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Barkley — So Glad You (Didn’t) Ask #69

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Fandom and the Pendulum: The Astronomicon 13 Fan Guest of Honor Speech

By Chris M. Barkley:

“We do not see things as they are. We see things as we are.”  — Anais Nin 

I was resetting a cuckoo clock the other day when I became transfixed with the motion of the pendulum. Back and forth, in a hypnotic, rhythmic action.   

Looking at it, I think that it is the best visual representation of the passage of time.

In doing so, I was also reminded of several conversations I had with friends at Chicon 8 several weeks earlier.

Separately, without prompting or encouragement, each of them described how in the current state of sf fandom the pendulum had taken a strong, hard excessive turn and in a direction that they did not particularly like very much.

All of them had similar complaints and, oddly, all of them mentioned the same metaphor; that it seemed that the pendulum of change had taken a hard swing and it was in a direction that they didn’t like.

To wit, that recently, fandom seems to be a not a very inviting place unless they strictly adhered to a particular ideology.

And I concur.

Because, like the pendulum, the recent social and political shifts in sf fandom, particularly the branch I know well, literary fandom, can be observed and measured. 

Chris M. Barkley

In order to understand where we are now, we must examine the origins of sf fandom. Even today, the general public believes a very persistent myth that conventions and fandom began after the cancellation of Star Trek and the gathering of fans that started taking place in the early 1970’s. In truth, it began over forty years before then… 

In the early 1930’s, Amazing Stories and several other pulp magazines in the United States, began running letter of comment columns. The published letters included the addresses of the fans who sent them. These letter writers, who were nearly all white and male, began to correspond with each other. Local fans found each other and began to form clubs dedicated to science fiction and fantasy. A similar movement was also underway in the United Kingdom as well. By late 1936, they began to call some of these larger meetups conventions.

In the US, the New York contingent of fans decided to hold a World Science Fiction Convention (NyCon 1) in New York City, in conjunction with the futuristic theme of the World’s Fair being held in the nearby borough of Queens.

(BTW, fandom’s first significant feud began at that convention, as several well known members of First Fandom were excluded from attending, mainly because of personality conflicts but at the time, their political differences were played up. More on this later in this speech).

The progenitors of fandom began a whole host of fannish traditions; fanzines and fan writing, literary serious criticism of genre fiction, small press publishing, cos-play, filk singing, convention panels and ‘dead dog’ parties.

As the decades flew by, the marginal popularity of sf, fantasy and horror with the public came and went but remained constant in that initial group of fans, some of whom eventually became well known authors, editors, artists and convention runners. 

In the early years, the first two main genre fiction awards, the Hugo (in 1953) and the Nebula (in 1965) were established. 

Women authors and editors (Andre Norton, C.L. Moore, Cele Goldsmith, Leigh Brackett and Judith Merril) paved the way for the next generation of better known and renowned writers of the 1970’s and 1980’s, Ursula K. LeGuin, Anne McCaffrey, Vonda McIntrye, Joanna Russ and Octavia Butler among others.

I entered fandom in June 1976. I was a witness to and a participant in a lot of the pendulum swing in fandom; the slow but persistent emergence of women and the LGBTQ+ community, the calling out of sexism and harassment and the inclusion of more people of color in fandom.

In other words, the fandom of the early days is as far removed from today’s fandom as the fiction of Nathaniel Hawthorne is from N. K. Jemisin, the art of Rembrandt from Jon-Michel Basquiat, the musical Oklahoma! is to Hamilton and the swinging moves of Benny Goodman are from the grooves of Rihanna.

And I want to be quite clear about this, as an African-American citizen of the United States of America, I applaud, encourage and welcome all of these changes in fandom. Because in 2022, representation, in the face of an increasing societal turmoil and partisan division, matters even more than ever.

But, as a close observer (and an active participant) in some of these changes, I can tell you that none of this came very quickly or very easily.

As the pendulum swung, other factors and effects came into play; personal computers, cell and smartphones, social media sites and the internet became a double edged sword. Technological advances made it easier to call out toxic fans and their behavior but it also enabled bad actors to disrupt fannish activities and the lives of fans on an incredibly personal level.

Fandom is subject to the same major sources of social change, including population growth and composition, culture and technology, the natural environment, and social conflict as any other artistic movement. 

Here’s the thing; these changes, shifts and, if you will, the swings of the pendulum are not only true and observable, they are unavoidable and inevitable.

Because, as history has shown us again and again, in every movement of substance, whether it be music, art, literature, science, sports and (especially) politics undergo the change on a regular and inevitable basis.

A sizable portion of the fans attending genre conventions are female, people of color and the LGBTQ+ community. The people who are a part of the sf/f community today are more diverse, more knowledgeable, technically adroit, and, for the most part, they’re unafraid to let you know how they feel. And, as much as their right-wing adversaries would like them to go away, this newly emerging segment of fandom is not likely because they are the new majority, which was mainly brought on by the Puppies’ overt and militant actions against fandom.

And inevitably, with the advances came some pushback, in the form of harassment and trolling, by privileged individuals, who are mostly white, are either frightened by an otherness of others outside of their own experiences or their own racist upbringing and xenophobic tendencies.

In the early to mid-2010’s, this all came to head with is now known as the “Puppy Wars” (Sad/Angry/Rabid) which were expertly chronicled by Camestros Felapton in his Hugo Award nominated non-fiction work, Debarkle. 

The fannish backlash against this reprehensible group of egocentric bullies played out over several years; the Puppies may have disrupted the Hugo Award nomination process for a few years but they eventually lost the war when nearly all of their gamed nominees lost and the World Science Fiction Convention Constitution was sufficiently amended to stop it being successfully attempted again.

But this wasn’t to say there were no lasting effects from this conflict; while diversity has become even more celebrated (at least more so in this branch of fandom), there were several troubling, high profile incidents in the past few years:

  • Conservative provocateur Jon Del Arroz filed a lawsuit against Worldcon 76 (which was held in San Jose. California) when it banned him (rightfully so) from attending the convention due to his overtly inflammatory statements about fandom. But Del Arroz filed a lawsuit in response to the convention committee’s public announcement of that decision, which claimed he made racist statements. Worldcon 76 and Del Arroz announced in June 2021 they had settled the suit shortly before it was scheduled to go to trial. Four of the five claims had been dismissed by the judge, but the charge of defamation, of him being a “racist”, would have been the bone of contention if a trial had gone forward. The convention ceded a $4000 settlement to Del Arroz and a public apology, which can still be seen on the Worldcon 76 website. It is believed that the legal fees incurred by the convention committee were around $100,000.
  • In 2019 and 2020, sf writer Adam-Troy Castro and his late wife Judi were beset by a series of increasingly vicious cyber identity thefts that drained their bank accounts, ruined their credit rating and forced them to move out of their longtime home. Go-Fund Me campaigns saved them from being homeless but the culprits of these attacks remain unknown and at large.
  • A few months ago, white supremacist trolls somehow arranged the suspension of the Twitter accounts of authors Harry Turtledove and Patrick Tomlinson. Both accounts were eventually restored but Twitter has no explanation of how this occurred nor have they offered an explanation of how it happened or any whether they are investigating the breach.
  • Patrick Tomlinson and Hugo Award nominated Nigerian sf author and editor Oghenechovwe Donald Ekpeki received death threats as they attended Chicon 8. In the four years preceding the convention, Tomlinson and his family members were the constant and frequent targets of identity theft, trolling and death threats. 

