Tag Archives: Akwaeke Emezi

Pixel Scroll 2/5/23 He Said, “First!” And Exited Stage Left To A Swirl Of Scrolling Pixels

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(1) TOLKIEN SOCIETY AWARDS NEWS. The Tolkien Society invites the public to submit nominations for The Tolkien Society Awards 2023 through February 26. Membership is not required to participate in the first round. Once the shortlist is compiled, however, only members will be eligible to vote on the winners, who will be announced April 1.

(2) WHAT HAS IT GOT IN ITS GARBAGE TRUCKS? “Refuse firm Lord of the Bins ordered to change its name by Tolkien franchise” reports the Guardian.

A refuse firm in Brighton called Lord of the Bins has been ordered by lawyers to change its name after being accused of breaching trademark laws.

The two-man waste collection business was contacted by Middle-earth Enterprises, which owns the worldwide rights to The Hobbit and the Lord of the Rings trilogy.

Nick Lockwood and Dan Walker run the company, which collects household, building and office waste across East Sussex and West Sussex.

The pair said they have been issued with a cease and desist notice after it was claimed they were in breach of the well-known franchise’s trademarks.

As well as changing the firm’s name and website, they have been forced to ditch their company slogan – “One ring to remove it all”.

(3) TWEET DECAY. Ursula Vernon speaks for many in a remark that went viral on Twitter.

(4) CHEESE PLEASE. In “An AI app walks into a writers room” Charles Stross passes along ChatGPT’s answer to an inventive question.

Question to ChatGPT: What is the plot of the unpublished script Charles Stross wrote for Wallace and Grommit?

(5) GUNN CSSF BOOK CLUB. The Gunn Center for the Study of SF’s (CSSF) monthly virtual book club has chosen for the month of February to read Akwaeke Emezi’s YA novel, Pet. 

Set in the utopian town of Lucille, Emezi’s novel portrays a society that has taught children that monsters and evil no longer exist. Jam, the protagonist, soon questions the beliefs of her society when she is faced with a real monster, who is nothing like the stories she has heard. Winner of the Stonewall Book Award for LGBTQ+ writing in 2020, Pet contemplates the classic societal conception of good versus evil. 

Readers are invited to join the virtual event on Friday, February 24 at Noon (Central). Register here.  

(6) FREE READ. Sunday Morning Transport offers Yoon Ha Lee’s “The Ethnomusicology of the Last Dreadnought” as an encouragement to subscribe.

It is not true that space is silent.

The darkness between stars is full of threnodies and threadbare laments, concertos and cantatas, the names of the dead and the wars that they’ve fed. Few people are unmoved by the strenuous harmonies and the strange hymns. Fewer people still understand their significance, the decayed etymologies and deprecated tongues….

(7) TRIBUTE TO A CRITIC. The Strange Horizons – 30 January 2023 issue is devoted to the late Maureen Kincaid Speller. (Via Ansible.)

In January 2022, the reviews department at Strange Horizons, led at the time by Maureen Kincaid Speller, published our first special issue with a focus on SF criticism. We were incredibly proud of this issue, and heartened by how many people seemed to feel, with us, that criticism of the kind we publish was important; that it was creative, transformative, worthwhile. We’d been editing the reviews section for a few years at this point, and the process of putting together this special, and the reception it got, felt like a kind of renewal—a reminder of why we cared so much. In the couple of months that followed, we made grand plans for future projects, and even started a podcast.

The criticism special was also the last major project the three of us worked on together, before Maureen’s cancer diagnosis. We lost her in September.

We’d already been toying with the idea of doing another criticism special in 2023; when the subject of a tribute issue to Maureen was broached, the only way we could envision it was through the critical work that she loved.…

(8) MEMORY LANE.

2014 — [Compiled by Cat Eldridge.]

So let’s talk about Kristine Kathryn Rusch’s Spade/Paladin Conundrums which got their start in the “Stomping Mad” story.

