Something not quite right in the San Diego Comic-Con International souvenir book caught Scott Edelman’s eye: “In the midst of getting verklempt reading the In Memoriam section, I spotted a major error on the page honoring the late Ron Goulart — they’ve mistakenly used a photo of the very much living Joe Haldeman.”
Goulart, of course, actually looked like this:
Edelman understands these things can happen. Because it’s happened to him.
“My photo appeared on Robert Reed’s Wikipedia page for awhile, after I accepted his Hugo award in Yokohama.”
When Scott wrote about the Goulart mistake on Facebook, people chimed in with other examples they’d seen.
Mine was remembering that Torcon 2 used the wrong photo for fan guest of honor Bill Rotsler in the 1973 Worldcon program book. At the time someone said it was really a picture of Philip K Dick. Since I didn’t yet know what PKD looked like I always assumed that was the identity. And therefore, the following year when PKD no-showed for his guest of honor stint at the 1974 Westercon, I thought it was an especially funny inside joke that they brought on Bill Rotsler to give the guest of honor speech instead.
The post I planned to write was going to end there. I knew I could find that old 1973 program book on Fanac.org and copy the photo to run with it. Which I have. There is just one problem. I know what Philip K. Dick looks like now, and that photo doesn’t look like PKD to me. I have never seen a photo of PKD with a long scraggly beard. So who is it really?
I asked Andrew Porter, who turned to others in the Fictionmags discussion group for help. Not only did they come up with the name, they found a copy of the original photo online. It’s artist John Schoenherr. The photo was taken by Jay Kay Klein at the 1971 Worldcon.
Porter sent a copy of the photo to John’s son Ian Schoenherr who confirmed the identity. He also commented, “Still have that corduroy safari jacket somewhere – and the ceramic tiki bowl.”
…When I started work, I didn’t think it was a big deal. Meiko was just another character and it was my job to slip into her head, as I do with all the POV characters.
Only it wasn’t that simple. The ghosts of my past kept dropping in, insisting on being heard.
My mother was Japanese. She married my father, who was white, when they met after the war. My mom was a product of her time and culture, demure and quiet, but she was also shaped by her experiences after the war. Complete strangers would come up to her in public and say hateful things (much like the anonymous assailants who attack Chinese grandmothers on the streets today). Until she died at 91, she hid in her room every December 7th, Pearl Harbor Day.
It was more than the influence of WWII. Being an Asian woman means navigating stereotypes and others’ assumptions….
…The proposed amendment to the code that would include crimes committed on the moon can be found deep inside the 443-page Budget Implementation Act that was tabled Tuesday in the House of Commons.
The Criminal Code already accounts for astronauts who may commit crimes during space flight to the International Space Station. Any such crime committed there is considered to have been committed in Canada.
But with Canada part of the Lunar Gateway project, which also includes a planned trip to the moon, the federal government has decided to amend the Criminal Code to incorporate those new space destinations.
In the Budget Implementation Act, under the subhead Lunar Gateway — Canadian crew members, the amendment reads:
“A Canadian crew member who, during a space flight, commits an act or omission outside Canada that if committed in Canada would constitute an indictable offence is deemed to have committed that act or omission in Canada.”…
(4) SIGNATURE WEBSITE LAUNCHED. GideonMarcus.com is now live, publicizing his many sff activities.
Founder of Journey Press, an independent publisher focused on unusual and diverse speculative fiction, four-time Hugo Finalist Gideon Marcus also runs the time machine project, Galactic Journey. He is a professional space historian, member of the American Astronautical Society’s history committee, and a much sought after public speaker.
Galactic Journey, frequently covered here, is a remarkable project:
Gideon Marcus and his team live in 1967, regularly commuting 55 years into the future to write about then-contemporary science fiction and fantasy, particularly fiction found in magazines. But that’s not all there is to life 55 years ago! So expect to read about the movies, the space shots, the politics, the music, and much more!
Galactic Journey has been a smash hit, garnering the Serling Award and four Hugo Nominations. So come jump through the portal and see a world you may but dimly remember, or which you may never have seen before, but without which your time could never have been…
But herein lies a potential issue. While all of these character returns are thrilling for fans, in an episode which should be Whittaker’s final time to shine as the Doctor, it’s possible to get the feeling that Doctor Who’s Centenary special is at risk of being overstuffed.
This summer, experience the epic conclusion to the Jurassic era as two generations unite for the first time. Chris Pratt and Bryce Dallas Howard are joined by Oscar®-winner Laura Dern, Jeff Goldblum and Sam Neill in Jurassic World Dominion, a bold, timely and breathtaking new adventure that spans the globe. From Jurassic World architect and director Colin Trevorrow, Dominion takes place four years after Isla Nublar has been destroyed. Dinosaurs now live—and hunt—alongside humans all over the world. This fragile balance will reshape the future and determine, once and for all, whether human beings are to remain the apex predators on a planet they now share with history’s most fearsome creatures.
Whether they’re moving on to new opportunities, ready to retire from show business, or are driven away by conflict on the set, there are moments in the life of a hit show where the actor leaves … but the show must go on.
And so the characters we’ve come to know and love set out for greener pastures. Or they’re recast with another actor. Or, worst case scenario, they get killed off.
Stargate SG-1 was no exception. Running for 10 years across both Showtime and the SCI FI Channel in the United States, the series saw its fair share of cast changes over the years. In each case the writers had to think creatively to write the character out of the show – and in a few cases to bring them back again later.
In fact, every single member of the show’s original cast ended up written out at one time or another … everyone, that is, except for one. Let’s round up when and why the writers wrote out each member of the original cast, as well as a couple of honorable mentions along the way.
(8) MEDIA BIRTHDAY.
1978 — [Compiled by Cat Eldridge.] Ahhh, Space Force. Do you remember it? Well forty-four years ago on this evening, the pilot for it aired on NBC with the primary cast being William Phipps as Commander Irving Hinkley, Fred Willard as Captain Thomas Woods, and Larry Block as Private Arnold Fleck. It also had a very large ensemble cast.
Now I say pilot but the series was never picked up, so that was it. Some parties claimed the cancellation was a result of the network earlier canning Quark which had lasted but eight episodes. This series was modeled upon the Phil Silvers series and perhaps someone at the networks thought better of a SF series based on that premise.
Fred Willard reprised his role from the pilot in a comedy sketch for Jimmy Kimmel Live! in 2018.
Willard portrayed an unrelated character for the 2020 Netflix series Space Force, which began airing two weeks after his death.
Not a single review I read about the 1978 series had a less-than-completely-harsh word for it. Now I have not seen it, so I do want to know what those who have seen it think of it, please.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 28, 1914 — Philip E. High. He first made his name in the Fifties by being published in Authentic Science Fiction, New Worlds Science Fiction and Nebula Science Fiction, and was voted “top discovery” in the Nebula readers’ poll for 1956. A collection of his short stories, The Best of Philip E. High, was published in 2002. He wrote fourteen novels but I can’t remember that I’ve read any of them, so can y’all say how he was as a novelist? He is very well stocked at the usual suspects. (Died 2006.)
Born April 28, 1919 — Sam Merwin, Jr. An editor and writer of both mysteries and science fiction. In the Fifties, he edited, Fantastic Story Quarterly, Fantastic Universe, Startling Stories, Thrilling Wonder Stories, and Wonder Stories Annual. As writer, he’s best remembered for The House of Many Worlds and its sequel, Three Faces of Time. At L.A. Con III, he was nominated for a 1946 Retro Hugo for Best Professional Editor for Thrilling Wonder Stories and Startling Stories. He seems to be deeper stocked in mysteries than genre at the usual suspects. (Died 1996.)
Born April 28, 1929 — Charles Bailey. Co-writer writer with Fletcher Knebel of Seven Days In May, a story of an attempted coup against the President. Rod Serling wrote the screenplay for the film. (Died 2012.)
Born April 28, 1930 — Carolyn Jones. She played the role of Morticia Addams (as well as her sister Ophelia and the feminine counterpart of Thing, Lady Fingers) in The Addams Family. Her first genre role was an uncredited appearance in the original The War of the Worlds as a Blonde Party Guest, and she was Theodora ‘Teddy’ Belicec in the Invasion of the Body Snatchers. She had a recurring role as Marsha, Queen of Diamonds on Batman. (Died 1983.)
Born April 28, 1948 — Terry Pratchett. Did you know that Steeleye Span did a superb job of turning his Wintersmith novel into a recording? You can read the Green Man review here as reviewed by Kage’s sister Kathleen. Pratchett was a guest of honor at Noreascon 4 (2004). He was knighted by the Queen for his services to literature in a 2009 ceremony. See his coat-of-arms here. My favorite Pratchett? Well pretty much any of the Watch novels will do for a read for any night when I want something English and really fantastic. (Died 2015.)
Born April 28, 1953 — Will Murray, 69. Obviously MMPs still live as he’s writing them currently in the Doc Savage Universe, to the tune of eighteen under the house name of Kenneth Robeson since 1993. He’s also written in the King Kong, Julie de Grandin, Mars Attacks, Reanimator Universe, Nick Fury, Agent of S.H.I.E.L.D.,Tarzan, Destroyer and The Spider media franchises. So how many do you recognise? At CoNZealand, his Doc Savage series got nominated for a RetroHugo. The Cthulhu Mythos series, if it can be called a series, by H. P. Lovecraft, August Derleth and others won that Award.
Born April 28, 1957 — Sharon Shinn, 65. I’m very fond of her Safe-Keepers series which is I suppose YA but still damn fine reading. The Shape-Changers Wife won her the William L. Crawford Award which is awarded by the International Association for the Fantastic in the Arts for best first fantasy novel. And she was twice nominated for the Astounding Award.
Born April 28, 1967 — Kari Wuhrer, 55. Best known for her roles as Maggie Beckett in Sliders and as Sheriff Samantha Parker in Eight Legged Freaks. Her first genre role was as Jackie Trent in Beastmaster 2: Through the Portal of Time. She also played Amy Klein in Hellraiser VII: Deader (There were that many films in that franchise? Really? Why?) She voiced Barbara Keane and Pamela Isley in the most excellent Batman: Gotham by Gaslight which deviated a lot from the Mike Mignola series and earlier in her career she was Abigail in the first live action Swamp Thing series.
LeVar Burton, the beloved former Reading Rainbow host, will receive a Lifetime Achievement Award at the inaugural Children’s and Family Emmys in December, the Television Academy announced this week.
Burton took on executive producer and hosting duties for the PBS kids’ program in 1983. On the show, Burton read books, conducted interviews and explained current events to children. The show aired for 23 years, and has won 12 Daytime Emmys and a Peabody Award….
…In each episode, the hosts talk to the early and modern-day creators who helped bring to life some of Marvel’s most iconic women super heroes and learn how these beloved characters have evolved over time. This season features an impressive lineup of guests including comic writers Trina Robbins, Rainbow Rowell, Elsa Sjunneson; editors Alanna Smith, Lauren Amaro, Renee Witterstaetter; colorist Jordie Bellaire; actors Milana Vayntrub, Ashlie Atkinson; historians Jacque Nodell, Beth Pollard; games designer Paige Pettoruto; playwright Karen Zacarias; directors Giovanna Sardelli, Jenny Turner-Hall, and more!
Episode 1 is titled Peggy Carter: “Made to be Captain America.” Meet the beloved Peggy Carter and in particular, a fan-favorite version of her – the Super-Soldier serum-enhanced Captain Carter. Captain Carter didn’t begin in the comics pages or on-screen. Rather, she was born on the smaller screens of the MARVEL Puzzle Quest game – but she didn’t stop there! This week’s guests include Paige Pettoruto and Elsa Sjunneson!…
We discuss Eastercon a lot and we’re very excited, plus there are audience heckles and questions.
(14) ZOOMING WITH THE HALDEMANS. Courtesy of Fanac.org, you can now see the two-part video of “Joe and Gay Haldeman – Fandom From Both Sides,” a Fan History zoom with Joe Siclari
Esteemed icons in the field, Joe and Gay Haldeman have been involved with science fiction fandom since discovering it in the early 1960s. With long, successful careers, they have a view on science fiction from both the fan and the professional side. Joe Haldeman’s highly regarded writing career has included 5 Hugo awards, 5 Nebulas, 3 Rhysling Awards, and many other honors; Big Heart award winner Gay Haldeman has managed the business as well as been a literary agent. But in this delightful zoom interview, the focus is primarily on fandom. Interviewer Joe Siclari knows just what to ask, having been friends with the Haldemans for decades.
