Pixel Scroll 11/4/23 Pixels Of The Night, From Pixelated Pixelvania

(1) APPRECIATING A FINE ANTIQUE. James Davis Nicoll has a new assignment for the Young People Read Old SF panel.

This month’s Young People Read Old Hugo Finalists features Bruce Sterling’s 1988 ​“Our Neural Chernobyl”. Sterling was, of course, a grand figure in science fiction at the time, being nominated and winning too many awards to list here. The Hugo was merely one of those awards….

Bruce Sterling’s early works are “old sff” now, but wow, where did the time go….

(2) SENIOR BRITISH DIPLOMAT ON MUSK AND SF. The author of “Does Elon dream of electric sheep?” at Medium is Julian Braithwaite, former Director General for Europe at the Foreign, Commonwealth & Development Office, and past Ambassador and Permanent Representative to the UK Mission to the WTO, UN and Other International Organisations in Geneva.

One of the most interesting revelations from this week’s AI Safety summit in the UK was something I didn’t expect: the role science fiction plays in Elon Musk’s world.

Interesting to me at any rate, as a fan of the genre and what it says about each generation’s concerns and hopes for the future.

Musk is widely considered a voice of caution on AI, eloquently warning about the risks. The famous joint letter in March in which he and others called for a pause in the development of AI frontier models. His penchant for kill switches to shut down rogue AI.

So it was something of a surprise to find him sitting with Prime Minister Sunak on Wednesday, urging people to read Iain M Banks, the Scottish science fiction author, and his “Culture” novels.

Surprising for two reasons. First, because the AI depicted in these novels, the “Minds”, are incredibly powerful but benign partners for humanity, co-creators of a galaxy-spanning utopian civilisation based on individual freedom and superabundance. And second because, in the science fiction of AI, the benevolent Minds are very much an outlier….

(3) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

How to access the online Chengdu Worldcon site from outside China

In Thursday’s Scroll, I wrote about how the con’s online site was no longer accessible outside China.  However, the error message reported by the browser made me think that there might be a workaround, and with the kind assistance of parties who will remain nameless, I can document a process whereby other con members can also regain access.

There is one slight caveat: I’m a Linux user, and haven’t had to touch OS X for over a year, and Windows for several years, so I can only reliably provide instructions for Linux.  I’m sure people who are more familiar with those other operating systems can provide addiitonal help in the comments.  (As for iOS or Android, I have absolutely no idea if or how you might be able implement a similar workaround.)  I’d also not be surprised if there is a more elegant solution to the problem than the one I’ve written up here; again, hopefully others can suggest things in the comments.

Basically, because DNS servers no longer have entries for online.worldcon.com to map it to an IP address, you have to add a manual override.  On a Linux machine, you can edit /etc/hosts to add a line “121.29.37.164 online.chengduworldcon.com” (no quotes) as shown in the screenshot.  You’ll need to do this via sudo, as that file should only be editable by the root user.

(Note that you can’t go directly to https://121.29.37.164/ in your browser; it just comes up with a “Forbidden” error.)

My recollection is that on current versions of OS X, you can do something pretty similar to the Linux /etc/hosts fix, but there’s perhaps some other faffing around you have to do to make sure the networking stack picks up your edits.

For the latest version of Windows that I was familiar with (10 I think?) the hosts file lived at C:\windows\system32\drivers\etc\hosts – whether that’s still the case, I have no desire to research into.  You would also need to edit this file with Administrator privileges.

A couple of things to note:

  • Whilst this manual override should be fairly benign, if the DNS record is restored and the site moves to a different IP address, then you wouldn’t be able to access the site, until you remove the override.  (And it should go without saying, you should be very wary about taking advice from random people on the internet about changing your network settings, without having a reasonable understanding about what the change actually does.)
  • Even when you get into the site and the “Live Planet” area where the videos reside, you might not be able to play the “Grasping the Future” video.  This is because the link to the underlying video file is a http:// URL, which by default are blocked when being accessed from https:// pages.  (Filers may remember a pretty much identical problem affecting Voter Packet downloads on the Hugo site…)
  • Related to the “bitrot” comments on that Scroll, just in case something similar happens to the other Chengdu sites, here are their IP addresses:

Con report published on Chinese government science site

This is quite an interesting con report, in that whilst it was published on a Chinese government science website, it’s clear that the author, Cao Wenjun, is a fan.  She covers areas that are of more interest to File 770 readers than the majority of the Chinese media coverage I’ve seen, which focusses more on the showbiz and business aspects of the event.  There’s a long section about what happened with RiverFlow, which is the first time I’ve seen any professional media mention that.

Some extracts (via Google Translate, with minor manual edits):

An insider told me beforehand that late-night snacking is the essence of all science fiction activities. This time I personally participated in them, and suddenly realized that this statement was true.

After the formal activities every day, groups of people in the science fiction circle always gathered together for late-night snacks. Sometimes groups of people who were working separately met each other in the hotel lobby or halfway, and they would gather together to form a larger late-night snack team, as if the stars in the universe attracted each other and converged to form a galaxy. In the circle, everyone was very familiar with each other, and those who have known each other from beforehand will treat each other as brothers. Occasionally, when a new face appears, everyone will get closer to each other immediately. After all, as long as you love science fiction, you’re part of the family. I had a busy schedule during the day and didn’t have much time to look for delicious food, so I experienced almost all the Chengdu delicacies during this trip at these late night snacks. At the late-night snack scene, I was fortunate enough to meet science fiction writers and critics such as Baoshu, [File 770 contributor] San Feng, A Que, Huihu, Xie Yunning, Jiao Ce, Wang Nuonuo, Wu Shuang, Qiyue, and Yang Wanqing [note: I corrected a couple of names there, but I’m sure others will have been mangled by machine translation]…

This international science fiction convention has many foreign writers and science fiction practitioners participating, and we often met them whilst having late-night snacks. Many domestic science fiction writers are also translators of foreign works. Inspired by the spirit of science fiction, everyone communicates smoothly and happily.

Probably because writers are often used to writing at night, even if they attend meetings all day long and eat late-night snacks until midnight, no one seems tired. Everyone raised their glasses and talked freely, congratulating the nominees, congratulating the winners, and congratulating everyone around them, and their drinking levels increased along with the mood. People talked about reading and writing, about work and life, and about the land, and the vast starry sky above their heads. During the night, rain fell, and the shopkeepers put up their awnings. The lights shone on the awnings stained with water drops and on the wet ground. The whole street looked like a spiral arm of the Milky Way, studded with colourful stars. The writers sat around the long table, surrounded by warm mist, chatting, laughing and clinking glasses, creating a dreamlike Chengdu night that will never be forgotten…

[After the Hugo ceremony] when I arrived at the hotel after returning from the hospital, I saw several people getting off the shuttle bus from the venue.  One of them was Hai Ya, who was holding a Hugo Award trophy. The SF people who were at the door of the hotel immediately expressed their congratulations to him, and Hai Ya did not hide his happiness. But I could see from his heavy breathing that he was still in a state of shock beyond belief.

Everyone was sitting around the tea table in the hotel lobby, and the Hugo Award trophy was placed on the tea table, allowing us to watch, touch and admire it. Hai Ya didn’t sit on the sofa, but sat cross-legged on the steps next to it. At that time, I didn’t know that he was wearing his work attire; I just thought that the clothes fit him well, but sitting on the steps like this was a bit strenuous. Someone asked him how he felt at this time. He took a long breath and said that he had imagined this moment when he learned that his story had been shortlisted, but that was just his imagination. It had really happened, and he felt incredible. Someone told him that his real name and workplace had been posted online. Hai Ya shrugged, appearing a little troubled and helpless. He said that when standing in the spotlight, people always have two sides. When you receive an honour, you will also lose something. He mentioned that he always writes after work, so his level of output is not high, but it was just as a kind of adjustment and relaxation. In subsequent news reports, many media asked this question, and he responded in the same way, but it seemed that many netizens did not understand.

What I learned is that most science fiction writers are actually like this. They have their own day jobs. Some are college teachers, some are engineers, some are journalists, and they are from all walks of life. Writing is just their side job…

When asked about how he planned to take such a big and heavy trophy back on the plane, because it might not be allowed on board, Hai Ya said, “Let’s leave it to my publisher. I have to rush back to work first.”  Several writers smiled understandingly on the spot, saying that they had taken a day or two off from work before they could attend the meeting, and they had to go back to work on Monday.

In my opinion, Hai Ya is not very familiar to many people in science fiction circles. He seems to have always fully separated his work life and hobbies, and protected them well. In the end, everyone took turns taking photos with him, including me. It was the first time I had taken a photo with a science fiction writer since attending the conference, and it also fulfilled a long-held wish…

At the venue, I spent some time observing the children who came to the venue. Some of them came with their families, and some came with their schools wearing their uniforms. They looked at everything in the venue with curiosity and excitement, stopped in front of every picture in the science fiction exhibition, and flipped through science fiction novels that they might not fully understand at the book signing counter. When it was getting dark, I saw a mother holding her child and saying she wanted to go home. The child moved reluctantly and asked: “Mom, can you come tomorrow? It’s so much fun here!”

My son is five years old and is very interested in everything related to science. I brought him along this time to let him experience the atmosphere of the World Science Fiction Convention. Like other children, he ran around in the open space on the first floor of the hall, interacted with people cosplaying science fiction characters, watched robots playing drums, experienced science fiction games in the theme exhibition hall, and received souvenirs and ribbons from each booth, looked at paintings drawn by other children, and watching the robot dog for a long time, without ever wanting to leave. When I was listening to a panel where Korean science fiction writers such as Kim Cho-yeop talked about Korean science fiction works, he also slipped into the venue at some point, wearing a simultaneous translator, and listened quietly for a long time. I asked him what he thought of science fiction conventions, and he shouted, “It’s fun!” …

In my opinion, science fiction needs to open its doors and let everyone participate, make it fun for children, and let the public play like children. Perhaps we don’t have to worry that the current science fiction traffic is concentrated on Liu Cixin, because his science fiction works are also an open door. Just like many science fiction authors and science fiction fans in the past started to get into science fiction from “Little Know-it-All Roams the Future”, Liu Cixin’s works are now the beginning of many people’s enlightenment on the road of science fiction, and they are also the future of Chinese science fiction.

What makes me happy is that after five days of reporting daily experiences to my circle of friends, many of them who hadn’t paid much attention to science fiction, began to ask me to recommend some SF novels for introductory reading.  Other friends were very interested in telling me about the science fiction novels they had recently read. I feel that I myself have become a small window of Chinese science fiction, opening up with enthusiasm, calling to and embracing everyone around me.

