Pixel Scroll 2/7/22 Head Like A Scroll, Pixeled Like Your Soul

(1) SFWA VOTING ON NEW MEMBERSHIP QUALIFICATIONS. At The World Remains Mysterious, Cat Rambo encourages SFWAns to support these “Possible Upcoming Changes to SFWA Membership”. SFWA members have until February 15 to cast their votes.

…An interesting development for SFWA that seems to have been flying under most people’s radar is that the organization’s members will be voting on whether or not to change the membership requirements in a way that the organization has not previously done. This may be one of the biggest changes made to the membership yet in the organization’s 50+ years of history.

The new qualifications: a writer can join as an Associate member once they have earned $100 over the course of their career, and as a Full member at the $1000 level.

That’s a huge and very significant change from the current, somewhat arcane membership requirements of $1000 over the course of a year on a single work to become a Full member. Particularly when you think that one of the most contentious propositions on the discussion boards in the past has been the idea of re-qualification, of making people prove they qualify on a yearly basis. Moving away from a system so complicated SFWA had to create a webform to walk people through whether or not they qualified to something like this is a big win in so many ways.

Cat follows up with six reasons SFWAns should vote for the change.

Meanwhile, she notes that the SFWA Board has already implemented another tool which did not require a membership vote:

One other change from the board meeting answers the question of how this affects the idea of “SFWA qualifying markets,” which has in the past been used as a way to make sure fiction markets increased their rates every once in a while. We’re going to see a fiction matrix that looks at a number of factors, including pay, but also response time, quality of contract, etc. It’s very nice to see this long overdue project finally manifest, and I bear as much guilt as anyone in the long overdue part, since I was around when it was first proposed and should have kicked it along significantly harder than I did. I’m very happy to see this and ten thousand kudos to the people who made it happen.

An email sent to SFWA members in January (which I did not receive from Cat) explains the new matrix:

Short Fiction Matrix: The Short Fiction Committee has developed a plan to replace the current Market Qualifying list with a Short Fiction Matrix that will better evaluate the professionalism of short fiction markets and model best practices. This is not contingent on the bylaws vote; the Board has already approved this plan to respond to changes needed to the membership criteria to admit newly voted-in categories of SFWA members. As a result, the current Market Qualifying list is less useful to prospective members, many of whom are deterred from applying by mistakenly assuming that only works sold to markets on the Market Qualifying list make them eligible to apply.  

The move to a matrix will better fulfill SFWA’s mission to promote and educate on writer-friendly practices in our industry. It will also aim to correct misperceptions that SFWA’s minimum professional rate is the only benchmark that a publisher must meet to be considered professional. SFWA will continue to fight for fair and equitable conditions across SF/F and related-genre markets via a minimum professional per-word rate, but additional metrics will give us more tools to use to achieve that goal. We are not abandoning the minimum professional rate at all, but reinforcing it with this matrix. SFWA recognizes the importance that this rate has served in the industry and plans to preserve that outside of the membership qualification criteria. 

The rate is meant to encourage better pay for creators, not limit their chances to participate in their professional organizations.

Ten categories have been proposed to comprise the matrix, including wordcount payment rate, payment procedures, good contract practices, audio and translation rights, and promotional efforts, among others. Precisely how each category is evaluated and the points assigned are still in discussion…. 

(2) THEY ASKED. Marlon James did an Ask Me Anything session for Reddit’s r/Books community today: “I’m Marlon James, author of A Brief History of Seven Killings, Black Leopard, Red Wolf, and the forthcoming MOON WITCH, SPIDER KING!”

Marlon James

LElias2784: Hi Marlon! So excited that you’re doing this! Can you tell us how you developed the maps that are printed in the books?

