[Frank Catalano initially wrote this as a third-person news story for File 770 but I thought he should have a byline, too.]
By Frank Catalano. Norwescon 45 celebrated the life and career of the longtime Seattle-area author Greg Bear at its SeaTac, Washington convention over Easter weekend. The panel, “Polymath: The Works and Impact of Greg Bear,” took a wide-ranging view of the accomplishments of Bear, who died in November 2022 at the age of 71 following complications from surgery.
Panelists included Mark Teppo (collaborator with Bear, Neal Stephenson and others on The Mongoliad project), Brenda Cooper (writer and futurist), Frank Catalano (secretary of SFWA when Bear was the organization’s president) and moderator Brooks Peck (writer and pop culture curator who knew Bear through their work with Seattle’s Museum of Pop Culture and the Science Fiction Museum and Hall of Fame).
The panel was joined by Astrid Anderson Bear, who provided additional reminiscences and perspective about her husband — from how he initially became involved with Microsoft co-founder Paul Allen’s Science Fiction Museum, to the challenges faced by Catalano in helping the Bears hang a large (fake) T-Rex bust in the two-story atrium of their home.
Teppo and Cooper emphasized how open Bear was to other writers, no matter what their level of accomplishment or celebrity, and how he and Astrid would host Clarion West parties for the workshop’s students every summer at their home.
Panelists and audience members also mentioned Bear’s writing forays into the Star Trek, Star Wars and Halo universes, with one audience member crediting Bear’s Halo novels for getting his video game-playing son to start reading.
David Brin, who provided a video tribute, said that the thing that he’ll miss most about Bear “is his booming laugh.”
“Greg was an artist, and a collector, but he didn’t let anything keep him from being a true science fiction author,” Brin said. “He had to write. And he was an explorer — as good a storyteller as Poul and Karen Anderson, his parents-in-law, and as good an explorer of ideas as Fred Pohl.”
Brin accompanied his tribute with a photo from the 1984 Hugo Awards, where Bear won for Blood Music, adding, “Poul and Karen out in the audience nodded and said, ‘Okay, he’ll do.’”
Brin also noted the one time he and Bear were collaborators (along with Gregory Benford) on the second Foundation trilogy based on the initial books by Isaac Asimov. “Greg was the one who truly captured Isaac’s voice,” Brin said. “Greg was devoted to the story and the character.”
Bear was also remembered for his influence and efforts outside of speculation fiction.
Journalist Knute Berger, who spearheaded the Washington State Centennial Time Capsule project in 1989, said he approached Bear to be on the advisory board “and he was all-in on helping me conceive the project.” In a written remembrance read aloud during the session, Berger said they were loading the container for the capsule, set to remain sealed until 2389, when, “I looked at my finger and it was smeared with blood from a paper cut. ‘Congratulations!’ Greg shouted. ‘You’ll be cloned!’”
“Greg devoted a great deal of time and energy,” Berger wrote. “He really believed in the promise of the project and took joy in going through the intellectual exercises of trying to ensure its future. He and Astrid were just a delight to work with.”
The Norwescon panel closed with the reading of a quote from a 2017 podcast produced by the tech news site GeekWire. In it, Bear expressed how pleased he was with his first 50 years as a science-fiction writer.
“I don’t think any writer is ever happy with the attention we get, but I have very few complaints,” Bear said. “My books have been read by the people I read when I was a teenager, and that just knocked my socks off when I found that out.”
[Thanks to Frank Catalano for contributing this story.]
I’ve been reflecting a lot lately on my ‘career’ (so to speak) as a trans writer for teens, which (oddly enough) now includes being one of the enemies du jour for a substantial part of the country!
Personally, it doesn’t bother me that much. I don’t lose sleep over it. If I got harassment or felt unsafe, I’m sure that would change. All the consequences are professional. There’s a huge appetite for trans narratives now, but I think they’re also risky, and that more marginal or nuanced perspectives like mine are just not what the country feels like it needs. That’s even aside from the risks of a book being banned by the right or cancelled by the left (or, as in a few cases, cancelled by right-wing trolls who pick out seemingly-offensive passages and use them to get the left riled up)
I see being trans the same way I see being a woman or being brown: it’s a definite professional liability, and it probably makes publication and acclaim harder to come by, but it also makes the work more meaningful. In a way, it’s kind of a privilege to be able to write about things that people care about, to say stuff that they might not’ve heard before, and to have a perspective that’s valuable. Which is to say, if it wasn’t harder for me to succeed, the would be less worth doing. I do think that if you want to produce something valuable, it’s always going to be more difficult, precisely because what is valuable is rarer, less-understood, and doesn’t have the same immediately-intuitive appeal….