I’m very fond of our community and equally fond of mysteries as y’all well know by now. So you will not find it at all surprising that I really love these stories. They’ve got a perfect central character as you’ll see below, a great setting as they’re all set at various Cons and the stories are all fascinating. What’s not to like? 

Rusch for a long time only did short stories set here,  really great ones, a fair number of them, mostly collected in Early Conundrums, and those exist in a stellar audio version which is narrated by Rish Outfield, but two years ago Ten Little Fen: A Spade/Paladin Conundrum came out. It’s a superb mystery and a even better look at Con culture. 

Here’s the Beginning of the series in that story. 

SHE CALLED HERSELF the Martha Stewart of Science Fiction, and she looked the part: Homecoming-queen pretty with a touch of maliciousness behind the eyes, a fakely tolerant acceptance of everyone fannish, and an ability to throw the best room party at any given Worldcon in any given year.

So when a body was found in her party suite, the case came to me. Folks in fandom call me the Sam Spade of Science Fiction, but I’m actually more like the Nero Wolfe: a man who prefers good food and good conversation, a man who is huge, both in his appetite and in his education. I don’t go out much, except to science fiction conventions (a world in and of themselves) and to dinner with the rare comrade. I surround myself with books, computers, and televisions. I do not have orchids or an Archie Goodwin, but I do possess a sharp eye for detail and a critical understanding of the dark side of human nature.

I have, in the past, solved over a dozen cases, ranging from finding the source of a doomsday virus that threatened to shut down the world’s largest fan database to discovering who had stolen “the Best Artist Hugo two hours before the award ceremony. My reputation had grown during the last British Fantasy Convention when I—an American—worked with Scotland Yard to recover a diamond worth £1,000,000 that a Big Name Fan had forgotten to put in the hotel’s safe.

But I had never faced a more convoluted criminal mind until that Friday afternoon at the First Annual Jurassic Parkathon, a media convention held in Anaheim.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 5, 1906 — John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance.  After that early Thirties film, he shows up (bad pun I know) in The Invisible Man, The Black Cat, Bride of Frankenstein, Ali Baba Goes to Town, The Three Musketeers and The Hound of the Baskervilles. Look, that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight Zone, The Munsters, Lost in Space, Night Gallery and the Night Strangler. (Died 1988.)
  • Born February 5, 1919 — Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July.  He also played four different characters on the original Fantasy Island. (Died 2006.)
  • Born February 5, 1922 — Peter Leslie. Writer in a number of media franchises including The Avengers, The New Avengers (and yes they are different franchises), The Man from U.N.C.L.E., The Girl from U.N.C.L.E. and The Invaders. ISFDB also lists has writing in the Father Hayes series but I don’t recognize that series. (Died 2007.)
  • Born February 5, 1924 — Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale has to be homage to Clark Ashton Smith. Though I’ve not seen them them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two-volume set of his dark fantasy tales. (Died 2013.)
  • Born February 5, 1934 — Malcolm Willits, 89. Author of The Wonderful Edison Time Machine: A Celebration of Life and Shakespeare’s Cat: A Play in Three Acts which he filmed as Shakespeare’s Cat. He also co-edited Destiny, an early Fifties fanzine with Jim Bradley.
  • Born February 5, 1940 — H.R. Giger. Conceptual designer in whole or part for Aliens, Alien³, Species and Alien: Resurrection to name a few films he’s been involved in. Did you know there are two Giger Bars designed by him, both in Switzerland? And yes they’re really weird. (Died 2014.)
  • Born February 5, 1941 — Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage thirty years ago which I never heard of. He also created the Castle series with Nathan Fillion of Firefly fame and was one of the actual players at the poker games on the series. View one of them here. (Died 2010.)
  • Born February 5, 1964 — Laura  Linney, 59. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows.

(10) COMICS SECTION.

  • Tom Gauld passes along advice about what women writers need.