PART 1. Joe and Gay describe how they first found fandom, their experiences at their first convention (Discon I, 1963), and how (and why) they became fans. They tell anecdotes of fans and professionals, their connections with non-US fandom, and the surprising identity of Joe’s Italian editor. Joe tells the story of how he single-handedly (if unintentionally) started I-Con in 1975, his work on convention program (some of it while serving in Viet Nam), his contributions to fanzines and more. There’s serious discussion about the reaction of fandom to him as a returning vet, along with Gay’s fannish activities while Joe was overseas. You’ll also hear much more, including the relationship between book advances and house mortgages, and the ultimate story of how far a science fiction novel can go. Highly recommended.
PART 2. The conversation continues with discussion and personal anecdotes about well-known authors and Big Name Fans. Rusty Hevelin was a particularly good friend, and Joe and Gay tell how they met him, and some impressive travel stories (especially the bicycle ones!). They offer stories and insights on Keith Laumer, Gordon Dickson, Robert Heinlein, Harlan Ellison, and others outside the field as well. This part of the zoom has audience Q&A, ranging from a literary question about the role of women in the Forever War to favorite means of writing (which leads to samples of Joe’s artwork). Many of the questions begin with “I first met you in xxxx”, and the tone of the session is that of close friends, sharing a cherished time together. As one of the attendees says, “You are some of the best people I know”.
…Green Launch COO and Chief Science officer Dr. John W. Hunter directed the Super High Altitude Research Project (SHARP) program at the Lawrence Livermore National Laboratory some 30 years ago, and in the process led the development of the world’s largest and most powerful “hydrogen impulse launcher.”
This is effectively a long tube, filled with hydrogen, with helium and oxygen mixed in, and a projectile in front of it. When this gas cannon is fired, the gases expand extremely rapidly, and the projectile gets an enormous kick in the backside. The SHARP program built and tested a 400-foot (122-m) impulse launcher in 1992, breaking all railgun-style electric launcher records for energy and velocity, and launching payloads (including hypersonic scramjet test engines) with muzzle velocities up to Mach 9….
(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] (Spoiler warning?) In “Moonfall Pitch Meeting,” Ryan George begins with the writer saying, “You know the moon? It’s going to fall!” “Are you putting spoilers in the title?” says the producer. After the pitch, the producer asks why it’s a happy ending. “Didn’t billions of people die?” “Yeah, but none of the people we care about,” says the writer.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Daniel Dern, Olav Rokne, John A Arkansawyer, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian,and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]
The world of Brian Jacques’ Redwall is rife with every manner of woodland creature, depicting the lives of mice, moles, squirrels, badgers and beyond in mythic detail. As a young boy, I fell in love with everything about the series — the intricately illustrated covers, the sweeping tales of battle and camaraderie and the idiosyncrasies of each animal community. Over the course of 23 (!!) thick novels, Jacques weaves a tapestry of narratives, builds a unique lifestyle, dialect and even diet around various tribes and timelines.
I, being a Korean kid in Hawaii who loved the water, imagined myself as one of the river otters. They played hard, fought hard and adored the spicy flavor of hotroot in their foods. Just like me, I thought as I read another Redwall novel at the dinner table, eating spoonfuls of kimchi stew.
It wasn’t just the otters’ favorite shrimp ‘n’ hotroot soup that I craved; I’m fairly certain the Redwall books radicalized me at a young age into a type-A obsessive about delicious food. No matter whether I was reading Eulalia! or Martin the Warrior, I knew the book would feature page after page of lusty food prose, especially if it was a celebratory feast held in Redwall Abbey or another enclave. The words are straight out of a Chez Panisse menu: “Tender freshwater shrimp garnished with cream and rose leaves, devilled barley pearls in acorn puree, apple and carrot chews, marinated cabbage stalks steeped in creamed white turnip with nutmeg … crusty country pasties, and these were being served with melted yellow cheese and rough hazelnut bread.”…
…This is very much a Zak Snyder film and contains all his intentional problems. It is pretentious, has lots of slow-mo, odd music-video like sequences, many people starring off into the distance to express their inner feelings and, of course, a colour palette that’s best described as “metallic”. The dialogue is grim. The characterisation is angst. It’s a clever but disaffected teenage kid’s idea that goofy comic books are essays on Nietzsche….
… Not only is Alpha Centauri the nearest system to ours, two of its three stars are at least somewhat sunlike. Unsurprisingly, science fiction long ago saw the narrative potential offered by Alpha Centauri. Consider these five examples.
The Solar System is firmly under the thumb of an authoritarian government determined to bring peace with a stomping boot. While every reasonable need is filled, daily life is regimented and the space lanes are plied solely by robot ships. Not everyone is happy with this arrangement. The malcontents include among them men like Kirby—men with the skills to crew a one-way flight to Alpha Centauri and its known habitable world.
There are, of course, one or two catches. The State forbids such flights. The same robot ships that travel between the solar planets could follow the refugees to Alpha Centauri. Most importantly, there is a reason the Solar System’s authoritarian have never tried to annex Alpha Centauri. Alpha Centauri’s world may not be home to someone but it is definitely home to something. How it will react to invaders remains to be seen….
(4) GAMING HORROR IS HARD. [Item by Martin Morse Wooster.] In the February 10 Financial Times, gaming columnist Tom Faber looks at the recent release of The Medium (set in “an abandoned Soviet resort”) to discuss whether video games can be as scary as horror movies.
I started out with the venerable Resident Evil series, which since 1996 has oscillated between survival-horror and action-oriented adventures, also spawning a surprisingly robust film franchise starring Milla Jovovich. 2017’s Resident Evil 7: biohazard, due a sequel this May, seemed promisingly spooky at first. I arrived at an abandoned house in the Louisiana bayou and felt genuinely unsettled by the ominous creaking noises of the house, the squalid family kitchen and the sculpture out front, a cross between Alexander Calder and The Texas Chain Saw Massacre. Yes as soon as a monster emerged and I had to start waving an axe around, I mentally flipped into monster-fighting game mode and all the tension abruptly vanished.
Horror needs to be paced slowly to allow tension time to build, to hide its monsters in the shadows, but this is a hard proposition for games, a medium defined by interactivity and action. A new breed of narrative horror games prioritises atmosphere over combat, including Soma and Amnesia by Swedish team Frictional Games, an eerie demo for a cancelled Silent Hill sequel called P.T., and Taiwanese game Devotion, a disturbing tale which was removed from online stores due to a controversial reference to Chinese premier Xi Jinping.
Pulitzer-winning novelist Viet Thanh Nguyen would have preferred that his forthcoming book, The Committed,have no praise-laden blurbs at all, he says. “Kill it. Bury it. Dance on its grave. They create so much work, emotional labor and guilt, whether one is writing one or one is asking for one.”
Often fawning and sometimes composed after only a casual skim of the book, pre-publication endorsements have been an entrenched part of the publishing industry since Ralph Waldo Emerson mailed a little-known Walt Whitman a note about his first poetry collection, Leaves of Grass, in 1855. Sensing an opportunity, Whitman’s publisher emblazoned a standout line from Emerson’s letter on the second edition of the book’s spine in gold letters: “I greet you at the beginning of a great career. RW Emerson.”
As blurbs multiplied, however, the public’s distaste for them also grew. In 1936, George Orwell claimed that “the disgusting tripe that is written by the blurb-reviewers” was causing the public to turn away from novels altogether. “Novels are being shot at you at the rate of fifteen a day,” he wrote in an essay, “and every one of them an unforgettable masterpiece which you imperil your soul by missing.”…
Anyone ever heard of Star Wars Detours? No? It’s no surprise, since no one has aired it since its production. Ever since Disney bought up Lucasfilm, they’ve locked up this Star Wars animated parody series in their vaults and never looked back. With the leak of a single episode though, there may be a new hope that Star Wars Detours may come to Disney+.
A few days ago on November 29, 2020; someone leaked a single episode of the never-aired Star Wars Detours series onto Reddit. The episode featured the bounty hunters Zuckuss and 4-LOM attempting to rob Dex’s Diner, with decidedly mixed results. An all-star cast of Lando Calrissian, Boba Fett, Jabba the Hutt, and more contributed to the situation with utmost hilarity.
No one know who leaked this episode or why. All we know is that as soon as the leak occurred, Disney was just as quick to take it down with a copyright strike. By then though, it might as well have been closing the barn door after the horse already got out. Even Disney can’t make us unsee what we’ve already saw. Yet.
What could be more exciting than flying a helicopter over the deserts of Mars? How about playing Captain Nemo on Saturn’s large, foggy moon Titan — plumbing the depths of a methane ocean, dodging hydrocarbon icebergs and exploring an ancient, frigid shoreline of organic goo a billion miles from the sun?
Those are the visions that danced through my head recently. The eyes of humanity are on Mars these days. A convoy of robots, after a half-year in space, has been dropping, one after another, into orbit or straight to the ground on the Red Planet, like incoming jets at J.F.K. Among the cargo is a helicopter that armchair astronauts look forward to flying over the Martian sands.
But my own attention was diverted to the farther reaches of the solar system by the news that Kraken Mare, an ocean of methane on Titan, had recently been gauged for depth and probably went at least 1,000 feet down. That as deep as nuclear submarines will admit to going. The news rekindled my dreams of what I think would be the most romantic of space missions: a voyage on, and ultimately even under, the oceans of Titan…
…[The] series finale is aiming to go bigger and grander, as it sees Clan McDuck face off against their most devious foes yet: a secret evil organisation called the Fiendish Organisation for World Larceny, otherwise known as F.O.W.L. Led by Bradford Buzzard, F.O.W.L. is not only the biggest and most widespread threat the family has ever gone up against during all this time adventuring, but its also one whose roots began quite close to the Money Bin home, with Bradford having served as the chairman of Scrooge’s company, with a seat on its board of directors at one point….
…The painted effigy is a half-height depiction of Shakespeare holding a quill, with a sheet of paper on a cushion in front of him. In the 17th century, a Jacobean sculptor called Gerard Johnson was identified as the artist behind it. Orlin believes that the limestone monument was in fact created by Nicholas Johnson, a tomb-maker, rather than his brother Gerard, a garden decorator….
(10) MEMORY LANE.
