Night Shade Books today released TheYear’s Best Dark Fantasy & Horror, Vol. 2 edited by Paula Guran. It’s the second from the current publisher, but overall volume 12 in a series Guran started in 2010 (covering the stories of 2009).
This volume of The Year’s Best Dark Fantasy and Horror offers more than four hundred pages of handpicked tales from 2020.
Writers and Stories in the Collection:
Kelley Armstrong, “Drunk Physics” (Final Cuts: New Tales of Hollywood Horror and Other Spectacles, ed. Ellen Datlow)
Dale Bailey, “Das Gesicht” (Final Cuts: New Tales of Hollywood Horror and Other Spectacles, ed. Ellen Datlow)
Elizabeth Bear, “On Safari in R’lyeh and Carcosa with Gun and Camera” (Tor.com)
Zen Cho, “Odette” (Shoreline of Infinity 18)
Wenmimareba Klobah Collins, “Call Them Children” (The Dark #64)
Elaine Cuyegkeng, “The Genetic Alchemist’s Daughter” (Black Cranes: Tales of Unquiet Women, eds. Lee Murray and Geneve Flynn)
Brian Evenson, “The Thickening,” (Conjunctions:74)
James Everington, “The Sound of the Sea, Too Close” (Shadows & Tall Trees, Vol. 8, ed. Michael Kelly)
Craig Laurance Gidney, “Desiccant” (Slay: Stories of the Vampire Noire, ed. Nicole Givens Kurtz)
Thomas Ha, “Where the Old Neighbors Go” (Metaphorosis, 9/1/20)
Elizabeth Hand, “The Owl Count” (Conjunctions:74)
Alix E. Harrow, “The Sycamore and the Sybil” (Uncanny #33)
Maria Dahvana Headley, “The Girlfriend’s Guide to Gods” (Tor.com)
Stephen Graham Jones, “Wait for Night” (Tor.com)
Shingai Njeri Kagunda, “And This is How to Stay Alive” (Fantasy #61)
…All of a sudden this crazy story about my finishing THE WINDS OF WINTER and A DREAM OF SPRING years ago is popping up everywhere. No, I am not going to provide links. I don’t want to reward purveyors of misinformation with hits.
I will, however, say for the record — no, THE WINDS OF WINTER and A DREAM OF SPRING are not finished. DREAM is not even begun; I am not going to start writing volume seven until I finish volume six
It seems absurd to me that I need to state this. The world is round, the Earth revolves around the sun, water is wet… do I need to say that too? It boggles me that anyone would believe this story, even for an instant. It makes not a whit of sense. Why would I sit for years on completed novels? Why would my publishers — not just here in the US, but all around the world — ever consent to this? They make millions and millions of dollars every time a new Ice & Fire book comes out, as do I. Delaying makes no sense. Why would HBO want the books delayed? The books help create interest in the show, just as the show creates interest in the books.
So… no, the books are not done. HBO did not ask me to delay them. Nor did David & Dan. There is no “deal” to hold back on the books. I assure you, HBO and David & Dan would both have been thrilled and delighted if THE WINDS OF WINTER had been delivered and published four or five years ago… and NO ONE would have been more delighted than me.
At the Q&A following the premiere of the new TOLKIEN film in Los Angeles last week, I did indeed say that Gandalf could kick Dumbledore’s ass.
Gandalf COULD kick Dumbledore’s ass. I mean, duh. He’s a maia, folks. Next best thing to a demigod. Gandalf dies and come back. Dumbledore dies and stays dead.
But if it will calm down all the Potterites out there, let me say that Gandalf could kick Melisandre’s ass too.
(3) HORRORMENTARY. The new drama Years and
Years, which follows a British family over the next 15 years began Tuesday
night on BBC1 in the UK, and will be screened on HBO in the US later in the
year. BBC contemplates: “How the near future became our greatest horror”.
…But if [J.G.] Ballard’s thinking was subversive at the time, now we’re beset by the nearest of ‘near future’ narratives. They are intent on imagining not what will become of us in thousands of millennia, or even in a few decades’ time – à la dystopian works like Blade Runner and Soylent Green, previously understood as ‘near future’ – but in as little as the next few years. In doing so, these near-near-future stories create realities that feel immediately recognisable to us, but invariably with a pretty unpleasant twist or three. In literature, these have gone hand in hand with the rise of the ‘mundane science fiction’ movement – which began in the mid-noughties and was built on “not wanting to imagine shiny, hard futures [but give a] sense of sliding from one version of our present into something slightly alienated”, says Roger Luckhurst, a professor in Modern and Contemporary Literature at London’s Birkbeck College and an expert in science fiction.
And, at the moment, such stories are particularly prevalent on the small-screen….
(4) BLACK MIRROR. The
show returns to Netflix on June 5:
…At the height of his writing career, Beaumont began to suffer from a mysterious ailment. “By 1964, he could no longer write. Meetings with producers turned disastrous. His speech became slower, more deliberate. His concentration worsened. . . . after a battery of tests at UCLA, Beaumont was diagnosed as having Alzheimer’s Disease; he faced premature senility, aging, and an early death.” He died on February 21, 1967 at the age of thirty-eight.
(6) STORIES REBORN. Paula Guran’s anthology Mythic Journeys: Retold Myths and Legends was released yesterday by Night Shade Books.
The Native American trickster Coyote . . . the snake-haired Greek Gorgon Medusa, whose gaze turned men to stone . . . Kaggen, creator of the San peoples of Africa . . . the Holy Grail of Arthurian legend . . . Freyja, the Norse goddess of love and beauty . . . Ys, the mythical sunken city once built on the coast of France . . . Ragnarok, the myth of a world destroyed and reborn . . . Jason and the Argonauts, sailing in search of the Golden Fleece . . .
Myths and legends are the oldest of stories, part of our collective consciousness, and the source from which all fiction flows. Full of magic, supernatural powers, monsters, heroes, epic journeys, strange worlds, and vast imagination, they are fantasies so compelling we want to believe them true.
A nuclear physicist by training, Friedman had devoted his life to researching and investigating UFOs since the late 1960s.
He was credited with bringing the 1947 Roswell Incident — the famous incident that gave rise to theories about UFOs and a U.S. military coverup — back into the mainstream conversation.
(8) TODAY IN HISTORY.
Apparently a big day in the history of B-movies.
May 15, 1953 — Phantom From Space premiered in theaters.
May 15,1959 — Invisible Invaders debuted in movie houses.
May 15, 1969 – Witchfinder General, starring Vincent Price, screened for the first time.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 15, 1856 — L. Frank Baum. I adore The Wizard of Oz film and I’m betting you know that it only covers about half of the novel which is a splendid read indeed. I’ll confess that I never read the numerous latter volumes in the Oz series, nor have I read anything by him. What’s the rest of his fiction like? (Died 1919.)
Born May 15, 1877 — William Bowen. His most notable work was The Old Tobacco Shop, a fantasy novel that was one runner-up for the inaugural Newbery Medal in 1922. He also had a long running children’s series with a young girl named Merrimeg whom a narrator told her adventures with all sorts of folkloric beings. (Died 1937.)