(11) WAKANDA WORD STUDY. Dictionary.com has a rather interesting article about “The Names Of Black Panther & Wakanda: Their Meaning & Significance”. (Spoiler warning.)

Comic book creators and filmmakers pick some superhero names just because they sound cool. Other names, though, are chosen for their deep connection with a character or setting. Many of the names from Wakanda, the home of Black Panther, are especially rich in symbolism and significance.

Join us as we answer these questions and more:

  • Is there a real Wakanda that inspired the name of the technologically advanced supercountry?
  • What is Black Panther’s real name?
  • What does Namor’s name mean?

(12) BEST DRESSED. The New York Times reviews “A Murder Mystery With Clothes to Die For”.

“The Traitors,” a new reality game show, hinges on startling revelations. In episodes of the series, which is framed as a whodunit, cast members are regularly “murdered” (kicked off). Others are “banished” (also kicked off). But some of the most astonishing reveals have nothing to do with the plot — and everything to do with what outfit the show’s host, the actor Alan Cumming, will appear in next.

There are pink plaid suits. Herringbone tweed capes. Sleek little kilts. “Perhaps, rather alarmingly,” Mr. Cumming said, “the vast majority of the clothes were mine.”…

(13) CARROLL AT NYRSF. A video of Jonathan Carroll’s NYRSF Reading has been posted.

(14) VIDEO OF THE DAY. Matt Mitchell plays all the parts in “When ‘The Balloon’ Comes South”.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Steven French, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day by Cat Eldridge.]

2021 Nommo Awards

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The 2021 winners of the African Speculative Fiction Society’s Nommo Awards were announced today in a ceremony held at DisCon III.

NOVEL

  • Akwaeke Emezi — The Death Of Vivek Oji

NOVELLA

  • Oghenechovwe Donald Ekpeki — Ife-Ikyoku: The Tale Of Imadeyunuagbon 

SHORT STORY

[Tie]

  • Innocent Chizaram Ilo — Rat And Finch Are Friends
  • Tlotlo Tsamaase — Behind Our Irises

GRAPHIC NOVEL

  • Moongirls — Nana Akosua Hanson (writer) AnimaxFYB Studios (art) – Ghana Drama Queens Collective

The event was hosted by DisCon’s Special Guest, Sheree Renée Thomas. She announced this year’s Ilube Nommo Award for best novel, which went to The Death of Vivek Oji by Akwaeke Emezi.

In her opening speech, Sheree Renée Thomas said, “As newer audiences embrace storytelling from around the world, there is an excitement and openness to exploring rich tales that speak to the diverse cultural heritage that is born from not only Africa’s broad and diverse diaspora, but from the continent of Africa itself.”

Nana Akosua made an impassioned speech on behalf of the Drama Queens collective, “This year has been a particularly hard year for the Ghanaian Queer and Trans community. But I’d like to use this platform to say Hate will never win. All of the struggle will be worth it.”

In accepting her award for best short story. Tlotlo Tsmaase thanked the African online magazine Brittle Paper and the editor of its Africanfuturism anthology, Wole Talabi.  Innocent Chizaram Ilo thanked his editors at Strange Horizons.

For Oghenechovwe Donald Ekpeki, the Nommo Awards are “…about self acceptance really, or acceptance from your own. One of the core purposes of awards is providing recognition or validation to writers at certain points in their careers. But writers from certain backgrounds, demographics, regions are unable to participate as fully in international activities and awards as much as they would need to due to financial barriers, economic, cultural, social and other such constraints. Now that’s where bodies like the Nommo step in.”

The other presenters were authors Suyi Davies Okungbowa and Tochi Onyebuchi, each a winner of a previous Nommo for best novel and Iquo Diana Abasi, editor of the African SFF magazine Omenana. The announcements were followed by readings from the winning works.

The African Speculative Fiction Society, composed of professional and semiprofessional African writers, editors, publishers, graphic artists and film makers, was founded in 2016.

