Tag Archives: Chan Davis

Pixel Scroll 10/28/23 When You Saw Only One Set Of Pixels, It Was Then That I Scrolled You

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(1) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Con reports: Arthur Liu (part 2)

Arthur’s con crud is subsiding, and he was able to post the second (of a projected four) part of his con report.  This one covers the setup ahead of the event.  Disclosure: I am also mentioned in this part.  Via Google Translate, with minor manual edits:

…in late September (around the 21st), the organizing committee terminated the sale of offline tickets without any notice. The financial problems of fan groups have already been mentioned in the previous article. Among them, members’ travel expenses and conference attendance expenses are equally expensive. Affected by this, as the situation at the booths has not progressed, members of the Tsinghua University Fantasy Association were still waiting and watching, planning to buy tickets after the situation settled down a bit. However, this unexpected situation caused almost all members who were expected to participate in the exhibition to be wiped out. After many inquiries, the volunteers said that there would be work permits, but the number could not guarantee that all people would be covered. This left the fan booth’s participation in the exhibition in a state of limbo until the end of the conference…

Man-made landscapes related to the science fiction conference are everywhere along the way. As I approached the venue, I saw the huge contrast in the street scenes in different areas of Pidu District (outside the main city, there are many open spaces and wastelands, new buildings and abandoned buildings), which also made me realize the importance of the science fiction conference. For the local government, the potential economic significance of hosting this conference is significant…

The security check area was crowded with people, and each gate had a large number of security guards. The inspection process was probably the most thorough in my life ever. Part of our luggage was examined, every page was taken out and checked. After delaying for a while, we arrived inside the venue.  The smell of air freshener was very strong and there was also a strong pungent smell…

After boarding the train, [con liaison] L said that a special car had been arranged to pick us up, but it was no longer needed. On the way, I learned from [con liaison] LY that when the pen club I applied for was handed over within the volunteers, the demand for personnel control (15 people) was not handed over. Now there was no guarantee that this demand would be met, but she promised to report it to the above… By this time, both of us were exhausted and had reached the limit of emotional management.

At 19:03, we finally arrived at Wyndham, and [con liaison] L met us in the lobby. Before checking in, we went to the check-in office to get our guest badges, and then we were told that the conference manual had not been produced yet, nor had the attendant badges. Historically, some science fiction fans will start from a certain point and feel that the entire community is not worthy and is no longer worth bothering with. This was probably that moment for me. In the guest room, I got very angry with [con liaison] L – actually it was not his own fault, so I apologized to him – and explained several requirements: the member’s ID, as well as the participation manual and traffic control map, the next day.  Given that the con was about to begin, the last two were necessities for participating in the con. They had to exist.

In the second image, the data visualization shown on the TV on the right can be found here (note; the UI is Chinese only).

Request for submissions to Zero Gravity

RiverFlow is requesting submissions for a future issue of the Hugo-winning Zero Gravity.

Dear friends, if you write about the memories of the Chengdu WorldCon, welcome to send me the English version and pictures. Chinese Fanzine Zero Gravity newspaper is organizing the Chengdu WorldCon story, we will organize human translation.

The email is: [email protected]

CCTV news report on the Worldcon

I doubt many will sit all the way through this untranslated 21 minute CCTV news item from Monday 23rd about the Worldcon, but I include it just in case.  Notable faces in the early part of the video include (in order of first appearance):

  • RiverFlow and Ling Shizhen
  • Ben Yalow
  • Cixin Liu
  • Enzhe Zhao
  • Hai Ya

Later on, from around 16:00, we also see:

  • Liang Xiaolan (Honorary Co-Chair of the con)
  • Dave McCarty

The core of the piece is a videolink interview with Best Novelette winner Hai Ya from around 04:00 to 12:45.

There’s then more a bit more reportage of the con – mostly the ceremonies – followed by coverage of the Galaxy Award ceremony that took place over in the Sheraton, before going back to the con.

From 16:30 there’s a telephone interview with (Hugo finalist, SF World editor, concom member) Yao Haijun, during which Nicholas Whyte pops up (again 😉 in footage at around 19:23, followed shortly thereafter by James Bryant.

Hai Ya
Liang Xiaolan
Yao Haijun

Hai Ya responds to criticism of his work following his Hugo win

SF Light Year posted a brief Q&A with Hai Ya on Wednesday 25th, following the negative reaction in some quarters to his Hugo win, as covered in Tuesday’s Scroll.  Here’s an extract, via Google Translate:

My current mentality is very stable and I have a clear understanding of the award and myself. As for the work, I never thought it was very elegant or something that people expected of me. I could only present what I thought was a better state within the scope of my abilities. Let the readers judge. There will definitely be criticism and harshness. It is actually difficult to define how much of this is objective, but popular novels must accept this unfair scrutiny, and I have the consciousness to accept it.

Compared with the position of a writer, I prefer to define myself as a science fiction fan. I agree with some of your ideas. The science fiction circle should be more diverse. The increase in science fiction fan activities and comments is a sign that the ecosystem is getting healthier

A couple of days later, on Thursday 26th, Hai Ya made a brief statement on Weibo.  Via Google Translate (which seems to be slightly more readable than the Alibaba Cloud rendition available within Weibo, but still far from flawless):

After nearly a week of busy work, things are gradually sorting out, thank God. What I want to express has basically been made clear. I am personally neither qualified nor interested in doing too much value output. Writing science fiction has always been a very personal matter for me, and I have become more and more cautious about various activities and invitations, leaving them to the editor. Happily, despite all the criticism, there were few personal attacks. Friends who care about me, please rest assured. As the saying goes, if you want to wear a crown, you must bear its weight. What I got is not a crown, and the pressure I receive is not that great. Currently I’m in good condition.

There’s at least one hater in the comments.

Weibo SF promo image

(Via SF Light Year)  The Weibo app had a splash page at launch promoting “The New Power of Science Fiction”, showing the avatars of the three Chinese Hugo winners, and namechecking the Hugos and Hai Ya’s Best Novelette win.  A further post shows the page shown if you clicked on the button, you would get a list of notable SF people’s accounts, including previous Hugo winner Hao Jingfang, and some of this year’s finalists Bo Jiang, Regina Kanyu Wang, Lu Ban and Yao Haijun.

Linking to the same list, RiverFlow reported that his number of followers had jumped from around 1,100 to 38 thousand.

Bits and pieces from Xiaohongshu

The following are a handful of posts that I’d never gotten round to submitting before now.

(2) A SNAPSHOT FROM WFC. Greg Ketter of DreamHaven Books and Comics feels disrespected. For good reason.

(3) AGGRESSIVE FAKES. Victoria Strauss exposes the “Imposter Syndrome: The Rise of Impersonation Scams” at Writer Unboxed.

