23 Pixels Propagate Like Tribbles And They Purr Like Them Too

Posted on May 25, 2023 by Mike Glyer

(1) JACQUELINE WOODSON INTERVIEW. “U.S. Book Show 2023: Jacqueline Woodson Works from Memory and Empathy” – Publishers Weekly reports from the show.

Mention Jacqueline Woodson—a former National Ambassador for Young People’s Literature—and readers begin naming favorite titles: groundbreaking LGBTQ novels (From the Notebooks of Melanin Sun), stories of BIPOC histories and identities (After Tupac and D Foster), books adapted to TV (Miracle’s Boys), and the National Book Award–winning memoir in verse Brown Girl Dreaming. At a lunch-hour keynote on May 24, Woodson sat down with bookseller Miwa Messer, executive producer and host of the Barnes & Noble podcast Poured Over, to discuss her work.

We’re here with Jacqueline Woodson, and we’ve run out of superlatives to describe her work—straight up, let’s not pretend,” Messer said, before reading an abbreviated list of Woodson’s accolades: a 2020 MacArthur Fellowship, an NAACP Image Award, and a 2023 E.B. White Award for achievement in children’s literature from the American Academy of Arts and Letters,

… “When I write, I’m very conscious of [my reader] seeing themselves in it,” Woodson said. “Is there something about how I write a character that might break that person’s spirit?” She wants to impress upon readers “that they’re not existing alone. Theirs isn’t an isolated experience.”

Warmly acknowledging her longtime editor, Nancy Paulsen, who was in the audience, Woodson explained her revision process. She reads everything aloud to hear characters’ voices, and revises scenes while “having faith [in] the picture I’m trying to paint on the page.” Her own memories and thorough research enable her to craft people and places, she said. “I think of it like a photograph that’s developing, and it becomes more clear [as] I go back into it.”…

(2) THE 84 PERCENT SOLUTION. The Hugo Book Club Blog says “The Word For ‘World’ Isn’t America”. “If the Hugo Award is to be a truly ‘World’ award, American fandom may need to relinquish it … by establishing an American award for American fiction.”

…So why is there no national award recognizing the best science fiction published by authors from the United States?

It could be argued that this is a reflection of American exceptionalism or imperialism.

The Hugo Award — when it was established in 1953 — may have billed itself as celebrating the world’s greatest science fiction, but that was for a limited definition of “world.” This was a “world” that extended no further north than Toronto, no further east than London, and no further south or west than Los Angeles. American cultural hegemony was baked into the DNA of the award.

An American national SFF award was not seen as necessary, because the Hugos existed.

To date 84.2 per cent of all winners, and 84.5 per cent of the authors represented in the prose categories (short story, novelette, novella, novel and series) were born in the United States…

(3) NOT PARSELEY. NOT SAGE. NOT THYME. Craig Miller told Facebook readers about a close call at home last night.

About 9:30, roughly an hour and a half ago, headlights suddenly shined blindingly through our living room windows followed by a crash.

A minivan had come hurtling down the street, apparently missed the turn, came up between our two parked cars, over the curb, across the sidewalk, through our garden, and up our front path, finally stopping when it smashed into the cement and metal fences between our house and our neighbors.

I rushed out. The driver kept trying to back up but the car was stuck. The driver and the passenger got out. The driver had a hard time because he was in the middle of our bushes. They took off down the street.

I called the police. They’re still here. Eventually a tow truck will come and they’ll impound the vehicle.

One nice thing: they drove into and got stuck in the midst of a huge rosemary bush. All that friction in the rosemary and the yard smells terrific. One of the cops even said, “Is that rosemary? Smells great.”

(4) HOME AT LAST. Walter Jon Williams shared good news with Facebook readers. And some not-so-good news.

So Kathy’s finally home after 13 days confined to COVID jail in a hotel room on Malta.

She arrived just in time for me to catch a cold, which is definitely not COVID since I’ve tested negative two days in a row.

Timing could have been better. Definitely.

(5) GOLLUM GAME? “The Lord of the Rings: Gollum review – boil it, mash it, stick it in the bin” – a real KTF review in the Guardian.

This game never looked especially promising, and now it’s out, it’s about as riveting as listening to a huddle of ents discuss the finer points of deciduous shedding. It’s a technical disaster, at least on PC, and even when it does work, it feels like an extended forced stealth section from a game where stealth is just one of 50,000 other systems. It’s watery, janky, broken, alternately frustrating and frictionless, completely without tension or pathos, and squanders a great concept….

(7) NICE TRY, BUT NO CIGAR. “Max Will Revert Film Credits to List Directors, Writers After Backlash” reports Variety.

Warner Bros. Discovery’s newly launched Max lumped film directors and writers under a single “creators” heading — a change that prompted a backlash from filmmakers and Hollywood’s directors and writers guilds. Now the company says it is reverting the listings back to how they were presented on HBO Max, blaming the issue on a technical “oversight.”

“We agree that the talent behind the content on Max deserve their work to be properly recognized,” a Max spokesperson said in a statement to Variety. “We will correct the credits, which were altered due to an oversight in the technical transition from HBO Max to Max and we apologize for this mistake.”Max’s move to consolidate writers, directors and other creatives under the single “creators” listing drew ire amid the ongoing Writers Guild of America strike, as the union is seeking to reach a new contract with major studios through the Alliance of Motion Picture and Television Producers….

Meanwhile, if you want to know what movies and TV shows are available on the service, click on “Max – full list of movies and TV shows online” at JustWatch.

(8) TODAY’S DAY. This was news to me, but maybe not to most fans. May 25 is —

Craig Miller, author of Star Wars Memories, says, “I don’t know that I coined it but it’s a term I’ve been using for a number of years. When people started arguing about whether May 4th or May 25th is Star Wars Day, I started saying — in places like Facebook — that I consider May 25th Orthodox or Old Testament Star Wars Day. May 21st – the date The Empire Strikes Back debuted – is New Testament Star Wars Day. And May 4th is New Age Star Wars Day. It’s people using a popular pun to center around. It’s apt because, in most countries, Star Wars didn’t debut on May 25th. Further, I’ve been saying that the period from May 4th and May 25th marks Star Wars Season. Sort of like the period between Ash Wednesday and Easter is the Lenten Season.

P.S. May 25 is also Towel Day.

(9) MEMORY LANE.

1962 – [Compiled by Cat Eldridge.]

Philip K. Dick’s The Man in The High Castle is the source of our Beginning. I know it’s been turned into an Amazon series but y’all know that I never watch any series based off a piece of fiction that I really like and yes, The Man in The High Castle falls into that category.

It was first published by G. P. Putnam’s Sons sixty-one years ago in a hardcover edition which cost three dollars and ninety-five cents. The cover is by Robert Galster.

I really cannot say anything further as it’d spoil the novel though admittedly the cover does a fairly nice job of doing that I think.

And with that, here’s our Beginning…

FOR A WEEK Mr. R. Childan had been anxiously watching the mail. But the valuable shipment from the Rocky Mountain States had not arrived. As he opened up his store on Friday morning and saw only letters on the floor by the mail slot he thought, I’m going to have an angry customer.

Pouring himself a cup of instant tea from the five-cent wall dispenser he got a broom and began to sweep; soon he had the front of American Artistic Handcrafts Inc. ready for the day, all spick and span with the cash register full of change, a fresh e svase of marigolds, and the radio playing background music. Outdoors along the sidewalk businessmen hurried toward their offices along Montgomery Street. Far off, a cable car passed; Childan halted to watch it with pleasure. Women in their long colorful silk dresses . . . he watched them, too. Then the phone rang. He turned to answer it.

“Yes,” a familiar voice said to his answer. Childan’s heart sank. “This is Mr. Tagomi. Did my Civil War recruiting poster arrive yet, sir? Please recall; you promised it sometime last week.” The fussy, brisk voice, barely polite, barely keeping the code. “Did I not give you a deposit, sir, Mr. Childan, with that stipulation? This is to be a gift, you see. I explained that. A client.”

“Extensive inquiries,” Childan began, “which I’ve had made at my own expense, Mr. Tagomi, sir, regarding the promised parcel, which you realize originates outside of this region and is therefore—”

“But Tagomi broke in, “Then it has not arrived.”

“No, Mr. Tagomi, sir.”

An icy pause.

“I can wait no furthermore,” Tagomi said.”

“A substitute, then. Your recommendation, Mr. Childan?” Tagomi deliberately mispronounced the name; insult within the code that made Childan’s ears burn. Place pulled, the dreadful mortification of their situation. Robert Childan’s aspirations and fears and torments rose up and exposed themselves, swamped him, stopping his tongue. He stammered, his hand sticky on the phone. The air of his store smelled of the marigolds; the music played on, but he felt as if he were falling into some distant sea.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 25, 1808 — Edward Bulwer-Lytton. In addition to the opening seven words from Paul Clifford — “It was a dark and stormy night” — he also coined the phrases “the great unwashed”, “pursuit of the almighty dollar” and “the pen is mightier than the sword.” ISFDB credits him with eight genre novels including The Coming Race, Asmodeus at Large and Last Days of Pompeii to name but three. He wrote a lot of short fiction with titles such as “Glenhausen.—The Power of Love in Sanctified Places.— A Portrait of Frederick Barbarossa.—The Ambition of Men Finds Adequate Sympathy in Women”. (Died 1873.)
Born May 25, 1913 — Carl Wessler. Animator during the Thirties working on “Musical Memories” and other theatrical cartoon shorts for the Fleischer Studios, and a comic book writer from the Forties though the Eighties for including Charlton Comics, DC, EC Comics, Harvey Comics and Marvel. He also worked for editor-in-chief Stan Lee at Marvel’s 1950s forerunner, Atlas Comics. (Died 1989.)
Born May 25, 1916 — Charles D. Hornig. Publisher of the Fantasy Fan which ran from September ‘33 to February ‘35 and including first publication of works by Bloch, Lovecraft, Smith, Howard and Derleth. It also had a LOC section called ‘The Boiling Point’ which quickly became angry exchanges between several of the magazine’s regular contributors, including Ackerman, Lovecraft and Clark Ashton Smith. He paid for the costs of Fan Fantasy by working as the teenage editor of Gernsback’s Wonder Stories. (Died 1999.)
Born May 25, 1935 — W. P. Kinsella. I’d say best known for his novel Shoeless Joe which was adapted into the movie Field of Dreams, one of the few films that Kevin Costner is a decent actor in, ironic as the other is Bull Durham. Kinsella’s other genre novel is The Iowa Baseball Confederacy and it’s rather less well known that Shoeless Joe is but is excellent. He also edited Baseball Fantastic, an anthology of just what the title says they are. Given that he’s got eighteen collections of short stories listed on his wiki page, I’m reasonably sure his ISFDB page doesn’t come close to listing all his short stories. (Died 2016.)
Born May 25, 1944 — Frank Oz, 79. Actor, director including The Dark Crystal, Little Shop of Horrors and the second version of The Stepford Wives, producer and puppeteer. His career began as a puppeteer, where he performed the Muppet characters of Animal, Fozzie Bear, Miss Piggy, and oh so patriotic Sam Eagle in The Muppet Show, and Cookie Monster, Bert, and Grover in Sesame Street. Genre wise, he’s also known for the role of Yoda in the Star Wars franchise until he was removed from that role by The Evil Mouse.
Born May 25, 1949 — Barry Windsor-Smith, 74. Illustrator and painter, mostly for Marvel Comics. Oh, his work on Conan the Barbarian in the early Seventies was amazing, truly amazing! And then there was the original Weapon X story arc involving Wolverine which still ranks among the best stories told largely because of his artwork. And let’s not forget that he and writer Roy Thomas created Red Sonja partially based on Howard’s characters Red Sonya of Rogatino and Dark Agnes de Chastillon.
Born May 25, 1966 — Vera Nazarian, 57. To date, she has written ten novels including Dreams of the Compass Rose, what I’d called a mosaic novel structured as a series of interlinked stories similar in tone to The One Thousand and One Nights that reminds me more than a bit of Valente’s The Orphans Tales. She’s the publisher of Norilana Books which publishes such works as Catherynne M. Valente’s Guide to Folktales in Fragile Dialects, Marion Zimmer Bradley’s Sword and Sorceress anthologies,and Tabitha Lee’s Lee’s Sounds and Furies. She has two Nebula nominations, one for her “The Story of Love” short story and another for her “The Duke in His Castle” novella.

(11) COMICS SECTION.

Non Sequitur says Heaven is hell on editors.
Bizarro finds the next phase in AI authors’ evolution.
Bizarro shows part of the Darth Vader health regimen.

(12) ALLIGATOR LOKI MAKES A SPLASH IN HIS PRINT COMIC DEBUT. Alyssa Wong and Bob Quinn’s Alligator Loki #1 arrives in September.

After making his debut in Marvel Studios’ Loki on Disney+, the reptilian God of Mischief headlined his very own Infinity Comic series on the Marvel Unlimited app. Now, this iconic and adorable troublemaker will grace the stands of your local comic shop for the very first time in September! An extra-sized one-shot, ALLIGATOR LOKI #1 will collect the entirety of Alyssa Wong and Bob Quinn’s hit Infinity Comic series as well as an all-new adventure from the life of everyone’s favorite swamp-dwelling scamp!

Bow down to the reptile in a helm who has enraptured the Ten Realms…with his cuteness! First Alligator Loki chomped down on Mjolnir, and then he chomped his way into our hearts. Now, the beloved Alligator of Mischief finds – and makes – trouble all across the Marvel Universe!

For more information, visit Marvel.com.

(13) LIVES IN COMICS. NBM Graphic Novels debuts two bios about people of genre interest.

The Disney Bros.: The Fabulous Life of Walt & Roy by Alex Nikolavitch (writer) Felix Ruiz (art)

After the bankruptcy of his first two companies, the young Walt Disney decides to call on his older brother Roy to start a new business: the Disney Brothers Cartoon Studios. The combination of their opposing talents, one artistic, the other managerial, will give birth to an entertainment giant despite the difficult nature of Walt. Little by little, Walt will push his brother into the shadows and sink into chronic depression and excessive consumption of alcohol … But all this will not prevent him from producing the greatest masterpieces of animation.

The authors have chosen a cartoon style, worthy of Mickey Mouse comics, to tell a very serious story of creation, money and politics, but also… of family.

Philip K. Dick: A Comics Biography by Laurent Queyssi (writer) Mauro Marchesi (art)

One of the greatest writers in science fiction history, Philip K. Dick is mostly remembered for such works as Blade Runner, Minority Report and Total Recall. His dark, fascinating work centered on alternate universes and shifting realities in worlds often governed by monopolistic corporations and authoritarian governments.

His own life story seems a tussle with reality, going through five wives and becoming increasingly disjointed with fits of paranoia and hallucinations fueled by abuse of drugs meant to stabilize him. His dramatic story is presented unvarnished in this biography.

(14) OCTOTHORPE. In episode 84 of the Octothorpe podcast, “I Do Not Like to Be Delighted on Every Page”, “John Coxon, Alison Scott, and Liz Batty read A Face Like Glass by Frances Hardinge in what marks the start of the SUMMER OF FUN!”

(15) BETTER LATE THAN NEVER. A lot of you will have seen this news item already, however, it’s still a fun item. “Long story: book returned to California library nearly a century late” in the Guardian.

A history book about the US has been returned to a library in California, almost 100 years overdue. The copy of Benson Lossing’s A History of the United States, published in 1881, was returned to St Helena public library in Napa Valley earlier this month. It had been due back on 21 February 1927.

At the time the book was borrowed, fines for overdue titles were a nickel (five cents) a day, meaning Jim Perry, who had the book, theoretically owed about $1,756 (£1,417). Luckily for him, the library scrapped late fines in 2019.

Perry found the copy in a box of books that belonged to his late wife, Sandra Learned Perry, according to the St Helena Star. He told the newspaper that he was “pretty sure” her grandfather, John McCormick, a descendant of one of St Helena’s oldest pioneer families, was the original borrower of the book.

Perry originally returned A History of the United States to the library’s front desk without leaving his name, but was tracked down after the library appealed for more information about the book’s history.

Library staff suspect the book was one of 540 volumes originally available from the Free Public Library, a predecessor to St Helena Public Library. The book has now been placed in a glass display case at the library’s entrance.

The Guinness World Record for an unreturned and overdue library book is held by a book owned by Sidney Sussex College, Cambridge. The history book, written in German, was borrowed in 1667 or 1668 by Colonel Robert Walpole, the father of Sir Robert Walpole, regarded as the first prime minister of Great Britain.

It was discovered by Prof John Plumb while he was working on a biography of Walpole, and returned to Sidney Sussex on 16 January 1956, at least 287 years overdue….

(16) A DEEP DIVE FOR AN ANSWER: CAN YOU HELP? S. Elizabeth of Unquiet Things tries to unravel “A Mystery That Should Not Exist: Who Is The Cover Artist For This Edition Of A Wrinkle In Time?” The guesses are still pouring in.

Why is it that in this current year of 2023, no one seems to know who the cover artist is for this iconic Dell Laurel-Leaf A Wrinkle in Time cover art?? In a time when we have so much information available to us at our literal fingertips, how could it possibly be that the above marvelously and terrifyingly iconic imagery is perpetually credited to “unknown artist”? Even the Internet Speculative Fiction Database, always an excellent and trusted resource, does not have an answer….

S. Elizabeth follows with all the steps in her investigation so far.

(17) VIDEO OF THE DAY. Barbie comes to theaters July 21.

To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, N., Danny Sichel, Kathy Sullivan, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Live From 770, It’s Bradbury Saturday Night!

Posted on October 8, 2022 by Mike Glyer

(1) AUTOGRAPHING GENESIS. John King Tarpinian sent along these scans of artifacts and photos from Ray’s first ever signing in March 1953.

And here is a photo from another signing of Golden Apples of the Sun later in 1953, in Pasadena, CA. This time Ray was with his pals, Forrest J Ackerman and William F. Nolan.

(2) HOW GENRE IS RAY? [Item by Martin Morse Wooster.] This is from an interview of Alexander Glass by Gareth Jelley in Interzone 202-293.

