SFPA Issues New Rhysling Award Guidelines

The Science Fiction & Fantasy Poetry Association (SFPA) has implemented new guidelines for the organization’s best-known prize, the Rhysling Award.

The most significant changes are the addition of a jury to the process, and a rule to discourage entrants from also competing for two other SFPA prizes with the same poem.

JURY. SFPA members will continue to collectively create a list of nominees. The new Rhysling jury will select the finalists from their recommendations. SFPA members will still vote on the winners.

RANGE. The Rhysling Award will still be given in short and long categories, with the dividing point at 50 lines. However, there are now lower and upper limits to prevent “double dipping” into SFPA’s other awards, the Dwarf Stars and Elgin Award. Poems 10 lines and under are eligible only for Dwarf Stars. Poems 300 lines and over are eligible only for the Elgin.

The changes followed two rounds of surveying members and have been approved by SFPA’s executives.

2022 Rhysling Award Long Poem Winners

Beth Cato, Marsheila Rockwell, Marge Simon and Mary Turzillo are the winners of 2022 Rhysling Award in the Long Poem Category. Science Fiction and Fantasy Poetry Association members voted their work at the top of the polls. There were 78 nominees.

Long Poem Category

First Place

Second Place

  • “Reservation Fairy Tales 101—Final Exam” • Marsheila Rockwell • Augur Magazine 4:1

Third Place

  • “Alexander’s Babylon” • Marge Simon & Mary Turzillo • Victims (Weasel Press)

Honorable Mentions

The 2022 Rhysling Chairs are F. J. Bergmann and Brian U. Garrison.

The Rhysling Award is given in two categories. “Best Long Poem” is for poems of 50+ lines, or for prose poems, of 500+ words. “Best Short Poem” is limited to poems of no more than 49 lines, or prose poems of no more than 499 words. The 2022 Rhysling Award short poem winners were announced in June.

2022 SFPA Poetry Contest Winners

The Science Fiction & Fantasy Poetry Association has announced the winners of its 2022 Poetry Contest.

This year’s contest offered prizes in three divisions:

  • Dwarf (poems 1-10 lines [prose poems 0-100 words])
  • Short (11-49 lines [prose poems 101-499 words])
  • Long (50 lines and more [prose poems 500+ words])

Contest chair Brittany Hause received 352 entries (119 dwarf-length, 176 short, and 57 long poems) from around the world.

This year’s Speculative Poetry Contest judge, David Kirby, selected the winning pieces and honorable mentions. The winners will receive a $150 First Prize, $75 Second Prize, and $25 Third Prize in each category, as well as publication on sfpoetry.com

LONG CATEGORY

WINNER

  • T. D. Walker “The Hologram Princess on the Moon Considers the Pillars Surrounding Her”

Second Prize

  • F. J. Bergmann — “Photographing Sirens”

Third Prize

  • Alex Jennings “Ivory Coast”

SHORT CATEGORY

Winner

  • Shannon Connor Winward “Near the end, your mother tells you she’s been seeing someone”

Second Prize

  • Scott Thomas “Angelo Was Right”

Third Prize

  • Karen Paul Holmes “Brünnhilde Speaks”

DWARF CATEGORY

Winner

  • F. J. Bergmann “Tranche”

Second Prize

  • M.J. Towers “Terminal”

Third Prize

  • Susan Burch — [hoping one day]

HONORABLE MENTIONS

Dwarf Form Honorable Mentions:

  • Aphorism by Timons Esaias 
  • Can You Believe by S. T. Eleu
  • [Cellphones out at dinner] by Nicholas Batura 
  • Getting Lucky by F. J. Bergmann
  • It Wasn’t As If … by Anna Cates
  • Poker Night by Michael McCormick

Short Form Honorable Mentions

  • All the space we have left by Marisca Pichette
  • Bayes’ Theorem As Applied to the Fermi Paradox by F. J. Bergmann
  • Captain Kirk (38 Years After the Shuttle Crash) by Scott Thomas
  • Harry Potter en Français by Sarah A. Carleton 
  • Kim’s houseboat in the sky is broken by Jenny Blackford

Long Form Honorable Mentions

  • Haunted Algorithm by Lauren Scharhag 
  • The Weavers by Colleen Anderson
  • Xibirisms by Datorien Anderson

2022 Elgin Awards

The Science Fiction and Fantasy Poetry Association’s Elgin Award winners have been announced by Jordan Hirsch, the 2022 Elgin Award Chair.

The award is named for SFPA founder Suzette Haden Elgin, and is presented in two categories, Chapbook and Book.

CHAPBOOK CATEGORY

WINNER

  • Field Guide to Invasive Species of Minnesota by Amelia Gorman (Interstellar Flight Press, 2021)

SECOND PLACE

  • Tug of a Black Hole by Deborah P Kolodji (Title IX Press, 2021)

THIRD PLACE

  • Visions at Templeglantine by John W. Sexton (Revival Press, 2020)

BOOK CATEGORY

WINNER 

  • Can You Sign My Tentacle? by Brandon O’Brien (Interstellar Flight Press, 2021)

SECOND PLACE

  • Tortured Willows: Bent. Bowed. Unbroken. by Christina Sng, Angela Yuriko Smith, Lee Murray, and Geneve Flynn (Yuriko Publishing, 2021)

THIRD PLACE

  • Unquiet Stars by Ann K. Schwader (Weird House Press, 2021)

There were 14 chapbooks nominated and 45 full-length books; 62 SFPA members voted.

2022 Elgin Chair Jordan Hirsch writes speculative fiction and poetry in Saint Paul, Minnesota.  Her work has appeared with Apparition Literary Magazine, The Dread Machine, Daily Science Fiction, and other venues. 

2022 Dwarf Stars Winners

The Science Fiction & Fantasy Poetry Association‘s Dwarf Stars 2022 award winners have been announced.

The award recognizes the best speculative poem of 1–10 lines published in the previous year, and is designed to honor excellent scifaiku, tanka, cinquains, and other types of short poems that examine speculative themes which tend to be overshadowed in SFPA’s Rhysling Award competition.

WINNER

[Tie]

  • “Poem with Lines from My Son” by Jen Stewart Fueston
  • “What Trees Read” by Mary Soon Lee

SECOND PLACE

  • “Colony” by Jamal Hodge

THIRD PLACE

  • “Future Portrait of Dark Matter” by Gene Twaronite

HONORABLE MENTIONS

  • “Mexico City, 2101 AD” by Juan Manuel Pérez
  • “fury” by Lee Murray
  • “Mother” by Merie Kirby
  • “Past Equinox” by Ann K. Schwader

And a tie between

  • “—And They All Lived Together—” by Andrew J. Wilson
  • “[cricket song]” by Joshua Gage

The authors who composed the 120 short poems selected from the 1,371 qualifying submissions have reason to celebrate.

The 2022 award chairs Adele Gardner and Greer Woodward, who edited the collection, gave their thanks to each and every poet; Elisabeth Alba, cover artist; the many editors who helped them; all the participants in the Dwarf Stars Zoom readings, including hosts Denise Dumars and Deborah P Kolodji, reader Colleen Anderson, and all the poets and readers; and so many members of SFPA, including Brian Garrison (SFPA Secretary), F. J. Bergmann (anthology layout and website), Deborah P Kolodji (searched mainstream haiku journals); Diane Severson Mori and Jordan Hirsch (publicity); and so many more.
 
“But first and foremost—we honor and celebrate all of these wonderful poets, who made our task so light. We shall trip through the stars together many times, in memory.”

Pixel Scroll 8/25/22 Eats, Scrolls And Athelas

(1) RHYSLING REVAMP SURVEY REPORT. The Science Fiction and Fantasy Poetry Association (SFPA) surveyed members about potential changes to their Rhysling Award. See their feedback here: “Rhysling Revamp” at the SPECPO blog. From the introduction:

The Rhysling Awards are in their 45th year of recognizing excellent speculative poetry, presented by The Science Fiction and Fantasy Poetry Association (SFPA). Leaders have been monitoring the Rhysling Anthology as it grew along with membership numbers. The anthology has ballooned from 42 poems in 2002 to 180 poems in 2022. Continued growth would result in an anthology that is not feasible to print or read.

Here’s an excerpt from the survey results.

CATEGORIES

A continual discussion point among members is the question of “double dipping” on awards. Most respondents support that Elgin-length poems not be considered for the Rhysling (64%). A slight majority agree at setting a maximum line length for the Rhysling (53%), which would be consistent with considering extra-long poems being only eligible for the Elgins. On the other side of the spectrum, there is generally support (49%) for Dwarf Stars to be the only award that can catch the 1-10 line poems. Only 25% of respondents disagreed about keeping Dwarf-Stars-eligible poems out of the Rhyslings.

There was very little support for adjusting the length definitions, but lots of ambivalence showing in the swell of neutral responses (44%).

(2) CHICON 8 POCKET PROGRAM. In a manner of speaking. The 392-page Pocket Program is now available on the Chicon 8 website. There are two versions, (1) a single page version best viewed on phones and tablets, and (2) a two-page version which is best for printing.

(3) ALERT: FAUX CHICON 8 MERCHANDISE. The Worldcon committee issued a heads up that some t-shirt sites are selling Chicon 8 branded merchandise and saying they are official. They are not.