Born May 15, 1926 — Anthony Shaffer. His genre screenplays were the Hitchcock’s Frenzy and Robin Hardy’s The Wicker Man. Though definitely not genre, he wrote the screenplays for a number of most excellent mysteries including Death on the Nile, Murder on the Orient Express and Sleuth. (Died 2001.)
Born May 15, 1955 — Lee Horsley, 64. A performer who’s spent a lot of his career in genre undertakings starting with The Sword and the Sorcerer (and its 2010 sequel Tales of an Ancient Empire), horror films Nightmare Man, The Corpse Had a Familiar Face and Dismembered and even a bit of SF in Showdown at Area 51. Not sure where The Face of Fear falls has a it has a cop with psychic powers and a serial killer.
Born May 15, 1960 — Rob Bowman, 59. Producer of such series as Alien Nation, M.A.N.T.I.S., Quantum Leap, Next Generation, and TheX-Files. He has directed these films: The X-Files, Reign of Fire and Elektra. He directed one or several episodes of far too many genres series to list here.
Born May 15, 1966 — Greg Wise, 53. I’m including him solely as he’s in Tristram Shandy: A Cock and Bull Story. It is a film-within-a-film, featuring Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of Laurence Sterne’s 18th century metafictional novel Tristram Shandy. Not genre (possibly) but damn fun.
At a press conference [on May 10] at the New Mexico State Capitol Building in Santa Fe, hosted by New Mexico Governor Michelle Lujan Grisham, Virgin Founder Sir Richard Branson announced that Virgin Galactic’s development and testing program had advanced sufficiently to move the spaceline staff and space vehicles from Mojave, California to their commercial operations headquarters at Spaceport America, New Mexico. The move, which involves more than 100 staff, will commence immediately and continue through the summer, to minimise schooling disruption for families.
Virgin Galactic partnered with New Mexico in an agreement which saw the state complete construction of Spaceport America, the world’s first, purpose-built commercial spaceport, and Virgin Galactic committing to center its commercial spaceflight activities at the facilities once its vehicles and operations were ready for service.
(11) ZUBRIN’S CASE. The Space Review hosts Jeff Foust’s coverage of Robert Zubrin’s new book The Case for Space: How the Revolution in Spaceflight Opens Up a Future of Limitless Possibility.
…The second part of the book tackles the question of why humanity should move out in the universe. The reasons are familiar ones, from scientific discoveries to new technologies to the survival of humanity itself. For example, Zubrin reiterates a belief, dating back to his The Case for Mars book more than 20 years ago, that a human settlement on Mars will require ingenuity to survive, stimulating new technologies from robotics to fusion power that might not be developed on Earth.
Zubrin offers a comprehensive plan, one rich in technical detail—perhaps too rich at times, with some passages filled with equations describing chemical processes needed to extract resources on Mars or other worlds or discussing the physics of advanced propulsion technologies. But it seems a little fanciful to talk about concepts for interstellar travel like antimatter and magnetic sails when we find it so difficult today simply to get to low Earth orbit reliably and inexpensively.
Jane Green, bestselling author who traded England for New England
I’ve run out of space. Books are starting to get stacked up on the floor, underneath tables, underneath chairs, on top of tables. They’re everywhere. With no more room on the bookshelves, I’ve been eyeing this gorgeous French armoire that takes up an entire wall. That wall is just perfect for shelves and would make the room warmer. I know, however, that my husband really likes the armoire. He sees: storage, storage, storage. I see: books, books, books. We’ll see who wins.
For years, I couldn’t get rid of anything. I have had to learn to manage the flow. Paperbacks I tend not to keep unless I love them and know I’m going to reread them. Hardcovers are really hard for me to get rid of. They all signify a time in my life. They all have stories around the stories. I will sometimes just stand there and look at my books and remember.
There have always been a number of low-tech ways to circumvent cookie-based metered paywalls, where the same content is freely available in some but not all cases. For instance deleting cookies, using multiple browsers and copying the URL are go-to methods, and are near impossible to mitigate against. However, over the last 18 months, publishers have started plugging these gaps.
In February, The New York Times started tightening its paywall so readers couldn’t access paywalled content by switching their device to incognito mode. A New York Times spokesperson said it’s too early to glean the impacts of these tests.
The 2019 Nommo Awards for Speculative Fiction by Africans announce the shortlists for the Nommo Awards in all four categories – novel, novella, short story and comics/graphic novels.
The roughly 170 members of the African Speculative Fiction Society (ASFS) nominated works for the Awards long list and short lists. They will now have a three-month period to read the works and vote for the winners of the Awards.
The short-listed works must be speculative fiction created by Africans and published in calendar year 2018. The winners of the Ilube Nommo Award and the Comic/Graphic Novel award receive UD$ 1000.00. The winners of the novella and short story awards receive US$ 500.00. The ASFS thanks its patron Tom Ilube, CBE for his generosity.
The ASFS was founded in 2015. The creation of the Nommo Awards was announced at the Ake Festival in Abeokuta in November 2016. The winners will be announced at the Ake Festival in Lagos Nigeria in November.
This high-velocity maneuver is a nightmare if you’re a fly.
There’s a type of spider that can slowly stretch its web taut and then release it, causing the web to catapult forward and ensnare unsuspecting prey in its strands.
Triangle-weaver spiders use their own web the way humans might use a slingshot or a crossbow. Scientists from the University of Akron say this is a process called “power amplification,” and they published their research in Proceedings of the National Academy of Sciences this week.
Research has shown that beneath every forest and wood there is a complex underground web of roots, fungi and bacteria helping to connect trees and plants to one another.
This subterranean social network, nearly 500 million years old, has become known as the “wood wide web”.
Now, an international study has produced the first global map of the “mycorrhizal fungi networks” dominating this secretive world.
Details appear in Nature journal.
Using machine-learning, researchers from the Crowther Lab at ETH Zurich, Switzerland, and Stanford University in the US used the database of the Global Forest Initiative, which covers 1.2 million forest tree plots with 28,000 species, from more than 70 countries.
The Chinese Chang’e-4 rover may have confirmed a longstanding idea about the origin of a vast crater on the Moon’s far side.
The rover’s landing site lies within a vast impact depression created by an asteroid strike billions of years ago.
Now, mission scientists have found evidence that impact was so powerful it punched through the Moon’s crust and into the layer below called the mantle.
Chang’e-4 has identified what appear to be mantle rocks on the surface.
It’s something the rover was sent to the far side to find out.
Chunlai Li, from the Chinese Academy of Sciences in Beijing, and colleagues have presented their findings in the journal Nature.
(19) GAME OF PYTHONS. Funny or Die shows why “Cersei isn’t the only hard-nosed negotiator Tyrion’s
John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, JJ, Cat Eldridge,
Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editors of the day Daniel Dern and
(1) I WAS A FAN FOR THE FBI. Rob Hansen’s THEN documents the FBI informant who joined the LASFS and enjoyed fandom so much he stuck around — Samuel D. Russell. I heard the story from Milt Stevens, who made sure the legend was handed down to future club members, but I never had the opportunity to read these articles before.
