Pixel Scroll 3/11/22 Why Am I The Only Person Who Ever Has That Dream

(1) WORLDBUILDER. In George R.R. Martin’s “Random Updates and Bits o’ News” at Not A Blog, he says people who are fans of Westeros should not feel shortchanged just because Winds of Winter isn’t done.

…I did, however, get a lot of work done in 2021.  An enormous amount of work, in truth; I seem to have an enormous number of projects.

(I am not complaining.   I like working.   Writing, editing, producing.   There is nothing I like better than storytelling).

I know, I know, for many of you out there, only one of those projects matters.

I am sorry for you.   They ALL matter to me.

Yes, of course I am still working on THE WINDS OF WINTER.   I have stated that a hundred times in a hundred venues, having to restate it endlessly is just wearisome.      I made a lot of progress on WINDS in 2020, and less in 2021… but “less” is not “none.”

The world of Westeros, the world of A SONG OF ICE & FIRE, is my number one priority, and will remain so until the story is told.   But Westeros has become bigger than THE WINDS OF WINTER, or even A SONG OF ICE & FIRE.   In addition to WINDS, I also need to deliver the second volume of Archmaester Gyldayn’s history, FIRE & BLOOD.   (Thinking of calling that one BLOOD & FIRE, rather than just F&B, Vol 2).   Got a couple hundred pages of that one written, but there’s still a long way to go.   I need to write more of the Dunk & Egg novellas, tell the rest of their stories, especially since there’s a television series about them in development.   There’s a lavish coffee table book coming later this year, an illustrated, condensed version of FIRE & BLOOD done with Elio Garcia and Linda Antonsson (my partners on THE WORLD OF ICE AND FIRE), and my Fevre River art director, Raya Golden.   And another book after that, a Who’s Who in Westeros.  And that’s just the books.

And then “there are the successor shows,” he explains, and updates them, too.

(2) AURORA AWARDS NOMINATIONS OPEN. Members of the Canadian Science Fiction & Fantasy Association have until March 26 to nominate works for this year’s Aurora Awards. Click here to review rules about the awards. Twelve categories are open this year and members may select up to five different works in each category.

(3) UNDER WATER. Starburst Magazine hosts “A Conversation with Samantha Shannon & London Shah”.

Samantha Shannon is best known for her critically acclaimed novel The Priory of the Orange Tree. Her new book, The Mask Falling is out now via  Bloomsbury Publishing.  London Shah is the creative force responsible for the Light the Abyss duology, out now via Little Brown Young Readers.

The two caught up with each to discuss the heady world of writing (and also talk a bit about their new books)…

Samantha: I’m not surprised the concept has stayed with you for years. Even as someone with a fear of the sea, I found it captivating.

London: That’s amazing; it’s always very encouraging to hear that from folk who have a fear of the sea, so thank you. I’m deeply honoured you’re a Light the Abyss fan. Yes, the sight of anything underwater, whether shipwreck, a person, ruins, or even boring infrastructure—it really didn’t matter what—always stirred such wonder and curiosity and would send me drifting off into my fantasy every time….

(4) MAKING PRESERVES. In “Microreview [book]: The Kaiju Preservation Society, by John Scalzi”, reviewer Joe Sherry tells Nerds of a Feather readers there’s one thing he would add to the recipe:

If you’ve ever wondered what it would have looked like if John Scalzi wrote Jurassic Park instead of Michael Chrichton, you don’t have to wonder any longer because that’s the best comparison I’m going to come up with for The Kaiju Preservation Society. The only thing we don’t have (yet) is Richard Attenborough kindly reciting his iconic lines over sweeping camera shots showing the scope of what this new world looks like while the music swells and soars….

(5) ABOUT BOOKS. “How Karen Joy Fowler’s Grandfather Lied His Way Into a Who’s Who” – a New York Times Q&A with the author.

What’s the best book you’ve ever received as a gift?

There can be more than one right answer to this question and I have a dozen. But today’s answer is “Castles and Dragons,” a collection of fairy tales given to me in 1958 or ’59 by Vidkun Thrane, a Norwegian psychologist who came to Indiana to help my father run rats through mazes. The Grimm fairy tales were too dark for me as a child, too many parents abandoning or selling or eating their children. The fairy tales in “Castles and Dragons” were the first ones that I loved unreservedly. My short story “King Rat” is all about this book and Vidkun and what stories are just too painful to tell.

(6) APERTURE MOMENT. The Hollywood Reporter’s Richard Newby contends “John Carter Bombed 10 Years Ago and Changed Hollywood”.

… Look away from Mars for a moment and consider the films that changed the course of the industry. Not necessarily the best films ever made, but the ones that served as watershed moments. There are certain movies throughout film history that drastically shifted the tide, that gave studios and audiences a glimpse of a future that could be theirs if they reached out to touch it. The Jazz Singer (1927), Gone With the Wind (1939), Ben-Hur (1959), 2001: A Space Odyssey (1968), Jaws (1975), Star Wars (1977), Jurassic Park (1993), Titanic (1997), The Matrix (1999), Toy Story (1999), The Dark Knight (2008) and The Avengers (2012), just to name a few.

Whether it was major leaps forward in technology, spectacle, storytelling, box office success, audience engagement or some combination of these elements, these films changed the industry and our relationship with movies, cleared the way for a glut of imitators (some more successful than others), and popularized new tools of filmmaking. When we think about films that changed the industry, we typically think about success stories, and John Carter, at least financially, was anything but….

(7) A PRESENT OF THE PAST. The Hollywood Reporter introduces a miniseries based on the book of the same title by Walter Mosley in “’The Last Days of Ptolemy Grey’ Review: Samuel L. Jackson in Apple TV+ Drama”. The story includes overtones of Flowers for Algernon.

…If it is true that, as Coydog (Damon Gupton) says in Apple TV+’s The Last Days of Ptolemy Grey, “all a man is, is what he remember,” then the Ptolemy Grey (Samuel L. Jackson) we meet at the start of the story is barely a shell of who he once was. A nonagenarian suffering from dementia, he can hardly make sense of what’s happening in front of him, let alone everything else that’s happened to him over the decades. But when a drug promises to temporarily restore all of Ptolemy’s memories — to make Ptolemy the fullest version of himself, going by Coydog’s logic — the question becomes what he’ll do with that rare gift.

…Having established the intimate interiors of Ptolemy’s life, Last Days adds in a touch of the mythic around the second episode when Dr. Rubin (Walton Goggins) presents his offer. The bargain that Ptolemy strikes is a Faustian one, underlined by his habit of referring to Rubin as “Satan.” The lucidity granted by the experimental treatment will last only a few weeks, after which Ptolemy’s mind will decline faster than before; in exchange, he’ll sign over his body (though not, Ptolemy makes a point to note, his soul). Their agreement places Ptolemy in the long history of risky medical experimentation performed on Black people — which in turn fits into an even more expansive one of white capitalists using and abusing Black bodies, as also glimpsed in frequently tragic flashbacks of Coydog and a very young Ptolemy (Percy Daggs IV) in 1930s Mississippi….

(8) THE GOOD STUFF. Paste Magazine has compiled the “Best Quotes from The Last Unicorn”. Contemplate them while you’re waiting to see Peter S. Beagle at the LA Vintage Paperback Show later this month.

This March marks the 54th anniversary of the publication of one of the best fantasy novels of all time: Peter S. Beagle’s The Last Unicorn. While many late Gen-Xers and elder millennials may be familiar with the (incredible) 1980s animated film, far fewer are have likely read the book upon the movie is based on, which is a bit darker a whole lot weirder….

“The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.”

(9) MEMORY LANE.

1966 [Item by Cat Eldridge] The first Nebulas were given in 1966, for works published in 1965.  They were created by the SFWA secretary-treasurer Lloyd Biggle, Jr. He says he based them off of the Edgar Awards which are presented by the Mystery Writers of America. He wanted a ceremony similar to that of the already existing Edgar and Hugo Awards

The first ceremony consisted of four literary awards, for Novels, Novellas, Novelettes, and Short Stories, which have been presented every year since. Dune was awarded the Nebula for Best Novel whereas “He Who Shapes” took the Novella award (tied with “The Saliva Tree”) and that author took home a second Award for Best Novelette for “The Doors of His Face, the Lamps of His Mouth”. The Story Story Award went to “Repent, Harlequin!’ Said the Ticktockman”. No, I didn’t mention authors as I know that you know who everyone is, don’t you? 

Some other Awards were added over the years: Best Script which has been discontinued, Best Game Writing which is ongoing and two that considered Nebula awards, the Andre Norton Award for Middle Grade and Young Adult Fiction and the Ray Bradbury Award for Outstanding Dramatic Presentation, but are now considered official Nebula awards 

Other Awards are the Damon Knight Memorial Grand Master Award for “lifetime achievement in science fiction and/or fantasy”, the Author Emeritus for contributions to the field, the Kevin O’Donnell, Jr. Award for service to SFWA, and the Kate Wilhelm Solstice Award for significant impact on speculative fiction.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 11, 1921 F. M. Busby. Together with his wife and others he published a fan magazine named Cry of the Nameless which won the Hugo award at Pittcon. Heinlein was a great fan of him and his wife with The Cat Who Walks Through Walls in part dedicated to Busby and Friday in part dedicated to his wife Elinor.  He was a very busy writer from the early Seventies to the late Nineties writing some nineteen published novels and myriad short stories before he blamed the Thor Power Tools decision for forcing his retirement which is odd as he published a number of novels after that decision became in effect. (Died 2005.)
  • Born March 11, 1925 Christopher Anvil. A Campbellian writer through and through he was a staple of Astounding starting in 1956. The Colonization series that he wrote there would run to some thirty stories. Short stories were certainly his favored length as he only wrote three novels, The Day the Machines Stopped, Pandora’s Planet and The Steel, the Mist, and the Blazing Sun. He’s readily available at the usual digital sources. (Died 2009.)
  • Born March 11, 1947 Floyd Kemske, 75. I’m betting someone here can tell me the story of how he can be the Editor of Galaxy magazine for exactly one issue, the July 1980 issue to be precise. I’ve not read either of his two genre novels, Lifetime Employment and Human Resources: A Corporate Nightmare, so I can’t comment on him as a writer, but the Galaxy editorship story sounds fascinating. (Both are available used in softcover for quite reasonable prices.) 
  • Born March 11, 1952 Douglas Adams. I’ve have read and listened to the full cast production of the BBC’s The Hitchhiker’s Guide to the Galaxy but have absolutely no desire to see the film. Wait, wasn’t there a TV series as well? Yes there was. Shudder! (I really like Theatre of The Mind as did the Seacon ‘79 Hugo voters who nominated the radio series for a Hugo. It would win the BSFA.) The Dirk Gently series is, errr, odd and escapes my understanding of its charms. He and Mark Carwardine also wrote the most excellent Last Chance to See. It’s more silly than it sounds. (Died 2001.)
  • Born March 11, 1963 Alex Kingston, 59. River Song in Doctor Who. She’s in a number of different stories with a number of different Doctors and was the eventual wife of the Eleventh Doctor. She was in Ghost Phone: Phone Calls from the Dead, as Sheila, and she was Lady Macbeth in the National Theatre Live of Macbeth. Oh and she’s in the Arrowverse as Dinah Lance, in FlashForward as Fiona Banks, and recently shows up as Sara Bishop on A Discovery of Witches, a series based off the Deborah Harkness novel of the same name. Great series, All Souls Trilogy, by the way. She’s been continuing her River Song character over at Big Finish. 
  • Born March 11, 1982 Thora Birch, 40. A very, very extensive genre history so I’ll just list her appearances: Purple People EaterItsy Bitsy SpiderHocus PocusDungeons & DragonsThe HoleDark CornersTrainDeadlineDark Avenger series, The Outer LimitsNight Visions series, My Life as a Teenage Robot and a recurring role on the Colony series.
  • Born March 11, 1989 Anton Yelchin. Another one who died far, far too young. Best known for playing Pavel Chekov in Star TrekStar Trek Into Darkness, and Star Trek Beyond. He also was in Terminator Salvation as Kyle Reese, in the Zombie comedy Burying the Ex as Max and voiced Clumsy Smurf in a series of Smurf films. Really he did. (Died 2016.)

(11) JEOPARDY! Andrew Porter says tonight’s Jeopardy! contestants muffed these genre opportunities.

Category: Says Ann[E]

Answer: A lot of Fay Wray’s lines as Ann Darrow in this 1933 monster movie are bloodcurdling screams.

Wrong question: What is ‘Dracula’?

Right Question: What is ‘King Kong’?

***

Category: BritLit

Answer: Chapters in this H.G. Wells novel include “In the Golden Age” & “The Sunset of Mankind”

Wrong question: What is ‘War of the Worlds’?

Right question: What is ‘The Time Machine’?

(12) DISCON III REPORT. SF² Concatenation has tweeted an advance post of Sue Burke’s DisCon III Worldcon report ahead of its next seasonal edition (slated for April).

It was a tough save. Originally scheduled for August, Discon III was postponed due to CoVID-19 until December, when it fell just as the omicron variant began its surge. The original hotel went bankrupt, and a new hotel had to be found. One Guest of Honour, Toni Weisskopf, editor and publisher of Baen Books, was disinvited over posts advocating violence in Baen’s user forums. The original co-chairs, Bill Lawhorn and Colette Fozard, then resigned. Some division heads resigned, and the replacement Hugo Administration team also resigned. And there were a series of controversies over a variety of concerns before and during the event.

Although the convention went hybrid, my husband and I decided to attend in-person…

(13) THE DOORS. In “Microreview: Last Exit by Max Gladstone”, Paul Weimer at Nerds of A Feather, considers an example of the portal fantasy revival.  

Zelda has a problem. For the last ten years, she has been traveling the United States, using her gift to heal the cracks in the world to try and keep together a 21st century US that seemingly is on the brink of falling apart. Ten years ago, she and her friends, including her love, Sal, made a daring journey into alternate worlds. That journey ended in disaster. 

But now Zelda needs to get the band back together, to journey back into the alternate worlds. But her friends have moved on from traveling the dangerous alternate worlds. But with Sal’s young cousin June, who has unusual powers of her own, the need to find Sal is stronger than ever before. But what forces are chasing them across the real and alternate worlds?  And what precisely happened to Sal?

These are the big questions at the heart of Max Gladstone’s Last Exit….

(14) RAMBO/BROZEK ANTHOLOGY. Roseanna Pendlebury knocked a point off the book’s score “for putting by far the creepiest story right at the start and so nearly stopping me reading it entirely because I’m a wuss” but everything evened out to 7/10 in her review of The Reinvented Heart: Tales of Futuristic Relationships, edited by Cat Rambo and Jennifer Brozek” at Nerds of a Feather.

…The theme for this collection is absolutely spot on, and while I liked, disliked and was indifferent by turns to some of the stories, I nevertheless finished the collection feeling glad that it was a theme being written about. Characters and relationships – in all their complex, messy glory – are by far my favourite thing in reading fiction, and so to have that spotlight focussed on them here, and specifically how they might change as the world, technology and the people in it change, was a gorgeous choice….

(15) THE PITCH. A behind-the-scenes clip for the LEGO Star Wars: The Skywalker Saga game dropped yesterday. It’s essentially a commercial that displays lots of scenery and art.  

(16) NEWS SCOOP. “Kraft Macaroni and Cheese Ice Cream Returns Nationwide at Walmart” reports Food & Wine. Honestly, you can have my share of that one, however, some of these other flavors sound intriguing.

…But if you still haven’t tried this cheesy, pasta-less ice cream, don’t necessarily sleep on heading to Walmart. These seven flavors — which also include Planet Earth, Pizza, Hot Honey, Royal Wedding Cake, Bourbon Cherries Jubilee, and Wild Blueberry Shortcake — will be part of a “10-week” rotation Van Leeuwen plans to “refresh” over the summer, meaning they still could only be around for a limited time….

(17) ROLLING, ROLLING, ROLLING. NASA announces  “Coverage, Activities Set for First Rollout of NASA’s Mega Moon Rocket”. “Through Artemis missions, NASA will land the first woman and the first person of color on the Moon, paving the way for a long-term lunar presence and serving as a steppingstone on the way to Mars.”