“Our only official site for Chicon 8 merchandise at this time is Redbubble. If you buy from anywhere else, it does not benefit the convention. Please shop wisely!”

(4) THE OTHER WORLD. This World Fantasy Award winner’s new book isn’t genre, but when speaking about her research she says things like this — “So I went on this fantastic two-week trip into a time and place that doesn’t really exist now.” “Sofia Samatar Brings a Second Coming” at Publishers Weekly.

Sofia Samatar has a way with a sentence. No matter what she’s writing—whether it’s short stories, like her quietly devastating Nebula- and Hugo-nominated “Selkie Stories Are for Losers,” or novels, like her World Fantasy Award–winning debut, A Stranger in Olondria—her work has a way of pairing the mundane and sublime with casual aplomb.

Her latest, The White Mosque (Catapult, Oct.), is a mosaic memoir that juxtaposes history, culture, religion and regionalism, tracing the journey of a group of German-speaking Mennonites into the heart of Khiva in Central Asia—now modern-day Uzbekistan—on a quest that promised no less than the second coming of Christ.

Samatar’s own journey to the site where the group’s church once stood started in 2016, when her father-in-law gave her a book titled The Great Trek of the Russian Mennonites, by Frank Belk. “This guy, who’s sort of a cult leader, predicts Christ is returning, and these people just uproot their lives to follow him,” she says, speaking via Zoom from her office at James Madison University in Harrisonburg, Va., where she’s an associate professor of English. “Of course, nothing happens. But they stayed for 50 years, until they were deported by the Bolsheviks.”

Samatar, the child of a Black Somali Muslim and a white Mennonite, became obsessed with the story…. 

(5) CON OR BUST. Dream Foundry, which previously announced that Con or Bust is “folding into our (dragon) wing,” shared the program’s new logo designed by Dream Foundry contest winner Yue Feng.

Applications for grants are open, and they’ve already begun reviewing and issuing grants. If you want to help creatives and fans of color have access to conventions and other opportunities, donate here. To stay in the loop on Con or Bust news, sign up for the program’s quarterly newsletter.     

(6) BACK TO THE MOON. This NASA promo about the Artemis mission dropped yesterday. “Artemis I: We Are Ready”.

The journey of half a million miles – the first flight of the Artemis Generation – is about to begin. The uncrewed Artemis I mission will jump-start humanity’s return to the Moon with the thunderous liftoff of NASA’s powerful new Space Launch System rocket and Orion spacecraft. This critical flight test will send Orion farther than any human-rated spacecraft has ever flown, putting new systems and processes to the test and lighting the way for the crew missions to come. Artemis I is ready for departure – and, together with our partners around the world, we are ready to return to the Moon, with our sights on Mars and beyond.

(7) WHERE’S THE LOOT? [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber looks at the problems game designers have giving users rewards.

Most games interface short, mid- and long-term rewards that trigger at different times.  the short-term rewards often take the form of sensory feedback; the bright ‘ding’ when you get a coin in Super Mario, an enemy’s head exploding in a shower of gore in Grand Theft Auto.  These get boring after a while–behavioural psychologists learned that repeating the same rewards generates diminishing returns.  So developers offer midterm rewards:  new levels, items, skills, characters, locations or narrative beats.  The longterm rewards are often related to social competition and prestige, such as difficult high-level team challenges or rare cosmetic items which players can show off to their friends.

Loot boxes lean into several of these techniques.  They have been employed in all manner of games ranging from FIFA to Star Wars, and they’re very profitable.  Yet they have also faced a backlash:  a recent report from consumer bodies in 18 European countries called them ‘exploitative.’  Although they have been banned in Belgium since 2018, most governments have been wary of legislation–the UK recently decided not to ban loot boxes after a 22-month consultation.  Still, some developers have heard gamers are unhappy–loot boxes were removed from Star Wars Battlefront 2 after an outcry and Blizzard recently announced they won’t feature in upcoming shooter Overwatch  2.”

(8) AGAINST ALL ODDS. The New York Times drills deep into one writer’s experience in “How to Get Published: A Book’s Journey From ‘Very Messy’ Draft to Best Seller”. The author’s novel The School for Good Mothers is set in the near future.

…“I’d like people to know that it’s possible for a debut author in her 40s, a woman of color, a mom, who led a quiet life offline with no brand building whatsoever to have this experience,” said Jessamine Chan.

And yet Chan’s “The School for Good Mothers” was published in January 2022 — and soared to the best-seller list, catapulting her to literary stardom. Last month, former President Barack Obama featured it on his summer reading list.

How does a debut novel go from a “very messy” draft on a writer’s desk to a published book, on display in bookstores around the country?

Here, we take you behind the scenes to see how a book is born — the winding path it takes, the many hands that touch it, the near-misses and the lucky breaks that help determine its fate.

(9) WHEATON SIGNING SCHEDULED. “Wil Wheaton presents and signs Still Just a Geek: An Annotated Memoir at Vroman’s Bookstore in Pasadena, CA on August 31 at 7:00 p.m.

From starring in Stand by Me to playing Wesley Crusher on Star Trek: The Next Generation to playing himself, in his second (third?) iconic role of Evil Wil Wheaton in The Big Bang Theory, to becoming a social media supernova, Wil Wheaton has charted a career course unlike anyone else, and has emerged as one of the most popular and well respected names in science fiction, fantasy and pop culture.

Back in 2001, Wil began blogging on wilwheaton.net. Believing himself to have fallen victim to the curse of the child actor, Wil felt relegated to the convention circuit, and didn’t expect many would want to read about his random experiences and personal philosophies.

Yet, much to his surprise, people were reading. He still blogs, and now has an enormous following on social media with well over 3 million followers.

In Still Just a Geek, Wil revisits his 2004 collection of blog posts, Just a Geek, filled with insightful and often laugh-out-loud annotated comments, additional later writings, and all new material written for this publication. The result is an incredibly raw and honest memoir, in which Wil opens up about his life, about falling in love, about coming to grips with his past work, choices, and family, and finding fulfillment in the new phases of his career. From his times on the Enterprise to his struggles with depression to his starting a family and finding his passion–writing–Wil Wheaton is someone whose life is both a cautionary tale and a story of finding one’s true purpose that should resonate with fans and aspiring artists alike. (William Morrow & Company)

(10) VIKING FUNERAL FOR BATGIRL? The Guardian hears “‘Secret’ screenings of cancelled Batgirl movie being held by studio – reports”.

The Hollywood Reporter confirmed with multiple sources that a select few who worked on the film, including cast, crew and studio executives, would be attending the screenings this week on the Warner Bros lot in California. One source described them as “funeral screenings”, as it is likely the footage will be stored forever and never shown to the public.

…The Hollywood Reporter reported there was a chance Warner Bros would make “the drastic move of actually destroying its Batgirl footage as a way to demonstrate to the IRS that there will never be any revenue from the project, and thus it should be entitled to the full write-down immediately.”

On Tuesday, in an interview with French outlet Skript, Batgirl directors Adil El Arbi and Bilall Fallah said they no longer had any copy of the film, recalling the moment they found they could not longer access the servers that held the footage.

…El Arbi said it was unlikely they’d have the studio’s support to release it in the future or that there could be an equivalent of “the Snyder cut” – Zack Snyder’s four-hour director’s cut of the DC film Justice League, which added an extra $70m to a $300m budget film.

“It cannot be released in its current state,” said El Arbi. “There’s no VFX … we still had some scenes to shoot. So if one day they want us to release the Batgirl movie, they’d have to give us the means to do it. To finish it properly with our vision.”

(11) TRANSFORMATIVE RULES OF ENGAGEMENT. Seekingferret posted a “Panel Report” from Fanworks where the topic was “Ethical Norms in Fanworks Fandom”.

… I presented three models for fandom’s approach to copyright- the It’s All Transformative model, the It’s Illegal but I Do It Anyway model, and the It’s Not Illegal Because the Copyright Holders’ Inaction is an Implicit License model, and then the audience argued with me for a while about whether the second two models are essentially the same, which was a good, clarifying argument to have….

Also of interest is the panel’s accompanying slideshow.

(12) WARNING. [Item by Daniel Dern.] Since, fan-wise, many cons use Discord… “Roblox and Discord Become Virus Vectors for New PyPI Malware” at The New Stack.

If you can communicate on it, you can abuse it. This was proven again recently when a hacker using the name “scarycoder” uploaded a dozen malicious Python packages to PyPI, the popular Python code repository. These bits of code pretended to provide useful functions for Roblox gaming community developers, but all they really did was steal users’ information. So far, so typical. Where it got interesting is it used the Discord messaging app to download malicious executable files.

(13) BOOK PORN. [Item by Bill.] Whenever I see a photograph on the web that has a bookshelf in the background, I spend way too much time trying to figure out what the books are.  For example: 

Blogger Lawrence Person has posted photos of his SF book shelves, and there are a lot of titles I’d love to have in my own collection.  A few years old, but perhaps worth a look ….  “Overview of Lawrence Person’s Library: 2017 Edition”. He provides regular updates to the collection (see the “books” tag).  

