Pixel Scroll 11/17/23 Walking My Sloth Named Thoth

(1) A TAFF GUIDE TO BEER. [Item by Geri Sullivan.] A TAFF Guide to Beer is now available in print on Amazon in the US and UK!

Claire Brialey & Mark Plummer published A TAFF Guide to Beer during the 2019 Eastbound TAFF race. It celebrates the Trans-Atlantic Fan Fund and the ways in which in brings together and fosters connections between science fiction fans from across Europe and North America, seen through the lens of beer. It features contributions from over 3 dozen TAFF delegates as well as the 4 candidates in the 2019 race. We printed copies then, and it’s been available on Dave Langford’s splendid TAFF ebook page pretty much ever since.

When I started working on Idea #13 (being published shortly, a mere 23 years since Idea #12), Pat Virzi advised me to publish another, small project on Kindle Direct Publishing (KDP) since the first book you publish with them often takes a long time for them to process. 

Claire and Mark gave the go-ahead. I faffed around for longer than I like to admit, but finally figured out how to make room for the bar code on the back cover, and sent off for a proof copy. It arrived Tuesday. After I clicked the “publish” button, the fanzine spent a few days in KDP’s review process, but it’s now available for $10 or £8. TAFF will receive just over $1/£1 for each copy sold.

Note: KDP says it takes up to 3 days Amazon.com to show it in stock and up to 5 days in other marketplaces. These links are working for me tonight; you’re welcome to share them with fans who might be interested: 

And several other countries, too. 

(2) BOOKS FOR CREDENTIALS. [Item by Daniel Dern.] The Harvard Book Store was expecting a shipment of books. A pallet of boxes marked ‘haddock filets’ arrived instead — Warehouse workers panicked, but it was only a red herring.

The Boston Globe story is paywalled, so here’s an excerpt:

…Sitting before [the bookstore’s warehouse manager] were dozens of green-and-white cardboard packages that read, “FROZEN FISH” and “HADDOCK” in big block letters…but it turns out that the store’s regular distributor…simply had extra boxes lying around… [that] happened to be for a Florida-based seafood wholesaler called Beaver Street Fisheries, Inc.

The bookstore did an Instagram caption contest; entries included “Available in hardcover, paperback, and filet.”

(3) THIEVES LIKE US. “Lost Doctor Who episodes found – but owner is reluctant to hand them to BBC” reports the Guardian.

For Doctor Who-lovers they are the missing crown jewels: lost episodes of the first series of the TV sci-fi drama, shown in the 1960s. But now film recordings of not just one, but two of the early BBC adventures, both featuring the first doctor, William Hartnell, has been found in Britain by amateur sleuths.

The episodes, one featuring the Daleks, would offer viewers a chance to travel back in time without the use of a Tardis. But the Observer has learned that the owners of the rare, rediscovered footage are not prepared to hand it over to the BBC, even as the clock ticks down to the 60th anniversary of the show’s launch this month.

Veteran film collector John Franklin believes the answer is for the BBC to announce an immediate general amnesty on missing film footage.

This would reassure British amateur collectors that their private archives will not be confiscated if they come forward and that they will be safe from prosecution for having stored stolen BBC property, something several fear….

(4) EARLY JOANNA RUSS. “’It’s Not Shrill, It’s Ultrasonic’: Queer SF Pioneer Joanna Russ’s Feminist Awakening” at Library of America.

…“We started with the assumption that the woman’s problem is not a woman’s problem; it is a social problem,” [Sheila] Tobias wrote. “There is something wrong with a society that cannot find ways to make it possible for married women, single women, intelligent women, educated or uneducated, or welfare women, to achieve their full measure of reward.” Some two thousand people attended discussions on abortion, contraception, childcare, race, and sexuality. It was one of the first conferences in the United States to address sexism in an academic setting….

(5) HAND Q&A. “Elizabeth Hand on Playwriting, Haunted Houses, and Shirley Jackson” at CrimeReads.

[ELIZABETH HAND]: I just love haunted house stories. And The Haunting of Hill House is kind of the haunted house story, certainly for Americans. For me, it was just a matter of really following the template that [Jackson] created. Laurence sent me scans of the drawings that she had made, like the house plans for Hill House, some of which I think are reprinted in the Franklin bio. But I had them in like a bigger format. And so that was really cool—to see how she envisioned that space. And I had read the book multiple times over the years, and I reread it more than once when preparing to write this book [A Haunting on the Hill]. And during one of those three readings, I just went through with a highlighter to highlight all the references to doors and windows of the halls and just… spaces within it, because I thought, if I get anything wrong, people are going to call me on it! If I have the red room at the wrong end of the hallway, you know, no one’s going to let me get away with it!

(6) INVEST WISELY. Cat Rambo advises writers about “Making the Most of Your Con Budget” at the SFWA Blog.

…Decide who you want to connect with by a) looking at the guest or membership list, which is usually available online, b) joining/following the convention’s social media accounts to see who’s posting there, and c) asking among your friends, including online groups you belong to.

If the convention is non-genre-specific, find out what kind of presence your genre will have. What teachers or mentors are attending that you would like to meet? What agents are appearing and what genres do they represent? (You may need to go to their agencies’ websites to find this out.)

Look over the convention’s website and promotional materials to determine what the event’s strengths are—what does it offer that isn’t always available, such as a chance to pitch to multiple agents, or the Nebula Conference Mentorship Program that pairs newer conference attendees with experienced Nebula-goers?

Using all of the above, set your goals for the event….

(7) UNMANNERLY VISITORS. Recommended: “’The Earthlings’ by Matthew Olzmann” at Academy of American Poets.

(8) SHADES OF TRALFAMADORE. Sophie Kemp assures us “Kurt Vonnegut’s House Is Not Haunted” in The Paris Review.

… And as for me, I do not remember when I first registered that Kurt Vonnegut lived in Alplaus, a small hamlet in Schenectady County, named after the Dutch expression aal plaats, which means “a place of eels.” (There were no eels that I am aware of.) I think it was in high school. I think my hair was cut short. I think it was when I was a virgin. I think it was when I got a job as a bookseller at the Open Door on Jay. I think I was probably sixteen….

… They asked if we wanted to see inside. The thing about the house, they told us, is that it was not haunted, because ghosts are not real, but also a copy of Player Piano, sitting face out on a bookshelf, kept falling on the head of one of their kids and as a result the family had this inside joke about it being Kurt’s ghost. Obviously, I wanted to see the haunted bookshelf so they showed me the haunted bookshelf. It looked pretty normal. Also facing out was a stuffed animal gnome holding a coffee cup that said “Best Mom,” and a book about raising chickens. I cannot stress enough that the house of Kurt Vonnegut is now just a completely normal house where people live and is full of completely normal things that appear in completely normal houses. Which to me makes a lot of sense. Vonnegut in my opinion is a charming and scrappy weirdo. He is not the kind of person you think of as living on some kind of grand estate…. 

