the year 2001 in memory of Sir Arthur C. Clarke.
The judging panel for the Arthur C. Clarke Award 2021 were: Stewart Hotston, British Science Fiction Association; Alasdair Stuart, British Science Fiction Association; Phoenix Alexander, Science Fiction Foundation; Nicole Devarenne, Science Fiction Foundation; Nick Hubble, SCI-FI-LONDON film festival; Dr Andrew M. Butler, non-voting Chair of the Judges, Serendip Foundation.
(1) CLARKE AWARD CEREMONY. The Arthur C. Clarke Award winner will be announced September 27. Award Director Tom Hunter adds, “Long-time subscribers may remember back to pre-pandemic times when we used to announce our winner in July rather than September, but as with last year we’ve been committed to going one step at a time across our announcements and judging process as things continue to evolve. Hopefully 2022 will allow us to return to our usual scheduling. In the meantime, as with 2020, we have decided to forego a public ceremony event this year, but I am delighted to share that this year’s winner will be revealed live by presenter & science fiction fan Samira Ahmed on BBC Radio 4’s Front Row.”
… Lai believes that Howard first came to the attention of Cannell in 1933. After the publication of his “Worms of the Earth” in the November 1932 issue of Weird Tales, Christine Campbell Thomson included the story in her collection Keep on the Light (Selwyn and Blount, 1933). The book was the ninth in a series of collected tales of horror and the supernatural titled Not at Night. Howard had previously appeared in the eighth volume of the series with “The Black Stone,” and that anthology was titled Grim Death (Selwyn and Blount, 1932); that was also REH’s first ever appearance in a hardcover book. So taken with Howard’s Bran Mak Morn story, Cannell incorporated “Worms of the Earth” into his Gees series, the fifth book, making it a sort of sequel. The version I read came from Ramble House and, despite the poor cover, the story appeared to me to be a good reprinting of the story….
Mary Shelley was just 18 when she dreamed up her story of a “pale student of unhallowed arts” and the “hideous phantasm of a man” he created. Now a first edition of her seminal classic of gothic horror, Frankenstein; or, The Modern Prometheus, has set a world record for the highest price paid for a printed work by a woman, after selling at auction for $1,170,000 (£856,000)….
As soon as he crossed the border into Italy, Tennessee Williams found his health was “magically restored”. “There was the sun and there were the smiling Italians,” wrote the author of A Streetcar Named Desire in his memoirs. Now a previously unpublished short story by Williams describes his protagonist experiencing similar feelings – although the Italians do not feel quite so warmly towards him….
(5) BEFORE HE WAS A BESTSELLER. [Item by Cora Buhlert.] G.W. Thomas has a three part post about the lengthy writing career of John Jakes and that he wrote so much more than just historical family sagas. I actually knew that he wrote fantasy in the 1960s, but I didn’t know that he wrote in pretty much every genre and every venue:
… Did the fledgling Pulp writer (by night) and ad man (by day) have any inkling what lie ahead? Probably not, but to John’s credit he always wrote what interested him, what offered him a challenge, shifting between genres and venues. If the Pulps hadn’t died, he could have spent his entire career writing Westerns. Or Space opera. Or hard-boiled. But he did all of these, and well, before moving onto bigger things…
John Jakes, after five years in the Pulps, moved on to writing for magazines and novels. His story output slowed a little but he produced at least two novels most years, sometimes under his own name, sometimes under pseudonyms. For historical adventure he used the name Jay Scotland. He used his own name for the hard-boiled detective series starring Johnny Havoc but also wrote the last three Lou Largo novels as William Ard. The 1960s saw John writing tie-ins for Mystery television. This would later lead to him writing for The Man From U. N. C L. E. and The Planet of the Apes novelizations in the 1970s. He also sold the first (and best) Brak the Barbarian stories to Cele Goldsmith at Fantastic….
John Jakes finished the 1960s writing television tie-ins along with other paperbacks. The first collections of Brak appeared alongside his best Science Fiction novels. But in 1974 everything would change with the arrival of The Kent Family Chronicles. John had several paperback novels on the bestsellers list at one time. From 1974 on he would be known not as a SF, Sword & Sorcery or Mystery writer but as a bestseller….
(6) TWO ORBIT AUTHOR Q&A’S. Orbit Live invites everyone to this pair of author conversations.
SEPTEMBER 28: Andy Marino and M.R. Carey will discuss their books and what it’s like writing supernatural thrillers. Register here.
Andy Marino is the author of The Seven Visitations of Sydney Burgess, a new supernatural horror and thriller novel. Marino has previously written several books for young readers. The Seven Visitations of Sydney Burgess is his debut book for adults.
M.R. Carey is the author of several books including The Girl With All the Gifts, the acclaimed and bestselling supernatural thriller, and The Rampart Trilogy, which began withThe Book of Koli. Carey has also written a number of radio, TV, and movie screenplays.
OCTOBER 12: Django Wexler and Melissa Caruso talk about their new books, creating fantasy worlds, and writing the middle book of a fantasy trilogy. Register here.
Django Wexler (he/him) is the author of the several adult and young adult fantasy series. Blood of the Chosen, the second book of his Burningblade & Silvereye trilogy, releases October 5.
Melissa Caruso (she/her) is the author of the Swords and Fire trilogy, which began with The Tethered Mage. The Quicksilver Court, the second book of her Rooks and Ruin trilogy, releases October 12.
September 25, 2021 – 2PM EDT, 11AM PDT, 1PM CDT, 7PM London, 4AM Sydney Juanita Coulson
October 23, 2021 – 2pm EDT, 7PM London, 11AM PDT St. Fantony, BSFA, Brumcon and more – British Fan history with Keith Freeman and Rob Hansen.
December 4 (US) and December 5 (Australia), 2021 – 7PM Dec 4 EST, 4PM Dec 4 PST, 11AM Dec 5 Melbourne AU Wrong Turns on the Wallaby Track:: Australian Science Fiction Fandom to Aussiecon – Part 1, 1936 to 1960, with Leigh Edmonds and Perry Middlemiss
(8) MEDIA BIRTHDAY.
