THE STORY SO FAR . . . by Walt Boyes: Whew! We made it. We made it to Issue 100 of the Grantville Gazette. This is an incredible feat by a large group of stakeholders. Thank you, everyone.
I don’t think Eric Flint had any idea what he’d created when he sent Jim Baen the manuscript for 1632. In the intervening two-plus decades, the book he intended to be a one-shot novel has grown like the marshmallow man in Ghostbusters to encompass books from two publishing houses, a magazine (this one, that you are holding in your metaphorical hands) and allowed over 165 new authors to see their first published story in print. The Ring of Fire Universe, or the 1632 Universe, has more than twelve million words published. The Grantville Gazette is bi-monthly, publishing six times a year. To do this requires a dedicated group of editors and proofreaders, authors, and artists. Later in this issue, you can read interviews with Eric Flint and Paula Goodlett about the early days of the Grantville Gazette.
From the Grantville Gazette’s unique beginning, we knew it would be a different magazine. Growing as it did out of the writing group from Jim Baen’s Universe, it was always dedicated to finding and grooming new writers–writers who had oftentimes never published anything before, or who had published only non-fiction for their entire careers. We set up the conferences in Baen’s Bar that we still use today as a permanent floating crit group where you could post your story, get comments and criticism, rewrite and repost your story until the editor bought it. There wasn’t another crit group like it anywhere–the prize was, “We bought your story.”
I am the third editor of the magazine, and with my right-hand man, Bjorn Hasseler, we continue to build the legacy of this wonderful magazine and its crit groups on Baen’s Bar. We are always looking for new authors, and we keep finding them. Bethanne Kim, Sarah Hayes, Joy Ward, and others have been looking at the 1632 Universe from a woman’s perspective, so it isn’t all about hillbillies in Germany. Joy and others have written about LGBTQ issues in the seventeenth century. Robert Waters, Griffin Barber, and Iver Cooper have written about the collisions between 20th-century mindsets and South America, India, Japan, and the Native Americans on the West Coast of the United States. The canvas of the 1632 series is utterly vast–an entire world! Garrett Vance, who is our Graphic Designer, has also written about saving the Dodo, the thrust toward a balanced ecology, the Japanese diaspora, and the Time Spike universe. These are just the tip of the iceberg of authors and visions and topics and themes. These are only a few of the authors who have collaborated with Eric Flint’s world as he built it. As an homage to Jim Baen’s Universe magazine, we have kept a portion of the Gazette we call the Universe Annex, to publish really good science fiction from great authors, just not in the 1632 Universe.
The theme of this issue is the Committees of Correspondence set up by the Americans in the first novel, 1632. Based on the committees formed in the American Revolution, the Committees of Correspondence (CoCs) have been dedicated to improving the lives of the downtrodden in the Early Modern Era, They teach and organize on every subject from sanitation and hygiene to spreading democracy and tumbling over-reaching Adel. Above all, the CoCs are literal death to anti-Semitism and witch-burning.
We have selected twelve stories about the CoCs, including one by Eric Flint himself. It is called “1632: The Wrecking Crew” and is about Harry Lefferts and the CoC getting started. Another look at the beginnings of the CoC is from Bethanne Kim called, “Freedom Arches.” Terry Howard, one of the Gazette’s most prolific authors, gives us two stories in this issue, “Like the Mad Men of Munster,” and “Funding the CoC.” Virginia DeMarce talks about killing witch-burners in “If You Want to Write a Play with Witches.” Marc Tyrell takes a different look at the CoC killing witch-burners in “Advocatus Angeli.” In “Be Happy Now, My Enemies,” A.P. Davidson asks what happens when the Adel start fighting back. Can the CoC’s new political consciousness win against centuries of noble skulduggery?
