The award is named for SFPA founder Suzette Haden Elgin, and is presented in two categories, Chapbook and Book. Works published in 2019 and 2020 were eligible for this year’s awards.
Winner: Otherwheres by Akua Lezli Hope (ArtFarm Press, 2020)
Second place:Twelve by Andrea Blythe (Interstellar Flight Press, 2020)
Third place: Manifest by Terese Mason Pierre (Gap Riot Press, 2020)
FULL-LENGTH BOOK AWARD WINNERS
Winner:The Sign of the Dragon by Mary Soon Lee (JABberwocky Literary Agency, 2020)
Second place:A Collection of Dreamscapes by Christina Sng (Raw Dog Screaming Press, 2020)
Third place (tie):
Mary Shelley Makes a Monster by Octavia Cade (Aqueduct Press, 2019)
A Route Obscure and Lonely by LindaAnn LoSchiavo (The Wapshott Press, 2020)
There were 19 chapbooks nominated and 64 full-length books; 62 SFPA members voted.
2021 Elgin Chair Jordan Hirsch writes speculative fiction and poetry in Saint Paul, Minnesota. Her work has appeared with Apparition Literary Magazine, The Dread Machine, Daily Science Fiction, and other venues.
Pasadena’s Lineage Performing Arts Center shares its take on Ray Bradbury’s “All Summer in a Day” in a free online presentation Friday, May 28, starting at 7 p.m.
This community-created dance and theatre piece reimagines Bradbury’s sci-fi short story through the lens of Pasadena’s experience through the pandemic. “All Summer in a Day” director, Lineage’s founder Hilary Thomas, conducted virtual workshops and classes over the last year, where she collected writings from PUSD students, Pasadena community members, and contributors from across the country, on their experience during the pandemic.
The show weaves together live actors performing the community’s text, accompanied by dancers from the Lineage Dance Company.
In a parallel to the trying times of the past year, “All Summer in a Day” tells the story of Margot, a young girl living on Venus, where it’s been raining for seven years straight. Margot alone holds out hope for a break in the clouds. Lineage’s community members have reimagined the story’s ending, drawing on the hope they feel as Pasadena slowly begins to heal from the pandemic.
(2) BUILDING BEYOND. K. O’Keefe Thomas and Rem Wigmore join Sarah Gailey’s “Building Beyond: Invasive Economics” to play with the writing prompt: “The ecosystem that is the global economy has fallen victim to an incredibly invasive species.” Gailey sums up their three attempts —
All of these possibilities are just beginnings. Rem’s weasels are the start of an incredibly creative and fun linguistic romp. K’s lichenous growth is the entry point for a story about how people might be compelled to build a utopia. My parasitoid wasps are the beginning of a tale of forgetting; if the wasps begin to mutate, what else might they devour?
In the 1940s, the British Interplanetary Society—a fantastic club of space geeks that included Arthur C. Clarke—drafted up detailed plans for space missions of all kinds, including a trip to the moon. After World War II ended, BIS member Harry Ross pushed ahead on a lunar spacesuit design and drafted artist Ralph Smith to create fantastic illustrations of concept. Sixty years later, the UK’s National Space Centre museum commissioned historical costume and model maker Stephen Wisdom to bring the spacesuit into the real world… using only materials that were available in the 1940s….
…Every writer should have at hand a bio, short for biography. This biography can take many forms depending on where you are in your journey. Most often requested in the third person, it includes your name, perhaps where you’re from or where you currently live, perhaps your degrees, your awards, and your publications. I strongly suggest that you write a long one, maybe two pages, and then a one-page one, and then 100 word and a 50-word one. The publication will specify the kind they want and the length of bio they want. More and more request them upon submitting. I’ve been asked for 50-word bios, 100-word bios, and, more rarely, 150-word bios. You must think of this well before the time of request or submittal, and have it at the ready because the moment that it is required is rarely a moment that you want to think of the cleverest and most authentic way to present yourself. I recommend that you review this annually and that you update it. Read it aloud, get a friend to vet it….
(5) TRUE WRIT. [Item by Lise Andreasen.] Hejsa! Podcast time! Episode 88 of the Literature and History podcast is about “Ancient Greek Sci-fi”. In roughly the 160s CE, the Greek satirist Lucian of Samosata wrote A True History, one of history’s earliest surviving novels, with strong tinges of what we’d call science fiction.