(14) MEDIA BIRTHDAY.  

1989 [By Cat Eldridge.] Thirty-three years ago, the first installment of the Bill & Ted franchise, Bill & Ted’s Excellent Adventure premiered.

Starring William “Bill” S. Preston Esq. and Ted “Theodore” Logan, portrayed by Alex Winter and Keanu Reeves as, and not giving a frell about spoilers here, time travelling slacker high schoolers assembling the ultimate history report. And let’s not forget Rufus as portrayed by George Carlin. I met him some forty years ago — a really neat gentleman. 

Stephen Herek directed here. He had previously written and directed the horror/SF Critters film. Nasty film it was. Chris Matheson who wrote all three of the franchise films co-wrote this with Ed Solomon who co-wrote the third with him and, more importantly, was the Men in Black writer.

By late Eighties standards, it was cheap to produce costing only ten million and making forty in return. Critics for the most part were hostile —- the Washington Post said “if Stephen Herek has any talent for comedy, it’s not visible here.” And the Los Angeles Times added, “it’s unabashed glorification of dumbness for dumbness’ sake.” 

It spawned not one but two television series named – oh, guess what they were named. Bill & Ted’s Excellent Adventure, an animated series that started out on CBS and ended on Fox, lasted twenty-one episodes over two seasons, and Bill & Ted’s Excellent Adventure, the live version, lasted but seven episodes on Fox. Evan Richards and Christopher Kennedy played Bill and Ted.

DC did the comic for the first film, Marvel for the second. It did well enough that it led to the Marvel series Bill & Ted’s Excellent Comic Book which lasted for just twelve issues. And there was a sort of adaptation of the animated series that lasted for a year by Britain’s now gone Look-In Magazine.

Audience reviewers at Rotten Tomatoes give it a most bodacious seventy-five percent rating.

(15) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 25, 1909 Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on one of The Lost World films as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time TunnelThe Man from U.N.C.L.E. and The Invaders. (Died 1972.)
  • Born August 25, 1913 Walt Kelly. If you can get them, Fantagraphics has released the complete Pogo in twelve stunning hardcover editions covering up to 1973. Did you know Kelly began his career as animator at Walt Disney Studios, working on DumboPinocchio and Fantasia? Well he did. (Died 1973.)
  • Born August 25, 1930 Sean Connery. Worst film? Zardoz. Best film? From Russia with Love very, very definitely. Best SF film? Outland. Or Time Bandits you want to go for silly. Now remember these are my personal choices. I almost guarantee that you will have different ones. (Died 2020.)
  • Born August 25, 1940 Marilyn Niven, 82. She was a Boston-area fan who now lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons.  In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
  • Born August 25, 1947 Michael Kaluta, 75. He’s best known for his 1970s take on The Shadow with writer Dennis O’Neil for DC in 1973–1974. He’d reprise his work on The Shadow for Dark Horse a generation later. And Kaluta and O’Neil reunited on The Shadow: 1941 – Hitler’s Astrologer graphic novel published in 1988. If you can find them, the M. W. Kaluta: Sketchbook Series are well worth having.
  • Born August 25, 1955 Simon R. Green, 67. I’ll confess that I’ve read pretty much everything he’s written except that damn Robin Hood novel that made a NYT Best Seller. Favorite series? The NightsideHawk & Fisher and Secret History were my favorite ones until the Ismael Jones series came along and I must say it’s a hell of a lot of fun as well.  Drinking Midnight Wine and Shadows Fall are the novels I’ve re-read the most. 
  • Born August 25, 1958 Tim Burton, 64. Beetlejuice is by far my favorite film by him. His Batman was, errr, interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was which I think is a far better look at the source material, and Sleepy Hollow is just too damn weird for my pedestrian tastes. (Snarf.)
  • Born August 25, 1970 Chris Roberson, 52. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading. He won two Sidewise Awards, first for his “O One” story and later for The Dragon’s Nine Sons novel. He’s had five Sidewise nominations. 

(16) COMICS SECTION.

(17) HORROR WRITERS HAVE OPINIONS. Midnight Pals did a sendup of John Scalzi and his purchase of a church building. And his burritos. Can’t overlook those. Thread starts here.

(18) SPACE OPERA. “Friday’s Rag Tag Crew: Shards of Earth by Adrian Tchaikovsky”, a review by Camestros Felapton.

… I found myself in the mood for a big space opera the other day and with the novel also being a Dragon Award finalist, it seemed like a natural choice. I wasn’t wrong in my initial assessment. It is in many ways a more conventional space opera than the books I’d read. Humanity is a spacefaring species with its own factions, in a galactic society with a range of aliens. There’s hyperspace (or rather “unspace”), a cosmic threat, mysteriously vanished advanced civilisations, space spies, space gangsters, badass warriors and epic space battles. This is all good but if you are hoping for the millennia-long deep dive into the evolution of a sapient spider civilisation this book doesn’t have anything like that. Which is fine because that gives Tchaikovsky more space and time to attend to a cast of characters….

(19) A CITY ON A HILL. Paul Weimer reviews Stephen Fry’s Troy at Nerds of a Feather: “Microreview [book]: Troy, by Stephen Fry”. There may be surprises in store for some readers – at least there were for Paul.

…In any event, Fry is here to help you. He starts at the beginning, as to how Troy was founded, and why, and brings its history up to date as it were. The delight in the depth of research and scholarship he brings is tha there is a fair chunk here I didn’t know about. Fun fact, the Trojan War is not the first time that Troy gets attacked in its mythological history, and you will never guess who did it before the Greeks got it into their heads to take back Helen, nor why…. 

(20) GOING PUBLIC. “Tom Lehrer: The Public Domain Tango”, a Plagiarism Today post from 2020.

…However, it seems likely that Lehrer may be set for yet another major revival as news spread yesterday that Lehrer, now 92, had released his lyrics and much of his music into the public domain. This has already sparked a great deal of interest in possible covers and recreations of his most famous songs.

Note: It’s worth stating that the declaration deals with his compositions and his lyrics, not the recordings. Those are most likely not owned by Lehrer.

However, the statement isn’t wholly true. Tom Lehrer didn’t actually release his songs into the public domain. While it may be pedantry given that there is no practical difference, the lengths Lehrer had to go to release what he did in the way that he did only further highlights Lehrer’s genius and is well worth exploring.

If this is truly to be Lehrer’s final musical act, it makes sense to see it for both the effort it took and the intellect required to conceive of it….

(21) AI GIVES ASSIST TO MUSIC VIDEO. [Item by Dann.] Someone recently made a video using the lyrics to “Renegade” by Styx.  The lyrics were fed, line by line, into AI art software to create the images used in the video.

While the lyrics aren’t explicitly genre centered, the AI created several images that evoked sci-fi/fantasy themes.  The rhetorical progeny of Edgar Allen Poe shows up a few times as well. “Renegade – Styx – But the lyrics are Ai generated images”.

(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Deathly Hollows Part I Pitch Meeting,” Ryan George says the producer in the seventh Harry Potter film mourns when several beloved minor characters die.  He is bored by the very long camping scenes (where the characters camp and camp and camp some more” but gets excited when Harry Potter gets to duke it out with Voldemort only to discover that this is the end of Part I and we have to wait for Part II.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Dann, Jennifer Hawthorne, Daniel Dern, Bill, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/23/22 Filers, Tick Not, Now Or Ever, Where To Scroll Your Pixels Go

(1) AURORA AWARDS VOTING DEADLINE. Canadian Science Fiction and Fantasy Association members have only a few minutes left to vote for 2022 Aurora Awards. The deadline is 11:59 p.m. EDT, on Saturday, July 23.

The awards ceremony will be held as a YouTube and Facebook live streaming event at 7:00 p.m. EDT on Saturday, August 13 at When Words Collide. 

(2) BEAUTIFYING THE BRICKS. DreamHaven Books showed off the progress on their new outside wall mural to Facebook friends. There’s also this smaller peek on Instagram.

(3) HEAR HEAR. The Science Fiction and Fantasy Poetry Association (SFPA) resumes its series with 2022 Rhysling Long Poem Reading Series Part 2.

(4) THE SPIRIT OF ’46. First Fandom Experience links up with Chicon 8’s “1946 Project” (which they’re doing instead of Retro Hugos). “Science Fiction and Fantasy in the Pulps: 1946” is a bibliography of sff published in that year.

…Presented here for your perusal and possible amusement is a fiction bibliography for science fiction and fantasy pulps issued in 1946. The list includes magazines that primarily published new works. Excluded are reprints of works published in prior years (most of Famous Fantastic Mysteries, all of Strange Tales). Non-fiction articles and editorials are also omitted. For brevity, we didn’t cite specific issue dates. For richness, we’ve transcribed the introductory blurbs that appeared in the Table of Contents or masthead for each story….

(5) DOODLER. [Item by Michael Toman.] “In a world where Franza Kafka became one of the first Big Name Fan Artists…?” “Kafka’s Inkblots” by J.W. McCormack, behind a paywall at New York Review of Books.