…The name of the Los Angeles Science Fantasy Society was brought into the proceedings of the trial of eleven local communist leaders, currently taking place in this city. The eleven men and women being tried for the alleged act of advocating the use of violence for overthrowing the government of the United States.
The prosecution introduced various witnesses who had joined the communist party as informers for the FBI. One of these witness was the once well-known fan, Samuel D. Russell. Among many other activities, Russell was co-editor and publisher, with Francis T. Laney, of THE ACOLYTE, which was for many years one of the leading fan mags of the nation.
…Yet the film devotes more time to idle bantering and boozing than it does to the group’s literary and moral purposes. It also overlooks a crucial exchange: a meeting in December 1914, dubbed “the Council of London,” which was transformative for Tolkien. “In fact it was a council of life,” writes John Garth, author of the magisterial Tolkien and the Great War. The prospect of the trenches had a sobering effect. Late into the night they talked and debated — about love, literature, patriotism, and religion. It was at this moment, and among this fellowship, that Tolkien began to sense his literary calling. “For Tolkien, the weekend was a revelation,” Garth concludes, “and he came to regard it as a turning point in his creative life.”
If the film’s writers wanted to depict such a revelatory scene — which they don’t — it would have required familiarity with an ancient source of wisdom. We no longer appreciate how the educated classes of Tolkien’s generation were schooled in the classical and medieval literary traditions….
21-year-old insurance salesman Tim hasn’t seen his police detective dad for years, but when news arrives that his old man has mysteriously disappeared, he heads to the Pokemon paradise of Ryme City – where humans and Pokemon live side by side – to look into what’s happened.
Poking around his father’s flat, he discovers his dad’s Pokemon partner, “Detective Pikachu”, wandering around with no memory of what has occurred.
Together, Tim and Pikachu must solve the case and save the world, meeting a whole host of different Pokemon along the way, battling the occasional Charizard and negotiating with Mr. Mimes. As you do.
(5) BOLGEO MEDICAL UPDATE. Marcia
Kelly Illingworth alerts friends of Tim Bolgeo that he has entered hospice
I am getting damned sick and tired of having to write to you about things like this. My dear, old friend, Tim “Uncle Timmy” Bolgeo, a well-known, Southern fan, founder of LibertyCon, in Chattanooga, TN, is in the hospital in Chattanooga TN, and has been placed in Hospice care.
I know that a lot of old school fans have problems with Timmy, due to his Conservative political views, and his old school, unconscious, presumed racist jokes. Be that as it may, I am here to say that he is a good man, a caring man, and a better friend anyone would be hard pressed to find. He’s been active in Southern fandom for more years than I can say. His electronic fanzine, The Revenge of Humpday, was nominated for a Hugo.
Timmy has been fighting health issues for years. He started having heart trouble back in the nineties. I remember when his first heart surgery had to be postponed, because his cardiologist had a heart attack that morning and had to have heart surgery himself that day. Some guys just can’t get a break! He has been battling congestive heart failure for some time now, with ever increasing medication. He was hospitalized last Friday, and today the family has advised us that he has been placed in Hospice care. They are asking prayers for a peaceful passing. We were so hoping that he would make it to one last LibertyCon.
(6) LEWIS OBIT. The Reverend Allen L. Lewis, 77, of
Sioux Falls, SD passed away on Monday, April 29 at the age of 77. The family
obituary is here.
…Over the course of several decades Father Al amassed one of the largest private collections of Science Fiction and Fantasy hard bound first edition books in the world. The bulk of his collection was donated to the University of Iowa in 2015.
After 20 years of collecting, he is donating his one-of-a-kind collection of 17,500 books worth an estimated three quarters of a million dollars.
(7) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 11, 1899 — E. B. White. He’s a co-author with William Strunk Jr.of The Elements of Style. In addition, he wrote Stuart Little and Charlotte’s Web. (Died 1985.)
Born May 11, 1916 — Maurice Nahum. ISFDB credits him with being Editior in the Fifties of the Futuristic Science Stories, Out of This World Magazine, Supernatural Stories and several other publications. Langford at the usual source says of them that ‘All were juvenile, undated and of poor quality.’ (Died 1994.)
Born May 11, 1920 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
Born May 11, 1918 — Richard Feynman. Ok, not genre as such but certainly genre adjacent. I wholeheartedly recommend Genius: The Life and Science of Richard Feynman by James Gleick for an entertaining look at his life. (Died 1988.)
Born May 11, 1936 — Gordon Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
Born May 11, 1952 — Frances Fisher, 67. Angie on Strange Luck and a recurring role as Eva Thorne on Eureka. Have I mentioned how I love the latter series? Well I do! She’s also shown up on Medium, X-Files, Outer Limits, Resurrection, The Expanse and has some role in the forthcoming Watchmen series.
Born May 11, 1976 — Alter S. Reiss, 43. He’s a scientific editor and field archaeologist. He lives in Jerusalem, he’s written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, most published in places that I’ve never heard of.
Born May 11, 1997 — Lana Connor, 22. Jubilation “Jubilee” Lee in X-Men: Apocalypse, Koyomi in Alita: Battle Angel which is based on the manga series Gunnm, and she voices Kaoru in the Netfix series Rilakkuma and Kaoru.
(8) COMICS SECTION.
Bizarro depicts state-of-the-art medicine for robots.
(9) YEAR’S BEST. Congratulations
to Jim C. Hines for scoring a first –
(10) FANAC.ORG UPDATE. The
award-winning resource site, Fanac.org, is
continuing to put up classic old fanzines. All the
zines listed, except Innuendo, were
provided by Rob Jackson from Paul Skelton’s collection and scanned at Corflu
2019. Innuendo was provided by Joe Siclari and scanned at Corflu 2019.
Innuendo, 1956-1958. Edited by Terry Carr and Dave Rike (later by Terry
Carr alone). 5 issues with contributors like Terry Carr, Robert Bloch, Carl
Brandon, Harry Warner Jr., Bjo Wells (Trimble?), Bill Rotsler, Ray Nelson, Jack
Speer, and Marion Zimmer Bradley. Outstanding stuff.
Tomorrow, issue 4, Winter 1938. Edited by Douglas Mayer. Published by the
Science Fiction Association.
Umbra, 1955-1956, edited by John Hitchcock. 3 issues with contributors
like Larry Stark, Ron Bennett, and Greg Benford.
Voice of the Imagi-Nation, edited by Forry Ackerman and Morojo. Issues 24, 27 and 33 from
1942-1944. Letters from fandom, with correspondence from folks like Bob
Tucker, Tigrina, Walt Leibscher, Harry Warner, C.S. Youd, Francis Towner Laney,
Jimmy Kepner, Vol Molesworth, Robert Bloch, Milt Rothman and more.
Vulcan, edited by Pete Graham and Terry Carr. Issue (August 1952).
Features, Fan humor, serious constructive stories, and serious constructive
poems. Lots of Terry Carr content.
Also from Corflu, a recording of the Saturday panel,
“The Void Boys Speak!” Thanks Rob Jackson, and thanks Bill!