Roll out of the integrated Space Launch System rocket and Orion spacecraft to Launch Pad 39B at NASA’s Kennedy Space Center in Florida is slated for Thursday, March 17.

Live coverage for rollout begins at 5 p.m. EDT on Thursday, March 17 and will include live remarks from NASA Administrator Bill Nelson and other guests. Coverage will air on NASA Television, the NASA app, and the agency’s website

At the pad, NASA will conduct a final prelaunch test known as wet dress rehearsal, which includes loading the SLS propellant tanks and conducting a launch countdown.

The rollout involves a 4-mile journey between the Vehicle Assembly Building and the launch pad, expected to take between six and 12 hours. Live, static camera views of the debut and arrival at the pad will be available starting at 4 p.m. EDT on the Kennedy Newsroom YouTube channel.

(18) PHASE OF THE MOON. Richard Linklater’s new film is sf. Apollo 10 1/2: A Space Age Childhood. Arrives in theaters and on Netflix on April 1.

A coming of age story….the way only Richard Linklater could tell it. Inspired by Linklater’s own life, Apollo 10 1/2: A Space Age Childhood takes you to the moon and back in this story about growing up in the 1960s in Houston, TX.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Ed Fortune, Joel Zakem, Chris Barkley, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/4/22 24 Views Of Mt. Tsundoku By Hokufile

(1) WHO IS NUMBER ONE. The “Surprise! Four Secret Novels by Brandon Sanderson” Kickstarter was almost at $22 million when I looked earlier today. It’s now the Most Funded Kickstarter in history.

Yesterday the New York Times talked to Sanderson about his success in “Fantasy Author Raises $15.4 Million in 24 Hours to Self-Publish”.

…“If Amazon’s grip on the industry is weakened, that’s good for the publishers — they are very much under Amazon’s thumb right now,” Sanderson said. “I don’t want to present this as ‘Brandon versus Amazon.’ Amazon’s great. But I think that in the long run, Amazon being a monopoly is actually bad for Amazon. If they don’t have competition, they will stop innovating.”

He also wanted to play around with bundling and upselling. Traditional publishers, he said, offer few products and few options. The array of packages on Kickstarter range from $40 for four e-books to $500 for the four books in all formats, plus eight boxes of “swag.”

“What I can do with the Kickstarter,” he said, “is I can say, ‘hey, if you really want to have more, we will give you more.’”

(2) FIRESIDE WILL STOP PUBLISHING IN 2022. Brian J. White, Executive Editor and Owner of Fireside, announced yesterday that the magazine will stop publishing later this year.

… When I stepped back in as owner last year, I had big hopes of taking Fireside forward for years to come. But unfortunately life had other ideas, between major increases last fall to my responsibilities at my day job and a series of difficult life events that have made it impossible for me to continue Fireside while maintaining any semblance of mental and physical health. Compounding that, even though we made progress in adding subscribers, Fireside is still losing a lot of money each month, and the circumstances described above also got in the way of implementing additional plans to bring in more funds.

This was a really difficult decision to make, but between the time and financial considerations, I can’t find a path forward. Fireside has an incredible legacy, and I don’t want that to be marred by a slow, struggling death. The best thing for the magazine is to allow it to close with grace and dignity once we’ve published all the stories and poems we currently have under contract, as well as two books that have been in the works for a long time….

…While Fireside Magazine will no longer be accepting submissions, we have enough content under contract to continue publishing into September, both through our usual ebooks and weekly stories released online. Everything we’ve published in the magazine will remain available online….

(3) LETTER FROM UKRAINE. Charles Stross posted an open letter from his Ukranian translator: “A letter from Ukrainian artists to the world artists”.

… We believe that not all Russian citizens are fans of Putin’s regime and not all of them justify this war. We know that plenty of Russians feel scared to use their voices and speak up against Putin’s regime. Many believe it is none of their business. Yet, there are also many who believe in the righteousness of Putin and his propaganda.

So, we plead with you — writers and visual content creators that have big audiences of readers and followers in Russia. To them, your opinion and your words matter. Your stand on the war in Ukraine matters. Please, stand by us as we fight for our values, our democracy, and our freedom. For the simple right to be Ukrainians and live in Ukraine. Your powerful voices can influence these Russian readers and followers. To encourage them to be brave, connect with their values, and take a stand on ending this ruthless war.

Please, take to your platforms and address your Russian and Ukrainian audiences. The first ones need your encouragement to believe in the power of their voices against Putin’s regime. The second ones are in desperate need of support and kindness….

(4) MEANWHILE, IN MOSCOW. Repression is ramping up in Moscow – and every other Idaho town. Boise State Public Radio reports “Idaho librarians could face jail time for lending “harmful” books”.

…House lawmakers could soon consider whether prosecutors could criminally charge librarians for allowing minors to check out sexually explicit materials.

Giving explicit material to kids has been a crime in Idaho since at least 1972, but public libraries, including those at colleges and universities, are exempted from that law.

Rep. Gayann DeMordaunt (R-Eagle) wants to cut that exemption, meaning librarians could face up to a year in prison and a $1,000 fine any time they lend explicit materials to someone under 18….

(5) EATING THE FANTASTIC. Scott Edelman encourages listeners to eat enchiladas with Bram Stoker Award-winning writer Paul Tremblay in episode 166 of his Eating the Fantastic podcast.

Paul Tremblay

Paul Tremblay is the author of the award-winning novels novels A Head Full of Ghosts (2015), which won the Bram Stoker Award and the Massachusetts Book Award, Disappearance at Devil’s Rock (2016), which won the British Fantasy Award, and The Cabin at the End of the World (2018), which won the Bram Stoker Award and Locus Award. His most recent novel is Survivor Song, published in 2020, with The Pallbearer’s Club due out later this year. He’s also the author of the novels The Little SleepNo Sleep till WonderlandSwallowing a Donkey’s Eye, and writing as P. T,. Jones along with Stephen Graham Jones, Floating Boy and the Girl Who Couldn’t Fly. His short story collection Growing Things and Other Stories was published in 2019. He is the co-editor of four anthologies including Creatures: Thirty Years of Monster Stories (with John Langan), and is on the board of directors and is one of the jurors for the Shirley Jackson Awards.

We discussed his legendary hatred of pickles, what it was like writing a pandemic novel before a pandemic only to see it published in the middle of one, if reviewers would have reacted differently to his zombies had Survivor Song been published any other year, his feelings about the description of him as a postmodernist, our shared love of ambiguity in fiction, whether horror having a moment means horror will also have an end, the one passage in his most recent novel which caused an argument with his editor, what’s up with the movie adaptations of his books, and much more.

(6) THE CALCULATION IS IN. Mary Robinette Kowal’s gala commemorating the 70th Anniversary of The Meteor (the event which precipitates The Calculating Stars) did more than $8,000 in gross sales as part of her effort to support HIAS in Ukraine for the crisis response work that they are doing.

(7) GUARDIANS OF JUSTICE. BGR promises “Netflix’s new superhero show might be the weirdest thing you ever watch”.

…People have no definitive idea what to make of Netflix’s newly released superhero series, The Guardians of Justice. That’s the only conclusion I can draw from the fact that reviews and user reaction is absolutely all over the place — to say nothing of the fact that the trailer for this streaming series, which is about a group of superheroes who confront evil after “their fearless leader self-destructs” — left me utterly speechless. In an “I have no idea what to even think” or “what is going on here” sort of way.

First of all, the show switches between animation and live-action, which takes some getting used to. The voice cast includes Diamond Dallas Page, Sharni Vinson, Denise Richards, and RJ Mitte. And there’s a kind of Adult Swim aesthetic that people either love or can’t stand….

(8) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Leanna Renee Hieber and John C. Foster on March 16 at 7:00 p.m. Eastern. This will be an in-person event at the KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

Leanna Renee Hieber

Leanna Renee Hieber is an actress, playwright, narrator and award-winning author of Gothic, Gaslamp Fantasy novels for Tor and Kensington Books such as the Strangely Beautiful, Eterna Files, Spectral City series and A Haunted History of Invisible Women: True Stories of America’s Ghosts. Featured on TV shows like Mysteries at the Museum and Beyond the Unknown discussing Victorian Spiritualism, Leanna lectures around the country on paranormal and 19th century subjects.

John C. Foster

John C. Foster is the author of the forthcoming horror novel, Leech, the recent crime thriller Rooster and four other horror novels, the most recent of which is Mister White. His stories have been collected in Baby Powder and Other Terrifying Substances. He lives in Brooklyn with the actress Linda Jones and their dog Coraline.

(9) FANAC.ORG FANHISTORY ZOOM PART 2. The LASFS family reunion continues in the second part of Fanac.org’s latest fanhistory Zoom: “Death Does Not Release You – LASFS (Pt 2 of 2)”.

In part 2 of this FANAC Fan History Zoom Session (Feb 2022), the LASFS family reunion continues. Craig Miller (TV writer and producer, Worldcon chair, and LASFS member), Ken Rudolph (filmmaker, fanzine editor, former LASFS officer), Tim Kirk (professional artist, awarded many Fan Artist and Professional Artist Hugo Awards), and Bobbi Armbruster (professional and fan meeting and convention organizer) continue their conversation. Despite some early audio problems, the talk ranges from other Los Angeles fan subgroups like the Bixel Street Irregulars (40s), the Petards (late 60s-80s) and the Blackguards (60s), to well-known fans and professionals of the Los Angeles area to untimely deaths. Tim Kirk tells the wonderful story of how his Master’s Thesis and a little luck resulted in his breaking through to the professional art field. There are even some convention stories, including the surprising origin of Loscon. If you’re interested in the first big Heinlein blood drive, plans for the Last Dangerous Visions, or how many people could fit in the clubhouse kitchen, settle back and enjoy the recording.

(10) MEDIA BIRTHDAY.

2011 [Item by Cat Eldridge] Eleven years ago, The Adjustment Bureau film premiered. It is based off the Philip K. Dick “Adjustment Team” short story that was first published in Orbit Science Fiction (No. 4, September–October 1954). (It’s available in The Adjustment Team and Other Selected Stories from the usual suspects for just a buck ninety nine.)  

Written and directed by George Nolfi, who previously wrote the genre film Timeline, it had a lot of producers — Bill Carraro, Michael Hackett, Chris Moore, plus George Nolfi in his third role in the film. It had an absolutely amazing cast: Emily Blunt, Matt Damon, Michael Kelly, Anthony Mackie, John Slattery and Terence Stamp. 

It did exceedingly well at the box office making nearly one hundred thirty million against just fifty million in total costs. Rather great I’d say. 

So how was the reception for it? Mostly excellent really though a few reviewers I admit were really puzzled by it as romance and SF is a combination they don’t grok. The reviewer at the Washington Examiner said that it “is that rare thing, an intelligent romance” while 7M Pictures stated of it that is “a fantastic piece of science fiction told in the flavor of a classic Twilight Zone episode.” And the Examiner summed it up nicely this way: “It’s rare when a film is able to blend together two different genres so well, especially when they are two genres that you don’t normally see together, in this case, science-fiction and romance.”

It does not get that a great rating at Rotten Tomatoes among audience reviewers garnering just sixty-seven percent. Not bad, but not overwhelming. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 4, 1905 Frank Utpatel. Artist who may have done some interior illustrations for Weird Tales, he’s remembered for his Arkham House book covers that began with Lovecraft’s The Shadow over Innsmouth novel in 1936. He would do covers for Ashton, Howard, Derleth, and Lovecraft. One of my favorite covers by him is for Derleth’s The Casebook of Solar Pons but then I like all of his Solar Pons covers and their obviously Holmesian riff. (Died 1980.)
  • Born March 4, 1914 Ward Kimball. He was part of Walt Disney’s original team of animators, known as the Nine Old Men. Keep in mind that he did not create characters but animated them, which he did to great ability — Jiminy Cricket, the Mad Hatter, Mickey Mouse, and Tweedledee and Tweedledum. He eventually became an animation director at Disney starting with Fantasia, and he worked on Mary Poppins. (Died 2002.)
  • Born March 4, 1923 Sir Patrick Alfred Caldwell-Moore CBE HonFRS FRAS. Astronomer who liked Trek and Who early on but said later that he stopped watching when “they went PC – making women commanders.” Despite that, he’s here because he shows up in the debut Eleventh Doctor story, “The Eleventh Hour“. And he was also in the radio version of the Hitchhiker’s Guide to the Galaxy. (Died 2012.)
  • Born March 4, 1923 Patrick Moore. He held the record as the presenter of the world’s longest-running television series with the same original presenter, BBC’s The Sky at Night.  He was a genre writer with six such novels to his name, one co-written, and a lot of related non-fiction, one that garnered him a Hugo nomination at Interaction, Futures: 50 Years in Space: The Challenge of the Stars, that was co-written with David A. Hardy. (Died 2012.)
  • Born March 4, 1965 Paul W. S. Anderson, 57. If there be modern pulp films, he’s the director of them. He’s responsible for the Resident Evil franchise plus Event HorizonAlien V. PredatorPandorum and even Monster Hunter
  • Born March 4, 1966 Paul Malmont, 56. Author of the comic strips The Chinatown Death Cloud Peril and Jack London in Paradise which blends pulp tropes and SF elements including using as protagonists Heinlein and Asimov. He wrote the first four issues of DC’s excellent Doc Savage series with artist Howard Porter. While a marketing executive at DC he created the DC Daily video series, now over four hundred and fifty episodes long. 
  • Born March 4, 1973 Len Wiseman, 49. Producer or Director of the Underworld franchise. Director of the Total Recall remake. Also involved in StargateIndependence DayMen in Black and Godzilla in the Property Department end of things. He is the Sleepy Hollow series creator and producer for much of it, wrote the pilot as well. (Is it worth watching? I’ve not seen any of it.) Producer for much of the Lucifer seriesas well and is the producer for the entire series of the rebooted Swamp Thing. Also produced The Gifted

(12) COMICS SECTION.

  • The Argyle Sweater probably should be spelled “Aaarggghyle” after this bad superhero-themed pun.
  • Bizarro makes an okay joke in the foreground, but studying the gags in the background is even more entertaining.  

(13) CLICK AND LEARN. What writer whose initials are Ray Bradbury helped inspire lyricist Bernie Taupin? Far Out Magazine knows: “The story behind Elton John song ‘Rocket Man’”.

…The opening lines, which read: “She packed my bags last night, pre-flight. Zero hour: 9am. And I’m gonna be high as a kite by then,” was conceived by Taupin while he was driving to his parents in Lincolnshire, England. Anxious that he’ll forget the lines, he drove some back roads as fast as he could to put it down on paper. Until he reached their house he had to “repeat it to himself for two hours,” which was “unfortunate” but also worthwhile given the magnanimous status the song achieved….

(14) AND THEY LIVED HAPPILY EVER AFTER. SYFY Wire assures us that John DiMaggio will voice Bender in the forthcoming Futurama revival. A bit of closure to a “crisis” that might have gone completely unnoticed had it happened this week.

Good news… again… everyone! Bendergate is finally over. Actor John DiMaggio has officially settled his pay dispute with 20th Century Studios and will return as the voice of Bender for Hulu’s upcoming revival of Futurama. To quote the booze and cigar-loving robot specifically programed for bending girders (and partying): “It’s gonna be fun on a bun!”…

(15) CONREP IN THE WIND. SF2 Concatenation has just tweeted the link to an advance-post of a Windycon con report. This is ahead of their full seasonal edition slated for April 15 (but which may be held till April 20 if the Hugo short-lists are announced Easter weekend).

By Sue Burke: “The 2021 Windycon in Chicago, USA”.

In some ways, Windycon 47 unfolded normally, with panels, music, theatre, gaming, an anime track, art show, dealer’s room, and even the season’s first snowfall, right on time. It happened in the usual place, the Westin Lombard Yorktown Center. But the 47th annual Windycon should have taken place two years earlier in 2020. Instead, due to CoVID-19, a pared-down Zoom event 13th-15th November 2020, called Breezycon, offered a taste of the “family” feeling of the convention’s long history….

