Pixel Scroll 3/29/24 Scroll On, You Crazy Pixel

(1) FLOTSAM AND JETSAM. The five-day “Treasures From Planet Hollywood” auction brought in more than $15.6 million from over 5,500 bidders worldwide across some 1,600 lots, according to Heritage Auctions. Here are some items of genre interest that fetched big bucks.

Mechanical Man from Hugo

The whip from Indiana Jones and the Temple of Doom sold for $525,000 to become the most valuable prop or costume from the beloved franchise…

Another first-day smash was the Bapty& Co.-made ax Jack Nicholson used to heeeeeere’s-Johnny his way through the bathroom door in Stanley Kubrick’s The Shining. Among the first props Planet Hollywood secured before its grand opening in New York City in 1991, that ax sold for $125,000. When that sold Wednesday after a fierce bidding war, the auction room erupted in applause — for the first time, but not the last.

Over the five-day event, the hits kept coming: The Barbasol can Wayne Knight uses to smuggle dinosaur embryos out of 1993’s Jurassic Park realized $250,000The blaster Princess Leia carried across the forest moon of Endor in Return of the Jedi sold for $150,000, while an original Stormtrooper blaster from Star Wars, which Bapty & Co. forged from a British Sterling submachine gun, sold for $112,500.

Tobey Maguire’s black symbiote suit from 2007’s Spider-Man 3 swung out the door for $125,000, just a web ahead of one of his signature Spidey suits from the same film, which realized $106,250A “good guy” Chucky doll from 1988’s Child’s Play scared up a winning bid of $106,250….

…. A set of three Sankara stones from Indiana Jones and the Temple of Doom realized $100,000, while “the cup of the carpenter” — the Holy Grail itself — sold for $87,500.

But one of the auction’s first bidding wars was over a display figure wearing Gary Oldman’s Vlad the Impaler reproduced armor from 1992’s Bram Stoker’s Dracula, which Planet Hollywood obtained from technical advisor Christopher Gilman and sold on Wednesday for $87,500. And on the auction’s final day, a bidding war broke out over a prop from one of Martin Scorsese’s most underappreciated masterpieces, his 2011 adaptation of Brian Selznick’s children’s book Hugo, from which the original Mechanical Man automaton realized $81,250….

The top-selling item overall was the “Titanic prop that saved Rose and sparked debate…” reports NPR.

…”The wood panel from Titanic that saved Rose — but, controversially, not Jack — was the king of the auction, realizing $718,750 to float to the top of the five-day event,” auction house Heritage Auctions said in a release….

(2) SPOT RESOLUTION. Camestros Felapton wants you to know “Why I Declined a Hugo Spot”.

…2023 looms large here and there were definitely people I would rather see on the Hugo ballot for Best Fan Writer this year than myself. One was obviously Paul Weimer but I was certain he’d be top of most people’s ballots anyway but I was hoping some Chinese fans would make it onto the category. That didn’t happen but it is a decent list of finalists and there is nobody there that I would have wanted to replace.

Closely related to this was also the sense that I was likely to have gathered additional votes from things that I had written in 2024, specifically on the 2023 Hugo Award stats. Even if that wasn’t the case it would have felt like it was the case to me. So, I thought I’d feel happier skipping this year and putting my hat into the ring for next year…

(3) DREAM FOUNDRY CONTESTS OPEN SOON. The Dream Foundry’s annual contest for emerging artists and writers will take entries from April 1 until May 27, 2024. Every year their contest coordinators select ten finalists from a pool of submissions from around the world. Both contests offer cash prizes, first choice of seats in Flights of Foundry workshops, and other opportunities. Eligibility requirements and full details about prizes are at the links:

  • Art Contest — This year’s art contest will be judged by Lauren Raye Snow & Jessica Cheng, The contest coordinator is Grace P. Fong.
  • Writing Contest — The writing contest will be judged by Valerie Valdes and C.L. Polk, and our contest coordinator is Julia Rios.

(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Robert Levy and Jennifer Marie Brissett on Wednesday, April 10 at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

ROBERT LEVY

Robert Levy’s novel The Glittering World was a finalist for the Shirley Jackson Award and the Lambda Literary Award. His collection No One Dies from Love: Dark Tales of Loss and Longing was published last year by Worde Horde and includes stories from The Magazine of Fantasy & Science Fiction, Nightmare, Black Static, The Dark, The Best Horror of the Year, and The Year’s Best Gay Speculative Fiction. Trained as a forensic psychologist, he teaches at the Stonecoast MFA Program in Creative Writing and can be found at TheRobertLevy.com.

JENNIFER MARIE BRISSETT

Jennifer Marie Brissett is the author of Destroyer of Light, which received a starred Kirkus Review and was on its list of Best Fiction of the Year. She is also the author of Elysium, which won The Philip K. Dick Award Special Citation and was a finalist for the Locus and Tiptree Awards. And once a long time ago she owned and operated an independent bookstore in Brooklyn. She lives in Manhattan where she is currently working on her next novel Daughters of the Night. Find her via her website at www.jennbrissett.com

(5) CLIMATE FICTION CONTEST OPENS. Grist’s “Imagine 2200 climate fiction contest 2024” is open for submissions through June 24.

Grist is excited to open submissions for the fourth year of our Imagine 2200: Climate Fiction for Future Ancestors short story contest. 

Imagine 2200 is an invitation to writers from all over the globe to imagine a future in which solutions to the climate crisis flourish and help bring about radical improvements to our world. We dare you to dream anew….

…. The winning writer will be awarded $3,000. The second- and third-place winners receive $2,000 and $1,000, respectively. An additional nine finalists will each receive $300. All winners and finalists will have their story published in an immersive collection on Grist’s website. …

We are thrilled to also announce the judges for our 2024/25 contest: Omar El Akkad and Annalee NewitzEl Akkad is an author and journalist whose award-winning debut novel, American War, is an international bestseller and was selected by the BBC as one of 100 Novels That Shaped Our World. Newitz is a science fiction and nonfiction writer whose third novel, The Terraformers is a finalist for the Nebula Award, and whose latest nonfiction book, Four Lost Cities, is a national bestseller.

Imagine 2200 celebrates stories that envision the next decades to centuries of equitable climate progress, imagining futures of abundance, adaptation, reform, and hope. We are looking for stories that are rooted in creative climate solutions and community-centered resilience, showing what can happen as solutions take root, and stories that offer gripping plots with rich characters and settings, making that future come alive.

In 2,500 to 5,000 words, show us the world you dream of building.

Your story should be set sometime between the near future and roughly the year 2200….

(6) WANT TO GO TO SPACE? NASA is accepting applications to “Become An Astronaut” through April 16. The complete guidelines are at the link.

Astronaut requirements have changed with NASA’s goals and missions. Today, to be considered for an astronaut position, applicants must meet the following qualifications:

  1. Be a U.S. citizen
  2. Have a master’s degree* in a STEM field, including engineering, biological science, physical science, computer science or mathematics, from an accredited institution.
  3. Have a minimum of three years of related professional experience obtained after degree completion (or 1,000 Pilot-in-Command hours with at least 850 of those hours in high performance jet aircraft for pilots) For medical doctors, time in residency can count towards experience and must be completed by June 2025.
  4. Be able to successfully complete the NASA long-duration flight astronaut physical.

(7) LOUIS GOSSETT JR. (1936-2024). Actor Louis Gossett Jr., winner of an Oscar for his performance in An Officer and a Gentleman and an Emmy for his role in TV’s Roots,died March 29 at the age of 87.

His genre resume includes the movie Enemy Mine (as the alien soldier), the Watchmen TV series (as the former Hooded Justice, for which he won an Emmy), and an episode of Touched By An Angel (a role which also earned an Emmy nomination). He voiced Lucius Fox in The Batman animated series (2007).