…Such an active imagination—the fever for annotation, familiar from Pale Fire or Flaubert’s Parrot, that distorts the inner life of the artist even as it seeks to illuminate it—is required of any reader hoping to get their money’s worth from Franz Kafka: The Drawings, a volume of the writer’s archival sketches and ephemera edited by Andreas Kilcher and Pavel Schmidt. A bearded maestro presides from the back of a business card. A stick figure seems to throttle a mass of squiggles. A harlequin frowns under the chastisement of an irate lump. Two curvilinear ink blots pass each other on a blank-page boulevard. A bushy-browed Captain Haddock-type glowers in profile on a torn envelope and, in the margins of a letter, a wrigglesome delinquent is bisected by a torture device that seems to clearly reference the one from “In the Penal Colony.” Limbs jut out cartoonishly from bodies, loopedy-loop acrobats snake up and down the gutter of a magazine, figures of authority preside in faded pencil, and then there are the stray marks on manuscript pages, neither fully letters nor drawings….

(6) BRICK BY BRICK. “E. E. Cummings and Krazy Kat” by Amber Medland at The Paris Review site puts the famous strip in perspective as an inspiration to all manner of creators of modern 20th-century literature and art.

…The Kat had a cult following among the modernists. For Joyce, Fitzgerald, Stein, and Picasso, all of whose work fed on playful energies similar to those unleashed in the strip, he had a double appeal, in being commercially nonviable and carrying the reek of authenticity in seeming to belong to mass culture. By the thirties, strips like Blondie were appearing daily in roughly a thousand newspapers; Krazy appeared in only thirty-five. The Kat was one of those niche-but-not-really phenomena, a darling of critics and artists alike, even after it stopped appearing in newspapers. Since then: Umberto Eco called Herriman’s work “raw poetry”; Kerouac claimed the Kat as “the immediate progenitor” of the beats; Stan Lee (Spider-Man) went with “genius”; Herriman was revered by Charles Schulz and Theodor Geisel alike. But Krazy Kat was never popular. The strip began as a sideline for Herriman, who had been making a name for himself as a cartoonist since 1902. It ran in “the waste space,” literally underfoot the characters of his more conventional 1910 comic strip The Dingbat Family, published in William Randolph Hearst’s New York Evening Journal….

(7) ANTICIPATION. Rich Horton abhors a vacuum, which is why he keeps his series going with “Hugo Nomination Recommendations, 1951”.

As noted, I’m planning to finish up my posts on potential Hugo nominees for 1950s Worldcons, including those that didn’t award Hugos. This is a case (as with 1954) where stories from the eligibility year (i.e. 1950) had a shot at Retro-Hugos, as Milliennium Philcon, the 2001 Worldcon, chose to award them. (Appropriate, I suppose, as the 1953 Philcon originated the Hugo Awards.) And in fact I wrote a post back in 2001 giving my recommendations for Retro Hugos that year. This appeared in SF Site here I am bemused to find that my recommendations from back then are almost exactly the same as I came up with surveying 1950s SF just now.

The 1951 Worldcon was Nolacon I, in New Orleans, the ninth World Science Fiction Convention. As noted, they gave no Hugo awards. This was the first year of International Fantasy Awards, and both were given to books published in 1949: fiction went to George Stewart’s, Earth Abides (surely a strong choice) and non-fiction to The Conquest of Space, by Willy Ley and Chesley Bonestell….

(8) LATHE OF HEAVENS. [Item by Martin Morse Wooster.] Hack writers get hackier with AI! The Verge blabs about “How independent writers are turning to AI”.

… Lepp, who writes under the pen name Leanne Leeds in the “paranormal cozy mystery” subgenre, allots herself precisely 49 days to write and self-edit a book. This pace, she said, is just on the cusp of being unsustainably slow. She once surveyed her mailing list to ask how long readers would wait between books before abandoning her for another writer. The average was four months. Writer’s block is a luxury she can’t afford, which is why as soon as she heard about an artificial intelligence tool designed to break through it, she started beseeching its developers on Twitter for access to the beta test. 

The tool was called Sudowrite. Designed by developers turned sci-fi authors Amit Gupta and James Yu, it’s one of many AI writing programs built on OpenAI’s language model GPT-3 that have launched since it was opened to developers last year. But where most of these tools are meant to write company emails and marketing copy, Sudowrite is designed for fiction writers. Authors paste what they’ve written into a soothing sunset-colored interface, select some words, and have the AI rewrite them in an ominous tone, or with more inner conflict, or propose a plot twist, or generate descriptions in every sense plus metaphor. 

Eager to see what it could do, Lepp selected a 500-word chunk of her novel, a climactic confrontation in a swamp between the detective witch and a band of pixies, and pasted it into the program. Highlighting one of the pixies, named Nutmeg, she clicked “describe.”…

(9) UP FROM THE UNDERGROUND. [Item by Dann.] This Reason Podcast focuses on the early days of comix in an interview with Brian Doherty regarding his newly published book Dirty Pictures: “Brian Doherty Talks Dirty Pictures, Comix, and Free Speech”.

Dirty Pictures: How an Underground Network of Nerds, Feminists, Misfits, Geniuses, Bikers, Potheads, Printers, Intellectuals, and Art School Rebels Revolutionized Art and Invented Comix, by Reason Senior Editor Brian Doherty, tells the story of how people such as Robert Crumb, Trina Robbins, and Art Spiegelman redefined not just what comic books were capable of but what gets counted as art.

(10) NOSTALGIC X-MEN SERIES. Yahoo! Entertainment is at SDCC when “’X-Men ’97’ Gets First Nostalgic Look, Fall 2023 Release and Season 2”.

Nearly 30 years after “X-Men: The Animated Series” debuted, many of the beloved characters are returning for Marvel Studios’ upcoming show “X-Men ’97,” coming to Disney+ in fall 2023 with a second season already confirmed.

“X-Men ’97” will continue the story of the original “Animated Series,” which ran from 1992 to 1997 on Fox Kids Network. “X-Men: The Animated Series” helped usher in the popularity of the mutant superheroes before Fox made the first live-action take on the team in 2000.

The new series will include Rogue, Beast, Gambit, Jean Grey, Wolverine, Storm, Jubilee and Cyclops. Magneto, now with long hair and a purple suit, will lead the X-Men. The animation, revealed at Comic Con on Friday, stays true to the original animated series, but looks more modern, updated and sleek.

Cable, Bishop, Forge, Morph and Nightcrawler will also join the X-Men onscreen. Battling them will be the (non-“Stranger Things”) Hellfire Club with Emma Frost and Sebastian Shaw, plus Mr. Sinister and Bolivar Trask will appear.

(11) MEDIA BIRTHDAY.  

1995 [By Cat Eldridge.] It is said that God made man in His image, but man fell from grace. Still, man has retained from his humble beginnings the innate desire to create, but how will man’s creations fair? Will they attain a measure of the divine or will they, too, fall from grace? — The Control Voice

Twenty-seven years ago, The Outer Limits’ “I, Robot” first aired on HBO. 

This is a remake of “I, Robot” that aired thirty-one years earlier. Leonard Nimoy, who played the reporter Judson Ellis in that episode, plays attorney Thurman Cutler in this version, a role played by Howard Da Silva in the original. This remake was directed by Nimoy’s son Adam Nimoy. 

Now “I, Robot” was written by Eando Binder, the pen name used by the SF authors, the late Earl Andrew Binder and his brother Otto Binder. They created a heroic robot named Adam Link. The first Adam Link story, published in 1939, is titled “I, Robot”. Adam Link, Robot, a collection of those stories, is available from the usual suspects. 

Robert C. Dennis who wrote the screenplay here would go on to write multiple episodes of Wild, Wild West and Batman. He was also one of the primary writers for the earlier Alfred Hitchcock Presents.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 23, 1888 Raymond Chandler. He of the Philip Marlowe series who I hold in very high esteem is listed by ISFDB as doing some stories of a genre nature, to be exact, ”The Bronze Door”, “The King In Yellow”, “Professor Bingo’s Snuff” and “English Summer: A Gothic Romance”. I’ve neither heard of nor read these. So who here has read them? (Died 1959.) 
  • Born July 23, 1914 Virgil Finlay. Castle of Frankenstein calls him “part of the pulp magazine history … one of the foremost contributors of original and imaginative artwork for the most memorable science fiction and fantasy publications of our time.”  His best-known covers are for Amazing Stories and Weird Tales. “Roads”, a novella by Seabury Quinn, published in the January 1938 Weird Tales, and featuring a cover and interior illustrations by him, was originally published in an extremely limited numbers by Arkham House in 1948. It’s now available on from the usual suspects. (Died 1971.)
  • Born July 23, 1938 Ronny Cox, 83. His first genre role was in RoboCop as OCP President Dick Jones who comes to a very bad end. Later roles were Gen. Balentine in Amazon Women on the Moon in “The Unknown Soldier” episode, Martians Go Home as the President, Total Recall as Vilos Cohaagen, Captain America as Tom Kimball and a recurring role for a decade on Stargate SG-1 as Senator Robert Kinsey/Vice President Robert Kinsey. 
  • Born July 23, 1957 Gardner Dozois. He was founding editor of The Year’s Best Science Fiction anthology and was editor of Asimov’s Science Fiction magazine for twenty years. He won fifteen Hugos for his editing and was nominated for others. He also won the Nebula Award for Best Short Story twice, once for “The Peacemaker” and once for “Morning Child”. Stories selected by him for his annual best-of-year volumes have won, as of several years ago, 44 Hugos, 32 Locus, 41 Nebulas, 18 Sturgeon Awards and 10 World Fantasy. Very impressive! (Died 2018.)
  • Born July 23, 1982 Tom Mison, 40. He is best known as Ichabod Crane on Sleepy Hollow which crosses-over into Bones. He’s Mr. Phillips in The Watchmen. It’s barely (if at all) genre adjacent but I’m going to note that he’s Young Blood in A Waste of Shame: The Mystery of Shakespeare and His Sonnets. Currently he’s got a main role in second season of the See SF series on Apple TV which has yet to come out. Apple hasn’t put out any publicity on it. 
  • Born July 23, 1989 Daniel Radcliffe, 33. Harry Potter of course. Also Victor Frankenstein’s assistant Igor in Victor Frankenstein, Ignatius Perrish in Horns, a horror film, and Rosencrantz in Rosencrantz and Guildenstern Are Dead at the Old Vic in London.  