JELLEY: “Speaking more generally, I like stories which seem only barely to be fantastical like ‘The Watchful Poker Chip of H. Matisse’ by Ray Bradbury. It is a really weird tale, but also just a portrait, or distorted snapshot, of society at a certain time. It is brushed lightly with a feeling of unreality.”
GLASS: “I remember a story by Bradbury called something like ‘That Old Dog Lying In The Dust” which has no speculative element at all, it’s simply somebody remembering a trip he took to a tiny circus in Mexico. And that it’s just a description, although because it’s Bradbury, it’s a wonderful description. And then there at the end, there’s this little section, a couple of sentences, saying how affected the narrator is by the memory, and by the idea that things are lost and in the past and irretrievable. It’s included in one of the collections along with a load of genre stories and it doesn’t matter, because it’s simply a really well done story, regardless of genre. Bradbury doesn’t care, and the readership doesn’t care either. But also it’s not that different in terms of his concerns from something like The Martian Chronicles stories where there’s a science fiction shell, but the core of it is the people’s memories of their childhood or whatever.”

(3) POTIONS ELEVEN. The Portalist says these are “11 Classic Ray Bradbury Books Everyone Should Read”.

One of the best-known writers of the 20th century—in any genre—The New York Times called Ray Bradbury “the writer most responsible for bringing modern science fiction into the literary mainstream.” But while Bradbury’s most popular works were science fiction, he was never constrained by genres, by forms, or by modes.
Besides sci-fi classics likeFahrenheit 451 and The Martian Chronicles, Bradbury wrote mysteries, horror stories, coming-of-age tales, fictionalized memoirs, and sometimes works that combined all of the above.
With a distinct voice and an unmistakable love of language, Bradbury’s singular stories explore dystopian futures, idyllic pasts, and worlds that never were and never will be.
For both old fans and newcomers, these must-read Ray Bradbury books show the range and the depth of the master’s many tales, and will give you a solid entry point into his oeuvre, no matter what aspect of it you’re interested in.

(4) COMING BACK IN PRINT. “1950s pulp comic adaptations of Ray Bradbury to be republished” – Boing Boing has the story.

The pulp publishing company EC Comics was only around for about fifteen years before absorbed into the broader brands of the publishing world. But in that short time, the fledging comic company was able to establish itself as a cult icon, thanks to a few offbeat anthology collections you may have heard of like Tales from the Crypt and MAD Magazine.
One of the company’s lesser known (but still infamous!) ventures included a series of comic book adaptations of the work of Ray Bradbury. EC Comics put out 28 of these illustrated Bradbury comics between 1951 and 1954, featuring work by now-iconic artists such as Johnny Craig, Reed Crandall, Jack Davis, Will Elder, George Evans, Frank Frazetta, Graham Ingels, Jack Kamen, Bernard Krigstein, Joe Orlando, John Severin, Angelo Torres, Al Williamson, and Wallace Wood….
…If you’re a fan of pulp art, or black-and-white comic art, Home to Stay!: The Complete Ray Bradbury EC Stories looks like a pretty cool collection…

(5) HOW TO GET IT. And here’s the link to Fantagraphics offer to sell you a copy of Home to Stay!: The Complete Ray Bradbury EC Stories.

(6) CLIPPING SERVICE. Fangoria connects the dots of Ray’s history with the San Diego Comic-Con: “Live Forever: Celebrating Ray Bradbury’s Impact On Comic-Con, Genre, And Fandom In See You At San Diego”.

In honor of Ray Bradbury’s birthday week we are celebrating with a sneak peek of an excerpt from the upcoming See You At San Diego: An Oral History Of Comic-Con, Fandom and the Triumph of Geek Culture. The book chronicles the rise of fandom and pop culture nostalgia throughout the past century, over the course of 480 pages author and pop culture historian Mathew Klickstein explores how fandom has transformed pop culture. From The Twilight Zone to Ray Bradbury, Famous Monsters of Filmland, and Star Wars, to Twilight — Klickstein explores how fandom has transformed popular culture. Featuring more than 400 photos and art bursts, the book is an essential and defining resource of the forces that have transformed popular culture over the course of the past century. …
…Take a look at an exclusive excerpt below, as some featured guests celebrate Ray Bradbury’s immortal impact on the genre space and fandom. Live forever!

(7) AN ORIGINAL MARTIAN. Brad Leithauser covers a new book in “’The Ray Bradbury Collection’ Review: Mind of the Martian”, behind a paywall in the Wall Street Journal.

Science-fiction writers of the 1950s, like Ray Bradbury, sometimes self-segregated into Martians and Venusians. Which sort of landscape inspired a writer’s brightest and most far-flung dreams? Was it a world beclouded and sodden and torrid—as you might expect on the surface of Venus? Or crystalline and sere and cool—as explorers to Mars might discover?
Bradbury was a Martian. Though he did root a few short stories in the wet, wan, jungly loam of Venus, his heart belonged to that fourth planet from the sun, the diminutive, rose-tinged one. He planted his personal flag on a ball of rock that, at its shortest distance, circles some 34 million miles from Earth. His recounting of our future colonization of Mars’s distinctive terrain, with its desiccated mountains and canals, and its ghost town remnants of a long-vanished, non-human civilization, was his finest literary achievement.

(8) DOCTOR BRADBURY, I PRESUME. Well, he got his honorary doctorate from Woodbury in 2003, so this is stretching a point. Watch “Ray Bradbury’s Caltech Commencement Address – June 9, 2000” on YouTube.

…This is fantastic. I never made it to college. I didn’t have enough money and I decided I was going to be a writer anyway. And the reason I was going to go to college was all those girls. Right? So it’s a good thing I didn’t go. Huh?
Before I start, how many of you here today read me in high school? Huh? How many? You’re all my bastard children, aren’t you?
Thank you, thank you for that….

(9) BURNING SENSATION. Enid News & Eagle columnist David Christy hopes readers will not disregard the warning in Bradbury famous novel: “Revisiting ‘Fahrenheit 451’”.

,,, Bradbury wrote of a future society where books were burned in order to control dangerous ideas and unhappy concepts.
It tells of Guy Montag, a fireman who questions the book-burning policy, and undergoes an internal struggle of suffering and transformation as a results of his questioning society.
In parts of today’s America, there are a few people and politicians who seem bent on making this dystopian society come true, with banning of some books and concepts, particularly in some libraries and certainly in our schools — right here in Oklahoma in fact….

(10) HOW FRIGHTFUL. Fangoria’s Diana Prince says “We don’t scare children enough these days!” “Something Wicked This Way Comes: A Dark Dive Into The Bradbury Classic”.

…For some odd reason, modern storytellers seem to be under the impression that kids either can’t handle the macabre or have no interest in fear. As someone who used to be a kid, I can safely state that both assertions are false. My fondest childhood memories were of being frightened silly by the old Disney villains like the witchy Maleficent from Sleeping Beauty and the demonic Chernabog from Fantasia.
Both creations reveled in evil and commanded the forces of darkness. Were they scary to a youngster? Absolutely! Were they more compelling than any of the sickly sweet heroes around them? You bet! “Family friendly” stories almost always had that element of morbidity. From Pinocchio smashing the Cricket in his original novel to the stygian boat ride in Willy Wonka and the Chocolate Factory, it seemed that our fantasies used to nurture a child’s love for the gruesome….

(11) DISNEYLANDING. Jim Denney chronicles the friendship of two geniuses — “’Nothing Has to Die’ —The Walt Disney-Ray Bradbury Friendship” — for the Walt Disney Family Museum blog.

In March 2005, Ray Bradbury gave a talk at the Performing Arts Center in Duarte, east of Pasadena. After his talk, I went up and handed him my copy of The Martian Chronicles to sign. I told him I had co-written a biography of Walt Disney with NBA executive Pat Williams, who had interviewed Ray for the book.
“Oh, yes!” Ray said. “Your friend sent me a copy. Would you like to hear how I met Walt Disney?”
I knew the story—it was in the book—but what a treat to hear it from Ray himself!
“It was 1964,” Ray said. “I was Christmas shopping and I saw a man coming toward me, loaded with Christmas presents. I said, ‘That’s Walt Disney!’ I rushed up to him and said, ‘Mr. Disney?’ He said, ‘Yes?’ I said, ‘I’m Ray Bradbury, and I love your movies.’ He said, ‘Ray Bradbury! I know your books.’ I said, ‘Thank God!’ And he said, ‘Why?’ I said, ‘Because I’d like to take you to lunch sometime.’ And Walt said, ‘Tomorrow?’ Isn’t that beautiful? Not, ‘Next month.’ Or, ‘Someday.’ Tomorrow. Walt was spontaneous. The next day, I met him at his office and we had lunch—soup and sandwiches on an old card table. I told him how much I loved Disneyland, and he was thrilled to hear it.”
And that was the story as he told it to me.
I later discovered that there was much more to the story of that day—and the story of the friendship of Walt Disney and Ray Bradbury. Walt passed away just two years after that first meeting, but they were such kindred souls that they packed a lifetime of friendship into those two years.

(12) YOU CAN STILL TUNE IN. [Item by Jim Meadows.] “The 21st”, a talk show that airs on several downstate Illinois public radio stations, and originates at Illinois Public Media, aka WILL Radio in Urbana IL, aired a segment Ray Bradbury’s birthday that brought together a bunch of Ray Bradbury experts to talk about his work. Listen at the link: “Turning 102: Looking Back at Ray Bradbury’s Legacy”.

Acclaimed author. Space age visionary. Free speech proponent. Public library defender. Literacy advocate.
These were just some of the multitudes that made up Ray Bradbury, who wrote classics like Fahrenheit 451, The Martian Chronicles, The Illustrated Man, and Dandelion Wine. On what would have been his 102nd birthday, The 21st discussed how Ray Bradbury and his legacy have shaped contemporary literature, space exploration, and his hometown of Waukegan, Ill., and how Waukegan shaped him.
Guests:
Colleen Abel, Ph.D.
Assistant Professor of English and Editor-in-Chief of Bluestem literary magazine at Eastern Illinois University
Jason Aukerman, Ph.D.
Director, Center for Ray Bradbury Studies
Clinical Assistant Professor of American Studies and English, IUPUI
Jonathan Eller, Ph.D.
Co-founder and former director, Center for Ray Bradbury Studies
Orton Ortwein
Research Librarian, Waukegan Public Library

(13) YOU’RE FROM THE SIXTIES! Tripwire Magazine introduces readers to video of a Bradbury talk from 1968: “Sci-Fi Legend Ray Bradbury Speaks At UCLA”.

Thanks to UCLA on YouTube, here is a speech that late sci fi master writer Ray Bradbury gave from back in 1968. As huge fans of the man, we felt we had to share this…

[Thanks to John King Tarpinian for many of these stories. And also to Martin Morse Wooster and Jim Meadows.]

Pixel Scroll 9/21/21 I Wish They All Could Be California Scrolls

Posted on September 21, 2021 by Mike Glyer

(1) DATLOW Q&A. “Curating Horror: An Interview with Ellen Datlow” conducted by Sadie Hartmann at LitReactor.

Your anthologies are all invite-only, correct?
Generally yes, unless I’m co-editing and the other editor wants to screen slush for a week or two. Nick Mamatas wanted to have a two week open reading period for Haunted Legends and so we did—and he passed on about 20 stories to me. Interestingly, although we took a few stories from that period, only one—maybe—was from someone we’d never heard of.
And the HWA anthology Haunted Nights that I co-edited with Lisa Morton had several open slots for an open reading. We had a few volunteers from HWA reading what came in and they passed a few stories on to us. The reason is that I don’t have time to read hundreds of submissions, and for a theme anthology, I don’t want dozens of rejected stories on the same theme floating around.

(2) HEAR HIM. Neil Gaiman will have a cameo role in BBC 4’s production of Lud-in-the-Mist, which will air October 30. “Visit Lud-in-the-Mist for Halloween” at SciFi Bulletin.

Doctor Who writer Joy Wilkinson has adapted the groundbreaking fantasy novel Lud-in-the-Mist into a play for BBC Radio Drama, which airs in October.
The novel by Hope Mirrlees was published in 1926 and is considered a pioneer of the fantasy genre that is all too often overlooked. Wilkinson aims to put that right – with the help of one of the book’s greatest advocates, Neil Gaiman, who has a star cameo in the production.
…Gaiman has long championed Lud-in-the-Mist as “a little golden miracle of a book” that is among his top 10 favourite novels. Wilkinson was absolutely thrilled when he agreed to play a pivotal role in the cast, which is led by Richard Lumsden, Olivia Poulet and Lloyd Hutchinson, and includes Doctor Who audio drama alumni Ellie Darvill and Jane Slavin.

Great piece in @scifibulletin about my R4 adaptation of Hope Mirrlees' Lud-in-the-Mist, including #lifegoals news about an appearance by @neilhimself – a big fan of the book and a v cool cameo performer????. Have a read and listen out for us at Halloween… https://t.co/zP2FmLz87K
— Joy Wilkinson (@joyofse19) September 21, 2021

(3) WALT LOVED TRAINS. [Item by Martin Morse Wooster.] This video (which dropped two weeks ago) has Disney historian Don Hahn join with Bill Farmer, who has voiced Goofy and Pluto since 1987, to visit Walt Disney’s train barn, which is now in Griffith Park. Hahn and Farmer learn that Walt Disney was a major rail fan, and discuss how Disney’s love of trains helped to shape Disneyland. “Exploring Walt Disney’s Railroad Barn With A Disney Legend”.

(4) DEADLY. This animated marvel series on Hulu is about a monkey assassin. George Takei voices one of the characters – not the title character, however. Marvel’s Hit-Monkey.

After a Japanese snow monkey’s tribe is slaughtered, he joins forces with the ghost of an American assassin, and together, they begin killing their way through the Yakuza underworld. Marvel’s Hit Monkey Season 1 premieres on Hulu on November 17, 2021, with all ten episodes. The Voice cast includes George Takei, Jason Sudeikis, Olivia Munn, Ally Maki, Nobi Nakanishi, and Fred Tatasciore.

(5) WRANGLE OVER DRAGON CON MASK POLICY. Author Michael Z. Williamson, who doesn’t favor required mask-wearing, and anyway says his medical situation precludes it, has been exchanging accusations with the Dragon Con committee where he was going to be on the program and have his usual tables to sell knives: “DragonCon: Racism, Lies, and Borderline Fraud” at The Sacred Cow Slaughterhouse.

About two weeks before event, DragonCon suddenly started posting on social media that everyone over age 2 would have to wear a mask, have proof of vaccine (except under 16 can’t get it?), or have a specific test 3 days before (and that last is ridiculous, when an attendee might stop at 12 truck stops on the way there).
Now, my political position on masks aside, I can’t wear one.  That’s literally why I was retired from the military.  Covering my face drops my blood oxygenation to COPD levels.  My wife hits every exemption there is, but good luck getting documentation that anyone considers “Acceptable.”
I inquired with both vendor relations and guest relations, and got told, “Ignore social media, we haven’t heard this and we don’t actually have a policy yet, that will be Thursday.”
Thursday rolls around and the email is, “The policy remains…”
Wait, I thought you didn’t have one yet? “Remains” means that was your policy, but you tried to pretend it wasn’t.
I told them I’d need a rollover by preference or a refund.
“Unfortunately, per policy, it’s too late for a refund or rollover.”
Yet, they were able to change their COVID policy.
So my choice was find someone to cover the show, or forfeit several thousand dollars to the poor, starving, corporate owners of DragonCon.
I withdrew as a guest, and made a public announcement to that effect. I was the 100^th.  That seemed notable. In fact, by the end they lost 203 of 641 guests and professionals, or over 30%.
Now, I’m sure a case could be made in court for this being classic bait and switch, and refusing refunds or rollovers to be fraud. But I can’t state that as a fact without a court case.  It certainly smells that way, though….

He got his daughter to run his tables instead. Since the con, Williamson says this is what he’s heard:

…After the show I was told they were so very unhappy that I publicly boasted of being the 100^th cancellation. Well, sorry about your feelings, but what about the feelings of 203 guests and families you screwed over by waiting for the last moment? What about the public threats to harass “plague rats” (perfectly healthy people not wearing masks) on your social media, that remained for days before being taken down? We’re supposed to worship you, but you don’t need to respect the professionals in the field?
Then they unleashed this whopper, claiming the statement was made about me:
” there was a vendor this year who is making an incredibly racist remarks trying to sell his wares. Including things like “buy a knife from someone who speaks American” and “this is made with real metal, not ‘Chineseium’.” Worse than all of that however, was singling out another person in the vendors hall who is also selling knives. It was an Indian couple, and apparently that was why he wanted to specify that he does speak “American”, letting anyone who passed by know another vendor had people who spoke English as a second language at their table “
I’m going to explain why this is complete, unmitigated bullshit…

His explanation follows at the link.

(6) MEMORY LANE.