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 29, 1957 Elizabeth Hand, 67. These are my personal choices, not an overview of her career. 

I’ll say up front that my favorite work by Elizabeth Hand is an atypical work by her, Wylding Hall. Using an oral history framing to tell the story of when the young members of a British folk band decide to record a new album, they choose this ancient country house that has a history that is very troubled. The characters are fascinating, the setting is well crafted and the story, well, I think it’s her best story ever and it did win the Shirley Jackson Award. 

Elizabeth Hand

So what else did I like by her? There’s Mortal Love which intertwine the now while reaching back in the Victorian past with the mystery of a woman who holds the key to lost Pre-Raphaelite paintings, appropriate since she seems too akin to one of those of those works herself. 

I will admit that I like her more grounded works better which is why the next pick is Illyria, a short novel set in the theater world (did I mention that I adore Angel Carter’s Wise Children? Well I do.) Twin sisters are now cast in a production of Twelfth Night, and magic will happen this night. It garnered a World Fantasy Award.

Curious Toys is an extraordinary work as a young girl attempts to find a murderer in turn-of-the-century Chicago. That description hardly describes the story awaiting the reader here as the girl is but fourteen and the setting the killer is stalking is the famous Riverview amusement park.  

Finally I find much to appreciate in her Cass Neary private eye series. A smart-assed, substance abusing and always self-destructive punk who means well, the series is that rare series that develops the character novel by novel. 

(9) COMICS SECTION.

(10) FANCY THREADS. “When Hollywood Needs a Historically Accurate Outfit That Looks Just Right, It Turns to Rabbit Goody”Smithsonian Magazine has the story.

… Thistle Hill Weavers, founded by Rabbit Goody in 1989, makes textiles for movies and television shows, historic houses, and high-end furniture and clothing companies. What sets this little mill in Central New York apart from every other cloth manufacturer in the country is Goody’s remarkable ability to re-animate the past: No one else produces short runs of textiles that so faithfully replicate the weave, texture, weight and color of historic fabrics. If you’ve seen “The Gilded Age” or Cinderella Man, you’ve seen Goody’s work in action. The majority of Thistle Hill’s income comes from creating more contemporary fabrics for interior designers and architects, and from the work Goody does with historic houses, such as Mount Vernon, George Washington’s home in Virginia. Yet many of her favorite jobs have come from Hollywood costume designers seeking perfectly rendered, historically accurate textiles to recreate items like Abraham Lincoln’s shawl for the movie Lincoln or much of the colonial-era clothing seen in the 2008 mini-series “John Adams.”…

… Today Thistle Hill Weavers employs seven people whom Goody has trained to run the nine mechanized shuttle looms dating from the 1890s through the 1960s, plus archaic-sounding equipment like a warp winder and a quiller—all necessary to transform big cones of thread into beautiful pieces of fabric. Goody’s workers generally arrive with no knowledge of weaving; she teaches them everything they need to know….

(11) NYT ON VINGE. The New York Times obituary linked here is behind a paywall: “Vernor Vinge, Innovative Science Fiction Novelist, Dies at 79”.

… Mr. Vinge’s immersion in computers at San Diego State University, where he began teaching in 1972, led to his vision of a “technological singularity,” a tipping point at which the intelligence of machines possesses and then exceeds that of humans.

He described an early version of his vision in Omni magazine in 1983.

“We’re at the point of accelerating the evolution of intelligence itself,” he wrote, adding, “Whether our work is cast in silicon or DNA will have little effect on the ultimate results.” He wrote that the moment of the intellectual transition would be as “impenetrable as the knotted space-time at the center of a black hole,” and that at that moment “the world will pass far beyond our understanding.”

A decade later, he fleshed out the intellectual transition — the singularity — in a paper (subtitled “How to Survive in the Post-Human Era”) for a symposium sponsored by the NASA Lewis Research Center and the Ohio Aerospace Institute.

“Within 30 years,” he said, “we will have the technological means to create superhuman intelligence. Shortly after, the human era will be ended. Is such progress avoidable? If not to be avoided, can events be guided so that we may survive?”

That prediction has not come true, but artificial intelligence has accelerated to the point that some people fear that the technology will replace them….

(12) MEASURING THE UNIVERSE. The New York Times makes sure she is “Overlooked No More: Henrietta Leavitt, Who Unraveled Mysteries of the Stars”.

…In the early 20th century, when Henrietta Leavitt began studying photographs of distant stars at the Harvard College Observatory, astronomers had no idea how big the universe was. Debate raged over whether all of the objects visible through the telescopes of the day were within our own Milky Way galaxy, or whether other galaxies — or “island universes,” as they were then called — might exist somewhere out in space.

Leavitt, working as a poorly paid member of a team of mostly women who cataloged data for the scientists at the observatory, found a way to peer out into the great unknown and measure it.

What’s now commonly called Leavitt’s Law is still taught in college astronomy courses. It underpinned the research of other pioneering astronomers, including Edwin Hubble and Harlow Shapley, whose work in the years after World War I demolished long-held ideas about our solar system’s place in the cosmos. Leavitt’s Law has been used on the Hubble Telescope and the James Webb Space Telescope in making new calculations about the rate of expansion of the universe and the proximity of stars billions of light years from earth.

“All of those major discoveries rested on Leavitt’s discovery,” Wendy L. Freedman, a professor of astronomy and astrophysics at the University of Chicago, said in a phone interview, referring to the explosion of knowledge about space over the last century. “It’s the bedrock foundation of so much of what we do today in cosmology and astrophysics in general.”

What Leavitt achieved was essentially twofold. In a groundbreaking observation in 1908, she noticed that certain stars, called Cepheids, photographed in the Large and Small Magellanic Clouds — two relatively nearby galaxies — had a distinctive pattern: The longer it took for the Cepheids to cycle through their variations, the brighter they were in magnitude. Then, in a paper in 1912, she laid out a mathematical formula to explain her observation, called a “period-luminosity” relationship.

That opened the door to a new kind of interstellar triangulation, as Cepheid variables emerged as a reliable way to calculate cosmic scale for Earthbound astronomers. Distances that before then were anyone’s guess suddenly had a formula, and the portrait that emerged was shocking — a universe hundreds of times bigger than most astronomers had imagined….

(13) AT THE CORE. “Astronomers Capture Dazzling New Image of the Black Hole at the Milky Way’s Center” in Smithsonian Magazine.

Astronomers have captured the first-ever image of magnetic fields circling the supermassive black hole at the center of our Milky Way galaxy.

The fields have a similar structure to those around the black hole at the center of Messier 87, a massive elliptical galaxy in the constellation Virgo. This finding suggests that strong magnetic fields may be a common feature of all black holes, the researchers report in a pair of papers published today in the Astrophysical Journal Letters.

“This spiral pattern that we see swirling around the black hole indicates that the magnetic fields must also be a spiral pattern whirling around—and that they’re very strong and very ordered,” Sara Issaoun, a co-leader of the research and an astronomer at the Center for Astrophysics, Harvard & Smithsonian, says to BBC Science Focus’ Tom Howarth….

(14) WEEDS IN SPACE! Yesterday I was frustrated that NASA had not said what plants are part of its lunar-bound experiment. Cat Eldridge found the answer on the Space Lab website: “Lunar Payload LEAF – Lunar Effects on Agricultural Flora”.