1962 – Fifty-nine years ago this date in prime time on ABC, The Jetsons premiered. It was created by William Hanna and Joseph Barbera who had previously produced such series as the Quick Draw McGraw and the Yogi Bear Show. The primary voice cast was George O’Hanlon, Penny Singleton, Janet Waldo, Daws Butler and Mel Blanc. The latter voiced Cosmo Spacely, George’s boss. It would last three seasons for seventy-five roughly half-hour episodes. A number of films, reboots and one truly awful idea, The Jetsons & WWE: Robo-WrestleMania, followed down the years.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 23, 1897 — Walter Pidgeon. He’s mostly remembered for being in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work being in Voyage to the Bottom of the Sea as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. The Mask of Sheba in which he was Dr. Max van Condon is at genre adjacent. (Died 1984.)
Born September 23, 1908 — Wilmar H. Shiras. Also wrote under the name Jane Howes. Her most famous piece was “In Hiding” (1948), a novella that was included in The Science Fiction Hall of Fame anthology. It is widely assumed that it is the inspiration for the Uncanny X-Men that Stan Lee and Jack Kirby would shortly release. (Died 1990.)
Born September 23, 1936 — Richard Wilson, 85. He played Doctor Constantine in “The Empty Child” and “The Doctor Dances”, two Ninth Doctor stories. He played Gaius, Camelot’s court physician, in the entire of Merlin. And he’s was in Peter Pan as Mr Darling/Captain Hook at the Royal Festival Hall, Southbank Centre.
Born September 23, 1956 — Peter David, 65. Did you know that his first assignment for the Philadelphia Bulletin was covering was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1: The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel, Wolverine and Young Justice.
Born September 23, 1959 — Elizabeth Peña. Ok, these notes can be depressing to do as I discovered she died of acute alcoholism. Damn it all. She was in a number of genre production s including *batteries not included, Ghost Whisperer, The Outer Limits, The Invaders and even voiced Mirage in the first Incredibles film. Intriguingly she voiced a character I don’t recognize, Paran Dul, a Thanagarian warrior, four times in Justice League Unlimited. (Died 2014.)
Born September 23, 1967 — Rosalind Chao, 54. She was the recurring character of Keiko O’Brien with a total of twenty-seven appearances on Next Generation and Deep Space Nine. In 2010, a preliminary casting memo for Next Gen from 1987 was published, revealing that Chao was originally considered for the part of Enterprise security chief Tasha Yar. Now that would have been interesting.
Born September 23, 1967 — Justine Larbalestier, 54. Writer, Editor, and Critic. An Australian author of fiction whose novels have won Andre Norton, Carl Brandon, and Aurealis Awards, she is probably best known for her comprehensive scholarly work The Battle of the Sexes in Science Fiction which was nominated for a Hugo at Torcon 3. Her Daughters of Earth: Feminist Science Fiction in the Twentieth Century, an anthology of SFF stories and critical essays by women, won The William Atheling Jr. Award.
Born September 23, 1971 — Rebecca Roanhorse, 50. Her “Welcome to Your Authentic Indian Experience™“ which was first published in the August 2017 of Apex Magazine won a Hugo as best short story at Worldcon 76. (It won a Nebula as well.) She also won the 2018 Astounding Award for Best New Writer. Rebecca has five published novels: Trail of Lightning, its sequel Storm of Locusts; Black Sun; Race to the Sun (middle grade); and a Star Wars novel, Resistance Reborn. Black Sun is nominated for a Hugo this year.
Dorian Gray (“The Picture of Dorian Gray”) Soul-to-Sketch Art Converter app on Google Play. Turn selfies into paintings. Start your FREE seven-day, seven-sins trial today!
(12) HOPEPUNK. Mythic Delirium Books contends that readers who are looking for hopepunk will find it in Dark Breakers the new collection of short fiction from World Fantasy Award-winning author C. S. E. Cooney which will be released in February 2022. Its two previously uncollected novellas, “The Breaker Queen” and “The Two Paupers,” and three new stories, “Salissay’s Laundries,” “Longergreen” and “Susurra to the Moon” — take place in three parallel worlds, one inhabited by humans, one ruled by the Gentry (not unlike the Fae of Earthly legend) and one the realm of goblins. The heroines and heroes of these adventures confront corruption and the threat of tyranny armed with their own wits and the life-changing power of art. Pre-orders are activating now, with e-book pre-orders widely available and Barnes & Noble allowing advance purchases of all three editions.
Apple has released the official trailer for its ambitious new sci-fi series, Invasion, starring Jurassic Park’s Sam Neill.
The three-episode premiere of Invasion will be available to stream on Apple TV+ on Friday, October 22, 2021. Invasion comes from the minds of X-Men and Deadpool producer Simon Kinberg, as well as The Twilight Zone’s David Weil. The series follows the events of an Alien invasion through the lens of several characters spread across multiple continents.
(14) PROPRIETIES OBSERVED. [Item by Todd Mason.] The second episode of Have Gun, Will Travel repeated this morning on the H&I Network begins with the protagonist Paladin riding his horse in rocky country.As he passes an outcropping, a woman slips out of the shadows and cocks her rifle while leveling it at his back.
Closed Captioning as presented by H&I: “(sound of woman XXXXing rifle)”
As the Jimmy Kimmel Live show used to enjoy playing with, “Today in Unnecessary Censorship,” making the tampered-with/censored bit seem much more blue than simply letting it be would…
Traces of primordial form of the substance hint at why the cosmos is expanding faster than expected.
Cosmologists have found signs that a second type of dark energy — the ubiquitous but enigmatic substance that is pushing the Universe’s expansion to accelerate — might have existed in the first 300,000 years after the Big Bang….
(17) KALLING ALL KAIJU KOLLECTORS. [Item by Michael Toman.] This Deep Dive into Godzilla movie commentaries, including the two which met with disapproval from Toho and were pulled, not to mention the ones which are only available to Japanese speakers, might be of interest to Other Filer G-Fans?
