Pixel Scroll 9/16/22 Scroll Down, You Click Too Fast, You’ve Got To Make The Pixels Last

(1) AI IS NOT AN EXCUSE FOR CONTENT THEFT. Malcolm F. Cross wryly begins his email with this link, “I’m sooooort of pleased to announce that discovering another theft of my work inspired me to do a little art project. The theft in question was having some of my work added to the training data for a commercially used AI, and the result was this twitter thread.” The 26-tweet thread starts here. Excerpts follow:

(2) “PEOPLE’S JOKER” NEWS. Variety updated to its report about “’People’s Joker,’ Queer Movie Set in Batman Universe, Pulled From TIFF” with a statement by the filmmaker Vera Drew.

…In a statement shared with Variety on Wednesday evening, Drew promised that “everyone is going to get the chance to see this film.”

“I don’t respond well to bullying or pressure from faceless institutions,” said Drew. “It only emboldens me and what I was saying with this film. We’re looking for buyers and distribution partners who will protect us and make this film accessible to trans people and their families everywhere.”

Drew hinted at potential discord around the movie on Tuesday, ahead of her world premiere, posting a cryptic tweet: “I have no clue how today goes and my team wants me to say nothing of course so I’ll stay vague…but whatever happens in the next few hours, I want you to know…if you’ve been waiting and aching to watch our movie, ur going to get to soon. Stay tuned and stay with me. Need ur help.”…

Just before the movie rolled, The Globe and Mail reported that a title card was displayed stating that the film was protected under “fair use” laws.

“This film is a parody and is at present time completely unauthorized by DC Comics, Warner Brothers or anyone claiming ownership of the trademarks therein (eg. ‘Joker,’ ‘Batman, etc.),” read the title card. “Aside from licensed stock, all video and graphics featured in the film are original materials, often recreations of iconic comic book movie set pieces created by Vera Drew and a team of over 100 independent artists and filmmakers on three separate continents during the COVID-19 pandemic.”

“Any copyright or trademark infringement was not done intentionally. After consulting with counsel, the director believes in good faith that use of these names and characters in a autobiographical context of her personal coming-out story is protected by Section 107 of the U.S. Copyright Act of 1976, which allows ‘fair use’ for purposes such as a relevant criticism, social commentary or education.”

(3) NBA LONGLISTS. The 2022 National Book Awards Longlist for Fiction announced today by the National Book Foundation includes two works of genre interest, a novel and a story collection.

Also announced were the Longlist for Nonfiction and the Longlist for Poetry.

(4) GROAN ABOUT. Dave Hook takes us inside another panel he participated in at the Worldcon in “Titus Groan and Chicon 8”.

…I found out that Chicon 8 (the 80th World Science Fiction Convention) would have a “Titus Groan” panel for their 1946 Project. The 1946 Project was their plan to celebrate 1946 and all things speculative fiction with panel discussions instead of doing a 1947 Retro Hugo.

I applied to be on the panel, telling the Programming Team with substantial fannish enthusiasm how great “Titus Groan” was, how I was prepared to answer the question of whether it was genre or not, and what I was prepared to do to get ready for a panel.

For unknown reasons, they selected me for the panel and made me the moderator. I did not have a problem with this; I thought I could do a great job. I had never been on any SF convention panels before. I thought I could do all of that, but I redoubled my preparations….

(5) RECALLING CHRISTOPHER TOLKIEN. “The Worlds of Middle-Earth: The Millions Interviews Richard Ovenden and Catherine McIlwaine”. Their book includes essays by Maxime H. Pascal; Priscilla Tolkien; Vincent Ferré; Verlyn Flieger; John Garth; Wayne G. Hammond and Christina Scull; Carl F. Hostetter; Stuart D. Lee; Tom Shippey; and Brian Sibley.

In The Great Tales Never End: Essays in Memory of Christopher TolkienRichard Ovenden, who serves as Bodley’s Librarian, the senior Executive position of the Bodleian Libraries at the University of Oxford, and Catherine McIlwaine, the Tolkien Archivist at the Bodleian Libraries, have assembled a remarkable anthology about Christopher, who died in 2020…. 