To counter these reactionary fans, many convention committees enacted Codes of Conduct over the past decade. The trouble was that in the years since they were first introduced, some of these CoC’s were either not very well defined, not very transparent on how they were implemented or, in the worst case scenario, poorly enforced. The most recent examples include:

  • At the 2022 Nebula Award Conference in Los Angeles, newly minted Science Fiction and Fantasy Writers Association Grandmaster Mercedes Lackey, during a panel titled “Romancing Sci-Fi and Fantasy”, was alleged to have uttered a racial slur. Author of color Jen Brown, complained about the incident on Twitter and Lackey, without the benefit of an investigation or a hearing, was summarily dismissed (along with her husband Larry Dixon, who vociferously defended her on social media) from further participation in the Conference. Lackey fully apologized two days later and said she had not intentionally said anything racist, but had fumbled saying “person of color”. While friends and colleagues (such as authors of color Samuel R. Delany and Steven Barnes) rallied to her defense, Jen Brown and a legion of others continued to condemn her and boycott her works. As of this writing, SWFA has not offered a full explanation, any indication that an investigation was conducted or an apology for their actions.
  • Almost exactly a week later on Memorial Day weekend at Balticon 56, local author and conrunner Stephanie Burke found herself in a strikingly similar situation; she was accused by the Programming staff of racist statements and behavior. To compound matters, Burke was accused of never responding to an email about the incident, but it was discovered later that the email was never sent. On top of all of that, Ms. Burke suffered the embarrassment of being removed from an ongoing panel she was on and then was verbally abused by a “senior staffer” of Balticon, who was found in violation of the Code of Conduct. The very next day,Yakira Heistand, the Chair of Balticon 56, publicly apologized for Ms. Burke’s treatment but also stated that the allegations would be fully investigated. 
  • On September 1, 2022, 105 days after the alleged incident, Balticon 56 issued this statement:

“Of the complaints against Ms. Burke, our Investigation Team determined there were no Code of Conduct violations. Witnesses confirmed that she was speaking of her own experiences and not making general statements about another individual or class of people. Speaking one’s own truth is not a violation of our Code of Conduct. Ms. Burke is welcome to be a program participant in the future. Again, we apologize for the manner in which the reports were communicated.

“The BSFS Investigation Team and Board of Directors have found that Senior Staffer 1 who approached Stephanie Burke prior to her panel and asked her to step away acted courteously and in accordance with our policy. Senior Staffer 2’s behavior during the discussion violated our Code of Conduct. The Board has determined that Senior Staffer 2 will be barred from volunteering for Balticon for a period of 2 years and from serving as a Department Head for an additional 2 years.”

  • In researching this speech, I have read many Codes of Conduct from other conventions. My partner was reading one and they came across a line in one upcoming convention that really stood out:

(Convention X) prioritizes marginalized people’s safety over privileged people’s comfort.”

To me, there is nothing ordinary about this statement. 

While it is all good and well to try to be welcoming to marginalized fans, Convention X’s committee would do well to focus on the safety of EVERY fan attending their convention.

The Code of Conduct should be a group’s fail safe to deal with fans and participants who commit unseemly and disruptive behavior but it must be done as fairly, equitably and transparently as possible.

These incidents I have outlined have exposed some of the more serious divisions within our fannish community. My feeling is that fandom, in my estimation, is rapidly approaching a societal impasse; it seems it cannot go towards any sort of future without reconciling with its present set of circumstances. 

I take no joy in pointing out these deficiencies in fandom. I am also saddened that there will be those in fandom who will see this speech as a personal attack on the very progressive wing of fandom.

To them I say this; no one, including myself, is above criticism. And that constructive and earnest criticism can only be helpful. 

Because together, we can change the direction and velocity of the pendulum in a more useful direction.

For the record, I will make the following confession; when stating one’s preferred pronouns or gender preference became an ongoing issue at the beginning of the last decade, I was very confused about the point of doing so. Gradually, I came to understand that it was a matter of personal acknowledgement, empowerment and respect for the trans community. And if asked, I show the same respect that is offered to me.

I also think that while I support this affirming stance, I am not in favor of anyone being forced, coerced or being required to do so in order to participate in an activity or social event.

Because when diversity is coerced in such a manner, it ceases to be that. It is perceived, rightly, as a matter of control. And when the cost of diversity is a rigid, inflexible set of standards that is almost impossible for anyone to meet, it disallows those who may have differing opinions. That’s the moment it becomes oppression and we become the sort of people we have come to loathe and fear.

Again, I refer to the pendulum of history, which has shown, time after time, that the exclusion or purging of members of the aforementioned groups I referred to earlier in this speech. 

In many of those historical instances, in order for the movement to improve and become more just, those being excluded were involved in heinous, insidious and vile beliefs. 

Robert Silverberg, who had attended an unbroken string of Worldcon appearances dating back to the early 1950’s, said that he would not attend Chicon 8 because he did not want to be subjected to any abuse because of his past statements that have been considered, even by me, as insensitive and ill advised. (You want to know what he said? Google it.)   

George R.R. Martin, the creator of Game of Thrones and a multiple winner of the Hugo and Nebula Awards, said he wasn’t attending this year’s Worldcon, either. Although he is quite busy writing the last two novels in the Westeros series and overseeing several television projects for HBO, he may have an entirely different reason for not attending. After hosting and producing a disastrously long winded and nostalgia tinged 2020 Hugo Award Ceremony, many think that he has worn out his welcome at Worldcons. 

I know both of them quite well and I, for one, would tell either one of them that they would be welcomed at any convention I was running. Why?

Because neither of them are our enemies. Our enemies are fear, hate and prejudice in the absence of understanding.

My good friend David Gerrold has repeatedly stated over the years that when you attend Worldcon, it is like an annual family gathering. Fathers and mothers, siblings, cousins, aunts and uncles and so on. And, like all families, there are rivalries, grudges, simmering resentments, educational, class and political differences as well.

But despite those differences, we all unite because of our mutual love of science fiction, fantasy, films, television shows, art, comics, manga, graphic stories and much, much more.

Any imposition of a lock-step set of ideological beliefs, no matter on which extreme of the political spectrum it comes from, are dividing fandom right now and fandom, particularly this progenitor of all the others, will eventually, and tragically, become unsustainable. 

The first mention of a “graying of fandom” came to my attention around the turn of this century. In short, the people who are currently attending, running and administering conventions and other fannish activities are getting older. 

I have observed that there are a number of younger fans attending Chicon 8, they were far outnumbered by older fans. Collectively, we need to attract a legion of younger, more diverse fans, who are not only interested in merely extending our existing traditions, but creating new ones as well.

Being one of those older fans, I can see that my time in fandom will someday be coming to an end. I have already announced (to anyone who will listen) that I will be attending conventions and other events into the near future, I will no longer be actively working on any future local conventions or Worldcons.  

I am not doing this because I am tired or unenthusiastic, I am doing so because I have other, more pressing pursuits such as remaining healthy and active, seeing to the safety and well being of my four adorable grandchildren and other family members and, of course, more writing.

I wrote this speech not just as a warning (although it can be read that way), but as a cry into the abyss that we need not act against our own best interests and be seen as the overseer of the death of fandom.

As I see it, the pendulum has already swung to an extreme position. And the direction it swings next may cleave fandom into many, many pieces that cannot be made whole again. We must not let this happen.

My final words of advice to everyone consists of the following:

As a family, we should treat each other as peers, not rivals with agendas.

And in this family, there will be arguments and disagreements. And when we have these arguments,  we’ll argue ferociously. But let’s argue with facts, logic, evidence, and most of all respect for the person you are arguing with. Argue with empathy.

Act towards others as you would act towards yourself. People who are unable to do that will become evident and will soon find themselves on the outside of our social circles, looking in.  

Let’s show kindness, even in the face of hate and adversity.

Be the change you want to see in the world.

And finally, ask not what fandom can do for you, but what you can do for fandom.

“Never seen a true statement, a wise statement, that existed in only one culture or tradition. Truth isn’t created, it is observed.”

– Steven Barnes

Pixel Scroll 10/6/22 I’m Called Little Barlennan, Strong-Pincered Barlennan

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(1) BRIDGING WORLDS EDITOR Q&A. Insightful questions, great answers in “Hugo Book Club Blog: Interview with Oghenechovwe Donald Ekpeki, editor of Bridging Worlds”.