The Nommos were presented for the first time in 2017. The awards are named for twins from Dogon cosmology who take a variety of forms, including appearing on land as fish, walking on their tails.

[Includes quotes from a DisCon III press release.]

Pixel Scroll 10/6/20 Don’t Clickety, Don’t Call Me, Let Me Sit For A While, I’m Reading All The Books In My Tsundoku Pile

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(1) POWERFUL CANON. Amy Tenebrink shares the impact that stories by a leading sff author had on her: “Personal Canons: Nnedi Okorafor”.

…Onyesonwu is one of those angry, defiant, adventurous heroines of my heart. But Who Fears Death isn’t just a story of a warrior girl; it’s the story of all warrior girls. Who Fears Death is, itself, angry, defiant, and adventurous. It rips apart the fabric of our quotidian world and shows us, more clearly for all its speculation, what is wrong with us but what could be right with us. This is speculative fiction at its best: incisive, unflinching, uncompromising. Untethered from what’s “real” in a way that can show us what is, in fact, actually real—and what could be real if only we reached for the stars.

In Who Fears Death, Nnedi put a heroine of my heart into a book of my heart. Who Fears Death showed me, in a moment, what speculative literature can be: not just a series of quest-wanderings, of dragon-slayings, of evil mage-vanquishings, but an inspirational, aspirational blueprint for me and my place in the world. Who Fears Death is itself a sword, a magic wand, a spell that can change everything.

(2) ALPHA OF THE OMEGA. The award administrators — Sci-Fest L.A. and Light Bringer Project — have announced that the Tomorrow Prize and The Roswell Award will now reside under an umbrella competition name, the Omega Sci-Fi Awards. Here’s the new logo.

(3) MEMBERS OF THE JURY. James Davis Nicoll introduces the Young People Read Old SFF panel to “The Pleiades” by Otis Kidwell Burger.

The Pleiades is impressive enough readers would no doubt run out to acquire her other works. Unfortunately, Rediscovery’s biographical entry on her reveals that her SF career was quite short1. At least, I assume younger readers would react as positively as I did. How did my Young People actually feel?

(4) QUESTIONS ABOUT THE POLICY. [Item by Cora Buhlert.] Non-binary writer Akwaeke Emezi, whose works are at least borderline SFF, has declared that they will no longer submit their novels to Women’s Prize for Fiction (where they were a finalist last year), after being asked to provide proof of their legal gender: “Akwaeke Emezi shuns Women’s prize over request for details of sex as defined ‘by law'” in The Guardian.

… Emezi said that when Faber got in touch with the Women’s prize about submitting The Death of Vivek Oji, they were informed: “The information we would require from you regards Akwaeke Emezi’s sex as defined by law.”

“Forget about me – I don’t want this prize – but anyone who uses this kind of language does not fuck with trans women either, so when they say it’s for women, they mean cis women,” wrote Emezi. “And yes, this does mean that them longlisting [Freshwater] was transphobic. It’s fine for me not to be eligible because I’m not a woman! But you not about to be out here on some ‘sex as defined by law’ like that’s not a weapon used against trans women.”

The Women’s prize was established in response to the Booker failing to shortlist a single female writer in 1991. Following Emezi’s nomination in 2019, the organisers of the £30,000 award said it was working on a policy “around gender fluid, transgender and transgender non-binary writers”.

Responding to Emezi’s comments, the prize organisers said that their terms and conditions for entry equated the word “woman” with “a cis woman, a transgender woman or anyone who is legally defined as a woman or of the female sex”.

(5) O’DELL KICKSTARTER. [Item by Cora Buhlert.] Here is a Kickstarter of interest: Claire O’Dell is looking for funding to republish her River of Souls trilogy, which came out in 2010 from Tor, when she was still writing as Beth Bernobich: “The River of Souls Trilogy, Second Edition” With 26 days left, $566 of the $2,500 goal has been raised.

I’m Claire O’Dell, author of the Lammy Award-winning Janet Watson Chronicles, the River of Souls trilogy, and the Mage and Empire books.