Lenny Picker: What personal memories of Christopher Tolkien are your most vivid?

Richard Ovenden: I had the good fortune of visiting him at least once a year for about 10 years. Staying in the house, having long conversations. He looked quite like his father. I never knew J.R.R. Tolkien, but Christopher’s memory of Oxford really was quite profound. He was born there, grew up there, and lived there for many decades. But his memory of it is really kind of frozen in about the middle of the 1970s, when the family moved to France. And so having a conversation with Christopher about Oxford was like having one about the Oxford of when J.R.R. Tolkien was still alive. So it seemed to me almost like you were talking to J.R.R. Tolkien. And because he had this immense knowledge of his father’s work and his mentality, there was that sort of connection. Christopher also had a very great sense of humor—a very, very dry sense of humor. And he was a very funny human being. He also was a great reader; he loved reading fiction, Victorian fiction, in particular, DickensTrollope, were a great source of pleasure for him. So he was a very literary person, not just in his own field of scholarship.

(6) WHO SHOULD WIN FAN HUGOS? In the Hugo Book Club Blog’s post “The Gordian Knot of Fan Vs. Pro” they’re inclined to think the knot is just fine the way it is and that the current WSFS rules get the balance right. 

…Just three years [sic] after the Scithers constitution was introduced [in 1963], Jack Gaughan showed just how unclear the existing language could be, winning both the fan artist and professional artist Hugo Awards in a single [1967] evening. There was an outcry over this — why have two separate categories if the same body of work could win both? A clause was quickly added to the constitution to prevent this from happening again, but the language did not seek to clarify what was Fan and what was Pro, rather stating that “Anyone whose name appears on the final ballot for a given year under the professional artist category will not be eligible for the fan artist award for that year.”

Over the years, this question has resurfaced fairly regularly. Questions were raised over John Scalzi winning best fan writer in the same year that his novel The Last Colony was on the ballot. Two years later there was some slight grumbling about Fred Pohl — at that time one of only 25 authors to have won three professional prose Hugos — winning for best fan writer.

So in this context, a well-intentioned but problematic proposal (“An Aristotelian Solution to Fan vs Pro”) brought forward to this year’s business meeting provided an attempt to parse out this question….

(7) BROOKLYN SFFF. The Brooklyn SciFi Film Festival returns for its third season October 3-9 presenting 200 independent SciFi films from around the world. 

This year’s festival will feature online and in-person events including an evening of Japanese SciFi hosted at Stuart Cinema Cafe on Tuesday October 4th from 7:00 to 9:00 and selected screenings and recognition on Saturday October 8th from 6:00 to 9:00 at the Alamo Drafthouse Cinema in Downtown Brooklyn.  All films streaming online at BrooklynSciFiFilmFest.com starting October 3rd.  Official Selections.

(8) SMOKE ‘EM IF YOU GOT ‘EM. Literary Hub introduces viewers to a 1982 BBC video about a writer at work: “Roald Dahl’s writing routine involved a shed, a sleeping bag, and cigarettes.”

In 1982, Frank Delaney of the BBC visited Roald Dahl at home for a long conversation that meandered from children’s literature to 18th-century furniture and making orange marmalade. During that visit, Dahl gave Delaney a glimpse at his writing routine, which consisted, at the time, of four hours a day spent in a writing shed on his property.

(9) MEDIA BIRTHDAY.  

1963 [By Cat Eldridge.]

There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur, or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: There is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to… The Outer Limits. — opening narration. 

Fifty-nine years ago this evening on ABC, The Outer Limits series premiered, created and executive produced by Leslie Stevens who had done nothing of a genre nature before. It was directed by far too many to note here. Steven’s would later do Buck Rogers in the 25th Century. 

In the unaired pilot, it was called Please Stand By, but ABC rejected that title, so the producers renamed it.

Two episodes, “Demon with a Glass Hand” and “Soldier”, were written by Harlan Ellison. Clifford Simak wrote “The Duplicate Man” episode. David Duncan penned “The Human Factor”. Eando Binder gets credit for the “I, Robot” episode.  

“Demon with a Glass Hand” won a Writers’ Guild Award. Later, Ellison’s “Soldier” script would allow him to sue Cameron over his Terminator script and win rather nicely. 