…The LEAF β (“LEAF Beta”) payload will protect plants within from excessive Lunar sunlight, radiation, and the vacuum of space, while observing their photosynthesis, growth, and responses to stress. The experiment includes a plant growth chamber with an isolated atmosphere, housing red and green varieties of Brassica rapa (Wisconsin Fast Plants®), Wolffia (duckweed), and Arabidopsis thaliana. By bringing seedling samples back to Earth, as part of Artemis III, the research team will apply advanced system biology tools to study physiological responses at a molecular level…

(15) WHEN DID THE FIRST HOMININS TRULY ENTER EUROPE? [Item by SF Concatenation’s Jonathan Cowie.] (I have never forgiven the dinosaurs for what they did to Raquel Welch.) When did humans first enter Europe has been the subject of some debate. Now, new research from a site in Ukraine at Korolevo has used two different dating methods. These have given a very similar result… “East-to-west human dispersal into Europe 1.4 million years ago” in Nature.

Here, using two methods of burial dating with cosmogenic nuclides [the researchers] report ages of 1.42 ± 0.10 million years and 1.42 ± 0.28 million years…

…this suggests that early hominins exploited warm interglacial periods to disperse into higher latitudes and relatively continental sites—such as Korolevo—well before the Middle Pleistocene Transition.

(16) NEW SF YOUTUBER….? [Item by SF Concatenation’s Jonathan Cowie.] Well, we all (OK, perhaps just some of us) have our favorite SF YouTuber, be it Moid Moidelhoff at Media Death Cult who is particularly popular with those fairly new on their SF journey, or Book Pilled for those that are perhaps more seasoned.  One recent newcomer that some Filers might like to check out is Grammaticus Books.  He recently reminded me of a forgotten Heinlein classic from 1942, Orphans of the Sky.  So I went to see if I had a copy in my library, and lo, it came to pass that I had and that I must have read it the best part of half a century ago…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Kathy Sullivan, Olav Rokne, Daniel Dern, Danny Sichel, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 4/13/23 Scrolling To Filezantium

(1) INFLUENCERS. TIME Magazine today posted “TIME100: The Most Influential People of 2023”. Listed actors, icons, and titans with genre connections include Ke Huy Quan, Pedro Pascal, Salman Rushdie, Angela Bassett, Bob Iger. And writer Neil Gaiman, whose tribute was written by actor James McAvoy:

What I admire most about Neil Gaiman is his belief in the necessity of storytelling: it’s something we need on a DNA level.

I first read a book by Neil when I was 14 years old. It was Good Omens, his brilliant 1990 collaboration with Terry Pratchett. Two decades later, I got the opportunity to star in the 2013 BBC radio adaptation of Neverwhere. I remember feeling so excited that I was being inducted into his sphere of influence—one that has only grown. It’s fantastic to see Neil’s work gain new fans, most recently with the Netflix adaptation of his award-winning comic-book series The Sandman.

Neil’s point of entry into the storytelling realm is darkly fantastical and occultish. The way he writes makes you feel like you’re being let in on a massive secret. His worlds are hidden, shrouded in mystery, yet they’re never that far removed from ours. They’re always just barely within your peripheral vision—under the street or in a dark building or at the end of a lane. He brings dreamscapes to life.

(2) PITCH: A CROSS BETWEEN SURVIVOR AND THE MARTIAN. Plus Shat! “Fox Orders ‘Stars on Mars’ Reality Show With William Shatner” reports Variety.

Fox has ordered the reality series “Stars on Mars,” a new celebrity unscripted series featuring “Star Trek” star William Shatner in a host-like role. The series, set to air this summer, will follow stars as they are suited up to live in a colony set up to simulate what it might be like to be an astronaut on Mars.

“Stars on Mars” premieres on Monday, June 5, at 8 p.m. on Fox. The show comes from Fremantle’s Eureka Productions. The idea centers on the celebrity contestants competing in the Mars-like surroundings until there is just one “celebronaut” left standing. Shatner will deliver tasks to the celebs as “Mission Control.”

… Shatner, in a quippy quote, added: “Thanks to lower gravity on Mars, you’ll weigh 62% less. Bad news: the air is unbreathable, so if you’re from LA, it’ll remind you of home.”

The show will open with the celebrities living together as they “live, eat, sleep, strategize, and bond with each other in the same space station,” according to the network.

Here’s more from the show description: “During their stay, they will be faced with authentic conditions that simulate life on Mars, and they must use their brains and brawn – or maybe just their stellar social skills – to outlast the competition and claim the title of brightest star in the galaxy. The celebrities will compete in missions and will vote to eliminate one of their crewmates each week, sending them back to Earth. Cue the intergalactic alliances and rivalries. ‘Stars on Mars’ will send these famous rookie space travelers where no one has gone before and reveal who has what it takes to survive life on ‘Mars.’”…

(3) IS THIS THE CRÈME DE LA CRÈME? Earlier this week the LA Times rolled out The Ultimate L.A. Bookshelf, devoting one of the shelves to 13 works of Speculative Fiction.

For our Ultimate L.A. Bookshelf, we asked writers with deep ties to the city to name their favorite Los Angeles books across eight categories or genres. Based on 95 responses, here are the 13 most essential works of speculative fiction, from Octavia Butler, Philip K. Dick, Aldous Huxley, Salvador Plascencia and many more….

Although these are all books, since two of them are collections of short fiction – Dangerous Visions (1967) and Speculative Los Angeles (2021) – it seems to me there should have been a way to get quintessential LA stories like Heinlein’s “And He Built A Crooked House”, and Niven’s “Inconstant Moon” into the mix. I’ll leave aside Bradbury’s “The Pedestrian” which doesn’t actually say what city it takes place in, though no one has ever had any doubt…

(4) CLI-FI CONTEST. Imagine 2200: Climate Fiction for Future Ancestors submissions will be accepted up to the June 13 deadline.

Imagine 2200 challenges entrants to write stories that help envision the next 180 years of climate progress. Whether built on abundance or adaptation, reform or a new understanding of survival, the contest celebrates stories that provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.

Stories will be judged by a panel of literary experts, including acclaimed authors Paolo Bacigalupi, Nalo Hopkinson, and Sam J. Miller. 

The winning writer will be awarded $3,000, with the second- and third-place winners receiving $2,000 and $1,000, respectively. Nine additional finalists will each receive $300. All winners and finalists’ stories will be published in an immersive collection on Grist’s website. 

Read more and find out how to submit a story here.

(5) FAN HISTORY ZOOM. Fanac.org’s program on “Researching (& Saving) Fan History” with Rob Hansen, Andy Hooper, Mark Olson and Joe Siclari can be viewed online April 22, 2023 beginning at 4 pm EDT, 1 pm PDT, 9 pm BST London, 6 am Sunday in Melbourne, AU. See the details in the poster. To get a link to the program, write to [email protected].

Past sessions are all available on Fanac.org’s YouTube channel

(6) NPR LEAVES TWITTER. AP News reported on April 12“NPR quits Elon Musk’s Twitter over ‘government-funded’ label”. They obviously meant it – NPR usually tweets prolifically every day, but there were no new tweets from NPR today, April 13.

National Public Radio is quitting Twitter after the social media platform owned by Elon Musk stamped NPR’s account with labels the news organization says are intended to undermine its credibility.

Twitter labeled NPR’s main account last week as “state-affiliated media, ” a term also used to identify media outlets controlled or heavily influenced by authoritarian governments, such as Russia and China. Twitter later changed the label to “government-funded media,” but to NPR — which relies on the government for a tiny fraction of its funding — it’s still misleading.

NPR said in a statement Wednesday that it “will no longer be active on Twitter because the platform is taking actions that undermine our credibility by falsely implying that we are not editorially independent.”…

(7) GATEWAY TO ORSON WELLES. [Item by Steve Vertlieb.] Celebrating the genius of this extraordinary artist with my published look at the turbulent life and career of Orson Welles, the fabulous, visionary film maker whose personal demons sadly overshadowed his staggering talent, and finally, tragically destroyed him.

Yet, in spite of his personal failings or, perhaps, because of them, Welles rose to become one of the most remarkable film makers of his, or any other generation.