1969 – Fifty-two years ago this week, the pilot of Randall and Hopkirk (Deceased) premiered on two different British broadcasters though it ran on ITV, the producing network. In the pilot, Hopkirk is murdered during an investigation but returns as a white-suited ghost. It was created by Dennis Spooner who had previously scripted for The Avengers and Doctor Who. He also created Department S with Marty Berman. It starred Mike Pratt, Kenneth Cope and Annette Andre. It ran for one season of twenty-six episodes. In the States, it was given the really awful title of My Partner the Ghost. The series was remade thirty years later and is notable as the Fourth Doctor actor had an important role in it. It’s currently available on Amazon Prime.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 21, 1866 — H.G. Wells. Writer of The Time Machine, a novella in 1895, being his first genre work. Way, way too many genre works to list here so I’ll single out The War of The Worlds, The Island of Doctor Moreau and The Invisible Man as works by him that influenced the genre in a very noticeable manner. He also wrote an impressive amount of short fiction and non-fiction as well. (Died 1946.)
Born September 21, 1912 — Chuck Jones. He wrote, produced and directed many Looney Tunes and Merrie Melodies cartoons starring Bugs Bunny, Daffy Duck, Wile E. Coyote and the Road Runner among many others. His work won three Oscars, and the Academy also gave him an honorary one in 1996. He’s responsible for television adaptations of Dr. Seuss’ How the Grinch Stole Christmas! and Horton Hears a Who!, and of course Norton Juster’s The Phantom Tollbooth. Oh, and yes, Duck Dodgers in the 24½th Century. (Died 2002.)
Born September 21, 1947 — Stephen King, 74. I once saw him leaning up against a wall in Bangor outside his favorite breakfast spot nose deep in a paperback novel. I didn’t approach him to see what he was reading so intently. That’s how his native city treated him. Favorite by him? I’m not fond of his novels but I love his novellas and shorter fiction, so Different Seasons, Four past Midnight and Skeleton Crew are my picks. His only Hugo was a Best Related Non-Fiction Book one for Danse Macabre at Chicon IV though Carrie was nominated at Suncon, and his “Obits” novelette was nominated at MidAmeriCon II.
Born September 21, 1947 — Nick Castle, 74. He co-wrote with director John Carpenter the scripts for Escape from New York and Escape from L.A., but he’s best remembered for directing The Last Starfighter. He was Michael Myers in Halloween, a role he’d later reprise in, errr, Halloween. His other interesting genre cred was performing the title song of Big Trouble in Little China as The Coup De Villes with Carpenter and Tommy Lee Wallace.
Born September 21, 1950 — Bill Murray, 71. Scrooged is my favorite film by him by a long shot followed by the first Ghostbusters film. I’m also fond of his voicing of Clive the Badger in Fantastic Mr. Fox.
Born September 21, 1961 — Mark Allen Shepherd, 60. Morn, the bar patron on Deep Space Nine. Amazingly he was in Quark’s bar a total of ninety three episodes plus one episode each on Next Gen and Voyager. Technically he’s uncredited in almost all of those appearances. That’s pretty much his entire acting career. I’m trying to remember if he has any lines. He’s also an abstract painter whose work was used frequently on DS9 sets. For all practical purposes, this was his acting career.
Born September 21, 1983 — Cassandra Rose Clark, 38. Her contributions to The Witch Who Came in from the Cold, a serial fiction piece coauthored with Max Gladstone, Lindsay Smith, Ian Tregillis, and Michael Swanwick, are superb. The Mad Scientist’s Daughter was nominated for the Philip K. Dick Award, and her YA novel, The Assassin’s Curse, was nominated for Young Adult Library Services Association’s Best Fiction for Young Adults. She was nominated for an Elgin Award by the Science Fiction Poetry Association for her Sacred Summer collection.
Born September 21, 1990 — Allison Scagliotti, 31. One of the primary cast of Warehouse 13, a show that I really, really loved. Her first first genre role was as Jayna, one of the Wonder Twins, on the Smallville series. And she showed up in a crossover episode of Eureka called appropriately “Crossing Over”. Her last gig is as Camille Engelson on Stitchers. I’ve not seen it but it’s also gotten really great reviews.

(8) MARVEL FIRES BENNETT. The Mary Sue reports “Marvel Fired Joe Bennett After Alleged Anti-Semitic Cartoons”.

Marvel Comics fired Brazilian artist Joe Bennett and vowed not to hire him for “any future Marvel projects,” following allegations of anti-Semitism and troubling imagery in his artwork. Bennett had previously worked for Marvel Comics for nearly thirty years, beginning in 1994.
… This isn’t the first time Bennett has seemingly attacked members of marginalized communities. He previously mocked the 2019 assault of gay journalist Glenn Greenwald by a far-right Bolsonaro supporter. And just last year, Bennett “liked” transphobic comments on his public Instagram page. He is also an outspoken supporter of Brazil’s president Jair Bolsonaro, a fascist Trump-like leader currently overseeing the devastating spread of Covid-19 throughout his country.

SYFY Wire writer Mike Avila adds:

…But here’s the question I have: Why did it take so long? This isn’t the first time Bennett has been accused of drawing offensive material. It’s not even the first time this year it’s happened.
Back in February, he was forced to apologize after readers of his and Al Ewing’s hit Immortal Hulk series noticed that Issue #43 had a panel with a jewelry store. In the background, the name of the store is written backward and reads “Cronemberg Jewery” with a Star of David below it. The reason why the lettering was insulting is obvious. But perhaps even more offensive was the Star of David on the jewelry store’s window. It had no bearing on the story at all and there was no indication it was a Jewish-owned business. For some, it was just the perpetuation of a Jewish stereotype in that situation….

(9) SHALKA DOCTOR. [Item by Ben Bird Person.] Based on the 2003 animated serial The Scream of the Shalka, artist Lophial did this piece on Richard E. Grant’s Shalka Doctor. Source: Commission of Shalka Doctor for @DrWho42 !

Commission of Shalka Doctor for @DrWho42 ! Thank you for commissioning me! #doctorwho pic.twitter.com/Pfw7WSeJNv
— ?? Lophi ?? COMMS OPEN (@lophial) September 21, 2021

(10) A DECK OF CREDENTIALS. Daniel Dern brings to our attention these Cats Bicycle Playing Cards.

This is THE deck of cards for cat lovers! Cats from Bicycle Playing Cards features illustrated cards by the renowned artist Lisa Parker. This unique playing card deck includes custom cat illustrations on every Ace, Face Card, and Joker. This deck of cards is a must-have for anyone looking to spice up their card game game night and makes the perfect gift for the cat lover in your life!

(11) IRRESISTABLE TITLE. Mark Yon reviews “The Cat Who Saved Books by Sosuke Natsukawa” at SFFWorld.

…After the death of his grandfather, Rintaro is devastated and alone. It seems he will have to close the shop. Then, a talking tabby cat called Tiger appears and asks Rintaro for help. The cat needs a book lover to join him on a mission. This odd couple will go on three magical adventures to save books from people have imprisoned, mistreated and betrayed them. Finally, there is one last rescue that Rintaro must attempt alone . . .”
If that hasn’t grabbed your attention, this book is not for you. It involves bookshops and masses of books in piles and on shelves that appear to go on forever, the descriptions of which will make a bibliophile sigh in admiration. There’s also some lovely characterisation, especially of Rintaro the acutely shy bookish teenager referred to as a hikikomori here, but also of his wise friend Sayo Yuzuki and the cat named Tiger the tabby. And credit must go here to the sympathetic translation made by Louise Heal Kawai from the original Japanese novel, first published there in 2017.

(12) MARKET NOT OPENED YET. “‘Shang-Chi’ Wins a Warm Asia Greeting. Then There’s China.” The New York Times

Marvel released “Shang-Chi and the Legend of the Ten Rings” with China in mind. Simu Liu, the film’s Canadian lead actor, was born in China. Much of its dialogue is in Mandarin. The cast includes Tony Leung, one of the biggest Chinese-speaking movie stars in history.
The studio’s first Asian superhero movie is a hit, drawing praise and ticket sales in East Asia and other global markets. Perhaps the only place where the movie has not been well received — in fact, it has not been received there at all — is mainland China.
Disney, which owns Marvel, has yet to receive clearance from Beijing’s regulators to show the film in the vast but heavily censored movie market. While the reasons aren’t clear, “Shang-Chi” may be a victim of the low point in U.S.-China relations.
China is also pushing back against Western influence, with increasingly vocal nationalists denouncing foreign books and movies and the teaching of English. They have even criticized Mr. Liu for his previous comments about China, which he left in the mid-1990s, when he was a small child.
Lack of access to the world’s largest movie market could limit how much money the film makes. But in other parts of Asia, the movie has been greeted warmly by audiences for how it depicts a Chinese superhero burdened by a racist back story.
“I was really expecting the movie to be racist,” said David Shin, a Marvel fan in Seoul. “I was surprised at how well they touched upon Asian culture.”…

(13) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In the spoiler-filled “Honest Trailers: Jungle Cruise” on YouTube, the Screen Junkies say that, like the ride it is based on, Jungle Cruise is “five percent colorful adventure and 95 percent corny jokes,” that this is the third movie (after Jumanji 2 and The Rundown) where Dwayne Johnson goes into the jungle to capture a bright, shiny object, that Emily Blunt has two Ph.D.’s–in botany and parkour, and that villain Jesse Plemons is “not exactly a Nazi, but not exactly not, see?”

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Ben Bird Person, Rob Thornton, Chris Barkley, Cora Buhlert, Daniel Dern, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]

Pixel Scroll 9/5/21 Scrollers Of The Purple Pixel

Posted on September 5, 2021 by Mike Glyer

(1) LISTEN UP. Connie Willis proclaimed to Facebook readers “PRIMEVAL IS BACK!!!” (Hey, my ears may be deaf but my eyes aren’t!)

I just saw that the first two seasons of PRIMEVAL, the British science-fiction series, is now available from Britbox, and I thought it was a good time to encourage anybody who hasn’t seen it so far to take a look at it. That is, if there’s anybody left who I haven’t already told they HAVE to watch this series–
I have recommended it so many times that it’s become a standing joke in science fiction circles (I somehow figure out a way to mention it on every single panel) and Locus has forbidden me to mention it at the Locus Awards Banquet. As if that could stop me!
I know it sounds like I’m obsessed with the series, but so was Kit Reed, one of my favorite science-fiction writers of all time (see her brilliant short stories, “The Wait” and “Great escape Tours, Ltd.”) and nearly everybody I’ve ever introduced it to has loved it. (One couple took it on a beach weekend and ended up never going outside the entire time because they were binge-watching.)…

You know anything forbidden by Locus is mandatory here….

… So, basically, the A-team with dinosaurs. So far, it’s completely formula, and you think the hunky guy and the pretty blonde will obviously get together, the geeky nerd will provide the plot explication and comic relief, the professor and the bureaucrat will flirt with each other, etc. but that only lasts for an episode or two, and then things start to get really interesting….

(2) SVENGOOLIE LENDS A HAND. Chicago’s Museum of Broadcast Communications is one of five selected to host a special John Oliver exhibit. Horror-themed TV host Svengoolie told his fans how he helped with the successful pitch to Oliver, and that some of his items will be displayed by the Museum.

Tapped by Emmy-winning writer, comedian and television host John Oliver, the Museum of Broadcast Communications (MBC) announced today it is one of only five museums in the country receiving an art display featured on HBO’s Last Week Tonight with John Oliver. The special exhibit opens Oct. 2 through Oct. 26, 2021. In addition to winning the honor through a national competition, the Museum also receives $10,000 from Last Week Tonight. The MBC’s designated charity, the Greater Chicago Food Depository, also will receive a $10,000 donation.
… The national competition began after Oliver’s 2020 segment about the harsh effects of the global pandemic on small museums. Oliver wanted to help. He called for submissions from museums that wanted to compete for displaying items from his Masterpiece Gallery collection. The Museum responded with a humorous video pitch using the power of broadcast to communicate important stories and influence audiences….

Admission is free, but the Museum has suggested that visitors bring a non-perishable food donation which will go, along with the $10,000 donation, to the Greater Chicago Food depository.

(3) TV TUNES. The theme songs of four genre shows made it into The Guardian’s top 20, although it was crime series “Inspector Morse voted No 1 theme song in poll of TV and music fans”.

4 Game of Thrones – Ramin Djawadi
13 Doctor Who – Ron Grainer
14 The Lone Ranger (William Tell Overture) – Gioachino Rossini
19 Thunderbirds – Barry Gray

(4) DON’T TOUCH THAT DIAL. The latest (in 1966) British sff sensation is on black-and-white TV. Let Galactic Journey tell you all about it: “[September 4, 1966] British Science Fiction Lives! (Alien Worlds #1 & New Writings in SF #9)”.

Move over James Bond and John Steed, there is a new dashing science fictional spy on the scene. I am of course referring to the latest hit from the team behind Doctor Who: Adam Adamant Lives!
An old-fashioned Victorian swashbuckling hero, Adam Adamant is frozen by a masked supervillain and buried under London. After being found by a construction crew, he finds himself resurrected in the strange world of London in 1966. Teaming up with a young mod woman named Georgina Jones, they solve unusual crimes such as satanic aristocrats or a soap manufacturer drugging the nation with plastic flowers.

(5) TWO THUMBS UP. A pair of early reviews of Denis Villenueve’s Dune are quite favorable.

The Guardian’s Xan Brooks calls Dune “Blockbuster cinema at its dizzying, dazzling best”.

Dune reminds us what a Hollywood blockbuster can be. Implicitly, its message written again and again in the sand, Denis Villeneuve’s fantasy epic tells us that big-budget spectaculars don’t have to be dumb or hyperactive, that it’s possible to allow the odd quiet passage amid the explosions. Adapted from Frank Herbert’s 60s opus, Dune is dense, moody and quite often sublime – the missing link bridging the multiplex and the arthouse. Encountering it here was like stumbling across some fabulous lost tribe, or a breakaway branch of America’s founding fathers who laid out the template for a different and better New World.

The Independent’s Clarisse Loughrey says the “Spectacular sci-fi adaptation is this generation’s Lord of the Rings”.

… Villeneuve’s Dune is the sandworm exploding out from the darkness below. It is a film of such literal and emotional largeness that it overwhelms the senses. If all goes well, it should reinvigorate the book’s legacy in the same way Peter Jackson’s Lord of the Rings trilogy did for JRR Tolkien’s work. Indeed, much like Jackson, Villeneuve has a certain pliancy to his vision that, in this case, has been his saving grace. Arrival and Prisoners, two of his previous films, may have possessed their own distinctive look but, when it came to Blade Runner 2049, his belated sequel to Ridley Scott’s masterpiece, it spoke fluently in the language of what came before….

(6) DRESSED FOR THE OCCASION. [Item by Jonathan Cowie.] Photo of myself (right) and Tony Edwards of Delta SF Film Group. Tony is wearing his Knight of St. Fantony jacket. The pic was taken at 2019’s Festival of Fantastic Films.

(7) MEDIA BIRTHDAY.

1942 – Seventy-nine years ago on this date, “The Impatient Patient,” a Warner Bros. Looney Tunes cartoon short featuring Daffy Duck and Dr. Jekyll premiered. The cartoon is set in Jekyll’s mad scientist’s laboratory. It was produced by Leon Schlesinger and directed by Norman McCabe. The story by Don Christensen. It starred Mel Blanc. In 1968, a redrawn color edition would be re-released and in 1992, a computer colorized version came out. Animation fans detest both of these versions. You can watch the original version here as it’s in the public domain.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 5, 1936 — Rhae Andrece and Alyce Andrece. They played a series of androids in I, Mudd, a quite classic Trek episode. Both appeared as police women in “Nora Clavicle and the Ladies’ Crime Club” on Batman. That’s their only genre other appearance. They only acted for three years and every appearance of their total seven appearances by one was with the other. (Alyce died 2005; Rhae died 2009.)
Born September 5, 1939 — Donna Anderson, 82. She was Mary Holmes in On The Beach, based on Neville Shute’s novel. She also appeared in, and I kid you not, Sinderella and the Golden Bra and Werewolves on Wheels. The first is a Sixties skinflick, the second is a Seventies exploitation film. She last shows up in a genre role series in The Incredible Hulk.
Born September 5, 1939 — George Lazenby, 82. He is best remembered for being James Bond in On Her Majesty’s Secret Service. His turn as Bond was the shortest among the actors in the film franchise and he is the only Bond actor not to appear beyond a single film. (He was also the youngest actor cast as Bond, at age 29, and the only born outside of the British Isles.) Genre wise, he also played Jor-El on Superboy and was also a Bond like character named JB in the Return of the Man from U.N.C.L.E. film. He voiced the Royal Flush King in a recurring role in the Batman Beyond series.
Born September 5, 1940 — Raquel Welch, 81. Fantastic Voyage was her first genre film though she made One Million Years B.C. thatwith her leather bikini got her much more notice. She was charming in The Three Musketeers and The Four Musketeers. She has one-offs in Bewitched, Sabrina the Teenage Witch, The Muppet Show, Lois & Clark: The New Adventures of Superman, Happily Ever After: Fairy Tales for Every Child and Mork & Mindy.
Born September 5, 1951 — Michael Keaton, 70. Beetlejuice, Beetlejuice, Beetlejuice! He also has the title roles of Tim Burton’s Batman and Batman Returns. His most recent role is The Vulture in Spider-Man: Homecoming. He reprises that role as in Marvel’s upcoming Morbius film.
Born September 5, 1959 — Carolyne Larrington, 62. Norse history and culture academic who’s the author of The Land of the Green Man: A Journey Through the Supernatural Landscapes of the British Isles and Winter is Coming: The Medieval World of Game of Thrones. She also wrote “Norse gods make a comeback thanks to Neil Gaiman – here’s why their appeal endures” for The Conversation.
Born September 5, 1964 — Stephen Greenhorn, 57. Scriptwriter who written two episodes for Doctor Who: “The Lazarus Experiment” and “The Doctor’s Daughter”, both Tenth Doctor stories. He also wrote Marchlands, a supernatural series whichJodie Whittaker and Alex Kingston appeared in. He also wrote the Mind Shadows strip which was featured on the Who website.
Born September 5, 1973 — Rose McGowan, 48. Best known as Paige Matthews on Charmed. She played two different roles in the Grindhouse franchise, Cherry Darling in Planet Terror and Pam in Death Proof. She was Miss Kitty in Monkeybone, a very weird film indeed.

(9) COMICS SECTION.

Tom Gauld on all the hoops people will be expected to jump through upon the arrival of the next big book.

(10) GAIMAN INSPIRATION. “HBO Max orders ‘Dead Boy Detectives’ pilot from Greg Berlanti” – SYFY Wire has the story.

Greg Berlanti‘s involvement with the DC Universe on the small screen is expanding once again. Variety has confirmed the Arrowverse producer extraordinaire is teaming up with HBO Max for a pilot of Dead Boy Detectives, a DC/Vertigo comic inspired by the Sandman universe created by Neil Gaiman.
Written by Mark Buckingham and Toby Litt (Buckingham also served as illustrator), the book follows a pair of deceased boys — Charles Rowland and Edwin Paine — who forego a ticket to the afterlife in order to remain on Earth, solving mysteries via supernatural means. Think Constantine meets The Hardy Boys.

(11) HE RODE A BLAZING CREDENTIAL. “George Takei teamed up w/ Mel Brooks in film inspired by Blazing Saddles” reports RedShirtsAlwaysDie.

Fans rightfully so give William Shatner props for still working at 90 years old, but that doesn’t mean he’s the only original Star Trek actor still going strong these days. George Takei is 84 years old and is himself still acting. Takei even has a major project coming up with the famed Mel Brooks (who’s 95 years old himself).
The new project is called Blazing Samurai and features a loaded cast. Names like Michael Cera, Samuel L. Jackson, Ricky Gervais, Gabriel Iglesias, Djimon Honsou, and Star Trek: Discovery’s very own Michelle Yeoh. The man himself, Brooks, will also be lending his voice to the animated feature.
The film is based on Brooks’ own Blazing Saddles comedy and will center around Hank, played by Cera, who is a dog that wants to become a samurai. Jackson plays a cat, and Gervais plays the evil villain….

(12) YOU BET YOUR LIFE. This time they mean it. Coming to Netflix: Korean sf. “Squid Game Official Teaser #1” with English subtitles.

