(1) HE KEPT IT UNDER HIS HAT. Rob Wilkins, who assisted Terry Pratchett for many years, writes a long profile about him for the Guardian: “’I think I was good, though I could have been better’: Terry Pratchett and the writing of his life”. “After he was diagnosed with Alzheimer’s, the Discworld author began an autobiography. He never finished it, but seven years after his death, his long-time assistant has taken up the task.”
…Terry also had strong and, some might even say, puritanical ideas about how much money he should accept in advance of a book’s publication. If he couldn’t be confident that the advance would earn itself out inside three years and that the book would go into profit and yield royalties, he refused to accept it. At one point, for example, Transworld offered Terry £125,000 for a book. This was in the mid-1990s, when a generous offer for a book of its nature would have been in the region of £25,000, so that six-figure offer was an emphatic demonstration of confidence in Terry’s writing. Colin, naturally, was excited to tell Terry about it. The conversation they had was short and pointed. Colin then found himself ringing Transworld and saying: “I have conveyed your offer to Terry, and I’m afraid he is not at all happy with it … No, he says it’s far too much and he would like me to agree a deal with you for less.”…
(2) THE KICKOFF. Charlie Jane Anders is the new sf/fantasy book reviewer for The Washington Post. Here is her first column: “4 witchy books from the world of science fiction and fantasy”.
When Megan Giddings told her agent she wanted to write a novel about witches, he told her: “If anybody can make them feel new, it’s you.” In the acknowledgments of her new novel, “The Women Could Fly” (Amistad),Giddings says she didn’t entirely agree with him that witches feel like a tired subgenre; to her, there’s always room for another take.
Luckily for anyone who feels the same way, a wealth of novels about witches has come out recently — and many of them do feel brand new.
To be sure, many recent witch novels explore timeworn themes: Witches are distrusted and feared and must conceal themselves from the world. But Giddings and other authors also uncover fresh layers to the classic witch tales, exploring the complexity of anti-witch attitudes in an enriching and timely way….
(3) IT’S NOT EVEN THE THING I’M POINTING AT WHEN I SAY ‘FANZINE’. In “Fan v Pro v Fanzine”, Camestros Felapton ventures into the twisty little maze of passages all alike.
…But seriously, I think the current knot arises out of an unwillingness to redefine what a fanzine is. Functionally, fan artist and fan writer arose out of fanzine culture where fanzine didn’t need a definition. To a lesser degree the mess around semi-prozine arises there as well. There’s an intuitive sense of three grades of platforms were stuff happens: professional, fan and somewhere in between (a labour of love that aspires to be a going concern).
There are many available dimensions but none by themselves capture the essence of the fanzine distinction:
- profit v non-profit
- paywall v open access
- corporate v non-corporate
- size – number of people involved in the endeavour
- fiction v non-fiction
- hobby v “job”
- weight class – a mix of size, influence and professional demeanour I guess
- paying writers or not
- paying staff or not
- general vibe
commercial-corporate v. non-commericial-corporate gets closest to a distinction but not one that I could convert into a sensible set of rules.
Which means that I must circle back to the notion of self-identification as fan or pro. That also has tricky cases (a pro-writer who is a fan artists or vice versa) but if the point is to address the weight-class idea then maybe that is the least problematic pain point to accept. Put another way, if we see the “original sin” of John Scalzi’s* fan writer win not as blogs v print fanzines, not as style of genre question (clearly it was in the genre of fan writing), not as whether he is a real fan (clearly he is), but as a question of whether the voting is distorted because he had a large voting base in the Hugo Awards and major name recognition…then self-identification for the purpose of award eligibility gets at that issue….
(4) AND HE’D DO IT ALL OVER AGAIN. Meanwhile, John Scalzi’s ears are burning.
(5) HWA CELEBRATES LATINX HORROR AUTHORS. The latest entry in the Horror Writers Association blog’s “Latinx Heritage in Horror” series is an “Interview with LP Hernandez”.
What inspired you to start writing?