(3) VERTLIEB MEDICAL UPDATE. Steve Vertlieb had a setback after returning home from heart surgery. But now he’s back home from a second hospital stay and has copied File 770 on his account for Facebook readers.
A Pseudoaneurysm And Blood Clot Bring Me To My Knees Once More, Requiring Renewed Forced Hospitalization
… Just returned a little while ago from Abington Hospital in Jenkintown, Pennsylvania where I spent the last ten days unexpectedly confined to the dreaded hospital once again. I was only home for five days when agonizing pain in my lower groin forced me to to go back to the emergency room for a re-evaluation of my already precarious medical condition. I was diagnosed rather quickly, I fear, with a Pseudoaneurysm in my left lower groin area, as well as a blood clot in my left leg. I had a two and a half hour blood transfusion a few days ago in order to correct a low Hemoglobin level which had only added to my recent medical woes. I’m home again, however … I hope this time permanently.
To quote Dr. Henry Frankenstein … “HE’S ALIVE … ALIVE.” I’ve returned bloodied and scarred, but alive and on the mend, from the proverbial gates of hell. I shall live, God willing, to tell the story of my remarkable journey through fear, panic, and nearly terminal illness to the sweet gates of successful surgery, completion, and somewhat “limitless” vistas.
My time on Facebook will, for the present, be limited, I fear, in the days ahead, but I just wanted to let everyone know that I’ve survived. I came home from the hospital yesterday (Thursday) after a ten day stay following major open-heart surgery. The procedure lasted approximately six hours, during which my surgeons replaced one heart valve, repaired another, stitched back together the hole in my heart, and stopped my internal bleeding.
This procedure was far more involved and life threatening than I ever imagined or was advised. The second time, it seems, is not the charm, but the entire bracelet. They had to cut through an already existing incision, breaking once healed bones protecting my heart cavity yet again, in order to reach and operate upon the newly troubled areas. My recovery, consequently, will also be far more difficult than my original transition back to health, healing, and wholeness twelve years ago.
The good news, however, is that when I asked my surgeon the chances for a complete recovery, he responded “ONE HUNDRED PERCENT.” Doing anything beyond menial movement and chores over the next several months will be severely limited. My brother Erwin is here with me for the next month or so, and he’ll be taking care of me. However, my reason for posting this morning, is to let you all know that I have survived a difficult surgery, and that I’m looking forward, with faith and dreams, to a Summer, a year, and a life of happiness, love, laughter, and blessed renewal.
Thank you all from the bottom of my sometimes troubled heart for the most gracious gift of your prayers, and friendship. In Love, Peace, and Gratitude Steve
(4) VIRGIL FINLAY ART. Doug Ellis has announced a sale:
For fans of the great Virgil Finlay, my latest art sale catalog is now available. This one is devoted entirely to the art of Finlay. Note that none of these are published pieces, but instead are personal pieces (including abstracts). This material all comes from Finlay’s estate, and I’m selling it on behalf of his granddaughter.
You can download the catalog (about 30 MB) through Dropbox here.
…Mist gave way to soft rain, then faded back to damp cold. Stored sunlight made octagonal tiles on the path under my feet glow. I followed its light to the middle of Central Park, where dusk barely illuminated the blue and red mosaics of the town well. Volunteers had moved every piece of the well they could salvage from drowning historic Olympia to the replica in New Olympia. By car, the journey was over 65 miles. The new city perched on the lower slopes of Mount Rainier, and the water tasted as clean, although more like mountain than river. This well, like the old one, operated as a free community asset. The glowing streets, the well, and, a few blocks away, the new State Capitol all looked even more beautiful than the artist’s renderings. The city ran on sunlight. Edible plants bordered parks, fed by recycled wastewater as clean as the well water. New Olympia gave as much back to the ecosystem as it took….
…Sinаtrа wаs so pаrticulаr аbout his аppeаrаnce thаt he becаme enrаged when people didn’t dress the wаy he did. When he wаs in а bаr, he hаppened to notice Ellison.
“[Ellison] wore а pаir of brown corduroy slаcks, а green shаggy-dog Shetlаnd sweаter, а tаn suede jаcket, аnd $60 Gаme Wаrden boots,” Gаy Tаlese wrote in the Creаtive Nonfiction аrticle “Frаnk Sinаtrа Hаs а Cold.”