Joy Ward returns with “It’s Only Rock and Roll, But…” showing another side of the Committees of Correspondence as a place where teenage misfits can rock out on rhythm and blues without getting in trouble, and where a young gay boy can make friends in the name of music. In “Aftermath,” Bjorn Hasseler shows that the CoC can fight and beat Swedish regulars during the rebellion of Axel Oxenstierna, and show graciousness and nobility when the fighting is over. In Michael Lockwood’s “What Price an Adel?” the story of one man’s political journey in the Magdeburg CoC is told.Edith Wild’s “Leftovers” lets us see what happens after a CoC action when a son dives in front of his father’s assassin. In “Slamfire!” by Bjorn Hasseler and Walt Boyes, a young Welsh gunsmith’s new political consciousness leads him to create a special design of shotgun cheap enough to equip all the Committees of Correspondence in Europe and North America. In the only piece of non-fiction in this issue, we present Kristine Katherine Rusch on 100 issues of the Grantville Gazette.
In the two-plus decades since Eric wrote 1632, nearly 200 people have contributed to the success of the Universe directly, and many more indirectly by reviewing and buying the books and magazines. Time passes in the original timeline, and some of those people have passed away. We want to acknowledge them and their wonderful contributions to the story:
…Finally, I want to point out that the 100th issue of the Grantville Gazette is the first that will be issued in POD as a trade paperback on Amazon. Going forward, all issues will be done this way, and we are going to go back toward the beginning issues as we can scrape up the time to do it. Eventually, the entire backlist of the magazine will be available in hard copy as well as in multiple format ebook editions.
So once again, I ask you to strap on your seat belt, keep your arms and legs inside the car, and get ready to ride the 1632 rollercoaster! Welcome aboard!
Congratulations to the Grantville Gazette – the March issue will be their 100th. Editor Walt Boyes says, “We are really excited that we have come so far. Starting with 1632, Eric Flint’s ‘standalone’ novel, we have now over 6 million words in print or in electronic form and have published 40+ novels from Baen Books and from Ring of Fire Press. We have had more than 200 authors write in the series, many of whom sold us their first professional publication.” The Grantville Gazette is a SFWA-approved venue that pays eight cents per word.
In honor of issue 100, Boyes has put out his —
CALL FOR STORIES FOR GRANTVILLE GAZETTE 100!
The next issue of the Grantville Gazette is number 100, March 2022. That’s a remarkable feat in genre publishing, and specifically for an online magazine that is dedicated to a single series: the 1632 Universe.
So, for Gazette 100, we are issuing a call for stories. The topic is “Tales of the CoC” and should be within the bounds of the 1632 Universe and have something to do with the Committees of Correspondence, the CoCs.
Stories must not exceed 5000 words. Payment is 8 cents per word. Stories are due not later than midnight January 31, 2021.
(1) SIDEBAR. Cat Rambo has some of the most insightful comments yet offered about the harassment spawned by Jason Sanford’s report on Baen’s Bar, as well as Mercedes Lackey’s response to others’ claims made about her history with the Bar, in “Opinion: When Writers Punch – Up, Down, or Sideways” at The World Remains Mysterious.
… When a writer publicly calls someone out, they need to be aware of all of the implications, including the fact that the more popular the writer, the more devastating the results can be, not due to any intrinsic quality of the writer, but the number of fans. The more fans, the more likely it is that the group will contain people who, emboldened by the idea of pleasing a favorite writer, can — and will — go to lengths that go far beyond the norms of civil, and sometimes legal, behavior.
This played out recently with reactions to Jason Sanford’s piece on a specific forum within the Baen’s Bar discussion boards administered by Baen Publishing, which have included web posts doxxing Sanford and calling for complaints to be made to a lengthy list of people at Sanford’s placement of employment about the post he made on his free time on a platform that has nothing to do with his employment.
As I’ve said earlier, I have a great deal of respect for Baen and hope it emerges from this watershed moment in a way that suits the bigheartedness of its founder. But in the fray, a lot of writers have been egging their followers on to do shitty things in general, and what has emerged include the above specifics.
It’s not okay to point your readers at someone and basically say “make this person miserable.” It is okay to vote with one’s pocketbook. To not buy the books of people you don’t support. That is called a boycott, and it is an established tactic. (One of my consistent practices throughout the years, though, is to read a book by each one before I make that decision, so I know what I might be missing out on. So far, no regrets.) Going beyond that is, in my opinion, is the act of someone who’s gotten carried away and is no longer seeing their target as a fellow human being, and who needs to stop and think what they are doing….
