NASA’s Space Launch System rocket carrying the Orion spacecraft launches on the Artemis I flight test, Wednesday, Nov. 16, 2022.
By Mark Roth-Whitworth: I expect a lot of File 770’s readers watched, as we did, as the Orion capsule returned to Terra. I’m older than some of you, and it’s been decades since I watched a capsule re-entry and landing in the ocean. What had me in tears is that finally, after fifty years, we’re planning to go back… and stay. This time, it’s not a stupid race, but, oh, ok, I’ll say it, the final frontier, and we’re going where no one has gone before.
Hugo nominations are coming, soon enough. Mike reminded me that the Apollo 11 news coverage won the Hugo for “Best Dramatic Presentation”. This capsule wasn’t crewed — that’ll be the next. But if the Artemis I mission doesn’t beat anything else this year deserving of the Best Related Work Hugo, nothing does.
I plan to nominate it. Join me?
NASA’s Orion spacecraft for the Artemis I mission splashed down in the Pacific Ocean at 12:40 p.m. EST, Dec. 11, 2022, after a 25.5 day mission to the Moon.
(1) THAT NEVER HAPPENS. James Davis Nicoll introduces the Young People Read Old SFF panelists to “‘Repent, Harlequin!’ Said the Ticktockman” by Harlan Ellison. “A surprising YP: they liked this one,” said James.
…“Ticktockman” represents a sea-change in the nature of works deemed worthy of Hugo Awards. Whereas previous entries were, for all their virtues, what one might call meat and potatoes SF, Ticktockman is a non-linear example of what was called the New Wave….
(2) BEST RELATED. Nicholas Whyte analyzes the category’s history in “The Hugo for Best Related Work, including my own votes for this year” – and partially pulls back the curtain on decisions administrators made while he was still the Division Head overseeing this year’s Hugo Awards.
…Now we have reached 2021. I relinquished my WSFS duties this year a bit earlier than planned, and so am in a position to give some commentary on eligibility decisions regarding works that ended up on the 2021 ballot. (Commentary on disqualifications will have to wait until the final results are announced; at this stage I will not even confirm or deny if there were any this year, let alone which categories might have been affected.)…
(3) HIS CHIEF COMPLAINT. Camestros Felapton’s Debarkle reaches Chapter 47: “August Part 1” and the antics of Lou Antonelli.
…Among the retrospectives was a podcast/live-stream by the Superversive SF blog on August 1. …Later, the discussion turned toward Worldcon guest of Honour novelist and screenwriter David Gerrold who had been consistently critical of the Puppy campaigns. It was at this point that events took another twist. Hugo finalist Lou Antonelli had this to say:
… I personally wrote a letter addressed to the police chief in Spokane and said I thought the man was insane and a public danger and needs to be watched when the convention’s going on, and I mean it. I attached my business card. I said this guy’s inciting to violence….
The other guest did not react strongly to Antonelli’s comment and he didn’t elaborate on why he felt the need to contact the police department of Spokane (where Worldcon was being held). However, in a post on his own blog the following day elaborated on what he saw as a commercial threat from the critics of the Puppy campaigns…
(4) AUTHOR REDDING. Catherynne M. Valente will discuss her new book The Past is Red in a Zoom webinar on July 20 at 7:00 p.m. Eastern. Register here.
Catherynne M. Valente, the bestselling and award-winning creator of Space Opera and The Girl Who Circumnavigated Fairyland returns with The Past is Red, the enchanting, dark, funny, angry story of a girl who made two terrible mistakes: she told the truth and she dared to love the world. The future is blue. Endless blue…except for a few small places that float across the hot, drowned world left behind by long-gone fossil fuel-guzzlers. One of those patches is a magical place called Garbagetown.Tetley Abednego is the most beloved girl in Garbagetown, but she’s the only one who knows it. She’s the only one who knows a lot of things: that Garbagetown is the most wonderful place in the world, that it’s full of hope, that you can love someone and 66% hate them all at the same time. But Earth is a terrible mess, hope is a fragile thing, and a lot of people are very angry with her. Then Tetley discovers a new friend, a terrible secret, and more to her world than she ever expected.
4. What would’ve happened if someone just, like, shot Voldemort?
Or the Death Eaters?? I feel like they should’ve at least tried it. Like, remember that Buffy episode where some mythical monster dude is like “no weapon forged can kill me” and Buffy literally just blows him up with a bazooka? We needed that energy.
(6) SERVING TEA ON THE TOPLESS TOWERS OF ILIUM. Spoon & Tamago celebrates that “Terunobu Fujimori’s latest tea house is a Trojan pig” – although my first thought was – if Henry V had Imperial Walkers, they’d have looked just like this.
Architect-extraordinaire Terunobu Fujimori currently has a retrospective at the Museum Villa Stuck in Munich. There, amongst a comprehensive documentation of the architect’s work since 1986, rests the mobile tea house “Walking Café.” Fujimori’s latest structure remains strongly affixed to his fascination with the tea house, but with a European twist, hence the name.
… Fujimori’s tea house is somewhat of a dichotomy – a structure meant to encourage moderation and, in some cases, even asceticism, being constructed in the symbol of gluttony and sloth. However, it’s important to remember that in the case of the Trojan horse, it’s not what was on the outside but what was on the inside that mattered most.
(7) RICHARD DONNER (1930-2021). Director Richard Donner died July 5 at the age of 91. His genre movies included The Omen (1976), Superman (1978) and Superman II (1980), Ladyhawke (1985) and The Goonies (1985). For TV he directed six episodes of The Twilight Zone, four episode of The Man from U.N.C.L.E., and an episode of The Wild Wild West.
[He directed] in the same year (1985) the medieval period adventure Ladyhawke and the seminal kids adventure pic The Goonies, the pic with a script penned by Chris Columbus based on a story by Steven Spielberg.
“Dick had such a powerful command of his movies, and was so gifted across so many genres,” Spielberg said in a statement today on Donner’s death. “Being in his circle was akin to hanging out with your favorite coach, smartest professor, fiercest motivator, most endearing friend, staunchest ally, and — of course — the greatest Goonie of all. He was all kid. All heart. All the time. I can’t believe he’s gone, but his husky, hearty, laugh will stay with me always.”
(8) MEMORY LANE.
2006 — Fifteen years ago, Charles Stross wins the Sidewise Award in Best Long Form Alternate History for his Merchant Princes series. Other nominated works were Robert Conroy‘s 1862, Jo Walton’s Farthing, Harry Turtledove‘s The Disunited States of America and Paul Park’s The Tourmaline. There are eight novels out in the series with a ninth, Invisible Sun, due out in the fall.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 5, 1904 — Milburn Stone. Though you no doubt best remember him as Doc on Gunsmoke, he did have several genre roles including as a German Sargent in The Invisible Agent, Captain Vickery in Sherlock Holmes Faces Death, Mr. Moore in The Spider Woman Strikes Back and Capt. Roth in Invaders from Mars. (Died 1980.)
Born July 5, 1929 — Katherine Helmond. Among her roles was Mrs Ogre in Time Bandits and Mrs. Ida Lowry in Brazil. Now I’ll bet you can recall her scene in the latter… She also have a voice role in the Cars franchise, and one-offs in True Blood, The Six Million Man and Faerie Tale Theater, and yes it’s not really genre, appeared in Fear and Loathing in Las Vegas. (Died 2019.)
Born July 5, 1930 — John Wood. His first genre role was in Slaughterhouse-Five as an unnamed English Officer, his next in Ladyhawke as the Bishop of Aquila and then in the awful Avengers film as Trubshaw. He’d actually been on the earlier Avengers series as Edgar Twitter in “The Bird Who Knew Too Much” episode. He’s had one-offs in Doomwatch, Young Indiana Jones Chronicles and Out of the Unknown. (Died 2011.)
Born July 5, 1950 — Huey Lewis, 71. He’s here because he has a brief role in Back to the Future as the band audition judge in that scene. On Jimmy Kimmel Live, Huey Lewis reprised that role in a segment where the two actors as their characters arrive in the time machine and talk to the host.
Born July 5, 1957 — Jody Lynn Nye, 64. She’s best known for collaborating with Robert Asprin on the ever so excellent MythAdventures series. Since his death, she has continued that series and she is now also writing sequels to his Griffen McCandle series as well. She’s got a space opera series, The Imperium, out which sounds intriguing. Her latest two novels are both written with with Travis Taylor, Moon Beam and Moon Tracks.
Born July 5, 1958 — Nancy Springer, 63 . May I recommend her Tales of Rowan Hood series of which her Rowan Hood: Outlaw Girl of Sherwood Forest is a most splendid revisionist telling of that legend? And her Enola Holmes Mysteries are a nice riffing off of the Holmsiean mythos. She won an Otherwise Award for her Larque on the Wing novel, and her latest, The Oddling Prince, came out several years ago on Tachyon.
Born July 5, 1962 — Marc Gascoigne, 59. Winner of the World Fantasy Special Award—Professional for his Angry Robot press, and later he won the British Fantasy Award in the category Best Independent Press, again for Angry Robot. If you’re a gamer, you’ll be impressed by knowing that he co-wrote Games Workshop’s original Judge Dredd RPG, and wrote the original Shadowrun source book.
Born July 5, 1964 — Ronald D. Moore, 57. Screenwriter and producer who’s best remembered for his work on Star Trek: The Next Generation where he fleshed out the Klingon race and culture, on the rebooted Battlestar Galactica, and Outlander. He’s the creator and writer of For All Mankind. He was one of the folks who won a Hugo at Intersection for the Next Generation’s “All Good Things…” and among the group nominated for one at LoneStarCon 2 for First Contact. His latest Hugo was won at Interaction for Battlestar Galactica’s “33”.
(10) COMICS SECTION.
The Far Side has a Game of Thrones-style twist on a famous nursery rhyme.
The Duplex finds beer blurs the boundaries of science.
(11) TEXT-FILLED BUBBLES. In the Washington Post, Theresa Vargas discusses Jupiter Invincible, a comic written by Pulitzer-winning poet Yusef Komunyakaa about an immortal who experiences the horrors of slavery. “Jupiter Invincible: Newest comic superhero is an enslaved man”.
…Komunyakaa’s name usually appears alongside a long list of accolades and accomplishments. Winning the Pulitzer Prize in 1994 for his poetry is just one of them. So he understands why people might be surprised to see his name at the bottom of a comic book. His own daughter was.
Komunyakaa admits to hesitating before agreeing to work on the project, which was dreamed up by filmmaker and publisher Ram Devineni during a stay in Maryland. But then, Komunyakaa says, he thought about how he read comic books as a child and about his own upbringing in Louisiana. His family didn’t talk about slavery, but he found ways to learn about it through books and eventually taught African American history. A common theme in his poems is Black resilience….
I have a special announcement to share with all of you: I’m working on a literary graphic novel with His Holiness the Dalai Lama. The tentative title is Heart to Heart and it will be published by HarperOne in the fall of 2022. The book is about the environment, animals, and (mostly) compassion. It has a strong, timely message and I’m honored and enthused to be part of this important project. As the book reveals itself, you will be the first to see its progress.
MUTTS has been my primary focus for over 26 years now and I have loved every minute — even the crazy pressure of the daily deadline. Like my hero Charles Schulz, I thought I’d never take a break from drawing my strip.
However, because of the time needed to focus on this book project, I’ll be taking my first sabbatical — starting July 5. Some of my favorite (handpicked) strips will run during this six-month period. On January 1, 2022, I’ll be back and excited to share new adventures with Earl, Mooch, and the gang. My short leave will be over before we know it.
