Pixel Scroll 4/23/21 Look Out Pixel, ’Cause I’m Scrolling Technology, Ain’t Got Time To File No Apology

Martha Wells. Photo by Igor Kraguljac.

(1) MORE MURDERBOT IN OUR FUTURE. Martha Wells has a new six-book deal with Tordotcom reports Publishers Weekly – three of them in the Murderbot series.

Tordotcom’s Lee Harris took world English rights to six books by Martha Wells. The six-figure acquisition, which the imprint said is its largest to date, was brokered by Jennifer Jackson at the Donald Maass Literary Agency. Wells is the author of the bestselling Murderbot Diaries series, which is published by Tordotcom; the new deal covers three more books in that series, as well as three unrelated novels. The first book under the agreement, Witch King, is set for fall 2022.

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to grab an egg roll and join comics writer/editor Jim Salicrup in Episode 143 of his Eating the Fantastic podcast.

Jim Salicrup

I’d planned to take a day trip to New York last year to chat with Jim Salicrup, whom I’d met during the mid-‘70s when we both worked in the Marvel Comics Bullpen, but (for reasons I’m sure you understand) that couldn’t happen. And as I continue to pretend we’re living in the world we want, rather than the one we’ve been handed, I recently had that meal … albeit remotely.

For the past 15 years, Jim’s been the editor-in-chief at Papercutz, which publishes Nancy DrewThe Hardy BoysSmurfsAsterix, and more, but when I met him, he was at the start of his 20-year Marvel career, where he wrote TransformersSledge HammerThe A-TeamSpidey Super Stories, the infamous Incredible Hulk toilet paper, and much more. He also edited The AvengersThe Uncanny X-MenThe Fantastic Four, and The Amazing Spider-Man. In between those two jobs, he worked at Topps, where edited books such as Bram Stoker’s DraculaX-FilesZorro, and a line of Jack Kirby superhero comics — and also did a stint at Stan Lee Media as well.

We discussed the illustrated postcard which convinced Marvel Comics to hire him at age 15, how John Romita Sr. caused him to change his name the first day on the job, what he did to enrage MAD magazine’s Al Feldstein, his late-night mission to secure Stan Lee’s toupee, what editor Mark Gruenwald had in common with Bill Murray, why the 1970s’ X-Men revival was like Amazing Fantasy #15, how he convinced Todd McFarlane to stick to Spider-Man (which eventually led to a blockbuster new comic), the possible connection between Stan’s love of crossword puzzles and the famed Marvel Method, and much more.

(3) A NAME TO CONJURE WITH. “Unusual Humanism: Five Works by the Great Clifford D. Simak” are extolled by James Davis Nicoll at Tor.com.

Clifford Donald Simak was born on August 3, 1904, in Wisconsin. He died in Minnesota on April 25, 1988. That’s thirty-three years ago as of this Sunday….

Unfamiliar with Simak? Here are five of his works you could sample….

Time Is the Simplest Thing (1961)

Having learned the hard way that frail human bodies cannot withstand the rigors of interstellar travel, humanity turned to psychic exploration. Where physical exploration fails, psychic exploration succeeds. Casting astral projections to the stars, paranormals—“parries” in the vernacular—like Shepherd Blaine bring home the Milky Way’s wealth…at least, the riches that can be conveyed by a human mind. A bitterly disappointing result for most humans, but a source of great wealth for the Fishhook Corporation, which controls astral exploration.

Shepherd is too successful. After an encounter with a pink blob (who greets him telepathically with the words “Hi pal, I trade with you my mind…”), Shepherd returns home with an uninvited hitchhiker sharing his brain. Now, explorers who bring home guests vanish into Fishhook’s hospitality, never to be seen again. What happens after that is unclear. Certain that he does not want to find out what Fishhook does with (or to) the explorers, Shepherd goes on the run. He discovers that not only did he acquire a passenger out there in the stars, Shepherd himself has been transformed in…interesting…ways.

(4) THE BIG QUESTIONS. Blood Knife’s special cosmic horror issue includes these articles of interest:

  • “The Architecture of Woe” — Examines the role that architecture plays in gothic and cosmic horror past and present, and the way abandoned architecture and empty factories can evoke sensations of horror, awe, and inhumanity here in the real world.

…There is a haunting, dead quality to old buildings. They speak to us of lost possibility, of what was once mundane but which has been rendered fantastical by the passage of time—to walk their corridors or trip through their dust- and brickstrewn courtyards is to follow ancient footsteps, of men and women dead for decades and centuries. There is an energy to them, a sense that the past still lingers there. That it might reach out and take your hand, and pull you headlong and irresistibly back beyond your birth into the foreign realm of yesteryear….

  • “Interview: Laird Barron on Cosmic Horror” — Blood Knife’s Kurt Schiller interviews Laird Barron, discussing the current state of the genre, his own history with cosmic horror, and the way horror can be a tool for examining philosophical and cultural questions.  

Blood Knife: Cosmic horror often touches on these vast concepts far beyond human comprehension, but at the same time so much of the genre — as well as your own fiction (The Croning, Lagerstatte, etc.) — seems anchored to individual tragedy or loss. Is this balance between the cosmic and the individual something that you think about when writing?

Barron: The previous question touched on the micro/macro duality of cosmic horror. This is a facet of science fiction as well. Big concept, shallow character development vs. character driven narratives where the big concept is a backdrop. I’ve dabbled in both, but prefer the latter. I grew up telling stories to my brothers by kerosene lamplight. I improved those tales over time by observing their reactions. Invariably, they were most affected by narratives that centered people with problems. The background was just that—background. A trippy cosmic horror revelation works well as a destination. Characters are the vehicle that gets you there.