(9) THE FIRE THIS TIME. [Item by Dann.] Author and lecturer, Virginia Postrel, found herself aghast at a repeated misrepresentation of the myth of Prometheus.  The tale of Prometheus was presented as a cautionary tale about the risks of innovation and technology.  She responds by pointing out that Prometheus was a defender who loved humanity in “The Myth of Prometheus Is Not a Cautionary Tale”

…No. No. No. No.

Prometheus is punished for loving humankind. He stole fire to thwart Zeus’ plans to eliminate humanity and create a new subordinate species. He is a benefactor who sacrifices himself for our good. His punishment is an indicator not of the dangers of fire but of the tyranny of Zeus.

…The Greeks honored Prometheus. They celebrated technē. They appreciated the gifts of civilization.

The ancient myth of Prometheus is not a cautionary tale. It is a reminder that technē raises human beings above brutes. It is a myth founded in gratitude.

She points out that a similar anti-technology reading of Frankenstein is also flawed.

(10) ABANDON TWITTER ALL YE WHO EXIT HERE. Not at all trying to be a completist, but here are a few more authors who are leaving X.

Scott Edelman also wants Filers to know that he bailed from Twitter – except he did it two months ago.

Several advertisers are also applying the brakes. “Disney, Apple, Lionsgate Suspend X/Twitter Ads; White House Condemns Musk Post” according to Deadline.

Deadline has confirmed that Disney is the latest company to suspend its advertising on X/Twitter in the wake of owner Elon Musk‘s amplification of an anti-semitic post two days ago. Read more below.

…More companies are suspending advertising on X/Twitter in the wake of reports that the site has let spots run next to pro-Nazi content.

Apple has decided to pause advertising on the platform, according to a report from Axios, citing sources at the company. An Apple spokesperson did not immediately return a request for comment.

A spokesperson for Lionsgate also confirmed a Bloomberg report that it, too, was suspending advertising on the platform.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 17, 1915 Raymond F. Jones. Writer who is best remembered for his novel This Island Earth, which was made into a movie which was then skewered in Mystery Science Theatre 3000: The Movie. However, he produced a significant number of science fiction novels and short stories which were published in magazines such as Thrilling Wonder Stories, Astounding Stories, and Galaxy, including “Rat Race” and “Correspondence Course”, which respectively earned Hugo and Retro Hugo nominations. (Died 1994.)
  • Born November 17, 1932 Dennis McHaney. Writer and Critic. Pulp writers in particular seem to attract scholars, both amateur and professional. Robert E. Howard was not an exception. So I give you this individual who, between 1974 and 2008, published The Howard Review and The Robert E. Howard Newsletter. Oh, but that was hardly all he did, as he created reference works such as The Fiction of Robert E. Howard – A Pocket Checklist, Robert E. Howard in Oriental Stories, Magic Carpet and The Souk, and The Fiction of Robert E. Howard: A Quick Reference Guide. A listing of his essays and other works would take an entire page. It has intriguing entries such as Frazetta Trading CardsThe Short, Sweet Life and Slow Agonizing Death of a Fan’s Magazine, and The Films of Steve Reeves. Fascinating… (Died 2011.)
  • Born November 17, 1936 John Trimble, 87. Husband of Bjo Trimble. He has assisted her in almost all of her SF work, including Project Art Show. They were GoHs at ConJose. He’s a member of LASFS. He’s been involved in far too many fanzines and APAs to list here, some of which I’d loved to have read such as “Where No Fan Has Gone Before”,  a fanzine done in support of the Save Star Trek campaign which was edited by him and Bojo. You can read one of their late Fifties fanzines, which I choose because of its title, “Some Important Information Concerning Unicorn Productions”, here.
  • Born November 17, 1966 Ed Brubaker, 57. Comic book writer and artist. Sandman Presents: Dead Boy Detectives I’d consider his first genre work. Later work for DC and Marvel included The AuthorityBatmanCaptain AmericaDaredevilCatwoman and the Uncanny X-Men. If I may single out but one series, it’d be the one he did with writer Greg Rucka which was the Gotham Central series. It’s Gotham largely without Batman but with the villains so GPD has to deal with them by themselves. Grim and well done. In 2016, he joined the writing staff for the Westworld series where he co-wrote the episode “Dissonance Theory” with Jonathan Nolan.
  • Born November 17, 1983 Christopher Paolini, 40. He is the author of the most excellent Inheritance Cycle, which consists of the books EragonEldestBrisingr, and Inheritance. Several years ago, The Fork, the Witch, and the Worm, the first book in a series called Tales of Alagaësia, was published. A film version of the first novel came out sometime ago but I’ve not seen it. His SF Fractulverse series, To Sleep in a Sea of Stars, and Fractal Noise, is quite well crafted.

(12) WHO FAN FROM THE BEGINNING. “Russell T Davies on secrets, sex and falling for Doctor Who: ‘Something clicked in my head: I love you’” in the Guardian.

…The turning point came at the age of 11 – a huge change for me and for the show. I went to comprehensive school; the Doctor became Tom Baker. I have a crucial memory of TV Comic’s weekly Doctor Who strip printing a gorgeous piece of artwork (drawn, I now know, by Gerry Haylock) showing Tom Baker in full hat, scarf and toothy grin. And something clicked in my head. Something clicked and has stayed clicked ever since. A simple thought which said: I love you.

It’s easy to draw a link between gayness and fandom. So easy, maybe it’s true. Because as those teenage years advanced, two things synced up. I was gay and went silent, watching all the parties and fancying boys at a remove instead of getting drunk on cider, scared of giving myself away. At exactly the same time, I watched TV fiercely. Both things became closeted. Doctor Who became the other love that dares not speak its name.

It lasts, the closet. Many years later, in my late 20s, when I’d moved to Manchester and worked in TV and went to Canal Street every weekend, I copped off with a nice lad who saw a book about Doctor Who on my shelf and said: “I was in that! I was a soldier in The Caves of Androzani.” And I lied, I lied to a man I’d just had sex with, I said: “No, that book’s from work, it’s someone else’s, I don’t really know what it is.” Sorry, soldier.

I wonder now why I fell in love so hard. Though can anyone ever answer that? Some of the secret exists in what the Doctor is not. He/she/they have never had a job or a boss or even parents, they never pay tax, never do homework. They never have to go home at night. Maybe you fall in love with the show when you’re a kid because the Doctor’s a big kid, too. I could never love Star Trek in the same way because they’re the navy; when I survive to the year 2266, they won’t allow me on board. I’ll be scrubbing the floor below decks, at best. But Doctor Who’s greatest idea is that the Tardis can land anywhere. I’d walk home from school wishing I could turn the corner and see that blue box and run inside to escape everything. I don’t think that wish has quite gone….