Reading fueled my love of writing. I was a constant Scholastic Book Fair customer, addicted to the smell of new Goosebumps or Fear Street books. Eventually, I progressed to King, McCammon, and Tolkien. I began writing stories at around nine or ten. I remember corralling my mother in the morning as she attempted to get ready for work, handing her what I knew was going to be a best seller and requesting she read it right there in front of me.
(6) RATED ARRRRH! Do people still do “Talk Like a Pirate Day”? If so, it’s tomorrow, September 19.
(7) UNTRUE GRIT. Brian Murphy shares his appreciation for the Bard books by Keith Taylor: “Under the Spell of Keith Taylor’s Bard Songs” at Goodman Games.
…A characteristic of good sword-and-sorcery is earthiness; even if not set in some ancient age of our own earth, sword-and-sorcery nevertheless is typically gritty, even grimy, in its realism. Joseph McCullough once described sword-and-sorcery with the terse, pithy, “fantasy with dirt.” That works for me.
Over this layer of grit, which serves to ground the reader somewhere recognizable and to spare overly tedious worldbuilding, the skilled sword-and-sorcery writer adds in the fantastic, in small doses. Weird monsters and dark sorcery that feels alien, and dangerous, and when it appears casts its spell upon the reader….
(8) HOUSES DIVIDED. The New York Times explores “How Russian Trolls Helped Keep the Women’s March Out of Lock Step”.
…For more than a century, Russia and the Soviet Union sought to weaken their adversaries in the West by inflaming racial and ethnic tensions. In the 1960s, K.G.B. officers based in the United States paid agents to paint swastikas on synagogues and desecrate Jewish cemeteries. They forged racist letters, supposedly from white supremacists, to African diplomats.
They did not invent these social divisions; America already had them. Ladislav Bittman, who worked for the secret police in Czechoslovakia before defecting to the United States, compared Soviet disinformation programs to an evil doctor who expertly diagnoses the patient’s vulnerabilities and exploits them, “prolongs his illness and speeds him to an early grave instead of curing him.”
A decade ago, Russia’s president, Vladimir V. Putin, oversaw a revival of these tactics, seeking to undermine democracies around the world from the shadows.
Social media now provided an easy way to feed ideas into American discourse, something that, for half a century, the K.G.B. had struggled to do. And the Russian government secretly funneled more than $300 million to political parties in more than two dozen countries in an effort to sway their policies in Moscow’s favor since 2014, according to a U.S. intelligence review made public last week.
What effect these intrusions had on American democracy is a question that will be with us for years. It may be unanswerable. Already, social media was amplifying Americans’ political impulses, leaving behind a trail of damaged communities. Already, trust in institutions was declining, and rage was flaring up in public life. These things would have been true without Russian interference.
But to trace the Russian intrusions over the months that followed that first Women’s March is to witness a persistent effort to make all of them worse….
(9) MORE TROLLS WITH OPINIONS. The homegrown trolls are also busy. “The Rings of Power Gets Review Bombed: Amazon Turns Off Ratings” – The Hollywood Reporter has the story.
Where’s a wizard to fight trolls when you need one?
The mega-budget fantasy series The Lord of the Rings: The Rings of Power is under fire from some of its viewers. A day after the first two episodes of Amazon’s billion-dollar baby debuted on Prime Video, the show’s average audience score on Rotten Tomatoes is a “rotten” 37 percent, and reviews on Amazon have been outright suspended.
Compare that score to TV critics giving the show a very fresh 83 percent average, and many of the reviews were highly enthusiastic (“It’s great: a gorgeously immersive and grandly ambitious spectacle, packed with stunning imagery and compelling plot threads,” wrote TV Line). The Hollywood Reporter dubbed the first two episodes a rather successful, promising start.
The scores come a couple weeks after Marvel’s She-Hulk was declared review bombed on the site, with 88 percent critics score and an initial 36 percent audience score.
How The Rings of Power is doing on Amazon’s own user review ecosystem is not yet clear because the company has taken the unusual step of suspending user ratings for the show. An Amazon source says reviews are being held 72 hours to help weed out trolls and to ensure each review is legitimate. The source later claimed Prime Video started the policy this summer on all its shows.