Sinаtrа wаs irritаted enough by Ellison’s аttire thаt he аpproаched him while plаying pool.
“Look, do you hаve аny reаson to tаlk to me?” Ellison inquired.
Sinаtrа responded, “I don’t like how you’re dressed.”…
(7) MEDIA BIRTHDAY.
2011 – [By Cat Eldridge.] Eleven years ago on this evening, the BBC aired the first episode of the Outcasts series. You’ve probably never heard of it as it only lasted eight episodes. It was created by Ben Richards who had absolutely no SFF background being a writer of such series as the British intelligence series Spooks (which is streaming on Britbox).
It was written by him along with Jack Lothian and David Farr with the story being it is set on the colony planet Carpathia and it revolves around the ongoing lives of the existing settlers, and the introduction of the last evacuees from Earth. No spoilers there I think.
When critics saw the pilot episode, they were downright hostile. Let’s start with Kevin O’Sullivan of The Mirror who exclaimed “While the barmy BBC squanders a billion quid on getting the hell out of London… it must have saved a fortune on Outcasts. A huge horrible heap of cheapo trash, this excruciating sci-fi rubbish tip looked like it was made on a budget of about 50p. Who directed it? Ed Wood? And what a script! So jaw-droppingly dreadful it hurt.”
David Chater at the Times wrote, “Not since Bonekickers has the BBC broadcast such an irredeemably awful series. Sometimes catastrophes on this scale can be enjoyed precisely because they are so dismal, but this one has a kind of grinding badness that defies enjoyment of any kind.”
Mike Hale of the New York Times gets the last word: “With none of the flair or self-deprecating wit that has defined other British sci-fi imports (‘Torchwood,’ ‘Primeval’), ‘Outcasts’ strands a number of talented performers, including Mr. Bamber, Eric Mabius and Liam Cunningham, on a world of wooden dialogue and interplanetary clichés. There’s nothing a rescue ship from earth can do for this crew.”
Audience figures for the series were extremely poor: as they started with an initial low figure of four point five million viewers for the pilot, and the show lost nearly two-thirds over its run, to finish with one point five million UK viewers.
Richards remain defiant after it was moved to a new time stating “I have every confidence we will rule our new slot. Clear eyes, full hearts, can’t lose!” and “Cultdom beckons. And keep watching hardcore because remaining eps great.” Well BBC didn’t pay attention as they then cancelled the series despite actually having shot some of the first episode of the second series.
It gets a fifty percent rating among audience reviewers at Rotten Tomatoes.
It appears to streaming for free on Vudu. And it was released as a UK DVD.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 28, 1908 — Ian Fleming. Author of the James Bond series which is at least genre adjacent if not actually genre in some cases such as Moonraker. The film series was much more genre than the source material. And then there’s the delightful Chitty-Chitty-Bang-Bang: The Magical Car. The film version was produced by Albert R. “Cubby” Broccoli, who had already made five James Bond films. Fleming, a heavy smoker and drinker his entire adult life, died of a heart attack, his second in three years. (Died 1964.)
Born May 28, 1923 — Natalie Norwick. She had a number of genre roles in the Sixties including being Martha Leighton in “The Conscience of the King”, a Trek episode, and appearing as Josette duPres Collins on Dark Shadows. (Died 2007.)
Born May 28, 1951 — Sherwood Smith, 71. YA writer best known for her Wren series. She co-authored The Change Series with Rachel Manija Brown. She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade.
Born May 28, 1954 — Betsy Mitchell, 68. Editorial freelancer specializing in genre works. She was the editor-in-chief of Del Rey Books. Previously, she was the Associate Publisher of Bantam Spectra when they held the license to publish Star Wars novels in the Nineties. She edited the Full Spectrum 4 anthology which won a World Fantasy Award.
Born May 28, 1981 — Laura Bailey, 41. I find voice performers fascinating. And we have one of the most prolific ones here in Laura Bailey. She’s got hundreds of credits currently, so can hardly list all of them here, so l’ll just choose a few that I really like. She voiced Ghost-Spider / Gwen Stacy in the recent Spider-man series and the Black Widow in Avengers Assemble and other Marvel series. And she appeared in Constantine: City of Demons as Asa the Healer.
