Tag Archives: Best Editor Hugo

Anonymous Blog’s Rankings Draw Protest By Hugo Finalist Short Fiction Editor

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Cartoon by Teddy Harvia

When the Hugo voting deadline closes in a lot of bloggers write posts about how they’re filling out their Hugo ballots. It’s some of the most-read material they’ll put out all year.

The SF Insiders began publishing in June, produced by an anonymous “small group of writers who’ve known each other for years”, and most of their posts so far have been about the Hugos, Lodestar or Astounding Awards given at the Worldcon.

Their second post appeared on June 20, “Blogging the Hugos #1 – Editor Short Form”, where they say “With one exception, six of us independently ranked the six finalists in the same order”. Assigned last place was —

6. Oghenechovwe Donald Ekpeki

Ekpeki is a promising new editor and first-time finalist (and writer-finalist in novelette), but his only work for 2021 was The Year’s Best African Speculative Fiction, a reprint anthology showcasing the work of other editors. There is some merit to assembling a reprint anthology, particularly one that shines a light on another part of the world, but all the other editors contributed original fiction they selected and edited.

Jason Sanford tweeted on August 5 that he regards this as a “smear”.

The SF Insiders decided they were being accused of racism: “Being Seen Again”.

…Someone decided they disagreed with the criteria we used for editor short form and, in true Twitter fashion, decided to make insinuations about our character to promote their own choice, which happened to be our last. In short, a white man called us racist….

While the tweets must stand on their own, Jason Sanford, responding to a question from File 770, said these were his reasons for speaking out: “Just saw the post being passed around and discussed in the genre community and figured I’d add my view. In addition, Ekpeki did a ton of hard work to create the first Year’s Best anthology focused on African speculative fiction, and faced obstacles many editors from the USA and Europe don’t have to deal with. So for that groundbreaking work to be dismissed with as merely ‘a reprint anthology’ really rubbed me the wrong way.” 

And in their “Editor Short Form” post the SF Insiders had not been reluctant to compliment the work of a Black American-born editor:

3. Sheree Renée Thomas

Thomas started as editor of The Magazine of Fantasy & Science Fiction in 2021 and has previously edited anthologies. Her first year was a step up for the magazine, but a transition year is bound to be a bit uneven and that’s how it felt to us. This is where we had some disagreement. One of us ranked her as #2 simply based on the difficulty of such transitions and how well she’s handled it. All of us have high expectations for the magazine under her leadership.

There still remains the issue of the SF Insiders‘ given reason for ranking Ekpeki last, that in their view assembling a reprint anthology is less worthy of being recognized than editing original short fiction.

Hugo finalist Oghenechovwe Donald Ekpeki was incensed by this idea and wrote a 3,000-word Facebook post to dispute it. The full text is at the link. A couple of his key points are:

My “only” work was a reprint anthology “showcasing the work of other editors”. All the other editors contributed original fiction they “edited & selected”.

Essentially saying that I didn’t do enough. What I did do, was no work, or not my work. & finally, not really editing.

Do they realize that this discredits the work of respected icons in the SFF editing world? People like Gardner Dozois, Jonathan Strahan Neil Clark, Ellen Datlow, Paula Guran, Ann & Jeff Vandermeer, & many more who also do reprints & Year’s Bests? It discredits their work. & what is a valid component of anthologies, editing and the genre itself, just to remove from the value of my work. On the other hand, I haven’t heard anyone refer to those other Year’s Best anthologies as showcasing the work of other editors. So what’s different btw me & them?

So that mine is “showcasing the work of other editors?” That’s what reprints & Year’s Best anthologies boil down to now someone’s done the first Year’s Best African Speculative Fiction anthology? Strange And I really really really want to disagree. Strongly but hopefully, coherently. I get that reviewers have to do their thing thing, and we should leave them alone and all that. But all things have limits & exceptions as my fellow Law students who went on to practice will tell you. This isn’t reviewing, so much as redefining.

If you say my compilation is bad, the works I choose don’t work, I have no Introduction, all of which has been mentioned in different tones going from positive inquiry to not so positive, I wouldn’t have made a fuss. But this is redefining what editing work is. And I have to disagree and make known my disagreement, strongly. Because not doing so would be agreeing with this faulty, problematic and dismissive, not to mention undermining, if not sabotaging definition. By editing the Year’s Best African Speculative Fiction anthology I did not “showcase” the works of other editors. The works were created by writers, not editors. That’s the first thing. Editing is its own work of selection and compilation you do whether for originals or reprints. It’s the same thing irrespective of the state of the works.

…So when you say it showcases the work of other editors, you miss the fine point of this. Is it any more rigorous reading an original work than reading a reprint? Are the words easier or harder to read? I don’t get how it’s less work or entirely the original editor’s work.

Does energy leave them every time the work is reprinted so that the reprinting editor loses nothing? Like doesn’t incur costs, charges, spend time, energy, etc? Is all that billable to the original editors so that the reprint merely “showcases” it?

…We need to work on the quality of our allyship in the genre space. Esp white, male, older writers. Generally anyone with a level of privilege. I wish we were more careful about the kind of things we give oxygen to, and unwittingly support. A bit more responsible allyship. Things like not putting out or boosting things that denigrate marginalized people or members of a minority class, vulnerable people. The people we claim to and even actually support in the community. It’s undoing and making nonsense of that work. If you are an authority in the industry, your acquiescence or even silence emboldens or ratifies these people. Is taken as approval. If you can stand by now and watch a member of a minority group be bashed, what says you won’t do the same when it’s a physical lynching?

I can’t count the number of times I’ve seen reasonable, responsible, kind, cool people we all like posting or sharing or boosting things that deliberately and obviously denigrate or demean me & other marginalized people in a racial or other marginalizing and bigoted way. Society, systems are a makeup of all of us. The way that you are and how you receive issues, react to, respond or don’t respond to them contributes to the society or system we have. So you have to ask yourself what kind of society or system your action or inaction is creating. Not just continue criticizing a system you prop up or contribute unwittingly to creating or sustaining. I am no stranger to criticism. You’ll be surprised the kind of things I’ve heard or had said to and about me. The majority of which I don’t share with anyone because it would make my feed very unpalatable….

Ekpeki has merged a defense of his work as a reprint editor with a counterattack on anyone who “demean[s] me & other marginalized people in a racial or other marginalizing and bigoted way” which indicates what he thinks are the motivations of the SF Insiders.

The SF Insiders wrote a response to Jason Sanford’s tweets (“Being Seen Again”), probably before Ekpeki’s Facebook post went live, for they tried to create division between the editor and his ally:

If the editor in question happens to be reading this, please know we enjoyed your anthology. Congratulations on your nomination! Your supporter, while admirably passionate about your work is, however, misguided and causing harm. We hope you don’t sanction such things. (That’s a criteria too.)

The mysterious SF Insiders like to agitate but sound offended when the inevitable pushback arrives. And while Ekpeki’s work should be respected and he is entitled to be proud of being a Hugo finalist, unleashing a three-thousand-word thunderbolt against a group of anonymous bloggers anoints them with a level of prestige they did not previously have.

Best Editor Short Form Hugo: Eligible Works from 2020

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By JJ: To assist Hugo nominators, listed below are the editors of more than 1,000 short form works published for the first time in 2020.

Note that all of the works labeled “novella”, “novelette”, and “short story” are eligible in the corresponding Hugo fiction categories. If a work is not labeled, or it is labeled “short fiction”, its length has yet to be determined. Collections and Anthologies are not eligible for nomination as whole works, but the original pieces of fiction they contain are each eligible in the appropriate length category. Poetry and nonfiction are not eligible.

