Tag Archives: NyCon I

Pixel Scroll 6/21/24 Asleep At The Wheel Of Time

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(1) WOOKIEEPEDIA IS TARGET OF HARASSMENT. ScreenRant tells why “Wookieepedia Under Fire For Changing Ki-Adi-Mundi’s Birth Date After The Acolyte”.

Wookipedia, the official Star Wars wiki, has come under fire after making an edit to Ki-Adi-Mundi’s canon page based on The Acolyte. Jedi Master Ki-Adi-Mundi is hardly the most famous character in the Star Wars franchise; the Cerean Jedi has only a handful of lines, and his most notable moment in canon was ordering a flavorless slushie in John Jackson Miller’s tremendous book The Living Force. But Ki-Adi-Mundi’s cameo in The Acolyte has turned into a source of controversy based on his date of birth.

Wookipedia, the official Star Wars wiki, updated its page on Ki-Adi-Mundi to reflect the fact he’s canonically alive during The Acolyte, 100 years before Star Wars: Episode I – The Phantom Menace. The editors on the site were shocked at the strength of the backlash, with some even receiving death threats….

… Ki-Adi-Mundi‘s age was previously established in only two sources: a 1999 CD-ROM released after Star Wars: Episode I – The Phantom Menace and a 2013 trading card. George Lucas himself contradicted some of the contents of the CD-ROM when he changed Ki-Adi-Mundi’s lightsaber color in later movies, and both were rendered non-canon by Disney in 2014. In canon, Ki-Adi-Mundi’s age has never been specified.

The problem is less with the change of canon than the current backlash against The Acolyte, which has even seen a review-bombing campaign on Rotten Tomatoes. Wookipedia is simply the latest target; all the site’s editors have actually done is update the information on the canon character page, but that simple act has unfortunately received a backlash. Some trolls have taken to sharing images of Ki-Adi-Mundi’s Legends page, carefully edited to remove the “Legends” banner – which certainly illustrates that this whole debate isn’t in good faith.

(2) EXPENSIVE RELIC OF FIRST WORLDCON. Frank R. Paul’s artwork for the first Worldcon program book (1939) was sold for $10,200 today by Heritage Auctions.

Frank R. Paul World Science Fiction Convention – Nycon Program Book Illustration Original Art (Nycon, 1939). From the first ever World Science Fiction Convention (aka Worldcon) in 1939! And the art is by noted sci-fi artist Frank R. Paul, which makes this doubly desirable! The original art for this program banner was created in ink and signed in the lower right of the 20.5″ x 3.25″ image area. UV Glass-front framed to 29″ x 12.75″. Lightly toned, with some minor whiteout art clean-ups. In Very Good condition. From the Roger Hill Collection.

(3) PUBLISHING PENDULUM SWINGING? Book Riot’s Jeff O’Neal asks the question “Has the DEI Backlash Come for Publishing?” and looks for the answer in The Atlantic:

Dan Sinykin and Richard Jean So have some fascinating data in The Atlantic. In looking at the racial breakdown of more than 1700 novels published by major publishers in the last five years (2019 – 2023), Sinykin and So found that the percentage by nonwhite writers doubled, from a meager 8% in 2019 to a better, though still well short of U.S. demographics, 16% in 2023. This is tremendous progress and, anecdotally, feels about right. The framing of the piece is in the context of Lisa Lucas’ firing from Pantheon, which is both relevant as the sharp rise roughly corresponds with the environment Lucas was hired in. And they are right, as is anyone, to mention that there is still work to be done. However, the scale of the increase makes me wonder if we are over-indexing on one or two notable, public names rather than the hundreds and hundreds of books by writers of color that just weren’t being published in the last five years. Do the firing of these editors portend a stagnation, or worse a regression, in these numbers? It’s possible. It is also possible that things really are different now, even as they should be more different still. I look forward to seeing these numbers again in five years…and that the pie is even more equitably sliced then.

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to bite into a burrito with writer Elwin Cotman in Episode 228 of the Eating the Fantastic podcast.

Elwin Cotman

This time around my guest is Elwin Cotman, with whom I slipped away for dinner at the nearby R&R Taqueria.

Cotman’s short story collection Dance on Saturday, published by Small Beer Press, was one of the finalists for the 2021 Philip K. Dick Award. His latest short story collection, Weird Black Girls, was released two months ago as this episode goes live.

He’s also the author of three other books: the poetry collection The Wizard’s Homecoming, plus the short story collections The Jack Daniels Sessions EP and Hard Times Blues. His writing has appeared in Grist, Electric Lit, Buzzfeed, The Southwestern Review, and The Offing, plus many others venues. He’s worked as a video game consultant and writer for Square Enix. His debut novel The Age of Ignorance will be published by Scribner in 2025.

We discussed why forcing science fictional elements into non-science fictional stories can weaken them, the interdimensional cross-genre story cycle he hopes to write someday about a wrestling family, the way the novella is his natural length, why he loves Robert E. Howard’s Hyborian Age stories, how to create compelling metaphors and similes, the way rereading Tama Janowitz’s Slaves of New York helped him with the connective tissue of his own sentences, the reason Mary Gaitskill is the world’s greatest living writer, and much more.

(5) STOKER’S FAN LETTER. “’Dracula’ Author Bram Stoker’s Extraordinary Love Letter to Walt Whitman” in The Marginalian. Here is the introduction; the text of both letters is at the link.

A quarter century before his now-classic epistolary novel Dracula catapulted Abraham “Bram” Stoker (November 8, 1847–April 20, 1912) into literary celebrity, the twenty-four-year-old aspiring author used the epistolary form for a masterpiece of a different order. Still months away from his first published short story, he composed a stunning letter of admiration and adoration to his great literary idol: Walt Whitman (May 31, 1819–March 26, 1892).

Long before William James coined the notion of stream of consciousness, Stoker poured forth a long stream of sentiment cascading through various emotions — surging confidence bordering on hubris, delicate self-doubt, absolute artist-to-artist adoration — channeled with the breathless intensity of a love letter, without interruption. He had fallen under Whitman’s spell when Leaves of Grass made its belated debut in England in 1868, with Whitman’s stunning preface to the 1855 edition. Stoker would later recount that ever since that initial enchantment, he had been wishing to pour out his heart in such a way “but was, somehow, ashamed or diffident — the qualities are much alike.” In February of 1872, the time for this effusion of enchantment seemed to have come.

But it was a fleeting moment of courage — Stoker couldn’t bring himself to mail his extraordinary letter. For four years, it haunted his desk, part muse and part goblin….

(6) RUSS AND HACKER CORRESPONDENCE. “Intelligent, Attractive, Powerful Lesbians Conquering the World” quotes The Paris Review.

The following correspondence between Joanna Russ and Marilyn Hacker is drawn from a new edition of Russ’s On Strike Against God (1980), edited by Alec Pollak, to be published by Feminist Press in July. You can read Pollak’s introduction to the work of Joanna Russ on the Daily here.

Here’s an excerpt from the Russ letter:

…Suppose, for example, in The Left Hand of Darkness, Estraven hadn’t died? What a bloody moral mess Le Guin would have on her (I almost wrote “his”) hands! Here we have an alien hermaphrodite and a male human (who’s not quite real) in bed together. Worse still, living together. Could they live happily ever after? What would the real quality of their feeling for each other be? Could they get along? (Probably not.) Would they end up quarreling? (Their heat periods don’t match, let alone culture shock.) So the great old Western Tragic Love Story is called in to wipe out all the very human, very real questions, and we can luxuriate in passion without having to really explore the relationship. You see what I mean….

And The Paris Review has an additional, separate article “On Joanna Russ”.

Bury Your Gays: the latest tongue-in-cheek name for authors’ tendency to end queer relationships by killing somebody off, or having someone revert to heterosexuality, or introducing something that abruptly ends a queer storyline. The message: queer love is doomed, fated for tragedy. The trope has existed for decades, and although there are plenty of books and movies and television shows now that aren’t guilty of it, Bury Your Gays is by no means a thing of the past. In 2016, the death of The 100 character Lexa reintroduced Bury Your Gays to a whole new generation and reminded seasoned viewers—who could recall the infamous death of the character Tara Maclay on Buffy the Vampire Slayer—that the trope was alive and well. More recently, Killing Eve’s series finale reminded viewers yet again.  

Joanna Russ (1937–2011), who wrote genre-bending feminist fiction throughout the seventies and whose The Female Man (1975) catapulted her to fame at the height of the women’s movement, agonized over Bury Your Gays. In 1973, Russ was writing On Strike Against God (1980), an explicitly lesbian campus novel about feminist self-discovery and coming out. But her head was, in her words, “full of heterosexual channeling.” She felt constrained—enraged, often—by the limited possibilities for how to write queer life, but she struggled to imagine otherwise. “How can you write about what really hasn’t happened?” Russ appealed to her friend, the poet Marilyn Hacker, as she pondered the relationship between life and literature for people whose identities, desires, and ambitions were erased and denounced by mainstream culture….

(7) MEMORY LANE.

[Compiled by Cat Eldridge.]

June 21, 1991 — The Rocketeer. There are some films that I just like without reservation. One of these is The Rocketeer, released internationally as The Adventures of the Rocketeer, that premiered on this date in the States thirty-three years ago. I’ve seen this one at least three or four times. It’s proof that the Disney can actually be creative unlike the Marvel films which have all the weakness of a franchise undertaking. (End of rant. I promise.)

It was directed by Joe Johnston whose only previous genre film was Honey, I Shrunk the Kids and produced by the trio of Charles Gordon, Lawrence Gordon and Lloyd Levin. None had done anything that suggested they’d be up to this level of excellence. (Yes, my bias is showing.) The script was by Danny Bilson and Paul De Meo who did the most excellent Trancers. Bilson wrote the story along with Paul De Meo and William Dear.

Now the source material was the stellar Rocketeer graphic novel series that the late Dave Steven was responsible for. If you’ve not read it, why not?

The cast of Bill Campbell, Alan Arkin, Jennifer Connelly, Paul Sorvino and Timothy Dalton was just damn perfect. And there wasn’t anything in the film from the design of the Rocketeer outfit itself to the creation of the Nazi Zeppelin which was a thirty-two-foot-long model that isn’t spot on. Cool, very cool. The visual effects were designed and done by George Lucas’ ILM. 

