A Deadly Education (The Scholomance, Book 1) by Naomi Novik. YA, contemporary fantasy.
El (Galadriel) is pissed off. Her classmate Orion just rescued her for the second time –needlessly. She’s capable, more than capable, El’s powerful – El, power, get it? Get it? The YA tradition of unsubtle names is well represented–people need to know she’s powerful. Her future outside of school depends on building a reputation good enough for acceptance into one of the world’s magical enclaves. She won’t last out there alone.
She won’t even last in school alone.
Malficaria, creatures that survive by taking mana from other beings (if humans do it they’re called maleficers) see the young with their growing magic and low defenses as tasty snacks, in the outside world magical children have a low survival rate. The Scholomance built in a pocket dimension with only tiny connections to the outside world was designed to keep malficaria out so the kids – teens, in this case, it’s a high school – have a chance.
Bit of a failure, that. The place is infested. Students have to travel in groups, watch each other’s backs and always check over their shoulders because the place is infested. Only four out of five make it to graduation of which half of those make it past the maleficaria waiting in the graduation hall for their yearly feast.
The 40% chance of living to 18 and making it out the door alive is still considered better odds than being a magical kid on the outside. Good times.
This brings us back to El, she wants to live. In the teacherless, libertarian, capitalist, world of the Sholomance, where every bit of material even pencils must be bartered for or life risked to obtain, she has to show people she’d make a good ally. With her affinity for destruction and death magic that should be easy. It takes a lot of juice though and unlike most, El can’t just flirt with a dark side a little bit, sacrifice a bunny for a little malia, and juice a flashy spell — if she goes bad it’ll be the full Sauron. She hoarded mana the hard way, waited for a chance to show her stuff, and got rescued like a helpless waif.
Orion doesn’t have El’s problems. Filling the rich kid/star athlete role he has a much easier time at the Scholomance. His mother is a politically powerful member of the large New York magical enclave, he arrived with people who’ve known him since he was a toddler all prepared to help him out. He has access to a store of mana and magical artifacts that have been passed down inside the school for years, generations. There’s still danger but he has the resources to face it. And that’s all he does, half-assing his classes Orion gets to white knight around the school huntingdown maleficaria.
Orion, hunter. Maybe in the meta world of YA, the characters are like cats and some magic forces them to take after their names.
After convincing Orion that she doesn’t need saving – like so soon it should be funny – El’s ambushed by one of the students who’s gone full murdery maleficer. So now she does need saving.
Or she could go bad, rip out the guy’s magic and live on.
El doesn’t do it, she passes the test, she will diminish and remain Galadriel – not my joke, the text hits hard on the love me and despair line. Orion swoops in to save the day then spends the night in El’s room guarding her.
And is seen leaving in the morning.
Now he’s sitting with her at meals. People see her as Orion’s girlfriend even though she’s totally NOT. And the rise from outcast to having the rich, popular guy follow her around leads to dangers on a different level, cliques, jealousy, rivalries, maybe – for the first time –friendships.
The YA tropes are well represented, from the politics of who can sit where in the library and lunchroom to more than a few Hunger Games parallels. Some students come in with allies, the less privileged need to find them, oftentimes by taking on personal risk in exchange for favor from the haves. El, like Katness, resents the enclave kids yet even she has to offer what she can do for what they have.
Which leads us to the theme of balance. Magic requires it. El’s mother is a hippie healer living in a commune so El is a potential dark lord navigating a world where everything from notebooks to keeping watch for maleficaria while someone else showers is a negotiated exchange for advantage. Orion with his Targaryen-silver hair is liked and even held in awe while ambiguous brown El is unpopular and suspect. Until Orion’s hunting leaves the malfaceria starved of low-hanging fruit and to balance it out, the privileged and powerful have to suffer attacks. For all that it’s heavy-handed – YA remember? – it all pulls together rather well.
Your own enjoyment is going to depend on a tolerance for the many YA stereotypes and for an angry-snarky-unpleasant at times teenage protagonist. I like El, I like her arrogance and paranoia and surprise when not everyone’s as bad as she thinks they are. A potential evil overlord should have a chip on her shoulder. It makes doing the right thing harder and it makes it more rewarding when she does. I’m eager for the sequel.
I’d rate A Deadly Education slightly lower than Spinning Silver and slightly higher than Uprooted both of which got four stars from me so this shouldn’t be a surprise.
Did you think I wasn’t going to mention it?
Controversy: An early edition of the book contains a racially insensitive passage about the danger of wearing hair in locs (dreadlocks), I didn’t notice it in my read-through and couldn’t find it with a text search which makes it difficult to comment on. There is an apology posted on Naomi Novik’s website. https://www.naominovik.com/apology/
The second controversy: Midway through the book I came across this passage:
Predictably, an Arabic worksheet appeared on my desk the instant I sat down that morning. There wasn’t a single word of English on it; the school didn’t even give me a dictionary. And judging by the cheery cartoonish illustrations next to the lines—most notably a man in a car about to mow down a couple of hapless pedestrians—I had the strong suspicion that it was modern Arabic, too.
Predictably, I grabbed my notebook and added this eloquent line, “51% Man mowing down pedestrians, WTF?”
Mowing down pedestrians has in recent years become a fixture of the American extreme right-wing. From driving over Standing Rock protesters to the vehicular murder of Heather Heyer while protesting the Unite the Right rally and now several Republican-controlled states introducing laws that specifically make it legal to drive over protesters, it’s completely unfair to treat native Arabic speakers as sharing the same murderous impulse that Republicans have regarding people on foot.
More seriously, what the hell? A comment about hairstyles gets an apology and an edit, a line that implies Arabic speakers are violent stays in the book? Even if El’s other language worksheets imply violence–which would make sense for El though it goes unmentioned–singling out Arabic specifically strikes me as a Bad Idea. She does later follow this scene having El hang out in the library near a bunch of Arabic speakers who show no particular propensity for vehicular homicide but still. It is–as the kids say–messed up, yo.
And I hope it was a one-off because I really did like the rest of the book.
(1) PETAL PUSHERS. The latest story in ASU’s Center for Science and the Imagination’s Us in Flux project launched today: “Fourth and Most Important,” a story about coded messages, clandestine drone deliveries, and surprising alliances by Nisi Shawl.
The fourth of the Five Petals of the New Bedford Rose, Integration, is called by some its most important. Primacy of place goes to the first petal, Thought, of course—but linear primacy is deemed by practitioners of the Five Petals to be overrated.
—From “A Thousand Flowers of Thought: Schisms within the New Bedford Rose”
On Monday, June 1 at 4 p.m. Eastern, they’ll have another virtual event on Zoom with Nisi Shawl in conversation with Ayana Jamieson, founder of the Octavia E. Butler Legacy Network.
(2) FIRST FIFTH. Happy blogoversary Camestros! “Happy Five Years Today”. How could we have gotten through those puppy days without you?
…The very last post of May was the other thing I needed a blog to explain: how to vote in an era of trolls https://camestrosfelapton.wordpress.com/2015/05/31/hugo-voting-strategy-high-bar-no-award/ What I was anticipating was more spoilery/trolling tactics in the future. The idea was that we might end up with slates every year and on the slates there would be some stuff that actually was good put there to mess with our heads — what we would later call ‘hostages’.
Once upon a time, I had a wonderful Persian lunch with Justina Ireland at Orchard Market & Cafe outside of Baltimore. The food was delicious, and the conversation on which you were meant to eavesdrop was delightful. Unfortunately, after that, things did not go as planned.
If you want to know what I mean by that, check out our chat on the latest episode of Eating the Fantastic.
Justina Ireland is the author of the New York Times best-selling novel Dread Nation, as well as the recently published sequel Dark Divide. She’s a World Fantasy Award-winner for her former role as the co-editor in chief of FIYAH Literary Magazine of Black Speculative Fiction. She also written Star Wars: Flight of the Falcon: Lando’s Luck, several novels in the middle grade fantasy series Devils’ Pass, including Evie Allen vs. the Quiz Bowl Zombies and Zach Lopez vs. the Unicorns of Doom, and many more. Vulture has called her “the most controversial figure in young-adult literature.”
We discussed whether having written zombie novels has helped her deal with the pandemic, her biggest pet peeve when she hears other writers talk about writing, where she falls in the fast vs. slow zombies debate (and how she’s managed to have the best of both worlds), our very different reasons for not having read Harry Potter, the way she avoided sequelitis in Dark Divide, what it was like playing in the Star Wars sandbox, why it’s easier to lie when writing from a first person point of view, the franchise character she most wishes she could write a novel about, the main difference between science fiction and YA communities, how Law & Order gives comfort during these trying times, and much more.
Penguin Classics is to launch a new series of science fiction—with livery designed by Penguin art director Jim Stoddart—which will aim “to challenge stereotypes about the genre and celebrate science fiction as the essential genre of modern times”.
Penguin Classics Science Fiction will kick off with 10 titles in August, with a further 10 to follow in November. The launch list will include two books by giants of world SF who have not often been published in English: Andreas Eschbach’s The Hair Carpet Weavers (translated by Doryl Jensen) and Angélica Gorodischer’s Trafalgar (Amelia Gladhart). German superstar Eschbach has only had three of his more than 40 novels translated into English; The Hair Carpet Weavers is his 1995 space opera debut. The 91-year-old Argentine Gorodischer is arguably Latin America’s best-known SF writer and Trafalgar follows the titular roguish intergalatic trader through a series of adventures.