How far would you go for 45.6 billion won? Welcome to Squid Game, a mysterious survival game that could change your fortune for good. The only cost to play? Your life.

(13) WORLD FANTASY HEAD START. Lela E. Buis, in “That Concludes the 2021 World Fantasy Award Reviews”, rounds up the links to all 15 fiction reviews.

(14) MR. SCI-FI. Marc Scott Zicree tells viewers “Why I Love Used Books!”

(15) VIDEO OF THE DAY. A visit to Walt Disney’s house, featuring animator Floyd Norman and Disney historian Don Hahn.

From legendary filmmaker Don Hahn and Disney Files Magazine Editor Ryan March comes “Disney Drop-In,” a Disney Vacation Club series of unscripted videos filmed in interesting Disney places with equally interesting Disney people. In this episode, Don Hahn leads Disney Legend Floyd Norman on a tour of Walt Disney’s historic home on Woking Way in Los Angeles, California.

[Thanks to Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Paul Weimer.]

A Bradbury Multimedia Roundup

Posted on May 20, 2021 by Mike Glyer

(1) WHO RAY LEARNED FROM. The Ray Bradbury Experience Museum invites you to “Meet Ray Bradbury’s Greatest Writing Mentor: Leigh Douglass Brackett”.

…“Her stories were very simple, and well-plotted, and very beautiful. I learned from her how to pare my stories down and how to plot,” Bradbury said. —Sam Weller in The Bradbury Chronicles.
Brackett was a masterful storyteller of limitless imagination, exquisite writing skills and quite an impressive range. She was ahead of her time just as she was ahead of most of her colleagues, Sven Mikulec reports in Cinephilia Beyond. She was known as the “Queen of Space Opera.”…

(2) WALKING WAUKEGAN. Also, the “Ray Bradbury museum offers virtual tour of his life in Waukegan” – and the Chicago Tribune took it.

…As the pandemic continues, the museum is offering online experiences such as the virtual tour and the “I Met Ray” video project, also in the News & Media tab. The virtual tour, paid for with a grant from Chicago-based nonprofit Illinois Humanities, focus a great deal on the library, one of Bradbury’s favorite places, according to Sandra Petroshius, committee chair of the museum. “Bradbury just loved the library,” said Petroshius, who grew up in Waukegan and lives in Lake Forest. “He showed that in his writings,” she said.
Bradbury’s book, “Something Wicked This Way Comes,” is set in the library, and one of the characters works at a library, she said….

(3) PANDEMIC TIMES. Bradbury biographer Sam Weller looks back at “Ray Bradbury and the Last Global Pandemic” in the LA Review of Books.

…For all the years I spent with him (12 in total, five during which I saw him every two weeks, flying from Chicago to Los Angeles as I was writing his authorized biography), he would often speak about the 1918 virus, the so-called “Spanish flu.” This was in the early 2000s, when few understood the damage a pandemic could wreak. Pandemics were the stuff of a Michael Crichton novel, not our own reality.
Bradbury was dumbfounded that the 1918 tragedy had faded from our cultural consciousness. “Nobody talks about it anymore,” he said with remorse. The 1918 pandemic claimed at least 50 million lives around the world; in the United States, the death toll is estimated to be near 675,000.
…Bradbury lost two family members to the 1918 pandemic. These deaths, with their associated grief, imbue much of his oeuvre. Mortality, loneliness, letting go were the central motifs to Bradbury’s first book, Dark Carnival (1947), published when he was only 27 years old, and dubbed by Stephen King as the “Dubliners of American Gothic.”
Ray Bradbury was born on August 22, 1920, after the flu pandemic had ended. The virus had taken a devastating toll on his family. I have spent two decades delving into Bradbury’s genealogy, combing through lost records, staring blurry-eyed at microfiche screens, trying to understand and fully appreciate how Bradbury’s formative years (what he called his “root system”) shaped him as a writer….

(4) BEWARE PIRATES. Barry Hoffman, Publisher, Gauntlet Press sent out this warning to his list on April 28:

Have you ever come across a deal that seemed too good to pass up? A customer wrote to me asking if a 3000 copy edition of Ray Bradbury’s Dark Carnival being offered by Dragon Books was a scam. The offer seemed to be too good to be true … and in fact, it was an illegal sale of the title.

When Ray Bradbury agreed to let us publish his first short story collection as a signed limited his agent, Don Congdon, told me it would be the only printing of the book, after which it would go back into the vault. But here was a listing of the book for $3.99 with a bookplate signed by Bradbury (with the cover art of our version). It made no sense. Bradbury, of course, has passed away. He agreed with his agent that after our release of the book there should be no other. And, where would the publisher get 3000 bookplates SIGNED by Bradbury? To offer a SIGNED version of Bradbury’s acclaimed first book for less than $4 was ludicrous.

I contacted Bradbury’s agent Michael Congdon (son of Don) who sent Dragon Books a cease and desist letter. They agreed and the listing has been removed….

It has always been our goal to protect the legacy of authors we have published. Ray Bradbury and Richard Matheson can no longer protect their work. However, both still have agents who will take action when an illegal version of their writing is offered. If you see Bradbury or Matheson books (especially signed versions) being offered (other than on legitimate secondary markets like eBay and Abe.com) please contact me at [email protected] and I will look into the offering and, if necessary, contact their agent.

(5) THE SPACE BETWEEN THE WORDS. In “A Science Fiction Author’s Pointers for Worldbuilding with Negative Space” on CrimeReads, Stina Leicht cites classics by Bradbury, Le Guin, and Butler as examples of how it’s what you don’t show in worldbuilding that is as important as what you do show.

…It might be easier to imagine world-building as an iceberg floating in the sea of plot. The reader only sees a small percentage of it. The rest is deep beneath the water and affects everything in the water—visibly and invisibly. That said, communicating with the empty spaces takes a deft hand because the border between too little and just right is quite thin. In addition, Americans in particular are often socially conditioned to say more and listen less. That’s why world building in the blank spaces is an advanced technique most often employed by authors with experience and skill.
A great deal of worldbuilding can happen with what is left unsaid….

(6) A WIDE FANBASE. The “Ray Bradbury: Inextinguishable” virtual exhibit at the American Writers Museum includes a treasured letter. (Click for larger image.)

One of the letters that Ray received in 2003 was of particular significance. It was from Thomas Steinbeck, the son of Ray’s childhood literary hero John Steinbeck.
In the letter, Thomas told Ray that the entire family had been fans of him for years. John would read to the children, and would often choose Ray’s stories. This in turn inspired Thomas to become a writer when he got older. It is amazing that Ray inspired the son of a writer that inspired him so much, and shows the enduring legacy of his writing and personality.

The File 770 post “Bradbury at Big Read” includes a photo of Ray and Thomas at an encounter in Santa Barbara in 2009.

(7) CLIFTON’S CAFETERIA. The eatery hosted LASFS gatherings in the Thirties, and Ray held court there may times in later years. This is/was the dedicated Ray Bradbury booth at Clifton’s in the Gothic Bar room. Photo by Steve Leiva.

(8) LANSDALE ON BRADBURY. Joe R. Lansdale joined a RBEM Virtual Session to talk about Hap & Leonard, Batman and Ray Bradbury.

(9) THE ORIGINAL 451. Christie Hefner will discuss Playboy Magazine and Ray Bradbury’s Fahrenheit 451 in a free livestream on May 25, 6:30 Central. Register at Eventbrite: “Playboy and Fahrenheit 451: A Program with Christie Hefner”.

In 1954, when Playboy magazine was in its infancy, it published a three-part serialized novel about the perils of censorship and the seductive lure of anti-intellectual movements. The magazine introduced thousands of readers unfamiliar with science fiction to the genre’s masterwork and helped make it a classic. Former Chairman, CEO Playboy Enterprises Christie Hefner talks about the landmark publication and its influence.
This program is made possible by NEA Big Read. NEA Big Read is a program of the National Endowment for the Arts (NEA) designed to broaden our understanding of our world, our communities, and ourselves through the joy of sharing a good book. The American Writers Museum is one of 78 not-for-profit organizations to receive a grant to host an NEA Big Read project between September 2019 and December 2021. The NEA presents NEA Big Read in partnership with Arts Midwest.

(10) THE HEADLINER. Franco Laguna Correa discusses “Ray Bradbury on War, Recycling, and Artificial Intelligence” at Public Books.

One of the roles of science fiction is to provide readers with a glimpse of how the future could be.¹ Ray Bradbury didn’t get everything about the future right. We haven’t yet seen books and reading made illegal (as in his 1953 Fahrenheit 451),² just as we haven’t yet discovered another planet ready for American colonizers (as in his 1950 The Martian Chronicles). And yet, the themes he explored in those books—mass media and censorship, colonization and environmental change—are more relevant than ever. Even in his lesser-known works—such as the 1951 sci-fi collection The Illustrated Man, Bradbury tackles a surprising array of issues that feel as if they were ripped from today’s headlines….

(11) RAY TALKS ABOUT DISNEY. In “The Optimistic Futurist” Leonard Maltin interviews Ray Bradbury about Walt Disney.

From the Walt Disney Treasures DVDs, this is an interview about Walt Disney. It is a bonus feature from the set, and here it is meant to shed light on the genius of Walt Disney.

(12) HISTORIC INFLUENCE. Dana Gioia calls it the “Ray Bradbury’s Butterfly Effect”:

…Was Bradbury really a major writer? Or was he simply the amiable pioneer of a dynamic popular genre? The question persists, so let me offer what I believe will be Bradbury’s particular claim to literary posterity. For one astonishingly productive decade—from 1950 to 1960—Ray Bradbury was probably the most influential fiction writer in the English language. Please note that I’m not claiming he was the best writer or that he exerted the most influence on his fellow writers. In strictly literary terms, Bradbury was not remotely the equal of Flannery O’Connor, Graham Greene, Chinua Achebe, John Cheever, or a dozen other of his Anglophonic contemporaries. Bradbury’s enormous impact was felt mostly outside the literary world—on scientists, filmmakers, architects, engineers, journalists, librarians, artists, and entrepreneurs. Above all, his influence was felt on the young, the generation of adolescents who would shape the late twentieth and early twenty-first centuries. Bradbury’s impact is still evident from Disneyland to Cape Canaveral, from Hollywood to Silicon Valley. It is even evident on other planets. When the Mars rover Curiosity touched down two months after the author’s death, NASA scientists named the spot Bradbury Landing. He was the paperback bard of book burning, the Butterfly Effect, virtual reality, and the full-body tattoo. Bradbury’s dreams and nightmares of space travel, nuclear holocaust, interactive media, robotics, censorship, mass illiteracy, and environmental payback provided the mythic structure for millions of other dreamers in science, entertainment, and technology.

(13) RAY BRADBURY & COMICS. The staff from the Ray Bradbury Experience Museum share behind-the-scenes views of the museum and stories of Bradbury’s love of comics in this 90-minute video.

[Thanks to John King Tarpinian, Michael Toman, Will R., and Martin Morse Wooster for these stories.]

Pixel Scroll 4/23/21 Look Out Pixel, ’Cause I’m Scrolling Technology, Ain’t Got Time To File No Apology

Posted on April 23, 2021 by Mike Glyer

(1) MORE MURDERBOT IN OUR FUTURE. Martha Wells has a new six-book deal with Tordotcom reports Publishers Weekly – three of them in the Murderbot series.

Tordotcom’s Lee Harris took world English rights to six books by Martha Wells. The six-figure acquisition, which the imprint said is its largest to date, was brokered by Jennifer Jackson at the Donald Maass Literary Agency. Wells is the author of the bestselling Murderbot Diaries series, which is published by Tordotcom; the new deal covers three more books in that series, as well as three unrelated novels. The first book under the agreement, Witch King, is set for fall 2022.

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to grab an egg roll and join comics writer/editor Jim Salicrup in Episode 143 of his Eating the Fantastic podcast.

I’d planned to take a day trip to New York last year to chat with Jim Salicrup, whom I’d met during the mid-‘70s when we both worked in the Marvel Comics Bullpen, but (for reasons I’m sure you understand) that couldn’t happen. And as I continue to pretend we’re living in the world we want, rather than the one we’ve been handed, I recently had that meal … albeit remotely.
For the past 15 years, Jim’s been the editor-in-chief at Papercutz, which publishes Nancy Drew, The Hardy Boys, Smurfs, Asterix, and more, but when I met him, he was at the start of his 20-year Marvel career, where he wrote Transformers, Sledge Hammer, The A-Team, Spidey Super Stories, the infamous Incredible Hulk toilet paper, and much more. He also edited The Avengers, The Uncanny X-Men, The Fantastic Four, and The Amazing Spider-Man. In between those two jobs, he worked at Topps, where edited books such as Bram Stoker’s Dracula, X-Files, Zorro, and a line of Jack Kirby superhero comics — and also did a stint at Stan Lee Media as well.
We discussed the illustrated postcard which convinced Marvel Comics to hire him at age 15, how John Romita Sr. caused him to change his name the first day on the job, what he did to enrage MAD magazine’s Al Feldstein, his late-night mission to secure Stan Lee’s toupee, what editor Mark Gruenwald had in common with Bill Murray, why the 1970s’ X-Men revival was like Amazing Fantasy #15, how he convinced Todd McFarlane to stick to Spider-Man (which eventually led to a blockbuster new comic), the possible connection between Stan’s love of crossword puzzles and the famed Marvel Method, and much more.

(3) A NAME TO CONJURE WITH. “Unusual Humanism: Five Works by the Great Clifford D. Simak” are extolled by James Davis Nicoll at Tor.com.

Clifford Donald Simak was born on August 3, 1904, in Wisconsin. He died in Minnesota on April 25, 1988. That’s thirty-three years ago as of this Sunday….
Unfamiliar with Simak? Here are five of his works you could sample….
Time Is the Simplest Thing (1961)
Having learned the hard way that frail human bodies cannot withstand the rigors of interstellar travel, humanity turned to psychic exploration. Where physical exploration fails, psychic exploration succeeds. Casting astral projections to the stars, paranormals—“parries” in the vernacular—like Shepherd Blaine bring home the Milky Way’s wealth…at least, the riches that can be conveyed by a human mind. A bitterly disappointing result for most humans, but a source of great wealth for the Fishhook Corporation, which controls astral exploration.
Shepherd is too successful. After an encounter with a pink blob (who greets him telepathically with the words “Hi pal, I trade with you my mind…”), Shepherd returns home with an uninvited hitchhiker sharing his brain. Now, explorers who bring home guests vanish into Fishhook’s hospitality, never to be seen again. What happens after that is unclear. Certain that he does not want to find out what Fishhook does with (or to) the explorers, Shepherd goes on the run. He discovers that not only did he acquire a passenger out there in the stars, Shepherd himself has been transformed in…interesting…ways.

(4) THE BIG QUESTIONS. Blood Knife’s special cosmic horror issue includes these articles of interest:

“The Architecture of Woe” — Examines the role that architecture plays in gothic and cosmic horror past and present, and the way abandoned architecture and empty factories can evoke sensations of horror, awe, and inhumanity here in the real world.

…There is a haunting, dead quality to old buildings. They speak to us of lost possibility, of what was once mundane but which has been rendered fantastical by the passage of time—to walk their corridors or trip through their dust- and brickstrewn courtyards is to follow ancient footsteps, of men and women dead for decades and centuries. There is an energy to them, a sense that the past still lingers there. That it might reach out and take your hand, and pull you headlong and irresistibly back beyond your birth into the foreign realm of yesteryear….

“Interview: Laird Barron on Cosmic Horror” — Blood Knife’s Kurt Schiller interviews Laird Barron, discussing the current state of the genre, his own history with cosmic horror, and the way horror can be a tool for examining philosophical and cultural questions.

Blood Knife: Cosmic horror often touches on these vast concepts far beyond human comprehension, but at the same time so much of the genre — as well as your own fiction (The Croning, Lagerstatte, etc.) — seems anchored to individual tragedy or loss. Is this balance between the cosmic and the individual something that you think about when writing?
Barron: The previous question touched on the micro/macro duality of cosmic horror. This is a facet of science fiction as well. Big concept, shallow character development vs. character driven narratives where the big concept is a backdrop. I’ve dabbled in both, but prefer the latter. I grew up telling stories to my brothers by kerosene lamplight. I improved those tales over time by observing their reactions. Invariably, they were most affected by narratives that centered people with problems. The background was just that—background. A trippy cosmic horror revelation works well as a destination. Characters are the vehicle that gets you there.

(5) SHELF CURIOSITY. Nerds of a Feather explores an author’s favorites in “6 Books with David Bowles”.

1. What book are you currently reading?
A Desolation Called Peace by Arkady Martine, the second in her Teixcalaan series. As a scholar of Nahuatl who has written a lot about pre-Columbian Mesoamerica, I really admired how Martine has done her homework for this series, mining Indigenous Mexican culture in such re

(6) BEHIND THE MASK. “New York Comic Con returning for smaller in-person event this fall” says SYFY Wire. And they’ve got events planned for other cities, too.

Manhattan’s Javits Center will *fingers crossed* once again be hustling and bustling with nerd activity between Oct 7-10 come this fall. ReedPop announced today that New York Comic Con (aka the “Metaverse”) is coming back for an in-person event this year, albeit with limited attendance and other safety measures (enforced social distancing, mandatory face coverings, and regular temperature checks) that help mitigate the spread of COVID-19. Pro tip: make sure you cosplay as a character who is famous for wearing a face covering at all times. Din Djarin, Zamus, Sheik, and Deadpool all come to mind….
…In addition to NYCC, ReedPop will also host Floridia’s Supercon between Sep. 10-12; Seattle’s Emerald City Comic Con between Dec. 2-5; and Chicago’s C2E2 between Dec. 10-12. The biggest unknown right now is how many people are going to be allowed to attend these events (the attendance numbers, which are reliant on local and state mandates, can grow or shrink at any time). What’s more: we don’t know if proof of vaccination is going to be required before ticket-buyers start mingling among a throng of their fellow pop culture acolytes.

(7) THESE GROOTS ARE MADE FOR WALKING. The Verge thinks “Disney’s amazing bipedal robot Groot looks like Asimo discovered cosplay”.