…William McDonough, a professor of geology at the University of Maryland, and Takashi Yoshizaki from Tohoku University developed a model showing that the density, mass and iron content of a rocky planet’s core are influenced by its distance from the sun’s magnetic field. The paper describing the model was published on July 2, 2021, in the journal Progress in Earth and Planetary Science.
“The four inner planets of our solar system—Mercury, Venus, Earth and Mars—are made up of different proportions of metal and rock,” McDonough said. “There is a gradient in which the metal content in the core drops off as the planets get farther from the sun. Our paper explains how this happened by showing that the distribution of raw materials in the early forming solar system was controlled by the sun’s magnetic field.”
McDonough previously developed a model for Earth’s composition that is commonly used by planetary scientists to determine the composition of exoplanets. (His seminal paper on this work has been cited more than 8,000 times.)
McDonough’s new model shows that during the early formation of our solar system, when the young sun was surrounded by a swirling cloud of dust and gas, grains of iron were drawn toward the center by the sun’s magnetic field. When the planets began to form from clumps of that dust and gas, planets closer to the sun incorporated more iron into their cores than those farther away….
(14) IT FOLLOWS. [Item by Martin Morse Wooster.] Heineken has introduced a beer robot for people who think carrying a six-pack is too much work.
Put the can back into summer with a cooler that carries itself. The Heineken B.O.T. (Beer Outdoor Transporter) is a limited-edition autonomous robot cooler that dutifully follows its owner wherever they go with ice-cold cans of Heineken.
(15) REVENGE IS A DRINK BEST SERVED COLD. In another beer-tech breakthrough, Michael Reeves hacks Boston Dynamics’s Spot so that it can pee beer in a cup. Because: revenge!
…I emailed them. I even tweeted at them. I would do anything for a Boston Dynamics robot dog to just be here. And what did they say? “We’re only giving it out to construction companies.” And of course I was bummed about that. What am I gonna do? So I just accepted it, moved on. And then two weeks later what do I see but Adam Savage gallivanting around with the robot dog. Does he look like a construction company? No. Those bastards lied to me. And so I waited and I waited and I waited until Spot became publicly available and then with the help of offline tv and the sponsor I lied to about where their entire budget was going, there’s a Boston Dynamics robot dog right here and it’s the coolest [ __ ] I’ve ever seen in my entire life… Still, you lied to me Boston Dynamics and so you’re going to have to watch as I turn your state-of-the-art robot dog into a machine that pisses beer into a cup for me to drink….
(16) VIDEO OF THE DAY.[Item by Martin Morse Wooster.] In “The Tomorrow War Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-filled summary, has the writer tell the producer that the aliens in this film are NOT bottles of hard seltzer because the hard seltzer is White Claw, and the villains in this movie are “white spikes.” This dropped yesterday. And I decided if Ryan George or the Screen Junkies say their videos have spoilers I will listen to them.
[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Moshe Feder, N., Nicholas Whyte, James Davis Nicoll, Rich Lynch, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day John A Arkansawyer.]
The Hugo Awards official website has made a fresh attempt to interpret the meaning of Archive of Our Own’s 2019 Hugo Award for Best Related Work and how individual participants ought to identify with it. However, the December 18 statement “2019 Hugo Awards Clarification” does not explain what need it’s supposed to meet or why it was issued at this time. In response, a number of fans have filled in the blanks with the worst motives they can conceive.
We would like to clarify that the winner of the 2019 Hugo Award for Best Related Work is Archive Of Our Own, a project of the Organization for Transformative Works.
This category of the Hugo Awards is one which recognizes works that are non-fiction or which are notable primarily for aspects other than fiction. Thus, the 2019 Hugo Award for Best Related Work recognizes AO3 as a project and a platform; the fiction hosted on that site is not the award recipient, nor are the authors of fiction hosted on that site the award recipients.
Further, the only officially recognized 2019 Hugo Award Winner for Best Related Work is Archive Of Our Own, a project of the Organization for Transformative Works. No natural persons can claim to be a Hugo Award Winner, Finalist, or Nominee for this award on behalf of AO3.
Individual works of fiction on AO3 are eligible for the Hugo Awards in the fiction categories of the corresponding length, for the award year in which they are first published. In addition, the Hugo Awards have Fan Writer, Fan Artist, Fanzine, and Fancast categories which recognize contributions that fans give freely to fandom.
Members of AO3 are welcome and encouraged to promote themselves as “participant in the Hugo Award-Winning project Archive Of Our Own” or “contributor to the Hugo Award-Winning AO3 website”.
The Hugo Awards site is created
and managed by the Hugo Awards Marketing Subcommittee of the World Science
Fiction Society Mark Protection Committee, who are responsible for the statement.
Renay, of this year’s Hugo-winning
fanzine Lady Business, characterized the statement as an anonymous
attack calculated to discourage AO3 participants from joining CoNZealand and becoming
eligible to vote in the 2020 Hugos.
Put your name to this, you absolute cowards. I'm a WSFS member and y'all don't speak for me, and I would also like to know the approval process for "clarifications" like this.
This is the most unnecessary beating of a dead horse ever. Could the gatekeepy portion of Worldcon fandom maybe CHILL, and lay off Ao3 fandom? This shit is really very tedious, and I resent it being done in the name of ~The Hugos~ or WSFS or SFF fandom. https://t.co/5XH8PxuHCJ
Also, many of us are WSFS members AND Ao3 members. We object to a few WSFS members making the rest of us look like gatekeepy douches by association. We object to being reminded again and again that you don't want us to be happy about the win you all are the mad we finally got.
A certain corner of WSFS has been harping on about this again and again since the award. Ao3 fans are doubling down on the jokes bc they are being condescended to at every interaction w/ worldcon. Official Hugo channels done nothing but try to take fanfic fandom 'down a peg'.
I'm glad the comments exist, because this whole going on about it like gatekeeping spoilsports is definitely making me reconsider going to another Worldcon. I had so much fun, and there were so many great people there, but I will always be of transformative fandom and this… ? https://t.co/vqDM0WYVK8
Just because #WorldCon is being a blighter RE the #AO3Hugo (AGAIN!) I wanna say that anyone who wrote fanfic of my work on AO3 calling themselves a Hugo Winner is hereby TOTALLY AWESOME & I’d like to recognise you on my site if you tell me you exist (look I don’t read fanfic, ok)
Lolol. Good reminder that you have until 31 December to join the 2020 Worldcon for voting rights, and that AO3 is eligible for Best Related Work, again. https://t.co/OVF0f2tJrk
Since Archive of Our Own (AO3) recently won a Hugo, and Lady Business the fanzine I write for also won its second Hugo I wanted to talk a bit about the Hugos and why I like taking part in them. I’ve been nominating and voting for the Hugo Awards for a while now and have had a really positive experience, of the Hugos as a fun communal event where a lot of people I like talk about media they like. I also enjoy the way the awards process lets me and others share and receive recs, and celebrate the SFF community….
The Hugo Awards are trademarked by
the World Science Fiction Society (“WSFS”). A mark must be enforced against
violators who come within notice of the holder in order to remain effective. The Mark
Protection Committee’s report to the Dublin 2019 business meeting contended that
they already had to take action against someone selling a pin on Etsy:
Also in June, we were notified of a violation of our rocket trademark by a group marketing a pin to content creators on the website, Archive of Our Own. While the website itself was a finalist for a Hugo Award this year, the individual content creators are not finalists in the same way that authors edited by Best Editor are not considered finalists. The main issue, however, was that the seller used our marks and created a derivative work of our rocket shape without our permission. The right to control derivative works is one of the rights and responsibilities of a mark holder, and the seller transformed our rocket ship mark without permission. We informed the Dublin 2019 Worldcon committee of this issue because even issuing a cease-and-desist order might create a ruckus for the Worldcon among fans who are legitimately excited and happy to celebrate that AO3 is a Hugo finalist for the first time. Dublin 2019 declined to issue any guidance. If the creator withdrew this merchandise and created other material, we would then react to that based on the new merchandise. The MPC determined that it was important enough to protect our mark that it sent a cease-and-desist letter asking them to withdraw the design. We also pointed out that Worldcons issue their own pins to legitimate Hugo finalists. Toward the end of June, after getting no response from the seller, we filed an intellectual property infringement claim with Etsy, citing both the U.S. and EU registrations. Within days, Etsy had removed the item from their site.
The members of the Mark Protection Committee (“MPC”) at the time of the business meeting were Judy Bemis, Stephen Boucher, John Coxon, Joni Dashoff, Linda Deneroff, Paul Dormer, Donald E. Eastlake III, Michael Lee, Tim Illingworth, Dave McCarty, Randall Shepherd, Kevin Standlee, Mike Willmoth, and Ben Yalow. Three seats came up for election and two of the incumbents were returned, with Tim Illingworth being superseded by Jo Van Ekeren. So with one exception the membership remains the same as it was in Dublin.
Although the new statement appears gratuitous to some and pedantic to others, a likelier motive is to lay a foundation for WSFS to do something about trademark violations without going straight to court, which it lacks the budget to do. Consider what Kevin Standlee, who chaired the Mark Protection Committee until Dublin 2019, wrote on his blog on November 4:
If you are someone who insisted that nobody would ever make commercial or professional use of the Hugo Award registered service mark to claim that they were individually and personally Hugo Award winners on account of having contributed to An Archive of Our Own, you are flat-our wrong. It’s happening, and I’m not talking about “jokes” or “one-two-millionth of a Hugo Award winner” statements. The WSFS Mark Protection Committee is doing what it can about such things. Despite what some people seem to think, the first step in such cases is almost never LAWYER UP and FILE A LAWSUIT. But it uses up resources that are rather limited. I wish we didn’t have to do so. I wish that I hadn’t been right about people doing what I predicted they would do.
However, waving the threat of litigation at a group of fans collectively,
almost none of whom started out with any desire to violate the trademarks, will
not only offend many of them, it runs the risk of inciting people who feel unjustly
persecuted to act out in precisely that way.
Under the publisher’s new digital terms of sale for libraries, “library systems” will be now be allowed to purchase a single—that is, one—perpetual access e-book during the first eight weeks of publication for each new Macmillan release, at half price ($30). Additional copies will then be available at full price (generally $60 for new releases) after the eight-week window has passed. All other terms remain the same: e-book licenses will continue to be metered for two years or 52 lends, whichever comes first, on a one copy/one user model. A Macmillan spokesperson confirmed to PW that the single perpetual access copy will be available only for new release titles in the first eight weeks after publication—the option to buy a single perpetual access copy expires after that eight week window, and the offer is not available for backlist titles.
The American Library Association (ALA) denounces the new library ebook lending model announced today by Macmillan Publishers. Under the new model, a library may purchase one copy upon release of a new title in ebook format, after which the publisher will impose an eight-week embargo on additional copies of that title sold to libraries.
“Macmillan Publishers’ new model for library ebook lending will make it difficult for libraries to fulfill our central mission: ensuring access to information for all,” said ALA President Wanda Brown. “Limiting access to new titles for libraries means limiting access for patrons most dependent on libraries.
“When a library serving many thousands has only a single copy of a new title in ebook format, it’s the library – not the publisher – that feels the heat. It’s the local library that’s perceived as being unresponsive to community needs.
“Macmillan’s new policy is unacceptable,” said Brown. “ALA urges Macmillan to cancel the embargo.”
The new Macmillan ebook lending model is an expansion of an existing policy that went into effect in July 2018, when the company, without warning, issued a four-month embargo applying solely to titles from the company’s Tor imprint. At the time ALA stated that the delay would hurt readers, authors and libraries.