…When I first started discovering these AS knockoffs (here’s my first blog post about them), they were mostly just selling Author Solutions-style publishing and marketing packages–although exponentially more overpriced and deceptively advertised than the original, with terrible customer service and the books and other products far more likely to be of poor quality (and that’s when they didn’t just take the money and run).

In recent years, though, their numbers have exploded—there are hundreds of AS knockoffs in operation now, and more cropping up all the time—creating fierce competition for customers in an increasingly crowded field. This has driven them to adopt ever more brazen practices to support their quest for writers’ cash: forging documents and contracts from Big 5 publishers, selling completely fictional products such as “book insurance”, engaging in elaborate front operations involving multiple fake businesses, and impersonating reputable literary agents, publishers, and movie companies.

Impersonation scams especially have become common over the past couple of years, and they can be quite convincing. In this post, you’ll find examples of the three types of impersonation scam you’re most likely to encounter, along with a look at the telltale signs that can identify them….

(4) INTERVIEW WITH CHANDLER DAVIS BIOGRAPHER. [Item by Olav Rokne.] I’m really hoping this book gets some serious consideration for the Best Related Hugo. Very well written, thoroughly researched. Doesn’t focus very much on the science fiction career of Chandler Davis, but he’s still a figure from the genre’s past, and it’s an interesting and relevant read. 

Got to interview the author Steve Batterson: “The Un-American Treatment of a Leftist Science Fiction Fan” at the Hugo Book Club Blog.

… The book starts off with a fairly straightforward biography of Davis’ early life. His childhood as the son of leftist academics who were members of the Communist Party, his education at Harvard and involvement with science fiction fandom, his military service and his marriage to Natalie Zemon-Davis. All of this is in service of the focus of the book: Davis’ brief stint at the University of Michigan, his firing, and the six-year legal saga that led to his imprisonment.

“It was incredibly courageous what Chandler did,” Batterson explains. “He was 27 or 28 years old when this all started. He had a wife and one child at the time – with another on the way. His wife was a graduate student, and it wasn’t clear at the time that she would go on to become one of the greatest historians of her generation.”

During the period after his firing, the Davis family faced economic hard times. When friends and colleagues took up a donation for them, the FBI ended up with a list of who donated; sadly it appears few in the science fiction community stood by their former compatriot.

“There’s not a lot of mention of science fiction or fandom in the FBI documents,” Batterson notes. “The FBI didn’t consider that to be disreputable.”

After he was released from serving his six-month prison sentence in 1960, the family emigrated to Canada where both Davis and his wife became professors at the University of Toronto. He rejoined fandom there, and published a handful of later stories. In 1989, he was one of the guests at the 47th Worldcon held in Boston. Both he and his wife had distinguished academic careers….

(5) FOR EXPOSURE. Jane L. Rosen reports on “A Night of Reading, Cover to Uncover” to the New York Times. “The author of ‘On Fire Island’ wasn’t sure what to expect when she was invited to appear at a ‘Books & Burlesque’ event. Here’s her unblushing report.”

Early in the summer, an unusual email popped up in my inbox. Sandwiched between a podcast request and an offer to speak at a South Florida chapter of Hadassah was an invitation to read an excerpt from my latest novel, “On Fire Island,” at a “Books & Burlesque” evening on Manhattan’s Lower East Side. The event, as the show’s producers Fortune Cookie and Rosie Tulips explained, would feature five writers reading, each paired with a burlesque or drag artist creating an act inspired by the author’s work.

It took me a minute. Funny? Outrageous? Ill-advised? Possibly, but most of all, an intriguing change from the usual folding-chair-strewn book talk or stodgy Q. and A session. Even though the closest I’d ever gotten to burlesque was a brief stint as a young Gypsy Rose Lee at Camp Lokanda in the late ’70s, I nervously accepted….

(6) IF YOU THOUGHT GETTING MARRIED WAS SCARY BEFORE… The New York Times tells about couples “Vowing Till Death Do Us Part at the Hotel That Inspired ‘The Shining’”.

Couples who get married in October at the Stanley Hotel, situated at the doorstep of the Rocky Mountains in Estes Park, Colo., sometimes have a hard time getting their guests to R.S.V.P.

Lauren Nichols and Jeffrey Sheffler, who will marry there Oct. 28, couldn’t convince a dozen of their out-of-town guests to stay on the premises of the hotel that inspired Stephen King to write “The Shining,” his novel turned film, after staying there in 1974. And Melanie Pingel, who married Kyle Johnson there Oct. 13, was compelled to reserve a quiet space on a separate floor for guests who needed a moment away from the ghostly festivities. “My mom called it the place where the old ladies get to go have a break from it all,” she said.

These and other concessions — Jennie Wilson, a 2017 Stanley bride, was told by a guest “straight up that she wouldn’t come” — are perhaps a necessary trade-off for couples who want to exchange vows at what many call “The Shining” hotel….

Only a handful of couples who plan well in advance are greenlit for their October celebrations, said John Cullen, the Stanley’s owner. Those who do snag a spot between Oct. 1 and Halloween, the hotel’s busiest season, tend to share a common aesthetic: bridal fangs and cakes with Frankenstein-like surgical stitching can be part of it. Flower girls dressed as the sinister, not-quite-living Grady twins from the 1980 horror classic, or table décor that includes jars of pig hearts preserved in formaldehyde, can also be used.

The spookiness of the place is the allure for many couples, said Shayna Papke, a popular local planner for Halloween season weddings at the Stanley. “A wedding is the ultimate expression of who you are, and there are just people in the world who, this is who they are,” she said. “They’re the outliers who like dark music and dark stories. They’re fascinated by the death part of life.”

Many who fit that description flock to the Stanley for a ghost tour led by the hotel’s staff or to participate in a séance (More than 100,000 people visit per year; October is busy also because elk walk the streets and it’s “a really nice time to be in Estes Park,” Mr. Cullen said.) Still others consider it the ultimate location for committing to each other….