(18) VIDEO OF THE DAY.[Item by Martin Morse Wooster.] In “Honest Game Trailers’ No More Heroes 3” on YouTube, Fandom Games, in a spoiler-filled episode, says that the third adventure of assassin Travis Touchdown has him fighting aliens. It is a “weird (bleeping) game for weird (bleeping) gamers,” features every bad Power Ranger villain, and includes as a character director Takashi Miike, the Japanese goremaster.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Todd Mason, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]
The Animals in that Country – Laura Jean McKay (Scribe)
Chilling Effect – Valerie Valdes (Orbit)
Dr Andrew M. Butler, Chair of Judges, said:
To everyone’s surprise, each of the titles is a debut novel. This has never happened before.
Tom Hunter, Award Director, commented:
As we announce our 35th Clarke Award shortlist I’m reminded of Sir Arthur’s wish that the prize continue to reflect the best of UK science fiction, and not one fixed definition of it.
With SF publishing in the UK currently thriving and over 100 increasingly diverse titles again submitted to our judges this year, a single definition of science fiction in the 2020s was always going to be a challenge but with this shortlist I believe our judges not only met the challenge, they’ve raised the bar.
Whether its SF for readers of all ages, works in translation, books from the heart of SF publishing, our vibrant small presses or literary imprints embracing their speculative fiction sides, our judges have created a definition of the best of science fiction literature today that is uniquely their own yet instantly recognisable.
A complete list of all eligible titles submitted to the judging panel can be found here.
The award’s judging panel members and supporting organizations are:
Stewart Hotston, British Science Fiction Association
Alasdair Stuart, British Science Fiction Association
Within an hour of hearing that she had won the Arthur C. Clarke Award, a top honor given to science fiction published in the UK, Namwali Serpell also heard the news that the police officers who killed Breonna Taylor would not be charged for her murder.
“I received these two pieces of news about being a black woman in 2020 and it felt like a kind of whiplash, but it’s a feeling I’ve grown used to,” she told the BBC. “So I’ve been trying to figure out how to acknowledge both the honor that this award grants to my novel and the feeling that the political revolution I’m describing in the novel is yet to come.”
She decided to donate her prize money, £2,020.00, to the Louisville Community Bail Fund, with the goal of helping those who have been detained while protesting Breonna Taylor’s death….
…I tried to find a replacement for a show I’d outgrown. I wanted to find representation, something that could comfort and validate me as I move through a world that doesn’t accommodate me. I couldn’t find anything that reflected my real experience.
What I found instead was horror and fantasy.
Instead of real-world dramas like Switched at Birth, I started watching darker fare like Hannibal and Teen Wolf. Even though I couldn’t relate specifically to lycanthropy or hyper-empathy that borders on telepathy, I related with the emotional arcs these shows presented; both shows follow their protagonist trying to find their place in a world that either persecuted them or paid them little attention. I found myself rapt at the way they presented identity and community. Both Hannibal’s blood-soaked surrealism and Teen Wolf’s paranormal fantasy hit harder—and felt more relevant to my experience—than any realistic portrayal of deafness I found.
(3) RHIANNA ON RADIO. Today’s BBC Radio 4 Women’s Hour has an interview with Rhianna Pratchett, the fantasy games designer and author, about her work, her latest book and includes a bit on her life with dad.. Rhianna’s interview is about 35 minutes in. The program can be downloaded as an .mp3
(4) KGB. The Fantastic Fiction at KGB readings on October 21 with Joe Hill and Laird Barron will be livestreamed on YouTube at 7 p.m. Eastern. Link forthcoming.
Joe Hill is the #1 New York Times bestselling author of Full Throttle, Strange Weather, and The Fireman, among others. Much of his work has been adapted or is in development for film and TV. His third novel NOS4A2 was the basis for the AMC program of the same name, while his comic Locke & Key — co-created with artist Gabriel Rodriguez — is now a hit series for Netflix. The fall sees the release of five graphic novels under his Hill House Comics imprint with DC, including his own Basketful of Heads and Plunge.
Laird Barron spent his early years in Alaska. He is the author of several books, including The Beautiful Thing That Awaits Us All, Swift to Chase, and Worse Angels. His work has also appeared in many magazines and anthologies. Barron currently resides in the Rondout Valley writing stories about the evil that men do.
… And sometimes magic happens. A poem turns into a picture book. A short story turns into a novel. A novel or a picture book turn into films or tv shows. The magic is not the turning, it is in the money! As my late agent said, “It can’t be reprinted unless it’s printed.” Which made me understand why sometimes you can sell an 8-line poem for a hundred dollars and someone pays $10,000 to reprint it. This actually happened to me. Once. But once is enough for a story and a moral lesson.
But if you write a lot of short stuff…it can become BIG. And what was a small idea (a scary story in Asimov’s magazine, another two or three in various Datlow anthologies, or Greenberg anthologies, or…And suddenly you have a Big Idea—a collection.
…Unofficial and incomplete texts are nothing new to readers of Franz Kafka; the problems of textual authority haunt nearly all his work. Kafka’s aesthetic practice cultivates a resistance to finality and what Judith Butler calls a “poetics of non-arrival.” The bulk of the literary output he left to posterity, as Michael Hofmann notes, “ends” rather than “finishes.” More crucially, all of Kafka’s novels, and a considerable haul of his short stories, beast fables, and aphorisms, owe their existence to Max Brod’s refusal to honor his best friend’s wish and burn all the manuscripts in his possession (unlike Kafka’s last lover Dora Dymant, who destroyed those in her keeping). The material in The Lost Writings is no more fringe or “lost” than any other unfinished text like The Castle, The Trial, Amerika, “The Great Wall of China,” “Investigations of a Dog,” or “The Burrow,” since Kafka’s publication history has been determined by the accidents of editorial preferences and decisions over the last century.
Regardless, Kafka, along with his editorial and translational collaborators, is one of our most prolific contemporary writers…
The only thing better than reading C.S. Lewis’s novels would be listening to Lewis himself read from his novels. It is now possible to hear Lewis reading from both Perelandra (1943) and That Hideous Strength (1945). Additionally, Lewis fans can listen to him reading the famous opening section of Chaucer’s Canterbury Tales in resonant Middle English.