Note that the Short Form Editors listed below may, or may not, be eligible — that is, have the equivalent of at least 4 anthologies and/or magazine issues in their career, with at least 1 of them published in 2020. If I know for sure that an editor has the equivalent of at least 4 eligible works, they are labeled as “eligibility verified”.

These credits have been accumulated from Acknowledgments sections and copyright pages in works, eligibility posts, short fiction venue mastheads, the ISFDB, and other sources on the internet.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as short fiction venues post elibibility lists and I get more information).

Feel free to add missing 2020-original works and the name of their editors in the comments, and I will get them included in the main post. Self-published works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

If you are able to confirm credits from Acknowledgments sections, copyright pages, or by contacting authors and/or editors, then go ahead and add them in comments. If you have questions or corrections, please add those also.

Authors, Editors, and Publishers are welcome to post in comments here, or to send their eligibility lists to jjfile770 [at] gmail [dot] com.

Some of the magazines listed below are Prozines and are not eligible in the Hugo Semiprozine category. For a list of Semiprozines vs. Prozines, see Semiprozine.org.

Short Form Editors

3.3.10: Best Editor Short Form. The editor of at least four (4) anthologies, collections or magazine issues (or their equivalent in other media) primarily devoted to science fiction and / or fantasy, at least one of which was published in the previous calendar year.

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Best Editor Long Form Hugo: Eligible Works from 2020

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By JJ: To assist Hugo nominators, listed below are the editors of long form (novel-length) works published for the first time in 2020.

Note that all of these works, unless they are labeled “nonfiction”, are eligible in the Best Novel category.

These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, as well as other sources on the internet. This year, Filers Martin Pyne and Karen B. also collected this information, and though we had a lot of overlap, their extra entries have greatly increased the information we are able to provide you. My profound thanks go to Martin and Karen for all of their hard work.

You can see the full combined spreadsheet of Editor and Artist credits here. Thus far we have more than 300 Long Form Editor credits (I will be continuing to update this as I get more information).

Feel free to add missing 2020-original works and the name of their editors in the comments, and I will get them included in the main post. Self-published works may or may not be added to the list at my discretion. (Short form works will be in a different post. Please do not add them here.)

PLEASE DON’T ADD GUESSES.

If you are able to confirm credits from Acknowledgments sections, copyright pages, or by contacting authors and/or editors, then go ahead and add them in comments. If you have questions or corrections, please add those also.

Authors, Editors, and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.

Long Form Editors

3.3.11: Best Editor Long Form. The editor of at least four (4) novel-length works primarily devoted to science fiction and / or fantasy published in the previous calendar year that do not qualify as works under 3.3.10.

(Note that the Long Form Editors listed below may, or may not, be eligible — that is, have 4 qualifying works published in 2020. Editors whose eligibility has been confirmed are listed first.)

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Ben Bova (1932-2020)

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  • Ben Bova at Minicon 8, 1974
  • Photo by Ed Chappell

Author and Hugo-winning editor Ben Bova died November 29 at the age of 88. Family member Kathryn Brusco announced the cause of death was COVID-19 related pneumonia and a stroke. Tor.com’s Andrew Liptak also confirmed the death with a second source (“Legendary Science Fiction Author Ben Bova Has Passed at the Age of 88“.)

Bova’s first professional sf sale was a Winston juvenile, The Star Conquerors (1959), and his first published short fiction was bought by Cele Goldsmith at Amazing – “A Long Way Back” (1961). During the Sixties he had nearly two dozen more novels and stories published.

He made several sales to Analog before meeting editor John W. Campbell, Jr. face-to-face at a Worldcon in Washington, D.C. After shaking his hand, Campbell provocatively said: “This is 1963. No democracy has ever lasted longer than 50 years, so this is obviously the last year of America’s democracy.”

Another story sold to Campbell, “Brillo” (1970), co-authored with Harlan Ellison, was his first story to be up for an award, a Hugo nominee. (And ten years later they won a judgment against ABC and Paramount, makers of Future Cop, for plagiarizing their idea.)

Bova also served as the science advisor for the Canadian television series Ellison created, The Starlost. Appalled by the production, Ellison assigned his credit to “Cordwainer Bird,” and Bova resigned but didn’t have the “contractual right to remove his name from the credits.” His novel The Starcrossed, is loosely based on those experiences.

Ben Bova studied journalism at Temple University in the Fifties, paying his way through by working as a copyboy at the Philadelphia Inquirer on a shift that started at 6 p.m. and went until 3 a.m. He learned “the basics of writing news copy are simple enough: be clear and deliver on time.”

He acquired his interest in science from visiting the Fels Planetarium, part of Philadelphia’s science museum, the Franklin Institute. “I never took a formal college course in science; I learned from the director of the Planetarium, I.M. Levitt, who became a lifelong friend and mentor.”

In 1956 he was hired by Glenn L. Martin Co. and worked on Project Vanguard, having marketed himself to recruiters as “someone who could understand what the engineers were doing and translate it into copy that the general public could understand.” In the 1960s he worked for the Avco Everett Research Laboratory.

When John W. Campbell, Jr. suddenly died in 1971, Bova was offered the job of editing Analog Science Fiction magazine. “It was like being drafted to run for president. You’re terribly afraid you’re not up to the task, but you can’t refuse to step up to it.” He eventually asked the publisher’s executive who had hired him why he was picked for the job, when much better-known science-fiction writers had been considered. The executive answered that he had made it a point to read the work of each person up for the job. “Ben,” he said, “you were the only one I could understand!”

Bova made Analog, already the prozine with the largest circulation, even more successful. His accomplishments included publishing Spider Robinson’s first sale, a Callahan’s Bar story, and during his tenure acquiring many Hugo-winning stories, among them Larry Niven’s “The Hole Man” and ”Borderland of Sol”, Vonda McIntyre’s Dreamsnake, George R.R. Martin’s “A Song for Lya,” The Forever War and “Tricentennial” by Joe Haldeman, “Home Is the Hangman” by Roger Zelazny, “Eyes of Amber” by Joan D. Vinge, and more. He was the winner of the first Best Professional Editor Hugo (1973), and collected five more while at the helm of the magazine.

He left Analog in 1978 to edit Omni, holding that post until 1982.

During Bova’s career he wrote over 120 fiction and nonfiction books. His novel, Titan, part of The Grand Tour series, won the prestigious John W. Campbell Memorial Award in 2007. Another in the series was Jupiter —

https://twitter.com/pnh/status/1333551969311612933

Bova served as President of Science Fiction and Fantasy Writers of America (SFWA) from 1990 to 1992. SFWA President Mary Robinette Kowal paid tribute: “I am devastated that our community has lost Ben Bova. He was so welcoming to new writers and embodied the philosophy of paying it forward.”

He also held the position of President Emeritus of the National Space Society

Bova taught science fiction at Harvard University and at the Hayden Planetarium in New York City, where he has also directed film courses. He received his doctorate in education in 1996 from California Coast University.

He was Worldcon Author Guest of Honor at Chicon 2000. He was awarded the Robert A. Heinlein Award in 2008 for his work in science fiction.

Bova was married three times. He had a son and a daughter with his first wife, Rose. They divorced in 1974. That same year he married Barbara, and their marriage lasted 35 years, until her death in 2009. In 2013, he married Rashida Loya.

Pixel Scroll 6/18/20 On And On They Filed Until They Reached The Sea Of Pixelbilities, Where They Could Scroll No Further

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(1) GLORIOUS. Benford and Niven’s third and final book in their Bowl of Heaven series is out, and they’ll be doing a Powell’s Books Zoom event on June 30, 6:00 p.m. Pacific. Register here.