(7) RICHARD MOLL (1943-2023) [Item by Mike Kennedy.] Though possibly best known for his role as Bull the bailiff in the original run of Night Court, Richard Moll did an amazing amount of genre work over a long career. This includes a lot of voice work in animation and video games (see dozens of credits at IMDb.) One of his notable later appearances was in the 2010 live-action film Scooby-Doo: Curse of the Lake Monster in which he played the mysterious lighthouse keeper Elmer Uggins. Full profile: “Richard Moll, Bull the Bailiff on ‘Night Court,’ Dies at 80” in The Hollywood Reporter.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 28, 1944 — Ian Don Marter. He was known for his role as Harry Sullivan on Doctor Who. As this is a Birthday listing of writers of authors, you might ask why he’s here. That’s because he’s one of the few Who actors authorized to write fiction in that universe in that time. As a result, he wrote nine novels before he died of a diabetic heart attack. He co-wrote in collaboration with Baker and director James Hill a script for a film provisionally titled Doctor Who Meets Scratchman (also known as Doctor Who and the Big Game). However due to a lack of funding as no one was interested in underwriting it , the project was ultimately abandoned. Bake and Hill novelized this script and there’s a Big Finish version as well. (Died 1986.)
  • Born October 28, 1951 — Joe Lansdale, 72. Writer and screenwriter whose animated DCU Jonah Hex is far superior to the live action Hex film. Bubba Ho-Tep, an American comedy horror film starring Bruce Campbell, is his best-known genre work though he has done a number of another works including The God of The Razor and Reverend Jedidiah Mercer series which are definitely Weird Westerns. 
  • Born October 28, 1951 — William H. Patterson, Jr.. Author of Robert A. Heinlein: In Dialogue with His Century, a two-volume look at Heinlein which arguably is the best biography ever done on him. He also did The Martian Named Smith: Critical Perspectives on Robert A. Heinlein’s Stranger in a Strange Land. This “Tribute to Bill Patterson” by Mike with comments by Filers is touching indeed.  (Died 2014.)
  • Born October 28, 1957 — Catherine Fisher, 66. Welsh poet and children’s novelist who writes in English. I’d suggest The Book of The Crow series of which Corbenic won the Mythopoeic Fantasy Award for Children’s Literature. Her Incarceron and Sapphique also earned a Mythopoeic Fantasy Award for Children’s Literature nomination. 
  • Born October 28, 1958 — Kristin Landon. Author of the uncompleted space opera Hidden Worlds (The Hidden Worlds, The Cold Minds and The Dark Reaches) and a one-off, Windhome, a first contact story. (Died 2019.)
  • Born October 28, 1958 — Amy Thomson, 65. Writer of four novels, including Virtual Girl. She won the Astounding Award for Best New Writer and was nominated for the Campbell Memorial, Endeavour, Philip Dick and Prometheus Awards. Very impressive indeed. Her short fiction “The Ransom of Princess Starshine” appeared in 2017 in Stupefying Stories, edited by Bruce Bethke. 

(9) COMICS SECTION.

  • The Argyle Sweater shows a monster who you don’t ordinarily think of as moving that fast.
  • Thatababy introduces us to Konbanwa in a strip devoted to cinema history.
  • Jess Bradley says this is what the Singularity will really be like.
  • Finding Dee shows us true horror.

(10) SHOT ON LOCATION IN HALLOWEEN TOWN. “‘The Nightmare Before Christmas’: A Hit That Initially Unnerved Disney” – Tim Burton and director Henry Selick look back 30 years at the making of a cult favorite.  

…Over the course of its original run, “Nightmare” grossed $50 million at the domestic box office. And while that number is by no means dismal, it’s a far cry from Disney animated hits like “Aladdin,” which just a year earlier brought in $217 million from U.S. screens alone.

At the time, Disney couldn’t figure out how to market the operatic saga of Jack, a lanky, sharply dressed skeleton, infatuated with bringing the wonder of Christmas to his monstrous friends in uncanny Halloween Town.

Selick initially worried that the number of songs Danny Elfman had composed for the movie, a total of 10 tracks for the brisk 76-minute run time, would alienate viewers. In retrospect, he said, the memorable tunes were crucial to the film’s eventual success, once audiences connected with its unconventional rules of storytelling and design.

These days Selick can’t go a week without running into a fan wearing a sweater, hat or other apparel emblazoned with “Nightmare” imagery.

“This year there’s a 13-foot-tall Jack Skellington you can buy at Home Depot, and people have them on their lawns,” Selick said. “I like that because it’s pretty bizarre and extreme. That’s not just a T-shirt, that’s a real commitment.”

For Burton, the character of Jack Skellington embodies a preoccupation common in his work over the years: the terrifying notion of being misunderstood. “The conception of it was based on those feelings growing up of people perceiving you as something dark or weird when actually you’re not,” he recalled.

Selick compared the skeletal antihero’s amusingly manic behavior to Mr. Toad from the animated classic “The Wind in the Willows,” one of his favorite Disney protagonists. “I’ve always been drawn to characters like Jack Skellington,” Selick said. “He gets carried away with something new and goes way overboard with his enthusiasm.”…

(11) HERZOG Q&A. While promoting his memoir Every Man for Himself and God Against All, Werner Herzog tells the Guardian: “’I am not that much in pursuit of happiness’: Werner Herzog on beer, yoga and what he would ask God”.

…So, this new book he’s just written about the Austrian musician-cum-dairy-farmer combines two of Herzog’s passions then? “Neither is milking cows a great love of mine nor is rocking so…” he replies with an amused smirk. “But I understand. I catch your drift.”

Herzog is probably best known for his documentary films, which include 2005’s Grizzly Man, the tale of bear enthusiast Timothy Treadwell in Alaska, and Cave of Forgotten Dreams, made in 3D in 2010 from footage shot inside the prehistoric Chauvet Cave in southern France. Increasingly, though, Herzog devotes his creative energies to writing. In 2021, he published his first novel, The Twilight World, based on the Japanese army lieutenant Hiroo Onoda, who refused to believe the second world war was over and only emerged from the jungle and surrendered in 1974.

“I’ve been a writer from the very beginning,” he says. “And it’s important to say one thing because people are puzzled: films are my voyage, and writing is home. And since 40 years, I keep preaching to deaf ears that my writing will arguably outlive my films, all of them.”

Certainly, Every Man for Himself and God Against All is a joyous, fulfilling read….

(12) BRADBURY HISTORY. Phil Nichols’ new Bradbury 100 podcast episode covers “Chronological Bradbury, 1940”.

…Ray published nine stories in 1940, nearly all of them in fanzines (and one of them in a semi-prozine). Here’s a list, with links to online versions of the stories, where they exist….

(13) ORSON WELLES PROFILE. Steve Vertlieb invites you to read his post “Vertlieb’s Views: Xanadu: A Castle in the Clouds: The Life of Orson Welles” at The Thunder Child.

Celebrating the genius of this extraordinary artist with my published look at the turbulent life and career of Orson Welles, the fabulous, visionary film maker whose personal demons sadly overshadowed his staggering talent, and finally, tragically destroyed him.

Yet, in spite of his personal failings or, perhaps, because of them, Welles rose to become one of the most remarkable film makers of his, or any other generation.

From his groundbreaking first feature length motion picture Citizen Kane, regarded by many still as the greatest single film in motion picture history, to Touch Of Evil, his remarkable “Cinema Noir” tale of a squandered life and legacy corrupted by bribery and temptation, Welles remains one of the most extraordinary directors in the history of film.

His is a story of unwitting sabotaged achievement and haunting, incomparable genius.

Here, then, is “Xanadu: A Castle In Clouds … The Life of Orson Welles.”