Xiaohongshu image galleries

I suspect most of the items in this Xiaohongshu image gallery,have already been seen in previous Scrolls, but I don’t think I’ve seen too many of the stamps, which are based on some of the con reports, that were popular amongst kids.

Similarly this one has many familiar sights, but also photos of a wall of Post-Its (I think at the Three-Body Problem event) and some author handprints, neither of which I’d previously encountered.

And this post continues the theme, although there are more photos of the props and exhibits than I’ve usually seen. The accompanying note is a short report that’s also worth reading; here’s the nearly the entire text via Google Translate, with manual edits:

The science fiction conference was fruitful and I was very happy.

The World Science Fiction Convention was really fun. I really gained a lot from those days. I was lucky enough to get autographs from Liu, Sawyer and [German author Brandon Q.] Morris, and saw all kinds of interesting exhibitions… But when it comes to science fiction-related topics, I feel very happy. Especially when participating in the panels, I felt that the atmosphere was super good and everyone was very happy.  After all, SF was a topic that everyone was very interested in but usually can’t find friends to discuss it with. 

The volunteers working the con were are all very friendly students. Not only were they very interested in science fiction, but they were also very passionate. It makes people feel the vitality of young people in the science fiction convention, and also makes people feel the friendliness of the city of Chengdu. 

The musical fountain at the weekend was also particularly good. It performed for half an hour after the Hugo Awards, and was really beautiful.

Although the entire conference did not feel perfect during the organization process, and the venue was indeed too far away. It still took two hours to get to the venue by bus and subway every day, but attending the con will remain an unforgettable memory

(4) CHENGDU CONREPORT BY NEXT YEAR’S GOH. Ken MacLeod, who will be a Glasgow 2024 Worldcon guest of honor, blogs about his experience at this year’s con in China: “Chengdu Worldcon: Meet the Future” at The Early Days of a Better Nation. The post includes many photos.

Last month I spent far too few days in China, at the Chengdu Worldcon, to which I was invited as an international guest. My travel, and accommodation for me and my wife, were covered by the Committee of the 2023 Chengdu World Science Fiction Convention, for which much thanks.

We had a wonderful time. The convention was a smashing success and easily the biggest, and most publicly celebrated, Worldcon ever….

…I took part in a couple of panels, one on Science Fiction and Future Science and one on cyberpunk, and was interviewed on video by an Italian documentary company and on voice recording for the Huawei news website. For two mornings I put in an hour or two at the Glasgow Worldcon stand. Never in my life have I been asked for so many autographs, or to pose with so many people for photographs. Nicholas Whyte, also at the stall, had the same experience, and others did too. Hardly any of the people whose notebooks and souvenirs we signed, or who stood beside us to have their photo taken, could have known who we were: that were overseas visitors with something to do with science fiction was enough. Among the few who did know us were some students from the Fishing Fortress College of Science Fiction in Chongqing. Our enthusiastic reception was nothing to that of Cixin Liu, author of the Three-Body trilogy and the story filmed as The Wandering Earth. His signing queue was like those I’ve seen for Neil Gaiman and Terry Pratchett. Science fiction in China is taken very seriously and sincerely by its fans….

(5) WONKA BIG B.O. ANTICIPATED. [Item by Cat Eldridge.] Oh god, they made a third version! “’Wonka’: Timothée Chalamet Movie Eyes $20M+ Box Office Opening” reports Deadline.

Warner Bros‘ anticipated Paul King-directed feature musical Wonka has hit early tracking six weeks before its release on December 5, with box office analytics film The Quorum predicting a $20 million-$23 million opening. Note it’s still early in the campaign, so there’s potential for upside.

Unlike other tracking services that project three weeks before a movie’s release, Quorum is six weeks ahead.

In regards to Wonka‘s marketing campaign, there is material out there to move the needle: Two official trailers on the Warner Bros YouTube channel measuring at 31M and 9M views each, respectively; and lead star Timothée Chalamet will host Saturday Night Live on November 11 with the actor also on the cover of GQ. In addition, Warners has 17 one-sheets out there for the movie (in billboards, in-theater and online), and if there’s any barometer as to how much a studio is committing to a movie, it’s in the quantity of one-sheet posters….

(6) DOWNFOREVERYONE. “British Library Hit by Apparent Cyberattack” reports the New York Times.

On Saturday, the library was hit by what it is calling a “cyber incident.” Ever since, its website has been down and scholars have been unable to access its online catalog. The library’s Wi-Fi has also stopped working, and staff members haven’t been allowed to turn on their computers. 

In interviews this week, seven regular users of the library — including the author of a forthcoming book on classical music, a University of Cambridge lecturer, two postgraduate students and a Shakespearean scholar — said that the library had essentially gone back to a predigital age.

Now, according to a staff member in the library’s “rare books and music” reading room, ordering a book involves looking up its catalog number in one of several hundred hardback books or an external website, writing that number onto a slip of paper and then handing it to a librarian who, in turn, would check their records to see whether the book was available. Books are only available if they are stored at the main library location.

Any incident at the British Library tends to be high-profile news in Britain. 

Yet the British Library has issued only brief comments about the episode on X, the social media platform formerly known as Twitter. On Tuesday, it posted a statement saying that the library was “experiencing a major technology outage as a result of a cyber incident. This is affecting our website, online systems and services, and some on-site services including public Wi-Fi.”

On Friday, a library spokeswoman said in an email that she could not provide further comment. She did not respond to questions on whether an attack had actually occurred….

(7) MICHAEL WHELAN ON AI-CREATED ART. “What Happens to Illustrators When Robots Can Draw Robots?” in the New York Times.

Michael Whelan has made a career painting aliens, dragons, robots and other fantastical creatures for books covers. While he finds A.I. tools useful for brainstorming, he is also concerned about its impact on younger illustrators….

The first time Michael Whelan was warned that robots were coming for his job was in the 1980s. He had just finished painting the cover for a mass-market paperback edition of Stephen King’s “The Dark Tower: The Gunslinger,” a gritty portrait of the title character with the outline of a tower glimpsed through the haze behind him.

The art director for the project told him to enjoy these cover-art gigs while he could, because soon they would all be done by computers. Whelan dismissed him at the time. “When you can get a good digital file or photograph of a dragon, let me know,” he recalled saying.

For the next three decades, Whelan kept painting covers the old way — on canvas, conjuring dragons, spaceships and, of course, robots for science fiction and fantasy giants including Arthur C. Clarke, Isaac Asimov, Ray Bradbury and Brandon Sanderson.

Over time, Whelan forgot the art director’s name, but not his words. Now, he said, the day he was warned about is here. Robots have already started taking book illustration jobs from artists — and yes, they can paint dragons.

Over the past few months, users working with A.I. art generators have created hundreds of images in Whelan’s style that were slightly altered knockoffs of his work, he said, forcing him to devote considerable time and resources to getting the images removed from the web.

“As someone who’s been in this genre for a long time, it doesn’t threaten me like it does younger artists who are starting out, who I have a lot of concern for,” Whelan said. “I think it’s going to be really tough for them.”

While much of the discussion in publishing around generative artificial intelligence tools such as ChatGPT has focused on A.I.’s unauthorized use of texts for training purposes, and its potential to one day replace human authors, most writers have yet to be directly financially affected by A.I. This is not true for the commercial artists who create their book covers….

(8) FEARS OF THE FIFTIES. You can view “Atomic Attack”, an adaptation of Judith Merril’s novel Shadow on the Hearth, originally aired on The Motorola Television Hour in 1954.

In this sobering film, a family living 50 miles outside of New York must escape the fallout from a nuclear bomb dropped upon the Big Apple.

(9) MARVEL STUNTMAN DIES IN CAR CRASH. “’Avengers’ stuntman dies in car crash along with two children” at USA Today.

Taraja Ramsess will always be remembered by those who knew him best as a loving brother, a devoted father and a hard-working stuntman. 

The “Black Panther” stuntman was killed alongside two of his children in a car crash on Halloween night on an Atlanta highway, according to reporting by local affiliate WSB-TV.

The 41-year-old was making his way back home with his children around 11 p.m. when he crashed into a tractor-trailer that had broken down near an exit on the left-hand side of the highway….

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 4, 1912 Wendayne Ackerman. She was the translator-in-chief of 137 novels of the German space opera series Perry Rhodan, the majority published by Ace Books. She left Germany before WWII to escape anti-Semitism, working as a nurse in France and London. After the war she emigrated to Israel where she married her first husband and had a son. Following their divorce she moved to LA in 1948, and soon met and married Forrest J Ackerman. (Died 1990.)
  • Born November 4, 1917 Babette Rosmond. She worked as an editor at the magazine publisher Street & Smith, editing Doc Savage and The Shadow in the late Forties. Rosmond’s first story, co-written by Leonard M. Lake, “Are You Run-Down, Tired-“ was published in in the October 1942 issue of Unknown WorldsError Hurled was her only genre novel and she only write three short genre pieces. (Died 1997.)
  • Born November 4, 1920 Sydney Bounds. Writer, Editor, and Fan from Britain who was a prolific author of short fiction, and novels — not just science fiction, but also horror, Westerns, mysteries, and juvenile fiction. He was an early fan who joined Britain’s Science Fiction Association in 1937. He worked as an electrician on the Enigma machine during World War II, and while in the service, he started publishing the fanzine Cosmic Cuts. The film The Last Days on Mars (an adaptation of “The Animators”) and the Tales of the Darkside episode “The Circus” are based on stories by him. In 2005, two collections of his fiction were released under the title The Best of Sydney J. Bounds: Strange Portrait and Other Stories, and The Wayward Ship and other Stories. In 2007, the British Fantasy Society honored him by renaming their award for best new writer after him. (Died 2006.)
  • Born November 4, 1934 Gregg Calkins. Writer, Editor, and Fan. Mike Glyer’s tribute to him reads: “Longtime fan Gregg Calkins died July 31, 2017 after suffering a fall. He was 82. Gregg got active in fandom in the Fifties and his fanzine Oopsla (1952-1961) is fondly remembered. He was living in the Bay Area and serving as the Official Editor of FAPA when I applied to join its waitlist in the Seventies. He was Fan GoH at the 1976 Westercon. Calkins later moved to Costa Rica. In contrast to most of his generation, he was highly active in social media, frequently posting on Facebook where it was his pleasure to carry the conservative side of debates. He is survived by his wife, Carol.” (Died 2017.)
  • Born November 4, 1953 Kara Dalkey, 70. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of SagamoreSteel RoseLittle Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Otherwise Awards. 
  • Born November 4, 1953 Stephen Jones, 70. Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies edited quite some time ago. The Mammoth Book of Best New Horror accounts for eighteen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated HistoryBasil Copper: A Life in Books and H. P. Lovecraft in Britain. He’s also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere. He’s won a number of World Fantasy Awards and far too many BFAs to count. 