Disney being Disney never did actually release an actual production budget but Variety figured that it cost at least forty million, if not much more. It certainly didn’t make much as it only grossed forty seven million at the very best. 

So what did critics at the time think of this stellar film? 

Well, Ebert of Chicago Sun-Times liked it: “The movie lacks the wit and self-mocking irony of the Indiana Jones movies, and instead seems like a throwback to the simple-minded, clean-cut sensibility of a less complicated time.” 

Pete Travers  of the Rolling Stone was equally upbeat: “But then the film is awash in all kinds of surprises that are too juicy to reveal. The Rocketeer is more than one of the best films of the summer; it’s the kind of movie magic that we don’t see much anymore — the kind that charms us, rather than bullying us, into suspending disbelief.” 

Audience reviewers at Rotten Tomatoes give it an excellent sixty-seven percent rating.  It is of course streaming on Disney +. 

It was nominated for a Hugo at MagicCon, the year Terminator 2: Judgment Day got the Hugo. 

(8) COMICS SECTION.

  • Bliss requires knowledge of furniture and mushrooms with changed spelling.
  • Close to Home appeals to an unusual customer.
  • Non Sequitur adds other travelers to a familiar story.
  • Reality Check verbs a superhero’s name.

(9) MALCOLM REYNOLDS IN THE BEGINNING. “Firefly Prequel Series Announced” reports Comicbook.com.

Firefly‘s Captain Malcolm Reynolds is finally getting an origin story. Boom! Studios has announced Firefly: Malcolm Reynolds Year One, a new Firefly prequel series telling of Mal’s earliest adventures. Sam Humphries, writer of the Firefly: The Fall Guys miniseries, is writing the new prequel. Artist Giovanni Fabiano is making their comics debut on the series, colored by Gloria Martinelli, who also worked on Firefly: The Fall Guys. Here’s the series description provided by Boom via a press release: “Despite starting from an unlikely place, Malcolm Reynolds has always been a troublemaker. Becoming a Browncoat was always meant to be. But what unexpected obstacles lie on that path to him becoming the Captain that fans know and love? To him assembling and leading the crew of the spaceship Serenity?”

Those questions will seemingly be answered as Firefly: Malcolm Reynolds Year One progresses. The series is set in the early days of the Unification War, the conflict in which the Browncoats fought a losing battle against consolidated rule by the Alliance, previously touched upon by Boom’s first Firefly series….

(10) GOING, GOING… TVLine’s “Best TV Series Finales of All Time, Ranked” includes many genre shows. Spoilers, I guess. One iteration of Star Trek finished well, at least.

12. Star Trek: The Next Generation

What better way to wrap the sci-fi franchise’s first offshoot than with a throwback to TNG‘s premiere? Captain Picard time-jumped among three distinct eras of his life, only to realize that humanity’s trial — which Q kicked off in the series’ premiere, “Encounter at Farpoint” — was still underway. Of course, Jean-Luc came out on top, avoiding the Enterprise’s eventual destruction and even fitting in a poker game with his crew before the credits rolled.

(11) AGE SPOTS. Mashable checks in as “Scientists discover how old Jupiter’s Great Red Spot really is”.

…Centuries ago, a huge red spot on Jupiter vanished. But years later, a new one was born.

Today we know this conspicuous feature as the “Great Red Spot,” a swirling storm wider than Earth. Curiously, earlier astronomers, like Giovanni Domenico Cassini in 1665, also observed a colossal red storm at the same latitude on Jupiter — raising the possibility that they’re actually the same storm.

In newly published research, however, astronomers sleuthed through historical drawings and early telescope observations of Jupiter to conclude that today’s spot is indeed a separate storm from its predecessor, unfittingly known as the “Permanent Spot.” It likely disappeared between the mid-18th and 19th centuries.

“What is certain is that no astronomer of the time reported any spot at that latitude for 118 years,” Agustín Sánchez-Lavega, a planetary scientist at the University of the Basque Country in Spain, told Mashable.

Then, in 1831, astronomers started seeing a conspicuous red spot again. The new research, published in Geophysical Research Letters, concludes this latest spot is at least 190 years old….

 [Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who took his inspiration from the great, Grammy-winning Western Swing band Asleep At The Wheel.]

Pixel Scroll 6/19/24 No Scroll Comes Between Me And My Pixel

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(1) RELIC OF FIRST WORLDCON. You have one day left to bid on Frank R. Paul’s artwork for the first Worldcon program book (1939) at Heritage Auctions. It was going for $925 when I looked earlier.

Frank R. Paul World Science Fiction Convention – Nycon Program Book Illustration Original Art (Nycon, 1939). From the first ever World Science Fiction Convention (aka Worldcon) in 1939! And the art is by noted sci-fi artist Frank R. Paul, which makes this doubly desirable! The original art for this program banner was created in ink and signed in the lower right of the 20.5″ x 3.25″ image area. UV Glass-front framed to 29″ x 12.75″. Lightly toned, with some minor whiteout art clean-ups. In Very Good condition.
From the Roger Hill Collection.

(2) WATERSTONES DEBUT FICTION PRIZE. The Ministry of Time by Kaliane Bradley is the only genre work among six novels that have been shortlisted for Waterstones Debut Fiction Prize. The complete list of finalists is at the link. The marketing copy for Bradley’s book says:

A boy meets a girl. The past meets the future. A finger meets a trigger. The beginning meets the end. England is forever. England must fall.

In the near future, a disaffected civil servant is offered a lucrative job in a mysterious new government ministry gathering ‘expats’ from across history to test the limits of time-travel.

Her role is to work as a ‘bridge’: living with, assisting and monitoring the expat known as ‘1847’ – Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin’s doomed expedition to the Arctic, so he’s a little disoriented to find himself alive and surrounded by outlandish concepts such as ‘washing machine’, ‘Spotify’ and ‘the collapse of the British Empire’…. 

(3) HOLD ‘EM BY THE NOSE AND KICK ‘EM IN THE ASS. At Fantasy Author’s Handbook, Philip Athans has an idea: “Let’s Reject Rejections”.

Your query to an agent has been rejected. Your short story was rejected by a magazine. You are a potato and are starting to show roots so the chef rejected you.

Aside from the potato thing, this happens so often to literally every writer, how does this not make us all feel like rejects?

And no one should feel like a reject.

But then, no agent can represent all the authors. No publisher can publish all the books. That means we have to figure out how to deal with rejection. The good news is that’s super easy. All you have to do is develop a thick skin. I heard skin thickening is offered by a sanitarium in the Swiss Alps for as little as €400,000 per treatment. It requires only one treatment per rejection letter, so most trillionaire authors should be able to soak that up. The rest of us will have to remain entirely human.

And no human wants to be, likes to be, feels they should be or deserve to be, rejected.

But then there’s that reality again: No agent can represent all the authors. No publisher can publish all the books.

We have to figure out not how to render ourselves immune to normal, healthy human emotional responses, but to, for lack of a better term, roll with it….

(4) THERE’S NO PLACE LIKE HOME. “The stolen ruby slippers will be up for auction. Minnesota wants them back” reports NPR.

This weekend, Grand Rapids, Minnesota will honor its best-known former resident — Judy Garland.

And at its annual Judy Garland Festival, the city will fundraise to bring back a prized prop that the actress made famous. But, it won’t be an easy stroll down the Yellow Brick Road.

Minnesota lawmakers set aside $100,000 this year to help the Judy Garland Museum purchase the coveted ruby slippers of “The Wizard of Oz” fame. Experts expect the shoes could sell for a much higher price.

“They could sell for $1 million, they could sell for $10 million. They’re priceless,” says Joe Maddalena, Heritage Auctions executive vice president.

The ruby slippers are one of four sets remaining.

This pair’s unique story

The shoes were on display at Garland’s namesake museum in Grand Rapids in the summer of 2005 when a burglar struck. John Kelsch, the museum director at the time, says a man broke in through the back door and snatched the slippers….

(5) BICYCLE THIEF. [Item by Eric Hildeman.] Carl Klinger of the Milwaukee Steampunk Society had his penny farthing stolen and smashed. Fortunately, a fundraiser to get him a new one was successful. “Starship Fonzie #40 – Transcript”.

…What’s a penny farthing? It’s that old-timey sort of bicycle with the enormously huge wheel in front and a much smaller wheel in back. You know, the sort that Passpartout rode in the opening scenes of the 1956 film “Around the World in 80 Days,” starring David Niven. There’s also one on display in the Streets of Old Milwaukee exhibit in the Milwaukee Public Museum.

Well, who knows why it was stolen, but it was, and police were notified. Usually when a bike is stolen it’s never recovered, but this is a very unusual bicycle. Very tricky to ride, very obvious to spot. So the guy who’d stolen it noticed the news story regarding the theft, saw his own image caught on security camera, and apparently panicked. I guess he had a rap sheet as long as his arm regarding other charges the law wanted to nab him on. So he was living in hiding, the thief I mean. Why someone like that would steal an item so obvious to spot is beyond me. But when he saw the news story regarding the theft, he got afraid that his cover might be blown and, not wanting the law to come after him, he smashed the bicycle, dumped it somewhere where it would be found, and then fled out of state….

So Carl was out a very unique, very expensive steampunk-themed bicycle. And we were all bummed about this. Well, Carl put out a fundraiser to get him a new penny farthing, and the fundraiser, I’m pleased to say, was successful. He needed about $2000 for a new one, his fundraiser garnered $3,000. Karl will have a new bike, and he’ll likely ride it around at the Steampunk Picnic this year.

So, a happy ending to that particular thievery story. We love our friends at the Milwaukee Steampunk Society.

Fox6Now interviewed victim Carl Klinger about the crime: “West Allis high-wheel bike found damaged; Oklahoma man arrested”.

A unique bike stolen from outside a West Allis bar was recently found – badly damaged.

Video captures a guy nabbing it, crashing it and running away with it.

“It’s absolutely not rideable,” said Carl Klinger, the bike theft victim. “It’s not even fixable.”

Those words were not what Klinger expected to hear when West Allis police found his treasured bike.