(16) BUSTED. Got to love the New York Times headline: “‘After Yang’ Review: Do Androids Dream of Sheep, Babysitting, Being?”

…Repairing Yang proves unsurprisingly more challenging than poking around under the hood of a car. Yang is a secondhand model, “certified refurbished,” yet used nevertheless. And while his warranty is still valid, the store where he was procured, Second Siblings, is out of business. “I told you we should have just bought a new one,” Kyra chides Jake with the old I-told-you-so sigh. In the future, men still take care of the big household chores; wives berate their husbands for making foolish decisions; and some families live in swoon-worthy houses with floor-to-ceiling windows and open-floor plans….

(17) THE NEXT BIG THING IS STILL PRETTY SMALL. “Two pillars of biological dogma upended by discovery of huge bacteria with nuclei”Daily Kos analyzes the impact.

…The proposed new species, Thiomargarita magnifica, is about 50 times larger than any other known bacterium, and it’s also the only bacterium we know of to keep its DNA inside a membrane-bound structure.  Either of those discoveries by itself would be very significant, so this double whammy really is a rare find.  Game changer!  Paradigm shift!  And all that jazz!  Microbiologists sure seem impressed

(18) MADAM I’M ADAM. A time-traveling pilot teams up with his younger self and his late father to come to terms with his past while saving the future. Comes to Netflix on March 11.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Superman and Batman kibitz in this latest video from How It Should Have Ended that dropped today. “How Spider-Man No Way Home Should Have Ended”.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Daniel Dern, Chris Barkley, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 2/7/22 Head Like A Scroll, Pixeled Like Your Soul

(1) SFWA VOTING ON NEW MEMBERSHIP QUALIFICATIONS. At The World Remains Mysterious, Cat Rambo encourages SFWAns to support these “Possible Upcoming Changes to SFWA Membership”. SFWA members have until February 15 to cast their votes.

…An interesting development for SFWA that seems to have been flying under most people’s radar is that the organization’s members will be voting on whether or not to change the membership requirements in a way that the organization has not previously done. This may be one of the biggest changes made to the membership yet in the organization’s 50+ years of history.

The new qualifications: a writer can join as an Associate member once they have earned $100 over the course of their career, and as a Full member at the $1000 level.

That’s a huge and very significant change from the current, somewhat arcane membership requirements of $1000 over the course of a year on a single work to become a Full member. Particularly when you think that one of the most contentious propositions on the discussion boards in the past has been the idea of re-qualification, of making people prove they qualify on a yearly basis. Moving away from a system so complicated SFWA had to create a webform to walk people through whether or not they qualified to something like this is a big win in so many ways.

Cat follows up with six reasons SFWAns should vote for the change.

Meanwhile, she notes that the SFWA Board has already implemented another tool which did not require a membership vote:

One other change from the board meeting answers the question of how this affects the idea of “SFWA qualifying markets,” which has in the past been used as a way to make sure fiction markets increased their rates every once in a while. We’re going to see a fiction matrix that looks at a number of factors, including pay, but also response time, quality of contract, etc. It’s very nice to see this long overdue project finally manifest, and I bear as much guilt as anyone in the long overdue part, since I was around when it was first proposed and should have kicked it along significantly harder than I did. I’m very happy to see this and ten thousand kudos to the people who made it happen.

An email sent to SFWA members in January (which I did not receive from Cat) explains the new matrix:

Short Fiction Matrix: The Short Fiction Committee has developed a plan to replace the current Market Qualifying list with a Short Fiction Matrix that will better evaluate the professionalism of short fiction markets and model best practices. This is not contingent on the bylaws vote; the Board has already approved this plan to respond to changes needed to the membership criteria to admit newly voted-in categories of SFWA members. As a result, the current Market Qualifying list is less useful to prospective members, many of whom are deterred from applying by mistakenly assuming that only works sold to markets on the Market Qualifying list make them eligible to apply.  

The move to a matrix will better fulfill SFWA’s mission to promote and educate on writer-friendly practices in our industry. It will also aim to correct misperceptions that SFWA’s minimum professional rate is the only benchmark that a publisher must meet to be considered professional. SFWA will continue to fight for fair and equitable conditions across SF/F and related-genre markets via a minimum professional per-word rate, but additional metrics will give us more tools to use to achieve that goal. We are not abandoning the minimum professional rate at all, but reinforcing it with this matrix. SFWA recognizes the importance that this rate has served in the industry and plans to preserve that outside of the membership qualification criteria. 

The rate is meant to encourage better pay for creators, not limit their chances to participate in their professional organizations.

Ten categories have been proposed to comprise the matrix, including wordcount payment rate, payment procedures, good contract practices, audio and translation rights, and promotional efforts, among others. Precisely how each category is evaluated and the points assigned are still in discussion…. 

(2) THEY ASKED. Marlon James did an Ask Me Anything session for Reddit’s r/Books community today: “I’m Marlon James, author of A Brief History of Seven Killings, Black Leopard, Red Wolf, and the forthcoming MOON WITCH, SPIDER KING!”

Marlon James

LElias2784: Hi Marlon! So excited that you’re doing this! Can you tell us how you developed the maps that are printed in the books?

MJ: The great thing about writing say, New York is that the city is there. Make up a place and you need a world for the characters to move around. I have to bear in my two things, which might seem at odds. 1. The world is new to the reader, so a lot of world building needs to happen, but 2. it’s not new to the characters and they can’t move through it like a tourist, which means I can’t move around like a tourist. So I sketch a rudimentary map before I even write a word. And it helps to define the place. But as the book gets deeper, the maps gets more detailed, until I reach the point where the book is following the map, not the other way around. This creates challenges, for example, by adding up the distance travelled by a character you might realize that they weren’t gone a week, but a year. Or instead of reaching a new destination, they merely circled back to the old. Which means constant modifications. OR you get to the point where the map IS the standard and the prose is what has to change. I appreciate that part actually, because I can say nope, can’t write that because that’s not in the map….

(3) NEW INTERVIEW SERIES LAUNCHES. [Item by Cora Buhlert.] I have decided to interview authors/editors of SFF-related non-fiction books in a probably futile attempt to restore Best Related Work from “Best response to whatever annoyed us at last year’s Worldcon.” Here’s the introductory post: “Introducing Non-Fiction Spotlights”.

… So I want to shine a spotlight on works of long form non-fiction that came out in 2021. The main focus of this series will be on non-fiction books, whether academic or popular, though I will also feature the occasional documentary or blog series. And indeed the first installment of this series will feature a non-fiction book which started out as a series of blogposts. I am not looking for essays, articles, poems, Twitter threads, virtual cons, podcasts, archives, databases, recommendation lists and similar projects at the moment, no matter how worthy….

And here is the first interview: “Non-Fiction Spotlight: The Complete Debarkle: Saga of a Culture War by Camestros Felapton”. Cam was kind enough to act as my guinea pig, so I can hopefully persuade more authors/editors of SFF-related non-fiction to take part.

What prompted you to write your book?

I’d been thinking of a project like this for some time but the January 6, 2021 riots at the US Capitol was a specific impetus. I wanted to talk about how a section of the US population had become entranced by ideas that seemed so sharply at odds with reality. The overlap between the thinking of some of the key figures in the Sad/Rabid Puppy campaigns and issues such as Covid-denial and election-fraud conspiracy theories was substantial. One key personality from that time had become a major promoter of Qanon, another had been an early proponent of anti-covid-lockdown protests and yet another had been an active proponent of election-fraud conspiracy theories. I really wanted to trace the journey that people went through and how the earlier (fairly minor) conflict foreshadowed later events.

(4) LEDE GENERATOR. Rodolfo Ocampo extended an invitation to the internet: “As part of my PhD, I’m researching human-AI creative interaction. I created a little tool where you can write two themes and see the beginning of a story come alive.” You can try it here: Narrative Device.

I was asked to enter two themes. I gave the AI “hamburger” and “moon.” Here’s what I got back:

The moon was full and shining brightly in the sky. The stars were out, and it was a beautiful night. A family of four was out eating a hamburger at a local burger joint. They were all enjoying their meal, when the father said, “I love hamburgers. They’re such a classic.” His children agreed, and the mother said, “I love moon pies. They’re so yummy.”

(5) SUPER BOWL RINGS. Usually a few Super Bowl commercials have genre elements. This year one will be about a major genre production: “Amazon’s ‘Lord of the Rings’ TV Show Trailer to Air During Super Bowl” on February 13.

… The official first look video of the most expensive TV series ever made (the first season costs at least $465 million) will debut during Super Bowl LVI.

The announcement comes on the heels of Amazon releasing tease-y character posters showing merely the torsos and hands of its cast.

The Lord of the Rings: The Rings of Power follows the forging of the original rings of power that allowed the Dark Lord Sauron to spread darkness across Middle-earth….

(6) DEEP DIVE INTO HOBAN. Evelyn C. Leeper invites Russell Hoban fans to enjoy her webpage of “Russell Hoban Reviews”. “Hoban’s style is (to me) quintessential magic realism, and incredibly poetic, and I wish his adult books were not so hard to find.”

(7) IAN KENNEDY (1932-2022). Comics artist Ian Kennedy died this month – 2000 AD has a profile: “Ian Kennedy 1932-2022”.

…It is no hyperbole to describe Kennedy as a legend of British comics. With a career spanning more than seven decades, his meticulously detailed but dynamic work graced dozens of titles, from Hotspur to Bunty, from Commando to 2000 AD.

… As tastes changed, so did the audience for his work. His style adapted perfectly to the new generation of science-fiction comics like 2000 AD, for which he worked for on strips such as ‘Invasion’, ‘Judge Dredd’ and ‘M.A.C.H.1’, as well as on ‘Ro-Busters’ for stablemate Star Lord. One of his most covers featured the perfect intersection of his changing career – Messerschmitt 109s from World War Two transported to the skies over Judge Dredd’s Mega-City One, with one pilot screaming “Himmel! This isn’t Stalingrad!”.

His richly coloured art, with his particular skill for sleek, dynamic and functional machines and spacecraft, was perfect for the relaunch of ‘Dan Dare’ in Eagle in the 1980s as well as Blake’s 7M.A.S.K., the short-lived IPC title Wildcat….

(8) ANGÉLICA GORODISCHER (1928-2022). [Item by Cora Buhlert.] Argentinian author of SFF and many other things Angélica Gorodischer has died at the age of 93. For some reason, there have been almost no obituaries in the English language world, not even from places like The Guardian, where you might expect to find them. Locus had a brief item and here is a longer tribute from an obscure news site: “Angélica Gorodischer, the woman who imagined universes” at Then 24.

…She knew from a very young age that she would dedicate herself to writing. Perhaps she did not imagine that she, as a declared feminist writer since the 1980s, would leave a singular mark on literature written in the Spanish language. The true homeland of Angélica Gorodischer, who died at her home in Rosario at the age of 93, was books: the books she read and those she wrote, among which Trafalgar (1979) and the stories of Kalpa Imperial (1983) stand out. The latter was translated into English by none other than Ursula K. Le Guin, the greatest figure in Anglo-Saxon science fiction.

Gorodischer’s best novel, Prodigies, is not sff but was translated into English by Sue Burke, another noted sff author.

(9) MEMORY LANE.

2002 [Item by Cat Eldridge] Twenty years ago at  ConJosé where Tom Whitmore and Kevin Standlee were the Chairs and Vernor Vinge was the author guest,  David Cherry the artist guest, Bjo & John Trimble fan guests and Ferdinand Feghoot was the imaginary guest (ok, would someone explain that choice please), Neil Gaiman wins the Best Novel Hugo for the best excellent American Gods

Five novels made the final nomination list: Lois McMaster Bujold’s The Curse of Chalion, Connie Willis’ Passage, China Miéville’s Perdido Street Station, Robert Charles Wilson‘s The Chronoliths and Ken MacLeod’s Cosmonaut Keep.

It would also win the Locus Award for Best Fantasy Novel and be nominated for the Mythopoeic Fantasy Award for Adult Literature, a BFA for the August Derleth Fantasy Award for Best Novel and the World Fantasy for Best Novel.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 7, 1908 Larry “Buster” Crabbe. He played the lead roles in the Tarzan the Fearless, Flash Gordon, and Buck Rogers series in the Thirties, the only person to do all three, though other actors played some of those roles.  He would show up in the Seventies series Buck Rogers in the 25th Century as a retired fighter pilot named Brigadier Gordon. (Died 1983.)
  • Born February 7, 1941 Kevin Crossley-Holland, 81. Best known for his Arthur trilogy consisting of The Seeing StoneAt the Crossing-Places, and King of the Middle March. I really liked their perspective of showing a medieval boy’s development from a page to a squire and finally to a knight. Highly recommended. 
  • Born February 7, 1949 Alan Grant, 73. He’s best known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s.  If you can find it, there’s a great Batman / Judge Dredd crossover “Judgement on Gotham” that he worked on. His recent work has largely been for small independents including his own company. 
  • Born February 7, 1950 Karen Joy Fowler, 72. Michael Toman in a letter to our OGH asked we note her Birthday as she has a “A Good Word for one of his favorite writers” and so do I. Her first work was “Recalling Cinderella” in L Ron Hubbard Presents Writers of the Future, Vol I. Her later genre works are Sarah Canary, the Black Glass collection, a World Fantasy Award winner, and The Jane Austen Book Club novel, is not SF though SF plays a intrinsic role in it, and two short works of hers, “Always” and “The Pelican Bar” won significant Awards. Her latest genre novel, We Are All Completely Beside Ourselves, is being adored far and wide. She won a World Fantasy Award for Lifetime Achievement. 
  • Born February 7, 1952 Gareth Hunt. Mike Gambit in The New Avengers, the two season revival of The Avengers that also starred Joanna Lumley as Purdey  and Patrick Macnee as John Steed. Quite excellent series. He was also Arak in the Third Doctor story, “Planet of The Spiders”. (Died 2007.)
  • Born February 7, 1955 Miguel Ferrer. You likely best remember him as OCP VP Bob Morton in  RoboCop who came to a most grisly death. Other notable genre roles include playing FBI Agent Albert Rosenfield on Twin Peaks and USS Excelsior helm officer in The Search for Spock. In a very scary role, he was Director of Hatcheries and Conditioning in Brave New World.  Lastly I’d like to note that he did voice work in the DC Universe at the end of his life, voicing Martian Manhunter (J’onn J’onzz) in Justice League: The New Frontier and Deathstroke (Slade Joseph Wilson) in Teen Titans: The Judas Contract. (Died 2017.)
  • Born February 7, 1960 James Spader, 62. Most recently he did the voice and motion-capture for Ultron in Avengers: Age of Ultron. Before that, he played Stewart Swinton in Wolf, a Jack Nicholson endeavor. Then of course he was Daniel Jackson in Stargate, a film I still enjoy though I think the series did get it better. He also plays Nick Vanzant in Supernova and Julian Rome in Alien Hunter.

(11) COMICS SECTION.

From Bestie:

(12) FCBD 2022. Titan Comics unveiled artist Piotr Kowalski’s cover for their  Bloodborne Free Comic Book Day edition, which will be given out at participating comic shops on May 7.

Enter the city of Yharnam through the eyes of its citizens, when new hunters take to the streets to fight against the cruel and unusual epidemic that has gripped the city. In the black of night, families and faith will be tested… Based on the critically-acclaimed Bloodbourne video game!

(13) GREAT EXPECTATIONS. Open Culture reviews some century-old predictions: “In 1922, a Novelist Predicts What the World Will Look Like in 2022: Wireless Telephones, 8-Hour Flights to Europe & More”.

…In the Paris-born-and-raised George’s ancestral homeland, George Orwell described him as an author of what G.K. Chesterton called “good bad books,” singling out for praise his 1920 novel Caliban amid the “shoddy rubbish” of his wider oeuvre.

Still even authors of rubbish — and perhaps especially authors of rubbish — can sense the shape of things to come. For its edition of May 7, 1922, the New York Herald commissioned George to share that sense with their readers. In response he described a world in which “commercial flying will have become entirely commonplace,” reducing the separation of America and Europe to eight hours, and whose passenger steamers and railroads will have consequently fallen into obsolescence. “Wireless telegraphy and wireless telephones will have crushed the cable system,” resulting in generations who’ll never have seen “a wire outlined against the sky.”