(11) COMICS SECTION.

  • Saturday Morning Breakfast Cereal brings a robot to debate how people with emotions interact with people without emotions.
  • Tom Gauld’s x-ray vision finds the truth is out there.

(12) CATGPT? “’AI can teach us a lot’: scientists say cats’ expressions richer than imagined and aim to translate them” in the Guardian.

If an unexpected meow, peculiar pose, or unusual twitch of the whiskers leaves you puzzling over what your cat is trying to tell you, artificial intelligence may soon be able to translate.

Scientists are turning to new technology to unpick the meanings behind the vocal and physical cues of a host of animals.

“We could use AI to teach us a lot about what animals are trying to say to us,” said Daniel Mills, a professor of veterinary behavioural medicine at the University of Lincoln.

Previous work, including by Mills, has shown that cats produce a variety of facial expressions when interacting with humans, and this week researchers revealed felines have a range of 276 facial expressions when interacting with other cats.

(13) IMPACT FACTOR. [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story is “Impact Factor”.

The cover shows an artist’s impression of the collision between the protoplanet Theia and proto-Earth about 4.5 billion years ago. It has been suggested that it was this ‘Giant Impact’ that formed the Moon, but direct evidence for the existence of Theia remains elusive. In this week’s issue, Qian Yuan and his colleagues present combined results from simulations of the impact and mantle convection to explain why two large regions in Earth’s deepest mantle differ seismically and could be 2–3.5% denser than the surrounding mantle. The researchers suggest that the two dense areas are the remains of Theia’s iron-rich mantle that sank and accumulated above Earth’s core 4.5 billion years ago, surviving there throughout Earth’s history.

Primary research here “Moon-forming impactor as a source of Earth’s basal mantle anomalies”

(14) MARVELOUS MINI-MOON. [Item by Steven French.]  “Mini moon: Nasa spacecraft discovers asteroid orbited by its own tiny satellite” in the Guardian.

In one of the smallest, but still exciting, discoveries by Nasa in recent years, a spacecraft visiting a minor asteroid way out in the solar system has discovered that the chunk of space rock has its own tiny sidekick.

The spacecraft, called Lucy, was visiting asteroid Dinkinesh when it made the unexpected find of a moon companion.

The discovery was made during Wednesday’s flyby of Dinkinesh, 300m miles away in the main asteroid belt beyond Mars. The spacecraft snapped a picture of the pair when it was about 270 miles out.

In data and images beamed back to Earth, the spacecraft confirmed that Dinkinesh is barely a half-mile (790 meters) across. Its closely circling moon is a mere one-tenth of a mile (220 meters) in size.

Nasa sent Lucy past Dinkinesh as a rehearsal for visiting the bigger, more mysterious asteroids out near Jupiter.

Launched in 2021, the spacecraft will reach the first of these so-called Trojan asteroids in 2027 and explore them for at least six years. The original target list of seven asteroids now stands at 11.

Dinkinesh means “you are marvelous” in Ethiopia’s Amharic language….

(15) VIDEO OF THE DAY. Matt O’Dowd over at PBS Space Time this fortnight takes a look at “How Will We (Most Likely) Discover Alien Life?”

The first discovery of extraterrestrial life will almost certainly NOT be when it visits us, nor when we visit it. It won’t be when we see its stray TV signals. It’ll be in the excruciatingly faint changes in the color of alien sunsets glimpsed hundreds of light years away. Today we’re going to talk about the first such hint, why it’s probably not aliens, and why there’s a tiny chance that it still might not not be aliens.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Nicholas Whyte, Steven French, Cliff, Carl Andor, Lise Andreasen, Andrew Porter, Ersatz Culture, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark Roth-Whitworth.]

Pixel Scroll 8/8/2023 I Have Eaten The Notifications For The Scrolls You Posted

(1) PROSECRAFT NUKED FROM SPACE. A site called Prosecraft stirred tremendous controversy yesterday once authors realized thousands of their books were used by the site without their permission. Also, people believe their texts are being used to train AI.

Benji Smith’s initial attempt to skate around the controversy was to tell writers he would remove their book if they emailed him a link.

Smith took the site down today and left a sort of apology in its place, but they still have the texts — and the software. “Taking Down Prosecraft.io” on The Shaxpir Blog.

…Today the community of authors has spoken out, and I’m listening. I care about you, and I hear your objections.

Your feelings are legitimate, and I hope you’ll accept my sincerest apologies. I care about stories. I care about publishing. I care about authors. I never meant to hurt anyone. I only hoped to make something that would be fun and useful and beautiful, for people like me out there struggling to tell their own stories.

For what it’s worth, the prosecraft website has never generated any income. The Shaxpir desktop app is a labor of love, and during most of its lifetime, I’ve worked other jobs to pay the bills while trying to get the company off the ground and solve the technical challenges of scaling a startup with limited resources. We’ve never taken any VC money, and the whole company is a two-person operation just working our hardest to serve our small community of authors….

Lincoln Michel said the effort to decry a profit motive is deceptive.

Gizmodo’s report “Fiction Analytics Site Prosecraft Shut Down After Backlash” includes an extensive roundup of yesterday’s social media comments about the site.

Prosecraft.io, a site that used novels to help power a data-driven project to display word count, passive voice, and other much more subjective, writing-style markers such as vividness, shut down today after authors protested the project. Prosecraft used the full text of over 25,000 books—which is entirely copyrighted material—in order to develop a library of data. Authors, once they caught wind of what was happening, immediately hated this….

Ellen Datlow’s response to today’s shutdown was:

Susan Bridges pointed out why this is still dodgy:

And what’s more, Ursula Vernon found Prosecraft itself not very useful, as she illustrated in a long thread that starts here.

(2) ZOOM. Writers also discovered a much more important tool – Zoom – is grabbing their intellectual property with both robotic arms in its updated TOS.

Alex Ivanovs’ analysis at Stackdiary finds “Zoom’s Updated Terms of Service Permit Training AI on User Content Without Opt-Out”.

…What raises alarm is the explicit mention of the company’s right to use this data for machine learning and artificial intelligence, including training and tuning of algorithms and models. This effectively allows Zoom to train its AI on customer content without providing an opt-out option, a decision that is likely to spark significant debate about user privacy and consent.

Additionally, under section 10.4 of the updated terms, Zoom has secured a “perpetual, worldwide, non-exclusive, royalty-free, sublicensable, and transferable license” to redistribute, publish, access, use, store, transmit, review, disclose, preserve, extract, modify, reproduce, share, use, display, copy, distribute, translate, transcribe, create derivative works, and process Customer Content….

Under Section 10 of the new Zoom TOS:

10.4 Customer License Grant. You agree to grant and hereby grant Zoom a perpetual, worldwide, non-exclusive, royalty-free, sublicensable, and transferable license and all other rights required or necessary to redistribute, publish, import, access, use, store, transmit, review, disclose, preserve, extract, modify, reproduce, share, use, display, copy, distribute, translate, transcribe, create derivative works, and process Customer Content and to perform all acts with respect to the Customer Content: (i) as may be necessary for Zoom to provide the Services to you, including to support the Services; (ii) for the purpose of product and service development, marketing, analytics, quality assurance, machine learning, artificial intelligence, training, testing, improvement of the Services, Software, or Zoom’s other products, services, and software, or any combination thereof; and (iii) for any other purpose relating to any use or other act permitted in accordance with Section 10.3. If you have any Proprietary Rights in or to Service Generated Data or Aggregated Anonymous Data, you hereby grant Zoom a perpetual, irrevocable, worldwide, non-exclusive, royalty-free, sublicensable, and transferable license and all other rights required or necessary to enable Zoom to exercise its rights pertaining to Service Generated Data and Aggregated Anonymous Data, as the case may be, in accordance with this Agreement.”

Eddie Louise, like many professionals, is out of there.

Michael Damian Thomas concluded:

(3) LET’S MAKE A DEAL. Simon & Shuster has been sold to private equity firm KKR for $1.62 billion reports Publishers Weekly.

In a move that some in the industry will welcome as putting at least a temporary stop to industry consolidation, the private investment firm KKR has reached an agreement with Paramount Global to acquire Simon & Schuster for $1.62 billion in an all cash transaction.

Though below the $2.175 billion that Penguin Random House had previously agreed to pay for the country’s third largest trade publisher, $1.62 billion is a healthy price since most trade publishers sell for not much better than 1.5 times sales, and S&S’s 2022 revenue was $1.18 billion….

… Overall, Bakish said the $1.62 billion sale price plus the $200 million termination fee paid by Penguin Random House after last year’s deal was blocked by regulators, plus the cash flow gained from strong sales from S&S over the last year, means the company will “realize approximately $2.2 billion of gross proceeds” from the S&S sale….

NPR’s story reminds readers:

…Last year, the Department of Justice blocked Penguin Random House from acquiring Simon & Schuster for $2.2 billion.

“The proposed merger would have reduced competition, decreased author compensation, diminished the breadth, depth, and diversity of our stories and ideas, and ultimately impoverished our democracy,” Assistant Attorney General Jonathan Kanter of the Justice Department’s Antitrust Division said in a statement at the time….

(4) MEET THE HANTU. BookBrunch titles its interview with Zen Cho without good reason “No tongue sandwiches in these adventure stories”. Don’t let that keep you from enjoying her comments about writing the stories now collected in Spirits Abroad.

…But it felt important to me to write about a mundanity reflecting my day-to-day life, featuring people who looked and spoke like my friends and family. 

The stories that resulted were about Asian girls and women navigating multiple worlds, challenging and being challenged by the strange beings they found there – whether those were white people, or magical creatures. The characters are witches, shapeshifters, vampires and hantu – a Malay term for a diverse and terrifying group of local spirits. 

They encounter lovesick dragons, argue with their bossy undead grandmas, and battle fairy armies. They eat sambal (a pungent condiment characteristic of Malaysian and Indonesian cuisine, made from a mixture of chillies and shrimp paste) and curry chicken bread. They address each other using Hokkien kinship terms and speak a variety of languages, not least Malaysian English – what we call ‘Manglish’, a creolised form of English that borrows grammar and vocabulary from Malay, Chinese dialects and Indian languages.