“When I got there, it was just laying on the ground and it was just completely demolished,” he said.

The unique, old-time high-wheel bike was stolen more than two weeks ago as it was parked outside of a bar. Police knew who they were looking for after seeing surveillance video.

Wesley Yoakum was found more than 600 miles away, in Newton County, Missouri.

…Nearly every part of the bike was damaged. The seat was torn off, the tire bent, even the stitches were torn out of the tool case.

His friends have started a GoFundMe to help him buy a new bike so he can get back to riding again…

(6) ORYCON 44. [Item by Michael Pinnick.] Orycon 44 is being held October 18-20 this year at the DoubleTree Hotel Portland. Orycon is Oregon’s oldest literary and creative science fiction convention. Our Writer GoH is David D. Levine, our Artist GoH is Jennie Breeden, and our Media GoH is Victoria Price. Website: https://orycontemp.tezhme.net/

Writer GoH David D. Levine; Artist GoH Jennie Breeden; Media GoH Victoria Price.

(7) ELIZABETH BEAR Q&A. Long Lost Friends has a two-part interview with author Elizabeth Bear.

(8) …THE MORE THINGS STAY THE SAME. The Guardian’s Keza MacDonald notes “The disturbing online misogyny of Gamergate has returned – if it ever went away”.

…This reactionary under layer of gaming’s enthusiast media, which makes its home mostly on X and YouTube, does not actually have the slightest impact on how games are made, or indeed which games are made. Look at Gamergate: what did it actually achieve? Games are more diverse than they were 10 years ago, not less; I saw more non-white male faces and characters in this year’s spate of Summer Game Fest trailers and demos than at any previous time in the almost 20 years I’ve been covering games. But they can still make people’s online lives hell for a while. I know this because I’ve been through it, several times.

I was running the UK branch of Kotaku when Gamergate kicked off, and so I had a front-row seat for their harassment tactics, which included sending the most disgusting threats imaginable through all the online channels available to them, trying to get me fired by emailing game publishers and my bosses with dossiers of my professional misdeeds and journalistic failings (read: writing about video games from a feminist perspective), searching for my and my colleagues’ real addresses and phone numbers and family members (and posting those details to their subreddits if they found them), and putting together unhinged Google Docs with links drawn between “SJW” journalists and developers. One of these mad documents appeared briefly in a recent Netflix documentary about 4chan, prompting several of my friends to text me a screenshot asking me if I knew that I was a figure in old “alt-right” conspiracy theories. Unfortunately, yes, I did.

It’s happened again a few times since, for various reasons. Unfortunately, dealing with online mobs is a part of the job for many journalists and indeed game developers these days, and despite all the shit I’ve dealt with over the years as a woman covering video games, I’m still rather glad I don’t write about politics. But I know exactly how awful it can feel when they mobilise against you, especially if it’s the first time. They’ll search for whatever they think is the least flattering image of you on Google Images, use it as a cutout for a YouTube thumbnail image, and then rant for 10 minutes over screenshots of your articles. They’ll tweet prominent people in games, trying to get them to publicly discredit you. They’ll set their followers on you. It’s hard not to meet their manufactured rage with a lot of genuine rage of your own.

It’s tempting to dunk on these people endlessly, but outrage fuels outrage – especially now, when there is literal money to be made posting inflammatory nonsense on X or YouTube. If Gamergate proved anything, it’s that nobody has to pander to rage-baiting toxic gamers, or even listen to them. That said, I still don’t think there’s been enough public pushback against this flavour of online abuse from the biggest publishers in games over the past few months, when the consultancies they work with, the journalists and critics who cover them, and even some of their own developers have been caught in an online shitstorm. Take it from me: vocal support means a lot….

(9) MEMORY LANE.

[Compiled by Paul Weimer.]

June 19, 1946 — Salman Rushdie, 78.

By Paul Weimer: It was senior year in high school that I first heard of Salman Rushdie, and yes, it was the fatwa issued against him for The Satanic Verses.  As a result, he first came onto my radar, but I didn’t pick up a copy at that point.  Coming from a conservative family, even with all the SF I had read to that point, a book named “The Satanic Verses” would be a bridge too far.  I already had had to deal with my mother coming to terms with Dungeons and Dragons.  But one day, after Chemistry class, I noticed my teacher was in fact, reading the book.  I asked him about it, asked him what it was like, and if it was any good.  (This was also the conversation where I learned that ennui was not pronounced en-you-eye, although my teacher thought I was just messing with him). In any event, I waited for the book to hit paperback, by which time I was commuting to Brooklyn College, and so I could read it on the subway in surety and safety.  

Salman Rushdie in 2023.

The Satanic Verses, brilliant, strong and vibrant, was probably my first real contact with magic realism and was perhaps the most “literary” novel I attempted reading that wasn’t assigned in school. I am pretty sure that 19-year-old me didn’t grok the half of the book. Or maybe even that much. But it stunned me all the same. 

In the meantime, I’ve enjoyed a number of other works of his, particularly in audio (a couple of them read by Rushdie himself), like Midnight’s Children, The Enchantress of Florence, The Ground Beneath her Feet, and Haroun and the Sea of Stories. In all of this and throughout all of these books, including The Satanic Verses, there is a strong and abiding interest in the nature and the use of stories. I know there is plenty to untangle in terms of immigration, East-West Relations, history, mythology, and faith. Salman Rushdie’s work is a seemingly bottomless well for exploring and investigating these themes. 

Does he consider himself a SFF writer? I’m not sure, but if he isn’t, he has a house on the borderlands, ready to provoke and evoke thought in readers.

(10) COMICS SECTION.

(11) DC’S UNEXPECTED TEAM-UP. “Batman, Superman and Wonder Woman Unite with Bugs Bunny in MultiVersus” at CBR.com.

Covers for DC’s MultiVersus: Collision Detected were revealed in DC’s Sept. 2024 solicitations, ahead of the story’s release and show DC’s holy trinity paired up with a variety of MultiVersus characters from franchises that include Adventure Time, Steven Universe, Scooby-Doo and more….

…DC’s full description of MultiVersus: Collision Detected reads: “Bruce Wayne, Diana Prince, and Clark Kent each wake in a cold sweat, troubled by strange dreams they’ve had about ‘the rabbit,’ ‘the star child,’ and ‘the witch.’ Their investigation into these enigmatic visions brings them to unexpected locales and unusual characters, but none more unusual than the mysterious “rabbit” from their dreams as they find themselves face-to-face with the one and only Bugs Bunny. What the heck is going on here? And who in the name of the Multiverse are ‘the star child’ and ‘the witch’? The hit video game spills from your screen and into the DCU, and it’s bringing a whole lot of friends from some of your favorite universes with it!”

(12) NOT IN OUR FUTURE AFTER ALL. The New Yorker is proud to share “Six Eerie Predictions That Early Sci-Fi Authors Got Completely Wrong”.

Since the genre’s inception, science-fiction writers have imagined what the future might hold for Earth and beyond. While their stories are often fantastical, many of them anticipated technologies that actually exist today, such as television and artificial intelligence. However, countless more made predictions that were absolute whiffs.

Here’s the first of their half-dozen duds.

1. Nuclear-Powered Soap Dispenser

While many sci-fi authors envisioned the possibilities of nuclear power, Philip K. Dick’s “The Land That Time Remembered” got specifically stuck on the idea of a society where humans washed their hands with “soap dispensers powered by the almighty atom,” and where “torrents of soap spurted forth by means of the forces that birthed the universe.”

(13) DISCWORLD JIGSAW PUZZLE COMING. Paul Kidby’s character art in the form of a puzzle is available for preorder. “The World of Terry Pratchett: A 1000-Piece Discworld Jigsaw Puzzle by Paul Kidby”.

This stunning jigsaw puzzle features glorious artwork from Paul Kidby, Sir Terry Pratchett’s artist of choice, depicting all the favourite Discworld characters. Paul Kidby provided the illustrations for The Last Hero, designed the covers for the Discworld novels since 2002, and is the author of the bestselling The Art of Discworld. This expanded artwork is available for the first time in jigsaw puzzle format in a deluxe gift box with an accompanying booklet identifying each of the characters along with quotes, trivia and more.

(14) MCDONALD’S KILLING AI DRIVE-THROUGH. [Item by Mike Kennedy.] Let’s just hope that the AI doesn’t try to kill McDonald’s back. Or worse, take it out on us.

Anyway, you’re not free and clear yet. McDonald’s makes it clear they’re going to try again later, apparently hoping the technology will improve enough to not dish out ice cream cones with bacon on top. (Wait! Where’s the problem there?)  “McDonald’s kills AI drive-thru ordering after mistakes” at Axios.

Friction point: Customers had reported a slew of AI ordering blunders.

One posted video of the system incorrectly believing she’d ordered hundreds of dollars of chicken McNuggets, the Today Show reported.

In another case, a customer was given an ice cream cone topped with bacon, the New York Post reported….

(15) IRRESISTIBLE: YES, NO? “Doctor Who ‘Pyramids of Mars’ 5″ Action Figure Box Set” from Oriental Trading.

Recreate the classic Doctor Who adventure “Pyramids of Mars” from 1975 featuring the Fourth Doctor! This Doctor Who Pyramids of Mars Priory Collector’s Playset features an opening and closing pyramid along with detailed set pieces like a Sarcophagus and Egyptian urns. Complete with 5-inch scale action figures of Sutekh and Marcus Scarman, you’ll be able to make your very own adventure with the Pyramids of Mars!

(16) RED PLANET, GREEN AURORAS. From Smithsonian Magazine we learn, “Mars Was Hit With a Solar Storm Days After Earth’s Aurora Light Show, NASA Says”.

Days after solar storms spurred widespread sightings of auroras across Earth in early May, a new bout of eruptions on the sun brought glowing skies to another planet: Mars.

From pole to pole, Mars was hit by a barrage of gamma rays and X-rays, followed by charged particles from a coronal mass ejection. These led to auroras that would have appeared, if any viewers were on its surface, as a deep green color, reports the New York Times’ Robin George Andrews.

(17) VIDEO OF THE DAY. The latest Pitch Meeting is Superman (1978), for some reason.

