Pixel Scroll 10/7/23 For All Fankind

(1) WAYS IN WHICH PRATCHETT IS STILL WITH US. Sam Jordison discusses “Pratchett power: from lost stories to new adaptations, how the late Discworld author lives on” in the Guardian.

“Of all the dead authors in the world, Terry Pratchett is the most alive,” said John Lloyd at the author’s memorial in 2015. This sentiment remains as true now, 40 years after the publication of Pratchett’s first Discworld novel, The Colour of Magic. The anniversary has been commemorated in a set of illustrated Royal Mail stamps. There’s been a show dedicated to Pratchett at the Edinburgh fringe. A Kickstarter for a graphic novel adaptation of Good Omens, the book he co-wrote with Neil Gaiman, became the number one comics campaign in Kickstarter history, bringing in more than £2.4m; a second series of the TV adaptation was also released.

All this would make 2023 an impressive year by any writer’s standards – but happened in the month of August alone. The big event comes this month, with the publication of A Stroke of the Pen, a collection of rediscovered early stories. This past year also brought an animated adaptation of Pratchett’s children’s novel The Amazing Maurice, and a new set of Discworld audiobooks….

Naturally, the best paragraphs are the ones that quote Pratchett:

…Not that Pratchett was universally disparaged: the critics who actually read his books tended to like them. When AS Byatt reviewed Thief of Time, she said it deserved to win the Booker prize. Of course, Pratchett never got a look in. “Thank goodness,” he said, “because I think my earnings would have gone down considerably if I suddenly got literary credibility.” He also joked that when he was given an OBE for services to literature, those services “consisted of refraining from trying to write any”…

(2) BEARS DISCOVER TYPING. Margaret Grebowicz traces “Terry Bisson’s History of the Future” in The New Yorker.

… In 1969, Bisson quit writing for a decade and left New York for “hippie commune” work in the South and Southwest. He met his wife, Judy Jensen, in a commune, and they became involved in the May 19th Communist Organization, a group created by former members of the Weather Underground. In 1975, the couple moved back to New York to organize for May 19th, and Bisson worked as an auto mechanic in taxi garages and a copywriter. He sold his first science-fiction novel, “Wylrdmaker,” to the publisher David Hartwell in 1981, for fifteen hundred dollars. The novel was pulp: it told the story of Kemen of Pastryn, a satirical futuristic version of Conan the Barbarian. It wasn’t the book Bisson wanted to write, he told me, but “it was the smartest thing I ever did. That’s when I discovered you didn’t have to be fucking Hemingway or Fitzgerald to write a novel.” His second novel, “The Talking Man,” was more of a passion project—it was a fantasy novel set in the rural South, with junkyards instead of castles. “There was a sense of science fiction as a very urban literature and the future as a very urban place,” the writer Karen Joy Fowler told me. “Terry’s perspective was more land-based, regional, and populist.”

If May 19th had asked him to do anything risky, Bisson would have. But he was always suspected of being a “petit-bourgeois intellectual” and thus was kept on the sidelines. In 1985, he was subpoenaed to testify in front of a grand jury, to identify friends who had gone into hiding, and who were suspected for bombings at the Capitol and three military bases nearby. He refused to comply, and spent three months in prison—a short stint, he notes, compared with those of his friends. There, Bisson started his third novel, “Fire on The Mountain,” an alternative history in which the abolitionist John Brown’s revolt at Harper’s Ferry succeeded. When it was published, in 1988, Bisson dedicated the book to Kuwasi Balagoon and the Black Liberation Army….

(3) THE 1440 MINUTE HATE. Sandra Newman, author of 1984 turnabout Julia, tells “What I learned about today’s rage culture from rewriting 1984” in the Guardian.

…Nowadays, the language of Nineteen Eighty-Four is used by rightwingers to indict “wokeism”. Any new coinage from the left is called “Newspeak”; any attempt to acknowledge moral ambiguity is dismissed as “doublethink”. With the single word “Orwellian”, a college’s overreaching speech policy, for example, is framed as an existential threat to the free world. But Nineteen Eighty-Four wasn’t a warning against a university’s inclusivity statement. It was a warning about men like Trump and Putin and the violent mass movements they inspire….

… When my Nineteen Eighty-Four book was announced, described as a “feminist retelling”, I was treated to a personal experience of how far things had gone. The news attracted a storm of misogynist and antisemitic abuse in rightwing tweets, blogs, YouTube videos, even newspaper articles. This was long before the novel was available to be read – before I’d barely written a few chapters. Still, all the attackers were sure what would be in it: a full-throated endorsement of Big Brother. …

(4) OHAYOCON MELTDOWN. Nerd & Tie is following the controvery between the owner and volunteers of a commercial sff con: “Ohayocon Senior Leadership and Volunteers on Strike After Removal of Con Chair Cody Marcum [Updated 10/6]”. A long post at the link.