(13) THIS ICE CREAM DOESN’T CUT THE MUSTARD. Well, actually, it does, and that’s the problem.The Takeout’s Brianna Wellen declares “This Grey Poupon Ice Cream Needs More Mustard”.

…As described in a press release sent to The Takeout, the Grey Poupon with Salted Pretzels is “An unexpected yet delightful blend of sweet ice cream, honey-dijon swirl, and salted pretzels.” It’s part of Van Leeuwen’s line of summer limited edition flavors, which also includes Campfire S’mores, Summer Peach Crisp, Honey Cornbread with Strawberry Jam, and Espresso Fior di Latte Chip. All of these flavors are available at Walmart until the end of the season.

… Even the smell of the ice cream was slightly mustardy—I was prepared for a real dijon bomb.

But the first scoop left some things to be desired. First, the mustard flavor is a little muddled and lost amidst the creaminess….

(14) STAR WARS SANS CULOTTES. Yes, it’s what you think it is: “I saw a ‘Star Wars’ strip show in SF, and I’m forever changed” says SFGate’s Ariana Bindman.

…With each draw of the curtain, we saw a series of burlesque acts that were visually decadent and tonally unique. Aside from Jabba the Hutt and captive Leia, my other personal favorite was when Sheev Palpatine — who looked absolutely grotesque thanks to a wrinkled blue-and-white skin suit — fully stripped and swung on a massive disco ball to Miley Cyrus’ “Wrecking Ball.” Just before that, R2-D2, resident space pimp, made it rain by ejecting wads of cash into the air while a braggadocious Han Solo undulated to “Smooth Criminal,” making every goth and nerd in the audience scream like animals…. 

(15) IT’S ABOUT TIME. “Strange new phase of matter created in quantum computer acts like it has two time dimensions” at Phys.org.

By shining a laser pulse sequence inspired by the Fibonacci numbers at atoms inside a quantum computer, physicists have created a remarkable, never-before-seen phase of matter. The phase has the benefits of two time dimensions despite there still being only one singular flow of time, the physicists report July 20 in Nature.

This mind-bending property offers a sought-after benefit: Information stored in the phase is far more protected against errors than with alternative setups currently used in quantum computers. As a result, the information can exist without getting garbled for much longer, an important milestone for making quantum computing viable, says study lead author Philipp Dumitrescu….

(16) KEEP WALKING. Yahoo! introduces the trailer shown at SDCC: “’Tales of the Walking Dead’ Trailer Shows How the Zombie Apocalypse Is Kind of Like COVID”.

…The trailer features elements from several of the show’s standalone stories that all paint a very stark picture of how the world fell — and honestly we’re reminded of a ton of the drama from the COVID-19 era, particularly the denialism, rugged individualist posturing, and the scapegoating.

For example, we see Parker Posey as an apparently well-to-do woman who straight up refuses to believe reports of a zombie apocalypse… of course, until it runs right up and bites her. Crews meanwhile plays a survivalist who lives an isolated, paranoid life, until he (for an as-yet unrevealed reason) ends up sheltering with Olivia Munn and gets called out. Will he change? We’ll have to find out….

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers:  The Quarry,” Fandom Games, in a spoiler-packed episode, say this game about teenagers getting munched on in the quarry by monsters “is a B movie with AAA production values that has “two hours of story and eight hours of wandering around like a stoned teen.”  But the CGI is so lifelike that the characters are actors you almost recognize, including “That guy who was in the thing you saw once.”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Rob Thornton, Dann, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Kurt Busiek.]

2022 Elgin Award Finalists

Nominations for the Science Fiction and Fantasy Poetry Association’s Elgin Award have closed and Jordan Hirsch, the 2022 Elgin Award Chair reports the works named below are the nominees.

The award is named for SFPA founder Suzette Haden Elgin, and is presented in two categories, Chapbook and Book. Works published in 2020 and 2021 are eligible for this year’s awards. SFPA members will have from July 1-September 15 to vote for the winners.

Chapbooks (14 chapbooks nominated)
25 Trumbulls Road • Christopher Locke (Black Lawrence Press, 2020)
Borrowings of the Shan Van Vocht • Catherine Moore (Unsolicited Press, 2020)
Enkidu is Dead and Not Dead / Enkidu está muerto y no lo está • Tucker Lieberman (Glyph Torrent, 2021)
Field Guide to Invasive Species of Minnesota • Amelia Gorman (Interstellar Flight Press, 2021)
Good Boi • Jason B. Crawford (Neon Hemlock, 2021)
Horrific Punctuation • John Reinhart (Arson Press, 2021)
Lexicon of Future Selves • Gretchen Rockwell (Vegetarian Alcoholic Press, 2021)
The Miseducation of the Androids • William Landis (Hiraeth Publishing, 2020)
Shadow Box • Luiza Flynn-Goodlett (Madhouse Press, 2020)
Tug of a Black Hole • Deborah P Kolodji (Title IX Press, 2021)
The Undead • Luiza Flynn-Goodlett (Sixth FinchBooks, 2020)
Unearthed • Federica Santini (Kelsay Books, 2021)
Utopian Problems • Jean-Paul L. Garnier (Space Cowboy Books, 2021)
Visions at Templeglantine • John W. Sexton (Revival Press, 2020)
Full-length Books (45 books nominated)
Arthurian Things • Melissa Ridley Elmes (Dark Myth Publications, 2020)
blips on a screen • Joshua Gage (Cuttlefish Books, 2021)
Bramah and the Beggar Boy • Renée Sarojini Saklikar (Harbour Publishing, 2021)
Can You Sign My Tentacle? • Brandon O’Brien (Interstellar Flight Press, 2021)
Carpe Noctem • Robert Borski (Weird House Press, 2020)
Cradleland of Parasites • Sara Tantlinger (Strangehouse Books, 2020)
Cleave • Tiana Nobile (Hub City Press, 2021)
Dancing with Maria’s Ghost • Alessandro Manzetti (Independent Legions Publishing, 2021)
The Dictionary of Obscure Sorrows • John Koenig (Simon & Schuster, 2021)
Echoes From an Expired Earth • Allen Ashley (Demain Books, 2020)
Eclipse of the Moon • Frank Coffman (Mind’s Eye Publications, 2021)
Exposed Nerves • Lucy A. Snyder (Raw Dog Screaming Press, 2021)
For the Ride • Alice Notley (Penguin Books, 2020)
The Ghettobirds • Bryant O’Hara (Frayed Edge Press, 2021)
Grave Goods • Cardinal Cox (Demain Books, 2020)
Igor in Therapy • M. K. Garrison (Spuyten Duyvil, 2021)
The Journey • Anna Cates (Resource Publications, 2020)
Kraken Fever • Kyra Starr & Angela Yuriko Smith (Yuriko Publishing, 2021)
Maps of a Hollowed World • TD Walker (Another New Calligraphy, 2020)
The Martian’s Regress • J. O. Morgan (Jonathan Cape, 2020)
Midnight Comes Early • Marcie Lynn Tentchoff (Hiraeth Publishing, 2021)
Million-Year Elegies • Ada Hoffman (2021)
Monstrum Poetica • Jezzy Wolfe (Raw Dog Screaming Press, 2021)
Night Song • Daan Katz (2021)
notsleepyyet • Alexander Garza (Weasel Press, 2021)
Oblivion in Flux: A Collection of Cyber Prose • Maxwell I. Gold (Crystal Lake Publishing, 2021)
October Ghosts and Autumn Dreams • K. A. Opperman (Jackanapes Press, 2021)
Odyssey • John Urbancik (Dark Fluidity, 2021)
The Odyssey of Star Wars • Jack Mitchell (Abrams Image, 2021)
Past the Glad and Sunlit Season • K. A Opperman (Jackanapes Press, 2020)
Planet of the Zombie Zonnets • Juan Manuel Pérez (Hungry Buzzard Press, 2021)
A Predisposition for Madness • Aurelio Rico Lopez III (Hybrid Sequence Media, 2021)
A Ride Through Faerie and Other Poems • Clay Franklin Johnson (Gothic Keats Press, 2021)
Sacred Summer • Cassandra Rose Clarke (Aqueduct Press 2020)
The Saints of Capitalism • Benjamin Schmitt (New Meridian Arts Literary Press, 2021)
Saving Shadows • Eugen Bacon (NewCon Press, 2021)
Sci-Ku: Explorations into the Poetry of Science • Jay Friedenberg (2020)
The Smallest of Bones • Holly Lyn Walrath (CLASH Books, 2021)
Stone the Monsters, or Dance • Ken Poyner (Barking Moose Press, 2021)
Strange Nests • Jessica McHugh (Apokrupha, 2021)
Tortured Willows: Bent. Bowed. Unbroken. • Christina Sng, Angela Yuriko Smith, Lee Murray, & Geneve Flynn (Yuriko Publishing, 2021)
Unquiet Stars • Ann K. Schwader (Weird House Press, 2021)
Victims • Marge Simon and Mary Turzillo (Weasel Press, 2021)
who is owed springtime • Rasha Abdulhadi (Neon Hemlock, 2021)
The Withering • Ashley Dioses (Jackanapes Press, 2020)

2022 Dwarf Stars Finalists

The 2022 Dwarf Stars Anthology contents have been finalized, which constitutes the shortlist for the Science Fiction & Fantasy Poetry Association‘s Dwarf Stars award. The poems were selected by editors Adele Gardner and Greer Woodward.