These tracks were first recorded at Lewis’s home, the Kilns, in August 1960. After Joy Davidman Lewis passed away in July 1960, her former husband, Bill Gresham, traveled to Oxford to see his two sons, David, 16, and Douglas, 14, as well as to meet Lewis face to face. Gresham brought a portable tape recorder with him and apparently asked Lewis if he would do some readings….
October 1920 — The Belgian detective Hercule Poirot first appeared in Agatha Christie’s first novel, The Mysterious Affair at Styles, which was published by John Lane in hardback though the first true publication was as a weekly serial in The Times which included the maps of the house and other illustrations included in the book. This novel would be one of the first ten books published by Penguin Books when it began publishing in 1935. If you need a genre connection, David Suchet who played the most popular Poirot showed up in the Twelfth Doctor story, “The Landlord”, and Agatha Christie herself is portrayed in the Tenth Doctor story, “The Unicorn and The Wasp”.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 2, 1885 – Ruth Bryan Owen. Pioneer filmmaker, first woman U.S. ambassador (to Denmark; appointed by F.D. Roosevelt). Collected Scandinavian fairy tales, The Castle in the Silver Wood. Many adventures at home and abroad. Wikipedia entry here. (Died 1954) [JH]
Born October 2, 1906 – Willy Ley. Early student of rocket science. Gifted author of science-fact articles, two Hugos for them. Fled Nazi Germany 1935. Rockets (1944); The Conquest of Space (1949, with Chesley Bonestell). Science column in Galaxy 1951-1969. Rockets, Missiles, and Space Travel (1957). Regular participant at SF cons; sole Guest of Honor at Philcon II the 11th Worldcon. One novel; four shorter stories under another name. Much more in and out of our field. (Died 1969) [JH]
Born October 2, 1909 – Alex Raymond. Outstanding pro artist for us with Flash Gordon. After combat service in the U.S. Marines, drew the also excellent Rip Kirby (detective fiction; won a Reuben). Eisner Hall of Fame, Soc. Illustrators Hall of Fame. (Died 1956) [JH]
Born October 2, 1911 — Jack Finney. Author of many novels but only a limited number of genre, to wit The Body Snatchers, Time and Again and From Time to Time. He would publish About Time, a short story collection which hah the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. (Died 1995.) (CE)
Born October 2, 1944 — Vernor Vinge, 76. Winner of five Hugo Awards, none for what I consider his best series which is the Realtime/Bobble series. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the last eighteen years’ worth of his work remain uncollected as far as I can tell. (CE)
Born October 2, 1947 – Ann Broomhead, F.N., 73. Chaired two Boskones (22 & 51), co-chaired two (12 & 33). Edited Reynolds, Deep Navigation. Co-edited (with Tim Szczesuil) Bellairs, Magic Mirrors; Dozois and others, Strange Days; Stross, Scratch Monkey. Fellow of NESFA (New England SF Ass’n; service award). [JH]
Born October 2, 1948 — Avery Brooks, 71. Obviously he’s got his Birthday write-up for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk which are aren’t even genre adjacent. He retired from video after DS9 but is an active tenured theater professor at Rutgers. (CE)
Born October 2, 1968 – Range Murata, 52.Animé, manga, video games. Seiun for Best Artist of the Year, 2006. Character designer on Last Exile, see here. A 2015 interview (in English) here. [JH]
Born October 2, 1953 — Walter Jon Williams, 67. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that SF or fantasy, as well as his Hardwired series. I’m am surprised how few Awards that he’s won, just three with two Nebulas, both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”. (CE)
Born October 2, 1972 — Graham Sleight, 48. He’s The Managing Editor of the third edition of the Encyclopedia of Science Fiction which won the Hugo for Best Related Work at Chicon 7. He’s also a critic whose work can be found in Locus, Strange Horizons, The New York Review Of Science Fiction, and Vector. And he’s a Whovian who edited The Unsilent Library, a book of writings about the Russell Davies era of the show, and The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who. (CE)
Born October 2, 1974 — Michelle Krusiec, 46. She was the eighteen-year-old Molly O’Brien in DS9’s “Time’s Orphan’s”. She had a recurring role as Nadine Park on the fourth season of Fringe, and appeared as Wu Mei on Community which we’ve agreed is almost genre, if not genre. She showed up on Supergirl as Natalie Hawkings in “Parasite Lost”. (CE)
Born October 2, 1981 – Leah Wilson, 39. Currently Editor-in-Chief for BenBella Books’ Smart Pop. Here is an interview about Through the Wardrobe (i.e. C.S. Lewis’ Narnia) from Ben Bella’s Teen Libris. Here is Boarding the “Enterprise”. [JH]
And xkcd has a brilliant chart comparing the effectiveness of various masks.
(12) QUINO MOURNED. Harrison Smith in the Washington Post has an obituary for Argentinian cartoonist Quino, who died on September 30 at age 88. Quino’s strip “Mafalda,” which ran between 1964-1973, was a strip in the Peanuts style with sharp criticism of poverty, injustice, and political repression.
…When Mafalda spots workmen trying to locate a gas leaks, she asks: “Are you searching for our national roots?” In another sequence, Mafalda’s pet turtle is revealed to have an unusual name, Bureaucracy. When a friend asks why she gave it that name, Mafalda replies that she needs to come back the next day for more information. She can’t say exactly when.
“In Argentina I had to censor myself, because when I started to draw in Buenos Aires they clearly told me ‘no military, no religion, no sex,’ ” Quino once said, according to the Agence France-Presse. “And then I talked about all that, but in another way.”
(13) KEEPING TRACK. The Digital Antiquarian revisits the triumph of Chris Sawyer’s Transport Tycoon. (I sure spent plenty of hours playing it.)
…So, while he was waiting for his better-known colleagues to send him the next chunks of their own games for conversion to MS-DOS, Sawyer began to tinker. By the time Elite II was wrapping up, he had an ugly but working demo of an enhanced version of Railroad Tycoon which did indeed shift the viewpoint from vertically overhead to isometric. “I decided to devote all my time to the game for a few months and see what developed,” he says. He convinced a talented free-lance artist named Simon Foster, who was already an established name in commercial graphics but was looking to break into games, to provide illustrations, even as he made the bold decision to step up to cutting-edge SVGA graphics, at more than twice the resolution of standard VGA. At the end of that few months, he was more convinced than ever that he had a winner on his hands: “Even people who didn’t normally play computer games would sit for hours on end, totally engrossed in building railway lines, routing trains, and making as much profit as possible.” He soon made his train simulator into an all-encompassing transportation simulator, adding trucks and buses, ships and ferries, airplanes and even helicopters.