…From what we’ve been able to gather, it appears that a group of Ohayocon staffers and volunteers had formed an informal union called Convention of Ohio Volunteer Network (COVEN) and presented a document of demands to Phelps and other members of the board of Cultural Exchange Society, Inc on March 4th, 2023. You can read a full version of that document here. …

Update 10/6/2023 (8:50pm CDT): Ohayocon has put out a statement regarding the current situation which is, frankly, confusing. In the statement, Ohayocon says “Contrary to misinformation swirling online, NO volunteers or members of the Senior Leadership Team have been fired from Ohayocon…” which is at odds with Phelp’s repeated, explicit statements that the con chair and marketing head had been fired….

(5) SMALL WONDERS 4. Co-editors Cislyn Smith and Stephen Granade are proud to bring a mix of flash fiction and poetry for the spooky month in Small Wonders Issue 4, now available on virtual newsstands here. Subscriptions are available at the magazine’s store and on Patreon.

The Issue 4 Table of Contents and release dates on the Small Wonders website:

  • Cover Art: “Rebuilding” by Carrie Alyson
  • “Katya’s Microscope” (fiction) by Monica Joyce Evans (2 Oct)
  • “Five Easy Hairstyles for Snake-Haired Girls” (poem) by Jelena Dunato (4 Oct)
  • “Granny’s Spider” (fiction) by Wen Wen Yang (6 Oct)
  • “On the bare unwelcoming shore” (fiction) by Zohar Jacobs (9 Oct)
  • “Drunken Supernova” (poem) by Keira Perkins (11 Oct)
  • “Faith That Builds Worlds” (fiction) by Eric A. Clayton (16 Oct)
  • “If We Live to Be Giants” (fiction) by Allison Mulder (13 Oct)
  • “Sever” (poem) by Lora Gray (18 Oct)
  • “Five Functions of Your Bionosaur” (fiction) by Rachael K. Jones (20 Oct)

(6) GOAL: DISRUPTION. “Spotify Gave Subscribers Music and Podcasts. Next: Audiobooks.” – in the New York Times.

Four years ago, Spotify’s business was stagnating. Apple had overtaken it as the top paid music service in the United States, losses were mounting and customer growth was slowing.

Daniel Ek, the company’s chief executive, decided that Spotify needed to transform from a music service into the everything store for audio. The first missing piece was podcasts, a business that has helped boost ad sales.

Now Mr. Ek has set his sights on another rapidly growing medium: audiobooks.

On Tuesday, Spotify said that it would begin offering 15 hours of audiobooks each month as part of its streaming service for premium subscribers in Britain and Australia. This winter, it will expand the offering to subscribers in the United States.

Spotify’s expansion into books has the potential to shake up the retail landscape for audiobooks, a fast-growing segment of publishing that has long been dominated by the Amazon-owned audio retailer Audible.

(7) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Single day tickets now available

Announcement on Weibo ; Chinese-language announcement on the official site ; Damai.cn sales page . There is no corresponding English-language item on the official site, and I don’t think there were FB or Twitter posts either.

Just over two weeks after attending tickets/memberships for the con were halted without notice, the promised single day tickets have finally gone on sale.  Key points:

  • Adult (over-25) tickets are 128 yuan per day (around $18 USD)
  • “Teenager” (13-25) tickets are 78 yuan per day (around $11 USD)
  • For reference, the original 5-day ticket prices were 320 and 200 yuan ($44 and $28 USD) respectively
  • Tickets are only available for Thursday 19th through Sunday 22nd, i.e. not the opening day
  • Ticket sales will close at the end of Saturday 14th (presumably Beijing-time, but this isn’t explicitly stated)

Translations of some of the reply comments on the Weibo post reflect the above:

  • I bought three single-day tickets, which are more expensive than the pass, and I can’t participate in the lottery
  • Why is there no 18-day single-day ticket opening ceremony at 8pm。This day is a variety of activities, and by then there will be almost no one during the day。

Chengdu magazine cover feature on the Worldcon and SF generally –  https://weibo.com/1615055180/NmLaY6rLI

File 770 contributor Feng Zhang posted photos of the October issue of Chengdu Culture/Tianfu Culture, in which the Worldcon is a cover feature, and in which he is interviewed.

A couple of Xiaohongshu posts about the interior decor

  • The Wandering Earth 2 exhibit has progressed a bit since the video included in a Scroll a couple of days ago.  http://xhslink.com/KAbNfv  (I’ve attached the image, as there’s not much else to that post)
  • A company making large lamps seems to be making replicas of the planets to be displayed at the con. http://xhslink.com/739Mfv  The text of the post refers to “10 major planets”, so maybe Pluto-diehards will be in luck?

(8) CAN’T SLIP ONE BY HIM. A scholar suspects the language of Watership Down is spreading to English. “Lapine Lingo in American English: Silflay”.  