The award recognizes the best speculative poem of 1–10 lines published in the previous year, and is designed to honor excellent scifaiku, tanka, cinquains, and other types of short poems that tend to be overshadowed in SFPA’s Rhysling Award competition.

Brief biographies of the contributing poets are here. A copy of the Dwarf Stars anthology is included with SFPA membership. It is also available for purchase here.

SFPA members have until August 31 to vote their favorite short-short poem from the anthology and determine who will receive the Dwarf Stars Award.

Some poems have a title, others are identified by a phrase from their first line placed in brackets:

ANTHOLOGY TABLE OF CONTENTS

(120 poems)

  • [across eons] • Barun Saha • Star*Line 44.4
  • [adding ellipses] • Hifsa Ashraf • Frogpond 44:3
  • [after a downpour] • Anatoly Kudryavitsky • Shamrock Haiku Journal 45
  • After All This Time • Robin Mayhall • Scifaikuest print, February
  • [all] • Michael J. Galko • The Heron’s Nest XXIII:4
  • [all this rain] • Christina Sng • Star*Line 44.1
  • —And They All Lived Together— • Andrew J. Wilson • Star*Line 44.1
  • [as galaxies form] • Wendy Van Camp • Eccentric Orbits: An Anthology of Science Fiction Poetry, Vol. 2, ed. Wendy Van Camp (Dimensionfold Publishing)
  • [between her breasts] • Tyler McIntosh • Scifaikuest print, November
  • [bewitching hour] • Francis W. Alexander • Otoroshi Journal 1:2
  • Black Beak (a Nonet) • B. Sharise Moore • Fantasy Magazine 65
  • Black Swan • Sharmon Gazaway • Octavos, January 28
  • Blow • Holly Day • Star*Line 44.4
  • [brother beamed] • Guy Belleranti • Scifaikuest print, August
  • the burning river • Hal Y. Zhang • Uncanny 43
  • Callisto Dreaming • Mariel Herbert • Star*Line 44.2
  • closer • Matthew Daley • Star*Line 44.3
  • The Closet • Jennifer Loring • Constraint 280, December 30
  • [cold soup] • Roland Packer • NOON: journal of the short poem 20
  • Colony • Jamal Hodge • Penumbric V:4
  • [cricket song] • Joshua Gage • Wales Haiku Journal, Summer
  • Damsel in Distress Redux • Marsheila Rockwell • Star*Line 44.3
  • [dark sky country] • Deborah P Kolodji • horror senryu journal, Oct. 6
  • [Down in the river] • Denise Dumars • Star*Line 44.2
  • [Earth fills the window] • Stephen C. Curro • Star*Line 44.1
  • Epitaph for the Old Ones • Maxwell I. Gold • Oblivion in Flux: A Collection of Cyber Prose (Crystal Lake Publishing)
  • [exoplanet fossil] • Greer Woodward • Scifaikuest print, February
  • Expect Them to Arrive with Song • Jordan Hirsch • Octavos, June 17
  • Exsanguination • Lena Donnarumma • The Sirens Call 56
  • Fatherless • Roger Dutcher • Star*Line 44.3
  • Feline Reinforcements • Adele Gardner • Scifaikuest print, August
  • Fetch • Gerri Leen • Departure Mirror 2
  • The Final Fairy • Anna Cates • Canary 52
  • [fingers stroking spines] • Joshua St. Claire • The Starlight Scifaiku Review 1:1
  • [freeze-dried] • sakyu • Scifaikuest print, August
  • Funeral for a Star • Yuna Kang • Strange Horizons, 6 September
  • fury • Lee Murray • Tortured Willows: Bent, Bowed, Unbroken by Christina Sng, Angela Yuriko Smith, Lee Murray, and Geneve Flynn (Yuriko Publishing)
  • Future Portrait of Dark Matter • Gene Twaronite • NewMyths.com 55
  • ghost writer • Hemapriya Chellappan • horror senryu journal, July 19
  • [Globules of light] • Katerina Bruno • The Starlight Scifaiku Review 1:1
  • A Haiku Howdunit Murder Mystery • John H. Dromey • Star*Line 44.4
  • [half-heard whispers] • Tracy Davidson • horror senryu journal, February 1
  • Hard Return • Michele Mekel • Eccentric Orbits: An Anthology of Science Fiction Poetry, Vol. 2, ed. Wendy Van Camp (Dimensionfold Publishing)
  • The Heart of the House • M. J. Holmes • The Horror Zine, August
  • [a hissing leak in the airlock] • LeRoy Gorman • Star*Line 44.2
  • Hitting the Red Line • Herb Kauderer • Scifaikuest print, February
  • [horror movie] • Mark Gilbert • horror senryu journal, June 23
  • [I’m trying to sleep] • Marcus Vance • Star*Line 44.2
  • [in a deserted garden] • Padmini Krishnan • Shamrock Haiku Journal 46
  • In Memoriam: Spring • Dan Bornstein • Star*Line 44.4
  • [Jonbar hinge] • Thomas Tilton • Scifaikuest print, February
  • [a kind of afterlife] • Roberta Beary • Haiku Dialogue, Ad Astra: star clusters
  • [kohl stick] • Vandana Parashar • Poetry Pea 4:6
  • [landing at the] • Brian Garrison • Star*Line 44.1
  • [left behind on Earth] • semi • Scifaikuest print, August
  • [left my late father’s] • David C. Kopaska-Merkel • Star*Line 44.1
  • [long-dead stars] • Lev Hart • Haiku Dialogue, Ad Astra: distant suns
  • [longest] • Julie Schwerin • Cold Moon Journal, June 13
  • Love on Halloween • DJ Tyrer • The Sirens Call 55
  • [magic mirror] • Susan Burch • Scifaikuest print, August
  • Mexico City, 2101 AD • Juan Manuel Pérez • Eye to the Telescope 41
  • [The modified plants] • Debby Feo • The Fifth Di…, June
  • [moon walk] • Valentina Ranaldi-Adams • Cold Moon Journal, June 24
  • [moonscape] • Kat Lehmann • Frogpond 44:3
  • Mother • Merie Kirby • Strange Horizons, 20 December
  • Narcissus Now • Diane Jackman • Octavos, March 11
  • Niche • Jason P. Burnham • Constraint 280, December 30
  • Night Spell • Deborah W. Sage • Eternal Haunted Summer, Winter Solstice
  • Nü Wa and Earth • Ellen Huang • K’in Literary Journal, June
  • [the octopus dreams] • Pippa Phillips • Cold Moon Journal, August 9
  • [the offworlders didn’t] • Roxanne Barbour • Medium.com, December 28
  • Older Red Riding Hood in the Woods Behind Her House • Carol Berg • Gingerbread House 47
  • [One touch] • Doug Gant • Scifaikuest print, February
  • Orbital Mechanics • Ian Goh • Star*Line 44.3
  • [pad 39] • Topher Dykes • Temple, ed. Iliyana Stoyanova (British Haiku Society)
  • Past Equinox • Ann K. Schwader • Unquiet Stars (Weird House Press)
  • [peaceful Halloween] • ayaz daryl nielsen • Haikuniverse, October 31
  • Penny Dreadful • Stephanie Staab • Ligeia, Spring
  • The Perils of Using Traditional Practices in Modern Cults • Marcie Lynn Tentchoff • Polar Starlight 2
  • Poem with Lines from my Son • Jen Stewart Fueston • Bracken VIII
  • [pouring rain] • Cherie Hunter Day • Acorn 47
  • Prince Charming Sleeps with the Fishes • Robert Borski • Octavos, February 17
  • Reflections on the Rescue of a Fawn • Shelly Jones • The Amphibian Literary Journal 1
  • Riding Down a Dream • Melissa Ridley Elmes • Star*Line 44.4
  • [riding lightning] • Akua Lezli Hope • Eccentric Orbits: An Anthology of Science Fiction Poetry, Vol. 2, ed. Wendy Van Camp (Dimensionfold Publishing)
  • Riverside • Avra Margariti • Octavos, March 4
  • Sasquatch Burial Ground • Raven Jakubowski • Star*Line 44.1
  • [scratched] • Kelli Lage • Haikuniverse, November 18
  • [seeking] • Lauren McBride • Eye to the Telescope 42
  • Slam • Jean Gallagher • Bowery Gothic V
  • Small Blue Poem • Lorraine Schein • Subterranean Blue Poetry IX:VI
  • [Something remains] • Rebecca Lilly • is/let, September
  • Straw Maidens • Meg Smith • Black Petals 94
  • Strings • Deborah L. Davitt • SFPA Poetry Contest
  • [sturgeon moon] • Nick Hoffman • Eye to the Telescope 42
  • Sunburn Affairs • Imogen L. Smiley • Lucent Dreaming 9
  • Sunita Soars • Tony Daly • Utopia Science Fiction 2:4
  • [superstring] • Helen Buckingham • NOON: journal of the short poem 20
  • [Take Your Child to Work Day] • Ngo Binh Anh Khoa • Scifaikuest print, November
  • [tattoo inked on your arm] • Matthew Wilson • Star*Line 44.2
  • Ten Squared • RK Rugg • Illumen, Summer
  • There Goes the Security Deposit • Sarah Cannavo • Star*Line 44.1
  • [theremin] • Debbie Strange • failed haiku: A Journal of English Senryu 6.65
  • Tracks • Bruce Boston • Asimov’s Science Fiction, November/December
  • [two belief zones are ahead] • Barbara Candiotti • Star*Line 44.2
  • Two Mountains • Brian Rosenberger • The Sirens Call 53
  • Typographical Error • John Kaprielian • Riddled with Arrows 4.1
  • [under the earth] • Tia Haynes • Otoroshi Journal 1:3
  • [the Universe] • Alan Summers • Haiku Dialogue, Ad Astra: impermanence
  • [unzipping] • John Hawkhead • horror senryu journal, September 10
  • Vampire Selfies • Alan Ira Gordon • Star*Line 44.1
  • Watchmaker • Carolyn Clink • Polar Starlight 2
  • [water lily …] • Francine Banwarth • The Heron’s Nest XXIII:1
  • [we flip through] • Colleen Anderson • Potter’s Field 7, ed. Tyree Campbell (Hiraeth Publishing)
  • what they left behind • Richard Magahiz • Star*Line 44.1
  • What Trees Read • Mary Soon Lee • Uppagus 48
  • [white balloons] • PS Cottier • AntipodeanSF 276
  • White Flag • Tim Gardiner • Otoroshi Journal 1:1
  • [widdershins] • Kirsten Cliff Elliot • horror senryu journal, May 10
  • [Zen garden] • Adjei Agyei-Baah • Shamrock Haiku Journal 46