MJ: The great thing about writing say, New York is that the city is there. Make up a place and you need a world for the characters to move around. I have to bear in my two things, which might seem at odds. 1. The world is new to the reader, so a lot of world building needs to happen, but 2. it’s not new to the characters and they can’t move through it like a tourist, which means I can’t move around like a tourist. So I sketch a rudimentary map before I even write a word. And it helps to define the place. But as the book gets deeper, the maps gets more detailed, until I reach the point where the book is following the map, not the other way around. This creates challenges, for example, by adding up the distance travelled by a character you might realize that they weren’t gone a week, but a year. Or instead of reaching a new destination, they merely circled back to the old. Which means constant modifications. OR you get to the point where the map IS the standard and the prose is what has to change. I appreciate that part actually, because I can say nope, can’t write that because that’s not in the map….

(3) NEW INTERVIEW SERIES LAUNCHES. [Item by Cora Buhlert.] I have decided to interview authors/editors of SFF-related non-fiction books in a probably futile attempt to restore Best Related Work from “Best response to whatever annoyed us at last year’s Worldcon.” Here’s the introductory post: “Introducing Non-Fiction Spotlights”.

… So I want to shine a spotlight on works of long form non-fiction that came out in 2021. The main focus of this series will be on non-fiction books, whether academic or popular, though I will also feature the occasional documentary or blog series. And indeed the first installment of this series will feature a non-fiction book which started out as a series of blogposts. I am not looking for essays, articles, poems, Twitter threads, virtual cons, podcasts, archives, databases, recommendation lists and similar projects at the moment, no matter how worthy….

And here is the first interview: “Non-Fiction Spotlight: The Complete Debarkle: Saga of a Culture War by Camestros Felapton”. Cam was kind enough to act as my guinea pig, so I can hopefully persuade more authors/editors of SFF-related non-fiction to take part.

What prompted you to write your book?

I’d been thinking of a project like this for some time but the January 6, 2021 riots at the US Capitol was a specific impetus. I wanted to talk about how a section of the US population had become entranced by ideas that seemed so sharply at odds with reality. The overlap between the thinking of some of the key figures in the Sad/Rabid Puppy campaigns and issues such as Covid-denial and election-fraud conspiracy theories was substantial. One key personality from that time had become a major promoter of Qanon, another had been an early proponent of anti-covid-lockdown protests and yet another had been an active proponent of election-fraud conspiracy theories. I really wanted to trace the journey that people went through and how the earlier (fairly minor) conflict foreshadowed later events.

(4) LEDE GENERATOR. Rodolfo Ocampo extended an invitation to the internet: “As part of my PhD, I’m researching human-AI creative interaction. I created a little tool where you can write two themes and see the beginning of a story come alive.” You can try it here: Narrative Device.

I was asked to enter two themes. I gave the AI “hamburger” and “moon.” Here’s what I got back:

The moon was full and shining brightly in the sky. The stars were out, and it was a beautiful night. A family of four was out eating a hamburger at a local burger joint. They were all enjoying their meal, when the father said, “I love hamburgers. They’re such a classic.” His children agreed, and the mother said, “I love moon pies. They’re so yummy.”

(5) SUPER BOWL RINGS. Usually a few Super Bowl commercials have genre elements. This year one will be about a major genre production: “Amazon’s ‘Lord of the Rings’ TV Show Trailer to Air During Super Bowl” on February 13.

… The official first look video of the most expensive TV series ever made (the first season costs at least $465 million) will debut during Super Bowl LVI.

The announcement comes on the heels of Amazon releasing tease-y character posters showing merely the torsos and hands of its cast.

The Lord of the Rings: The Rings of Power follows the forging of the original rings of power that allowed the Dark Lord Sauron to spread darkness across Middle-earth….

(6) DEEP DIVE INTO HOBAN. Evelyn C. Leeper invites Russell Hoban fans to enjoy her webpage of “Russell Hoban Reviews”. “Hoban’s style is (to me) quintessential magic realism, and incredibly poetic, and I wish his adult books were not so hard to find.”

(7) IAN KENNEDY (1932-2022). Comics artist Ian Kennedy died this month – 2000 AD has a profile: “Ian Kennedy 1932-2022”.