1976 — Forty five years ago, Joe Haldeman wins a Hugo for The Forever War at MidAmeriCon which was held in Kansas City. It had been published by St. Martin’s Press the previous year. The novel would also win a Nebula Award, a Locus Award for Best Novel and the Australian Ditmar Award. It has never been out of print and has a sequel, Forever Peace.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 20, 43 B.C.E. – Ovid. Among three great poets of Roman literature (with Virgil and Horace). Known to us, and perhaps best known today, for his Metamorphoses, 15 books recounting fantastic legends e.g. Daedalus; many translations, from Golding’s (1567, used by Shakespeare) to Rolfe Humphries’ (rev. 2018): see this comparing Mary Innes’ (1955); Golding’s; Dryden, Garth & Co.’s (1727); and cussing about them. (Died 17 C.E.) [JH]
Born March 20, 1868 – Ernest Bramah. Orwell said What Might Have Been inspired Nineteen Eighty-Four; WMHB and two others are SF. The Bravo of London and a score of shorter stories about Max Carrados are detective fiction, some being ours too. Timeless for five books about the superb fantastic Kai Lung, who said e.g. “In shallow water dragons become the laughing-stock of shrimps”. Website. (Died 1942) [JH]
Born March 20, 1932 — Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume 2. (Died 2004.) (CE)
Born March 20, 1941 – Steve Sneyd. SFPA (SF Poetry Ass’n) Grand Master. Six collections e.g. Bad News from the Stars; Mistaking the Nature of the Posthuman – he knew very well that omitting a hyphen brought in resonance with posthumous. Four anthologies e.g. Laying Siege to Tomorrow. Nonfiction. Four hundred forty poems, three dozen short stories. Handwritten fanzine Data Dump, 226 issues 1991-2016. A note by me here. Some of where he led me here. (Died 2018) [JH]
Born March 20, 1948 — Pamela Sargent, 73, She has three exemplary series of which I think the Seed trilogy, a unique take on intergenerational colony ships, is the one I like the best. The other two series, the Venustrilogy about a woman determined to terraform that world at all costs is quite good also, and there is the Watchstar trilogy which I know nothing about. Nor have I read any of her one-off novels, so please do tell me about them. (CE)
Born March 20, 1948 — John de Lancie, 73. Best known for his role as Q in the Trek multiverse, though I was more fond of him as Janos Barton in Legend which stars Richard Dean Anderson (if you’ve not seen it, go now and watch it). He also was Jack O’Neill enemy Frank Simmons in Stargate SG-1. He has an impressive number of one-offs on genre shows including The Six Million Dollar Man, Battlestar Galactica (1978 version), The New Twilight Zone, MacGyver, Mission: Impossible (Australian edition), Get Smart, Again!, Batman: The Animated Series, and I’m going to stop there. (CE)
Born March 20, 1950 — William Hurt, 71. He made his first film appearance as a troubled scientist in Ken Russell’s Altered States, an amazing film indeed. He’s next up as Doug Tate in Alice, an Woody Allen film. Breaking his run of weird roles, he shows in up in that not really bad Lost in Space film as Professor John Robinson. Dark City and the phenomenal role of Inspector Frank Bumstead follows for him. He was in A.I. Artificial Intelligence as Professor Allen Hobby, performed the character of William Marshal in Ridley Scott’s phenomenal Robin Hood, and in horror film Hellgate was Warren Mills. His final, to date that is, is in Avengers: Infinity War as Thaddeus “Thunderbolt” Ross. Two series roles of notes, the first being in the SyFy Frank Herbert’s Dune as Duke Leto I Atreides. Confession: the digitized blue eyes bugged me so much that I couldn’t watch it. The other role worth noting is him as Hrothgar in Beowulf: Return to the Shieldlands. (CE)
Born March 20, 1955 — Nina Kiriki Hoffman, 66. Her first novel, The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are amazingly excellent. Most of her work has a strong sense of regionalism being set in either California or the Pacific Northwest. (CE)
Born March 20, 1959 – Suzanne Francis, age 62. Nine novels, including a novelization of Frozen. From King’s Lynn, Norfolk, England, she went to Dunedin (rhymes with “need inn”), South Island, New Zealand, a UNESCOCity of Literature. [JH]
Born March 20, 1965 – Noreen Doyle, age 56. Archaeologist and in particular Egyptologist. Anthologies, The First Heroes with Harry Turtledove; Otherworldly Maine. A dozen short stories. Here is her cover for Spirits of Wood and Stone. [JH]
Born March 20, 1974 – Andrzej Pilipiuk, age 47. Forty novels, two dozen available in English; two dozen shorter stories. Invented Jakub Wedrowycz (there should be a mark like a cedilla under the e, but the software won’t allow it), an alcoholic exorcist; in another series about a thousand-year-old teenage vampire, a 300-year-old alchemist-szlachcianka, and a former agent of CBS, the historical Michael Sendivogius sometimes appears. [JH]
Born March 20, 1979 — Freema Agyeman, 42. Best known for playing Martha Jones in Doctor Who, companion to the Tenth Doctor. She reprised that role briefly in Torchwood and for several Big Finish audioworks. She voiced her character on The Infinite Quest, an animated Doctor Who serial. She was on Sense8 as Amanita Caplan. And some seventeen years ago, she was involved in a live production of Terry Pratchett’s Discworld’s Lords and Ladies held in Rollright Stone Circle Chipping Norton, Oxfordshire. It was presented out of doors in the centre of two stone circles. I don’t think it was recorded, more’s the pity. (CE)
…Telling a sequential story across panels and pages is the purview of the comics artist, who must be accomplished in everything from the human anatomy to perspective to lighting. Whether they’re working with a writer or generating their own material, comic book artists must be versatile.
…To get more insight into how these fantasy illustrators operate, Mental Floss spoke to Coller and others. Here’s what they had to say about deadlines, owning their work, and getting penciled-in revenge….
8. COMIC ARTISTS CAN GET REVENGE IN THEIR ART.
It’s not uncommon for artists to use real people as models for their fictional characters—typically background or supporting figures. “You spend so many hours alone with a page that you get bored sometimes,” Jones says. “So you’ll draw your editors in the background.” Other times, it might be someone they’re annoyed with who meets an untimely end. “Maybe someone who has frustrated you becomes a bystander getting crushed.”
(13) DEAL OF THE DAY. Hey, I can’t afford it, but I’ve never seen an author make this offer before.
(15) LONG-DISTANCE MARRIAGE. [Item by David Doering.] I could have written this as an SF short story in the 70s. My home county, Utah County, will perform civil marriages via the Internet (as a Covid protection). However, it soon got noised about not just nationally, but internationally. Now couples in Israel who did not qualify to wed there could be officially married by a Utah administrator. As this article states, Israel will recognize marriages conducted by other countries, however — “Utah finds itself at the center of a new legal battle over Israel marriage rights” — at KSL.
Two Utah rabbis joined an administrative petition this week filed against the Israeli Interior Minister and the country’s population authority in an effort to lift an order that does not recognize civil marriages for Israeli couples completed through a Utah online system.
… Israel carries strict religious rules regarding marriage but recognizes legal marriages done by other states.
…However, once Interior Minister Rabbi Aryeh Deri learned of the practice, he ordered the population authority to stop registering the couples and counting their marriage as legitimate. The petition was filed in an effort to reverse the ban and take it all the way to the country’s Supreme Court….
(15) ON THE REVERSE. In “The Trouble with Charlotte Perkins Gilman” at The Paris Review, Halle Butler says admirers of Charlotte Perkins Gilman’s feminist sf and horror also have to take into account that Gilman was a supporter of nativism and eugenics.
…Herland, Gilman’s sci-fi novel about a land free of men, is an example of this. The inhabitants of Herland have no crime, no hunger, no conflict (also, notably, no sex, no art). They exist together in dreamlike harmony. Held one way, Herland is a gentle, maternal paradise, and the novel itself is a plea for allowing these feminine qualities to take part in the societal structure. Held another, we see how firmly their equality is based in their homogeneity. The novel’s twist is that the inhabitants of Herland are considering whether or not it would benefit them to reintroduce male qualities into their society, by way of sexual reproduction. Herland is a tale of the fully realized potential of eugenics, and for Gilman, it’s a utopia.
All of this is especially troubling when you consider that Gilman was a staunch and self-described nativist, rather than a self-described feminist, as the texts surrounding her rediscovery imply. Nativists believed in protecting the interests of native-born (or “established”) inhabitants above the interests of immigrants, and that mental capacities are innate, rather than teachable. Put bluntly, she was a Victorian white nationalist. When Gilman is described as a social reformer and activist, part of this was advocating for compulsory, militaristic labor camps for Black Americans (“A Suggestion on the Negro Problem,” 1908). Part of this is pleading for racial purity and stricter border policies, as in the sequel to Herland, or for sterilization and even death for the genetically inferior, as in her other serialized Forerunner novel, Moving the Mountain.
These ideas of Gilman’s are hard to reconcile with our current conception of her as a brave advocate against systems of oppression—a political hero with a few, forgivable flaws….
…[William] Thomson was a man of faith but he had no truck with biblical literalists who believed the earth to be 6,000 years old. His position was that a slowly changing ancient earth stood in direct contradiction with the scientific principles that he had worked so hard to establish—that energy cannot be created or destroyed and that heat tends to dissipate. Using these laws, argued Thomson, it would be possible to estimate the age of the earth and investigate whether it was old enough for evolution to take place.
In April of 1862, he brought out a paper claiming that a thermodynamic analysis of the flow of heat in the earth showed directly that it must be younger than uniformitarians, and by extension Darwin, believed. It starts, “Essential principles of thermodynamics have been overlooked by geologists.” Dissipation was the key to Thomson’s argument. Observations from mine shafts and tunnels showed that the earth’s temperature increases with depth below the surface. Thomson’s friend the Scottish physicist J.D. Forbes, by taking measurements in and around Edinburgh, estimated that the earth’s temperature rose by one degree Fahrenheit for every 50 feet of descent. This persuaded Thomson that the earth was cooling, losing heat to the atmosphere.
Using elegant mathematics, Thomson combined Forbes’s measurements with others relating to the thermal conductivity and the melting point of rock. Even acknowledging uncertainties in the data, he concluded the earth’s age was somewhere between 20 million and 400 million years. This was far too short a time for evolution. Even if the older estimate was true, Thomson argued the earth would have been considerably hotter than it is now for most of its existence. Before around 20 million years ago, the temperature of the entire earth would have been so high that the whole globe was molten rock. Evolution’s requirement that the earth was much as it is now for eons defied thermodynamic sense.
Darwin was shaken. “Thomson’s views on the recent age of the world have been for some time one of my sorest troubles.” “I am greatly troubled at the short duration of the world according to Sir W Thomson.” “Then comes Sir W Thomson like an odious spectre”—these are lines from Darwin’s letters to friends. In turn, his allies felt unqualified to attack the physicist’s arguments and suggested that perhaps evolution worked faster than previously believed, a solution that didn’t satisfy Darwin….
The Martian landscape is an arid expanse of craters and sandstorms, but scientists have spotted several signs that at one point in its life, the Red Planet was awash with blue waters. Scientists have theorized that much of the planet’s water was lost to outer space as the atmosphere dissipated.
But the planet’s vast oceans couldn’t have been lost to space fast enough to account for other milestones in Mars’ existence. The water must have gone somewhere else. A new study presents a solution: the water became incorporated into the chemical makeup of the ground itself. The research uses new computer models and found that if Mars once had a global ocean between 328 and 4,900 feet deep, then a significant amount of that water might now be stored in the planet’s crust.
The results? They detected 26,631,913 candidate signals. Yes, 26 million. Their new algorithm (which I’ll get to in a sec) screened out 26,588,893 of them (99.84%) as anthropogenic — that is, coming from humans. Radio transmissions, satellites, radar, and all sorts of human tech can emit radio waves, and they were able to find those pretty well and eliminate them.
Of those left, 90% or so were close enough to known radio frequency interference that they could be weeded out as well.
That left 4,539 candidate signals. They checked all those by hand, amazingly enough, and found…
… they too were all from radio interference. So, out of 26 million sources, not a single one was from aliens. Bummer*.
[Thanks to N., Michael Toman, Jennifer Hawthorne, Cat Eldridge, JJ, John Hertz, David Doering, John King Tarpinian, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]
… Like the first season that will premiere on CBS All Access on January 23, Season 2 of the Patrick Stewart-led Picard looks to be a 10-episode order for the streamer. As a part of that second season, the latest venture in the Alex Kurtzman marshaled Trekverse has been allocated over $20.4 million in California tax incentives….
Certainly, the huge reaction that Picard received when the resurrection of the philosopher-captain was first announced in Las Vegas last year and the tax credits made public today were a cold hard cash indication that the CBS Television Studios, Secret Hideout and Roddenberry Entertainment produced series was going to engage further, to paraphrase Jean-Luc himself.
We got this interesting petition, which Gay asked me to sign, from an outfit called Ban Assault Weapons Now.
I did sign it, but not reflexively. I do know assault weapons.
Unlike most people — unlike almost every American — I have been shot, both as a soldier and as a civilian. But I did carry a gun for most of a year “in country,” in Vietnam, sometimes two guns, and was conventionally glad to be armed.
Because of odd timing, I was never issued an M-16. They were not ubiquitous in Vietnam in 1968. I carried — and preferred, most of the time — the M-14 automatic rifle. We also had a Colt .45 automatic, sealed in a plastic bag, and traded around a Chinese AK-47, which my squad carried on convoy….
(3) ENJOYING THE WRONG FUTURE. In another article that
takes off from Gary K. Wolfe’s Sixties sff novel collection for Library of
America, Scott Bradfield holds forth on “Science
Fiction’s Wonderful Mistakes” in The New Republic. Tagline: “The great novels
of the 1960s remain enjoyable because they got everything wrong.”
…The science fiction novels of the 1960s—as this two-volume collection of eight very different sci-fi novels testifies—remain enjoyable because they got everything wrong. They didn’t accurately predict the future of space travel, or what a postnuclear landscape would look like, or how to end intergalactic fascism. They didn’t warn us against the roads we shouldn’t travel, since they probably suspected we were going to take those roads anyway. And they definitely didn’t teach us what a neutrino is. But what ’60s science fiction did do was establish one of the wildest, widest, most stylistically and conceptually various commercial spaces for writing (and reading) fiction in the history of fictional genres. Each book is unpredictable in so many ways as to almost constitute its own genre.
Take, for example, Samuel R. Delany’s influential space opera, Nova (presented here in a newly corrected, author-approved text), which takes the concept of the “cybernetic” fusion of human and machine and runs with it. Nova envisions a universe boiling over with star-hopping spaceships, spine-socketed crew members, weirdly mutated sexual and familial relationships, synesthetic video-art instruments, and at least one character raised on another planet who speaks in a verb-delaying syntax several years before Yoda was a gleam in George Lucas’s eye. (“Not too good going to be is. Out of practice am.”) Delany’s prose was stylistically bright, fizzing with ambitious energy (he began publishing novels in his late teens and won several major awards early) and relentlessly inventive, with flashy new visions of the future in one paragraph after another….