Lapine Lingo in American English: Silflay; Author(s): Thomas E. Murray; Source: American Speech , Winter, 1985, Vol. 60, No. 4 (Winter, 1985), pp. 372-375; Published by: Duke University Press

“The general conclusion concerning silflay and its infiltration into American speech, then, is clear: whereas the Russians may or may not be coming, the rabbits have definitely already come and gone, and in their short stay have left a significant linguistic imprint on a sizable portion of the American population. As for the future of silflay, I think it may warrant further attention. Will its popularity die a slow and inconsequential death, as is the case with so many nonce creations, or will it spread, either geo-graphically or socioeconomically, to other English-speaking peoples?  Moreover, what of the other terms that Adams created (over forty are listed in the Glossary at the end of the novel)? Will one or more of them charm some innocent lover of bunnies into increasing his or her vocabulary and thus propagating other aspects of the lapine lingo? Perhaps not, but given the current, unexpected popularity of silflay, the entire rabbit language phenomenon certainly bears watching.”

(9) NM-AZ BOOK AWARD WINNERS. The New Mexico Book Co-op has announced the 2023 winners of the New Mexico-Arizona Book Awards.

The winner in the Sci-Fi category is Avery Christy for Mountain Knight.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 7, 1938 Jane Gallion (Ellern). Writer, Poet, and Fan who was one of the members of the Los Angeles Science Fiction Society subgroup The Blackguards, which hosted many parties and tournaments. She edited the fanzines Karuna, and Topaze (etc.), contributed to many other fanzines over the years, and was known for her three post-apocalyptic novels which were very early examples of feminist works involving explicit sex. (Died 2003.)
  • Born October 7, 1942 Lee Gold, 81. She’s a member of LAFA and a writer and editor in the role-playing game and filk music communities. She published Xenofilkia, a bi-monthly compilation of filk songs which has been published since 1988, four issues of the Filker Up anthology; and has published for forty-four years, Alarums and Excursions, a monthly gaming zine. She’s edited more fanzines than I care to list here, and is a member of the Filk Hall of Fame along with Barry Gold, her husband. 
  • Born October 7, 1945 Hal Colebatch. Lawyer, Journalist, Editor, and Writer from Australia who has written, singly or in collaboration, two novels and at least two dozen shorter pieces set in Larry Niven’s The Man-Kzin Wars series. However, his main body of work is non-genre, including six books of poetry, short stories, and radio dramas and adaptations. His non-fiction books include social commentary, biography and history, and he has published many hundreds of articles and reviews in various news and critical venues. (Died 2019.)
  • Born October 7, 1946 Chris Foss, 79. UK Illustrator known for the Seventies UK paperback covers for Asimov’s Foundation trilogy and E. E. “Doc” Smith’s Lensman and Skylark series among many that he did. He also did design work for the Jodorowsky version of Dune. Alien has his Spaceship design, and he did redesign of Gordon’s rocket cycle for the 1980 Flash Gordon film. 
  • Born October 7, 1947 John Brosnan. Australian writer who died way too young of acute pancreatitis. He used at least seven pseudonyms, and wrote scripts for a number of what I’ll generously call horror films including one I know that somehow I saw — Carnosaur.  If you like your SF with a larger dose of pulp, his Sky Lords trilogy (The Sky LordsThe War of the Sky Lords and The Fall of the Sky Lords) is damn good. Airships, airships! (Died 2005.)
  • Born October 7, 1950 Howard Chaykin, 73. Comic book artist and writer. His first major work was for DC Comics, drawing “The Price of Pain” which was an adaptation of author Fritz Leiber’s characters Fafhrd and the Gray Mouser in Sword of Sorcery #1. He would illustrate damn near everything else from Batman and The Legion of Super-Heroes for DC to Hulk and Iron-Man for Marvel (to name but two series) but I think his best genre work was his own American Flagg! series.
  • Born October 7, 1956 Rick Foss, 67. Historian, Writer, Food Connoisseur, Conrunner, and Fan who has had around a dozen short fiction works published, mostly in Analog, some of which are in his Probability Zero universe. He is also a food writer, maintains a blog of interesting and little-known stories about food and cooking, has published the book Food in the Air and Space: The Surprising History of Food and Drink in the Skies about the history of airline food, and has had occasional food-related contributions on File 770. He is a member of LASFS and SCIFI, has worked many Loscons and other conventions, and chaired Loscon Sixteen in 1990. Along with his twin brother Wolf Foss, he was Fan Guest of Honor and Toastmaster at Windycon 19 in 1992.
  • Born October 7, 1959 Steven Erikson, 64. He’s definitely most known for his Malazan Book of the Fallen series, which began with the publication of Gardens of the Moon and was completed with the publication of The Crippled God, ten novels later. Though I’ve not read it, and didn’t know it existed until now, he’s written the Willful Child trilogy, a spoof on Star Trek and other tropes common in the genre. 

(11) COMICS SECTION.

  • Candorville livestreams a generation clash.
  • Candorville finds a reason to be grumpy about the Updated Drake Equation.