(5) SHELF CURIOSITY. Nerds of a Feather explores an author’s favorites in “6 Books with David Bowles”.

1. What book are you currently reading? 

A Desolation Called Peace by Arkady Martine, the second in her Teixcalaan series. As a scholar of Nahuatl who has written a lot about pre-Columbian Mesoamerica, I really admired how Martine has done her homework for this series, mining Indigenous Mexican culture in such re

(6) BEHIND THE MASK. “New York Comic Con returning for smaller in-person event this fall” says SYFY Wire. And they’ve got events planned for other cities, too.

Manhattan’s Javits Center will *fingers crossed* once again be hustling and bustling with nerd activity between Oct 7-10 come this fall. ReedPop announced today that New York Comic Con (aka the “Metaverse”) is coming back for an in-person event this year, albeit with limited attendance and other safety measures (enforced social distancing, mandatory face coverings, and regular temperature checks) that help mitigate the spread of COVID-19. Pro tip: make sure you cosplay as a character who is famous for wearing a face covering at all times. Din Djarin, Zamus, Sheik, and Deadpool all come to mind….

…In addition to NYCC, ReedPop will also host Floridia’s Supercon between Sep. 10-12; Seattle’s Emerald City Comic Con between Dec. 2-5; and Chicago’s C2E2 between Dec. 10-12. The biggest unknown right now is how many people are going to be allowed to attend these events (the attendance numbers, which are reliant on local and state mandates, can grow or shrink at any time). What’s more: we don’t know if proof of vaccination is going to be required before ticket-buyers start mingling among a throng of their fellow pop culture acolytes.

(7) THESE GROOTS ARE MADE FOR WALKING. The Verge thinks “Disney’s amazing bipedal robot Groot looks like Asimo discovered cosplay”.

Disney’s R&D labs, commonly known as its Imagineering team, does some extremely impressive — and expressive — things with robots. It’s made mechanical stunt doubleslifelike alien Na’vi, and, uh, this skinless weirdo. But the company’s latest creation looks like it quite literally walked out of a Disney movie. It’s a bipedal Groot that can amble about tether-free. As Disney’s Pinocchio would put it: he’s got no strings to hold him down.

TechCrunch’s Matthew Panzarino has the low-down on this robotic milestone for Disney. It’s part of the company’s long-term efforts to develop autonomous robot actors for its parks, says Panzarino, under the codename of “Project Kiwi.” The company’s engineers spent years creating their own free-standing bipedal robotics platform to power Groot, and Panzarino — who got to see the robot in person — came away impressed with their efforts….

(8) TODAY’S DAY.

The unofficial annual holiday celebrates the day in 2011 when the first episode of the sixth season of the [Doctor Who] series was aired in the United KingdomUnited States, and Canada….

Called “The Impossible Astronaut,” the episode became one of the most appreciated and watched episodes of the series.

(9) MEDIA BIRTHDAY.