Since last fall, Hachette Book Group (HBG) and Penguin Random House (PRH) have eliminated “perpetual access” for libraries and replaced it with a two-year access model. Simon & Schuster changed from a one-year to two-year access model. While re-evaluating their business models, none of these firms implemented an embargo—deciding that equitable access to information through libraries is also in their business interest. HarperCollins continues with its 26-loan model. Macmillan now stands alone in its embargo policy among the largest (Big 5) publishers….
But all of this money-spending is making us hungry. And what do you do when you’re hungry? That’s right: you eat. You eat ramen, and just like Godzilla, you look so unbelievably adorable when you do it that it makes your face explode and you cry tears of unyielding madness.
(3) BEST RELATED WORK. A writer who goes by “Building
Worlds” has written an appeal to voters: “AO3,
the Hugos, and Fandom” on Medium.
I’ve seen an argument online that a distinction voters are struggling with regarding AO3 is that they believe it is not noteworthy primarily for aspects other than the fictional text (all the fan fiction).
I’d argue that the most noteworthy thing about AO3, /r/Fantasy, and other online fan forums, is that they are venues for users to come together and discuss the speculative fiction they love, run by volunteers. To me, the Hugo Awards and WorldCon itself are about bringing fans together around the work we all love. Ultimately, that’s about the purest reason to vote for a Hugo as any I can think of.
(5) COLLECTIVE NOUN. New Voices in Orbit #19
asks writers: “What do you call a group of dragons?” Kendall
says, “And yes, I’m thinking of Meredith when I send you this. But also
everyone.”
Jay and Silent Bob, Elizabeth Henstridge, Chloe Bennet and more stopped by the Getty Images Portrait Studio delivered by Pizza Hut.
Shohreh Aghdashloo, Frankie Adams, Dominique Tipper, (Bottom L-R) Steven Strait, Wes Chatham, and Cas Anvar of ‘The Expanse’ pose for a portrait during the Pizza Hut Lounge at 2019 Comic-Con International: San Diego on July 19, 2019 in San Diego, California.
(7) WHEN E.T.
COMES TO STAY. Science & Futurism with Isaac Arthur episode 196 discusses
“Invasive Aliens.”
Alien Invasions have been a staple of science fiction for years, with motherships and UFOs assaulting Earth, but how realistic is such a thing? We’ll take a look at what might motivate an attack, how it might happen, what alternatives might make more sense, and what might prevent extraterrestrials from trying.
(8) TODAY IN HISTORY.
July 27, 1940 — Bugs Bunny made his cartoon debut.
July 27, 1994 — Test Tube Teens From The Year 2000 went direct to video.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 27, 1874 — Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940. The serials themselves were Flash Gordon, Flash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. (Died 1959.)
Born July 27, 1938 — Gary Gygax. Game designer and author best known for co-creating Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels. (Died 2008.)
Born July 27, 1939 — Sydney J. van Scyoc, 80. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Over the next twenty years, she published a dozen novels and likewise number of short stories. For all practice purposes, she’s not available in digital format.
Born July 27, 1948 — Juliet Marillier, 71. She’s a New Zealand-born and Western Australian resident fantasy writer focusing entirely on historical fantasy. She has a number of series including Blackthorn & Grim which at two volumes is a good introduction to her, and Sevenwaters which at seven volumes is a serious reading commitment. She’s a regular contributor to the fiction writing blog, Writer Unboxed.
Born July 27, 1949 — Robert Rankin, 70. Writer of what I’d call serious comic genre fiction. Best book by him? I’d single out The Hollow Chocolate Bunnies of the Apocalypse as the best work he ever did bar none. Hell, even the name is absolutely great.
Born July 27, 1950 — Simon Jones, 69. He’s well known for his portrayals of Arthur Dent, protagonist of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. He first portrayed the character on radio for the BBC and again on television for BBC Two. Jones also featured in The Hitchhiker’s Guide to the Galaxy film in a cameo role. He’s in Monty Python’s The Meaning of Life, Brazil and 12 Monkeys as well.
Born July 27, 1968 — Farah Mendlesohn, 51. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein which I’m reading now, The Pleasant Profession of Robert A. Heinlein. Her work on Diana Wynne Jones, Diana Wynne Jones: Children’s Literature and the Fantastic Tradition, is a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy.
Born July 27, 1973 — Cassandra Clare, 46. I read at least the first three or four volumes of her Mortal Instruments series which I see means I’ve almost completed it. Damn good series. Anyone read her Magnus Bane series?
(10) COMICS SECTION.
Frank and Ernest encounter a vending machine that’s too intelligent.
When was the last time a B.C. strip made me laugh out loud? July 27….
…As urban legend has it, Google cofounder Sergey Brin once instructed office architects that “no one should be more than 200 feet away from food.” And so they rarely are. On any given day, the 1,300 “microkitchens” located within Google’s 70 or so offices around the world, from Pittsburgh to Istanbul, brim with dried seaweed, turkey jerky, kombucha, and other eclectic treats that rotate according to season, popularity with employees, local tastes, and food trends.
Google takes its snacking very seriously. That’s why it has a dedicated team overseeing it and a chef named Matt Colgan at the helm at many of its western campuses, where he (along with menu architects, wellness managers, and nutrition specialists at Google Food) has quietly emerged as one of the most powerful gatekeepers in the packaged-food world.
“When you’re feeding this many people,” says Colgan, culinary director for Google’s food operations in San Francisco, Los Angeles, Austin, Texas, and Boulder, Colorado, “you encounter every diet imaginable, every request.” You also get bombarded by sales reps at food companies, who are hungering after snackers—and these snackers in particular. They see Google employees, the drivers of Silicon Valley tech innovation, as having the clout, and appetite, to set snack trends.
When Gemini 4 astronaut Ed White lingered during the first U.S. spacewalk in 1965, enjoying the scenery, Mr. Kraft commandeered the communications system and ordered him, “Get back in!” the ship.
“This is the saddest day of my life,” White said, before heading back into the cockpit.
The incident was indicative of the culture that Mr. Kraft set.
“It was, ‘I, the flight director, am in charge. Not you the astronaut, and not the head of NASA. You come to me,’?” said author Michael Cassutt, who writes about the space program. “Much of the NASA culture as we envision it really derives from Chris Kraft.”
(13) BEHIND THE PAYWALL. An article in the July 20 Financial Times
by David Cheal tells how musicians are inspired by space and space travel.
“In 2015 the British band Public Service Broadcasting released an album that celebrated the golden era of space travel. The Race for Space knitted together propulsive, often funky music with spoken-word clips (Kennedy: ‘We go to the moon because it is hard’) to recapture the sheer excitement of Sputnik, the Moon landing–and also tragedies such as the deaths of three Apollo 1 astronauts in 1967. The music was refreshing because it eschewed the notion that spsce has to be electronic, using a range of often acoustic instruments. In 2018 the Northern Irish composer and artist Hannah Peel released Mary Casio; Journey to Casiopeia, which follows the dream of a fictional stargazer to travel from her home in Barnsley to the constellation of Cassiopeia. Peel’s music combines synthesizers with brass.
But one band have gone further and faster than any other in their exploration of the possibilities of space and music: Muse. The British trio’s interstellar adventures show how far space-themed pop music has travelled since the early days of Joe Meek: bass and synths that thrum and pulse like gravitational waves, guitars that shriek and howl like the geysers of Enceladus, wailing, otherworldly voices that sing of “Space Dementia,’ ‘Starlight’ and, most epically of all, a ‘Supermassive Black Hole.'”
(14) WHERE ARE YOU IN TIME? Doc Brown drove a DeLorean to
his future – now your past! Today they’d like to sell you a watch whose look is
inspired by the car — “DeLorean,
the Eternal Design”.
The new documentary about Cambridge Analytica uses thoughtful narration and compelling visuals to create a dystopian horror movie for our times.
If you’d rather not think about how your life is locked in a dystopian web of your own data, don’t watch the new Netflix documentary The Great Hack.
But if you want to see, really see, the way data tracking, harvesting, and targeting takes the strands of information we generate and ties them around us until we are being suffocated by governments and companies, don’t miss the film, which premieres today on the streaming platform and in theaters. […]
(16) THINKING INSIDE THE BOX. Where do you land
in this grid of Writing Style Alignments?
You won’t believe how adorable these kitties are as they star in ‘The Purring’ (1980), ‘The Texas Chainpaw Meowsacre’ (1974), ‘Psycat’ (1960), and ‘Cattie’ (1976).
(18) THE POINT. Finland was a magnet for
competitors in the inaugural Heavy Metal Knitting Championship.
Armed with needles and a yarn of wool, teams of avid knitters danced Thursday to the deafening sounds of drums beating and guitars slashing at the first-ever Heavy Metal Knitting World Championship in eastern Finland.
With stage names such as Woolfumes, Bunny Bandit and 9? Needles, the participants shared a simple goal: to showcase their knitting skills while dancing to heavy metal music in the most outlandish way possible.
Finland is the promised land of heavy metal music. There are 50 heavy metal bands per 100 000 Finnish citizens, which is astonishingly many and actually more than anywhere else in the whole world. The number of needlework enthusiasts is equally high, as according to even the most modest estimates there are hundreds of thousands of people in Finland who are immersed various kinds of needlework crafts, knitting included. What combines them both is the great joy of creativity. When playing guitar as well as knitting stitches it is all about the pleasure of creating something cool with your hands. And – it’s all about the attitude!
(19) DOUBLE DOWN. Gemini Man Official Trailer 2 has
dropped:
Who will save you from yourself? From visionary director Ang Lee, watch the official trailer for Gemini Man, starring Will Smith. In theatres October 11. Gemini Man (#GeminiMan) is an innovative action-thriller starring Will Smith (#WillSmith) as Henry Brogan, an elite assassin, who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move.
[Thanks to John King Tarpinian, Hampus Eckerman, Kendall, Mike
Kennedy, Martin Morse Wooster, JJ, Cat Eldridge Chip Hitchcock, Carl Slaughter,
SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Dates: 2nd to 5th July, 2021, with a preview night on the 1st
Bid officers are: • Chair: Hal C. F. Astell • Treasurer: Stephanie Bannon
Phoenix makes it a race by challenging the bid for Tonopah, NV. Site selection voting is being conducted by Spikecon, which among other things is this year’s Westercon.
(2) EATING THE FANTASTIC. Scott
Edelman invites listeners to enjoy
an enchilada with Steve Stiles
in Episode 93 of his Eating the
Fantastic podcast.
Steve Stiles
This latest episode of Eating the Fantastic — recorded at Mezcal Mexican restaurant in Owings Mills — quickly turns nostalgic, because guest Steve Stiles and I were the proverbial ships that passed in the night at mid-‘70s Marvel Comics. My first job there was as the associate editor for the company’s line of British reprint books, which was a department he only started working at the following year, once I’d already moved over to the Bullpen to work on the American originals.
Stiles may be best-known for the post-apocalyptic dinosaur-filled future of Xenozoic Tales, which he drew for eight years, but he’s also appeared in titles such as Death Rattle, Bizarre Sex, and Anarchy Comics for underground publishers like Kitchen Sink and Last Gasp. He’s also done kid-friendly work, though, like The Mighty Morphin Power Rangers and Royal Roy.
And so much more — like the fanzine art which has made him a 17-time nominee for the Hugo Award, with nominations spread over a 50-year period from 1967 to 2018, an award which he won in 2016.