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, Paul Weimer, Scott Edelman, Daniel Dern, Michael Pinnick, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark and Ellen.]

Pixel Scroll 6/18/24 Destination: Moon Wedding

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15

(1) TAKE A FLYER ON THE FIRST WORLDCON. You have three days left to bid on this “First World Science Fiction Convention Flyer (1939)” at Heritage Auctions.

Relive the magic of going to the First world Science Fiction Convention with this vintage flyer for the legendary event! The event was chaired by Sam Moskowitz; the Guest of Honor was Frank R. Paul, and other attendees included John W. Campbell, Isaac Asimov, Ray Bradbury, Jack Williamson, Harry Harrison, Forrest J. Ackerman, and many more influential figures in pulps, comics, and genre fiction at large. Held in conjunction with the New York World’s Fair, the event was a great success and WorldCon continues to this day. The flyer measures 9″ x 12″ has a horizontal page-length crease, other small creases, toning, and handling wear. In Very Good condition. From the Roger Hill Collection.

(2) OKORAFOR SELLS ‘DEATH OF THE AUTHOR’. “Gollancz signs Nnedi Okorafor’s ‘future classic’” – The Bookseller has details.

Gollancz has signed Nnedi Okorafor’s “tour-de-force”, the Death of the Author.

Editor Brendan Durkin acquired UK and Commonwealth rights from Fiona Baird at WME. North American rights went to Julia Elliott at William Morrow in a seven-figure deal after a deal negotiated with Angeline Rodriguez and Eric Simonoff at WME. French rights have been pre-empted by Ailleurs & Demain. The novel will be published in early 2025. 

Death of the Author is an “exhilarating” story about a disabled Nigerian American woman who writes a science fiction novel that becomes a bestselling phenomenon, but her success comes at a price. Billed as a “sweeping narrative” for fans of Gabrielle Zevin’s Tomorrow,Tomorrow and Tomorrow, the story is “a multi-threaded meta drama examining the relationship between storyteller and audience”. 

Okorafor said: “Death of the Author is the most ambitious and naked work I’ve ever written. I’m so proud of it. I’ve been writing it in my head for 30 years. It brings together so many of my many parts, my contradictions, fusions and my weirdness. The title comes from a famous essay by French scholar Roland Barthes, an essay that I’ve always loathed but also chewed on throughout my years working on my PhD in literature. I want readers to come away from this novel with questions, answers, and a refreshed love of what we as human beings are and what we’re capable of. Also, I wanted to tell a really good story.”…

(3) MUPHRY’S LAW VISITS MIDDLE-EARTH? David Bratman dismantles “nitwit Tolkienists” at Kalimac’s corner.

I’m not going to name this book, because I haven’t finished reading it yet, but it’s not the only recent book on Tolkien to begin by rudely and inaccurately denouncing all previous Tolkien studies for failing to fit the standards of the author’s own perfect and unimpeachable work.

Once it gets past that, it does have some interesting and original things to say, but I was stopped cold by this sentence:

Merry … finally contributes to the fighting in a decisive way, using his magic sword to slay the Black Rider, thus saving Éowyn’s life.

There are about three things wrong with this sentence….

And he details the specific problems are at the link.

(4) PICTCON 1. Farah Mendlesohn has announced plans to run a one-day PictCon1 in Perth, Scotland on Saturday, October 18, 2025.

I’m going to run a one day convention in Perth, Scotland in 2025. PictCon1: 18th October, Guest of Honour, Francesca Barbini. Tickets: £30/£20/ dealer tables £10. If you are fan based in Scotland or anywhere it’s easy to get to us from, please do come!

Francesca T Barbini is a writer, editor and translator from Rome, Italy. In January 2015 she founded Luna Press Publishing, an award-winning small press, home of speculative fiction in fiction and academia.

PictCon1 is a small convention, running just one day at the Salutation Hotel on South St, Perth. The focus is on Science Fiction and Fantasy books, games, art etc, produced in Scotland or by Scots, but there are no rigid rules. This is the first year.

(5) BOOKSHOP’S UNEXPECTED BONANZA. “Award-winning author who passed away donates over 2,000 books to Paisley shop” – Daily Record reveals Christopher Priest’s estate is the donor.

…However, despite having no obvious connection to Abbey Books in Paisley, the author’s family donated more than 2,000 creations to the store – a record according to Brian Hannan, who works there….

Brian said: “I was gobsmacked to see box after box of books being carried into the shop. We didn’t know where to put them and had to clear an area in front of the till as well as stack them in the office.

“We already have 40,000 books so we’re hardly desperate for more stock but this was an offer we could not refuse. For an author so well known as Christopher Priest to choose us as the recipient of his massive library was an honour….”

(6) LETTING THE AIR OUT OF THE INFLATABLE CASH. Filmsite lists the “Top 100 Films of All-Time – Adjusted For Inflation”. Two sff films are in the top five.

  1. Gone With the Wind (1939)
    This Civil War-era love story with Clark Gable and Vivien Leigh has seduced generations of moviegoers.
  2. Star Wars: Episode IV – A New Hope (1977)
    George Lucas’ space western with aliens, revolutionaries and high-tech effects spawned sci-fi’s biggest franchise of six films.
  3. The Sound of Music (1965)
    Julie Andrews headlines the von Trapp family saga that celebrates the triumph of good over Nazism.
  4. E. T. The Extra-Terrestrial (1982)
    Spielberg enchants audiences by showing how suburban kids could help a magical, little alien get back home.
  5. Titanic (1997)
    Romance, life-or-death stakes and spectacular effects make household names of director James Cameron and star Leonardo DiCaprio.

(7) MEMORY LANE.

[Compiled by Cat Eldridge.]

June 17, 2005 — Doctor Who’s “The Parting of the Ways”. Segueing from my post of yesterday’s Scroll concerning “The Unicorn and The Wasp” episode, we will examine the last episode of season one, “The Parting of the Ways”, which saw Christopher Eccleston end his all too brief tenure as the Doctor and David Tennant begin his reign in that role. 

It aired on this date nineteen years ago on BBC. It was an all too brief time for the parting of a Doctor after the series ended a sixteen-year hiatus. Why am I saying all too brief a time? That’s because Christopher Eccleston would have the shortest tenure at that point as a Doctor at just one series – and still does.

So let’s talk about the first modern Doctor. There is, I think, a lot to like in him and I would’ve really preferred to have seen what Christopher Eccleston could have done with his iteration of the Doctor given the usual three years and out. 

Unlike Jodie Whittaker who I thought was stellar in her role but got let down by her scripts far too often, Eccleston had really great scripts, be it “The End of the World” where he takes Rose to witness the destruction of Earth billions of years from now, or a favorite of mine, “In “The Empty Child” where Captain Jack Harkness has unleashed a nanoplague that in WW II has turned everyone into gas mask wearing zombies. They really are chilling looking and I mean that in all aspects.

Unlike previous Doctors who one and all leaned quite frankly towards the eccentric looking side of things and yes, that included my beloved Fourth Doctor, his look was stripped down motorcycle gear being worn by an anonymous intelligence officer who could’ve been on Spooks and no one would’ve noticed him at all. 

I don’t know who decided on his look but it definitely made a statement that this wasn’t the classic Who. 

I loved every aspect of the single series that he did— the stories, the performers, the stellar practical effects and the more than state of the art special effects.  A splendid series which gave everything we needed in a contemporary Doctor including a well-chosen primary companion in Rose.

So how to see him out? Well that would mean, SPOLIER ALERT!, him taking on oldest enemy, the Daleks. And not just any Daleks, but the Grand Poobah of them, the Emperor Dalek. Notice how alien races use Earth terms? Or how unimaginative British SF script writers can be? I digress. 

So the plot here which continues the story started in “Bad Wolf” in brief is that those Dalek have taken over Satellite Five in the year 200, 000 in order to make more Daleks by harvesting human corpses. Gross. The Doctor in turn plans to use the transmitter there to wipe out every Dalek in existence forever while sending Rose home to keep her safe. What could possibly go wrong? Did I mention Jack Harkness is involved with what happens here? 

It’s an extremely well-crafted exit for him, and I consider it to have an exceptionally well done regeneration scene, a belief shared by critics in general. 

What I will say though it would have been great to see Eccleston continue in the role, David Tenannt was so good that I was delighted starting with “The Christmas Invasion.” He got three thirteen-episode  series plus Christmas specials.

(8) COMICS SECTION.

  • Reality Check compares literary ancestries.
  • The Argyle Sweater finds it makes a difference when you drop a silent “e”.
  • 1 and Done reveals a legendary character once had vision problems.
  • One Big Happy tries rewards.
  • Last Place Comics begins a series with Lasso Man:

(9) MACK REYNOLDS GOES TO A CON IN 1949. [Item by Danny Sichel.] The people who run the SFF Audio podcast found something interesting, and scanned it, and posted it online: Mack Reynolds’ article “My Best Friends Are Martians” about the business of writing science fiction, as published in the March 1950 issue of Writer’s Digest.

It’s accompanied by a “Capsule Report on a StF Convention” and an analysis of the concept of science fiction fandom (“a phenomenon almost unbelievable. There is absolutely nothing like it in any other fiction field”).

This link is just the con report by itself.

(10) BUMPING UGLIES. The New York Times says a scientist theorizes “A Big Whack That Made the Moon May Have Also Created Continents That Move”.

Some 4.5 billion years ago, many scientists say, Earth had a meetup with Theia, another planetary object the size of Mars. When the two worlds collided in a big whack, the thinking goes, debris shot into space, got locked into the orbit of the young, damaged Earth and led to the formation of our moon.

But the collision with Theia may have done more than that, according to a study published last month in the journal Geophysical Research Letters. The impact may have given rise to something else: plate tectonics, the engine that drives the motion of Earth’s giant continental and oceanic plates and causes earthquakes, volcanic eruptions and the eventual remaking of our planet’s surface about every 200 million years.

Earth scientists have long studied and debated the origin of plate tectonics, and other theories have been offered. Qian Yuan, a postdoctoral researcher at the California Institute of Technology and an author of the new paper, and his colleagues make the case for the Theia collision as the source of plate tectonics. They reason from computer simulations that the event produced the heat needed in Earth’s early days to get the process going.