“Review bombing” is when a group of online users post numerous negative reviews for a product or service due to its perceived cultural or political issues rather than its actual quality….
(10) HENRY SILVA (1926-2022). [Item by Cora Buhlert.] Actor Henry Silva, whose genre rolls include The Manchurian Candidate (well, I think it’s genre), Killer Kane in Buck Rogers in the 25th Century and the voice of Bane in Batman: The Animated Series, died September 13 at the age of 95.
…“Henry Silva is one of those guys you most likely will recognize even if you don’t know his name,” onetime Crimespree magazine writer Dave Wahlman wrote in 2016. “His face is something straight out of central casting if you were looking for a villain. It alternates between the insipid glee of potential mayhem and looking emotionless and dead as a stone.”
…He went on to make dozens of movies in Europe, the majority of which were in the Italian “poliziotteschi” genre. “Funny thing,” he said in a 1971 interview, “over here they see me as a bad guy; in Europe, they see me as a hero.”…
(11) MEDIA BIRTHDAY.
1964 – [By Cat Eldridge.] There are series I refuse to rewatch lest the Suck Fairy with her steel toed boots stomps all over it. The Addams Family series which premiered on this evening fifty-eight years ago on ABC is definitely one of them. I unreservedly loved that series.
The Los Angeles Times in its obituary of David Levy explained how he came to create the series: “The idea for the series came to Levy when he was strolling with a friend down New York’s 5th Avenue and passed a display of Addams’ books. One, ‘Homebodies,’ showed the entire group of Addams characters in a family portrait on the cover. Levy was stopped in his tracks by the sight and told his friend: ‘There’s a hit series!’”
Now let’s talk about the characters here. Who wasn’t perfect? Be it John Astin as Gomez Addams or Carolyn Jones as his wife Morticia, they played their roles perfectly. And no, I’m certainly not forgetting Wednesday, their child. (Surely the name comes from the English folk poem, Wednesday’s child is full of woe), Uncle Fester or Thing. Not to mention Lurch played oh-so-well by Ted Cassidy.
It had pets, presaging to a great extent what Lio would have. Aristotle was Pugsley’s pet octopus and Fang was his pet jaguar. Addams Family had a lion called Kitty Kat and they piranhas, Tristan and Isolde. Zelda was their vulture. Morticia had a very large carnivorous plant named Cleopatra and Wednesday has a pet tarantula by the name of Homer.
It didn’t last nearly as long as I thought did — just two seasons totaling sixty-four episodes shot in glorious black and white.
Halloween with the New Addams Family aired eleven years after the series went off the air with new characters added in. Seven years after the series was cancelled, the animated version of The Addams Family aired for sixteen episodes. It’s notable for a young Jodie Foster voicing Pugsley Addams. Only Jackie Coogan and Ted Cassidy, who played Uncle Fester and Lurch from the series, returned in voice acting roles.
Gold Key Comics produced a comic book series in connection with the show, but it only lasted three issues.
It streams on Amazon and Paramount +. Of course Paramount + owns the Columbia catalog and Columbia produced it.
It has a near perfect ninety-eight percent rating among audience reviewers at Rotten Tomatoes.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called by many a pioneering author of genre fiction. She wrote a number of fantasies between in the late 1910s and early 1920s, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered the first time that an American female writer published an SF story using her real name. (Go ahead, dispute it.) I’m pleased to say that the usual suspects are heavily stocked with her works. (Died 1948.)
- Born September 18, 1917 — June Foray. Voice performer with such roles as Cindy Lou Who, Natasha Fatale and Rocky the Flying Squirrel. She also provided the voice of Lucifer the Cat from Disney’s Cinderella. She also did a lot of witches such as Looney Tunes’ Witch Hazel which you can hear over here. She was instrumental in the creation of the Academy Award for Best Animated Feature twenty years ago. OGH has a most touching remembrance here. (Died 2017.)