That goes for the transmission of electricity as well, since George credits (a bit hastily, it seems) the possibility of wireless power systems of the kind researched by Nikola Tesla. In 2022, coal will take a distant backseat to the tides, the sun, and radium, and “it may also be that atomic energy will be harnessed.” As for the cinema, “the figures on the screen will not only move, but they will have their natural colors and speak with ordinary voices. Thus, the stage as we know it to-day may entirely disappear, which does not mean the doom of art, since the movie actress of 2022 will not only need to know how to smile but also how to talk.”…

(14) SOMETHING WAGNERIAN. The Rogues in the House podcast (which will be featured as a fancast spotlight soon) discusses Karl Edward Wagner’s Kane: “Some like it Rough – Karl Edward Wagner and Kane”.

The Rogues are joined by Whetstone Magazine editor Chuck Clark as they journey into the depths of esoteric time on a quest for a deeper understanding of the Sword & Sorcery mainstay, Kane the Mystic Swordsman and his creator, Karl Edward Wagner. Is this mysterious, flame-haired immortal a friend? Perhaps a foe? And what’s this about World Domination? Hang on to your fur-diapers and winged helms, it’s gon’ get rough!

(15) THEY DIDN’T START THE FIRE. Oliver Brackenbury interviews Jason Ray Carney, editor of Whetstone Magazine, Witch House Magazine and The Dark Man Journal at So I’m Writing a Novel… — “Interview with Jason Ray Carney of Whetstone Magazine”.

Oliver and Jason get to some INTERESTING places in their far-reaching discussion, including subjects like: writing workshops, working class literature, modernist literature, R.A. Salvatore as a literary gateway drug, starting a literary magazine & the origin of Whetstone, why he feels you shouldn’t send your best work to Whetstone, “mid-list exposure”, submitting for ultra low acceptance rate magazines, elevated language, Clark Ashton Smith, grading English papers by engineers, Jason’s role as academic coordinator for the Robert E. Howard foundation, Walter Benjamin, how a genre rooted in our past like sword & sorcery can give people an inspiring vision of something new…

(16) BOBA BATHOS. [Item by Cora Buhlert.] The Guardian interviews Jennifer Beals of Flashdance fame who’s currently in The Book of Boba Fett as well as a long time Star Wars fan: “’I’ve had letters from klansmen’: Jennifer Beals on Flashdance, The L Word and fighting to get diverse stories told”.

… Now, she has entered a franchise with a fractionally longer Hollywood pedigree than her own, as Garsa Fwip in The Book of Boba Fett, a spin-off of The Mandalorian – itself, of course, a spin-off of Star Wars. It takes a while to get your ear in to her natural register, which is playful, very literary and full of bathos. “It’s so exciting to be part of the lineage,” she says of Boba Fett. “It feels like a calling, like there’s some reason that the universe has decided that you’re going to enter into these stories.”…

(17) GENRE ON STAGE. [Item by Martin Morse Wooster.] In the Financial Times, behind a paywall, Sarah Hemming reviews  A Number, a 2002 play by Caryl Churchill that is playing at the Old Vic (oldvictheatre.com) through March 19 and is about a father and son.

The son has just discovered that he is one of ‘a number’–a set of identical humans cloned from an original.  Every shred of their relationship is being reconfigured in his mind.  More shocking still, he’s not even number one:  Somewhere out there is another, older him–a son five years his senior who grew up in care.  Before long, Bernard 1 is in the kitchen too, with his own set of questions…

…Its genius as drama is that it (the play) relies on the skill of the actors to scope out the minute shifts in body language that bring these questions (about the purpose of life)) alive.  In (Lyndsey) Tuirner’s deftly calibrated staging, (Paapa) Essiedu is mesmerising as multiple iterations of one person.  As Bernard 2, he pads about the living room, apparently at ease.  But his hands, either buried in the cuffs of his overlong sweater sleeves or nervously flexing and grasping the air, tell a story of deep-set insecurity.  As Bernard 1, the original, abandoned son, he is tighter, sharper, angrier.  But as he listens to his father explain why he gave him up, he becomes entirely still–we see a man sunk in deep, bewildered pain.  It’s a superbly detailed performance.”

Sarah Hemming also reviews Alistair McDowall’s play The Glow, which is playing at the Royal Court Theatre (royalcourttheatre.com) through March 5.  The play is about a Victorian spiritualist named Mrs Lyall.

Here Mrs Lyall’s instinct to cheat death and reach into eternity proves key as the play slips its moorings and roves across time, rolling form glimpses of pre-history and Arthurian legend to the 1970s and 1990s and even the heat death of the universe.

Our woman (Mrs Lyall)  is a constant throughout:  a time-travelling stranger or spirit, permanently in search of a home.  She becomes symbolic of humanity’s nagging sense of profound loneliness:  the root of legend, myth and religion,  McDowall has said of this play, ‘I want it to feel like there’s a vast, undulating network of stories that you only get a sliver of,’ and he works to give the audience the same bird’s eye view as the woman, stepping outside linear time, allowing patterns to emerge and overlap.

(18) SPACE FOR A MEMORY. An asteroid has been named after trans electronic/pop music icon SOPHIE reports Nylon: “SOPHIE Is Forever Memorialized As An Asteroid”.

A little over a year since the sudden passing of avant-garde pop star and producer SOPHIE, she’s officially part of the solar system as an asteroid memorialized in her honor.

Back in February 2021, SOPHIE fan Christian Arroyo began a petition to dedicate the planet TOI-1338 b in honor of the late pop star, noting that the pale lavender, cloudy atmosphere of the planet (discovered in the summer of 2019 by Wolf Cukier) looked similar to the ethereal album cover art of SOPHIE’s debut record Oil of Every Pearl’s Un-Insides. “I am requesting that TOI-1338 b be named in honor of SOPHIE, in honor of a great LGBT+ influence,” wrote Arroyo. “I want her name to be remembered and her influence to continue to flourish for many years to come.”…

(19) YOU’VE BEEN WARNED. Be careful out there.

(20) ARRAKIS STREET. A.V. Club is there when “Elmo, young Muppet, overcomes Dune’s Gom Jabbar test”.

Fresh off the heels of his career-invigorating feud with a rock that wants to take his oatmeal raisin cookie, Elmo has returned to the spotlight yet again to prove that he’s a thinking, feeling organism who deserves to be treated with greater respect than both inanimate objects and the world’s animals.

Since there is no better way for him to prove such a thing than to look to an ordeal devised by Frank Herbert in the novel Dune, Elmo has now been made to prove himself through an edit of the 2021 film adaptation’s take on the Gom Jabbar test….

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Daniel Dern, Peer, N., Cora Buhlert, Cat Rambo, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Charon Dunn.]

Pixel Scroll 9/4/21 I Have Become Pixel, Scroller Of Worlds

(1) A HARD ROAD. Sue Burke, author of The Immunity Index, and whose Semiosis made the Arthur C. Clarke Award shortlist and was a John W. Campbell Memorial Award finalist, summarizes the SF novel’s journey from manuscript to print, through editorial and beyond to ‘earn out’ in “Getting a book published” at SF2 Concatenation.

…Here comes the first mistake. I got to work on 20th March 2018, reviewing a folder of notes I have for ideas for stories, and I found one that I liked. Many writers have praised the creative freedom of pantsing (writing by the seat of one’s pants or making it up as you go along) a work, so although I’d previously worked with more or less complex outlines and plotting, I decided to give pantsing a go. It didn’t work. The initial draft was limp and only half as long as it needed to be.

Chastened, I reviewed ideas for ways to improve and expand the failure. This time I made notes and, eventually, crafted a plan. I added another character, rearranged some chapters, and complicated the conflict…

(2) CHARACTER WITH A LONG CAREER. Dark Worlds Quarterly contributor G.W. Thomas shares his appreciation for “The Cappen Varra Stories of Poul Anderson”.

…Shared Worlds of the 1970s

And that should have been the end of our wandering bard, but an unusual thing happened at the end of the 1970s. Robert Aspirin and Lynn Abbey cooked up the idea of the “Shared World“. With Poul’s encouragement the concept of a collection of stories where characters, setting and events coalesce between the authors to create a larger experience exploded as Thieves’ World. (There were others: Ithkar and Liavek being two of the more successful competitors.) The series ran for twelve volumes as well as a dozen novels. Poul saw it as a chance to bring Cappen Varra back! “The Gate of Flying Knives” (Thieves’ World, 1979) was the third story in the first collection. It would be Anderson’s only contribution….

(3) AN APPENDIX YOU CAN’T DO WITHOUT. Howard Andrew Jones pops up again, this time profiling historical adventure fiction author Harold Lamb for Goodman Games, where he explains why Lamb’s work is relevant for SFF fans: “Appendix N Archaeology: Harold Lamb”.

Much as I’d like to hope that Gary Gygax read Harold Lamb, he’s unlikely to have found his way to any of Lamb’s most influential work. It’s not that Lamb wasn’t in print. From the 1940s on, his histories and biographies were a mainstay on library shelves, and many modern libraries retain his books to this day. But as fine as they are – and some of them are very fine indeed – Lamb’s histories and biographies weren’t the texts that were important to Appendix N….

(4) CRIME FICTION CAREER LAUNCH. Astronaut Chris Hadfield has written a murder mystery. According to this review from Shots Mag, it is quite good: “The Apollo Murders”.

When the author has flown two Space Shuttle missions and was the commander of the International Space Station, you know that the technical details in the story are going to be accurate, integral to the story and lend the reader a real sense of being ‘there’….

(5) SHANG-CHI NEWS. In the Washington Post, David Betancourt interviews Shang-Chi star Simu Liu, who explains how Liu’s six-year campaign to get Marvel to cast him as a superhero finally paid off. “Simu Liu of ‘Shang-Chi’ finally gets the role he always wanted”.

Long before he became Shang-Chi, Simu Liu was convinced that the only way he’d be an Asian superhero on an American movie screen was to craft the story himself.

So he did. Twice.

At the age of 22, Liu crafted a wholestory bible for the Japanesemutant X-Men member Sunfire, certain it was his best bet to land a Marvel role.Years later, while a member of the Young Emerging Actors Assembly in Toronto, Liu spent $2,000 to direct, write and star in the 2015 short film called “Crimson Defender vs. The Slightly Racist Family,” about an Asian superhero who rescues a family that doesn’t believe he is a superhero because he is Asian.

Neither of those moments resulted in Liu being fitted for capes. But when Marvel Studios announced “Shang-Chi and the Legend of the Ten Rings” would be itsfirst movie with an Asian superhero in the lead role, the 32-year-old star of the TV series“Kim’s Convenience” was convinced he was ready before he ever got a phone call. He even tweeted “are we gonna talk or what” at the Marvel Entertainment account….

Kat Moon explains how she as an Asian American feels better represented by Shang-Chi than by any other Hollywood blockbuster: “Shang-Chi Made Me Feel Seen Like No Other Hollywood Film Has” in TIME.

It wasn’t a profound scene in Shang-Chi and the Legend of the Ten Rings that made me feel instantly connected to the film—not the Mandarin narration that opened the movie or even the early references to customs specific to Chinese culture like eating zhou, or congee, for breakfast and tomb-sweeping on the annual Qingming Festival. Of course, those storytelling choices told me that the latest Marvel superhero movie was crafted with viewers like me in mind. But it was a moment around 30 minutes in that let me know for certain I was watching my life experiences reflected on the big screen in a way Hollywood has rarely done: when Ronny Chieng’s character, Jon Jon, exclaims, “Wakao!”…

(6) DUNE EARLY RETURNS. The New York Times’ Kyle Buchanan says “Venice Film Festival: ‘Dune’ Leaves Us With 3 Big Questions”. The second is —

Will ‘Dune’ be a major Oscar player?

Part of what’s so striking about “Dune” is that Villeneuve has a sense of texture that’s rare among big-budget filmmakers. When a character falls in battle, Villeneuve is besotted with the way the man’s eyelashes flutter as he dies. And during the assault on a character’s compound, the camera drifts from the action to show us magnificent palm trees that have been set aflame, their leafy crowns now a starburst of destruction.

Though sci-fi movies can sometimes be a hard sell with Oscar voters, I suspect that Villeneuve’s distinctive eye will distinguish “Dune,” as the movie looks undeniably ravishing. A ton of below-the-line nominations are guaranteed, including Greig Fraser’s cinematography and the production design by Patrice Vermette. The score (by Hans Zimmer), sound and editing are all more daring than this genre usually allows: The aural soundscape and artsy crosscutting feel almost designed to draw you into a spice-induced trance.

And I haven’t even gotten to the fashion! The costume design (by Jacqueline West and Bob Morgan) is a stunner, and especially during the first hour of the film — with Rebecca Ferguson wearing outrageous space-nun sheaths and a veiled Charlotte Rampling dressed like the Green Knight in Gaultier — “Dune” can seem like a moody high-fashion shoot that occasionally includes spaceships. (I mean this as a good thing.)

Villeneuve’s last film, “Blade Runner 2049,” scored five Oscar nominations and won its cinematographer Roger Deakins a long-overdue Academy Award. Still, the movie couldn’t break into the two top Oscar categories, best picture and best director. Does “Dune” stand a better chance?

I’m taking the wait-and-see approach here….

(7) C.S. LEWIS CONFERENCE IN ROMANIA. The 5th International Interdisciplinary Conference devoted to the life and work of C. S. Lewis, “Of This and Other Worlds,” will be held November 18-20 in Iasi, Romania. Register here. Registration deadline: November 1. An excerpt from the call for papers follows:

The fifth C. S. Lewis conference focuses on C. S. Lewis and his literary and academic kin as creators of worlds. His entire work testifies to his fascination with alternative universes, from his scholarly exploration of Medieval literature, with its haunting myths and arcane symbolism, through his fiction, to his apologetics, where Christianity is seen as a parallel kingdom seeking to be reinstated in “an enemy-occupied territory”. From pain to love, through faith and imagination, he opened a spectrum of realities inviting exploration and reflection. The collection of essays by Lewis alluded to in the title of this year’s conference spans both this and other worlds: “this” realm, which we inhabit, is the necessary, unavoidable starting point for any explorers, conquerors, pilgrims, even refugees into the “others”.

Those willing to venture into the exploration of the worlds of imagination created by C. S. Lewis and kindred spirits are invited to contribute papers in the areas of semiotics, narratology, literary studies (with a special focus on fantasy, on possible worlds in language structures, at the crossroads between referential semantics and fiction studies), translation studies (the challenge of translating fantasy for readerships of various ages and its effect on reception), philosophy, logic, theology, cultural and arts studies, including any interdisciplinary permutation or cross-pollination.

Interested participants are invited to send a 200-250-word abstract for peer-review to the Conference Committee via the organizers: Dr. Rodica Albu (rodica.albu@gmail.com), Dr. Denise Vasiliu (denise_vasiliu@yahoo.com), Dr. Teodora Ghivirig? (teoghivi@Yahoo.com)

Deadline for proposal submission: 25 September 2021…

(8) MEMORY LANE.