Tectonics starts with superheated plumes of magma from close to Earth’s core rising and sitting beneath the planet’s plates. The plumes can weaken the crust, and lava can erupt and push aside overriding plates….

(11) THEY’RE BAAAAAACK. [Item by Mike Kennedy.] Remember those “monoliths“ that kept cropping up during the height of the COVID-19 pandemic? They’re back. Or at least one is. “’Mysterious’ monolith similar to column seen in 2020 appears in Las Vegas desert: Police” at ABC News. (Click the link for a short video.)

I know President Biden is fond of his aviator shades, but if it comes down to a dogfight with the returning aliens, I’ll take President Whitmore, thank you.

A reflective monolith, similar to one that became an Internet sensation during the height of the pandemic in 2020, was seen in Las Vegas in what local officials are dubbing a mystery.

The Las Vegas Metropolitan Police Department took to X on Monday to share two photos of the long, vertical slab of metal that allegedly appeared over the weekend on a hiking trail near Gass Peak on the northern side of the Las Vegas area….

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Danny Sichel, Scott Edelman, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/28/20 This Irrepixel-Able, Trantor ‘Original’, This Mule-Produced Crime

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(1) FRONT AND CENTER. Octavia Butler is on the cover of Huntington Frontiers, published by the Huntington Library in Pasadena. Read the cover article here: “A Handful of Earth, A Handful of Sky” by Lynell George.

When I last encountered Octavia E. Butler, it was 2004 and she was slated to deliver the keynote at the Black to the Future Festival in Seattle, Washington. Time has flattened or obscured some of the details of days spent reporting on panels, lectures, and post-event gatherings. I don’t remember the precise order of events of that opening evening, but I do recall some of Butler’s heartfelt words about finding and making community in this brief but special moment when we were assembled together. I sat, scribbling notes in my reporter’s notebook, making shapes of letters in the darkness of the auditorium. Her voice didn’t seem to need amplification—it was warm and deep and burnished with authority, as if she was not just leading things off, but leading a country….

(2) NOT OUT OF LEFT FIELD. First Fandom Experience solves three eofannish mysteries in “V is for Vincent, Vernon, Vytautas”. Learn more about a famous photo taken over the weekend of the First Worldcon in —

V is for Vincent

Below is one of early fandom’s most iconic images. On Independence Day, 1939, this carload of irascible youth from states far and wide ventured forth from the World Science Fiction Convention in New York to Coney Island. It’s a who’s-who of prominent First Fans: Madle and Agnew from Philadelphia, Korshak and Reinsberg from Chicago, Rocklynne from Ohio, and one very tanned Ray Bradbury from Los Angeles.

But among the who’s-who, there’s a “who’s that?” V. Kidwell. …

During the first Worldcon, fans took the opportunity to visit Coney Island where this foto-op took place: Front: Mark Reinsberg, Jack Agnew, Ross Rocklynne Top: V. Kidwell, Robert A. Madle, Erle Korshak, Ray Bradbury Coney Island, July 4, 1939)

(3) JAPANESE BOFFO BOX OFFICE. [Item by N.] “’Demon Slayer’ Overtakes ‘Spirited Away’ to Become Japan’s Biggest Box-Office Hit Ever” – The Hollywood Reporter has the story. (Also it’s the fifth highest grossing film of the entire year, surpassing Sonic the Hedgehog, which is a coherent sentence I have just typed.)

…Demon Slayer is based on a popular 2016 manga by Japanese artist Koyoharu Gotoge. But the property didn’t become a pop cultural phenomenon until it was adapted into an anime series for television. Produced by Tokyo-based studio Ufotable, the 26-episode series aired on Tokyo MX and other channels in 2019, but later became a sleeper smash hit when it re-aired on Netflix and Fuji TV. The popularity of the series reignited interest in the manga, making it a runaway bestseller. As of December, the Demon Slayer manga series has sold nearly 120 million copies.

When Ufotable’s big-screen adaptation of the series hit Japanese cinemas this fall, conditions were ripe for a box-office bonanza. Japanese cinemas nationwide had fully reopened nationwide after a brief period of COVID-19 shutdown in the spring. Since the Hollywood studios had postponed most of their releases until 2021, Demon Slayer had limited foreign competition and Japanese cinemas were highly motivated to wring as much earnings potential as possible for the local blockbuster. 

(4) WILL POWER. “Brain-controlled gaming exists, though ethical questions loom over the tech” reports the Washington Post.

As the University of Pittsburgh Medical Center shut its laboratories following the covid-19 outbreak, Nathan Copeland, a 33-year-old volunteer, collected the equipment that would grant him transformative abilities during lockdown. Paralyzed from the chest down with only limited arm movement, Copeland took home an advanced brain-computer interface, a device that allows him to control on-screen actions using only his mind.Copeland is part of cutting-edge research into brain-computer interfaces at the University of Pittsburgh, recently awarded over $8 million by the National Institutes of Health. The team’s experiments are a peek into a potential transhumanist future more commonly associated with cyberpunk movies “The Matrix” and “Ghost in the Shell.” Since 2015, Copeland has lived with a transistor-like chip, known as a multi-electrode array, surgically implanted directly into his brain. Copeland’s chip records the rapid-firing of cellular neurons — an almost inscrutably complex neurological signal — which is ferried over to a computer for what’s referred to as “decoding.” This signal is subsequently “translated” into the desired, seemingly telekinetic actions of its user.

To date, one of the team’s biggest successes has been decoding the complicated neural signals to allow Copeland to control a nimble robotic arm…. 

(5) JEDI CONSERVATION MOVEMENT. Musings on Mouse analyzes “Star Wars ‘nostalgia fatigue,’ and Marvel’s bankruptcy lesson”. BEWARE SPOILERS. I don’t think I included any below, however, definitely some in the linked article.

…Quality, some may argue, isn’t just representative of one episode or one movie, but the franchise as a whole. Case in point: The Mandalorian finale….

That, many critics argued in the days after the episode aired, is precisely the problem. As Matt Zoller Seitz wrote on Vulture, “the series succumbs to the dark side of parent company Disney’s quarterly earnings statements, which keeps dragging Star Wars back toward nostalgia-sploitation and knee-jerk intellectual-property maintenance.” Other fans rolled their eyes at the criticism, pointing out that Star Wars has always returned to the franchise’s most popular characters, most noticeably in the Expanded Universe’s novels, comics, and video games. 

Sound familiar? It should — it’s the exact same debate that popped up in 2017 after Rian Johnson’s The Last Jedi hit theaters. What is Star Wars? It’s an argument we’ve come back to with The Mandalorian’s second season finale. I’m not a critic, and this newsletter doesn’t exist to critique art. What I’m more acutely interested in is determining Star Wars’ future business. Let’s be clear: Star Wars is more than fine, but as Star Wars expands under Disney, there’s always room to figure out how to ensure it grows at a healthy rate instead of risking alienating parts of its consumer base every year.

(6) PUTTING THEIR STAMP ON THINGS. JSTOR Daily’s Livia Gershon points to the introduction of a new academic work that overviews “James Tiptree Jr. and Joanna Russ: Sci-Fi Pen Pals”.

At first glance, the classic science-fiction authors James Tiptree Jr. and Joanna Russ might not seem to have much in common. Behavioral psychologist Alice Bradley Sheldon began writing under “James Tiptree Jr.” in 1968, when she was in her fifties. She used the fictional male name and real knowledge of science and the military to infiltrate male-dominated science-fiction magazines. Russ, two decades younger, was an outspoken radical feminist, English professor, and critic. And yet, as Nicole Nyhan writes, the two writers exchanged hundreds of letters over fifteen years. Nyhan provides the introduction to a selection of writing from Tiptree’s side of the correspondence.

(7) MEDIA ANNIVERSARY.