Born May 28, 1984 — Max Gladstone, 38. His debut novel, Three Parts Dead, is part of the Craft Sequence series, and his shared Bookburners serial is most excellent. This Is How You Lose the Time War (co-written with Amal El-Mohtar) won a Hugo Award for Best Novella at CoNZealand. It also won an Aurora, BSFA, Ignyte, Locus and a Nebula.
Born May 28, 1985 — Carey Mulligan, 37. She’s here because she shows up in a very scary Tenth Doctor story, “Blink”, in which she plays Sally Sparrow. Genre adjacent, she was in Agatha Christie’s Marple: The Sittaford Mystery as Violet Willett. (Christie gets a shout-out in another Tenth Doctor story, “The Unicorn and the Wasp”.)
(9) CON OR BUST. Dream Foundry’s Con or Bust program is gearing up again. The program helps creatives of color attend conventions and other professional development opportunities they otherwise might not be able to by financing their trip, stay, and/or tickets.
(10) SERVICE INTERRUPTUS. Cat Eldridge circled back to right-wing blog Upstream Reviews to read any new comments on its recent gloating posts about the Mercedes Lackey controversy and SFWA’s announcement that its membership directory data had been compromised. Surprisingly, he found that the blog is offline – all you get is an “Internal Server Error.” There’s still a Google cache file – the blog’s last entry was Declan Finn kissing Larry Correia’s butt. Maybe the internet threw up? Cat says, “Quite likely as the parent domain is for it is mysfbooks.com which as been blacklisted by the internet as being dangerous to visit (may have worms, may harvest your passwords, may steal your immortal soul).”
(11) IF I COULD TALK TO THE ANIMALS. They left this part out of Doctor Doolittle, I guess.
Young dolphins, within the first few months of life, display their creativity by creating a unique sound. These bleats, chirps and squeaks amount to a novel possession in the animal kingdom — a label that conveys an identity, comparable to a human name.
These labels are called signature whistles, and they play an essential role in creating and keeping relationships among dolphins. While the development of a signature whistle is influenced by learning from other dolphins, each whistle still varies in volume, frequency, pitch and length….
… Fellow researcher Jason Bruck, a marine biologist at Stephen F. Austin State University in Texas, told National Geographic the original goal was to test whether dolphins use their signature whistles in the same way people rely on names.
Bruck couldn’t do that unless he found a second way dolphins could identify each other. Luckily, he remembered that a fellow scientist had previously observed wild dolphins swimming through what the website called “plumes of urine” and he figured the creatures might be using it as an ID technique….
Duel of the Fates “We’ll handle this.” (Episode 1: The Phantom Menace)
Duel of the Fates, the epic lightsaber battle featuring Obi-Wan, Qui-Gon and Darth Maul, borders on Star Wars perfection. Its success comes from the combination of John Williams’s score, Ray Park’s physicality as Darth Maul and modern CGI technology finally catching up to the imagination of George Lucas. And it is a moment that shows the ascension of Obi-Wan from Padawan to Jedi Knight when he ends up victorious.
(14) OBOE WAN. Legendary film composer John Williams hit the stage to surprise fans at Anaheim Star Wars Celebration and play the theme for the new Obi Wan Kenobi series.
[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
By Carl Slaughter: With Spear of Light, Brenda Cooper continues stories in same universe as Creative Fire, Diamond Deep, and Edge of Dark. Creative Fire and Diamond Deep are the Ruby’s Song duology, Edge of Dark and Spear of Light are the Glittering Edge duology, all from Pyr.
When the post-human Next suddenly re-appear in a solar system that banished them, humans are threatened. Their reactions vary from disgust and anger to yearning to live forever like the powerful Next, who are casually building a new city out of starships in the heart of the re-wilded planet Lym. The first families of Lym must deal with being invaded while they grapple with their own inner fears.
Ranger Charlie Windar is desperate to save his beloved planet. The Next are building strange cities he never imagined, and other humans who want to destroy the Next are his worst enemies.
Ambassador Nona Hall strives to forge links between the powerful station she’s from, The Diamond Deep, and the people of Lym. The formidable merchant Gunnar Ellensson appears to be up to no good, and as usual his motivations are suspect. Why is he sending ships to Lym, and what does he intend to do with them when he arrives?
The Shining Revolution threatens to undo everything by attacking the Next on Lym, and their desire to eradicate the post-humans is greater than their desire to save humanity’s home. It is entirely possible that they will draw the wrath of the Next onto all of humanity.