Season One combined science fiction and horror, while Season two was shifted focus to being more about what they called hard science fiction stories, dropping the “scary monster” theme of Season One. The network thought the monster were the villains of the week.

The original series lasted a mere forty-nine episodes. The second iteration, which started in 1995, would last much longer, going an amazing one hundred and fifty-two episodes.

It was very popular in the ratings the first season but was competing against Jackie Gleason in the second season and that got it cancelled halfway through. As I noted, it had a second life thirty years on which was quite successful. Variety reported last year that an Outer Limits reboot was in development at a premium cable network though they declined to say which network.

Neat piece of trivia: The “ion storm” from “The Mutant” episode here which was a projector beam shining through a container containing glitter in liquid suspension became the transporter effect in the Trek series. Also, the process used to make pointed ears for David McCallum in “The Sixth Finger” episode here was used to make Spock’s ears, and The black mask from “The Duplicate Man” episode here was used by Dr. Leighton in “The Conscience of the King”. 

It’s streaming on Pluto. Pluto? Huh? 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 16, 1914 William Bernard Ready. Can I include an individual for just one work? Well given it’s my Birthday list, of course. It’s the 1968 work, The Tolkien Relation: A Personal Inquiry, Ready foresaw the cultural value of Tolkien’s writings and, while at Marquette University, he managed to purchase a large selection of original literary manuscripts by Tolkien in 1956-57, including manuscripts of The Hobbit and The Lord of the Rings. (Died 1981.)
  • Born September 16, 1927 Peter Falk. His best remembered genre role is in The Princess Bride as the Grandfather who narrates the story. (The person who replaced the late Falk in the full cast reading of The Princess Bride for the Wisconsin Democratic fundraiser, Director Rob Reiner, wasn’t nearly as good as he was in that role.) He also plays Ramos Clemente in “The Mirror,” an episode of The Twilight Zone. And he’s Reverend Theo Kerr in the 2001 version of The Lost World. (Died 2011.)
  • Born September 16, 1930 Anne Francis. You’ll remember her best as Altaira “Alta” Morbius on Forbidden Planet. She also appeared twice in The Twilight Zone (“The After Hours” and “Jess-Belle”). She also appeared in multiple episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She’d even appear twice in The Man from U.N.C.L.E., and played several roles on Fantasy Island as well. (Died 2011.)
  • Born September 16, 1932 Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 16, 1952 Lisa Tuttle, 70. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute,” which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include CatwitchThe Silver Bough and her Ghosts and Other Lovers collection.Her latest novel is The Curious Affair of the Witch at Wayside Cross. Her collection, The Dead Hours of the Night was nominated for a Stoker last year — impressive! 
  • Born September 16, 1954 Howard Weinstein, 68. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.”
  • Born September 16, 1955 Amanda Hemingway, 67. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are.
  • Born September 16, 1960 Mike Mignola, 62. The Hellboy stories, of course, are definitely worth reading, particularly the early on ones. His Batman: Gotham by Gaslight is an amazing “What If” story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) HEAR ABOUT “HUMAN EXCEPTIONALISM”. “Dean Koontz on His Vocation as an Author, Art and Meaning in Life, and Human Exceptionalism” in a downloadable interview at Humanize. (Note: I haven’t listened to it.)

In episode one of the second season of Humanize, Wesley J. Smith’s guest is the internationally famous novelist Dean Koontz. Dean and Wesley discuss how he came to be an author, how life is filled with meaning, his art, the importance of human exceptionalism, the problem with transhumanism, and how Dean uses humor to further his plots and character development. Dean recalls his upbringing in an impoverished household that did not have running water until he was 11, how a high school English teacher changed his life, and his love for the use of the English language. He and Wesley also discuss the beauty of the human/dog relationship and his philanthropic support for Canine Companions for Independence, a school that trains service dogs to help people with disabilities lead independent lives. Any reader of Dean Koontz and supporter of human exceptionalism will want to listen to this fascinating interview with one of America’s most successful and prolific authors…

(12) READY FOR MY CLOSE-UP. The Atlantic wants to know “Why Do So Many Kids Need Glasses Now?”