  • April 23, 1974 — On this day in 1974, Planet Earth premiered. It created by Gene Roddenberry, written by Roddenberry and Juanita Bartlett, not surprisingly,  was based on a story by Roddenberry. It starred John Saxon as Dylan Hunt. The rest of cast was Diana Muldaur, Ted Cassidy, Janet Margolin, Christopher Cary. Corrine Camacho and Majel Barrett. It was intended  as a pilot for a new weekly television series, but that never came to be. It was the second attempt by him to produce a weekly series set on a post-apocalyptic future Earth with Genesis II being the previous pilot.  Roddenberry recycled both the concepts and characters used in Genesis II. Some of the characters here would show up in the Andromeda series such as Dylan Hunt. It was generally well-received by critics at the time, and it currently has a fifty percent rating among audience reviewers at Rotten Tomatoes. You can watch it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 23, 1923 Avram Davidson. Equally at home writing mystery, fantasy or science fiction, he wrote two splendid Ellery Queen mysteries, And on the Eighth Day and The Fourth Side of the Triangle. I’m fond of his Vergil Magus series if only for the names of the novels, like The Phoenix and the Mirror or, The Enigmatic Speculum. There was a 2020 audiobook edition of The Avram Davidson Treasury: A Tribute Collection edited by Robert Silverberg and Grania Davis, first published in 1998, with afterwords by Ray Bradbury and Harlan Ellison, and intros by many other sff writers.  (Died 1993.) (CE)
  • Born April 23, 1946 Blair Brown, 75. Emily Jessup In Altered States (based on the Paddy Chayefsky novel) was her first genre role. Later roles include Nina Sharp, the executive director of Massive Dynamic, on Fringe, an amazing role indeed, and Elizabeth Collins Stoddard in the 2004 television remake of Dark Shadows. Her last genre role I think was Kate Durning on Elementary. (CE)
  • Born April 23, 1955 Paul J. McAuley, 66. Four Hundred Billion Stars, his first novel, won the Philip K. Dick Award, Fairyland which I adore won an Arthur C. Clarke Award and a John W. Campbell Memorial Award for Best SF Novel. He was Toastmaster along Kim Newman at Interaction. (CE) 
  • Born April 23, 1956 Caroline Thompson, 65. She wrote the screenplays for Tim Burton’s Edward ScissorhandsThe Nightmare Before Christmas, and Corpse Bride. A stage version of the latter with director and choreographer Matthew Bourne was co-adapted with her this year. She also wrote the screenplay for The Addams Family. (CE) 
  • Born April 23, 1962 John Hannah, 59. Here for being Jonathan Carnahan in The MummyThe Mummy Returns, and there was apparently a third film as well, The Mummy: Tomb of the Dragon Emperor. In a meatier role, he was the title characters in Dr. Jekyll and Mr. Hyde, and of late he’s been Holden Radcliffe on Marvel’s Agents of S.H.I.E.L.D. series. Though not even remotely genre adjacent, he was Rebus in the one of BBC adaptation in of the Ian Rankin series. (CE) 
  • Born April 23, 1973 Naomi Kritzer, 48. I saw that her 2015 short story “Cat Pictures Please” had been a Hugo Award winner at  MidAmeriCon II, so I went and purchased Cat Pictures Please and Other Stories off iBooks so I could read it. It was superb as was Catfishing on CatNet which won a Lodestar Award for Best Young Adult Book in 2020. A sequel Chaos on Catnet comes out next week. (CE)
  • Born April 23, 1564 – William Shakespeare.  After five centuries a strong candidate for greatest writer in English.  Four plays, one narrative poem for us; much else.  Where his art pointed to fantasy he was as masterly as in the more mundane.  In plays he had to inspire belief by showing his beings’ speech and acts; which he did.  Priceless to read, to perform, despite and because of what has and hasn’t changed since.  (Died 1616) [JH]
  • Born April 23, 1879 – Talbot Mundy.  Four divorces, five wives; for years fifty cigarettes a day; failed at business ventures; married money and spent it; ivory poacher; war stories of himself false.  Yet sold a score of novels, half a dozen shorter fictions – in our field, not counting e.g. seven hundred radio scripts for Jack Armstrong, the All-American Boy.  Hated fascism and Marxism-Leninism.  Racist anti-colonialist.  Sexist pioneer of strong female characters.  King – of the Khyber Rifles and Tros of Samothrace are on Kindle.  (Died 1940) [JH]
  • Born April 23, 1935 – Tom Doherty, age 86.  From book salesman to publisher of Tempo and Ace, then Tor and Tom Doherty Associates.  Skylark, Solstice, Gallun, World Fantasy Lifetime Achievement Awards.  Guest of Honor at Boskone 23; Balticon 21; Lunacon 33; Fourth Street Fantasy 1991; Minicon 29, 32, 50; ArmadilloCon24, WindyCon XXX; Westercon 58; World Fantasy Con 2008; Anticipation the 67th Worldcon.  [JH]
  • Born April 23, 1942 – Amanda Prantera, age 79.  Briton sixty years in Italy.  Translator.  Euhemerist (another fine word that).  A dozen novels.  I don’t see how anything can be “very clear” in Strange Loop; in Conversations with Lord Byron a computer given everything known about B becomes sapient (not “sentient”, Brother Clute, argh) and starts writing poetry, I’d add “naturally” but –  [JH]
  • Born April 23, 1977 – Yasser Bahjatt, age 44.  Computerman, gamer, SF fan, first Sa‘udi in Singularity University’s graduate program and thus worked on Matternet, translator of TED (Technology, Engineering, Design) talks into Arabic, chair of Jeddah for 2026 Worldcon bid.  Wrote Yaqteenya, first Arabic alternative-history novel; it and three more novels (with Ibraheem Abbas) are available in English.  Insists on “a distinct correlation between a culture’s exposure to science fiction and the amount of scientific thought”.  [JH]

(11) COMICS SECTION.

  • The Argyle Sweater only looks like it’s in Rot-13 — that’s how these aliens really speak.

(12) BUSTED. In “Meanwhile, in Texas: A McAllen Thief Pilfered $400 Worth of Spider-Man Comic Books”, Texas Monthly tries to explain why these comics were worth stealing – if you are a collector.

What happened?

Kaboom Comics, a comic-book store in McAllen, had proudly built a display of rare comics on its “Wall of Keys,” featuring iconic issues of various titles. On April 14, however, an employee noticed bare spots on the wall where some of the key issues should have been, and, after checking with coworkers, confirmed that no one had purchased them. According to MyRGV.com, the store released on social media the security footage showing the heist taking place and placed a call—a veritable bat signal, if you will—asking the community to help identify the thief. 

What did they steal?

The biggest score in the heist was a copy of Amazing Spider-Man number 252, a key 1984 issue in Spidey’s mythology. A couple of issues of Venom, a spin-off series starring the web-slinger’s more sinister counterpart, as well as a stack of new-release comics were also skimmed off of the shelves.

Who took them?

While there’s yet to be a conviction in the case, the caper seems to be relatively cut and dried: a caller identified the suspect to McAllen police, and then the man she named—Edinburg High School assistant principal Juan Martinez Jr.—turned himself in, along with the comics, to the police department, offering a full confession and waiving his Miranda rights. He was arrested and charged with a Class B misdemeanor for theft of property worth between $100 and $750 (the value of the books was estimated at $409.93)…

(13) DEER NORMAN. That’s not how it’s signed, just how it should be. Nate D. Sanders Auctions currently shows a $5,000 bid for a Walt Disney Signed ”Bambi” Cel, Personally Inscribed to Norman Rockwell. You have until April 29 to top it.

Walt Disney signed display of Bambi and Thumper cels, uniquely inscribed to fellow American icon Norman Rockwell. Disney signs the mat in green wax crayon, ”To Norman / With Best Wishes / Walt”. Large display includes cels of Bambi, Thumper, two quail birds, grass and log, used in the 1942 classic film ”Bambi”, with a hand-painted background measuring approximately 11” x 9”, framed to a size of 19.375” x 17.5”. With ”Original WDP [Walt Disney Productions]” stamp above Disney’s signature. Some foxing and light discoloration to outer portion of mat. Cels remain in beautifully well-preserved condition, with only one hairline crack appearing on Bambi’s leg. With an LOA from Carl Sprague of Stockbridge, Massachusetts, Norman Rockwell’s town, whose wife Susan Merrill was previously married to Jarvis Rockwell, Norman Rockwell’s son.