(14) CHILD SIGHTING. Michael Clair, in “Baby Yoda is a Braves fan” on mlb.com, says that Baby Yoda made an appearance in Atlanta during the Red-Braves playoff series, accompanied by Braves mascot Blooper cosplaying as “The Mandabloopian.”
…Matte paintings are everywhere in movies. Picture the vast, secret government warehouse that closes Raiders of the Lost Ark (1981), or the image of the Statue of Liberty, half-buried in sand at the end of Planet of the Apes (1968). Or the view of London and the River Thames that unfolds behind Mary Poppins as she rises, umbrella in hand.
This detailed portrayal of ancient Rome, used in Stanley Kubrick’s Spartacus (1960), was painted with oils on glass by Peter Ellenshaw. Using Ellenshaw’s painting, the director framed groups of actors moving about the faux Roman city, which includes details of the Parthenon, Temple of Athena, and other well-known buildings. Black blobs on the painting indicate where the director inserted these actions into his film.
…Ellenshaw’s son, Harrison, who enjoyed his own career as a matte painter, estimates the Spartacus piece took his father eight to ten hours, spread over several weeks. “He would work on more than one at a time,” he remembers. “The schedule was based on making the deadline for the final negative cut in time to make enough prints for the film’s release.”
Now more than 60 years old, Ellenshaw’s Spartacus painting needed some conservation before going on display. Before replacing a yellowing varnish layer with a new, UV-protecting one, Kathryn Harada, an L.A.-based paintings conservator, worked to repair cracks in the glass and paint. When conservators discovered that Ellenshaw himself had retouched the painting, years ago, they chose to preserve his efforts….
…Just a couple days ago, Jeff Goldblum promised that he’d recreate one of his scenes from “Jurassic Park” if 1,000 people would “register to vote, or check your registration status, or request a mail-in ballot.” On Friday, his character, Dr. Ian Malcolm, was back.
“That was fast!” Goldblum wrote on Instagram, posting a video recreating his famous “chaos theory” scene from the 1993 movie. In the original moment, he dropped water gently on Laura Dern’s hand. In the recreation, he’s got a different scene partner.
(18) VIDEO OF THE DAY. “William Shatner feat. Pat Travers ‘I Put A Spell On You'” on YouTube is an animated film by Balazs Grof of a track from Shat’s new blues album featuring Shatner’s take on the classic Screamin’ Jay Hawkins song.
[Thanks to John King Tarpinian, Dann, Martin Morse Wooster, Mike Kennedy, Michael Toman, JJ, John Hertz, Cat Eldridge, Jeffrey Smith, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
There’s a bit of irony in that it was written and posted prior to the announcement of the winner, and Nina clearly had no expectation that her favorite book from the shortlist, Namwali Serpell’s The Old Drift, would get the award!
…I was hoping to avoid bringing up the whole anxiety-of-American-influence thing because we’ve been there too many times before but this question of the Clarke/Hugo overlap means I cannot escape it. Part of my disappointment with this year’s shortlist lies in the lack of recognition for British talent. The Clarke is a British award, for novels published in Britain. This is one of the valuable and necessary ways it differs from the Hugos. The submissions list reveals a whole battery of British novels – M. T. Hill’s Zero Bomb, Vicki Jarrett’s Always North, Chris Beckett’s Beneath the World, A Sea, Temi Oh’s Do You Dream of Terra-Two, Jane Rogers’s Body Tourists, Ben Smith’s Doggerland, Will Wiles’s Plume, Jeanette Winterson’s Frankissstein – the presence of any one of which would have raised the overall quality of the shortlist by a substantial degree.
Which makes it all the more perplexing that the one British entry that was chosen by the judges is a journeyman work of genre fiction with no pretensions to innovation or radicalism whatsoever….
…The official story was debilitating mental illness—housebound, couldn’t write—but clearly her fairy patrons had come for her, to reclaim their erstwhile princess. Or else they meant to punish Clarke for her betrayal, for spilling their precious secrets, by enfuzzing her beautiful brain. Something like that. The ways and reasons of the Fae are little known to common folk.
If this strikes you as cutesy, tidy, annoying, even a bit disturbing, a romanticization or fancification of what sounds like a period of immense torture for Clarke and her loved ones, consider their own words. “It was as though she’d been captured into the land of Faerie, as if she had been taken away from us,” Clarke’s editor told New York magazine. Clarke herself, in a rare interview, told The New Yorker, “You really shouldn’t annoy fairies, or write about them—they don’t like it very much.” Given that Clarke has now released a second dispatch from Faerie, called Piranesi, which plunges far deeper than Strange & Norrell ever did into those forbidden fortresses from which the un-mad and mortal among us are forever barred, perhaps there’s no better explanation. Clarke has indeed been there and back again….
(3) HELP MICHAEL HOGAN. Actor Michael Hogan, who appeared in the new Battlestar Galactica, The Man in the High Castle, Fargo, Teen Wolf and many others, suffered a serious brain injury due to an accident in January. He and his family need help and friends have started a GoFundMe: “Michael Hogan Fund”. To date they have raised $232,527 of the $300,000 goal.
In the words of his wife, Susan:
“You probably know Michael as an actor. Or maybe you know him as a friend, an acquaintance, a co-worker, a father, a grandfather, or a husband. My husband. I am Susan Hogan and I am married to this extraordinary man. We have been each other’s best friend for decades.
On Feb. 17, 2020, everything changed drastically in our world. Michael was in Vancouver participating in a Battlestar Galactica convention, and at dinner following his day’s work, he fell and hit his head. Hard. He went to bed that night not realizing that the impact had caused a massive brain bleed. He was unable to be woken the next morning and was taken to Vancouver General Hospital and emergency surgery performed. It took 57 staples to close the part of his scull they had to remove in order to reach the damage.