…It is no hyperbole to describe Kennedy as a legend of British comics. With a career spanning more than seven decades, his meticulously detailed but dynamic work graced dozens of titles, from Hotspur to Bunty, from Commando to 2000 AD.

… As tastes changed, so did the audience for his work. His style adapted perfectly to the new generation of science-fiction comics like 2000 AD, for which he worked for on strips such as ‘Invasion’, ‘Judge Dredd’ and ‘M.A.C.H.1’, as well as on ‘Ro-Busters’ for stablemate Star Lord. One of his most covers featured the perfect intersection of his changing career – Messerschmitt 109s from World War Two transported to the skies over Judge Dredd’s Mega-City One, with one pilot screaming “Himmel! This isn’t Stalingrad!”.

His richly coloured art, with his particular skill for sleek, dynamic and functional machines and spacecraft, was perfect for the relaunch of ‘Dan Dare’ in Eagle in the 1980s as well as Blake’s 7M.A.S.K., the short-lived IPC title Wildcat….

(8) ANGÉLICA GORODISCHER (1928-2022). [Item by Cora Buhlert.] Argentinian author of SFF and many other things Angélica Gorodischer has died at the age of 93. For some reason, there have been almost no obituaries in the English language world, not even from places like The Guardian, where you might expect to find them. Locus had a brief item and here is a longer tribute from an obscure news site: “Angélica Gorodischer, the woman who imagined universes” at Then 24.

…She knew from a very young age that she would dedicate herself to writing. Perhaps she did not imagine that she, as a declared feminist writer since the 1980s, would leave a singular mark on literature written in the Spanish language. The true homeland of Angélica Gorodischer, who died at her home in Rosario at the age of 93, was books: the books she read and those she wrote, among which Trafalgar (1979) and the stories of Kalpa Imperial (1983) stand out. The latter was translated into English by none other than Ursula K. Le Guin, the greatest figure in Anglo-Saxon science fiction.

Gorodischer’s best novel, Prodigies, is not sff but was translated into English by Sue Burke, another noted sff author.


2002 [Item by Cat Eldridge] Twenty years ago at  ConJosé where Tom Whitmore and Kevin Standlee were the Chairs and Vernor Vinge was the author guest,  David Cherry the artist guest, Bjo & John Trimble fan guests and Ferdinand Feghoot was the imaginary guest (ok, would someone explain that choice please), Neil Gaiman wins the Best Novel Hugo for the best excellent American Gods

Five novels made the final nomination list: Lois McMaster Bujold’s The Curse of Chalion, Connie Willis’ Passage, China Miéville’s Perdido Street Station, Robert Charles Wilson‘s The Chronoliths and Ken MacLeod’s Cosmonaut Keep.

It would also win the Locus Award for Best Fantasy Novel and be nominated for the Mythopoeic Fantasy Award for Adult Literature, a BFA for the August Derleth Fantasy Award for Best Novel and the World Fantasy for Best Novel.


[Compiled by Cat Eldridge.]