We discussed what it was like to work at Marvel Comics in the mid-’70s, the ironic reason he no longer owns his Silver Age Marvels, the time he thought he’d gotten the gig to draw Dr. Strange (but really hadn’t), what it was like being taught by the great Burne Hogarth at the School of Visual Arts, his first professional art sale (and why it ended up hanging on Hugh Hefner’s wall), how his famed comic strip The Adventures Of Professor Thintwhistle And His Incredible Aether Flier was born, why he didn’t like being art-directed by Marie Severin, which current comics he keeps up with, what Robert Silverberg said to him when he won his first Hugo Award after 14 tries and 49 years, the phrase he most wants carved onto his gravestone, and much more.
‘Endgame’ will be goodbye to several characters, and as UCLA psychology professor Yalda Uhls notes: “Absolutely that can feel like real grief.”
“God, it seems like a thousand years ago,” Tony Stark (Robert Downey Jr.) says in the second trailer for Avengers: Endgame. “I fought my way out of that cave, became Iron Man…”
While it hasn’t quite been a thousand years, the final installment of the Marvel Cinematic Universe’s Infinity Saga represents an unprecedented moment in movie history, partly because some of the characters who have been a consistent presence in movie theaters since 2008 might retire, or even die.
And over time, those characters have started to feel like real friends to audiences.
In fantasy stories, like any stories, the stakes matter.
In 2012, writing for the now-defunct fan site SF Signal, Paul Weimer suggested a classification for such tales based on the relative size of what’s at stake, ranging from sagas in which only a city or smaller community is in peril to those where the whole universe hangs in the balance. Wherever a story lands on that scale, one thing remains crucial: The stakes have to feel real.
“Stakes are what the actions or inactions of the protagonist cause to happen, or fail to happen, depending on their success or failure,” Weimer wrote in “Stakes in Fantasy Novels: A Schemata of Classification.” “You can have multiple sets of stakes going on at one time, but you can look at a work of fantasy in terms the largest stakes, and use that to give an overall sense of the scale of the conflict in that book.”
Nollywood screenwriter and director Dimeji Ajibola recently released a 1-minute teaser of his upcoming dystopian movie, Ratnik. Impressed by the visual effects and dystopian locations, local publications waxed lyrical about the film. YNaija!called it “the dystopian action-thriller we deserve in 2019.” Ratnik deserves its early praise; it is an ambitious project and its visual effects are impressive.
For some, a sci-fi Nigerian movie is unheard of, but Ratnik is not the first time a Nollywood sci-fi film will generate this much buzz. Kajola—the last one that did—was an utter disappointment. The debut film of now Nollywood box office king, Niyi Akinmolayan, it was released in 2009 to much fanfare. Akinmolayan was tired of Nollywood filmmakers: “those yeye people that don’t know how to make cool stuff.” Young and naïve, he thought he would change Nollywood forever by making “the greatest Nigerian movie ever. It will be action/sci-fi with lots of effects and we are going to win an Oscar.”
(6) NOT DEAD YET. The Digital Antiquarian studies the
history of Activision in “An Unlikely Savior”.
Activision Blizzard is the largest game publisher in the Western world today, generating a staggering $7.5 billion in revenue every year. Along with the only slightly smaller behemoth Electronic Arts and a few Japanese competitors, Activision for all intents and purposes is the face of gaming as a mainstream, mass-media phenomenon. Even as the gaming intelligentsia looks askance at Activision for their unshakeable fixation on sequels and tried-and-true formulas, the general public just can’t seem to get enough Call of Duty, Guitar Hero, World of Warcraft, and Candy Crush Saga. Likewise, Bobby Kotick, who has sat in the CEO’s chair at Activision for over a quarter of a century now, is as hated by gamers of a certain progressive sensibility as he is loved by the investment community.
But Activision’s story could have — perhaps by all rights should have — gone very differently. When Kotick became CEO, the company was a shambling wreck that hadn’t been consistently profitable in almost a decade. Mismanagement combined with bad luck had driven it to the ragged edge of oblivion. What to a large degree saved Activision and made the world safe for World of Warcraft was, of all things, a defunct maker of text adventures which longtime readers of this ongoing history have gotten to know quite well. The fact that Infocom, the red-headed stepchild a previous Activision CEO had never wanted, is directly responsible for Activision’s continuing existence today is one of the strangest aspects of both companies’ stories….
(7) UNSOUND ADVICE. io9/Gizmodo names “8 Silent Films Every Sci-Fi and Horror Fan Should See”. I
don’t know, my reaction to this advice is about the same as Queen Elizabeth I’s
opinion of taking a bath. The list is comprised of:
1) The Cabinet of Dr. Caligari (1920) 2) Metropolis (1927) 3) Nosferatu (1922) 4) The Lost World (1925) 5) Häxan: Witchcraft Through the Ages (1922) 6) Aelita: Queen of Mars (1924) 7) A Trip to the Moon (1902) 8) The Phantom of the Opera (1925)
(8) FULL LID. Alasdair Stuart sends a link to The Full Lid with this introduction:
This week’s Full Lid features a look at the deeply fantastic zombie coming of age comedy musical Anna and the Apocalypse. Also this week, there’s a review of the first issue of the excellent new fantasy detective comic FairLady and a look at the first month of The SCP Archives, a new podcast bringing stories from the legendary wiki fiction experiment to life. The spotlight is James Davis Nicoll, there’s a photo of my word buckets and a short film from excellent Irish writer director Chris Brosnahan.
(9) NEW YORK SLICE. A
heartwarming story about George R.R. Martin. The thread begins here.
I arrive at the theater. Alex is waiting, bursting with energy as always. He tells me he approached George. Got a picture. And, somehow – miraculously – got George R Martin’s cell phone number. George was with his wife and told Alex they usually go for pizza after a show.
Geraldyn “Jerrie” M. Cobb, a noted aviation pioneer and fierce advocate for women flying into space, died March 18 at her home in Florida, her family has revealed. She was 88.
Cobb is perhaps most well-known for her participation in what became known as the “Mercury 13,” a group of 13 women who passed preliminary screening processes in 1960 and 1961 to determine their suitability as astronauts under the guidance of Dr. Randolph Lovelace. Cobb scored in the top 2 percent of all who had taken the battery of tests for candidates previously, including both women and men.
However, the privately funded effort was not officially sanctioned by NASA. A Netflix documentary about the experience, released in 2018, offered a clear verdict for why women were excluded from NASA in the space agency’s early days—”good old-fashioned prejudice,” as one of the participants said.
(11) TODAY’S
BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born April 19, 1925 — Hugh O’Brian. His only meaningful genre involvement was being Harry Chamberlain in Rocketship X-M in which he was also the voice on the loudspeaker. He’d play the evil Hussein in Son of Ali Baba, and he was Richard Camalier in Doin’ Time on Planet Earth as well. He’d have one-offs appearances on shows such the Alfred Hitchcock Hour, and he had five different roles on Fantasy Island. (Died 2016.)
Born April 19, 1933 — W.R. Cole. Author of A Checklist of Science Fiction Anthologies, self-published In 1964. Ok, I’m including him today because I’m puzzled. SFE said of this that ‘Though it has now been superseded and updated by William Contento’s indexes of Anthologies, it is remembered as one the essential pioneering efforts in Bibliography undertaken by sf Fandom.’ Was this really the first time someone compiled an index of anthologies? I seem to remember earlier efforts though I can’t remember precisely who. (Died 2002.)
Born April 19, 1935 — Herman Zimmerman, 83. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, he in that era worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler.
Born April 19, 1936 — Tom Purdom, 83. There’s very little on him on the web, so I’ll let Michael Swanwick speak to him: ‘How highly do I regard Tom’s fiction? So highly that I wrote the introduction to the collection — and I hate writing introductions. They’re a lot of work. But these stories deserve enormous praise, so I was glad to do it.’ He’s written five novels and has either one or two collections of his stories.
Born April 19, 1946 — Tim Curry, 73. Dr. Frank-N-Furter in The Rocky Horror Picture Show of course is not his first genre appearance as he’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. (And yes, I adore RHPS.) And yes, I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu in The Three Musketeers, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island and in Rosencrantz and Guildenstern Are Dead as The Player.
Born April 19, 1952 — Mark Rogers. He’s probably best known for writing and illustrating the Adventures of Samurai Cat series. His debut fantasy novel Zorachus was followed by The Nightmare of God sequel. His novella “The Runestone” was adapted as a film of the same name. And his art is collected in Nothing But a Smile: The Pinup Art of Mark Rogers and The Art of Fantasy. (Died 2014.)
Born April 19, 1967 — Steven H Silver, 52. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine four times without winning. Ok, is that a record? He’s a longtime contributing editor to SF Site and has written that site’s news page since its beginning. Over twenty years ago, he founded the Sidewise Award for Alternate History and has served as a judge ever since. And he publishes his own fanzine, Argentus.
Born April 19, 1968 — Ashley Judd, 51. Best known genre wise for playing Natalie Prior in the Divergent film franchise. She was also Carly Harris-Thompson in the Tooth Fairy film, and was Ensign Robin Lefler in a few episodes of Next Gen. She played Beverly Paige on several episodes of Twin Peaks as well.
(13) AO3. Somebody’s
not whispering quietly enough. Supporters of Jason Sanford’s Patreon can find
out who.
My new Genre Grapevine column is out, featuring news and info including what could be called a whisper campaign against the Hugo Award nomination of Archive of Our Own (AO3). https://t.co/8HzK9uDbgC
This could be a clue — Sanford retweeted Interstellar Teahouse’s thread, which starts here.
Some people who are upset about AO3's nom are, I think, actually upset by seeing happy younger* female* fans being visibly happy, younger, and female. And often queer &/or POC too. (3/?)
*mostly. I think those are the ones who upset the Old Guard–it happens over and over.
The source code of every Infocom text adventure game has been uploaded to code-sharing repository GitHub, allowing savvy programmers to examine and build upon some of the most beloved works of digital storytelling to date.
There are numerous repositories under the name historicalsource, each for a different game. Titles include, but are not limited to, The Hitchhiker’s Guide to the Galaxy, Planetfall, Shogun, and several Zork games—plus some more unusual inclusions like an incomplete version of Hitchhiker’s sequel The Restaurant at the End of the Universe, Infocom samplers, and an unreleased adaptation of James Cameron’s The Abyss.
[…] The games were written in the LISP-esque “Zork Implementation Language,” or ZIL, which you could be forgiven for not being intimately familiar with already. Fortunately, Scott also tweeted a link to a helpful manual for the language on archive.org.
(16) YTTERBIUM. A
fashion update from John Scalzi:
At the opening ceremonies of @ytterbiumcon, the Guests of Honor were given special bespangled t-shirts. Here I am wearing mine, with a @tiffaniangus for scale. The color of the shirt delights me, and really brings out my eyes. pic.twitter.com/gycJv0uvPQ
Sure, if you have the same color eyes as the Easter Bunny….
(17) A DIFFERENT POINT OF
VIEW ABOUT GOT. Eneasz Brodski voices “Mad Respect for
Cersei” at Death Is Bad.
There is the possibility that the undead will win and destroy all life on Westeros, yes. But that is preferable to returning to life as chattel. If humanity has such a problem with extinction, maybe it shouldn’t have made life a living hell for so many.