(13) WELL, HARDLY EVER. Black Nerd Problems’ Mikkel Snyder says, “To Watch ‘Pantheon,’ I Wouldn’t Ever Promote Piracy…”

… The central point of all of this is that studios are much more concerned with not paying residuals, and you know what, in the capitalist hellscape that we exist in, I can pretend that I can understand. However, as someone who loves media in all of its forms and is a proponent of media preservation, it’s exceedingly frustrating that works of art that I could see as seminal are subject to the whims of razor thin profit margins. And I’m willing to pay to get access to this media. I immediately purchased all four seasons of Infinity Train in a desperate bid to get access to one of my favorite animated series of 2020 and 2021. Even now, I’m aware that if Prime wanted to they could wipe my entire library, and I would have next to no recourse.

But let’s flash forward to early October when thanks to a friend, I caught wind that for some reason, the second season of Pantheon was in fact airing exclusively on Prime Australia and New Zealand and had no discernable release in the States.

Now, I wouldn’t ever promote piracy. Piracy hurts hard working creatives. It denies them of any direct revenue that is generated from purchases or views, and the only thing potentially worse is completely removing any evidence that it ever existed and preventing any legitimate means of acquisition…or you know, something like that.

And it would be a real shame if the second season of a phenomenal science fiction series that may or may not conclude its story as there is no way in hell a third season is ever going to exist. And it would be completely wild if access to the episodes would be entirely dependent on the random whims of a random Prime ANZ executive. But at least *someone* would get to watch it. And at least it would be online….

(14) JEOPARDY! Andrew Porter enjoyed this wrong reply on tonight’s episode of Jeopardy!

Final Jeopardy: Literary Characters

Answer: In his first appearance in 1902, he was described as “betwixt-and-between” a boy & a bird.

Wrong question: Who is Batman?

Right question: Who is Peter Pan?

(15) UPDATE TO THE ROBERT BLOCH OFFICIAL WEBSITE. Two updates to the Psycho page at the Robert Bloch Official Website.

  • A link to a video showing Psycho (film) locations and how they look today.
  • A nice behind-the-scenes shot with Hitchcock in front of the Bates home.

(16) KEEP CALM, ZACK FANS. “Both of Zack Snyder’s Rebel Moon films will get their own R-rated director’s cut” says Entertainment Weekly.

For years after Zack Snyder departed Justice League in the midst of production, the filmmaker’s most passionate fans repeatedly pleaded their case: #ReleasetheSnyderCut. Eventually, they succeeded. In 2021, Warner Bros. brought the director back to their DC superhero roster one last time to complete Zack Snyder’s Justice League

That experience taught Snyder and his wife/producing partner Deborah that there is a significant subset of people who will always be interested in seeing his pure, uncut artistic vision. They took that lesson with them as they set out building their own new cinematic universe in the form of the two-part sci-fi epic Rebel Moon (which you can read all about in EW’s new cover story). 

Rebel Moon Part One: A Child of Fire hits Netflix on Dec. 22, but that won’t be the only version of the film. At some undisclosed point in the future, a longer R-rated version will be added to the streaming platform, and the same will be true for next year’s Rebel Moon Part Two: The Scargiver. But unlike the messy years-long experience with DC, these “director’s cuts” were planned from the beginning. During an hourlong Zoom interview with EW on Halloween about the making of the new films, Snyder said that Netflix producers brought up the idea very early on in the process….

(17) HISTORY FROM ANOTHER PLANET. StarWars.com reminds everyone about “The Origins of Life Day”.

Before you and your family gather your glowing orbs, don your ankle-length red smocks, and gather at the sacred tree to recite hallowed Shyriiwook verses in celebration of Life Day, let’s look back at the holiday’s origins. Not from within the Star Wars setting, mind you; rather, let’s examine its real-world history and evolution from an obscure TV source to an annual fan tradition.

The root of Life Day is found in The Star Wars Holiday Speciala star-studded 1978 prime time broadcast that aired on CBS once on November 17, 1978. After that broadcast, it was never to be (officially) seen again in the US and instead was relegated to bizarre cultural curiosity in the years that followed. The intent of the Holiday Special was to keep Star Wars in the public eye during the long three-year stretch between movies with new entertainment, using a tried-and-true television format of the 1970s: the variety special….

(18) STARSHIP HELD FOR QUICK FIX. [Item by Mike Kennedy.] SpaceX has announced it will delay the planned second launch of its “Starship“ rocket until Saturday to replace a failed or questionable grid fin actuator. The rocket has been unstacked at the launchpad to provide access for replacing the part. The four grid fins provide guidance/attitude control when returning the super heavy booster to a controlled landing. (In this case, a “land”ing in the ocean.) “SpaceX delays launch of its giant Starship rocket to swap out a part” at Ars Technica.

The launch of SpaceX’s second full-size Starship rocket from South Texas is now scheduled for Saturday, a day later than previously planned, according to company founder Elon Musk.

This 24-hour delay will allow time for SpaceX technicians at the company’s launch facility, known as Starbase, to replace a component on the rocket’s stainless steel Super Heavy booster. There is a 20-minute launch window on Saturday, opening at 7 am CST (13:00 UTC), shortly after sunrise in South Texas.

A delay at this point is unsurprising. Starship is a complex launch vehicle with a sum of 39 methane-burning engines, each producing roughly a half-million pounds of thrust, powering its booster stage and upper stage. And this is only the second test flight of SpaceX’s new full-scale, nearly 400-foot-tall (121-meter) rocket, the largest launch vehicle ever built…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Steven French, Dann, Scott Edelman, Geri Sullivan, Rich Lynch, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/23/22 The Scrolls Of The Prophets Are Written In The Pixel Files

(1) THE LIBRARY OF RAY’S YOUTH. “Work begins on renovation of Carnegie Library building” in Waukegan, IL reports the Chicago Tribune in a paywalled story.

Janet Kilkelly, the president of the Waukegan Park District’s Board of Commissioners and the city clerk, remembers spending time in her youth at the Carnegie Library, built in 1903 at the northeast corner of Washington Street and Sheridan Road.

“The children’s room was there,” Kilkelly said, pointing to the room to the left as people walk in the door thinking about how it will soon be the home of the Waukegan History Museum. “It was a magical place. I like books. This was nirvana.”

Kilkelly led a group of federal, state and local officials at the groundbreaking ceremony Tuesday in front of the Carnegie as a prelude to the start of construction for the renovation of the former library into the permanent home of the museum.

…“It will be a chance for them to learn about the history of Waukegan,” Kilkelly said. “Perhaps one of them will be inspired like the young Ray Bradbury when he spent his days here,” she added, referring to the Waukegan native and world-renowned author.

Ty Rohrer, the Park District’s manager of cultural affairs, the chair of the city’s Historic Preservation Commission and a historian by profession, said the onetime children’s reading room will be redone to look as it did in Bradbury’s youth.