Disney’s R&D labs, commonly known as its Imagineering team, does some extremely impressive — and expressive — things with robots. It’s made mechanical stunt doubles, lifelike alien Na’vi, and, uh, this skinless weirdo. But the company’s latest creation looks like it quite literally walked out of a Disney movie. It’s a bipedal Groot that can amble about tether-free. As Disney’s Pinocchio would put it: he’s got no strings to hold him down.
TechCrunch’s Matthew Panzarino has the low-down on this robotic milestone for Disney. It’s part of the company’s long-term efforts to develop autonomous robot actors for its parks, says Panzarino, under the codename of “Project Kiwi.” The company’s engineers spent years creating their own free-standing bipedal robotics platform to power Groot, and Panzarino — who got to see the robot in person — came away impressed with their efforts….

Disney’s amazing bipedal robot Groot looks like Asimo discovered cosplay https://t.co/lEd9pqAu1o pic.twitter.com/lldU0Z4bKm
— The Verge (@verge) April 23, 2021

(8) TODAY’S DAY.

April 23 – Impossible Astronaut Day

The unofficial annual holiday celebrates the day in 2011 when the first episode of the sixth season of the [Doctor Who] series was aired in the United Kingdom, United States, and Canada….
Called “The Impossible Astronaut,” the episode became one of the most appreciated and watched episodes of the series.

(9) MEDIA BIRTHDAY.

April 23, 1974 — On this day in 1974, Planet Earth premiered. It created by Gene Roddenberry, written by Roddenberry and Juanita Bartlett, not surprisingly, was based on a story by Roddenberry. It starred John Saxon as Dylan Hunt. The rest of cast was Diana Muldaur, Ted Cassidy, Janet Margolin, Christopher Cary. Corrine Camacho and Majel Barrett. It was intended as a pilot for a new weekly television series, but that never came to be. It was the second attempt by him to produce a weekly series set on a post-apocalyptic future Earth with Genesis II being the previous pilot. Roddenberry recycled both the concepts and characters used in Genesis II. Some of the characters here would show up in the Andromeda series such as Dylan Hunt. It was generally well-received by critics at the time, and it currently has a fifty percent rating among audience reviewers at Rotten Tomatoes. You can watch it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born April 23, 1923 — Avram Davidson. Equally at home writing mystery, fantasy or science fiction, he wrote two splendid Ellery Queen mysteries, And on the Eighth Day and The Fourth Side of the Triangle. I’m fond of his Vergil Magus series if only for the names of the novels, like The Phoenix and the Mirror or, The Enigmatic Speculum. There was a 2020 audiobook edition of The Avram Davidson Treasury: A Tribute Collection edited by Robert Silverberg and Grania Davis, first published in 1998, with afterwords by Ray Bradbury and Harlan Ellison, and intros by many other sff writers. (Died 1993.) (CE)
Born April 23, 1946 — Blair Brown, 75. Emily Jessup In Altered States (based on the Paddy Chayefsky novel) was her first genre role. Later roles include Nina Sharp, the executive director of Massive Dynamic, on Fringe, an amazing role indeed, and Elizabeth Collins Stoddard in the 2004 television remake of Dark Shadows. Her last genre role I think was Kate Durning on Elementary. (CE)
Born April 23, 1955 — Paul J. McAuley, 66. Four Hundred Billion Stars, his first novel, won the Philip K. Dick Award, Fairyland which I adore won an Arthur C. Clarke Award and a John W. Campbell Memorial Award for Best SF Novel. He was Toastmaster along Kim Newman at Interaction. (CE)
Born April 23, 1956 — Caroline Thompson, 65. She wrote the screenplays for Tim Burton’s Edward Scissorhands, The Nightmare Before Christmas, and Corpse Bride. A stage version of the latter with director and choreographer Matthew Bourne was co-adapted with her this year. She also wrote the screenplay for The Addams Family. (CE)
Born April 23, 1962 — John Hannah, 59. Here for being Jonathan Carnahan in The Mummy, The Mummy Returns, and there was apparently a third film as well, The Mummy: Tomb of the Dragon Emperor. In a meatier role, he was the title characters in Dr. Jekyll and Mr. Hyde, and of late he’s been Holden Radcliffe on Marvel’s Agents of S.H.I.E.L.D. series. Though not even remotely genre adjacent, he was Rebus in the one of BBC adaptation in of the Ian Rankin series. (CE)
Born April 23, 1973 — Naomi Kritzer, 48. I saw that her 2015 short story “Cat Pictures Please” had been a Hugo Award winner at MidAmeriCon II, so I went and purchased Cat Pictures Please and Other Stories off iBooks so I could read it. It was superb as was Catfishing on CatNet which won a Lodestar Award for Best Young Adult Book in 2020. A sequel Chaos on Catnet comes out next week. (CE)

Born April 23, 1564 – William Shakespeare. After five centuries a strong candidate for greatest writer in English. Four plays, one narrative poem for us; much else. Where his art pointed to fantasy he was as masterly as in the more mundane. In plays he had to inspire belief by showing his beings’ speech and acts; which he did. Priceless to read, to perform, despite and because of what has and hasn’t changed since. (Died 1616) [JH]
Born April 23, 1879 – Talbot Mundy. Four divorces, five wives; for years fifty cigarettes a day; failed at business ventures; married money and spent it; ivory poacher; war stories of himself false. Yet sold a score of novels, half a dozen shorter fictions – in our field, not counting e.g. seven hundred radio scripts for Jack Armstrong, the All-American Boy. Hated fascism and Marxism-Leninism. Racist anti-colonialist. Sexist pioneer of strong female characters. King – of the Khyber Rifles and Tros of Samothrace are on Kindle. (Died 1940) [JH]
Born April 23, 1935 – Tom Doherty, age 86. From book salesman to publisher of Tempo and Ace, then Tor and Tom Doherty Associates. Skylark, Solstice, Gallun, World Fantasy Lifetime Achievement Awards. Guest of Honor at Boskone 23; Balticon 21; Lunacon 33; Fourth Street Fantasy 1991; Minicon 29, 32, 50; ArmadilloCon24, WindyCon XXX; Westercon 58; World Fantasy Con 2008; Anticipation the 67th Worldcon. [JH]
Born April 23, 1942 – Amanda Prantera, age 79. Briton sixty years in Italy. Translator. Euhemerist (another fine word that). A dozen novels. I don’t see how anything can be “very clear” in Strange Loop; in Conversations with Lord Byron a computer given everything known about B becomes sapient (not “sentient”, Brother Clute, argh) and starts writing poetry, I’d add “naturally” but – [JH]
Born April 23, 1977 – Yasser Bahjatt, age 44. Computerman, gamer, SF fan, first Sa‘udi in Singularity University’s graduate program and thus worked on Matternet, translator of TED (Technology, Engineering, Design) talks into Arabic, chair of Jeddah for 2026 Worldcon bid. Wrote Yaqteenya, first Arabic alternative-history novel; it and three more novels (with Ibraheem Abbas) are available in English. Insists on “a distinct correlation between a culture’s exposure to science fiction and the amount of scientific thought”. [JH]

(11) COMICS SECTION.

The Argyle Sweater only looks like it’s in Rot-13 — that’s how these aliens really speak.

(12) BUSTED. In “Meanwhile, in Texas: A McAllen Thief Pilfered $400 Worth of Spider-Man Comic Books”, Texas Monthly tries to explain why these comics were worth stealing – if you are a collector.

What happened?
Kaboom Comics, a comic-book store in McAllen, had proudly built a display of rare comics on its “Wall of Keys,” featuring iconic issues of various titles. On April 14, however, an employee noticed bare spots on the wall where some of the key issues should have been, and, after checking with coworkers, confirmed that no one had purchased them. According to MyRGV.com, the store released on social media the security footage showing the heist taking place and placed a call—a veritable bat signal, if you will—asking the community to help identify the thief.
What did they steal?
The biggest score in the heist was a copy of Amazing Spider-Man number 252, a key 1984 issue in Spidey’s mythology. A couple of issues of Venom, a spin-off series starring the web-slinger’s more sinister counterpart, as well as a stack of new-release comics were also skimmed off of the shelves.
Who took them?
While there’s yet to be a conviction in the case, the caper seems to be relatively cut and dried: a caller identified the suspect to McAllen police, and then the man she named—Edinburg High School assistant principal Juan Martinez Jr.—turned himself in, along with the comics, to the police department, offering a full confession and waiving his Miranda rights. He was arrested and charged with a Class B misdemeanor for theft of property worth between $100 and $750 (the value of the books was estimated at $409.93)…

(13) DEER NORMAN. That’s not how it’s signed, just how it should be. Nate D. Sanders Auctions currently shows a $5,000 bid for a Walt Disney Signed ”Bambi” Cel, Personally Inscribed to Norman Rockwell. You have until April 29 to top it.

Walt Disney signed display of Bambi and Thumper cels, uniquely inscribed to fellow American icon Norman Rockwell. Disney signs the mat in green wax crayon, ”To Norman / With Best Wishes / Walt”. Large display includes cels of Bambi, Thumper, two quail birds, grass and log, used in the 1942 classic film ”Bambi”, with a hand-painted background measuring approximately 11” x 9”, framed to a size of 19.375” x 17.5”. With ”Original WDP [Walt Disney Productions]” stamp above Disney’s signature. Some foxing and light discoloration to outer portion of mat. Cels remain in beautifully well-preserved condition, with only one hairline crack appearing on Bambi’s leg. With an LOA from Carl Sprague of Stockbridge, Massachusetts, Norman Rockwell’s town, whose wife Susan Merrill was previously married to Jarvis Rockwell, Norman Rockwell’s son.

(14) PLEASE RELEASE ME. At Nerds of a Feather, Sean Dowie appreciates a novel’s account of the struggle to be free: “Microreview [Book]: Defekt by Nino Cipri”.

…Defekt is the most enjoyably bubbly book I’ve read exploring the burden of shackles. Not literal shackles, but ones that can extend to life as a retail worker or a one of self-doubt. Those shackles siphon your time at the expense of empty praise from apathetic bosses, or it hamstrings the growth of your relationships. But Defekt shows that being unshackled and free is a possibility and is only deceptively difficult…

(15) FIRST IN THE FIELD. Also at Nerds of a Feather, Arturo Serrano’s “Review: The Dominion Anthology” leads with the note: “Ours is a time of ever-increasing visibility for African SFF—now it has its first anthology.”

…Edited by Zelda Knight and Oghenechovwe Donald Ekpeki, and with a foreword by Tananarive Due, the Dominion anthology collects twelve stories and one poem about imagined futures and reimagined pasts told with deep sincerity and robustness of worldbuilding. This is certainly an exciting time for diversity in speculative fiction….

(16) ASTRONAUTS EN ROUTE TO ISS. SpaceX Crew2 launched and the crew is on its way to the Space Station.

"Glad to be back in space for all of us." – @Astro_Kimbrough. The second stage has separated, and the @SpaceX Crew Dragon spacecraft with four astronauts aboard is in orbit, and on the way to the @Space_Station. pic.twitter.com/ygzlgtVjWd
— NASA (@NASA) April 23, 2021

This is a successful re-use of SpaceX craft – Space.com has the storyL “SpaceX launches 4 astronauts to space station, nails rocket landing”.

SpaceX just launched its third astronaut mission in less than a year.
A slightly sooty Falcon 9 rocket topped with a Crew Dragon capsule took to the skies above NASA’s Kennedy Space Center here at 5:49 a.m. EDT (0949 GMT) today (April 23), lighting up the predawn sky as it lifted off from the historic Pad 39A. The launch kicked off SpaceX’s Crew-2 mission, which will carry four astronauts — NASA’s Shane Kimbrough and Megan McArthur, French astronaut Thomas Pesquet and Japanese spaceflyer Akihiko Hoshide — on a 24-hour flight to the International Space Station (ISS).

More here, reported by Reuters: “SpaceX rocketship launches 4 astronauts on NASA mission to space station”.

…The rocket’s first stage, meanwhile, descended back to Earth and touched down safely on a landing platform floating in the Atlantic on a drone ship affectionately named Of Course I Still Love You….

(17) VIDEO OF THE DAY. While Soul may be a Hugo-nominated film, no movie is without sin – Cinema Sins, anyway: “Everything Wrong With Soul in 17 Minutes or Less”,

[Thanks to Paul Weimer, Dann, John Hertz, Cat Eldridge, Martin Morse Wooster, Andrew Porter, John King Tarpinian, Michael Toman, JJ, Kurt Schiller, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Pixel Scroll 10/13/20 The Credential’s Door Into Summer

Posted on October 13, 2020 by Mike Glyer

(1) NUANCES ERASED IN MARKETING DUNE. “In Dune, Paul Atreides led a jihad, not a crusade” – why that matters is the focus of Ali Karjoo-Ravary’s opinion piece at Al Jazeera.

….But fans familiar with the books noticed a major omission in its promotional materials: any reference to the Islam-inspired framing of the novel. In fact, the trailer uses the words, “a crusade is coming”, using the Christian term for holy war – something that occurs a mere three times in the six books of the original series. The word they were looking for was “jihad”, a foundational term and an essential concept in the series. But jihad is bad branding, and in Hollywood, Islam does not sell unless it is being shot at.
Dune is the second film adaptation of the popular 1965 science fiction novel by Frank Herbert. Set approximately 20,000 years in the future on the desert planet Arrakis, it tells the story of a war for control of its major export: the mind-altering spice melange that allows for instantaneous space travel. The Indigenous people of this planet, the Fremen, are oppressed for access to this spice. The story begins when a new aristocratic house takes over the planet, centring the narrative on the Duke’s son Paul.
The trailer’s use of “crusade” obscures the fact that the series is full of vocabularies of Islam, drawn from Arabic, Persian, and Turkish. Words like “Mahdi”, “Shai-Hulud”, “noukker”, and “ya hya chouhada” are commonly used throughout the story. To quote Herbert himself, from an unpublished 1978 interview with Tim O’Reilly, he used this vocabulary, partly derived from “colloquial Arabic”, to signal to the reader that they are “not here and now, but that something of here and now has been carried to that faraway place and time”. Language, he remarks, “is mind-shaping as well as used by mind”, mediating our experience of place and time. And he uses the language of Dune to show how, 20,000 years in the future, when all religion and language has fundamentally changed, there are still threads of continuity with the Arabic and Islam of our world because they are inextricable from humanity’s past, present, and future….

(2) LEARNING HORROR. Sarah Gailey adds to her Personal Canons “Wayside School”, a tribute to Louis Sachar’s Wayside School series.

…In addition to tapping into the deep, gut-level instability of growing up, Sachar wrote some truly choice moments of horror into these books. It’s horror for children, in that it’s a little gross and a little ridiculous, but that doesn’t make it ineffective. …
These are all presented as genuinely frightening, and they land beautifully. When I read these books as a child, I was aware that they were funny and unrealistic — but I also felt a lingering sense of unease. The school was not a safe place, and the teachers were not safe or trustworthy people. The rules rarely made sense, but the consequences to breaking them were very real. Everything constantly seemed to be teetering on the brink of collapse.
These are the books that taught me to love being unsettled….

(3) STOP AND SMELL THE ROSES. Congratulations to the Strange Horizons’ reviews section which celebrated a milestone anniversary. Their twentieth-anniversary round table of reviewers past and present, featuring Rachel Cordasco, Erin Horáková, ML Kejera, Samira Nadkarni, Abigail Nussbaum, Charles Payseur, Nisi Shawl, Aishwarya Subramanian, and Bogi Takács, discusses “what reviewing is, why it matters—and why they bother with it.”

…Abigail Nussbaum: I see my reviewing as an offshoot of fandom. In the late 90s and early 00s I was active in a few fandoms—X-Files and Harry Potter, mostly—but gravitated almost exclusively to what would now be described as “meta,” analysis and reviewing rather than fanfic. Around the mid-00s I was active on a message board called Readerville, dedicated to discussions of books, which helped me both to expand my reading and explore my impulse to talk about the things I’d read. I started a blog in 2005 basically because I had a lot to say and nowhere to say it—certainly not at the length I wanted. A few months later, Niall Harrison got in touch and asked if I’d be interested in writing for Strange Horizons, and the rest is history.

(4) TECH AND MORALITY. “Cory Doctorow: ‘Technologists have failed to listen to non-technologists’” – a Q&A conducted by The Guardian’s Ian Tucker about Doctorow’s new book, Attack Surface.

The protagonist in your new novel tries to offset her job at a tech company where she is working for a repressive regime by helping some of its targets evade detection. Do you think many Silicon Valley employees feel uneasy about their work?
Anyone who has ever fallen in love with technology knows the amount of control that it gives you. If you can express yourself well to a computer it will do exactly what you tell it to do perfectly, as many times as you want. Across the tech sector, there are a bunch of workers who are waking up and going: “How did I end up rationalising my love for technology and all the power it gives me to take away that power from other people?”
As a society, we have a great fallacy, the fallacy of the ledger, which is that if you do some bad things, and then you do some good things, you can talk them up. And if your balance is positive, then you’re a good person. And if the balance is negative, you’re a bad person. But no amount of goodness cancels out the badness, they coexist – the people you hurt will still be hurt, irrespective of the other things you do to make amends. We’re flawed vessels, and we need a better moral discourse. That’s one of the things this book is trying to establish.

(5) CONSEQUENCES OF IMAGINING THE WORST? Doctorow is also on tap at Future Tense in a first-person piece about “The Dangers of Cynical Sci-Fi Disaster Stories”.

When I moved to California from Toronto (by way of London), I was shocked by the prevalence of gun stores and, by their implication, that so many of my reasonable-seeming neighbors were doubtless in possession of lethal weapons. Gradually the shock wore off—until the plague struck. When the lockdown went into effect, the mysterious gun stores on the main street near my house sprouted around-the-block lines of poorly distanced people lining up to buy handguns. I used to joke that they were planning to shoot the virus and that their marksmanship was not likely to be up to the task, but I knew what it was all about. They were buying guns because they’d told themselves a story: As soon as things went wrong, order would collapse, and their neighbors would turn on them.
Somehow, I couldn’t help but feel responsible. I’m a science-fiction writer, and I write a lot of disaster stories. Made-up stories, even stories of impossible things, are ways for us to mentally rehearse our responses to different social outcomes. Philosopher Daniel Dennett’s conception of an intuition pump—“a thought experiment structured to allow the thinker to use their intuition to develop an answer to a problem”—suggests that fiction (which is, after all, an elaborate thought experiment) isn’t merely entertainment.*
That’s true. And it’s a problem….

(6) UNFORGOTTEN. Never mentioned by the actress, but Glorious Trash remembers Diana Rigg’s work in “Minikillers (1969)”.