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Ersatz Culture, Mlex, Olav Rokne, Kathy Sullivan, Lise Andreasen, Steve Vertlieb, Steve French, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]

Pixel Scroll 2/8/23 Eight Scrolls A Week

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(1) CONGRATULATIONS LEE! LASFS member Lee Gold has been awarded a Hall of Fame plaque from the Academy of Adventure Gaming Arts & Design for her work on Alarums & Excursions. As John Hertz explained in his APA-Lzine Vanamonde #1531:

Alarums and Excursions is an amateur press association founded in 1975, edited and published by Lee Gold. It won Best Amateur Adventure Gaming Magazine, 1984; Best Amateur Game Magazine, 1999;Best Amateur Game Periodical, 2000 & 2001.

In a way A&E began here, when fannish enthusiasm for the new Dungeons & Dragons game was so cluttering dominating pervading APA-L that Bruce Pelz suggested LG start a new apa for it.

The Academy of Adventure Gaming Arts & Design, and the annual Origins fair, seem to indicate a surge of playfulness in the late 1970s. If tabletop board games includes backgammon, checkers, chess, go, they are millennia old; Sorry (1929), Monopoly (1935), Clue (1947; Cluedo outside the United States), Scrabble (1949), may indicate a surge in the first half of the 20th Century; but adventure gaming seems different from any of them.

(2) PUT THAT LAUNCH ON HOLD. At Idle Words, Maciej Cegłowski contends there are very good reasons “Why Not Mars”.

…At this point, it is hard to not find life on Earth. Microbes have been discovered living in cloud tops[28], inside nuclear reactor cores[29], and in aerosols high in the stratosphere[30]. Bacteria not only stay viable for years on the space station hull, but sometimes do better out there[31] than inside the spacecraft. Environments long thought to be sterile, like anoxic brines at the bottom of the Mediterranean sea[32], are in fact as rich in microbial life as a gas station hot dog. Even microbes trapped for millions of years in salt crystals[33] or Antarctic ice[34] have shown they can wake up and get back to metabolizing[35] without so much as a cup of coffee.

The fact that we failed to notice 99.999% of life on Earth until a few years ago is unsettling and has implications for Mars. The existence of a deep biosphere in particular narrows the habitability gap between our planets to the point where it probably doesn’t exist—there is likely at least one corner of Mars that an Earth organism could call home. It also adds support to the theory that life may have started as an interplanetary infection, a literal Venereal disease that spread across the early solar system by meteorite[36]. If that is the case, and if our distant relatives are still alive in some deep Martian cave, then just about the worst way to go looking for them would be to land in a septic spacecraft…

(3) SPINRAD PUTS OUT A CALL. At “Norman Spinrad At Large And Commons” the author calls fresh attention to his 2017 book The People’s Police (on Amazon in various formats, and no longer at the cited $4 price for the paperback, but the Kindle edition is cheaper than that.)

The People’s Police. Ok, I never thought I would dare to do this, but in the current situation, I feel I must.  THE PEOPLE’S POLICE is the last novel I have had published, and perhaps the reason I have no current agent and no current major publisher.  It was published in hard cover by Tor, and despite my outrage, with a cover that made its politics and spirit say exactly the opposite of what the novel was saying.  Well, I thought, after the result, I could get Tor to do the right thing with the paperback cover.  Instead Tor refused to publish any paperback cover. I had to fight very hard to free the novel from Tor, and do it myself.

And I did, and I not only published this large paperback edition myself, I made it all by myself, cover and all.  And not only is it available on Amazon, the price is a lowly $4.  Because I believed then, and all the more now, THE PEOPLE’S POLICE is not only the title of a book, but what the people of America need to read, because a people’s police is what they need to have, and deserve to have, and it is better to light even the smallest candle than to curse the darkness.

(4) DOUBLE THE PLEASURE. In “Writing With Mirrors”, Ziv Wities, assistant editor at Diabolical Plots, shows how similarities and opposites are a powerful tool in storytelling. Which can mean identical clones, or alternate universes, but these mirrors are everywhere, in stories of every tone and style.

(5) FORD’S IN HIS FLIVVER. “Harrison Ford: ‘I Know Who the F–k I Am’” is the headline of The Hollywood Reporter’s interview. Sure, he knows – but is he going to tell us?

… Your Shrinking character Paul is, I would imagine, closer to how you are in real life than your other roles. He’s low-key, smart, affable but also sometimes grumpy. Would that be fair?

I don’t have Parkinson’s [like Paul] or a deep knowledge of therapy, and I’m not in business with a couple of fucking maniacs. But I recognize that maybe he’s like me. Or maybe he’s not like me — and that’s acting.

So whether he is or isn’t is not something you’d want me to know.

You’ve hit on the first rule of Acting Club: Don’t talk about acting….

(6) B5 REMAINS IN SUSPENSE. J. Michael Straczynski continues to wait, like the rest of us: “Babylon 5 Update: 2/7/23” on Patreon.

…Networks and streamers don’t just make a decision not to pick something up, and then not tell anyone. I’ve been in the television business for longer than there have been clouds, and I’ve never seen that happen. I’ve never even heard of it happening. If they pick up the project, they call; if they don’t pick up the project, they call. Again, they’re not shy about making that call: it gets done every day, every week, every month, every year.

It’s real simple: “Joe, listen, we loved the script but we couldn’t make the deal/money/schedule work, so we’re going to have to pass, but please be sure to bring us something else next development cycle.” Click, disconnect, move on. Easy-peasy, no harm, no foul, nature of the biz.

And my very next act, within the minute, would be to post the information to everyone reading this, because that’s also a part of the process.

But again: that call has not come. Not to me, my agent, or my attorney. Not to nobody.

Does this mean B5 is going to happen? No.

Does this mean it’s not going to happen? No….

A year ago, in “B5 CW News”, he also reported:

… I received a call from Mark Pedowitz, President of The CW. (I should mention that Mark is a great guy and a long-time fan of B5. He worked for Warners when the show was first airing, and always made sure we got him copies of the episodes before they aired because he didn’t want to wait to see what happened next.)

Calling the pilot “a damned fine script,” he said he was taking the highly unusual step of rolling the project and the pilot script into next year, keeping B5 in active development while the dust settles on the sale of the CW.

Here’s the bottom line:

Yesterday, Babylon 5 was in active development at the CW and Warner Bros. for fall 2022.

Today, Babylon 5 is in active development at the CW and Warner Bros. for fall 2023.

That is the only difference….

(7) ELLISON WONDERLAND NEWS. Straczynski also wrote a public Patreon post with an “Update on Harlan House Restoration”. Here’s the beginning. Many more details at the link, and a bunch of interesting photos.

A follow-up for all of Harlan’s fans who are also here…on Wednesday I went up to Ellison Wonderland to meet with Don Kline, who for thirty or so years has been the primary contractor and construction person working on the house to realize Harlan’s vision for the place.  

The prior week Don and Tim Kirk, who was also one of Harlan’s main architectural designers, had met at the house to do a full appraisal of the work that needs to be done to return the Lost Aztec Temple of Mars to its original condition.  This week’s meeting was for Don to take those conversations and translate them into a plan of action that has now begun….