…The novel that we’re about to read in this episode is a wild and entertaining chunk of prose, and an exuberant mockery of what Lucian holds to be poor history writing. And so before we open Lucian’s novel, we should get a couple of things related to works of ancient history fresh in our minds. Because while the novel we’re about to read together is a zany and fun adventure story, it also has a serious agenda. At the heart of this agenda is criticizing history as it existed in the second century. History, in the mid-100s CE, when Lucian was hunched over his desk, writing his works, was not like modern, academically peer-reviewed history. The historians who come up in Lucian’s works – ancient Greek figures like Thucydides and Xenophon and especially Herodotus – these writers, to varying extents, took artistic license when they wrote their books, leavening the facts available to them with fiction to alternately fill in gaps and to make things more engrossing and exciting for their readers. To put it simply, Lucian’s problem with history as a discipline was that it erred too far on the side of exaggerations and outright fabrications….
The direct link to the audio is here. I am a faithful subscriber to the podcast, and I highly recommend it.
…It has thus been only for two or three decades that South Korea has had a thriving science fiction and fantasy cultural scene, which first began to develop on the internet. Without a full appreciation of this history, critics inside and outside South Korea often wonder at the little exposure that the country has had to Western science fiction culture.
All this meant that, during my formative years, the inspiration for my writing came from mainstream literature on the one hand and from the fantastic and speculative world of manhwa on the other. I like to think that I learned from Herman Hesse how to express a literary vision and from manhwa artist Kim Jin how to appropriate Korean history and myths for my own storytelling. Plus, I have always been a big fan of Agatha Christie’s detective fiction.
With the exception of Hesse, the below list includes my favorite works of science fiction…
(7) TRAILING LIVES. Infinite with Mark Wahlberg will be streaming June 10 on Paramount+.
For Evan McCauley (Mark Wahlberg), skills he has never learned and memories of places he has never visited haunt his daily life. Self-medicated and on the brink of a mental breakdown, Evan is sought by a secret group that call themselves “Infinites,” revealing to him that his memories may be real—but they are from multiple past lives.
(8) MEMORY LANE.
2001 — Twenty years ago at the Millennium Philcon, J.K. Rowling’s Harry Potter and the Goblet of Fire wins the Hugo for Best Novel. Other nominated works were A Storm of Swords by George R. R. Martin, Calculating God by Robert J. Sawyer, The Sky Road by Ken MacLeod and Midnight Robber by Nalo Hopkinson.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 28, 1847 – Bithia Croker. Irish horsewoman who hunted with the Kildare; married, moved to British India, wrote for a distraction during the hot season. Forty-two novels (17 set in India, 1 Burma, 7 Ireland); we can claim Beyond the Pale and her seven collections of shorter stories. (Died 1920) [JH]
Born May 28, 1908 — Ian Fleming. Author of the James Bond series which is at least genre adjacent if not actually genre in some cases such as Moonraker. The film series was much more genre than the source material. Then there’s the delightful Chitty-Chitty-Bang-Bang: The Magical Car. The film version was produced by Albert R. “Cubby” Broccoli, who had already made five James Bond films. (Died 1964.) (CE)
Born May 28, 1919 – Don Day. Editor of The Fanscient (and of its parody, Fan-Scent; you can see both here). Perhaps the greatest early bibliographer of SF, in The Fanscient and also his Index to the Science Fiction Magazines 1926-1950 (hardbound, sold thousands of copies). Chaired NorWesCon the 8th Worldcon. (Died 1979) [JH]
Born May 28, 1930 – Frank Drake, age 91. Astronomer and astrophysicist. Nat’l Academy of Sciences, American Acad. of Arts & Sciences. Co-designed the Pioneer Plaques; supervised the Voyager Golden Records; thus our neighbor. Lapidarist. Raises orchids. [JH]
Born May 28, 1951 — Sherwood Smith, 70. YA writer best known for her Wren series. She’s also co-authored The Change Series with Rachel Manija Brown. She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade. (CE)
Born May 28, 1954 – Kees van Toorn, age 67. Chaired ConFiction the 48th Worldcon, at the Hague. Served on con committees in Canada, Germany, the Netherlands, the U.K., the U.S. Perry Rhodan translator. Semiprozine Orbit for a dozen years. Contributed to APA-L from overseas. Two European SF Awards. Guest of Honor at Beneluxcon 7 & 17. Here is a Website about his Worldcon and now-canceled reunion plans. [JH]
Born May 28, 1954 – Betsy Mitchell, age 67. Long fruitful career at Baen, Bantam, Warner, Del Rey, editing 150 titles, several becoming NY Times Best Sellers; now, Betsy Mitchell Editorial Services. Guest of Honor at Archon 14, 4th Street Fantasy Con (1992), Armadillocon 22, Boskone 41, Ad Astra 25, Loscon 40. [JH]
Born May 28, 1977 — Ursula Vernon, 44. She is best known for her Hugo Award-winning graphic novel Digger which was a webcomic from 2003 to 2011. Vernon is also the creator of The Biting Pear of Salamanca, a digital work of art which became an internet meme in the form of the LOL WUT pear.