In the meantime, the Next’s motives remain inscrutable. Why are they here at all? What do they want? Why are they interested in the ancient past of a planet that has been ravaged and rebuilt at least once?
(1) LATEST MOWATT RHINO RUN CUT SHORT BY INJURY. Jim Mowatt tried to follow his London Marathon triumph by running the Edinburgh Marathon but midway through his knee gave out.
At around 15 miles Steve asked me for his Lucozade bottle. I dig around in his back pack and hand it to him. My leg is hurting so I cadged some ibuprofen gel from him. His tendons were hurting and he asked me to rub some gel on his knee also.
Steve ran on, I stepped out to try and catch up and found the knee pain had increased dramatically. I gritted my teeth and tried to carry on and then suddenly discovered that I could no longer put any weight on my left leg without it buckling from the pain. I staggered over to the side of the road and found a tree to prop myself upon with one leg held in the air. A marshall came to help, asked if I needed medical assistance and I said yes.
While we were waiting I heard various exchanges on his radio. Not everyone was as willing to stop and receive assistance. Someone else apparently was weaving all over the road in considerable distress, bumping into other runners. Marshalls had asked him to stop but he didn’t seem to hear them and carried on. Someone was shouting over the radio, “stand in front of him, it’s the only way to stop them when they are like this.” I had no such problems stopping myself running. Putting any weight on that leg at all sent huge rolling waves of agony flashing out sharply from my knee. I wasn’t keen on the notion of letting that foot touch the ground anytime soon.
….Carrie pointed me at the train station and we began our long slow walk up the hill. A very tall man appeared from nowhere and asked if we wanted a lift up to the train station. “Yes, absolutely!” yells I, “that would be brilliant”. He vanishes for several minutes and then reappears in a car and drives us to the train station. I think he must have seen us from his living room window and made the decision to help. Just a downright wonderful thing to do. Thank you tall man from Longniddry. You are a damn fine chap.
(2) TIE UP YOUR BOAT TO IDAHO. Steve Fahnestalk recalls his “Moscon Memories” at Amazing Stories.
As I mentioned we asked Robert A. Heinlein to be our GOH, but he demurred at first, saying his health would not allow him to commit to any convention (Figure 5); he later said he would commit to coming as long as his health would allow. Later, closer to the con, he suggested Verna Smith Trestrail as a GOH instead, because her father, E. E. “Doc” Smith, had attended the University of Idaho in Moscow. None of us, of course, had known this. (And if you don’t know who Doc Smith was, your reading is sadly behind the times. Check out the Wikipedia article.) I corresponded with Verna, and she gave us an enthusiastic “yes!” Figure 6, the Kelly Freas convention badge, is a portrait of Verna leaning out of the back of a train—don’t ask me why; I’ve forgotten—and holding out her arms to Worsel of Velantia, one of Doc’s non-human Lensmen. Verna and Al, her husband, trekked out to Moscow from the wilds of Leesburg, Indiana, and we were all hooked. Verna on us, and we on Verna. (Al wasn’t into all this stuff, being more of a Western kind o’ guy, but he bore up really well.) Verna bustled around MosCon, buttonholing anyone who stood still for five minutes, and gave them the lowdown on Doc; she also gave a talk on Doc at the con. Because Heinlein couldn’t attend, he wrote a short article about Doc, which I put in the program book; being a thrifty sort, Heinlein recycled it and reprinted it in Expanded Universe; we PESFANs, of course, are proud of printing it first.
(3) BUSBY RITES. The Memorial Service for James M. Busby will be held on Tuesday, June 14 at The Church of Latter Day Saints 2000 Artesia Blvd., Torrance. Service begins at 11a.m.
The family requests no flowers instead please make a donation in Jim’s memory to continue his life’s passion to educate and preserve space to the Aerospace Legacy Foundation.
It’s beginning to look as if Jonathan Strahan’s Meeting Infinity is the most successful SF anthology of 2015… at least if you use story reprints as your yardstick (which I kinda do).
Nine of the anthology’s stories were picked for year’s best collections by Horton, Clarke and Dozois.
(5) ROOMMATE NEEDED. A female reader has just had their MidAmeriCon roommate withdraw, and if there’s a female reader who’d be interested in sharing, e-mail a message to mikeglyer (at) cs (dot) com and I will forward it. (Or if you prefer to work it this way, communicate to me and I will have the person write a message to be forwarded via email to you.)