(8) HEAR A Q&A WITH KAREN JOY FOWLER TOMORROW. Booth author Karen Joy Fowler will be interviewed by the Mark Twain House’s Mallory Howard on February 9. Free registration at the link. The event begins at 7:00 Eastern.

Karen Joy Fowler joins us to discuss her new novel about the family behind one of the most infamous figures in American history: John Wilkes Booth. Longlisted for the 2022 Booker Prize, Booth explores the multiple scandals, family triumphs, and criminal disasters of the Booth family. Considered the “Best Book of the Year” by NPR and one of the “Most Anticipated Books 2022” by Kirkus Reviews, Booth is a portrait of a country in the throes of change and a vivid exploration of the ties that make, and break, a family. 

(9) CHAN DAVIS ONLINE MEMORIAL. A Memorial for Chandler Davis, who died September 24, will be held via Zoom on March 12 at 2:00 p.m. Eastern. Register here.

We will gather to share appreciations of Chandler’s rich and loving life, his commitments, and his ways in the world. The program will also include a sampling of Chan’s poetry and songs. There will be opportunities for in-person and virtual guests to share reminiscences.

(10) MEMORY LANE.

1990 — [Compiled by Cat Eldridge.] Steven Brust ‘s Cowboy Feng’s Space Bar and Grille

Ok, let’s note that I don’t have to like a novel to think it has a truly great Beginning  which is what Steven Brust ‘s Cowboy Feng’s Space Bar and Grille has. And as know from my previous essay on this work, neither I or the author like this novel. 

The set-up that Brust gives us for his Cowboy Feng’s Space Bar and Grille novel is one of the best I’ve ever read. It’s got delicious food, Irish music, an explanation of why the bar is named Cowboy Feng’s Space Bar and Grille and even a note about what the plot is. All in four paragraphs. Four really great paragraphs. 

And yes, it’s now available from the usual suspects.

Cowboy Feng’s Space Bar and Grille has the best matzo ball soup in the galaxy. Lots of garlic, matzo balls with just the right consistency to absorb the flavor, big chunks of chicken, and the whole of it seasoned to a biting perfection. One bowl, along with maybe a couple of tamales, will usually do for a meal. 

As for entertainment, Feng gets some of the best Irish musicians you’ll ever hear—good instrumental backing, fine singing, some stupendous fiddle playing, and driving energy. Hell, some of the songs are actually Irish. 

I was there that Thursday, sitting in my favorite booth—back middle, just under the picture of the big, grinning Chinese fellow with the mustache and the cowboy hat—while I waited for the rest of my band, the Jig-Makers, to finish tuning. It’s my favorite booth because you can see the whole dining room to your right and most of the taproom to your left, and you get a great view of the stage. 

We weren’t playing tonight, but Fred, the manager, let us use the stage to practice. The place used to have live music every Wednesday and Thursday, as well as on the weekends, but it didn’t pay, so Fred canceled it. He was the practical sort; not me, I’m sentimental. This has caused me any number of difficulties, but there it is. My other problem is that I’m easily distracted. Sorry about that. Where was I? Oh, yeah. Thursday. Which reminds me: Did you hear the one about how, after the nuclear attack, the town of Sanctuary, Venus, had to change its name? To Sanctuary, Jupiter? Anyway, Thursday was the day someone lobbed an atomic warhead at Jerrysport, Mars, and reduced it to rubble.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 8, 1828 — Jules Verne. So how many novels by him are you familiar with? Personally I’m on first-hand terms with Twenty Thousand Leagues Under the Sea, Journey to the Center of the Earth and Around the World in Eighty Days. That’s it. It appears that he wrote some sixty works and a lot were genre. And, of course, his fiction became the source for many other works in the last century as well. (Died 1905.)
  • Born February 8, 1905 — Truman Bradley. He was the host of syndicated Science Fiction Theatre series which ran from 1955 to 1957. It aired its last episode on this day in 1957.  On Borrowed Time, a fantasy film, is his only other SFF work. (Died 1974.)
  • Born February 8, 1918 — Michael Strong. He was Dr. Roger Korby in the most excellent Trek episode of “What Are Little Girls Made Of?” He also showed up in Green Hornet, Mission Impossible, I-Spy (ok I consider it genre even if you don’t), Galactica 1980, Man from Atlantis, The Six Million Dollar Man, Planet of The Apes, Kolchak: The Night Stalker and The Immortal. (Died 1980.)
  • Born February 8, 1938 — Ned Brooks. A Southern fan involved for six decades in fandom and attended his first Worldcon in 1963. Brooks’ notable fanzines included It Comes in the Mail. He wrote two associational works, Hannes Bok Illustration Indexand Revised Hannes Bok Checklist back in the days when print reigned surpreme. ISDBF shows that he was quite the letter writer. Mike has an appreciation of him here. (Died 2015.)
  • Born February 8, 1953 — Mary Steenburgen, 70. She first acted in a genre way as Amy in Time After Time. She followed that up by being Adrian in A Midsummer Night’s Sex Comedy which I suppose is sort of genre though I’ll bet some you will dispute that. She shows up next in the much more family friendly One Magic Christmas as Ginny Grainger. And she has a part in Back to the Future Part III as Clara Clayton Brown which she repeated in the animated series. And, and keep in mind this is not a full list, she was also in The Last Man on Earth series as Gail Klosterman.
  • Born February 8, 1962 — Malorie Blackman, 61. Her excellent Noughts and Crosses series explores racism in a dystopian setting. (They’re published as Black & White in the States.) She also wrote a Seventh Doctor short story, “The Ripple Effect” which was published as one of the Doctor Who 50th Anniversary e-Shorts. She’s readily available on all digital platforms. 
  • Born February 8, 1969 — Mary Robinette Kowal, 54. Simply a stellar author and an even better human being. I’m going to select Ghost Talkers as the work by her that I like the most. Now her Forest of Memory novella might be even more stellar.  She’s also a splendid voice actor doing works of authors such as John Scalzi, Seanan McGuire and Kage Baker. I’m particularly amazed by her work on McGuire’s Indexing series. Awards? Oh, yes. She has a Hugo Award for Best Novelette, a Hugo Award for Best Novel, a Nebula Award for Best Novel, another Hugo Award for Best Related Work, an Astounding Award for Best New Writer, and finally a Hugo Award for Best Short Story. Impressive indeed. So let’s have Paul Weimer have the last words on her: “I thought it was Shades of Milk and Honey for a good long while, but I think Calculating Stars is my favorite. Although, I will now add that if you want the best one-volume Mary Robinette Kowal reading experience, take a space cruise with her newest, The Spare Man (which is just superb in audio).”
  • Born February 8, 1979 — Josh Keaton, 44. He voiced the Hal Jordan / Green Lantern character in the most excellent Green Lantern: The Animated series which lasted but one season of twenty six episodes though they did end it properly. Yea! I’m also very impressed with his Spider-Man that he did for The Spectacular Spider-Man series. 