Born May 28, 1984 — Max Gladstone, 37. His debut novel, Three Parts Dead, is part of the Craft Sequence series, and his shared Bookburners serial is most excellent. This Is How You Lose the Time War (co-written with Amal El-Mohtar) won a Hugo Award for Best Novella at CoNZealand. (CE)
Born May 28, 1985 — Carey Mulligan, 36. She’s here because she shows up in a very scary Tenth Doctor story, “Blink”, in which she plays Sally Sparrow. Genre adjacent, she was in Agatha Christie’s Marple: The Sittaford Mystery as Violet Willett. (Christie gets a shout-out in another Tenth Doctor story, “The Unicorn and the Wasp”.) (CE)
Born May 28, 1986 – Laura Dockrill, age 35. Author, illustrator, poet (performance name “Dockers MC”). Two novels, a short story, a collection of retold fairy (I confess mistyping it “fiery”) tales for us; a dozen other books. When The Guardian asked her about the dress she was photographed in, she said “I call it Fantastic Disgusting Amazing Dress because it is fantastic, disgusting and amazing.” [JH]
Now, thanks to SMUJones Video Collection (via Boing Boing), one of the earliest Stan Lee on-camera appearances has resurfaced. And it’s amazing how different 1966 Stan Lee looked from how we all think of him today. Also amazing is how prescient he was about Marvel’s potential in other media. You can watch the two-part video in full right here…
From 1984 to roughly 1987, the Super Powers Collection was a DC Comics line of action figures from Kenner Toys, home of Star Wars. It featured the DC heroes in their most iconic incarnations, with classic villains getting cool new modern upgrades. Aside from the figures, there was also a metric ton of merchandise. And the long-running Super Friends cartoon also got a Super Powers makeover. While the stories for Super Powers were simplistic by modern standards, their colorful aesthetic and emphasis on fun adventure and pure heroism feel exactly like what the DCEU needs today. But before we get into how Super Powers can inspire the future, let’s take a deep dive into its history….
…While I have never been to an underwater base, what little I do know about oceans and pressure suggests that several things in the movie don’t add up scientifically. Deep sea diving with minimal gear and body protection seems needlessly dangerous. Similarly, open holes to the water that serve as entrances into both the lab and the unidentified object don’t make sense. There’s an open water propelled human exploration ship that at one point is slower than a diver just swimming alongside it, which led me to question: why have the ship in the first place? And there are moments of beautiful cinematography in the water with the fish and the ocean floor, which made me wish that they had been featured more prominently….
Cosmic dreams (and provocative nightmares) of tantalizing journeys through time and space … infinite, conceptual exploration of the stars … alien creatures … Hammer Films … Universal Pictures … “King Kong” … Ray Harryhausen … Ray Bradbury … George Pal … Robert Bloch … Peter Cushing … Veronica Carlson … Buster Crabbe … John Agar … Frank Capra … John Williams … Miklos Rozsa … Forrest J Ackerman … and Famous “Monsters” of all shapes, sizes, and creeds, both conceived and lovingly chronicled in books, magazines, journals, tabloids, and on line for over half a century, inspired this affectionate, deeply personal, if slightly Monstrous, remembrance of a life in “horror” by a gray haired, unabashedly child like, Monster “Kid.”