(14) PLEASE RELEASE ME. At Nerds of a Feather, Sean Dowie appreciates a novel’s account of the struggle to be free: “Microreview [Book]: Defekt by Nino Cipri”.  

…Defekt is the most enjoyably bubbly book I’ve read exploring the burden of shackles. Not literal shackles, but ones that can extend to life as a retail worker or a one of self-doubt. Those shackles siphon your time at the expense of empty praise from apathetic bosses, or it hamstrings the growth of your relationships. But Defekt shows that being unshackled and free is a possibility and is only deceptively difficult…

(15) FIRST IN THE FIELD. Also at Nerds of a Feather, Arturo Serrano’s “Review: The Dominion Anthology” leads with the note: “Ours is a time of ever-increasing visibility for African SFF—now it has its first anthology.”

…Edited by Zelda Knight and Oghenechovwe Donald Ekpeki, and with a foreword by Tananarive Due, the Dominion anthology collects twelve stories and one poem about imagined futures and reimagined pasts told with deep sincerity and robustness of worldbuilding. This is certainly an exciting time for diversity in speculative fiction….

(16) ASTRONAUTS EN ROUTE TO ISS. SpaceX Crew2 launched and the crew is on its way to the Space Station.

This is a successful re-use of SpaceX craft – Space.com has the storyL “SpaceX launches 4 astronauts to space station, nails rocket landing”.

SpaceX just launched its third astronaut mission in less than a year. 

A slightly sooty Falcon 9 rocket topped with a Crew Dragon capsule took to the skies above NASA’s Kennedy Space Center here at 5:49 a.m. EDT (0949 GMT) today (April 23), lighting up the predawn sky as it lifted off from the historic Pad 39A. The launch kicked off SpaceX’s Crew-2 mission, which will carry four astronauts — NASA’s Shane Kimbrough and Megan McArthur, French astronaut Thomas Pesquet and Japanese spaceflyer Akihiko Hoshide — on a 24-hour flight to the International Space Station (ISS).

More here, reported by Reuters: “SpaceX rocketship launches 4 astronauts on NASA mission to space station”.

…The rocket’s first stage, meanwhile, descended back to Earth and touched down safely on a landing platform floating in the Atlantic on a drone ship affectionately named Of Course I Still Love You….

(17) VIDEO OF THE DAY. While Soul may be a Hugo-nominated film, no movie is without sin – Cinema Sins, anyway: “Everything Wrong With Soul in 17 Minutes or Less”,

[Thanks to Paul Weimer, Dann, John Hertz, Cat Eldridge, Martin Morse Wooster, Andrew Porter, John King Tarpinian, Michael Toman, JJ, Kurt Schiller, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Pixel Scroll 2/27/21 If Sharon Carter Became A Zombie, Would She Be Agent Rot-13?

(1) SIDEBAR. Cat Rambo has some of the most insightful comments yet offered about the harassment spawned by Jason Sanford’s report on Baen’s Bar, as well as Mercedes Lackey’s response to others’ claims made about her history with the Bar, in “Opinion: When Writers Punch – Up, Down, or Sideways” at The World Remains Mysterious.

… When a writer publicly calls someone out, they need to be aware of all of the implications, including the fact that the more popular the writer, the more devastating the results can be, not due to any intrinsic quality of the writer, but the number of fans. The more fans, the more likely it is that the group will contain people who, emboldened by the idea of pleasing a favorite writer, can — and will — go to lengths that go far beyond the norms of civil, and sometimes legal, behavior.

This played out recently with reactions to Jason Sanford’s piece on a specific forum within the Baen’s Bar discussion boards administered by Baen Publishing, which have included web posts doxxing Sanford and calling for complaints to be made to a lengthy list of people at Sanford’s placement of employment about the post he made on his free time on a platform that has nothing to do with his employment.

As I’ve said earlier, I have a great deal of respect for Baen and hope it emerges from this watershed moment in a way that suits the bigheartedness of its founder. But in the fray, a lot of writers have been egging their followers on to do shitty things in general, and what has emerged include the above specifics.

It’s not okay to point your readers at someone and basically say “make this person miserable.” It is okay to vote with one’s pocketbook. To not buy the books of people you don’t support. That is called a boycott, and it is an established tactic. (One of my consistent practices throughout the years, though, is to read a book by each one before I make that decision, so I know what I might be missing out on. So far, no regrets.) Going beyond that is, in my opinion, is the act of someone who’s gotten carried away and is no longer seeing their target as a fellow human being, and who needs to stop and think what they are doing….

(2) COMMENTING ON THE UNSTOPPABLE. Harper Campbell reviews Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction edited by Joshua Whitehead in “An Indigenous sci-fi moment” at The Ormsby Review.

…It really matters that so much space is being created by Native writers to tell Native sci-fi stories. Science fiction has seeped into the cultural subconscious of the world, providing our basic frame of reference for each successive wave of technological change. We understand that we have entered an age of technological modernity, and it isn’t enough to see the future as simply an extension of the past. Science fiction is what helps people all over the world make sense of a “normal” that is in perpetual change.

It is a serious shortcoming of science fiction, then, that it tends to gloss over colonialism and imperialism. The implicit view of most science fiction, after all, is one in which colonizers are the true vehicle of world-historical change. Science fiction is always saying — look how far we’ve come, look how much we’ve accomplished, see how unstoppable we’ve been. And what they mean is, look how unstoppable colonialism has been.

And like colonizers, the implicit perspective of science fiction tends to see the cosmos as a field of pure resource. The tendency is to insist that the earth, our beloved green and blue earth, is after all just one planet, theoretically interchangeable with any other that could support life. And why stick to just one planet? Like Cecil Rhodes, the arch-imperialist, sci-fi aspires to annex the stars.