It strikes me that your previous anthology Dominion was extremely successful. It seems to me like it would be tempting to take the easy route and follow that up with something very similar. One of the things that impresses me about Bridging Worlds is that you’ve taken a risk. Could you speak to that risk? To the fact that you’re tackling new ground here?

[ODE] I consider myself a literary explorer. I want to enjoy and experience things across the entire gamut of the literary, starting with the speculative. That is why I am engaged in a wide range of activities like writing and editing, long and short fiction, non-fiction, slush reading, publishing, conrunning, organizing awards, presses, etc. Even in my fiction, you’ll notice this. O2 Arena my Nebula-winning story is mundane sci-fi as Geoff Ryman coined, where my Nommo-winning “Witching Hour” is fantasyish. “Mother’s Love, Father’s Place” is a historical fantasy and “Destiny Delayed” in Asimov’s and Galaxy’s Edge published this year is a genre blender. My latest story “The Magazine of Horror”, yet unpublished is epistolary, written as a series of letters between magazine editors and a submitter. 

My editing is the same. After Dominion, an original fiction anthology, I undertook to do the first-ever Year’s Best African Speculative Fiction anthology, a Hugo, Locus, WFA & BFA finalist. It was a reprint anthology. And next was Bridging Worlds, an original non-fiction anthology, then I edited several collections with Interstellar Flight Press before returning to editing original fiction with Sheree Renée Thomas and Zelda Knight again in Africa Risen. I believe in exploring, charting and discovering new courses, to challenge myself to growth as you cannot find without risk. Rather than stagnating on the capitalist, hollywoodish attitude of being safe and dying on the altar of ‘never change a winning formula.’ The truest wins, are yet undiscovered and continued progress and the ongoing growth of the genre hinges on going outside our comfort zones to find what’s different, new, needed.

(2) NOBEL PRIZE FOR LITERATURE. Annie Ernaux is the winner of the 2022 Nobel Prize for Literature, a French author cited “for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory.” The summaries of Ernaux’ major works do not indicate that any are genre, but you wanted to know who won, didn’t you?

(3) RELATED WORKS. Cora Buhlert’s new “Non-Fiction Spotlight” is for Rising Sun Reruns: Memories of Japanese TV Shows from Today’s Grown-up Kids, edited by Jim Beard.

SFF-related non-fiction is somewhat sidelined by the big genre awards, since the Nebulas have no non-fiction category and the Best Related Work Hugo category has become something of a grab bag of anything that doesn’t fit elsewhere. So why do you think SFF-related non-fiction is important?

[Jim Beard] Because of the width and breadth of SF and Fantasy in pop culture, and how we all as fans have connection points throughout it. I personally love coming across a non-fiction book on a subject I love, whether well-known or obscure, and while I myself am chugging away on doing my own publications, I can’t wait to see what other editors and publishers are doing. We’ve only scratched the surface of what can be discussed, debated, and delivered in SFF non-fiction.

(4) TROLLING TOMLINSON. The Daily Beast gives mainstream media attention to a story fans have been following for some time: “Internet Trolls Have Tormented Patrick Tomlinson for Years and He Can’t Stop Them”.

…Tomlinson and his wife have both been the victims of impersonators spoofing their email and social media accounts to send bigoted messages to colleagues and random people, prompting intensive cleanup efforts on the sci-fi writer’s behalf.

All the while, the author continues to receive dozens of insulting texts, voicemails, and emails on a daily basis from his nameless stalkers, some of whom even send pictures indicating they’re just outside his house.

Yet, as Tomlinson told The Daily Beast, the efforts they’ve taken to identify his harassers and potentially bring them to justice have not only come up empty but cost them tens of thousands of dollars in legal fees. All because a court recently found that the identity of the anonymous owner of the message board can remain hidden and thus cannot be subpoenaed to provide information about the identities of the users on their site.

Tomlinson’s plight is somewhat similar to that of trans Twitch streamer Clara Sorrenti, who has been the focus of a lengthy, vicious, anti-trans harassment campaign by users on the internet message board Kiwi Farms. In fact, Tomlinson himself was the target of a 1,400-page thread on the notoriously toxic online community, whose users single out specific individuals to stalk and harass….

…During this period of time, Tomlinson filed a court action attempting to subpoena Cloudflare in an effort to seek the identity of the anonymous blogger who runs the OnA Forums. Tomlinson’s lawyers argued that he needed the ability to depose the forum owner in order to learn the identities of dozens of anonymous users he sought to sue for posting defamatory statements about him on the site.

In September 2021, a California judge granted John Doe’s order to quash Tomlinson’s petition to subpoena Cloudflare to learn Doe’s identity, citing protections under Section 230 that allows for anonymity for those who passively engage on the internet.

…Besides quashing the subpoena, Judge Ethan P. Schulman also ordered Tomlinson to pay a mandatory amount of $23,739.25 in attorneys’ fees and costs.

(5) CITY TECH SF SYMPOSIUM. The Seventh Annual City Tech Science Fiction Symposium has put out a “Call for Papers: Science Fiction and the Archive”. The online event, sponsored by the School of Arts and Sciences at the New York City College of Technology, CUNY, will take place Tuesday, December 6, 2022 from 9:00AM-5:00PM Eastern.

Continuing the explorations and conversations of the previous two symposia on “Race” and “Access” respectively, this year’s City Tech Science Fiction Symposium is focused on the idea of the “Archive.” The potential of the SF Archive as an inclusive and celebratory concept is increasing, and we hope this symposium will be a space to facilitate its expansion through our conversations and collegial debate. Of course, an archive (little a) can refer to practical considerations of Library-based Special Collections like those in the City Tech Science Fiction Collection and others, including the collected materials, cataloging, and providing access. However, we are also thinking of the Archive (big A) in terms of canonicity, cultural preservation, reading lists, and bookstore shelfspace. These latter considerations raise questions about what does and doesn’t get included within what we might call the SF Archive as well as who does and doesn’t get a say in those selections. Therefore, the SF Archive is a broadly based concept that encompasses Libraries and Special Collections and the larger cultural space of fandom, social media, and the marketplace, all of which involve the exchange of cultural capital, influence by different forms of gatekeepers, and conversations on many levels by different readers about what SF should be valued, recognized, and saved. 

The SF Archive changes over time. Perhaps most exciting for the present are the many initiatives to excavate our shared cultural histories for SF that had been overlooked or forgotten but certainly deserving of inclusion, such those by writers of color, women, and LGBTQ+ persons; and efforts to bring global SF to wider audiences thanks to growing networks of readers and scholars versed in the original language of a text and those wanting to experience those stories through translation. 

The Symposium is also where Analog Science Fiction and Fact will announce the winner of their second Analog Award for Emerging Black Voices Award.

(6) CROWDSOURCED QUESTIONS FOR KEVIN SMITH. [Item by Cora Buhlert.] Readers of the Guardian interview director Kevin Smith. Of his works Dogma and Masters of the Universe: Revelation are explicitly genre, the rest is at the very least genre-adjacent: “Kevin Smith: ‘How are you going to get laid if you look like an old person?’”. The answer to the first question is really sad BTW, because Smith says he received so much harassment from toxic fanboys about Masters of the Universe: Revelation that he wouldn’t even want to do a Star Wars or Marvel movie, because he fears it would be worse.

 What was it like working with Alan Rickman in Dogma? CWilliams1955

Bliss. Alan Rickman, it turns out, was my friend. I was such a fan from the moment I saw him in Die Hard. I assumed we were just associates, but he stayed in touch the rest of his life. Whenever I was in England, he would call out of the blue and say – I can’t do the voice: “I know you’re here, it’s time to hang out.” He wasn’t just being professionally courteous because we made a movie together 20 years ago. I still can’t believe Alan Rickman actually liked me.