I called the collection of these stories Spirits Abroad. Despite its flights of whimsy, it’s a book rooted in my reality, in a way none of the books I read growing up were. It features magic and the supernatural, but it’s also about characters who are far away from home and trying to figure out who they are in the new places where they find themselves. It’s the book I wish I could have given my younger self….

(5) HOPE FOR EARLY DOCTOR WHO COMPLETISTS. A better explanation of an item here the other day: “Doctor Who: Head of TV Archive Gives Promising Update on Missing Episodes” at CBR.com.

…However, Perry has given Doctor Who fans a peculiar update on the issue. RadioTimes reported that the CEO of Kaleidoscope assured audiences that the lost episodes are “very likely” to be recovered somewhere along the line. At the moment, 97 episodes (out of 253), all from the show’s first six years, are still missing, meaning that quite a few stories featuring the First Doctor and the Second Doctor and their companions are either partially or completely lost.

Perry claimed that he and his team were aware of the location of the missing episodes, yet they had no means of getting their hands on them due to lacking the owners’ permission. “We know where there is missing Doctor Who out there but the owners won’t return it at the moment,” he explained.

…. The recovery work for Doctor Who‘s missing episodes has been going on for years. In fact, all of the Third Doctor’s adventures — as well as six complete serials and quite a few episodes from the lost stories with the First and the Second Doctors — have been tracked down since the 1970s. Most recently, for instance, four episodes of Troughton’s Season 5 Serial 5, called “The Web of Fear,” were miraculously found in Nigeria back in 2013…

(6) GLASGOW 2024 TO OPEN ONE YEAR FROM TODAY. [From a press release.] The 82nd World Science Fiction Convention will open its doors to the public exactly one year from today. Glasgow 2024, a Worldcon for Our Futures will host over 5,000 fans of science fiction books, films, TV shows, games and other media and is expected to inject over £5m into the local economy. The one year milestone was marked by a live-streamed announcement from convention chair Esther MacCallum-Stewart.

This is the third time that Worldcon has been held in Glasgow, following successful conventions in 1995 and 2005, and in a notable coincidence Glasgow 2024 will open 19 years to the day after the gavel was brought down on the 2005 event. Next year’s celebration of science fiction is already proving very popular with SF fans and professionals around the world, with over 3,000 members from 30 countries registered to date.

Glasgow 2024 will be held at the Scottish Events Campus (SEC), widely recognised as a leading international convention and events venue. The SEC has been significantly upgraded since 2005, with additional conference spaces and a greatly expanded range of on-site hotels. The Glasgow 2024 team has had fantastic support from Glasgow Life throughout the bidding process and in preparing for the convention.

Glasgow 2024’s Guests of Honour include writers, editors, artists and fans – Chris Baker (Fangorn), Claire Brialey and Mark Plummer, Ken MacLeod, Nnedi Okorafor, and Terri Windling. These Guests will be joined by a range of Special Guests, professionals and fans from across the field and the world, with over 600 hours of programming and over 500 speakers planned for the five days of the convention.

Worldcon is, however, not just an extraordinarily engaging and diverse conference, but a celebration of all aspects of the SF genre, and the team will be making regular announcements over the coming months as plans are finalised.  This will start this week with a look at the major events, ranging from the traditional Hugo Award Ceremony and costume Masquerade to an orchestral concert, the world premiere of an original opera, theatrical performances, dances, and live action video games. Subsequent announcements will cover Special Guests, spectacular themed exhibits, a substantial Art Show and Dealers’ Room, and arrangements for virtual participation and attendance for those who cannot come to Glasgow in person.

Glasgow 2024 Chair, Esther MacCallum-Stewart said, “I’m hugely proud of the whole team for the dedication and hard work that have brought us to this point, and excited to start sharing our plans with both members and the wider community.  It’s a rare privilege to host the Worldcon and we are committed to our vision of being imaginative, caring and inclusive.”

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 8, 1920 Jack Speer. He is without doubt one of the founders of fandom, and perhaps the first true fan historian, having written Up to Now: A History of Science Fiction Fandom covering up to 1939 as well as the first Fancyclopedia in 1944. Filking and costume parties are also widely credited to him as well.  Mike has a proper remembrance here. (Died 2008.)
  • Born August 8, 1930 Terry Nation. Best known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for Department SThe Avengers, The Champions and MacGyver. He both Davros and the Daleks on Who. He died from emphysema in Los Angeles aged 66, as he working with actor Paul Darrow who played Kerr Avon on Blake’s 7 in an attempt to revive that series. (Died 1997.)
  • Born August 8, 1935 Donald P. Bellisario, 88. Genre shows include Tales of the Gold Monkey, Airwolf and of course that truly amazing show Quantum Leap. OK, is Tales of the Gold Monkey genre? Well if not SF or fantasy, it’s certainly pulp in the best sense of that term. 
  • Born August 8, 1937 Dustin Hoffman, 86. Ahhh Captian Hook, the man who got figuratively swallowed by the vast crocodile in Hook. Yeah I like that film a lot. But then I like the novel very much, too. By no means his only genre appearance as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (a film I actually find rather odd), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda.
  • Born August 8, 1950 John D. Berry, 73. Editor of myriad fanzines, notable as one featured a column in the Eighties written by his longtime friend, William Gibson. “The Clubhouse” which he wrote from July 1969 to September 1972 for Amazing Stories reviewed fanzines. His last published piece was “Susan Wood: About and By”, an appreciation of the late author. Partner of Eileen Gunn.
  • Born August 8, 1961 Timothy P. Szczesuil, 62. Boston-based con-running fan who chaired Boskone 33 and Boskone 53. He’s also edited or co-edited several books for NESFA, Strange Days: Fabulous Journeys with Gardner Dozois and His Share of Glory: The Complete Short Science Fiction of C. M. Kornbluth
  • Born August 8, 1974 Dominic Harman, 49. Wandering through the Birthday sources, I found this UK illustrator active for some twenty years. He’s won three BSFA Awards, two for Interzone covers and one for the cover for 2011 Solaris edition of Ian Whates’ The Noise Revealed. My favorite cover by him? Naomi Novik’s His Majesty’s Dragon cover, the 2006 Del Rey / Ballantine edition, is an outstanding look at his work.
  • Born August 8, 1993 Kawennáhere Devery Jacobs, 30. She’s a Kahnawake Mohawk. Why I mention that will be apparent in a moment. Her most recent role was recurring one as Sam Black Crow on now-cancelled American Gods but she has a very long genre history starting with being Monique on the Stephen King’s Dead Zone series. From there, she was Claudia Auditore in Assassin’s Creed: Lineage, a series of three short films based on the Assassin’s Creed II video game before showing up as Ali’s in Rhymes for Young Ghouls which is notable for its handling of First Nations issues. She’s Daisy in Another WolfCop (oh guess which monster), an unnamed bar waitress in Being Human, Nourhan in Exploding Sun and Sam in the The Walking Dead: Michonne video game. Her latest genre role is Blood Quantum about a zombie uprising on a First Nations homeland.

(8) COMICS SECTION.

(9) FIGHTING COPYRIGHT ABUSE. Fifteen-time Hugo winning artist Michael Whelan tweeted about a new battle to stop a site that computer-generates art in imitation of his style. Thread starts here.

(10) YOUR NAME HERE – EH, NO THANKS! Meanwhile, author Jane Friedman spent yesterday battling with book sites over junk books they are attributing to her name: “I Would Rather See My Books Get Pirated Than This (Or: Why Goodreads and Amazon Are Becoming Dumpster Fires)”

There’s not much that makes me angry these days about writing and publishing. I’ve seen it all. I know what to expect from Amazon and Goodreads. Meaning: I don’t expect much, and I assume I will be continually disappointed. Nor do I have the power to change how they operate. My energy-saving strategy: move on and focus on what you can control.

That’s going to become much harder to do if Amazon and Goodreads don’t start defending against the absolute garbage now being spread across their sites.

I know my work gets pirated and frankly I don’t care. (I’m not saying other authors shouldn’t care, but that’s not a battle worth my time today.)

But here’s what does rankle me: garbage books getting uploaded to Amazon where my name is credited as the author. (Here’s but one example.) Whoever’s doing this is obviously preying on writers who trust my name and think I’ve actually written these books. I have not. Most likely they’ve been generated by AI.

It might be possible to ignore this nonsense on some level since these books aren’t receiving customer reviews (so far), and mostly they sink to the bottom of search results (although not always). At the very least, if you look at my author profile on Amazon, these junk books don’t appear. A reader who applies some critical thinking might think twice before accepting these books as mine.

Still, it’s not great. And it falls on me, the author—the one with a reputation at stake—to get these misleading books removed from Amazon. I’m not even sure it’s possible. I don’t own the copyright to these junk books. I don’t exactly “own” my name either—lots of other people who are also legit authors share my name, after all. So on what grounds can I successfully demand this stop, at least in Amazon’s eyes? I’m not sure.

To add insult to injury, these sham books are getting added to my official Goodreads profileA reasonable person might think I control what books are shown on my Goodreads profile, or that I approve them, or at the very least I could have them easily removed. Not so.

If you need to have your Goodreads profile corrected—as far as the books credited to you—you have to reach out to volunteer “librarians” on Goodreads, which requires joining a group, then posting in a comment thread that you want illegitimate books removed from your profile….

Update (afternoon of Aug. 7): Hours after this post was published, my official Goodreads profile was cleaned of the offending titles. I did file a report with Amazon, complaining that these books were using my name and reputation without my consent. Amazon’s response: “Please provide us with any trademark registration numbers that relate to your claim.” When I replied that I did not have a trademark for my name, they closed the case and said the books would not be removed from sale.

Update (morning of Aug. 8): The fraudulent titles appear to be entirely removed from Amazon and Goodreads alike. I’m sure that’s in no small part due to my visibility and reputation in the writing and publishing community. What will authors with smaller profiles do when this happens to them? If you ever find yourself in a similar situation, I’d start by reaching out to an advocacy organization like The Authors Guild (I’m a member).

(11) UNION GROWTH. “Marvel VFX artists take first step toward unionisation amid Hollywood strikes” notes the Guardian.

Visual effects artists working for Marvel have taken the first step towards unionisation in a notoriously poorly represented area of the film industry. According to a statement from the International Alliance of Theatrical Stage Employees (IATSE) a group of on-set VFX artists employed by the studio have filed a petition with the US’s National Labor Relations Board.

Hailing the move as “a major shift in an industry that has largely remained non-union since VFX was pioneered during production of the first Star Wars films in the 1970s”, the IATSE said a supermajority of Marvel’s 50-plus VFX crew had signed authorisation cards indicating they wished to be represented by the union, which already represents around 168,000 technicians and craftspeople in live theatre, film and TV and associated areas in the US and Canada….