…In the U.S., 42 percent of 12-to-54-year-olds were nearsighted in the early 2000s—the last time a national survey of myopia was conducted—up from a quarter in the 1970s. Though more recent large-scale surveys are not available, when I asked eye doctors around the U.S. if they were seeing more nearsighted kids, the answers were: “Absolutely.” “Yes.” “No question about it.”

In Europe as well, young adults are more likely to need glasses for distance vision than their parents or grandparents are now. Some of the lowest rates of myopia are in developing countries in Africa and South America. But where Asia was once seen as an outlier, it’s now considered a harbinger. If current trends continue, one study estimates, half of the world’s population will be myopic by 2050.

The consequences of this trend are more dire than a surge in bespectacled kids. Nearsighted eyes become prone to serious problems like glaucoma and retinal detachment in middle age, conditions that can in turn cause permanent blindness. The risks start small but rise exponentially with higher prescriptions. The younger myopia starts, the worse the outlook. In 2019, the American Academy of Ophthalmology convened a task force to recognize myopia as an urgent global-health problem. As Michael Repka, an ophthalmology professor at Johns Hopkins University and the AAO’s medical director for government affairs, told me, “You’re trying to head off an epidemic of blindness that’s decades down the road.”

The cause of this remarkable deterioration in our vision may seem obvious: You need only look around to see countless kids absorbed in phones and tablets and laptops. And you wouldn’t be the first to conclude that staring at something inches from your face is bad for distance vision. Four centuries ago, the German astronomer Johannes Kepler blamed his own poor eyesight, in part, on all the hours he spent studying. Historically, British doctors have found myopia to be much more common among Oxford students than among military recruits, and in “more rigorous” town schools than in rural ones. A late-19th-century ophthalmology handbook even suggested treating myopia with a change of air and avoidance of all work with the eyes—“a sea voyage if possible.”

(13) “IT FLOATS.” Ivory Soap floats on its own. Limestone blocks need a little help. “A Long-Lost Branch of the Nile Helped in Building Egypt’s Pyramids” according to the New York Times.

For 4,500 years, the pyramids of Giza have loomed over the western bank of the Nile River as a geometric mountain chain. The Great Pyramid, built to commemorate the reign of Pharaoh Khufu, the second king of Egypt’s fourth dynasty, covers 13 acres and stood more than 480 feet upon its completion around 2560 B.C. Remarkably, ancient architects somehow transported 2.3 million limestone and granite blocks, each weighing an average of more than two tons, across miles of desert from the banks of the Nile to the pyramid site on the Giza Plateau.

Hauling these stones over land would have been grueling. Scientists have long believed that utilizing a river or channel made the process possible, but today the Nile is miles away from the pyramids. On Monday, however, a team of researchers reported evidence that a lost arm of the Nile once cut through this stretch of desert, and would have greatly simplified transporting the giant slabs to the pyramid complex….

(14) EVOLVING ANIMATION. [Item by Martin Morse Wooster.] Edward Vega of VOX looks at how the success of Spider Man: Into The Spider-Verse has shown animators an alternative to the photo-realistic animation of Pixar: “How ‘Spider-Verse’ forced animation to evolve”.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Malcolm F. Cross, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/15/21 You Load Fifteen Pixels, What Do You Get?

(1) NEW FIRST DOCTOR ANIMATION PLANNED. The next classic Doctor Who adventure to be animated using archival fragments is the opening story of the third season, “Galaxy Four”, reports the BBC.

Galaxy 4 (alternatively spelled Galaxy Four) is the mostly-missing first serial of the third season of Doctor Who, which originally aired in four weekly episodes from 11th September to 2nd October 1965.

Audio-only recordings of all four episodes have survived from this classic story, and have been used to create a brand new, fully animated story, filling the gaps alongside the original surviving Episode 3 and over five minutes of original footage from the otherwise lost Episode 4.

The Doctor and his travel companions, Vicki and Steven land the TARDIS on a planet which is on the verge of total annihilation, as it drifts too close to the three suns it orbits. Trapped on the planet with them are the Drahvins, a race of warrior women, and the Reptillian Rills.