VOID was a focal point fanzine of the 1950s, and launched the science fiction careers of Jim and Greg Benford. This panel, held at the 2019 Corflu, covers the history of VOID. With original editors Jim and Greg Benford, co-editor Ted White, and with Luis Ortiz (who is publishing a book on the topic) , the panel covers all aspects of VOID. If you are familiar only with the professional careers of Jim and Greg Benford, and Ted White, this video will give you perspective on their fannish careers. The video ends with a rousing rendition of the Void Boys song! Note that the video was streamed live, and there are slides in use showing the VOID covers that are not visible in the video. If you are interested in seeing the covers, or reading Void, check out http://fanac.org/fanzines/VOID.
Toddlers pass this test easily. They know that when we point at something, we’re telling them to look at it—an insight into the intentions of others that will become essential as children learn to interact with people around them. Most other animals, including our closest living relative, chimpanzees, fail the experiment. But about 20 years ago, researchers discovered something surprising: Dogs pass the test with flying colors. The finding shook the scientific community and led to an explosion of studies into the canine mind.
Cats like Carl were supposed to be a contrast. Like dogs, cats have lived with us in close quarters for thousands of years. But unlike our canine pals, cats descend from antisocial ancestors, and humans have spent far less time aggressively molding them into companions. So researchers thought cats couldn’t possibly share our brain waves the way dogs do.
Yet, as cats are apt to do, Carl defies the best-laid plans of Homo sapiens. He trots right over to the bowl Vitale is pointing at, passing the test as easily as his canine rivals. “Good boy!” Vitale coos.
Amazon entrepreneur Jeff Bezos has unveiled a mock-up of a new lunar lander spacecraft that aims to take equipment and humans to the Moon by 2024.
The reusable Blue Moon vehicle will carry scientific instruments, satellites and rovers.
It will feature a new rocket engine called BE-7 that can blast 10,000lb (4,535kg) of thrust.
“It’s time to go back to the Moon, this time to stay,” said Mr Bezos.
Mr Bezos presented the Moon goals of his space exploration company Blue Origin at the Washington Convention Center in Washington DC, to an audience consisting of potential customers and officials from Nasa.
(14) VIDEO OF THE DAY. After
School on Vimeo is a
cartoon by Hanna Kim about the adventures of a girl coming home from school.
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Microtherion, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
(1) EUROVISION. In “Eurovision
2019 Is Here: Science Fiction Fans, Rejoice!”, Tor.com’s James Davis Nicoll supplies plenty of examples to show
that “Although Eurovision itself may
not be exactly SF, some of the pieces are definitely science fiction-adjacent.
The visuals are often glorious, and the show as a whole is well worth viewing.”
(2) THEY’RE BACK. The Bounding
Into Comics Facebook
group was restored on May 9. Supposedly they still don’t know why it was
shuttered, apart from a notice that they had violated “the Facebook Statement of Rights and Responsibilities.”
…As you can see the last post was our Spider-Man: Far From Home trailer article, which was posted on May 6th.
When we asked for further clarification on why the page was taken down. We did not receive a response.
The David M. Rubenstein Rare Book & Manuscript Library at Duke University has acquired the archives of the Locus Science Fiction Foundation, publisher of Locus, the preeminent trade magazine for the science fiction and fantasy publishing field.
The massive collection—which arrived in almost a thousand boxes—includes first editions of numerous landmarks of science fiction and fantasy, along with correspondence from some of the genre’s best-known practitioners, including Isaac Asimov, Arthur C. Clarke, Ursula K. Le Guin, Harlan Ellison, Octavia E. Butler, James Tiptree, Jr. (Alice Sheldon), Dean Koontz, Robert A. Heinlein, and hundreds more.
…A tireless advocate for speculative fiction, [founder Charles N.] Brown was also a voluminous correspondent and friend to many of the writers featured in the magazine. Many of them wrote to him over the years to share personal and professional news, or to quibble about inaccuracies and suggest corrections. The letters are often friendly, personal, humorous, and occasionally sassy.
Reacting to a recent issue of Locus that featured one of her short stories, the science fiction writer Octavia E. Butler wrote, “I am Octavia E. Butler in all my stories, novels, and letters. How is it that I’ve lost my E in three places in Locus #292? Three places! You owe me three E’s. That’s a scream, isn’t it?”…
Directed by Dome Karukoski from a script by David Gleeson and Stephen Beresford, this picture about the pre-fame days of the author of “The Hobbit” and “The Lord of the Rings” teems with many on-the-nose moments. And it does so while hewing so strongly to the Distinguished British Biopic ethos (including the “England: Land of Magnificent Sunsets” trope) that it teeters on the edge of genuine obnoxiousness. Surprisingly, the emphatic score by the customarily more nuanced Thomas Newman is one of the prime offenders.
Nevertheless, “Tolkien” manages several scenes of credible emotional delicacy. And it doesn’t shy away from the conspicuously literary, treating the writer’s explorations of Wagner (sparked by his love interest and future wife Edith, played by Lily Collins) and passion for philology (sparked by chats with the intimidating professor Joseph Wright, played by Derek Jacobi) with a commendable amount of detail.
Have you ever questioned the moral fabric of the Pokémon universe?
Sure you have. For starters: In what kind of world would “Pokémon battles” — in which two humans force two excessively cute creatures to a fight until one of the beasts faints — constitute an acceptable social convention? And isn’t the whole Trainer/Pokémon relationship more than a little … problematic? Who decided that wild Pokémon, who demonstrate a level of intelligence several degrees above that of other animals, should live out their lives under the constant fear of capture and exploitation by humans?
Your enjoyment of Pokémon Detective Pikachu will likely depend on your degree of investment in these sorts of existential questions.The strength of the film lies in the way it playfully undermines the Poké-verse, poking holes in a thing that, when reduced to its essentials, seems just real silly. Much like last year’s Spider-Man: Into The Spider-Verse, Pokémon Detective Pikachu looks itself in the mirror and remarks on what it sees there. And while it doesn’t pull off the trick nearly as well, there’s something admirable about a film that isn’t afraid to have some fun with a property so established — and beloved — by its core audience.
Welcome to the third annual linked collation of annuals or “year’s bests.” As the contents of the Afsharirad, Clarke, Datlow, Guran, Horton, and Strahan science fiction, fantasy, and horror annuals have been announced, they have been combined into one master list with links to the stories which are available online. (The only one not yet integrated is the BASFF, which will likely be announced late in the year.) Hopefully, you’ll enjoy some of them and that will help you decide which annual or annuals, if any, to purchase.
Deanna Destito: Before jumping into this, were you a Vampirella fan? What appealed to you about this project?
Christopher Priest: No, I wouldn’t call myself a Vampirella fan (which is sure to annoy Vampirella fans!), although I was certainly aware of the character. But I’d guess I viewed the property nostalgically. Fondly, for sure, but if I thought of Vampirella at all I thought of her in a kindly past-tense, as an artifact of the 1970s and my misspent youth….
Your companion book, Notes for Million Mile Road Trip, is actually longer than the novel! The idea of following up reading a novel with that kind of metadata is fascinating; can you tell us more about it?