When complete, Rohrer said the room will contain the collection of papers, books and other memorabilia Bradbury willed to the Waukegan Public Library. The collection will be there on a long-term loan from the library to the museum….

(2) SPOILERY DOCTOR WHO NEWS. Don’t even hover your cursor over the link to Deadline’s coverage of Jodie Whittaker’s last Doctor Who episode if you want to preserve all surprises til you can view it yourself. On the other hand, if you want to know what happened, click through.  

(3) CORFLU AWARDS. Corflu today adopted Tom Becker’s proposal that fwa, the “fan writers of America”, be changed to mean “fan writers association”, with the proviso that “writer” stands in for any creative fannish endeavor. Subsequently, Claire Brialey was elected “past president of fwa” for 2021.

Also, Geri Sullivan was presented with the Lifetime Achievement Award.

(4) IRISH NATIONAL SF CON COVID REPORT. [Item by Edmund Schluessel.] Octocon 2022 returned to in-person in its new venue of Croke Park, Dublin and, with 283 warm bodies present, reports NO cases of COVID-19 one week after the convention wrapped.

Octocon had a policy of mandatory masks (exemptions were available) and requested all in-person members take self-tests before attending.

From the post-Octocon edition of the members’ newsletter: “Thank you to everyone for complying with our mask requirements. We would like to remind people to let us know if they have tested positive following Octocon, either by using our #covid-safety channel on Discord, which has a ticketing bot to create a private message thread visible only to the committee, or by contacting [email protected]. We’re happy to report that we’ve had no reports of positive tests so far.”

(5) FINLAY ART OFFERED. Doug Ellis has been asked to raise some money quickly for Virgil Finlay’s granddaughter, Brien, and so rather than putting together his usual type of catalog, Ellis has taken pictures of 42 pieces of Finlay art that have not appeared in any of his catalogs and posted the images here on Dropbox.

All of this art is on consignment from Brien.  All of the files have an identifying number in the image together with the price, and that info also is included in the file name (except for the one Word file, which contains info on the size of each piece). The prices do NOT include shipping.

If you’d like to purchase any of these, please email Doug Ellis at [email protected] 

(6) FLY FREE. The SFWA Blog series “The Indie Files” continues with Anthony W. Eichenlaub’s advice about “An Indie Approach to Series”.

…Fixing a Series After Publication

You’ve crunched the numbers. Readers who get through the second book in your series tend to read every book after that. You expect a dropoff from the first to the second, but the numbers are terrible, and you know why:

The first book isn’t good.

You’ve grown as a writer, and now that book’s flaws are painfully obvious. The later books in your series are fantastic. Reviews are great. People who get that far are turning into your best fans. The problem is that most of them just aren’t getting that far.

A traditionally published author would likely be stuck. They could either work on a new series or, if their publisher allowed it, continue to crank out books hoping to overcome the weak start with rave reviews for later entries.

An indie author has the power to fix a bad Book 1. You can go in and tweak a few things, send it through another round of edits, or even in extreme circumstances, give it a complete rewrite. You can make the imperfect first book a prequel or even remove it entirely, promoting Book 2 to the first spot….

(7) JUSTIN E.A. BUSCH DIES. [Item by George Phillies.] Justin Edwin Anton Busch, editor of the N3F zine Films Fantastic and monthly fanzine review column “Fanfaronade”, died peacefully in his sleep in the early evening of Friday, October 21, 2022. His death, while untimely, was not unexpected.

Justin E. A. Busch, a long-time fan from St. Paul, Minnesota authored the nonfiction work The Utopian Vision of H.G. Wells, published by McFarland Company in 2009.

(8) MEMORY LANE.

1962 [By Cat Eldridge.] Bradbury wrote one of the shortest opening narrations that Serling gave in the series:

They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone. — “I Sing the Body Electric”

Though I didn’t know that Bradbury had a script produced for the one and true Twilight Zone, it doesn’t at all surprise me that he did. I had assumed Serling wrote all of the episodes. Not true as it turns out, to my delight, as we get the “I Sing the Body Electric”. It is said that he contributed several scripts to The Twilight Zone, but this was the only one produced. He certainly was no stranger to tv script writing with five scripts for the Alfred Hitchcock Presents series alone. 

This would air as the thirtieth-fifth episode of the third season on May 18, 1962. This was one of six Twilight Zones episodes directed by James Sheldon and his co-director William Clazton who did four. 

LOOK, GO EAT A CANDY APPLE FOR A MINUTE PLEASE. 

Just three words this time— sweet robotic grandmothers. Ok, a few more. My god, this episode drips with cloyness, it does. A recent widower, needing care for his three young children, orders a robotic “grandmother”. Two of the children accept her, but one of his daughters adamantly rejects her, with what might be near fatal consequences. 

DID YOU ENJOY THAT CANDY APPLE? 

You can see it on Paramount +

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 23, 1880 Una O’Connor. Actress who appeared in the 1930s The Invisible Man as Jenny Hall. She had a bit part in Bride of Frankenstein, and a supporting role in the genre-adjacent The Adventures of Robin Hood. Though not even genre adjacent, she was Mrs. Peters in the film adaptation of Graham Greene’s Stamboul. Great novel, I’ll need to see if I can find this film. She’s in The Canterville Ghost, and shows up twice in TV’s Tales of Tomorrow anthology series. And that’s it. (Died 1959.)
  • Born October 23, 1918 James Daly. He was Mr. Flint in Trek‘s “Requiem for Methuselah” episode. He also showed up on The Twilight ZoneMission:Impossible and The Invaders. He was Honorious in The Planet of The Apes, and Dr. Redding in The Resurrection of Zachary Wheeler.  (Died 1978.)
  • Born October 23, 1935 Bruce Mars, 87. Here for his most excellent role on Star Trek in the “Shore Leave” episode as Finnegan. Earlier he had been brought in to audition for the role of Junior Navigations Officer Dave Bailey in episode “The Corbomite Maneuver” but someone else got that part, but he did come back for a part in “Assignment Earth” where he was listed as First Policeman.  He had one-offs in Time TunnelVoyage to the Bottom of the Sea and Mission: Impossible. He is now Brother Paramananda with the Self-Realization Fellowship in Los Angeles which he joined shortly after ending his acting career in 1969. 
  • Born October 23, 1948 Brian Catling. Author of The Vorrh trilogy whose first novel, The Vorrh, has an introduction by Alan Moore. Writing was just one facet of his work life as he was a sculptor, poet, novelist, film maker and performance. And artist. Impressively he held Professor of Fine Art at the [John] Ruskin School of Drawing and Fine Art in Oxford and was a fellow of Linacre College. Yeah that John Ruskin. (Died 2022.)
  • Born October 23, 1953 Ira Steven Behr, 69. Best remembered for his work on the Trek franchise, particularly Star Trek: Deep Space Nine, on which he served as showrunner and executive producer. As writer and or producer, he has been in involved in Beyond RealityDark AngelThe Twilight ZoneThe 4400Alphas, and Outlander
  • Born October 23, 1959 Sam Raimi, 63. Responsible for, and this is not a complete listing, the Darkman franchise, M.A.N.T.I.S., the Jack of All Trades series that Kage loved, the Cleopatra 2525 series, Hercules: The Legendary Journeys and Xena: Warrior Princess series and the Spider-Man trilogy. 
  • Born October 23, 1969 Trudi Canavan, 53. Australian writer who’s won two Ditmars for her Thief’s Magic and A Room for Improvement novels and two Aurealis Awards as well, one for her “Whispers of the Mist Children” short story, and one for The Magician’s Apprentice novel.  It’s worth noting that she’s picked up two Ditmar nominations for her artwork as well. 
  • Born October 23, 1974 Naomi Alderman, 48. English novelist and game writer. The Power with its premise being the women suddenly the ability to release electrical waves from their hands, thus leading them to become the dominant sex. The novel is set to be turned an Amazon Prime Video television series, but what isn’t? She’s also written two Doctor Who novels set in the new series, Borrowed Time and Time Lapse, and some short fiction there as well.