From his groundbreaking first feature length motion picture Citizen Kane, regarded by many still as the greatest single film in motion picture history, to Touch Of Evil, his remarkable “Cinema Noir” tale of a squandered life and legacy corrupted by bribery and temptation, Welles remains one of the most extraordinary directors in the history of film.

His is a story of unwitting sabotaged achievement and haunting, incomparable genius.

Here, then, is “Xanadu: A Castle in the Clouds: The Life of Orson Welles” at The Thunderchild.

(8) OCTOTHORPE. Episode 81 of the Octothorpe podcast, “It Wasn’t an Interjection From the Room, It Was My Face”, is available.

Alison, Liz, John and Alison are live from Conversation! We talk about the convention, in a rather more haphazard way than normal. Art by the amazing Sue Mason.

(9) MORE WRITERS’ RESPONSES TO AI. The SFWA Blog has updated its webpage and now has over 50 SFWA members’ writing and thoughts on artificial intelligence (AI) and machine learning (ML) applications and considerations. “SFWA Members Weigh in on AI & Machine Learning Applications & Considerations”. In case you looked at the original version, the additions are designated “NEW” to make them easy to find.

SFWA also focused attention on a video is now available from the AI/ML Media Advocacy Summit, a free online event last month that brought together experts and creators to discuss the creative community’s response to AI/ML media generators. SFWA Vice President John Murphy served as a panelist for the writers’ forum, along with moderator Donna Comeaux, Ed Hasbrouck of the National Writers Union, and Mary Rasenberger of the Authors Guild.

With our discipline specific panels we will be talking to a variety of individuals from across the creative industries including visual artists, voice actors, musicians, animators, photographers and writers on the different types of AI media generators and the unique challenges they pose.

(10) VIRGINIA NORWOOD (1927-2023). Physicist and inventor Virginia Norwood, who devised the scanner that has been used to map and study the earth from space for more than 50 years, died March 27. The New York Times obituary detailed the unexpected triumph of her contribution to the first Landsat.

…In the late 1960s, after NASA’s lunar missions sent back spectacular pictures of Earth, the director of the Geological Survey thought that photographs of the planet from space could help the agency manage land resources. The agency would partner with NASA, which would send satellites into space to take the pictures.

Ms. Norwood, who was part of an advanced design group in the space and communications division at Hughes, canvassed scientists who specialized in agriculture, meteorology, pollution and geology. She concluded that a scanner that recorded multiple spectra of light and energy, like one that had been used for local agricultural observations, could be modified for the planetary project that the Geological Survey and NASA had in mind.

The Geological Survey and NASA planned to use a giant three-camera system designed by RCA, based on television tube technology, that had been used to map the moon. The bulk of the 4,000-pound payload on NASA’s first Landsat satellite was reserved for the RCA equipment.

Ms. Norwood and Hughes were told that their multispectral scanner system, or M.S.S., could be included if it weighed no more than 100 pounds.

Ms. Norwood had to scale back her scanner to record just four bands of energy in the electromagnetic spectrum instead of seven, as she had planned. The scanner also had to be high precision. In her first design, each pixel represented 80 meters.

The device had a 9-by-13-inch mirror that banged back and forth noisily in the scanner 13 times a second. The scientists at the Geological Survey and NASA were skeptical.

A senior engineer from Hughes took the device out on a truck and drove around California to test it and convince the doubters that it would work. It did — spectacularly. Ms. Norwood hung one of the images, of Yosemite National Park’s Half Dome, on the wall of her house for the rest of her life.

The first Landsat blasted into space on July 23, 1972. Two days later, the scanner sent back the first images, of the Ouachita Mountains in Oklahoma; they were astounding. According to a 2021 article in MIT Technology Review, one geologist teared up. Another, who had been skeptical about the scanner, said, “I was so wrong about this. I’m not going to eat crow. Not big enough. I’m going to eat raven.”

The RCA system was supposed to be the primary recording instrument aboard the satellite, and the M.S.S. a secondary experiment.

“But once we looked at the data, the roles switched,” Stan Freden, the Landsat 1 project scientist, said in a NASA report.

The M.S.S. proved not only better, but also more reliable. Two weeks after liftoff, power surges in the RCA camera-based system endangered the satellite and the camera had to be shut down….

(11) MEMORY LANE.

1945[Compiled by Cat Eldridge.]

August Derleth’s “A Word From Dr. Lyndon Parker”

Sherlock Holmes pastiches must be almost as old as the stories themselves. The first credited one was sixteen years after the first Holmes story and was in Greek, Sherlock Holmes saving Mr. Venizelos (Ο Σέρλοκ Χολμς σώζων τον κ. Βενιζέλον).  Our Beginning tonight isn’t from a work that old as it’s taken from August Derleth’s In Re: Sherlock Holmes.

It came from the collection of short stories, In Re: Sherlock Holmes, first published seventy-eight years ago in the US by Mycroft & Moran which was an imprint of Arkham House. The imprint was in part created for these stories. Wise choice I’d say.

Pons, a Consulting Detective in the mold of Holmes, exists because Derleth desired so much to do Holmes stories after Doyle ceased that he wrote him and asked if he could. Doyle unsurprisingly said no. The Solar Pons name is supposedly syllabically similar to Sherlock Holmes. Huh.

I like them because Derleth is obviously a fanboy of Holmes and his detective. Pons isn’t Holmes but is what a fan would write if he was creating his own loving version of Holmes. 

And now for our very British Beginning…

A Word From Dr. Lyndon Parker

The way in which I first made the acquaintance of Mr. Solar Pons, who was destined to introduce me to many interesting adventures in crime detection, was exceedingly prosaic. Yet it was not without those elements suggestive of what was to come. Though it took place almost thirty years ago, the memory of that meeting is as clear in mind as if it had taken place yesterday.

I had been sitting for some time in a pub not far from Paddington Station, ruefully reflecting that the London to which I had returned after the first World War was not the city I had left, when a tall; thin gentleman wearing an Inverness cape and a rakish cap with a visor on it, strode casually into the place. I was struck at once by his appearance: the thin, almost feral face; the sharp, keen dark eyes with their heavy, but not bushy brows; the thin lips and the leanness of the face in general–all these things interested me both from a personal and a medical standpoint, and I looked up from the envelope upon which I had been writing to follow the fellow with my eyes across the floor to the bar.

A waiter, who was wiping tables next to me, noticed my interest and came over. “Sherlock Holmes’,” he said. “That’s who he is. The Sherlock Holmes of Praed Street,’ is what the papers call him. His real name’s Solar Pons. Ain’t much choice between the two, eh?” 

Pons had had a few words with the man behind the bar and now turned to look idly over the room. I looked away as I saw that his glance was about to fall on me, and I felt him examining me from head to toe. I felt, rather than saw, that he was walking over toward my table, and in a few moments he came to stand beside my bag on the floor next to my chair. 

“Fine color,” he said crisply. “Not long back from Africa, I see. “Two days.”

“Your scarab pin suggests Egypt and, if I’m not mistaken, the envelope on which you have been writing is one of Shepheard’s. From Cairo, then.” 

“On the ship Ishtar.” 

“At the East India Docks.” 

I looked up and he smiled genially. “But, really, you know, my dear fellow–London is not as bad as all that.” 

“I should not like to think so,” I answered him, without at once realizing that I had given him no clue to my thoughts. “Obviously you have been walking.”