(12) PITTSBURGH DOES SPACE. [Item by Daniel Dern.] “One small step for man, one giant leap for Pittsburgh” says Route Fifty.

Think of the space industry in the U.S., and places like Houston, Cape Canaveral, Florida, or Huntsville, Alabama, likely spring to mind. But how about Pittsburgh?

No? Well, a collection of state and local officials and business leaders from the Keystone State are looking to change that.

…The Keystone Space Collaborative, a regional organization that works to promote space industry businesses and talent in Ohio, Pennsylvania and West Virginia, announced in June that it would form a space and innovation district in Pittsburgh….

And yet they mention neither James Blish’s Cities In Flight tetrology (Pittsburgh, like many other cities, spindizzies through space) nor Wen Spencer’s (highly entertaining) Elfhome series (Pittsburgh gets dimension-swapped to a magic/elf/etc world).

(13) A FACE IN AN ANCIENT CROWD. Live Science offers readers the opportunity to “See stunning likeness of Zlatý kůň, the oldest modern human to be genetically sequenced”.

In 1950, archaeologists discovered a severed skull buried deep inside a cave system in Czechia (the Czech Republic). Because the skull was split in half, researchers concluded that the skeletal remains were of two separate individuals. However, through genome sequencing done decades later, scientists concluded that the skull actually belonged to a single person: a woman who lived 45,000 years ago.

Researchers named her the Zlatý kůň woman, or “golden horse” in Czech, in a nod to a hill above the cave system. Further analysis of her DNA revealed that her genome carried roughly 3% Neanderthal ancestry, that she was part of a population of early modern humans who likely mated with Neanderthals and that her genome was the oldest modern human genome ever to be sequenced.

Although much has been learned about the woman’s genetics, little is known about what she may have looked like. But now, a new online paper published July 18 offers new insight into her possible appearance in the form of a facial approximation….

(14) THE SUSPENSE IS NOT KILLING ME. [Item by SF Concatenation’s Jonathan Cowie.] The record for suspended animation has been smashed by a worm revived after some 46,000 years! Suspended animation is a common trope in science fiction that is usually applied to astronauts in SF stories so that they can travel interstellar distances. However in reality finding organisms that can do this over potentially geological timescales has been elusive.

Now, past work has shown that bacterial spores can survive tens of millions of years, but bacteria are very simple life forms being single celled prokaryotes. What would be really neat would be something multi-cellular surviving very many years. Well, we have managed to revive 30,000 year old fruit tissue that had been frozen in permafrost from which whole plants were grown.  But what we really want to see is a multicellular animal survive thousands of years in suspended animation or, to be technical, cryptobiosis. Here too there has been some success with the resurrection of a rotifer from 24,000 year old permafrost. But rotifers are still simple animals that do not even have a through-gut and only have two, not three, layers of cells.

The latest development also involves reviving from suspended animation a species that had been buried in permafrost. Here, the species involved was a nematode worm, and a new species at that which the researchers call Panagrolaimus kolymaensis. (Panagrolaimus species have been known before, but P. kolymaensis is new.)

The dormant P. kolymaensis was found in permafrost near a riverbank at a depth of 40 metres and some 11 metres above the river level, the river being the Kolyma River, a few miles from Cherskyn north-eastern Siberia, Russia.

The worms were actually found in the remains of what was once a burrow of Arctic gophers (Citellus). The burrow also contained other organic material which the researchers used to radiocarbon date the burrow. They found it to be 44,315 years old (give or take nearly half a century of experimental error). The previous record for reviving a nematode worm in the wild was after about 25 years of being frozen in Antarctic moss. The record in the lab was 39 years of a dried worm in a herbarium. So this 46,000 year old discovery smashes both those records!

The researchers did some further work that suggests that the mechanisms Panagrolaimus kolymaensis uses to survive suspended animation are similar to that by another nematode worm, Caenorhabditis elegansC. elegans is a workhorse species for biologists working with nematodes. (It has even been used to elucidate why we mammals get the cannabis munchies.)

This work is also remarkable in another way. During Russia’s illegal invasion of Ukraine, this research was conducted by Russians together with western Europeans from Germany, Britain, Switzerland and Ireland. Two Russians and a German conceived the work. (See Shatilovich, A. et al (2023) A novel nematode species from the Siberian permafrost shares adaptive mechanisms for cryptobiotic survival with C. elegans dauer larvaPLOS Geneticsvol. 19 (7), e1010798.)

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Anne Marble, Kathy Sullivan, Steven French, Daniel Dern, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 2/11/20 I Saw A File Drinking A Pixel Colada At Trader Vic’s. Its Scroll Was Perfect

(1) SIGNS OF THE TIMES. A GoFundMe asks donors to “Help fund ASL Interpreters for Boskone”.

Boskone has a deaf attendee who would like to attend and providing ASL Interpreters is not in our budget.  They have contracted to get their own ASL Interpreters at the cost of about $1200 for the one day they are attending. We are creating a GoFundMe to raise money, to first give to them to pay for the Interpreters, and second (if we raise more than this year’s Interpreters cost) to start a fund for future years should Interpreters be necessary again.  

They’ve raised $573 of their $1200 goal as of this writing.

(2) NEXT RESNICK COLLECTION. UFO Publishing will soon be releasing a Mike Resnick collection of Harry the Book stories titled The Hex is In: The Fast Life and Fantastic Times of Harry the Book: “Introducing: The Hex is In”

This book will collect, for the first time, all fifteen Harry the Book stories Mike has written. These stories have appeared in a variety of anthologies and magazines spanning a decade. Several of them were only published in the United Kingdom, and one has never been published anywhere at all.

…Harry the Book yarns are humorous fantasy set in the alternate version of New York where magic is real and fantastical creatures are commonplace. In fact, this is a shared setting with Mike’s Stalking the Unicorn series.

Harry the Book is a bookie who takes bets on everything from horse races to dancing contests to political campaigns. And — always — the hex is in. Unscrupulous magicians meddle with the odds forcing Harry and his motley crew (which includes a four-hundred-pound flunky, a six-foot-ten zombie, and a lovelorn wizard) to scramble, dealing with the consequences.

These stories are written in a unique voice–meant to emulate and pay tribute to Damon Runyon (author of Guys and Dolls and other stories). Runyon was the bard of the New York underbelly of the early 20th century, celebrating the hustlers, gamblers, and gangsters of the era.

…Carol Resnick, Mike’s wife who is a Runyon fan and for whom Mike wrote these stories, will pen the introduction.

(3) MORE REASONS TO VISIT THE LAND OF ENCHANTMENT. Mythcon 51, the gathering of the Mythopoeic Society, will be held July 31-August 3 in Albuquerque, New Mexico. The theme will be The Mythic, the Fantastic, and the Alien —

This year’s Mythcon theme provides multiple opportunities to explore the Other in fantasy and mythopoeic literature. Tolkien spoke in “On Fairy-stories” of “the desire to visit, free as a fish, the deep sea; or the longing for the noiseless, gracious, economical flight of a bird.” We invite discussion about the types of fantasy that are more likely to put us into contact with the alien, such as time portal fantasy and space travel fantasy. In addition to Inklings, some writers who deal particularly well with the truly alien who might be explored include Lovecraft, Gaiman, Le Guin, Tepper, and others….

Rivera Sun is the Author Guest of Honor:

Rivera Sun is a change-maker, a cultural creative, a protest novelist, and an advocate for nonviolence and social justice. She is the author of The Dandelion Insurrection, The Roots of Resistance, and other novels. Her young adult fantasy series, the Ari Ara Series, has been widely acclaimed by teachers, parents, and peace activists for its blending of fantasy and adventure with social justice issues….
Rivera Sun’s essays have been published in hundreds of journals nationwide. She is a frequent speaker and presenter at schools, colleges and universities, where The Dandelion Insurrection has been taught in literature and political science courses. Rivera Sun is also the editor of Nonviolence News, an activist, and a trainer in making change with nonviolence. Her essays and writings are syndicated by Peace Voice and have appeared in journals nationwide. She lives in an Earthship house in New Mexico.

David Bratman is the Scholar Guest of Honor:

His earliest contribution to the field was the first-ever published Tale of Years for the First Age, right after The Silmarillion was published. Since then he’s published articles with titles like “Top Ten Rejected Plot Twists from The Lord of the Rings,” “Hobbit Names Aren’t from Kentucky,” and “Liquid Tolkien” (on Tolkien and music). He’s been co-editor of Tolkien Studies: An Annual Scholarly Review since 2013, and has written or edited its annual “Year’s Work in Tolkien Studies” since 2004. David edited The Masques of Amen House by Charles Williams and contributed the bio-bibliographical appendix on the Inklings to Diana Pavlac Glyer’s The Company They Keep.

(4) HIGH FASHION WHELAN. Forbes reveals“How Famed Science Fiction Artist Michael Whelan’s Art Wound Up In Louis Vuitton’s New Campaign” .

French fashion house Louis Vuitton made headlines last week with an eye-catching campaign for its Pre-Fall 2020 collection: A star-studden homage to pulpy genre paperbacks from the 1980s. In it, Léa Seydoux is menanced by a giant spider, Samara Weaving deals with a valentine from a werewolf, and Jaden Smith stares down a robot apocalypse.

The titles for the fake paperbacks were made up for the lookbook, but the art was not. It’s from veteran illustrators, and much of it was used on the covers of actual books from the same era.

(5) POSTAGE DUE. Atlas Obscura extols “The Joy of Collecting Stamps From Countries That Don’t Really Exist”.

The postage stamp looks like a postage stamp is supposed to look… But it’s not a postage stamp, not really, because its country of origin is Sealand—a metal platform about the size of a tennis court, off the English coast. Sealand is one of the quirky, strangely numerous states known as “micronations,” or self-proclaimed polities with no legal recognition. Some of them, to simulate legitimacy or at least make a little money, have issued their own flags, passports, coins, and yes, postage stamps.

Laura Steward, curator of public art at the University of Chicago, who organized an exhibition at the 2020 Outsider Art Fair in New York of stamps from micronations and other dubiously defined places, believes that these tiny squares are more than a toss-off: They’re art, proof of imagination, and rather sophisticated bids for public recognition….

What’s the micronation stamp with the most interesting story?

I’m drawn to Celestia, the Nation of Celestial Space. James Thomas Mangan, founder of Celestia, registered the acquisition of “outer space” with the Recorder of Deeds and Titles in Cook County, Illinois, on January 1, 1949. Magnan laid claim to outer space to prevent any one country from establishing hegemony there. Later in 1949, he banned all atmospheric nuclear tests, and notified the United Nations of his decision.