One of my favourite memories is when he came to one of my shows at the O2 in London and we drove back to town together. He said: “I’ve finally broken and bought an apartment in New York.” I said: “That’s excellent.” He said: “It’s not excellent, it’s in the same building as my friend Ralph.” I said: “Why is that bad?” And he said: “Ralph Fiennes. If the Harry Potter world found out that Snape and Voldemort live in the same building, they’d burn it to the ground!”

(7) MEMORY LANE.  

1962 – [By Cat Eldridge.] Sixty years ago, the very first novel in James White’s most exemplary Sector General series was published, Hospital Station. 

Now I wasn’t originally was going to do an essay on this series as I was about to do a UPN series about a human interstellar hospital series (and yes I’ll tell you about it next year) but I remember this series and yes I liked it a lot, so decided to essay it this time. Me, fickle? No. 

(That series, Mercy Point, was considered influenced by White’s series. It lasted seven episodes. No, I’ve not seen it.)

I think I was in University when I discovered the Ballantine Books paperback of the first novel  in a wonderful bookstore near the public library in the town near the University. (It had four used bookstores. Bliss!) I won’t say it was it was the cover that it attracted me as it wasn’t at all appealing, but the tag line of “the fabulous story of a hospital in the sky” did get my attention.  

It certainly didn’t disappoint. Hospital Station was quite amazing from beginning to end. It was the home of many strange creatures, including humans! 

As one reviewer so aptly put it, “Good-natured, high quality, pacifist SF that is ideal comfort food when looking to elevate your mood into the upper range of the happy scale.”  It was the antithesis of all the military SF in existence and I loved deeply it for being so. Humans and aliens not attacking each other, but working together instead. Oh how so very wonderful!

White was very good at envisioning both how humans would handle dealing with various aliens and those aliens themselves. One of the lasting advantages of text fiction over video fiction is it is easier to create in the mind’s eye an alien for the reader. And damn cheaper too! 

Some reviewers and readers have criticized the twelve novel series saying that as it went along its way that it got weaker, less interesting. Not for me, as I think it was perfectly fine right to the end, even the sometimes far too jokey The Galactic Gourmet. 

Okay, food in genre fiction is a tricky thing to do. Just look at Steven Brust’s Cowboy Feng’s Space Bar and Grille which is the only novel by him that I deeply loathe with all my heart. (Don’t worry, he knows that. He gets dark chocolate from me.)

One critic compared the setting to that of Deep Space Nine which I must say makes me go WTF? Yes it’s a station in outer space but that’s the only resemblance. A pacifist hospital versus a heavily armed station? Huh?

I’ve re-read some of the novels several times such as Hospital Station forty years on and the steel booted Suck Fairy stubbed her toe on the way to it and broke her leg. It’s just as fine now as it was way back then. 

The first three novels, Hospital Station, Star Surgeon and Major Operation are really a Meredith Moment from the usual suspects at twelve bucks.

White was a Guest of Honor of the L.A.con III Worldcon that Our Ever So Gracious Host chaired in 1996. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 6, 1942 — Britt Ekland, 80. She starred in The Wicker Man as Willow MacGregor, and appeared as a Bond girl, Goodnight, in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. 
  • Born October 6, 1946 — John C. Tibbetts, 76. A film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub.
  • Born October 6, 1950 — David Brin, 72. Author of several series including Existence, the Postman novel, and the Uplift series which began with Sundiver, followed by Startide Rising, a most excellent book and a Hugo-winner at L.A. Con II (1984). I’ll admit that the book he co-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me to no end.
  • Born October 6, 1955 — Ellen Kushner, 67. If you’ve not read it, do so as her now sprawling Riverside series is amazing. I’m quite sure that I’ve read all of it. And during the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award.
  • Born October 6, 1952 — Lorna Toolis. Librarian, editor, and fan Lorna was the head of the Merril Collection of Science Fiction, Speculation, and Fantasy at the Toronto Public Library from 1986-2017, a collection started in 1970 with a donation from Judith Merril. Toolis was a significant influence on the Canadian SF community, a founding member of SFCanada, who won an Aurora Award for co-editing Tesseracts 4 with Michael Skeet. (Died 2021.)
  • Born October 6, 1963 — Elisabeth Shue, 59. Best known as Jennifer, Marty McFly’s girlfriend, in Back to the Future Part II and Back to the Future Part III, she also had roles in Hollow Man and Piranha 3D. Really Piranha 3D? Let’s look that up on Rotten Tomatoes… The audience reviewers there gave it a twenty-two percent rating.

(9) COMICS SECTION.

(10) ACTING IN THE AGE OF CGI. [Item by Francis Hamit.] I trained as an actor when I was a Drama major.  A Method actor should be able to handle this. British-trained actors may have a harder time of it.  But this may explain why the performances in comic book movies are so uneven. “Does it really matter if Marvel’s stars act in a state of utter bewilderment?” in the Guardian.

Ewan McGregor revealed earlier this year that he spent virtually the entirety of filming for 2002’s Star Wars: Attack of the Clones wandering round a blue-screen studio talking to inanimate objects while portraying the young Obi-Wan Kenobi, an experience he clearly found disgruntling. “I spent a lot of time off on my own and on this planet with tall aliens, and of course, none of that was there,” he said during interviews for the recent Disney+ show that revived the Jedi knight. “For me, it was, like, a long time walking around blue sets speaking to tennis balls and sticks and it was just not what I was used to, and it was hard to make. Hopefully, we made it realistic and we did the best we could.”

In the early days of CGI film-making, actors regularly reported similar unease, but in recent years the problem seems to have diminished. This is probably down to the increased use of motion capture where actors can bounce off their fellow cast members in a more organic fashion….

(11) STAR POWER. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Timmy Fisher discusses “When You Wish Upon A Star” from Pinocchio.

…The song was penned for Walt Disney’s original animated feature, with in-house composer Leigh Harline setting words by ex-Broadway lyricist Ned Washington.  That wistful version–a homage to the nursery rhyme ‘Star Light, Star Bright’–was perfectly suited for the crooning falsetto of Cliff Edwards, aka Ukulele Ike, a vaudeville star who voiced Jiminy Cricket and recorded abridged versions for the opening credits and the final scene….

Though Pinocchio initially struggled at the box office. ‘When You Wish’ was an instant hit:  a re-recording with Edwards and the Victor Young Orchestra jostled for attention among covers by Glenn Miller, Kate Smith, and Vera Lynn, as well as the movie soundtrack release.  Foreign-language versions such as the Swedish “Ser du Stjärnan I Det Blå” (“Do you see the star in blue”) soon popped up.  Even Nazi Germany succumbed.  According to Albert Speer, Hitler whistled it at the Palais de Chaillot overlooking a conquered Paris.

(12) THE DOC AND SPOCK. “Star Trek’s Leonard Nimoy nearly directed the Doctor Who TV movie” reports RadioTimes.

Having premiered just over 25 years ago to a mixed reception, the 1996 Doctor Who TV movie has slowly garnered an appreciation alongside a strong fandom for Paul McGann’s Eighth Doctor, who made a brief return appearance as part of the show’s 50th anniversary celebrations in 2013….

…While best known for his iconic role as Spock in Star Trek, Nimoy is no stranger to directing, having helmed Star Trek III and IV as well as Three Men and a Baby, which went on to become the highest-grossing film of 1987.

With an impressive track record not only with sci-fi fans but also at the box office, Nimoy might have seemed like a no-brainer to come on to direct. So, what happened?

“FOX did not want him to do it. They were concerned it looked very kitsch to go, ‘Aren’t we clever? We’ve got Spock from Star Trek directing.’”…

(13) YOU GOT TROUBLE, MY FRIEND. In the Washington Post, Michael Cavna says newspapers are slashing the space given to comic strips, with Lee Enterprises saying in its 77 dailies the comic strips will be cut to half a page.  Comic strip creators are scrambling to replace the lost income. “Is the print newspaper comics page in trouble?”