(4) WILL YOU BE MY NEIGHBOR? Alastair Reynolds tells how he admired Niven’s
of Known Space” and that despite recent discoveries a writer can still
do wildly creative worldbuilding. Then the question is – how do your space-faring
characters navigate your stellar neighborhood?
…In some instances, our observations have begun to put limits on the numbers and properties of planets around familiar, SF-friendly stars such as Epsilon Eridani. It may well turn out that what was perfectly reasonable speculation thirty years ago is now ruled out by current data.
Still, let’s assume for now that our real stars and imagined planets remain viable locations, and we wish to use them in new stories. That’s where an additional wrinkle comes in: it’s very easy to look up how far away these stars are, and on that basis, work out (depending on the mechanics of your imagined space technology) how long it would take to get there from Earth. But sooner or later your story may depend on getting from star A to star B, without stopping off at Earth en-route. How do we work out how far these stars are from each other?
All the information we need is present: for any given star, all we need are its coordinates in the night sky, and a figure for its distance….
(5) KEYS TO THEIR
PERSONALITIES. In the Washington
Post, Frank Lehman, a music professor at Tufts University, analyzes John
Williams’s scores to the Star Wars films and argues the music Williams composed
for evil characters such as Emperor Palpatine and Darth Vader gives many clues
to how we view these characters: “How
John Williams’s Star Wars score pulls us to the dark side”.
…It’s said that the Devil gets the best tunes, but Williams has long proved that that maxim applies to Sith lords, too. Within Star Wars’ ever-expanding library of leitmotifs — recurring, malleable musical symbols — much of the most insinuating material belongs to the villains, from Darth Maul to Jabba the Hutt to Supreme Leader Snoke. Listening to these nefarious themes with the ear of a music scholar offers a lesson in the real power of the dark side, showing us how music can repel, deceive and, with the right compositional tricks, even charm.
Public libraries have always been the place where you can go to borrow books, CDs, DVDs, and magazines. And in recent years, it’s now where you can go for 3D printing services.
“Libraries represent the public on-ramp to the world of 3D printing and design,” said Dan Lee, chair of the Advisory Committee for the American Library Association’s (ALA) Office for Information Technology Policy (OITP).
According to a report from ALA, there are over 428 public library branches in the United States that offer 3D printers to the public….
… Using 3D printers requires education. The Medway library, for example, offers weekly walk-in 3D printer certification sessions.
How libraries charge for use of their 3D printers varies. Some charge per hour of printing time (probably around a dollar), while others will charge based on the amount of printing materials that will be required — typically nickel to a quarter per gram of filament.
… What is known, however, is that Lovecraft, for all his pop-culture influence, was also terribly racist. His letters and literary work overflow with these sentiments, and in some cases it’s not even subtext. In 1912 he penned a poem titled “On the Creation of N—–s,” in which, as Lithub explained in its thorough exploration of Lovecraft’s white supremacy, Gods create black people as a semi-human species somewhere between man and beasts.
Benioff and Weiss, no strangers to online controversy, are seeing some of the same pushback that happened when they first announced the now-defunct series Confederate for HBO: namely, why this story, and why them?
Nathan Pyle fills the pages of his new book Strange Planet with big eyed, bright blue aliens from a planet that shares a lot in common with Earth. These aliens sunbathe, sneeze and even wish each other sweet dreams like us, but they describe these practices with deadpan technical terminology like “sun damage” and “face fluid explosions.” The lifegiver aliens even implore their offspring to “imagine pleasant nonsense” as they tuck them in for the night.
“One of the points of Strange Planet is that this is all (gestures in every direction) delightfully odd. It’s wonderful how much complexity we [humans] have created,” Pyle tells me in an email conversation — and yes, those parentheticals are his.
Pyle was inspired to create the series one day as he and his wife were preparing to have guests over — and they began hiding their possessions to make their small New York City apartment appear as clean as possible. “I realized this would make an excellent comic. I drew this one based on the experience, and the series was born,” he says. He began posting the comics on social media in February, and in less than a year, the series has amassed over 4.7 million followers on Instagram.
(9) KARINA OBIT. Actress Anna Karina died December 15 at the age of 79. Her work has
been saluted by many culture blogs, including Lawyers, Guns and Money. Alphaville
is the only SF she did, “a science-fiction tale set in a loveless
(10) TODAY IN HISTORY.
December 16, 2016 — Rogue One: A Star Wars Story premiered. It was directed by Gareth Edwards with the screenplay by Chris Weitz and Tony Gilroy. It is from a story by John Knoll and Gary Whitta. The cast includes Felicity Jones, Diego Luna, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Jiang Wen and Forest Whitaker. The film was a box office success, the critics loved it and it’s got an eighty eight percent rating among reviewers at Rotten Tomatoes. The Fan Boys…?
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 16, 1917 — Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. The tea plantations he described therein are very awesome. I never saw him, but he was well-known among the small British community there. I’ll admit that I’ve not read that much by him — Childhood’s End, Rendezvous with Rama and that novel are the only long-form works by him I’ve read. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.)
Born December 16, 1927 — Randall Garrett. Ahhh, Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. Glen Cook’s Garrett P.I. is named in honor of Garrett. I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.)
Born December 16, 1928 — Philip K. Dick. Dick has always been a difficult one for me to get a feel for. Mind you Blade Runner is my major touchstone for him but I’ve read the source material as well, Do Androids Dream of Electric Sheep?, and Flow My Tears, the Policeman Said which won an John W. Campbell Memorial Award, and I’ve read a lot of the shorter works, so I’d say he’s a challenging writer is a Good Thing. (Died 1982.)
Born December 16, 1937 — Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley. He had a number of truly great works, both genre and not genre, including Eva, The Tears of the Salamander and The Flight of Dragons. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.)
Born December 16, 1957 — Mel Odom, 62. An author deep into mining franchise universes with work done into the Buffyverse, Outlanders, Time Police, Rogue Angel (which I’ve listen to a lot as GraphicAudio as produced them as most excellent audioworks) and weirder stuff such as the Left Behind Universe and Tom Clancy’s Net Force Explorers, both I think game tie-ins.
Born December 16, 1967 — Miranda Otto, 52. She was Éowyn in the second and third installments of Peter Jackson’s The Lord of the Rings film franchise. She‘s Zelda Spellman in Chilling Adventures of Sabrina, and Mary Ann Davis in Spielberg’s version of The War of The Worlds. She also played Wueen Lenore inI, Frankenstein which had an an amazing cast even if the Tomatometer gives it’s 5% rating.
Born December 16, — Krysten Ritter, 38. She played Jessica Jones on the series of that name and was in The Defenders as well. She had a recurring role in the Veronica Mars series which a lot of a lot is us adore (it’s one of the series that Charles de Lint and his wife MaryAnn Hartis are avid followers of, and they contributed to the the film Kickstarter) and I supposed it’s sort of genre adjacent, isn’t it? (Do not analyze that sentence.) She’s been in a number of horror flicks as well, but nothing I grokked.
Born December 16, 1988 — Anna Popplewell, 31. She was Susan Pevensie in The Chronicles of Narnia film franchise, Chyler Silva in Halo 4: Forward Unto Dawn (I saw this — it’s quite well done), she was (at twelve) Anna Sackville-Bagg in The Little Vampire, and she’s Frankie in the forthcoming Fairytale which may be genre or genre adjacent. It might even be titled Fairytale of New York. Or not.
To get started, just say, “Alexa, introduce me to Samuel L. Jackson.” Then, choose whether you’d like Sam to use explicit language or not. If you change your mind later, simply go to the settings menu of the Alexa app to toggle between clean and explicit content.
The Bloomberg video is a bit calmer: “Amazon Alexa Now Lets You Make Samuel L. Jackson’s Your Personal Assistant.”
Amazon company kicked off its celebrity voice program for Alexa, giving customers the option to hear some familiar voices—and it’s starting with Samuel L. Jackson. Users can pay $0.99 and have Jackson respond to your Alexa requests for music, the weather forecast, and more. You can also ask questions that are specific to Jackson, including queries about his career, specific roles, or his interests outside Hollywood.
Hollywood’s ongoing efforts to adapt every single book that some guy spent way too much time and energy recommending at you at a party in college continues apace today, with Deadline reporting that HBO has put a TV version of Neal Stephenson’s Snow Crash into development. The series comes courtesy of The Kid Who Would Be King and Attack The Block director Joe Cornish, with 21 Jump Street’s Michael Bacall set to write the script…[Snow Crash] is satirical, fast-paced, and with one of the most kinetic opening sequences ever committed to print, it’s also one of Stephenson’s most readily accessible books. (Which is to say, he keeps the parables about computer programming, cryptography, and 17th century economics to a minimum.)
§ Narrative of a Beast’s Life:
Taken from his home village, the centaur Fino is enslaved and shipped to a new
land, where he must learn to cope with the trainer determined to break him.
This short story originally appeared in Realms of Fantasy.
at Fort Plentitude: An exiled soldier tries to wait out a winter in
a fort beleaguered by fox-spirits and winter demons. Originally appeared in Weird
Tales under editor Ann VanderMeer.
Dogs Came to the New Continent is a short story pulled from the
events of the novel Hearts of Tabat, told in the form of a meandering
historical paper that teases out more behind the oppression of Beasts and their
emerging political struggle.
Marvel’s What If…? may be one of the most anticipated offerings coming to Disney+. The animated series, based on the comics of the same name, will explore many significant moments from the Marvel Cinematic Universe but from the angle of what would have happened had just one thing gone a little differently. It’s a premise that is set to offer Peggy Carter as Captain Carter instead of Steve Rogers as Captain America among other interesting twists, but while it’s an exciting premise it’s one that fans have to wait for as the series isn’t set to debut until summer 2021. But while we don’t yet have a release date, fans can at least take some comfort in knowing that work is underway and that when it comes to Guardians of the Galaxy star Karen Gillan, she’s already completed her voice work on the series….
[Rob Bredow [(head of Lucasfilm’s visual effects division Industrial Light & Magic), speaking of Lucasfilm President Kathleen Kennedy:]
“She said, ‘There have been a few times in my career where there have been these kinds of moments. Go for it,’” Bredow recalled in the cafeteria of Lucasfilm’s San Francisco headquarters. “She, and we, are looking for those opportunities to break new ground.”
By all accounts, the gamble on “The Mandalorian” has paid off for Lucasfilm since it debuted to an enthusiastic response on streaming service Disney+ in November. Viewers have obsessed online about the show’s introduction of so-called Baby Yoda, an infant from the same species as the green Jedi master…
Kennedy said she plans to make key decisions about the direction of the franchise in the coming weeks. But some things she already knows. While the “Skywalker” saga is ending, the company won’t abandon the characters created in the most recent trilogy. Additionally, she said, the plan is to move beyond trilogies, which can be restricting.
“I think it gives us a more open-ended view of storytelling and doesn’t lock us into this three-act structure,” she said. “We’re not going to have some finite number and fit it into a box. We’re really going to let the story dictate that.” […]
Ann Jones tried everything short of surgery for her chronic migraines, which have plagued her since she was a child.
“They’ve actually gotten worse in my old age,” says Jones, who is 70 years old and lives in Tucson, Ariz.
Jones would have as many as two dozen migraines a month.
Over the years, some treatments might work initially, but the effects would prove temporary. Other medications had such severe side effects she couldn’t stay on them.
“It was pretty life-changing and debilitating,” Jones says. “I could either plow through them and sometimes I simply couldn’t.”
In 2018, her doctor mentioned a study that was taking place nearby at the University of Arizona: Researchers were testing if daily exposure to green light could relieve migraines and other kinds of chronic pain.
Jones was skeptical.
“This is going to be one more thing that doesn’t work,” she thought to herself.
But she brushed aside the hesitation and enrolled in the study anyway.
It began with her spending two hours each day in a dark room with only a white light, which served as the control. In the second half of the study, she swapped out the conventional light for a string of green LED lights.
For more than a month, Jones didn’t notice any change in her symptoms. But close to the six-week mark, there was a big shift.
She began going days in a row without migraines. Even when the headaches did come, they weren’t as intense as they had been before the green light therapy.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King
Tarpinian, Rob Thornton, Cat Eldridge, Chip Hitchcock, Alan Baumler, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Daniel Dern.]