Pixel Scroll 11/21/21 Tom Swift And His Scrolling Pixel

(1) SPIDER-MAN: NO WAY HOME TRAILER. Initially shown this week in theaters with Ghostbusters: Afterlife – now everyone can see it.  

For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero’s identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange’s help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who’ve ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.

(2) NEEDS MORE INGREDIENTS. Lise Andreasen got a look at this headline and replied:

(3) RADICAL SCIENCE FICTION. Joachim Boaz posted the introduction to PM Press’s Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985 (2021),edited by Andrew Nette and Iain McIntyre on his website Science Fiction and Other Suspect Ruminations“The Introduction to Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985, ed. Andrew Nette and Iain McIntyre (2021)”.

Boaz’ review says:

…It is a must buy for any SF fan of the era interested in exploring the larger world behind the texts. Considering the focus of my website and most of my reading adventures over the last decade, I can unabashedly proclaim myself a fan of the New Wave SF movement–and this edited volume is the perfect compliment to my collection and interests….

The first paragraph of the authors’ introduction begins –

The “long sixties,” an era which began in the late 1950s and extended into the 1970s, has become shorthand for a period of trenchant social change, most explicitly demonstrated through a host of liberatory and resistance movements focused on class, racial, gender, sexual, and other inequalities. These were as much about cultural expression and social recognition as economic redistribution and formal politics. While the degree to which often youthful insurgents achieved their goals varied greatly, the global challenge they presented was a major shock to the status quo.,,,

(4) BEAGLE ADAPTATION REMEMBERED. “Why The Last Unicorn Is the Best Animated Movie You’ve Never Seen”Paste Magazine’s Lacy Baugher Milas makes her case.

Though the animated film The Last Unicorn will turn 40 years old in 2022, it’s still largely considered a cult classic. The sort of movie that a certain kind of nerdy Gen-Xer or elder millennial will enthusiastically yell about with strangers whenever it happens to come up in casual conversation, but that most average moviegoers almost completely missed out on. Part of the reason for that is that 1980s animated films were generally more interested in making money than being art, and the Disney renaissance spearheaded by critical and commercial hit The Little Mermaid was still several years off.

But it’s also because The Last Unicorn is simply unlike anything else that existed at the time. From the stacked voice cast that included everyone from Mia Farrow and Alan Arkin to Angela Lansbury and Christopher Lee, to the earnestly twee soundtrack by the band America and its general refusal to fit into neat narrative boxes, it is a film that consistently makes surprising and unexpected choices of the deeply risky sort we still don’t often see today.

(5) ON BOARD THE BEBOP. [Item by Martin Morse Wooster.] In the Washington Post, Christina Lee uses the example of Cowboy Bebop to explain that different races often see anime characters as being of their own race. “Netflix’s ‘Cowboy Bebop’ reignites a debate: Is Jet Black a Black anime character?”

Actor Mustafa Shakir sounds starry-eyed when he explains why he said yes to playing Jet Black, one of the central characters of Netflix’s new “Cowboy Bebop.” Shakir had become a devotee of the anime show, which originally aired in Japan in the late ’90s and then helped launch Cartoon Network’s Adult Swim programming block in the fall of 2001. “My thought was, this is like a gateway drug into anime,” he says, which was the case for many U.S. viewers who had yet to understand that not all anime is kiddie fare.Shakir, best known for playing Bushmaster on “Luke Cage,” was particularly intrigued by the way this anime paid loving tribute to American jazz, most explicitly through the character of Jet, an ex-cop and the paternal leader of an interstellar bounty-hunting crew, who named his spaceship — what else? — the Bebop.

But translating “Cowboy Bebop” to live action and satisfying the sky-high fan expectations around this beloved space-western was an imposing endeavor. The most persistent question on set was, “Is this Bebop-y enough?” (“That’s a real term, you know?” Shakir deadpans.) …“Cowboy Bebop” adds yet another layer to that debate: What happens when a production studio tries to assign race to a pop culture artifact where race is hinted at but not always made explicit? The race and appearance of all the main characters have been debated on TwitterReddit and TikTok, but incensed online commentators went as far as smearing Shakir’s casting as “blackwashing” — a play on “whitewashing” and an accusation often lobbed at Black anime fandom in cosplay and fan art.

The original “Cowboy Bebop” does feature explicitly dark-skinned characters the Netflix version made sure to include. And in the accompanying art book, “The Jazz Messengers,” series creator Shinichiro Watanabe said that when developing the anime, he “paid a lot of attention to skin color.” But the original anime never mentions or discusses race; it stands to reason that in a near future where Earth was all but obliterated, its ideas about race would have vanished along with it.

(6) SFF IN TRANSLATION. “How Do You Say ‘Quidditch’ in Yiddish?”Tablet Magazine has “The inside story of how ‘Harry Potter’ was translated into Yiddish.” (From 2020.)

… This tension has proved productive for Viswanath and his sisters, all of whom are involved today in various Yiddish projects—which is how Arun came to the idea of translating Harry Potter. What better way to pass on the legacy of Yiddish to another generation, he thought, than to translate one of the most popular works of children’s literature of all time? Seized with this inspiration, Viswanath began spending evenings away from his job at a tech startup translating the first book of the series, not knowing if he’d ever be permitted to publish it.

As it turned out, though, he wasn’t the only one.

When Rowling’s agent Blair connected Viswanath with Olniansky, the Swedish publisher found himself with what he described as “a pleasant problem”: He’d already been contacted by another Yiddish translator who had also begun translating the first Harry Potter novel. Given the significance of the project, Olniansky did not feel qualified to personally decide between the manuscripts, and so he submitted samples of both translations to two expert reviewers—Jean Hessel, the Swedish government’s official for Yiddish at the Swedish Institute for Language and Folklore, and Mikhoel Felsenbaum, the noted Yiddish postmodern novelist living in Israel.

“Both of them picked Arun’s translation,” Olniansky told me, “so that’s the way we went.”…

(7) LOST AND FAUN. The Lesser-Known Writers blog introduces us to “Arthur MacArthur”:

…He published very little. One short story is known, “Told in the Mid-Watch,” in Sea Stories Magazine, 20 December 1922. (He claimed he gave up short story writing because it was too restrictive.) And he published only one novel, After the Afternoon (New York: D. Appleton-Century, [October] 1941), though  it was retitled Aphrodite’s Lover and given a racy cover when it was reprinted in paperback in 1953. 