  • 1975 – Forty-six years ago this night, Space: 1999 premiered on such stations as Los Angeles KHJ-TV. It was distributed by ITV and produced by Group Three Productions (the first season) and Gerry Anderson Productions (the second and final season). It starred as its headliners Barbara Bain and Martin Landau, previously of Mission: Impossible fame. It was created by Gerry and Sylvia Anderson who before this had done only such SF marionette puppetry series as ThunderbirdsStingray and Captain Scarlet and the Mysterons. It would last but forty eight episodes of around fifty minutes. Setting John Clute aside who thought it had “mediocre acting” and “rotten scripts”, most critics at the time actually liked it and audience reviewers at Rotten Tomatoes give it a very splendid eighty six percent rating. You can stream it on Amazon.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 4, 1916 — Robert A. W. Lowndes. He was known best as the editor of Future Science FictionScience Fiction, and Science Fiction Quarterly (mostly published in the late Thirties and early Forties) for Columbia Publications. He was a principal member of the Futurians, and a horror writer with a bent towards all things Lovecraftian ever since as a young fan, he received two letters of encouragement from H. P. Lovecraft. And yes, he’s a member of the First Fandom Hall of Fame. (Died 1998.)
  • Born September 4, 1924 — Ray Russell. His most famous story is considered by most to be “Sardonicus” which was published first in Playboy magazine, and was then adapted by him into a screenplay for William Castle’s Mr. Sardonicus. He wrote three novels, The Case Against SatanIncubus and Absolute Power. He’s got World Fantasy and Stoker Awards for Lifetime Achievement. “Sardonicus” is included in Haunted Castles: The Complete Gothic Stories which is available from the usual suspects. (Died 1999.)
  • Born September 4,1924 — Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read even though The Whispering Mountain is supposed to a prequel to the series — I don’t think it’s essential reading. (Or very interesting.) The Wolves of Willoughby Chase is certainly the one in the series I saw stocked regularly in my local bookstores before the Pandemic. (Died 2004.)
  • Born September 4, 1938 — Dick York. He is best remembered as the first Darrin Stephens on Bewitched. He was a teen in the police station in Them!, an early SF film which is considered the very first giant bug film. He’d showed up in myriad Alfred Hitchcock Presents, several episodes of Twilight Zone and has a one-off on the original Fantasy Island. (There’s now been three series.) He voiced his character Darrin Stephens in the “Samantha” episode of The Flintstones. (Died 1992.)
  • Born September 4, 1957 — Patricia Tallman, 64. Best known as telepath Lyta Alexander on Babylon 5, a series I hold that was magnificent but ended somewhat annoyingly. She was in two episodes of Next Generation, three of Deep Space Nine and two of Voyager. She did uncredited stunt work on Deep Space Nine as she did on Voyager. Oh, and she shows up in Army of Darkness as a possessed witch. Oh, and she was the former CEO and executive producer of Studio JMS. Yeah she ran everything for J. Michael Straczynski. Very impressive indeed. 
  • Born September 4, 1962 — Karl Schroeder, 59. I first encountered him in his “Deodand” story in the METAtropolis: Cascadia audio work, so I went out and found out what else he’d done. If you’ve not read him, his Aurora Award winning Permanence is superb as all of the Vigra series. He was one of those nominated for a Long Form Best Dramatic Presentation Hugo for the first METAtropolis at Anticipation. 
  • Born September 4, 1972 — Françoise Yip, 49. She was a remarkably extensive career in genre productions including, but not limited to, Earth: Final Conflict, Andromeda, Caprica, Fringe, Predator, Robocop: Prime Directives, Seven DaysFlash Gordon, Smallville, Millennium, Shadowhunters, Arrow and Sanctuary.  Genre casting directors obviously really, really like her. Her longest running genre role was as Elizabeth Kepler in The Order, a horror series on one of those streaming services you’ve likely never heard of.
  • Born September 4, 1999 — Ellie Darcey-Alden, 22. Though she’s  best known for playing young Lily Potter in Harry Potter and the Deathly Hallows – Part 2, she’s here for being  Francesca “Franny” Latimer in the Doctor Who  Christmas special “The Snowmen”, an Eleventh Doctor story. She also played Mary in the “Total Eclipse“ episode of Robin Hood, and was in Chitty Chitty Bang Bang for the New Theatre Oxford. And she appears, as do so many others, in The Five(ish) Doctors Reboot.

(10) COMICS SECTION.

  • The Far Side shows how if Worf had known about this, that whole business with the pain sticks could’ve been avoided. 
  • Close to Home shows Spock’s version of “I’m not a doctor, I’m a —“

(11) TBR INCOMING. Fansided’s “Winter Is Coming” contributor Daniel Roman lists “15 highly anticipated fantasy and science fiction books coming this fall”. Due in October —

6. Far From the Light of Heaven by Tade Thompson (10/26)

Leaving the heavy bounds of the Earth, our next book sees us blasting into space aboard the colony ship Ragtime. Arthur C. Clarke award-winning author Tade Thompson, author of The Wormwood Trilogy, has a new standalone science fiction novel coming out that promises to be filled with deep moral quandaries and spiritual reckonings. Far From the Light of Heaven is billed as a mystery meets sci-fi political thriller in space. The acting captain of the Ragtime has to team up with an investigator and several other intriguing characters to unravel a bloody mystery that is taking place aboard her ship.

(12) ASTRONOMY PICTURE OF THE DAY. From NASA: Astronomy Picture of the Day. Description follows.

Image Credit & CopyrightDennis Huff

Explanation: Not the Hubble Space Telescope’s latest view of a distant galactic nebula, this illuminated cloud of gas and dust dazzled early morning spacecoast skygazers on August 29. The snapshot was taken at 3:17am from Space View Park in Titusville, Florida. That’s about 3 minutes after the launch of a SpaceX Falcon 9 rocket on the CRS-23 mission to resupply the International Space Station. It captures drifting plumes and exhaust from the separated first and second stage of the rocket rising through still dark skies. The lower bright dot is the second stage continuing on to low Earth orbit. The upper one is the rocket’s first stage performing a boostback burn. Of course the first stage booster returned to make the first landing on the latest autonomous drone ship to arrive in the Atlantic, A Short Fall of Gravitas.

(13) EARLY ARRIVAL. Slash Film says these are “20 Movies About Aliens That You Definitely Need To Watch”. One of them is not what you might expect at first glance.

The Arrival

Not to be confused with a later entry on this list, 1996’s “The Arrival” stars a Charlie Sheen still at the height of his health and talent, and pits him against the terrifyingly competent Ron Silver. Sheen plays a radio astronomer who intercepts an unusual transmission from a nearby star and is blackballed from his industry for revealing its extraterrestrial origins. From there, a tangled conspiracy drives him towards the truth: the aliens are already here, and the rapid shift in our planet’s climate is meant to kill off humanity and create comfortable new digs for our new guests.

Directed by Peter Twohy, who would go on to create the Riddick franchise with Vin Diesel, “The Arrival” is surprisingly prescient with how it illustrates today’s climate change fears. A niche topic of conversation at the time, relegated to Al Gore jokes and nervous but unheard scientists, these digitigrade alien mimics are almost comforting now. They suggest that our inevitable future can be controlled — and, in a way that’s all too relatable, imply that someone else will have a good time on this planet at our expense….

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Cora Buhlert, Rich Lynch, Lise Andreasen, Michael Toman, John King Tarpinian,  Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Kevin Harkness.]

Pixel Scroll 5/5/21 Soon May The Filerman Come To Bring Us Books And Cats And Rum

(1) SPEAK FRIEND. Guy Gavriel Kay will deliver the 2021 J.R.R. Tolkien Lecture on Fantasy Literature, an annual lecture on fantasy literature held at Pembroke College, Oxford. The digital lecture will take place on Tuesday, May 11th, 6 PM BST (1 PM ET).

Kay has published fourteen novels which have been translated into 30 languages and have appeared on bestseller lists around the world. He is also the author of the poetry collection, Beyond This Dark House. His most recent work is A Brightness Long Ago.

Before beginning his career as a novelist, Kay was retained by the Estate of J.R.R. Tolkien to assist in the editorial construction of The Silmarillion, the first and best-known of the posthumously published Tolkien works. Called to the Bar of Ontario in 1980, he has also been principal writer and associate producer for the CBC’s award-winning crime-drama series, The Scales of Justice. 

Register to attend on Zoom, or watch the livestream on their YouTube channel. Zoom capacity will be limited but YouTube capacity is not. Both Zoom and YouTube will broadcast at the same time.

(2) WHEN EVERYONE GOES BLISSFULLY ASTRAY. Yahoo! reports two LOTR actors are starting a podcast in May. “’The Lord Of The Rings’: Dominic Monaghan & Billy Boyd Launch Podcast”.

The pair, who played hobbits Merry and Pippin in The Lord of the Rings, are launching a podcast about the hit film franchise.

The duo are launching The Friendship Onion with podcast producer Kast Media and the series will premiere on May 18. They will bring banter, stories and comedy to the podcasting space, each week digging into the latest in pop culture, put fans’ Lord of the Rings knowledge to the test, reveal exclusive stories from filming and maybe even welcome surprise drop-ins from famous faces.

Monaghan, who is also known for his role on Lost, played Meriadoc ‘Merry’ Brandybuck in the films, close friend to Frodo Baggins, and along with Peregrin ‘Pippin’ Took, played by Boyd members of the Fellowship of the Ring.

The Friendship Onion will be available weekly on Spotify and across all podcast platforms, including video simulcast episodes on YouTube….

(3) STRANGE AT ECBATAN THE QUIZ. Rich Horton has challenged readers with a 17-question quiz: “Quiz: Images of Aliens in SF”.

Following is a quiz I wrote for an online trivia league I am in. The subject matter is aliens in SF books, movies, TV, or comic books. Each question is accompanied by an image of the alien. The quiz ran over the weekend. Some of you may know the winner, David Goldfarb, who was prominent on the great Usenet newsgroup rec.arts.sf.written back in its glory days. Tom Galloway, another prominent fan known for his trivia knowledge, also did very well.

I need to thank Steven Silver and John O’Neill (as well as several members of the trivia league) for helping me improve the question set, including some excellent proposed questions.

I will post the answers in a day or two. If you want, you can post your guesses in the comments.

1. There are many aliens depicted in the Marvel Cinematic Universe. This alien race may be hard to depict definitively, as they are shapeshifters, but they do have a typical form. They appeared in Captain Marvel in the MCU, and in the comics as early as an issue of Fantastic Four in 1962. What is the name of this alien raceClick here

2. What’s the common name for this cowardly species featured in many of Larry Niven’s Known Space stories? The name is perhaps ironic as this species doesn’t seem to have the appendages normally used by the human performers known by that name. Click here

(4) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Rebecca Roanhorse and Angela Slatter in a YouTube livestream on May 19 at 7:00 p.m. Eastern. Link to come – check back at the KGB site.

Rebecca Roanhorse

Rebecca Roanhorse is NYTimes bestseller and an award-winning speculative fiction writer. Her latest novel, Black Sun, was recently nominated for the Nebula award for Best Novel of 2020. She has short fiction published in Apex MagazineUncanny, and multiple anthologies. She has also written for Star WarsMarvel , and for TV. She lives in Northern New Mexico.

Angela Slatter

Angela Slatter in a multi-award-winning Australian writer of dark fantasy and horror. Her latest publications are the gothic fairytale novel All the Murmuring Bones from Titan, and the mosaic collection The Tallow-Wife and Other Tales from Tartarus Press. She has a PhD, teaches for the Australian Writers’ Centre, and is trying to finish a new gothic novel, Morwood.

(5) REHABILITATING “SOLO”. Mike Ryan, the senior pop culture reporter at UpRoxx makes a credible argument in favour of everyone’s most forgotten Star Wars movie: Solo. “You Know, ‘Solo’ Is Actually A Lot Of Fun”.

if you haven’t watched Solo in a while, away from all the drama and (maybe for you) bad lighting, give it another shot. It might just be the most pure fun Star Wars movie we’ve gotten from this era so far.

(6) SUE BURKE Q&A. Nerds of a Feather’s Andrea Johnson supplies the questions for “Interview: Sue Burke, Author of Immunity Index”.

NOAF: Secret sisters, a geneticist studying illegal technology, and a deadly virus. What inspired this story, and how did all those elements get into the story?

SB: The initial central question of the story is identity. What makes us the same and different? Some of it is genetics, and some of it is life experiences. What makes those differences stand out? People show their true nature in a disaster. Because the story is about genetics, I brought more genetics and more disaster into it. The elements posed a lot of questions, and the story resulted from one set of answers.

(7) ASIMOV’S SF EDITOR HAS THE ANSWERS. The Odyssey Writing Workshop shares “Odyssey Podcast #138: Sheila Williams”.

Award-winning editor Sheila Williams was a guest lecturer at the 2020 Odyssey Writing Workshop. In this excerpt from a question and answer session, she answers questions about her editorial process, story endings, and what differentiates a good story from a story that she buys.

Sheila is the multiple Hugo Award-winning editor of Asimov’s Science Fiction magazine. She is also the winner of the 2017 Kate Wilhelm Solstice Award for distinguished contributions to the science fiction and fantasy community.

(8) COSINE COMING BACK. COSine, the Colorado Springs, CO convention, will be held in person once more next January 14-16.  

Last June we had to make the difficult decision to postpone COSine 2021. After that we put ourselves into suspended animation until such time as a vaccine for COVID was available and an appropriate supply of lemon-soaked paper doilies could be acquired.
 
Well, the doilies arrived, and most of us have aching arms, so it looks like we are on track for COSine 2022:

Guest of Honor: C.J. Cherryh
Artist Guest of Honor: Jane Fancher
Special Guests: Connie Willis & Courtney Willis

Our lowest rates for registration are available through the end of October, but if you want to sign up now, you can beat the Halloween rush! At the very least, please make sure that we are on your calendar.

(9) HORROR UNIVERSITY. It’s time to enroll for the virtual Horror University, part of the Horror Writers Association’s StokerCon coming May 20-23. See the session schedule at the link. One session, $55/members, $65/nonmembers; multiple-session discounts available.

Horror University is one of the most successful and popular aspects of StokerCon™. We are proud to present another great series of workshops for StokerCon™ 2021. Horror University furthers the Horror Writers Association’s focus on education with a curriculum run by some of the best and brightest in the horror field.

HORROR UNIVERSITY offers a series of 90 minute to two-hour workshops. They are not your typical workshop experiences—they are hands-on, intensive classes that include interactive activities and exercises. Workshop registration will open April 12. Workshops for this year’s Horror University will be virtual, part of Horror University Online. All HU courses will be run through the Horror University School on Teachable.com and require separate registration and additional payment as has been the practice at all past StokerCons.

All workshops are in Eastern Standard Time. Click the workshop titles in the table below for more detailed information about each workshop and instructor. Pricing is provided below.

(10) THEY DIDN’T ABANDON HOPE. Sarah Gailey’s new “Building Beyond” writing prompt is “See You In Hell”. Amanda Hamilton and Brendan Williams-Childs play along.

Hell is an urban metropolis in the middle of a sprawling agrarian underworld. You’ve just moved to a farm about six hours upstate from Hell.

Amanda Hamilton (she/her) is a chaos scheduler for her spouse, daughter and myriad pets. She’s also a fundraising professional, primarily focused on corporations and foundations these days. When not managing various and sundry to-do lists, she likes to read and nap and read some more.

Gailey: What is it about Hell that made you decide to move?

They always said that if you could make it in Hell, you could make it anywhere. Well, after a decade of (barely) making it, I was done…. 

(11) PREDICTING THE PRESENT. Salon did a Q&A with Andy Weir and put one of his quotes in a headline: “’I don’t want to be L. Ron Hubbard’: Andy Weir on writing escapism & new book ‘Project Hail Mary’”.

…At its core, science fiction as a genre reflects the fears, anxieties, politics, events, and mood of the present. Thus, the immediate question: What type of science fiction (and speculative fiction more broadly) will the Age of Trump and its aftermath produce?

In an effort to answer that question I recently spoke with author Andy Weir whose first best-sellling novel “The Martian” was adapted by Ridley Scott into a 2015 blockbuster feature film of the same title starring Matt Damon. Weir’s other work includes the novel “Artemis” and the beloved short story “The Egg.”…

What type of science fiction writing and other works – and creative arts more generally – do you think are going to come out of this moment?

My book “Project Hail Mary” was finished before the pandemic. The story involves an alien microbe. It may seem that “Project Hail Mary” is somehow-pandemic related, but that is just pure coincidence. Moreover, this microbe does not infect humans; it infects stars in outer space.

I honestly do not know what is going to come out of this.

I do not think that there is going to be quite as much disease-related science fiction, as one might suspect. We are all going through this pandemic, and when it’s over, it will be a common experience. It is not really something we are going to enjoy reminiscing about. We will never forget the experience with the pandemic, but it is not something we are going to want to mentally relive.