- Born September 18, 1946 — Struan Rodger, 76. He was the Bishop in Stardust, and shows up in the A Discovery of Witches as John Dee. (Loved the novels, skipped the series as I always do.) He voiced the Three-Eyed Raven in The Game of Thrones’ “The Lion and The Rose” and “The Children”. More interestingly he’s got multiple roles in Doctor Who. First he’s The Voice of The Face of Boe in the Tenth Doctor stories, “New Earth” and “Gridlock”, next he’s Clayton in the Twelfth Doctor story, “The Women Who Lived” and finally he’s a voice again, that of Kasaavin in “Skyfall, Part One”, a Thirteenth Doctor story.
- Born September 18, 1946 — Nicholas Clay. Here for playing Lancelot on Excalibur. He did two earlier horror films, The Damned and Terror of Frankenstein, and he was The Prince in Sleeping Beauty. For television work, he’s done The Adventures of Sherlock Holmes, The Hound of the Baskervilles, Zorro, The New Adventures of Robin Hood, Virtual Murder, Highlander and Merlin. (Died 2000.)
- Born September 18, 1948 — Lynn Abbey, 74. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for 13 years) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will have to tell me how it is. Most, if not all, of the Thieves’ World series is available from the usual digital suspects.
- Born September 18, 1959 — Mark Romanek, 63. His first film was Static about a teenager who invents a device he claims can show picture of Heaven. Cult hit in the UK after Robyn Hitchcock prompted it. Never Let Me Go, a film released a decade ago postulated clones whose organs were harvested that made life extension possible in the UK. US reviewers thought it was fact leading it to having a text prologue explaining it was fiction.
- Born September 18, 1963 — Gary Russell, 59. A very prolific director of audio narratives for Big Finish Productions, having done forty-five Doctor Who and related productions, which is to say the Sarah Jane and Bernice Summerfield lines as well. He’s written novels that feature Doctor Who and related characters. He’s written three nonfiction works, two Who related, no surprise there, and one called The Art of The Lord of the Rings.
- Born September 18, 1984 — Caitlin Kittredge, 38. Known for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s penned a Witchblade series at Image Comics, and the excellent Coffin Hill series for Vertigo.
(13) COMICS SECTION.
- Frank and Ernest aren’t aboard the UFO for very long.
(14) EDGE CASE. “R. Crumb Means Some Offense” is a profile of the iconic comix creator in the New York Times.
…Crumb used to attend comic conventions and book signings, but now he makes very few public appearances. He never really picked up French (he relies on Kominsky-Crumb for that), and his social circle is small. Crumb’s followed in the long line of artists and writers who have exiled themselves from America, but his life abroad feels far more circumscribed than most. He doesn’t even have a cellphone. (At one point, he looks at his wife’s and says earnestly, “It’s listening to us right now.”) He uses email but “I worry about it,” he says. “Any email you write goes into the N.S.A. computer banks.” He’s only voted once in his life, for Barack Obama in 2008. Yet even living thousands of miles from America, disconnected from its culture by so many moats of his own making, he is, like many of his expatriate predecessors, a dedicated and unflinching observer of home. It was his ability to capture the id of America — in all its decadence, hypocrisy and lecherousness — that established him as an artist; that ability is unmatched nearly six decades later. He’s been called an “equal opportunity offender”: For his entire career, he’s angered the left, the right and everyone in between. It’s why his work remains, more than that of perhaps any other artist today, a litmus test for how much we’re willing to put up with for the sake of art….
(15) CONSTANTINE NEWS. [Item by Mike Kennedy.] There can be only one. AKA The Law of Conservation of Constantines. “Keanu Reeves’ Constantine Sequel Means JJ Abrams’ Constantine Show is Dead, For Now” reports Gizmodo.
Just before the weekend started, Warner Bros. Discovery up and surprised everyone when they revealed that a sequel to their 2005 Constantine movie was in development. With Keanu Reeves and original director Francis Lawrence both set to return, it seemed like a pleasant shock…until one had to remember that way back in 2021, the corporation announced that JJ Abrams was working on a series for the Hellblazer. And like with much of what’s recently happened with HBO Max, the situation for Abrams’ show is now in a weird bind.
Per Variety, the new Constantine show, along with the Madame Xanadu series being headed up True Blood’s Angela Robinson, are both dead at the moment….