Written by acclaimed, multi-award-winning authors, Gregory Benford (Timescape) and Larry Niven’s (Ringworld), GLORIOUS (Tor Books) concludes the Bowl of Heaven series praised by Booklist as “a solid adventure and entertaining speculation on the lives of alien creatures.”

In the journey that began with the New York Times bestseller, Bowl of Heaven and its sequel, Shipstar, audacious astronauts encounter bizarre, sometimes deadly life forms, and strange, exotic, cosmic phenomena, including miniature black holes, dense fields of interstellar plasma, powerful gravity-emitters, and spectacularly massive space-based, alien-built labyrinths. The alien civilization is far more advanced than our own, and difficult for our astronauts to comprehend. The astronauts must explore and document this brave, new, highly dangerous world, while also dealing with their own personal triumphs and conflicts — their loves and jealousies, joys and disappointments.

Benford and Niven are masters of the science fiction genre and a sci-fi power duo. Together they have combined their talents and expertise to create an unforgettable series for science-fiction fans everywhere.

(2) MY PRECIOUS. Michael Dirda’s resolve to get rid of some of his books has been sorely tried — as happens to so many of us — “By day, I’ve been trying to cull my book collection. But at night, eBay beckons” in the Washington Post.

… Alas, my plan to sort and cull my thousands of books — described last week in my Zippy Shell column — failed to make allowance for human nature. For even as I was straining my back by carrying boxes up the stairs to donate or sell to the noble used book dealers of Washington, come bedtime I would go online to take a quick peek at the current offerings from L.W. Currey, John W. Knott, Richard Dalby’s Library, Type Punch Matrix, Wonder Book and Video or Capitol Hill Books. It didn’t matter that I ached like a stevedore at the end of a double shift. During daylight hours, the world applauded a crusading Dr. Jekyll energetically focused on discarding and recycling printed matter, but once night fell Mr. Hyde would emerge and, while fiendishly cackling, type arcane titles into the search engines of viaLibri, eBay and Addall. Typically, when a friend recently recommended H.B. Marriott Watson’s “The Adventurers” (1898), there was suddenly nothing I wanted more in the world than a copy of this forgotten piece of swashbuckling Victoriana….

(3) GONE BUT NOT FORGOTTEN. UK publication Infinity Magazine subsequently deleted the public post screencapped below.

https://twitter.com/FanBotherer/status/1273714351023828992

(4) GENESIS. Although Mark Lawrence takes J.K. Rowling and Ursula Le Guin as texts, more than anything his post “Influence” is a warning to readers who want to infer the source of a writer’s ideas based on similarities to other works.

One of the questions I’m most often asked in the gazillion blog interviews I’ve done is (second only to “Where do you get your ideas?“):

What are your influences?

It’s a question I’ve always had difficulty answering and am saved from mainly by being able to point at two very clear influences for my first two trilogies.

Let’s note that influence comes in many forms, not least: writing style, characters, ideas/topics, and book structure.

(5) COMING IN 2021. HBO Max dropped this sneak peek at Zack Snyder’s Justice League today.

(6) WE WON? The BBC reports “Six movies resuming production after coronavirus”; 5 are genre.

While lockdown may have provided us with the chance to catch up on some old movies, there’s only so many you can watch before you crave something new.

Agreed? Agreed.

Well, fear not, because around the world some of the big-hitters are starting to re-commence production – which was of course halted by Covid-19 – in a variety of socially-distanced ways.

Here are just six of the films to keep your fingers crossed for then in 2021, when the cinemas are hopefully back in business.

Avatar 2

The long-awaited sequel to James Cameron’s 2009 sci-fi blockbuster was able to re-start filming in New Zealand this week, because the country is almost coronavirus free.

Cameron and producer Jon Landau told the press Down Under that part two of the planned five-part film series; rumoured to be called The Way of Water (oh yeah, it’s set under water this time, by the way) would bring hundreds of jobs and millions of dollars back into the country following the pandemic.

Landau shared a photo on Instagram earlier this week as the production got under way.

It will also bring some more big names including Kate Winslet and Vin Diesel to add to returning original stars Zoe Saldana, Sigourney Weaver and Sam Worthington.

Avatar 2, which is intended to work as a standalone feature (you won’t need to have seen the first one, in other words), will focus on the children of Sully and Neytiri, who are by now leaders of their clan.

The film is now slated for a December 2021 release, with film five in the diary already for 2027 – for those of you who like to plan ahead.

(7) CLOCKING IN. The Root spreads the word: “Tick Tock: Watchmen Will Be Free on HBO for a Few Days Starting on Juneteenth—You Must Watch It”.

…But, you only have a limited time—This offer will only be available Friday June 19 through Sunday June 21. You have 3 days to watch the debut season, which is a total of 9 episodes. Since everyone should be binging experts by now, that’s light work!

…In addition to its groundbreaking portrayal of the Tulsa Race Massacre, Watchmen is a must-watch due to its timely thesis on white supremacy. In fact, it’s worth a revisit or two to truly reflect on its themes in a critical way. I certainly plan to revisit it.

So go ahead and watch Watchmen and discuss the episodes thoroughly. View the show for free online via HBO.com and via On Demand.

(8) HEAR FROM HUGO FINALISTS. Saturday’s episode of Essence of Wonder will have the “Hugo finalists for Short Story and Editors”. June 20 at 3p.m. Eastern. Register at the link.

Nibedita Sen, Fran Wilde, Alix E. Harrow, SL Huang, and Shiv Ramdas will join Karen Castelletti to discuss their nominations for Best Short Story.

That panel will be followed by “A Mini Show With Lior Manor, Mentalist.”

Then, at 4:40p.m. Eastern will follow a “Panel Discussion With Hugo Awards Finalists in the Best Editor Short Form Category” —

Ellen Datlow, Lynne Thomas, Neil Clarke, Lynne M Thomas, and Michael Thomas will join Gadi to discuss their nomination and work.

(9) MEDIA BIRTHDAY.