It’s hard to write a novel. It takes a year or maybe two years of tickling the keyboard at your desk or using a laptop in a cafe, and doing that pretty much every day, even on the days when you don’t know what comes next. This is where writing a volume of notes comes in. When I don’t have anything to put into the novel, I write something in the notes. I might analyze the possibilities for the next few scenes. Or craft journal entries about things I saw [that day]. Or describe some the people sitting around me, being careful not to stare at them too hard. Or think about how hopeless it is to try to write another novel, and how I’ve been faking it all along anyhow. The more I complain in my notes, the better I feel. I publish the finished Notes in parallel with with the novel, not that I sell many copies of the notes. Long-term, the notes will be fodder for the locust swarm of devoted Rucker scholars who are due to emerge any time now from their curiously long gestation in the soil.
(9) LORD WINSTON OBIT. Zombie Squad, an international network of
dogs and other pets dedicated to protecting society from the walking dead, paid
its respects on Saturday to Lord Winston, the indefatigable West Highland
terrier who inspired the group’s creation in 2013 and had served as its official
leader until his death on 21 April, aged nearly 15. Despite losing the use of
his back legs following a series of operations, Lord Winston – via his British
owner – posted daily messages and regular videos on Twitter, where prospective
new members continue to be welcomed at @ZombieSquadHQ.
(10) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 10, 1863 — Cornelius Shea. As the authors of SFE put it, “author for the silent screen and author of dime novels (see Dime-Novel SF), prolific in many categories but best remembered for marvel stories using a fairly consistent ‘mythology’ of dwarfs, subterranean eruptions, and stage illusion masquerading as supernatural magic.” To my surprise, only two of his novels are in the Internet Archive.
Born May 10, 1886 — Olaf Stapledon. Member of the Science Fiction and Fantasy Hall of Fame. Star Maker contains the first known description of what are now called Dyson spheres. (Neal Asher currently is making the best use of these in his Polity series.) He wrote about a baker’s dozen novels of which iBooks has pretty much everything available at quite reasonable prices. I know I read and enjoyed Star Maker many years ago but don’t recall what else I read. (Died 1950.)
Born May 10, 1895 — Earl Askam. He played Officer Torch, the captain of Ming the Merciless’s guards, in the 1936 Flash Gordon serial. It’s his only genre appearance though he did have an uncredited role in a Perry Mason film where the SJW credential was the defendant in a Perry Mason murder case, The Case of Black Cat. (Died 1940)
Born May 10, 1899 — Fred Astaire. Yes, that actor. He showed up on the original Battlestar Galactica as Chameleon / Captain Dimitri In “The Man with Nine Lives” episode. Stunt casting I assume. He had only two genre roles as near as I can tell which were voicing The Wasp in the English language adaptation of the Japanese Wasp anime series, and being in a film called Ghost Story. They came nearly twenty years apart and were the last acting roles he did. (Died 1987.)
Born May 10, 1935 — Terrance Dicks, 84. He had a long association with Doctor Who, working as a writer and also serving as the programme’s script editor from 1968 to 1974. He also wrote many of its scripts including The War Games which ended the Second Doctor’s reign and The Five Doctors, produced for the 20th year celebration of the program. He also wrote novelisation of more than 60 of the Doctor Who shows. Prior to working on this series, he wrote four episodes of The Avengers and after this show he wrote a single episode of Space: 1999 and likewise for Moonbase 3, a very short-lived BBC series.
Born May 10, 1963 — Rich Moore, 56. He’s directed Wreck-It Ralph and co-directed Zootopia and Ralph Breaks the Internet; he’s has worked on Futurama. Might be stretching the definition of genre (or possibly not), but he did the animation for “Spy vs. Spy” for MADtv. You can see the first one here:
Born May 10, 1969 — John Scalzi, 50. I’ve enjoyed everything I’ve ever read by him. What would I recommend if you hadn’t read him? The Old Man’s War series certainly as well as the Interdependency series are excellent. I really have mixed feelings about Redshirts in that it’s too jokey.
(12) MARVEL 1000. Marvel’s
celebration of its 80th Anniversary will include a new epic comic
book issue to celebrate the legacy of the Marvel Universe: Marvel Comics #1000.
Featuring 80 creative teams with luminaries from both classic and current comic books (and beyond!), this oversized one-shot will be packed with pages spanning across generations of Marvel’s iconic Super Heroes – with cover art from legendary artist Alex Ross!
Among those individuals, some of whom teased the project on social media this week, are long-time Marvel veterans — including Roy Thomas, Peter David, Gerry Conway, and Adam Kubert — and current creators — including Saladin Ahmed, Gail Simone, Chip Zdarsky, and Kris Anka — as well as talents outside of comics, like filmmakers Phil Lord and Christopher Miller, Taboo of the Black Eyed Peas, and basketball legend Kareem Abdul-Jabbar.
“We’re living in a time of walls,” said filmmaker Alex Rivera when introducing Sleep Dealer at the start of the 43rd Williamson Lectureship April 4-6, 2019 in Portales NM. “It’s a global obsession. How do we tell stories in such a world? In my film, I try to cross the consciousness of walls by looking at them, through them, and beyond them.”
…Though it divided critics on publication, Zanzibar has come to be regarded as a classic of New Wave sci-fi, better known for its style than its content. This seems a pity. When an excerpt appeared in New Worlds magazine in November 1967, an editorial claimed that it was the first novel in its field to create, in every detail, “a possible society of the future”.
There’s irony in some of what Brunner got wrong. He assumed, for instance, that the US would have at last figured out how to provide adequate, inexpensive medical care for all by 2010. Other inaccuracies are sci-fi staples – guns that fire lightning bolts; deep-sea mining camps; a Moon base. And yet, in ways minor and major, that ‘future society’ nevertheless seems rather familiar today. For example, it features an organisation very similar to the European Union; it casts China as America’s greatest rival; its phones have connections to a Wikipedia-style encyclopaedia; people casually pop Xanax-style ‘tranks’; documents are run off on laser printers; and Detroit has become a shuttered ghost town and incubator of a new kind of music oddly similar to the actual Detroit techno movement of the 1990s.
(15) NEBULA REVIEWS. A
full rundown of all the nominees for “The
2018 Nebula Awards” is preceded by an analysis of this year’s
kerfuffle at Ohio Needs A Train.
The accusations of slate-building, especially as it’s so close to the Hugos being basically completely turned aside for a couple of years there by slating antics 4, led to tensions running fairly high and people running fairly hot on the issue. The SFWA, for its part, says that it wants to take this sort of thing seriously and is looking into ways to try to keep stuff like this from taking over, without (as of the time of this writing) mentioning what steps it may be taking. I suppose that’s fine, but it’ll be interesting to see if anything is different about the nomination process next year.
Even from beyond its cosmic grave, NASA’s Cassini spacecraft continues to amaze us with the things it unearthed during its Saturn flybys — like the moons that have been lurking in its rings for billions of years.
When Cassini ventured as close as it would ever get to Saturn, it imaged the moons (which look like space ravioli) in enough detail to reveal that they were covered in the same stuff as its iconic rings. Some of them were even blasted with icy particles from nearby Enceladus. The posthumous images from Cassini’s flyby have given scientists unprecedented close-ups of these really weird satellites.