My instinct is that the pandemic experience is not going to impact science fiction very much because science fiction and fantasy are on a basic level about escapism. Spend some time in the world of this book so that you can enjoy yourself away from the world that you live in. The last thing anybody wants is for a book to drag them back to the world that they live in.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 5, 1856 – W.W. Denslow.  First illustrator of Baum’s Wizard of Oz; also illustrated Baum’s Father Goose and Dot and Tot of Merryland.  Designed the sets and costumes for the 1902 stage version of Wizard.  Illustrated Denslow’s Mother GooseDenslow’s “Night Before Christmas”, 18-vol. Denslow’s Picture Books.  Comic strip Denslow’s Scarecrow and Tin Man.  Newspaper reporter, editorial cartoonist, poster artist.  Designed books and bookplates.  (Died 1915) [JH]
  • Born May 5, 1907 – Pat Frank.  Wrote what I’ve long thought the best-made atomic-bomb-and-after novel Alas, Babylon; two more novels, one shorter story for us; two other novels; memoir; journalism.  Office of War Information overseas correspondent during World War II.  American Heritage Foundation Award.  (Died 1964) [JH]
  • Born May 5, 1942 Lee Killough, 79. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her? (CE)
  • Born May 5, 1943 Michael Palin, 78. Monty Python of course. I’ll single him out for writing the BFA winning Monty Python’s The Meaning of Life and co-writing the BSFA winning Time Bandits with Terry Gilliam. And it might be at least genre adjacent, so I’m going to single him out for being in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role. (CE) 
  • Born May 5, 1944 – Dave Locke.  Active fanziner, e.g. Awry; electronic zine Time and Again.  Loved by some, annoyed others (can this surprise you?), or both.  Among his best, What do birds of a feather do?  Dave Locke.  More here.  (Died 2012) [JH]
  • Born May 5, 1944 John Rhys-Davies, 77. He’s known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood,  Professor Maximillian Arturo in Sliders, a most excellent Hades in the animated Justice League Unlimted series, Hades in Justice League and Sallah in the Indiana Jones films. Oh, and voicing Macbeth in the exemplary Gargoyles animated series too.(CE) 
  • Born May 5, 1957 Richard E. Grant, 64. He first shows up in our world as Giles Redferne in Warlock, before going on to be Jack Seward in Bram Stoker’s Dracula. On a lighter note, he’s Frederick Sackville-Bagg in The Little Vampire, and the voice of Lord Barkis Bittern in Corpse Bride. He breaks into the MCU as Xander Rice in Logan, and the Star Wars universe by being Allegiant General Enric Pryde in Star Wars: The Rise of Skywalker. (CE) 
  • Born May 5, 1958 – Ingrid Nielson, age 63.  Drawings pp. 15, 21, Program Book for ConFederation the 44th Worldcon; see here (PDF).  Photo of her & Andre Norton here.  Moderated panel “ASFA [Ass’n of Science Fiction & Fantasy Artists of America] and the Chesleys” at Chicon VI the 58th Worldcon.  2010 Chesley “for work on the Chesley Awards for 20+ years”.  [JH]
  • Born May 5, 1961 Janet Brennan Croft, 60. She’s published any number of works on library science, but she is concentrated her research on Tolkien, winning the Mythopoeic Scholarship Award for Inkling Studies for War and the Works of J.R.R. TolkienTolkien on Film: Essays on Peter Jackson’s The Lord of the RingsTolkien and Shakespeare: Essays on Shared Themes and Language, and Perilous and Fair: Women in the Works and Life of J. R. R. Tolkien. I’d also like to single her work, Baptism of Fire: The Birth of the Modern British Fantastic in World War I. (CE)
  • Born May 5, 1963 – Michelle West, age 58.  Twoscore novels, fifty shorter stories (some as M. Sagara); book reviews for The Magazine of Fantasy & Science Fiction; interviewed in Challenging DestinyLightspeedNorthern Dreamers.  Within a 4-page single-space rejection letter from Lester Del Rey was a curmudgeonly line of encouragement, and off she went.  [JH]
  • Born May 5, 1975 – Tanya Tagaq, age 46.  Canadian Inuk throat singer.  Six albums; also collaborator with Kronos Quartet, Buffy Sainte-Marie (here is TT’s cover).  Polaris Prize, Canadian Folk Music Award, two Junos, Western Canadian Music Award.  Novel for us Split Tooth won Indigenous Voices Award.  [JH]
  • Born May 5, 1979 Catherynne M. Valente, 42. My favorite work by her? Oh, by far that’d be the two volumes of The Orphan’s Tales which I go back to fairly often — stunning writing. If you’ve not read them yet, here’s her telling “The Tea Maid And The Tailor” as excerpted from In the Night Garden which is from Green Man. (CE) 

(13) COMICS SECTION.

  • Non Sequitur lives up to its name while depicting the first land-walking creatures.

(14) GETTING THE WORD OUT WITH PICTURES. [Item by Rose Embolism.] Jem Yoshioka, creator of the science fiction romance webcomic Circuits and Veins was tapped for the New Zealand Covid information campaign! The poster is seriously lovely!

(15) IF IT DIDN’T HAPPEN, IT’S NOT A SPOILER, RIGHT? In Brian Hiatt’s article for Rolling Stone, “Benedict Cumberbatch’s Dr. Strange Almost Appeared in ‘WandaVision’”, Kevin Feige explains that Dr. Strange was going to appear in the last episode of WandaVision but he thought having Dr. Strange show up “would take it away from Wanda” so Benedict Cumberbatch was written out of the script. This is a preview of a big oral history of WandaVision in Rolling Stone that has yet to appear.

The story of WandaVision‘s main character, Wanda Maximoff, a.k.a. the Scarlet Witch (played by Elizabeth Olsen), is set to continue in 2022’s Dr. Strange and the Multiverse of Madness, but the two projects were almost linked much more directly. As Marvel Studios president Kevin Feige reveals in Rolling Stone‘s upcoming, extensive oral history of WandaVision, Marvel struck a deal with Benedict Cumberbatch to appear in the final episode of the show as Dr. Strange. But late in the process, they wrote him out.

“Some people might say, ‘Oh, it would’ve been so cool to see Dr. Strange,’” says Feige. “But it would have taken away from Wanda, which is what we didn’t want to do. We didn’t want the end of the show to be commoditized to go to the next movie — here’s the white guy, ‘Let me show you how power works.’” That meant the Dr. Strange movie, too, had to be rewritten. In the end, Feige says, Marvel’s process is “a wonderful combination of very dedicated coordination, and chaos. Chaos magic.”… 

(16) WHAT A CROCK. BBC Radio 4’s Book at Bedtime brings you “Cookie Jar by Stephen King” in three parts.

After his mother’s untimely death, Rhett inherits a cookie jar which proves to have some very unusual properties…

‘I had sort of a peculiar childhood, because my mother was peculiar. Not outright crazy, but very, very peculiar. Stories were her way of staying sane… A way to cover that hole in reality the way you might cover a well with boards so no one would fall in. But her stories stopped working for her. Because the thing she was afraid of was in the house with her all along.’

From ‘The Bazaar of Bad Dreams’, Stephen King’s story adapted in three parts. Read by Colin Stinton.

(17) OUT TO LAUNCH. SpaceX posted about yesterday’s launch:

On Tuesday, May 4 at 3:01 p.m. EDT, SpaceX launched 60 Starlink satellites from Launch Complex 39A (LC-39A) at Kennedy Space Center in Florida. This was the ninth launch and landing of this Falcon 9 first stage booster, which previously launched Telstar 18 VANTAGE, Iridium-8, and six Starlink missions.

(18) BOARDING PARTY. Insider lets you “Watch Royal Marines Explore Storming a Ship at Sea With Jet Packs”.

The British military been exploring the possibility of boarding ships at sea with futuristic jet packs that let wearers fly over the water like Iron Man.

The “Jet Suit” was made by Gravity Industries. The company released a video Sunday that showed its operators wearing jet packs and working with the Royal Marines to launch from rigid inflatable boats and land aboard the Royal Navy Batch 2 River-class offshore patrol ship HMS Tamar.

(19) BAD LOOK? Politico has details as “Pentagon watchdog opens new probe into military’s handling of UFOs”.

…But one former top Pentagon intelligence official who has lobbied Congress to take more action on such sightings said on Tuesday that the IG’s involvement is a positive step to compel the military to take the issue more seriously.

“You are looking at how is it possible that restricted military airspace is being routinely violated for months and years and nobody is informed in the Defense Department or the Congress and there is a complete system breakdown,” said Christopher Mellon, former deputy assistant secretary of defense for intelligence. “That’s a valid thing for them to investigate.”

(20) RIDING ALONG. Sean D. serves up a “Microreview [Book]: Black Water Sister by Zen Cho” at Nerds of a Feather.

Our bodies can often seem possessed. To most people, that possession occurs in a metaphorical sense. Dogma possesses us, as it’s hammered down from society until it sticks, nailed down to our core whether we like it or not. And that dogma can deviate from what we want deep down, like how family values dictate who we can and can’t love. Black Water Sister explores that possession, and with clever skill, it combines it with literal possession. A family spirit inhabits the protagonist, while they’re dealing with family interference from all sides. It’s a compelling story that’s quality is heightened by witty dialogue, a pacey second half, and vibrant characters….

(21) NOT SF BUT WEIRD. The Canadian census has a soundtrack: “2021 Census soundtrack”.

As Canada’s statistical portrait, the census is a reflection of who we are and what makes us Canadian. Listen to our Spotify and YouTube playlists while you complete your 2021 Census questionnaire to experience the different facets of Canadian culture through the sounds of our celebrated musical talent. If these songs aren’t already among your favourite tracks, we hope that you have the opportunity to discover something new as you fill out your questionnaire online in May.

Get comfortable, press play, and let’s experience Canada’s musical talent together.

(22) BUTT OF THE JOKE. Left over from May the Fourth, the “R2-D2 & C-3PO 1980 Star Wars Anti Smoking PSA”.

R2-D2 and C-3PO from “Star Wars” in a 1980 anti-smoking public service announcement. Aired in 1984 on Milwaukee’s WVTV.

[Thanks to Michael Toman, Andrew Porter, John King Tarpinian, John Hertz, Mike Kennedy, SF Concatenation’s Jonathan Cowie, James Davis Nicoll, JJ, Cat Eldridge, Martin Morse Wooster, and Rose Embolism for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 4/26/20 Do Not Ingest Or Inject Pixels

(1) ONE NEBULA VOTER’S PICKS. Sue Burke, author of 2019 Campbell Award finalist Semiosis, evaluates the Nebula short fiction nominees in two categories and tells what she voted for:

Adrian Tchaikovsky, by Oscar Celestini

(2) FEARBUSTERS. Jasmin Gelick’s “PenPower Project” is a series of posts with input from well-known sff authors “designed to debunk the myths of writer’s block and all kinds of other writerly fears.” She’s releasing one a week. As part of the introductory post she commissioned artist Oscar Celestini to depict all the participants as superheroes — Sue Burke, Caitlin Starling, Tim Pratt, Yoon Ha Lee, Thoraiya Dyer, Anna StephensEowyn Ivey, Adrian Tchaikovsky, Kat Rocha, Martha Wells, John Langan, and Richard S. Ford. See them all here.

There’s also a post devoted to ”the Villain”, whatever writers worry about when starting a new story, or even when they’re in the middle and things aren’t coming together – the Villain gets a caricature, too.

These are the topics Gelick’s panelists have addressed so far:

In order to answer the question ‘Do you need to write every day?’ and the perhaps even more poignant: ‘If you don’t write every day can you call yourself a writer at all?’ we’ll take a close look at each of the twelve writing superheroes’ writing process below.

About the last one, Yoon Ha Lee says –

YOON: Honestly, the planning is the most fun. Actually writing is kind of a chore because it goes on foreeeeeeever, and then revisions become fun again. Kind of like a sandwich? I like twisty chess plots, which are hard to pull off, so that aspect of Raven Stratagem was particularly satisfying.

(3) CATCHING UP TO SCIENCE FICTION. In the Washington Post, Gene Park looks at efforts by Epic Games (creator of Fortnite) and other video game developers to create the Metaverse, predicted by Neal Stephenson in Snow Crash.  Park thinks Roblox and Minecraft are on course “to create a shared, virtual space that’s persistently online and active, even without people logging in” and notes that it’s significant that Reporters Without Borders asked Minecraft to host a database of 12 million publicly censored documents. “Silicon Valley is racing to build the next version of the Internet. Fortnite might get there first.”

Conversation around a more tangible, actualized Internet seems only more pointed in light of our current shelter-in-place reality in response to the coronavirus pandemic. In the past month, office culture has coalesced around video chat platforms like Zoom, while personal cultural milestones like weddings and graduations are being conducted in Nintendo’s Animal Crossing: New Horizons. The Metaverse not only seems realistic — it would probably be pretty useful right about now.

(4) STEEL PALMETTOS. NPR’s Petra Mayer asks about The Southern Club for Vampires in “Getting Some Blood On The Page: Questions For Grady Hendrix”.

Grady Hendrix’s new novel stars a group of determined women who confront a supernatural threat in their community — and while vampires aren’t real (as far as we know), Hendrix says The Southern Book Club’s Guide to Slaying Vampires has its roots in his own real life.

“Getting some blood on the page is the only way I know how to write, so all my books are really personal,” he tells me in an email interview. “This one’s set in the neighborhood where I grew up, around the time I graduated from high school, and it’s the first time I’ve had to run a book past my family before publication because so many of our stories wound up in it. Fortunately I’ve fictionalized everything pretty heavily so no one had too many problems.”

…The way you depict the women at the center of the book is clearly affectionate, but in places I felt like it was edging a little into mockery … was that your intent? Tell me how you approached building these characters and their world.

I feel bad it seemed to edge into mockery — I take these ladies very seriously. They’re the women I grew up around, and I wanted to write about how I went from knowing them as a kid, when they seemed like a bunch of lightweight nobodies, to how I got to know them as adults, when I learned that they had dealt with all the ugly, difficult stuff so the rest of us wouldn’t have to. The choices these women had to make were hard, and they were never offered the easy option. Southern ladies are not cute and cuddly. They are tough, strong women who will mess you up. On the other hand, I grew up in Charleston and that world can sometimes seem over-the-top, where the condition of your yard or whether you served your guests on paper or china plates were referendums on the state of your soul. It seems silly in retrospect, but at the time it felt deadly serious. But, you know, in 30 years a lot of the things that feel like life or death to me now are going to feel like punchlines. Time tends to turn almost everything into comedy.

(5) UP ALL NIGHT. New York Times reviewer Ruth Franklin, in “Can’t Sleep? Let Stephen King Keep You Company”, touts the virtues of his new collection If It Bleeds.

…King has previously used the novella — that stepchild of literary forms, somehow at once both too much and not enough — for stories that skirt the edge of horror without sinking into it, such as “The Body,” the inspiration for the classic 1980s film “Stand by Me,” in which a group of boys on a camping trip are transformed less by their discovery of a corpse in the woods than by their first taste of autonomy. “Mr. Harrigan’s Phone,” the first story in the new collection, is a prime specimen in this category. It’s 2007, and Craig, on the cusp of adolescence, has a part-time job helping out wealthy, elderly Mr. Harrigan, a formal but kindly man who introduces him to “Lady Chatterley’s Lover” and treats him to a scratch-off lottery ticket for his birthday and holidays. When one of those tickets wins a $3,000 jackpot, Craig shows his appreciation by buying Mr. Harrigan a first-model iPhone, the same one he just got for Christmas.

Initially skeptical, Mr. Harrigan is speedily seduced, just like the rest of us. “Are these numbers in real time?” he asks in wonder as Craig demonstrates the Stocks app. (In a line that perfectly characterizes the attachment, King writes that he caresses the phone “the way you might pat a small sleeping animal.”) But even as he grows dependent on the device, he recognizes its dangers: “It’s like a broken water main, one spewing information instead of water.” At Mr. Harrigan’s funeral, only a few months later, Craig tucks the man’s phone into the pocket of his suit jacket, a totem to accompany him into the afterlife. The uncanny events that ensue could be explained — possibly — by a technological glitch. But they are triggered by a human longing that anyone who has lost a loved one can understand: the desire to hear the departed person’s voice again, one of the many dubious consolations that technology now offers.