German producers H.G. Lückel and D. Nettemann had an entrepreneurial idea: to provide entertainment for people getting their cars refilled at gas stations in Germany. The idea was to place TV sets by the pumps, so customers could watch a short film while their car was filled (this was before the days of self-service.) They envisioned an espionage thriller to capitalize on the James Bond/Eurospy genre. Casting about for a famous lead, they eventually settled on Diana Rigg — fresh from her biggest role in the Bond film On Her Majesty’s Secret Service. After negotiating, Rigg agreed to appear in these films.
Minikillers is a series of four short films, tied together into a coherent storyline: the idea was that customers would keep coming back to that particular gas station to see the conclusion. The series was shot on 8 millimeter and without dialog; sound effects and music were added later. In a way the project comes off like a silent film; all is relayed via movement, gestures, and facial expressions.
Rigg apparently did not realize the uber-low budget of these films until the camera(s) started to roll. However true to her contract she shot each of them…and never mentioned them again.

As they are up on YouTube:

(7) MEDIA ANNIVERSARY.

2010 — Terry Pratchett won the World Fantasy Award for Life Achievement from the Mythopoeic Society. It was his second Award from them as five years earlier he’d won the Mythopoeic Fantasy Award for Children’s Literature for A Hat Full of Sky, the second of the novels involving the young witch Tiffany Aching. That novel would also garner the Locus Award for Best Young Adult Book. The series as a whole would later be nominated for a Mythopoeic Fantasy Award for Children’s Literature but the Award went to Ursula Vernon’s Castle Hangnail.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born October 13, 1872 – Boris Zvorykin. Designer and illustrator; illustrated books, decorated churches, worked for Tsar Nicholas II. Left at the Revolution, eventually went to Paris, in 1930 translated & illustrated four Russian fairy tales, also did porcelain for Porzella later incorporated in Villeroy & Boch. In 1978 Jacqueline Onassis found and produced his book, The Firebird (in English). Here is a print illustrating Boris Godounov. Here is one for Tsar Saltan. Here is “The Snow Maiden”. Here is a set of his V&B plates. (Died 1942) [JH]
Born October 13, 1906 – William Morrison. Four novels, eighty shorter stories; “The Science Stage” in F&SF; memoir in Greenberg, Olander & Pohl’s 1980 thirty-year Galaxy anthology; posthumous collection The Sly Bungerhop (2017). Ph.D. research chemist under another name. Comics, credited with creating J’Onn J’Onzz the Manhunter from Mars. Wrote about archeology, ballet, opera, theater, Rome. (Died 1980) [JH]
Born October 13, 1923 – Iona Opie, C.B.E. Folklorist, anthologist, with her husband Peter; their collection of children’s books and ephemera 16th-20th Centuries is in the Bodleian Lib’y (20,000 pieces; two-year public appeal raised the £500,000 cost); audiotapes of children’s games & songs in the British Lib’y. Oxford Dictionary of Nursery Rhymes; Lore & Language of Schoolchildren; two dozen stories for us in The Classic Fairy Tales; two dozen more books. Coote Lake Medal jointly. Iona made a Commander of the Order of the British Empire. (Died 2017) [JH]
Born October 13, 1926 — Lenny Bruce. Yes, the foul-mouthed stand-up comic. ISFDB lists him as having co-authored three essays with Harlan Ellison in Rouge magazine in 1959 all called “Bruce Here”. Rogue also printed SF stories as well from Fritz Leiber, Robert Bloch, Mack Reynolds and Harlan Ellison to name some of their writers. It lasted but six issues. (Died 1966.) (CE)
Born October 13, 1956 — Chris Carter, 64. Best known for the X-Files and Millennium which I think is far better than X-Files was, but also responsible for Harsh Realm which lasted three episodes before being cancelled. The Lone Gunmen managed to last thirteen episodes before poor ratings made them bite the bullet. (CE)
Born October 13, 1959 — Wayne Pygram, 61. His most SFish role was as Scorpius on Farscape and he has a cameo as Grand Moff Tarkin in Revenge of the Sith because he’s a close facial resemblance to Peter Cushing. He’s likely best recognized as himself for his appearance on Lost as a faith healer named Isaac of Uluru. (CE)
Born October 13, 1967 — Kate Walsh, 53. She has the recurring role of The Handler in The Umbrella Academy series. Walsh starred as Sandra Anderson in the biblical horror film Legion, and was a sexy waitress in the Bewitched film. She was Amal Colb in Scary Movie 5, the fifth and final installment in the Scary Movie franchise. (CE)
Born October 13, 1967 – Petri Hiltunen, 53. Cartoonist and illustrator. Puupäähattu award. His Praedor comics led to a role-playing game of the same name. In his comic strip The Return of Väinämöinen, the Eternal Sage of Kalevala ends his self-imposed exile to find he might have been gone too long, e.g. these newfangled “potatoes” are now considered a traditional food. PH contributes to the SF magazine Tähtivaeltaja (“Star Wanderer”); he’s well known in Finnish fandom e.g. at Finncon. Here is an illustration for Knight of the Cursed Land. Here is the cover for his graphic-novel version of Macbeth. Here is an illustration for the board-game Aegemonia. [JH]
Born October 13, 1969 — Aaron Rosenberg, 51. He’s written novels for Star Trek, StarCraft, Warcraft, Exalted, Stargate Atlantis, and Warhammer, as well as other franchises. He’s even written a novel set In the Eureka ‘verse, Eureka: Roads Less Traveled, under the house name of Cris Ramsay. Eureka novels sound fascinating but this is the only one that I found so far. (CE)
Born October 13, 1975 – Jana Bauer, 45. Her Witch Vanisher is available in English; the publisher says she has a deviously humorous narrative style. She edits Exchanges, short prose from different countries, and Forget-me-nots in Slovenian and English for the children of Slovene emigrants (I’ve left out the Slovenian titles because of software character trouble). In the Land of Gingerbread was the first Forget-me-not (see p. 2 of this newsletter). For Scary Fairy in the Fearful Forest see here. A dozen other books. [JH]
Born October 13, 1976 — Jennifer Sky, 44. Lead character conveniently named Cleopatra in Sam Raimi’s Cleopatra 2525 series. (Opening theme “In the Year 2525” is performed by Gina Torres who’s also a cast member.) She’s had guest roles on Seaquest DSV, Xena, Charmed and Buffy the Vampire Slayer. And she was Lola in The Helix…Loaded, a parody of The Matrix which scored 14% at Rotten Tomatoes among audience reviewers. (CE)
Born October 12, 1983 – Lesley Nneka Arimah, 37. Nat’l Magazine Award, O. Henry Award, Commonwealth Short Story Prize. “Skinned” (Best American Science Fiction & Fantasy Stories, Machado ed. 2019) and four more for us in her collection What Does It Mean When a Man Falls from the Sky?, Kirkus Prize and don’t miss its last review at her Website, where also she says she is working on a novel about you. [JH]

(9) COMICS SECTION.

Off The Mark sees a drawback from buying things online.

(10) CEL GROWTH. Vulture has “The 100 Sequences That Shaped Animation From Bugs Bunny to Spike Spiegel to Miles Morales, the history of an art form that continues to draw us in”, which provides a deep dive into animation history for people who want to know more about animation.

(11) GETTING INTO THE SPIRIT. Cat Rambo reads a story for Halloween.

This short urban fantasy story originally appeared in Stamps, Tramps, and Vamps, edited by Shannon Robinson. It takes place in Durham, North Carolina, and involves a tattoo artist who’s got a different purpose in mind than her latest client does. It seemed like it would be a fun Halloween story to share!

(12) STATE OF THE NATION. There’s a lot more to think about than I expected in Zippia’s “Map Of Each State’s Favorite Halloween Candy (Spoiler: Some States Have Really Bad Taste)”. Here are first three of nine bullet points.

Starburst is a favorite with 6 states loving the fruity squares above all else
The winner is in, and between chocolate and non-chocolate candy it’s a…toss-up.
25 states prefer chocolates candies while 25 prefer gummies, fruit-flavored candies, and other non-chocolate candies.

(13) TUNING UP. Genre adjacent, at least. “Delia Derbyshire Documentary Gets New Trailer: Watch” at Pitchfork.

…Derbyshire, an early electronic music pioneer, worked at the BBC’s Radiophonic Workshop in the 1960s, where she composed the theme for the long-running science fiction series Doctor Who. Written and directed by Caroline Catz, the film features archival materials, interviews with Derbyshire’s colleagues and collaborators, and dramatizations starring Catz herself as the composer. Derbyshire’s original compositions are featured alongside a soundtrack by Cosey Fanni Tutti, constructed from samples Derbyshire’s posthumously released “Attic Tapes.”

(14) UNCLE WALT. Defunctland is “the show about the past…of the future!” Here are two of its episodes devoted to Walt Disney’s landmarks Disneyland and EPCOT.

In this episode, Kevin finally reaches the opening of Disneyland, focusing on the development and history of Tomorrowland 1955, the first, hastily-made version of the famous theme park land, including attractions such famous attractions as Rocket to the Moon, Autopia, Space Station X-1, the Matterhorn, the Skyway, Submarine Voyage, and the Monorail.

Walt Disney made ambitious plans for a City of Tomorrow named E.P.C.O.T. just before his death in 1966, but the plans were soon abandoned. What were Walt’s ideas for his city of the future, what happened to the project, and would it have worked?

(15) VIDEO OF THE DAY. In “Twilight: Eclipse Pitch Meeting” on ScreenRant, Ryan George says the third Twilight movie has a very strange title, because “Why would you spend two hours looking at an eclipse?”

[Thanks to Daniel Dern, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Michael Toman, JJ, N., Cat Eldridge, Alan Baumler, Will R., John Hertz, and Andrew Porter for some of these stories. Title credt goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/25/20 Though It Was Scrolled A Long, Long Time Ago, Your Pixel Should Know

Posted on April 25, 2020 by Mike Glyer

(1) RIGHTS FIGHT. Publishers Weekly reports “Federal Appeals Court Declares Literacy a Constitutional Right”.

In a potential landmark ruling, the U.S. Sixth Circuit Court of Appeals held this week that access to a basic minimum education “that can plausibly impart literacy” is a fundamental, Constitutionally protected right.
In a 2-1 ruling released on April 23, the court held that basic literacy is “implicit in the concept of ordered liberty,” and central to “the basic exercise of other fundamental rights,” including political participation.
“The recognition of a fundamental right is no small matter,” the court conceded in its written opinion. “But just as this Court should not supplant the state’s policy judgments with its own, neither can we shrink from our obligation to recognize a right when it is foundational to our system of self-governance. Access to literacy is such a right. Its ubiquitous presence and evolution through our history has led the American people universally to expect it. And education—at least in the minimum form discussed here—is essential to nearly every interaction between a citizen and her government.”
The Appeals court ruling reverses and remands a 2016 case in which lawyers claim that the State of Michigan failed to provide a suitable education to a plaintiff group of Detroit Public School students, after invoking the state’s Emergency Management Powers to take over control of the plaintiff’s schools. At trial, the plaintiffs argued that they were forced to sit in classrooms that were “functionally incapable of delivering access to literacy,” marked by “unqualified instructors,” and “a dearth of textbooks and other school supplies.” The result: a number of students with “zero or near-zero” proficiency levels on state-administered tests….

(2) OR IS THAT FIENDLY? First Fandom Experience revisits “The Friendly Magazine” of 1930s Los Angeles fandom.

The fanzine Sweetness and Light was launched in Spring 1939 by the “Moonrakers,” clique of members of the Los Angeles Science Fiction League. The Editorial Board consisted of Russ Hodgkins, Fred Shroyer, Henry Kuttner, Jim Mooney and Art Barnes. The subtitle proclaimed the publication to be “The Friendly Magazine.” Like all of its contents over its five-issue run, the masthead was ironic.

Includes an array of screencaps from the zine, like this one –

(3) FREE AUDIO. Wil Wheaton has recorded another story — “Radio Free Burrito Presents: Satellite of Fear by Fred A Kummer Jr.”

Since I was going to read, anyway, I decided to grab something at random off the RFB Presents list, and record it.
I chose Satellite of Fear, by Fred A Kummer, Jr.
Inside the crippled Comet, a hard-bitten crew watched the life-giving oxygen run low. Outside, on Ceres’ fabled Darkside, stalked death in awful, spectral form.

Listen on Soundcloud.

(4) SIX PACK. In “6 Books with Andi C Buchanan” a New Zealand author shares picks with Nerds of a Feather’s Paul Weimer.

2. What upcoming book are you really excited about?

Oh no, this whole interview is going to have to be about choosing just one, isn’t it? I am very much looking forward to R.B. Lemberg’s The Four Profound Weaves. I’ve been following Lemberg’s shorter work for a number of years; it’s beautiful and warm and comforting, and hopeful without falling into the trap of skirting tougher issues or minimising them. The Birdverse verse (of which The Four Profound Weaves is a part) is filled with people you don’t find as often as one might like in fiction, and yet resonate so strongly for me. I’m really excited about seeing what Lemberg does at novella length.

(5) THE WORM RETURNS. Print Magazine shares “The Inside Story of NASA’s ‘Worm’ Logo”.

Earlier this month, the design world was delighted when NASA unexpectedly revealed it was bringing back its iconic “worm” logo, which Richard Danne and Bruce Blackburn created in 1974….
…By virtue of a connection, Danne and Blackburn eventually got an invite to bid on the NASA redesign, which they did on Oct. 1, 1974. They presented one concept—the worm—which they brought to life in a deck showing applications on everything from newsletters to vans to buses and, of course, the space shuttle.
And, of course, their firm of five (which included their receptionist) won. “It was against all the odds,” Danne recalled, noting they presented such a minimalistic design because the agency—which didn’t have any designers on staff—was producing a lot of “garbage.”
“We saw all this debris and it drove us toward a simpler solution.”
Danne paired Helvetica with the worm because the two blended so well together. (He was also quick to note that he has hardly used it since.)
Owing to Pantone’s rules for its numerical designations back in the day, Pantone 179 became “NASA Red,” and the rest is branding history.

(6) TRIVIAL TRIVIA.

You have to know French counting 1,2,3,4 …………un, deux, trois, quatre, ………..Quarantine
Year 1403: Despite the fact that nothing was known about how disease came to be (except for the usual theories of punishment by God or infestation by demons), people tended to avoid those who were sick with some particular fatal or loathsome disease. When the Black Death struck, people instinctively fled from those afflicted, often leaving the dying to die unburied. In 1403, the city of Venice, always rationally ruled, decided that recurrences of the Black Death could best be averted by not allowing strangers to enter the city until a certain waiting period had passed. If by then they had not developed the disease and died, they could be considered not to have it and would be allowed to enter.
The waiting period was eventually standardized at forty days (perhaps because forty-day periods play an important role in the Bible). For that reason, the waiting period was called quarantine, from the French word for “forty”. In a society that knew no other way of fighting disease, quarantine was better than nothing. It was the first measure of public hygiene deliberately taken to fight disease.

++ Isaac Asimov. From Chronology of Science & Discovery (1989)

(7) TODAY IN HISTORY.

April 25, 1941 — In London, The Devil Bat premiered. It was directed by Jean Yarborough. The screenplay was by John Thomas Neville from a story by George Bricker who was responsible for House of Dracula and She Wolf of London. The film starred Bela Lugosi along with Suzanne Kaaren, Guy Usher, Yolande Mallott, Dave O’Brien and Donald Kerr. The film was re-released in 1945 on a double bill with Man Made Monster. It was consider one of the best films that Lugosi ever made, though it only has a 58% rating among audience reviewers at Rotten Tomatoes. It’s in the public domain as it has been since it was released, so you can see it here.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 25, 1873 — Walter de la Mare. His supernatural horror was a favorite of H. P. Lovecraft. Ramsey Campbell and Joan Aiken would also cite him as an influence on their writing. Though he did write a number of novels, I’ll hold that the short story of which he released at fifteen collections was his his true strength. Out of the Deep and Other Supernatural Tales is an excellent introduction to him as a writer. It’s available at the usual digital suspects. (Died 1956.)
Born April 25, 1897 — Fletcher Pratt. He’s best remembered for his fiction written with L. Sprague de Camp, to wit Land of Unreason, The Carnelian Cube and The Complete Compleat Enchanter. I’m also fond of The Well of the Unicorn and Double Jeopardy. (Died 1956.)
Born April 25, 1915 — Mort Weisinger. Comic book editor best known for editing Superman during in the Silver Age of comic books. He also served as story editor for the Adventures of Superman series, Before that he was one of the earliest active sf fans, working on fanzines like The Planet (1931) and The Time Traveller (1932) and attending the New York area fan club “The Scienceers.” (Died 1978.)
Born April 25, 1920 — John Mantley. He wrote but one SF novel, The 27th Day, but it rated a detailed review in The Magazine of F&SF which you can read here. (He wrote the screenplay for the film version of his novel.) He also produced a number of episodes of The Wild Wild West, Buck Rogers in the 25th Century and MacGyver. (Died 2003.)
Born April 25, 1929 — Robert A. Collins. Edited a number of quite interesting publications including the Fantasy Newsletter in the early Eighties, the IAFA Newsletter in the late Eighties and the early Nineties along with the Science Fiction & Fantasy Book Review Annual with Rob Latham at the latter time. He also wrote Thomas Burnett Swann: A Brief Critical Biography & Annotated Bibliography. (Died 2009.)
Born April 25, 1957 — Deborah Chester, 63. Jim Butcher in a Tor.com interview says she’s his primary mentor. She’s authored nearly forty genre novels and I’ve read her pulpish Operation StarHawks series (written as Sean Dalton) which is good popcorn reading.
Born April 25, 1961 — Gillian Polack, 59. Australian writer and editor. She created the Ceres Universe, a fascinating story setting. And she’s a great short story writer as Datlow demonstrated when she selected “Happy Faces for Happy Families” for her recommended reading section in the ‘04 Year’s Best Fantasy and Horror.
Born April 25, 1981 — Silvia Moreno-Garcia, 39. Canadian of Mexican descent. She’s the publisher of Innmouths Free Press, an imprint devoted to weird fiction. Not surprisingly, she co-edited with Paula R. Stiles for the press, the Historical Lovecraft and Future Lovecraft anthologies. She won a World Fantasy Award for the She Walks in Shadows anthology, also on Innsmouth Free Press. She’s a finalist for the Nebula Award 2019 in the Best Novel category for her Gods of Jade and Shadow novel. And finally with Lavie Tidhar, she edits the Jewish Mexican Literary Review. Not genre, but sort of genre adjacent.