Back in 2007, writing as Beth Bernobich, I landed my very first book deal—a three-book contract with Tor Books for my novel Passion Play and two sequels, aka, the River of Souls trilogy.  Passion Play came out in October 2010, and to my absolute delight it won the RT Reviewers’ Choice Award for Best Epic Fantasy. Queen’s Hunt and Allegiance followed in 2012 and 2013, with great reviews, and a prequel novel, A Jewel Bright Sea, appeared last year from Kensington Books.

Now that I have the rights back to the trilogy, I’d like to re-release them with new covers that better match the story and the characters. (Not to mention fixing a few continuity errors that crept in along the way.) Pledges from this campaign will pay for custom cover art and rewards.

(6) FOUNDATION. At WIRED, “The Geeks Guide to the Galaxy” interviews several creators to support the claim that “‘Foundation’ Has One of the Best Sci-Fi Concepts Ever”.

John Kessel on psychohistory:

“I studied physics as an undergrad, and basically what [Asimov] is doing is taking classical thermodynamics and applying it to human behavior. In thermodynamics, you can’t predict what one atom is going to do, but if you have several billion atoms in a contained box, you can predict—very precisely—if you raise the temperature, exactly what the effect on pressure is going to be, things like that. He’s basically saying if you have enough human beings—you have 100 million worlds, all inhabited by human beings—that psychohistory can predict the mass behavior of human beings, without being able to predict any individual human being’s behavior. That’s a cool idea.”

(7) WHITE SCREEN OF DEATH? [Item by Cora Buhlert.] The Guardian has run several articles and opinion pieces about how the postponement of Dune and that James Bond movie will affect British cinemas — and may kill them off altogether. A lot of anger, which is partly understandable, because movie theatres are open again at reduced capacity in the UK and much of the rest of Europe, but have nothing to show, because all of the big Hollywood movies are being held back. Here are four views of the situation.

He’s best known for sweeping in at the last minute to save the day – but James Bond’s latest act could be the death knell for many British cinemas.

The announcement that the release of No Time to Die, the 25th film featuring the secret agent, would be delayed again has left cinemas facing financial obliteration because of the absence of other forthcoming blockbuster films.

Our movie industry was just about keeping its morale steady. It was enforcing perfectly workable rules on sanitising and physical distancing and not subject to those closures taking theatre and live entertainment to the cliff edge. The pilot light of big-screen cinema culture was flickering. But it was still alight.

But this is a serious blow. If it is really true that Cineworld will close 128 cinemas, putting 5,500 jobs at risk (and it is not simply a scare-story negotiating ploy leaked to the press alongside the company’s official letter to the culture secretary Oliver Dowden demanding action) then this is potentially devastating. 

…For an understanding of how we got here, look at the fates of two films that did get released during the pandemic. Following a tense summer in which Christopher Nolan’s Tenet and Disney’s live-action Mulan remake competed against the coronavirus in a game of grandmother’s footsteps, both films were finally released using opposing strategies.

“Warner Bros did a brave thing bringing out Tenet [in cinemas] at that very fraught time,” says Naman Ramachandran, international correspondent at Variety magazine. “It sent a positive message to the exhibition sector as a whole.” Disney, on the other hand, launched Mulan on its streaming service Disney+, where it came with a premium price tag (£19.99/$29.99) in addition to subscription fees. Cinemas screened it only in territories where Disney+ is not available. “My opinion is that Disney should’ve released Mulan in cinemas also,” says Ramachandran. “There was a demand for it and it would’ve kept the theatrical chains happy.” As it stands, no one is: not the exhibitors who lost out on an event movie, nor Disney, who won’t be thrilled if the mediocre streaming audience estimates are correct.

Mulan’s defection and Tenet’s under-performance in the US (it still hasn’t opened in the lucrative New York and Los Angeles markets, where cinemas remain closed) have had a devastating effect on other big releases.