(2) COMMENTING ON THE UNSTOPPABLE. Harper Campbell reviews Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction edited by Joshua Whitehead in “An Indigenous sci-fi moment” at The Ormsby Review.
…It really matters that so much space is being created by Native writers to tell Native sci-fi stories. Science fiction has seeped into the cultural subconscious of the world, providing our basic frame of reference for each successive wave of technological change. We understand that we have entered an age of technological modernity, and it isn’t enough to see the future as simply an extension of the past. Science fiction is what helps people all over the world make sense of a “normal” that is in perpetual change.
It is a serious shortcoming of science fiction, then, that it tends to gloss over colonialism and imperialism. The implicit view of most science fiction, after all, is one in which colonizers are the true vehicle of world-historical change. Science fiction is always saying — look how far we’ve come, look how much we’ve accomplished, see how unstoppable we’ve been. And what they mean is, look how unstoppable colonialism has been.
And like colonizers, the implicit perspective of science fiction tends to see the cosmos as a field of pure resource. The tendency is to insist that the earth, our beloved green and blue earth, is after all just one planet, theoretically interchangeable with any other that could support life. And why stick to just one planet? Like Cecil Rhodes, the arch-imperialist, sci-fi aspires to annex the stars.
So when an Indigenous writer starts to put down the first words of a science fiction story, they must already be grappling with nothing less than the significance of the history of the world and what it will mean for the future. They must wrestle with the cosmic dimension of colonialism from the other side, from a perspective that could never say “Look how unstoppable we’ve been.”
Five things you can touch, whispers Rose, and I touch: duvet, her hand, my own hair, the rough plaster of the wall, and my device. It wakes up, a rectangle of soft light in our dark bedroom.
Four things you can hear, she says, and I listen for the tap-tap of water from somewhere in the kitchen, the rhythm of a neighbor’s music through the floor, the rustling of bedsheets and my pounding heart.
In grad school, I remember reading about—or at least, I think I remember reading about—a new browser plug-in designed to capture your internet click trails for later re-searching. The promo materials visualized this as a beautiful network of interconnected websites, making it possible to refind any page, article, recipe, meme etc. I am easily distracted and spend approximately 18 hours a day on the internet, so this sounded like a dream come true: Never again would I waste time retracing my digital steps to find something vaguely remembered reading but neglected to bookmark! I signed up to beta test this tool immediately. Or at least I think I did. I never heard anything about this widget again, and my attempts to remember its name have all been in vain. I’ve searched through my email, browser history, Twitter likes: nothing. I may have imagined this thing. Looking for it made me feel like a character in a Borges story: wandering the library stacks in search for the one book that will tell me what stacks I’ve already been in….
On Thursday, March 4, at noon Eastern, author Leigh Alexander and Andrea K. Thomer, information scientist and assistant professor at the University of Michigan’s School of Information, will discuss this story in an hourlong online discussion moderated by Punya Mishra, professor and associate dean of scholarship and innovation at the Mary Lou Fulton Teachers College. RSVP here.
(4) THE NEXT GRANTVILLE GAZETTE. On March 1, 2021, 1632 Inc. will release Issue 94, March 2021 of The Grantville Gazette at www.grantvillegazette.com.
The Gazette is a SFWA-approved venue for professional writers, and pays professional rates. The Gazette is published every other month, and has been published since 2007. It is available in several different electronic editions, including Kindle, ePub, PDF, and more. It can be downloaded directly from the Gazette website, or from our distributor, Baen.com.
This issue features works by best-selling authors Virginia DeMarce, Iver P. Cooper, and Edward M. Lerner, as well as columns by Kristine Katherine Rusch and Walt Boyes.
Edited by Walt Boyes, with Bjorn Hasseler as managing editor, and Garrett Vance as Art Director, the Gazette offers fiction and fact, both from the 1632Universe and from the UniverseAnnex, which is designed to provide a venue for general SFF.
More than 160 authors have had their first professional sale to The Grantville Gazette, through the medium of critique and workshops, both for 1632 fiction and general SF. Some of these authors have gone on to successful careers as writing professionals.
WHEN: Anytime, and for as long as you choose to celebrate on Sunday, March 7, 2021.