(1) A CLOCKWORK REWIND. After Aldous Huxley wrote Brave New World (1932), he wrote a book of essays about issues raised in the novel, Brave New World Revisited (1958). Anthony Burgess planned to do the same for his novel A Clockwork Orange (1962) in A Clockwork Condition. Burgess evidently decided he was a better novelist than a philosopher and never published his 200-page typescript, which now has been rediscovered by The Anthony Burgess Foundation: “Unseen Clockwork Orange ‘follow-up’ by Anthony Burgess unearthed”.
A previously unseen manuscript for a follow-up to writer Anthony Burgess’s novel A Clockwork Orange has been unearthed in his archive.
A Clockwork Condition, which runs to 200 pages, is a collection of Burgess’ thoughts on the human condition and develops the themes from his 1962 book.
The novel told the story of the state’s attempt to cure a teenage delinquent.
The unfinished non-fiction follow-up is described as “part philosophical reflection and part autobiography”….
He then published a short autobiographical novel tackling some of the same themes, The Clockwork Testament, in 1974.
On Friday, the Design Museum in London launches a major Stanley Kubrick exhibition, which will include material from his Clockwork Orange film.
Cosplay: A History is a deluxe upcoming release from Saga Press celebrating the colorful kingdom of cosplay being compiled by writer/historian Andrew Liptak…
Inspiration to craft this upcoming book came from his interest in the history of the 501st Legion. At the same time, he was working closely with The Verge colleague Bryan Bishop and realized that costumers working today occupy a fascinating place between the intersection of fandom, entertainment, and technology.
Liptak’s own press release says –
Seth Fishman at the Gernert Company brokered the deal with Joe Monti of Saga Press. The initial goal as it stands right now is to have it turned in by next March, with it to hit stores in 2021. I’ll be doing quite a bit of research and writing in the coming months, and expect to see more about cosplay as I write.
The book is going to cover the broad history of cosplay and the state of the field. I’m looking at a lot of things: renaissance fairs, masquerade balls at science fiction conventions, groups like the 501st Legion, 405th Infantry Division, historical reenactors, protestors, and more.
The goal is to talk about why people dress up in costumes, and how they interact with the story that they’re reimagining. It’s a wonderful popular culture phenomenon, and there’s a lot to delve into with the intersections of fandom, the making and entertainment communities, and technology.
SWAMP THING follows Abby Arcane as she investigates what seems to be a deadly swamp-born virus in a small town in Louisiana but soon discovers that the swamp holds mystical and terrifying secrets. When unexplainable and chilling horrors emerge from the murky marsh, no one is safe. Based on the DC characters originally written and drawn by Len Wein and Bernie Wrightson.
(4) SF CONCATENATION. The summer edition of the SF2 Concatenation is now up, with its seasonal summary of SF news as well as a survey of
the primary research journals, for science philes, plus forthcoming SF/F and
non-fiction book releases from the major British Isles SF imprints.
And the regular articles include film charts and Gaia
for this season, another in the series of scientist-turned-SF-authors inspiring
scientists, a swathe of standalone fiction and non-fiction reviews. The next
seasonal edition will appear in September.
The cable network has given a series order to an animated Trek show from Emmy-winning writers Kevin and Dan Hageman and Star Trek franchise captain Alex Kurtzman. The untitled, CG-animated series will follow a group of teenagers who discover a derelict Starfleet ship and use it to search for adventure, meaning and salvation.
(8) MORE ON MCINTYRE. Kate
Schaefer sent a roundup of time-sensitive Vonda McIntyre news.
Vonda N. McIntyre’s memorial will be held Sunday afternoon on June 9 at The Mountaineers Goodman Auditorium at 7700 Sand Point Way NE in Seattle, Washington.
Doors will open at 1:45, an event will start at 2:30, and the memorial will end at 4:30pm.
After short introductory remarks, we’ll have a microphone to pass around so that folks can share brief reminiscences of Vonda.
Also — Jeanne Gomoll and Stephanie Ann Smith are still collecting memories of Vonda for a tribute book to be distributed both as a free electronic document and as a print-on-demand physical book. Send your memories to Jeanne at [email protected] before May 11.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 25, 1897 — Fletcher Pratt. Pratt is best known for his collaborations with de Camp, the most well-known of which is the Harold Shea series which is collected as The Complete Enchanter. His solo fantasy novels The Well of the Unicorn and The Blue Star are also superb. Pratt established the literary dining club known as the Trap Door Spiders in 1944. The club would later fictionalized as the Black Widowers in a series of mystery stories by Asimov. Pratt would be fictionalized in one story, “To the Barest”, as the Widowers’ founder, Ralph Ottur. (Died 1956.)
Born April 25, 1925 — Richard Deming. Ok, I think that all of the Man from U.N.C.L.E. novellas, or in this case the Girl from U.N.C.L.E. novellas, in the digest-sized Man from U.N.C.L.E. Magazine, were listed under the house name of Robert Hart Davis. Deming was only one of a very long list of writers (I know of Richard Curtis, Richard Deming, I. G. Edmonds, John Jakes, Frank Belknap Long, Dennis Lynds, Talmage Powell, Bill Pronzini, Charles Ventura and Harry Whittington) that were the writers who penned novellas in the twin U.N.C.L.E. series. (Died 1983.)
Born April 25, 1929 — Robert A. Collins. Scholar of science fiction who founded the International Conference for the Fantastic in the Arts. Editor of the Fantasy Newsletter & Fantasy Review from 1978 to 1987, and editor of the IAFA Newsletter from 1988 to 1993. Editor, The Scope of the Fantastic: Selected Essays from the First International Conference on the Fantastic in Literature and Film and Modes of the Fantastic: Selected Essays from the Twelfth Annual International Conference for the Fantastic in the Arts. (Died 2009.)
Born April 25, 1939 — Rex Miller. Horror writer with a hand in many pies, bloody ones at that. (Sorry couldn’t resist.) The Chaingang series featured Daniel Bunkowski, a half-ton killing-machine. Definitely genre. He contributed to some thirty anthologies including Hotter Blood: More Tales of Erotic Horror, Frankenstein: The Monster Wakes, Dick Tracy: The Secret Files and The Crow: Shattered Lives and Broken Dreams. (Died 2005.)
Born April 25, 1950 — Peter Jurasik, 69. Ambassador Londo Mollari on Babylon 5 who would be Emperor one day and die for his sins. (Yes spoiler.) He has also very short genre credits other than Babylon 5 — Doctor Oberon Geiger for several episodes on Sliders and Crom, the timid and pudgy compound interest program, in the Tron film.
Born April 25, 1952 — Peter Lauritson, 67. Long involved with the Trek franchise starting with Star Trek II: The Wrath of Khan. He became the producer of Star Trek: The Next Generation, and supervising producer for Deep Space Nine, Voyager and Enterprise. He directed three episodes of those series, including the Hugo Award-winning “The Inner Light”, as well as being second unit director for two Star Trek films.
Born April 25, 1969 — Gina Torres, 50. The first thing I remember seeing her in was Cleopatra 2525 where she was Helen ‘Hel’ Carter. Her first genre was in the M.A.N.T.I.S. pilot as Dr. Amy Ellis, and she actually was in The Matrix Reloaded and The Matrix Revolutions as a character named Cas but I’ll frankly admit I remember almost nothing of those films. She’s had a number of DC voice roles including a recurring Justice League Unlimited run as Vixen / Mari McCabe. And, of course, Zoe in the Firefly verse. Lastly anyone remember her on the Angel series as Jasmine?
(10) ACONYTE. Asmodee is a leading global games
publisher and distributor. Its game brands include Catan, Ticket to Ride,
Pandemic, Arkham Horror, and Legend of the Five Rings. More recent
hits have included the innovative fantasy card game KeyForge and the
co-operative zombie survival missions of Dead of Winter.
Entertainment has created their own fiction imprint — Aconyte, it will be
publishing novels based on many of Asmodee’s best game properties. Aconyte are
also actively pursuing licenses for third-party tie-in fiction, with the first
of these at the contract stage. Aconyte will start a monthly publication
schedule from early summer 2020, producing paperbacks and ebooks for the US, UK
and export trade.
To helm the imprint, Asmodee has appointed Marc Gascoigne, lately
publisher & MD of award-winning global scifi imprint Angry Robot. He’s hired
assistant editor, Lottie Llewelyn-Wells, and publishing coordinator, Nick
Tyler, to join him in new offices in Nottingham.
…But if this moment in pop culture started around 10 years ago, it’s coming to some sort of peak now, as two massively beloved pop culture properties reach endpoints. And there’s a definite finality to it. Here’s the curious thing about this moment: So much of this geek culture apotheosis revolves around the question of which of our favorite fictional characters are going to die. Call it geekpocalypse now….
(12) PAST ITS PEAK. From Wisecrack
— “Harry Potter & The Plague of
Twitter: Why JK Rowling Should Leave Harry Alone.”
JK Rowling has been regularly updating the Harry Potter lore; not through more books, not through movies, but through twitter. Fans voraciously consume extra-textual canon on works like Harry Potter, Star Wars and much more. But does this desire for an all-encompassing knowledge of how fictional worlds tell us something about our own anxieties? In this Wisecrack Edition, we’ll dive in to the works of philosopher Martin Heidegger to discover why people are so consumed by the desire to understand the nitty gritty details of fictional worlds, and to how it reflects an essential element of our humanity.
I don’t have strong feelings about Marie Kondo and her theories of decluttering. I know a number of people who have found her “does this object spark joy” way of relating to stuff to be meaningful and if feeling overwhelmed by too many possessions is an issue for you then it might be just what the doctor ordered. I have no problem with Kondo giving this advice, take it or leave it…
I did, however, have some opinions on the Electric Lit article defending Kondo and decrying “bookishness.” The background is that in an episode of Kondo’s TV series she suggested that people get rid of books that do not “spark joy” and book lovers began to write think pieces about whether or not books are clutter. Some people had strong feelings on the subject.
Book buying, and book writing, have long been feminine activities. As I have pointed out here a number of times, in Victorian England female authors outsold their male counterparts, but their works were not deemed worthy of serious study and the memory of many once influential women has not found its way down to us. (A number of scholars are now trying to recover these “lost” works and bring them to our attention.) Books by women or which women appreciated have consistently been written off as fluffy, sentimental, non-intellectual and unimportant. If Egginton is correct, women were not only major consumers of popular literature, they were also creating “serious” libraries and archives to rival men’s, but their efforts, like their books, were denigrated.
It is interesting then to see a feminist writer contrasting the masculine “highly discriminating form of curated library collection” with the feminine “highly personalized, almost fannish, engagement with books.” Then following this with an argument that the feminized form of consumption led to the emotional engagement with middlebrow literature that book blogs now celebrate.
…Is it at all possible a century of being judged by the cleanliness of their homes, being told that this was more important than their intellects, and that their taste in literature is trivial might have colored their reactions to an authority suggesting their books might be clutter?
(14) COMING TO A BOIL. Here’s
the new poster for GeyserCon, the 40th
New Zealand National Convention happening in another six weeks:
(15) OUR MARCHING ORDERS.
Hugo Picks”, Timothy the Talking Cat’s recommendations bear all the marks
of a slate – because he put them there.
I’m going to come right out and say it: this is a slate. Vote for each of these in this order or else.
Physicists are drawing nearer to answering a long-standing mystery of the Universe: how long a neutron lives. Neutrons are electrically neutral particles the nucleus of atoms.
Some neutrons are not bound up in atoms; these free-floating neutrons decay radioactively into other particles in minutes. But physicists can’t agree on precisely how long it takes a neutron to die. Using one laboratory approach, they measure the average neutron lifetime as 14 minutes 39 seconds. Using a different approach, they get 8 seconds longer!
Pinpointing the lifetime of a neutron is important for understanding how much hydrogen, helium and other light elements formed in the first few minutes after the Universe was born 13.8 billion years ago.
The observations were made by the Chinese scholar Xie Zhaozhe (1567–1624)…
Obviously this account is extremely useful for writers of fantasy and science fiction. I don’t know if the (vast) Chinese literature contains any other first-person accounts of dragons, much less ones recorded by such a careful and specific observer. I’m pretty sure there are no good first-person descriptions from the other end of Eurasia.
Then there’s the question of what Xie Zhaozhe “actually” saw….
SFWA Grand Master Joe Haldeman takes Brian and Ken behind the scenes of his storied career in an exclusive interview. Among other conversation topics…
How “I of Newton” went from the page to The Twilight Zone
The unusual origins of Hugo Award–winning short story “Tricentennial”
Getting The Forever War published (and bootlegging the stage production)
Details about Joe’s new novel in the works (!!!)