… Other titles on the August launch are Kurt Vonnegut’s Cat’s Cradle, Edwin Abbott’s Flatland and Ten Thousand Light-years from Home by James Tiptree Jr, the pseudonym of pioneering American feminist SF writer Alice Bradley Sheldon.
(5) WHERE ELSE CAN SHE SEARCH? [Item by Cmm.] I recently read the story “A Witch in Time” by Herb Williams for a Librivox short SF collection. It appears to be his only publication, from If magazine, February 1955. He’s new to our catalog so I’ve been trying to find any birth or death date. He is not in Wikipedia or the Science Fiction encyclopedia, and I’m not sure his Goodreads listing is accurate — I think he may be lumped under another Herb Williams there. HIs name is too common to have much luck with searching obituaries or Find A Grave, which is another of my go-tos when I’m trying to track down info on an obscure author.
I’m wondering if the name might ring a bell with you or some of the elders in the fan community as one of those authors who was mainly known as a fan but who published professionally once or twice? Anything that might give me a thread to pull, like a guy with that name who was in Chicago or something, would help.
Also if you or any of the other fandom and older-SF knowledgeable folks know of additional resources that I could try to see if I could figure out anymore would be really helpful, like maybe where If magazine’s archives are collected (if there is such a thing) or a person to reach out to who has done bibliographies or has a great memory for 50s SF authors or something?
The other possibility is if “Herb Williams” was a pseudonym used one time — sometimes taht seems to have happened in the 30s-50s era magazines when an author had two stories in the same issue. I tried searching on just the story title to see if it connects to any other author but no luck there.
The first thing you see in “The Vast of Night,” Andrew Patterson’s ingenious and surprising debut feature, is an old 1950s-style TV set broadcasting a show called “Paradox Theater.” It’s clearly modeled on classic anthology series like “The Twilight Zone,” complete with portentous Rod Serling-esque narration that ushers us into “a realm between clandestine and forgotten,” then goes on to rattle off nearly half a dozen charmingly overwrought synonyms, including “a frequency caught between logic and myth.”
Forced to supply my own description, I’d say that “The Vast of Night” exists somewhere at the intersection of radio, television and cinema, and that it excavates some of our fondest old-timey memories of all three in order to build something playfully, strikingly new….
…There are lengthy passages in “The Vast of Night” when you could close your eyes with little loss of dramatic impact. And Patterson, perhaps eager to test the limits of his experiment, sometimes cuts to a black screen mid-dialogue, an audacious touch that allows the dialogue to carry the story. Elsewhere, however, the director gives you a lot to look at. Adam Dietrich’s production design is a marvel of vintage automobiles and analog recording equipment. The gifted cinematographer Miguel I. Littin-Menz pulls off a handful of arresting transitional moments, his camera showily traversing the New Mexico nightscape in sinuous extended tracking shots.
… In any case, no form of literature has more boldly confronted the possibility of global crisis and catastrophe than SF has, from its outset in the 19th century. Mary Shelley’s 1826 novel The Last Man is the quintessential tale of a worldwide pandemic — an outbreak of plague that gradually kills off the entire population, leaving at the end a single, lonely survivor. A recent essay on the novel in TLS shows how its conception emerged, in part, from a massive cholera outbreak that was exacerbated by incompetent public health measures, leading Shelley to conclude that “humanity is the author of its own disasters, even those that seem purely natural or beyond our control.” With its geographic sweep, attention to the interplay of science and politics, and vivid rendering of deserted cities and depopulated landscapes, The Last Man established a template that has been followed by most subsequent narratives of apocalyptic pandemics, in and outside the SF genre, from Stephen King’s The Stand (1978) to Margaret Atwood’s Oryx and Crake (2003) to Emily St. John Mandel’s Station Eleven (2014).
The first book takes us into a dangerous school for the magically gifted where failure means certain death. There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal. Once you’re inside, there are only two ways out: you graduate or you die.
Given that he recently claimed up to 75% of the movie will be footage that we’ve never seen before, Zack Snyder’s cut of Justice League already looks to have enough plot threads to resolve without the possibility of introducing any more. However, the filmmaker’s time at the helm of the DCEU wasn’t exactly characterized by light and breezy narratives, with Batman V Superman: Dawn of Justice in particular packed with enough content to fill three movies, and now that he’s finally got the chance to realize his original vision, he may as well go for broke.
Born May 28, 1847 – Bithia Croker. Irish horsewoman who hunted with the Kildare; married, moved to British India, wrote for a distraction during the hot season. Forty-two novels (17 set in India, 1 Burma, 7 Ireland), translated into French, German, Hungarian, Norwegian; we can claim Beyond the Pale and her seven collections of shorter stories. (Died 1920.) [JH]
Born May 28, 1908 – Ian Fleming.Chitty Chitty Bang Bang is about a flying car. Of IF’s James Bond books, Moonraker is SF, as we discussed at Boskone L, with Peter Weston testifying where the British rocket program was at the time; at the end of the story, Bond and the girl (as she would have been called in 1955) – oh, I won’t spoil it. (Died 1964) [JH]
Born May 28, 1919 — Don Day. A fan active in the 1940s and ’50s In Portland, Oregon, and a member of the local club. He was editor of The Fanscient (and of its parody, Fan-Scent), and perhaps the greatest of the early bibliographers of sf. He published bibliographies in The Fanscient and also published the Day Index, the Index to the Science Fiction Magazines 1926-1950. He ran Perri Press, a small press which produced The Fanscient and the Index of Science Fiction Magazines 1926-1950. He chaired NorWesCon, the 1950 Worldcon, after the resignation of Jack de Courcy. (Died 1979.) (CE)
Born May 28, 1923 — Natalie Norwick. She had a number of genre roles in the Sixties including being Martha Leighton in “The Conscience of the King”, a Trek episode, and appearing as Josette duPres Collins on Dark Shadows. (Died 2007.) (CE)
Born May 28, 1929 — Shane Rimmer. A Canadian actor and voice actor, best remembered for being the voice of Scott Tracy in puppet based Thunderbirds during the Sixties. Less known was that he was in Dr. Strangelove as Captain “Ace” Owens, and Diamonds Are Forever and Live and Let Die in uncredited roles. He even shows up in Star Wars as a Rebel Fighter Technician, again uncredited. (Died 2019.) (CE)
Born May 28, 1930 – Frank Drake, 90. Astronomer and astrophysicist. National Academy of Sciences, American Acad. of Arts & Sciences. Co-designed the Pioneer Plaques; supervised the Voyager Golden Records; thus our next-door neighbor. Lapidarist. Raises orchids. [JH]
Born May 28, 1936 — Fred Chappell, 84. Dagon, his first novel, retells a Cthulhu Mythos story as a realistic Southern Gothic tale. His Falco the Shadow Master’s Apprentice series has a handful of excellent stories, uncollected so far as I can tell, plus a novel, A Shadow All of Light, which is available from the usual digital suspects. (CE)
Born May 28, 1954 – Kees van Toorn. Dutch fan, translator, publisher. Chaired 48th Worldcon, at the Hague. Served on con committees in the Netherlands, Germany, the United Kingdom, the U.S., Canada. Two European SF Awards. This Website https://confiction1990.com is about his Worldcon and a planned reunion. [JH]
Born May 28, 1954 – Betsy Mitchell. Long fruitful career at Baen, Bantam, Warner, Del Rey, editing 150 titles, several becoming N.Y. Times Best Sellers; now, Betsy Mitchell Editorial Services. Guest of Honor at Archon XIV, 4th Street Fantasy Con (1992), Armadillocon XXII, Bosone XLI, Ad Astra XXV, Loscon XL. [JH]
Born May 28, 1977 – Ursula Vernon. Oor Wombat has published two dozen novels, as many shorter stories, and as many covers too, sometimes as T. Kingfisher. Two Hugos, a Nebula, two Mythopoeic and two WSFA (Washington, D.C, SF Ass’n) Small Press awards. Here’s her Amazon author page. [JH]
Born May 28, 1984 — Max Gladstone, 36. His debut novel, Three Parts Dead, is part of the Craft Sequence series, and his shared Bookburners serial is most excellent. This Is How You Lose the Time War (co-written with Amal El-Mohtar) is a finalist for the Hugo Award for Best Novella this year. (CE)
Born May 28, 1985 — Carey Mulligan, 35. She’s here because she shows up in a very scary Tenth Doctor story, “Blink”, in which she plays Sally Sparrow. Genre adjacent, she was in Agatha Christie’s Marple: The Sittaford Mystery as Violet Willett. (Christie gets a shout-out in another Tenth Doctor story, “The Unicorn and the Wasp”. (CE)
(12) UH, FELLOWSHIP, THAT’S THE WORD. End the month on a high note – Josh Gad’s Reunited Apart brings together the cast of Lord of the Rings on Sunday, May 31 at 9 a.m. PT/12 p.m. ET. Here’s a teaser with Sean Astin.
After posting a teaser video in which he demanded Ron Howard — who directed the classic fantasy rom-com back in 1984 — deliver Tom Hanks to viewers, both Gad and Howard made good on their tease Tuesday when they convened for a chat that included Hanks himself, as well as costars Daryl Hannah and Eugene Levy, co-writers Lowell Ganz and Babaloo Mandel, and producer Brian Grazer. The chat doubled as a fundraiser for DIGDEEP, a nonprofit working to provide water and sanitation access to more than two million Americans who still don’t have those utilities.