(10) COMICS SECTION.

(11) COSTUME PARTY. Lis Carey’s dog Cider went to a Howloween party at the dog park today.

(12) HIDE THAT BOOK! To enrich your Colleen Hoover knowledge, we bring you Mayi H.S. Hughes’ article “In Defense of Colleen Hoover: Intellectual Snobbery at Harvard” from The Harvard Crimson.

A few weeks ago, I did something bizarre. I was sitting in the dining hall, reading a book when my friend approached me from behind and, peering over my shoulder, asked me what I was reading. Almost immediately, I slammed the book shut and spluttered, “Oh, nothing.”.

As the conversation moved on, my eyes turned to the cover of my Colleen Hoover novel, which I had so shamefully hidden. The truth is, I was embarrassed. I had bought the book solely because of a TikTok video, with thousands of likes and comments raving about Hoover’s “It Ends With Us.” Having been up all night ripping through its pages, I had come to several conclusions: It was a terribly written book; it was repulsively predictable ]; and most importantly, I loved it.

My shame of being found reading Colleen Hoover stemmed from a culture of intellectual snobbery — feeling superior and prideful about the type of culture you consume. It’s the person who prides themselves on their knowledge of “classical” literature, listing off the last names of authors such as John Milton, Charles Dickens, and Jane Austen as if they are family friends….

…David M. Levine, a Theater, Dance, and Media professor, described intellectual snobbery as “automatically excluding materials from intellectual consideration because they give immediate pleasure.” Being an intellectual snob means feeling superior to e mass culture, due to the status and inaccessibility of the type of culture you consume, literary and beyond.

Intellectual snobbery can feel especially pervasive at Harvard, where books like Hoover’s are rarely on reading lists. But her work was clearly popular amongst the masses – number one in the New York Times Best Sellers List as of January 2022. It was an easy read with a simple plot….

(13) TITANS MOVE TO THE CITY. That’s The City. HBO Max dropped this trailer for the new season of Titans last week.

Having saved Gotham, the Titans hit the road to head back to San Francisco. But after a stop in Metropolis, they find themselves in the crosshairs of a supernatural cult with powers unlike anything they’ve faced before.

(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Andy Martin asks if people can stand the titanic genius of Mr. Director.

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Lis Carey, Doug Ellis, Jeffrey Smith, Lise Andreasen, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l Danehy-Oakes.]

Glasgow 2024 Wins, Announces Guests of Honor

The Glasgow 2024 Worldcon was officially seated after the announcement of site selection voting results this morning at Chicon 8.

The Glasgow bid ran unopposed. As reported by Alex Acks, there was a total of 802 site selection ballots expressing a preference: 776 votes for Glasgow, the others for write-ins. There were no ballots indicating none of the above.

Glasgow 2024, the 82nd World Science Fiction Convention, will be held in Glasgow, UK from August 8-12, 2024. The convention website, with current membership rates, is here. Their Twitter account is @Glasgowin2024.

The Guests of Honor will be Chris Baker (Fangorn), Claire Brialey and Mark Plummer, Ken MacLeod, Nnedi Okorafor, and Terri Windling.  Additional Special Guests and Toastpeople will be announced over the coming months.
  
Glasgow 2024 Chair, Esther MacCallum-Stewart said, “It’s a huge honor to host the Worldcon, and our team have worked incredibly hard to get us to this point. We can’t wait to bring our blend of Inclusion, Caring and Imagination to the Glasgow 2024 Worldcon, and to create an event that is both exciting and innovative. This really is a Worldcon for our Futures!”

Aileen Crawford, Head of Tourism and Conventions at Glasgow Life said: “Glasgow is delighted to welcome Worldcon fans back to our city in August 2024, following the previous events in 1995 and 2005. Congratulations to the hard working and dedicated UK Team who have worked tirelessly for years on the bid. Here’s to a fabulous return of the Worldcon community in 2024!”
 
About the Guests of Honour:

Chris Baker (Fangorn) is an acclaimed BSFA-winning artist whose work has graced the covers of many beloved SF and Fantasy novels including Robert Asprin’s Myth series, and the British and German editions of Redwall. He has also worked as a concept artist for such visionary film directors as Steven Spielberg, Tim Burton, Alfonso Cuarón and Stanley Kubrick.

Chris Baker (Fangorn)

Claire Brialey and Mark Plummer have been pillars of the science fiction and fantasy fan community for years. Their exemplary work in organising and running fan conventions, as well as in fan-writing, fanzines, and fan-history, has enriched the lives of countless lovers of the genre.

  

Ken MacLeod is a celebrated Scottish SF writer who, over the course of his career, has written 18 novels and won multiple BSFA and Prometheus Awards, in addition to being shortlisted for the Hugos, Nebulas, Locus Awards, and more. Ken writes everything from dystopian SF to space opera, and is known for work that is as engaged with politics as it is with science.
  

Ken MacLeod

Nnedi Okorafor is an internationally award-winning author who explores her Nigerian heritage through her Africanfuturist and Africanjujuist novels and short works. She is also a comics writer who has written a number of popular series for Marvel’s Black Panther, along with her own Hugo and Eisner-Award-winning graphic novel, LaGuardia.
  

Nnedi Okorafor

Terri Windling is an American writer, editor, artist, and folklorist, who has lived in the UK for nearly 30 years. She has written over 40 books and received 10 World Fantasy Awards – and will receive the World Fantasy Lifetime Achievement award this year. Terri has also won the Mythopoeic Award, the Bram Stoker Award, and the SFWA Solstice Award, in addition to appearing on numerous prestigious shortlists. Her work ranges from the fictional to the academic, but always revolving around the magical and the fantastic.