  • June 1971 — Larry Niven’s All the Myriad Ways, his third collection, was published by Ballantine Books. Costing $.95 and having 181 pages, it included a number of stories of interest such as the first Gil the ARM story, “The Jigsaw Man”, “Man of Steel, Woman of Kleenex” and “What Can You Say About Chocolate Covered Manhole Covers?“. It is currently available from all the usual digital suspects. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 18, 1862 – Carolyn Wells.  A hundred seventy books, many for children, many more mystery fiction, also poetry, plays.For us, Folly in Fairyland – reprinted 2016 – no, not that, “Folly” is a nickname for Florinda; anyway, see here.  And here is A-L of her Animal Alphabet; when you look at the rest of this Ink-Slinger’s Profile you’ll recognize Mark Twain, but you should know Skippy was a popular 1923-1945 comic strip.  There’s more, but I’ll stop now.  (Died 1942) [JH]
  • Born June 18, 1889 – Elisabeth Holding.  More mystery fiction; no less than Tony Boucher applauded its “subtlety, realistic conviction, incredible economy”.  For us, he praised Miss Kelly too, about a cat who learns to speak with humans: “one of those too-rare juvenile fantasies with delightful appeal to the adult connoisseur.”  We can also claim three shorter stories, translated into Dutch, French, Italian.  (Died 1955) [JH]
  • Born June 18, 1908 — Bud Collyer. So far as genre is concerned, he’s best-remembered from radio, starring in the dual role of Clark Kent and Superman beginning in early 1940 on The Adventures of Superman on the Mutual Broadcasting System, a role he also would do in the later Superman and other cartoons such as Aquaman and the Batman/Superman Hour. He was posthumously named as one of the honorees by DC Comics in the company’s 50th anniversary publication Fifty Who Made DC Great. (Died 1969.) (CE)
  • Born June 18, 1917 — Richard Boone. He did only two genre roles, one of which — playing Maston Thrust Jr. in The Last Dinosaur — I’m willing to bet you’ve never seen. The other however is one that nearly everyone here has heard, yes, heard, as he voiced Smaug in the Rankin/Bass animated The Hobbit. (Died 1981.) (CE)
  • Born June 18, 1926 – Allan Sandage, Ph.D.  Important next-door neighbor: an astronomer, possibly a great one.  Regarded for thirty years as the pre-eminent observational cosmologist.  Published two atlases of galaxies; five hundred papers.  Warner, Crafoord, Gruber Prizes; Eddington, Cresson, Bruce Medals; Gold Medal of the Royal Astronomical Society.  See here.  (Died 2010) [JH]
  • Born June 18, 1931 — Dick Spelman. A fan and a legendary book dealer who was active at SF conventions from the late Seventies  through the early Nineties. He chaired Windycon IX in 1982. He was a member of the board of directors of Chicon IV, and ran the Dealers’ Room at many Worldcons. In 1991 he sold his book business to Larry Smith and retired to Orlando, where he was active in local fannish affairs. (Died 2012.) (CE)
  • Born June 18, 1942 — Roger Ebert. He got his start as a fanzine writer while in high school, publishing the Stymie zine and having his writing appear in Xero, Yandro and many other zines such as Kipple, Parsection and Psi-Phi. In university, he was a member of the Champaign-Urbana Science Fiction Association. His fannish autobiography is How Propellor-Heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIAtors and Kids in Basements Invented the World Wide Web, All Except for the Delivery System. Mike has much to say about him here. (Died 2013.) (CE)
  • Born June 18, 1942 – Redmond Simonsen.  Game designer; indeed credited with coining that phrase, and “physical system design”.  Founding editor of Ares magazine.  Charles Roberts Awards Hall of Fame.  King of Clubs in Flying Buffalo’s 2008 Origins Poker Deck.  (Died 2005) [JH]
  • Born June 18, 1947 — Linda Thorson, 73. Though Diana Rigg as Emma Peel was John Steed’s best-known partner on The Avengers, she was not his first nor his last. His last one would be Tara King played by this actress. She was the only one to be a real spy. Interesting that other than an appearance on Tales from The Darkside, her only other genre performance was on The Next Gen as Gul Ocett in “The Chase” episode”. (CE)
  • Born June 18, 1949 — Chris Van Allsburg, 71. For some twenty years now, the local Narrow Gauge Railroad has ran a Polar Express every Christmas season compete with cars decorated in high Victorian fashion and steaming cups of hot chocolate. It always sells out for the entire month. Allsburg‘s Polar Express book is just magical for me and I enjoy his Jumanji every bit as much. He illustrated A City in Winter which was written by Mark Helprin — highly recommended. (CE)
  • Born June 18, 1951 – Vivian Vande Velde 69.  Fiction for children and young adults.  Two dozen novels, five dozen shorter stories.  Edgar Award for Never Trust a Dead Man, also School Library Journal Book of the Year.  Anne Spencer Lindbergh Prize.  Paterson Prize. “When our daughter was born, I quit my job….  Since I was home all day, I had to either take housework more seriously or come up with a good excuse why I couldn’t…. Writing turned out to be harder work than I thought…. getting published was even harder…. 32 different publishers … before number 33 said yes.”  [JH]
  • Born June 18, 1971 – Sarah Hines Stephens 49.  Two Wonder Woman stories, here’s one; two about a girl (I mean really a girl, she’s in 6th Grade) whose study of insects grosses out her friends, but then invaders invade and she develops insectile powers (not all insects are bugs, but I can’t help that, the title wouldn’t have been as cool if it had been Bugged Girl); four dozen in all, some with co-authors, some re-tellings, some non-fiction.  [JH]

(11) COMICS SECTION.

(12) TERRAN PRIZE. George R.R. Martin announced that Maurice Haeems will receive the scholarship he funds to bring a writer to the Taos Toolbox:  “Haeems Wins Terran Prize”.

…With that in mind, back in 2018 I established THE TERRAN PRIZE,  to bring an aspiring SF writer from abroad to the Taos Toolbox, the graduate level writing workshop that Walter Jon Williams runs every summer in the mountains of northern New Mexico.  The Prize is given annually and covers all tuition and fees to the Toolbox (but not travel).

…Maurice was born in Mumbai and has a bachelor’s degree in Engineering from the University of Mumbai and an MBA in Finance from the Wharton School of the University of Pennsylvania. Over the last 30 years, he has lived in Mumbai, London, Hong Kong, Taipei, New York, San Francisco, Los Angeles, and Dubai while pursuing professional careers in mechanical engineering, investment banking, and software entrepreneurship.

(13) WILL THIS CHOPPER GET IN THE AIR? In the Washington Post, Christian Davenport discusses the Mars mission to be launched in July and how the Mars rover Perseverance has a helicopter attached, nicknamed “Ingenuity,” which will be the first aircraft to flit on another planet. “NASA rushing to complete Mars launch before planet moves out of range. Mission to include first-ever helicopter exploration.”

… In addition to probing for signs of ancient life on and below the Martian surface, the Perseverance mission would also take to the skies. The Ingenuity helicopter would attempt to fly — an exceedingly difficult task given that the “atmosphere on Mars is only one percent the density that we have here on Earth,” Wallace said. “Trying to control a system like this under those conditions is not easy.”

NASA said it hopes to get at least three flights from the helicopter, but it stressed that it was purely a technology demonstration mission and that it would take each one as they come.

(14) DAY LATE AND A DOLLAR SHORT. Count on Jon Del Arroz to bring you yesterday’s 770 content today!

(15) HALLOWEEN TREE. But here’s today’s Bradbury news, via Deadline:“Ray Bradbury’s ‘The Halloween Tree’ In The Works As Movie At Warner Bros With Will Dunn Adapting”.

We have learned that Will Dunn has been tapped by Warner Bros to adapt Ray Bradbury’s 1972 fantasy novel The Halloween Tree. 

…Bradbury wrote and narrated Hanna-Barbera’s 1993 feature-length animated version of the novel for television, for which he won the 1994 Daytime Emmy Award for Outstanding Writing in an Animated Program.

(16) NOT-QUITE-THE-NEXT-GENERATION. On the other hand, here’s some much older Roddenberry news — JDA might like that even better! From TrekMovie in 2018: “Unearthed: Pre-Roddenberry ‘Star Trek: The Next Generation’ Pitch Was A Wildly Different Show”.

…The 8-page concept pitch, entitled “Star Trek: The Next Generation,” was conceived by producer Greg Strangis (War of the Worlds, Falcon Crest) over the summer of 1986 and is set during a 10-year war between the Federation and the Klingon Empire. It tells the story of the U.S.S. Odyssey, a ship ferrying a group of cadets on their first deep space assignment and tasked with delivering a document to Organia that could ultimately change the course of the war.

While some of the ideas in this concept can be seen in what ultimately became Star Trek: The Next Generation (such as a young Klingon officer as part of the crew), this original pitch bears little resemblance to the show that went on to have seven successful seasons. One of the more creative ideas was how the original captain dies in the pilot, but “continues to ‘live’ in the ship’s computer” as a hologram who can be summoned for advice….

So would this character have turned into the Emergency Holographic Captain?

[Thanks to JJ, Chip Hitchcock, Cat Eldridge, Andrew Porter, Daniel Dern, John Hertz, Jeffrey Smith, Will R., Martin Morse Wooster, Michael Toman, Mike Kennedy, Steve Wagner, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Best Editor Short Form Hugo: Eligible Works from 2019

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By JJ: To assist Hugo nominators, listed below are the editors of short form works published for the first time in 2019.