So when an Indigenous writer starts to put down the first words of a science fiction story, they must already be grappling with nothing less than the significance of the history of the world and what it will mean for the future. They must wrestle with the cosmic dimension of colonialism from the other side, from a perspective that could never say “Look how unstoppable we’ve been.”

(3) FUTURE TENSE. Released today, the latest in a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives (and the second presented by ASU’s Mary Lou Fulton Teachers College, as part of its work on Learning Futures and Principled Innovation.) Leigh Alexander’s short story “The Void” at Slate begins –

Five things you can touch, whispers Rose, and I touch: duvet, her hand, my own hair, the rough plaster of the wall, and my device. It wakes up, a rectangle of soft light in our dark bedroom.

Four things you can hear, she says, and I listen for the tap-tap of water from somewhere in the kitchen, the rhythm of a neighbor’s music through the floor, the rustling of bedsheets and my pounding heart.

Then Andrea Thomer, an expert on information science, provides a response essay: “Leigh Alexander’s “The Void” and information overload”.

In grad school, I remember reading about—or at least, I think I remember reading about—a new browser plug-in designed to capture your internet click trails for later re-searching. The promo materials visualized this as a beautiful network of interconnected websites, making it possible to refind any page, article, recipe, meme etc. I am easily distracted and spend approximately 18 hours a day on the internet, so this sounded like a dream come true: Never again would I waste time retracing my digital steps to find something vaguely remembered reading but neglected to bookmark! I signed up to beta test this tool immediately. Or at least I think I did. I never heard anything about this widget again, and my attempts to remember its name have all been in vain. I’ve searched through my email, browser history, Twitter likes: nothing. I may have imagined this thing. Looking for it made me feel like a character in a Borges story: wandering the library stacks in search for the one book that will tell me what stacks I’ve already been in….

On Thursday, March 4, at noon Eastern, author Leigh Alexander and Andrea K. Thomer, information scientist and assistant professor at the University of Michigan’s School of Information, will discuss this story in an hourlong online discussion moderated by Punya Mishra, professor and associate dean of scholarship and innovation at the Mary Lou Fulton Teachers College. RSVP here.

(4) THE NEXT GRANTVILLE GAZETTE. On March 1, 2021, 1632 Inc. will release Issue 94, March 2021 of The Grantville Gazette at www.grantvillegazette.com.

The Gazette is a SFWA-approved venue for professional writers, and pays professional rates. The Gazette is published every other month, and has been published since 2007. It is available in several different electronic editions, including Kindle, ePub, PDF, and more. It can be downloaded directly from the Gazette website, or from our distributor, Baen.com.

This issue features works by best-selling authors Virginia DeMarce, Iver P. Cooper, and Edward M. Lerner, as well as columns by Kristine Katherine Rusch and Walt Boyes.

Edited by Walt Boyes, with Bjorn Hasseler as managing editor, and Garrett Vance as Art Director, the Gazette offers fiction and fact, both from the 1632Universe and from the UniverseAnnex, which is designed to provide a venue for general SFF.

More than 160 authors have had their first professional sale to The Grantville Gazette, through the medium of critique and workshops, both for 1632 fiction and general SF. Some of these authors have gone on to successful careers as writing professionals.

(5) LAPL FUNDRAISER. Charles Yu will be one of the Honorary Chairs for “The Stay Home and Read a Book Ball” on March 7, hosted by the Library Foundation of Los Angeles.

WHEN:
Anytime, and for as long as you choose to celebrate on Sunday, March 7, 2021.

WHERE:
Stay safe and read in the comfort of your home, bed, or even in the bathtub! Or mask up and go for a walk with an audiobook from the Library!

HOW:
Choose a book (or many!) and let the pages transport you! Have a ball while reading at home, and show your support for the Los Angeles Public Library by donating what you would have spent at an annual gala or a night out.

Share photos of your literary festivities on Facebook, Instagram or Twitter and tell us what you’ll be reading – tag #StayHomeandRead to let others know how you are celebrating!

ATTIRE:
Choose formal or warm and fuzzy – anything goes when you’re having a ball at home.

FOOD & DRINK:
Feast on lobster and champagne, milk and cookies, or wine and cheese.

Kindly RSVP by visiting LFLA.org/StayHome, or text the word LIBRARY to 41444.

(6) SMALL TOWN, GREAT RESOURCE. The Middletown Public Library, a small town library outside of Harrisburg PA, is associated with the Science Fiction Book Club on Facebook. In 2017 the library’s Director, John Grayshaw, started reaching out to sci-fi authors and doing Q&As with them. There are now over 60 Science Fiction Author Interviews in the archives with many well-known writers including Lois McMaster Bujold, Samuel R. Delany, and Robert J. Sawyer.

The latest addition is the interview with Adrian Tchaikovsky:  

Bryan Stewart: I’m curious what’s your favorite answer to the Fermi Paradox? Do you think we’ll make first contact in our lifetimes?

[AT] I have become more pessimistic about this as I’ve got older (and the personal element of that ‘in our lifetimes’ necessarily becomes shorter). I do believe life is common in the universe, but the universe is very big so that can still produce colossal, uncrossable vistas between any two species that might appreciate each other’s’ existence. On a bad day I feel that a sufficiently advanced civilization is likely to destroy itself rather like we’re in the process of doing ourselves. On a good day I suspect that our attempts to find life are predicated far too much on that life being like us, and that we may simply not be sifting unusual alien signals from the background hiss, or may be looking in the wrong place.

(7) YOU’VE READ HER. Jonathan Lethem tells Literary Hub “Why Shirley Jackson is a Reader’s Writer”.

