Pixel Scroll 7/23/24 I’m Pixel, This Is My Brother Scroll, And This Is My Other Brother Scroll

(1) HAPPENING AT GLASGOW 2024. Sunyi Dean announced this on Bluesky. Click for larger images.

(2) GEOFFREY LANDIS PROFILE. “A NASA Engineer Spent Years Writing Fiction About Venus. Now He Wants to Send a Mission There For Real” at Cleveland Scene.

In writer Geoffrey Landis’s short story “Cloudskimmer,” a pair of astronauts in the near future gaze down at planet Venus from their idling spacecraft. Hired by some unnamed government backer, the two, Zara and Sanjay, begin a loose debate after one decides to—for the sake of better research!—travel to Venus’s surface himself. Why? Zara asks.

“Same reason Mallory climbed Everest,” Sanjay says. “Because I can.”

“What are we going to tell our backers?” she tells Sanjay later in the story. “They’re paying us for science, not for stunts.”

Sanjay makes the trip personal. “Humans see different things than drones do,” he says.

The vision and risk in Landis’s science fiction, like in that 2022 short story, are barely contained to the realm of make believe. Landis, besides being an award-winning novelist and fiction writer, is an aerospace engineer at NASA Glenn, which has gifted the now 69-year-old a reciprocal gift in by-day and by-night lives: interplanetary research that feeds into his writing; writing that foreshadows his research….

(3) WRITER’S COUNTRY. “Unravelling the Mystery of Agatha Christie’s Country Retreat” at CrimeReads.

A ceramic skull, grinning at visitors from a side table in the entry hall, offers a clue to the identity of the former owner of this grand home perched above the banks of the River Dart in Devon. 

You don’t need Hercule Poirot’s little grey cells or the observational skills of Jane Marple to solve this mystery. Who else but the Queen of Crime would display such a macabre ornament? 

Welcome to Greenway, the country retreat of Agatha Christie. This compact Georgian mansion, faced in white stucco that gleams in England’s rare bursts of spring sunshine, was her refuge from the demands of being the world’s most famous and beloved crime writer. It’s secluded – accessible only by boat or via a long, narrow driveway – and set on more than thirty acres of gardens and woodland. Her dream home, she called it, “the loveliest place in the world.”

Each year thousands of Christie fans make the pilgrimage to Greenway, which opened to the public fifteen years ago….

…Staff members circulate through the house, answering questions and offering insights and anecdotes. The doll a bored-looking, four-year-old Christie clutches in a portrait housed in the morning room? Her name is Rosie and, 130 years later, she’s propped up in a nearby chair. Ask about the cuneiform tablet embedded in an outside wall – Mallowan brought it back from Iraq in the 1930s – and a staff member hands over a printout explaining it dates from 600 BCE and is a plea to the Assyrian god Nabu. The black gown with gold trim hanging in a bedroom closet? Christie wore it to the 1952 premiere of The Mousetrap, her record-setting play that has been performed in London’s West End more than 29,000 times and is still going strong…

(4) DAVID BRIN ON FIRST CONTACT. The Science in Fiction podcast hosted David Brin after they talked to Avi Loeb. So “first contact scenarios, Fermi Paradoxf and plausible types of alien probes in the Solar System all came up.” “David Brin on First Contact in ‘Existence’” at Spotify.

Marty and Holly speak with David Brin, science fiction icon, scientist, futurist and civilizational optimist.  We discuss his particular view of first contact with extraterrestrial intelligence, as portrayed in his 2012 novel ‘Existence’, along with his predictions about how artificial intelligence and virtual reality will change our world in the near future.  We discuss the UFO phenomenon (a sophisticated form of cat lasers for us to chase) and the unspeakably rude behaviour of these hypothetical silvery teaser punks.  David speaks directly to the artificial intelligences and possibly alien intelligences who may be inveigled in our internet.  We talk about Cixin Liu’s ‘The Three Body Problem’ (there is no three body problem), the likely prevalence of life in the universe (90% of star systems), the Fermi Paradox, SETI, METI, and various forms that first contact with alien civilizations may take, among them Von Neumann machines and artificial alien intelligences stored in ‘envoy eggs’ orbiting our planet for millions of years. David tells us how to make the most powerful telescope in the universe, by turning the Kuiper Belt into a solar system sized lens.  Finally, he implores us to fight back against the ingrate habit of cynicism and pessimism rotting our global civilization today, and declares “I’m proud as hell and nothing can stop us! … Be citizens of wonder, help save a good civilization.”

(5) RARE CODEX. The Folio Society’s illustrated edition of A Canticle for Leibowitz can be yours for $600.