WHERE: Stay safe and read in the comfort of your home, bed, or even in the bathtub! Or mask up and go for a walk with an audiobook from the Library!
HOW: Choose a book (or many!) and let the pages transport you! Have a ball while reading at home, and show your support for the Los Angeles Public Library by donating what you would have spent at an annual gala or a night out.
Share photos of your literary festivities on Facebook, Instagram or Twitter and tell us what you’ll be reading – tag #StayHomeandRead to let others know how you are celebrating!
ATTIRE: Choose formal or warm and fuzzy – anything goes when you’re having a ball at home.
FOOD & DRINK: Feast on lobster and champagne, milk and cookies, or wine and cheese.
Bryan Stewart: I’m curious what’s your favorite answer to the Fermi Paradox? Do you think we’ll make first contact in our lifetimes?
[AT] I have become more pessimistic about this as I’ve got older (and the personal element of that ‘in our lifetimes’ necessarily becomes shorter). I do believe life is common in the universe, but the universe is very big so that can still produce colossal, uncrossable vistas between any two species that might appreciate each other’s’ existence. On a bad day I feel that a sufficiently advanced civilization is likely to destroy itself rather like we’re in the process of doing ourselves. On a good day I suspect that our attempts to find life are predicated far too much on that life being like us, and that we may simply not be sifting unusual alien signals from the background hiss, or may be looking in the wrong place.
Ten and twenty years ago I used to play a minor parlor trick; I wonder if it would still work. When asked my favorite writer, I’d say “Shirley Jackson,” counting on most questioners to say they’d never heard of her. At that I’d reply, with as much smugness as I could muster: “You’ve read her.” When my interlocutor expressed skepticism, I’d describe “The Lottery”—still the most widely anthologized American short story of all time, I’d bet, and certainly the most controversial, and censored, story ever to debut in The New Yorker—counting seconds to the inevitable widening of my victim’s eyes: they’d not only read it, they could never forget it. I’d then happily take credit as a mind reader, though the trick was too easy by far. I don’t think it ever failed.
Jackson is one of American ?ction’s impossible presences, too material to be called a phantom in literature’s house, too in-print to be “rediscovered,” yet hidden in plain sight….
(8) FANCASTS TO CONSIDER. Cora Buhlert has expanded her Fanzine Spotlight project to fancasts, of which these are the latest entries. She says, “I’m really enjoying this project, though it has upset my Hugo ballot, because there are so many great podcasts out there I never knew about.”
The Journey Show is an outgrowth of Galactic Journey, our time machine to 55 years ago in fact and fiction. That site has been around since 1958…er…2013, and the conceit is that we are all fans living in the past, day by day, reviewing all the works of the time in the context of their time.
On our podcast we like to explore how narrative helps people to envision and achieve a better future. In turn, we like to talk to writers, editors, activists, gamers, and anyone else who helps us imagine those worlds. We consider our podcast to be linked thematically with HopePunk. Our interpretation of HopePunk takes a stance of hope through resistance to the current norms. Emphasis on the PUNK. Any given podcast discussion can range from a specific novel or story, to a guest’s career, politics, religion, music, writing tips, and ttrpgs. Guests often include editors, traditionally published writers, and Indie writers.
Some other previous guests have included folks like Bill Campbell, Tobias Buckell, Malka Older, P. Djeli Clark, and James Morrow, Janet Forbes (founder of the world building platform World Anvil), and Graeme Barber (writer and ttrpg critic).
[Alasdair Stuart] I had it gently and affectionately pointed out to me that there was no reason not to. I’d had a lot of frustrations with freelance projects at that point (multiple projects paid years late, another company going insolvent, etc). So one day I made a joke about what my newsletter would be and 50 ‘I’d read that’ emails later I realised I had an audience if I wanted to do it. And I did. I took Matt Wallace’s words about building your own platform to heart and started building mine.
Sisters Alice Baker and Ann Spangler have set themselves the goal of reading and discussing all Hugo and Nebula winning novels.
Why did you decide to start your podcast or channel?
Alice: For me, it was because I was looking for a way to connect with my sister who I do not often get to see in person. We both have a love of the genre (although Ann likes Fantasy more), and since we were going to be discussing it anyway, I thought we should record them. I have some previous experience on the Educating Geeks podcast. Also, I find it difficult to read for hours like I used so I am trying to retrain myself.