Ten and twenty years ago I used to play a minor parlor trick; I wonder if it would still work. When asked my favorite writer, I’d say “Shirley Jackson,” counting on most questioners to say they’d never heard of her. At that I’d reply, with as much smugness as I could muster: “You’ve read her.” When my interlocutor expressed skepticism, I’d describe “The Lottery”—still the most widely anthologized American short story of all time, I’d bet, and certainly the most controversial, and censored, story ever to debut in The New Yorker—counting seconds to the inevitable widening of my victim’s eyes: they’d not only read it, they could never forget it. I’d then happily take credit as a mind reader, though the trick was too easy by far. I don’t think it ever failed.

Jackson is one of American ?ction’s impossible presences, too material to be called a phantom in literature’s house, too in-print to be “rediscovered,” yet hidden in plain sight….

(8) FANCASTS TO CONSIDER. Cora Buhlert has expanded her Fanzine Spotlight project to fancasts, of which these are the latest entries. She says, “I’m really enjoying this project, though it has upset my Hugo ballot, because there are so many great podcasts out there I never knew about.”

Tell us about your broadcast.

The Journey Show is an outgrowth of Galactic Journey, our time machine to 55 years ago in fact and fiction. That site has been around since 1958…er…2013, and the conceit is that we are all fans living in the past, day by day, reviewing all the works of the time in the context of their time.

Tell us about your podcast or YouTube channel.

On our podcast we like to explore how narrative helps people to envision and achieve a better future. In turn, we like to talk to writers, editors, activists, gamers, and anyone else who helps us imagine those worlds. We consider our podcast to be linked thematically with HopePunk. Our interpretation of HopePunk takes a stance of hope through resistance to the current norms. Emphasis on the PUNK. Any given podcast discussion can range from a specific novel or story, to a guest’s career, politics, religion, music, writing tips, and ttrpgs. Guests often include editors, traditionally published writers, and Indie writers.

Some other previous guests have included folks like Bill Campbell, Tobias Buckell, Malka Older, P. Djeli Clark, and James Morrow, Janet Forbes (founder of the world building platform World Anvil), and Graeme Barber (writer and ttrpg critic).

Why did you decide to start your site or zine?

[Alasdair Stuart] I had it gently and affectionately pointed out to me that there was no reason not to. I’d had a lot of frustrations with freelance projects at that point (multiple projects paid years late, another company going insolvent, etc). So one day I made a joke about what my newsletter would be and 50 ‘I’d read that’ emails later I realised I had an audience if I wanted to do it. And I did. I took Matt Wallace’s words about building your own platform to heart and started building mine.

Sisters Alice Baker and Ann Spangler have set themselves the goal of reading and discussing all Hugo and Nebula winning novels.

Why did you decide to start your podcast or channel?

Alice: For me, it was because I was looking for a way to connect with my sister who I do not often get to see in person. We both have a love of the genre (although Ann likes Fantasy more), and since we were going to be discussing it anyway, I thought we should record them. I have some previous experience on the Educating Geeks podcast. Also, I find it difficult to read for hours like I used so I am trying to retrain myself.

Why did you decide to start your podcast or channel?

Way back in 2014, Andi was live-tweeting her first time through Star Trek, Grace was podcasting on All Things Trek, Jarrah was blogging at Trekkie Feminist, and Sue was podcasting and blogging at Anomaly Podcast. At different points in time, Andi, Jarrah, and Sue had all been guests with Grace on All Things Trek on TrekRadio – sometimes with each other, sometimes individually. Having been connected through podcasting, and with that show coming to a close, Andi proposed that we start our own. After much planning, Women at Warp launched as an independent podcast in 2015.

(9) PREPARING FOR THE APOCALYPSE. RS Benedict theorizes about the state of genre film in “Everyone Is Beautiful and No One Is Horny” at Blood Knife.

When Paul Verhoeven adapted Starship Troopers in the late 1990s, did he know he was predicting the future? The endless desert war, the ubiquity of military propaganda, a cheerful face shouting victory as more and more bodies pile up?

But the scene that left perhaps the greatest impact on the minds of Nineties kids—and the scene that anticipated our current cinematic age the best—does not feature bugs or guns. It is, of course, the shower scene, in which our heroic servicemen and -women enjoy a communal grooming ritual.

On the surface, it is idyllic: racial harmony, gender equality, unity behind a common goal—and firm, perky asses and tits.

And then the characters speak. The topic of conversation? Military service, of course. One joined for the sake of her political career. Another joined in the hopes of receiving her breeding license. Another talks about how badly he wants to kill the enemy. No one looks at each other. No one flirts.

A room full of beautiful, bare bodies, and everyone is only horny for war.

… This cinematic trend reflects the culture around it. Even before the pandemic hit, Millennials and Zoomers were less sexually active than the generation before them. Maybe we’re too anxious about the Apocalypse; maybe we’re too broke to go out; maybe having to live with roommates or our parents makes it a little awkward to bring a partner home; maybe there are chemicals in the environment screwing up our hormones; maybe we don’t know how to navigate human sexuality outside of rape culture; maybe being raised on the message that our bodies are a nation-ending menace has dampened our enthusiasm for physical pleasure. 

Eating disorders have steadily increased, though. We are still getting our bodies ready to fight The Enemy, and since we are at war with an abstract concept, the enemy is invisible and ethereal. To defeat it, our bodies must lose solidity as well….

(10) MEDIA BIRTHDAY.