(12) AVATAR FINALLY FALLS FROM BOX OFFICE #1. After leading films at the box office for several weeks, Avatar: The Way of Water was knocked off by the opening of M. Night Shyamalan’s newest movie, Knock at the Cabin says The Hollywood Reporter.

M. Night Shyamalan’s newest movie, Knock at the Cabin, topped the domestic chart with $14.2 million from 3,643 theaters. While the psychological-tinged horror pic has bragging rights to finally being the film to topple Avatar: The Way of Water from the stop spot, it is nevertheless the lowest North American opening of any film directed by Shyamalan….

The James Cameron-directed Avatar: The Way of Water fell to No. 3 in its eighth weekend of play in North America with roughly $10.8 million from 3,310 theaters to finish the weekend with a global total of $2.174 billion, not far behind Cameron’sTitanic ($2.194 billion).

Disney and 20th Century’s The Way of Water is expected to ultimately overtake Titanic to become the third top-grossing film of all time at the worldwide box office behind the original Avatar and Avengers: Endgame. Overseas, the Avatar sequel has already sailed past Titanic ($1.538 billion versus $1.535 billion), a feat it accomplished over the weekend. One wrinkle: a 3D version of Titanic is being rereleased on Feb. 10 by Disney and Paramount….

(13) REVENGE AT LAST. Paul Weimer reviews the finale of a new edition of the classic Demon Princes series at Nerds of a Feather: “Review: The Book of Dreams by Jack Vance”.

… In the course of the book, even with his money and power and influence, Gersen has a difficult time in pinning down Treesong, who proves in the course of this novel to be the most elusive of the Demon Princes.  Treesong survives more attempts for Gersen to confront and finish him than any of his other opposition. It is not until Gersen gets a hold of the Book that he finally has a lever to finally draw Treesong into a vulnerable position.  Treesong is perhaps this series’ Joker, unpredictable yet methodical, inconsistent, and yet having wide range plans and the will and ability to carry them out, forceful and yet vulnerable in certain spots. He is more complicated than any of the other Demon Princes and that makes him a fascinating antagonist, all the way to the final confrontation…

(14) THE COMET MADNESS OF 1910. The Mark Twain House hosts astronomer Pamela Gay’s interview with Comet Madness author Richard Goodrich on February 16. Free registration here.

“I came in with Halley’s Comet,” said Mark Twain in 1909, “It is coming again next year. The Almighty has said, no doubt, ‘Now there are these two unaccountable freaks; they came in together, they must go out together.’” He died on April 21, 1910—one day after the comet had once again reached its perihelion.  

But the fulfillment of Twain’s prophecy wasn’t the only strange thing that happened that year. In Comet Madness: How the 1910 Return of Halley’s Comet (Almost) Destroyed Civilization, author and historian Richard J. Goodrich examines the 1910 appearance of Halley’s Comet and the ensuing frenzy sparked by media manipulation, bogus science, and outright deception. The result is a fascinating and illuminating narrative history that underscores how we behave in the face of potential calamity – then and now. 

(15) A WORLD IN NEED OF SAVING. At Nerds of a Feather, Arturo Serrano unpacks the moral issues in an impressive new novel: “Review: The Mountain in the Sea by Ray Nayler”. And what book could be more appropriate for a deep dive?

… Moreover, in keeping with the novel’s anti-individualistic stance, the moral failures that set the plot in motion are never ascribed to one character or one faction. Sealife depletion is not caused by this one company’s greed; it’s humankind’s greed. Rights violations are not allowed by this one government’s negligence; it’s humankind’s negligence. Securing a future for all lifeforms is not this one hero’s duty; it’s humankind’s duty. And yet, the individual characters we follow through the story aren’t diluted in an all-blurring mass movement. They remain conscious of their uniqueness, but also of their connection to the whole. The novel’s message is not one of annulling the individual, just one of expanding the scope of moral analysis….

(16) IS IT A CHEAT? THEN DON’T READ. “Hogwarts Legacy: How to find all the pages for the Field Guide” at USA Today.

The Wizard’s Field Guide is the main way you can check your progress in Hogwarts Legacy. You receive it once you are sorted into your Hogwarts house, and it keeps record of every enemy type you face. It also challenges you to do certain things, and will reward you with upgrades and cosmetics.

However, before you can fill it out, you need to find all of the pages for it. These are scattered all over Hogwarts, Hogsmeade, and the surrounding Highlands. There are over 150 to find, and you’ll want to get them all if you are aiming for 100% completion.

Here is how to find all the Field Guide pages in Hogwarts Legacy….

(17) EJECT! According to Variety, “’Fawlty Towers’ Set for Revival at Castle Rock With John Cleese”.

Classic British sitcom “Fawlty Towers” is being revived at Castle Rock Entertainment with original series writer and star John Cleese and his daughter Camilla Cleese set to write and star.

Matthew George, Rob Reiner, Michele Reiner and Derrick Rossi are executive producing the series for Castle Rock Television, which is developing the project. 

“Fawlty Towers,” written by John Cleese and Connie Booth, originally ran in two seasons of six episodes each that were broadcast on the BBC in 1975 and 1979.  The series followed the unfortunate exploits of Basil Fawlty (John Cleese) as he struggled to keep his hotel and marriage afloat….

(18) VIDEO OF THE DAY. Ryan George enacts the “Velma Pitch Meeting”.

HBO Max decided to dive into the adult animation arena with VELMA, the Scooby Doo spinoff from Mindy Kaling. Despite negative reviews from pretty much everyone, the show seems to be the talk of the Internet. Or maybe that’s because of them… Velma definitely raises some questions. Like where’s Scooby Doo in the Scooby Doo show? Why is every single character just a completely different person than the character they’re based on? Why is everyone so mean? Why does everyone love Velma? Why are they trying so hard to be snarky and meta? To answer all these questions, check out the pitch meeting that led to Velma.

[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Ziv Wities, Jim Janney, John Hertz, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day by Soon Lee.]

Pixel Scroll 10/16/22 I Can Scroll Clearly Now The Pixel’s Come, I Can See All Comments Now In This Thread, Gone Are The Strange Trolls That Spoiled My View, It’s Going To Be Bright, Bright, Bright Pixelly Scroll

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(1) WISCON HANGS IN THE BALANCE. WisCon not only is trying to recruit people for leadership, their blog says the fate of their 2023 event depends on whether the positons are filled by November 30. “Co-Chair and Online Con Leads needed to have in-person, online events in 2023”.

…Last week Stephanie [Sarac] announced she would be stepping down as co-chair for WisCon 46 in 2023. Please join us in thanking Stephanie for all the hard work she did on the post-con survey, Guest of Honor nominations, and department outreach/coordination as co-chair. We’re really grateful for her willingness to jump into things after having only attended WisCon one time!