…And Patrick McDonnell, creator of the strip “Mutts,” which he says lost dozens of clients, underscores why comics are a popular staple of the newspaper, with readers developing long-term relationships with their favorite strips: “Over time, the characters are like family. Newspapers should consider this bond before they decide to make drastic changes.”…

(14) BOO! Alasdair Beckett-King sums up all haunted house movies in this clip from 2021.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  Metal:  Hellsinger,” Fandom Games says this game combines the thrill of blasting creatures with the throbbing beats of metal, with a different headbanging song on every level.  They say “We wonder what these guys could do with an actual budget,” but adds the key to success here is “just don’t expect to use any part of your brain that you can’t find on a lizard.  But sometimes smooth brain fun is the best kind of fun.”

[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, mark, Cora Buhlert, Francis Hamit, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern & Sullivan.]

Chicon 8 Reveals Anonymous Death Threats Were Made Against Two Program Participants

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The Chicon 8 committee stated today that prior to the 2022 Worldcon they received threats to murder two program participants, one of whom has gone public.

Last week, shortly before the start of the convention, Chicon 8 received an anonymous email in which the sender used hateful language and threatened to come to the convention and murder two of our program participants. We worked very closely with hotel security and cooperated with all law enforcement agencies. We also worked with both of the participants on planning for their safety and comfort during Chicon 8.

The Chair of Chicon 8 would like to thank convention staff, hotel staff, law enforcement, and the two participants for their cooperation and their responses to the situation. One of the participants, Mr. Patrick Tomlinson, has chosen to also make a public statement, and we thank him for keeping us apprised.

Patrick Tomlinson has been subjected to a huge, intrusive and sometimes violent harassment campaign for some time. Tomlinson’s statement on Twitter starts here. There are 16 tweets altogether – here are some excerpts.

Pixel Scroll 8/22/22 This Is The Story Of A Scroll, Who Cried Tsundoku And Filed The Whole World

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(1) MUSIC OF THE GEARS. Yoon Ha Lee has composed and released a soundtrack for his Machineries of Empire books. Available on Bandcamp: “Banner the Deuce of Gears”.

A “soundtrack” for the Machineries of Empire space opera books! Includes themes for Jedao One, Jedao Two, Cheris, and the bonus song “Burn It Down with Math (feat. Liozh Dia)”!

(2) TWITTER TROLLS WINNING. Jason Sanford is reporting Twitter has banned Harry Turtledove and Patrick Tomlinson, two well-known sff authors. Thread starts here.

Patrick Tomlinson was banned while discussing threats sent to Oghenechovwe Donald Ekpeki.

Sanford concludes: “@TwitterSafety’s saying if someone threatens to kill you, that’s too bad and you can’t tweet about it at all.”

(3) OP-ED ABOUT GENCON’S MOVING PLANS. [Item by Martin Morse Wooster.] In the Washington Post, Indiana University law professor Timothy William Waters criticizes Gen Con’s decision to move the convention out of Indiana after 2024 because of the state’s restrictive abortion laws, noting that Gen Con is not a political space and “how our politics improved if the elves abandon Indiana to the orcs?” “We wanted to play Bunny Kingdom. Gen Con wanted to talk about abortion”.

… Despite its earlier threats, Gen Con said after the abortion legislation passed that the convention would return at least next year. But if organizers eventually flee, where would they go? The South and Midwest would be mostly off-limits. More likely, the convention would go into deep-blue exile, leaving behind the Indiana Convention Center — the same hall where I attended the 2019 National Rifle Association convention. Booths that sold 20-sided dice this month were selling Glocks then. The NRA is returning to Indianapolis in 2023. How are politics improved if the elves abandon Indiana to the orcs?

Politicizing companies makes sense when there’s a real link to the politics. Organizations naturally take positions on social questions that affect their operations. But activists drive truckloads of preferences through that pretext: In 2013, Indiana University opposed a state constitutional amendment barring same-sex marriage on grounds that went far beyond institutional concern. (Selectively: I’ve never seen a university object to laws antithetical to conservative faculty or students.)

Gen Con opposed that amendment, too, and now opposes the abortion law. Apart from saying the legislation would “have a direct impact on our team and our community,” Gen Con doesn’t pretend that’s a business decision — “hurt, angry, and frustrated,” it simply considers the law unjust.

Maybe it is, maybe not. I don’t know if Gen Con’s community agrees on abortion or anything else: The man playing Galaxy Trucker with us didn’t mention his voter registration.

But what about the women who support freedom of choice who might feel alarmed in “The Handmaid’s Tale” Indiana? It is Gen Con’s business to make them feel welcome — as it is the convention’s duty to make every attendee feel welcome, including gamers whose position on abortion Gen Con declared inhumane.

The answer is to make sure no one’s preferences dominate our shared space. Basic game design: Don’t fix the rules so only your side can play. Politicizing everything ignores that lesson….

(4) VERTLIEB INTERVIEW. B-Movie Cast devoted its501st episode to an interview with Steve Vertlieb. 

“The B-Movie Cast is back from a brief hiatus following our 500th episode! This show is a bit different from most as instead of featuring a film, Mary, Nic, and Mark Mawston are joined by Steve Vertlieb!

Steve is one of America’s leading film archivists and historians who is a true living link between the golden age of Hollywood and today! A cinema journalist and film music educator Steve is a bit different from some film historians. Many of them collect film memorabilia, Steve, collects friendships, memories and stories!

Join us as we talk with Steve about some of his most memorable friends among many of Hollywood’s greatest directors, producers, actors, special effects masters and music composers! Steve is a true wealth of knowledge and we’re very lucky to have him on the show as we talk about everything from Ray Bradbury’s 16mm camera troubles to Ray Harryhausen and more!”

(5) CHICON 8 PRESS REGISTRATION. Isn’t it NICE that journalists can just go onto the Chicon 8 website and just sign up so easily? 

Hello and Greetings from the Chicon 8 Press Office

The Chicon 8 Press Registration Page is now open and ready to receive your request for either a Press Pass or Press Credentials at this link:

https://chicon.org/home/about-worldcon/press-and-media/press-accreditation/

Our Attending Press Policy and Guidelines for Press Passes and Press Credentials can be found here:

Attending Press Policy

The Chicon 8 Press Office will be located close to main registration, along with a bookable interview room.

…We anticipate that holders of Press Passes will be able to collect their badge, giving access to the convention, directly from the Press Office, to avoid the need to queue at main registration. If you are being granted Press Credentials, you will need to collect your badge from main registration first. You can then come to the Press Office at your convenience to check in and pick up your Press Ribbon.

In line with the Press Policy, we have a strong line on consent in general, and for photography in particular, and would appreciate your understanding on this. Attending Press are also asked to familiarize themselves with our Code of Conduct: (https://chicon.org/home/for-members/code-of-conduct/) and our Covid Policy (https://chicon.org/home/for-members/covid-policy/). In accepting our offer of a Press Pass or Press Credentials, you are committing to abide by these policies.

(6) US IN FLUX. Read ASU’s Center for Science and the Imagination’s Us In Flux story “Sympathy” by Suyi Davies Okungbowa about the politics and economics of childcare, the contested science of child development, and our hopes and anxieties about the role of robotics in our lives, then see the related Zoom discussion:

Us in Flux is a series of short stories and virtual gatherings that explore how we might reimagine and reorganize our communities in the face of transformative change.

Join us for a conversation with author Suyi Davies Okungbowa and Lance Gharavi, professor of film, dance, and theatre and affiliate faculty at the Center for Human, Artificial Intelligence, and Robot Teaming at Arizona State University. They’ll discuss “Sympathy,” Suyi’s story about robotics, the politics and economics of childcare, and the complexities of early childhood development.