  • February 27, 1994 — On this date in 1994, the TekWar episode TekLab first aired. Though created by William Shatner, it was actually ghost-written by writer Ron Goulart. This extended episode was directed by Timothy Bondoff the the story by Westbrook Claridge which was developed into a teleplay by? Chris Haddock. As always the lead character was Jake Cardigan played by Greg Evigan, and yes, Shatner was in the series as Walter Bascom. Torri Higginson, of later Stargate fame, got her start on this series. The series doesn’t far well with the audience reviewers at Rotten Tomatoes where it currently has a dismal thirty six percent rating. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 27, 1807 – Henry Wadsworth Longfellow.  Taught at Bowdoin and Harvard.  First American translator of Dante’s Divine Comedy; better known to many for “Paul Revere’s Ride” and Hiawatha, whose accessibility had better not blind the thoughtful.  Book-length poems, novels, plays, anthologies, a dozen volumes of poetry.  “What a writer asks of readers is not so much to like as to listen.”  (Died 1882) [JH]
  • Born February 27, 1850 – Laura Richards.  Ninety books addressed to children; fifty stories ours, at least (what should count can be unclear with “children’s”).  LR’s mother Julia Ward Howe wrote the words to “The Battle Hymn of the Republic”; 1917 Pulitzer Prize for biography of JWH by LR & sister Maud Howe Elliott “assisted by [sister] Florence Howe Hall”.  LR also wrote biographies of Abigail Adams, Florence Nightingale, Joan of Arc; 5 others.  Maybe best known for “Eletelephony”.  (Died 1943) [JH]
  • Born February 27, 1934 Van Williams. He was the Green Hornet (with the late Bruce Lee as his partner Kato) on The Green Hornet and three Batman cross-over episodes. He would voice President Lyndon B. Johnson on the Batman series, show up in an episode of Mission Impossible, and also do a one-off Quinn Martin’s Tales of the Unexpected and that’s it. (Died 2016.) (CE) 
  • Born February 27, 1938 T.A. Waters. A professional magician and magic author. He appears not terribly well-disguised as Sir Thomas Leseaux, an expert on theoretical magic as a character in Randall Garrett’s Lord Darcy fantasy series and in Michael Kurland’s The Unicorn Girl in which he also appears as Tom Waters. He himself wrote The Probability Pad which is a sequel to The Unicorn Girl. Together with Chester Anderson’s earlier The Butterfly Kid , they make up Greenwich Village trilogy. (Died 1998.)  (CE) 
  • Born February 27, 1944 Ken Grimwood. Another writer who died way too young, damn it.  Writer of several impressive genre novels including Breakthrough and Replay which I’ve thoroughly enjoyed and Into the Deep and Elise which are listed in ISFDB but which I’m not at all familiar with. So what else is worth reading by him? (Died 2003.) (CE) 
  • Born February 27, 1960 Jeff Smith, 61. Creator and illustrator of Bone, the now complete series that he readily admits that “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil. He’s won a very impressive eleven Harvey Awards and ten Eisner Awards! (CE)
  • Born February 27, 1945 – Hank Davis, age 76.  Nine short stories in e.g. AnalogF&SF, not counting one for The Last Dangerous Visions.  A dozen anthologies.  Correspondent of SF CommentarySF Review.  Served in the Army in Vietnam.  [JH]
  • Born February 27, 1951 – Mark Harrison, age 70.  Two hundred sixty covers, fifty interiors.  British SF Ass’n Award.  Here is The Story of the Stone.  Here is Valentine Pontifex.  Here is the Mar 93 Asimov’s.  Here is the Mar 95 Analog.  Here is Mercury.  Artbook, Dreamlands.  [JH]
  • Born February 27, 1964 John Pyper-Ferguson, 57. I certainly remember him best as the villain Peter Hutter on The Adventures of Brisco County, Jr. but I see that he got he got his start in Canadian horror films such as Hello Mary Lou: Prom Night II and Pin: A Plastic Nightmare. His first major SF role was in Space Marines as Col. Fraser which turns only such role. And though he has an extensive one-off career in genre series with over two dozen appearances, his occurrence as a repeated cast member is not uncommon as he’s Agent Bernard Fainon the new Night Stalker for the episodes, shows up as Tomas Vergis on Caprica for six episodes and I see he’s had a recurring role on The Last Ship as Tex  Nolan. (CE)
  • Born February 27, 1970 – Michael A. Burstein, age 51.  Twoscore short stories.  Served a term as SFWA Secretary (Science Fiction & Fantasy Writers of America), simultaneously Vice-President of NESFA (New England SF Ass’n).  Campbell Award (as it then was) for Best New Writer.  President, Society for the Preservation of Pluto as a Planet.  Fanzine (with wife Nomi Burstein), Burstzine.  [JH]
  • Born February 27, 1976 Nikki Amuka-Bird, 45. The Voice of Testimony in the Twelfth and Thirteenth Doctor story, “Twice Upon A Time”.  She’s shown up quite a bit in genre work from horror (The Omen), space opera (Jupiter Ascending)takes on folk tales (Sinbad and Robin Hood) and evening SF comedy (Avenue 5). (CE)
  • Born February 27, 1993 – Ellen Curtis, age 28.  Three novels (with Matthew LeDrew), three shorter stories; four anthologies (with Erin Vance).  Has read The Essential Calvin and HobbesThe Adventures of Huckleberry FinnThe Castle of OtrantoThe Name of the Rose, a Complete Stories & Poems of Lewis CarrollGrimms’ Fairy TalesHans Andersen’s Fairy Tales.  [JH]

(12) REDISCOVERING ‘UNDISCOVERED COUNTRY’. [Item by Olav Rokne.] Looking back on the final voyage of the original Star Trek crew, Escapist scribe Darren Mooney makes a compelling argument for the subtext of the movie. He reads the movie as a rejection of nostalgia, and the need to hear new voices within genre fiction. It’s an article that’s relevant to several of fandom’s ongoing internecine struggles: “Star Trek VI: The Undiscovered Country Rejected Franchise Nostalgia in a Way Impossible Today” at Escapist Magazine.