The Drahvins want to steal the Rills spacehip to escape the planet’s death throes, and enlist the Doctor’s help, which he is forced to give when Maaga, the cunning Drahvin leader, keeps Vicki and Steven as hostage. Even though the Doctor is determined to broker a peace deal between the two sides, Maaga doesn’t trust him, or the Rills…

This two disc release gives fans the opportunity to enjoy the four new animated episodes of Galaxy Four in either colour or black and white.

(2) FIYAHCON PUBLISHES CONTENT RELEASE FORM. On the eve of FIYAHCON 2021, which begins tomorrow, the convention leadership has addressed a Twitter kerfuffle.

Kim Yoon Mi evidently was dissatisfied with some terms of the release that FIYAHCON is asking panelists to sign and aired some criticisms on Twitter. Initially, the release’s language was not being quoted, but L. D. Lewis subsequently made it available for public review. (See below.)

Here are screencaps of several of Kim Yoon Mi’s points.

Here are excerpts from L.D. Lewis’ replies on Twitter.

This preface precedes the copy of the consent form:

This is the agreement copy for the Consent Release Form sent to all panelists so they may optionally have their programming item included in FIYAHCON’s Archives. As of this writing, it has been signed without complaint by 302 panelists across both of FIYAHCON’s events, and all caveats have been respected. The document was crafted with the assistance of Marguerite Kenner, a legal expert and active participant in the SFF Community. Questions, concerns, and requests for clarity are welcome and encouraged at director@theconvention.fiyahlitmag.com.

(3) 2001 MINUS 71. Fanac.org’s latest additions include a scan of Futurian v3n1 (1940) which contains Arthur C. Clarke’s article, “How To Build A Spaceship.” Clarke thought his rocket would only cost £250,000 to build – a rather surprising bargain when compared with the cost to construct the first Queen Mary passenger ship, £3.5 million in 1934 (says the Wikipedia).

As far as I can remember, no Science Fiction author has ever had the nerve to describe a rocket propelled spaceship as it really must be. Writers such as Manning (“The Wreck of the Asteroid”) and the painstaking German authors have spoken glibly of step rockets, but they have all fallen short of reality. This article will therefore consist largely of a systematic debunking of rocketships. The amount of energy needed for any interplanetary voyage can be accurately calculated, so we know what a spaceship has to be capable of if it is to do its job. We also know the energy content of our best fuels and a simple calculation gives us the quantity of, say, hydrogen and oxygen we need for any particular journey. The result is depressing: so depressing” in fact that Science Fiction has ignored it with the same verve that enabled E.T. Snooks, D.T.G. to repeal the equally inviolable law of inverse squares. To take one ton of matter to the Moon and back requires several hundred tons of the best fuels we possess. Faced with this situation we can do one of two things. We can sit twiddling our thumbs until a better fuel comes along, or we can try and do the job with the materials we have. Course one is not likely to get us very far…

(4) NATIONAL BOOK AWARDS LONGLISTS. The National Book Awards Young People’s Literature longlist includes these titles of genre interest.

  • Home Is Not a Country, Safia Elhillo (Make Me A World)
  • A Snake Falls to Earth, Darcie Little Badger (Levine Querido)
  • Too Bright to See, Kyle Lukoff (Dial)
  • The Mirror Season, Anna-Marie McLemore (Feiwel and Friends)

The judges are Pablo Cartaya (presenter), Traci Chee, Leslie Connor, Cathryn Mercier (chair), and Ibi Aanu Zoboi.

The National Book Awards 2021 Longlist for Translated Literature includes one book of genre interest:

  • On the Origin of Species and Other Stories by Bo-Young Kim. Translated by Joungmin Lee Comfort and Sora Kim-Russell

The complete longlists are at the link. Five finalists in each category will be announced October 5. The winners will be revealed on November 17. Finalists receive a $1,000 prize, a medal, and a judge’s citation. The winners will receive $10,000 and a bronze sculpture.

(5) YA RATINGS SITE DOA. The YAbookratings.com site has been taken down since Foz Meadows unloaded on it the other day. Meadows’ thread, which includes some screencaps of what she reacted to, starts here.