(13) THE FIRST HUNDRED YEARS. Bob Madle’s about to celebrate his 100th birthday on June 2. First Fandom Experience turned back the pages to acquaint readers with “Robert A. Madle In 1930s Fandom”. Lots of scans of photos and fanzine items.
… In a 2006 conversation with John L. Coker III, Madle recalled:
“My very first letter appeared in the July 1935 Pirate Stories. I was a Gernsback fan, and anything he published I picked up. I read his editorial in the first issue. He said that they will publish pirate stories of the past, the present, and yes, even of the future. So, I wrote a letter saying that they ought to publish a novel about a space pirate and they should get Edmond Hamilton to write it. They printed the letter and I won a year’s subscription to Wonder Stories. I was fourteen years old and I thought that this was one of the greatest things that ever happened.”
Inspired by an engaging time-filler meme on social media , my thoughts returned to that venerable roleplaying game Traveller, profiled on Tor.com earlier this year. Anyone who has played Traveller (or even just played with online character generation sites like this one) might have noticed that a surprising number of the characters one can generate are skilled with blades. This may see as an odd choice for a game like Traveller that is set in the 57th century CE, or indeed for any game in which swords and starships co-exist. Why do game authors make these choices?
So you’ve popped by Old Pasadena in the past, to pick up dinner or to find the perfect scarf for your mom or to search for something rosy for that one cousin who is obsessed with what happens along Colorado Boulevard on New Year’s Day each and every year.
But while strolling through the century-old alleys, on the way to the restaurant or shop, you suddenly feel a chill, a skin prickle, a sense that something vaporous or strange is nearby.
Is it a ghost? Or the knowledge that the historic city is a favorite among phantom fans?
…In 2007, an entirely unanticipated opportunity appeared. Duncan Lorimer, an astronomer at the University of West Virginia, reported the serendipitous discovery of a cosmological phenomenon known as a fast radio burst (FRB). FRBs are extremely brief, highly energetic pulses of radio emissions. Cosmologists and astronomers still don’t know what creates them, but they seem to come from galaxies far, far away.
As these bursts of radiation traverse the universe and pass through gasses and the theorized WHIM, they undergo something called dispersion.
The initial mysterious cause of these FRBs lasts for less a thousandth of a second and all the wavelengths start out in a tight clump. If someone was lucky enough – or unlucky enough – to be near the spot where an FRB was produced, all the wavelengths would hit them simultaneously.
But when radio waves pass through matter, they are briefly slowed down. The longer the wavelength, the more a radio wave “feels” the matter. Think of it like wind resistance. A bigger car feels more wind resistance than a smaller car.
The “wind resistance” effect on radio waves is incredibly small, but space is big. By the time an FRB has traveled millions or billions of light-years to reach Earth, dispersion has slowed the longer wavelengths so much that they arrive nearly a second later than the shorter wavelengths.
Therein lay the potential of FRBs to weigh the universe’s baryons, an opportunity we recognized on the spot. By measuring the spread of different wavelengths within one FRB, we could calculate exactly how much matter – how many baryons – the radio waves passed through on their way to Earth…
(19) GETTIING THE POINT. Charles Veley and Anna Elliott, in “Sherlock Holmes And The Womanly Art Of Self-Defense” on CrimeReads, discuss their series of Sherlock Holmes pastiches with Holmes and his daughter, Lucy James, and what sort of self-defense skills Victorian women had.
…A woman’s chief weapon, as the female self-defense movement began to gain traction, was the hat pin. These long (up to 6 inches), frequently jeweled pins were used to secure the elaborate hats of the day to a woman’s hair, but they could also be wielded with dangerous purpose in the event that a woman was attacked or threatened by a “masher.” In 1912, a hatpin was even used to foil an attempted robbery. Elizabeth Foley, an 18-year-old bank employee, was walking home with a male colleague who carried the entire payroll for the bank staff. They were attacked by a robber who knocked the male colleague down. But Elizabeth, undaunted, reached for her hatpin and jabbed at the robber’s face. The attacker ran away.
(20) NOT DESPICABLE THIS TIME. Gru and the Minions have made a PSA.
The World Health Organization, the United Nations Foundation and Illumination have partnered to release a public service announcement featuring the famous Minions characters and Gru, voiced by actor Steve Carrell, to show how people can stay safe from COVID-19
[Thanks to JJ, Mike Kennedy, Jon Ault, Martin Morse Wooster, John King TArpinian, Chip Hitchcock, Cat Eldridge, John Hertz, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]
…[Vudu Senior Director Julian] Franco had more details to share when it came to Vudu’s plans for non-interactive, original content. He announced that the service is producing (in partnership with eOne and Bell Canada) “Albedo,” a science fiction detective series from “Rampage” director Brad Peyton that will premiere next year, and will mark “Lost” star Evangeline Lilly’s return to TV. In addition, the first three episodes of Nickelodeon’s remake “Blues Clues & You” will premiere on Vudu before they air on linear TV.
Also in the works are unscripted shows like “Turning Point with Randy Jackson” and “Friends in Strange Places,” a travel show with Queen Latifah.
In total, the service will be premiering around a dozen original movies and TV shows later this year, Franco said.
As for those shoppable ads, Vudu Chief Operating Officer and Head of Product Scott Blanksteen said the service is already testing them. These are ads that allow you to purchase the featured products through a pop-up window. He added that these ads are dynamic, changing based on viewer preferences.
(2) WESTEROS SPINOFFS. Although Game of Thrones writer Bryan Cogman told
The Hollywood Reporter in April that his time with the franchise is over for
now—because the spinoff series he was attached to is officially scrubbed, George
R.R.Martin had this to say on his blog.
Oh, and speaking of television, don’t believe everything you read. Internet reports are notoriously unreliable. We have had five different GAME OF THRONES successor shows in development (I mislike the term “spinoffs”) at HBO, and three of them are still moving forward nicely. The one I am not supposed to call THE LONG NIGHT will be shooting later this year, and two other shows remain in the script stage, but are edging closer. What are they about? I cannot say. But maybe some of you should pick up a copy of FIRE & BLOOD and come up with your own theories.
Born May 5, 1908 — Pat Frank. Author of Alas, Babylon. also wrote a 160-page non-fiction book, How To Survive the H Bomb And Why (1962). (Insert irony here.) Forbidden Area, another novel, he wrote, was adapted by Rod Serling for the 1957 debut episode of Playhouse 90. (Died 1964.)
Born May 5, 1926 — Richard Cowper, penname of John Middleton Murry Jr. Christopher Priest in his obit says ‘His best SF is found in the novel The Twilight of Briareus and the books in the White Bird of Kinship series, but most of his short stories were also remarkable. His work always stood out in the SF genre: he was anachronistic, but he dazzled with his elegant, precise, bountiful prose.’ (Died 2002.)
Born May 5, 1942 — Marc Alaimo, 77. Best known for his role as recurring villain Gul Dukat on Deep Space Nine. He was also a security officer in Total Recall named Captain Everett, and the human form of an alien in The Last Starfighter.
Born May 5, 1942 — Lee Killough, 77. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her?
Born May 5, 1943 — Michael Palin, 76. Monty Python of course. I’ll single him out for writing Monty Python’s The Meaning of Life and co-writing Time Bandits with Terry Gilliam. Though decidedly not genre, I going to single him out for being in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role.
Born May 5, 1944 — John Rhys-Davies, 75. Known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood, Professor Maximillian Arturo in Sliders, Macbeth in Gargoyles, Hades in Justice League and Sallah in the Indiana Jones films.
Born May 5, 1979 — Catherynne M. Valente, 40. The list thing I read by her was The Refrigerator Monologues which is a lot of fun. Space Opera is in by TBR pile and I’d like to know what y’all thought of it. My favorite work by her? Oh, by far that’d be the two volumes of The Orphan’s Tales which I go back to fairly often — stunning writing. If you’ve not read them yet, here’s her telling “The Tea Maid And The Tailor” as excerpted from In the Night Garden which is from Green Man.
Born May 5, 1983 — Henry Cavill, 46. Best known portraying Superman in Batman v Superman: Dawn of Justice and Justice League. He appears next in Mission: Impossible – Fallout. He did early in his career as Mike in Hellraiser: Hellworld and was The Hunter In Red Riding Hood, an interesting musical.
Free Range tells a story about Noah that was left out of Genesis.
Frank and Ernest have questionable advice for scientists searching for extraterrestrial life.
“To Boldly Go Where No Cat Has Gone Before” is a motto that Texas-based Chronicle Collectibles has taken to heart with its wonderfully whiskered new line, the Star Trek Cats Collection, which is based on the whimsical feline artwork of Jenny Parks.
(7) YODA, HOW
YOU’VE GROWN! Yankees pitcher CC Sabathia
dressed up as Yoda on Star Wars Day and helped give out bobbleheads at the park
before the game.
Many people harbor a desire for fame — their face on the screen, their star on a boulevard, their name in print. That’s why it’s been so gratifying to have been given plaudits by no less a personage than Rod Serling, as well as the folks who vote for the Hugos.
But it wasn’t until this month that one of us finally made the big time. Check out this month’s issue of Analog, for in the very back is a letter whose sardonic commentary makes the author evident even before one gets to the byline. Yes, it’s our very own John Boston, Traveler extraordinaire.