(9) COMICS SECTION.

Rhymes with Orange sees a side effect of shortening.
The Oatmeal has a nice one about jumping into a book during these trying times.

(10) ORIGINAL EC COMIC ART. The Bristol Board calls this a forgotten masterpiece —

Complete original art for “In the Beginning…” by Joe Orlando (art) and Al Feldstein and Bill Gaines (story) from Weird Fantasy #17, published by EC Comics, January 1953.

(11) THE DROID WILL SEE YOU NOW. The machine that danced over obstacles now protects against infection: “Meet ‘Spot:’ The Robot That Could Help Doctors Remotely Treat COVID-19 Patients” at NPR.

Brigham and Women’s Hospital in Boston has been testing a new piece of hardware to help them treat coronavirus cases — a robot called Spot.

Last week, the hospital began using the robot in interviewing patients suspected of having less-serious cases of COVID-19. It’s only been deployed a handful of times so far, but according to Peter Chai, an emergency medical physician at Brigham and Women’s, the hope is that using Spot could limit staff exposure to COVID-19.

“It also eliminates PPE,” said Chai in an interview. “Spot doesn’t need to wear a mask or gown.”

…”One of the hospitals that we spoke to shared that, within a week, a sixth of their staff had contracted COVID-19 and that they were looking into using robots to take more of their staff out of range of the novel virus,” Boston Dynamics said in a statement.

Boston Dynamics than consulted with MIT and Brigham and Women’s, outfitting Spot with an iPad and radio so a medical technician could interface with patients in the triage tent the hospital — and others — use for potential COVID-19 patients.

(12) SPACE SKEPTIC. In “NASA Astronaut Breaks Down Space Scenes From Film and TV” on YouTube, retired astronaut Nicole Stott discusses space scenes in sf and space movies, from the silly (the scene in Spaceballs declaring the ship would travel at “ludicrous speed” to realistic films such as Gravity and First Man.

(13) CAP-BUT-NO-PIE. A SYFY Wire writer regards these to be “The 10 Most Stylish Hats In Genre Movies And TV”.

…Even though hats are no longer as ubiquitous as they once were, there will always be a place for millinery in both film and fashion. So whether your own personal style is hat-centric or not, it is hard to imagine the following characters without their signature accessory. For inspiration or to simply relive these memorable moments, check out some genre hat highlights below….

One of the selections is —

The Sorting Hat – Harry Potter (2001-2011)
There are a variety of hats in Harry Potter including the traditional styling to Dumbledore’s flat top version. However, there is one hat that has a huge impact on every single Hogwarts student. The only sentient hat on the list has the task of sorting the Hogwarts pupils into one of four houses. It is a rather hefty task for a rather unassuming looking piece of headgear, but the Sorting Hat comes alive in its wear and tears. It might not be the prettiest of garments, but it is the only hat on this list that can sing.

(14) CREEP FACTOR THREE, MR. SULU. [Item by Mike Kennedy.] This story isn’t exactly genre, but it does have the feel of a horror show. In a recent museum #CuratorBattle, the chosen field of battle was #CreepiestObject. The taxidermied monkey/fish hybrid “mermaids” were but one type of item that strayed very near the genre boundary.

The CNN story “Museums reveal their creepiest objects in Twitter battle” has several excellent entries, but a quick Twitter search for #CreepiestObject will turn up many more.

Fish-tailed monkey “mermaids.” A snuff box for storing pubic hair. Enough creepy dolls to fill a haunted schoolhouse.
With their doors closed due to the pandemic, museums in the UK and beyond have been taking to Twitter to showcase the most terrifying items in their collections, and it might be enough to make you glad to be safe at home.

I’ve included herein a link for a tableau of unfortunate tabbies having tea. The article references it, but I felt it appropriate to highlight these SJWCs.

https://twitter.com/wheresshelly/status/1252532610179293185

(15) VIDEO OF THE DAY. “How Walt Disney Cartoons Are Made” on YouTube is a short film made by RKO (DIsney’s distributor at the time) explaining how Snow White And The Seven Dwarfs was created. From 1939, but it’s news to me!

[Thanks to Cat Eldridge, Mike Kennedy, JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Michael Toman, Kendall, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint with an assist from Anna Nimmhaus.]

Pixel Scroll 9/7/19 Two Thousand Million Or So Years Ago Two Pixels Were Scrolling

Posted on September 7, 2019 by Mike Glyer

(1) MOSLEY QUITS STAR TREK: DISCOVERY. Walter Mosley tells “Why I Quit the Writers’ Room” in an op-ed for the New York Times. His piece doesn’t name the show he quit. The Hollywood Reporter does: “Author Walter Mosley Quits ‘Star Trek: Discovery’ After Using N-Word in Writers Room”. Mosley writes —

Earlier this year, I had just finished with the “Snowfall” writers’ room for the season when I took a similar job on a different show at a different network. I’d been in the new room for a few weeks when I got the call from Human Resources. A pleasant-sounding young man said, “Mr. Mosley, it has been reported that you used the N-word in the writers’ room.”
I replied, “I am the N-word in the writers’ room.”
He said, very nicely, that I could not use that word except in a script. I could write it but I could not say it. Me. A man whose people in America have been, among other things, slandered by many words. But I could no longer use that particular word to describe the environs of my experience.
…I do not believe that it should be the object of our political culture to silence those things said that make some people uncomfortable. Of course I’m not talking about verbal attacks or harassment. But if I have an opinion, a history, a word that explains better than anything how I feel, then I also have the right to express that feeling or that word without the threat of losing my job. And furthermore, I do not believe that it is the province of H.R. to make the decision to keep my accusers’ identities secret. If I’ve said or done something bad enough to cause people to fear me, they should call the police.
My answer to H.R. was to resign and move on. I was in a writers’ room trying to be creative while at the same time being surveilled by unknown critics who would snitch on me to a disembodied voice over the phone. My every word would be scrutinized. Sooner or later I’d be fired or worse — silenced….

The Hollywood Reporter solicited CBS’ take on Mosley’s departure –

CBS TV Studios responded to Mosley’s op-ed on Friday in a statement provided to The Hollywood Reporter: “We have the greatest admiration for Mr. Mosley’s writing talents and were excited to have him join Star Trek: Discovery. While we cannot comment on the specifics of confidential employee matters, we are committed to supporting a workplace where employees feel free to express concerns and where they feel comfortable performing their best work. We wish Mr. Mosley much continued success.”

(2) CHANDRAYAAN-2. The lander and rover apparently didn’t make it: “‘We Came Very Close:’ Indian Prime Minister Modi Lauds Chandrayaan-2 Team After Moon Lander Goes Silent”.

India’s space program will bounce back strong from the apparent failure of Friday’s (Sept. 6) lunar landing attempt, Prime Minister Narendra Modi stressed.
The nation’s Chandrayaan-2 moon orbiter dropped a lander called Vikram toward the lunar surface Friday afternoon. Everything went well for a while, but mission controllers lost contact with Vikram when the craft was just 1.3 miles (2.1 kilometers) above the gray dirt.
As of this writing, the Indian Space Research Organisation (ISRO) had still not officially declared Vikram lost; the latest ISRO update stated that descent data are still being analyzed. But Modi’s comments strongly suggest that Vikram and Pragyan, the rover that was supposed to deploy from the lander, are dead.
…Indeed, India plans to develop a Chandrayaan-3 moon mission in the coming years, and the nation also intends to put humans on the lunar surface at some point. ISRO is working to send a second orbiter to Mars in the mid-2020s as well. (The nation’s first Red Planet probe, Mangalyaan, has been studying Mars from orbit since September 2014.)
And there’s still the other half of Chandrayaan-2 to consider. The mission’s orbiter, which arrived at the moon last month, is scheduled to operate for at least a year. The spacecraft is using eight science instruments to study the moon in a variety of ways — creating detailed maps of the lunar surface, for example, and gauging the presence and abundance of water ice, especially in the south polar region.

(3) TIME FOR THE TESTAMENTS. NPR has the answer to “Why Margaret Atwood Said ‘No’ To A ‘Handmaid’s Tale’ Sequel — Until Now”.

…Atwood says it just seemed like the time for a sequel. “People had been asking me to write a sequel for a long time, and I always said no, because I thought they meant the continuation of the story of Offred which I couldn’t do,” she says. “But then I thought, what if somebody else were telling the story? And what if it were 15 or 16 years later? And it was also time, because for a while we thought we were moving away from The Handmaid’s Tale. And then we turned around and started going back toward it, ominously close in many parts of the world. And I felt it was possibly time to revisit the question of, how do regimes like Gilead end? Because we know from The Handmaid’s Tale that it did end.”

(4) DANCING MARVELS. Popsugar features some amazingly skilled kids – who apparently are their high school’s counterparts to my daughter’s colorguard team. “Oh, Snap: This High School Dance Team’s Avengers Routine Is Pretty Freakin’ Marvelous”.

A year after their viral Harry Potter dance routine, the students of Arizona’s Walden Grove high school are at it again with some incredible Avengers-themed homecoming choreography. The talented PAC dance team put their own twist on Marvel’s Cinematic Universe and brought the beloved superheroes back to life — with some badass moves.
The full routine is an intergalatic trip through the Avengers: Infinity War and Avengers: Endgame storylines. […]

(5) WITH RECEIPTS. Mimi Mondal is “Rewriting the history of science fantasy fiction” in the Hindustani Times.

…In 2016, a bust of HP Lovecraft was removed as the trophy for the World Fantasy Award, but the change had caused so much debate that a new trophy — a twisted tree girdling a full moon — wasn’t released till the next year. Last year, after the death of Harlan Ellison, obituaries from grieving fans were mixed with accounts of his serial sexual harassments, including of women author peers. Two months later, NK Jemisin made history by winning her third consecutive Hugo Award for the best novel. Veteran author Robert Silverberg denounced her acceptance speech as “graceless and vulgar” for having passionately spoken against the obstacles faced by black women writers in SFF, again to the thundering applause of the auditorium in San Jose, which I was present to witness. Jemisin’s speech was in more than one way a precursor to Ng’s.
The change in our genre is a reflection of the change that’s happening in the world. As a genre, SFF is fairly new — barely a century old — and, while science fiction in particular (less so fantasy and horror) has always worn a progressive veneer, the stories of progress have always belonged to a small, privileged group of people. But SFF is also a hugely popular and consumer-facing genre, which means trends are driven by those who consume the stories. Changes in SFF are a direct result of the changing reader and buyer demographic, which no longer simply constitutes white men in the West….

(6) YOU’RE GETTING COLDER. “Was Walt Disney Frozen?” Snopes says nope. Is there nothing left for us to believe in?

Half a century onwards, the rumor that Walt Disney’s body was put in cryonic storage remains one of the most enduring legends about the entertainment giant.

(7) LYNLEY OBIT. Actress Carol Lynley died September 3 of a heart attack reports the New York Times. She was 77. Her genre appearances included The Man From U.N.C.L.E., Night Gallery, and Tales of the Unexpected, She was in the feature films Beware! The Blob and Future Cop, and the TV movies that gave rise to series Kolchak: The Night Stalker and Fantasy Island.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 7, 1795 — John William Polidori. His most remembered work was “The Vampyre”, the first published modern vampire story published in 1819. Although originally and erroneously accredited to Lord Byron, both Byron and Polidori affirmed that the story is his. Because of this work, he is credited by several as the creator of the vampire genre of fantasy fiction. (Died 1821.)
Born September 7, 1937 — John Phillip Law. He’s probably best remembered as the blind angel Pygar in the cult film Barbarella which featured Jane Fonda in that bikini. He shows up in Tarzan, the Ape Man as Harry Holt, and he’s in a South African SF film, Space Mutiny, as Flight Commander Elijah Kalgan, that’s set on a generation ship. Look actual SF! (Died 2008.)
Born September 7, 1955 — Mira Furlan, 64. She’s best known for her role as the Minbari Ambassador Delenn on entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least briefly in Marc Zicree’s Space Command.
Born September 7, 1960 — Christopher Villiers, 59. He was Professor Moorhouse in “Mummy on the Orient Express”, a Twelfth Doctor story. It’s one of the better tales of the very uneven Calpadi run. He’s also Sir Kay in First Knight and is an unnamed officer in From Time to Time which based on Lucy M. Boston’s The Chimneys of Green Knowe.
Born September 7, 1966 — Toby Jones, 53. He appeared in “Amy’s Choice”, an Eleventh Doctor story, as the Dream Lord. In Harry Potter and the Chamber of Secrets, he voiced Dobby the house elf. And in
Finding Neverland, Mr. Smee, Captain Hook’s bo’sun. Guess what work that film was based on. Finally I’ll note that he was — using motion capture — Aristides Silk in The Adventures of Tintin.
Born September 7, 1973 — Alex Kurtzman, 46. Ok, a number of sites claim he destroyed Trek. Why the hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems them for me.
Born September 7, 1974 — Noah Huntley, 45. He has appeared in films such as 28 Days Later, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (excellent film), Snow White and the Huntsman (great film), Event Horizon (surely you’ve something else to do) and Dracula Untold (woo, not so great). He’s Gawain in The Mists of Avalon series and shows up as Donovan Osborn in the CW series Pandora which, I’m not kidding, got a Rotten Tomatoes zero percent approval rating. Ouch.
Born September 7, 1993 — Taylor Gray, 26. He’s best known for voicing Ezra Bridger on the animated Star Wars Rebels which I highly recommend if you’re into Star Wars at all as it’s most excellent. He also played Friz Freleng in Walt Before Mickey.

(9) MIGNOGNA SUIT WHITTLED DOWN. A Texas state judge delivered a setback to Vic Mignogna, who has brought suit to stifle some of the public #MeToo charges voiced against him. The Dallas News has the story: “In anime’s #MeToo moment, Vic Mignogna a no-show at Tarrant County hearing and his case is mostly an unholy mess”.

State District Judge John Chupp dismissed a number of the claims by Mignogna’s attorney and promised to rule on the remainder in the next 30 days.
…Friday was a significant milestone in a civil lawsuit brought by local anime voice actor Vic Mignogna against two of his Dallas-area colleagues, the fiance of one of the women, and a company that cut ties with him. Mignogna says their statements about his inappropriate behavior with women amount to an unfair campaign to destroy his career. His accusers say his lawsuit is aimed at silencing them.
After three hours of arguments between a tightly scripted defense team and Mignogna’s astonishingly unorganized — and at times ill-prepared and illogical — attorney, Chupp dismissed a number of the claims and promised to rule on the remainder in the next 30 days.
…January’s record-breaking opening of Broly also set off another round of accusations and stories on social media about the 56-year-old actor’s long-rumored inappropriate behavior with women — which allegedly has included aggressive kisses, hugs and unwanted sexual advances.
Online, thousands of anime fans rushed to pick a side in the warfare hashtagged #kickvic and #IStandWithVic. Mignogna repeatedly, and sometimes in great detail, denied all the allegations.
Amid the outcry, Flower Mound-based Funimation Productions, which dubs and distributes anime shows, including much of the Dragon Ball franchise, announced in February that it had severed ties with Mignogna after an internal investigation.
Mignogna’s lawsuit, filed April 18, alleged defamation, tortious interference, conspiracy and other charges against Funimation, voice actors Jamie Marchi and Monica Rial, and Rial’s fiance, Ron Toye. The lawsuit painted the company and three individuals as a band of conspirators leading the charge to reduce Mignogna to ruins.
Friday the 141st District Court’s gallery was packed with interested parties, and many of them were there to support Rial and Marchi. But Mignogna was nowhere to be found. Perhaps that was for the best, given the often befuddled oral arguments of his Tyler-based attorney, Ty Beard….
And the many worldwide Mignogna fans who have contributed to the massive GoFundMe for his legal fees, a war chest which now stands at more than $242,000, might well have wanted their money back if they had been in the courtroom today.
…At the end of the proceedings — which went an hour longer than the court had allocated — Chupp dismissed all claims against Marchi, all except defamation against Funimation and all except defamation and conspiracy against Rial and Toye.
Those outstanding claims are weighty ones — Funimation, Rial and Toye are still on a sharp hook. I suspect Chupp needed to give more consideration and study to each before making his ruling. Or maybe the amateurish performance of the plaintiff’s legal team had just worn on his last nerve to the point that the extremely patient judge needed a break.

(10) A TOAST GOODBYE. Food & Wine says “An Official ‘Mr. Robot’ Beer Will Premiere Along with the Final Season”. Doesn’t it make you wonder what alcoholic beverages should have accompanied the cancellation of The Original Star Trek (Saurian brandy!) or Agent Carter (Crown Russe Vodka?).

All good things come to an end. Including TV shows. (Except maybe The Simpsons.) But for fans of USA Network’s critically-acclaimed hacker drama Mr. Robot, at least they’ll have a beer to toast when the series premieres its fourth and final season on October 6.
In an official collaboration, USA Network has enlisted New York’s Coney Island Brewery to produce fsociety IPA — a hazy IPA inspired by Mr. Robot. Though the connection between television show and branded beer can often feel tenuous, working with the Coney Island-based brand is actually an inspired choice since the beachy New York City neighborhood serves as a significant setting in the show.

Something is happening in the place where our revolution began.

fsociety IPA. @ConeyIslandBeer. Coming October 6. #MrRobot pic.twitter.com/OdnFCJFmwq
— Mr. Robot (@whoismrrobot) September 4, 2019

(11) THE VEGETARIAN GODZILLA. “Japanese scientists find new dinosaur species”: Yahoo! has photos.

Japanese scientists have identified a new species of dinosaur from a nearly complete skeleton that was the largest ever discovered in the country, measuring eight metres (26 feet) long.
After analysing hundreds of bones dating back 72 million years, the team led by Hokkaido University concluded the skeleton once belonged to a new species of hadrosaurid dinosaur, a herbivorous beast that roamed the Earth in the late Cretaceous period.
A partial tail was first found in northern Japan in 2013 and later excavations revealed the entire skeleton.
The team named the dinosaur “Kamuysaurus japonicus,” which means “Japanese dragon god,” according to a statement issued by the university.

(12) ANOTHER CON REPORT. Emily Stein in CrimeReads offers “An Ode To Podcasts: Dispatches From Podcon 2019” as a report from a podcasting convention in Seattle that won’t be held again because of financial trouble.