The accident left him with complete paralysis on his left side, memory loss, cogntivie impairment and an inability to swallow. …
Spanish is one of the world’s most-spoken languages, with a long, rich literary history extending all the way back to what many regard as the first modern novel, Miguel de Cervantes’s “Don Quixote.” With authors writing in Spanish from Madrid to Mexico City to Havana, what are we English speakers missing out on? And where do we start exploring?
Lavie: I recently got back from Celsius 232, a science fiction and fantasy festival in Asturias, Spain, which usually attracts hundreds of Spanish genre writers every year. This year, it felt somewhat apocalyptic, with compulsory face masks and authors signing books behind plastic screens while wearing gloves (and disinfecting them after each book). I did get to meet Sofía Rhei, a prolific novelist for both children and adults, who has one collection of stories in English, “Everything Is Made of Letters,” published by Aqueduct Press.
While Spain has a vibrant sci-fi and fantasy scene, it is only in recent years that there has been a push into the English-language market. Two fairly recent anthologies are “Terra Nova” and “Castles in Spain,” both edited by Mariano Villarreal. They showcase some of that talent, including the excellent Elia Barceló and Félix J. Palma, whose books in English translation include the internationally successful “The Map of Time.”…
(5) HE GAVE PEACE A CHANCE. [Item by Olav Rokne.] In recent years, the DC universe has often had more success with television than with movies. Next year, that is likely to continue with a TV adaptation of Joe Gill’s Silver Age creation Peacemaker. John Cena will play the title character, who was originally written as a pacifist diplomat who uses non-lethal weapons to fight dictators, but eventually became an ultraviolent parody of tough-guy-with-a-gun comics. “The Suicide Squad Spinoff Peacemaker, Starring John Cena, Ordered to Series at HBO Max; James Gunn to Write/Direct” at TVLine.
“Peacemaker is an opportunity to delve into current world issues through the lens of this superhero/supervillain/and world’s biggest douchebag,” Gunn said in a statement. “I’m excited to expand The Suicide Squad and bring this character from the DC film universe to the full breadth of a series. And of course, to be able to work again with John, Peter, and my friends at Warner Bros. is the icing on the cake.”
Thirty years ago, the philosopher Judith Butler*, now 64, published a book that revolutionised popular attitudes on gender. Gender Trouble, the work she is perhaps best known for, introduced ideas of gender as performance. It asked how we define “the category of women” and, as a consequence, who it is that feminism purports to fight for. Today, it is a foundational text on any gender studies reading list, and its arguments have long crossed over from the academy to popular culture. …
Alona Ferber: In Gender Trouble, you wrote that “contemporary feminist debates over the meanings of gender lead time and again to a certain sense of trouble, as if the indeterminacy of gender might eventually culminate in the failure of feminism”. How far do ideas you explored in that book 30 years ago help explain how the trans rights debate has moved into mainstream culture and politics?
Judith Butler: I want to first question whether trans-exclusionary feminists are really the same as mainstream feminists. If you are right to identify the one with the other, then a feminist position opposing transphobia is a marginal position. I think this may be wrong. My wager is that most feminists support trans rights and oppose all forms of transphobia. So I find it worrisome that suddenly the trans-exclusionary radical feminist position is understood as commonly accepted or even mainstream. I think it is actually a fringe movement that is seeking to speak in the name of the mainstream, and that our responsibility is to refuse to let that happen.
AF: One example of mainstream public discourse on this issue in the UK is the argument about allowing people to self-identify in terms of their gender. In an open letter she published in June, JK Rowling articulated the concern that this would “throw open the doors of bathrooms and changing rooms to any man who believes or feels he’s a woman”, potentially putting women at risk of violence.
JB: If we look closely at the example that you characterise as “mainstream” we can see that a domain of fantasy is at work, one which reflects more about the feminist who has such a fear than any actually existing situation in trans life. The feminist who holds such a view presumes that the penis does define the person, and that anyone with a penis would identify as a woman for the purposes of entering such changing rooms and posing a threat to the women inside. It assumes that the penis is the threat, or that any person who has a penis who identifies as a woman is engaging in a base, deceitful, and harmful form of disguise. This is a rich fantasy, and one that comes from powerful fears, but it does not describe a social reality. Trans women are often discriminated against in men’s bathrooms, and their modes of self-identification are ways of describing a lived reality, one that cannot be captured or regulated by the fantasies brought to bear upon them. The fact that such fantasies pass as public argument is itself cause for worry.
The anthology, a collection of short stories featuring the future of health and medicine, will include works from notable authors such as Tananarive Due, David Brin, James Patrick Kelly, Paolo Bacigalupi, Seanan McGuire, Annalee Newitz, Caroline Yoachim, Alex Shvartsman, Eric Schwitzgebel, Congyun Gu, and others.
Backers will receive exclusive rewards such as advanced copies and other perks for early support of the project.
Proceeds from the book’s sale will be donated to the United Nations Foundation’s COVID-19 Solidarity Response Fund for the World Health Organization (WHO). WHO is a global leader coordinating the worldwide pandemic response.
The idea for “Vital: The Future of Healthcare” was first conceived by RM Ambrose who will serve as editor of the book. He saw a need and opportunity to use fictional stories to address real life challenges during the pandemic and declarations of racism as a public health crisis. “Medical science continues to advance, but for many, healthcare has never been more broken,” says Ambrose. “This book will use the power of storytelling to explore and inspire solutions to the problems that government and even the tech industry have struggled to fix.”
The book will be available for purchase or download at Barnes & Noble, Amazon, Kobo, and independent bookstores. Kickstarter backers or supporters will receive advance copies of the book, as well as other rewards for supporting the project.
The Kickstarter campaign will last until October 22, 2020. (A previous attempt in 2019 did not fund.)
(8) MEDIA ANNIVERSARY.