Why did you decide to start your podcast or channel?
Way back in 2014, Andi was live-tweeting her first time through Star Trek, Grace was podcasting on All Things Trek, Jarrah was blogging at Trekkie Feminist, and Sue was podcasting and blogging at Anomaly Podcast. At different points in time, Andi, Jarrah, and Sue had all been guests with Grace on All Things Trek on TrekRadio – sometimes with each other, sometimes individually. Having been connected through podcasting, and with that show coming to a close, Andi proposed that we start our own. After much planning, Women at Warp launched as an independent podcast in 2015.
When Paul Verhoeven adapted Starship Troopers in the late 1990s, did he know he was predicting the future? The endless desert war, the ubiquity of military propaganda, a cheerful face shouting victory as more and more bodies pile up?
But the scene that left perhaps the greatest impact on the minds of Nineties kids—and the scene that anticipated our current cinematic age the best—does not feature bugs or guns. It is, of course, the shower scene, in which our heroic servicemen and -women enjoy a communal grooming ritual.
On the surface, it is idyllic: racial harmony, gender equality, unity behind a common goal—and firm, perky asses and tits.
And then the characters speak. The topic of conversation? Military service, of course. One joined for the sake of her political career. Another joined in the hopes of receiving her breeding license. Another talks about how badly he wants to kill the enemy. No one looks at each other. No one flirts.
A room full of beautiful, bare bodies, and everyone is only horny for war.
… This cinematic trend reflects the culture around it. Even before the pandemic hit, Millennials and Zoomers were less sexually active than the generation before them. Maybe we’re too anxious about the Apocalypse; maybe we’re too broke to go out; maybe having to live with roommates or our parents makes it a little awkward to bring a partner home; maybe there are chemicals in the environment screwing up our hormones; maybe we don’t know how to navigate human sexuality outside of rape culture; maybe being raised on the message that our bodies are a nation-ending menace has dampened our enthusiasm for physical pleasure.
Eating disorders have steadily increased, though. We are still getting our bodies ready to fight The Enemy, and since we are at war with an abstract concept, the enemy is invisible and ethereal. To defeat it, our bodies must lose solidity as well….
(10) MEDIA BIRTHDAY.
February 27, 1994 — On this date in 1994, the TekWar episode TekLab first aired. Though created by William Shatner, it was actually ghost-written by writer Ron Goulart. This extended episode was directed by Timothy Bondoff the the story by Westbrook Claridge which was developed into a teleplay by? Chris Haddock. As always the lead character was Jake Cardigan played by Greg Evigan, and yes, Shatner was in the series as Walter Bascom. Torri Higginson, of later Stargate fame, got her start on this series. The series doesn’t far well with the audience reviewers at Rotten Tomatoes where it currently has a dismal thirty six percent rating.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 27, 1807 – Henry Wadsworth Longfellow. Taught at Bowdoin and Harvard. First American translator of Dante’s Divine Comedy; better known to many for “Paul Revere’s Ride” and Hiawatha, whose accessibility had better not blind the thoughtful. Book-length poems, novels, plays, anthologies, a dozen volumes of poetry. “What a writer asks of readers is not so much to like as to listen.” (Died 1882) [JH]
Born February 27, 1850 – Laura Richards. Ninety books addressed to children; fifty stories ours, at least (what should count can be unclear with “children’s”). LR’s mother Julia Ward Howe wrote the words to “The Battle Hymn of the Republic”; 1917 Pulitzer Prize for biography of JWH by LR & sister Maud Howe Elliott “assisted by [sister] Florence Howe Hall”. LR also wrote biographies of Abigail Adams, Florence Nightingale, Joan of Arc; 5 others. Maybe best known for “Eletelephony”. (Died 1943) [JH]