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 13, 1931 Beverly Cross. English playwright, librettist, and screenwriter. Yes librettist. He’s here because he wrote the screenplays for Sinbad and the Eye of the TigerJason and the Argonauts and Clash of the Titans. Not remotely genre related but worth mentioning, is that he worked uncredited on the script for Lawrence of Arabia although it is unknown if any of his material made it to the film we see. (Died 1998.)
  • Born April 13, 1943 Bill Pronzini, 80. Mystery writer whose Nameless Detective has one genre adventure in A Killing in Xanadu. Genre anthologist, often with Barry N Malzberg, covering such varied and wide-ranging themes as Bug-Eyed Monsters (with Malzberg), Arbor House Treasury of Horror and the Supernatural (with Greenberg and Malzberg) and Arbor House Necropolis. As Robert Hart Davis, he wrote “The Pillars of Salt Affair”, a Man from U.N.C.L.E. novella that ran in the The Man from U.N.C.L.E. Magazine.
  • Born April 13, 1950 Ron Perlman, 73. Hellboy in a total of five films including three animated films (Hellboy: Sword of StormsHellboy: Blood and Iron and the Redcap short which is elusive to find unfortunately). Still by far the best Hellboy. He’s got a very long association with the genre as his very first film was Quest for Fire in which he was Amoukar. The Ice Pirates and being Zeno was followed quickly by being Captain Soames in Sleepwalkers and Angel De La Guardia in the Mexican horror film Cronos. Several years later, I see he’s Boltar in Prince Valiant, followed by the hard SF of being Johnher in Alien Resurrection and Reman Viceroy in Star Trek: Nemesis. And I should note he was in Fantastic Beasts and Where to Find Them as Gnarlack, a goblin gangster if I read the Cliff Notes to that correctly. No, I’m not forgetting about his most amazing role of all, Vincent in Beauty and The Beast. (Having not rewatched for fear of the Suck Fairy having come down hard on it. So who has watched it lately?) At the time, I thought it was the most awesome practical makeup I’d ever seen. And the costume just made look him even still more amazing. 
  • Born April 13, 1951 Peter Davison, 72. The Fifth Doctor that I came to be very fond of. For twenty years now, he has reprised his role as the Fifth Doctor in myriad Doctor Who audio dramas for Big Finish. And he put a lot of gravitas into the voice of Mole he did for The Wind in the Willows animated special Mole’s Christmas. And let’s not forget he showed up in The Hitchhiker’s Guide to the Galaxy as the Dish of the Day. I’m going to note that I first saw him in Tristan Farnon in the BBC’s adaptation of James Herriot’s All Creatures Great and Small stories, a lovely role indeed. And I’m very fond of The Last Detective series where he played DC ‘Dangerous’ Davies. 
  • Born April 13, 1954 Michael Cassutt, 69. Producer, screenwriter, and author. His notable TV work includes work for the animated Dungeons & DragonsMax HeadroomThe Outer LimitsBeauty and The BeastSeaQuestFarscape, Eerie, Indiana and The Twilight Zone. He’s also written genre works including the Heaven’s Shadow series that was co-written with David S. Goyer. His latest piece of fiction was the “Aurora” novelette published in Asimov’s Science Fiction Magazine, March/April 2022. 
  • Born April 13, 1954 Glen Keane, 69. He’s responsible for all of the layout work on Star Trek: The Animated Series and also My Favorite Martians which I can’t say I recognize. As a character animator at Walt Disney Animation Studios, he worked on Aladdin, Beauty and the Beast, The Little Mermaid and Pocahontas
  • Born April 13, 1959 Brian Thomsen. Editor, writer and anthologist. He was founding editor of Warner Books’ Questar Science Fiction, and later served as managing fiction editor at TSR. He co-wrote the autobiography of Julius Schwartz. And yes I’ve actually read one of his anthologies, A Yuletide Universe, as I remember it from the cover art. (Died 2008.)
  • April 13, 1967 — Rogers Cadenhead, 56. This Filer is a computer book author and web publisher who served once as chairman of the RSS Advisory Board, a group that publishes the RSS 2.0 specification. Very, very impressive. He also gained infamy for claiming drudge.com before a certain muckraker could, and still holds on to it.

(13) COMICS SECTION.

(14) RIVERS OF LONDON. Titan Comics has revealed the covers for Here Be Dragons – the next phase of Rivers of London comics, set in the world of the bestselling novel series. For this upcoming series, comic series writers Ben Aaronovitch (Rivers of London) and Andrew Cartmel (The Vinyl Detective) are joined by BAFTA-nominated scriptwriter, and award-winning New York Times bestselling author James Swallow, with artwork by José María Beroy

This cover preview shows the first look at a dangerous monster at large above the streets of London. After a Met Police helicopter on night patrol is attacked by an unidentified aerial phenomena, the Met’s only sanctioned wizard, Peter Grant, and his mentor, Thomas Nightingale, are called to investigate.
 
Rivers of London: Here Be Dragons issue #1 (on sale in comic shops and digital July 12th, 2023) features covers by series artist José María Beroy, alongside David M. Buisan and V.V. Glass. 

(15) SMITHSONIAN OPEN ACCESS. “The Smithsonian Puts 4.5 Million High-Res Images Online and Into the Public Domain, Making Them Free to Use” at Open Culture. And more items are being added to Smithsonian Open Access all the time,

That vast repository of American history that is the Smithsonian Institution evolved from an organization founded in 1816 called the Columbian Institute for the Promotion of Arts and Sciences. Its mandate, the collection and dissemination of useful knowledge, now sounds very much of the nineteenth century — but then, so does its name. Columbia, the goddess-like symbolic personification of the United States of America, is seldom directly referenced today, having been superseded by Lady Liberty. Traits of both figures appear in the depiction on the nineteenth-century fireman’s hat above, about which you can learn more at Smithsonian Open Access, a digital archive that now contains some 4.5 million images.

Just for practice I searched “science fiction” and one of the images that returned was Octavia Butler’s typewriter.

This Olivetti Studio 46 Typewriter belonged to Octavia E. Butler (1947-2006), who wrote science fiction when few black writers did. Butler began writing at age 10 and eventually used a computer to compose, but noted, “I didn’t always. I wrote my first ten books on a manual typewriter of one kind or another….She [my mother] did day work; she made not very much money….here she had a daughter begging for a typewriter.” Butler’s blue typewriter dates to the 1970s….

(16) VONNEGUT SPEAKS. At Euronews:“Culture Re-View: Kurt Vonnegut’s five best quotes”.

…Over the following five decades, Vonnegut established himself as one of the most creative and humorous voices in science-fiction. Like an American Douglas Adams, his books would frequently deal with aliens, time travel, and metafiction, but always with the intent of getting to the heart of human nature itself….

The first example on their list is:

1. “We are what we pretend to be, so we must be careful about what we pretend to be.”

From Vonnegut’s third novel ‘Mother Night’, it’s a beautiful and quick summation of an appreciation of the stark importance as well as the flimsiness of human identity.

(17) DAY FOR KNIGHT. “’Game of Thrones’ Prequel Based on Dunk and Egg Books Series Order”TVLine has details.

Despite Game of Thrones author George R.R. Martin once plainly stating that HBO was not going to make a TV show out of his Dunk and Egg novellas, those characters will be central in A Knight of the Seven Kingdoms: The Hedge Knight, a Thrones prequel series that HBO greenlit Wednesday during Warner Bros. Discovery’s unveiling of its Max streaming service.

The series will be written and executive-produced by Martin and Ira Parker. Ryan Condal, who currently serves as House of the Dragon‘s showrunner, and Vince Gerardis also will be EPs.

“A century before the events of Game of Thrones, two unlikely heroes wandered Westeros,” the official logline reads. “A young, naive but courageous knight, Ser Duncan the Tall” (aka Dunk) “and his diminutive squire, Egg. Set in an age when the Targaryen line still holds the Iron Throne and the memory of the last dragon has not yet passed from living memory, great destinies, powerful foes and dangerous exploits all await these improbable and incomparable friends.”…

(18) A FROZEN FLAME. And if you’d like to see George R.R. Martin posing with his Dragon Award from last year, click on this link to his March 29 blog entry.