After the Afternoon tells the story of the faun Lykos in Crete, who, after a tryst with Aphrodite, becomes a human being, endowed with immortality and able to enter the human body, male or female, of his choice. He passes through various incarnations, one at the bizarre court of an Egyptian king…. 

(8) REMEMBERING THE FOUNDER. The other day members celebrated the birthday of Science Fiction and Fantasy Poetry Association founder Suzette Haden Elgin (1936-2015) by giving a reading of her poetry.

Poems by Suzette Haden Elgin read by SFPA board members Rocky Road to Hoe – read by Richard Magahiz No Contact – Read by Diane Severson Mori As for the Universal Translator – read by Jean-Paul L. Garnier

(9) RYAN OBIT. Voice actor and past ASIFA president Will Ryan died November 19 at the age of 72 reports Deadline. Ryan had a vast resume of genre credits, beginning with the pteranodon Petrie from Universal’s animated classic, The Land Before Time.

He’d go on to amass more than 100 screen credits in his nearly four-decade career…

Ryan voiced Willie the Giant for The Walt Disney Company in numerous projects over a 35-year period, last doing so in 2020. He voiced Peg-Leg Pete in the Oscar-nominated animated short Mickey’s Christmas Carol, reprising the role 30 years later in the Mickey Mouse short, Get a Horse!, which was also nominated for an Oscar. He also voiced the latter character, among others, in the beloved Disney Afternoon series DuckTales, and portrayed several, including a herd of Ogres, in Adventure of the Gummi Bears, which was the first animated series from Walt Disney Television. Ryan also had the opportunity to portray Tigger and Rabbit, and to provide the singing voice of Eeyore, for the long-running Disney Channel series Welcome to Pooh Corner, which aired twice a day for 17 years.

Throughout his career, Ryan also lent his voice to such classic animated films as The Little Mermaid, An American TailThumbelina and A Troll in Central Park, along with multiple G.I. Joe series, the 1986 animated series Teen Wolf, The Adventures of Teddy RuxpinCourage the Cowardly DogFamily Guy and many more projects.

He also “wrote over 100 songs for Disney and the Jim Henson Company, seeing his songs get recorded by Mickey, Donald, Goofy and the gang; Winnie the Pooh, Tigger, Piglet and the gang; The Cat-In-The-Hat, Horton the Elephant, the Grinch and the gang; the Pointer Sisters, the Saguaro Sisters, Patti LaBelle, and more.”

(10) MEDIA BIRTHDAY.

1973 — Forty-eight years ago, the film that launched the Westworld franchise premiered. Westworld was created by Michael Crichton wrote the screenplay and directed the film. It was produced by Paul N. Lazarus III. It starred Yul Brynner, Richard Benjamin and James Brolin in the three primary roles. You may have noticed Majel Barrett as Miss Carrie, The Madame of the Westworld bordello. 

Reception by critics was generally superb with Variety saying it had “superbly intelligent serio-comic story values.”  And the Los Angeles Times called it “a clever sci-fi fantasy.” The New York Times which I swear doesn’t like SF films was the lone dissenting major newspaper as regards this film.  Box office was great making almost eight million against a budget of just a million and a quarter. Audience reviewers at Rotten Tomatoes give it an excellent rating of seventy percent. It was nominated for a Hugo at DisCon II, the year Sleeper won.

It was followed by a sequel, Futureworld which got nominated for a Hugo at Suncon, and a really short-lived CBS series, Beyond Westworld (five episodes). The HBO Westworld TV series is now in its third season with a fourth in production. The present series has not been nominated for a Hugo yet. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 21, 1851 T. O’Conor Sloane. Editor of the first science fiction magazine, Amazing Stories, from 1929 to 1938. And earlier on, Scientific American, from 1886 to 1896. (Died 1940.)
  • Born November 21, 1924 Christopher Tolkien. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR and his father invited him  to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. I’ll leave to this august group to discuss their merit as I’ve got mixed feelings on them. (Died 2020.) 
  • Born November 21, 1942 Al Matthews. Performer, best known for his appearance as Gunnery Sergeant Apone in Aliens. Other genre films were Omen III: The Final ConflictThe SenderSuperman IIIThe Fifth Element and Tomorrow Never Dies.  He stated on his website that he was the first black Marine in the 1st Marine Division in Vietnam to be meritoriously promoted to the rank of sergeant, quite an honor indeed. (Died 2018.)
  • Born November 21, 1944 Harold Ramis. Actor, Writer, and Producer, best-known to genre fans for his role as Egon Spengler in the Saturn-winning, Oscar- and Hugo-nominated Ghostbusters and its lesser sibling Ghostbusters II (the scripts for both of which he co-wrote with Dan Aykroyd). He had voice roles in Heavy Metal and Spacehunter: Adventures in the Forbidden Zone, and a cameo in Groundhog Day, for which he received Saturn nominations for writing and directing. He was also director and producer of Multiplicity. (Died 2014.)
  • Born November 21, 1945 Vincent Di Fate, 76. Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once at Seacon ‘79; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
  • Born November 21, 1953 Lisa Goldstein, 68. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo nominee at Nolacon II and Nebula finalist as well, and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. The quite excellent Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog which is one of the better ones I’ve read: https://lisa-goldstein.dreamwidth.org/
  • Born November 21, 1965 Björk, 56. Who bears the lovely full name of Björk Guðmundsdóttir. I like Icelandic things. And I’ve got boots of her band somewhere around here I’m sure. She’s here for The Juniper Tree which is a 1990 Icelandic film directed and written by Nietzchka Keene which is based on “The Juniper Tree” tale that was collected by the Brothers Grimm. She’s one of five performers in it. Oh, and because her last album Utopia explored that concept even using cryptocurrency as part of the purchase process.
  • Born November 21, 1982 Ryan Carnes, 39. He was in two Tenth Doctor stories, “Daleks in Manhattan” and “Evolution of the Daleks” in which he played Laszlo. He played Kit Walker / The Phantom in the miniseries of the same name which I’ve never even heard of until now, and has the lead as Chris Norton in Beyond the Sky, an alien abductee film. 

(12) COMICS SECTION.

  • In the Bleachers shows some golfers who don’t seem to have their priorities in order.
  • Tom Gauld on supply chain problems faced by the magical realism industry.

(13) BABY YODA ON SNL. Last night on Saturday Night Live Baby Yoda showed off his new tattoos and talked about all the fun he was going to have in the Macy’s Thanksgiving Day Parade.

(14) ATTENTION MAMMOTH ENTHUSIASTS. Beth Shapiro, evolutionary biologist, will do a live presentation: “Nat Geo Live: How to Clone a Mammoth” on The Broad Stage in Los Angeles on January 27-28, 2022. Tickets are available at the link.

Could extinct species, like mammoths and passenger pigeons, be brought back to life? National Geographic Emerging Explorer Beth Shapiro is one of the scientists investigating this intriguing possibility. From deciding which species should be restored to anticipating how revived populations might be overseen in the wild,the technical challenges and ethical considerations of de-extinction are substantial. Join Shapiro for a vivid exploration into the extraordinary cutting-edge—and controversial—science that is being used today to resurrect the past.

(15) HOWDY STRANGER. In the Washington Post, Ashley Spencer profiles Finn Wolfhard, who is interviewed because of his performance in Ghostbusters:  Afterlife but became “one of the most recognizable young actors in the world: for his work on “Stranger Things.” “Finn Wolfhard, star of ‘Ghostbusters: Afterlife,’ doesn’t really want to be famous”.

… Talking to Wolfhard now, the candidness remains. His answers, even the ones that hint of rehearsed, PR-approved sound bites, lack the disquietingly poised delivery that many young stars learn to perfect. Instead, Wolfhard uses “like” with reckless teenage abandon and meanders off course with details and anecdotes that excite him. There’s a lengthy tale about a tipsy Rami Malek imparting advice at a 2016 Critics Choice Awards after-party — “Did you really have fun tonight?” the older star implored of Wolfhard. “Because if you’re doing any of this stuff and you’re not having fun, you need to stop it immediately” — and an apologetic f-bomb as Wolfhard marveled at how “crazy” it is that he will potentially be the same age in “Stranger Things 5” as his older co-stars Natalia Dyer and Charlie Heaton were when they started the show.

Wolfhard shares “a lot” of scenes with Heaton in “Stranger Things 4,” which was delayed by covid and is finally due to arrive next summer, and said they became “incredibly close” during filming. In fact, he found a new appreciation for most of his castmates over the chaotic past two years. “When you start a show that young, there’s drama and there’s rivalries because it’s like school. And then you become older, and you stop caring,” he said. “I think it’s actually such an incredible thing to come back to each other and be like, ‘Wow, I really understand you. We’re all going through this thing together. I love you.’?”…

(16) BEST CAPTURE. [Item by Martin Morse Wooster.] This video from the Royal Ocean Film Society argues that Spielberg’s 2011 The Adventures of Tintin was the best of the motion capture animated films of 2005-10 and the only one still worth watching today.

(17) VIDEO OF THE DAY. Tex Avery predicts the Internet in his 1949 cartoon “The Home of Tomorrow.”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Ben Bird Person, Lise Andreasen, Joel Zakem, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]