(6) KELLY OBIT. Paula Kelly, the actress, singer and dancer who starred in the film version of Sweet Charity and earned an Emmy nomination for her turn on Night Court, died February 9. She was 76. Kelly’s genre appearances included The Andromeda Strain (1971), and Soylent Green (1973). Kelly was married to British director Donald Chaffey (One Million Years B.C.) from 1985 until his death in 1990.

(7) MCLARTY OBIT. Ron McLarty, the character actor who also became a published author thanks to a rave from Stephen King, died February 8 at the age of 72, according to The Hollywood Reporter. I remember him as Detective Frank Belson in Spenser for Hire. His first onscreen role came in The Sentinel (1977). He also was in Kevin Costner’s The Postman (1997). However, it’s his audiobook work that really drew him into the orbit of genre

McLarty was a leading audiobook narrator; since the 1990s, his 100-plus credits included work for such authors as King, Danielle Steel, David Baldacci, Anne Rice, Richard Russo, Elmore Leonard, Ed McBain, Scott Turow and George W. Bush.

In 2001, McLarty persuaded the small company Recorded Books to produce his third novel, The Memory of Running, directly onto tape as an audiobook. (The actor also narrated what is believed to be the first recorded audiobook of an unpublished novel.)

King heard it and loved the story — about a 43-year-old man who, after his parents die, takes a cross-country road trip on an old Raleigh bicycle to find his sister’s body — and in 2003 devoted one of his “The Pop of King” columns in Entertainment Weekly to it, calling Memory “the best book you can’t read.”

The endorsement sparked a bidding war among publishers that led to McLarty getting a reported $2 million from Penguin that included rights to release the novel in 2004 (and later two others) in the traditional way….

(8) TODAY IN HISTORY.

  • February 11, 1970 — Hammer Films’ Frankenstein Must Be Destroyed premiered. Directed by Terrence Fisher, it starred Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. It was the fifth Hammer film that featured Baron Frankenstein. The screenplay was by Bert Batt, with the story written by Anthony Nelson Keys and Bert Batt.  Critics thought it was one of the better Hammer films in quite some time, and it holds a sixty eight percent rating among the nearly three thousand who rated it over at Rotten Tomatoes. You can watch it here.
  • February 11, 1991 – Today is the 29th broadcast anniversary of the Star Trek: The Next Generation episode “Clues” that Filer Bruce D. Arthurs wrote. (“Story by” Bruce, final teleplay credit shared with Joe Menosky.)

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 11, 1887 Sigizmund Krzhizhanovsky. Russian writer of Polish extraction who John Clute likes a lot. His works are translated into English by Joanne Trumbull. Clute describe his short stories as “the extravagances of Absurdist SF and the generic opportunism of Fantastika”. And miracle of all miracles, he’s available at the usual digital sources including The Letter Killers Club which sounds amazing. (Died 1950.)
  • Born February 11, 1908 Tevis Clyde Smith, Jr. He did several short stories with a Robert E. Howard, “Diogenes of Today”, “Eighttoes makes a play” and “ Red Blades of Black Cathay”. Donald M.Grant would publish them together in the Red Blades of Black Cathay collection. The title story originally appeared in Oriental Stories, an offshoot of Weird Tales. (Died 1984.)
  • Born February 11, 1910 L. T. C. Rolt. English writer whose enthusiasm for heritage railways is writ large in his 1948 Sleep No More collection of supernatural horror stories which tend to be set in rural railways. (Simon R. Green may be influenced by him in his Ghost Finders series which often uses these railways as a setting.)  Some of these stories were adapted as radio dramas.  Sleep No More isavailable from Kindle. (Died 1974.)
  • Born February 11, 1915 Pat Welsh. She was the voice of E.T. in E.T. the Extra-Terrestrial. She was also the voice of Boushh in Return of the Jedi who Lucas hired because of her raspy voice which he thought gave the character an ambiguous voice. Those two films and Waterloo Bridge, a Forties film, are her entire acting career. (Died 1995.)
  • Born February 11, 1926 Leslie  Nielsen. I know the comic, bumbling fool who delighted generations of film goers. But his first starring role was as Commander John J. Adams in one of the finest SF films of all time Forbidden Planet. I am most decidedly not a fan of his later films but I think he’s brilliant here. (Died 2010.)
  • Born February 11, 1920 Daniel F. Galouye. His work appeared in Galaxy and The Magazine of Fantasy & Science Fiction In the Fifties and Sixties. He also wrote five novels including Simulacron-3 which was made into Roland Emmerich’s Thirteenth Floor. His first novel, Dark Universe was nominated for a Hugo but came in second at Chicon III to Stranger in a Strange Land. (Died 1976.)
  • Born February 11, 1939 Jane Yolen, 81. She loves dark chocolate and I send her some from time to time. She wrote me into a novel as a character, an ethnomusicologist in One-Armed Queen to be precise in exchange for finding her a fairytale collection she wanted. Don’t remember now what it was other than it was very old and very rare. My favorite book by her is The Wild Hunt, and I love that she financed the production of Boiled in Lead’s Antler Dance which her son Adam Stemple was lead vocalist on. 
  • Born February 11, 1948 Robert Reginald. He’s here because of two Phantom Detective novels he wrote late in his career which are mostly popcorn literature. (The Phantom Detective series started in 1936 so he used the Robert Wallace house name.) He has two series of some length, the Nova Europa Fantasy Saga and War of Two Worlds. Much of what he wrote is available from the usual digital sources. (Died 2013.)
  • Born February 11, 1950 Alain Bergeron, 70. He received an Aurora Award for Best Short Story for “Les Crabes de Vénus regardent le ciel” published In Solaris number 73, and a Sideways Award for Alternate History for  “Le huitième registre” (translated in English as “The Eighth Register” by Howard Scott). 
  • Born February 11, 1953 Wayne Hammond, 67. He’s married to fellow Tolkien scholar Christina Scull. Together they’ve done some of the finest work on him that’s been done including J. R. R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s CompanionThe Adventures of Tom Bombadil and Other Verses from the Red Book and The J. R. R. Tolkien Companion and Guide

(10) MIGNOGNA STILL AROUND. At Nerd and Tie, Trae Dorn tells about “Kitchener Comic Con and Creating a Hostile Convention Culture”.

Most of organized fandom spent 2019 getting on board with the idea that maybe inviting Vic Mignogna to your convention is a bad idea. The whisper network about the once prolific voice actor finally went public as several women came forward with their stories of harassment. Most conventions decided Mignogna was not remotely worth the hassle (finally), and the vast majority of his appearances were cancelled.

It’s important to note that not all of them of were.

You see, there are still a number of conventions that think it’s a good idea to invite a man with that many allegations of harassment against them in their doors….

One of those conventions is Kitchener, Ontario’s Kitchener Comic Con. …

(11) PROXIMITY TO THE CORONA. [Item by Jonathan Cowie.]  It is well known that Orwell’s 1984 Big Brother is alive and well in China what with new mobile users having to have their face scanned and geo-positioned etc.  Now the State has turned this into an app that it is claimed can help keep people safe from coronavirus: “China launches coronavirus ‘close contact detector’ app”.

China has launched an app that allows people to check whether they have been at risk of catching the coronavirus.

The ‘close contact detector’ tells users if they have been near a person who has been confirmed or suspected of having the virus.

People identified as being at risk are advised to stay at home and inform local health authorities.

(12) THE NAMING OF VIRUSES. It’s a difficult matter: “Coronavirus officially named Covid-19, says WHO”.

The World Health Organization says the official name for the new coronavirus will be Covid-2019.

“We now have a name for the disease and it’s Covid-19,” WHO chief Tedros Adhanom Ghebreyesus told reporters in Geneva.

It comes after the death toll from the virus passed 1,000. Tens of thousands of people have been infected.

The word coronavirus refers to the group of viruses it belongs to, rather than the latest strain.

Researchers have been calling for an official name to avoid confusion and stigmatisation.

“We had to find a name that did not refer to a geographical location, an animal, an individual or group of people, and which is also pronounceable and related to the disease,” the WHO chief said.

“Having a name matters to prevent the use of other names that can be inaccurate or stigmatising. It also gives us a standard format to use for any future coronavirus outbreaks”

(13) HERE COMES THE SUN. “Polar Express: New Spacecraft Will Explore Elusive Parts Of The Sun”.

Until now, all the pictures of the sun have been straight-on head shots. Soon, scientists will be getting a profile.

NASA and the European Space Agency are set to launch a joint mission on Sunday to provide the first-ever look at the sun’s poles. Previous images have all been taken from approximately the same angle, roughly in line with the star’s equator.

…After the NASA/ESA probe called Solar Orbiter takes off from Florida’s Cape Canaveral, it’ll use Venus and Earth’s gravity to propel itself outside that equatorial plane where all the planets in our solar system orbit the sun. Orbiter eventually will be able to look down onto the poles of the sun.

There are many reasons why scientists want to know more about the sun’s poles. They think the poles might be driving some important aspects of space weather throughout the solar system, which can impact spacecraft and even humans on Earth. “It has real world effects on our satellites, our GPS, our power grid and things like that,” McComas says.

BBC adds some details: “Solar Orbiter: Sun mission blasts off”.

Europe’s audacious Solar Orbiter probe has lifted off on its quest to study the Sun from close quarters.

The €1.5bn (£1.3bn) mission is packed with cameras and sensors that should reveal remarkable new insights on the workings of our star.

Scientists want to better understand what drives its dynamic behaviour.

The spacecraft launched aboard an Atlas rocket, which lifted off from Cape Canaveral in Florida at 04:03 GMT (23:03 local time Sunday).

The Sun will occasionally eject billions of tonnes of matter and entangled magnetic fields that can disrupt activity at Earth.

The worst of these storms will trip the electronics on satellites, interfere with radio communications and even knock over power grids.

Researchers hope the knowledge gained from Solar Orbiter (SolO) will improve the models used to forecast the worst of the outbursts.

(14) MOON SHOT. NPR listens to the skeptics: “A Moon Landing In 2024? NASA Says It’ll Happen; Others Say: No Way”.

NASA is at a critical juncture in its push to get people back to the moon by 2024, with key decisions expected within weeks.

This effort to meet an ambitious deadline set by the Trump administration last year faces widespread skepticism in the aerospace community, even as the new head of human spaceflight at NASA insists that it can succeed.No one has been to the moon since 1972, even though, back in 2004, then-President George W. Bush laid out several goals for NASA, including a “return to the moon by 2020 as the launching point for missions beyond.”