…In the interest of transparency, we want to let you all know that if the open Co-Chair position isn’t filled by end of November, the in-person con will be cancelled.  It is possible we may still do an Online-only con in that scenario, but that depends on a number of other variables.  If we’re able to fill the Co-Chair position but aren’t able to recruit Online Con Department lead(s), the con will be in-person only (we won’t be able to have online or hybrid programming). In either scenario of in-person and/or online con not being able to happen, we will use that time to build up departments, train up leads and chairs, fundraise, and put ourselves in the best possible position for a full event the following year.

(2) THE NEXT FANAC.ORG ZOOM. Fanac.org will host an interview with Maggie Thompson titled “Before, During and After the Origins of Comics Fandom,” with interviewer Dr. Chris Couch on Sunday October 30 at 2:00 p.m. Eastern.  To attend the Zoom session, send a request to Edie Stern, the FANAC webmaster at [email protected].

A list of past sessions, which are all available on FANAC’s Fan History YouTube channel, go to https://fanac.org/zoom.html.

(3) SIMPLE ANSWER. Dorothy Grant has sound answers to the question “What do you have to read in order to write in a genre?” at Mad Genius Club. Similar to what Larry Niven says, that a writer must read widely in order to “stock the shelves” of the imagination.

This question was posed elsewhere, and responses were quick to make fun of mandatory reading, and of “Reading The Classics”. I, on the other hand, propose a different answer.

There is no have to. Do I look like your abuela? But here is what you should do, in order to improve:

Read widely. Read deeply. Read the critically-acclaimed successes. Read the high-selling works the critics declaimed as Trash or Merely Pulp….

(4) EYES LOCKED ON. Joachim Boaz considers TV in “Future Media Short Story Review: Ray Bradbury’s ‘Almost the End of the World’ (1957)” at Science Fiction and Other Suspect Ruminations.

…Ray Bradbury conjures a strange new world without television….

.. Ray Bradbury’s “Almost the End of the World” first appeared in The Reporter (December 26, 1957). It later appeared in his short story collection The Day It Rained Forever (1959). If you have an Internet Archive account, you can read it online here.

In multiple earlier reviews in this series, I’ve laid out television’s transformative and speedy infiltration of the American consciousness and daily activities over the course of the 1950s. Multiple Bradbury stories critique this new world. The lovely and crystalline “The Pedestrian” (1951) imagined a future night city in which its denizens are transfixed by their TV scenes. The city, observed by the solitary one-time writer Leonard Mead, is as silent as “a wintry, windless Arizona country” (90). “Almost the End of the World” (1957) ruminates on the effects on American society if a cosmic event severs the viewer from the succor of the screen….

(5) BILL AT 91. “William Shatner talks growing older, living life without regrets” in a Yahoo! interview about his new memoir, Boldly Go.

You write in your book about when you first told your parents that you wanted to be an actor. Did they live long enough to see your success?

[When I told them], they looked at me like, “Who are you? Where did you come from? What’s acting again? Isn’t that what a minstrel does?” [Laughs] I think my father must have thought, because he came from Europe to Montreal when he was about 9 or 10 … that his son wanted to be on a horse and wagon roaming across the country.

My father was around when Star Trek began [in 1966]. He died in 1968. I don’t how much of a success I was then, but I was making a living. My mother lived until a few years ago, so she saw that success. The success part wasn’t as [important to them] as long as I could make a living. And that varied as time went on, and as more and more children arrived. The definition of what a living was increased.

(6) CHAN DAVIS APPRECIATION.  [Item by Martin Morse Wooster.] Alan Wald, H. Chandler Davis Collegate Professor at the University of Michigan, remembers the sf writer Chan Davis, who died last month at 96. “H. Chandler Davis Was a Lifelong Radical and a Moral Touchstone for the Left” at Jacobin.

Chandler Davis (born Horace Chandler Davis and called “Chan” by his friends) was an internationally esteemed mathematician, a minor science fiction writer of note, and among the most celebrated political prisoners in the United States during the years of the high Cold War.

Dismissed from the University of Michigan (U-M) in 1954 for refusing to cooperate with the House Un-American Activities Committee (HUAC) on First Amendment grounds, he served six months in Danbury Federal Correctional Institution in Connecticut, then faced an academic blacklist that drove him to pursue a career in Canada.

The death of this endlessly resilient, lifelong radical at the age of ninety-six on September 24 in Toronto seems like the passing of an emissary from a world of the socialist Left that no longer exists. Despite errors of political judgment, which Chan was the first to acknowledge, he was for many of us a moral touchstone in our own decades of political upheaval and unpredictability….

(7) MEMORY LANE.

1959 — [By Cat Eldridge.] The Twilight Zone’s “Mr. Denton On Doomsday” (1959)

Portrait of a town drunk named Al Denton. This is a man who’s begun his dying early—a long, agonizing route through a maze of bottles. Al Denton, who would probably give an arm or a leg or a part of his soul to have another chance, to be able to rise up and shake the dirt from his body and the bad dreams that infest his consciousness. In the parlance of the times, this is a peddler, a rather fanciful-looking little man in a black frock coat. And this is the third principal character of our story. Its function: perhaps to give Mr. Al Denton his second chance. — Opening narration

Rod Serling was, if I must say so, bloody brilliant. And “Mr. Denton On Doomsday”, just the third episode of this series, shows this. (If you’ve not seen it of late, the series it is airing on Paramount +.) A Western, it’s also really look at how a man, two in fact can be redeemed.

SPOILERS LIKE WHISKEY IN A FICTIONAL WESTERN BAR FLOW NOW, SO GO AWAY!

Denton, our lead here played  by Dan Duryea, was once known as the quickest draw in town, but riddled with increasing guilt over the dead in his gun fights, one just a teenager, he became drunk and the derision of everyone in this Western town.

(There’s an animated Jonah Hex where this very storyline comes up. It’s called DC Showcase: Jonah Hex and Jonah, when the way-too-young male draws on him, hits with his rifle and knocks him quite unconscious. Right now, I think the only place you can see that is HBO Max.) 

A stranger offers him redemption. But he knows gunslingers come from miles around to seek him out and, inevitably, kill him. Or so he fervently hopes. The stranger named Fate (HA!) offers him and another gunfighter each a bottle of the potion. 

They fight, do not kill each other, but wound their shooting hand, thus ending their days as gunslingers. 

Fate tips his hat to Denton and rides quietly out of town.

DRINK UP, I’M DONE WITH SPOILERS. REALLY, I AM.

Martin Landau who played Dan Hotaling (the younger gunslinger) here would return to play Major Ivan Kuchenko in “The Jeopardy Room” which I’ve already essayed. He would also appear in two more Twilight Zone episodes, “The Beacon” and “One Life, Furnished in Early Poverty”. 