My thanks to all of the attendees of last year’s Dragoncon, and to all the Dragon Award voters who chose ELDEN RING as the best game of the year.   Like all my friends at From Software, I am thrilled that you enjoyed the play… as challenging as it can be.

(19) VIDEO OF THE DAY. PBS Space-Time’s Matt O’Dowd wonders “How Far Beyond Earth Could Humanity Expand?”

We humans have always been explorers. The great civilizations that have arisen across the world are owed to our restless ancestors. These days, there’s not much of Earth left to explore. But if we look up, there’s a whole universe out there waiting for us. Future generations may one day explore the cosmos and even settle entire other galaxies. But there is a hard limit to how much of the universe we can expand into. So, how big can humanity get?

[Thanks to Chris Barkley, Michael Toman, SF Concatenation’s Jonathan Cowie, Steve Vertlieb, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 3/15/23 Scroll’s Howling Pixel

(1) CALL FOR ACTION. Shepherd is looking for trans people to be supported by others refusing to participate in cons in states that are enacting these kinds of laws.

https://twitter.com/NeolithicSheep/status/1635672915520770050
https://twitter.com/NeolithicSheep/status/1635672924823728129

A Twitter discussion of the proposed Missouri law and link to its text is here.

(2) STILL “HALLUCINATES FACTS WITH GREAT CONFIDENCE”. “OpenAI Debuts GPT-4” and Publishers Weekly describes the claimed improvements.

OpenAI, the company behind GPT-3 and ChatGPT, today announced the release of GPT-4. This is a major upgrade to the amount of textual and image data that GPT relies on for its (mostly) uncannily accurate and verbose responses. OpenAI says that “GPT-4 is more reliable, creative, and able to handle much more nuanced instructions than GPT-3.5.”

The dataset is clearly larger than the earlier versions, though OpenAI is cagey as to the current size. The last version appeared to know little or nothing beyond early 2020; GPT-4 is trained with data up to September 2021.

GPT-4 is a so-called “multimodal large language model,” meaning it responds to both text and images. In the product demo, a picture of food in a fridge was used to generate recipes for the range of leftovers on display.

OpenAI readily admits that GPT-4 has the same limitations as previous GPT models and is not fully reliable—it “hallucinates” facts with great confidence. But the extensive data published on the product web page shows that the new version performs far better than its predecessors. OpenAI claims that GPT-4 is 82% less likely to respond to requests for content that isn’t currently allowed, and 60% less likely to make stuff up….

(3) PATTERSON QUIZZED ABOUT BAN. Martin County, Florida school district officials removed James Patterson’s YA series Maximum Ride from its elementary school library but is keeping it accessible for older students. The author’s reaction? “James Patterson: If Florida bans my books, ‘no kids under 12 should go to Marvel movies’” at MSN.com. The piece includes a Q&A.

You live nearby in Palm Beach County. Would you consider speaking directly to Martin County school board officials?

I almost went up there, and if the book had been totally banned, I would have.

But if I did speak to them, I’d say look, absolutely it’s important for you to keep your kids safe, and you should do a better job at that. If a book comes into your home with your child ask them, ‘What’s it about? Are you enjoying it? Oh, you’re having nightmares, let’s talk about it.’ But there are far scarier things on the internet than there are in libraries.

(4) A 451 DEMONSTRATION. “Worried about book banning, local faith group plans a public reading” of a Bradbury book, and it’s happening in Summerfield, Florida on March 18.

Amid a nationwide controversy over select books being banned, the Tri-County Unitarian Universalists in Summerfield will host a marathon public reading of the book “Fahrenheit 451” by Ray Bradbury on Saturday, March 18. While not currently banned in Florida, the book has been the subject of restriction efforts in the past.

“We believe very strongly that it is important that people study what’s going on in the world and learn to think critically about everything,” Cindy Grossman of the TriUU said. “Bradbury believed that strongly when he wrote his book. It may be science fiction, but he was trying to warn people about this kind of censorship and how good it is for humanity to expose themselves to different literature.”…

(5) SIMULTANEOUS TIMES IS FIVE. Space Cowboy Books announced a special 5 year anniversary episode with stories from the pages of Shacklebound Books. The episode is available on all podcast players and at Podmatic: “Space Cowboy Books Presents: Simultaneous Times”.

Stories featured in this episode:

“This is the Genesis Ship Arkhaven” by Jonathan Ficke; with music by Fall Precauxions

“A Free Man” by Warren Benedetto; with music by Phog Masheeen

Theme music by Dain Luscombe

(6) SPIN DOCTORING. Radio Times says “Doctor Who bosses ‘planning UNIT spin-off with Jemma Redgrave’”.

This really is shaping up to be an exciting year for Doctor Who fans, as it’s been reported that the sci-fi series’s bosses are planning a brand new spin-off show with Jemma Redgrave at its helm, as head of scientific research Kate Lethbridge-Stewart.

It’s a role that Redgrave has played since 2012, but in this new Torchwood-style series based on UNIT — the Unified Intelligence Taskforce — she will reportedly be taking the lead.

The fictional military organisation has appeared in Doctor Who, Torchwood and The Sarah Jane Adventures but could very well be getting a proper offshoot of its own….

(7) IMAGINE 2200 OPENS. Submissions are now being taken for the third year of Imagine 2200: Climate Fiction for Future Ancestors, Grist’s annual short story contest “envisioning hopeful, equitable climate futures.” 

Imagine 2200 challenges entrants to write stories that help envision the next 180 years of climate progress. Whether built on abundance or adaptation, reform or a new understanding of survival, the contest celebrates stories that provide flickers of hope, even joy, and serve as a springboard for exploring how fiction can help create a better reality.

Read more about this year’s contest and find out how to submit a story here.

The winning writer will be awarded $3,000, with the second- and third-place winners receiving $2,000 and $1,000, respectively. Nine additional finalists will each receive $300. 

All winners and finalists’ stories will be published in an immersive collection on Grist’s website. 

Stories will be judged by a panel of literary experts, including acclaimed authors Paolo Bacigalupi, Nalo Hopkinson, and Sam J. Miller.

(7) HOW THEY WORK. “Sensitivity readers: what publishing’s most polarising role is really about” according to the Guardian.

… Sensitivity readers can become the implied “baddy” or “goody” (depending on where you stand) in such cases, their service seen as the reason that changes have been made. However, this view assumes that sensitivity readers have more power than they actually do, says Helen Gould, a sensitivity reader who advises on issues including race and mental health issues. “I’m never directly editing text,” she says. When asked to perform a sensitivity read, she will read it, annotate sections where she thinks specific changes could be made – for example, an author might have written an inaccurate description of how a Black hairstyle is achieved (“It’s amazing how much of the work I do is about Black hair!”) – and provide overall feedback. Authors and editors can then choose to accept her suggestions and implement changes, ignore them, or ask to discuss them further….

(8) IN SUPPERTIMES TO COME. Rae Mariz has a wonderful post about “Feeding Future Ancestors” at Sarah Gailey’s Stone Soup.

…Which brings me back to our kitchen in Stockholm, with my twelve year old daughter and the responsibility I feel to show her the skills that will help her feed herself and her friends in the world they’ll be inheriting. There won’t be a recipe I can hand down to her with precise directions for how to recreate familiar flavors. The ingredients we’ve taken for granted as staples might not be available—either because she recrossed oceans, or because the industrialization of agriculture will have come to its inevitable end. How can I help her prepare for the future when I don’t even have the foresight to meal-prep a day in advance? I’m still working it out, doing what I can—in the kitchen, in my prose, on the streets—to contribute to a livable planet and a more caring culture. Kids eat what we give them.

The hard truth is that she’s probably already picked up on whatever I have to show her. I’ve certainly already fed her something that will horrify future ancestors when she reminisces about her childhood in whichever storytelling form arises to replace the internet….