The webinar takes place August 25, 2022 at 11:00 a.m. Pacific. Register at the link: Suyi Davies Okungbowa & Lance Gharavi: “Sympathy”.

(7) TRANSPARENT PROCESS. Interstellar Flight Magazine’s Holly Lyn Walrath discusses their “Acquisitions from the 2021 Short Story Collections Call”, which were chosen with the help of guest editor Oghenechovwe Donald Ekpeki. They’ll be publishing five of the submissions.

Interstellar Flight Press is pleased to announce that we have finished reviewing all submissions from our 2021 short story collection call. As the managing editor, I would like to thank all the amazing authors who submitted to this call. We were blown away by the quality of work out there. Suffice it to say, we wish there were more presses publishing short story collections, as there are SO MANY great books out there waiting to find a home. It was lovely to see how many wonderful writers are excelling in the field of short SFF fiction.

Great thanks is owed to our guest editor for this call, Oghenechovwe Donald Ekpeki, who helped select the final books. Oghenechovwe is a talented writer and editor, and I remain humbled by the amazing writers who have served as guest editors. This position is so important and helps us select books from unique perspectives….

(8) MEDIA BIRTHDAY.  

2005 – [By Cat Eldridge.] On this day in the United Kingdom, the oddest thing happened: a film sequel to a failed television series premiered. Serenity, the sequel to the short-lived (but much beloved by a small group of rather fanatical fans) Firefly science fiction series, saw its debut. 

Now I don’t know how well the Firefly series did in the United Kingdom but I do know well how it did in States. By mid-December, it was averaging 4.7 million viewers per episode and was 98th in Nielsen ratings. Ouch. Now admittedly its eleven (of fourteen produced) episodes were shown out of order, so that didn’t help, did it?

Now DVD sales following its cancellation were particularly strong and the Browncoats, its fans, mounted a campaign that surprisingly convinced the film studio to produce Serenity. Odds are better than even that those responsible for that decision aren’t there anymore.

Ok, I’m not going to talk about it on the infinitely small chance that some of you have not seen this film. (Ha!) All I’m interested in here is how it did and that is quite simple. Though y’all loved it and gave it a Hugo at L.A. Con IV, and it also got a Nebula for Best Script, it did not do well at the box office. It cost forty million to produce and made, errr, forty million. 

Browncoats  quickly spread the rumor that a third film was already being planned but Whedon squashed that idea noting that he was contracted to other productions. 

Serenity is a ninety-one percent rating at Rotten Tomatoes, and the series has a near perfect ninety seven percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 22, 1907 — Oliver McGowan. He played The Caretaker in the “Shore Leave” episode of the original Trek which I just rewatched recently and it holds up much better than I thought it would. McGowan has one-offs on One Step Beyond, Wild Wild West, I Dream of Jeannie, The Twilight Zone and Bewitched. (Died 1971.)
  • Born August 22, 1909 — Paul W. Fairman. His story “No Teeth for the Tiger” was published in the February 1950 issue of Amazing Stories. Two years later, he was the founding editor of If, but he edited only four issues. (Anyone know why?) In 1955, he became the editor of Amazing Stories and Fantastic which he would hold onto for three years. There are several films, Target Earth and Invasion of the Saucer Men, based on his stories, plus some TV episodes as well. (Died 1977.)
  • Born August 22, 1920 — Ray Bradbury. Seriously where do I start? He wrote some of the most wonderful stories that I’ve ever ever read, genre or not, many of which got turned into quite superb video tales on the Ray Bradbury Theater. As for novels, my absolute favorite will always be Something This Way Wicked Comes. (I’m ambivalent on the film version.) And yes I know it isn’t really a novel but The Illustrated Man I treat as such and I loved the film that came out of it with Rod Steiger in that role. Let’s not forget The Martian Chronicles. (Died 2012.)
  • Born August 22, 1925 — Honor Blackman. Best known for the roles of Cathy Gale in The Avengers, Bond girl Pussy Galore in Goldfinger and Hera in Jason and the Argonauts. She was also Professor Lasky in “Terror of the Vervoids” in the Sixth Doctor’s “The Trial of a Time Lord”. (Died 2020.)
  • Born August 22, 1948 — Susan Wood. She received three Hugo Awards for Best Fan Writer in 1974, 1977, and 1981, and a Best Fanzine Hugo as coeditor of Energumen in 1973. In 1976 she was instrumental in organizing one of the most impactful feminist panels at a con, at MidAmericon. The reaction to it contributed to the founding of WisCon. While teaching courses in SF at UBC, one of her students was William Gibson. “Fragments of a Hologram Rose” which is his first published story was written as an assignment in her SF class. (Died 1980.)
  • Born August 22, 1955 — Will Shetterly, 67. Of his novels, I strongly recommend his two Borderland novels, Elsewhere and Nevernever, and Dogland. (Emma’s Finder novel, another Borderland novel is also recommended.) He is married to Emma Bull, they did a trailer for her War for The Oaks novel which is worth seeing. They’re on the chocolate list of course. 
  • Born August 22, 1959 — Mark Williams, 63. He was Arthur Weasley in seven of the Potter films. He also played Brian Williams in the BBC series Doctor Who, appearing with the Eleventh Doctor in “The Power of Three” and “Dinosaurs on a Spaceship”. He was also Olaf Petersen on Red Dwarf. His first genre role was as Fearnot’s Brother in the “Fearnot” episode of Jim Henson’s The Storyteller. 
  • Born August 22, 1963 — Tori Amos, 59. One of Gaiman’s favorite musicians, so it’s appropriate that she penned two essays, the afterword to “Death” in Sandman: Book of Dreams) and the Introduction to “Death” in The High Cost of Living. Although created before they ever met, Delirium from The Sandman is based on her. I wonder if she’ll be in the Sandman series?

(10) BRADBURY BIRTHDAY. As John King Tarpinian does on Ray Bradbury’s birthday these days, he went and left a little gift at Bradbury’s grave.

I had a lovely visit today. Gifted Ray a Chicago made coin-changer, which he used on his only real job selling newspapers. Left him a little guardian angel, too. As I have done in the past, I gave the cake to the cemetery staff.

(11) COMICS SECTION.

(12) FROM SLASH TO STEM. [Item by Martin Morse Wooster.] In the Washington Post, Stephanie Merry profiles a romance writer who uses the pseudonym “Ali Hazelwood” and whose day job is as a neuroscientist.  Hazelwood got her start writing slash fiction about Spock (Leonard Nimoy, not Zachary Quinto) and went on to write Kylo Ren/Rey fiction until an agent discovered her and convinced her to write non-genre fiction. Now she writes “STEMinist” novels in which women fall in love with “broody, emotionless science men.” “Ali Hazelwood talks ‘Love Hypothesis,’ ‘Love on the Brain’”.

… And now here she is, less than a year after her debut became a bestseller and days from releasing her second novel, “Love on the Brain.” Both are about female scientists who fall for, well, broody, emotionless science men. Hazelwood also published three novellas this year. (“I should be doing research,” she says, “but I’m doing this other thing.”)

Hazelwood’s novels fall into the growing genre of “STEMinist” fiction that also includes recent feel-good bestsellers “Lessons in Chemistry,” by Bonnie Garmus, and “The Soulmate Equation,” by Christina Lauren. “Love on the Brain” revolves around two scientists, Bee Königswasser and Levi Ward, who areworking on a NASA project to create a helmet that uses transcranial magnetic stimulation to reduce an astronaut’s “attentional blinks,” which, as Bee describes it, are “those little lapses in awareness that are unavoidable when many things happen at once.”…

(13) WHODUNNIT? Here’s a bizarre opportunity. If you’re going to be in the vicinity of the Mark Twain House in Hartford, CT on August 26, you can go on the “GET A CLUE Interactive Murder-Mystery Tour with Sea Tea Improv.” Register here.