Terri Windling

This tweet shows the membership rates.

LAUNCH VIDEO

2020 FAAn Awards

The 2020 FAAn Award winners were announced at Corflu 37 in College Station, TX on March 15. (Via Janice Hillman on Facebook.)

Best Over-all Fanzine

  • Banana Wings, ed. Claire Brialey and Mark Plummer

Best Genzine

(Tie)

  • Banana Wings, ed. Claire Brialey and Mark Plummer
  • Chunga, ed. Andy Hooper, Randy Byers, and carl juarez

Best Personal Zine

  • This Here, ed. Nic Farey

Best Whatchamacallit Zine

(Tie)

  • Ansible, ed. David Langford
  • Lofgeornost, ed. Fred Lerner

Best Special Publication

  • Thy Life’s a Miracle, ed. Luke McGuff

Best Fan Writer

  • Mark Plummer

Best Letterhack

  • Stephen Jeffery

Best Online Achievement

  • Fanac.org

Best Fan Artist

  • Ulrika O’Brien

Best Fanzine Cover Art

  • Thy Life’s A Miracle cover, art by Ulrika O’Brien, calligraphy by Jae Leslie Adams, layout by carl juarez

fwa Lifetime Achievement Award

  • Robert Lichtman

fwa Past President, 2019 [fwa = fan writers of america]

  • Rob Jackson

Pixel Scroll 4/16/16 I’m Looking Over A Five-Leaf Clover

(1) HOLD ONTO YOUR KAIJU! Scified says Toho’s Godzilla Resurgence will not be released in North American cinemas.

As it stands currently, it doesn’t look like Toho’s Shin-Gojira (dubbed Godzilla Resurgence for us Westerners) will be making its way to the silver screen in North America this summer. With no mention of a US theater distribution company the chances of fans in the US and Canada seeing Godzilla Resurgence in a theater are extremely low.

The only semi-confirmed distribution company for Shin-Goji in North America seems to be a company called New World Cinemas. The downside is they’ve only listed home entertainment release on DvD for Godzilla Resurgence. The other downside is their projected release date is set in 2017… So, G-Fans over here will need to wait half a year to see Godzilla Resurgence… On DvD. We’re hoping Blu-Ray will also be available, but again, no confirmation.

(2) INKLINGS. John Garth reviews Charles Williams: The Third Inkling by Grevel Lindop in Oxford Today Trinity Term 2016.

“…By the time the narrative reaches the Inklings, we already know Williams as intimately as it is possible to know someone so secretive and strange…”

I review the latest biography of Charles Williams, whose shared times with CS Lewis and JRR Tolkien were only one facet of a fascinating and peculiar life.

(3) MARS EXPERIENCE BUS. Fulfilling the vision of Icarus Montgolfier Wright….

Lockheed Martin has launched Generation Beyond, a first of its kind, national educational program to bring the science of space into thousands of homes and classrooms across America. The Science, Technology, Engineering and Math (STEM) program is designed to inspire the next generation of innovators, explorers, inventors and pioneers to pursue STEM careers.

Generation Beyond includes a real-life Mars Experience Bus that will travel the country providing student riders with an interactive experience simulating a drive along the red planet’s surface. The Lockheed Martin Mars Experience Bus is the first immersive virtual reality vehicle ever built and replicates 200 square miles of the Martian surface. The Mars Experience was built with the same software used in today’s most advanced video games.

 

(4) BACK UP THE TRUCK. Indianapolis’ Kurt Vonnegut Memorial Library is asking his fans to contribute $775,000 to pay for its move to a larger location.

The Kurt Vonnegut Memorial Library needs $750,000 to pay its first three years of rent at a downtown Indianapolis building which has four times more space than its current location.

Library founder and CEO Julia Whitehead says that money will also help pay to reconfigure that 5,400-square-foot building for expanded programming and to exhibit more of its large collection, much of which remains in storage.

Click here to make an online donation.

(5) THE MAGIC NUMBER FIVE. Cheryl Morgan, in “Some Awards Thoughts”, speculates about how the Hugo Awards’ 5% rule will come into play this year.

…The first thing to note is that the rule is 5% of ballots in that category, not 5% of ballots overall. 5% of 4000 ballots is 200 votes, and that will probably be required in Novel and the Dramatic Presentation categories, but participation in other categories tends to be much lower. In addition, there is a separate rule that says every category must have at least three finalists, regardless of the 5% rule. So no category is going to be wiped out by this…..

My guess is, therefore, that we’ll have a few categories with 3 or 4 finalists this year. We’ll be able to draw some pretty graphs showing how more participation means more variation. And that will be useful because a motion to remove the 5% Rule got first passage in Spokane last year. This data will inform the debate on final ratification….

(6) PRATCHETT MEMORIAL. A year after the writer’s death from Alzheimer’s, a tribute in London drew together fans and friends — “Terry Pratchett memorial: tears, laughter and tantalising new projects” in The Guardian.

…Sir Tony Robinson read Pratchett’s Dimbleby lecture on Alzheimer’s and assisted dying, while the author’s daughter, Rhianna, read the obituary she wrote for the Observer. Dr Patrick Harkin, whose collection of Pratchett ephemera includes an onion pickled by the man himself, appeared alongside Discworld sculptor Bernard Pearson, as well as Pratchett’s publisher, Larry Finlay, and agent, Colin Smythe.

Neil Gaiman flew in from the States to read his introduction to Pratchett’s 2014 non-fiction collection A Slip of the Keyboard, and found himself presented with his friend’s trademark hat. Gaiman, looking a tad thunderstruck, placed it for a moment on his head, but quickly took it off again, saying: “Oh, I don’t dare.”

(7) NEW WAVE IN THE REAR VIEW MIRROR. C. Derick Varn and Dinesh Raghavendra conduct New Worlds: An Interview with M. John Harrison” at Former People.

Former People Speak: What do make of the direction Science Fiction has headed in since you edited New Worlds and New Wave of Science fiction began?

M. John Harrison: New Worlds and the New Wave were a reflection of the more general cultural changes which went on from the late 1950s to the late 1970s. I think science fiction headed in more than one direction as a response to those changes. Or perhaps better to say that it’s an elastic medium, it was heavily perturbed, and it’s been bouncing around inside its formal limits ever since. There was an immediate reaction against the New Wave in the shape of a Reaganistic “back to the future” movement, but that was soon swamped by the concomitant emergence of left wing, feminist and identity-political sf. Now we see an interesting transition into post-colonialism, intersectionality, and–at last–the recognition by western sf that rest of the world writes science fiction too. These are, like the New Wave, responses to changes in the general cultural context. I enjoyed my time at New Worlds, although by the time I got there all the important work had been done. I enjoyed the New Wave for its technical experiments–even in those, though, it was beginning to reflect the generalised cultural shift to postmodernism (while the science fiction Old Guard hunkered down and grimly dug in its heels against the demons of modernism, fighting the previous generation’s wars, as Old Guards will).