Explore a world of feudal futurism in the beloved classic A Canticle for Leibowitz, a post-nuclear masterwork featuring 12 full-page pieces of original artwork by premier fantasy artist Elliot Lang. Folio presents Walter M. Miller Jr’s Hugo-award winning novel as never before seen. This vital chapter in the canon of 20th century science fiction takes place in a scorched earth in which an order of monks is dedicated to recovering the remnants of scientific knowledge lost to nuclear war. Evocative, complex and gently funny, A Canticle for Leibowitz most recently provided direct inspiration for the Fallout games and TV show, and has been one of Folio’s most consistently requested titles. Having recommended the book himself, Pulitzer Prize-winning literary essayist Michael Dirda provides an illuminating introduction, while Elliot Lang’s brilliant designs and illustrations create a truly immersive reading experience. Along with medieval-style historiated chapter initials, scrollworked part-titles, ingenious endpaper design, an illustrated cover and slipcase, Lang also contributes an exclusive afterword that tells the uncanny story of his own personal connection to this timeless work of spiritual wonder and post-apocalyptic terror. 

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 23, 1947 Gardner Dozois. (Died 2018).  

By Paul Weimer: I mentioned Dozois recently in my birthday appreciation of James E Gunn.  And like Gunn, Dozois has both fictional and non-fictional elements to his oeuvre, but for Dozois that balance is even more on the nonfictional side.

Gardner Dozois

But the piece of Dozois fiction I want to mention before his editorial work is near and dear to me — his “Counterfactual”.  It is an alternate history story of the metafictional kind, as someone who is in an alternate history (where the Civil War went very differently) and is trying to write a story about a world where the South lost, and not hitting the mark of our own world, but coming up with a complete and different variant. Since I had read The Man In the High Castle by the time I came across “Counterfactual”, I saw immediately what Dozois was doing, and was delighted he was going for that approach, too. 

But really, Dozois as an anthologist is really what his bread and butter is. The Year’s Best SF collections were bread and butter to me, and once I got into Hugo nominations and voting regularly, they served as a guidepost as to help inform my choices. Those volumes not only had a great set of stories every year, but the gigantic editorial/field review essay Dozois provided gave a perspective as to what he thought the field was doing, where it had been and where it was going. I didn’t always agree with his assertions and ideas (once I had enough feet under me to do so) but I found his arguments and perspective fascinating. And that essay always included a whole additional set of recommendations of stories (and novels!) that he could not anthologize in that volume.  I could set up a good half year’s reading just from one of those Year’s Best volumes and working my way through his recommendations.

Aside from the Year’s Best, I always found a new original or reprint anthology of Dozois’ to command my attention, and my wallet. And the sheer variety of the subgenres and topics he anthologized showed his Renaissance Man-like knowledge of the field. From The Good Old Stuff, to One Million AD, to The Book of Swords, Dozois provided endless reading of short fiction carefully curated and collected for particular tastes. One of my favorite of this was among his last.  Ever since I read A Princess of Mars, Mars in its dying civilization mode has always fascinated me as a setting. So his collection Old Mars, with many stories in that vein, was a particular favorite. And with a kickass set of authors including Michael Moorcock, Ian McDonald and Melinda Snodgrass, the reputation of Dozois meant that when he cast for an anthology of new stories, authors jumped at the chance.  

While there are plenty of year’s best and other anthologies since, no one, IMHO, has quite shown the power and magic of a collector of stories, be it reprints or original fiction, quite like Gardner Dozois did.

(7) COMICS SECTION.

(8) COMIC-CON SCOUTING REPORT. “San Diego Comic-Con 2024: Pre-Show News, Must-Go Panels, and More” at Publishers Weekly. The piece ends with a roster of their picks for the top programs.

It wouldn’t be San Diego Comic-Con without a little drama, some big questions, and a lot of hype. Just 24 hours before this year’s show floor opens at the San Diego Convention Center, it appears that the con will deliver all that and more—including some terrific programming set to begin on Thursday and Friday’s Eisner Awards ceremony. And with downtown San Diego abuzz with comics fever, some companies are ramping up their presence at the show while others are leaving the playing field.

(9) HOPE SPRINGS ETERNAL. “Could Star Trek’s Wesley Crusher Get His Own Spinoff? Wil Wheaton Has Thoughts” at CinemaBlend. It was only as long ago as 1988 that I ran a convention program called “Solving the Wesley Problem”. My 1988 self would be surprised to hear I like this solution.  

Star Trek: Prodigy gave Wesley Crusher the story he’s deserved for decades while also providing Wil Wheaton with the experience of watching his voiceover performance, one that made us both emotional talking about it. I think it’s a given at this point that fans would love to see more of him, potentially via his own upcoming Trek spinoff, but is that a realistic hope hold onto? Wil Wheaton had some thoughts.