…After six weeks of global release, Tenet has grossed more than £235m worldwide – a number that means different things to different analysts. For a latter-day Nolan film, it’s borderline disastrous: far short of the £405m grossed by his last film, Dunkirk, which itself was a modest performer compared to the £830m racked up by The Dark Knight Rises. With a production budget around £154m, it’s fair to say these are not the receipts of Nolan’s or Warner Bros executives’ dreams. Others would argue that they’re not half bad for a film released in the midst of a global pandemic in which the filmgoing public has been actively discouraged from communal indoor activity – a metric for which there is no precedent to set the bar. Globally, it’s the third-highest grosser of the year, behind Chinese epic The Eight Hundred and January’s Bad Boys for Life, which already feels like a relic from another era.

All in all, things could be worse for Tenet – except for the fact that, by just about anyone’s yardstick, things haven’t been nearly good enough….

(8) MEDIA ANNIVERSARY.

  • Twenty five years ago this year at Intersection, the Hugo Award for Best Dramatic Presentation, Long Form went to Star Trek: The Next Generation’s two-part series finale, “All Good Things…“.  (It beat out The Mask, Interview with the Vampire, Stargate and Star Trek: Generations.) It was directed by Winrich Kolbe from a script written by Ronald D. Moore and Brannon Braga. The title is derived from the expression “All good things must come to an end”, a phrase used by Q during the story itself. It generally considered one of the series’ best episodes with the card scene singled out as one of the series’s best. 

(9) TODAY’S DAY.

10/6 — Mad Hatter Day. The original picture of the Mad Hatter by John Tenniel in Alice’s Adventures In Wonderland by Lewis Carroll depicts him wearing a hat, bearing the note “In This Style 10/6”. Although we know this is really an order from the time the picture was drawn to mean a hat in that style cost 10 shillings and sixpence, we take this as inspiration to act in the style of the Mad Hatter on 10/6 (In the UK this would point to the tenth of June, but as the day was founded in America it is the 6th of October).