There’s just one problem. The show that became famous for its willingness to kill off seemingly essential figures has grown less and less likely to do so. Even before Jon Snow came back from the dead, viewers had begun to develop a sense of which characters were essential to the series’ endgame, and thus impossible to kill off. You didn’t need Ramsay Bolton or even Littlefinger to tie up the story’s loose ends, but it’s impossible to imagine Dany or Jon getting axed for shock value. There was no chance the High Sparrow would dethrone Cersei for good or that Arya would fail the Faceless Men’s tests. The show’s core characters had acquired what fans call “plot armor,” which meant that any time the odds seemed truly hopeless, when they were backed against a wall and there seemed to be no way out, we knew the question wasn’t if they’d escape but only how.
Hunkered down in their hives and drunk on smoke, Notre Dame’s smallest official residents — some 180,000 bees — somehow managed to survive the inferno that consumed the cathedral’s ancient wooden roof.
Confounding officials who thought they had perished, the bees clung to life, protecting their queen.
“It’s a big day. I am so relieved. I saw satellite photos that showed the three hives didn’t burn,” Notre Dame beekeeper Nicolas Geant told The Associated Press on Friday.
“Instead of killing them, the CO2 (from smoke) makes them drunk, puts them to sleep,” he explained.
Geant has overseen the bees since 2013, when three hives were installed on the roof of the stone sacristy that joins the south end of the monument. The move was part of a Paris-wide initiative to boost declining bee numbers. Hives were also introduced above Paris’ gilded Opera.
(20) FELINE EFFECTS. Epic Cats presents a superpowered
credential.
[Thanks to
Mike Kennedy, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, John
A Arkansawyer, Chip Hitchcock, Daniel Dern, Carl Slaughter, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Kip Williams.]
“The shortlisting of AO3 does not mean that every work published on the site is a Hugo Award finalist,” clarified Kevin Standlee, a member of the Hugo Awards Marketing Committee, to Polygon. “By analogy, if a magazine is nominated for Best Semiprozine, it does not mean that every work and every author published during that year’s run of the magazine is a Hugo Award finalist.”
Whyte also emphasized that Archive of Our Own as a project met all the requirements of the Best Related Work category as far as the Hugo administrators were concerned.
“Archive of our Own as a project is on the Hugo final ballot,” Whyte wrote in an email. “A substantial number of voters supported it, and it is not really the role of the Hugo administrators to second-guess or interpret their intentions. Our job is to determine whether it qualifies under the rules. We considered the precedents in this and other categories very carefully, and found no good reason to disqualify it.”
Archive of Our Own is a platform for fanfiction, yes, but it is also an intricate system of archiving and hosting said fanfiction, as well as a space built up by fandom members for their very own. No “one part” of AO3 qualifies the site for the prize. The entirety — past, present, and promise to the future — makes it uniquely primed for the honor.
“So if the question is, which of that work is the nomination recognizing?” penned Naomi Novik on her Tumblr. “It’s recognizing all of it. You can’t separate one part of it from the other. The garden wouldn’t exist without all of it. And I am grateful for it all.”
As far as the most bonkers fan theories go in the Marvel Cinematic Universe, one clear-cut winner has emerged recently in predicting the climax (back end?) of the highly anticipated Avengers: Endgame.
That would be the premise coined “Thanus,” which posits that the Avengers will finally triumph over intergalactic, snapping super-baddie Thanos (Josh Brolin) when Ant-Man (Paul Rudd) uses his size-altering abilities to shrink down, enter the villain’s butthole and then expand, killing his target in what would essentially be the most volatile hemorrhoid ever.
(3) SNACK TIME. Ursula
Vernon is served a Tibetan delicacy. Thread starts here.
Object is about three feet long, bent in the middle, and resembles the world’s largest Slim Jim.
Theodore McCombs: What about Carmilla first attracted you to this project? What do you hope 2019’s readers will find in this 1872 vampire tale?
Carmen Maria Machado: The connection between narratives of vampires and narratives of women—especially queer women—are almost laughably obvious. Even without Carmilla, they would be linked. The hunger for blood, the presence of monthly blood, the influence and effects of the moon, the moon as a feminine celestial body, the moon as a source of madness, the mad woman, the mad lesbian—it goes on and on. It is somewhat surprising to me that we have ever imagined male vampires at all. But of course, that’s because we think of Dracula as the ur-text, the progenitor of the vampire in literature. Carmilla simply isn’t as well-known; I was as surprised as anyone to learn about it. But despite the fact that it’s a somewhat obscure text, its influence can be keenly felt. So I wanted modern readers to understand both Carmilla and Carmilla’s importance.
The novelist Don DeLillo wrote shortly after the attacks that 9/11 would change “the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.” It’s hard to deny that he was right. Several pop-culture phenomena sprang up in the years after 9/11, HBO’s Game of Thrones being one of the most important, but by no means operating in a vacuum. The runaway popularity of The Walking Dead and The Hunger Games in the 2000s also signaled a different sort of sensibility from Tolkien’s postwar years. The enemies were closer, and sometimes they were even friends — or had been. Nothing was entirely trustworthy, not family, not community, and certainly not the government. The anti-establishment cynicism of the ’60s and ’70s had been replaced by a cynicism about virtually everything, and certainly about all institutions. Priests and teachers were now seen as potential molesters. Presidents were no longer just wrong as far as their opponents were concerned — they were actual criminal enemies. George W. Bush was labeled a murderer and Barack Obama was called a fascist. Political and cultural media were weaponized.
It’s the typeface that greets you on your tax forms. It announces MBTA station stops. Its sans-serif letters glow in the night outside Target and CVS.
In the world of typography, Helvetica is as common as vanilla ice cream. The 62-year-old font is celebrated and loathed for its ubiquity. Now, it’s getting a face lift for the digital age.
The reboot — by Monotype, a Woburn [MA]-based firm that owns Helvetica and thousands of other fonts — has set off a new round of debate over a typeface that has not only divided font fanatics but also transcended the field of design.
Indeed, not many fonts are controversial enough to show up on Twitter’s trending topics. So when Mitch Goldstein saw the word “Helvetica” among the social network’s hottest discussions, he joked that it must be there for the same macabre reason that sees celebrity names suddenly pop up.
With the passing of Science Fiction Writers of America Grandmaster Gene Wolfe (1931-2019), literature has lost a unique writer who embraced fruitful paradox. He was at once traditionalist and rebel, metaphysician and realist, trickster and pontiff, experimentalist and conservative, the consummate professional and the most endearingly heart-on-his-sleeve fan. He married the pulp tropes of science fiction and fantasy and horror to the stringent esthetics and techniques and multivalent worldview of echt modernism to produce works which both camps felt did honor to their respective lineages. Readers of “The Death of Doctor Island” or The Fifth Head of Cerebrus could discover all the thematic density and narrative complexity they might seek in a work by Pynchon or Nabokov in tales fully alive as visionary works in SF. In 2014, writer Michael Swanwick, himself a master craftsman, dubbed Wolfe “the single greatest writer in the English language alive today.”…
Cartoonist Monkey Punch, best known as the creator of the Japanese megahit comic series Lupin III, has died at age of 81.
His office, MP Pictures, said Wednesday that Monkey Punch, whose real name is Kazuhiko Kato, died of pneumonia on April 11.
The story of master thief Lupin’s adventures with his gang — gunman Daisuke Jigen, sword master Goemon Ishikawa and sexy beauty Fujiko Mine, as well as a detective, Zenigata — started in 1967.
The cartoon also was adapted for TV animation and movies, some directed by renowned animators including Hayao Miyazaki and Isao Takahata.
(10) TRIVIAL TRIVIA.
In 2014, Always Look on the Bright Side of Life, from the 1979
Monty Python film Life of Brian, was
the most popular song played at British funerals.
Born April 18, 1884 — Frank R. Paul. Illustrator who graced the covers of Amazing Stories from May 1926 to June 1939, Science Wonder Stories and Air Wonder Stories from June 1929 to October 1940 and a number of others well past his death date. He also illustrated the cover of Gernsback’s Ralph 124C 41+: A Romance of the Year 2660 (Stratford Company, 1925), published first as a 1911–1912 serial in Modern Electrics. He was inducted into Science Fiction and Fantasy Hall of Fame in 2009. Stephen D. Korshak and Frank R. Paul’s From the Pen of Paul: The Fantastic Images of Frank R. Paul published in 2010 is the only work I found that looks at him. (Died 1963.)
Born April 18, 1938 – Superman. Age: damn if I know. Created by writer Jerry Siegel and artist Joe Shuster, the character first appeared in Action Comics #1 on April 18, 1938. Yes, it was cover-dated as June, 1938. This is generally thought of as the beginning of the Golden Age of Comics. (Died 1992. But he got better.)
Born April 18, 1945 — Karen Wynn Fonstad. She was a cartographer and academic who designed several atlases of literary worlds. Among her work are The Atlas of Middle-earth which is simply wonderful, and The Atlas of Pern which I’ve not seen. (Died 2005.)
Born April 18, 1946 — Janet Kagan. She wrote but three novels in her lifetime, Uhura’s Song, set in Trek universe, Hellspark and Mirabile which is a stitch-up of her Mirabile short stories. The Collected Kagan collects all of her short fiction not set in the Mirabile setting. Her story “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo. (Died 2008.)
Born April 18, 1953 — Rick Moranis, 66. Though now retired from acting, he was active genre-wise once upon a time in such properties as Ghostbusters, Little Shop of Horrors (the remake obviously), Honey, I Shrunk the Kids (which isn’t bad compared to the stinkers that followed in this franchise), The Flintstones and of course Spaceballs. For you next Christmas viewing delight, may I recommend Rudolph the Red-Nosed Reindeer and the Island of Misfit Toys in which he voices The Toy Maker?
Born April 18 — Cheryl Morgan, born, as she put it to me today when I dared to ask her age, so long ago no one can remember. She is a Hugo award-winning critic and publisher now living in Britain. She is the owner of Wizard’s Tower Press and was running the Wizard’s Tower Books ebook store before she closed it due to changes in EU regulation. She was previously the editor of the Hugo award-winning Emerald City fanzine which I confess I read avidly. And she shares joint wins with the rest of the Clarkesworld team for Best Semiprozine in 2010 and 2011. Superb magazine that. Oh, and her personal blog which is great reading won a Hugo In 2009. Read it for the reviews, read it for the occasional snarky commentary. She is on the advisory board of Fafnir – Nordic Journal of Science Fiction and Fantasy Research.
Born April 18, 1965 — Stephen Player, 54. Some birthday honor folks are elusive. He came up via one of the sites JJ gave me but there is little about him on the web. What I did find is awesome as he’s deep in the Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the 25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh, but that’s just a mere wee taste of all he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally, he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money.
Born April 18, 1969 — Keith DeCandido, 50. Another writer whose makes his living writing largely works based on series. He’s done works set within the universes of Sleepy Hollow, Star Trek, Buffy, Spider-Man, X-Men, Doctor Who, Supernatural, Andromeda, Farscape, Spider-Man, X-Men, and Stargate SG-1. He has a fantasy series, Dragon Precinct, ongoing.
Born April 19, 1971 — David Tennant, 48. Eleventh Doctor and my favourite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly. He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe.
We now know that Julian Assange’s cat, who lived with him in the Ecuadorian embassy for a time, is safe and being looked after, but we didn’t know this when I asked about it late last month. And I didn’t know that asking about it would result in the ‘Defend Assange Campaign’ getting in touch….
The highly anticipated film adaptation of Andrew Lloyd Webber’s musical Cats is making its way to theaters. The story is based on T.S. Eliot’s book of poems titled Old Possum’s Book of Practical Cats.
The live production-turned-movie follows a tribe of felines, known as the Jellicle Cats, as they attend the annual Jellicle Ball. During the ball, the tribe’s leader Old Deuteronomy chooses one cat to be reborn and return to a new life.