(12) FOR ALL MANKIND MISSION ART. Collectspace.com covers an interesting item: “New collectible pin buttons depict ‘For All Mankind’ space mission patches”. (The direct link to the Icon Heroes product page is here.)

As recently announced by Apple TV+, the fourth season of “For All Mankind” is set to debut on Nov. 10. Created by Ronald D. Moore, along with current showrunners Ben Nedivi and Matt Wolpert, “For All Mankind” explores how humanity’s space exploration efforts may have proceeded differently if the Soviet Union had beaten the United States to landing a man on the moon.

One of the ways the show has distinguished its timeline from our own has been the inclusion of altered or entirely new mission patches worn by the astronauts in the series. For the past three seasons, Icon Heroes, a pop culture collectibles company, has sold limited edition replicas of the “For All Mankind” embroidered emblems.

Now, the Irvine, California-based company is offering those same alternate Apollo artworks, space shuttle symbols and Martian marks as collectible pinback buttons….

(13) 2023 LAUREATE AWARD. The National Fantasy Fan Federation has announced the 2023 Laureate Award winners. The Laureate Award was first given in 1941.

Best Fan Writer — Martin Lock
Best Fan Artist — Jose Sanchez
Best Fan Website — Fanac.org from Joe Siclari, Edie Stern, and Mark Olsen
Best Non-N3F Fanzine — Simultaneous Times Newsletter from Jean-Paul L. Garnier
Best N3F Fanzine — Tightbeam
Best Podcast — Simultaneous Times
Best Novel — Lords of Uncreation by Adrian Tchaikovsky
Best Shorter Work or Anthology — Return to Glory by Jack McDevitt
Best Pro Artist — Austin Arthur Hart
Best Editor — Toni Weisskopf
Best SF Poet — Michael Butterworth
Best Comic Book — New Think 1.0
Best Anime — Chainsaw Man
Best Manga — Mindset
Best Television Show, Film, or Video — Heath Row’s Productions
Best None of the Above — Manuscript Press (Rick Norwood) and aruffo.com for reprinting the daily comic strip Alley Oop

(14) RALPH CRAM’S OEURVE. “The University Architect Who Also Wrote About Haunted Buildings” in the Princeton Alumni Weekly.

The architect who created the look of Princeton’s campus wrote ghost stories. Fittingly, Ralph Adams Cram’s stories are about haunted buildings, and what haunts those buildings is the past. In a story collection that he published in 1895, empty houses prove, over and over, to be anything but. In a crumbling castle near Innsbruck, Austria, where a devilish nobleman once set the ballroom on fire while his guests danced inside, two “ghost hunters” get caught up in a danse macabre. In a secluded convent near Palermo, Italy, a visitor follows a beckoning specter to the site where, a century earlier, the nuns bricked up one of their sisters in the convent’s walls, a heartless punishment for a sin of the heart. In an abandoned old manse in the Latin Quarter of Paris, rumored to have once been a favorite haunt of the city’s witches, a gang of young “rake-hell” students spends the night on a dare, with predictably ghastly results.

The thesis is straightforward: We inhabit buildings, and they inhabit us, in a larger sense than we might think. In 1907, a group of archaeologists who planned to do excavations in the ruins of Glastonbury Abbey performed séances to get advice from the former inhabitants on where to dig. Cram wrote a defense of their methods, arguing not that they dialed up literal ghosts but that buildings are a deep well of memory that outlasts their inhabitants. (The archaeologists found what they were looking for, but England is so crowded with historical odds and sods that they find kings under parking lots, so their chances were already good.)…

(15) TAKE TWO. The solar system has no suspenders but it may have two belts. “Puzzling objects found far beyond Neptune hint at second Kuiper belt” in Science.

Beyond Neptune’s orbit lie thousands of small icy objects in the Kuiper belt, with Pluto its most famous resident. But after 50 astronomical units (AU)—50 times the distance between Earth and the Sun—the belt ends suddenly and the number of objects drops to zero. Meanwhile, in other solar systems, similar belts stretch outward across hundreds of AU….

A new discovery is challenging that picture. While using ground-based telescopes to hunt for fresh targets for NASA’s New Horizons spacecraft, now past Pluto on a course out of the Solar System, Fraser and his colleagues have made a tantalizing, though preliminary, discovery: about a dozen objects that lie beyond 60 AU—nearly as far from Pluto as Pluto is from the Sun. The finding, if real, could suggest that the Kuiper belt either extends much farther than once thought or—given the seeming 10-AU gap between these bodies and the known Kuiper belt—that a “second” belt exists…

(16) ROCKY MOUNTAIN HIGH. “NASA rover makes adventurous trip, then snaps stunning Mars picture” at Mashable.

It was a long slog. But NASA‘s Curiosity rover did it.

The space agency’s car-sized robot, which has ventured up Mars’ Mount Sharp for nearly a decade, successfully traversed rocky terrain to arrive at a scientifically-intriguing site made by ancient avalanches of boulders, debris, and water. Today, this place, Gediz Vallis Ridge, exists as a prominent hill blanketed with large rocks.