With that said, “watchable” and “entertaining in the moment” are not precisely the same thing to me as “fun” and “enjoyable.” Watching Endgame to me felt like being on a forced march through a checklist of plot points and character moments, and after a (very short) time I began to be rather conscious of all the scenes that existed not to be an organic moment of story but to be fanservice for a particular character (or set of characters), or to make sure some barely-remembered loose end was tucked in. By the third act and its climactic and overstuffed battle scene, it stopped being clever and started being exhausting. I felt like a kid on vacation being dragged to all the sights on a tour, with no time to really enjoy any of them because look, we’re on a schedule here.
…Spinning Silver is not “Uprooted 2” but it shares common features: based on folk tale tropes and using a (sort of) Eastern European setting to tell an original story with familiar aspects. Instead, we get a story of multiple characters navigating a world of promises, oaths and bargains and the consequences of ambiguous terms.
“You’ve been trying not to pee in your pants your whole life,” says the retired astronaut Scott Kelly, who wore a diaper for liftoff and landing on all four of his space missions. Going into orbit will require you to confront your body in ways you don’t have to on Earth. Get over decades of conditioning by rehearsing basic bodily functions on land: Put on a diaper, lie on the floor with your legs up on the couch, and practice urinating without shame or gravity’s assistance. (Don’t, and you’ll risk damaging your bladder when your body won’t relieve itself in space.)
Leaving Earth is dangerous; you might die, and you should acknowledge and grapple with that before you go. Kelly has spent a total of 520 days in space. Before departing, he always wrote letters to his loved ones to be opened only in the case of his death. Seek help beforehand. Don’t step foot in a spacecraft without some counseling….
It’s not unusual for TV fans to wish that their favourite shows would carry on (Fleabag anyone?). But it seems viewers who long for more have an unlikely ally – former UK Prime Minister David Cameron.
Speaking on David Tennant’s podcast, US writer and actress Tina Fey revealed that, while leader, Mr Cameron implored her to lobby the British TV industry to churn out as many episodes as US shows do.
“Come and convince our showrunners that they can’t just make six episodes of things. Like you guys, they should make 200 episodes,” she recalled him saying.
Fey rejected the request, however, explaining that US writers were, in fact, jealous of the less-is-more British approach.
(13) FUSSIN’ & FEUDIN’. The cold opening of last night’s Saturday Night Live is a Family Feud episode pitting the Game of Thrones against the Avengers.
Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chip Hitchcock,
Carl Slaughter, Andrew Porter, and Cat Eldridge for some of these stories.
Title credit goes to File 770 contributing editor of the day Andrew.]
“The shortlisting of AO3 does not mean that every work published on the site is a Hugo Award finalist,” clarified Kevin Standlee, a member of the Hugo Awards Marketing Committee, to Polygon. “By analogy, if a magazine is nominated for Best Semiprozine, it does not mean that every work and every author published during that year’s run of the magazine is a Hugo Award finalist.”
Whyte also emphasized that Archive of Our Own as a project met all the requirements of the Best Related Work category as far as the Hugo administrators were concerned.
“Archive of our Own as a project is on the Hugo final ballot,” Whyte wrote in an email. “A substantial number of voters supported it, and it is not really the role of the Hugo administrators to second-guess or interpret their intentions. Our job is to determine whether it qualifies under the rules. We considered the precedents in this and other categories very carefully, and found no good reason to disqualify it.”
Archive of Our Own is a platform for fanfiction, yes, but it is also an intricate system of archiving and hosting said fanfiction, as well as a space built up by fandom members for their very own. No “one part” of AO3 qualifies the site for the prize. The entirety — past, present, and promise to the future — makes it uniquely primed for the honor.
“So if the question is, which of that work is the nomination recognizing?” penned Naomi Novik on her Tumblr. “It’s recognizing all of it. You can’t separate one part of it from the other. The garden wouldn’t exist without all of it. And I am grateful for it all.”
As far as the most bonkers fan theories go in the Marvel Cinematic Universe, one clear-cut winner has emerged recently in predicting the climax (back end?) of the highly anticipated Avengers: Endgame.
That would be the premise coined “Thanus,” which posits that the Avengers will finally triumph over intergalactic, snapping super-baddie Thanos (Josh Brolin) when Ant-Man (Paul Rudd) uses his size-altering abilities to shrink down, enter the villain’s butthole and then expand, killing his target in what would essentially be the most volatile hemorrhoid ever.
(3) SNACK TIME. Ursula
Vernon is served a Tibetan delicacy. Thread starts here.
Followed by more culinary adventures. Thread starts here.
(4) KGB. Here are Ellen
Datlow’s photos from the April
17 KGB readings by Dale Bailey and Arkady Martine.
Theodore McCombs: What about Carmilla first attracted you to this project? What do you hope 2019’s readers will find in this 1872 vampire tale?
Carmen Maria Machado: The connection between narratives of vampires and narratives of women—especially queer women—are almost laughably obvious. Even without Carmilla, they would be linked. The hunger for blood, the presence of monthly blood, the influence and effects of the moon, the moon as a feminine celestial body, the moon as a source of madness, the mad woman, the mad lesbian—it goes on and on. It is somewhat surprising to me that we have ever imagined male vampires at all. But of course, that’s because we think of Dracula as the ur-text, the progenitor of the vampire in literature. Carmilla simply isn’t as well-known; I was as surprised as anyone to learn about it. But despite the fact that it’s a somewhat obscure text, its influence can be keenly felt. So I wanted modern readers to understand both Carmilla and Carmilla’s importance.
The novelist Don DeLillo wrote shortly after the attacks that 9/11 would change “the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.” It’s hard to deny that he was right. Several pop-culture phenomena sprang up in the years after 9/11, HBO’s Game of Thrones being one of the most important, but by no means operating in a vacuum. The runaway popularity of The Walking Dead and The Hunger Games in the 2000s also signaled a different sort of sensibility from Tolkien’s postwar years. The enemies were closer, and sometimes they were even friends — or had been. Nothing was entirely trustworthy, not family, not community, and certainly not the government. The anti-establishment cynicism of the ’60s and ’70s had been replaced by a cynicism about virtually everything, and certainly about all institutions. Priests and teachers were now seen as potential molesters. Presidents were no longer just wrong as far as their opponents were concerned — they were actual criminal enemies. George W. Bush was labeled a murderer and Barack Obama was called a fascist. Political and cultural media were weaponized.
It’s the typeface that greets you on your tax forms. It announces MBTA station stops. Its sans-serif letters glow in the night outside Target and CVS.
In the world of typography, Helvetica is as common as vanilla ice cream. The 62-year-old font is celebrated and loathed for its ubiquity. Now, it’s getting a face lift for the digital age.
The reboot — by Monotype, a Woburn [MA]-based firm that owns Helvetica and thousands of other fonts — has set off a new round of debate over a typeface that has not only divided font fanatics but also transcended the field of design.
Indeed, not many fonts are controversial enough to show up on Twitter’s trending topics. So when Mitch Goldstein saw the word “Helvetica” among the social network’s hottest discussions, he joked that it must be there for the same macabre reason that sees celebrity names suddenly pop up.
With the passing of Science Fiction Writers of America Grandmaster Gene Wolfe (1931-2019), literature has lost a unique writer who embraced fruitful paradox. He was at once traditionalist and rebel, metaphysician and realist, trickster and pontiff, experimentalist and conservative, the consummate professional and the most endearingly heart-on-his-sleeve fan. He married the pulp tropes of science fiction and fantasy and horror to the stringent esthetics and techniques and multivalent worldview of echt modernism to produce works which both camps felt did honor to their respective lineages. Readers of “The Death of Doctor Island” or The Fifth Head of Cerebrus could discover all the thematic density and narrative complexity they might seek in a work by Pynchon or Nabokov in tales fully alive as visionary works in SF. In 2014, writer Michael Swanwick, himself a master craftsman, dubbed Wolfe “the single greatest writer in the English language alive today.”…
Born April 18, 1884 — Frank R. Paul. Illustrator who graced the covers of Amazing Stories from May 1926 to June 1939, Science Wonder Stories and Air Wonder Stories from June 1929 to October 1940 and a number of others well past his death date. He also illustrated the cover of Gernsback’s Ralph 124C 41+: A Romance of the Year 2660 (Stratford Company, 1925), published first as a 1911–1912 serial in Modern Electrics. He was inducted into Science Fiction and Fantasy Hall of Fame in 2009. Stephen D. Korshak and Frank R. Paul’s From the Pen of Paul: The Fantastic Images of Frank R. Paul published in 2010 is the only work I found that looks at him. (Died 1963.)
Born April 18, 1938 – Superman. Age: damn if I know. Created by writer Jerry Siegel and artist Joe Shuster, the character first appeared in Action Comics #1 on April 18, 1938. Yes, it was cover-dated as June, 1938. This is generally thought of as the beginning of the Golden Age of Comics. (Died 1992. But he got better.)
Born April 18, 1945 — Karen Wynn Fonstad. She was a cartographer and academic who designed several atlases of literary worlds. Among her work are The Atlas of Middle-earth which is simply wonderful, and The Atlas of Pern which I’ve not seen. (Died 2005.)
Born April 18, 1946 — Janet Kagan. She wrote but three novels in her lifetime, Uhura’s Song, set in Trek universe, Hellspark and Mirabile which is a stitch-up of her Mirabile short stories. The Collected Kagan collects all of her short fiction not set in the Mirabile setting. Her story “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo. (Died 2008.)