(6) THE DOMINOS ARE FALLING. Kristine Kathryn Rusch has a lot to say about how bad the immediate future looks for the traditional publishing industry in “Business Musings: The Trainwreck”.

I’m sure you’ve all gotten the question lately: How are you going to survive as a writer with the crisis in the publishing industry? Every news outlet —well, at least every news outlet that reports news other than the latest virus statistics—has done at least one story on the decimation of the publishing industry.

And let me be honest here: The traditional publishing industry is in grave danger. Not of the kind of disruption it saw in 2009 with the Kindle and ebook reading, but of actual mergers, closures, consolidations, and complete lack of payment to all of its suppliers.

Brick-and-mortar bookstores are shut down, deemed non-essential. Just like libraries, also non-essential. Unlike libraries, which have pivoted to ebooks in a startling and amazing way, many bookstores have no online capability at all.

…There’s a shortage of paper, because it comes from China. The two largest printers of magazines and books in the U.S., Quad/Graphics and LSC Communications were going to merge last summer, but something got in the way. Now, LSC Communications has filed for bankruptcyThe second largest printer, Quad, has shut its book printing facilities entirely.

In some regions, major distributors have shut down or disappeared, while although others, like Ingram, are still operating, although with reduced staff.

Not that it matters, since most bookstores are closed, and not shipping books to their customers. To make matters worse, the books that are being delivered will remain in their boxes, only to be returned for full price credit when this crisis is over. That was a policy established to help bookstores in the Great Depression of the 1930s, and the policy never got changed afterwards.

When bookstores do reopen, they’ll need to send the books back, because they will have the same gap in their cash flow that the rest of us will have—or maybe worse. Many independent bookstores will not survive this crisis, because bookselling has always been a marginal business.

Audiobooks—the brightest light in the traditional publishing firmament—stopped selling when we all sheltered in place. According to Beth Meacham, an editor at Tor who gave an amazing report from the front lines at the beginning of April, commuters account for damn near 100% of audiobook sales, and since no one is driving, no one is listening to audiobooks. The sales didn’t just dry up. They stopped….

The excerpt stops here, however, Rusch is only just getting started on her list of all the industry’s troubles!

(7) DYNARSKI OBIT. Actor Gene Dynarski has died at the age of 86. The Hollywood Reporter’s review of his career mentions many genre roles.

Gene Dynarski, a character actor who appeared in Steven Spielberg’s Duel and Close Encounters of the Third Kind … has died. He was 86.

Dynarski died Feb. 27 in a rehabilitation center in Studio City, playwright Ernest Kearney announced.

The Brooklyn native also worked twice on the original Star Trek, as the miner Ben Childress on the 1966 episode “Mudd’s Women” and as Krodak, who represents a city up for Federation membership, on the 1969 installment “The Mark of Gideon.”

Dynarski was seen as Benedict, one of Egghead’s (Vincent Price) henchmen, on Batman in 1966, and on a 2000 episode of The X-Files, his character fell victim to a monstrous bat creature.

His résumé also included Earthquake (1974)…, among other TV series.

In the 1971 telefilm Duel, Dynarski was a trucker confronted in a roadside café by Dennis Weaver, who thinks he’s the murderous big-rig driver on his tail, and in Close Encounters of the Third Kind (1977), he played the supervisor who sends out Richard Dreyfuss to investigate those mysterious blackouts. 

Dynarski also portrayed Josef Stalin in the 1996 videogame Command & Conquer: Red Alert...

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Baptized April 26, 1564 William Shakespeare.World’s greatest playwright and perhaps one of our earliest fantasy writers was baptized today. (Died 1616.)
  • Born April 26, 1914 H. L. Gold. Best known for launching Galaxy Science Fiction in 1950, soon followed by its companion fantasy magazine, Beyond Fantasy Fiction which lasted but a few years. He was not a prolific writer having but two novels, None but Lucifer with L. Sprague de Camp and A Matter of Form, plus a generous number of short stories. None but Lucifer didn’t see printing in novel form until 2002. H. L. Gold Resurrected: Selected Science Fiction Stories of H. L. Gold appears to be his only collection avail from the usual digital suspects. (Died 1996.)
  • Born April 26, 1916 Vic Perrin. Best remembered for being the Control Voice in the original version of The Outer Limits. He also, genre wise, was the Adventures of SupermanMission: ImpossibleBuck Rogers in the 25th CenturyTwilight ZoneBuck Rogers in Twenty-Fifth Century and in three episodes of Star Trek including being the voice of Nomad. (Died 1989.)
  • Born April 26, 1922 A. E. van Vogt. Ok, I admit it’s been so long since I read him that I don’t clearly remember what I liked by him though I know I read Slan and The Weapon Makers.  I am fascinated by the wiki page that noted Damon Knight took a strong dislike to his writing whereas Philip K. Dick and Paul Di Filippo defended him strongly. What do y’all think of him? (Died 2000.)
  • Born April 26, 1943 Bill Warren. American film historian, critic, and one of the leading authorities on science fiction, horror, and fantasy films. He co-wrote the murder mystery Fandom is a Way of Death set at 42nd World Science Fiction Convention which was hosted by many members of the Los Angeles Science Fantasy Society and which he and his wife were very much involved in. His 1968 short story “Death Is a Lonely Place” would be printed in the first issue of the magazine Worlds of Fantasy. During the Seventies, he also wrote scripts for Warren Publishing’s black-and-white comic books CreepyEerie, and Vampirella. His film reference guide Keep Watching the Skies! American Science Fiction Movies of the Fifties would be revised and expanded several times. (Died 2016.)
  • Born April 26, 1955 Brad W. Foster, 65. A prolific cartoonist and fanzine cover artist, he won an amazing eight Hugo Awards for Best Fan Artist! From 1987 to 1991. He was a regular contributing illustrator to the science fiction magazine Amazing Stories. In 2008 he began producing illustrations for the newsletter Ansible, creating a full color version for the on-line edition, and a different black-and-white version for the print edition.
  • Born April 26, 1961 Joan Chen, 59. You’ll remember her from Twin Peaks universeas Jocelyn ‘Josie’ Packard, and probably less so as Ilsa Hayden in the first Judge Dredd film. I certainly don’t and I’ve watched that film multiple times She was Madame Ong in Avatar. No, not that film, this is a Singaporean sf film from twenty years back. And she was the very first customer on the quite short-lived Nightmare Cafe series. 

(9) PICK UP YOUR PEN. San Diego Comic-Con’s Toucan encourages fans: “You Can Draw With Katie Cook 071: How to Draw How We’re All Feeling Right Now”.

(10) RADICAL READING ORDER. In the midst of her series of reviews about Kage Baker’s Company series, “Start with the Empress of Mars!” advises the Little Red Reviewer’s Andrea Johnson.

If you’ve been seeing my posts and thinking to yourself “jeez, when is she gonna shut up about this Company series, I don’t even know where to freakin’ start with these damn books”,  you can start with The Empress of Mars!

ok, so I KNOW all the suggested reading orders put Empress of Mars near the end of the series, but you should read it near the beginning!!!

– It functions perfectly as a stand alone. Never read a Kage Baker before? start with Empress of Mars!

– omg it is HILARIOUS,  like Anvil of the World hilarious.  the bad translator scene? I was laughing so hard I drooled on myself.

– If you recognize some characters from elsewhere in the series, that’s ok, and if you don’t, that’s ok too.  the book isn’t about those people anyway.

(11) EATING THE FANTASTIC. Scott Edelman and Sarah Pinsker appertained their own chow when they met virtually to record the Eating the Fantastic podcast’s one hundred twentieth episode.

Sarah Pinsker

Since restaurants began closing down and social distancing became the sensible thing to do for my health, the health of potential podcast guests, and the health of the herd, listeners have been suggesting I consider recording episodes of Eating the Fantastic remotely … and I’ve resisted. Because my purpose here is to share the magical, intimate, relaxed conversations which occur best when people are chatting face-to-face over a table filled with food. That’s why last episode, I ended up letting you ask me the questions.

But then it occurred to me — there’s one person on the planet — and only one — with whom I was willing to record remotely. And that person is Sarah Pinsker, my guest on Episode 1 of this podcast four years and two months ago. I intended to catch up with her in meatspace anyway all these years later, but suddenly it felt right for us to chat in cyberspace.

The reason I felt that way is due to her wonderful debut novel, A Song for A New Day, which was published in September 2019. It’s set in a near future where due to a terrorist attack and an accompanying pandemic, all mass gatherings are banned — no concerts, no sporting events, no ways for people to come together the way people have done since the beginning of time — and we’re instead only allowed to meet in VR. So meeting up with Sarah remotely made artistic and poetic sense — because it would almost be as if we were living in the world of her novel.

Since that first episode, Sarah’s short story collection Sooner or Later Everything Falls into the Sea was published in March of last year by Small Beer Press. It includes many award-nominated and award-winning stories, including her Theodore Sturgeon Memorial Award-winning “In Joy, Knowing the Abyss Behind,” and her Nebula Award winner “Our Lady of the Open Road.” The collection as a whole was recently awarded the Philip K. Dick Award.

Her novel A Song for a New Day is currently a finalist for this year’s Nebula Award. She’s also a Hugo Award finalist for Best Novelette for “The Blur in the Corner of Your Eye,” published last year in Uncanny Magazine.

We discussed how relieved she was her pandemic novel A Song for a New Day was published in 2019 rather than 2020, why she originally wrote that book in a song format (and why that had to change), how she loves being surprised by her own characters, why neither of us can bear listening to music while we write, the extremely scientific, color-coded process she came up with for organizing her first short story collection, how one of her favorite fictional tropes led to the creation of the original story she wrote specifically for that collection, why the thing that most interests her is the way people cope with what’s put in front of them rather than why those things happen, the reason she prefers leaving interpretations to readers rather than providing answers, her terrible habit when reading collections and anthologies, how she’s coping with the surreal feeling of living in the world of her novel, and much more.

(12) TODAY’S THING TO WORRY ABOUT. [Item by David Doering.] Do cosplays and comic cons violate the law in New York State? I was reading a piece on protests, which led me to see this obscure New York State law forbidding wearing masks:

New York Consolidated Laws, Penal Law – PEN § 240.35 Loitering 

 4.?Being masked or in any manner disguised by unusual or unnatural attire or facial alteration, loiters, remains or congregates in a public place with other persons so masked or disguised, or knowingly permits or aids persons so masked or disguised to congregate in a public place; ?except that such conduct is not unlawful when it occurs in connection with a masquerade party or like entertainment if, when such entertainment is held in a city which has promulgated regulations in connection with such affairs, permission is first obtained from the police or other appropriate authorities;   

I wonder how may concoms read up on whether their city has has “promulgated regulations” regarding “a masquerade party”? Or think to ask permission of the police? And what does this law mean if there are no “promulgated regulations”? Does that make it illegal to “congregate in a public place” at all?

BTW: The history of this provision extends all the way back to 1845 (!!) when it was enacted to prevent protesters from using masks to hide their identities.

(13) BRAND O’LANDO. [Item by rcade.] Twitter is aflutter over Land O Lakes removing the Indian maiden from the packaging. The chatter wouldn’t be skiffy fodder but for a rebranding suggestion that keeps churning up:

(14) CONVINCING CRAFT. Catching up with this 2017 Popular Mechanics post, “The Art and Science of Making a Believable Sci-Fi Spaceship”. Tagline: “How the spaceships of Mass Effect: Andromeda were designed with physics and processing power in mind.”

…It’s an outgrowth of the desire to make a space epic with sci-fi elements based in scientific truth. “Mass Effect has always been grounded by a basis in reality,” says the Mass Effect: Andromeda Creative Director Mac Walters, and nothing in Andromeda exemplifies this more than its spaceship design.

Take the Nexus, for example, a kilometers-long space station engineered to serve as civilization’s base of operation among the unexplored planets. In the game’s lore, the monstrous ship’s kilometers-long design is inspired by “the Citadel,” and ancient alien relic of mysterious origin around which the series’ initial trilogy pivots. But despite its extraordinary inspiration, the ship itself has some surprisingly practical details. Designed to travel half-built, the Nexus is constructed over the course of the game, during which its carefully designed and realistic framework is exposed.

(15) HOBBITVILLE SOLD TO SALT LAKE CITY. Despite the dateline of April 1st, this is not an April Fools joke. “Salt Lake City buys historic ‘Hobbitville’ for $7.5M, sets it aside to become public park”.  

…  Allen Park, which was facing the possibility of being purchased and turned into new development, will soon be a public park. 

…Dr. George Allen and Ruth Larsen Allen purchased the property in 1931 and used a good chunk of the space for their exotic bird collection. Allen Park received the nickname “Hobbitville” because the small houses and log cabins found on the land looked like homes for hobbits.

In addition, it’s filled with signs featuring strange sayings painted on them. It’s considered one of the more unique places in the city. It had come under threat in recent years, though. At least one developer was seeking to purchase the land for future development….

[Thanks to John King Tarpinian, Mike Kennedy, JJ, Chip Hitchcock, Cat Eldridge, Michael Toman, Martin Morse Wooster, rcade, David Doering, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

SLF Deep Dish Chicago Reading (October 3, 2019)

The latest Speculative Literature Foundation (SLF) Deep Dish Reading series was held on October 3 at Volumes Book Cafe in Chicago, Illinois. Co-hosted by award-winning author Mary Anne Mohanraj and Chris Bauer, the event featured readings by G. Scott Huggins, Jane Rosenberg LaForge and Silvia Moreno-Garcia.  Other readers included Sue Burke, Anaea Lay, Jeremiah John and Mary Anne Mohanraj. These periodic free events are sponsored by the SLF with assistance from SFWA grants. The next reading will be held in March of 2020. We’re currently open to interested readers.

For the latest SLF news please visit us at www.speculativeliterature.org

Pixel Scroll 9/10/19 I Can’t Believe I Pixeled In Front Of The Dean Of Science Fiction!

(1) SNEAK PEEK. The folk at the seasonal SF² Concatenation have advance-posted a review of the Dublin Worldcon ahead of their autumnal edition.

The SF² Concatenation is largely run by Brits  — however, the conreport here is by Sue Burke, a US fan and sff author (Semiosis): “Dublin 2019”.

…Despite the inconvenience, the snaking queues became good places to meet new people.

The Auditorium held only 2,000, so events there required wristbands to get in, and we had to line up in the afternoon to get them. I didn’t attend the Opening Ceremony/1944 Retro Hugos, Masquerade, or Hugo Award Ceremony. (During the Closing Ceremony, I was instead standing in line at the airport). I wanted to get a wristband for the Hugo Awards, but the queue was enormous and located outside, next to the CCD, during a cold, windy rainstorm, so I abandoned that attempt. (In fairness to the organisers, I am not sure where else the queue could have been located. All available space inside the building was in use!)

Other than that, the convention was splendid: well-organised and always on time.  Events started at 9 a.m. with accessible yoga and a “stroll with the stars” morning walk, and ended in the wee hours at Martin Hoare’s Bar – known as Martin’s, named for the volunteer who was to be Fan Bar Manager but who died a few weeks before the convention.

…Other than [overcrowding] the convention was splendid: well-organised and always on time.…

…For me, one of the many high moments of the convention came on Saturday evening at the Bright Club Ireland, a stand-up comedy show. Steve Cross made an excessively deep, textual reading of The Hitchhiker’s Guide to the Galaxy to determine the exact date that the Earth is destroyed by the Vogons.

(2) NOT EASY MAKING GREEN. That new Muppets comedy series? Fuggedabowdit! The Hollywood Reporter has learned: “‘The Muppets’ Disney+ Comedy Series Scrapped”. But Disney is greenlighting the talk show Muppets Now.

….Creators Adam Horowitz and Eddy Kitsis (Once Upon a Time) and Josh Gad (Frozen) have walked away from the scripted comedy, called Muppets Live Another Day, which they had been quietly at work on for months, and Disney+ has opted to abandon work on the series.

…The decision to retool the planned Muppets show will not impact the unscripted shortform series Disney+ announced last month at D23. That show — Muppets Now — will feature beloved characters like Kermit and Miss Piggy alongside celebrity guests.