After making the arduous trek (scientists worked to find a passable route to this area for three years), the Curiosity rover turned around and snapped an expansive image of the Martian landscape beyond, which NASA released on Oct. 5.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Juli Marr, Andrew (not Werdna), Mark Roth-Whitroth, Steven French, John-Paul L. Garnier, JeffWarner, Andrew Porter, Ersatz Culture, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 9/16/23 Hush Little Pixel, Mama’s Going To Buy You A Scroll

(1) DOCTOROW ON FABLES TABLE-FLIP. Cory Doctorow’s Pluralistic post “Bill Willingham puts his graphic novel series ‘Fables’ into the public domain (15 Sept 2023)” assesses many IP rights issues triggered by Willingham’s announcement.

…It’s been 21 years since Bill Willingham launched Fables, his 110-issue, wide-ranging, delightful and brilliantly crafted author-owned comic series that imagines that the folkloric figures of the world’s fairytales are real people, who live in a secret society whose internal struggles and intersections with the mundane world are the source of endless drama.

Fables is a DC Comics title; DC is division of the massive entertainment conglomerate Warners, which is, in turn, part of the Warner/Discovery empire, a rapacious corporate behemoth whose screenwriters have been on strike for 137 days (and counting). DC is part of a comics duopoly; its rival, Marvel, is a division of the Disney/Fox juggernaut, whose writers are also on strike.

The DC that Willingham bargained with at the turn of the century isn’t the DC that he bargains with now. Back then, DC was still subject to a modicum of discipline from competition; its corporate owner’s shareholders had not yet acquired today’s appetite for meteoric returns on investment of the sort that can only be achieved through wage-theft and price-gouging….

…Rather than fight Warner, Willingham has embarked on what JWZ calls an act of “absolute table-flip badassery” – he has announced that Fables will hereafter be in the public domain, available for anyone to adapt commercially, in works that compete with whatever DC might be offering.

Now, this is huge, and it’s also shrewd. It’s the kind of thing that will bring lots of attention on Warner’s fraudulent dealings with its creative workforce, at a moment where the company is losing a public relations battle to the workers picketing in front of its gates. It constitutes a poison pill that is eminently satisfying to contemplate. It’s delicious.

But it’s also muddy. Willingham has since clarified that his public domain dedication means that the public can’t reproduce the existing comics. That’s not surprising; while Willingham doesn’t say so, it’s vanishingly unlikely that he owns the copyrights to the artwork created by other artists (Willingham is also a talented illustrator, but collaborated with a who’s-who of comics greats for Fables). He may or may not have control over trademarks, from the Fables wordmark to any trademark interests in the character designs. He certainly doesn’t have control over the trademarked logos for Warner and DC that adorn the books….

It is also interesting to read that Bill Willingham, praised today by Cory Doctorow for striking a blow against corporate IP abuse, attended BasedCon last weekend.   

(2) FANTASY REQUIRES A GOOD MAP. [Item by Bruce D. Arthurs.] Interesting piece at Mapping As Process about a 1917 map of Fairyland by artist Bernard Sleigh, with references to many stories in folklore and fable. There’s a link to a high-resolution image that can be zoomed in on: “An Anciente Mappe of Fairyland”.

…In December 1917, the British artist and wood engraver Bernard Sleigh (1872–1954) published a six-foot long, panoramic map of Fairyland in three sheets. Its style was that of the Arts and Crafts movement, an aesthetic championed by William Morris (1834–1896) in the second half of the nineteenth century, in reaction to the apparent destruction of individual skills and traditional designs by mass industrialization. Arts and Crafts generated intricately detailed designs and a retrogressive appeal to folk aesthetics. Sleigh, trained by one of Morris’s followers, cultivated a stylized mediaevalism in both the design and the subject matter of his drawings, prints, murals, and stained glass (Cooper 1997)….

(3) VOCAL COMPLAINT. Behind a paywall at Fortune: “Actor Stephen Fry says his voice was stolen from the Harry Potter audiobooks and replicated by AI—and warns this is just the beginning”. Wealth of Geeks has this report about what is in the article: “Actor Stephen Fry Claims AI Replicated His Voice from ‘Harry Potter’ Audiobooks”.

…Actor Stephen Fry claims that producers used AI to replicate his voice from the Harry Potter audiobooks without his permission. AI has become a central point of contention of both the WGA and SAG-AFTRA strikes.

As reported by Fortune, Fry told an audience at a London festival, “I’m a proud member of [SAG-AFTRA], as you know we’ve been on strike for three months now. And one of the burning issues is AI.”