While he’s pretty much a pop-culture footnote in the 21st century, Dick Tracy was a household name in the 20th. Created by Chester Gould for the eponymous comic strip in 1931, Dick Tracy saw the hard-boiled detective stop a bunch of over-the-top criminals with cutting-edge technology. Gould foresaw the advent of smart-watches with Tracy’s “two-way wrist radio,” and the character was hugely popular.
It wasn’t long before Tracy was adapted to the big screen, first with movie serials in the 1930s and then four one-hour feature films in the 1940s….
Steve Green, Jason, John King Tarpinian, Mike Kennedy, Carl Slaughter, Andrew
Porter, Martin Morse Wooster, JJ, mlex, Cat Eldridge, and Chip Hitchcock for
some of these stories, Title credit belongs to File 770 contributing editor of
the day Jayn.]
The supernatural, the surreal, and the all-too real . . . tales of the dark. Such stories have always fascinated us, and modern authors carry on the disquieting traditions of the past while inventing imaginative new ways to unsettle us. Chosen from a wide variety of venues, these stories are as eclectic and varied as shadows. This volume of 2018’s best dark fantasy and horror offers more than five hundred pages of tales from some of today’s finest writers of the fantastique?sure to delight as well as disturb . . .
Table of Contents
• “Down Where Sound Comes Blunt”, G. V. Anderson (F&SF, Mar-Apr 2018)
• “Hainted”, Ashley Blooms (F&SF Jul-Aug
• “The Empyrean Light” Gregory Norman Bossert (Conjunctions:71, A Cabinet of
Curiosity, Fall 2018)
• “Raining Street” by J. S. Breukelaar (Black Static #63)
• The Black God’s Drums, P. Djèlí Clark (Tor.com)
• “Faint Voices, Increasingly Desperate”, Anya Johanna DeNiro (Shimmer #43)
• “Big Dark Hole”, Jeffrey Ford (Conjunctions:71, A Cabinet of
Curiosity, Fall 2018)
• “And Yet”, A.T. Greenblatt (Uncanny #21)
• “Second to the Left, and Straight On”, Jim C. Hines (Robots vs. Fairies, eds. Parisien & Wolfe)
• “He Sings of Salt and Wormwood”, Brian Hodge (The Devil and the Deep,
• “Just Another Love Song” Kat Howard (Robots vs. Fairies,
eds. Parisien & Wolfe)
• “Four Revelations from the Rusalka Ball”, Cassandra Khaw (The Underwater Ballroom Society, eds. Trent &
• “Rust and Bone”, Mary Robinette Kowal (Shimmer #26)
• “The Thing About Ghost Stories”, Naomi Kritzer (Uncanny #25)
• “A Man Walking His Dog” Tim Lebbon (Phantoms, ed.
• “Honey” Valya Dudycz Lupescu (A World of Horror,
• “Big Mother”, Anya Ow (Strange Horizons, 1
• “Fish Hooks”, Kit Power (New Fears 2, ed.
• “The Governor”, Tim Powers (The Book of Magic, ed.
• “True Crime”, M. Rickert (Nightmare #72)
• “Sour Milk Girls”, Erin Roberts (Clarkesworld, Jan
• “Every Good-bye Ain’t Gone”, Eden Royce (Strange Horizons, 30
• “Tom Is in The Attic”, Robert Shearman (Phantoms, ed.
• “When We Fall, We Forget”, Angela Slatter, (Phantoms, ed.
• “In This Twilight”, Simon Strantzas (Nothing Is Everything)
• “The Crow Knight”, Bonnie Jo Stufflebeam (Beneath Ceaseless Skies,
11 Oct 2018)
• “Thanatrauma”, Steve Rasnic Tem (New Fears 2, ed.
• “Sick Cats in Small Places”, Kaaron Warren (A World of Horror,
• “Blood and Smoke, Vinegar and Ashes”, D.P. Watt (The Silent Garden,
• “The Pine Arch Collection”, Michael Wehunt (The Dark #36)
• “In the End, It Always Turns Out the Same”, A. C. Wise (The Dark #37)
• “Asphalt, River, Mother, Child”, Isabel Yap (Strange Horizons, 8
• “Music for the Underworld”, E. Lily Yu (Terraform, 29 Mar
What advice would you give to new female authors looking to break into horror?
Read extensively across the genre. AND read extensively outside the genre. Write what you want to write how you want to write it. Don’t write as if your mother is looking over your shoulder; let the stories flow freely. If you need a story to be graphic, go there. And if you want a story to be more subtle and quiet, go there. Don’t feel that you have to write splatter/gore to prove yourself. And don’t feel you can’t write splatter/gore if the story demands it. Meet other writers – both female and male. Attend conventions or conferences if you can. Don’t be arrogant but be bold.
Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?
ED: I’ve won twice for original anthologies: Haunted Legends (with Nick Mamatas) and Fearful Symmetries and twice for The Year’s Best Fantasy and Horror (one of those with Terri Windling and one with Gavin J. Grant and Kelly Link).
As an editor I’ve been inspired by three people:
Maxwell Perkins, the mainstream editor of F. Scott Fitzgerald, Ernest Hemingway, and other American greats. He inspired me by his relationships with his authors-his nurturing and pushing them to create their best work.
Judith Merril, the great sf/f editor (and writer) inspired me by being generous in her definition of science fiction and her perspicacity in embracing mainstream writers works of the fantastic in her Year’s Best Science Fiction reprint series.
Harlan Ellison (also, a brilliant writer) for his two seminal anthologies Dangerous Visions and Again, Dangerous Visions. They broke boundaries, they smashed taboos and many of the stories in those books have become classics.
Do you think women in horror face more difficulties than their male peers?
PG: If you are talking about a woman who writes or edits, I think the challenges are about the same now in publishing as they are for a man. There are areas probably easier for a woman to break into; areas men will have an easier time. For women who write for the screen or direct, I think it is still hard to get a foot in the door.
I feel any woman creative who considers herself only “in horror,” though, may have a lot of difficulties of many kinds. I suppose it depends on what you want, but don’t confuse a very small, insular community for the world. If you want only to write for a limited audience and enjoy feeling you are part of a group of like-minded individuals—if that makes you happy, then that is great. But if you want to become a professional writer, then you need to avoid isolating yourself.
Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?
KK: Mr. Stoker has many friends in many places, so it’s always an honor to be able to say I won a Stoker Award: Dracula is an enduring symbol of the shocks and pleasures of darkness. And of course winning was a lot of fun, and the Dell Abyss list was a marvelous, groundbreaking group of writers.
Do you think women in horror face more difficulties than their male peers?
LA: It’s pretty clear in the wider world that women face more problems in fields where men dominate. I don’t have any personal experiences to point to because no one has treated me badly, but I have heard other women authors tell of having issues as horror writers. I’m glad there is an increase in conversation and attention about the need for inclusiveness on many levels of our field. Part of the challenge is convincing people to read/publish outside the names they are familiar with; this is happening slowly.
The gatekeepers (editors, publishers, agents, etc.) have a lot to do with evolving the horror landscape. Not only is there a need to be more aware of the need for diversity, but they also need to become more diverse.