  • Born February 7, 1908 Larry “Buster” Crabbe. He played the lead roles in the Tarzan the Fearless, Flash Gordon, and Buck Rogers series in the Thirties, the only person to do all three, though other actors played some of those roles.  He would show up in the Seventies series Buck Rogers in the 25th Century as a retired fighter pilot named Brigadier Gordon. (Died 1983.)
  • Born February 7, 1941 Kevin Crossley-Holland, 81. Best known for his Arthur trilogy consisting of The Seeing StoneAt the Crossing-Places, and King of the Middle March. I really liked their perspective of showing a medieval boy’s development from a page to a squire and finally to a knight. Highly recommended. 
  • Born February 7, 1949 Alan Grant, 73. He’s best known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s.  If you can find it, there’s a great Batman / Judge Dredd crossover “Judgement on Gotham” that he worked on. His recent work has largely been for small independents including his own company. 
  • Born February 7, 1950 Karen Joy Fowler, 72. Michael Toman in a letter to our OGH asked we note her Birthday as she has a “A Good Word for one of his favorite writers” and so do I. Her first work was “Recalling Cinderella” in L Ron Hubbard Presents Writers of the Future, Vol I. Her later genre works are Sarah Canary, the Black Glass collection, a World Fantasy Award winner, and The Jane Austen Book Club novel, is not SF though SF plays a intrinsic role in it, and two short works of hers, “Always” and “The Pelican Bar” won significant Awards. Her latest genre novel, We Are All Completely Beside Ourselves, is being adored far and wide. She won a World Fantasy Award for Lifetime Achievement. 
  • Born February 7, 1952 Gareth Hunt. Mike Gambit in The New Avengers, the two season revival of The Avengers that also starred Joanna Lumley as Purdey  and Patrick Macnee as John Steed. Quite excellent series. He was also Arak in the Third Doctor story, “Planet of The Spiders”. (Died 2007.)
  • Born February 7, 1955 Miguel Ferrer. You likely best remember him as OCP VP Bob Morton in  RoboCop who came to a most grisly death. Other notable genre roles include playing FBI Agent Albert Rosenfield on Twin Peaks and USS Excelsior helm officer in The Search for Spock. In a very scary role, he was Director of Hatcheries and Conditioning in Brave New World.  Lastly I’d like to note that he did voice work in the DC Universe at the end of his life, voicing Martian Manhunter (J’onn J’onzz) in Justice League: The New Frontier and Deathstroke (Slade Joseph Wilson) in Teen Titans: The Judas Contract. (Died 2017.)
  • Born February 7, 1960 James Spader, 62. Most recently he did the voice and motion-capture for Ultron in Avengers: Age of Ultron. Before that, he played Stewart Swinton in Wolf, a Jack Nicholson endeavor. Then of course he was Daniel Jackson in Stargate, a film I still enjoy though I think the series did get it better. He also plays Nick Vanzant in Supernova and Julian Rome in Alien Hunter.


From Bestie:

(12) FCBD 2022. Titan Comics unveiled artist Piotr Kowalski’s cover for their  Bloodborne Free Comic Book Day edition, which will be given out at participating comic shops on May 7.

Enter the city of Yharnam through the eyes of its citizens, when new hunters take to the streets to fight against the cruel and unusual epidemic that has gripped the city. In the black of night, families and faith will be tested… Based on the critically-acclaimed Bloodbourne video game!

(13) GREAT EXPECTATIONS. Open Culture reviews some century-old predictions: “In 1922, a Novelist Predicts What the World Will Look Like in 2022: Wireless Telephones, 8-Hour Flights to Europe & More”.

…In the Paris-born-and-raised George’s ancestral homeland, George Orwell described him as an author of what G.K. Chesterton called “good bad books,” singling out for praise his 1920 novel Caliban amid the “shoddy rubbish” of his wider oeuvre.

Still even authors of rubbish — and perhaps especially authors of rubbish — can sense the shape of things to come. For its edition of May 7, 1922, the New York Herald commissioned George to share that sense with their readers. In response he described a world in which “commercial flying will have become entirely commonplace,” reducing the separation of America and Europe to eight hours, and whose passenger steamers and railroads will have consequently fallen into obsolescence. “Wireless telegraphy and wireless telephones will have crushed the cable system,” resulting in generations who’ll never have seen “a wire outlined against the sky.”

That goes for the transmission of electricity as well, since George credits (a bit hastily, it seems) the possibility of wireless power systems of the kind researched by Nikola Tesla. In 2022, coal will take a distant backseat to the tides, the sun, and radium, and “it may also be that atomic energy will be harnessed.” As for the cinema, “the figures on the screen will not only move, but they will have their natural colors and speak with ordinary voices. Thus, the stage as we know it to-day may entirely disappear, which does not mean the doom of art, since the movie actress of 2022 will not only need to know how to smile but also how to talk.”…

(14) SOMETHING WAGNERIAN. The Rogues in the House podcast (which will be featured as a fancast spotlight soon) discusses Karl Edward Wagner’s Kane: “Some like it Rough – Karl Edward Wagner and Kane”.