Born February 27, 1934 — Van Williams. He was the Green Hornet (with the late Bruce Lee as his partner Kato) on The Green Hornet and three Batman cross-over episodes. He would voice President Lyndon B. Johnson on the Batman series, show up in an episode of Mission Impossible, and also do a one-off Quinn Martin’s Tales of the Unexpected and that’s it. (Died 2016.) (CE)
Born February 27, 1938 — T.A. Waters. A professional magician and magic author. He appears not terribly well-disguised as Sir Thomas Leseaux, an expert on theoretical magic as a character in Randall Garrett’s Lord Darcy fantasy series and in Michael Kurland’s The Unicorn Girl in which he also appears as Tom Waters. He himself wrote The Probability Pad which is a sequel to The Unicorn Girl. Together with Chester Anderson’s earlier The Butterfly Kid , they make up Greenwich Village trilogy. (Died 1998.) (CE)
Born February 27, 1944 — Ken Grimwood. Another writer who died way too young, damn it. Writer of several impressive genre novels including Breakthrough and Replay which I’ve thoroughly enjoyed and Into the Deep and Elise which are listed in ISFDB but which I’m not at all familiar with. So what else is worth reading by him? (Died 2003.) (CE)
Born February 27, 1960 — Jeff Smith, 61. Creator and illustrator of Bone, the now complete series that he readily admits that “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil. He’s won a very impressive eleven Harvey Awards and ten Eisner Awards! (CE)
Born February 27, 1945 – Hank Davis, age 76. Nine short stories in e.g. Analog, F&SF, not counting one for The Last Dangerous Visions. A dozen anthologies. Correspondent of SF Commentary, SF Review. Served in the Army in Vietnam. [JH]
Born February 27, 1951 – Mark Harrison, age 70. Two hundred sixty covers, fifty interiors. British SF Ass’n Award. Here is The Story of the Stone. Here is Valentine Pontifex. Here is the Mar 93 Asimov’s. Here is the Mar 95 Analog. Here is Mercury. Artbook, Dreamlands. [JH]
Born February 27, 1964 — John Pyper-Ferguson, 57. I certainly remember him best as the villain Peter Hutter on The Adventures of Brisco County, Jr. but I see that he got he got his start in Canadian horror films such as Hello Mary Lou: Prom Night II and Pin: A Plastic Nightmare. His first major SF role was in Space Marines as Col. Fraser which turns only such role. And though he has an extensive one-off career in genre series with over two dozen appearances, his occurrence as a repeated cast member is not uncommon as he’s Agent Bernard Fainon the new Night Stalker for the episodes, shows up as Tomas Vergis on Caprica for six episodes and I see he’s had a recurring role on The Last Ship as Tex Nolan. (CE)
Born February 27, 1970 – Michael A. Burstein, age 51. Twoscore short stories. Served a term as SFWA Secretary (Science Fiction & Fantasy Writers of America), simultaneously Vice-President of NESFA (New England SF Ass’n). Campbell Award (as it then was) for Best New Writer. President, Society for the Preservation of Pluto as a Planet. Fanzine (with wife Nomi Burstein), Burstzine. [JH]
Born February 27, 1976 — Nikki Amuka-Bird, 45. The Voice of Testimony in the Twelfth and Thirteenth Doctor story, “Twice Upon A Time”. She’s shown up quite a bit in genre work from horror (The Omen), space opera (Jupiter Ascending), takes on folk tales (Sinbad and Robin Hood) and evening SF comedy (Avenue 5). (CE)
Born February 27, 1993 – Ellen Curtis, age 28. Three novels (with Matthew LeDrew), three shorter stories; four anthologies (with Erin Vance). Has read The Essential Calvin and Hobbes, The Adventures of Huckleberry Finn, The Castle of Otranto, The Name of the Rose, a Complete Stories & Poems of Lewis Carroll, Grimms’ Fairy Tales, Hans Andersen’s Fairy Tales. [JH]
(12) REDISCOVERING ‘UNDISCOVERED COUNTRY’. [Item by Olav Rokne.] Looking back on the final voyage of the original Star Trek crew, Escapist scribe Darren Mooney makes a compelling argument for the subtext of the movie. He reads the movie as a rejection of nostalgia, and the need to hear new voices within genre fiction. It’s an article that’s relevant to several of fandom’s ongoing internecine struggles: “Star Trek VI: The Undiscovered Country Rejected Franchise Nostalgia in a Way Impossible Today” at Escapist Magazine.