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 6, 1895 – Caroline Gordon.  Guggenheim Fellowship.  O. Henry Award.  Honorary D.Litt. degrees from Bethany College (West Virginia), St. Mary’s College (Indiana).  The Glory of Hera for us, her last novel; ten others; short-story collections; non-fiction.  (Died 1981) [JH]
  • Born October 6, 1928 – Frank Dietz.  Co-founder of the Lunarians; chaired the first 15 Lunacons; Fan Guest of Honor at Lunacon 50.  Fanzine Luna (and Luna’).  Recorded many SF cons on wire and tape, unfortunately most now seems lost.  File 770 appreciation by Andrew Porter here.  (Died 2013) [JH]
  • Born October 6, 1942 – Arthur Hlavaty, 78.  A dozen times Best Fanwriter Hugo finalist.  No doubt inspired by the C.M. Kornbluth story “MS. Found in a Chinese Fortune Cookie” – maybe the only circumstance in which no doubt could be applied to him – he called a fanzine The Diagonal Relationship, later The Dillinger Relic, then Derogatory Reference; not seen since 2002, but in Fanzineland that’s neither complete nor conclusive: No. 33 of his Nice Distinctions just appeared after three years.  Fan Guest of Honor at Empricon 3, MidSouthCon 2, Westercon 42, Minicon 37; Detcon the 11th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas).  If Sarcasm is in anger, satire is with love, he is as so often with him both.  [JH]
  • Born October 6, 1942 — Britt Ekland, 78. She starred in The Wicker Man* as Willow MacGregor, and appeared as a Bond girl, Goodnight in The Man with the Golden Gun. She was also Queen Nyleptha in King Solomon’s Treasure based off the H. Rider Haggard novels. *There is only one Wicker Man film as far as I’m concerned. (CE)
  • Born October 6, 1946 — John C. Tibbetts, 74. Film critic, historian, author. He’s written such articles as “The Illustrating Man: The Screenplays of Ray Bradbury” and “Time on His Hands: The Fantasy Fiction of Jack Finney”. One of his two books is The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media, the other being The Gothic Worlds of Peter Straub. (CE) 
  • Born October 6, 1950 — David Brin, 70. Author of several series including Existence (which I do not recognize), the Postman novel and the Uplift series of which The Uplift War won the Best Novel Hugo at Nolacon II and is most excellent. I’ll admit that the book he could-wrote with Leah Wilson, King Kong Is Back! An Unauthorized Look at One Humongous Ape, tickles me for its title. So who’s read his newest novel, The Ancient Ones? (CE)
  • Born October 6, 1953 – Roseanne Hawke, Ph.D., 67.  Wolfchild, 11th Century story set in the lost land of Lyonesse (RD was awarded Bard of Cornwall in 2006).  Daughter of Nomads, Mughal empire.  Chandani and the Ghost of the Forest, Himalayan mountains.  Memoir, Riding the Wind.  “I started a romantic novel when I was 17 but I burnt it….  working for ten years in the Middle East and Pakistan … I started writing seriously.”  Website here.  [JH]
  • Born October 6, 1955 — Donna White, 65. Academic who has written several works worth your knowing about — Dancing with Dragons: Ursula K. LeGuin and the Critics and Diana Wynne Jones: An Exciting and Exacting Wisdom. She’s also the author of the dense but worth reading A Century of Welsh Myth in Children’s Literature. (CE) 
  • Born October 6, 1955 — Ellen Kushner, 65. If you’ve not read it, do so now as her sprawling Riverside seriesis amazing. I’m reasonably sure that I’ve read all of it. And during the the High Holy Days, do be sure to read The Golden Dreydl as it’s quite wonderful. As it’s Autumn and this being when I read it, I’d be remiss not to recommend her Thomas the Rhymer novel which won both the World Fantasy Award and the Mythopoeic Award. (CE) 
  • Born October 6, 1962 – John Knoll, 58.  Chief Creative Officer at Industrial Light & Magic.  Creating the Worlds of “Star Wars”; covers for The Art of “Star Trek” (with M. Uesugi), Inside “Star Trek”.  Scientific & Engineering Award given him and his brother Thomas for creating Adobe Photoshop.  Cameo appearance as a pilot in The Phantom Menace.  More in his Wikipedia entry.  [JH]
  • Born October 6, 1978 – Anna Elliott, 42.  Three Tristan & Isolde books; four about Jane Austen characters, two about Sherlock Holmes, a few more.  Among her favorites by other authors, Life With Father, Wodehouse’s books about Bertie Wooster, Sayers’ books about Lord Peter Wimsey.  “What do you like to do when you’re not writing?”  “Mostly think about writing.”  [JH]
  • Born October 6, 1986 — Olivia Jo Thirlby, 34. She is best known for her roles as Natalie in Russian SF film The Darkest Hour and as Judge Cassandra Anderson in the excellent Dredd. And she was Holly in the supernatural thriller Above the Shadows. (CE)  

(11) COMICS SECTION.

(12) HEAVY GOING. Vanity Fair’s Richard Lawson finds it easy to curb his enthusiasm: “The Haunting of Bly Manor Is an Erratic, Melodramatic Follow-Up”.

A great actor whose name I am not supposed to mention here narrates much of the new Netflix series The Haunting of Bly Manor (out October 9). In 2007, her character tells a wedding party a chilling, sad story of 1987 (and years previous) England, when a spooky estate’s resident ghosts tangled fitfully with living people, all caught in the grip of personal loss. This American actor tries her noble best to maneuver a Northern English accent, though it gets a bit wobbly as her narration scrapes the ceiling of profundity but never quite breaks through. 

The voiceover, with its heavy writing and uneven if committed delivery, is pretty neatly representative of the whole of Bly Manor, which aims for something scary and sweeping but is too often hampered by messy adornment. Bly Manor is the second series in the Haunting franchise that began with 2018’s Hill House, an adaptation of Shirley Jackson’s novel led by horror auteur Mike Flanagan.