The Universal film features a star-studded cast that includes Jennifer Hudson, Idris Elba, Taylor Swift, Ian McKellen, Judi Dench, Rebel Wilson, James Corden, Jason Derulo and Steven McRae.
(14) OUT OF TUNA. Timothy
the Talking Cat…talks, of course. And writes, as explained in the latest
chapter of his autobiography: “Beyond
the Bounds of Genius: Chapter 4”.
Chapter 4: That Tricky First Novel
After considering a number of career choices I decided that ‘novelist’ was the best match to my temperament and experience. With both my schooling and military service behind me, I had a wealth of life experience to draw from and the natural wit of England’s upper classes running through my veins.
Here’s the deal: The Fourth of July-inspired sweets are the classic chocolate and creme combo we all know and love but with a twist. They’re filled with red and blue popping candies, so they will quite literally explode in your mouth—in a totally safe Pop Rocks kind of way, you know?
A Russian company called StartRocket says it’s going to launch a cluster of cubesats into space that will act as an “orbital billboard,” projecting enormous advertisements into the night sky like artificial constellations. And its first client, it says, will be PepsiCo — which will use the system to promote a “campaign against stereotypes and unjustified prejudices against gamers” on behalf of an energy drink called Adrenaline Rush.
Yeah, the project sounds like an elaborate prank. But Russian PepsiCo spokesperson Olga Mangova confirmed to Futurism that the collaboration is real.
“We believe in StartRocket potential,” she wrote in an email. “Orbital billboards are the revolution on the market of communications. That’s why on behalf of Adrenaline Rush — PepsiCo Russia energy non-alcoholic drink, which is brand innovator, and supports everything new, and non-standard — we agreed on this partnership.”
(17) RONDO. Steve
Vertlieb would be thrilled if you’d consider voting for his article:
It’s “Rondo Award” time again, and my work on “Dracula In The Seventies: Prints of Darkness” has been nominated by the “Rondo Award” committee for “Best Article of the Year.” Anyone can vote once for their favorites in this category, and voting continues through April 20th, 2019. I’ll go “bats” if you care to vote for my work. Winning a competitive “Rondo” would mean a great deal to me, and sublimely reward these sometimes fragile seventy three years. Simply send your selection (along with your name and e-mail address) to David Colton at [email protected], and please accept my sincere thanks for your most gracious kindness.
Sometimes rare diseases can let scientists pioneer bold new ideas. That has been the case with a condition that strikes fewer than 100 babies a year in the United States. These infants are born without a functioning immune system.
The disease is called severe combined immunodeficiency, or SCID. “It was made famous in the mid ’70s when the ‘Bubble Boy’ was described in a documentary, and I think it captured the imagination of a lot of people,” says Matthew Porteus, a pediatrician at Stanford University.
David Vetter was the boy who spent most of his short life inside a plastic bubble to protect him from infection. He died at age 12 in 1984.
All babies born in the United States are now screened for this condition, and the best treatment today — a bone marrow transplant — succeeds more than 90 percent of the time. The disease remains a source of great interest to researchers.
“This is one of those diseases in which there’s probably more doctors and scientists studying the disease than patients who have the disease,” Porteus says.
In the 1990s, European scientists actually cured SCID in some patients, using a technique called gene therapy. This process involves removing defective blood cells from a patient, inserting a new gene with the help of a virus and then putting the cells back into the body. Those cells then build up the patient’s immune system.
At first, this treatment in the 1990s and early 2000s looked really promising.
“Of the 20 patients, they all had immune recovery,” says Donald Kohn, an immunologist at UCLA’s Broad Center of Regenerative Medicine and Stem Cell Research. “But, over time, five of them went on to develop a leukemia.”
Pennsylvania’s soon-to-be official amphibian has more than its fair share of nicknames: snot otter, mud devil, Allegheny alligator, devil dog, lasagna lizard.
In short, it’s not exactly a looker.
But the Eastern hellbender salamander was the overwhelming choice of lawmakers for amphibian representation in the state. On Tuesday, the state’s House of Representatives voted 191-6 on a bill that would name the aquatic creature its state amphibian. The Senate passed the bill in February.
The hellbender is a nocturnal salamander that can grow more than 2 feet long. The mud-colored creature, covered in a layer of mucus, breathes primarily through loose flaps of thick, wrinkled skin that look a little bit like lasagna noodles.
The hellbender is also a canary for environmental degradation.
A new species of giant mammal has been identified after researchers investigated bones that had been kept for decades in a Kenyan museum drawer.
The species, dubbed “Simbakubwa kutokaafrika” meaning “big African lion” in Swahili, roamed east Africa about 20 millions years ago.
But the huge creature was part of a now extinct group of mammals called hyaenodonts.
The discovery could help explain what happened to the group.
…”Based on its massive teeth, Simbakubwa was a specialised hyper-carnivore that was significantly larger than the modern lion and possibly larger than a polar bear,” researcher Matthew Borths is quoted by AFP news agency as saying.
(21) READY, AIM, MEOW. Here’s
a piece of technology some of you will want – the Catzooka – Cat Launcher!
Unlike traditional headphones, AirPods are the kind of things you can keep in your ears at all times, and many people do. Their sleek design and lack of wires make it easy to forget they’re resting in your head. And their status symbol shine doesn’t exactly scream “take me out.” This may be great for Apple and its bottom line, but it’s making life weird for people interacting with those wearing them. Are they listening to me? Are they listening to music? A podcast? Just hanging? It’s tough to know.
(23) VIDEO OF THE DAY. In “Cabin Pressure” on Vimeo,
Matthew Lee explains how to behave badly on airplanes!
[Thanks to
Martin Morse Wooster, Ellen Datlow, Mike Kennedy, JJ, Mark Hepworth, Chip
Hitchcock, John King Tarpinian, Daniel Dern, Cat Eldridge, Carl Slaughter, Rob
Thornton, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Kip Williams.]
Few people have had the chance to see Arwen Curry’s documentary Worlds of Ursula K. Le Guin, which began making the rounds of film festivals in June 2018 but won’t be available to a mass audience until it airs on PBS in late 2019. It isn’t a finalist for this year’s Hugo Awards, and some who feel that might be the result of underexposure have announced plans to ask the Dublin 2019 business meeting to extend the film’s eligibility.
Here is the draft text of their motion:
Short Title: Hugo Eligibility Extension for Worlds of Ursula K. Le Guin
Moved, to extend for one year the Hugo Award eligibility of the film documentary Worlds of Ursula K. Le Guin, based on limited availability, as authorized by Section 3.4.3 of the WSFS Constitution.
Proposed by: Jo Van Ekeren, Hampus Eckerman, Adri Joy, Theodora Goss, Terry L Neill, Juliette Wade, Paul Weimer, Ziv Wities
This motion extends eligibility for the Hugo Awards under Section 3.4.3; therefore, it requires a two-thirds vote of approval.
Commentary: Worlds of Ursula K. Le Guin is a documentary film by Arwen Curry exploring the life and legacy of the late feminist author Ursula K. Le Guin. Work on the documentary began as early as 2009, and the filmmaker was able to complete the many hours of filming prior to the author’s death in January 2018. The film premiered at the Sheffield International Documentary Festival on June 10, 2018. Since then there have been a number of screenings at film festivals in various locations around the world; however, the film has not yet been made available for viewing by the general public. Arrangements are in progress for the film to be shown at Worldcon in Dublin in August, and the film will be broadcast in the U.S. on PBS American Masters in October 2019.
Due to its limited release in 2018, very few members of Dublin 2019 had the opportunity to view the film before the deadline for nominating for the 2019 Hugo Awards. Passage of this proposal would make the documentary eligible for nomination in the Best Related Work category for the 2020 Hugo Awards next year.
As noted in the motion, the authority for extending the eligibility period comes from WSFS Constitution Section 3.4.3:
In the event that a potential Hugo Award nominee receives extremely limited distribution in the year of its first publication or presentation, its eligibility may be extended for an additional year by a two-thirds (2/3) vote of the intervening Business Meeting of WSFS.
This provision of the WSFS Constitution was used in 2015 to extend eligibility for the film Predestination and for the short film I Remember the Future, and to extend the eligibility of the anime Summer Wars in 2011.
… We compiled the six art book finalists below to give you an idea of what’s competing for the venerable award in August, along with some information about them from Amazon….
The Books of Earthsea: The Complete Illustrated Edition, $36 on Amazon: Illustrated by Charles Vess, Written by Ursula K. Le Guin. “Celebrating the 50th anniversary of the timeless and beloved A Wizard of Earthsea, this complete omnibus edition of the entire Earthsea chronicles includes over fifty illustrations illuminating Le Guin’s vision of her classic saga.”
“Bringing a unicorn here is not an easy or inexpensive endeavor. You have to be the right sort of girl.”
The right sort of girl.
The backbone of Brie Larson’s offbeat directorial debut, the comedy Unicorn Store, is the idea of what it means to be the right sort of girl. Larson plays Kit, a woman pushing 30 who lives with her parents and favors an aesthetic heavy on rainbows, glitter and — yes — unicorns. And after she receives a couple of mysterious magical letters, she finds herself in the company of a man who calls himself The Salesman (Samuel L. Jackson). He’s the one who says these words, who tells her that she’s in line for a unicorn of her own. But she has to earn it. She has to be stable. She has to make a home for it. She has to be an adult, ironically, to be the right companion for a unicorn.
An independent group set up to oversee Google’s artificial intelligence efforts, has been shut down less than a fortnight after it was launched.
The Advanced Technology External Advisory Council (ATEAC) was due to look at the ethics around AI, machine learning and facial recognition.
One member resigned and there were calls for another to be removed.
The debacle raises questions about whether firms should set up such bodies.
Google told the BBC: “It’s become clear that in the current environment, ATEAC can’t function as we wanted.
“So we’re ending the council and going back to the drawing board. We’ll continue to be responsible in our work on the important issues that AI raises, and will find different ways of getting outside opinions on these topics.”
There had been an outcry over the appointment of Kay Coles James, who is president of conservative thinktank The Heritage Foundation. Thousands of Google employees signed a petition calling for her removal, over what they described as “anti-trans, anti-LGBTQ and anti-immigrant” comments.
(4) HEY RUBE. Steve
Davidson complains that he can’t evaluate what technical changes make Archive
of Our Own eligible in the 2019 Hugo category for which it was nominated, then,
disregarding the argument he just made, asks why AO3 wasn’t nominated in
another category that isn’t designed to recognize technical changes: “The
Hugo Awards Best Related Work Category and the AO3 Nomination” at Amazing Stories.
In terms of AO3, since I can’t see the “change”, how am I to judge the substantiability? Maybe, in my mind, it isn’t transformative enough to warrant a vote. But I can’t make that judgement because I have no reference. I do not have the opportunity to weigh in on the Hugo Administrator’s choices.
Third: we’ve already determined that websites can qualify under the Best Fanzine category and we can read right in the definition of Best Related Work that works qualify for that category “provided that they do not qualify for another category”.
Why doesn’t a website featuring fanfic qualify for the Best Fanzine category? Call me a rube, but I can hardly think of a better category for a collection of fanfic than Best Fanzine. In fact, I seem to recall that a bunch of highly regarded professional authors published their fanfic in…fanzines. (The printed kind that some of you may not be familiar with.)
Shaun Tan’s The Arrival. It’s a wordless depiction of an immigration experience. The protagonist doesn’t share a language with anyone in his new country; their language is gibberish to him and gibberish to the reader. Any item we might recognize is rendered in such a way as to make it foreign to the reader as well, so we experience the confusion that the man feels: strange fruit, strange animals, strange monuments. Tan’s illustrations tell the immigrant’s story a thousand times better than words could have.