These credits have been accumulated from Acknowledgments sections and copyright pages in works, eligibility posts, and other sources on the internet.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).

Feel free to add missing 2019-original works and the name of their editors in the comments, and I will get them included in the main post. Self-published works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

If you are able to confirm credits from Acknowledgments sections, copyright pages, or by contacting authors and/or editors, then go ahead and add them in comments. If you have questions or corrections, please add those also.

Authors, Editors, and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.

Some of the magazines listed below are Prozines and are not eligible in the Hugo Semiprozine category. For a list of Semiprozines vs. Prozines, see Semiprozine.org.

Short Form Editors

3.3.10: Best Editor Short Form. The editor of at least four (4) anthologies, collections or magazine issues (or their equivalent in other media) primarily devoted to science fiction and / or fantasy, at least one of which was published in the previous calendar year.

(Note that the Short Form Editors listed below may, or may not, be eligible — that is, have the equivalent of at least 4 anthologies and/or magazine issues in their career, with at least 1 of them published in 2019.)

Continue reading →

Best Editor Long Form Hugo: Eligible Works from 2019

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By JJ: To assist Hugo nominators, listed below are the editors of long-form works published for the first time in 2019.

These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, as well as other sources on the internet. This year, Filer Goobergunch also collected this information, and though we had a lot of overlap, his extra entries have almost doubled the information we are able to provide you. My profound thanks go to Goobergunch for all of his hard work.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).

Feel free to add missing 2019-original works and the name of their editors in the comments, and I will get them included in the main post. Self-published works may or may not be added to the list at my discretion. (Short form works will be in a different post. Please do not add them here.)

PLEASE DON’T ADD GUESSES.

If you are able to confirm credits from Acknowledgments sections, copyright pages, or by contacting authors and/or editors, then go ahead and add them in comments. If you have questions or corrections, please add those also.

Authors, Editors, and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.

Long Form Editors

3.3.11: Best Editor Long Form. The editor of at least four (4) novel-length works primarily devoted to science fiction and / or fantasy published in the previous calendar year that do not qualify as works under 3.3.10.

(Note that the Long Form Editors listed below may, or may not, be eligible — that is, have 4 qualifying works published in 2019. Editors whose eligibility has been confirmed are listed first.)

Continue reading →

Pixel Scroll 9/8/19 To Be Placed On Our “Do Not Teleport” List, Please Press 1

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(1) WRITTEN AS A WARNING. Margaret Atwood was featured today on CBS Sunday Morning: “’The Handmaid’s Tale’ author Margaret Atwood: ‘I have never believed it can’t happen here’”.

…When asked her inspiration for the handmaids’ outfits, Atwood replied, “The concealment of the body, number one, and the limitation of the body, number 2, so other people can’t see you, but you also can’t see other people.

“So, that, and the Old Dutch Cleanser package from the 1940s,” she added. “A vision from my childhood.”

Outside the church, Atwood is recognized by teenagers attending day camp. At 79, she is Canada’s most famous living writer. She’s published 60 books, but “The Handmaid’s Tale” has overshadowed the others. In English, it’s sold more than eight million copies.

She began the book in West Berlin in 1984: “A symbolic year because of Orwell, and how could I be so corny as to have begun ‘The Handmaid’s Tale’ in that year?  I couldn’t help it!”

(2) NO AWARD. David Pomerico was incensed that Anne Groell finished behind No Award in the Best Professional Editor, Long Form Hugo category. While some of these tweets are a bit overwrought (“Of course, maybe Anne wronged 97 of you somehow, but knowing her like do, I find that hard to believe”), it’s very fair to say most voters have only a very general idea what an editor does, and to wonder how they decided to fill out their ballots. Thread starts here.

I have observed in the fan categories that No Award votes can function as a protest against the existence of a category. If something similar is at work here, it would only be unfortunate collateral damage that a person received fewer votes than No Award on the first ballot. Note that although she wasn’t the first choice of very many voters, the sixth place runoff shows 446 people ranked Groell ahead of No Award.

(3) PKD’S FINAL RESTING PLACE. “Arts and Entertainment: Community celebrates Philip K. Dick” — The Fort Morgan (CO) Times covers a local PKD festival. Why Fort Morgan? For a couple of good reasons:

…PKD died in Santa Ana, California, on March 2, 1982, at the age of 53. After his death, Hollywood would make some of his work popular with films such as “Blade Runner” (based on his short story “Do Androids Dream of Electric Sheep”); “Total Recall” (based on “We can Remember it Wholesale”); “Minority Report” and “The Adjustment Bureau.”

Dick is buried at the Fort Morgan cemetery next to his twin sister, Jane, who died at 6 weeks old. That grave is a popular draw for fans of the prolific science fiction author from all over the world, with cemetery workers often seeing little trinkets related to his tales left on the stone.

Another connection to Fort Morgan with the late author is that his father’s family was from Fort Morgan.

Two years ago, an expert on author Philip K. Dick who goes by Lord Running Clam (aka David Hyde) saw his dream of having a PKD Festival held in Fort Morgan come true.

And this year, the second version of that every-two-years festival was held.

… One of the big events at this year’s PKD Festival was a panel discussion about “The Man In The High Castle.”

“The Man in the High Castle” is what many consider to be Dick’s first masterpiece, but not everyone feels that way. The panel consisted of Ted Hand, Dr. Andrew Butler, Tessa Dick and Frank Hollander.

(4) CLINGERMAN APPRECIATION. The Library of America’s “Story of the Week is “Mr. Sakrison’s Halt” by Mildred Clingerman (1918–1997), originally published in 1956 by Anthony Boucher in The Magazine of Fantasy and Science Fiction, and recently anthologized in The Future Is Female! 25 Classic Science Fiction Stories by Women.

During the last couple of decades the name Mildred Clingerman has popped up in prominent spots around the science fiction universe. Her works have been included in several significant anthologies and even in textbooks; indeed, her story “Wild Wood” is one of the more memorable entries in the late David G. Hartwell’s landmark collection of Christmas fantasy tales. In 2014 she received a posthumous Cordwainer Smith Rediscovery Award, joining such previous honorees as R. A. Lafferty, Leigh Brackett, and the collaborative team Henry Kuttner and C. L. Moore. And two years ago her family assembled The Clingerman Files, a book collecting most of the science fiction stories that appeared during her lifetime, along with two dozen unpublished tales found in her papers.

(5) TRUE CONFESSION. Cat Rambo is taking inventory:

(6) Q&A. Odyssey Writing Workshops taps into the experience of a successful grad — “Interview: Graduate Erin Roberts”.

Your story “Thanks for the Memories,” an interactive story about a woman piecing her life together one memory at a time, came out in Sub-Q in December 2018. What were some of the challenges in writing a story structured that way?

I had so much fun writing “Thanks for the Memories,” and it’s based on a story I wrote for my last week of Odyssey. I could never make it quite work in prose, but making it interactive and letting the player/reader experience the feeling of trying to work out the main character’s past from within her shoes, using her memories, was the perfect fit of story and format. The hardest part of doing it, other than learning a new coding language to write the piece, was figuring out how to make the piece non-linear (so you could experience the memories in any order), but also structured (so there was a set beginning, middle, and end to drive the story). My solution was to create a frame narrative with a ticking clock and key moments that always happened when the player got through a certain number of memories. That way their experience of the memories could always be different, but the story would still have a shape and forward plot momentum. I like to think it worked out in the end.

(7) HINTS OFFERED. At Writer’s Digest, Robert Lee Brewer has curated a list of links to other WD articles that will show you “How to Write a Science Fiction Novel”.