Thanks for the lovely leading question! Of course they are. And even more important, strong female characters that are complete with brilliance and challenges. I’m not impressed when “strong female characters” translates to “women who act like men.” I also like balance – I have strong men and strong women, and sometimes weak men and weak women. Not so much in this book as Lym and the Glittering are placed that reward strength rather deeply. But still, characters should be complex, interesting, and they should grow. Women should be at least as strong as men, and just like in our current world, sometimes they need to be a little stronger.
All sorts of people throw out first pitches before baseball games. Old guys, dinosaurs, washed rappers—you name it, they’ve done it. But this week, Nippon Professional Baseball—ever the innovators—went and put every quirky MLB first pitch into the toilet with this bizarre, unsettling play-within-a-play first pitch faceoff between Sadako from The Ring and Kayako from The Grudge.
The story is set in Eleanor West’s Home for Wayward Children. It is set up by Eleanor West after she returned from her own magical world to help other children who’ve been through the same thing as her adapt. The novella follows Nancy, a girl who’s just returned from the Halls of the Dead, where she has spent decades pretending to be a statue and is promised to the Lord of the Dead, as she joins the school and begins to adapt to her new life. Nancy’s parents are thrilled to have her back and just want to give her their love and help her, but they are unable to understand her experience, or what she’s going through now. This has obvious parallels with the experiences of those who suffer from mental health problems or victims of trauma – indeed, Eleanor tells the parents of the afflicted children that her school is a sanitarium.
The children’s experiences also have parallels with those whose sexual orientation or gender identity comes between them and their family. Nancy is asexual, and her parents are having difficulty understanding this aspect of her life. Kade is a trans man who is living as an intelligent and productive young man at the school while his parents still want their little girl back. More generally still the children’s condition could also be read as a metaphor for the transition from childhood to being a young adult, the point when you grow away from being your parents’ child into your own identity as an individual member of society. McGuire explores all these themes and ideas in the novella, and throughout it all treats her characters with respect and sensitivity, whatever aspect of their pain or personal history she is exploring.
(9) FOOTAGE FROM THE CULTURE WARS. Jason Ahlquist’s About Tomorrow is a feature-length documentary in progress “about the intersection of science fiction and politics told through the 2015 Hugo Award balloting controversy.” He plans to launch a crowdfunding campaign in July.
Also known as “Puppygate,” the controversy revolved around the efforts of two right-wing groups and their use of coordinated voting blocs to influence the outcomes of one of science fiction’s most prestigious awards…..
“I want this film to be a vehicle for exploration of the larger depths of sci-fi’s role,” said Ahlquist, “not only in how we see our future, but how we’ll act on our hopes and fears.” Ahlquist went on to say that production on the film is nearly complete, and that, “production will wrap at the 74th World Science Fiction Convention in Kansas City before we move into post-production.”
Her name is Louise Simonson, and she co-created Apocalypse (his look came courtesy of artist Jackson Guice) in the pages of Marvel Comics’ X-Factor, in 1986. Simonson — “Weezie” to her friends — is one of the better superhero-comics writers of the past 40 years, a person who crafted beloved stories about the X-Men and DC Comics’ Superman, just to name a pair of the more famous properties she has worked on. The 69-year-old was also a pioneer: She did much of her most famous work when women writers were a rarity in the comics industry. Despite all that, she’s never gotten her due in mainstream media outlets. But within the comics world, her name reverberates.
Back in 1993, Superman died while fighting Doomsday. In the comics, the world mourned the death of the Man of Steel, and soon saw other Supermen rise to take his place. The real Superman eventually returned to life, and his adventures continued. That was in the previous comic continuity. In the current continuity, which started in 2011, Superman is dying again. This time, his death and return is something different.
Yeah, sure it is. Excuse me while I don’t give a damn. Superman’s life status has become as routine as the weather report.
(12) APPERTAINING YOUR OWN CON. Alexandra Erin explains in considerable detail that just because a Helsinki Worldcon co-chair hopes Erin will be at next year’s con it doesn’t mean they’re paying her way. Apparently not everyone immediately understands that.
This is probably the last time I’ll bother qualifying something neat like “a WorldCon head personally told me she’d be jazzed if I were there” by explaining the real world to dedicated denizens of a carefully constructed artificial reality, for the simple reason that I know it doesn’t work. It’s more my fascination with the disconnect between actual reality on the ground and the stories that swirl based on a few glimmers of that reality and much speculation that prompts this post.
What a different world we live in than the one that is ascribed to us.
[Thanks to Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]