Book you’ve bought for the cover:
Saga Press is reissuing three Molly Gloss novels over the next few months (Outside the Gates,Dazzle of DayandWild Life) followed by her first collection, Unforeseen. I already had two of the books, but I’ve preordered all four of these both for her prose and the gorgeously stark matching covers by Jeffrey Alan Love.
(6) TODAY IN HISTORY.
April 6, 1967 — Star Trek’s “City on the Edge of Forever”, written by Harlan Ellison, first aired.
April 6, 1968 — 2001: A Space Odyssey was released.
(7) TODAY’S BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born April 6, 1905 — Thomas P. Kelley. Writer of Thirties pulp novels that were serialised first in Weird Tales (The Last Pharaoh, A Million Years in the Future and I Found Cleopatra), Uncanny Tales (The Talking Heads) and Eerie Tales (The Weird Queen). (Died 1982.)
Born April 6, 1918 — Kaaren Verne. She appeared in Sherlock Holmes and the Secret Weapon as Charlotte Eberli. The film btw was very much fanfic bearing little resemblance to the original premise of Holmes. She also appeared in The Twilight Zone, Kraft Suspense Theatre and Fireside Theatre (freelance writers such as Rod Serling were a script source for the latter). (Died 1967.)
Born April 6, 1935 — Douglas Hill. Prolific writer of short novels for both adults and younger of a sword and sorcery bent even when within an SF setting. Best known series include The Last Legionary, Demon Stalker and Huntsman. He served for a short period as assistant editor of the New Worlds magazine under Michael Moorcock. (Died 2007.)
Born April 6, 1937 — Billy Dee Williams, 82. He is best known for his role as Lando Calrissian in the Star Wars franchise, first appearing in The Empire Strikes Back. Other genre appearances include being Harvey Dent in Batman and voicing Two Face In The Lego Batman Movie.
Born April 6, 1947 — John Ratzenberger, 72. In-house voice actor for Pixar whose roles have included Hamm in the Toy Story franchise, The Abominable Snowman in the Monsters, Inc. franchise, The Underminer in The Incredibles franchise, and Mack in the Cars franchise. He made minor live appearances in Superman and Superman II.
Born April 6, 1948 — Larry Todd, 71. Writer and cartoonist, best known for the decidedly adult Dr. Atomic strips that originally appeared in the underground newspaper The Sunday Paper and his other work in underground comics, often with a SF bent. In our circles, Galaxy Science Fiction, Amazing Science Fiction and Imagination magazines being three of his venues. He also did some writing for If magazine. He also did, and it’s really weird art, the cover art and interior illustrations for Harlan Ellison’s Chocolate Alphabet.
Born April 6, 1981 — Eliza Coupe, 38. Tiger, one three main roles in Future Man, a web series where a video game apparently is actually real and deadly. She also had a recurring role on Quantico as Hannah Wyland, a series I swear is edging into genre. She was also in Monster Mash (also known as Monster Mash: The Movie and Frankenstein Sings), based on the Bobby “Boris” Pickett song “Monster Mash” and other sources.
(8) SPOTTED OWL. Mike
Lawson has won
the Spotted Owl Award for his mystery House
Witness. The Spotted Owl Award is handed out by a group called Friends
of Mystery, based in Portland, Oregon. Eligible are mysteries written by
authors from the Pacific Northwest. The finalists were —
The award is named in honor of the prolific Australian author Alan Geoffrey Yates (aka Carter Brown).
(10) MARKETPLACE. Here’s
a service someone should start:
There should be a hotline you can call where you can safely pronounce words you've only ever read out loud for the first time, and they say "oh sweetie" and kindly explain how it's pronounced.
(11) WATCH OUT FOR THOSE
BOUNDERS. Jim C. Hines referees “Bounding Into Comics vs. Fonda Lee”
and finds it’s definitely not a fight by the Marquis of Queensbury rules.
I got to meet and hang out with author Fonda Lee at the Launch Pad Astronomy Workshop a few years back. Recently, Lee was at Barnes and Noble and observed:
“This is what modern fantasy writers are up against. In my local B&N, most authors are lucky to find a copy of their book, super lucky if it’s face out. There are 3.5 shelves for Tolkien. 1.5 for Jordan. Here’s who we compete against for shelf space: not each other, but dead guys.” (Source)
Her Tweets got a lot of attention, leading to an article by John Trent at Bounding Into Comics that derides Lee and accuses her, among other things, of criticizing Tolkien. Not that Lee ever did this. Her second Tweet in that thread said, “Before you @ me about the importance of classics, I love LOTR too, okay?” One might almost suspect Trent’s comment, “Lee isn’t the first person to criticize Tolkien,” of being an attempt to stir up shit.
An effective attempt, it seems. Lee has been barraged by Tolkien Defenders over on Twitter….
There are many ways artificial intelligence (AI) and machine learning can make our world more productive and effective. There are even breweries that are using AI to enhance beer production. Is this brilliant or unbelievable? While it’s admittedly too soon to tell, using data to inform brewmasters’ decisions and the possibility of personalized brews makes AI-brewed beer definitely intriguing.
A tongue-in-cheek NPR.org headline comparing the fetching abilities of cats and dogs revealed a truth known by countless cat owners: Some cats do fetch.
“Cats Don’t Fetch, But Know Their Names As Well As Dogs, Researchers Say,” the original headline proclaimed. This didn’t sit well with some readers.
“In what world do cats not fetch?” Kate Haffey commented on Facebook.
“Artemis knows her name and fetches,” Brandi Whitson said on Twitter. “She’s obsessed.” …
The well-respected survey that’s been a barometer of American politics, culture and behavior for more than four decades finally got around to the question that has bedeviled many a household.
Dog or cat?
In 2018, the General Social Survey for the first time included a battery of questions on pet ownership. The findings not only quantified the nation’s pet population – nearly 6 in 10 households have at least one -they made it possible to see how pet ownership overlaps with all sorts of factors of interest to social scientists.
Like happiness.
For starters, there is little difference between pet owners and non-owners when it comes to happiness, the survey shows. The two groups are statistically indistinguishable on the likelihood of identifying as “very happy” (a little over 30 percent) or “not too happy” (in the mid-teens).
But when you break the data down by pet type – cats, dogs or both – a stunning divide emerges: Dog owners are about twice as likely as cat owners to say they’re very happy, with people owning both falling somewhere in between.
A World War Two codebreaking machine has been reconstructed after a seven-year project so it can run in public for the first time.
The Heath Robinson has been restored at The National Museum of Computing in Milton Keynes by a team of six.
The machine was an early attempt to automate code-cracking and, due to its complexity, was named after the illustrator W Heath Robinson.
Phil Hayes, of the museum, said the work was “quite an achievement”.
He said it completed using a hand-drawn circuit diagram along with replica circuits based on 1940s technology.
(16) OLD HABITS
DIE HARD. CNN wondered why “Why
2.7 million Americans still get Netflix DVDs in the mail”. They came
up with six reasons. In the process, they made Cat Eldridge’s day: “Years ago I had an argument with a
techie who insisted that new technologies always drive out old technologies. I
said that’s simply not true. And here’s proof of that.” Cat and Bruce Sterling
agree.
Early Friday morning, Japan’s Hayabusa2 spacecraft detonated an explosive device over a small asteroid. The goal was to create a fresh crater that will later be studied by the spacecraft.
Researchers watched from mission control in Sagamihara, Japan, and clapped politely as Hayabusa2 released an experiment known as the Small Carry-on Impactor. The device consisted of a copper disk packed with HMX high-explosive. Once the mothership had safely moved out of the line of fire, the impactor apparently detonated, firing the disk into the side of the asteroid. A camera released by Hayabusa2 appeared to catch the moment of impact, which sent a stream of ejecta into space.
…”These particular asteroids are the precursors to what Earth was made from,” Connolly says. Ryugu is rich in carbon, and minerals on its surface contain water and so-called prebiotic compounds that could have started life on this planet.
“Ryugu is a time capsule,” says Connolly.
This is not Hayabusa2’s first attack. In February, the spacecraft physically touched down on Ryugu and fired a small pellet into its surface. The dust kicked up by that opening shot was collected and eventually will provide researchers with detailed information about the asteroid’s makeup.
But to really understand Ryugu, researchers also want to know what’s down there, and that’s why they created Friday’s crater. In a few weeks, after the dust has settled, the little spacecraft will survey the blast site to see what lies beneath. It may even land a second time to collect subsurface samples.
(18) CLASSIC APOLLO 11
PUBLICITY RESOURCE. In honor of the flight’s 50th anniversary, David
Meerman Scott has scanned in his collection of
Apollo 11 press kits:
Press kits prepared by the public relations staff at the major contractors for the Apollo 11 mission provided valuable additional information not found in NASA issued news releases. Reporters and editors from media outlets including television and newspapers had access to such documents from dozens of manufacturers while working on stories about the first lunar landing.
First conceived and pitched to Kickstarter backers in
2013, Temporal Anomaly is an ambitious fan project set in the Star
Trek universe, a nearly hour-long fan film created by Power543 Fan Films.
(20) DISCOVERY. The Popcast analyzes The Borg Paradox.
If you thought the last Paradox was good, you’re going to love this one. The Borg are here and Resistance is Futile!
(21) VIDEO OF THE DAY. Stephen Cunnane, in “Gary the
Gargoyle: Short and Breakdown” on Vimeo,
offers a short fiilm about a gargoyle and an analysis of how the creatures in
the film were designed.
[Thanks to
JJ, Chip Hitchcock, Cat Eldridge, Cora Buhlert, Conrarius, John King Tarpinian,
Bill, rcade, Martin Morse Wooster, Dann, Mike Kennedy, Carl Slaughter, and
Andrew Porter. Title credit goes to File 770 contributing editor of the day Kip
Williams.]
(1) MILES TO GO. In “Lessons learned: writing really long fiction”
on his blog, Charles Stross
discusses his Merchant Princes and Laundry Files series and gives advice to
authors planning multi-book series.
The first thing to understand is the scale of the task. Each of these projects, the Laundry Files and the Merchant Princes, represents a sunk cost of many years of full time labour. At my rate of production (roughly 1.5 novels per year, long term, where a novel is on the order of 100-120,000 words) either of them would be a 7 year slog, even if I worked at them full time to the exclusion of all other work. So we’re talking a PhD level of project scale here, or larger.
In reality, I didn’t work at either series full-time. They only account for two thirds of my novel-length fiction output: in the case of both series, I’ve gone multiple years at a time without touching them. Burnout is a very real thing in most creative industries, and if you work for a duration of years to decades on a single project you will experience periods of deep existential nausea and dread at the mere thought of even looking at the thing you just spent the last five years of your life on. It will pass, eventually, but in the meantime? Try not to put all your eggs in the one ultra-maxi-giant sized basket.
(2) CLICK WITHOUT THINKING.
James Davis Nicoll gives us three reasons to click through to Tor.com —
There are in every field creators whose output has been lamentably small, people from whom one wishes more material had emerged. This is as true for science fiction and fantasy as any other field. Here are five authors on my “more, please” list.
…At other times, as with the following books, one has a nearly subconscious sense that somehow these works share something…without quite being able to articulate what that something is.
Who knows? If careless time travellers had stepped on different animals 541 million years ago, the Earth’s surface might be dominated by…larger but still squishy things, rather than our marvellous selves….