(19) MAD, I TELL YOU. A
TED-Ed presentation written and
narrated by Silvia Moreno-Garcia: “Titan
of terror: the dark imagination of H.P. Lovecraft.”
Dive into the stories of horror savant H.P. Lovecraft, whose fantastical tales, such as “The Call of Cthulhu,” created a new era of Gothic horror
Arcane books of forbidden lore, disturbing secrets in the family bloodline, and terrors so unspeakable the very thought of them might drive you mad. These have become standard elements in modern horror stories. But they were largely popularized by a single author: H.P. Lovecraft, whose name has become synonymous with the terror he inspired. Silvia Moreno-García dissects the “Lovecraftian” legacy.
Martin Morse Wooster, Paul Weimer, Carl Slaughter, Andrew Liptak, SF
Concatenation’s Jonathan Cowie, Andrew Porter, JJ, Mlex, Cat Eldridge, ULTRAGOTHA,
Doctor Science, Alan Baumler, Mike Kennedy, John King Tarpinian, John A
Arkansawyer, and Chip Hitchcock for some of these stories. Title credit goes to
File 770 contributing editor of the day Andrew.]
The following policy announcement is the result of over a year of serious debate by the moderation team. The decision is as close to unanimous as we ever get. It will not be the subject of further debate. We have fully considered the downsides and ultimately decided we have to stay true to our values. We will not pretend that evil isn’t evil, or that it becomes a legitimate difference of political opinion if you put a suit and tie on it.
We are banning support of Donald Trump or his administration on the RPGnet forums. This is because his public comments, policies, and the makeup of his administration are so wholly incompatible with our values that formal political neutrality is not tenable. We can be welcoming to (for example) persons of every ethnicity who want to talk about games, or we can allow support for open white supremacy. Not both. Below will be an outline of the policy and a very incomplete set of citations.
We have a community here that we’ve built carefully over time, and support for elected hate groups aren’t welcome here. We can’t save the world, but we can protect and care for the small patch that is this board.
1. We are banning support of the administration of President Trump. You can still post on RPG.net even if you do in fact support the administration — you just can’t talk about it here.
2. We are absolutely not endorsing the Democrats nor are we banning all Republicans.
3. We are certainly not banning conservative politics, or anything on the spectrum of reasonable political viewpoints. We assert that hate groups and intolerance are categorically different from other types of political positions, and that confusing the two legitimizes bigotry and hatred.
4. We are not going to have a purge — we will not be banning people for past support. Though if your profile picture is yourself in a MAGA hat, this might be a good time to change it.
5. We will not permit witch-hunts, progressive loyalty-testing, or attempting to bait another into admitting support for President Trump in order to get them banned. The mod staff will deal harshly with attempts to weaponize this policy.
6. It is not open season on conservatives, and revenge fantasies against Trump and Trump supporters are still against the rules.
There is a lot of reaction on Twitter. My favorite is:
It's as they say, when you lose the scheming Machiavellian dungeon masters that try to kill you and your party in every way possible, you've truly crossed a line.
…They also try to state they won’t be targeting Republicans and conservatives, but have openly banned support for the duly elected Republican administration. That sure sounds like targeting of conservatives and Republicans. They actively banned support for them!
I don’t personally frequent many online forums like this. But in the almost two years since Trump’s inauguration, I can’t recall seeing any other website introduce a policy that takes such a specific, strong stance Trump-related discussion.
It’s a welcome breath of fresh air, frankly. As the current administration finds new lows to sink to virtually every day — just a few days ago, Trump blamed the horrific synagogue shooting in Pittsburgh on that congregation’s lack of a security presence — people and interests should be taking a stand like this.
So on a Saturday in late September, I dropped in on some 400 mostly gray-haired sci-fi enthusiasts gathered inside the Hilton hotel in Rockville for Capclave, the annual convention of the Washington Science Fiction Association, to ask them what they thought of the president’s plans. The convention, one of the oldest of its kind in the country, is a staid contrast to Comic-Con, where attendees are more likely to dress in costume. Capclave tends to draw more bookish, serious-minded writers and fans. The convention’s motto: “Where reading is not extinct.”
“Science fiction is a rehearsal literature, not a predictive literature. We take ideas and rehearse what they might be like in the future,” said Nancy Kress of Seattle, who has won a Hugo Award, one of science fiction’s top honors. Arthur C. Clarke, who co-wrote “2001: A Space Odyssey” with director Stanley Kubrick, dreamed up communications satellites in a 1945 magazine article. “Star Trek” envisioned the flip phone. “We don’t know what the future holds any more than anybody else,” Kress told me. “We can, however, see that certain things are coming.”
… John G. Hemry, a retired lieutenant commander in the Navy who was wearing a Hawaiian-style “Incredibles” shirt, envisions the Space Force evolving into an interstellar armada that functions not unlike a 19th-century navy: long days of cramped, lonely travel in a hostile medium (space, the new water) followed by sudden close-quarters engagements.
In Hemry’s “Lost Fleet” series (he writes under the name Jack Campbell), the fighting “ships” are trailed by “fast fleet auxiliaries,” mobile factories making weapons and fuel cells that enable them to travel one- or two-tenths the speed of light….
The silver proof coin commemorates the life of the Dublin-born author and his famous novel Dracula, which was published in 1897 and became world-renowned after an American film adaptation starring Bela Lugosi opened in 1931.
…Two of these meanings can be applied to the Nazgûl. To begin with, Sauron’s most terrible servants can be identified with ghosts. We know that they were formerly great kings and lords of Men, but ensnared by Sauron and the Nine Rings of Power, they fell under the dominion of their own Rings and Sauron’s One Ring. Thus, through using their Nine and becoming thralls to the One, once mighty Men faded into ghostlike figures invisible in the Seen world, but visible in the realm of the Unseen….
An odd footnote to the home chemistry riff . . . I was a school patrol boy in grade school, I guess sixth grade, and got along pretty well with the old lady — maybe thirty — who supervised us. Her own kid got in trouble with his (HUGE — forty-dollar!) chemistry set, making pyrotechnics, and to punish him, she gave the set away to me. She had removed the chemicals that she knew were dangerous, but MWAH HA HA she didn’t know as much chemistry as little old me!
Of course if you know what you’re doing, you can make pretty good explosives out of chemicals available at the hardware store….
(6) TODAY IN HISTORY
October 30, 1959 — The Wasp Woman hit theatres.
October 30, 1938 — The broadcast of Orson Welles’ Mercury Theare radio drama, “War of the Worlds,” caused a national panic.
The year is 1938. The cost of a gallon of gas is 10 cents. Franklin D. Roosevelt is president. The primary medium of entertainment is the radio, and it caused panic in the eastern United States after listeners mistook a fictional broadcast called “War of the Worlds” as an actual news report.
On Oct. 30, 1938, future actor and filmmaker Orson Welles narrated the show’s prologue for an audience believed to be in the millions. “War of the Worlds” was the Halloween episode for the radio drama series “The Mercury Theatre on the Air.”
“Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin,” the broadcast began. “Martians have landed in New Jersey!”
Warning! The following contains spoilers for the Doctor Who episode “Arachnids In The UK.” Read at your own risk!
Doctor Who has had plenty of notable guest stars names guest star in the past, and its writers are often aces at creating the perfect roles for the temporary talent. “Arachnids In The UK” carried on that tradition by utilizing former Law & Order and Sex And The City star Chris Noth in some wild ways.
(10) GREATEST FOREIGN-LANGUAGE FILMS. A few genre items on BBC’s list of “The 100 greatest foreign-language films”. Chip Hitchcock says, “I count 5-7 depending on where the lines are drawn (is Crouching Tiger standard? is Pan’s Labyrinth all hallucination?), but there could be more as I don’t recognize all of the titles.”
…And as the poll exists to salute the extraordinary diversity and richness of films from all around the world, we wanted to ensure that its voters were from all around the world, too. The 209 critics who took part are from 43 different countries and speak a total of 41 languages – a range that sets our poll apart from any other.
The result: 100 films from 67 different directors, from 24 countries, and in 19 languages. French can claim to be the international language of acclaimed cinema: 27 of the highest-rated films were in French, followed by 12 in Mandarin, and 11 each in Italian and Japanese. At the other end of the scale, several languages were represented by just one film, such as Belarusian (Come and See), Romanian (4 Months, 3 Weeks and 2 Days), and Wolof (Touki Bouki)….
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ. With an assist on the first by OGH.]
October 30, 1919 – Walt Willis, Fanwriter. He was the center of Irish Fandom. With Bob Shaw he wrote The Enchanted Duplicator (1954). He won a 1958 Hugo Award as Outstanding Actifan. Willis was MagiCon’s Fan Guest of Honor in 1992. His fanzine Slant was published on letterpress; its successor Hyphen on mimeograph. He wrote a column, “The Harp That Once or Twice,” for Lee Hoffman’s Quandry. The “WAW with the Crew in ’52” fund brought him from Belfast for the TASFiC (Tenth Anniversary Science Fiction Convention, “Chicon II”), which showed the way for the Trans-Atlantic Fan Fund. He published two trip reports, “Willis Discovers America” before he left, and “The Harp Stateside” after he returned. His fanwriting was collected in The Willis Papers (Ted Johnstone & George Fields eds. 1961), the climactic 600-page 28th issue of Richard Bergeron’s Warhoon (1980), and Fanorama (Robert Lichtman ed. 1998). In 1969 he published a mundane book, The Improbable Irish, under the name Walter Bryan.
Born October 30, 1923 – William Campbell, Actor who appeared in two Star Trek episodes, as the god-child in “The Squire of Gothos” and as Koloth in “The Trouble With Tribbles”, a role which he reprised in an episode of Deep Space Nine. He appeared in several horror films including Blood Bath, Night of Evil, and Dementia 13. He started a fan convention which ran for several years, Fantasticon, which celebrated the achievements of production staffers in genre films and TV shows and raised funds for the Motion Picture & Television Fund, a charitable organization which provides assistance and care to those in the motion picture industry with limited or no resources, when struck with infirmity and/or in retirement age.
Born October 30, 1947 – Tim Kirk, 71, Artist, Illustrator, and Fan. As a student, he was a prolific contributor of artwork to fanzines, and he won the Best Fan Artist Hugo Award five times, and was a finalist three times, between 1969 and 1977. He provided art for dozens of fanzines, magazines, and books, and hundreds of interior illustrations. In 1975, he was a finalist for the Best Professional Artist, and he was finalist for the World Fantasy Award for Best Artist every year between 1975 and 1978. Professionally, he worked as a designer and Imagineer for Walt Disney, and as an illustrator for Hallmark Cards. His thesis project consisted of a series of paintings for The Lord of the Rings by J.R.R. Tolkien; 13 of these were published by Ballantine Books as the 1975 Tolkien Calendar. He runs a design firm in the Los Angeles area, and sits on the advisory board of Seattle’s Science Fiction Museum and Hall of Fame.
October 30, 1951 – P. Craig Russell, 67. Comic illustrator whose work has won multiple Harvey and Eisner Awards. His work on Killraven, a future version of H. G. Wells’ The War of the Worlds, collaborating with writer Don McGregor, was lauded by readers and critics alike. Next up was mainstream work at DC. I think his work on Batman, particularly with Jim Starlin, was amazing. He also inked Mike Mignola’s pencils on the Phantom Stranger series. He then segued into working on several of Moorcock’s Elric of Melniboné projects. Worth noting is his work on a number of Gaiman projects, including a Coraline graphic novel. Wayne Alan Harold Productions published the P. Craig Russell Sketchbook Archives, a 250-page hardcover art book featuring the best of his personal sketchbooks.
Born October 30, 1963 – Michael Beach, 55, Actor and Producer who has been in numerous genre films, including Aquaman, the Red Dawn remake, The Abyss, Deep Blue Sea 2, Insidious Chapter 2, and the upcoming movies Superintelligence and Rim of the World. He had recurring roles in Stargate: Atlantis and The 100, and has had guest parts in episodes of Scorpion and Knight Rider 2010.
Born October 30, 1972 – Tammy Coxen, 46, Fan from Michigan who has been chair of numerous conventions, including Mystery God ConFusion, Astronomical ConFusion, ConFusion and Her Friends, Midwest Construction 2, and Detcon1, the 2014 NASFiC, as well as serving on the concoms for a large number of Worldcons. For more than 12 years, she has run Tammy’s Tastings, a business which provides cocktail and mixology classes, personal cheffing, private bartending, food workshops and tasting events for individuals, groups, and corporate clients, and she is a regular commentator on Michigan Radio’s Stateside program, discussing drinks with a Michigan twist.