At the festival, Fry played a clip of AI mimicking his voice as the narrator of a historical documentary. “I said not one word of that—it was a machine. Yes, it shocked me,” he said. “They used my reading of the seven volumes of the Harry Potter books, and from that dataset an AI of my voice was created and it made that new narration. What you heard was not the result of a mash-up, this is from a flexible artificial voice, where the words are modulated to fit the meaning of each sentence.”…

(4) DON’T BE A SUCKER. Victoria Strauss gives Writer Beware readers the “Anatomy of a Fake Film Company Scam: The Greendot Films / Better Bound House”.

…Here’s how it works. A film company–with a website and everything–calls or emails out of the blue with a tempting offer: your book has the potential to be made into a movie/TV series! And they want to represent you to studios/pitch you to producers/take you to a major conference where scores of film people will be present! Just one requirement: you need a screenplay/a pitch deck/a storyboard/some other product. Don’t have those things? No problem–they know a reputable and expert company that can create them for you…for a fee.

It’s a classic bait-and-switch setup. The “film company” is a front for the service provider, which in turn is owned by a parent company overseas. And that initial service that was pitched to you as absolutely essential? It’s just the start. By paying, you’ve marked yourself as fair game for escalating sales pressure and fraudulent offers involving large upfront payments. And the sales reps who staff the scams–who earn a commission on every dollar you spend–will take every opening you give them, and won’t stop unless you stop them.

This post takes a look at a real-life example, thanks to an author who has given me permission to share their experience.

Dramatis Personae

The fake film company: The Greendot Films. Its website includes a slideshow of movies Greendot is hoping you’ll assume they were responsible for creating, along with a fake history claiming that they’re a successor to two defunct production companies. The Greendot name itself has been “borrowed” from yet another defunct film company, Green Dot Films….

(5) BARRIERS TO FANDOM. Pocket reposts a 2021 Teen Vogue article which asks, “Who Actually Gets to ‘Escape’ Into Fandom?” and discusses antiracism resources.

… Escapism isn’t actually possible for everyone because of the nature of both fandom and the world around us. The best-worst example of the limits of fandom escapism? Racism.

Racism is global, and it infiltrates everything that we do; it’s close to inescapable offline, and it’s just as common online. Fandom is no exception.

In 2019, Dr. Rukmini Pande did an interview with Henry Jenkins about her book Squee From The Margins: Fandom and Race. “I found that while it is certainly possible for fans of color to ‘pass’ within online fan spaces, their modes of escapism are mostly contingent – I can enjoy a source or fan text until it gets racist,” Pande said in the interview. “Other fans articulated the importance of finding networks of fellow non-white fans so that they could curate their experiences to be safer. In all cases, fandom certainly isn’t a space where these fans can escape from race/racism even if it is not something that is engaged with publicly or vocally.”

It makes sense that people would resort to fandom escapism following natural disasters, or to have something to do other than overthink their local government’s COVID-19 response. But what about the times we’ve seen people talk about fandom being their “safe space” from them dealing with or seeing viral video recordings of Black people being killed, as we saw in the summer of 2020? What about people in the U.S. delving into fandom so they don’t have to think about American politics?

No matter the fandom, fans of color can’t reliably escape into fandom, because people don’t stop being racist just because they like the same things that people of color do. There’s always a racist person in fandom. There are always racist fanworks. There are always racist creators. There’s always racism in the source material that people will defend in your mentions for days….

(6) NM-AZ STATE BOOK AWARD SHORTLIST. The finalists for the 2023 New Mexico-Arizona Book Awards include these science fiction books:

  • 3VE by Jason DeGrey
  • Mountain Knight by Avery Christy
  • Planet Quest by Kate Harrington
  • The Yewberry Way by Jack Gist

(7) NO, THERE IS ANOTHER. “C.I.A. Discloses Identity of Second Spy Involved in ‘Argo’ Operation” reports the New York Times.

In the midst of the 1979 Iran hostage crisis, the C.I.A. began what came to be noted as one of the spy agency’s most successful publicly known operations: the rescue of six American diplomats who had escaped the overrun U.S. Embassy — using a fake movie as the cover story.

“Argo,” the real-life 2012 movie about the C.I.A.’s fake movie, portrayed a single C.I.A. officer, Tony Mendez, played by Ben Affleck, sneaking into Tehran to rescue the American diplomats in a daring operation.

But in reality, the agency sent two officers into Tehran. For the first time on Thursday, the C.I.A. is releasing the identity of that second officer, Ed Johnson, in the season finale of its new podcast, “The Langley Files.”

Mr. Johnson, a linguist, accompanied Mr. Mendez, a master of disguise and forgery, on the flight to Tehran to cajole the diplomats into adopting the cover story, that they were Canadians who were part of a crew scouting locations for a science fiction movie called “Argo.” The two then helped the diplomats with forged documents and escorted them through Iranian airport security to fly them home.

Although Mr. Johnson’s name was classified, the C.I.A. had acknowledged a second officer had been involved. Mr. Mendez, who died in 2019, wrote about being accompanied by a second officer in his first book, but used a pseudonym, Julio. A painting that depicts a scene from the operation and hangs in the C.I.A.’s Langley, Va., headquarters, shows a second officer sitting across from Mr. Mendez in Tehran as they forge stamps in Canadian passports. But the second officer’s identity is obscured, his back turned to the viewer.