…In March of 2019, however, Vice President Pence announced that “it is the stated policy of this administration and the United States of America to return American astronauts to the moon within the next five years.”

That would mean a remarkable speedup for NASA, which had been working toward a moon landing in 2028. In September, a member of Congress asked Ken Bowersox, who was the acting associate administrator for human exploration and operations at NASA, how confident he was that the U. S. would have boots on the moon by this new, earlier deadline.

“How confident?” Bowersox replied. “I wouldn’t bet my oldest child’s upcoming birthday present or anything like that.”

(15) ARSENAL OF THE FUTURE. Mr. Sci-Fi, Marc Scott Zicree, pays a visit to Modern Props.

Star Trek! Men in Black! Blade Runner! Starship Troopers! Name your favorite sci-fi movie or TV show of the last forty years, and Modern Props has probably made some of the coolest things in it!

[Thanks to Chip Hitchcock, JJ, Cat Eldridge, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, James Davis Nicoll, Michael Toman, Karl-Johan Norén, Alex Shvartsman, Lynn Maudlin, SF Concatenation’s Jonathan Cowie, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

That Riverside Whelan Exhibit

By John Hertz:  We’ve long known Michael Whelan was among our best.

He was first a Hugo Award finalist in 1979, for Best Pro Artist.  Next year he won that, and since then twelve times more, plus Nonfiction Book for his Works of Wonder (1988) and Original Artwork for The Summer Queen (1992), an unequaled 15 Hugos; 31 times a finalist.

He was Graphic Artist Guest of Honor at the 56th World Science Fiction Convention and (with Amano Yoshitaka) at the 65th.

He’s been voted Best Artist in 31 Locus Polls, most recently in 2016; 44 times a finalist.

He has 13 Chesleys (Ass’n of S-F Artists); 53 times a finalist.  More honors too.

Now the Riverside Art Museum, Riverside, California, is holding an exhibit of his work, as announced (with links) here.  It opened on February 11th and runs through May 25th.

That’s news.  In the wide wide world our graphic art is not well-known.  People familiar with Chen Ju-Yuan or Salvador Dalí or Tamara de Lempicka or Paula Rego or Andrew Wyeth aren’t acquainted with Michael Whelan.  He is not in the New York Museum of Modern Art, or the Los Angeles Museum of Contemporary Art.

Vincent Di Fate’s superb and still indispensable survey Infinite Worlds is not on curators’ shelves.

The Riverside Art Museum is a pioneer in staging an exhibit of a leading S-F artist.

I went to the opening-night reception.  Here’s the banner outside the front door.  You’ll recognize the striking 1984 cover illustration for Asimov’s Robots of Dawn.

Whelan seems to have adopted the term alternative realism; see it on the banner.  It suits him.  It may be a good name for the mode of which he is such a master.  The greater the reality, the better the fantasy is elemental to S-F.

I found him surrounded by admirers – which was as it should be – wearing a Revolver necktie and answering questions.  When I remarked on the tie, a man said “Oh yes, old Beatles.”  I said “Old-fashioned is old-fashioned.”

The Museum has done well by him.  A gallery of 1,560 square feet (146 square meters) displays 54 pieces, some time-honored, some new.

The exhibit, and a Kickstarter commemorative book, are called Beyond Science Fiction.  This may be wise.

Before I went, I winced.  Did we need another apology?  Another variation on Robert Conquest’s theme “‘S-F’s no good,’ they bellow till we’re deaf.  ‘But this is good.’  ‘Well, then, it’s not S-F”?

Looking at the pictures I saw a different perspective.

Most of them were book covers (I’ll get to “palette gremlins” in a moment).  They were, they had to be, indeed they were proudly illustrations.  Whelan is an illustrator.

Kelly Freas would never let himself be named anything else; he declined artist (over my protest, among others), and viewed with suspicion what he more or less privately called “easel painters”.

Of course an illustration has to illustrate – which means shed light on.  It had better be good art – but what’s that? not that it means nothing: we’d not keep using it if we thought it meant nothing: but it’s fiendishly difficult to get a grip on.  Kelly Freas (that was his surname, folks) used to say an illustration has to make you want to read the story.

Superficial?  Maybe so, in a way.  If you think it’s only superficial, think again.

The best illustration (1) satisfies the illustrator (2) satisfies the author (3) sheds light on the story (4) makes people want to read the story – and, if you will, (5) makes the publisher think it will make people want to read the story.

Down that road is the possibility that the very best illustration, in addition to and without in the least failing (1-4) or (1-5), may also reach people who run into it apart from the story, have never heard of the story, don’t know there is a story, don’t know the picture they’re looking at is an illustration.

Does that necessarily follow?  I don’t know.  Ask again later.  But it came to me from pictures at an exhibition.

Of course read and story needn’t be literal.  A Kelly Freas picture was used by the band Queen.  Whelan pictures have been used by the Jacksons and by Meat Loaf.

In that sense I applaud the title Beyond Science Fiction.  Yes, maybe it’s a lure, maybe a needed lure to draw people who might not otherwise – I’ll say it – dare to come here and look.  Also I think it says These images are science fiction; certainly they are; we don’t hesitate [I hope] to say so; in addition to which and not failing it in the least they reach farther and are worthy for themselves.

That’s why they’re in the Riverside Art Museum.

I said I’d get to “palette gremlins”.  They are – I’ll quote Whelan,

small creations found in random shapes … errant fingerprints and paint smears … usually on a palette or the mat board I use to protect my drawing table….  I added a touch here and a brush stroke there until the abstract elements began to resolve….  Passage: The Red Step was suggested by shapes in the over-spray left from a complex airbrushing session….  when they spark an idea that leads to a larger work, it feels like a gift from my Muse!…  The point of it all, however, is to play with some paint – and see what happens.

One wall has a dozen.  One of them, Amethyst Fantasy, I saw was lent by Shaun Tan.

You know some of the pictures.  You have books they cover, or prints, or Infinite Worlds or one of Whelan’s own books – which I recommend – or you can summon them from Electronicland.  See the originals.  See them often and long.  Each medium is different.

Study originals.  Go to this exhibit if you can.  Bring what you have with you and compare.  Bring a sketchbook and copy them, or an easel (in a good cause, Kelly) and a paintbox; get permission.  Beethoven wrote out a Mozart string quartet; he was perfectly able to read the score, and he intended to write his own music, but he wanted to get into his fingers what Mozart had done.

And if you ask “What has Whelan done for us lately?” cast a Cottleston on this, “In a World of Her Own” from 2016.

Cottleston pie, that’s your eye – no, wrong slang – wait, I’ll have it in a minute – wait –

Whelan Exhibit at Riverside Art Museum

The Riverside Art Museum (RAM) presents Beyond Science Fiction: The Alternative Realism of Michael Whelan, curated by Baby Tattoos’ Bob Self, from February 11–May 25. The exhibit will launch with a free, open-to-the-public Opening Reception on Saturday, February 11 from 7:00 p.m. – 9:00 p.m which will be attended by artist Michael Whelan.

Beyond Science Fiction is the world premiere exhibition of major works by artist Michael Whelan.

Whelan is one of the world’s premier painters of imaginative or alternative realism. For 40 years, he has created book and album covers for authors and musicians like Isaac Asimov, Stephen King, Ray Bradbury, Anne MacCaffrey, Robert Heinlein, Melanie Rawn, Michael Moorcock, the Jacksons, and Meatloaf. His clients have included every major U.S. book publisher, CBS Records, the Franklin Mint, and many more.

As the most honored artist in Science Fiction, Whelan has won an unprecedented 15 Hugo Awards, three World Fantasy Awards, and 13 Chesleys from the Association of Science Fiction and Fantasy Artists. The readers of Locus Magazine have named him Best Professional Artist 30 times in their annual poll and the Spectrum Annual of the Best in Contemporary Fantastic Art named him a Grand Master in 2004. Other noteworthy awards include a Gold Medal from the Society of Illustrators, a Grumbacher Gold Medal, and the Solstice Award from the Science Fiction Writers of America. In 2009, he was inducted into the Science Fiction Hall of Fame.

RAM is holding two youth art education classes in conjunction with the exhibition. Fantasy Dragons on March 4 will tour the exhibit and then create their own fantasy dragon based on surrealism. The Art of Illustration is on March 25, where students will be asked to bring in their favorite science fiction book and they will create the cover of their own sci-fi novel after a tour of Beyond Science Fiction. For ages 6 and up, you can sign up here . Scholarships are available.

The museum, located in Riverside, California is open Tuesday – Saturday, 10:00 a.m. – 4:00 p.m. and Sunday, 12:00 noon – 4:00 p.m.

[Based on a press release.]

 

Pixel Scroll 11/28/16 As Some Day It May Happen That A Pixel Must Be Found, I’ve Scrolled A Little List

(1) NOM DE GLOOM. Turns out nobody will ever voyage to Alpha Centauri – because the astronomical equivalent of the post office has given it a change of address – “Alpha Centauri Gets a New Moniker as 227 Star Names Are Clarified”.

Alpha Centauri” is getting the boot. The longstanding star name has been displaced by its ancient counterpart in a new International Astronomical Union (IAU) catalog that designates 227 official names for different stars in the sky.

The move was intended to reduce confusion, according to the IAU. For instance, a star like Fomalhaut has at least 30 different names, so it’s difficult to figure out what to call it — or even how to spell it. Variations over the years have included Fumalhaut, Fomalhut and even the unusual Fomal’gaut.

The IAU, which is the official arbiter of astronomical names, chose single names to refer to those stars that have historically had many. Some of the decisions may rattle longtime observers, however. For example, the binary star Alpha Centauri, which lies 4.35 light-years from the sun, is now known officially as “Rigil Kentaurus,” the ancient name for the system.

(2) WHELAN ART PROJECT. Michael Whelan has a Kickstarter going for a new book with Baby Tattoo. The book is being published to coincide with an exhibition of Michael’s art at the Riverside Art Museum in Southern California in February.

It’s actually done very well already – the target was $10,000, and $54,056 has been raised with 22 days to go.

whelan-beyond

(3) DON’T SPOON FEED THE AUDIENCE. Misha Burnett made a good point in a comment at Mad Genius Club.

I think that “overbackstorying” is one of the signature literary sins of our age. During the after-film discussion with my roommate after we had we had seen “Dr. Strange” the subject came up of filmmakers not trusting audiences to pick up on subtleties.

I can just imagine a remake of “Citizen Kane”.