Though cryptocurrency mining is becoming less profitable by the day, those who still have the hardware may as well use it. However, it sucks up a lot of energy and dumps a lot of heat, which suspiciously looks like a marijuana grow house, as it turns out.
Earlier this month, police in London were tipped off to a building within the Great Bridge Industrial Estate, Sandwell. Using drone surveillance, police saw a characteristic heat signature and people regularly going in and out. Therefore, when the police raided the location on May 18th, they were expecting a cannabis farm, but that is not what they found.
Upon entry, they saw shelves full of up to 100 application-specific integrated circuit (ASIC) cryptocurrency miners rigged with exhaust pipes and a daisy-chained power system. As it turns out, the only illegal part about this is that the computers were spliced into the power network, which had “effectively stolen thousands of pounds of electricity,” as the BBC reports….
…Only the fully vaccinated should be witnessing this. That’s certainly not the case. After waiting the suggested two weeks from my second Moderna shot in late March (a sluggish day that felt like a system reboot), I rejoined the company of filmgoers. It felt vaguely like getting away with something you knew you shouldn’t be doing.
No apologies. The excitement of being back, however tinged by free-floating nervousness, can’t be downplayed. I drank in Andrei Tarkovsky’s elliptical 1975 art film “Mirror” like so many vodka flights, every mysterious windswept field and liquid interlude frizzing my synapses. Amazingly, my tiny Elinor Bunin Munroe Film Center audience greeted the end credits with a robust chorus of woos (possibly a first for Tarkovsky). Maybe we were cheering the mere idea of surviving a film together. A theater worker dismissed us row by row; we obeyed like good little schoolchildren.
There’s something performative about returning to the movies right now. The laughing is louder. Perhaps it’s compensation for all the taped-off rows, all the dead space. We’ve become the film ourselves, telegraphing our emotions in ways that only 14 months of mouth-obscured masking can spur. Case in point: Orson Welles’s chatty 1973 documentary “F for Fake” is amusing in a purring, intellectual way, but it’s not the riot that a few superfans at the Paris Theater in Midtown were clearly having.
It helps to bring your own enthusiasm. Otherwise, a mind can wander to the whooshing air-conditioning units, freshly refitted with the required MERV 13 filters and somehow louder than memory serves. Is the ceiling too low? Was that a cough or a chuckle? Don’t let yourself get too distracted, or you’ll be demoted from paying customer to cop.
Remember in Season 2 of The Boys, when Homelander (Antony Starr) took his son, Ryan (Cameron Crovetti), to the supe-themed restaurant Planet Vought? The pair were still getting adjusted to their father-son dynamic, so at Stormfront’s (Aya Cash) prompting, Homelander takes his son out to the restaurant for some bonding. Of course, Homelander fans ended up making it more traumatic than intended for the poor kid, but weirdly enough, if you are in the Los Angeles area June 4 – 6, you could be one of those fans.
Amazon Studios announced today that they’re unveiling a huge, free The Boys-themed three-day pop-up at the Hollywood Palladium in Los Angeles. It’s being billed as a “one-of-a-kind, immersive drive-thru restaurant” celebrating Planet Vought’s (think of it as a super knock-off of Planet Hollywood restaurants) “grand opening” event. Each car-load will get an exclusive 40-minute experience with themed food and a drive-thru environment filled with characters, visuals, and elements from The Boys universe.
“We here at The Boys are thrilled to launch our latest cash-grab, I mean, brand extension: Planet Vought Hollywood,” showrunner Eric Kripke says in a tonally spot-on press release statement. “Guests will experience the thrills of being a real superhero, all while consuming 2000 calories or more. Okay not really, but still, this experience is SO COOL, and will immerse viewers (and frankly, Emmy voters) into the humor and intrigue of the show’s world. And keep an eye out — Butcher and the Boys might swing by.”
[Thanks to JJ, Michael Toman, John King Tarpinian, Cat Eldridge, John Hertz, Mike Kennedy, Cath, Will R., Daniel Dern, Lise Andreasen, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]