(8) TODAY IN HISTORY

  • Born April 16, 1921 — Peter Ustinov, who was in lots of things, including Logan’s Run.

(9) THE 100 ANGERS LGBT FANS. Washington Post writer Bethonie Butler says after Lexa, an openly lesbian character (played by Alycia Debnam-Carey) died on an episode of The 100, a lot of fans of the show vented, although the venting led, among other things, to raising a large amount of money tor the Trevor Project, which runs a suicide hotline for LGBT teens — “TV keeps killing off lesbian characters. The fans of one show have revolted”.

Many fans have stopped watching the show and have redirected their energy to Twitter and Tumblr to vent their frustrations. During the episode following Lexa’s death, fans tweeted with the trending topic LGBT Fans Deserve Better, which has since become an international fan-led initiative. As the show returned Thursday after a two-week hiatus, fans tweeted with Bury Tropes Not Us, sending the topic trending nationally. A fundraising effort has raised more than $113,000 for The Trevor Project, an organization that provides a 24-hour toll-free national suicide hotline and other services for LGBT and questioning youths in crisis.

(10) ASK GANNON ANYTHING. Chuck Gannon announced on Facebook he will be taking questions in a live session on Reddit.

For folks who were among my earliest readers (i.e.; Analog folks), and saw the earliest beginnings of my Caine Riordan / Terran Republic over a decade ago (now thrice Nebula nominated), this is the chance to ask some questions about my stories or what’s to come.

I’ll be on Reddit’s Ask Me Anything. April 20, 2 PM, but u can start leaving questions ~ 11AM EDT. & yes, in addition to answering questions about the craft and biz of being an SF/F author, I will spill beans in re my various series. (And particularly Caine Riordan/ Terran Republic.) PLEASE SHARE! And u can enter ur questions as long as u join Reddit (no cost) for just one day. You’ll be able to drop in by going to the front page of /r/books: https://www.reddit.com/r/books/.

(11) FAAn AWARDS VOTING DEADLINE NEARS. There’s just one week left to vote for the FAAn awards for fanzine activity in 2015. The deadline is midnight on Saturday, April 23. Award administrator Claire Brialey reminds —

So if anyone interested in SF fanzines is looking for something else to occupy their time before the Hugo award shortlists are announced, information about categories and voting can still be found at: http://corflu.org/Corflu33/faan2015.html

People don’t need to be members of Corflu to vote. They just need to have enjoyed some fanzines from 2015 and want to express their opinions about that.

Votes should be sent to me at this address (faansfor2015 [at] gmail [dot] com).

(12) YOUR FELLOW PASSENGERS. Damien G. Walter’s genre overview “Reaching for the stars: a brief history of sci-fi space travel” in The Guardian references Stephen Hawking and David Brin – also Kim Stanley Robinson and some mournful canines:

And the psychology of the human species is so poorly understood that the idea that we might survive for generations together in a big tin can is simply insane. Aurora digs into many of the social and psychological issues of generation ships, but ultimately Robinson is an optimist; a believer in the powers of the rational, scientific mind to overcome all challenges. Meanwhile, the science-fiction writing community can’t even organise the Hugo awards without descending into factionalism worthy of revolutionary France. Think the Sad Puppies are annoying now? Wait until you’re trapped in a space-biome with them.

(13) ASTRONOMICAL PUNCHLINES. David Brin feels like cracking jokes today

Asteroids, gotta love the yummy things.  For example: asteroid 5748 Davebrin made its closest approach to Earth April 4. (1.7 AU). Hey! I can see my house from here! Come on guys, it’s mine so let’s go melt it down and get rich.

And yes, this means it is time for one of our “look up!” postings, here on Contrary Brin!

For example…

Many of you recall the thrilling sight of Jupiter getting whacked multiple times by the comet Shoemaker-Levy 9 in 1994. Now Phil Plait reveals some video taken this month by an amateur astronomer, which appears to reveal another one smacking the King World. And hints there may have been another collision some years ago. Yipe!  This’ll affect the statistics, for sure. No fluke, after all.  As Goldfinger said: “Three times, Mr. Bond, is enemy action.”

(14) PLEONASM INSTRUCTION MANUAL. At SFFWorld Mark Yon reviews the dictionary. But not just any dictionary — “Firefly: The Gorramn Shiniest Dictionary and Phrasebook in the ‘Verse by Monica Valentinelli”.

Nominally it’s as the title suggests – a dictionary/phrasebook of all those words created and amalgamated into the language of the TV series. For those who don’t know, Firefly is a future Western series set in the year 2517, where the language used by Joss Whedon’s characters is a mash-up of English and Mandarin Chinese.

So if you were wondering what words like ‘gorramn’ meant, then here’s the place to look them up. *

The writer, Monica Valentinelli , has a wealth of background that she draws on for this book. She worked on and became the lead developer and writer for the Firefly Role-Playing Game, and it is this that informs her work here. She has also had access to the original TV scripts.

(15) VERTLIEB ON JOINING RONDO HOF. Steve Vertlieb is thrilled to be voted into the Monster Kid Hall of Fame.

I awoke quite late last evening to a congratulatory telephone call from writer pal Jim Burns informing me of the astonishing news that I’d been inducted into The Monster Kid Hall Of Fame, the ultimate honor bestowed by voters in the annual Classic Horror Film Board competition for excellence in genre contribution. I am stunned, choked up, and deeply humbled by this wholly unexpected honor at the CHFB. I’ve been involved in organized fandom since September, 1965, when I attended Forry Ackerman’s very first Famous Monsters of Filmland convention in New York City, and have been a published writer since 1969 with my first published articles in England’s L’Incroyable Cinema Magazine. I dutifully voted this year for many deserving recipients of the “Rondo,” as I do each year, but I NEVER had ANY expectation of ever winning this most loving, prestigious award myself. I am profoundly moved by this wonderful recognition of my work for nearly than half a century, and want to thank everyone who helped behind the scenes to make it a reality. I’d also like to congratulate Mark Redfield and David Del Valle who happily share this distinct honor with me in the Hall Of Fame category, as well as Mark Maddox for his win in the Best Artist category, Gary Rhodes for Writer of the Year, and so many others whose artistic excellence has garnered them a well deserved commendation. I don’t know what else to say just now….except that I am utterly speechless and humbled by this wondrous honor, and most gracious kindness. Thank You all sincerely.

[Thanks to Will R., Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

FAAn Awards Voting Deadline April 23

The Fan Activity Achievement (FAAn) awards voting will remain open until April 23. The award honors the best in fan writing, drawing, publishing and posting. The awards will be presented at Corflu 33 on May 15.