(6) WORRIED ABOUT LIFE ON EARTH. The New York Times profiles the Tennessee author whose novel is on the Booker Prize shortlist: “Richard Powers Speaks For the Trees”. (No relation to the sff artist of the same name.)

…He was hiking in the woods nearby one day when he had the idea for his new novel, “Bewilderment,” which W.W. Norton will release on Sept. 21. Set in the near future, “Bewilderment” is narrated by Theo Byrne, an astrobiologist whose search for life on other planets feels increasingly futile in the face of the coming collapse of life on Earth. As he struggles with the disasters unfolding around him, Theo fears for his 9-year-old son, Robin, who is consumed by grief over the death of his mother and the fate of the planet.

The novel is shaping up to be a literary prize contender and was named to the Booker Prize shortlist on Tuesday. “Bewilderment” marks Powers’s latest and perhaps furthest foray into science fiction, but it has ominous echoes of contemporary America — catastrophic weather, political unrest, a Trump-like president who tweets erratically and spouts conspiracy theories about election fraud, a deadly virus that jumps from cows to humans and spreads rapidly before it gets detected….

(7) ELLISON’S ICONIC HOME. Tim Kirk posted photos of Harlan Ellison and a visitor admiring the “Aztec Martian” facade of Harlan’s home which was designed and sculpted by Tim’s brother Steve Kirk. Also at the link, a shot of Steve and Tim inside Harlan’s study; Steve sculpted the “Robot Deco” totems visible in the foreground.

(8) MEMORY LANE.

1965 – On this evening fifty six years ago on CBS, Lost in Space first aired. It was created and produced by Irwin Allen whose previous SF show was Voyage to the Bottom of The Sea. Its main cast was Guy Williams, June Lockhart, Mark Goddard, Marta Kristen, Bill Mumy, Angela Cartwright and  Jonathan Harris. Oh, and The Robot was played by Bob May and voiced by Dick Tufeld. It was designed by Robert Kinoshita who did the Robot for Forbidden Planet. It would last three seasons of eighty three episodes. A Lost in Space film with a new cast would later happen, as well as a rebooted series. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1890 — Agatha Christie, or to give her full name of Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller). ISDB lists her Harley Quin tales as being genre as they think the lead character is supernatural though no reviewers I can find think that he is. Anyone here who has read them? They also list one Hercule Poirot story, “The Big Four”, as genre as it involved apparently the use of atomic explosives in a 1927 story.  I’ll admit that I love her Murder on the Orient Express in all its film incarnations no matter who plays the lead role. (Died 1976.)
  • Born September 15, 1940 — Norman Spinrad, 81. The only novel I’ve read by him is Bug Jack Barron. My bad. And I was fascinated to learn he wrote the script for Trek’s “The Doomsday Machine” episode which is an amazing story. It was nominated for a Hugo at Baycon. So how is that he’s never won a Hugo? He did get nominated for quite a few Hugos, the “Riding the Torch” novella at Aussiecon One, Staying Alive: A Writer’s Guide  at L.A. Con II, Journals of the Plague Years at Noreascon 3 and  Science Fiction in the Real World at Chicon V. 
  • Born September 15, 1942 — Chelsea Quinn Yarbro, 79. Best known for her series of historical horror novels about the vampire Count Saint-Germain. She has been honored with the World Fantasy Award for Life Achievement, a Living Legend Award from the International Horror Guild Award and a Bram Stoker Award for Life Time Achievement. Very impressive indeed.
  • Born September 15, 1946 — Oliver Stone, 75. Jeopardy! answer: Oliver Stone. Jeopardy question: Who was the scriptwriter for the Conan the Barbarian? Yeah, isn’t that a kick? He has several genre credits one being the executive producers of the Wild Palms series, and the same for The Hand, a horror film about a comic book artist gone horribly wrong.
  • Born September 15, 1946 — Howard Waldrop, 75. I think that The Texas-Israeli War: 1999 which he wrote with Jake Saunders is my favorite work by him, but I’ve not read Them Bones. His short fiction such as “The Ugly Chickens” which won the World Fantasy and Nebula Awards is most excellent. He just won a World Fantasy Award for Lifetime Achievement. A generous selection of his work is available at the usual digital suspects. 
  • Born September 15, 1952 — Loren D. Estleman, 69. You’ll have noticed that I’ve an expansive definition of genre and so I’m including a trilogy of  novels by this writer who’s better known for his mainstream mysteries featuring Amos Walker which are set in the  Sherlock Holmes Metaverse, Sherlock Holmes vs. Dracula, Dr. Jekyll and Mr. Holmes and The Devil and Sherlock Holmes. I think it was Titan Book that maybe a decade ago republished a lot of these Holmesian pastiches of which there are more than I want to think about. ISFDB lists two other novels by him as genre, Journey of the Dead and The Eagle and the Viper.
  • Born September 15, 1946 — Tommy Lee Jones, 75. Best known as Agent K in the Men in Black franchise, he’s has done other genre, the first being in Batman Forever as Harvey Dent / Two-Face. He’s also Colonel Chester Phillips in Captain America: The First Avenger as well. He most recently appeared as Cliff McBride in Ad Astra.  Oh, and he’s in A Prairie Home Companion as Axeman. 
  • Born September 15, 1962 — Jane Lindskold, 59. My first encounter with her was the Zelazny novel she finished,  Donnerjack. It’s excellent though how much it’s Zelazny is open to debate which we did the last time I posted her Birthday. Of her own novels, I recommend The Buried Pyramid, Child of a Rainless Year and Asphodel as being very good.