Born October 30, 1989 – Sarah Carter, 29, Actor from Canada who starred in the series Falling Skies, for which she received two Saturn nominations. Other genre appearances include the films Killing Zelda Sparks, Mindstorm, Final Destination 2, Skinwalkers, DOA: Dead or Alive, and Red Mist, and guest roles in episodes of Smallville, The Twilight Zone, Dark Angel, Wolf Lake, Wishmaster 3, and The Immortal.
In contrast, the momentum of light is a concept outside our ordinary experience: When you’re out in the sun, you don’t feel that sunlight can push you around. The force of light, a single photon in particular, is tiny—so on Earth the sunlight pressure, as it’s called, is overwhelmed by the other forces and pressures you encounter, such as friction and gravity.
What if we could harness the energy of a tremendous number of photons and we had nothing holding us back? There’s only one place we know of to get away from all the friction and gravity: outer space.
The Welsh government says it will consider a proposal to prop up a new £130m bridge across the Menai Strait with a mythical Welsh giant.
Civil engineer Benji Poulton, from Bangor in north-west Wales, came up with the idea after dismissing the existing designs for a new bridge between Gwynedd and Anglesey as “underwhelming”.
His design replaces the central support with a giant statue of Bendigeidfran (Brân the Blessed), who went over to Ireland to wage war against the king, Matholwch.
According to the legend, the Irish soldiers retreated over the River Shannon and burnt all the bridges. Bendigeidfran lay over the river, uttering “A fo ben, bid bont.” (“He who would be a leader, let him be a bridge” – now a popular Welsh proverb.)
Eighty years ago, the horse famously trounced Triple Crown winner War Admiral. Did genetics make him an unlikely success?
Seabiscuit was not an impressive-looking horse. He was considered quite lazy, preferring to eat and sleep in his stall rather than exercise. He’d been written off by most of the racing industry after losing his first 17 races. But Seabiscuit eventually became one of the most beloved thoroughbred champions of all time – voted 1938 Horse of the Year after winning his legendary match race as an underdog against Triple Crown winner War Admiral in 1938.
…A few years back, Jacqueline Cooper from the Seabiscuit Heritage Foundation got in touch. She wanted to genetically test a fifth-generation descendant of Seabiscuit [and] asked if any genetic information about Seabiscuit could be obtained […]. But since Seabiscuit was so far back in the pedigree, our lab really couldn’t be sure which of [the descendent’s] genes came from his famous great-great-great grandsire. It would only work if comparison tissue from Seabiscuit still existed – an unlikely proposition since he died in 1947 and is buried in an undisclosed grave at Ridgewood Ranch in Northern California.
…It turned out that Seabiscuit’s silvered hooves – think of a baby’s booties coated in metal – were on display at the California Thoroughbred Foundation
NASA’s engineers may spend their days designing parts for spacecrafts, but once a year, they get a chance to break out of geek and unleash their creativity. Think Pimp My Pumpkin — by some of the best scientific brains in the business.
The competition is fierce. After weeks of planning, designing and dreaming, they’re given one hour to create their pumpkin extravaganzas. Then the struggle for creative supremacy begins. Loud music. Flashing lights. Battling spaceships, animated moon discoveries, ET on his flying bike, Cookie Monster and Manuel of Disney’s Coco playing guitar.
Chocolate has been a delicacy for much longer than previously thought.
Botanical evidence shows the plant from which chocolate is made was first grown for food more than 5,000 years ago in the Amazon rainforest.
Chemical residues found on ancient pottery suggest cocoa was used as a food, drink or medicine by indigenous people living in what is now Ecuador.
Until now it was thought that chocolate originated much later and in Central rather than South America.
“The plant was first used at least 1,500 years earlier than we had previous evidence for,” said Prof Michael Blake of the department of Anthropology at the University of British Columbia in Vancouver, a co-researcher on the study.
IHOP is adding several Grinch-related menu items in a promotion themed on the upcoming animated movie The Grinch (with the title role voiced by Benedict Cumberbatch). The movie opens 9 November. The Grinch menu at IHOP will be available through the end of the year.
[Thanks to JJ, Carl Slaughter, BravoLimaPoppa3, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day microtherion.]
(1) LA VINTAGE PAPERBACK SHOW. John King Tarpinian snapped a photo of the full house at today’s event. I staffed the Loscon table for a couple of hours, then unfortunately need to retreat home and nurse a bad back.
The first ten minutes or so are a bit rough, especially for readers of the novel who may be surprised by how incredibly faithful it is to the novel one moment and how it goes off on its own tangent the next: there are major additions to the cast of characters and story. This makes sense: the episode was longer than the standard hour (I didn’t get the exact runtime but it seemed to be around 65-70 minutes) and there are four of them, which means the TV show is in the unusual position of having more time to tell the story than the relatively short novel has (which barely scrapes 300 pages). The new material is, for the most part, well-judged and intelligently deployed. Giving Tyador a wife seemed an unnecessary change, but by having her vanish in a suspected act of Breach immediately personalises the strange situation in the city: rather than the split (and Breach) being remote forces Tyador is aware of, they are instead deeply personal affronts that frustrate him. It gives the premise an immediacy not present in the novel but which works wonderfully on screen.
(3) WEIRD TONGUE. Aeon explains why “English is not normal” – “No, English isn’t uniquely vibrant or mighty or adaptable. But it really is weirder than pretty much every other language.”
…Finally, as if all this wasn’t enough, English got hit by a firehose spray of words from yet more languages. After the Norse came the French. The Normans – descended from the same Vikings, as it happens – conquered England, ruled for several centuries and, before long, English had picked up 10,000 new words. Then, starting in the 16th century, educated Anglophones developed a sense of English as a vehicle of sophisticated writing, and so it became fashionable to cherry-pick words from Latin to lend the language a more elevated tone.
It was thanks to this influx from French and Latin (it’s often hard to tell which was the original source of a given word) that English acquired the likes of crucified, fundamental, definition and conclusion. These words feel sufficiently English to us today, but when they were new, many persons of letters in the 1500s (and beyond) considered them irritatingly pretentious and intrusive, as indeed they would have found the phrase ‘irritatingly pretentious and intrusive’. (Think of how French pedants today turn up their noses at the flood of English words into their language.) There were even writerly sorts who proposed native English replacements for those lofty Latinates, and it’s hard not to yearn for some of these: in place of crucified, fundamental, definition and conclusion, how about crossed, groundwrought, saywhat, and endsay?
(4) FIND AND FLAG. In March, Rocket Stack Rank reviewed 65 stories from 10 magazines, of which 20 are free online, 2 are translations, and 13 by new writers. Greg Hullender also reminds readers about the blog’s new features:
Our March 2018 Ratings Page uses our new UI, which allows readers to rearrange the data to taste. For example, it’s easy to display stories grouped by:
The highlights can be toggled independently of grouping, of course.
Stories can also be flagged and rated by fans to indicate things like:
Stories to read later.
Stories they do not want to read later.
Stories for their Hugo longlist/shortlist.
The results of all the flagging show up on the My Ratings page, which is useful to manage your reading during the year and for award nominations at the end of the year.
We also updated the January 2018 and February 2018 Monthly Rating pages to use the new format, so people who want to maintain a complete list for 2018 can do so. The red highlights in these two lists indicate stories that were recommended by anyone, not just RSR. The March list will get those highlights on April 1.
…From the settled and perhaps rueful perch of a septuagenarian writer, looking back a half-century into the very unsettled sixties, a couple of questions do now beg to be answered:
Would you have been a writer without the experience of Vietnam? What else might you have done?
I think I would have been a writer of some sort, since I’d started scribbling stories and cartoons and poems when I was about ten. I had no encouragement except from my mother, but she liked them well enough to bind them into little books with her sewing machine. (They would be around now as embarrassing juvenilia, but my father, a neatness freak, found them and burned them.)
But the long habit of writing, to paraphrase a title I would later use, was well entrenched long before I was drafted and sent off to save America from the Communist Menace. I didn’t think of it at the time, but without the war I wouldn’t have much to write about: it gave me a consistent subject and point of view for one remembered year—and the timeless theme of one man’s survival in a hostile universe….
(6) THE IMMIGRANT’S PLIGHT. Erin Horáková has a fine review of “Paddington 2” at Strange Horizons.
…Perhaps to immigrate is not what it once was, because the nature of our struggles has changed—though “immigration” means many things, and for many contemporary refugees the process is so awful and fraught as to defy any such ameliorating comparison. Old sins have new names, and all that’s “post” is prologue. Yet in a vital way to be an immigrant, to live as an immigrant, is already to have succeeded against great odds. It is to have made a voyage, and to make it again every day in miniature. To feel they journey’s echoes in your bones, even ten years on, when you raise children in a new land. Always. Even when you “belong.”
This opening sequence shows us Paddington’s life as a success, as a blessing, as a source of pride for himself and those who love him. Silly, fallible, mess-making Paddington, who is good in small things, and through this great in goodness. The film makes several nods to the amusing misunderstandings and clumsy mishaps of Michael Bond’s Paddington series. I slightly feel that the way the films merely tip the hat to this aspect of the source material before moving on is due to the late-capitalist cult of productivity and achievement. Even in comic children’s fiction, messing up, not Being Useful in some work-like capacity, feels too cringey, too high stakes. I myself have an awful fear of failure and embarrassment, and so wince through the Amelia Bedelia-ish incidents when reading the books. Yet the films’ redirection of emphasis does serve an important narrative purpose: it enables Paddington escape being a stupid immigrant caricature, allowing him both difference and dignity, both failure and worthiness of love. When Paddington’s whimsical approach to his window-cleaning business succeeds after some false starts, we have our cake and eat it. I ultimately feel the film is performing a good update of the series. The movie’s doing its own thing, minimising one aspect of the books’ formula to focus on its own projects….
The stamp is set for release on March 23 and will be introduced through a free dedication ceremony at WQED’s Fred Rogers Studio in Pittsburgh, which will be open to the public.
It spotlights the cherished children’s television star along with one of his show’s prominent puppets, King Friday.
(8) THE MONEY KEEPS ROLLING IN. (Wait, that was Evita…) The Washington Post’s Peter Marks, in “Fans of the books will love Broadway’s Harry Potter — but will others?”, discusses how Harry Potter and the Cursed Child is coming to Broadway with seven members of the London cast and how competitors have put off mounting other plays on Broadway because they know Harry Potter will crush the competition. (Tickets for both parts of Cursed Child currently sell for $1,217 on Ticketmaster.)
Marks also visits the Harry Potter Shop in London and finds it loaded with goodies, including a personalized letter of admission to Hogwarts for 15 pounds.
In King’s Cross railway station, at the approximate location of Platform 9¾ , there bustles a small commercial temple of the multibillion-dollar Harry Potter kingdom. Within the well-stocked walls of the Harry Potter Shop, you can conduct a merchandise sweep the likes of which might cause even He-Who-Must-Not-Be-Named to collapse in swooning contemplation of licensing checks yet to be cashed.
A significant chunk of that cash is piped through various crypto-currencies and digital payment systems in a bid to hide its origins, said Dr McGuire, who carried out the research for security firm Bromium. The study sought to understand the wide range of methods that cyber-crime gangs used to clean up cash they extract from individuals and businesses.
The future just isn’t what it used to be… not least because people keep changing it. Recent years have seen a significant growth of academic and public interest in the role of the sciences in creating and sustaining both imagined and enacted futures. Technological innovations and emergent theoretical paradigms gel and jolt against abiding ecological, social, medical or economic concerns: researchers, novelists, cartoonists, civil servants, business leaders and politicians assess and estimate the costs of planning for or mitigating likely consequences. The trouble is that thinking about the future is a matter of perspective: where you decide to stand constrains what you can see
With confirmed plenary speakers Professor Sherryl Vint (University of California, Riverside, USA) and Professor Charlotte Sleigh (University of Kent, UK) this three-day conference will bring together scholars, practitioners, and activists to explore ways in which different visions of the future and its history can be brought into productive dialogue.
(11) BRING YOUR OWN PLUTONIUM. O’Reilly Auto Parts carries a listing for a Flux Capacitor.
Gigawatts: : 1.21
Material Compatibility: : Plutonium
Working Speed (mph): : 88 mph
Maximum Power: : 1.21 Gigawatts
Time Travel at your own RISK!!!