The agency began publicly talking about its role in rescuing the diplomats 26 years ago. On the agency’s 50th anniversary, in 1997, the C.I.A. declassified the operation, and allowed Mr. Mendez to tell his story, hoping to balance accounts of some of the agency’s ill-fated operations around the world with one that was a clear success.

But until recently, Mr. Johnson preferred that his identity remain secret….

 (8) CINEMATIC HISTORY MADE HERE. “George Lucas’ former Marin Industrial Light and Magic studio closing, some employees vow to save it” reports ABC7 San Francisco.

In the North Bay, it’s the end of an era of movie-making magic.

The original soundstage and production facility in San Rafael for Industrial Light and Magic, founded by George Lucas, is going away. Lucas moved his campus to the Presidio in San Francisco almost 20 years ago.

The facility’s new owners are retiring, but one employee would like to save the studio’s history and legacy.

It may be a surprise to know hundreds of other films were created inside the nondescript building on Kerner Blvd. in San Rafael.

Now home to 32TEN Studios, this is the former campus of Lucas’ Industrial Light and Magic.

“Right after the success of ‘Star Wars,’ George Lucas wanted to remove himself from the Hollywood system, so he moved the ILM shop from Van Nuys up here,” said House.

House is a longtime model shop supervisor, and says many props and models from movies are still there. That includes the Millennium Falcon, an anchor from “Pirates of the Caribbean,” even a model of Chewbacca’s head.

Lucas relocated his campus to the Presidio in 2005 and he took the original door with him, which is now on display….

(9) BACK IN PORT. Having finished a series detailing her experiences aboard Disney’s Star Wars-themed Starcruiser, Cass Morris analyzes why it works in “The Stars Have Come Alive” at Scribendi.

As promised, this post is my attempt to analyze, for myself and for other interested parties, how the Starcruiser creates such an exceptional experience, and why it works so very well as it does.

I feel quite confident in the base assertion that it does, and has, because I’ve seen it in action on people who aren’t as deeply invested in the IP as I am. I’ve watched videos of influencers who are only surface-level conversant with Star Wars be moved to tears by Yoda’s holocron. I’ve seen parents who thought they were only their for their kids get wrapped up in the experience. I’ve seen people who arrived in civilian clothes buy garments on the ship or in Batuu so they could feel more a part of things.

And I’ve seen people who were already Star Wars fans go absolutely feral. In a good way! But the response that this experience has from people who fully give themselves over to it is astonishing.

So. It works. The Starcruiser is a phenomenal example of what immersive experiences can be. Now: Let’s unpack how and why…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1898 Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. (An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey. Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here.) His interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.)
  • Born September 15, 1932 Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the ever so delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 15, 1952 Lisa Tuttle, 71. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute”, which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include CatwitchThe Silver Bough and her Ghosts and Other Lovers collection. Her latest novel is The Curious Affair of the Witch at Wayside Cross.
  • Born September 15, 1954 Howard Weinstein, 69. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic video affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.” 
  • Born September 15, 1955 Amanda Hemingway, 68. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are. Oh and she invented this wonderful as noted on her Twitter site: “Schroedinger’s Cake: you don’t know it it’s been eaten until you open the tin.”
  • Born September 15, 1960 Kurt Busiek, 63. Writer whose work includes The Marvels limited series, ThuderboltsSuperman, his own outstanding Astro City series, and a very long run on The Avengers. He also worked at Dark Horse where he did Conan #1–28 and Young Indiana Jones Chronicles #1–8. 
  • Born September 15, 1960 Mike Mignola, 63. The Hellboy stories, of course, are definitely worth reading, particularly the early ones. His Batman: Gotham by Gaslight is an amazing What If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) COMICS SECTION.

  • Reality Check shows the results of a mixed message in Gotham.
  • Bliss explains the source of this superhero’s bliss.

(12) FEAST YOUR EYES. The Bristol Board has a wild gallery of “Basil Wolverton artwork for ‘Weird-Ass Tales of The Future’”, splash panels from Basil Wolverton’s science-fiction tales.  

(13) LOOKS WEIRD. Gizmodo delivers a “Weird Tales 100 Years of Weird Illustrated Anthology First Look”. There’s a slideshow of art at the link.

Weird Tales—which delivers exactly the kind of freaky, spooky stories you’d expect—marks its 100th anniversary this year, and is celebrating with the release of illustrated anthology Weird Tales: 100 Years of Weird. It’ll include entries from authors like Ray Bradbury and H.P. Lovecraft, as well as contemporary writers….

(14) ALL ABOARD. GameRant calls these the “Best Sci-Fi Board Games Of All Time”.