…Three decades later, it’s impossible to imagine a major franchise demonstrating this level of introspection without provoking a fandom civil war. The Undiscovered Country provides a contrast with films like The Rise of Skywalker, in that The Undiscovered Country is about an older generation learning that they need to step aside and make room for those that will follow, while The Rise of Skywalker is about how the older generation is never too old for a joyride in the Millennium Falcon….
… In September, Rupert Gebhard, director of the Munich’s Bavarian State Archaeological Collection, and Rüdiger Krause, an early European history professor at Goethe University in Frankfurt, published a paper in the German journal Archäologische Informationen arguing that the artifact—which features images of the sun, the moon, and the Pleiades star cluster—is not the remarkable earliest-known depiction of astronomical phenomena that it had been heralded as.
“It’s a very emotional object,” Gebhard told the New York Times. He believes that the looters who discovered the disk before it was recovered in 2002 moved it from its original site and reburied it with real Bronze Age artifacts to make it appear older and more valuable.
Cryptography in seventeenth-century England was not just the stuff of spies and traitors, a fact that became a major plot point in The Sign of the Gallows, my fifth Lucy Campion historical mystery. While ciphers had grown more complex between the 16th and 17th centuries with the development of new mathematics, the actual practice of secret and hidden writing occurred in different domains of everyday life. Merchants might send messages about when and where shipments might occur out of fear of theft. Leaders of non-conformist religious sects like the Quakers might communicate with their followers in code, informing them of their next meeting. Friends and merry-makers might write riddles and jests using ciphers to entertain one another, in a type of pre-parlor game. Lovers, especially those unacknowledged couples, might write amorous messages that could not be read if discovered by jealous husbands or angry parents….
5. PLACES IN THE ATTACK THE BLOCK ARE NAMED AFTER FAMOUS BRITISH SCIENCE FICTION AUTHORS.
The movie takes place in a fictional neighborhood. The main council block in the film is called Wyndham Tower in honor of John Wyndham, the English science fiction writer famous for novels such as The Day of the Triffids (1951) and The Midwich Cuckoos (1957). Other locations include Huxley Court (Aldous Huxley), Wells Court (H.G. Wells), Moore Court (Alan Moore), Ballard Street (J.G. Ballard), and Adams Street (Douglas Adams). Just after the movie title appears, the camera pans across a map of the area, showing the various names.
(16) WORSE THAN THE DIET OF WORMS. Antonio Ferme, in “George A. Romero’s Lost Movie ‘The Amusement Park’ Comes to Shudder” at Variety, says that Shudder will show Romero’s 1973 film The Amusement Park which was believed lost until it was found and restored in 2018. The film was commissioned by the Lutheran Society to showcase problems of elder abuse but suppressed because the Lutherans thought it was too gory.
… “Amusement Park” stars Lincoln Maazel as an elderly man who finds himself increasingly disoriented and isolated during a visit to the amusement park. What he initially assumed would be an ordinary day quickly turned into a hellish nightmare filled with roller coasters and chaotic crowds….
… Helen Helenson, first applicant for asylum in Potatopia: The minutes when I thought I would have to look at a brownish plastic oval and not clearly know what gender it was were some of the most frightening of my life. I started to sob. I thought, what will they come for next? Soon I won’t know what gender any of the plastics are around my home….
…To make Flatcat more endearing so people will actually want to touch and interact with it, its creators at a Berlin-based robotics startup called Jetpack Cognition Lab have wrapped it in soft, fluffy fur so that it looks more like a cat—or at least a cat that somehow survived repeated run-ins with a semi-truck. In reality, Flatcat is more like like a ThiccFurrySnake, or maybe a FlattenedCaterpillar. Calling it a cat is certainly a stretch….
(19) VIDEO OF THE DAY. In “That Mitchell and Webb Look–Holmes And Watson” on YouTube, British comedians David Mitchell and Robert Webb play two actors who keep fighting over who gets to play Holmes and who gets to play Watson.
[Thanks to John Hertz, Cora Buhlert, John King Tarpinian, Martin Morse Wooster, Andrew Porter, Kurt Schiller, Mike Kennedy, Michael Toman, JJ, Walt Boyes, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]