(10) COMICS SECTION.

  • Bizarro shows a distant world where the movie theaters are open.

(11) GENESIS STORIES. The Salt Lake Tribune profiles four comics sellers in “How Utah’s independent comic book stores champion fandom, literacy and fantastic storytelling”.

Charles Prows was a Utah State University student in May 2013 when he decided to open a comic book store.

The almost lifelong Utah resident was on a road trip with his brother one weekend, complaining to his brother about the long path ahead: finishing his undergraduate degree and veterinary school, starting his own practice and — eventually — making enough money to retire and open a comic book store.

“That’s a really roundabout, weird way to open a comic book store,” his brother said.

His brother “ended up convincing [him]” that he should drop out of school and chase his real dream, Prows said. And he did just that — jumping in with only a few hundred dollars to his name….

(12) FINAL EXAM. James Gunn’s last book was released this summer: The Reading Protocols of Science Fiction: Discourses on Reading SF.

“The invitation came online, probably an e-mail. I was aware of the existence of SFF.net, a website that specialized in discussions of science fiction issues, often by authors who were too impatient to get their opinions published in the SFWA Bulletin, which got published every two months and was the battleground for some classic debates and sometimes name-calling… The invitation was to join a discussion–in midstream–about the protocols for reading science fiction. One of the exchanges online included a reference to the fact that I had written about the protocols in a recent article… I didn’t read the website regularly, mostly because I didn’t have time; these were busy days for me, both teaching and publishing, and my days as president of SFWA and then of SFRA were long over, and the debates were still raging about mostly the same issues. But the debates about the protocols of reading science fiction were still fresh and the discussion about them, if they existed, was still fresh. And the discussion was brisk and sharp, particularly from Damon Knight, with whom I had an interesting relationship since I had read his fiction and his critical opinions… We had met in a bar at the World Science Fiction Convention…”

And so begins James Gunn’s definitive and fascinating study of the reading protocols of science fiction — the way readers read science fiction differently than other kinds of fiction. (Or, do they?) The journey may seem academically dry, but is anything but, as it involves all sorts of beloved personalities and brawling debates about reading, writing, the very definition of science fiction itself, and what sets it apart from other fiction, and, ultimately, what makes us what we are as humans.

The lively debate involves Damon Knight and many other professional science fiction writers and critcs. The book includes Samuel R. Delany’s key essay on the subject, and several by James Gunn, to thoroughly explore the subject.

This is James Gunn’s last book, finished just before his death, and a most fitting capstone to his incredible career, all carefully put together with his friend and associate, Michael R. Page.

(13) DOROTHY DISAPPEARS. If they only had a heart. Litigation forces a DC-area brewer to rename its best-known beer. The Washington Post tells the story: “Oz forces 7 Locks Brewing beer name change”.