Born April 18, 1953 — Rick Moranis, 66. Though now retired from acting, he was active genre-wise once upon a time in such properties as Ghostbusters, Little Shop of Horrors (the remake obviously), Honey, I Shrunk the Kids (which isn’t bad compared to the stinkers that followed in this franchise), The Flintstones and of course Spaceballs. For you next Christmas viewing delight, may I recommend Rudolph the Red-Nosed Reindeer and the Island of Misfit Toys in which he voices The Toy Maker?
Born April 18 — Cheryl Morgan, born, as she put it to me today when I dared to ask her age, so long ago no one can remember. She is a Hugo award-winning critic and publisher now living in Britain. She is the owner of Wizard’s Tower Press and was running the Wizard’s Tower Books ebook store before she closed it due to changes in EU regulation. She was previously the editor of the Hugo award-winning Emerald City fanzine which I confess I read avidly. And she shares joint wins with the rest of the Clarkesworld team for Best Semiprozine in 2010 and 2011. Superb magazine that. Oh, and her personal blog which is great reading won a Hugo In 2009. Read it for the reviews, read it for the occasional snarky commentary. She is on the advisory board of Fafnir – Nordic Journal of Science Fiction and Fantasy Research.
Born April 18, 1965 — Stephen Player, 54. Some birthday honor folks are elusive. He came up via one of the sites JJ gave me but there is little about him on the web. What I did find is awesome as he’s deep in the Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the 25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh, but that’s just a mere wee taste of all he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally, he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money.
Born April 18, 1969 — Keith DeCandido, 50. Another writer whose makes his living writing largely works based on series. He’s done works set within the universes of Sleepy Hollow, Star Trek, Buffy, Spider-Man, X-Men, Doctor Who, Supernatural, Andromeda, Farscape, Spider-Man, X-Men, and Stargate SG-1. He has a fantasy series, Dragon Precinct, ongoing.
Born April 19, 1971 — David Tennant, 48. Eleventh Doctor and my favourite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly. He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe.
We now know that Julian Assange’s cat, who lived with him in the Ecuadorian embassy for a time, is safe and being looked after, but we didn’t know this when I asked about it late last month. And I didn’t know that asking about it would result in the ‘Defend Assange Campaign’ getting in touch….
The highly anticipated film adaptation of Andrew Lloyd Webber’s musical Cats is making its way to theaters. The story is based on T.S. Eliot’s book of poems titled Old Possum’s Book of Practical Cats.
The live production-turned-movie follows a tribe of felines, known as the Jellicle Cats, as they attend the annual Jellicle Ball. During the ball, the tribe’s leader Old Deuteronomy chooses one cat to be reborn and return to a new life.
The Universal film features a star-studded cast that includes Jennifer Hudson, Idris Elba, Taylor Swift, Ian McKellen, Judi Dench, Rebel Wilson, James Corden, Jason Derulo and Steven McRae.
After considering a number of career choices I decided that ‘novelist’ was the best match to my temperament and experience. With both my schooling and military service behind me, I had a wealth of life experience to draw from and the natural wit of England’s upper classes running through my veins.
Here’s the deal: The Fourth of July-inspired sweets are the classic chocolate and creme combo we all know and love but with a twist. They’re filled with red and blue popping candies, so they will quite literally explode in your mouth—in a totally safe Pop Rocks kind of way, you know?
A Russian company called StartRocket says it’s going to launch a cluster of cubesats into space that will act as an “orbital billboard,” projecting enormous advertisements into the night sky like artificial constellations. And its first client, it says, will be PepsiCo — which will use the system to promote a “campaign against stereotypes and unjustified prejudices against gamers” on behalf of an energy drink called Adrenaline Rush.
Yeah, the project sounds like an elaborate prank. But Russian PepsiCo spokesperson Olga Mangova confirmed to Futurism that the collaboration is real.
“We believe in StartRocket potential,” she wrote in an email. “Orbital billboards are the revolution on the market of communications. That’s why on behalf of Adrenaline Rush — PepsiCo Russia energy non-alcoholic drink, which is brand innovator, and supports everything new, and non-standard — we agreed on this partnership.”
(17) RONDO. Steve
Vertlieb would be thrilled if you’d consider voting for his article:
It’s “Rondo Award” time again, and my work on “Dracula In The Seventies: Prints of Darkness” has been nominated by the “Rondo Award” committee for “Best Article of the Year.” Anyone can vote once for their favorites in this category, and voting continues through April 20th, 2019. I’ll go “bats” if you care to vote for my work. Winning a competitive “Rondo” would mean a great deal to me, and sublimely reward these sometimes fragile seventy three years. Simply send your selection (along with your name and e-mail address) to David Colton at email@example.com, and please accept my sincere thanks for your most gracious kindness.
Sometimes rare diseases can let scientists pioneer bold new ideas. That has been the case with a condition that strikes fewer than 100 babies a year in the United States. These infants are born without a functioning immune system.
The disease is called severe combined immunodeficiency, or SCID. “It was made famous in the mid ’70s when the ‘Bubble Boy’ was described in a documentary, and I think it captured the imagination of a lot of people,” says Matthew Porteus, a pediatrician at Stanford University.
David Vetter was the boy who spent most of his short life inside a plastic bubble to protect him from infection. He died at age 12 in 1984.
All babies born in the United States are now screened for this condition, and the best treatment today — a bone marrow transplant — succeeds more than 90 percent of the time. The disease remains a source of great interest to researchers.
“This is one of those diseases in which there’s probably more doctors and scientists studying the disease than patients who have the disease,” Porteus says.
In the 1990s, European scientists actually cured SCID in some patients, using a technique called gene therapy. This process involves removing defective blood cells from a patient, inserting a new gene with the help of a virus and then putting the cells back into the body. Those cells then build up the patient’s immune system.
At first, this treatment in the 1990s and early 2000s looked really promising.
“Of the 20 patients, they all had immune recovery,” says Donald Kohn, an immunologist at UCLA’s Broad Center of Regenerative Medicine and Stem Cell Research. “But, over time, five of them went on to develop a leukemia.”
Pennsylvania’s soon-to-be official amphibian has more than its fair share of nicknames: snot otter, mud devil, Allegheny alligator, devil dog, lasagna lizard.
In short, it’s not exactly a looker.
But the Eastern hellbender salamander was the overwhelming choice of lawmakers for amphibian representation in the state. On Tuesday, the state’s House of Representatives voted 191-6 on a bill that would name the aquatic creature its state amphibian. The Senate passed the bill in February.
The hellbender is a nocturnal salamander that can grow more than 2 feet long. The mud-colored creature, covered in a layer of mucus, breathes primarily through loose flaps of thick, wrinkled skin that look a little bit like lasagna noodles.
The hellbender is also a canary for environmental degradation.
A new species of giant mammal has been identified after researchers investigated bones that had been kept for decades in a Kenyan museum drawer.
The species, dubbed “Simbakubwa kutokaafrika” meaning “big African lion” in Swahili, roamed east Africa about 20 millions years ago.
But the huge creature was part of a now extinct group of mammals called hyaenodonts.
The discovery could help explain what happened to the group.
…”Based on its massive teeth, Simbakubwa was a specialised hyper-carnivore that was significantly larger than the modern lion and possibly larger than a polar bear,” researcher Matthew Borths is quoted by AFP news agency as saying.
(21) READY, AIM, MEOW. Here’s
a piece of technology some of you will want – the Catzooka – Cat Launcher!
Unlike traditional headphones, AirPods are the kind of things you can keep in your ears at all times, and many people do. Their sleek design and lack of wires make it easy to forget they’re resting in your head. And their status symbol shine doesn’t exactly scream “take me out.” This may be great for Apple and its bottom line, but it’s making life weird for people interacting with those wearing them. Are they listening to me? Are they listening to music? A podcast? Just hanging? It’s tough to know.
(23) VIDEO OF THE DAY. In “Cabin Pressure” on Vimeo,
Matthew Lee explains how to behave badly on airplanes!
Martin Morse Wooster, Ellen Datlow, Mike Kennedy, JJ, Mark Hepworth, Chip
Hitchcock, John King Tarpinian, Daniel Dern, Cat Eldridge, Carl Slaughter, Rob
Thornton, and Andrew Porter for some of these stories. Title credit goes to
File 770 contributing editor of the day Kip Williams.]
Gibson’s debut novel is the book that forever changed science fiction with a visionary style that forged the cyberpunk genre. With narrator Robertson Dean at the helm, this story of a washed-out computer hacker who is hired to do the unthinkable is reborn.
SPINNING SILVER by Naomi Novik, read by Lisa Flanagan (2019 Audies Award Winner, Earphones Award Winner)
Novik updates the story of Rumpelstiltskin with a wildly original fantasy tale that has all the markings of a future classic. A young woman with a special gift attempts to save her family but is swept up in world of magic and demons.
This entertainingly absurd audiobook is the latest in The Hitchhiker’s Guide to the Galaxy series and yet another example of the brilliance of the BBC’s audio programs. The talented ensemble cast brings to life Douglas Adams’s original characters, including John Lloyd as The Book, Simon Jones as Arthur Dent, and Geoff McGivern as Ford Prefect.
THE RAVEN TOWER by Ann Leckie, read by Adjoa Andoh (Earphones Award Winner)
Powerful ancient gods, a stolen throne, and revenge. This is the first fantasy book from Leckie, an author known for her space operas, and narrator Adjoa Andoah’s dynamic voices for the imaginative cast of characters make it an audiobook worth seeking out. The story is narrated by a god, the Strength and Patience of the Hill, who tells the story of the world it has observed for millennia. The god also addresses a certain human, Eolo, who is trans. Eolo and heir to the throne Mowat get caught up in political intrigue at court.