The Rogues are joined by Whetstone Magazine editor Chuck Clark as they journey into the depths of esoteric time on a quest for a deeper understanding of the Sword & Sorcery mainstay, Kane the Mystic Swordsman and his creator, Karl Edward Wagner. Is this mysterious, flame-haired immortal a friend? Perhaps a foe? And what’s this about World Domination? Hang on to your fur-diapers and winged helms, it’s gon’ get rough!

(15) THEY DIDN’T START THE FIRE. Oliver Brackenbury interviews Jason Ray Carney, editor of Whetstone Magazine, Witch House Magazine and The Dark Man Journal at So I’m Writing a Novel… — “Interview with Jason Ray Carney of Whetstone Magazine”.

Oliver and Jason get to some INTERESTING places in their far-reaching discussion, including subjects like: writing workshops, working class literature, modernist literature, R.A. Salvatore as a literary gateway drug, starting a literary magazine & the origin of Whetstone, why he feels you shouldn’t send your best work to Whetstone, “mid-list exposure”, submitting for ultra low acceptance rate magazines, elevated language, Clark Ashton Smith, grading English papers by engineers, Jason’s role as academic coordinator for the Robert E. Howard foundation, Walter Benjamin, how a genre rooted in our past like sword & sorcery can give people an inspiring vision of something new…

(16) BOBA BATHOS. [Item by Cora Buhlert.] The Guardian interviews Jennifer Beals of Flashdance fame who’s currently in The Book of Boba Fett as well as a long time Star Wars fan: “’I’ve had letters from klansmen’: Jennifer Beals on Flashdance, The L Word and fighting to get diverse stories told”.

… Now, she has entered a franchise with a fractionally longer Hollywood pedigree than her own, as Garsa Fwip in The Book of Boba Fett, a spin-off of The Mandalorian – itself, of course, a spin-off of Star Wars. It takes a while to get your ear in to her natural register, which is playful, very literary and full of bathos. “It’s so exciting to be part of the lineage,” she says of Boba Fett. “It feels like a calling, like there’s some reason that the universe has decided that you’re going to enter into these stories.”…

(17) GENRE ON STAGE. [Item by Martin Morse Wooster.] In the Financial Times, behind a paywall, Sarah Hemming reviews  A Number, a 2002 play by Caryl Churchill that is playing at the Old Vic (oldvictheatre.com) through March 19 and is about a father and son.

The son has just discovered that he is one of ‘a number’–a set of identical humans cloned from an original.  Every shred of their relationship is being reconfigured in his mind.  More shocking still, he’s not even number one:  Somewhere out there is another, older him–a son five years his senior who grew up in care.  Before long, Bernard 1 is in the kitchen too, with his own set of questions…

…Its genius as drama is that it (the play) relies on the skill of the actors to scope out the minute shifts in body language that bring these questions (about the purpose of life)) alive.  In (Lyndsey) Tuirner’s deftly calibrated staging, (Paapa) Essiedu is mesmerising as multiple iterations of one person.  As Bernard 2, he pads about the living room, apparently at ease.  But his hands, either buried in the cuffs of his overlong sweater sleeves or nervously flexing and grasping the air, tell a story of deep-set insecurity.  As Bernard 1, the original, abandoned son, he is tighter, sharper, angrier.  But as he listens to his father explain why he gave him up, he becomes entirely still–we see a man sunk in deep, bewildered pain.  It’s a superbly detailed performance.”

Sarah Hemming also reviews Alistair McDowall’s play The Glow, which is playing at the Royal Court Theatre (royalcourttheatre.com) through March 5.  The play is about a Victorian spiritualist named Mrs Lyall.