Whether you want to write about peace-loving aliens or a heartbreaking dystopian future, there are a number of practical strategies for starting your novel, building your world, and landing a satisfying finish. In this post, learn how to write a science fiction novel using some of the best advice on WritersDigest.com.

(8) A HISTORIC CONNECTION. Actor Robert Picardo celebrates Star Trek’s premiere 53 years ago today by sharing Trek-related things found in storage boxes at The Planetary Society’s headquarters. One is a signed letter from Gene Roddenberry encouraging the Star Trek community to join the Society.

Star Trek: Voyager’s holographic doctor, Robert Picardo, also serves on The Planetary Society Board of Directors. However, he is not the first connection between Star Trek and The Planetary Society. In 1980, the creator of Star Trek, Gene Roddenberry, wrote a letter and sent it out to a Star Trek fans mailing list. In the letter, Gene invited his fans to join us on our mission to explore the cosmos. Hear the letter as read by Robert Picardo, listen to his Jean-Luc Picard impression, and see inside Bill Nye’s office for more Star Trek artifacts on hand at The Planetary Society.

(9) TODAY IN HISTORY.

  • September 8, 1966 – Star Trek’s first aired episode, “The Man Trap,” was written by George Clayton Johnson.
  • September 8, 1973 — Star Trek: The Animated Series premiered on this day.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 8, 1911 — William Morrow. He’s the first original Trek Admiral appearing as an Admiral in two episodes, Admiral Komack, in “Amok Time” and as Admiral Westervliet “For the World is Hollow and I Have Touched the Sky”.  Other genre appearances include Cyborg 2087, Mission Impossible, Colossus: The Forbin Project, Panic in Year Zero!, The Resurrection of Zachary Wheeler, Rollerball and Fantasy Island. (Died 2006.)
  • Born September 8, 1925 — Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are surely genre, aren’t they? Of course, he had the tour de force acting experience of being Group Captain Lionel Mandrake and President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. He also took multiple roles (even the Queen) in The Mouse That Roared. Amusingly he was involved in another of folk tale production over various mediums (film, radio, stage) including Cinderella, Tom Thumb, Mother Goose and Jack and The Beanstalk. (Died 1980.)
  • Born September 8, 1945 — Willard Huyck, 74. He’s got a long relationship with Lucas first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom. And he was the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest rated on Rotten Tomatoes Lucasfilm production ever at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm which would be a not quite so dismal 24%. 
  • Born September 8, 1948 — Michael Hague, 71. I’m very fond of East of the Sun and West of the Moon retold by he and his wife Kathleen. Not to be missed are his Wind in The Willows and The Hobbit which are both lovely takes on those tales. 
  • Born September 8, 1954 — Mark Lindsay Chapman, 65. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI, but the scripts were brilliant. Chapman has also shown up in Poltergeist: The Legacy, The New Adventures of Superman, The Langoliers and Max Headroom to name a few of his genre appearances.
  • Born September 8, 1965 — Matt Ruff, 54. I think that his second book Sewer, Gas & Electric: The Public Works Trilogy is his best work to date though I do like Fool on The Hill a lot. Any others of his I should think about reading? 
  • Born September 8, 1966 — Gordon Van Gelder, 54. From 1997 until 2014, he was editor and later publisher of The Magazine of Fantasy & Science Fiction, for which he was awarded twice, and quite well deserved they were, the Hugo for Best Editor Short Form. He was also a managing editor of The New York Review of Science Fiction from 1988 to 1993, for which he was nominated for the Hugo a number of times. 
  • Born September 8, 1971 — Martin Freeman, 48. I’m not a fan of Peter Jackson’s Hobbit films but I really do think he made a very fine Bilbo Baggins. Now I will say that I never warmed to Sherlock with him and Benedict Cumberbatch. Elementary with Jonny Lee Miller and Lucy Liu works better for me.  
  • Born September 8, 1975 — C. Robert Cargill, 44. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards Outstanding Script for a Television Anthology script. 

(11) COMICS SECTION.

(12) LOOK OUT BELOW. Speakers’ Corner finds an author who did a literal book launch: “Science Fiction Should Be Re-Named Science Prediction: Q&A With Sarah Cruddas”.

What inspired you to pick up a pen and write a book for children?

The Space Race: The Journey to the Moon and Beyond – which was released this May – is my third children’s book. Although I don’t see it as just a children’s book. Nearly all of us have a child like wonder about space, and I want to inspire as many people as possible about why space matters and how it is shaping our lives. What inspired me to write this book is that I wanted to inspire as many people as possible about why space matters. I even launched the book to the edge of space (using a balloon) to help showcase just how close space really is.

Wait, hang on – you actually launched your book into space?

Haha yes!

I launched my book to space using a special type of balloon filled with hydrogen gas. The science behind it is relatively simple, the gas in the balloon weighs less than the air around it, so that causes it to rise. The balloon continues to rise and expand until the air that surrounds is equal in pressure – at the edge of space at an altitude which in this case was 33.1km. It then pops and falls to the Earth by parachute.

However it’s also complicated in the sense, you have to notify the CAA and also track the balloon and predict rough landing sight using weather patterns. But it shows that space is truly not far away.

(13) GOOD AS GOLD. Somewhat unexpectedly, Joker has taken top prize at the Venice Film festival. Slate has the story: “Joker Steals Golden Lion at Venice Film Festival!”.

               The Joker, that caliph of clowns, that prince of pranksters, that malevolent mischief-maker whose cunning capers continually confound the courageous crimefighters of Gotham City, has struck again! This time, the caped crusaders’ archest arch-nemesis has left Gotham for bella Italia—ancestral home of local heiress J. Pauline Spaghetti—to pull off his most daring, dastardly deed to date: Stealing the Golden Lion, the top prize at this year’s Venice Film festival, and awarding it to Joker, screenwriter and director Todd Phillips’ critically-acclaimed meditation on poverty, grief, and the myriad ways the social and economic forces of the Reagan era turned decent people into Clown Princes of Crime.

               The Joker’s fiendish feat of film flimflammery is a festival first: According to the Cinematic Milestone Bat-Disclosure Unit, Joker is the first superhero movie to win the Golden Lion. The festival jury, headed by Argentinean director Lucrecia Martel, has not commented on its role in the Joker’s scheme, but Commissioner Gordon believes that an empty box of “Joker Brand Film Festival Jury Hypnotic Gas Pellets (Italian Formulation)” found in the gondola where deliberations were held may hold a clue to the mystery. Authorities acknowledge, however, that their theory that the festival jury was biased in favor of supervillains is not entirely consistent with the fact that they awarded the festival’s next highest award, the Grand Jury Prize, to a small-time sex offender named Roman Polanski for An Officer and a Spy, a movie about the Dreyfus affair. Holy Ham-Handed Historical Analogy, Batman!

(14) NAVIGATING OZ. Daniel Tures looks back at the books and 1939 movie in “Dorothy, the Scarecrow, the Tin Man, the Lion, Oh My!” at the Los Angeles Public Library blog.

…As one of the cultural touchstones of the 20th century, almost any look into the history or production of The Wizard of Oz will spin the reader down endless rabbit holes of film criticism and intellectual wandering. From Judy Garland’s ruby slippers, silver shoes in Baum’s original book, illustrated by W.W. Denslow, to E. “Yip” Harburg and Harold Arlen’s iconic songs, and with heirs from The Wiz to the films of David Lynch, it stands at the crux of Hollywood history.

We tend to think of the books as being written in one place, and the movies based on them being made in another—yet strangely enough L. Frank Baum and his wife Maud Gage actually lived in the town of Hollywood from 1910 to 1919, at the end of his life, just as it was being transformed from a little-known agricultural paradise to a world-famous moviemaking one.