(3) 2020 VISION. The
Scottish National Gallery of Modern Art (Modern Two) will host the “Ray
Harryhausen | 100 years” exhibit from May 23-October 25, 2020
Special effects superstar Ray Harryhausen elevated stop motion animation to an art during the 1950s to 1980s. For the first time, Ray’s collection will be showcased in its entirety, and, as such, this will be the largest and widest-ranging exhibition of his work ever seen, with newly restored and previously unseen material from his incredible archive.
Ray Harryhausen’s work included the films Jason and the Argonauts, the Sinbad films of the 50s and 70s, One Million Years B.C and Mighty Joe Young, and a wider portfolio including children’s fairy tales and commercials. He also inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day.
This exhibition is in collaboration with the Ray and Diana Harryhausen Foundation to celebrate what would have been his 100th birthday year. As part of a series of events and initiatives under the banner #Harryhausen100, this exhibition will be accompanied by screenings, workshops and more, bringing his creations to life once more and celebrating the legacy of a filmmaker who changed the face of modern cinema.
(4) HARRYHAUSEN TRIBUTE YOU
CAN OWN TODAY. Steve Vertlieb says: “Scary Monsters Magazine presents Monster
Memories, issue No. 27,
is an all Ray Harryhausen issue, and features my affectionate tribute to Ray,
and to our half century of friendship. This wonderful one-of-a-kind magazine is
available, and on newsstands now. Get yours while copies last. You won’t want
to miss this very special collector’s edition honoring the beloved special
effects pioneer.”
(5) SHUT UP AND TAKE MY
MONEY. This Kickstarter has funded and attained a whole series of stretch
goals, but how can we resist?
(6) CRISIS MANAGEMENT. Start
planning for your next social media disaster now! (Wait, that didn’t come out
quite right.) Here’s Janet Falk’s article about “Advising
a Client on Crisis Communications” [PDF file].
(7) A MODEST PROPOSAL.
Hugo Awards nominations close soon.
Locus is Hugo Award eligible in "Related Work". (World Fantasy: Special Award; other stuff – editor, cover art, and so on…!)
Whatever/whomever you enjoy in art/literature, support them in the ways that you can. – Ahttps://t.co/nLhxqPyJ9y
Kind of interesting how this logic works. There’s a Hugo category for Semiprozines and Fanzines, but by design, no category for prozines (which Locus is) — it was superseded by the creation of the Best Editor (now Best Editor, Short Form) category. The rules say anything eligible in another Hugo category may not be nominated for Best Related Work, however, an editor and a magazine are by no means the same thing, and in the absence of a prozine category the rules don’t seem to prevent this result. Yet we’ve gone all these years without the Best Related category being captured by Asimov’s, Analog, F&SF, etc. Someone needs to be reminded how this is supposed to work.
(8) TODAY’S BIRTHDAYS.
[Compiled
by Cat Eldridge.]
Born March 12, 1925 — Harry Harrison. Best known first I’d say for his Stainless Steel Rat and Bill, the Galactic Hero series which were just plain fun, plus his novel Make Room! Make Room! Which was the genesis of Soylent Green. (Died 2012.)
Born March 12, 1933 — Barbara Feldon, 86. [86, you say?] Agent 99 on the Get Smart series. Other genre credits include The Man from U.N.C.L.E. and reprising her character on the short-lived follow-up to this series. She didn’t have that much of an acting career.
Born March 12, 1952 — Julius Carry. His one truly great genre role was as the bounty hunter Lord Bowler in The Adventures of Brisco County, Jr. oh but what oh role it it was! Over the course of the series, he was the perfect companion and foil to Bruce Campbell’s Brisco County, Jr. character. (Died 2008.)
(11) FILERS ON THE RONDO BALLOT. I was honored when it was pointed out to me that File 770 is up for the Rondo Hatton Classic Horror Award in the Best Website category. There are lots of true horror-oriented sites that deserve the award more, but news of that genre is part of the mix here. It’s a very nice compliment.
Don Glut’s film Tales of Frankenstein is a nominee in the Best Independent Film category. It’s an anthology-style film, inspired by the old Hammer Horror films from the 1950s. Ed Green has a part in the final chapter. It’s also the last film Len Wein acted in and is dedicated to his memory. Len Wein created Wolverine, as well as several of the “New” X-Men, and had a cameo in X-Men: Days of Future Past. In this trailer, Len appears around the :45 mark, and Ed very briefly as the priest on the right at 1:33.
And nominated for Best Article is Steve Vertlieb’s “Dracula in the
Seventies: Prints of Darkness,” a restored version of an original article on
the Christopher Lee vampire cycle.
(12) UP ABOVE THE WORLD SO
HIGH. During the Cold War while the U.S. Air Force was inspiring Dr. Strangelove, the Royal Air Force was
discovering the hazards of “Exploding
Chocolate Teacakes”.
When Tony Cunnane joined the Royal Air Force in 1953, chocolate teacakes were “all the rage.” Employees aboard strategic nuclear strike aircrafts requested the snack be added to their in-flight ration boxes. But this wasn’t just a sugary jolt to fuel their Cold War training. Chocolate-coated marshmallow teacakes had become, as Cunnane described it, “the subject of some rather unscientific in-flight experiments.”
Shortly after the foil-wrapped treats appeared in RAF ration packs, pilots began to notice that as altitude increased, the teacakes expanded….
On Friday the Crew Dragon capsule will detach from the International Space Station (ISS) 400km above Earth and begin a fiery journey back through the atmosphere, ending in a splashdown 450km off the coast of Florida.
If all goes according to plan, it will wrap up the first complete test mission of the Crew Dragon spacecraft, which is expected to carry its first astronauts into orbit by the middle of this year.
They’ve played 300 shows around the world – and most of their instruments don’t make it through the set.
It’s three hours before showtime and members of an orchestra are seated onstage in the garden of a 1,000-year-old Benedictine monastery outside Cologne, Germany. On cue, the neatly coiffed, black-clad musicians slowly raise their instruments, purse their lips and begin playing the opening passage of Igor Stravinsky’s The Rite of Spring. Just then, a sound technician abruptly cuts them off. The carrot flutes were too strong and he couldn’t hear the leek violin.
“One more time,” he says. “Starting with the cucumber.”
Wonder Woman star Gal Gadot has become embroiled in a row with Israel’s Prime Minister Benjamin Netanyahu over the status of the country’s Arab minority.
“Love your neighbour as yourself,” the Israeli actress said, amid wrangling over the role of Israeli Arab parties in upcoming polls.
Mr Netanyahu caused a stir when he said Israel “was not a state of all its citizens”, referring to Arabs who make up 20% of its population.
…Another man with a variant of that name became the center of an online controversy involving Charlotte’s popular and long-running science fiction convention ConCarolinas last year. This was the conservative military science fiction and political action thriller writer John Ringo, whose announcement as Guest of Honor caused some other scheduled guests to boycott the convention.
Kurtz was one of those who announced she would not attend the 2018 convention, despite being previously announced as a guest. I asked her if she planned to attend this year’s ConCarolinas, which will be held May 31 through June 2 at the Hilton Charlotte University Place Motel.
“There is an entirely new board and new convention committee this year,” she wrote back, “so I am going to go and see if they’ve done anything differently. I know firsthand from speaking with board members and programming directors they are very interested in increasing diversity and fostering an open, collaborative, and safe environment. I am going to see the changes put in action. The board has stated they wanted to show fans that what was shown last year wasn’t who they are as a convention.”
John Ringo’s publisher is Baen Books, the science fiction and fantasy imprint founded in 1983 by conservative editor Jim Baen. Headquartered in Wake Forest and distributed by Simon and Shuster, Baen Books is also the publisher of several writers associated with the anti-diversity “Sad Puppies” movement formed as a reaction to what its members claim is the negative influence of “social justice warriors” on their genres. Although the Sad Puppies have repeatedly proclaimed their manifesto of restoring what they call the classic virtues of old-fashioned action-adventure storytelling to science fiction and fantasy, few of them write nearly as well as the best of the 1930s and ‘40s pulp authors they claim to admire.
Last July, Baen Books published the Weird Western anthology Straight Out of Tombstone, edited by David Boop. It included Kurtz’s story “The Wicked Wild.” I asked her how it felt appearing in a book from the same publisher as John Ringo.
Kurtz replied that she and the book’s editor David Boop had been friends for decades. “I trusted him with my story, and with the material.” She also said that Straight out of Tombstone wasn’t a typical Baen publication. “I think they were surprised by the success of it. Baen is associated with the Sad Puppies, but I am not sure they want to just be known as the publisher of Sad Puppies authors. They have diverse titles in their catalog, so I didn’t worry about it too much, because I trusted my editor.”
Why does she write horror?
…But, she explained, for a kid growing up in public housing projects, nothing on the page was as frightening as the real world, where she saw people die from violence or drugs, and in which the Atlanta child murders dominated the T.V. news cycle. Horror was an escape from that.
Scientists have found evidence of a huge blast of radiation from the Sun that hit Earth more than 2,000 years ago.
The result has important implications for the present, because solar storms can disrupt modern technology.
The team found evidence in Greenland ice cores that the Earth was bombarded with solar proton particles in 660BC.
The event was about 10 times more powerful than any since modern instrumental records began.
The Sun periodically releases huge blasts of charged particles and other radiation that can travel towards Earth.
The particular kind of solar emission recorded in the Greenland ice is known as a solar proton event (SPE). In the modern era, when these high-energy particles collide with Earth, they can knock out electronics in satellites we rely on for communications and services such as GPS.
…Modern instrumental monitoring data extends back about 60 years. So finding an event in 660BC that’s an order of magnitude greater than anything seen in modern times suggests we haven’t appreciated how powerful such events can be.
Hal Blaine, one of the most prolific and influential drummers of his generation, has died at the age of 90.
Over the course of his career, he played on countless hits by Frank Sinatra, Elvis Presley, the Beach Boys and John Lennon, amongst others.
But his most recognisable riff was the “boom-ba-boom-crack” bar that opened The Ronnettes’ Be My Baby.
…According to the Rock and Roll Hall of Fame, which inducted him in 2000, Blaine “certainly played on more hit records than any drummer in the rock era, including 40 number one singles and 150 that made the [US] top 10.”
Among those songs were Elvis Presley’s Return to Sender, The Byrds’ Mr Tambourine Man, the Beach Boys’ Good Vibrations, Simon & Garfunkel’s Mrs Robinson, The Mamas and the Papas’ California Dreamin’ and the theme song to Batman.
Blaine also played on eight songs that won a Grammy for record of the year, including Simon & Garfunkel’s Bridge Over Troubled Water, 5th Dimension’s Aquarius/Let The Sunshine and Frank Sinatra’s Strangers In the Night.
Prof Stephen Hawking has been honoured on a new 50p coin inspired by his pioneering work on black holes.
The physicist died last year at the age of 76, having become one of the most renowned leaders in his field.
He joins an elite group of scientists to have appeared on coins, including Sir Isaac Newton and Charles Darwin.
Designer Edwina Ellis said: “I wanted to fit a big black hole on the tiny coin and wish he was still here chortling at the thought.”
(20) UNHAPPY ENDING. Anastasia
Hunter told Facebook readers this
video was taken at San Diego Comic Fest this past weekend and the speaker will
not be invited back.
[Thanks to
John King Tarpinian, Andrew Porter, Carl Slaughter, Cat Eldridge, JJ, Mike
Kennedy, John A Arkansawyer, Martin Morse Wooster, and Chip Hitchcock for some
of these stories. Title credit goes to File 770 contributing editor of the day Jack
Lint.]