…Three decades later, it’s impossible to imagine a major franchise demonstrating this level of introspection without provoking a fandom civil war. The Undiscovered Country provides a contrast with films like The Rise of Skywalker, in that The Undiscovered Country is about an older generation learning that they need to step aside and make room for those that will follow, while The Rise of Skywalker is about how the older generation is never too old for a joyride in the Millennium Falcon….

(13) SLIPPED DISC. [Item by Cora Buhlert.] Talking of mysterious bronze age artefacts, here is an article about the archeological dispute involving the famous Nebra sky disc:  “Archaeologists Are Caught Up in an Intense Fight Over Just How Important the Mysterious Nebra Sky Disk Really Is” at Artnet News. Even if the sky disc is not as old as previously assumed, it is still an intensely cool artefact. I was lucky enough to see it in person a few years ago, since I have family in Halle/Saale, the town where it’s kept.

  … In September, Rupert Gebhard, director of the Munich’s Bavarian State Archaeological Collection, and Rüdiger Krause, an early European history professor at Goethe University in Frankfurt, published a paper in the German journal Archäologische Informationen arguing that the artifact—which features images of the sun, the moon, and the Pleiades star cluster—is not the remarkable earliest-known depiction of astronomical phenomena that it had been heralded as.

“It’s a very emotional object,” Gebhard told the New York Times. He believes that the looters who discovered the disk before it was recovered in 2002 moved it from its original site and reburied it with real Bronze Age artifacts to make it appear older and more valuable.

Now, a competing paper put forth by experts including Harald Meller, director of the State Museum of Prehistory in Halle, Germany, which owns the disk, has fired back….

(14) ALL THAT ROT. Here’s an interesting article about cryptography for everyday use in the 17th century: “Beyond Espionage: Cryptography for Everyday Use in 17th Century England” at Criminal Element.

 Cryptography in seventeenth-century England was not just the stuff of spies and traitors, a fact that became a major plot point in The Sign of the Gallows, my fifth Lucy Campion historical mystery. While ciphers had grown more complex between the 16th and 17th centuries with the development of new mathematics, the actual practice of secret and hidden writing occurred in different domains of everyday life. Merchants might send messages about when and where shipments might occur out of fear of theft. Leaders of non-conformist religious sects like the Quakers might communicate with their followers in code, informing them of their next meeting. Friends and merry-makers might write riddles and jests using ciphers to entertain one another, in a type of pre-parlor game. Lovers, especially those unacknowledged couples, might write amorous messages that could not be read if discovered by jealous husbands or angry parents….

(15) WRITERS’ BLOCK. Mental Floss knows fans will enjoy these “8 Facts About ‘Attack the Block’”.

5. PLACES IN THE ATTACK THE BLOCK ARE NAMED AFTER FAMOUS BRITISH SCIENCE FICTION AUTHORS.

The movie takes place in a fictional neighborhood. The main council block in the film is called Wyndham Tower in honor of John Wyndham, the English science fiction writer famous for novels such as The Day of the Triffids (1951) and The Midwich Cuckoos (1957). Other locations include Huxley Court (Aldous Huxley), Wells Court (H.G. Wells), Moore Court (Alan Moore), Ballard Street (J.G. Ballard), and Adams Street (Douglas Adams). Just after the movie title appears, the camera pans across a map of the area, showing the various names.

(16) WORSE THAN THE DIET OF WORMS. Antonio Ferme, in “George A. Romero’s Lost Movie ‘The Amusement Park’ Comes to Shudder” at Variety, says that Shudder will show Romero’s 1973 film The Amusement Park which was believed lost until it was found and restored in 2018.  The film was commissioned by the Lutheran Society to showcase problems of elder abuse but suppressed because the Lutherans thought it was too gory.

… “Amusement Park” stars Lincoln Maazel as an elderly man who finds himself increasingly disoriented and isolated during a visit to the amusement park. What he initially assumed would be an ordinary day quickly turned into a hellish nightmare filled with roller coasters and chaotic crowds….

(17) NOTHING SECEDES LIKE SUCCESS. In the Washington Post, Alexandra Petri interviews residents of Potatopia about their threat to secede if Mr. and Mrs. Potato Head became gender-neutral. “Opinion | An oral history of the Mr. Potato Head secession”.

… Helen Helenson, first applicant for asylum in Potatopia: The minutes when I thought I would have to look at a brownish plastic oval and not clearly know what gender it was were some of the most frightening of my life. I started to sob. I thought, what will they come for next? Soon I won’t know what gender any of the plastics are around my home….

(18) STREAMLINED FELINE. Gizmodo’s Andrew Liszewski sounds quite revolted by the whole idea: “Meet Flatcat, the Creepiest Robot We’ve Ever Seen”. Question: is the writer aware of that term’s sf roots? He doesn’t acknowledge them in the article.

…To make Flatcat more endearing so people will actually want to touch and interact with it, its creators at a Berlin-based robotics startup called Jetpack Cognition Lab have wrapped it in soft, fluffy fur so that it looks more like a cat—or at least a cat that somehow survived repeated run-ins with a semi-truck. In reality, Flatcat is more like like a ThiccFurrySnake, or maybe a FlattenedCaterpillar. Calling it a cat is certainly a stretch….

(19) VIDEO OF THE DAY. In “That Mitchell and Webb Look–Holmes And Watson” on YouTube, British comedians David Mitchell and Robert Webb play two actors who keep fighting over who gets to play Holmes and who gets to play Watson.

[Thanks to John Hertz, Cora Buhlert, John King Tarpinian, Martin Morse Wooster, Andrew Porter, Kurt Schiller, Mike Kennedy, Michael Toman, JJ, Walt Boyes, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]