(16) SCREEN TIME. Gizmodo is also prepared to fill you in about the coming season of genre TV: “Fall 2022 TV Preview: All the Sci-Fi, Fantasy, and Horror Shows”.
Your TV brain might be completely hardwired into magical rings and lusty dragons these days, but there are so many more sci-fi, fantasy, and horror shows—both returning and new—coming to screens this season.
Scroll through for our handy calendar of all the geeky series that you need to know about, with the caveat that dates may be subject to change….
(17) LIFE LESSONS. His role in Tron is the ObSF reference, however, there’s so much more! “’Dealing with your mortality, it makes things more precious’: Hollywood legend Jeff Bridges on the gift of life after cancer” in the Guardian.
…So he’s someone who can quickly identify and make the most of a bright side. As I’m not someone like that, I ask him how he does it. How did he stay positive through two vicious illnesses? Bridges starts to tell an apparently unrelated story, the relevance of which only gradually becomes clear. “So I’m remembering the very last gift my father gave me, before he died,” he says. His father, Lloyd, was a successful TV actor who died in 1998. “Sue and I had this new house at the time,” Bridges continues, “huge grounds, and what I really wanted for my birthday was a neat little electric golf cart to get around the property. I know Dad’s bought something cool for me. I open a door. And there… It’s not the golf cart I wanted… It’s like a motorised, gasoline-operated, dump truck kind of a thing. In my mind I’m thinking, ‘Oh, shit. This is not what I want at all.’ But I say thank you to him. Then he dies. Suddenly I’m using this vehicle all the time. I’m constantly saying to myself, ‘This is so much better than a golf cart! It’s so much more powerful! There are so many things I can get done!’”…
(18) HOT STUFF. Get ready to serve breakfast on Halloween: “Dash Mini Waffle Maker — Halloween, Black and Orange”.
SPOOKY WAFFLES: The Dash Halloween Mini Waffle Maker 2-pack is perfect for making spooky waffles for fall and beyond. Plus make your favorite breakfast classics and get creative with waffled hash browns, cookies and more
(19) NASA RELIC. “A Busted Trailer Listed on a Government Auction Website Turned Out to Be a Space Fan’s Dream: a NASA Command Vehicle”. ArtNet News tellxs all about it.
For most people trawling government auctions, the listing would not have stood out: GSA Auctions, a division of the General Services Administration, was offering up a vehicle described simply as a “1989 Airstream Executive Air Coach,” with no minimum bid.
An online sleuth, however, was able to determine that the RV was probably once used in NASA’s Space Shuttle program. Acquired for just $21,000, the historic item was a major steal for any fan of space memorabilia….
The upshot? “This van was the official Convoy Command Vehicle for the Space Shuttle at Edwards,” Higgins wrote. “It directed all Shuttle recovery procedures once the spacecraft was on the ground! And it’s for sale currently at $10k.” (He also shared a YouTube video of the vehicle in action.)
Some 19 bidders competed for the former Convoy Command Vehicle, with interest leaping from $10,000 to over $20,000 in the final day….
(20) VIDEO OF THE DAY. Alasdair Beckett-King parodies “Every ‘Not So Fast… I’ll Be Taking That’ Scene”.
When you’re a rogue archaeologist in search of a surprisingly cheap-looking idol. I’m really pushing the limits of what one man with four hats can do, here.
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Steven French, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]
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(4) he has excellent hearing
(6) Not only do people still do Talk Like A Pirate Day, but sometimes they even plan special releases of their podcast to celebrate it!
(11) I don’t think that the Suck Fairy has been anywhere near “The Addams Family”, It was recently running on Me-TV and it remains a delight. The series was great with a family that loved and supported each other and were always polite with their “Please'”‘s and “Thank You”‘s (“Why Thank You, Thing”)
One episode features a Beatnik who crashes his motorcycle in front of the Addams Home and the family takes him in to recover. Uncle Fester repairs the motorcycle and he finds himself bonding with Wednesday and Pugsley. When the family finds that it is his birthday they throw a surprise party and invite his hypercritical father who is disappointed that his son doesn’t want to join him in the family business. When his father is astonished to see how happy his son is, he asks what they did to him to make him so happy. “Do?” says Morticia “We didn’t do anything, just accepted him as he is”. That to me is the essence of the TV Addams Family.