Here Mrs Lyall’s instinct to cheat death and reach into eternity proves key as the play slips its moorings and roves across time, rolling form glimpses of pre-history and Arthurian legend to the 1970s and 1990s and even the heat death of the universe.

Our woman (Mrs Lyall)  is a constant throughout:  a time-travelling stranger or spirit, permanently in search of a home.  She becomes symbolic of humanity’s nagging sense of profound loneliness:  the root of legend, myth and religion,  McDowall has said of this play, ‘I want it to feel like there’s a vast, undulating network of stories that you only get a sliver of,’ and he works to give the audience the same bird’s eye view as the woman, stepping outside linear time, allowing patterns to emerge and overlap.

(18) SPACE FOR A MEMORY. An asteroid has been named after trans electronic/pop music icon SOPHIE reports Nylon: “SOPHIE Is Forever Memorialized As An Asteroid”.

A little over a year since the sudden passing of avant-garde pop star and producer SOPHIE, she’s officially part of the solar system as an asteroid memorialized in her honor.

Back in February 2021, SOPHIE fan Christian Arroyo began a petition to dedicate the planet TOI-1338 b in honor of the late pop star, noting that the pale lavender, cloudy atmosphere of the planet (discovered in the summer of 2019 by Wolf Cukier) looked similar to the ethereal album cover art of SOPHIE’s debut record Oil of Every Pearl’s Un-Insides. “I am requesting that TOI-1338 b be named in honor of SOPHIE, in honor of a great LGBT+ influence,” wrote Arroyo. “I want her name to be remembered and her influence to continue to flourish for many years to come.”…

(19) YOU’VE BEEN WARNED. Be careful out there.

(20) ARRAKIS STREET. A.V. Club is there when “Elmo, young Muppet, overcomes Dune’s Gom Jabbar test”.

Fresh off the heels of his career-invigorating feud with a rock that wants to take his oatmeal raisin cookie, Elmo has returned to the spotlight yet again to prove that he’s a thinking, feeling organism who deserves to be treated with greater respect than both inanimate objects and the world’s animals.

Since there is no better way for him to prove such a thing than to look to an ordeal devised by Frank Herbert in the novel Dune, Elmo has now been made to prove himself through an edit of the 2021 film adaptation’s take on the Gom Jabbar test….

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Daniel Dern, Peer, N., Cora Buhlert, Cat Rambo, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Charon Dunn.]

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40 thoughts on “Pixel Scroll 2/7/22 Head Like A Scroll, Pixeled Like Your Soul

  1. (3) I’ve heard good things about this Camestros fellow – looking forward to reading the interview.

  2. (9) That was a fun year for me, since I was the Hugo admin, and knew who was going to win the award for Best Novel. So I just kept watching Neil as they read his name, and got to see the utter astonishment that came over him when he realized he’d won.

    It was great!

  3. Culture wars – esp after reading today that the Former Guy kept watching replays of the insurrection, and didn’t understand why all his staffers weren’t so thrilled, I’d say there’s a large population that literally does not understand the difference between a movie or tv show, and the real world.

    Oh, and Buck Rogers went into the eighties.

  4. John Lorentz says That was a fun year for me, since I was the Hugo admin, and knew who was going to win the award for Best Novel. So I just kept watching Neil as they read his name, and got to see the utter astonishment that came over him when he realized he’d won.

    It was great!

    It definitely was the novel that deserved to win that year. I read that novel right after it came out and that later in the author’s preferred edition when Hill House who was briefly his publisher until they went out of business (for reasons I’ll not discuss here) sent me their edition of it. I can’t say that the expanded edition was an obvious improvement.

    Now listening to Michael Crichton’s The Great Train Robbery, the basis of the superb Sean Connery fronted film.

  5. “I have tasted the pixels in the scroll of the universe, and I was not offended.”

  6. (1) Those are interesting developments.

    (3) I’m looking forward to that!