(13) SCRUBTOBER IS OVER. “After series of scrubs, SpaceX launches Starlink mission from Kennedy Space Center” reports Florida Today.

After more than a month of scrubs and delays, SpaceX broke the Space Coast’s launch drought early Tuesday when a Falcon 9 rocket boosted 60 Starlink internet satellites from Kennedy Space Center.

The 7:29 a.m. liftoff from pad 39A signaled the end of what was commonly referred to as “Scrubtober,” a long series of mission delays that actually began in September due to hardware issues and inclement weather. Tuesday’s Starlink mission, for example, had been scrubbed four times…

(14) FINDING THE GEMS. The Virtual Memories Show devotes Episode 399 to editor “Sheila Williams”.

With her new fantastic short story anthology, Entanglements: Tomorrow’s Lovers, Families, and Friends (MIT Press), editor Sheila Williams brings together a panoply of voices to explore how technology and scientific advances have on the deepest human relationships. We talk about Sheila’s nearly 40 years editing science fiction stories at Asimov’s Science Fiction Magazine, how she manages to balance new and diverse voices with a foundation of SF’s history, how she copes with receiving ~800 stories a month (while only being able to buy 5-6), and technology’s greater role in day-to-day life and what that means for writers’ and readers’ imagination and expectations. We also get into her author freakouts (like going blank when she met Samuel R. Delany many years ago), how her philosophy background helps her as an editor, missing cons and festivals, the challenge of editing an author in translation (in this case Xia Jia), and more. Give it a listen! And go read Entanglements!

[Thanks to Cora Buhlert, JJ, Mike Kennedy, Andrew Porter, Michael Toman, John King Tarpinian, Martin Morse Wooster, John Hertz, James Davis Nicoll, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Akwaeke Emezi Wins
2019 Otherwise Award

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The winner of the 2019 Otherwise Award is Freshwater, by Akwaeke Emezi (Grove Press 2018).

The Otherwise Award (formerly known as the Tiptree Award) celebrates science fiction, fantasy, and other forms of speculative narrative that expand and explore the understanding of gender. The jury that selects the Award’s winner and the Honor List is encouraged to take an expansive view of “science fiction and fantasy” and to seek out works that have a broad, intersectional, trans-inclusive understanding of gender in the context of race, class, nationality, disability, and more.

The winner of the Otherwise Award will receive $1000 in prize money, a specially commissioned piece of original artwork, and (as always) chocolate.

About the Winner

“Akwaeke Emezi’s Freshwater is beautiful, complicated, magical, challenging, and sometimes vividly cruel,” writes juror Edmond Y. Chang. “Told from multiple, overlapping, and often conflicted perspectives, the novel tells the story of Ada, who is caught between worlds, trying to navigate family, education, migration and immigration, Catholicism and Igbo spirituality, and what it means to be a self, a person. The novel does not shy away from explorations of gender nonconformity (particularly for people of color), sexuality, toxic masculinity, race, mental illness, and trauma. There are no easy paths or answers for Ada (or the reader), and therefore the novel imagines alternative, even radical forms of identity and most importantly survival. I will continue to think about Freshwater for a long, long time, adding it to my constellation of gorgeously intense stories like Okorafor’s Who Fears Death, Hopkinson’s Brown Girl in the Ring, and Butler’s Xenogenesis trilogy.”

On a more personal note, juror Bogi Takács. writes: “Sometimes a work comes that says something you carry in yourself as intimately as flesh and bones, but you’ve never seen reflected in fiction; speculative or otherwise. For me, Freshwater by Igbo and Tamil author Akwaeke Emezi was one of those works, straining against the constraints of Western literary genres and bursting them in a luminous display of strength…. Freshwater gives me hope, room to grow into myself as a reader, and a sense of relation that emerges across continents and traditions; with all our commonalities and differences.”

The Honor List follows the jump.

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