Narrator Grover Gardner captures the essence of an underrated science fiction classic while highlighting its introspective musings. At the height of the Cold War, Dr. Lucas Martino works tirelessly on a mysterious project that explodes, leaving him disfigured.
The 2019 Audie Awards®,
recognizing distinction in audiobooks and spoken word entertainment, were
presented tonight by the Audio Publishers Association (APA) at a ceremony in
New York. Presenters included LeVar Burton and Patton Oswalt.
Genre winners were —
Fantasy – Spinning Silverby Naomi Novik, narrated by Lisa
Flanagan, published by Penguin Random House Audio
Science Fiction – The Hitchhiker’s Guide to the Galaxy: Hexagonal Phaseby Eoin Colfer and Douglas Adams,
narrated by John Lloyd, Simon Jones, Geoff McGivern, Mark Wing-Davey, Sandra
Dickinson, Susan Sheridan, Samantha Béart, Toby Longworth, Andy Secombe, Mitch
Benn, Jane Horrocks, Ed Byrne, Jon Culshaw, Jim Broadbent, Professor Stephen
Hawking, Lenny Henry, Tom Alexander, Philip Pope, Theo Maggs, Phillipe Bosher,
and John Marsh, published by Penguin Random House UK Audio
Audio Book of the Year — Children of Blood and Bone
by Tomi Adeyemi, narrated by Bahni Turpin, published by Macmillan Audio
Audio Drama — The Martian
Invasion of Earth by HG Wells, dramatized by Nicholas Briggs,
narrated by Richard Armitage and Lucy Briggs-Owen, and Steal the
Starsby Mac Rogers, narrated by a full cast.
John Scalzi lost to Hitchhikers Guide but he’s still taking home a little swag –
selected by a diverse group of experienced judges and one winner is awarded the
Audie in each category. Finalists for Industry Awards for Excellence in Design,
Marketing, and Production and for Audiobook of the Year will be announced in
The 2019 judging
panel includes: Ron Charles, Book Critic for ?The Washington Post Lisa Lucas, Executive
Director of the National Book Foundation. Linda Holmes, Host of NPR’s
?Pop Culture Happy Hour
The Science Fiction finalists are Artemis by Andy Weir, narrated by
Rosario Dawson, Black Star Renegades by
Michael Moreci, narrated by Dan Bittner, Head
On by John Scalzi, narrated by Wil Wheaton, The Hitchhiker’s Guide to the Galaxy: Hexagonal Phase by Eoin
Colfer and Douglas Adams (with a large number of narrators), and Planetside by Michael Mammay, narrated
by R.C. Bray.
In the Fantasy category the finalists are European Travel for the Monstrous Gentlewoman by Theodora Goss,
narrated by Kate Reading, Jade City by
Fonda Lee, narrated by Andrew Kishino, Kill
the Farm Boy by Kevin Hearne and Delilah S. Dawson, narrated by Luke
Daniels, Second Hand Curses by Drew
Hayes, narrated by Scott Aiello, Marc Vietor, and Tavia Gilbert, and Spinning Silver by Naomi Novik, narrated
by Lisa Flanagan.
Also of genre interest:
of Blood and Bone by Tomi Adeyemi, narrated by Bahni Turpin, is
a nominee for Audiobook of the Year and Young Adult categories.
The Audio Drama category includes nominees Alien:
Sea of Sorrows by
James A. Moore, adapted by Dirk Maggs, narrated by John Chancer, Stockard
Channing, Tony Gardner, Lorelei King, Laurel Lefkow, and a full cast, The Martian Invasion of Earth by
HG Wells, dramatized by Nicholas Briggs, narrated by Richard Armitage and Lucy
Briggs-Owen, and Steal the Starsby Mac Rogers, narrated by a full cast.
Faith-Based Fiction & Non-Fiction category has an sff nominee: The Rogue: Planets Shaken, Book 1
by Lee W. Brainard, narrated by Therese Plummer,
And there are a few other genre works scattered among the
The 2019 Audie Awards will be held on March 4 in New
The American Library
Association (ALA) today announced the top books, video and audio books for
children and young adults – including the Caldecott, Coretta Scott King,
Newbery and Printz awards – at its Midwinter Meeting in Seattle, Washington.
Results of genre
A Newbery Honor Book, The Book of Boy was illustrated by Ian Schoenherr, son of famed sff artist John Schoenherr.
The Corretta Scott King (Illustrator) Book Award went to a story that begins with the Big Bang, The Stuff of Stars, illustrated by Ekua Holmes. And one of the King Illustrator Honor Books is a space race historical Hidden Figures, illustrated by Laura Freeman and written by Margot Lee Shetterly.
The Schneider Family Book Award for teens (ages 13-18) was won by Anger Is a Gift, written by Mark Oshiro, sff author, YouTuber, and a director of Con or Bust.
Four of the 10 Alex Awards for best adult books that appeal to teen audiences went to sff works:
The Black God’s Drums, by P. Djèlí Clark
Circe, by Madeline Miller
How Long ’Til Black Future Month? by N. K. Jemisin
Spinning Silver, by Naomi Novik
The Margaret A. Edwards Award for lifetime achievement in writing for young adults was won by sff author M.T. Anderson.
Neil Gaiman has won the 2020 May Hill Arbuthnot Honor Lecture Award recognizing an author, critic, librarian, historian or teacher of children’s literature, and will present a lecture at a winning host site.
The honor books for the Pura Belpré Awards, honoring a Latinx writer and illustrator whose children’s books best portray, affirm and celebrate the Latino cultural experience included Islandborn, illustrated by Leo Espinosa, and written by Junot Díaz.
Spooked!: How a Radio Broadcast and The War of the Worlds Sparked
the 1938 Invasion of America, written by Gail
Jarrow, was named a Robert F. Sibert Award Honor Book “for
most distinguished informational book for children.”
Toni Adeyemi’s Children of Blood and Bone was a
finalist for the William C. Morris Award, given to a debut author writing for
The Sydney Taylor Book Award Older Readers category winner is Sweep: The Story of a Girl and Her Monster,
by Jonathan Auxier.
A list of all the 2019 award winners follows:
John Newbery Medal for the most
outstanding contribution to children’s literature:
Merci Suárez Changes Gears by Meg Medina
Newbery Honor Books
The Night Diary by Veera Hiranandani
The Book of Boy written by Catherine Gilbert Murdock, illustrated by Ian Schoenherr
Randolph Caldecott Medal for the most distinguished American picture book for
Hello Lighthouse, illustrated and
written by Sophie Blackall
Caldecott Honor Books
Alma and How She Got Her Name,
illustrated and written by Juana Martinez-Neal
A Big Mooncake for Little Star, illustrated and written by Grace Lin
The Rough Patch, illustrated and
written by Brian Lies
Thank You, Omu!, illustrated and
written by Oge Mora
Coretta Scott King (Author)
Book Award recognizing an African-American author and
illustrator of outstanding books for children and young adults:
A Few Red Drops: The Chicago Race Riot of 1919, written by Claire Hartfield
King Author Honor Books
Finding Langston, written by Lesa
The Parker Inheritance, written by Varian
The Season of Styx Malone, written by Kekla
Coretta Scott King
(Illustrator) Book Award:
The Stuff of Stars, illustrated by
King Illustrator Honor Book
Hidden Figures, illustrated by
Laura Freeman, written by Margot Lee Shetterly
Let the Children March, illustrated by
Frank Morrison, written by Monica Clark-Robinson
Memphis, Martin, and the Mountaintop, illustrated by R. Gregory Christie, written by Alice Faye
Coretta Scott King/John Steptoe
New Talent Author Award:
Monday’s Not Coming, written by Tiffany D. Jackson
Coretta Scott King/John Steptoe
New Talent Illustrator Award:
Thank You, Omu!, illustrated and written by Oge Mora
Scott King – Virginia Hamilton Award for Lifetime Achievement:
Dr. Bracy is Professor of Library Science and Director of the Office of University Accreditation at North Carolina Central University (NCCU).
L. Printz Award for excellence in literature written for young
The Poet X, written by Elizabeth Acevedo
Printz Honor Books
Damsel, written by Elana K.
A Heart in a Body in the World, written by Deb Caletti
I, Claudia, written by Mary
Family Book Award for books that
embody an artistic expression of the disability experience:
Rescue & Jessica A Life-Changing Friendship, written by Jessica Kensky and Patrick Downes, illustrated by Scott Magoon and published by Candlewick Press, wins the award for young children (ages 0 to 10).
One honor book for young children was selected: The Remember Balloons” written by Jessie Oliveros, illustrated by Dana Wulfekotte and published by Simon & Schuster Books for Young Children.
The Truth as Told by Mason Buttle, written by Leslie Connor and published by Katherine Tegen Books, an imprint of HarperCollins Publishers, is the winner for middle grades (ages 11-13).
One honor book for middle grades was selected: The Collectors, written by Jacqueline West and published by Greenwillow Books, an imprint of HarperCollins Publishers.
Anger Is a Gift, written by Mark Oshiro and published by A Tor Teen Book, Tom Doherty Associates, is the winner for teens (ages 13-18).
One honor book for teens was selected: (Don’t) Call Me Crazy: 33 Voices Start the Conversation about Mental Health, edited by Kelly Jensen and published by Algonquin Young Readers, an imprint of Algonquin Books of Chapel Hill, a division of Workman Publishing.