(3) ATTEMPTED THEFT. A BBC story reports — “Margaret Atwood says thieves targeted Handmaid’s Tale sequel”.

Margaret Atwood says thieves made concerted efforts to steal her manuscript for The Testaments, the sequel to The Handmaid’s Tale.

The author and her publisher were targeted by “fake emails” from “cyber criminals”, trying to obtain the unpublished novel, she told the BBC.

She described the attempts as a “phishing exercise” that could have led to blackmail or identity theft.

“It was a commercial venture of a robbery kind,” Atwood said.

“People were trying to steal it. Really, they were trying to steal it and we had to use a lot of code words and passwords,” she told BBC arts correspondent Rebecca Jones.

“What would they have done with it if they had succeeded? They might have said, ‘We’ve got the manuscript, and we’re putting it up online [unless you] give us your credit card details’. Or they might have said, ‘Read this excerpt and download it. And if you downloaded it, a virus would have stolen your information’.

(4) NEW COINAGE. Ken Pelham offers advice about devising “The Jargon and Slang of the Fantastic” at the SFWA Blog.

…But don’t fear creating words. Heck, Shakespeare did it all the time. Just make sure they sound authentic to the world created. Sometimes those words even become part of our own Earthly languages. Like William Gibson’s “cyberspace.” We instinctively knew what it meant the first time we heard it. And J.K. Rowling may have added more words to the English language than anyone since Shakespeare. Time will tell….

(5) NEW DEAL. Ethan Alter, in the Yahoo! Entertainment story “‘Bonkers’ new ‘Joker’ sidesteps controversy, ‘Batman’ hook-up”, has an interview with Joker director Todd Phillips, who says that his film, set in a world resembling New York City in the late 1970s “was never meant to connect” to anything in the DC Extended Universe, “and I don’t see it connecting to anything in the future,” meaning it’s unlikely Joaquin Phoenix’s Joker will take on Robert Pattinson’s Batman.

Meanwhile, Phoenix choked up while paying tribute to his late brother, River. “When I was 15 or 16 my brother River came home from work and he had a VHS copy of a movie called Raging Bull and he sat me down and made me watch it. And the next day he woke me up, and he made me watch it again. And he said, ‘You’re going to start acting again, this is what you’re going to do,’” the younger Phoenix recalled while receiving the TIFF Tribute Actor Award. “He didn’t ask me, he told me. And I am indebted to him for that because acting has given me such an incredible life.”

What initially appeared to be a curious experiment is shaping up to be a sure thing, at least in terms of box office. According to some forecasts, Joker is on track to enjoy a $100 million opening weekend, topping last year’s Venom, which also billed itself as a darker alternative to the usual superhero fare. And the Toronto audience largely greeted the movie with cheers and applause, with the majority of the praise being directed in Phoenix’s direction.

(6) HORROR YOU CAN BANK ON. The Hollywood Reporter asks “Is ‘It’ a New Kind of Horror Franchise?” Tagline: “Never before has there been a series that’s been closer to being the ‘Avengers’ or ‘Star Wars’ of the genre.”

…But with only two films to its name, It is larger than its competing properties. Consider: It: Chapter One did around 40 percent of the Conjuring series’ combined global gross with just the first installment. It: Chapter Two‘s success remains unwritten, but short of disaster the film will cement this duology among the genre’s greatest blockbusters. Chalk that up once more to King’s name; that alone gives It: Chapter One and Chapter Two a built-in audience at a moment when the author’s material is a ubiquitous hot commodity. (See: April’s Pet Sematary re-adaptation, Hulu’s Castle Rock, the upcoming Doctor Sleep and In the Tall Grass.) Give credit to It‘s shapeshifting antagonist, Pennywise, too, a movie monster tailor made to scare the bejesus out of a wide viewing audience. Spiders might be your worst nightmare. Maybe werewolves. Maybe diseased hobos, mummies, your abusive father, your dead brother, a kindly old lady lurking naked in her kitchen or, last but not least, clowns. It has all of these (plus a very cute pomeranian that isn’t actually so cute after all).

(7) TODAY IN HISTORY.

  • September 10, 1935Popeye was heard for the first time on NBC radio.
  • September 10, 1993 — Fox TV first aired The X-Files.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 10, 1898 Bessie Love. In 1925, she starred in The Lost World based on the novel by Sir Arthur Conan Doyle. She wouldn’t show up again in a genre film until 1963 when she was in Children of the Damned followed by being in Battle Beneath the Earth a few years a later and then having a small uncredited role in On Her Majesty’s Secret Service. She’d be in Vampyres, Gulliver’s Travels and The Hunger to round her genre career. Vampyres btw is described as a “erotic/lesbian vampire horror film”, an apparent subgenre in the Seventies. (Died 1986.)
  • Born September 10, 1952 Gerry Conway, 67. Writer who’s best known for co-creating with John Romita Sr. and Ross Andru the Punisher character and scripting the death of Gwen Stacy during his long run on The Amazing Spider-Man. I’m also fond of his work on Weird Western Tales at DC.
  • Born September 10, 1953 Pat Cadigan, 66. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she co-wrote with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love.
  • Born September 10, 1953 Stuart Milligan, 66. He first shows up as Walters on the Sean Connery-led Outland and a few years later we see him as a Police Sergeant on Sky Captain and the World of Tomorrow. He’ll play Richard Nixon in Doctor Who for two Eleventh Doctor stories, “The Impossible Astronaut” and “Day of The Moon”. 
  • Born September 10, 1955 Victoria Strauss, 64. Author of the Burning Land trilogy, she should be praised for being founder along with AC Crispin for being founder of the Committee on Writing Scams. She maintains the Writer Beware website and blog. 
  • Born September 10, 1959 Tara Ward, 60. She played Preston in the “Warriors of the Deep”, a Fifth Doctor story.  After Doctor Who, she shows up in one-offs in Star Cops and Dark Realm beforehaving a very minor role in the Justice League film.
  • Born September 10, 1959 Nancy A. Collins, 60. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues 110 to 138, and it is generally considered a very good period in that narrative.  She also wrote Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile.
  • Born September 10, 1968 Guy Ritchie, 51. Director of Sherlock Holmes and its sequel Sherlock Holmes: A Game of Shadows, both of each I rather liked,  and the live-action Aladdin. He did also directed / wrote / produced the rebooted The Man from U.N.C.L.E. which got rather nice reviews to my surprise as well as King Arthur: Legend of the Sword which apparently sucked. 

(9) BRADBURY HISTORY.  In this decade-old video, Roslyn Shapiro talks about Ray Bradbury’s writing group with her husband in the 1940’s.

(10) THE NO GOOD, VERY BAD… “The day the dinosaurs’ world fell apart” — lots of concrete details in this BBC article.

Scientists have a recording of the worst day on Earth; certainly the worst day in the last 66 million years.

It takes the form of a 130m section of rock drilled from under the Gulf of Mexico.

These are sediments that were laid down in the seconds to hours after a huge asteroid had slammed into the planet.

You’ll know the event we’re talking about – the one researchers now think was responsible for the demise of the dinosaurs and the rise of mammals.

The high-resolution account of this catastrophe was recovered by a UK/US-led team, who spent several weeks in 2016 drilling into what remains of the crater produced by the impact.

Today, this 200km-wide structure is positioned under Mexico’s Yucatan Peninsula, with its best preserved central portions sitting just offshore of the port of Chicxulub.

The team pulled up a great long core of rock but it’s a particular 130m-long section that essentially documents the first day of what geologists call the Cenozoic Era, or as some others like to refer to it: the Age of Mammals.

(11) INSPIRATION. BBC’s current affairs and entertainment channel Radio 4 presents a 25-minute ‘religious’ program, Beyond Belief. Yesterday’s episode focused on the implications for religion of the novel Frankenstein.

Ernie Rea in conversation with guests about the religious content in Mary Shelley’s novel Frankenstein, which is often lost in its interpretation on the big screen.

(12) LIGHTS, CAMERA, ACTION. “Polaroid’s newest gadget gives analog life to smartphone photos”. FastCompany says the device goes on sale October 10.

It’s a shiny, tightly framed snapshot of a couple of friends of mine, posing as we share a booth at a New York diner. It’s almost (but not quite) square, with a distinctive white border that’s thicker at the bottom than on the other sides.

As you may already have figured out, the item I am cradling in my hand is a Polaroid photo.

But unlike the hundreds—thousands?—of Polaroids I’ve shot in my life, this one began its life as a digital image. I took it with my Pixel 3 smartphone and then used a new gadget, the Polaroid Lab, to transfer it onto a piece of proudly analog Polaroid instant film, where it developed before my eyes in classic fashion.

… For the most part, I liked how my Polaroid-ized photos came out—but not because they were perfect replicas of the digital originals. They were soft rather than crisp, with a dreamy color palette and an element of surprise, since two copies of the same image don’t necessarily develop identically. The current Polaroid Originals film is the best it’s made since Impossible revived the format, but it still isn’t as consistent as Fujifilm’s Instax.

(13) UNDER THE RADAR. Smithsonian’s 2017 article shows Moose and Squirrel were the real subversives: “How Bullwinkle Taught Kids Sophisticated Political Satire”, not the villains.

…The Variety Show format enabled three things. First, its gloss of adult sophistication completely undercut by silliness was incredibly attractive to me and my sister.  Secondly, it got us to delight in the work of a revolving cast of top-notch, old school voice actors who’d grown up in radio and knew how to sell a line.  June Foray, for example, is the common thread that weaves together the everyman fast-talkers of Warner Brothers films (she voiced Granny and Witch Hazel for Looney Tunes), the pop culture and political satire of Stan Freberg, and the Cold War kiddie fare of “Bullwinkle” (as Rocky, Nell Fenwick, Natasha, and more).

“Fractured Fairy Tales” were narrated by veteran actor Edward Everett Horton, a Warner Bros. stable favorite, and featured Daws Butler (Elroy Jetson), a Stan Freberg comedy show veteran, along with Paul Frees and June Foray. Before giving voice to Dudley Do-Right’s nemesis Snidely Whiplash, Hans Conried was better known as Captain Hook in Disney’s “Peter Pan,” as well as for his years’ long yeoman’s work on radio mystery shows, “I Love Lucy,” and “Burns and Allen.”

Finally, the show’s format and depth of talent connected my sister and me to a world of comedy that was well before our time, but helped us navigate what came afterwards. Apart from Sesame Street and the Electric Company (whose cast was a gift to future Broadway lovers) the cartoon landscape during the 1970s was bleak. I don’t know what happened during the Summer of Love to cause formerly respectable shops like Hanna-Barbera to go from “Jonny Quest” to “Captain Caveman and the Teen Angels,” but it can’t have been pretty.

(14) IN THE DOCKET. The New York Post reports the late author’s relatives are contesting ownership of a valuable Ellery Queen collection: “Late author’s stolen book collection found after hitting auction block: suit”.

The jig is up!

In a twist straight out of a pulpy page-turner, a son says he discovered his late mystery-novelist father’s signed books had been stolen — after seeing them go up for auction at Soetheby’s, according to a new lawsuit.

Upper West Sider Richard Dannay — son of detective-fiction author Frederic Dannay — claims 33 of his dad’s signed books were stolen by his step-mom Rose, passed to her son Terry Koppel and eventually given to Sotheby’s for auctioning, according to a Manhattan Supreme Court lawsuit filed late Wednesday.

Richard says he didn’t even know the books existed until he got the brochure from the auction house on Nov. 18, 2016 which described the collection as “The Terry R. Koppel Collection of Ellery Queen,” the court papers say.

(15) CONFLICT OF INTEREST CONTINUES TO FUEL CONFLICT. Washington Post economics columnist Steven Pearlstein discusses the debate between writers v. agents in Hollywood, saying that showrunners ought to end their memberships in the Writers Guild of America so that they can be “honest brokers” who are neither writers of talent agencies and then can act as a check on talent agencies’ power. “Big agencies and studios have a lock on Hollywood. It’s high time to apply antitrust law”.

… Five months ago, with the backing of 95 percent of its members, the Guild instructed writers to fire their agents unless they agreed to limit themselves to making money the old-fashioned way — taking a 10 percent commission for every contract they negotiate. Some of the small and midsize agencies agreed. But the Big Four — William Morris Endeavor, United Talent Agency, Creative Artists Agency and ICM Partners, which together negotiate 75 percent of the writers income — refused. The big bone of contention: a decades-old industry practice known as “packaging.”

These days, four of five TV shows and movies are said to be “packaged,” meaning that a talent agency has put together a group of its clients — actors, directors, writers and other talent — to participate in a project. For this, they earn a packaging fee that, in television, is almost always 3 percent of what a network pays the studio to produce the show, or somewhere between $15,000 to $30,000 per episode. Although these package fees are paid by the studios out of the production budget, they substitute for the traditional 10 percent commissions that writers, actors and directors would otherwise be required to pay their agents. The agencies claim that packaging is saving writers $49 million a year in commissions. The writers contend that whatever they are saving in commission is more than offset by the lower salaries they earn when production budgets are squeezed to pay packaging fees to their agents.

… The five-month standoff has also caused a rift among the writers, some of whom are having second thoughts about the Guild’s hard-line strategy. With the quiet encouragement of the agencies, more than 500 guild members are backing a slate of dissidents running against the current leadership in an election that will be decided Sept. 16.

The dissidents — headed by top “showrunners” such as Greg Berlanti (“The Flash,” “Arrow”), Shonda Rhimes (“Scandal,” “Grey’s Anatomy”), Ryan Murphy (“Glee,” “American Horror Story”), Aaron Sorkin (“West Wing,” “Network”), John Wells (“ER,” “The West Wing”) and David Kelley (“Big Little Lies,” “Goliath”) propose to reopen talks in the hope of reaching a “reasonable” compromise with the agencies.

On Twitter, the dissidents have been called “scabs” and “shills,” while the current leadership is accused of waging a needless battle and weakening the Guild as it heads into more important negotiations next year on a new contract with the studios and networks….

(16) VIDEO OF THE DAY. In “To Scale: The Solar System,” a 2015 video on YouTube, Alex Gorosh and Wylie Overstreet travel to Nevada’s Blackrock Canyon to build a scale model of the solar system so large that Neptune’s orbit is seven miles in diameter.

[Thanks to Mike Kennedy, Martin Morse Wooster, Cat Eldridge, JJ, John King Tarpinian, Chip Hitchcock, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

2019 Arthur C. Clarke Award Shortlist

The finalists for the 33rd Arthur C. Clarke Award for science fiction literature were released on May 7.

Tom Hunter, Award Director, commented:

Our 6 shortlisted titles were selected from a record-breaking 124 eligible submissions, and as the imaginative breadth of SF publishing in the UK has grown so too has the challenge for our judges. With this shortlist they have successfully melded multiple definitions of the genre into a celebratory whole that both upholds the best traditions of science fiction literature and beckons us towards exhilarating new futures.

The finalists are:

  • Semiosis Sue Burke (HarperVoyager)
  •  Revenant Gun – Yoon Ha Lee (Solaris)
  • Frankenstein in Baghdad Ahmed Saadawi (Oneworld)
  • The Electric State – Simon Stålenhag (Simon and Schuster)
  • Rosewater – Tade Thompson (Orbit)
  • The Loosening Skin – Aliya Whiteley (Unsung Stories)

Andrew M. Butler, Chair of Judges, thanked the panel:

As always, the jury have given us a snapshot of the best sf: cyberpunk, military space opera, first contact, dystopian America, fantastical Britain and war-torn Iraq. The judges have really done us proud, but I can see it’s going to be a tough final decision.

The members of the judging panel were:

  • Kris Black, British Science Fiction Association
  • Andrew Wallace, British Science Fiction Association
  • Dr Kari Maund, Science Fiction Foundation
  • Chris Pak, Science Fiction Foundation
  • Rhian Drinkwater, SCI-FI-LONDON film festival

The winner will be announced at a public award ceremony, held in partnership with Foyles Bookshop, Charing Cross Road, on Wednesday, July 17. Tickets on sale soon.

[Thanks to Mark Hepworth for the story.]