Twenty years ago, Octavia E. Butler’s Parable of the Talents which was published by Seven Stories Press won SFWA’s Nebula Award for Best Novel. (It would also be a finalist for the Clarke Award for Best Novel and would be nominated for the Otherwise Award too.) It was chosen over novels by Ken MacLeod, George R. R. Martin, Maureen F. McHugh, Sean Stewart and Vernor Vinge. It was the second in a series of two, a sequel to Parable of the Sower. She had planned to write a third Parable novel, tentatively titled Parable of the Trickster, but it never happened as instead she wrote her final novel, Fledgling.
Born September 23, 1897 — Walter Pidgeon. He’s mostly remembered for being in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work being in Voyage to the Bottom of the Sea as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. (Died 1984.) (CE)
Born September 23, 1908 — Wilmar H. Shiras. Also wrote under the name Jane Howes. Her most famous piece was “In Hiding” (1948), a novella that was included in The Science Fiction Hall of Fame anthology. It is widely assumed that it is the inspiration for the Uncanny X-Men that Stan Lee and Jack Kirby would shortly release. (Died 1990.) (CE)
Born September 23, 1920 – Richard Wilson. A Futurian not barred from NYCon I the first Worldcon by the “Exclusion Act”. Fanzines, The Atom, Escape, Science Fiction News Letter. Served in the Army Signal Corps; eventually director of the Syracuse Univ. news bureau. Two novels, a hundred shorter stories; a Nebula; reviews, essays, in Astonishing, Locus, SF Review, Super Science. Memoir, Adventures in the Space Trade. (Died 1987) [JH]
Born September 23, 1929 – Balbalis. Forty interiors for Galaxy; here is one from Aug 53. Illustrator for John Wiley & Sons. Freehand sketch of the Shroud of Turin image adopted as the logograph of the Turin Shroud Center of Colorado. American Institute of Graphic Arts award. (Died 1991) [JH]
Born September 23, 1948 — Leslie Kay Swigart, 72. Obsessions can be fascinating and hers was detailing the writings of Harlan Ellison. Between 1975 and 1991, she published Harlan Ellison: A Bibliographical Checklist plus wrote shorter works such as “Harlan Ellison: An F&SF Checklist“, “Harlan Ellison: A Nonfiction Checklist“ and “Harlan Ellison: A Book and Fiction Checklist”. Her George R. R. Martin: A RRetrospective Fiction Checklist can be found in the Dreamsongs: GRRM: A RRetrospective collection. (CE)
Born September 23, 1956 — Peter David, 64. Did you know that his first assignment for the Philadelphia Bulletin was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1: The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel , Wolverine and Young Justice. (CE)
Born September 23, 1956 – Romas Kukalis, 64. Two hundred thirty covers. Some fine-art work. Here is Wizenbeak. Here is The Squares of the City. Here is The White Dragon (Resnick’s, not McCaffrey’s). [JH]
Born September 23, 1959 — Elizabeth Peña. Ok, these notes can be depressing to do as I discovered she died of acute alcoholism. Damn it. She was in a number of genre production s including *batteries not included, Ghost Whisperer, The Outer Limits, The Invaders and even voiced Mirage in the first Incredibles film. Intriguingly, she voiced a character I don’t recognize, Paran Dul, a Thanagarian warrior, four times in Justice League Unlimited. (Died 2014.) (CE)
Born September 23, 1959 — Frank Cottrell-Boyce, 61. Definitely not here for his sequels to Chitty-Chitty-Bang-Bang. (Horrors!) He is here for such writing endeavors as Goodbye Christopher Robin, his Who stories, “In the Forest of the Night” and “Smile”, both Twelfth Doctor affairs, and the animated Captain Star series in which he voiced Captain Jim Star. The series sounds like the absolute antithesis of classic Trek. (CE)
Born September 23, 1960 – Stephanie Osborn, 60. Retired rocket scientist. Nat’l Weather Service certified storm spotter. Two dozen novels for us; nonfiction, A New American Space Plan (with Travis Taylor). Ranks Delany’s About Writing above Gone With the Wind. [JH]
Born September 23, 1974 – Cindy Lynn Speer, 46. Five novels (The Key to All Things released in July), a few shorter stories. Practices 16th Century swordfighting. Ranks Persuasion about the same as Nineteen Eighty-four. [JH]
StoryFest concludes with a panel dedicated to the nightmares of the silver screen. Legendary genre editor Ellen Datlow leads the discussion on her anthology, Final Cuts: New Tales of Hollywood Horror and Other Spectacles. She is joined by an all-star lineup of authors included in the anthology.
We live in a glorious age when books are a click away. It may now seem incomprehensible that one might be forced to read a series of books out of order. Yet, in a dark age not so long ago, when we (and by we, I mean me) were dependent on the vagaries of book store and library orders, it was very easy to find oneself in a place where the choice was (a) read an intermediate book or (b) read nothing new.
By way of example, here are five F&SF series I began in what most people would say is the wrong place….
Claudia Rankine, one of America’s leading literary figures, and the double-Booker Prize winner Margaret Atwood look at the world afresh, challenging conventions – with Kirsty Wark.
In her latest book, Just Us: An American Conversation, Claudia Rankine reflects on what it means to experience, and question, everyday racism. Her poems draw on a series of encounters with friends and strangers, as well as historical record. Her work moves beyond the silence, guilt and violence that often surround discussions about whiteness, and dares all of us to confront the world in which we live.
Margaret Atwood recently won the Booker Prize for a second time with The Testaments, her sequel to the 1985 prize-winner The Handmaid’s Tale. Her story of the fictional Gilead’s dark misogyny has retained its relevance after more than three decades. The world of Gilead was originally sparked by an earlier poem, Spelling, and Atwood explores the importance of poetry in firing the imagination.
(13) FALSE AND FALSE. [Item by Jonathan Cowie.] Because it is the topic of the year and relevant to us all (especially SF fans as pandemics are something of a genre trope) a little science with BBC’s statistical programme More or Less and false positives in virus testing (especially in the latter half of the show): “Covid curve queried, false positives, and the Queen’s head”.
A scary government graph this week showed what would happen if coronavirus cases doubled every seven days. But is that what’s happening? There’s much confusion about how many Covid test results are false positives – we explain all. Plus, do coffee and pregnancy mix? And the Queen, Mao, and Gandhi go head to head: who is on the most stamps and coins?