    (10) I remember watching “The New Avengers” in high school — even though sometimes it played only on the D.C. channel, so I had to stand there and hold the antenna to see it. I wrote a spy novel in high school because of that show — or rather, ahem because I really adored Gareth Hunt. 🙂

  7. I would have voted for The Curse of Chalion but it’s hard to be disappointed with the eventual winner. That was a good year.

  8. Anne Marble says ) I remember watching “The New Avengers” in high school — even though sometimes it played only on the D.C. channel, so I had to stand there and hold the antenna to see it. I wrote a spy novel in high school because of that show — or rather, ahem because I really adored Gareth Hunt. ?

    I loved the The New Avengers! I thought it was a lovely rebooting of the series that actually did a great job of being true to old series while actually having what I thought was better scripts.

    The other series that I liked that came out in that time frame was the Australian shot reboot of Mission: Impossible which I thought was quite excellent as well.

  9. 1) This is a good thing, I think. When I consider where to market my own short fiction, the pay rate isn’t always the primary consideration. Coming close on 70 years old, a market’s response time can be a significant factor. (Even though I’ve sold to Alfred Hitchcock Mystery Magazine before, with a response time of over a year, they’re not my first choice to send a mystery/suspense story to.) I’d like to see a “professional” response time to be at most ninety days (hopefully less).

    “File me in coach, I’m pixeled to scroll today.”

    (h/t to my local Walgreens, whose music system was playing John Fogerty while I picked up some prescriptions earlier today.)

  10. Shortly after the turn of the century, a leak in the fabric of time-space left SF conventions overrun with various unexpected creatures, among them worbles, weebles, tribbles, and those indescribable creatures of dread known only as ghasts. Fortunately the matter came to the attention of a well-known time-space adventurer, who first repaired the hole and then brought his superior powers of visualization to bear. After a few false starts, he needed only to walk through a hotel with his eyes closed, humming softly to himself, and the unwanted pests would softly and silently vanish away, never to be seen again.

    And that, dear filers, is how Ferdinand Feghoot came to be appointed the imagine nary ghast.

  11. Bruce Arthurs: We do like to hear back. You remind me that in the Seventies I submitted an article to a magazine and after months went by I sent them a cranky letter withdrawing it. The answer was — they’d already sent it for publication in an issue. Did I want them to pull it? Uh, no.

  12. 17) Does this mean that, if someone were to dramatize “The Fifth Head of Cerberus”, it would be seen as derivative now?

    (Had to work to be sure this didn’t end up as the fifth head of Cerebus)

    20) As I was a-walking the streets of Arrakis…

  13. (17) genre deserves better than A Number, which I saw in 2020, just before everything changed. I can see why actors and directors like it: one actor gets to play 3 people; there’s just one set and only two actors to pay. But it’s little more than theatrical sleight of hand, and I want more than that from a play.
    The Guardian has a photo story on various fine actors in different productions : https://www.theguardian.com/stage/gallery/2022/jan/12/caryl-churchill-play-a-number-old-vic-in-pictures

  14. 13) Can you use a few pixels to tell us the author’s name, besides “George”?

  15. Chalion & American Gods are both great. Perdido was good but I prefer some of Mieville’s other novels. Just wanted to give a shout out to another nominee which I feel like flew more under the radar — The Chronoliths I thought was really good and had an interesting take on time travel (which is a favorite subgenre of mine).

  16. Meredith moment: all ten novels of Zelazny’s Amber Chronicles are available from the usual suspects for just ten dollars. I personally love the first set of stories and think the second set suck eggs royally.

  17. Chris says Chalion & American Gods are both great. Perdido was good but I prefer some of Mieville’s other novels. Just wanted to give a shout out to another nominee which I feel like flew more under the radar — The Chronoliths I thought was really good and had an interesting take on time travel (which is a favorite subgenre of mine)

    I think his Hugo at Aussiecon 4 for The City & The City was a much deserved win. And I don’t say that just because it’s my favorite work by him that I’ve experienced many times. By the way, the John Lee narrated audio work is awesome.