As the host of The Ready Room (available to stream with a Paramount+ subscription) and someone who is around the Star Trek fandom and its creatives quite a bit, Wil Wheaton has a definite read on the franchise. If anyone would know rumblings about what is and isn’t possible, it’s probably him. So I decided to get his thoughts on the probability of a Wesley Crusher spinoff happening down the road, noting that Star Trek rarely produces projects centered around non-Starfleet characters (Prodigy being the first). When I asked whether a spinoff was a realistic hope or just a pipe dream, he told me:

“Well, if there’s one thing that we have learned through like 60 years of Star Trek, It’s that anything is possible. Like no one’s ever really gone. Things are constantly in flux, and when you have a character who can manipulate spacetime and thought to kind of do anything and go anywhere, sure, you could put him any place. As an audience member, as a fan of the characters and Prodigy, and as a fan of the actors who play them, I would love to see more. I am fascinated by stories in the Star Trek universe that do not take place inside of Starfleet. I’ve always been fascinated by that. I’ve always wanted to know what it is like. What is this universe that Starfleet is kind of like looking after? What goes on on these planets before and after the Federation shows up?”…

(10) SMILE, YOU’RE ON X-RAY CAMERA. “NASA releases never-seen-before images of Peacock galaxy” at Yahoo!

NASA is celebrating the 25th anniversary of its Chandra X-ray Observatory launch by sharing never-before-seen photos of the largest known spiral galaxy in the universe.

The Chandra X-ray observatory was launched on July 23, 1999. Since then, it has scoured the universe to look for X-ray emissions from exploded stars, clusters of galaxies and more, according to NASA. The observatory returns data to the Chandra X-ray Center at Harvard University’s Smithsonian Astrophysical Observatory.

Since its launch, the observatory has captured images of the aftermath of exploded stars, photographed the supermassive black hole that exists at the center of the Milky Way, and helped scientists learn more about dark matter, dark energy and black holes….

… The observatory captured thousands of images of the spiral galaxy, known as NGC 6872, since its launch. The galaxy, located in the Peacock constellation of the universe, is over 522,000 light-years across, or more than five times the size of the Milky Way, according to NASA

(11) COSMIC EYEBALL. Ars Technica tells how “Mini-Neptune turned out to be a frozen super-Earth”.

Of all the potential super-Earths—terrestrial exoplanets more massive than Earth—out there, an exoplanet orbiting a star only 40 light-years away from us in the constellation Cetus might be the most similar to have been found so far.

Exoplanet LHS 1140 b was assumed to be a mini-Neptune when it was first discovered by NASA’s James Webb Space Telescope toward the end of 2023. After analyzing data from those observations, a team of researchers, led by astronomer Charles Cadieux, of Université de Montréal, suggest that LHS 1140 b is more likely to be a super-Earth.\

If this planet is an alternate version of our own, its relative proximity to its cool red dwarf star means it would most likely be a gargantuan snowball or a mostly frozen body with a substellar (region closest to its star) ocean that makes it look like a cosmic eyeball. It is now thought to be the exoplanet with the best chance for liquid water on its surface, and so might even be habitable.

Cadieux and his team say they have found “tantalizing evidence for a [nitrogen]-dominated atmosphere on a habitable zone super-Earth” in a study recently published in The Astrophysical Journal Letters….

(12) JOKER TRAILER. When you’re smiling, the whole world smiles with you. Joker: Folie À Deux in theaters and IMAX, October 4.

(13) PRIME VIDEO. “Amazon Prime Video’s next big sci-fi spy thriller gets action-packed teaser” reports T3.

…The next in the line-up is Italian-language Citadel: Diana, which will tell a completely fresh story when it arrives on 10 October, and will have little overlap with the main series, other than the fact that it’ll involve the mysterious Citadel agency. 

Diana herself is played by Matilda De Angelis, who’s been making quite a name for herself in Italian productions, and looks suitably big-budget and high-concept, fusing the same sci-fi aesthetic as the first season of Citadel did….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Paul Weimer, Mark Roth-Whitworth, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/11/22 Pixelled In The Scroll By A Chuck Tingle Pixel Scroll Title

(1) STAR TREK SPOILER WARNING. Let that be said right up front. Anybody that doesn’t want Picard Season 2 spoiled, please skip to the next item.

Okay. Now for the rest of you: “Star Trek Producers Fought Over Which New Shows Get To Bring Back Wesley Crusher” reports TrekMovie.com.

Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…

Actor Wil Wheaton commented on Facebook:

I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.

This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.

And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.