Friday, August 26 starting at 7pm: GET A CLUE Interactive Murder-Mystery Tour with Sea Tea Improv

Who killed Pap Finn?? Was it Tom Sawyer in the Billiard Room with the wrench? Queen Guinevere in the Conservatory with rope? The Prince (or was it the Pauper??) in the Library with the revolver. We need YOU to solve this mystery on our hilarious, interactive GET A CLUE TOUR of The Mark Twain House! With Twain’s most famous characters as suspects, portrayed by comedians from Sea Tea Improv, this larger than life version of the classic game is a fun chance for you to play detective.

(14) PHYSICS AND SF IDEAS. The Ad Astra Center for Science Fiction & the Speculative Imagination at the University of Kansas presents “The Higgs Boson In This Particular Universe” with Phil Baringer, Professor Emeritus KU Physics and Astronomy, on Wednesday, August 31 at 6:30 p.m. Central at the Lawrence (KS) Public Library.

What science-fiction ideas does this inspire? Award-winning SF author, educator, and Ad Astra Center director Chris McKitterick leads a Q&A and idea-generation session with Dr. Baringer to help attendees imagine possibilities and launch your own stories.

There will be a recorded livestream of the talk on their YouTube channel. Subscribe now so you don’t miss it.

(15) WHERE DO THEY ALL COME FROM. “Machine learning locates meteorite source on Mars” in Nature.

This unusually multicoloured view of Mars shows the distribution of 90 million impact craters across the planet’s surface, mapped by researchers using a machine-learning algorithm trained on data from previous Mars missions. The colours represent the size, age and density of the craters: for example, blue areas depict the largest and youngest ones.

Scientists made the map while investigating the origin of a meteorite called Black Beauty, which was found in the Sahara Desert in 2011. The lump of rock was thrown out into space when an asteroid struck Mars at least 5 million years ago. The team used the algorithm to narrow down the possibilities, and eventually worked out the exact location of this impact (A. Lagain et al. Nature Commun. 13, 3782; 2022). The researchers suggest that the 10-kilometre-wide crater — named Karratha — could be the focus of a future Mars mission.

[Thanks to Cat Eldridge, Mike Kennedy, Nancy Sauer, Joey Eschrich, Anne Marble, Daniel Dern, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/24/22 Paradise By The Pixel Light

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(1) CYBERSTALKING. Patrick Tomlinson has written a 27-tweet thread about the cyberstalking campaign against him, daily threats, invasions of privacy, fake delivery orders, and email accounts impersonating him to send offensive messages to people. His efforts to learn the identities of the stalkers were contested by Cloudflare and a California court refused to require them to be disclosed. Thread starts here.

The pain caused to him and his family has been mocked by the right-wing comics site Bounding Into Comics, and in numerous tweets and videos by Jon Del Arroz.

(2) ON THE FRONT. The Avocado revisits the book cover art – including some international editions – on volumes of Isaac Asimov’s famed trilogy: “Judging a Book by its Covers: The Foundation Trilogy”.

Del Rey, 1986

Holy smokes, these are beautiful. Three significant points in the Foundation era, illustrated in stunning detail and each with a representative character. Hari Seldon sits on a throne of carefully calculated order. The Mule takes a wrecking ball to the plan and lounges amid the ruins. And Arkady Darell strides through the world that was reborn from that destruction, as nature reclaims the Empire’s decaying vestiges. I love these covers. Bravo!

Huh? Doesn’t the Mule kind of look like a clown here? That’s right! It was Magnifico the whole time, making the Mule an unusually cerebral addition to the hallowed Scary Clown Hall of Fame. Pennywise can eat your soul, but the Mule could make you happy about it….

This is apparently the second in an occasional series. The first installment was: ”Judging a Book By its Covers: Podkayne of Mars”.

(3) YOU ARE NUMBER SIX. The Hollywood Reporter can hear the cash register still ringing like mad: “Box Office: ‘Spider-Man’ Swings Past ‘Jurassic World’ on All-Time List”.

No Way Home made headlines on the global stage as it passed up 2019’s The Lion King ($1.66 billion) and 2015’s Jurassic World ($1.67 billion) to become the No. 6 film of all time worldwide with $1.69 billion in worldwide ticket sales through Sunday, not adjusted for inflation.

In North America, Sony and Marvel’s No Way Home returned to No. 1 in its sixth weekend with an estimated $14.1 million from 3,705 theaters for a domestic total of $721 million, the fourth-best showing of all time.

(4) SCOTS TAPING. Do you know where your locations are being shot? “Glasgow becomes Gotham for Batgirl as Scottish film industry booms” says the Guardian.

Icicles were glued on to vintage streetlamps as Glasgow was transformed into a wintry Gotham City over the weekend, as Batgirl became the latest blockbuster to take advantage of Scotland’s versatile urban locations and glorious scenery.

Last summer the city was draped in US flags and bunting to simulate a New York parade for the latest Indiana Jones movie, while the stars of the Amazon Prime series Good Omens 2 have been spotted recently in Edinburgh.

For Screw, the flagship new-year drama by STV Studios for Channel 4, the inside of Glasgow’s Kelvin Hall – now host to a £11.9m television studio jointly funded by the Scottish government and Glasgow city council – was transformed into a prison wing….

(5) IN SPACE NO ONE CAN HEAR IT TICK. Citizen is ready to sell fans Star Wars Watches, in a variety of franchise themes. Here are two examples, Boba Fett, and Rebel Pilot (each marked down to a mere $280!) There are 18 altogether.

(Click for larger images.)

(6) MEDIA BIRTHDAY.

1952 — [Item by Cat Eldridge.] Seventy years ago this month, Alfred Bester’s The Demolished Man is first published in three parts starting in the January 1952 issue of Galaxy Science Fiction. Although he had been writing short fiction since 1939, this was Bester’s first novel.

The novel is dedicated to Galaxy‘s editor, H. L. Gold, who made suggestions during its writing. Bester’s preferred title was Demolition! but Gold convinced him it was not a good one. Anyone know where the title came from? 

The Demolished Man would be published in hardcover by Shasta Publishers the next year. Shasta Publishers was formed in 1947 by a group of Chicago area fans.

Critics at the time really loved it. Anthony Boucher and J. Francis McComas in their Recommended Reading column for The Magazine of Science Fiction and Fantasy said it was “a taut, surrealistic melodrama [and] a masterful compounding of science and detective fiction.” And Groff Conklin in his Galaxy 5 Star Shelf column exclaimed that it is “a magnificent novel as fascinating a study of character as I have ever read.”