  18. 1.) And this provided the second HOLY SH*T writer moment of the day. If this passes…I am definitely eligible for SFWA full membership, and I’m sure that I’m not the only indie writer plugging along with steady yearly sales that never quite reach the SFWA threshold.

    The first HS moment today?

    Opening my email to see that Draft2Digital is acquiring Smashwords.

    When I talk about publishing changing every few months…yep, this sort of thing is what I mean.

  19. @Joyce Reynolds-Ward
    The SFWA news is cool. Let’s hope it goes through.

    There are concerns because Draft2Digital and Smashwords have different rules about content (erotic content, extreme horror, etc.). I’ve already seen indie writers on Twitter worried that Draft2Digital is going to “clean up” Smashwords. (OTOH there are also indie writers celebrating the possibility that Draft2Digital is going to “clean up” Smashwords.)

    Already, it looks as if Draft2Digital is on Twitter, trying to assuage fears about books getting banned because of content. (For example, see this thread.)

  20. @Cassy B. Thanks. It’s fun to write unhampered by foolish considerations of credibility.

  21. @Joyce Reynolds-Ward
    I’m probably eligible for SFWA under the current rules, but it’s a pain proving which book made how much money, if you have a larger catalogue. This will make it easier and I’m definitely eligible under the new rules, should they pass.

    I also did a double take regarding the Smashwords/Draft2Digital thing. On the one hand, as someone who uses both, this makes uploading new books easier by removing one store. On the other hand, Smashwords has/had features that D2D doesn’t have. Plus, there is the loss of even more competition and the potential risk to erotica authors, whose works a lot of stores already won’t take.

    Also, I always lose money due to D2D’s bad conversion rates between USD and Euro.

  22. (3) Kudos to Cora for, when confronted with a problem, coming up with a realistic practical plan to deal with it, and then working that plan.

  23. (1) SWFA: Depending on what their definitions of writing are and what kind of documentation they need (my work to date has been work-for-hire pieces for very small game companies), under the new rules I would easily qualify for an associate membership and might make full. Now pondering the ethics of emailing the SWFA members I know (all two of them) and explaining why I would like this to happen.

  24. Re Amber – the UK situation seems to be sorted with a new edition of the Fantasy Masterworks collection of the first 5 novels due in April. I have the Kindle edition on pre-order. I think it’s the first time an electronic edition of all five has been legally available in the UK.

  25. Cat Eldridge: all ten novels of Zelazny’s Amber Chronicles are available from the usual suspects for just ten dollars.

    Have you got an Amazon link for that? I can’t find it.

  26. JJ says Have you got an Amazon link for that? I can’t find it.

    Well because I was wrong. It’s only available on Apple Books at that price which is my bad. One of the few times that being an Apple Books reader has a definite advantage. Usually Kindle is where the books are cheaper.

    The Kindle edition is sixty dollars (!) which makes no sense at all.

  27. 9) American Gods and Perdido Street Station are both excellent novels. I think I would’ve been hard-pressed to choose between them if I’d been a Hugo voter at that time.

  28. (4) AI is suffering from passive voice….

    (5) I don’t remember how many episodes Season 1 of The Rings of Power is supposed to have, but if it’s ten that’s $46 million a pop.

    For that price, they had better send me gold rings to watch it.

  29. @Cat Eldridge are you sure that’s legit? When I looked on Apple Books the Zelazny listings looked suspicious to me. I can’t prove that there were pirate editions but the publisher was one I hadn’t heard of – and some of the covers seemed odd.

    Looking now they have The Great Book of Amber which I don’t believe has had a legitimate ebook release. The offer you mentioned is there, too, but the publisher is listed as New House Books – the same as for the The Great Book of Amber – and the covers aren’t the current ebook covers (although still recent). Amazon lists the publisher as Amber Ltd. Looks like piracy to me.

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