(15) KYLO REN IS DONE WITH IT. “Darth Vader’s Screen-Used Helmet From Star Wars: The Empire Strikes Back Goes up for Auction”: ComicBook.com says you’ll need a wheelbarrow full of cash.

Are you a Star Wars fan with $250,000 to spend? If so, iCollector has an item for you! The online collectibles auction is boasting a Darth Vader helmet worn onscreen by David Prowse in Star Wars: The Empire Strikes Back.

(16) HISTORY OF SF FILMS. Mr. Sci-Fi, Marc Scott Zicree, has been doing a History of Science Fiction, and in the third installment covers 1955 to 1959. He hopes viewers will support his efforts at www.patreon.com/marczicree.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Michael Toman, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/12/19 Special Pixel Service — “Who Scrolls Wins”

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(1) MILES TO GO. In “Lessons learned: writing really long fiction” on his blog, Charles Stross discusses his Merchant Princes and Laundry Files series and gives advice to authors planning multi-book series.

The first thing to understand is the scale of the task. Each of these projects, the Laundry Files and the Merchant Princes, represents a sunk cost of many years of full time labour. At my rate of production (roughly 1.5 novels per year, long term, where a novel is on the order of 100-120,000 words) either of them would be a 7 year slog, even if I worked at them full time to the exclusion of all other work. So we’re talking a PhD level of project scale here, or larger.

In reality, I didn’t work at either series full-time. They only account for two thirds of my novel-length fiction output: in the case of both series, I’ve gone multiple years at a time without touching them. Burnout is a very real thing in most creative industries, and if you work for a duration of years to decades on a single project you will experience periods of deep existential nausea and dread at the mere thought of even looking at the thing you just spent the last five years of your life on. It will pass, eventually, but in the meantime? Try not to put all your eggs in the one ultra-maxi-giant sized basket.

(2) CLICK WITHOUT THINKING. James Davis Nicoll gives us three reasons to click through to Tor.com —

There are in every field creators whose output has been lamentably small, people from whom one wishes more material had emerged. This is as true for science fiction and fantasy as any other field. Here are five authors on my “more, please” list.

…At other times, as with the following books, one has a nearly subconscious sense that somehow these works share something…without quite being able to articulate what that something is.

Who knows? If careless time travellers had stepped on different animals 541 million years ago, the Earth’s surface might be dominated by…larger but still squishy things, rather than our marvellous selves….

(3) 2020 VISION. The Scottish National Gallery of Modern Art (Modern Two) will host the “Ray Harryhausen | 100 years” exhibit from May 23-October 25, 2020

Special effects superstar Ray Harryhausen elevated stop motion animation to an art during the 1950s to 1980s. For the first time, Ray’s collection will be showcased in its entirety, and, as such, this will be the largest and widest-ranging exhibition of his work ever seen, with newly restored and previously unseen material from his incredible archive.

Ray Harryhausen’s work included the films Jason and the Argonauts, the Sinbad films of the 50s and 70s, One Million Years B.C and Mighty Joe Young, and a wider portfolio including children’s fairy tales and commercials. He also inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas, and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day.

This exhibition is in collaboration with the Ray and Diana Harryhausen Foundation to celebrate what would have been his 100th birthday year. As part of a series of events and initiatives under the banner #Harryhausen100, this exhibition will be accompanied by screenings, workshops and more, bringing his creations to life once more and celebrating the legacy of a filmmaker who changed the face of modern cinema.

(4) HARRYHAUSEN TRIBUTE YOU CAN OWN TODAY. Steve Vertlieb says: “Scary Monsters Magazine presents Monster Memories, issue No. 27, is an all Ray Harryhausen issue, and features my affectionate tribute to Ray, and to our half century of friendship. This wonderful one-of-a-kind magazine is available, and on newsstands now. Get yours while copies last. You won’t want to miss this very special collector’s edition honoring the beloved special effects pioneer.”

(5) SHUT UP AND TAKE MY MONEY. This Kickstarter has funded and attained a whole series of stretch goals, but how can we resist?

(6) CRISIS MANAGEMENT. Start planning for your next social media disaster now! (Wait, that didn’t come out quite right.) Here’s Janet Falk’s article about “Advising a Client on Crisis Communications” [PDF file].

(7) A MODEST PROPOSAL.

Kind of interesting how this logic works. There’s a Hugo category for Semiprozines and Fanzines, but by design, no category for prozines (which Locus is) — it was superseded by the creation of the Best Editor (now Best Editor, Short Form) category. The rules say anything eligible in another Hugo category may not be nominated for Best Related Work, however, an editor and a magazine are by no means the same thing, and in the absence of a prozine category the rules don’t seem to prevent this result. Yet we’ve gone all these years without the Best Related category being captured by Asimov’s, Analog, F&SF, etc. Someone needs to be reminded how this is supposed to work.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 12, 1925 — Harry Harrison. Best known first I’d say for his Stainless Steel Rat and Bill, the Galactic Hero series which were just plain fun, plus his novel Make Room! Make Room! Which was the genesis of Soylent Green. (Died 2012.)
  • Born March 12, 1933 — Barbara Feldon, 86. [86, you say?] Agent 99 on the Get Smart series. Other genre credits include The Man from U.N.C.L.E. and reprising her character on the short-lived follow-up to this series. She didn’t have that much of an acting career. 
  • Born March 12, 1952 — Julius  Carry. His one truly great genre role was as the bounty hunter Lord Bowler in The Adventures of Brisco County, Jr. oh but what oh role it it was! Over the course of the series, he was the perfect companion and foil to Bruce Campbell’s Brisco County, Jr. character. (Died 2008.)

(9) COMICS SECTION.

(10) WINGING IT. It’s a short post so I’ll just leave The Onion’s headline here: “Butterfly Under Immense Pressure Not To Fuck Up Timeline With Misplaced Wing Flap”.

(11) FILERS ON THE RONDO BALLOT. I was honored when it was pointed out to me that File 770 is up for the Rondo Hatton Classic Horror Award in the Best Website category. There are lots of true horror-oriented sites that deserve the award more, but news of that genre is part of the mix here. It’s a very nice compliment.

Don Glut’s film Tales of Frankenstein is a nominee in the Best Independent Film category. It’s an anthology-style film, inspired by the old Hammer Horror films from the 1950s. Ed Green has a part in the final chapter. It’s also the last film Len Wein acted in and is dedicated to his memory. Len Wein created Wolverine, as well as several of the “New” X-Men, and had a cameo in X-Men: Days of Future Past. In this trailer, Len appears around the :45 mark, and Ed very briefly as the priest on the right at 1:33.

And nominated for Best Article is Steve Vertlieb’s “Dracula in the Seventies: Prints of Darkness,” a restored version of an original article on the Christopher Lee vampire cycle.

Rondo voting is open – get full information here. The deadline is April 20.

(12) UP ABOVE THE WORLD SO HIGH. During the Cold War while the U.S. Air Force was inspiring Dr. Strangelove, the Royal Air Force was discovering the hazards of “Exploding Chocolate Teacakes”.

When Tony Cunnane joined the Royal Air Force in 1953, chocolate teacakes were “all the rage.” Employees aboard strategic nuclear strike aircrafts requested the snack be added to their in-flight ration boxes. But this wasn’t just a sugary jolt to fuel their Cold War training. Chocolate-coated marshmallow teacakes had become, as Cunnane described it, “the subject of some rather unscientific in-flight experiments.”

Shortly after the foil-wrapped treats appeared in RAF ration packs, pilots began to notice that as altitude increased, the teacakes expanded….

(13) RETURN TRIP. “SpaceX: Crew Dragon’s test flight in graphics”.