I’m part of the HWA Diverse Works Inclusion Committee and we’re tasked with introducing the membership to creators in The Seers Table column of the monthly newsletter that they may not know about. It’s a way to put names and work out to members that they wouldn’t necessarily choose. I hope it’s making some impact.
Another project I’m involved in that I hope will introduce interesting new voices to the field is Sycorax’s Daughters, an anthology of 28 horror stories and 14 poems written by African American women writers, and edited by myself, Kinitra Brooks and Susan Morris from Cedar Grove Publishing. It is currently available for pre-order.
Tell us a little about your Bram Stoker Award-winning work(s). Inspirations? Influences? Anecdotes about the writing or critical reaction?
NE: Two of my Stoker-award-winning works, “Bigger than Death” (1998) and “The Power of Un” (2000), won in the “Work for Young Readers” category, which was very broadly defined. “Bigger than Death” is a short story, and “The Power of Un” is a novel. The rules surrounding works for young readers have changed since then. The category no longer exists. I also won the award in the short fiction category in 2004 for “Nimitseahpah.”
People seem particularly curious about where horror writers get their ideas. I’ve lost count of the number of times I’ve been asked about my sources of inspiration. I do have nightmares, and have had them all my life. They are certainly one source. But my stories more often revolve around the mysterious or inexplicable in everyday life. In “Bigger than Death,” a ghostly mother dog leads two children to her nest of puppies, still very much alive. “The Power of Un” examines questions about how a boy would change his past if he had that power. I wrote “Nimitseahpah” for an anthology about gargoyles. It didn’t make the cut, I think because I strayed pretty far from the usual definition of gargoyle. On the surface, it’s about a supernatural stone figure who guards an abandoned mine where a large number of miners lost their lives. Deeper down, it’s about a human boy who has an uncanny connection with the four traditional elements — air, earth, fire, and water. That story and several others which share the same setting were inspired by the weird desert landscape of Nevada, where I grew up….
Talk about winning the award – how surprised were you? Did winning pay off in any interesting ways?
MMY: Oh my goodness! I was the dorkiest award winner ever! I was so certain I wasn’t going to win that I wasn’t even paying attention and missed my name being called. I was wearing six inch heels and nearly tripped on my way to the pulpit. I didn’t have a speech prepared. I just grinned like a fool and garbled out a very sincere, heartfelt thank you before staggering back to my seat.
Winning put me on the map in a way that hadn’t happened before. People were interested in doing interviews and that was enjoyable. I had a few agents approach me instead of it happening the other way around. But what was most profound is that the award validated me in a very meaningful way. I had a friend say to me, “You’re a Bram Stoker award winner now. Your time is worthwhile. Work on what is important to you.” They were wise words. It’s almost as if that award gave weight to what I wanted to say. It was a nearly magical totem that gave me the power and courage to say no to some projects and stop stretching myself so thin.
There were big news and no news at the Stockholm press conference (August 26th) for the fourth Millennium novel, “The Girl in the Spider’s Web” by David Lagercrantz. Big news because of all the speculations and hysteria around this book, in the international bestseller (80+ million copies world-wide) series created and written by Stieg Larsson….
Stieg Larsson was one of Sweden’s top science-fiction fans throughout the 1970’s, as fanzine publisher (titles like Fijagh, SFären, Långfredagsnatt) board member and later chairman of the Scandinavian SF Association (where Yours Truly met him every week for several years), for which he and Eva Gabrielsson also edited the memberzine. He then turned to nonfannish journalism, covering neonazi and racist movements, and became quite well-known, writing books and appearing on TV talking about that field. When he died in a heart attack 2004, the first volumne in the Millennium saga was just about to be published. He never lived to see his huge success.
(2) The SFEditors (Ellen Datlow, Gardner Dozois, Paula Guran, Rich Horton, and Jonathan Strahan) are practically machine-gunning out short fiction recommendations.
The best core SF novella of 2015 is @AquilaRift’s Slow Bullets (Tachyon) about a failing starship far from home. Powerful and moving. – JS
Fortunately, The Martian, is a good blind date. Screenwriter Drew Goddard has translated Andy Weir’s novel into a script that keeps almost all of the science and humor intact, and director Ridley Scott allows the vast emptiness of Mars to speak for itself, while keeping the gimmicks to a minimum.
And, of course, Matt Damon does wonders for the role of Mark Watney—the best botanist on the planet. The planet of Mars.
Absolutely amazing book. I now find myself eagerly awaiting the next book. I only wish Stephenson had a tip jar on his website. I’d easily kick him whatever his percentage should be, because he easily deserves it.
(7) The oft-interviewed Samuel R. Delany answers questions, this time in The Nation:
CD: What other writers were doing this kind of work in ways that resonated with you?
SD: The first white writer who wrote a black character I personally found believable—and I read lots and lots, both inside and outside science fiction—was Thomas M. Disch, in his 1968 New Wave novel Camp Concentration, first serialized in the British science-fiction magazine New Worlds, whose first installment appeared in its first tabloid-style issue. The presentation of Mordecai is one reason I think it’s such an important book in science fiction’s history. Yes, that book passed my own Turing test in a way that, for me, Faulkner’s black characters did not—as, indeed, many of his white characters failed to do for me as well, though I always found his language exacting, when it wasn’t exhausting. Tom told me later that he’d modeled Mordecai on a black classmate of his in the Midwest. But, boy, did I recognize him from my memories of myself and my black friends on the Harlem streets.
(8) Forry Ackerman wrote a fan letter to Edgar Rice Burroughs in 1931 — and got an answer. Read both on Letters of Note.
Cartoonist. Born in New York City, he was a comic book artist and writer, credited as the creator of the DC Comic’s superhero “Batman” character. He was a trainee animator when he entered the comic book field in 1936. Merging with DC Comics action series in 1938, editors were in a scramble for more heroes such as Superman. It was then when Kane who had influences from film actor action characters, conceived “Batman” as a superhero. Writer Bill Finger joined artist Kane and the “Batman” character debuted in DC’s Detective Comics series in May 1939, and was a breakout hit… (bio by: John “J-Cat” Griffith)
On Sunday, I took two of my daughters to the 2015 instalment of Fan Expo Canada, billed as “the largest Comics, Sci-fi, Horror, Anime, and Gaming event in Canada.” More than 100,000 fans show up annually for the four-day exhibition, which now sprawls over both buildings of the massive Metro Toronto Convention Centre. Under one roof, I was able to meet a life-size My Little Pony, compete in a Catan tournament, playtest emerging console video games, commission custom panels from famous cartoonists, pose with life-size Futurama characters, buy a fully functional 3D-chess set, and generally revel in all the various subcultures that the rest of society stigmatizes as dorky and juvenile. My girls and I have been to Fan Expo Canada three years in a row, and we always have a good time….