I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.

And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.

Here’s the clip:

(2) LMB MAKES HISTORY. “Bujold interview by Asena Ideus, 23 March 2022” was posted by Lois McMaster Bujold at Goodreads.

Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…

When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?

LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.

One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….

(3) COMICMIX BACK IN THE SEUSS BUSINESS. Publishers Weekly has the details. “ComicMix Launches Campaign to Publish Public Domain Seuss Stories”. The Kickstarter is here. (People have pledged $4,813 of its $5,000 goal at this writing.)

Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.

Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain. 

ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:

“We found Dr. Seuss stories, once thought to be lost,
that we’re bringing to you at a reasonable cost.
Some tales are familiar, though not quite this way,
but all fine examples of Seuss’s wordplay!
We spruced them all up, and now are good times
to rediscover his artwork and rhymes.
We filled up a book to put on your shelf
So that you can at last read them for yourself!” OY

Dr. Seuss Enterprises declined to comment on the story.

(4) WOKE SF TROLLS. [Item by Mlex.] A thoughtful discussion of the flap of people complaining about “woke” sf by Christopher Reeves, commentator for DailyKos. “Right-wing trolls accusing science fiction of being ‘woke’ are messing with my childhood”.

Sometimes, I fall into a rabbit hole I didn’t even know was going to happen. I was following along with a YouTube thread regarding Stargate SG-1 when it was pointed out a reboot was possible. I, having followed the series, thought, “Cool, cool, I might really enjoy this so tell me more.” I sat down to watch and learned a few things, but within the first three minutes, something interesting came about. According to a video on the subject: “Fans have become concerned following the recent release of The Wheel of Time series, and the upcoming Lord of the Rings: The Rings of Power series. Both of those series have taken significant creative license to change the characters and story to fit what many science fiction and fantasy fans believe is a ‘woke’ or progressive agenda at a cost to the canon of the original stories.

Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….

(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.

(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)

(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.

(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.

Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.

McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”

(9) MEMORY LANE.

1999 [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons. 

It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)

The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed  companion back. Yes, both the cat and the princess are either immortal or of the undead. 

The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF. 

Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD. 

However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.

I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.” 

I think I’ll leave it there. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 11, 1930 Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of SupermanCommando Cody: Sky Marshal of the UniverseMen Into  SpaceTwilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
  • Born May 11, 1935 Doug McClure. He had the doubtful honor of appearing some of the worst Seventies  SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time ForgotThe People That Time ForgotWarlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight ZoneOut of This WorldAirWolfAlfred Hitchcock PresentsFantasy Island and Manimal. Some of which were far better. (Died 1995.)
  • Born May 11, 1936 Gordon  Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
  • Born May 11, 1952 Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward
  • Born May 11, 1976 Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange HorizonsF&SF, and elsewhere. 

(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.

Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.

You would be wrong.

For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.

…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.

The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”

The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”

The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…

(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.

BECCON was a series of biennial conventions in the 1980s: 198119831985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).

Those present at the reunion were from far left and clockwise: John Stewart,Roger Robinson (Beccon Publications), Jenny Steele (sadly obscured), Brian Ameringen (Porcupine Books), Peter TyersArthur Cruttenden, Caroline Mullan (2023 Eastercon committee), Anthony Heathcote and Jonathan Cowie (SF² Concatenation),

The BECCON ’87 programme book front cover. This was back in the days (prior to the 2010s) when Eastercons had a souvenir programme book in addition to the schedule timetable booklet.  It is particularly notable as being the first British Eastercon programme book to have a full colour cover. The cover art was by one of the convention’s GoHs, Keith Roberts.

(13) DOCTORAL THESIS. At Nerds of a Feather, Arturo Serrano concludes “’Doctor Strange 2′ is visually delightful and narratively bland”.

Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….

(14) LOST IN SPACE. Serrano also finds another franchise lacking: “‘Star Trek: Picard’ season 2 is aimless and inconsistent”

Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….

(15) SAGE AGAINST THE MACHINE. Inverse presents “The 8 best movie time machines of all time, ranked by scientists”. You’d be surprised what kind things scientists have to say about the TARDIS.

These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….

6. DOCTOR WHO’S TARDIS

WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).

Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.

“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”

Its properties are bizarre, but its time-travel abilities are appealing to real scientists.

“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”

Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.

“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.

(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!

Category: Sci-Fi Trilogies

Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.

No one could ask, What is T-2?

Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.

No one could ask, What is ‘The 3-Body Problem”?

(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.

(18) CEREAL KILLER. Today’s Heather Martin says, “I tried Tropicana Crunch, the new cereal designed to be eaten with orange juice”.

Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….

It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.”  Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”

[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]