On Friday the Crew Dragon capsule will detach from the International Space Station (ISS) 400km above Earth and begin a fiery journey back through the atmosphere, ending in a splashdown 450km off the coast of Florida.

If all goes according to plan, it will wrap up the first complete test mission of the Crew Dragon spacecraft, which is expected to carry its first astronauts into orbit by the middle of this year.

(14) VERBING THE VEGETABLE. Take note: “Vienna’s unpredictable vegetable orchestra”.

They’ve played 300 shows around the world – and most of their instruments don’t make it through the set.

It’s three hours before showtime and members of an orchestra are seated onstage in the garden of a 1,000-year-old Benedictine monastery outside Cologne, Germany. On cue, the neatly coiffed, black-clad musicians slowly raise their instruments, purse their lips and begin playing the opening passage of Igor Stravinsky’s The Rite of Spring. Just then, a sound technician abruptly cuts them off. The carrot flutes were too strong and he couldn’t hear the leek violin.

“One more time,” he says. “Starting with the cucumber.”

(15) SUPERHERO WADES IN. “Wonder Woman star Gal Gadot wades into Netanyahu row over Israeli Arabs” – BBC has the story.

Wonder Woman star Gal Gadot has become embroiled in a row with Israel’s Prime Minister Benjamin Netanyahu over the status of the country’s Arab minority.

“Love your neighbour as yourself,” the Israeli actress said, amid wrangling over the role of Israeli Arab parties in upcoming polls.

Mr Netanyahu caused a stir when he said Israel “was not a state of all its citizens”, referring to Arabs who make up 20% of its population.

(16) GONE TO CAROLINA. Ian McDowell’s profile “Six-gun sisters and future female private eyes: The diverse pulp fiction of Nicole Givens Kurtz” for North Carolina’s Yes! Weekly delves into science fiction’s local culture wars.

…Another man with a variant of that name became the center of an online controversy involving Charlotte’s popular and long-running science fiction convention ConCarolinas last year. This was the conservative military science fiction and political action thriller writer John Ringo, whose announcement as Guest of Honor caused some other scheduled guests to boycott the convention.

Kurtz was one of those who announced she would not attend the 2018 convention, despite being previously announced as a guest. I asked her if she planned to attend this year’s ConCarolinas, which will be held May 31 through June 2 at the Hilton Charlotte University Place Motel.

“There is an entirely new board and new convention committee this year,” she wrote back, “so I am going to go and see if they’ve done anything differently. I know firsthand from speaking with board members and programming directors they are very interested in increasing diversity and fostering an open, collaborative, and safe environment. I am going to see the changes put in action. The board has stated they wanted to show fans that what was shown last year wasn’t who they are as a convention.”

John Ringo’s publisher is Baen Books, the science fiction and fantasy imprint founded in 1983 by conservative editor Jim Baen. Headquartered in Wake Forest and distributed by Simon and Shuster, Baen Books is also the publisher of several writers associated with the anti-diversity “Sad Puppies” movement formed as a reaction to what its members claim is the negative influence of “social justice warriors” on their genres. Although the Sad Puppies have repeatedly proclaimed their manifesto of restoring what they call the classic virtues of old-fashioned action-adventure storytelling to science fiction and fantasy, few of them write nearly as well as the best of the 1930s and ‘40s pulp authors they claim to admire.

Last July, Baen Books published the Weird Western anthology Straight Out of Tombstone, edited by David Boop. It included Kurtz’s story “The Wicked Wild.” I asked her how it felt appearing in a book from the same publisher as John Ringo.

Kurtz replied that she and the book’s editor David Boop had been friends for decades. “I trusted him with my story, and with the material.” She also said that Straight out of Tombstone wasn’t a typical Baen publication. “I think they were surprised by the success of it. Baen is associated with the Sad Puppies, but I am not sure they want to just be known as the publisher of Sad Puppies authors. They have diverse titles in their catalog, so I didn’t worry about it too much, because I trusted my editor.”

Why does she write horror?

…But, she explained, for a kid growing up in public housing projects, nothing on the page was as frightening as the real world, where she saw people die from violence or drugs, and in which the Atlanta child murders dominated the T.V. news cycle. Horror was an escape from that.

(17) BEWARE THE FLARE. Evidence shows they can get bigger than we’ve ever seen — “Solar storm: Evidence found of huge eruption from Sun”.

Scientists have found evidence of a huge blast of radiation from the Sun that hit Earth more than 2,000 years ago.

The result has important implications for the present, because solar storms can disrupt modern technology.

The team found evidence in Greenland ice cores that the Earth was bombarded with solar proton particles in 660BC.

The event was about 10 times more powerful than any since modern instrumental records began.

The Sun periodically releases huge blasts of charged particles and other radiation that can travel towards Earth.

The particular kind of solar emission recorded in the Greenland ice is known as a solar proton event (SPE). In the modern era, when these high-energy particles collide with Earth, they can knock out electronics in satellites we rely on for communications and services such as GPS.

…Modern instrumental monitoring data extends back about 60 years. So finding an event in 660BC that’s an order of magnitude greater than anything seen in modern times suggests we haven’t appreciated how powerful such events can be.

(18) KEEPING THE BEAT. “‘Greatest drummer ever’ Hal Blaine dies aged 90” — no, not genre — but a subtle influence on a lot of us.

Hal Blaine, one of the most prolific and influential drummers of his generation, has died at the age of 90.

Over the course of his career, he played on countless hits by Frank Sinatra, Elvis Presley, the Beach Boys and John Lennon, amongst others.

But his most recognisable riff was the “boom-ba-boom-crack” bar that opened The Ronnettes’ Be My Baby.

…According to the Rock and Roll Hall of Fame, which inducted him in 2000, Blaine “certainly played on more hit records than any drummer in the rock era, including 40 number one singles and 150 that made the [US] top 10.”

Among those songs were Elvis Presley’s Return to Sender, The Byrds’ Mr Tambourine Man, the Beach Boys’ Good Vibrations, Simon & Garfunkel’s Mrs Robinson, The Mamas and the Papas’ California Dreamin’ and the theme song to Batman.

Blaine also played on eight songs that won a Grammy for record of the year, including Simon & Garfunkel’s Bridge Over Troubled Water, 5th Dimension’s Aquarius/Let The Sunshine and Frank Sinatra’s Strangers In the Night.

(19) A HOLE IN YOUR POCKET. Coin designer has a novel goal: “Prof Stephen Hawking commemorated on new 50p coin”.

Prof Stephen Hawking has been honoured on a new 50p coin inspired by his pioneering work on black holes.

The physicist died last year at the age of 76, having become one of the most renowned leaders in his field.

He joins an elite group of scientists to have appeared on coins, including Sir Isaac Newton and Charles Darwin.

Designer Edwina Ellis said: “I wanted to fit a big black hole on the tiny coin and wish he was still here chortling at the thought.”

(20) UNHAPPY ENDING. Anastasia Hunter told Facebook readers this video was taken at San Diego Comic Fest this past weekend and the speaker will not be invited back.

[Thanks to John King Tarpinian, Andrew Porter, Carl Slaughter, Cat Eldridge, JJ, Mike Kennedy, John A Arkansawyer, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Best Editor Long Form and Short Form Hugo: Eligible Works from 2018

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By JJ: To assist Hugo nominators, listed below are the editors of works published for the first time in 2018.

These credits have been accumulated from Acknowledgments sections and copyright pages in works, as well as other sources on the internet.

Feel free to add missing 2018-original works and the name of their editors in the comments, and I will get them included in the main post. Self-published works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

If you are able to confirm credits from Acknowledgments sections, copyright pages, or by contacting authors and/or editors, then go ahead and add them in comments. If you have questions or corrections, please add those also.

Authors, Editors, and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.

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