  • 1970 — Fifty years ago at Heicon ’70 in Heidelberg, Germany, “Ship of Shadows” by Fritz Leiber wins the Hugo for Best Novella. (It would also be nominated for a Nebula.) It was published in F&SF in July, 1969 which as you can see was billed as a Special Fritz Leiber Issue. This was a bizarre story of Spar, a blind, half-deaf barman at the Bat Rack. We’ll say no more. The other finalists were “A Boy and His Dog” by Harlan Ellison, “We All Die Naked” by James Blish, “Dramatic Mission” by Anne McCaffrey and “To Jorslem” by Robert Silverberg.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 28, 1913 — Charles Maxwell. He makes the Birthday List for being Virgil Earp in the “Spectre of the Gun”, a not terribly good Trek story.  He also appeared in My Favorite Martian in “An Old Friend of the Family” as the character Jakobar. His longest running genre role was as the Radio Announcer on Gilligan’s Island for which he was largely uncredited. Interestingly he had six appearances playing six different characters on the Fifties series Science Fiction Theatre. (Died 1993.) (CE) 
  • Born December 28, 1922 — Stan Lee. Summarizing his career is quite beyond my abilities. He created and popularized Marvel Comics in such a way that the company is thought to be the creation of Stan Lee in way that DC isn’t thought if of having of having a single creator.  He co-created the Fantastic Four, Spider-Man, the X-Men, Iron Man, Thor, the Hulk,  Daredevil, Doctor Strange, Black Panther, Scarlet Witch and Ant-Man, an impressive list by any measure. And it’s hardly the full list.  I see he’s won Eisner and Kirby Awards but no sign of a Hugo. Is that correct? (Died 2018.) (CE) 
  • Born December 28, 1929 – Janet Lunn.  Three novels, two shorter stories, one anthology for us; much else.  Metcalf Award, Matt Cohen Award, Order of Ontario, Governor General’s Award, Order of Canada.  Quill & Quire obituary here.  (Died 2017) [JH]
  • Born December 28, 1932 — Nichelle Nichols, 88. Uhura on Trek. She reprised her character in Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. Other film SF roles included Ruana in Tarzan’s Deadly Silence with Ron Ely as Tarzan, High Priestess of Pangea in The Adventures of Captain Zoom in Outer Space, Oman in Surge of Power: The Stuff of Heroes and Mystic Woman in American Nightmares.  Other series appearances have been as Lieutenant Uhura and additional voices in the animated Trek, archive footage of herself in the “Trials and Tribble-ations” DS9 episode and as Captain Nyota Uhura In Star Trek: Of Gods and Men which may or may not be canon. (CE)
  • Born December 28, 1934 — Maggie Smith, 86. First genre role was as Theis in Clash of the Titans though she’s better known as Minerva McGonagall In the Harry Potter film franchise. She also played Linnet Oldknow in From Time to Time  and voiced Miss Shepherd, I kid you not, in two animated Gnomes films. (CE) 
  • Born December 28, 1942 — Eleanor Arnason, 78. She won the Otherwise Award and the Mythopoeic Award for A Woman of the Iron People and also won the Gaylactic Spectrum Award for Best Short Fiction for “Dapple”.  She’s a Wiscon Guest of Honor. I wholeheartedly recommend her Mammoths of the Great Plains story collection, which like almost all of her fiction, is available at the usual digital suspects. 
  • Born December 28, 1945 – George Zebrowski, age 75.  A score of novels (Macrolife particularly applauded), a hundred shorter stories, several with co-authors.  Clarion alumnus.  Edited Nebula Awards 20-22; four Synergy anthologies, half a dozen more e.g. Sentinels with Greg Benford in honor of Sir Arthur Clarke.  Three years editing the SFWA Bulletin (Science Fiction & Fantasy Writers of America) with Pamela Sargent and Ian Watson.  Nonfiction anthologies Beneath the Red Star (studies on international SF), Skylife (with Benford; space habitats), Talks with the Masters (Asimov, Bradbury, Clarke, Gunn).  Book reviews in The Magazine of Fantasy & Science Fiction.  Campbell Memorial Award.  “Never Forget the Writers Who Helped Build Yesterday’s Tomorrows” in SF Age.  [JH]
  • Born December 28, 1946 – Sheryl Birkhead, age 74.  Long-time fanartist and (it serves us right) veterinarian.  Here is a cover for Tightbeam.  Here is one for It Goes on the Shelf.  Here is one for Purrsonal Mewsings.  Here is one for The Reluctant Famulus.  Kaymar Award.  [JH]
  • Born December 28, 1952 – Ramona Wheeler, age 68.  Two novels, a score of shorter stories.  Essay “The Sailor of No Specific Ocean” in the Hal Clement memorial anthology Hal’s Worlds.  Here is her cover for her collection Have Starship, Will Travel.  Here is her cover for her collection Starship for Hire.  [JH]
  • Born December 28, 1963 – Robert Pasternak, age 57.  A dozen covers, two dozen interiors for us.  Interviewed in On Spec.  Aurora Award.  Here is Leslie Fiedler’s biography of Stapledon. Here is the May 93 Amazing.  Here is the Dec 00 Challenging Destiny.  Here is the Summer 13 On Spec.  Here is a review of a Jun – Jul 07 exhibition.  Here is an image from a Winnipeg Free Press interview.  Here is an ink-drawn face; see here.  [JH]
  • Born December 28, 1979 – D. Renée Bagby, age 41.  Eight novels for us, five dozen others (some under another name).  Air Force brat, now wife; born in the Netherlands, has also lived in Japan, six of the United States.  Has read The Cat in the Hat, Persuasion, The Iliad and The Odyssey, The Adventures of Huckleberry Finn.  “The voices start talking and I type what they say.” [JH]
  • Born December 28, 1981 — Sienna Miller, 39. The Baroness in G.I. Joe: The Rise of Cobra. More interestingly, she’s Victoria in the flawed but still worth seeing Stardust. (Go listen to Gaiman reading it for the best take on it — brilliant that is!) And she’s Darcy in Kis Vuk, A Fox’s Tale, a Hungarian-British animated tale that sounds quite charming.  (CE) 

(9) COMICS SECTION.

(10) A DISH BEST SERVED LOLD. [Item by Martin Morse Wooster.] In the Washington Post, Zachary Pincus-Roth discusses how a bunch of Millennial Disney musical fans came up with “Ratatouille: The Musical,” created songs, cosplayed characters from the imaginary musical (including enlisting their parents to play older characters) and even creating a fake cover of Playbill for the imaginary musical.  Disney Theatrical Productions stated “although we do not have development plans for this title, we love when our fans engage with Disney stories.” — “How TikTok and social media are changing Broadway fandom”.

(11) OBI BUT NO OBI-WAN. This happened last year, but it’s news to me… “Japanese theatre to stage kabuki version of Star Wars” in The Guardian.

The Star Wars franchise is about to breach the artistic final frontier with a one-off performance of a kabuki adaptation starring one of Japan’s most revered stage actors.

The classical Japanese theatre, which combines highly stylised movement and unusual vocalisation, will swap samurai swords for lightsabers and replace feudal warriors with the forces of light and darkness.

Star Wars Kabuki-Rennosuke and the Three Light Sabers, which are being staged in Tokyo, will combine plots from each of the franchise’s latest trilogy, substituting plots drawn from the days of feudal clan rivalry with drama from a galaxy far, far away.

Ichikawa Ebizo XI, Japan’s pre-eminent kabuki actor, will take to the stage as Kylo Ren, the conflicted son of Han Solo and Princess Leia, in front of 50 winners of an online lottery….

(12) UNFINISHED TOLKIEN. John M. Bowers asks “Did Tolkien Write The Lord of the Rings Because He Was Avoiding His Academic Work?” at Literary Hub. The trouble with this headline is that it’s not as if Tolkien didn’t procrastinate about working on his fiction, too.

…Already by 1932 he admitted to Chapman the weight of the Chaucerian incubus upon his conscience. His Gawain edition, “Chaucer as a Philologist,” and “The Monsters and the Critics” had all appeared before the Second World War. Set against this relatively slender résumé were undelivered assignments such as his Pearl edition, the book-length “Beowulf” and the Critics, and his EETS edition of Ancrene Wisse. If his own harsh remarks about George Gordon holding up their Chaucer edition did not quite qualify him as a “slanderer,” these complaints did de?ect blame from his role as an “idler” who failed to reduce his annotations to a publishable length. He would confess during a newspaper interview in 1968, “I have always been incapable of doing the job at hand.”

(13) AROUND AND AROUND. “Animation reveals invisible center of solar system that’s not the sun” – Business Insider knows where it is. In a minute, you will too.

It’s common knowledge that the sun is the center of the solar system. Around it, the planets orbit — along with a thick belt of asteroids, some meteor fields, and a handful of far-traveling comets.

But that’s not the whole story.

“Instead, everything orbits the solar system center of mass,” James O’Donoghue, a planetary scientist at the Japanese space agency, JAXA, recently explained on Twitter. “Even the sun.”

That center of mass, called the barycenter, is the point of an object at which it can be balanced perfectly, with all its mass distributed evenly on all sides. In our solar system, that point rarely lines up with the center of the sun…

(14) THOUGHT OF THE DAY. From Mike Kennedy: “I just realized that the various dings, buzzes, and clicks our phones/watches play to get our attention are clearly intended to train us to understand R2-D2.”

(15) EMERGENCY HOLOGRAPHIC IP LAWYERS. CinemaBlend will explain “Why James Bond’s Studio Once Sent A ‘Very Stern Letter’ To Star Trek: Deep Space Nine’s Crew”.

Star Trek is a franchise that primarily deals in the world of sci-fi, but it’s not unheard of for the franchise to attempt parody other genres every so often. Such was the case in the Deep Space Nine episode “Our Man Bashir,” in which an accident in the Holosuite traps the crew in Bashir’s spy fantasy program. The episode is a fun nod to the genre of ’60s spy films but apparently was not well-received by James Bond studio MGM.

(16) VIDEO OF THE DAY. Mind Matters sets the frame for a DUST short in “Sci-Fi Saturday Film: The Robot Tries To Learn About Grief”.

An elderly woman, Sheila, whose daughter has been in a high-conflict zone in a military environment, learns to manage with a robot—ordered apparently off the internet, with a manual—that can learn to do homework and hang Christmas decorations.

It’s an agreeable story and good Christmas fare!

[Thanks to Mike Kennedy, JJ, Martin Morse Wooster, N., Cat Eldridge, John Hertz, Michael Toman, John King Tarpinian, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/3/17 There Are Certain Scrolls Of New York, Major, That I Wouldn’t Advise You To Pixel

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(1) NEXT SMOFCON. Santa Rosa will host Smofcon 36 in 2018. The con will be held November 30-December 2. Bruce Farr will chair, and Patty Wells will organize programming. Their hotel will be The Flamingo Conference Resort and Spa.

(2) ORIGIN STORY. The International Costumers Guild revisits “The Futuristicostume” worn by Forry Ackerman at the first Worldcon in 1939.

We started our research by going back to the beginning, back to the first convention costumers Forrest J Ackerman and Myrtle Douglas.

Everyone is familiar with their photos. Most know the how and the why of their costumes. But how were they made? What color were they? We now have some answers and some theories along with new, never seen photos.

We now know his “futuristicostume” still partially exists. Most of the cape probably has not survived, but the pants and shirt are in the hands of a private collector. The shirt appears to be pale gold. As you can tell even in the black and white photos on line, the pants are most likely WWI military surplus. The most interesting story is about the cape. We found 2 references describing it as green. New photos from Ackerman’s personal collection recently came to light, so we snapped them up for the Archives. We understand that the cape he is wearing in them is a recreation, but it would appear to verify our references. However, in the book “House of Ackerman: A Photographic Tour of the Legendary Ackermansion”, by Al Astrella, James Greene and John Landis, there’s a color photo of what’s left of the cape, where it appears to be an antique gold. We are 90% certain we know the reason why. The clue was found in analyzing Myrtle’s costume…

(3) DARK. Camestros Felapton is watching: “Review: Dark – Netflix”.

It is no spoiler to say this is a time-travel/time-slip mystery. From the beginning elements such as clocks are underlined, we get repeated quotes from Einstein, snippets of lectures on Black Holes, and an old guy warning that ‘it is happening again’. On top of that, we get an opening title sequence that (very effectively) uses reflections to create a disturbing view of the normal and a teacher lecturing his class on the use of symmetry and foreshadowing in the work of Goethe. I wonder if the producers entirely trusted their audience to follow where the show wanted to go.