The harmonica music you hear in the background is an old Russian folksong known as “Stenka Razin”.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 16, 1924 — David Armstrong. He appeared in two Trek episodes, “A Taste of Armageddon” as a guard to the Eminiar, uncredited of course, and as Kartan in “Operation – Annihilate!” and, though having a name, also uncredited according to Memory Alpha. He also had an amazing twenty-two appearances on The Man from U.N.C.L.E. where he was only credited when he showed as Thrushman, which must have been some sort of inside joke. Genre roles were common for him — I Spy, Get Smart!, The Invaders, The Girl from U.N.C.L.E. and Kolchak were all where he showed up. (Died 2016.)
  • Born October 16, 1925 — Dame Angela Brigid Lansbury. She first shows up in a genre work as Sibyl Vane in The Picture of Dorian Gray. A few years later, she’s Queen Anne of France in The Three Musketeers. Somewhat later, she’s Miss Eglantine Price in Bedknobs and Broomsticks. She voices Mommy Fortuna in The Last Unicorn, and is Granny in A Company of Wolves which won the BSFA Award for Best Film and is based off Angela Carter’s A Company of Wolves. And yes, she’s in Mary Poppins Returns as The Balloon Lady. (Died 2022.)
  • Born October 16, 1926 — Joe Sinnott. He worked primarily as an inker. He is best remembered for his work on the Fantastic Four from the Sixties to into the Eighties, with it being first over the pencils of Jack Kirby. He worked, mostly as a freelancer, some sixty years at Marvel, where he had long runs on The Avengers, The Defenders and Thor. And yes, he deserved many an Award  — the Alley Award, the  Inkpot Award, the Will Eisner Hall of Fame, the Inkwell Awards Hall of Fame and finally the Retro Inkwell Awards Favorite Inker. (Died 2020.)
  • Born October 16, 1947 — Guy Siner, 75. Apparently he’s one of only 32 actors to appear in both the Star Trek and Doctor Who franchises. He appeared in the “Genesis of the Daleks”, a Fourth Doctor story, and on Enterprise in the “Silent Enemy” episode. Interestingly he shows up on Babylon 5 as well in “Rumors, Bargains and Lies”.  And that might place him in very select acting company indeed.
  • Born October 16, 1958 — Tim Robbins, 64. I think his finest role was as Nuke LaLoosh in Bull Durham, but his first genre role was Phil Blumburtt in Howard the Duck. He played Erik in Erik the Viking, and is in The Shawshank Redemption as Andy Dufresne. He’s Woodrow “Woody” Blake in Mission to Mars. He was Harlan Ogilvy in War of the Worlds followed by being Senator Robert Hammond in Green Lantern. 
  • Born October 16, 1965 — Joseph Mallozzi, 57. He is most noted for his work on the Stargate series. He joined the Stargate production team at the start of Stargate SG-1’s fourth season in 2000. He was a writer and executive producer for all three Stargate series. He also co-created the Dark Matter comic book series with Paul Mullie that became a Syfy series. 
  • Born October 16, 1973 — Eva Röse, 49. Most likely best known for her role as the android Niska in Season 1 of the Swedish Real Humans upon which AMC’s Humans was based. She also was one of the voice cast for the animated Creepschool series, and was Jasmie on The Befallen, a supernatural series that lasted one season there. 

(9) COMICS SECTION.

Tom Gauld blends literary analysis with psychoanalysis.

(10) THE GHOSTS OF COMICS PAST. “When DC Seriously Tried to Prove Bob Kane Wasn’t Actually Drawing Batman” – a “Comic Legend” history piece by Brian Cronin.

COMIC LEGEND:

Mort Weisinger tried to prove that Bob Kane wasn’t actually drawing his Batman comics when Kane added Lew Sayre Schwartz as his ghost in 1948

STATUS:

True

A while back, I wrote about the peculiar situation when it came to Bob Kane’s ghosts on the Batman comic books heading into the 1960s. The majority of the artwork being done for Batman comic books throughout the 1950s and 1960s was by “Bob Kane,” but obviously, for that much artwork to be produced, no one believed that Bob Kane was doing it all himself. As it turned out, by the mid-1950s, Kane wasn’t doing it at ALL, with Sheldon Moldoff doing ALL of the work that was credited to Kane…

(11) AN EARLY FILER. [Noted by John Hertz.]

Plutarch grappled with … the import of the word E’i inscribed on the Temple of Apollo at Delphi. In Greek it can mean “Five”; it can mean “If”: but above all it means “Thou Art”.

M.A. Screech, intr. to Montaigne’s Apology for Raymond Sebond p. xxix (1993)

(12) GETTING WHAT THEY DESERVE? Molly Odintz reviews books by Silvia Moreno-Garcia and Stephen Graham Jones at CrimeReads: “These Books Prove We’re Living In a Golden Age of Horror”.

…There are several converging factors for the rise in horror. First, we can’t underestimate the impact of Jordan Peele or the film Midsommar on the trends of social horror and folk horror, respectively. We apparently now wish to not only watch what we want to read, but read what we want to watch. Second, horror fiction, like crime fiction, is a vastly more diverse landscape than just a few years ago, and a genre that I’d previously stereotyped as full of fear of the other (sorry, Stephen King!) is now distinguished by sympathy for the other. Third, we’ve all gotten far more interested in haunted houses since we became forced to spend every waking hour in them. And fourth, people have simply gotten worse, and it is correspondingly more satisfying to watch them die (hence the return of the slasher)….

(13) ALSO ON CRIMEREADS. Michael Gonzales looks at the 1968 sf film Wild In The Streets. “Rock & Roll Apocalypse: ‘Wild in the Streets’”.

…It was during one of my Saturday night movie marathons that I first saw the politically charged sci-fi satire Wild in the Streets (1968), a flick about a bugged-out alternative America guided by an insane pop star named Max Frost, his band mates The Troops and the millions of fans. Twenty-two-year-old Max despised anyone over 30, and throughout the film worked hard to get rid of mature adults who were “stiff with age.” Played with crazed charisma by method actor Christopher Jones, a southern mumbler who critics compared to James Dean, Max Frost began his mission by partnering with a youngish (thirty-seven years old) congressman who helped him by getting the voting age lowered to fourteen…. 

(14) EYE OPENER. This must be my Mercedes Lackey moment, because our printing “Bulgaria” when it should have been “Croatia” is something I would have thought was more like an easily fixed mistake. Evidently it’s much worse.

(15) LIZARDS IN THE WILD. Check out the rather funny cosplay encounter at “EV Grieve: Saturday’s parting shot”.

A tail of two cities today near Union Square … photo by Derek Berg…

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George discovers that it’s really hard for people in 2022 to explain to the world in 1996 what the metaverse is like. “Time Traveler Discovers The Metaverse – THE FUTURE IS DUMB”.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Michael “Orange Mike” Lowrey, John Hertz, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]