The series was based on the Charles Addams cartoons that he had been drawing for the New Yorker since the 1930’s. In the comics the characters had no names, just referring to each other as “dear” and “darling”. For the TV Series they needed to have names. So the producers and Addams set out to name them. Wednesday Friday Addams was indeed named for the poem “Wednesday’s Child if full of Woe”.
The comic only showed a sign on the Addams fence that said “Beware of the Thing” and did not portray Thing. The producers settled on a hand coming out of several conveniently placed boxes and the mail-box. Cousin Itt had not existed in the comic, he was created for the series. During the run of the series on TV the editor of the New Yorker refused to print any of Addams’ cartoons featuring the family, only once the series went out of production did the family begin appearing in the New Yorker again, now including Cousin Itt and the rather handy Thing.
One episode features Gomez sharpening the spikes on the front fence when a passer-by stops, looks at the house and says “Quite a place you’ve got here.” Gomez replies “Yes, we go back to the cemetary” “Don’t we all” replied the passer-by much to the glee of Gomez.
6, It’s after midnight as I read this (no notification). Argh, matey!
8. $300M. As opposed to the literal billions poured in by Sheldon Adelson, the Koch bros, and the ever-popular Faux Noise?
Birthdays: Natasha’s voice and Rocky’s voice, gone? Where have all the days of yesteryear gone?
6) I understand that QEIIs funeral service will be conducted entirely in Pirate.
The names of these pirates, the Doctor thought, were not dissimilar to those of pigeons; a panoply of blacks and shades of gray, colourful in adjectives rather than hues.
As to the pirates as agents of political transformation, he had made some notes upon the subject, which indicated that their primary purpose was taking things from ships and trading them for rum and intimate favours, in places ranging from Tortuga to Whitehall. Some did affect views on individual freedom, though these would have rattled the brains of a Paine or a Wollstonecraft, and the notion that they were a seething mass of nautical Robespierres would not stand the light.
It was good to have an enemy, he reflected, and it was good to have an enemy who believed odd things that were incompatible with one’s own views. He had encountered sailors from English towns that were fiercely proud of having been sacked by ships scattered from the Armada. While the only evidence of such pillage was here a stack of cannonballs and there a public house named “Ye Dead Spaniardo,” every man from those villages stood ready, centuries later, to take the battle back to Philip II, with his dreadful religion and his incomprehensible consonants.
In Celebration of Talk Like Dr. Stephen Maturin Day
(John M. Ford, Sept. 19, 2005)
‘”Pirates are perhaps the greatest invention of Earth people,” Elizabeth interrupted loftily, “and their pirate stories are wonderful entertainment for small children. We have to give Earth people credit for that, they invented pirates.”
– R A Lafferty, “The Reefs of Earth”
“They rob the poor under the cover of law, forsooth, and we plunder the rich under the protection of our own courage; had ye not better make one of us, than sneak after the arses of those villains for employment?”
– possibly Edward Bellamy; probably an invention of “Captain Charles Johnson”, who is possibly an invention of Daniel Defoe
Thanks for the title credit, which must be shared by Andrew and I think at least one other who set it up.
I was in the chorus of a school production of Pirates Of Penzance which we took on tour to our twin-town in France. My pitch was so bad they told me to just move my mouth and not make any sound, so I never actually got to sing like a pirate.
We’re all familiar with situations where the pros “got it wrong” and something that was widely panned (for all the good reasons) goes cult blockbuster with the public, why is it regarded suspiciously when things go in the opposite direction? Is it possible that the critics got it wrong for all the good reasons and that the public is right?
I think that it must be at least mentioned that the entity that has now choked off public critique is also the entity with the most to gain or lose on the success or failure of this property – purportedly the most expensive television product and rights purchase in history.
Under any other “normal” circumstances where a huge, powerful and influential entity moves to stifle “debate”, focus shifts (properly) from the object of the debate to the action(s) of censorship. As it should here. Amazon now finds itself as the “defender” of the new studio system and I begin to wonder if there will ever be a “bad” movie or television series ever again.