Awards for the 10 best adult books that appeal to teen
The Black God’s Drums, By P. Djèlí Clark
The Book of Essie, By Meghan MacLean Weir
Circe, By Madeline Miller
Educated: A Memoir, By Tara Westover
The Girl Who Smiled Beads: A Story of War and What Comes After, By Clemantine Wamariya and Elizabeth Weil
Green, By Sam Graham-Felsen
Home After Dark, by David Small, illustrated by the author
How Long ’Til Black Future Month? By N. K. Jemisin
Lawn Boy, By Jonathan Evison,
Spinning Silver, by Naomi Novik
Literature Legacy Award honors an author or
illustrator whose books, published in the United States, have made, over a
period of years, a substantial and lasting contribution to literature for
children through books that demonstrate integrity and respect for all
children’s lives and experiences.
Walter Dean Myers
Margaret A. Edwards Award for lifetime achievement in writing for young adults:
His books include: Feed; The Astonishing Life of Octavian
Nothing, Traitor to the Nation, Volume I: The Pox Party; and The Astonishing Life of Octavian Nothing,
Traitor to the Nation, Volume II: The Kingdom on the Waves
Hill Arbuthnot Honor Lecture Award recognizing an
author, critic, librarian, historian or teacher of children’s literature, who
then presents a lecture at a winning host site.
Mildred L. Batchelder Award for an outstanding children’s book originally published in a
language other than English in a country other than the United States, and
subsequently translated into English for publication in the United States:
The Fox on the Swing — Originally published in Lithuanian as “Laime Yra Lape,” the book was written by Evelina Daci?t?, illustrated by Aušra Kiudulait?, translated by The Translation Bureau and published by Thames & Hudson, Inc.
Four Honor Books also were selected:
Run for Your Life, published by Yonder, an imprint of Restless Books, Inc., written by Silvana Gandolfi and translated from the Italian by Lynne Sharon Schwartz;
My Beijing: Four Stories of Everyday Wonder, published by Graphic Universe, a division of Lerner Publishing Group, Inc., written and illustrated by Nie Jun, originally published in Mandarin and translated from the French by Edward Gauvin;
Edison: The Mystery of the Missing Mouse Treasure, published by NorthSouth Books, Inc., written and illustrated by Torben Kuhlmann and translated from the German by David Henry Wilson; and
Jerome By Heart, published by Enchanted Lion Books, written by Thomas Scotto, illustrated by Olivier Tallec and translated from the French by Claudia Zoe Bedrick and Karin Snelson.
Award for best audiobook produced for children and/or
young adults, available in English in the United States:
Sadie, written by Courtney Summers and narrated by Rebecca Soler, Fred Berman, Dan Bittner, Gabra Zackman, and more.
Odyssey Honor Audiobooks
Du Iz Tak produced by Weston Woods Studio, a division of Scholastic, written by Carson Ellis and narrated by Eli and Sebastian D’Amico, Burton, Galen and Laura Fott, Sarah Hart, Bella Higginbotham, Evelyn Hipp and Brian Hull;
Esquivel! Space-Age Sound Artist, produced by Live Oak Media, written by Susan Wood and narrated by Brian Amador;
The Parker Inheritance, produced by Scholastic Audiobooks, written by Varian Johnson and narrated by Cherise Booth; and
The Poet X, produced by HarperAudio, an imprint of HarperCollins Publishers and written and narrated by Elizabeth Acevedo.
Pura Belpré Awards honoring a Latinx writer and illustrator whose
children’s books best portray, affirm and celebrate the Latino cultural
Belpré Illustrator Award winner
Dreamers, illustrated and
written by Yuyi Morales
Belpré Illustrator Honor Books
Islandborn, illustrated by Leo
Espinosa, written by Junot Díaz
When Angels Sing: The Story of Rock Legend Carlos Santana, illustrated by Jose Ramirez, written by Michael Mahin
Pura Belpré Author Award winner
The Poet X, written by
Belpré Author Honor
They Call Me Güero: A Border Kid’s Poems, written by David Bowles
Robert F. Sibert Informational
Book Award for most distinguished informational book for
The Girl Who Drew Butterflies: How Maria Merian’s
Art Changed Science, written by Joyce Sidman
Sibert Honor Books
“Camp Panda: Helping Cubs Return to the Wild,” written by Catherine Thimmesh and published by Houghton
Spooked!: How a Radio Broadcast and The War of the Worlds Sparked
the 1938 Invasion of America, written by Gail
The Unwanted: Stories of the Syrian Refugees, written and illustrated by Don Brown
We Are Grateful: Otsaliheliga,
written by Traci Sorell,
When Angels Sing: The Story of Rock Legend Carlos Santana, written Michael Mahin, illustrated by Jose Ramirez
Early Learning Digital Media
Play and Learn Science, produced by PBS
Coral Reef, produced by Tinybop Inc., and
Lexi’s World, produced by Pop
Pop Pop LLC.
Stonewall Book Awards
Mike Morgan & Larry Romans
Children’s Literature Award given annually to English-language children’s and young adult books of exceptional merit relating to the gay, lesbian, bisexual and transgender experience:
Julián Is a Mermaid, written by Jessica
Mike Morgan & Larry Romans Young
Adult Literature Award
Hurricane Child, written by Kheryn
Ivy Aberdeen’s Letter to the World, written by Ashley Herring Blake
Picture Us in the Light, written by Kelly
Theodor Seuss Geisel Award
for the most distinguished beginning reader book is
Fox the Tiger, written and
illustrated by Corey R. Tabor
Geisel Honor Books
The Adventures of Otto: See Pip Flap, written and illustrated by David Milgrim
Fox + Chick: The Party and Other Stories, written and illustrated by Sergio Ruzzier
King & Kayla and the Case of the Lost Tooth, written by Dori Hillestad Butler, illustrated by Nancy Meyers
Tiger vs. Nightmare, written and illustrated by Emily Tetri
William C. Morris Award for a debut book published by a first-time author writing for teens:
Darius the Great Is Not Okay, written by Adib Khorram
Blood Water Paint, written by Joy
Check, Please!: #Hockey, written and
illustrated by Ngozi Ukazu
Blood and Bone,” written by Tomi Adeyemi
Night Sings,” written and illustrated by Vesper Stamper
YALSA Award for Excellence in Nonfiction for Young Adults:
The Unwanted: Stories of the Syrian Refugees, written and illustrated by Don Brown
Four other books
were finalists for the award:
The Beloved World of Sonia Sotomayor, written by Sonia Sotomayor
Boots on the Ground: America’s War in Vietnam, written by Elizabeth Partridge
The Faithful Spy: Dietrich Bonhoeffer and the Plot to Kill Hitler, written and illustrated by John Hendrix
Hey, Kiddo: How I Lost My Mother, Found My Father, and Dealt with Family Addiction, written and illustrated by Jarrett J. Krosoczka
Asian/Pacific American Award for Literature.
Drawn Together, written by Minh Lê, illustrated by Dan Santat
Children’s Literature Category.
Front Desk, written by Kelly Yang
Young Adult Literature
Darius the Great is Not Okay, written by Adib Khorram
Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience.
by Emily Jenkins, illustrated by Paul Zelinsky,
Sweep: The Story of a Girl and Her Monster, by Jonathan Auxier,
What the Night Sings, by Vesper Stamper,
illustrated by the author
A large body of films, music, and books from that year entered the public domain on Jan. 1, the first time that’s happened in 20 years. And that means they can be used according to the will of new creators who wish to adopt or adapt them.
…Those lengthy copyrights can be a barrier to the creation of new art. “Copyright has been overextended so many times, largely at the behest of major copyright holders,” says author Naomi Novik. “Even though what that actually does is inhibit people from creating new works and sharing these older works.” Novik is a founding member of the Organization for Transformative Works, a nonprofit that focuses on preserving fan fiction and art — that is, work created by fans, based on characters and worlds from their favorite written works, film, and TV, which can occasionally come into conflict with copyright law.
… Novik says that the impulse to re-imagine art is innate. “That kind of process of imagination is just something that our brains do. It doesn’t matter what law you put around it, our brains are still going to do it,” she says.
Inevitably, the spring of adaptations will bring about bad versions of these classic works. As Blake Hazard, great-granddaughter of F. Scott Fitzgerald, told The New York Times, “I hope people maybe will be energized to do something original with the work, but of course the fear is that there will be some degradation of the text.”
Miller, who adapted Homer, does worry about the possibility of betraying the texts. But as she was working on Circe, she says, “I came to the understanding that I can’t hurt Homer. He’s fine. Whatever I do, that’s just my response to him. But the original text will be just fine.”
It’s time to put the world into WorldCon. Time to include geography and national culture in the definition of diversity. Past time.
This here is just a discussion in good faith. Remember those? There’s no outrage; no political side. All I’m saying is this: historically, the winner of the Hugo for best novel has been from the US, 82% of the time. If we take just the past five years (2014 – 2018) Americans have been nominated 90% of the time (27/30) and won 90% (the latter number comes from Ken Liu (as translator) sharing the award with Cixin Liu for The Three-Body Problem). For the Nebulas – while not related to WorldCon directly, still reflective of what is happening in the genre – the picture is worse: US writers have been nominated 91% of the time (30/34) and won 100%….