(9) JOHN JAKES (1932-2023). Author John Jakes, best known for historical bestsellers like The Bastard and North And South, both adapted for television, died March 11 at the age of 90.

…Born on March 31, 1932, in Chicago, Jakes published his first short story at 18, earning $25, and would go on to author more than 80 books in his lifetime that sold more than 120 million copies worldwide….

With so many mainstream bestsellers to talk about, the fact that he wrote a lot of sff has been overlooked by the obituaries, the reason why Cora Buhlert has written an extended tribute here: “Remembering John Jakes (1932 -2023)”.

…What is only a footnote in all of the mainstream obituaries is that John Jakes was also an SFF writer as well as a writer of crime fiction, westerns and erotica long before he found success beyond imagination with historical sagas.

I certainly had no idea that John Jakes had written SFF before I came across his name in a review at Galactic Journey and thought, “Wait a minute, the North and South guy used to write SFF?” Turns out John Jakes did not just write SFF, he wrote a lot of it and was also one of the protagonists of the second sword and sorcery boom….

(10) ROLLY CRUMP (1930-2023). Influential Disney animator Rolly Crump died March 12. The LA Times tells how this Disney designer helped define Disneyland.

… Crump would go on to become one of the most important artists to work for Walt Disney Co.

It’s a Small World, the Enchanted Tiki Room and the Haunted Mansion are just a few of the projects Crump would contribute to once he joined Walt Disney Imagineering, known as WED Enterprises (for Walter Elias Disney) in 1959. With Imagineering, the division of the company that oversees Disney theme parks, Crump‘s designs would help define the look of Disneyland…

… Crump fought for Disneyland to retain a handcrafted quality. He was a no-nonsense, tell-it-like-it-is artist who was offended at the suggestion that others would be offended by his critiques. Crump, for instance, enjoyed a close relationship with [Mary] Blair, the artist who designed the dolls for It’s a Small World and whose style informed the bulk of the interior of the attraction. An accomplished watercolorist and muralist, Blair, like Crump, was handpicked by Disney to transition out of animation and into theme park design.

Crump spoke to The Times in 2018 about, among many topics, the creation of It’s a Small World. Still an imposing, broad-shouldered figure in his then-late-80s, Crump was emphatic. “I had Mary’s sketches in a book and gave them to the model shop,” he said. “I said, ‘Whatever you design, make sure they look like these drawings.’ I was given the job of supervising It’s a Small World. I knew it was only going to work if everything looked like Mary Blair. As far as I was concerned, this is a Mary Blair ride. So off we went. The rest is history.”….

(11) MEMORY LANE.

1992[Compiled by Cat Eldridge.]

Our Beginning is Rita Mae Brown’s Rest in Pieces: A Mrs. Murphy Mystery which was published by Bantam in hardcover thirty-one years ago. 

The prefaces are always by Sneaky Pie who is also listed as the co-author of this series.

I’m going do a bit of a spoiler here and tell you the mysteries focus on a postmistress named Mary Minor “Harry” Haristeen plus her tiger cat named Mrs. Murphy, a fat grey cat named Pewter and a corgi named Tee Tucker. 

Her other series, the “Sister” Jane Mysteries, centers around no-kill fox hunting and has foxes, owls, cats, dogs and others I’ve probably forgotten as characters. Oh, and humans obviously.  

I enjoy the ones that I’ve read quite a bit though I’ve by no mean read all thirty she’s done so far in this series. 

And now the Beginning… 

Dear Reader: 

Here’s to catnip and champagne! 

Thanks to you my mailbox overflows with letters, photos, mousie toys, and crunchy nibbles. Little did I think when I started the Mrs. Murphy series that there would be so many cats out there who are readers . . . a few humans, too. 

Poor Mother, she’s trying not to be a grouch. She slaves over “important themes” disguised as comedy and I dash along with a mystery series and am a hit. This only goes to prove that most cats and some dogs realize that a lighthearted approach is always the best. Maybe in a few decades Mom will figure this out for herself. 

The best news is that I was able to afford my own typewriter. I found a used IBM Selectric III so I don’t have to sneak into Mother’s office in the middle of the night. I even have my own office. Do you think I should hire Pewter as a secretary? 

Again, thank you, cats out there, and the dogs, too. Take care of your humans. And as for you humans, well, a fresh salmon steak would be a wonderful treat for the cat in your life. 

All Best, SNEAKY PIE

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 15, 1852 Isabella Augusta, Lady Gregory (née Persse). Irish dramatist, folklorist, theatre manager. With William Butler Yeats and Edward Martyn, she created the Irish Literary Theatre and the Abbey Theatre. She produced a number of books of retellings of stories taken from Irish mythology. Gods and Fighting Men, all seven hundred pages strong, is the best look at her work. It’s available at all the usual digital sources. (Died 1932.)
  • Born March 15, 1920 Lawrence Sanders. Mystery writer who wrote several thrillers that according to ISFDB had genre elements, such as The Tomorrow File and The Passion of Molly T. Now I’ve not read them so I cannot comment how just on how obvious the genre elements are, but I assume it’s similar to what one finds in a Bond film. One of these novels btw is described on the dust jacket as an “erotic spine tingler”. Huh. (Died 1998.)
  • Born March 15, 1924 Walter Gotell. He’s remembered for being General Gogol, head of the KGB, in the Roger Moore Bond films as well as having played the role of Morzeny, in From Russia With Love, one of Connery’s Bond films. He also appeared as Gogol in The Living Daylights, Dalton’s first Bond film. I’m fairly sure that makes him the only actor to be a villain to three different Bonds. (Died 1997.)
  • Born March 15, 1926 Rosel George Brown. A talented life cut far too short by cancer. At Detention, she was nominated for the Hugo Award for best new author, but her career was ended when she died of lymphoma at the age of 41. She wrote some twenty stories between 1958 and 1964, with her novels being Sibyl Sue Blue, and its sequel, The Waters of Centaurus about a female detective, plus Earthblood, co-written with Keith Laumer. Sibyl Sue Blue is now available from the usual suspects. (Died 1967.)
  • Born March 15, 1939 Robert Nye. He did what the Encyclopaedia of Fantasy describes as “bawdy, scatological, richly told, sometimes anachronistic reworkings of the traditional material” with some of his works being BeowulfTaliesin (which was the name of my last SJW cred), FaustMerlin and Mrs. Shakespeare: The Complete Works. His Falstaff novel is considered the best take on that character. Some of his works are available at the usual digital suspects. (Died 2016.)
  • Born March 15, 1943 David Cronenberg, 80. Not a Director whose tastes are at all squeamish. His best films? I’d pick VideodromeThe FlyNaked Lunch and The Dead Zone. Though I’m tempted to toss Scanners in that list as well. ISFDB says he has one genre novel, Consumed, which garnered a Bram Stoker Award nominated for Superior Achievement in a First Novel. Oh, and he was in the film version of Clive Barker’s Nightbreed
  • Born March 15, 1946 Chris Morris, 77. First genre writing was in the exemplary Thieves’ World shared universe, such as “What Women Do Best” with Janet Morris, and “Red Light, Love Light”.  He’s also written in the Merovingen NightsHeroes in Hell and Sacred Band of Stepsons saga series.

(13) COMICS SECTION.

(14) ‘WILLOW’ WHACKED. “‘Willow’ Canceled After One Season On Disney+” reports Deadline.

There will be no second season of Willow, Disney+’s live-action original series based on the 1988 fantasy film directed by Ron Howard. The news comes two months after the eight-episode first season of the show, which served as a sequel to the classic movie, ended its run on the streaming platform.