There’s something poignant about the new name for an old beer made by Rockville’s 7 Locks Brewing. What was originally known as “Surrender Dorothy” is now simply called “Surrender.” The Wicked Witch won and 7 Locks had to throw in the bar towel.

In this case, it was Turner Entertainment that was no friend of Surrender Dorothy. Its lawyers dropped a house on 7 Locks Brewing’s effort to trademark the name of their signature beer. (I think I may have mixed metaphors there.) “Basically, Turner owns the rights to ‘The Wizard of Oz,’” said Keith Beutel, co-founder of 7 Locks. “They claimed that we were using the term ‘Surrender Dorothy’ and they didn’t want any confusion with their branding.”…

(14) UNOFFICIAL COMPANION. A Kickstarter appeal has been launched to fund publication of Across Time and Space: An Unofficial Doctor Who Companion by Unbound.

Across Time and Space is a beautifully designed, 800-page paperback containing reviews of every televised Doctor Who story up to the present day. It is based on a blog called The Patient Centurion started by the writer Tony Cross in 2011, which now runs to over 200,000 words. The book includes an introduction from Doctor Who podcast host, Sunday Times bestselling author and all-round good guy Daniel Hardcastle

It is an unofficial book not in any way associated with the BBC – this is a project by a fan for the fan community . We hope it will encourage some fans to follow Tony’s journey and start watching all 852 episodes in order . . .

Everyone that pledges at the standard level will receive a copy of the book and other perks. At this writing they’ve raised $4,815 of the $32,557 goal.

(15) GIVE YOUR ANSWER IN THE FORM OF A HAT. “Helen Mirren to Host ‘Harry Potter’ Quiz Show for WarnerMedia”The Hollywood Reporter has the story.

The Oscar-winning actress has been tapped to host four-part competition series Harry Potter: Hogwarts Tournament of Houses for WarnerMedia. The previously announced series, which marks the 20th anniversary of the first film in the Harry Potter franchise, will air first on Cartoon Network and TBS before making its debut on HBO Max at a date to be determined.

“I knew someday I’d get a Harry Potter role, and I’m so pleased to take part in the 20-year film celebration,” Mirren said. “The films inspired such enchantment and wonder for so many of us, and it will be such a treat to reignite that magic for the countless fans who continue to revel in this spellbinding world.”

(16) DRAGON, PARTY OF FOUR. The Associated Press says it will happen tonight: “4 will circle Earth on 1st SpaceX private flight”.

SpaceX’s first private flight will be led by a 38-year-old entrepreneur who’s bankrolling the entire trip. He’s taking two sweepstakes winners with him on the three-day, round-the-world trip, along with a health care worker who survived childhood cancer.

They’ll ride alone in a fully automated Dragon capsule, the same kind that SpaceX uses to send astronauts to and from the International Space Station for NASA. But the chartered flight won’t be going there.

Set to launch Wednesday night from Kennedy Space Center, the two men and two women will soar 100 miles (160 kilometers) higher than the space station, aiming for an altitude of 357 miles (575 kilometers), just above the current position of the Hubble Space Telescope….

(17) THE PAST THROUGH YESTERDAY. DUST presents “Atropa” Episode 1.

When Off-World Officer Cole Freeman finds the missing research vessel ATROPA, he discovers an inconsistency in the ship logs. He wakes the crew from hypersleep, and they soon find themselves caught up in a much bigger mystery. Series Description: A troubled Off-World cop, running from his past, finds himself slammed directly into it when he boards the mysterious spaceship ATROPA.

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Netflix Executive Tutorial” on Screen Rant, Ryan George plays Netflix executive Perry LaCroix, who explains all the advantages of being an executive at Netflix. Your deltoids get a good workout from all the bags of cash you’re carrying around. Everyone is your friend as you throw hundreds at them, “You get very familiar with the anguished cries of former CEOs” who leave pleading voice mails.  But is it possible you could be replaced by an ATM that says “yes” on the front?

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, rcade, N., Michael J. Walsh, Rich Lynch, SG Concatenation’s Jonathan Cowie, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Kip Williams.]