“Come in now, young man–you can’t stay out there with your new sled, which is called ‘Rosebud’ all day!”

“But I love my new sled, which is called Rosebud! No matter what happens for the rest of my life, this will be the moment I’ll remember on my deathbed!”

(4) YOU CAN TALK TO THE HORSE, BUT NOT NECESSARILY OF COURSE. Fantasy Faction reposted Aaron Miles’ insightful article “A Question of Technology”.

How fantasy elements interact with technology is another aspect of worldbuilding to consider. Necessity is the mother of invention, the creation of a tool to aid in a task. But when you have characters that can make it rain at will, it seems pointless to dig ditches for irrigation. Does your world have magical solutions instead of technological ones, how prevalent is magic and its availability in solving daily problems? The opposite can be true as well, does your world have technological solutions to magical problems? Has a castle population built giant net launchers and long range crossbows to help defend themselves from dragon attacks? Perhaps they’ve developed fire resistant armour and building materials. This is an example of the necessity point in action, it’s human nature to try and counter a hostile force. In a world ruled by magic users, perhaps a resistance has created mechanical devices that negate their powers; maybe your heroes need them to complete a quest?

The level of technology in your work can influence the plot and what kind of solutions the writer can present to their characters. Is a character sick or injured? Is there a medical cure, it is easily available or a rarity? What about travel, does your world have domesticated horses, are there paved roads that allow them to make good time?

(5) WISHLIST OF A FAN’S DREAMS. Corrina Lawson made a list of “Fictional Presents We’d Love to Receive This Holiday Season” for B&N Sci-Fi & Fantasy Blog.

Translation Microbe (Farscape) Lots of translation devices pop up in science fiction universes, including the Babel Fish in The Hitchhiker’s Guide to the Galaxy, but you have to stick that leech-like thing in your ear. Ew. The Translation Microbe from Farscape also has to be sent into the body (via injection), rooting itself at the base of the brain. But it’s painless, aside from the initial injection, and there’s nothing living in your head. As for Star Trek‘s universal translator? That’s a machine that can be lost or destroyed, and you don’t want to be caught out as a stranger in a strange land.

(6) ATKINS OBIT. Lon Atkins (1942-2016) has died. Guy Lillian III sent this tribute about the legendary fan.

Lon Atkins, lost either yesterday or just this morning, was a titan in our Southern fannish world. His Rebel Award, his Fan GoHship at the DSC, were beautiful if finally inadequate reflections of his contribution to our early days as a regional fandom and our growth into the vibrant and important segment of SFdom we’ve become.  He was Official Editor of SFPA for four years and kept it going through its slimmest days.  His fabled battles at the Hearts table with his great frtiend Hank Reinhardt were not only legendary, but entertaining, helping to build the sense of community that marks the region and its game.  He did the best apazines — the best-written, the best-reproed, the most comprehensive — I have ever seen.  And he was a gentleman.

I am lost in regret.  Lon was a mentor and a model for how a good man conducts himself in science fiction fandom.  MELIKAPHKAZ forever!

(7) JIM C. HINES RESUMES FUNDRAISING AUCTIONS. He took a few days off for the holiday, but Jim C. Hines today is taking bids on an autographed, personalized series from Sherwood Smith.

Welcome back to the third of 24 Transgender Michigan Fundraiser auctions.

Transgender Michigan was founded in 1997, and continues to run one of the only transgender helplines in the country, available 24/7 at 855-345-8464. Every tax-deductible donation helps them continue to provide support, advocacy, and education.

Auction number three is for a personally autographed hardcover set of either the  INDA or DOBRENICA series, by author Sherwood Smith. Sherwood is also willing to personalize the books if the donor wishes — doodles, notes about something they’re interested in on the text, etc.

(8) FOR THOSE WHO COULD NOT MAKE IT IN PERSON. The exhibit ended its local run yesterday, and will be moving on to other cities. Steve Weintraub has done his best to show Collider readers what they missed — “Over 150 Pictures from the Cool & Unusual ‘Guillermo del Toro: At Home with Monsters’ LACMA Exhibit”.

As you’ll see in the pictures below, not only will you notice things from his films like Cronos, Hellboy, Pan’s Labyrinth, Pacific Rim, and Crimson Peak, you’ll see the 1907 edition of Alice’s Adventures in Wonderland, original Moebius artwork, original comic book pages from Alan Moore’s From Hell, concept art from films like Walt Disney’s The Adventures of Ichabod and Mr. Toad, Sleeping Beauty, Fantasia, Alice in Wonderland, James Cameron’s Aliens, Drew Struzan’s poster for Pan’s Labyrinth, his love of all things Dracula, Frankenstein, H.P. Lovecraft and Edgar Allen Poe, and so much more.

Since most people will never be able to check out the At Home with Monsters exhibit, while walking around I took a ton of pictures. Even though I snapped over 150 high-resolution pics, trust me when I say I didn’t come close to capturing everything there and if you’re near the Art Gallery of Ontario or the Minneapolis Museum of Art when the exhibition opens in either city, I strongly suggest stopping by and seeing it for yourself.

(9) WORLD FANTASY PROGRAM. From Tor.com we learn that the 2017 World Fantasy Con is gathering program ideas. The convention’s theme is Secret Histories – The Use of History in Fantasy. Use their online form.

(10) THE MAGICIANS ON SYFY. This is no fantasy. Lev Grossman’s The Magicians returns for Season 2 on January 25.

(11) THE HOLE YOU SAY. Cards Against Humanity raised over $100,000 on Black Friday by broadcasting a video of a giant hole and asking its users to throw the money in!

This has raised a lot of questions in NPR’s newsroom, some of which Cards Against Humanity endeavored to answer on its site:

What’s happening here?

Cards Against Humanity is digging a holiday hole.

Is this real?

Unfortunately it is.

Where is the hole?

America. And in our hearts.

Is there some sort of deeper meaning or purpose to the hole?

No.

What do I get for contributing money to the hole?

A deeper hole. What else are you going to buy, an iPod?

Why aren’t you giving all this money to charity?

Why aren’t YOU giving all this money to charity? It’s your money.

Is the hole bad for the environment?

No, this was just a bunch of empty land. Now there’s a hole there. That’s life.

How am I supposed to feel about this?

You’re supposed to think it’s funny. You might not get it for a while, but some time next year you’ll chuckle quietly to yourself and remember all this business about the hole.

How deep can you make this sucker?

Great question. As long as you keep spending, we’ll keep digging. We’ll find out together how deep this thing goes.

(12) JONATHAN LIVINGSTON YODA. CinemaBlend makes sure were there when a “Star Wars Bad Lip Reading Video Turns Empire Into Hilariously Funky Seagull Song”.

The folks at Bad Lip Reading have produced some stellar videos over the course of the last few years, but this one might actually be their magnum opus. Reimagining Luke Skywalker’s time with Yoda on Dagobah, the video follows the mismatched pair as the ancient Jedi master sings to a clearly annoyed Luke. Using the speech of the Yoda puppet as a template, the video features a voiceover that replaces the wise teachings of the alien warrior with utter nonsense about seagulls, logs giving birth to sticks, and getting hit in the neck with a hacky sack. It’s undoubtedly one of the weirdest Star Wars related videos that we have ever seen on the Internet, but it’s also that weirdness that makes it so utterly awesome.

 

[Thanks to Arnie Fenner, JJ, Martin Morse Wooster, Guy H. Lillian III, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Iphinome.]

Spectrum 20 Award Finalists

Spectrum 20 Jury & Directors: Tim Bruckner, Mark A. Nelson,
Irene Gallo, Michael Whelan, Cathy Fenner, Tim Kirk, and Arnie Fenner.

The Spectrum 20 Award jury members Tim Bruckner, Irene Gallo, Tim Kirk, Mark A. Nelson, and Michael R. Whelan evaluated over 6,000 entries before selecting 40 finalists for this year’s edition of the Spectrum Fantastic Art Annual.

Founded in 1993 by Cathy Fenner and Arnie Fenner, Spectrum: The Best In Contemporary Fantastic Art is among the most respected art showcases, covering a wide range of disciplines. It is the only “art annual” with categories devoted to comics, concept art, and sculpture.

Judging was completed March 2. Their selection of the year’s best fantastic art will appear in Spectrum 20, scheduled for October release in both hardcover and softcover from Underwood Books. Gold and silver medal winners in each category will be announced at the awards ceremony during Spectrum Live, a weekend long celebration of fantastic art, in Kansas City, May 17-19. The Spectrum Grand Master Award will also be presented during the ceremony, which will be held in the historic Midland Theater.

The gold and silver finalists are:

Advertising

  • Craig Elliott:ForestAwakening
  • Michael C. Hayes: Procession
  • Android Jones: Ganeshatron
  • Greg Ruth: Three Outlaw Samurai
  • Dan DosSantos: Dragon Empress

Book

  • Brom: Wipi
  • William O’Connor: Wargriffin
  • David Palumbo: Fed
  • Shaun Tan: Never Leave a Red Sock on the Clothesline
  • Charles Vess: Tanglewood: I Didn’t Know She Was a Bottle Witch

Comics

  • Jennifer L. Meyer: Aesop’s Ark,Ch. 2, P2
  • David Petersen: Mouse Guard Black Axe #4, Page 19
  • Paolo Rivera: Daredevil #10
  • Paolo Rivera: Captain America #1
  • João Ruas: Fables #121

Concept Art

  • Daniel Dociu: Guild Wars 2, Norn Lodge
  • Theo Prins: Southsun Cove
  • Paul Sullivan: Franken-animal
  • Justin Sweet: Marauders 2
  • Allen Willams: Tree of Tales

Dimensional

  • Dan Chudzinski: Turbulence
  • David Meng: Sashimi
  • Virginie Ropars: Mothra
  • Virginie Ropars: Acanthopis III
  • Katya Tal: Blanket Fairy

Editorial

  • Sam Bosma: Stability
  • Chris Buzelli: Book Monster
  • Sean Andrew Murray: He’s Gone Full-Bird
  • Victo Ngai: Best of the Best
  • Sam Weber: Cancer Monster

Institutional

  • Ed Binkley: A Cob of Chiseldon-Brimble
  • Lucas Graciano: Dragon Swarm
  • Tyler Jacobson: Ruric Thar, The Unbowed
  • Kekai Kotaki: Stampede
  • David Palumbo: Taken

Unpublished

  • Cory Godbey: The Fish Master
  • Lucas Graciano: Guardianship
  • Kekai Kotaki: Ride
  • Andrew Mar: Tell-Tale Heart
  • Tohru Patrick Awa: Sudden Shower