…Earlier this year, I traveled to Seattle to attend PodCon, an annual conference celebrating all things podcasts. While many kinds of podcasts were represented, PodCon has always had a special fondness for audio dramas, or fiction podcasts, and the fervent fandom they inspire. (Have I stayed up until midnight to hear the mind-blowing 50th episode of The Bright Sessions the second it dropped? Maybe! Did I co-create a Facebook group for listeners of I Am In Eskew to trade their nerdy fan theories? Who’s to say? Might I have joined a Discord server just to talk about Debbie’s mysterious notebook in King Falls AM? Yes, I might have. I did.)…
Four months after PodCon 2 came to a close, conference co-founder Hank Green announced that PodCon would not be returning. A variety of financial and logistical challenges had converged to make the event unsustainable, though Green expressed optimism that another conference might develop solutions to the issues they’d found insurmountable. As beloved as many podcasts are, in many ways, the medium is still finding its footing in today’s entertainment landscape. For every My Favorite Murder or Reply All, there’s a multitude of indie podcasts fighting for a wider audience, even as some bask in the glow of a small but fiercely loyal following—a coven of people who’ve found the same secret, whose days all light up when a new episode hits their feed.

(13) ACROSS A SEA OF PAPER. Polygon’s Isabella Kapur acquaints readers with the historic role of the fanzine Futurian War Digest: “Fandom under fire: how fanzines helped sci-fi survive the Blitz and beyond”.

…For the past six months, as part of the exhibition As If: Alternative Histories from Then to Now at The Drawing Center, a small art museum in New York City, I have explored illustration, novels, and posters as well as fanzine materials from as far back as the 1940s. Zines were hard for fans to get their hands on, as they were printed and collated in school clubs or at the dining room table, sometimes mailed out to subscribers and contributors one by one. And yet, these publications formed the backbone of what would become modern fan culture, not just a reflection of media but a reimagining of reality.
The cost of a mimeograph machine may have been high, but the cost of not talking to each other was higher — even in some of the most dire moments of the 20th century. The oldest zine included in As If is also the longest running fanzine to remain in distribution in Britain throughout the course of the second World War: Futurian War Digest, or FIDO, which printed from October 1940 until March 1945.
FIDO reviewed science fiction works and reflected on the fragile state of the fan community in the United Kingdom during wartime. The first issue of the zine, which was published and distributed less than a month after the start of the London bombing raids known as The Blitz, made a point of announcing the conscription of fan William F. Temple and the death on active duty of sci-fi enthusiast Edward Wade. These sombre announcements ran alongside musings about John Carter of Mars.
In a time of great uncertainty, publisher J. Michael Rosenblum said in the pages of FIDO that his self-avowed goal was to “a) to give news of and to fandom, b) to keep burning those bright mental constellations possessed by all fans.” The publication was created just as much to be an archive and time capsule as a source of entertainment, news, and distraction. By publishing the fanzine, Rosenblum recorded the history of a subculture of science fiction enthusiasts, and helped to keep a community that was being actively ripped apart together.
… The physical evidence of this transatlantic fan solidarity can be seen in the unusual shape and size of Futurian War Digest Vol. 1 #9, which was printed on four packages of paper donated by U.S. fan Forrest J. Ackerman. Ackerman, who became a pioneer in his own right, helped fund publications and initiatives similar to FIDO in the United States, contributing to Le Zombie fanzine. Le Zombie, which began production in December 1938, likewise included a “War Department” section which organized to provide fanzines to American fans who had enlisted, in order to help them maintain some level of connection and normalcy under the pressures of war.

(14) THE HARRYHAUSEN WE MISSED. Episode 27 of the Ray Harryhausen Podcast celebrates “Ray Harryhausen’s ‘Lost Movies'” (Part I).

The first of two podcasts exploring Ray Harryhausen’s unmade films, this episode features interviews with contributors to upcoming Titan Books publication, ‘Harryhausen: The Lost Movies’. The book examines Harryhausen’s unrealised films, including unused ideas, projects he turned down and scenes that ended up on the cutting room floor. This book includes never-been-seen-before artwork, sketches, photos and test footage from the Harryhausen Foundation archives.

(15) FAMILIAR FACE. Hayley Atwood will be in the next Mission: Impossible film. More details in The Hollywood Reporter.

https://www.instagram.com/p/B2Fl_JOA_bZ/

[Thanks to John King Tarpinian, Andrew Porter, BravoLimaPoppa, Cat Eldridge, Mike Kennedy, JJ, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 4/3/19 I’ve Got A Pixel To The Scroll But I’d Rather See The Godstalk In Your List

Posted on April 3, 2019 by Mike Glyer

(1) PREVIEWING F&SF. The Magazine of Fantasy & Science Fiction’s May/June 2019 cover art is by Cory and Catska Ench.

(2) IT’S WINTERTIME IN THE CITY. “We must fight together now. Or die.” Game of Thrones returns for its final season on April 14.

(3) UNWRAPPING THE PACKAGE. Stephen Zeitchik in the Washington Post says the Writers Guild of America voted 7,882 to 382 to require a new code of conduct from agents that says they can only get money from writers’ commissions and not from packaging shows. If the Association of Talent Agents doesn’t agree, the result could still be mass firing of agents: “Hollywood writers overwhelmingly approve new code for agents, placing parties on a collision course”.

The Association of Talent Agents released a statement in the wake of the results.
“Now that the WGA is past its vote, we look forward to getting back into the room to work through an agreement that serves the best interest of writers, respects their individual choice, and prevents unnecessary disruption to our industry,” it said. “We stand ready and waiting.

(4) ED KRAMER DEVELOPMENTS. As a result of information made public in a motion filed by Ed Kramer’s lawyer, Gwinnett Superior Court Judge Kathryn Schrader said she has already stepped aside from hearing criminal matters involving District Attorney Danny Porter. The Daily Report has the story: “Gwinnett DA Seeks Recusal of Judge Under GBI Investigation Over Computer Hack Claim”.

Gwinnett County Superior Court Judge Kathryn Schrader has stopped hearing criminal cases after District Attorney Danny Porter called in the Georgia Bureau of Investigation to look into whether she improperly allowed third parties—including a convicted felon—to access her county computer to see whether the DA hacked it.

(5) SHEESH. Vice’s Samantha Cole determinedly misses the point of what was actually nominated: “An Internet Fan Fiction Archive Is Nominated for a Hugo”.

Archive of Our Own is a finalist in the prestigious Hugo award’s Best Related Works category—which means thousands of fanfics are Hugo finalists.
Frank Herbert’s Dune, Ursula K. LeGuin’s The Left Hand of Darkness, and Neuromancer by William Gibson—these classic Hugo award nominees, everyone has heard of. But what about the thousands of fanfiction works all addressing the question, “what if Steve Rogers and Tony Stark from the Avengers fucked?”
This week, the Hugo awards—a set of literary awards given to the best science fiction and fantasy works of the year—announced that Archive of Our Own (Ao3), a massive internet fanfic archive, is a finalist in the Best Related Works category for 2019. If the archive wins a Hugo this year, hundreds of thousands of user-created transformative works—much of it horny, weird, and beautiful fan-made takes on existing pop culture like the aforementioned Avengers fanfic—will join the past and current honorees.

(6) HUGO HIGHLIGHTS. Rocket Stack Rank has put online their annual “Annotated 2019 Hugo Award Finalists” for short fiction that highlights the 18 finalists among the top 280+ stories of 2018 in their Best SF/F list. Eric Wong explains –

Sorted by score, the red highlights make it easy to see there were no surprises among the finalists for novellas and novelettes (other than one outlier being outside the top 10 for each), whereas there was less broad agreement among awards, year’s best anthologies, and prolific reviewers for the short story finalists (especially compared to 2017 and 2016). Go to the article to see the results, with links that also show yellow highlights for stories that are also Nebula or Sturgeon finalists.

(7) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Dale Bailey and Arkady Martine on April 17.

Dale Bailey is the author of eight books, including In the Night Wood, The End of the End of Everything, and The Subterranean Season. His story “Death and Suffrage” was adapted for Showtime’s Masters of Horror television series. His short fiction has won the Shirley Jackson Award and the International Horror Guild Award and has been nominated for the Nebula and Bram Stoker awards.

and

Arkady Martine is a speculative fiction writer and, as Dr. AnnaLinden Weller, a historian of the Byzantine Empire and a city planner. Arkady grew up in New York City and, after some time in Turkey, Canada, and Sweden, lives in Baltimore with her wife, the author Vivian Shaw. Her debut novel, A Memory Called Empire, has received starred reviews from Kirkus, Publishers Weekly, and Library Journal, was named a Library Journal Debut of the Month, listed on Publishers Weekly’s Top 10 Spring Debuts, and has been featured on NPR’s On the Record and AM 860 Philadelphia’s Fictional Frontiers. Find her at www.arkadymartine.net or on Twitter as @ArkadyMartine.

Begins April 17 at 7 p.m., KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New York, NY. Readings are free

(8) DON’T SNIFF. I’m not going to suddenly start covering candidates here, but I was hooked by the first paragraph of Joel Stein’s opinion piece and the search for advice about the boundaries of touch (or avoiding it): “Joe Biden wants to be mindful about personal space? Get him a hula hoop”.

Our nation is dangerously divided. A house cannot stand when some people are totally into being hugged by strangers and others, who are normal, hate it.
Long ago — before the Age of Hugging — I lived in New York City, a place known for its firm handshakes and disdain for all human emotion other than anger. When I came to L.A. for vacation, my high school friend Ross greeted me at LAX with a hug. I did not know why Ross did this. Was Ross telling me he was gay? Had I disrespected Ross’ gang and he’d put a hit on me? Was there some giant insect on my back?
Joe Biden is like Ross, not me….

(9) ONE MORE MINUTE OF ENDGAME. Marvel shares another peek with the theme “It’s not about how much we lost, it’s about how much we have left.”

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 3, 1783 — Washington Irving. Best known for his short stories “Rip Van Winkle” and “The Legend of Sleepy Hollow”, both of which appear in The Sketch Book of Geoffrey Crayon, Gent. collection. The latter, in particular, has been endlessly reworked downed the centuries into genre fiction. (Died 1859.)
Born April 3, 1924 — Marlon Brando. It looks like his role as Jor-El on Superman was his first venture into anything of a genre nature although his turn as Peter Quint in The Nightcomers might be considered as such. Certainly his work in The Island of Dr. Moreau as Dr. Moreau is scene-chewing at its very, very best. His appearance in Superman Returns is CGI combined with a not terribly clever re-adaptation of footage from the previous film. (Died 2004.)
Born April 3, 1929 — Ernest Callenbach. Ecotopia: The Notebooks and Reports of William Weston was rejected by every major publisher so Callenbach initially self-published it. Ecotopia Emerging is a prequel published later. Yes, I read both. As such fiction goes, they’re ok. Nothing spectacular, characters flat and writing style pedestrian. If you can find a copy, Christopher Swan’s YV 88: An Eco-Fiction of Tomorrow which depicts the regreening of Yosemite Valley, it is a much interesting read. (Died 2012.)
Born April 3, 1936 — Reginald Hill. Now this surprised me. He’s the author of the most excellent Dalziel and Pascoe copper series centered on profane, often piggish Andrew Dalziel, and his long suffering, more by the book partner Peter Pascoe solving traditional Yorkshire crimes. Well there’s a SF mystery tucking in there set in 2010, many years after the other Dalziel and Pascoe stories, and involves them investigating the first Luna murder. I’ll need to read this one. (Died 2012)
Born April 3, 1958 — Alec Baldwin, 61. I’ve no idea how many times I’ve see him in Beetlejuice as Adam Maitland as it’s one of my favorite films, period. Despite those who don’t like The Shadow and him in his dual role of Lamont Cranston and The Shadow, I’m quite fond of it. Let’s just skip past any mention of The Cat in the Hat… Ahhhh Rise of the Guardians where he voices Nicholas St. North. Another go to, feel good film for me. He’s Alan Hunley in some of Mission: Impossible franchise, a series I think I’ve only seen the first two films of. And here’s a weird one — the US. run of Thomas The Tank Engine & Friends replaced the U.K. narrator, some minor musician no one had ever heard of by the name of Ringo Starr with him.
Born April 3, 1962 — James R. Black, 57. I’d like to say he’s best known for his leading role as Agent Michael Hailey on The Burning Zone but since it was short-lived and I’m sure not anyone actually watched it on UPN that might stretching reality a bit. If you like great SF, The Burning Zone is certainly worth seeing. Prior to his run on that series, he’s got a number of one-offs of Babylon 5, Deep Space 9, The Sentinel, Space: Above and Beyond and in his first genre role was Doctor Death in Zombie Cop.

(11) COMICS SECTION.

Sheldon applies the lessons of Dune at home.

(12) SUPPORT AMAZING. An Indiegogo appeal has launched for “Amazing Stories – Special All-Color Issue!”. In the opening hours the Amazing team has raised $1,561 of their $35,000 goal. The issue will include fiction by Shirley Meier, Lawrence Watt-Evans, Paul Levinson, Jack McDevitt, R.S. Belcher, Dave Creek, Adam, Troy-Castro, Sally McBride, Paul Di Filippo , Sean Chappell, and Allen Steele, and art by Melissa Des Rosiers, Ron Miller, Amanda Makepeace, Jon Eno, Tom Miller, Matt Taggart, M.D. Jackson, Chukwudi Nwaefulu, Oliva Beelby, and Vincent Di Fate.

Amazing Stories – the Special Edition
We’re Amazing Stories and we’ve been bringing you new science fiction, digitally since 2012 and also print and audio since 2018. We’re here to raise some money to go to the next level – a special all-color issue for the first issue of our second year with greatly improved print quality!
What Do You Get?
If you support our special edition campaign you will get discounts on subscriptions, but you can also get collectible cards, our famous comicbook, and lapel pins as well as the best in science fiction today. Science fiction that’s fun and entertaining!

(13) OLD NEWS MADE NEW. WED’s sexism in respect to animators’ salaries was notorious, but now “Disney accused of valuing ‘male workers more'”.

Walt Disney Co. is being sued over claims it underpays female employees.

Andrus Anderson LLP claims corporate policies, such as basing new employees’ wages on previous salaries, have a discriminatory effect on women.

The legal action, brought on behalf of two women, claims the company does not have an internal mechanism to ensure women are not paid less than male counterparts for the same work.

Disney denies the allegations calling them “without merit”.

According to the complaint, reported in Variety, financial analyst LaRonda Rasmussen raised a concern regarding her pay with Disney’s human resources after discovering six men who shared the same job title were being paid more than her.

(14) CO2 CAPTURED. “Climate change: ‘Magic bullet’ carbon solution takes big step”. The residue looks like what Thanos did to superheroes:

A technology that removes carbon dioxide from the air has received significant backing from major fossil fuel companies.

British Columbia-based Carbon Engineering has shown that it can extract CO2 in a cost-effective way.

It has now been boosted by $68m in new investment from Chevron, Occidental and coal giant BHP.

But climate campaigners are worried that the technology will be used to extract even more oil.

The quest for technology for carbon dioxide removal (CDR) from the air received significant scientific endorsement last year with the publication of the IPCC report on keeping the rise in global temperatures to 1.5C this century.

In their “summary for policymakers”, the scientists stated that: “All pathways that limit global warming to 1.5C with limited or no overshoot project the use of CDR …over the 21st century.”

… Carbon Engineering’s process is all about sucking in air and exposing it to a chemical solution that concentrates the CO2. Further refinements mean the gas can be purified into a form that can be stored or utilised as a liquid fuel.

(15) PARDON ME. “Mars methane surge spotted from space” reports BBC.

A European spacecraft has confirmed a report of methane being released from the surface of Mars.

The methane spike was first measured by Nasa’s Curiosity rover on the surface; now it has been confirmed by the Mars Express orbiter.

The nature and extent of methane in the Martian atmosphere is intensely debated.

The gas is of interest because terrestrial methane can be made by life forms, as well as geological processes.

Methane is only supposed to have a very short lifetime in the Martian atmosphere, so detecting it there means it must have been released very recently.

A strong signal of methane was measured by the Curiosity rover on 15 June 2013.

The measurement was confirmed in data collected the next day by the Planetary Fourier Spectrometer (PFS) on board Mars Express.

(16) WHAT ‘US’ MEANS. Behind a paywall in the March 28 Financial Times, Precious Adesina discusses African-Americans in horror films in a piece tied in to the release of Us.

In the 1940s, black people rarely featured in horror films, and when they did it was totally as comic relief. ‘The depiction of black (people) as helpless creatures was undoubtedly appealing to many white Americans,’ says the social and cultural historian Ann Kordas. Take King of the Zombies (1941), a film about an aeroplane that crash-lands on a Caribbean island, leaving the pilot, the passenger, and his black servant stranded at a mansion where the employee repeatedly encounters zombies in the kitchen. Despite his many attempts to warn the white protagonists about the danger, he is dismissed as foolish. This kind of simple-minded, cowardly black man was a regular trope of horror at the time…
…But of all these (horror) films, it is Us that makes perhaps the boldest statement–by making no explicit argument about race at all. Here blackness is not integral to the plot. By placing a black family in a story that could just as easily have featured a white one, Peele seems to suggest that people of colour no longer have to justify their existence as ordinary middle-class Americans. They can just be.

(17) SPIDER FAN. Cat Eldridge praises “Spider-Man: Into the Spider-Verse” at The Green Man Review.

There are also a black and white noir version of the hero from a thirties Universe, a pig version and a far future Japanese tech version — just a few of an infinite possibilities. All of these heroes, which are animated in a style true to the their trope. Somehow the producers will manage to use what seems like dozens of animation styles without them clashing. They even do this while making it sometimes look like you’ve dropped into a comic book itself, or that that a few pages of a given comic are being referred to. Neat!

(18) THE WHY BEHIND THE JOKER. The Hollywood Reporter has the story:

The first trailer for Joaquin Phoenix’s Joker dropped Wednesday and fans got a better look at how the Oscar-nominated actor will portray one of cinema’s most iconic villains.

(19) VIDEO OF THE DAY. “The WInd in the Willows” on Vimeo starts off as appearing to be a trailer for an animated version of the children’s classic by Andy Biddle but turns into an advertisement for the Wildlife Trusts narrated by Sir David Attenborough.

[Thanks to John King Tarpinian, Gordon Van Gelder, Mike Kennedy, Chip Hitchcock, Cat Eldridge, JJ, Martin Morse Wooster, Nancy A. Collins, Carl Slaughter, and Andrew Porter. Title credit goes to contributing editor of the day Paul Weimer.]

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Tag Archives: Walt Disney

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