As you know The Demolished Man would win the first Hugo for Best Novel at PhilCon II. It was also nominated for the International Fantasy Award. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 24, 1911 — CL Moore. Author, and wife of Henry Kuttner until his death in 1958. They collaborated in such delightful works as “Mimsy Were the Borogoves” and “Vintage Season”, both of which were turned into films which weren’t as good as the stories. She had a strong writing career prior to her marriage as well with such fiction as “Shambleau” which involves her most famous character Northwest Smith. I’d also single out “Nymph of Darkness” which she wrote with Forrest J Ackerman. I’ll not overlook her Jirel of Joiry, one of the first female sword and sorcery characters, and I believe that the “Black God’s Kiss” story is the first tale she wrote of her adventures. She retired from writing genre fiction after he died, writing only scripts for writing episodes of Sugarfoot, Maverick, The Alaskans and 77 Sunset Strip, in the late Fifties and early Sixties. Checking the usual suspects , Deversion Books offers a nearly eleven hundred page collection of their fiction for a mere three bucks. (Died 1987.)
  • Born January 24, 1917 — Ernest Borgnine. I think his first genre role was Al Martin in Willard but if y’all know of something earlier I’m sure you’ll tell me. He’s Harry Booth in The Black Hole, a film whose charms still escape me entirely. Next up for him is the cabbie in the superb Escape from New York. In the same year, he’s nominated for a Razzie Award for Worst Supporting Actor as Isaiah Schmidt in the horror film Deadly Blessing. A few years later, he’s The Lion in a version of Alice in Wonderland. Merlin’s Shop of Mystical Wonders is horror and his Grandfather isn’t that kindly. He voices Kip Killigan in Small Soldiers which I liked, and I think his last role was voicing Command in Enemy Mind (2010). Series wise let’s see…  it’s possible that his first SF role was as Nargola on Captain Video and His Video Rangers way back in 1951. After that he shows up in, and I’ll just list the series for the sake of brevity, Get Smart, Future Cop, The Ghost of Flight 401, Airwolf where of course he’s regular cast, Treasure Island in Outer Space and Touched by an Angel. (Died 2012.)
  • Born January 24, 1937 — Julie Gregg. A performer that showed up in a lot of SFF series though never in a primary role. She was in Batman: The Movie as a Nightclub Singer (uncredited) in her first genre role, followed by three appearances on the series itself, two as the Finella character; one-offs on I Dream of Genie, Bewitched, The Flying Nun, Mission: Impossible, Kolchak: The Night Stalker and Incredible Hulk followed. Her only lead role was as Maggie Spencer in Mobile One which can’t even be stretched to be considered genre adjacent. (Died 2016.)
  • Born January 24, 1944 — David Gerrold, 78. He of course scripted “The Trouble With Tribbles” which I absolutely love, wrote the amazing patch-up novel When HARLIE Was One, has his War Against the Chtorr series and wrote, with Robert Sawyer, Boarding the Enterprise: Transporters, Tribbles, and the Vulcan Death Grip in Gene Roddenberry’s Star Trek.  He’s been a screenwriter for Star Trek, Star Trek: The Animated Series, Land of the Lost, Logan’s Run (the series), Superboy, Babylon 5, Star Trek: Deep Space Nine, Sliders, Star Trek New Voyages: Phase II, and Axanar. Very, very impressive.
  • Born January 24, 1949 — John Belushi. No, he was not in a single SFF series or film that I can mention here though he did voice work on one such undertaking early in his career that I’ll not mention here as it’s clearly pornographic in nature. No, he’s here for his brilliant parody of Shatner as Captain Kirk which he did on Saturday Night Live which you can watch here.  (Died 1982.)
  • Born January 24, 1967 — Phil LaMarr, 55. Best known I think for his voice work which, and this is a partial list, includes Young Justice (Aquaman among others), the lead role on Static Shock, John Stewart aka Green Lantern on Justice League Unlimited, Robbie Robertson on The Spectacular Spider-Man, various roles on Star Wars: The Clone Wars and T’Shan on Black Panther. Live roles include playing a jazz singer in the “Shoot Up the Charts” episode of Get Smart, a doctor on The Muppets in their ”Generally Inhospitable” segment, a lawyer in the “Weaponizer” episode of Lucifer and the voice of Rag Doll in the “All Rag Doll’d Up” episode of The Flash.
  • Born January 24, 1985 — Remi Ryan, 37. You most likely remember as her as ever-so-cute hacker urchin in RoboCop 3 who saves the day at the end of that film. She actually had her start in acting in Beauty and the Beast at four and was in The Flash a year later. At twelve, she’s in Mann & Machine. A year later is when she’s that urchin. Her last genre undertaking was in The Lost Room eight years ago and she retired from acting not long after.

(8) COMICS SECTION.

(9) MARVEL LOADS UP FOR FREE COMIC BOOK DAY. Marvel Comics will celebrate Free Comic Book Day on May 7 this year with three free one-shots. The second title to be announced is Free Comic Book Day 2022: Marvel’s Voices #1, an introduction to the critically acclaimed Marvel’s Voices series, which spotlights creators and characters across Marvel’s diverse and evolving universe. The book will include seven Marvel’s Voices stories, spotlighting creators and characters from different cultures, communities, and identities.

(Click for larger images.)

 In addition to a new story starring Moon Girl by writer Nadia Shammas and artist Luciano Vecchio, the issue will reprint these stories from other Marvel’s Voices one-shots:

Writer Evan Narcisse and artist Jahnoy Lindsay’s tale showcasing the heroic journey of Brother Voodoo from MARVEL’S VOICES (2020) #1

Acclaimed artist Jeffrey Veregge’s showcase of Marvel’s greatest indigenous heroes from MARVEL’S INDIGENOUS VOICES (2020) #1

Oscar winning writer John Ridley and artist Olivier Coipel’s action packed Miles Morales adventure from MARVEL’S VOICES: LEGACY (2021) #1

Writer Alyssa Wong and superstar artist Whilce Portacio’s Wave and Bishop teamup story from MARVEL’S VOICES: IDENTITY (2021) #1

Artist Luciano Vecchio’s rousing exploration of the history of LGBTQ+ representation in Marvel Comics from MARVEL’S VOICES: PRIDE (2021) #1

Writer/artist Leo Romero’s celebration of Brazilian culture with the X-Men’s Shark-Girl from MARVEL’S VOICES: COMUNIDADES (2021) #1 by Leo Romero

(10) N3F SHORT STORY CONTEST. The winners of the 2021 National Fantasy Fan Federation Short Story Contest have been announced.

First Prize ($50): “The Prudence of Silver,” by Sean Jones: A Swords and Sorcery “dungeon crawl,” with monsters, skeletons, high priests, and a small band of determined heroes to penetrate the depths and accomplish their dire mission. But things are not always what they seem, and, in war, who is really a “good guy?”

Second Prize ($30): “Breaking Good,” by Adrian Rayner: A “Noir” style conflict between a publisher and an extortionist. When the armbreakers are making demands, whom can anyone trust?

Third Prize ($20): “Wear Some Flowers In Your Hair,” by Markus Nyström: A space battle goes badly — as badly as it could conceivably go — and our hero volunteers to salvage the situation in the only way possible. Will he succeed?

Honorable Mention: “The Landing at the Somme,” by Patrick McKay: What if the Martian war machines from “War of the Worlds” had landed in the middle of one of the climactic battles of World War One? What better time to attack, than while earthlings make war on each other? 

(11) CRICKETS WILL BE CHIRPING. Netflix has announced that Guillermo del Toro’s Pinocchio is coming in December.

Academy Award®-winning filmmaker Guillermo del Toro reinvents Carlo Collodi’s classic tale of the wooden marionette who is magically brought to life in order to mend the heart of a grieving woodcarver named Geppetto. This whimsical, stop-motion musical directed by Guillermo del Toro and Mark Gustafson follows the mischievous and disobedient adventures of Pinocchio in his pursuit of a place in the world.

(12) JWST IS ON STATION. “New space telescope reaches final stop million miles out” reports AP News.

The world’s biggest, most powerful space telescope arrived at its observation post 1 million miles from Earth on Monday, a month after it lifted off on a quest to behold the dawn of the universe.

On command, the James Webb Space Telescope fired its rocket thrusters for nearly five minutes to go into orbit around the sun at its designated location, and NASA confirmed the operation went as planned.

The mirrors on the $10 billion observatory still must be meticulously aligned, the infrared detectors sufficiently chilled and the scientific instruments calibrated before observations can begin in June.

But flight controllers in Baltimore were euphoric after chalking up another success.

(13) JEOPARDY! Andrew Porter witnessed a category take a bite out of a contestant on tonight’s episode of Jeopardy!

Category: Writers do Right

Answer: This author of vampire novels donated $1 each from the sale of “The Short Second Life of Bree Tanner” to the Red Cross.

Wrong question: Who is Anne Rice?

Right question: Who is Stephenie Meyer?

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Dan Bloch, Chris Barkley, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]