…This shared love of science fiction has led to a plethora of sci-fi-themed board games that use the themes and aesthetic of sci-fi to create immersive, unique experiences on the tabletop. The following examples provide a broad and varied selection of games, both old and new, that use science fiction as their theme to great effect.

Ranked in first place:

1. Twilight Imperium

This sci-fi space opera from Fantasy Flight Games was originally produced back in 1997. Now in its fourth edition, Twilight Imperium is grand strategy on an epic scale, tasking players with controlling the burgeoning empires of various alien races.

Each race in Twilight Imperium encourages a different playstyle, making for a broad and replayable experience. The game is mainly focused on building and positioning fleets, as well as engaging in diplomacy with fellow players. Twilight Imperium is a huge game, and not necessarily accessible, not only because it takes roughly six hours to play depending on the player count, but because it requires a heavy amount of strategizing. However, Twilight Imperium is a dramatic and immersive experience that fans of sci-fi space operas are sure to love.

(15) BUDGET BREAKER? Science explains why “Mars Sample Return risks consuming NASA science”. “Forthcoming cost estimate for budget-busting mission could lead to strict caps from Congress.”

…The cost of the mission may become altogether too mighty, however. The most recent official figure now puts it at some $6 billion, up from some $4 billion, and a leaked report suggests that, in one scenario, it could exceed $8 billion. Cost overruns for MSR and a few other large missions have already forced NASA to squeeze or delay other science missions, and calls to rethink—or even kill—Mars Sample Return  have grown. When an independent review of the project delivers a fresh cost estimate later this month, advocates are praying it stays well below $10 billion, which has emerged as a sort of red line for the mission. “It’s fair to say that the future of Mars Sample Return lives and dies with the recommendations of that panel,” says Casey Dreier, chief of space policy at the Planetary Society….

(16) WE’LL GO AT NIGHT. PBS Space-Time wonders “What NEW SCIENCE Would We Discover with a Moon Telescope?”

In order to see the faint light from objects in deepest space, astronomers go to the darkest places on the planet. In order to listen to their quite radio signals, they head as far from any radio-noisy humans as possible. But there’s nowhere on the earth, or even orbiting the Earth, that’s far enough to hear to the faint radio hum from the time before stars. In fact, we may need to build a giant radio telescope in the quietest place in the solar system—the far side of the Moon.

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid, over at YouTube’s Media Death Cult, has a new 10-minute video filmed appropriately, in sand dunes, on “How DUNE Became The Biggest Science Fiction Book In The Universe”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Bruce D. Arthurs, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2022 New Mexico-Arizona Book Awards

The New Mexico Book Co-Op has announced the winners of the 2022 New Mexico-Arizona Book Awards.  The complete list is here. The winners of genre interest are:

FICTION – SCI FI/FANTASY

  • PsyMind: Flashpoints by Val Chanda (Wasteland Press)

EBOOK

  • The Cyborg Raid by Elizabeth Randolph (Borderland Writers Co-op)

GAY/LESBIAN (LGBTQ)

  • Unrelenting by Jessi Honard and Marie Parks (Not a Pipe Publishing)

2022 New Mexico-Arizona Book Awards Finalists

The New Mexico Book Co-Op has announced the finalists for the 2022 New Mexico-Arizona Book Awards. Genre finalists are shown below. The complete list is here.

FICTION – SCI FI/FANTASY

  • Mariner’s Wake by Adam Marsh (Brick Cave Books)
  • PsyMind: Flashpoints by Val Chanda (Wasteland Press)
  • Tempest Blades: The Cursed Titans by Ricardo Victoria (Shadow Dragon Press)
  • The Crossover Paradox by Rob Edwards (Shadow Dragon Press)
  • Unrelenting by Jessi Honard & Marie Parks (Not a Pipe Publishing)

2021 New Mexico-Arizona Book Awards Winners

The New Mexico Book Co-Op has announced the winners of the 2021 New Mexico-Arizona Book Awards. There were 1,676 books judged in this year’s awards program, with 68 books selected as winners based on the highest average scores in each category.

Genre winners are listed below. Of the three winners in the Fiction Ebook category two are genre works, the Vardeman novel and the short story collection. The complete roster of winners is here.

FICTION EBOOK (TIE)

  • One Will: Three Wives by Edith Tarbescu (Adelaide Books)
  • Stunning Stories of Fantasy & Science Fiction by Alethea Eason, E J Randolph, Kris Neri, and Kate Rauner (Borderland Writers Co-op)
  • The Dust of Stars by Robert Vardeman (Cenotaph Corp)

FICTION SCIFI/FANTASY

  • The Shakespeare Incident by Jonathan Miller (Artemesia Publishing)

FICTION OTHER (TIE)

  • The Illustrated Fractured Fables by Ralph M Flores (Tome Lane Books)

YOUNG ADULT

  • The Planting of Bo-Keden by John Kincheloe (Spirit Lines Press)

YOUNG READER

  • Ellen and the Backyard Fairies by L Phillips Carlson (Snowsnake Press)