In fact, the best way to describe Fan Expo’s celebrity protocol is as a sort of Chicago Mercantile Exchange for human beings. Instead of live cattle, lean hogs, skimmed milk powder, cash-settled butter, and softwood pulp, this big board (displayed above) lists prices for Billy Dee Williams, Gillian Anderson, Danny Trejo, Neve Campbell, Norman Reedus, Skeet Ulrich, Zach Galligan, and fifty other stars and quasi-stars. The precision of the numbers suggests a fine-tuned demand-driven adjustment process that any commodities trader would recognize. Williams (Lando Calrissian from Star Wars, but you knew that) was listed at $57. Anderson (X-Files): $91. Danny Trejo (Machete): $74. Neve Campbell (Scream): $97. Norman Reedus (The Walking Dead): $130. Skeet Ulrich (Jericho): $68. Zach Galligan (Gremlins): $63. Just my luck: Rupert Grint (Ron Weasley, Harry Potter’s red-haired sidekick) was listed at $142—highest on the board. I wanted to bail out. But having made the mistake of getting dragged this far, turning back wasn’t going to be a good-dad move.
And it got worse. Fan Expo also sells “Team Ups”: Photo-ops that allow big spenders to pose with multiple cast members from the same show or movie. In the case of Potter fans, $260 gets you the “Weasley family”—featuring not only Grint, but the two actors who play his fictional twin brothers Fred (James Phelps) and George (Oliver Phelps). The twins alone could be had for a mere $102, but my daughters convinced me that the family plan offered “the best value.” A second print: another $10. Digital copy: That was extra, too. With frames and tax, I was in for well over $300….
“Fleeced,” “Rip-off,” “Sucker”—I’ve used some strong language here. But in fact, Fan Expo and the Weasleys were scrupulously honest. They promised me a photo for a printed price. And that’s exactly what they delivered. And it’s a great shot: Everyone’s beaming. We look like fast friends. Perfect for generating social media likes and green-envy emoticons.
(12) You probably haven’t read enough tortured reasoning about the Hugos and Sasquan lately and will be thrilled that a lawyer has been studying the possibilities of suing about the asterisks.
Hugo "Asterisk Awards": Legal Analysis Complete #SadPuppies
Asterisking the Hugo Nominations is therefore perfectly legal, UNLESS the presentation was unofficial… which WorldCon can deny at the drop of a formal filing. All three lawyers were convinced that the second WorldCon obtained legal representation, they’d be advised to throw their Hugo Committee Chair (and all of his emails to me) under the biggest bus they could find. While this would essentially invalidate the 2015 Hugos entirely, it was pointed out that the organization’s alternatives would be far more disastrous.
Because WorldCon had complete control of the venue and process, but did nothing to prevent (or even denounce) any illegal use of its trademarks therein. Failure to defend a trademark against known infringement endangers the trademark.
That’s entirely aside from the issue of fraud, which comes in under the heading of deliberate misrepresentation. WorldCon’s Hugo Chair isn’t saying that they are invalidating the Asterisks after the fact… instead, he’s saying the Asterisks were never legitimate to begin with. Yet at the actual event, they were publicly represented as THE official Nominee awards. Rather than treated as jokes, they were lionized by those on stage as representative of SF/F fandom as a whole.
The denial itself is an act of fraud, affecting all 2015 Hugo Voters, but in terms of public record the World Science Fiction Society has given every appearance of endorsing the Asterisk Awards as official. Were I to file action, they’d only need to respond with verification of their existing public position. That would invalidate any claim of damages I could make. Only if they formally back up their Hugo Chair do they risk anything.
As none of the lawyers I spoke to believe they’ll be that stupid, none want to accept the case at this point.
‘Tis clear as is the summer sun.
(13) Gardner Dozois’ Year’s Best was published July 7. An anonymous contributor sent me this report on how the 2015 Hugo nominees fared.
But yesterday, I did compare the ballots to Gardner Dozois’s Year’s Best Table of Contents and Honorable mention list and came across something I find interesting…
Of all the nominees, both on the final ballot and those who dropped off the ballot, none of the stories made the table of contents and only two authors made the Honorable Mention list.
Given the positive comments about Annie Bellet and Kary English, it would be natural to think they might have made Gardner’s Honorable Mention list, but they didn’t.
The only Hugo nominated story to make Gardner’s honorable mention list was Michael Flynn’s “The Journeyman: In the Stone House,” which many of non-puppies complained was not a complete story since it is a part of a larger work.
The only other Hugo nominated author to make the list, amazingly enough for a non-Hugo related story, was John C. Wright, for “Idle Thoughts.”
How the vote works: There are three voting rounds: Nomination, long list, and finalist.
Nomination: Everyone votes for one and only one work (or person, if it’s that sort of category) in the category. The top ten or twelve vote-getters are sent to the long list stage (ties, etc are fine but the goal would be to get number of long list nominees as close to the ideal long list number as possible).
Long List: Everyone votes for up to three works on the long list, none of which can be the single work they originally nominated. That’s right! You have to choose something else in this stage, and hope enough other people like the work you originally nominated to include it among their own selections!
But what if people choose not to make selections in the stage in the hope that their lack of selection of other work will bump up the chances of their preferred work? Well, I would consider making a rule that says failure to participate in this round counts as a point against your original choice’s score in this round — which is to say if you don’t vote in this round, a point is deducted for your original choice’s score in this round (presuming it made the long list at all). You’re better off voting if you want your original selection to make it to the final round.
In this round, the top five or six vote-getters graduate to the final round. Hope your original choice made it!
Finalist: This vote is done “Australian Rules” style, where each voter ranks the works from first to last choice. “No Award” is an option in this round, so if you hated everything in the long list round, this is where you may register your disapproval. The winner is the one which collects the majority of votes, in either the first or subsequent balloting rounds.
What if instead of using sets, models and special effects, the producers of science fiction films and television shows constructed full sized flying spaceships? That is the premise of the Sci-Fi Air Show.
In a similar story arc to the Batmobile and the Aries 1B miniature from 2001: A Space Odyssey, these ships would have likely been sold off, traded, hidden away in basements and eventually rescued, restored and put on public display.
The images you see here on the site are photographs of practical miniature spaceships digitally blended with actual air show backgrounds. It is a fantasy air show that only exists on line, but appeals to many of us who, at one time, believed that these ships of fantasy really could fly.
While exploring an abandoned corner of the Zhukovsky airfield (Ramenskoye Airport) in Moscow two years ago, aviation photographer Aleksander Markin stumbled onto a forgotten relic of Russia’s Buran Space Program. This decaying wooden spacecraft was used as a wind tunnel model in the 1980s for the VKK Space Orbiter, the largest and most expensive Soviet space exploration program conceived as a response to the United States’ Space Shuttle. Despite its scientific purposes the wooden ship has the appearance of a fantastic children’s playground feature.
According to Urban Ghosts, this 1:3 scale replica was just one of 85 wind tunnel models used to test various aerodynamic properties of the orbiter. The testing would eventually reveal that NASA’s prototype for the Enterprise was ideal for spaceflight and the VKK Space Orbiter would take a similar design as a result.
“I don’t know where The Mirror got the story,” Mitchell, 84, said in an email to The Huffington Post, accusing the paper of fabricating his quotes and denying that an interview for this story ever took place.
The sixth man to walk on the moon has been outspoken over the years in his belief that extraterrestrials have visited the Earth and the moon — and that the government is withholding vital information about UFOs. Still, Mitchell insists the Aug. 11 Mirror story has no basis in the truth and disavows the information in it.
[Thanks to Andrew Porter, Will R., Ed, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]