 Not disputing the poetic origin of Wednesday Addams name, but I assumed it was a nod at the unusually named ingenue actress Tuesday Weld.
(14) I admire Crumb’s artwork, but the fact that he’s lived in France for thirty years without learning any French (and expects his wife to act as his translator) really tells you all you need to know about him.
(4) I’m glad that best fanwriter is going to a wider range of people these days, even though I read Ansible avidly each month.
(P.S. The pluses tried to get me, but I evaded them)
9) I was able to leave a review for Rings on Amazon this morning. We’ll see if it gets posted. I think it was fair, not a rant, but I was generous and gave it 3 stars (for total entertainment value. For accuracy I’d have to give it 1/2*).
11) I first saw the Addams Family as a very young kid when it was originally on, and then watched it for years in reruns. Still a good show. It’s unfairly compared to The Munsters, which I don’t find that fair, since each show was doing different things. I’ve seen some of the syndicated reboots, and they were all disappointing. Only the movies, with Raul Julia and Angelica Houston are similar quality. In fact, even better, as they exhibit the dark humor of the original strip that TV couldn’t handle in the 60’s.
In other news, Jason Scott (of Internet Archive fame) is in the process of rescuing fanzines: https://twitter.com/textfiles/status/1571891738825957378
@Steve Davidson I think this is because of the racist backlash to certain characters’ casting. Because most of the feedback just takes the form of ratings, without any written comment, it’s hard to tell whether people genuinely dislike the show or are just rating it without watching for stupid reasons.
I honestly think it may be a combination both. The Rings of Power is a remarkably underwhelming show. And I suspect there are many critics out there who feel the need to defend it, consciously or not, because of the racist backlash. I have yet to read a single critical review that is about the merits of the show. But I know for a fact through discussions with friends and online that people are not at all pleased with it, and it doesn’t have anything to do with the color of anyone’s skin.
Has Amazon protected any shows from its competitors, like Disney+ or Apple TV or Netflix, from review-bombing? Or is that privilege only available to shows which happen to be produced by their own company?
@Mark: “Birthdays: Natasha’s voice and Rocky’s voice, gone? Where have all the days of yesteryear gone?”
“Where have all the birthdays gone? Long time Scrolling.”
Joshua K. asks Has Amazon protected any shows from its competitors, like Disney+ or Apple TV or Netflix, from review-bombing? Or is that privilege only available to shows which happen to be produced by their own company?
Have any of those series been review-bombed? I certainly don’t remember any news stories about then being done so. The trolls have a special hatred for the Amazon Tolkien series that has a mixture of racism, sexism, xenophobia and, well, pick your vile hatred. It is all being acted out in these blocked reviews.
I have heard people say without racist reflection that it is underwhelming (My husband is watching it and entertained but not excited or telling me I have to join him). But most who discuss its flaws in that manner seem to put it in the middle range, and can describe their reasons clearly. Most 0-1 star review style comments I have seen, on the other hand, have definitely had a tone of “Tolkien was writing a story for (white) Brits, about (white) Brits, and based on (white) British and (even whiter) Nordic folklore. This is a desecration of that.” (The exception was a few reviews of the first episode or two that basically sneered that Galadriel was being treated like a Girl Power Mary Sue and all the men were being depicted as scum by comparison, so… the same people but sexist instead.)
One of the things that has annoyed me the MOST about sexist and racist review-bombings and social media attacks is how it makes it darn near impossible to have a sensible conversation about the merits and weaknesses of the actual thing unless you are having it in private with a well-vetted crowd. Amazon feeling empowered or obliged to remove the opportunity to review it falls within that same range of frustration. It’s hard to look for honest reviews. It’s hard to trust the reviews.
So far the main critical thing I have read about the show from a stranger that I have been able to trust wasn’t tainted by the anti-woke bombers was a discussion of how the costuming in this and House of the Dragon is a failure compared to the lavish (and expensive) detail and effort put in for the Lord of the Rings films and Game of Thrones.