Now, I have been told that my (pre-retired) job (of communicating science to non-scientists (often politicians)) is easy.
Though a little dismissive, actually, I take this as something of a compliment as anyone vaguely professional – be they a plumber, engineer. athlete or writer – tends to make their craft seem effortless. So, having listened to the afore programme, let me expand your horizons even further in just a couple of sentences.
Having considered false positives, what of false negatives? And, having pondered that, how does one balance the two? Welcome to the world of Type I and Type II errors. (That’s the real world which makes Johnson and Trump’s pontifications seem more like bluster. Hope I’m not doing them an injustice)
We wanted to see just how legendary each deceased character’s final moments ended up being, based on the litmus test of what they were talking about when they perished. With that in mind, we decided to round up the last words of every fallen Lord of the Rings hero and villain to do some comparing and contrasting.
Mass extinction events on our planet have only occurred a handful of times in the 540 million years since life began. Most people are familiar with the Cretaceous-tertiary Extinction that occurred some 65 million years ago that led to the demise of the dinosaurs and 50 percent of all plants and animals, as well as the Permian-triassic Extinction 250 million years ago that wiped out 95 percent of all species.
But now scientists have reconsidered the impact of The Carnian Pluvial Episode, a significant climate change event that took place approximately 234 to 232 million years ago (Late Triassic epoch) that led to the age of the dinosaurs…
…Violent volcanic eruptions in the Wrangellia Province of western Canada are the smoking gun and the most likely cause of the devastation and sudden climatic shift, when abundant volumes of hot volcanic basalt were poured out to form much of what is now the western coast of North America.
“The eruptions peaked in the Carnian,” Dr. Dal Corso said. “I was studying the geochemical signature of the eruptions a few years ago and identified some massive effects on the atmosphere worldwide. The eruptions were so huge, they pumped vast amounts of greenhouse gases like carbon dioxide, and there were spikes of global warming.”
These humid warming periods lasting a total of one million years were accompanied by an intense spike in global rainfall, as discovered back in the ’80s by geologists Mike Simms and Alastair Ruffell. This gradual climate alteration is reflected in the major biodiversity loss in the ocean and on land.
However, following the extinction event, diverse new groups flourished to produce more modern-like ecosystems. These climate changes were beneficial to the sustained growth of plant life, especially the expansion of conifer forests.
“The new floras probably provided slim pickings for the surviving herbivorous reptiles,”explained Professor Benton. “We now know that dinosaurs originated some 20 million years before this event, but they remained quite rare and unimportant until the Carnian Pluvial Episode hit. It was the sudden arid conditions after the humid episode that gave dinosaurs their chance.”
A 25-ton robot, inspired by the popular 1970s anime series Mobile Suit Gundam, has made its first moves in Yokohama, Japan.
Footage tweeted on September 21 shows the giant Gundam robot moving its arms and legs before lunging into an impressive squat at Yamashita Pier.
The robot is set to become the main attraction at Gundam Factory Yokohama, and was supposed to be officially unveiled on October 1, but the event has since been postponed due to the coronavirus pandemic.
[Thanks to JJ, Cat Eldridge, Michael Toman, Cora Buhlert, Martin Morse Wooster, John King Tarpinian, SF Concatention’s Jonathan Cowie, Mike Kennedy, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
The winner of the 34th Arthur C. Clarke Award for science fiction literature was announced on September 23.
The Old Drift by Namwali Serpell (Hogarth/Vintage)
Announcing this year’s prize, author and 2019 winner Tade Thompson (Rosewater) said:
“The Old Drift is, to me, the great African novel of the twenty-first century. The scale, the characters, the polish and lyricism of the passages all conspire to tell an unforgettable tale. At last, a book that acknowledges that the African lives with the fantastic and mundane.
“At last, an African book of unarguable universality. Namwali Serpell has created something specifically Zambian and generally African at the same time. The Old Drift is everything fiction should be, and everything those of us who write should aspire to. Hats off. Well-deserved win. This is why my faith in the Clarke Award is unshakable.”
Speaking on behalf of the judging panel, Chair of Judges Dr Andrew M. Butler added:
“Namwali Serpell’s The Old Drift is, as one of our judges put it, ‘stealth sf’, with inheritance and infection at its heart. She has created an extraordinary family saga which spans eras from Cecil Rhodes to Rhodes Must Fall, and beyond.
“It is a timely novel which interrogates colonialism from within and points to the science fictionality of everyday events. Our pandemic-ravaged world reminds us how connected our world has been for the last century or more – and this book points to the global nature of science fiction.”
The annual Arthur C. Clarke Award is presented for the best science fiction novel of the year, and selected from a list of novels whose UK first edition was published in the previous calendar year.
Namwali Serpell receives a trophy in the form of a commemorative engraved bookend and prize money of £2020.00. Serpell tweeted thanks for the award:
The members of the judging panel were:
Stewart Hotston, British Science Fiction Association
Alasdair Stuart, British Science Fiction Association
Farah Mendlesohn, Science Fiction Foundation
Chris Pak, Science Fiction Foundation
Rhian Drinkwater, SCI-FI-LONDON film festival
Andrew M. Butler represented the Arthur C. Clarke Award in a non-voting role as the Chair of the Judges. Before the winner was announced, he posted his “Chair of Judges Speech” to Medium.
…I’m not entirely sure if this has been a cosy catastrophe — I don’t remember Wyndham predicting the Toilet Paper Dearth or the flour shortage — but then his novels are much darker than we thought they were fifty years ago.
The judging this year mostly took place from our individual bunkers via the media of Zoom rather than face to face.
We’ve seen Alien, we know the quarantine procedure.
Any joking aside, I’d like to thank the judges — Farah Mendlesohn and Chris Pak for the Science Fiction Foundation, Alasdair Stuart and Stewart Hotston for the BSFA and Rhian Drinkwater for Sci Fi London — for keeping the award discussion going in very difficult circumstances. I was rather relieved that at the final, lengthy, meeting we were able to choose a winner for the Clarke Award — a winner, not two, and we certainly weren’t going to decide that the prize should be split six ways. As always, none of us was clear which book that winner would be even after a couple of hours of discussion….