Plutonium is required to properly operate Flux Capacitor.
Plutonium is used by the on-board nuclear reactor which then powers the Flux Capacitor to provide the needed 1.21 Gigawatts of Electrical Power.
Plutonium not Available at O’Reilly Auto Parts. Please contact your local supplier.
Flux Capacitor requires the stainless steel body of the 81-83 DeLorean DMC-12, V6 2.9L , to properly function.
Once the time machine travels at 88 mph (142 km/h), light coming from the flux capacitor pulses faster until it becomes a steady stream of light. Then, time travel begins.
Upgrade Kits available: Part # 121GMF
(12) AVENGERS TRAILER. Marvel Studios’ Avengers: Infinity War – Official Trailer.
[Thanks to Cat Eldridge, JJ, John King Tarpinian, mlex, Martin Morse Wooster, Andrew Porter, Chip Hitchcock, Mark Hepworth, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
With the much-anticipated The Forever Wargraphic novel adaptation in bookstores this week, Titan Comics has announced the next installment in novelist Joe Haldeman, Gay Haldeman, and Marvano’s epic science-fiction comic book series, The Forever War: Forever Free.
Titan’s new comic series adapts the Hugo, Nebula, Locus, and World Fantasy Award-winning books inspired by Haldeman’s own Vietnam War experiences.
The Forever War series tells the story of William Mandella – survivor of a catastrophic interstellar war. Mandella, together with a small group of human survivors, returns to Earth to find the human race greatly changed.
Evolved into a group mind called Man, society is now intrusive and autocratic, denying all individuality. The veterans plan to escape by means of space travel, but, when their ship starts to fail, Mandella’s team begins to search for the enigmatic entity responsible – The Unknown.
Since the original publication of The Forever War, Joe Haldeman – a Vietnam veteran and Purple Heart recipient – has produced a continuous string of SF classics. In addition to winning major awards, the author has garnered praise from top writer, Stephen King: “If there was a Fort Knox for science-fiction writers, we’d have to lock Joe Haldeman up.”
The Forever War: Forever Free #1 hits comic shops and digital platforms in April 2018.
The Forever War TPB (144pp, $19.99, ISBN: 9781785860898) is available in bookstores now. Check out the trailer here.
For the past two or three weeks I have been in misery. In short, I have been reading the novels of Brian Keene. Were I not driven by my sacred duty as a literary critic to assess the work of this grotesquely prolific blowhard for my treatise, 21st-Century Horror, I would have been relieved of this excruciating agony; but the job is done, as is my chapter on Keene, which can be found here.
…The only horror in Keene’s work is that there is so much of it. Since 2000, Keene has published at least forty-three novels, twelve short story collections, and sundry other material—an impressive achievement if his books were of any substance or even bare competence, but quite otherwise if, as appears to be the case, the books in question are nothing but crude and slapdash hackwork. A fair number of his books have been published by Leisure Books, a firm that habitually churns out pablum of all sorts for the great unwashed. It seems to be a match made in hell….
…With that being said, the probable origins of Lovecraft’s work are, in my opinion, repugnant. Lovecraft was racist and xenophobic…. These beliefs fueled his fiction, and the creation of his mythos. So much of Lovecraft’s work is driven by fear and disgust of “the other” or of genetic mutation. And in turn, so much of that work shaped and molded this field.
Despite their repugnance (or perhaps because of it) I think those origins are worth discussing. Joshi does not. He threatened to boycott a recent convention because the programming included a panel discussing the racist themes prevalent in Lovecraft’s work (and then reportedly defied his own personal boycott by signing books in the dealer’s room of that same convention). Because I wondered aloud on my podcast why he’s against discussion of such things, it further inured me as a “Lovecraft Hater”. Joshi also railed against the World Fantasy Awards discontinuing their bust of Lovecraft. When I stated on my podcast, “If I was a person of color, and I won that award — an award from my peers recognizing my work — I wouldn’t want a man who thought I was sub-human glowering down at me from my brag shelf”, this further fueled Joshi and Brock’s insistence that I am, in fact, a Lovecraft Hater.
It’s also important to note that Lovecraft’s racism is not a new topic, brought up by some supposed younger, newer generation of political Progressives or SJWs. The great Robert Bloch himself discussed Lovecraft’s racism in his seminal “Heritage of Horror” essay. Joshi doesn’t seem to have a problem with that. Based on his actions, he seemingly only has a problem with people discussing it if they are women (Ellen Datlow), LGQBT (S.j. Bagley), persons of color (Daniel José Older and Nnedi Okorafor), or apolitical “white trash” Appalachians (myself). I find that interesting…
So, again, for the record, I am not a “Lovecraft Hater”. I respect the man’s work. I don’t, however, respect the man.
…Which brings us to last Friday, and the reason why so many of you are asking me, “Who is S.T. Joshi?”.
Why did Joshi turn his attention toward me? I don’t know. Maybe it was our coverage of his antics on my podcast (where he is a recurring source of amusement). Perhaps he was offended that I sandwiched him between “Lovecraft Haters” Ellen Datlow and S.j. Bagley in the inaugural chapter of History of Horror Fiction. Or maybe he was driven half-mad by Jason Brock’s incessant whining.
Regardless, I woke up at 5am Friday morning. Publisher and author Ross Lockhart had sent me the link to Joshi’s tirade overnight. I clicked the link and read Joshi’s Introduction, where he states that I am “A grotesquely prolific blowhard” and that my work left him in “excruciating agony.” This pleased me. I thought it was funny enough to craft a cover blurb out of, so I did. Then some readers asked for it on a t-shirt, so I made this. And that was pretty much it….
(2) AMBIFORCESTROUS. Continuing a thought from yesterday – this comes from Mark Hamill himself.
(3) THOR SCORE. Daniel Dern submitted his non-spoiler review of Thor: Ragnarok for today’s Scroll:
(“Non-spoiler” as in “assuming you’ve seen at least one of the trailers already, but IMHO no how-it-ends spoilers in any case)
My short-short summary: Way loads of fun! Go and enjoy.
Among the best snappy multi-character dialog, and lots of it.
Basically sticks to one plot from start to finish (unlike, say, Guardians of the Galaxy II).
Nice to NOT see Manhattan/NYC trashed/destroyed/etc for a change. Similarly, no S.H.I.E.L.D. helicarriers harmed (or even sighted) in this movie.
Lots of bright colors, great costumes/garb/accessories.
a good balance of talking, fighting/battling, and both-at-once.
It’s contemporary fantasy and sci-fi. Thor pilots spaceships, etc.
prior knowledge needed of Marvel, any of the previous movies, etc. Yeah, knowing some can’t hurt. E.g., Loki and Thor briefly mentioning the time L turned T into a frog was real — one of Walt Simonson’s great arcs (a bunch of issues) in the Thor comic series.
In terms of “Marvel movie big picture,” this is sequentially following the events of Avengers/Age of Ultron.
Best Stan Lee cameo to date, IMHO.
Mentions Avengers by name at times, etc., but only Hulk actually in the movie. Most of the action is off-Earth, so no need to explain why the other A’s aren’t putting in their oar, so to speak.
Lots of Jeff Goldblum! Lots!
Offhand I don’t have any complaints or criticisms.
Part of why the Norse myths continue to compel so many readers, writers, and artists is their sheer entertainment value, featuring high adventure, low comedy, apocalyptic nightmares, and ample drinking. Karl E. H. Seigfried, adjunct professor and pagan chaplain at Illinois Institute of Technology and author of the Norse Mythology Blog, said by e-mail that the Norse myths resonate on three levels: dramatically, emotionally, and spiritually. Of the three, the spiritual element is often overlooked.
Underneath the troll-smiting mayhem, the Norse myths have an uplifting core, insists Seigfried, who is also a priest of Thor’s Oak Kindred in Chicago. “In contrast to the gloomy Nordic worldview often portrayed in popular culture,” he said, “the wandering god [Odin] never stops searching for knowledge and never ceases to rage against the dying of the light. The old gods may die at Ragnarök, but the myth is life-affirming. We will not live forever, but our children will survive us, and their children will survive them.”
And it gets even stranger. When we turn to the stories themselves, we find that most of them have nothing in common with the tale of Xenu. In the pages of Astounding, Hubbard tended to write comic fantasies or adventures staged on a very modest scale, with situations lifted straight from the nautical or military fiction that he was publishing elsewhere. Aliens and galactic empires rarely played any significant role. When he employed these conventions, it was as a target for parody or as a kind of painted backdrop for the action. Yet when the time came to give Scientology a founding myth, he turned to space opera, referring to it explicitly in those terms, and the result didn’t look or sound much like anything he had ever written before.
(6) ONE TOKE OVER THE LINE. Fran Wilde has a tip for convention attendees, idiots, and assholes:
Pro tip: even if you've just discovered an author's work, NOT okay to call their hotel room and ask them to sign a book. Esp. not at 10pm
RE that last RT: I (and most other writers I know) am deliriously happy to sign things if you run into me (or find me) on a convention floor or hallway, or a bookshop. Or send me a snailmail! Do not hunt down my hotel room number and call me in the middle of the night. SERIOUSLY.
The wisdom of the crowd converged when Brandon Soderberg puzzled over the mysterious provenance of Gray Haven, the latest strain of marijuana to cross his palate. Soderberg is both the paper’s editor and one of its pot critics. He knows his weed, but he hadn’t been able to uncover the first thing about this particular variety. Perhaps the name held a clue? He read off some loopy texts from a helpful stoner friend, a Tolkien fan who said there is a place called Grey Havens in Middle-earth. The messages were pipe dreams billowing with head-spinning arcana. “I’ve read ‘The Lord of the Rings,’ ” said art director Athena Towery, dryly. “I don’t think that’s in there.” The room erupted with laughter, then settled on another Tolkien work — “The Silmarillion” — as the source. Photo editor J.M. “Joe” Giordano added that the bud shares its name with a neighborhood in Dundalk, Md.
(10) SPRING AHEAD, FALL OOPS. Joe Haldeman shared this on Facebook – pretty funny, even if the joke is about the wrong time change:
Another busy night at all the British henge sites as staff work all night to move the stones forward by an hour.
(11) FEDERATION POLITICAL SCIENCE. I don’t remember if I’ve run this before but it sure is fun. And like some Tumblr posts, it needs to be read from the bottom up; the pivot is a Klingon asking the Vulcans why they let humans run the Federation; the answer includes because the last thing they did is ” getting published in about six hundred scientific journals across two hundred different disciplines because of how many established theories their ridiculous little expedition has just called into question. also, they did turn that sun into a torus, and no one actually knows how”
(12) CREDENTIAL RENEWED. Kim Huett advises his article “Temple of the Sphinx”, with some thoughts on the William F. Temple story, “The Smile Of the Sphinx,” is now online.
In a fit of possibly misplaced enthusiasm I have created a website in order to post my Bill Temple article online for all the world to see. Those of you already familiar with this article might like to note that it has been rewritten here and there in order to fix a few errors and to add a little more depth to the story. In regards to the latter I would like to in particular thank Rob Hansen for all his hard work on THEN as that history made my job so much easier. The website in question can be found here at the URL below. Feel free to pass the URL on if you want as I think this is a story well worth sharing. This is especially true since it allows us to increase our count of times the word “cat” has appeared on this blog.
For all this Gillings did publish one story that I find absolutely fascinating, though perhaps not for the usual reasons. The story in question is a novelette by William F. Temple, his third published story. The Smile of the Sphinx appeared in Tales of Wonder #4 (Autumn 1938). In the introduction Gillings wrote:
‘…in the light of his logical reasoning, his fanciful notion loses its air of incredibility, and you will find yourself seriously considering whether it might not easily be fact…’
The story was well regarded at the time of publication. For example noted science fiction fan of the day (and later editor of New Worlds), Ted Carnell was so taken by The Smile of the Sphinx that in Novae Terrae #28 (December 1938) he was moved to claim:
‘For just as Bill Temple’s yarn in TOW will long be remembered as the cat story…’
Now at first glance all this makes very little sense as The Smile of the Sphinx is a rather absurd tale about an intelligent race of cats from the Moon who secretly rule the Earth.
The network is called Dave, and it normally features a millennial-focused grab bag of fun-loving programs. But one day recently, at exactly 3:28 p.m. (which Snickers says is “the hungriest time of day”), Dave suddenly and inexplicably turned into Rupert—a network showing boring and nonsensical shows including chess championships, vintage film noir and an art appraisal program.
Frankly, it seemed like Dave had become PBS.
[Thanks to JJ, DMS, Daniel Dern, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]