Willow, which picked up years after the events of the film, did not have the zeitgeist cultural impact of the original but was well received by critics, getting a 83% on Rotten Tomatoes. While the series won’t continue, Willow remains an important IP in the Lucasfilm library, so it might be revisited in the future….

(15) HOT ON THE TRAIL. “’Ant-Man and the Wasp: Quantumania’ Leak: Marvel Looks for Source”The Hollywood Reporter has the story. And allow me to make the obvious joke – it must be a very small hole!

Marvel is closing in on the source of a leak of a script from Ant-Man and the Wasp: Quantumania before the movie was released, and it intends to take legal action, a Disney company source tells The Hollywood Reporter.

A federal judge in California on Monday issued subpoenas to Reddit and Google directing them to identify the users who leaked the dialogue. The order came after the company moved for information on whoever posted then-unreleased dialogue from the film to the r/MarvelStudiosSpoilers subreddit.

Marvel is likely to pursue litigation against the person or group responsible for the leak. That could include a referral to prosecutors for criminal copyright infringement, among other charges….

(16) COLD STORAGE. Nerdist traces “The History of Superman’s Fortress of Solitude”, accompanied by many comics panels.

… Today, we think of Superman’s Fortress as an ice palace, far away from humanity in the Arctic. But originally, it was just a mountain cave where Clark stashed his belongings he didn’t have anywhere else to house. This “Secret Citadel” was located in a mountain range outside of Metropolis. It first appeared in Superman #17 in 1942, and it didn’t make many appearances. In those days, Superman’s Kryptonian heritage was more of an afterthought, a mere explanation for how he got his powers. The term “Fortress of Solitude” first appeared in Superman #58 1949, as Superman’s sanctuary located in “the polar wastes.” Interestingly, the name “Fortress of Solitude” actually predates Superman. The pulp adventurer Doc Savage had a Fortress of Solitude located in the frozen north, and DC Comics very liberally took the name and concept….

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Lise Andreasen, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Imagine 2200: Second Year Winners

The winners of the second year of Imagine 2200, Fix’s climate fiction contest, were announced October 4. Read or listen to the story collection here.

The three winners and nine finalists of Imagine 2200: Climate Fiction for Future Ancestors offer looks at a future built on sustainability, inclusivity, and justice.

FIRST PLACE

“The Metamorphosis of Marie Martin” by Nadine Tomlinson

A Jamaican woman takes more than she gives, until the sea teaches her a valuable lesson with implications for everyone around her.

SECOND PLACE

“By the Skin of Your Teeth” by Gina McGuire

Amid the sharks and waves of Hawaii, two people discover something important about themselves, and each other.

THIRD PLACE

“Seven Sisters” by Susan Kaye Quinn

As hard times and broken bots threaten a collective tea farm, the women keeping it going must decide whether to add another to their ranks.

FINALISTS

“The Lexicographer and One Tree Island” by Akhim Alexis

After an “oceanic rapture,” a lone survivor adapts to his new reality in ways both mental and physical.

“And Now the Shade” by Rich Larson

A bioengineer grappling with a challenging problem finds the answer in the dreams of her dying grandmother.

“The Florida Project” by Morayo ​​Faleyimu

A set of adult twins return to their Gulf Coast hometown to rewild the land, and remember the family who came before them.

“Secret Powers” by Anya Markov

In land once claimed by Russia, a magical deer joins a young girl as she grows up and changes her land for the better.

“A Holdout in the Northern California Designated Wildcraft Zone” by T. K. Rex

An inquisitive and thoughtful drone responsible for protecting a forest ecosystem stumbles upon a surprise deep in the woods.

“Benni and Shiya Are Leaving” by Jerri Jerreat

A mother and her teenager navigate the challenges of moving to a new community and starting a new life.

“Legend Has It” by Azisa Noor

When a minor disaster shakes up the plans for a local ceremony, a young woman and her colleagues pull together to provide for the community.

“Omaliyi” by Ebele Mọgọ

A young woman finds herself called back to her home, to help protect a river that nourished her and her community.

“The World Away From the Rain” by Ella Menzies

In post-warming Rwanda, a family learns to move past the trauma left behind.

Contest Judges: Grace Dillon, Arkady Martine, Sheree Renée Thomas. Story Reviewers: Leah Bobet, Chinelo Onwualu, Elsa Sjunneson, Sarena Ulibarri.

Fix’s Second Annual Imagine 2200 Climate Fiction Contest Taking Submissions

Fix, Grist’s solutions lab, is accepting submissions through May 5 for the second annual climate fiction short-story contest, Imagine 2200: Climate Fiction for Future Ancestors. There is no cost to enter.

Imagine 2200 wants original short stories of 3,000 to 5,000 words that “envision the next 180 years of clean, green, and just futures.”

Imagine 2200 draws inspiration from Afrofuturism, as well as Indigenous, Latinx, Asian, disabled, feminist, and queer futures, and the genres of hopepunk and solarpunk.

While we’re looking for hopeful stories, we also don’t expect you to be overly optimistic or naive. One hundred and eighty years of equitable climate progress will require hard work, struggle, and adaptation, and we invite you to show those as well.

 In addition, we’re especially interested in cultural authenticity (a deep sense of place, customs, cuisine, and more), rich characters with intersecting identities, and stories that challenge the status quo in which wealth and power are built on extraction, oppression, and violence.

The top three winners will be awarded $3,000, $2,000, and $1,000 respectively, and nine finalists will receive a $300 honorarium. Those 12 authors will be published in an immersive digital collection this fall.

Judges include writer Arkady Martine, editor and author Sheree Reneé Thomas, and Professor Grace L. Dillon, who coined the term “Indigenous futurism.” The deadline to submit a story is May 5, 2022 at 11:59 p.m. PST. There’s no fee to enter.

Grist is a nonprofit, independent media organization “dedicated to telling stories of climate solutions and a just future.”

[Based on a press release.]

Imagine 2200 Story Contest Winners

Grist’s “Fix” has announced the winners of its short story contest Imagine 2200: Climate Fiction for Future Ancestors, which “encouraged entrants to envision the next 180 years of equitable climate progress.”

The three winning stories and nine finalists “create intersectional worlds in which no community is left behind.” 

FIRST PLACE: Afterglow by Lindsay Brodeck, tells the story of Talli and her refusal to abandon the Earth.

SECOND PLACE: The Cloud Weaver’s Song by Saul Tanpepper, follows Semhar Ibrahim and her defiant journey to save her people.

THIRD PLACE: Tidings by Rich Larson, travels through several decades and shows the climate impacts that tie generations together.

OTHER FINALISTS

Tory Stephens, Fix New England Network Weaver, tells “How Imagine 2200 came to life”.

…It was connecting, rather than storytelling, that we had in mind in the spring of 2020 when we invited climate and justice leaders to a retreat focused on envisioning a pathway to our climate future. With pandemic lockdowns taking effect, our gathering migrated to Zoom, and over the course of three days the group charted the next 180 years of climate progress. This assembly visualized a complete societal transformation: a dissolution of political parties and borders. Reparations. The return of land to Indigenous and Black stewardship. Restorative justice replacing prisons. Granting rights to the Earth and non-human kin. Food sovereignty and heirloom seeds triumphing over monoculture farming. An economy built on ecological restoration, mutual aid, and care work. The pursuit of right relationships in all our systems and designs. 

Out of that visioning came a new idea: a climate-fiction contest to create stories of life in that future — not to just describe a better world, but to truly build it within our imaginations. Fix has largely focused on nonfiction storytelling, so an initiative to create imagined worlds would be a first for Grist and, as a network weaver now setting off to launch this new project, for me as well….

The contest judges were Adrienne Maree Brown, Morgan Jerkins, Kiese Laymon, and Sheree Renée Thomas. Story reviewers were Tobias Buckell, Andrew Dana Hudson, and Sarena Ulibarri.

[Via Locus Online.]