The pay off comes at the end of episode three when the connections between 2019 and 1986 characters are made overt. What was an initially a confusing set of characters becomes clearer as the set of families involved and the relationships between them become clearer. Betrayals and loss and teenage romance form a web and events between the two eras become more entwined.

(4) CUBESATS. The Arthur C. Clarke Center for Human Imagination presents its latest Into the Impossible podcast — Episode 12: Speculative CubeSats.

How can CubeSats—the small, standardized satellites paving the way for the democratization of space—change our sense of the possible? We dive into two projects: the Planetary Society’s Lightsail 2, with Director of Science and Technology Bruce Betts, and with MacArthur Genius grant-awardee Trevor Paglen, we discuss Orbital Reflector, the first satellite to be launched purely as an artistic gesture.

(5) SHUGGOTH. At Doctor Strangemind, Kim Huett added a James Blish cat story — “Tales Too Good To Forget #1”.

…Luckily for us the young James Blish published quite a few fanzines and thus inadvertently provided for anybody fortunate enough to read these evidence that he was far more than a cold and forbidding intellect.

Well okay, to be perfectly honest a lot of his early fanzine writings are indeed as earnest and po-faced as William Atheling, Jr. might lead you believe the real Blish was. But while some of this material might come across as every bit as pompous as the pronunciations of a high art maven (if you don’t believe me then go look for an issue of Renascence, but don’t say I didn’t warn you) in between the bouts of earnestness is another Blish, a wittier, lighter Blish who knew how to not take himself too seriously. The best place to look for this James Blish is in the material which he published for the Vanguard Amateur Press Association. It was here, in Tumbrils #4, that he wrote one of my favourite cat stories. Read this and you will never think of James Blish as po-faced ever again…

(6) DELIVERED IN HALF AN HOUR OR IT’S FREE. The “Astronauts show how to make pizza in space”.

Astronauts at the International Space Station created a video of themselves making pizza in zero gravity.

Italian astronaut Paolo Nespoli tweeted that he “casually” told ISS chief Kirk Shireman that he missed pizza and Shireman managed to get pizza ingredients into space.

 

(7) A BOOK YOU CAN’T BUY ON AMAZON. Lurkertype went shopping for a copy of Camestros Felapton’s There Will Be Walrus on Amazon, and found the Big River was able to sell everything but —

I just searched Amazon for TWBW and got no result (since it’s only on Smashwords), but was suggested a plush stuffed walrus, walrus artworks, a tacky walrus shirt, several doodads for “Rock Band: Beatles”, and a Barry White mask.

(8) I FEEL WOOZY. Andrew Porter cautions before clicking this link – “Memories and possibilities are even more hideous than realities”.

Warning: this may cause you to tear out your eyeballs. Extreme psychedelic stuff might cause seizures in people with epilepsy….

(9) JAMES GUNN AUTOBIOGRAPHY. At Locus Online, “Russell Letson reviews Star-Begotten: A Life Lived in Science Fiction by James Gunn”.

I hope I might be excused for injecting personal notes into a review of James Gunn’s autobiography, Star-Begotten: A Life Lived in Science Fiction. As I read it, I couldn’t help noticing how many times and in how many ways my life in SF was affected by Gunn’s work as writer, editor, and academic activist. One of my earliest book purchases, around 1957, was the Ace paperback (Double Size! 35 cents!) of Star Bridge, the space opera he co-wrote with Jack Williamson. (I still have a double-autographed copy of a later Ace printing, the original having long since succumbed to pulp rot.) Before that, I had listened to the 1956 X Minus One radio adaptation of his short story ‘‘The Cave of Night’’. (It’s still available online.) Years later, the third volume of The Road to Science Fiction was one of the reliable anthologies for my SF course, and a few years after that I wrote a dozen entries for The New Encyclopedia of Science Fiction that he edited. By that time, Gunn had been president of both the Science Fiction and Fantasy Writers of America and the Science Fiction Research Association, started the Center for the Study of Science Fiction at the University of Kansas, and worked for years as a promoter of the study and practice of science fiction.

(10) COMICS SECTION.

  • John King Tarpinian sends along today’s horrible pun from Brevity.
  • And an interstellar mission doesn’t quite make it in Herman.

(11) CLARKE CENTENNIAL. Clarke Award Director Tom Hunter reminds all that “Saturday 16th December will mark Arthur C. Clarke’s centenary anniversary, and we’ve been prepping a few special moments to help celebrate the occasion across the month.”

They include:

SILVER SCREEN SCIENCE FICTION AT THE ROYAL OBSERVATORY, GREENWICH

2010: The Year We Make Contact
Saturday 16th December 2017 (Sir Arthur’s birthday)

The Royal Observatory Greenwich will be hosting a special planetarium screening of 2010: The Year We Make Contact (1984) starring Roy Scheider, John Lithgow and Helen Mirren + a cameo from Sir Arthur himself.

Before the film, we’ll hear from Director of the Clarke Awards, Tom Hunter, and ROG Astronomer Brendan Owens about the influence of Arthur C Clarke on both science fiction and science fact. This event includes a free beer per person on arrival courtesy of Meantime Brewing Company.

There will also be a Kickstarter-funded stunt anthology, 2001: An Odyssey in Words, where every story is precisely two thousand and one words long.

On the fiction front, we started by putting out a call to our past winning and shortlisted authors, and have received almost thirty fantastic submissions back from writers including Chris Beckett, Gwyneth Jones, Jeff Noon, Rachel Pollack, Jane Rogers and Adrian Tchaikovsky, picking six names not at all at random because six is the same number as we have on our shortlist every year, and because all of these authors happen to be past winners.

…We’ll also be featuring some choice bits of non-fiction in the collection, including an essay on Clarke’s legacy by our own Chair of Judges, Dr Andrew M. Butler, and a remembrance of the judging experience itself from one of our more well known past judges, Neil Gaiman.

(12) BEAR FACTS. Well, phooey. “DNA Evidence Shows Yeti Was Local Himalayan Bears All Along” says Gizmodo.

The yeti, or abominable snowman, is a sort of wild, ape-like hominid that’s the subject of long-standing Himalayan mythology. Scientists have questioned prior research suggesting that purported yeti hair samples came from a strange polar bear hybrid or a new species, though. The analysis “did not rule out the possibility that the samples belonged to brown bear,” according to the paper published today in the Proceedings of the Royal Society B.

Lindqvist and her team analyzed DNA from 24 different bear or purported yeti samples from the wild and museums, including feces, hair, skin, and bone. They were definitely all bears—and the yeti samples seemed to match up well with exiting Himalayan brown bears. “

(13) YOU CAN’T GET OUT OF THE GAME. My Pappy always told me, never gamble, stick to thermodynamics: “Unesco adds Sir Isaac Newton’s papers to world register”.

More personal items in the collection include a notebook written during his time as an undergraduate, in which he lists how much he has spent on items such as wine, the shoestrings that cost him one shilling and 10 pence, and his four shillings and sixpence stockings.

He also appears to have lost 15 shillings at a card game, according to his own accounts.

(14) NOWHERE PEOPLE. “Where is the remotest spot in the United States?”. “A pair of scientists from Florida, and their eight-year-old daughter, are visiting the remotest spot in every US state.”

They settled on “the furthest distance from a road or town”. But then, they say, “it got trickier”.

What is a road? Anything paved, unpaved, public, or private, they decided. For example – beaches that allowed cars counted as roads.

They also decided the remote spot must be “high and developable”. It can’t be in the middle of a lake, and it can’t be a flood plain.

(15) JUDGMENT CALL. Bleeding Cool actually did what I decided not to do — made an entire post of Amal El-Mohtar’s tweets about her ordeal getting through TSA airport security the other day: “What Happened to Canadian Sci-Fi Writer Amal El-Mohtar’s Phone at US Customs?”

(16) ARE THEY SURE? The Los Angeles Times recently published this errata —

(17) LIGHTSABER EXERCISES. “Star Wars: The Last Jedi: Training Featurette” is a look at how hard the cast of The Last Jedi trained for the film.

(18) OUT IN FORCE. Daisy Ridley and the cast of The Last Jedi appeared on Jimmy Kimmel LIVE!

That same night there was a “Star Wars’ Chewbacca Christmas Tree Unveiled on ‘Jimmy Kimmel Live'”.

[Thanks to JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Andrew Porter, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Own The Zine That Started the Trouble at the First Worldcon

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For sale on eBay is Forry Ackerman’s copy of A WARNING, the pamphlet produced and smuggled into the 1939 Worldcon by Dave Kyle, but that was blamed on the Futurians and led to them being barred from the convention in the Great Exclusion Act. Asking price: $1,000.

Six members of the New York Futurian Society were kept out of the con – Donald A. Wollheim, Robert A. W. Lowndes, Cyril Kornbluth, Lois Gillespie, Frederik Pohl and John Michel – most of whom became leading figures in the history of sf.

(L-R) Robert W. Lowndes, Donald A. Wollheim, Chester Cohen, Cyril Kornbluth, John B. Michel. (Photograph by Jack Robins.)

Why didn’t Dave Kyle get into trouble? Simple – he didn’t own up to what he had done. As Kyle explained in a Fancyclopedia reminiscence:

I, for better or for worse, was the trigger for the banning of those six fans. I published the infamous “yellow pamphlet” which provoked the incident. My Futurian friends didn’t know about my handout, but they were blamed, thus “planning to disrupt” the gathering. It reflects the times in so many ways, both fannishly and internationally. The four-page pamphlet, with a cover that read “IMPORTANT! Read This Immediately! A WARNING!”, was dated July 2, 1939. I had printed several hundred of them, a bright yellow sheet folded in quarters, and cached them behind a hot water radiator for distribution at the crucial moment. And the message? It was “Beware of dictatorship — ” I had written that the convention committee might “coerce or bully” con-goers into taking intemperate actions. I said, “Make this a democratic convention! Be careful. Demand discussion! Hear the other side! We believe that free speech, co-operation, and democratic acts and thoughts must be granted to science fiction fandom.”