Of course, right in the sweet spot of Napper’s 5-year sample are three years deeply affected by Sad/Rabid Puppy slate voting. Diversity of all kinds suffered in those years. What happens if I go back and pick my own sample – say, the year 2010? The Worldcon was in Australia, and the five Best Novel nominees included two Canadians and a Brit – 60% — leaving Americans at only 40%. Or 2009 when it was in Montreal – the five nominees included two Brits – 40% — and Americans were 60%.
And are people really expected to stop thinking that diversity looks
like N.K. Jemisin’s three-year run, an unmatched achievement, and dismiss it as
just another bunch of Hugos predictably won by an American writer?
The remainder of Napper’s post is a suggested reading list of international novels, a positive contribution, and always in order.
Unfortunately, the next part of being constructive is putting up a list of potential novels and short stories to read. This is why outrage is so much easier than informed discussion: it doesn’t come with so much fucking homework.
But I’ve done my homework. I’ve talked to editors and writers from Australia, Zimbabwe, the UK, New Zealand, Singapore, and – yes – the United States. And I’ve come up with a list. It’s not a comprehensive one. I don’t have that sort of time, and I wouldn’t want it to be. A comprehensive list would be so eye-rollingly long the reader would have no idea where to start. And any such claim to completeness would be immediately debunked. I’m not aiming for perfection or quantity.
Also note that none of these are my nominations (yet). I will add my own to the list over the next few weeks as I get my reading done. I have two I’d like to include from my reading as Aurealis judge, though unfortunately I cannot divulge those until the awards are announced.
All these caveats aside, I present to you a flawed and partial list of stories that entirely reasonable humans from all across the world have recommended. Which is about as good as it gets…
Accounting is an ancient profession. Sumer, the earliest known Mesopotamian civilization, had a positional numbering system, so there was no need for placeholders. A subsequent empire, Babylon, had different demands, so its number-crunching class used two empty wedges to represent a sum like 507. Across the world, the Mayan civilization came up with its own solution to a similar problem, placing a shell where modern mathematicians might place a 0. Some experts argue these wedges are ground zero, to borrow a phrase, but most academics attribute the invention of zero as a number—not as a warm body but a symbol in its own right, one that can be used in equations—to India.
(4) GENTLEMEN, BE SEATED. Now that Camestros Felapton has excused himself from the Hugo race, he knows it’s safe to resume writing hilarious stuff like “Other Revised Canon Aspects of Poo”, which would have increased his risks of winning one. Where are we going with this? Well, here’s the premise, with his second example
The other day J.K.Rowling’s Pottermore revealed that Hogwarts was originally built without toilets because wizards just pooped anyway and then magicked it away. Below are other poo related details about other franchises that you might not know….
Star Wars: there are no bathrooms in Star Wars but there are small toilet robots who follow you around waiting for you to do your business and clean it up. That’s what those little boxy droids are.
(5) EINSTEIN OBIT. The actor known as Super Dave Osborne died January 2. Mark Evanier paid tribute in “Bob Einstein, R.I.P.” —
[His work included a] long run as the self-immolating daredevil Super Dave Osborne. You never knew what daring feat Super Dave would attempt; only that at the end of it, he would meet some fate previously met by Wile E. Coyote.
January 5, 1950 — The Flying Saucer opened in theaters.
January 5, 1951 — Two Lost Worlds premiered…with dinosaurs in Australia.
by Cat Eldridge.]
Born January 5, 1914 – George Reeves. Best known for his role as the title role in TheAdventures of Superman and several associated films. I remember the show fondly from much later syndication and thought that both the acting and stories were well done. He also played the lead role in The Adventures of Sir Galahad and was Mike Patton in The Jungle Goddess. He was in a fair number of series as well but I can’t determine if any of them were genre. (Died 1959.)
Born January 5, 1929 – Russ Manning. An artist who created and drew the Gold Key comic book character Magnus: Robot Fighter; who drew the Tarzan comic book from 1965 – 1969 and the Tarzan newspaper comic strip from 1967 – 1972; and the Star Wars newspaper strip from 1979 – 1980. (Credit to Bill here at File 770 for this Birthday.) (Died 1981.)
Born January 5, 1941 – Hayao Miyazaki, 78. A masterful storyteller who chose animation as his medium. He co-founded Studio Ghibli in 1985 and has directed some of the best loved films of all time. His films include the Oscar winning film Spirited Away, My Neighbor Tortoro, and adapting the classic novel Howl’s Moving Castle by Diana Wynne Jones for the big screen. (Thanks to Matt Russell for this Birthday.)
Born January 5, 1959 – Clancy Brown, 60. I first encountered him as the voice of Lex Luthor In the DC animated universe. All of his voice roles are far too extensive to list here, but I’ll single out his work as Savage Opress, Count Dooku’s new apprentice and Darth Maul’s brother, in Star Wars: The Clone Wars. Very selected live roles include Rawhide in The Adventures of Buckaroo Banzai Across the 8th Dimension, The Kurgan In Highlander, Sheriff Gus Gilbert in Pet Sematary Two, Captain Byron Hadley in The Shawshank Redemption, Sgt. Charles Zim In Starship Troopers and, one of favorite weird series, Brother Justin Crowe in Carnivàle.
Born January 5, 1978 – January Jones, 41. Emma Frost In X-Men: First Class is her only film role to dates but earlier when searching the net I did find her in The Last Man on Earth which is, and I quote, “an American post-apocalyptic comedy television series.” Anyone seen this?
Born January 5, 1978 – Seanan McGuire, 41. Ahhhh one of my favorite writers. I just finished listening to The Girl in the Green Silk Gown which was quite excellent and earlier I’d read her Chaos Choreography, both of her Indexing books which are beyond amazing and, God what else?, the Wayward Children series which I’ve mixed feelings about. I did read at a few of the first October Daye novelsbut they didn’t tickle my fancy. I’ve not read her Mira Grant work so do advise on how it is.
(9) BORG LICENSE REVOKED. A Canadian Star Trek fan is going to court after the government insurance company revoked his “ASIMIL8” license plate, that he got because he likes the Borg, and had a frame that added the tag “Resistance is Futile.” The term was considered insulting to First Nations people, who have often been asked to assimilate to settler culture. The Edmonton Journal has the story — “’Obviously inappropriate:’ Insurer says ASIMIL8 plate shouldn’t have been issued”.
In a recently filed legal brief, Troller explained that he drove around with the plate for nearly two years and no one complained. He renewed it with MPI in 2016 without issue.
An Ontario woman posted a photo of the licence plate on Facebook on April 22, 2017. Court filings show a transcript of a call she made to MPI in which she said the plate was offensive because of the history of government assimilation policies.
Not all plate requests go sailing through:
The documents include a 47-page list of licence plates that were denied by MPI. They include BITE ME, VINO, MMMBEER, SKODEN, HYZNBRG, HOLYCOW, PWALKER and 50 GREY.
A man in Nova Scotia has also gone to court over a personalized licence plate. Lorne Grabher has been trying to reinstate his “GRABHER” plate since it was revoked in 2016 by the Registrar of Motor Vehicles following an anonymous complaint.
(10) DOWNWIND FROM HOLLYWOOD. Just became aware of this fine blog entry published last year by Kip W: “Classical Gas”. Examples at the link.
The Disney corporation, ever sensitive to the winds of change, and (since at least the 1950s) ever willing to recut their old products up for present-day sensibilities, determined to get out on the cutting edge of kid appeal by folding flatulence humor into their classic releases. Leaked memo from 2008 reveals some of the specific ideas explored…
Perhaps you’ve seen a Transformers movie, or two, or six, in the past 11 years. (Google says there are six now.) Perhaps you’ve liked them, even, to the point that you’ve dreamed of one day owning the sporty, automatic stunt cars that turn into robots on the big screen. Now’s your chance to own four.
There’s one big catch, though: All four of the vehicles will come with a scrap title and none of them will be street legal. There go your carpool plans for the next Transformers movie premiere. Darn.
Barrett-Jackson is auctioning off four Transformers movie cars as a package deal in Scottsdale, Arizona later this month—all four of them black-and-yellow Chevrolet Camaros representing the robot character Bumblebee, who (which?) recently starred in an unnecessarily sexy movie of his (its?) namesake. Money from the Camaros’ auction will go to charity, and the person who wins will get a 2010 model from the first and second movies, a 2010 model from the third movie, a 2013 model from the fourth movie and a 2016 one from the fifth movie
We’re less than a week into the new year, and we already have a handful of new Oreo flavors to fuel us through 2019. As if the news of flavors like Carrot Cake and Dark Chocolate haven’t been enough to pique your interest, perhaps the rumors of Oreo’s latest out-of-the-box offering, Buttered Popcorn, will do the trick.
On a bustling commercial street in the fashionable Recoleta neighborhood of Buenos Aires, Argentina, you can visit a serene temple of books. The lighting is soft, with accents that showcase the best in early 20th-century craftsmanship. Conversations are hushed, as if in a grand library, yet the space is so warm and welcoming that the raised café at the back of the cavernous room is filled with patrons reading and sipping cappuccinos and chocolate submarinos.
You’ve entered the Ateneo Grand Splendid bookstore, which blogs and guidebooks often dub “the world’s most beautiful bookstore.” They may not be wrong. The sprawling shop is housed in a beautifully preserved antique theater. Only instead of tango dancers and singers, the stars are now the printed word.
[Thanks to Chip Hitchcock, Carl Slaughter, Olav Rokne, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Joel Zakem, Mike Kennedy, and Andrew for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]