Claire Brialey, the award administrator, encourages fans to get involved:

Anyone interested in science fiction fanzines is eligible to vote on the FAAn awards; please do take part if you’d like to recognize and celebrate what you’ve enjoyed about fanzines in the past year. The awards are voted on by fanzine fans around the world and the results are now usually announced at Corflu – but you don’t need to be a member of this year’s, or any other, Corflu in order to vote.

The FAAn Award categories are Genzine, Personalzine, Special Publication, Fan Website, Fan Writer, Fan Artist, Letterhack, and Fanzine Cover.

More information about this and previous year’s awards, together with a downloadable ballot form with voting instructions, can be found on the Corflu 33 website.

Bill Burns is hosting a display of covers from 2015 fan publications at eFanzines.

There will be further reminders, but don’t let that stop you voting relatively early. If you vote often, only the last ballot received before the deadline will count.

Lloyd Penney and the Regents

By John Hertz: Letters of Comment, it’s been said, are the lifeblood of fanzines; not only for any boost they give to the recipient’s self-esteem, but even more because fanzines are communication and at best communication goes both ways: fandom is participatory. We write “LoC” and “loc” which we pronounce without preference ell-oh-see or to rhyme with flock. Comedy, when successful, may cause LOL (short for LOLFFSC i.e. Laughing Out Loud, Falling on the Floor and Startling the Cat).

The other day while being shown the Great and Terrible Internet (“who are you, and why do you seek me?”) I came across a remark by Lloyd Penney, who said – quite rightly – we must loc, loc, loc the zines. Even Claire Brialey has urged this. Maybe it should be sung.

Bass
Loc loc loc, loc loc the zines.

Baritone joins
Loc loc loc, loc loc the zines.

Tenor over them
Oh, loc the zines.
Go make their scenes.
Oh, loc the zines.

All
Get out there loc’ing and a-lol’ing,
Flocking and a-feeling,
Loc the zines.

Try Doctor Who,
Try manga too,
Try Mary Sue,
But you know they’ll never do.
So loc the zines.

The title seemed better – the word appealed to me somehow – than troubling Hawthorne, California, by suggesting Penney, who practices what he preaches, was a son of the beach.

Sue Mason Wins 2014 Rotsler Award

Illustration by Sue Mason. Published in File 770 #139 and elsewhere.

Illustration by Sue Mason. Published in File 770 #139 and elsewhere.

Sue Mason from the United Kingdom has won the 2014 Rotsler Award, given for long-time artistic achievement in amateur publications of the science fiction community. Established in 1998, the award carries an honorarium of US$300.

Mason is a widely-published pen-and-ink artist who is particularly well-known for her activity in the British fanzine Plokta. Her illustrations are whimsical, humorous and richly-detailed.

Some of her best artwork can be seen in the chapbook I Want to Be a Celtic Death Goddess When I Grow Up [PDF file].

She is also accomplished at pyrography, the process of producing designs by burning them onto a surface, generally wood, leather or paper.

Mason is a two-time winner of the Best Fan Artist Hugo. She has won the Nova Award for Best Fan Artist seven times.

The Rotsler Award is sponsored by the Southern California Institute for Fan Interests, a non-profit corporation, hosts of the 2006 Worldcon. The award is named for the late Bill Rotsler, the talented and prolific fanartist. Claire Brialey, Mike Glyer, and John Hertz served as this year’s judges.

The award was formally announced on Saturday, November 29, 2014 at Loscon 41. An exhibit honoring Mason’s work was displayed in the Art Show.

For more about the Rotsler Award, visit www.scifiinc.org/rotsler/. Samples of Mason’s work will be posted shortly.

TAFF Platforms Released

Brad and Cindy Foster, Curt Phillips and Randy Smith are your official Trans-Atlantic Fan Fund candidates in the 2014 race to pick a delegate to Loncon 3. Here are their platforms and nominators —

Brad and Cindy Foster

Why Brad and Cindy? Because they are one mind in two bodies. (They wish they had two minds, but that’s asking too much.) Because between them they have covered almost all the fannish bases. And, because this is probably the only way they will ever get to see London. He draws pictures – lots of them, and has lived the life fannish through zines and locs. (A paper-person.) She has been social (a people-person) through conventions and conversations. He’ll have to look you up in his files to remember which zine you pub, but she’ll remember your name, face, and family history.

Nominators: Mike Glyer (US), Andy Hooper (US), Steven Silver (US), David Langford (UK), Yvonne Rowse (UK).

Curt Phillips

I am a fan. I guess I always have been; I think I always will be. I’ve collected more science fiction than I’ll ever have time to read, but I keep on collecting more. I’ve written for and published fanzines; I’m the OE of FAPA. Have done many other fannish things in my time, both usual and unusual. But I’ve never traveled outside America. I’d very much to meet some of the wonderful fans in the UK and from across Europe as your TAFF delegate, and then come home to write about my adventures for you. Please support TAFF! Vote!

Nominators: Randy Byers (US), Ulrika O’Brien (US), John Purcell (US), Claire Brialey (UK), Pat Charnock (UK).

Randy Smith

Fandom is a conversation that began in the letter columns of the 1920s pulps and now extends around the world. As active participants in that conversation, we can look for new ways to expand, strengthen, and create new and divergent paths of exchange. We truly never know where it will take us. The TAFF delegate to LonCon 3 will be able to contribute in some small and unforeseen ways to that creative conversation. I would be honored if that person were me. I also promise a speedy appearance of my trip report.

Nominators: Christopher J. Garcia (US), Mark Olson (US), Kevin Standlee (US), Colin Harris (UK), Patrick McMurray (UK).

[Thanks to Jim Mowatt for the story.]

Jim Barker Wins 2013 Rotsler Award

Jim Barker, the Scottish fanartist, has won the 2013 Rotsler Award, given for long-time artistic achievement in amateur publications of the science fiction community. Established in 1998, the award carries an honorarium of US$300.

Barker is renowned for his instant cartoons and prolific output. His sharp sense of humor and drawing skills have enriched fanzines and carried over to his work as a graphic artist and illustrator – see http://www.jimbarker.net/.

Barker is a past Hugo Award nominee and winner of the Checkpoint newszine poll for Best Fanartist.

The Rotsler Award is sponsored by the Southern California Institute for Fan Interests, a non-profit corporation, which in 2006 hosted the 63rd World Science Fiction Convention. The award is named for the late Bill Rotsler, a talented and prolific artist over many years. Claire Brialey, Mike Glyer, and John Hertz are the current judges.

The award was announced on Saturday, November 30, 2012, at Loscon, the annual Los Angeles SF convention. This year’s convention was Loscon 40.

For more about the Rotsler Award, visit www.scifiinc.org/rotsler/.