Sound pretty innocent? Well, that was the way the villain Communists would present things, too, in those days. And that really was the basis for the paranoia exhibited, that the radical elements of fandom would disrupt the convention by politicizing it. Sound crazy? Not to those running the convention. So, the sudden appearance of the first pamphlet on Saturday morning alerted the three leaders. A search discovered the batch of “Warnings” under the radiator. Wollheim, the Futurian spokesman, denied any knowledge, but was disbelieved. I kept my mouth shut. That’s why I was allowed into the meeting. I did try to speak up about the banning, but the agenda was well fixed in place, all of which, perhaps, was due to my yellow pamphlet‘s self-fulfilling prophecy.

John Michel co-authored the pamphlet, according to Andrew Liptak’s “The Futurians and the 1939 World Science Fiction Convention”. For bonus reading, eFanzines has scans of three accounts of the controversy produced soon after it happened.

Mike Resnick’s Galaxy’s Edge Editorial

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By Mike Resnick: Thanks to all the stink raised by both sides at Worldcon, I have an editorial, “The End of Worldcon as We Know It”, in the just published issue of Galaxy’s Edge. It’s accessable online for free…and if you’d like to run it in File 770, you have my blessing.

The End of Worldcon As We Know It

The recent brouhaha (a much better word than kerfluffle) over the Hugo ballot has caused a number of people, online and elsewhere, to proclaim that this is The End of Worldcon, at least the End of Worldcon As We Know It.

So it’s probably time for a little history lesson, because you know what will actually cause The End of Worldcon As We Know It?

Peace, camaraderie, and tranquility.

You think not?

Do you know what Fredrik Pohl, Donald A. Wollheim, Cyril M. Kornbluth, and Robert A. W. Lowndes have in common? I mean, besides their positions as giants in the annals of science fiction, with Wollheim and Pohl being Worldcon Guests of Honor, Kornbluth being still in print six decades after his premature death, and Lowndes editing for close to half a century?

They were all stopped at the door and not allowed to attend the very first Worldcon back in 1939.

No kidding. It was clearly going to be the End of Worldcon before it was even born.

It’s all written up in The Immortal Storm: A History of Science Fiction Fandom in the 1930s, by Sam Moskowitz, the guy who turned them away. (It seems they wouldn’t sign a pledge to behave and to not distribute Futurian John Michel’s Communist diatribe at the convention. Of course, while these four and Michel were being refused entry, Dave Kyle quietly brought a bundle of copies of Michel’s tract, Mutation or Death, into the con.)

It has become known in the field’s history books as The Exclusion Act. Well, in those histories written before 1956…after which it is known as the First Exclusion Act.

Move the clock ahead and stop it in 1964, the year of the Breendoggle.

You don’t know about the Breendoggle?

It seems that the Pacificon committee decided to bar the spouse of a major writer from attending, and this caused quite an uproar, to the point where literally half of fandom was threatening to boycott the convention if he came, and the other half threatened to boycott it if he was not permitted to attend. It was certainly going to be the End of Worldcon As We Know It.

At the last minute, the spouse elected not to attend, and the Worldcon went off as scheduled. So who was the spouse, I hear you ask? Walter Breen, the husband of Marion Zimmer Bradley. And why didn’t the committee want him to attend? If I tell you that he’d been arrested for pederasty in 1954, and died in jail in 1990 while serving time for child molesting, I think you’ll be able to intuit it.

Clifford D. Simak was not only a fine writer, but probably the most decent and gentle man ever to appear in this field. He was the Guest of Honor at the 1971 Worldcon, during the height of the truly acrimonious Old Wave/New Wave War. He spent most of his Guest of Honor speech talking not about himself, or his writing, or even science fiction, but rather attempting to make peace between the warring sides. Alas, he was too rational and made too much sense; the war continued unabated.

But (I hear you say) this End of Worldcon As We Know It is being caused by Hugo balloting, not all that other stuff that delights fannish historians every few years. Surely there’s never been a problem with voting before!

OK, guys—come back from Barsoom and Mesklin and Hyborea, and spend a little time in the real world again.

Not that long ago, in 1989, the Hugo Committee received a number of ballots for a certain up-and-coming artist. Problem was, most of the voters’ memberships were paid for with consecutively-numbered money orders from the same post office. The committee decided not to allow his name on the ballot, though he had enough paid-for votes. (I am told that some people are publicly buying and giving away a number of memberships to this year’s Worldcon. I have no idea what the Hugo committee plans to do about it.)

Of course, that’s far from the only “irregularity.” Remember a couple of years ago, in 2013, when there were only three short stories on the ballot? The reason for that is embedded in the Hugo rules: to make the ballot, a nominee in any category must receive at least 5% of the ballots cast.

Now remember back to 1994. Not the same situation, you say? You just looked, and there were five short stories nominated.

Well, you’re almost right. Only three short stories received 5% of the nominations. So the Hugo Administrator, in his infinite wisdom, added two novelettes to the ballot to fill it out—and sure enough, a novelette won the 1994 Hugo for Best Short Story.

Ah, but this year will be different, I hear you say. This year we’ll be voting No Award in a bunch of categories, and history will thank us.

Well, it just so happens that No Award has triumphed before. In fact, it has won Best Dramatic Presentation three different times. (Bet you didn’t know that Rod Serling’s classic “Twilight Zone” series lost to No Award, did you?)

But the most interesting and humiliating No Award came in 1959. The category was Best New Writer, and one of the losers was future Worldcon Guest of Honor and Nebula Grand Master Brian Aldiss, who actually won a Hugo in 1962, just three years later. That No Award was so embarrassing that they discontinued the category until they could find a sponsor eight years later, which is how the Campbell Award, sponsored by Analog, came into being.

Please note that I’ve limited myself to Worldcons. I haven’t mentioned the X Document or the Lem Affair or any of the other notable wars you can find in various pro and fannish histories (or probably even by just googling them). This editorial is only concerned with The End of Worldcon As We Know It.

And hopefully by now the answer should be apparent. You want to End Worldcon As We Know It? Don’t feud. Don’t boycott. Don’t be unpleasant. Don’t be unreasonable. Don’t raise your voices in mindless anger.

Do all that and none of us will recognize the Worldcon that emerges.

Recalling the First World Science Fiction Convention

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[First Fandom President John L. Coker III filled me in about a surviving member of the 1939 Worldcon I overlooked in a recent post.]

John L. Coker III: I appreciated very much the article (04/20) about Art Widner.  There is one update that I’d like to provide…in addition to Madle, Korshak and Kyle, another member of First Fandom attended the first Worldcon (July 2-4, 1939).  That true fan is none other than Jack Robins, who is alive and well today!  In October 1936, Jack was also part of the New York group of fans that took the train to meet with their counterpart fans in Philadelphia.  Robins, Kyle and Madle are now the only survivors of what Sam Moskowitz has acknowledged as the First Eastern Science Fiction Convention.

I have attached an excerpt of an interview that I recently conducted with Jack Robins, in which he discusses attending the first World Science Fiction Convention —

Jack Robins

Jack Robins

By Jack Robins: A group of us, Wollheim, Michel, Pohl and I headed out to the first World Science Fiction Convention.  When we arrived at Caravan Hall, we approached the admission desk together, ready to pay the entrance fee.  Sam Moskowitz came over and told Wollheim, Michel and Pohl that they couldn’t go in.  Then he looked at me as I stood there dumbfounded, hesitated a moment and then said, “You can go in.”  I paid my admission and went in.  Later on Asimov appeared and was admitted.  He was supposed to say something about the people being barred but Campbell got hold of him and praised him to the audience.  He was so flattered and in awe that he forgot he was supposed to say something about the barred fans.

Across the street from the Convention there was a cafeteria.  Whenever I could I would join them and tell them what went on.  Occasionally other fans would meet with them.  Of course they were deeply angry to have been unfairly barred from the convention.  All they had wanted to do was enjoy the first World Science Fiction Convention but somehow the organizers must have felt that Wollheim, Michel and Pohl would miraculously take over and ruin the meeting.  The funny thing is that months before, Wollheim was broaching the subject of having a Convention at the same time as the World’s Fair because fans from all over the country and from other countries might attend.  So the idea had been bandied about in Fandom but was taken over by Moskowitz, Taurasi and Sykora, with John Campbell’s support.  The organizers made a very successful first convention, doing a superb job of putting it together.

(Excerpted from an interview with John L. Coker III – © 2015)

On This Day In History 7/4

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Three AWOL Worldcon members were in Yankee Stadium when this picture was taken.

Three AWOL Worldcon members were in Yankee Stadium when this picture was taken.

July 4, 1939: Julius Schwartz ditched the last day of the first World Science Fiction Convention and went with Mort Weisinger and Otto Binder to see a ballgame at Yankee Stadium.

He still got to see fan history being made. Baseball fan history.

A very special thing happened that afternoon: Lou Gehrig announced his retirement from the game of baseball. There wasn’t a dry eye in the house. It’s something I will never forget.

Gehrig’s famous lines echoed throughout the park:

For the past two weeks you have been reading about a bad break I got. Yet today I consider myself the luckiest man on the face of the earth.

(And if you’re any kind of baseball fan you should not miss the video of all 30 Major League first basemen doing Gehrig’s lines, something Fox Sports produced to mark the 75th anniversary of his speech.)

Makes You Think

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The 2014 Worldcon has just issued a two-part press release.

First, Loncon 3, seeking “to represent the diversity of both our host borough and city and the sf genre as a whole,” will work with Con or Bust, a U.S.-based nonprofit that assists people of color to attend conventions such as Worldcons.

Loncon 3 has donated five attending memberships to Con or Bust, and will match up to another 20 donations from Worldcon members.

I expect that after this news is posted it will not be difficult to find comments here and there in the sf blogosphere that this initiative provides an unfair benefit – comments actually motivated by antagonism to diversity – because that’s what typically happens. And although Loncon 3 is bound to be familiar with the trend, I’m sure any connection between that and the second part of the press release exists only in my imagination —

2014 is the 75th anniversary of the first Worldcon, held in New York in 1939. To commemorate the history of the sf genre, Loncon 3 is offering a free Attending membership to anyone who was a member of either Nycon 1 in 1939 or the first British Worldcon, Loncon 1 in 1957.

Obviously most – possibly all — potential beneficiaries of the second policy will be old white men….  

I just had to confess how ironic I find this.

The full press release follows the jump.

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